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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:19.79,0:00:21.41,SUBS,,0,0,0,,{\be1}...أنت , أوصل له رسالة
Comment: 0,0:00:29.54,0:00:32.54,OP,,0,0,0,,{\be1}{\be1}لقد بدأ الآن وقت الوداع
Comment: 0,0:00:32.74,0:00:36.41,OP,,0,0,0,,{\be1}{\be1}كخطٍ أبيض يطفو من الظلام
Comment: 0,0:00:36.41,0:00:39.60,OP,,0,0,0,,{\be1}{\be1}ناديتني لتعيدني الى رشدي
Comment: 0,0:00:39.62,0:00:46.49,OP,,0,0,0,,{\be1}{\be1}{\3c&H430A1B&\alpha&HFF&\t(0,90,1,\alpha&H00&)\t(6230,0,1,\alpha&HFF&)\blur3\t(0,1680,1,\blur0)\t(0,0,1,\blur3)}عندما كنت مليئًا بالوحدة
Comment: 0,0:00:58.42,0:01:05.18,OP,,0,0,0,,{\be1}{\be1},هناك شيء يستحق المشاهدة غير موجود هنا
Comment: 0,0:01:05.30,0:01:11.77,OP,,0,0,0,,{\be1}{\be1}حتى لو ابتعدت عيناك عنه فلن تضيع بهذه السهولة
Comment: 0,0:01:12.14,0:01:15.48,OP,,0,0,0,,{\be1}{\be1}فقط إنسَ المشهد المسبب للعمى
Comment: 0,0:01:15.60,0:01:18.77,OP,,0,0,0,,{\be1}{\be1}الذي سنمر عليه على أي حال
Comment: 0,0:01:18.98,0:01:22.28,OP,,0,0,0,,{\be1}{\be1}لن ترى أي شيء آخر
Comment: 0,0:01:22.44,0:01:26.03,OP,,0,0,0,,{\be1}{\be1}بصرف النظر عن ذلك
Comment: 0,0:01:27.57,0:01:30.91,OP,,0,0,0,,{\be1}{\be1}نبدأ بقول وداعا
Comment: 0,0:01:31.04,0:01:34.58,OP,,0,0,0,,{\be1}{\be1}إلى الطريق الخطأ الذي قطعناه حتى الآن ، ولكن
Comment: 0,0:01:34.67,0:01:37.91,OP,,0,0,0,,{\be1}{\be1}لقد كنت أفكر في ذلك لفترة طويلة
Comment: 0,0:01:37.91,0:01:41.17,OP,,0,0,0,,{\be1}{\be1}لن يسمح القلب لأي شخص أن يكون بمفرده
Comment: 0,0:01:41.30,0:01:44.83,OP,,0,0,0,,{\be1}{\be1},حتى لو كان التألق يدعوك
Comment: 0,0:01:44.83,0:01:48.26,OP,,0,0,0,,{\be1}{\be1}ضع في اعتبارك أنك لست مخطئًا في ذلك
Comment: 0,0:01:48.39,0:01:51.43,OP,,0,0,0,,{\be1}{\be1}سنركض معًا في المستقبل
Comment: 0,0:01:51.56,0:01:58.19,OP,,0,0,0,,{\be1}{\be1}{\3c&H430A1B&\alpha&HFF&\t(0,90,1,\alpha&H00&)\t(5250,0,1,\alpha&HFF&)\blur3\t(0,1680,1,\blur0)\t(0,0,1,\blur3)}لنحصل على ذكريات رائعة
Dialogue: 0,0:00:21.81,0:00:23.78,SUBS,,0,0,0,,{\be1}" كان ذلك ممتعاً"
Dialogue: 1,0:01:59.01,0:02:04.06,SIGNS,,0,0,0,,{\be1}{\fn!F Doha\fs195\blur1\bord2\shad0\3c&HFFFFFF&\4c&H000000&\c&H2145C5&\pos(938,179)\frz0.742}وصل الطبيب
Dialogue: 0,0:01:59.01,0:02:04.06,SIGNS,,0,0,0,,{\be1}{\fn!F Doha\fs195\blur3\bord3\shad10\c&H2553D1&\3c&H23201D&\4c&H000000&\pos(938,179)\frz0.742}وصل الطبيب
Dialogue: 0,0:02:15.85,0:02:21.04,SUBS,,0,0,0,فلاشباك,{\be1}{\i1\3c&H9B1602&}!هل تسمعني ؟! لن أسمح لك بالدخول إلى هذا المنزل حتى تجدها وتعيدها{\i0}
Dialogue: 0,0:02:29.70,0:02:31.04,SUBS,,0,0,0,,{\be1}لقد عُدت
Dialogue: 0,0:02:31.08,0:02:31.71,SUBS,,0,0,0,,{\be1}!أنت متأخر
Dialogue: 0,0:02:33.84,0:02:37.59,SUBS,,0,0,0,,{\be1}!أين كنت تتسكع طوال هذا الوقت؟
Dialogue: 0,0:02:37.59,0:02:41.40,SUBS,,0,0,0,,{\be1}...بينما كنت أجتاز أركان هذا العالم الأربع في خدمة سيدي الصغير
Dialogue: 0,0:02:41.40,0:02:43.80,SUBS,,0,0,0,,{\be1}!كنتما تتسكعان ، تلعبان "بانش آوت"؟
Dialogue: 0,0:02:44.41,0:02:45.54,SUBS,,0,0,0,,{\be1} !أنتِ
Dialogue: 0,0:02:45.54,0:02:49.81,SUBS,,0,0,0,,{\be1}لتعتقد أنك ستنسل إلى المنزل بعد أن تركت\N... سيدي الصغير متشبثاً بظهر ذلك الرجل
Dialogue: 0,0:02:50.08,0:02:51.81,SUBS,,0,0,0,,{\be1}!أنت مثير للشفقة
Dialogue: 0,0:02:51.81,0:02:54.81,SUBS,,0,0,0,,{\be1}إ-إنتظري ...كيف …؟
Dialogue: 0,0:02:55.26,0:02:58.32,SUBS,,0,0,0,,{\be1}في كلتا الحالتين، أنا لست والدَه بعد الآن، أليس كذلك؟
Dialogue: 0,0:02:58.32,0:02:59.61,SUBS,,0,0,0,,{\be1} !يا لك من مُغفل
Dialogue: 0,0:03:00.39,0:03:04.86,SUBS,,0,0,0,,{\be1}أخبرني … من يمكنه أن يكون والد " سيدي الصغير "إن لم يكن أنت؟
Dialogue: 0,0:03:04.86,0:03:05.53,SUBS,,0,0,0,,{\be1}ماذا؟
Dialogue: 0,0:03:11.86,0:03:18.68,SUBS,,0,0,0,,{\be1}، وبما انني لم استطع تحديد مرض سيِّدي الصغير \N قرَّرت ان افضل طريقة للعمل هي طلب المساعدة من اختصاصي
Dialogue: 0,0:03:18.71,0:03:21.22,SUBS,,0,0,0,,{\be1}كن في أفضل سلوكك
Dialogue: 0,0:03:21.50,0:03:23.74,SUBS,,0,0,0,,{\be1}هذا طبيب معروف في عالم الشياطين
Dialogue: 0,0:03:25.75,0:03:26.90,SUBS,,0,0,0,,{\be1}{\i1}طبيب؟{\i0}
Dialogue: 0,0:03:26.90,0:03:28.04,SUBS,,0,0,0,,{\be1}{\i1}هذا الرجل؟{\i0}
Dialogue: 0,0:03:28.60,0:03:31.18,SUBS,,0,0,0,,{\be1}{\i1}يبدو أنه عليك فقط أن تكون في المستوى الاول للتغلب على هذا الرجل {\i0}
Dialogue: 0,0:03:31.18,0:03:32.94,SUBS,,0,0,0,,{\be1}ما الذي تفعله؟
Dialogue: 0,0:03:32.98,0:03:35.20,SUBS,,0,0,0,,{\be1}!اسرع وادخل هنا
Dialogue: 0,0:03:36.53,0:03:41.49,SUBS,,0,0,0,,{\be1}ربّاه… لا أصدق أن (بيلز - ساما) ترعرع في منزلٍ صغيرٍ ضيق
Dialogue: 0,0:03:41.49,0:03:42.96,SUBS,,0,0,0,,{\be1}أنا مندهشة
Dialogue: 0,0:03:43.92,0:03:44.74,SUBS,,0,0,0,,{\be1}من هذه؟
Dialogue: 0,0:03:46.84,0:03:48.84,SUBS,,0,0,0,,{\be1}...مهلاً ، مهلاً ، مهلاً
Dialogue: 0,0:03:48.84,0:03:52.36,SUBS,,0,0,0,,{\be1}لا تخبريني … هذا الطفل الصغير هو الطبيب؟
Dialogue: 0,0:03:52.36,0:03:55.26,SUBS,,0,0,0,,{\be1}أنتِ صغيرة جداً ... هل أنتِ في الصف الرابع؟
Dialogue: 0,0:03:55.26,0:03:57.08,SUBS,,0,0,0,,{\be1}وانتظر ، إنها شيطان أيضًا؟
Dialogue: 0,0:03:57.08,0:03:59.13,SUBS,,0,0,0,,{\be1}انها ليست مجرد فتاة صغيرة تائهة؟
Dialogue: 0,0:03:59.13,0:04:00.30,SUBS,,0,0,0,,{\be1} !كيف تجرؤ؟
Dialogue: 0,0:04:05.39,0:04:07.43,SUBS,,0,0,0,,{\be1}آه , لقد فهمت الان
Dialogue: 0,0:04:07.43,0:04:11.83,SUBS,,0,0,0,,{\be1}...أنت (أوغا) ؟ أنت في الواقع الرجل عديم الفائدة الذي سمعت عنه
Dialogue: 0,0:04:11.83,0:04:15.52,SUBS,,0,0,0,,{\be1}...هذا يؤلم أكثر من توجو
Dialogue: 0,0:04:16.56,0:04:19.02,SUBS,,0,0,0,,{\be1}أيتها العاهرة ، ما هذا بحق الجحيم؟
Dialogue: 0,0:04:19.02,0:04:21.16,SUBS,,0,0,0,,{\be1}!رائحتك نتنة
Dialogue: 0,0:04:21.16,0:04:24.28,SUBS,,0,0,0,,{\be1}أشفق على الآنسة (هيلدا) لاضطرارها للعيش معك
Dialogue: 0,0:04:24.28,0:04:26.23,SUBS,,0,0,0,,{\be1}!ورائحتك كالمستنقع
Dialogue: 0,0:04:26.23,0:04:30.21,SUBS,,0,0,0,,{\be1}حول ذلك الجزء الأخير، لاميا، رائحته كهذه لأنه سقط في النهر
Dialogue: 0,0:04:30.21,0:04:32.04,SUBS,,0,0,0,,{\be1}!أهذا هو الجزء الوحيد الذي تُصححيه؟
Dialogue: 0,0:04:32.04,0:04:34.05,SUBS,,0,0,0,,{\be1}!يا لكِ من شقية
Dialogue: 0,0:04:34.05,0:04:35.29,SUBS,,0,0,0,,{\be1}!تعالي إلى هنا
Dialogue: 0,0:04:35.75,0:04:40.21,SUBS,,0,0,0,,{\be1}!حقاً، الملك الشيطاني العظيم لا يتغير أيضاً
Dialogue: 0,0:04:40.21,0:04:41.72,SUBS,,0,0,0,,{\be1} ...لماذا , أنتِ
Dialogue: 0,0:04:41.72,0:04:44.46,SUBS,,0,0,0,,{\be1}...لا يوجد إنسان يصلح ليكون والد سيد الشياطين
Dialogue: 0,0:04:45.38,0:04:47.51,SUBS,,0,0,0,,{\be1}كما لو أنك ستمسكني
Dialogue: 0,0:04:48.15,0:04:49.35,SUBS,,0,0,0,,{\be1} !بطيئ جداً
Dialogue: 0,0:04:49.35,0:04:52.22,SUBS,,0,0,0,,{\be1}...بالحديث عن موقف الطبيب
Dialogue: 0,0:04:52.22,0:04:55.48,SUBS,,0,0,0,,{\be1}!بدأت أرى ما هو الخطأ هنا
Dialogue: 0,0:04:58.40,0:04:59.44,SUBS,,0,0,0,,{\be1}أهدئي قليلاً
Dialogue: 0,0:05:03.45,0:05:05.51,SUBS,,0,0,0,,{\be1}اسمح لي أن أقدم لكم الجميع مرة أخرى
Dialogue: 0,0:05:05.51,0:05:10.25,SUBS,,0,0,0,,{\be1}هذا طبيب المحكمة، الدكتور فوركاس رخمانينوف، ومساعدته، لاميا
Dialogue: 0,0:05:10.25,0:05:11.09,SUBS,,0,0,0,,{\be1}أهلاً
Dialogue: 0,0:05:12.48,0:05:14.91,SUBS,,0,0,0,,{\be1}{\i1}!إذاً ذلك الشيء كان الطبيب{\i0}
Dialogue: 0,0:05:14.91,0:05:17.99,SUBS,,0,0,0,,{\be1}{\i1}!بئساً ، كُن أكثر وضوحا حول هذا الموضوع{\i0}
Dialogue: 0,0:05:17.99,0:05:19.44,SUBS,,0,0,0,,{\be1}{\i1} !قدّم نفسك{\i0}
Dialogue: 0,0:05:20.16,0:05:22.75,SUBS,,0,0,0,,{\be1}{\i1}وما خطب هذه الشخصية على أي حال؟{\i0}
Dialogue: 0,0:05:22.75,0:05:24.51,SUBS,,0,0,0,,{\be1}{\i1}ليس لها أي تصميم تقريباً {\i0}
Dialogue: 0,0:05:24.51,0:05:26.66,SUBS,,0,0,0,,{\be1}{\i1}!نصف مغفل تماماً{\i0}
Dialogue: 0,0:05:26.66,0:05:27.81,SUBS,,0,0,0,,{\be1} !لستُ نصف مُغفل
Dialogue: 0,0:05:28.63,0:05:31.19,SUBS,,0,0,0,,{\be1}{\i1}!ويمكنه قراءة أفكاري{\i0}
Dialogue: 0,0:05:31.19,0:05:32.08,SUBS,,0,0,0,,{\be1} !لم أقرئها
Dialogue: 0,0:05:33.14,0:05:36.31,SUBS,,0,0,0,,{\be1}حسناً؟ دعني اقول هذا اولًا
Dialogue: 0,0:05:36.31,0:05:39.22,SUBS,,0,0,0,,{\be1}أنا، في الحقيقة، مدهش بشكل جنوني
Dialogue: 0,0:05:39.22,0:05:41.91,SUBS,,0,0,0,,{\be1}الدكتور لديه كراهية شديدة من البشر، كما ترى
Dialogue: 0,0:05:41.91,0:05:44.76,SUBS,,0,0,0,,{\be1}لذا فهو يستخدم جسد "مو مو" بدلاً من ذلك
Dialogue: 0,0:05:44.76,0:05:46.65,SUBS,,0,0,0,,{\be1}أوه ، هذه مو- مو
Dialogue: 0,0:05:46.93,0:05:51.91,SUBS,,0,0,0,,{\be1}الآن بعد ذلك ، جئت مسرعًا إلى هنا ، لكني لا أرى المريض؟
Dialogue: 0,0:05:52.99,0:05:56.91,SUBS,,0,0,0,,{\be1}كيف لي ان اعرف؟ لقد ذهب عندما استيقظتُ هذا الصباح
Dialogue: 0,0:05:56.91,0:06:01.42,SUBS,,0,0,0,,{\be1}حسنًا ، بعد الاستماع إلى [هيلدا - دونو] ، أعتقد أن لدي فهمًا للوضع
Dialogue: 0,0:06:01.42,0:06:04.61,SUBS,,0,0,0,,{\be1}{\an8}مرض (بيليز - ساما) هي الحمى الملكية
Dialogue: 0,0:06:03.17,0:06:10.80,SIGNS,,0,0,0,,{\be1}{\3a10\1aff\blur1\bord3.75\fad(485,0)\fn29LT Bukra Bold\fscx200\fscy200\c&H080604&\3c&HFAFAFA&\pos(868.861,703.82)}الحُمى الملكية
Dialogue: 0,0:06:03.17,0:06:10.80,SIGNS,,0,0,0,,{\be1}{\alpha5\blur1.10\bord0\fad(485,0)\fn29LT Bukra Bold\fscx200\fscy200\c&H080604&\3c&HE7EBF1&\pos(868.046,704.509)}الحُمى الملكية
Dialogue: 0,0:06:05.41,0:06:08.79,SUBS,,0,0,0,,{\be1}{\an8}ومن الشائع بين أفراد الأسرة المالكة التي تتمتع\N بقدرٍ هائلٍ من السّلطة الضّامرة أن تستسلم لها
Dialogue: 0,0:06:08.79,0:06:10.80,SUBS,,0,0,0,,{\be1}{\an8} كنوع من حمى الأسنان
Dialogue: 0,0:06:11.27,0:06:12.30,SUBS,,0,0,0,,{\be1}حمى الاسنان؟
Dialogue: 0,0:06:12.30,0:06:16.81,SUBS,,0,0,0,,{\be1}نعم. وهي الحمى التي تحدث عندما يقطع الرضيع أسنانه
Dialogue: 0,0:06:17.54,0:06:21.97,SUBS,,0,0,0,,{\be1}أنا متأكد من أنك قد جربت ذلك مع (بيلز - ساما) عدة مرات حتى الآن، نعم
Dialogue: 0,0:06:21.97,0:06:25.82,SUBS,,0,0,0,,{\be1}وبسبب هذه التجارب ، حتى [هيلدا - سما] تخلّت عنها ، أليس كذلك؟
Dialogue: 0,0:06:26.29,0:06:29.20,SUBS,,0,0,0,,{\be1}لكن الوضع مختلف قليلاً هذه المرة
Dialogue: 0,0:06:30.43,0:06:32.85,SUBS,,0,0,0,,{\be1}بعد كل شيء ، هذا هو عالم البشر
Dialogue: 0,0:06:32.85,0:06:38.33,SUBS,,0,0,0,,{\be1}هناك حاجة لقناة بشرية ليطلق (بيلز - ساما) العنان لقوته السحرية
Dialogue: 0,0:06:38.70,0:06:44.34,SUBS,,0,0,0,,{\be1}لذا، قوة [بيلز - ساما] السحرية المتنامية أصبحت عظيمة جداً لتتعامل معها
Dialogue: 0,0:06:45.28,0:06:52.81,SUBS,,0,0,0,,{\be1}من أجل منع مثل هذه القوة السحرية العظيمة من التدفق\N داخلك [بيلز -ساما] قطع الصِلة بينكما دون وعي
Dialogue: 0,0:06:52.85,0:06:56.80,SUBS,,0,0,0,,{\be1}لأنه لو لم يفعل ، لكان قتلك بالتأكيد
Dialogue: 0,0:06:57.56,0:07:03.25,SUBS,,0,0,0,,{\be1}!بعبارة أخرى، هذا كله خطأك لعدم النمو بسرعة كافية لمجاراة [بيليز - ساما]
Dialogue: 0,0:07:03.25,0:07:04.86,SUBS,,0,0,0,,{\be1}!خذ الصورة أيها الأحمق؟
Dialogue: 0,0:07:06.58,0:07:07.86,SUBS,,0,0,0,,{\be1}ابقي صامتةً لفترةٍ أطول
Dialogue: 0,0:07:08.98,0:07:14.61,SUBS,,0,0,0,,{\be1}...لذا ذهب [بيبي - بيل] للبحث عن والدٍ جديد ووجد (توجو)
Dialogue: 0,0:07:14.61,0:07:16.33,SUBS,,0,0,0,,{\be1}لا ، هذا ليس هو الحال
Dialogue: 0,0:07:17.04,0:07:20.12,SUBS,,0,0,0,,{\be1},لو كان لدى هذا الرجل ما يتطلبه الأمر ليكون والد السيد الصغير
Dialogue: 0,0:07:20.12,0:07:23.05,SUBS,,0,0,0,,{\be1},لكان السيد الصغير قد أطلق قواه السحرية
Dialogue: 0,0:07:23.05,0:07:25.13,SUBS,,0,0,0,,{\be1}و ستنخفض حرارته
Dialogue: 0,0:07:25.63,0:07:29.21,SUBS,,0,0,0,,{\be1}وإلى جانب ذلك … لم أستطع الشعور بأي حقد من ذلك الرجل
Dialogue: 0,0:07:29.55,0:07:32.61,SUBS,,0,0,0,,{\be1}ومع ذلك ، ليس لدي أي شكوى بشأن قوته
Dialogue: 0,0:07:33.07,0:07:35.03,SUBS,,0,0,0,,{\be1}كنتِ تشاهدي ذلك؟
Dialogue: 0,0:07:35.03,0:07:37.64,SUBS,,0,0,0,,{\be1}ولكن قد تصل إلى مشكلةٍ مع صاحب مكانة الرجل
Dialogue: 0,0:07:37.64,0:07:39.64,SUBS,,0,0,0,,{\be1}{\i1} ...مهلاً ... إذن{\i0}
Dialogue: 0,0:07:40.67,0:07:42.65,SUBS,,0,0,0,,{\be1}{\i1}ما كان ذلك ؟{\i0}
Dialogue: 0,0:07:42.65,0:07:46.40,SUBS,,0,0,0,,{\be1}...لكن الآن بعد أن أفكّر في الأمر
Dialogue: 0,0:07:47.29,0:07:50.89,SUBS,,0,0,0,,{\be1}لماذا يتشبث (سيدي الصغير) بذلك الرجل؟
Dialogue: 0,0:07:58.19,0:08:01.65,SUBS,,0,0,0,,{\be1}يا رجل ، الجو حار اليوم أيضًا
Dialogue: 0,0:08:16.26,0:08:20.10,SUBS,,0,0,0,,{\be1}...أيتها القطة، لا داعي لأن تكوني مندفعة
Dialogue: 0,0:08:20.96,0:08:23.64,SUBS,,0,0,0,,{\be1} ...أجل , أجل , تعالي ألى هنا
Dialogue: 0,0:08:23.64,0:08:26.14,SUBS,,0,0,0,,{\be1}ماذا تفعل يا (توجو - سان)؟
Dialogue: 0,0:08:26.98,0:08:31.66,SUBS,,0,0,0,,{\be1}اسرع واحمل هذه الصناديق! إنها وظيفتك ، أتذكر؟
Dialogue: 0,0:08:31.66,0:08:36.67,SUBS,,0,0,0,,{\be1}يا إلهي ... اتصلت بي فجأة ، و جئتُ لمساعدتك على التنظيف بعد المهرجان؟
Dialogue: 0,0:08:36.67,0:08:38.41,SUBS,,0,0,0,,{\be1}أنا لست ولدك الصغير المساعد ، كما تعلم
Dialogue: 0,0:08:38.41,0:08:39.91,SUBS,,0,0,0,,{\be1} ...شوجي
Dialogue: 0,0:08:41.29,0:08:43.17,SUBS,,0,0,0,,{\be1}!ستجبر على الامر
Dialogue: 0,0:08:43.17,0:08:43.91,SUBS,,0,0,0,,{\be1} !ماذا؟
Dialogue: 0,0:08:46.39,0:08:49.92,SUBS,,0,0,0,,{\be1}يا رجل … لقد تأخر الوقت حقاً
Dialogue: 0,0:08:53.90,0:08:56.42,SUBS,,0,0,0,,{\be1}أستطيع أن أشعر بوجود حيوان
Dialogue: 0,0:08:56.42,0:08:57.93,SUBS,,0,0,0,,{\be1}كلب؟ قطة؟
Dialogue: 0,0:08:57.93,0:08:59.89,SUBS,,0,0,0,,{\be1} ...هذا الرجل
Dialogue: 0,0:09:01.14,0:09:01.93,SUBS,,0,0,0,,{\be1} !هناك
Dialogue: 0,0:09:08.62,0:09:10.32,SUBS,,0,0,0,,{\be1} ...إنه الطفل
Dialogue: 0,0:09:10.64,0:09:14.03,SUBS,,0,0,0,,{\be1}...مهلاً ، هذا ليس جيدًا
Dialogue: 0,0:09:14.03,0:09:16.65,SUBS,,0,0,0,,{\be1}...لا تقل لي تم هجره
Dialogue: 0,0:09:19.36,0:09:21.20,SUBS,,0,0,0,,{\be1}...تعال هنا، تعال هنا! أجل ولد مطيع
Dialogue: 0,0:09:23.68,0:09:25.71,SUBS,,0,0,0,,{\be1}انتظر ، أنت تعامله كحيوان؟
Dialogue: 0,0:09:25.97,0:09:28.50,SUBS,,0,0,0,,{\be1}!إنه ليس كلباً أو قطة
Dialogue: 0,0:09:28.85,0:09:31.52,SUBS,,0,0,0,,{\be1}...نعم ، هكذا صحيح ... تعال
Dialogue: 0,0:09:43.77,0:09:44.64,SUBS,,0,0,0,,{\be1} !كم هو ظريف
Dialogue: 0,0:09:44.64,0:09:46.39,SUBS,,0,0,0,,{\be1} !لـ - لقد عانقهُ
Dialogue: 0,0:09:46.70,0:09:47.74,SUBS,,0,0,0,,{\be1} ...شوجي
Dialogue: 0,0:09:48.56,0:09:50.26,SUBS,,0,0,0,,{\be1}!سأحتفظ به
Dialogue: 0,0:09:52.14,0:09:54.69,SUBS,,0,0,0,,{\be1}!لا، لا، لا … لا يمكنك الاحتفاظ بطفل
Dialogue: 0,0:09:54.69,0:09:55.69,SUBS,,0,0,0,,{\be1}!لأحتفظ به حتماً
Dialogue: 0,0:09:55.69,0:09:58.03,SUBS,,0,0,0,,{\be1}!هذا العمل ليس صحيحًا ، توجو - سان
Dialogue: 0,0:10:00.26,0:10:07.70,SUBS,,0,0,0,,{\be1}على أية حال، الشيء الأكثر أهمية هو تحسين نموك كوالد السيد الصغير
Dialogue: 0,0:10:09.64,0:10:13.59,SUBS,,0,0,0,,{\be1}فقط هذه المرة، أنا بصفك بنسبة 100% ، أيها الحثالة
Dialogue: 0,0:10:13.99,0:10:17.63,SUBS,,0,0,0,,{\be1}!إذا كنت رجلاً، فإنتزع ذلك واربح ! أعِد سيدي صغيرشاب
Dialogue: 0,0:10:17.93,0:10:20.48,SUBS,,0,0,0,,{\be1}...أولئك الذين يسعون لأن يكونوا والد سيد الشياطين
Dialogue: 0,0:10:20.48,0:10:23.08,SUBS,,0,0,0,,{\be1}!لن يغفر لهم إذا بكوا على أنفسهم للنوم بعد الخسارة
Dialogue: 0,0:10:26.09,0:10:28.61,SUBS,,0,0,0,,{\be1}ما الذي تصنعينه هناك بمفردك؟
Dialogue: 0,0:10:29.03,0:10:31.31,SUBS,,0,0,0,,{\be1}لم أخسر بعد
Dialogue: 0,0:10:31.31,0:10:33.60,SUBS,,0,0,0,,{\be1}القتال لا يزال مستمرًا أيتها البلهاء
Dialogue: 0,0:10:35.83,0:10:37.11,SUBS,,0,0,0,,{\be1}هذا الكلام الجميل
Dialogue: 0,0:10:37.88,0:10:41.35,SUBS,,0,0,0,,{\be1}يبدو أننا تفاهمنا
Dialogue: 0,0:10:41.35,0:10:42.38,SUBS,,0,0,0,,{\be1}أجل
Dialogue: 0,0:10:47.66,0:10:50.78,SUBS,,0,0,0,,{\be1}إذن , هلاً نبدأ؟
Dialogue: 0,0:10:55.00,0:11:05.28,SUBS,,0,0,0,,{\be1} {\fscx75\fscy106} {\bord5\shad5\c&H141DD0&\2c&H00F6FF&\3c&HFFFFFF&\4c&H00C446&\fscx70\fscy100\pos(1403.544,747.663)\frz17.9\fnHayah}حسابي على تويتر\Nhttps://twitter.com/wisam26wisam
Dialogue: 0,0:11:05.76,0:11:08.72,SUBS,,0,0,0,,{\be1}يبدو أننا توصلنا إلى تفاهم
Dialogue: 0,0:11:09.29,0:11:10.27,SUBS,,0,0,0,,{\be1}أجل
Dialogue: 0,0:11:15.39,0:11:18.12,SUBS,,0,0,0,,{\be1}إذن , هلّا نبدأ؟
Dialogue: 0,0:11:20.03,0:11:22.91,SUBS,,0,0,0,,{\be1}نعم، من فضلكِ ابدئي
Dialogue: 0,0:11:23.34,0:11:26.00,SUBS,,0,0,0,,{\be1}مهلاً مهلاً ... تبدأ بماذا؟
Dialogue: 0,0:11:26.00,0:11:28.22,SUBS,,0,0,0,,{\be1}وما الذي تحملينه بحق الجحيم؟
Dialogue: 0,0:11:28.22,0:11:28.90,SUBS,,0,0,0,,{\be1} !أنتِ
Dialogue: 0,0:11:28.90,0:11:29.81,SUBS,,0,0,0,,{\be1} !إطبق فمك
Dialogue: 0,0:11:29.83,0:11:31.17,SUBS,,0,0,0,,{\be1} !إخرس
Dialogue: 0,0:11:31.17,0:11:32.06,SUBS,,0,0,0,,{\be1} ...أيتها الشقية
Dialogue: 0,0:11:32.08,0:11:35.23,SUBS,,0,0,0,,{\be1}لا تقلق. مجرد القليل من العلاج بالصدمة
Dialogue: 0,0:11:35.83,0:11:39.18,SUBS,,0,0,0,,{\be1}هذا لإصلاح الرابط بينك وبين سيدي الصغير
Dialogue: 0,0:11:40.21,0:11:44.01,SUBS,,0,0,0,,{\be1}إرحميني , متى قلت أنني سأتواصل مع (بيبي بيل) مجدداً؟
Dialogue: 0,0:11:44.01,0:11:45.78,SUBS,,0,0,0,,{\be1}!لا أبالي بذلك
Dialogue: 0,0:11:46.14,0:11:49.26,SUBS,,0,0,0,,{\be1}!انا فقط اريد ان اهزم ذلك الاحمق, توجو
Dialogue: 0,0:11:49.35,0:11:51.01,SUBS,,0,0,0,,{\be1}أخبرتك أن تخرس
Dialogue: 0,0:11:55.65,0:11:59.61,SUBS,,0,0,0,,{\be1}...أطلقت عليه النار بمخدر روحاني مصنوع من عظام أوروبوروس
Dialogue: 0,0:11:59.88,0:12:03.75,SUBS,,0,0,0,,{\be1}هذا هو أفضل شيء لنمو والد سيد الشياطين
Dialogue: 0,0:12:04.41,0:12:10.58,SUBS,,0,0,0,,{\be1}بسبب هذا الدواء ، تم إلقائه في عالم يمثل حلقة ثابتة في ذهنه
Dialogue: 0,0:12:10.87,0:12:16.60,SUBS,,0,0,0,,{\be1}الطريقة الوحيدة للهروب هي إعادة إرتباطه بـ (بيلز ساما)
Dialogue: 0,0:12:16.60,0:12:21.42,SUBS,,0,0,0,,{\be1}نعم. لكن خطوة واحدة خاطئة ستفقد عودتهُ نهائياً
Dialogue: 0,0:12:22.02,0:12:23.47,SUBS,,0,0,0,,{\be1}إنها مقامرة خطيرة
Dialogue: 0,0:12:23.84,0:12:26.67,SUBS,,0,0,0,,{\be1}لا يعود أبدا؟ وهذا يعني...؟
Dialogue: 0,0:12:26.67,0:12:28.46,SUBS,,0,0,0,,{\be1} !أجل! سوف يموت
Dialogue: 0,0:12:49.91,0:12:52.84,SUBS,,0,0,0,,{\be1}ما - ما هذا المكان؟
Dialogue: 0,0:12:53.93,0:12:56.29,SUBS,,0,0,0,,{\be1}...نحن بداخل عقلك
Dialogue: 0,0:12:56.98,0:12:59.32,SUBS,,0,0,0,,{\be1}!فرويتشي … وأنت معظّل
Dialogue: 0,0:12:59.32,0:13:02.30,SUBS,,0,0,0,,{\be1}!أنا لست فرويشي أنا مونتسكيو
Dialogue: 0,0:13:11.69,0:13:14.43,SUBS,,0,0,0,,{\be1}انتظر ، انتظر ...أي نوع من أسماء الهجوم هذا ؟
Dialogue: 0,0:13:14.70,0:13:17.06,SUBS,,0,0,0,,{\be1}!هل ضربتني للتو بقانون أو ما شابه؟
Dialogue: 0,0:13:17.06,0:13:18.56,SUBS,,0,0,0,,{\be1}!أنا لم أضربك
Dialogue: 0,0:13:18.56,0:13:21.94,SUBS,,0,0,0,,{\be1}!نعم، أنت ضربتني ! لا تنكر ذلك
Dialogue: 0,0:13:21.94,0:13:24.17,SUBS,,0,0,0,,{\be1}استمع جيداً يا صديقي العزيز
Dialogue: 0,0:13:24.17,0:13:28.07,SUBS,,0,0,0,,{\be1}أنت في وضع خطير بشكل لا يصدق الآن
Dialogue: 0,0:13:28.41,0:13:32.14,SUBS,,0,0,0,,{\be1}لتعبر عن ذلك من حيث اطلاق الريح: لقد تركت نوعًا من العصير الصامت
Dialogue: 0,0:13:32.14,0:13:33.57,SUBS,,0,0,0,,{\be1}!لماذا مصطلح إطلاق الريح؟
Dialogue: 0,0:13:33.57,0:13:35.37,SUBS,,0,0,0,,{\be1}وهذا ليس بخطر على الإطلاق
Dialogue: 0,0:13:35.37,0:13:41.54,SUBS,,0,0,0,,{\be1}تلك الفتاة أصابتك برصاصة مصنوعة من الـ (أوروبوروس) ثعبان يأكل ذيله
Dialogue: 0,0:13:41.54,0:13:42.61,SUBS,,0,0,0,,{\be1}أفهمت؟
Dialogue: 0,0:13:43.19,0:13:46.71,SUBS,,0,0,0,,{\be1}العالم الذي أنت فيه الآن هو نفس الطريقة
Dialogue: 0,0:13:46.71,0:13:49.59,SUBS,,0,0,0,,{\be1}لتهرب من هنا يجب أن تبحث عن المفتاح
Dialogue: 0,0:13:50.03,0:13:51.10,SUBS,,0,0,0,,{\be1}المفتاح؟
Dialogue: 0,0:13:51.10,0:13:55.35,SUBS,,0,0,0,,{\be1}نعم. ابحث عن الشيء الذي تحتاجه أكثر
Dialogue: 0,0:13:55.35,0:13:58.66,SUBS,,0,0,0,,{\be1}!ما الذي يفترض أن يعني؟  إشرحه بطريقة أستطيع فهمها؟
Dialogue: 0,0:13:58.66,0:13:59.79,SUBS,,0,0,0,,{\be1} ...بمعنى أخر
Dialogue: 0,0:13:59.79,0:14:00.98,SUBS,,0,0,0,,{\be1}ويحي , إنتهى الوقت
Dialogue: 0,0:14:00.98,0:14:02.38,SUBS,,0,0,0,,{\be1}!بمعنى آخر ماذا؟
Dialogue: 0,0:14:02.38,0:14:03.96,SUBS,,0,0,0,,{\be1} !توقف
Dialogue: 0,0:14:07.38,0:14:08.89,SUBS,,0,0,0,,{\be1}{\i1}ماذا بحق الجحيم ...؟{\i0}
Dialogue: 0,0:14:08.89,0:14:10.21,SUBS,,0,0,0,,{\be1}{\i1}ماذا بحق الجحيم ...؟{\i0}
Dialogue: 0,0:14:10.21,0:14:13.26,SUBS,,0,0,0,,{\be1}{\i1}...حسناً ... إذن ، في الأساس ، كان{\i0}
Dialogue: 0,0:14:13.26,0:14:18.37,SUBS,,0,0,0,,{\be1}{\i1}أطلقت عليّ تلك الفتاة (لاميا)، والآن أنا في غيبوبة{\i0}
Dialogue: 0,0:14:19.08,0:14:22.36,SUBS,,0,0,0,,{\be1}{\i1}إذاً كل هذا داخل رأسي{\i0}
Dialogue: 0,0:14:22.36,0:14:24.58,SUBS,,0,0,0,,{\be1}{\i1}فيمَ أفكر بحق الجحيم؟{\i0}
Dialogue: 0,0:14:28.36,0:14:30.34,SUBS,,0,0,0,,{\be1}!مرحباً أيتها السيدة الجميلة
Dialogue: 0,0:14:30.34,0:14:32.39,SUBS,,0,0,0,,{\be1}هلا تذهبين في نزهة؟
Dialogue: 0,0:14:32.78,0:14:34.94,SUBS,,0,0,0,,{\be1} !هـ - هيميكاوا و كانزاكي
Dialogue: 0,0:14:34.97,0:14:39.57,SUBS,,0,0,0,,{\be1}...نعم ، سيكون عصرًا ذهبيًا رائعًا
Dialogue: 0,0:14:39.57,0:14:42.44,SUBS,,0,0,0,,{\be1} !ولا يمكننا الانتظار ...
Dialogue: 0,0:14:42.44,0:14:45.73,SUBS,,0,0,0,,{\be1}...لا يمكن أن يكون ... أنتم في عـ
Dialogue: 0,0:14:46.30,0:14:48.81,SUBS,,0,0,0,,{\be1}لا ، هذا لا يمكن أن يكون
Dialogue: 0,0:14:48.81,0:14:50.45,SUBS,,0,0,0,,{\be1}{\i1}محال لا يمكن{\i0}
Dialogue: 0,0:14:51.08,0:14:53.49,SUBS,,0,0,0,,{\be1}{\i1} ...إ-إهدئء{\i0}
Dialogue: 0,0:14:54.69,0:14:56.05,SIGNS,,0,0,0,,{\be1}{\fnGE MB Farasha Bold\fs67.5\c&H0B1113&\pos(138.113,981)}الولاء الغير \Nأناني
Dialogue: 0,0:14:56.05,0:14:57.16,SIGNS,,0,0,0,,{\be1}{\fnGE MB Farasha Bold\fs67.5\c&H0B1113&\move(138.113,981,133.164,746.18,0,750)}{\move(100,200,200,100)}الولاء الغير \Nأناني
Dialogue: 0,0:14:57.62,0:14:59.39,SUBS,,0,0,0,,{\be1} ...هؤلاء
Dialogue: 0,0:15:09.82,0:15:12.05,SUBS,,0,0,0,,{\be1}!واحدة مثلكِ لا يمكن لها ألتّأمل في تجاوزي
Dialogue: 0,0:15:12.91,0:15:14.72,SUBS,,0,0,0,,{\be1}هـ - هل أنتِ غبية؟
Dialogue: 0,0:15:24.89,0:15:28.44,SUBS,,0,0,0,,{\be1}أتساءل هل ستتمكنين من الصمود حتى نصل إلى قلب اللورد هاتوم أوغاه؟
Dialogue: 0,0:15:28.44,0:15:30.61,SUBS,,0,0,0,,{\be1}!هـ - هل أنتِ غبية؟
Dialogue: 0,0:15:33.57,0:15:36.45,SUBS,,0,0,0,,{\be1}{\fad(0,1900)\t(947,2866,\fscy150\fscx150)} !هـ - هل أنتِ غبية؟
Dialogue: 0,0:15:57.06,0:15:59.60,SUBS,,0,0,0,,{\be1} ...أ-أرحموني
Dialogue: 0,0:16:00.30,0:16:04.02,SUBS,,0,0,0,,{\be1}...ظهر فورويتشي ، ثم كانزاكي وهيميكاوا
Dialogue: 0,0:16:04.58,0:16:08.48,SUBS,,0,0,0,,{\be1}...ثم كان هناك هيلدا وكونييدا وألان ديلون
Dialogue: 0,0:16:08.48,0:16:11.45,SUBS,,0,0,0,,{\be1}...وهو ما يعني، إذا كان يتبع النمط
Dialogue: 0,0:16:14.73,0:16:15.57,SUBS,,0,0,0,,{\be1} ...كما توقعت
Dialogue: 0,0:16:16.10,0:16:17.28,SUBS,,0,0,0,,{\be1} !أنا
Dialogue: 0,0:16:26.74,0:16:29.23,SUBS,,0,0,0,,{\be1}نعم. أسميتها
Dialogue: 0,0:16:29.87,0:16:34.71,SUBS,,0,0,0,,{\be1}هذا هو النمط تماماً حيث ينتهي بي المطاف لهزيمة نفسي في النهاية
Dialogue: 0,0:16:34.71,0:16:35.64,SUBS,,0,0,0,,{\be1} !كلا
Dialogue: 0,0:16:36.61,0:16:38.37,SUBS,,0,0,0,,{\be1}أنا لا أحب العنف
Dialogue: 0,0:16:39.27,0:16:41.60,SUBS,,0,0,0,,{\be1}لا شيء يأتى من العنف
Dialogue: 0,0:16:41.60,0:16:43.91,SUBS,,0,0,0,,{\be1}الناس لديهم القدرة على مناقشة الأمور
Dialogue: 0,0:16:43.91,0:16:48.69,SUBS,,0,0,0,,{\be1}!إن استخدام الكلمات بدلا من القبضة لتجاوز الخلافات هو الخطوة الأولى نحو السلام العالمي
Dialogue: 0,0:16:49.84,0:16:52.22,SUBS,,0,0,0,,{\be1}عفواً , ثم ماذا يجب أن أفعل؟
Dialogue: 0,0:16:52.22,0:16:53.45,SUBS,,0,0,0,,{\be1}أليس هذا واضحًا؟
Dialogue: 0,0:16:53.85,0:16:56.40,SUBS,,0,0,0,,{\be1}سنجري محادثة طويلة معًا
Dialogue: 0,0:16:56.40,0:17:01.67,SUBS,,0,0,0,,{\be1}وكلا الأمرين يكشف مشاعرنا لبعضنا البعض، يجب أن نتبادل الأفكار بشكل حيوي
Dialogue: 0,0:17:01.67,0:17:06.25,SUBS,,0,0,0,,{\be1}...إننا نستغرق وقتنا في البحث عن نقاط تفاوض كل منا، وعن شكوكنا واحدة تلو الأخرى
Dialogue: 0,0:17:07.38,0:17:09.24,SUBS,,0,0,0,,{\be1}تبدو كمشكلة
Dialogue: 0,0:17:10.35,0:17:14.38,SUBS,,0,0,0,,{\be1}!منذ أن لكمت خدي الأيسر من فضلك قم بخدي الايمن الآن
Dialogue: 0,0:17:21.29,0:17:23.56,SUBS,,0,0,0,,{\be1} ,منذ أن لكمت خدي الأيمن
Dialogue: 0,0:17:24.84,0:17:27.56,SUBS,,0,0,0,,{\be1} !من فضلك قم باليسرى الآن
Dialogue: 0,0:17:28.25,0:17:29.56,SUBS,,0,0,0,,{\be1} !إخرسا
Dialogue: 0,0:17:37.25,0:17:39.74,SUBS,,0,0,0,,{\be1}...منذ أن لكمت خدي الأيسر
Dialogue: 0,0:17:39.74,0:17:41.24,SUBS,,0,0,0,,{\be1}!اللعنة عليكم
Dialogue: 0,0:17:41.24,0:17:44.62,SUBS,,0,0,0,,{\be1}!من فضلك قم بخدي الايمن الآن
Dialogue: 0,0:17:47.96,0:17:49.13,SUBS,,0,0,0,,{\be1} ...اوغاد
Dialogue: 0,0:17:57.54,0:17:59.99,SUBS,,0,0,0,,{\be1} ,منذ أن لكمت خدي الأيمن
Dialogue: 0,0:18:01.12,0:18:04.38,SUBS,,0,0,0,,{\be1} !من فضلك قم باليسرى الآن
Dialogue: 0,0:18:20.15,0:18:21.00,SUBS,,0,0,0,,{\be1} !إبتعدوا
Dialogue: 0,0:18:21.16,0:18:23.08,SUBS,,0,0,0,,{\be1}  !إبتعدوا
Dialogue: 0,0:18:24.78,0:18:29.12,SUBS,,0,0,0,,{\be1} ...سُحقاً ... أنا .... أنا
Dialogue: 0,0:18:40.39,0:18:41.68,SUBS,,0,0,0,,{\be1}بيبي - بيل؟
Dialogue: 0,0:18:58.14,0:18:59.49,SUBS,,0,0,0,,{\be1} ...بيبي - بيل
Dialogue: 0,0:19:15.99,0:19:18.21,SUBS,,0,0,0,,{\be1}يبدو أنه وجده
Dialogue: 0,0:19:18.21,0:19:21.93,SUBS,,0,0,0,,{\be1}نعم، لكن المحاكمة الحقيقية تبدأ الآن
Dialogue: 0,0:19:21.93,0:19:24.85,SUBS,,0,0,0,,{\be1}صحيح. الرفض بدأ
Dialogue: 0,0:19:39.01,0:19:40.11,SUBS,,0,0,0,,{\be1}مرحباً كارو
Dialogue: 0,0:19:41.36,0:19:43.44,SUBS,,0,0,0,,{\be1}أتُذاكِر لامتحانات القبول مُجدّداً اليوم؟
Dialogue: 0,0:19:43.44,0:19:44.99,SUBS,,0,0,0,,{\be1}يبدو صعبًا
Dialogue: 0,0:19:44.99,0:19:47.32,SUBS,,0,0,0,,{\be1}ما هذا؟ أنا لا أفهم
Dialogue: 0,0:19:47.32,0:19:48.21,SUBS,,0,0,0,,{\be1}تورا
Dialogue: 0,0:19:49.27,0:19:50.71,SUBS,,0,0,0,,{\be1}ما الامر؟
Dialogue: 0,0:19:52.48,0:19:53.96,SUBS,,0,0,0,,{\be1}تعال معي
Dialogue: 0,0:19:58.18,0:20:00.01,SUBS,,0,0,0,,{\be1}.لقد تعاركت مع (أوغا)
Dialogue: 0,0:20:01.60,0:20:05.38,SUBS,,0,0,0,,{\be1}من النادر أن يتمكن شخص ما من إصابتك
Dialogue: 0,0:20:05.38,0:20:09.47,SUBS,,0,0,0,,{\be1}نعم. لديه العزيمة ، تماماً كما ظننا
Dialogue: 0,0:20:10.16,0:20:14.67,SUBS,,0,0,0,,{\be1}ربما أكون قد هزمته ، لكنه سيعود
Dialogue: 0,0:20:15.64,0:20:19.48,SUBS,,0,0,0,,{\be1}في الواقع يا (تورا)، لديّ شيء أريد أن أذكره لك
Dialogue: 0,0:20:20.98,0:20:23.73,SUBS,,0,0,0,,{\be1}إنه بشأن ذلك الطفل الذي يلتصق بك
Dialogue: 0,0:20:25.96,0:20:29.84,SUBS,,0,0,0,,{\be1}هل تعرف الاسم الآخر لـ (أوغا) العنيف؟
Dialogue: 0,0:20:30.40,0:20:32.05,SUBS,,0,0,0,,{\be1}الطفل المشاكس على ظهره
Dialogue: 0,0:20:33.05,0:20:36.49,SUBS,,0,0,0,,{\be1}لكن في الآونة الأخيرة ، يبدو أن طفله لم يعد على ظهره بعد الآن
Dialogue: 0,0:20:37.02,0:20:39.40,SUBS,,0,0,0,,{\be1}إذن يا (تورا) هل هذا لـ (أوغا)؟
Dialogue: 0,0:20:40.80,0:20:44.04,SUBS,,0,0,0,,{\be1}هذه تبدو كقصة مثيرة للاهتمام
Dialogue: 0,0:20:46.76,0:20:49.50,SUBS,,0,0,0,,{\be1}دعونا نشارك في المرح، توجو
Dialogue: 0,0:21:06.76,0:21:09.20,SUBS,,0,0,0,,{\be1}لقد مرت 6 ساعات منذ حقنّا المخدر
Dialogue: 0,0:21:09.20,0:21:12.29,SUBS,,0,0,0,,{\be1}...إذا لم يستيقظ بعد كل هذا الوقت
Dialogue: 0,0:21:13.08,0:21:15.76,SUBS,,0,0,0,,{\be1}فشلت؟ لم تنجح؟
Dialogue: 0,0:21:15.76,0:21:17.48,SUBS,,0,0,0,,{\be1} !مرحى
Dialogue: 0,0:21:21.13,0:21:23.21,SUBS,,0,0,0,,{\be1} !صـ - صباح الخير
Dialogue: 0,0:21:26.56,0:21:28.73,SUBS,,0,0,0,,{\be1} !لقد مسكتُكِ , أيتها الشقية 
Dialogue: 0,0:21:28.73,0:21:31.88,SUBS,,0,0,0,,{\be1}!سأعلمكِ بعض الأخلاق
Dialogue: 0,0:21:31.88,0:21:34.27,SUBS,,0,0,0,,{\be1} !دعني و شأني أيها المنحرف
Dialogue: 0,0:21:35.44,0:21:37.21,SUBS,,0,0,0,,{\be1}!قولى ما تشائين
Dialogue: 0,0:21:37.21,0:21:39.15,SUBS,,0,0,0,,{\be1}يبدو أنك تخطيت الأزمة
Dialogue: 0,0:21:40.75,0:21:43.49,SUBS,,0,0,0,,{\be1}كل ما تبقى هو إعادة سيدي الصغير
Dialogue: 0,0:21:44.07,0:21:45.58,SUBS,,0,0,0,,{\be1}كيف تشعر الان؟
Dialogue: 0,0:21:45.58,0:21:47.30,SUBS,,0,0,0,,{\be1} !إليك عنّي
Dialogue: 0,0:21:50.11,0:21:51.75,SUBS,,0,0,0,,{\be1}كما لو كنت أستطيع أن أفعل ذلك\N
Comment: 0,0:22:00.59,0:22:05.31,ED,,0,0,0,,{\be1}{\be1}كان شخصٌ واحدٌ ، ثم أصبحا اثنين، بعدها غدا في عداد المفقودين
Comment: 0,0:22:05.43,0:22:09.89,ED,,0,0,0,,{\be1}{\be1}لذلك قررت التوقف عن عدهم
Comment: 0,0:22:10.27,0:22:14.98,ED,,0,0,0,,{\be1}{\be1}أمسى شيء مملًا بالنسبة لي
Comment: 0,0:22:15.11,0:22:19.86,ED,,0,0,0,,{\be1}{\be1}لذا أود اليوم أن أودعهما
Comment: 0,0:22:19.95,0:22:24.74,ED,,0,0,0,,{\be1}{\be1}يبدو أولئك الذين نحميهم
Comment: 0,0:22:24.83,0:22:29.00,ED,,0,0,0,,{\be1}{\be1}يوما ما يصبحون أقوياء
Comment: 0,0:22:29.75,0:22:34.42,ED,,0,0,0,,{\be1}{\be1}الدفء الكامن في أيدينا المتصلة
Comment: 0,0:22:34.54,0:22:38.63,ED,,0,0,0,,{\be1}{\be1}يجب أن تصبح مصدرًا ثابتًا لقوتنا
Comment: 0,0:22:38.76,0:22:44.05,ED,,0,0,0,,{\be1}{\be1}أنا فقط ألعب بقوة ، لكني قررت ذلك
Comment: 0,0:22:44.18,0:22:48.97,ED,,0,0,0,,{\be1}{\be1}مطاردة بعد المستقبل المبهر في المستقبل
Comment: 0,0:22:49.06,0:22:53.56,ED,,0,0,0,,{\be1}{\be1}ويوما ما سوف ينعكس في داخلي
Comment: 0,0:22:53.90,0:22:58.65,ED,,0,0,0,,{\be1}{\be1}آمل أن أتمكن من الوصول إليه بطريقة ما
Comment: 0,0:22:58.78,0:23:03.49,ED,,0,0,0,,{\be1}{\be1}هناك أوقات أردت فيها البكاء لأنني لا أعرف ما الذي يحدث
Comment: 0,0:23:03.61,0:23:08.33,ED,,0,0,0,,{\be1}{\be1}وهناك أيام أخسر فيها من الجُبن
Comment: 0,0:23:08.41,0:23:13.17,ED,,0,0,0,,{\be1}{\be1}أتوقع الكثير مما قد يحمله المستقبل
Comment: 0,0:23:13.29,0:23:21.09,ED,,0,0,0,,{\be1}{\be1}{\3c&H430A1B&\alpha&HFF&\t(0,90,1,\alpha&H00&)\t(6798,0,1,\alpha&HFF&)\blur3\t(0,1680,1,\blur0)\t(0,0,1,\blur3)} حتى لو مشينا بهذا الشكل مرات عديدة من قبل
Dialogue: 0,0:23:24.20,0:23:26.09,SUBS,,0,0,0,,{\be1} !(هيليدا - تشان) , أهلاً بعودتكِ
Dialogue: 0,0:23:27.12,0:23:30.05,SUBS,,0,0,0,,{\be1}!بنتُ عمكِ؟ ظريفة للغاية
Dialogue: 0,0:23:30.39,0:23:32.23,SUBS,,0,0,0,,{\be1}ما هذا؟ حيوان أليف؟
Dialogue: 0,0:23:32.23,0:23:34.10,SUBS,,0,0,0,,{\be1}!إنه حيوان أليف من ميتشيغان
Dialogue: 0,0:23:34.10,0:23:36.56,SUBS,,0,0,0,,{\be1}...هل هذا مقبول؟ أعني، على محمل الجد الآن
Dialogue: 0,0:23:36.56,0:23:37.86,SUBS,,0,0,0,,{\be1}ما بال هذا المنزل؟
Dialogue: 0,0:23:41.58,0:23:43.35,SUBS,,0,0,0,,{\be1}!ثلاثة فروع حكومية
Dialogue: 0,0:23:43.35,0:23:45.49,SUBS,,0,0,0,,{\be1}ما زلت تفعل ذلك يا (فرويشي)؟
Dialogue: 0,0:23:45.49,0:23:48.46,SUBS,,0,0,0,,{\be1}أنا لست فرويشي أنا مونتسكيو
Dialogue: 0,0:23:48.76,0:23:50.76,SUBS,,0,0,0,,{\be1}يبدو أنك فررت من الخطر
Dialogue: 0,0:23:50.76,0:23:54.76,SUBS,,0,0,0,,{\be1}نعم. لكنني لم أسوي الأمور مع (توجو)
Dialogue: 0,0:23:54.76,0:23:58.06,SUBS,,0,0,0,,{\be1}أنا لا أفعل ذلك لإستعادة (بيبي بيل)، حسناً؟
Dialogue: 0,0:23:59.07,0:24:02.60,SUBS,,0,0,0,,{\be1}!في المرة القادمة من بيلزيبوب : تجمعوا جميعًا
Dialogue: 0,0:23:59.07,0:24:10.00,SUBS,,0,0,0,,{\be1}{\fade(325,0)\an4\3c&H9B1602&\pos(1046.784,687.211)} [ تجمعوا جميعًا ]
Dialogue: 0,0:24:02.60,0:24:04.07,SUBS,,0,0,0,,{\be1}!على الرغم من أنه ليس الساعة 8 صباحًا
Dialogue: 0,0:24:04.07,0:24:05.21,SUBS,,0,0,0,,{\be1}!نظّفوا اسنانكم
Dialogue: 0,0:24:05.21,0:24:06.54,SUBS,,0,0,0,,{\be1}هل انتهيتم من واجبكم المنزلي؟
Dialogue: 0,0:24:06.54,0:24:07.91,SUBS,,0,0,0,,{\be1} !نراكم الاسبوع القادم
Dialogue: 0,0:13:04.05,0:13:06.76,SUBS,lead-out,0,0,0,Effector [fx],{\be1}{\fnKacstTitle\ Kara Effector 3.5 aratani: Cromantic I Line [line origin: 175 - line fx: 1] \an5\pos(972.81,1008)\3c&HDA86F3&\fad(0,120)}  !إنشقاق القوه
Dialogue: 0,0:13:04.05,0:13:06.76,SUBS,lead-out,0,0,0,Effector [fx],{\be1}{\fnKacstTitle\Kara Effector 3.5 aratani: Cromantic I Line [line origin: 175 - line fx: 2] \3c&HDA86F3&\an7\q2\pos(-0.003,0)\fscx844.57\fscy1025.92\t(2310,2393.42,0.7,\fscx846.57\fscy1038.92)\t(2393.42,2476.84,0.7,\fscx840.57\fscy1019.92)\t(2476.84,2560.26,0.7,\fscx841.57\fscy1010.92)\t(2560.26,2643.68,0.7,\fscx835.57\fscy1012.92)\t(2643.7,2710,0.7,\fscx844.57\fscy1025.92)\p1}m 0 0 m 100 100 {\p0\r\3c&HDA86F3&\1a&HFF&\t(2310,2310,\1a&H50&)\bord0\shad0\blur1\1c&H00FFFF&\t(2310,2710,\fscx120\fscy120)\fad(0,120)}  !إنشقاق القوه
Dialogue: 0,0:13:04.05,0:13:06.76,SUBS,lead-out,0,0,0,Effector [fx],{\be1}{\fnKacstTitle\Kara Effector 3.5 aratani: Cromantic I Line [line origin: 175 - line fx: 3] \3c&HDA86F3&\an7\q2\pos(-0.003,0)\fscx844.57\fscy1025.92\t(2310,2393.42,0.7,\fscx840.57\fscy1033.92)\t(2393.42,2476.84,0.7,\fscx835.57\fscy1026.92)\t(2476.84,2560.26,0.7,\fscx858.57\fscy1021.92)\t(2560.26,2643.68,0.7,\fscx858.57\fscy1035.92)\t(2643.7,2710,0.7,\fscx844.57\fscy1025.92)\p1}m 0 0 m 100 100 {\p0\r\3c&HDA86F3&\1a&HFF&\t(2310,2310,\1a&H50&)\bord0\shad0\blur1\1c&HFF00FF&\t(2310,2710,\fscx120\fscy120)\fad(0,120)}  !إنشقاق القوه
Dialogue: 0,0:13:04.05,0:13:06.76,SUBS,lead-out,0,0,0,Effector [fx],{\be1}{\fnKacstTitle\Kara Effector 3.5 aratani: Cromantic I Line [line origin: 175 - line fx: 4] \3c&HDA86F3&\an7\q2\pos(-0.003,0)\fscx844.57\fscy1025.92\t(2310,2393.42,0.7,\fscx854.57\fscy1039.92)\t(2393.42,2476.84,0.7,\fscx841.57\fscy1012.92)\t(2476.84,2560.26,0.7,\fscx841.57\fscy1016.92)\t(2560.26,2643.68,0.7,\fscx841.57\fscy1037.92)\t(2643.7,2710,0.7,\fscx844.57\fscy1025.92)\p1}m 0 0 m 100 100 {\p0\r\3c&HDA86F3&\1a&HFF&\t(2310,2310,\1a&H50&)\bord0\shad0\blur1\1c&HFFFF00&\t(2310,2710,\fscx120\fscy120)\fad(0,120)}  !إنشقاق القوه
Dialogue: 0,0:00:29.16,0:00:32.92,OP,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Double Screw template line char I [line origin: 2 - line fx: 1] 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Dialogue: 0,0:01:22.06,0:01:26.41,OP,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Double Screw template line char I [line origin: 11 - line fx: 10] 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Dialogue: 0,0:22:00.39,0:22:05.51,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 307 - line fx: 1] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-68.638)\fscx172.3\fscy145.28\t(0,220,0.9,\fscx175.3\fscy148.28)\t(220,440,0.9,\fscx174.3\fscy158.28)\t(440,660,0.9,\fscx160.3\fscy160.28)\t(660,880,0.9,\fscx181.3\fscy154.28)\t(880,1100,0.9,\fscx160.3\fscy139.28)\t(1100,1320,0.9,\fscx182.3\fscy147.28)\t(1320,1540,0.9,\fscx186.3\fscy146.28)\t(1540,1760,0.9,\fscx172.3\fscy137.28)\t(1760,1980,0.9,\fscx172.3\fscy151.28)\t(1980,2200,0.9,\fscx184.3\fscy156.28)\t(2200,2420,0.9,\fscx167.3\fscy153.28)\t(2420,2640,0.9,\fscx160.3\fscy142.28)\t(2640,2860,0.9,\fscx171.3\fscy153.28)\t(2860,3080,0.9,\fscx168.3\fscy156.28)\t(3080,3300,0.9,\fscx184.3\fscy151.28)\t(3300,3520,0.9,\fscx187.3\fscy137.28)\t(3520,3740,0.9,\fscx177.3\fscy146.28)\t(3740,3960,0.9,\fscx184.3\fscy146.28)\t(3960,4180,0.9,\fscx179.3\fscy139.28)\t(4180,4400,0.9,\fscx161.3\fscy154.28)\t(4400,4620,0.9,\fscx161.3\fscy160.28)\t(4620,4840,0.9,\fscx178.3\fscy158.28)\t(4840,5060,0.9,\fscx183.3\fscy148.28)\t(5060,5120,0.9,\fscx172.3\fscy145.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4920,5120,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}كان شخصٌ واحدٌ ، ثم أصبحا اثنين، بعدها غدا في عداد المفقودين
Dialogue: 0,0:22:05.23,0:22:10.09,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 308 - line fx: 2] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-64.638)\fscx610.49\fscy141.28\t(0,220,0.9,\fscx620.49\fscy151.28)\t(220,440,0.9,\fscx622.49\fscy150.28)\t(440,660,0.9,\fscx610.49\fscy140.28)\t(660,880,0.9,\fscx616.49\fscy152.28)\t(880,1100,0.9,\fscx609.49\fscy156.28)\t(1100,1320,0.9,\fscx620.49\fscy152.28)\t(1320,1540,0.9,\fscx618.49\fscy140.28)\t(1540,1760,0.9,\fscx604.49\fscy150.28)\t(1760,1980,0.9,\fscx607.49\fscy152.28)\t(1980,2200,0.9,\fscx597.49\fscy145.28)\t(2200,2420,0.9,\fscx605.49\fscy130.28)\t(2420,2640,0.9,\fscx600.49\fscy138.28)\t(2640,2860,0.9,\fscx613.49\fscy138.28)\t(2860,3080,0.9,\fscx614.49\fscy129.28)\t(3080,3300,0.9,\fscx601.49\fscy142.28)\t(3300,3520,0.9,\fscx606.49\fscy148.28)\t(3520,3740,0.9,\fscx598.49\fscy145.28)\t(3740,3960,0.9,\fscx608.49\fscy134.28)\t(3960,4180,0.9,\fscx605.49\fscy145.28)\t(4180,4400,0.9,\fscx620.49\fscy148.28)\t(4400,4620,0.9,\fscx623.49\fscy143.28)\t(4620,4840,0.9,\fscx612.49\fscy129.28)\t(4840,4860,0.9,\fscx610.49\fscy141.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4660,4860,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}لذلك قررت التوقف عن عدهم
Dialogue: 0,0:22:10.07,0:22:15.18,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 309 - line fx: 3] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-63.638)\fscx607.49\fscy140.28\t(0,220,0.9,\fscx619.49\fscy152.28)\t(220,440,0.9,\fscx595.49\fscy132.28)\t(440,660,0.9,\fscx620.49\fscy135.28)\t(660,880,0.9,\fscx601.49\fscy129.28)\t(880,1100,0.9,\fscx600.49\fscy146.28)\t(1100,1320,0.9,\fscx617.49\fscy155.28)\t(1320,1540,0.9,\fscx621.49\fscy155.28)\t(1540,1760,0.9,\fscx612.49\fscy147.28)\t(1760,1980,0.9,\fscx621.49\fscy131.28)\t(1980,2200,0.9,\fscx617.49\fscy137.28)\t(2200,2420,0.9,\fscx600.49\fscy135.28)\t(2420,2640,0.9,\fscx601.49\fscy155.28)\t(2640,2860,0.9,\fscx620.49\fscy136.28)\t(2860,3080,0.9,\fscx595.49\fscy140.28)\t(3080,3300,0.9,\fscx619.49\fscy136.28)\t(3300,3520,0.9,\fscx599.49\fscy154.28)\t(3520,3740,0.9,\fscx597.49\fscy133.28)\t(3740,3960,0.9,\fscx613.49\fscy134.28)\t(3960,4180,0.9,\fscx616.49\fscy127.28)\t(4180,4400,0.9,\fscx606.49\fscy143.28)\t(4400,4620,0.9,\fscx614.49\fscy150.28)\t(4620,4840,0.9,\fscx609.49\fscy149.28)\t(4840,5060,0.9,\fscx622.49\fscy140.28)\t(5060,5110,0.9,\fscx607.49\fscy140.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4910,5110,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}أمسى شيء مملًا بالنسبة لي
Dialogue: 0,0:22:14.91,0:22:20.06,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 310 - line fx: 4] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx662.96\fscy138.28\t(0,220,0.9,\fscx675.96\fscy151.28)\t(220,440,0.9,\fscx660.96\fscy132.28)\t(440,660,0.9,\fscx664.96\fscy136.28)\t(660,880,0.9,\fscx654.96\fscy132.28)\t(880,1100,0.9,\fscx663.96\fscy150.28)\t(1100,1320,0.9,\fscx658.96\fscy129.28)\t(1320,1540,0.9,\fscx672.96\fscy130.28)\t(1540,1760,0.9,\fscx672.96\fscy123.28)\t(1760,1980,0.9,\fscx659.96\fscy139.28)\t(1980,2200,0.9,\fscx665.96\fscy147.28)\t(2200,2420,0.9,\fscx657.96\fscy146.28)\t(2420,2640,0.9,\fscx668.96\fscy137.28)\t(2640,2860,0.9,\fscx665.96\fscy150.28)\t(2860,3080,0.9,\fscx650.96\fscy124.28)\t(3080,3300,0.9,\fscx652.96\fscy152.28)\t(3300,3520,0.9,\fscx672.96\fscy140.28)\t(3520,3740,0.9,\fscx649.96\fscy151.28)\t(3740,3960,0.9,\fscx674.96\fscy123.28)\t(3960,4180,0.9,\fscx656.96\fscy148.28)\t(4180,4400,0.9,\fscx655.96\fscy134.28)\t(4400,4620,0.9,\fscx673.96\fscy143.28)\t(4620,4840,0.9,\fscx677.96\fscy143.28)\t(4840,5060,0.9,\fscx669.96\fscy135.28)\t(5060,5150,0.9,\fscx662.96\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4950,5150,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}لذا أود اليوم أن أودعهما
Dialogue: 0,0:22:19.75,0:22:24.94,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 311 - line fx: 5] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-62.638)\fscx645.25\fscy139.28\t(0,220,0.9,\fscx649.25\fscy143.28)\t(220,440,0.9,\fscx640.25\fscy140.28)\t(440,660,0.9,\fscx648.25\fscy129.28)\t(660,880,0.9,\fscx643.25\fscy140.28)\t(880,1100,0.9,\fscx657.25\fscy143.28)\t(1100,1320,0.9,\fscx657.25\fscy137.28)\t(1320,1540,0.9,\fscx644.25\fscy154.28)\t(1540,1760,0.9,\fscx650.25\fscy132.28)\t(1760,1980,0.9,\fscx642.25\fscy133.28)\t(1980,2200,0.9,\fscx652.25\fscy125.28)\t(2200,2420,0.9,\fscx650.25\fscy139.28)\t(2420,2640,0.9,\fscx634.25\fscy146.28)\t(2640,2860,0.9,\fscx636.25\fscy144.28)\t(2860,3080,0.9,\fscx657.25\fscy134.28)\t(3080,3300,0.9,\fscx633.25\fscy146.28)\t(3300,3520,0.9,\fscx658.25\fscy150.28)\t(3520,3740,0.9,\fscx640.25\fscy146.28)\t(3740,3960,0.9,\fscx639.25\fscy133.28)\t(3960,4180,0.9,\fscx656.25\fscy143.28)\t(4180,4400,0.9,\fscx660.25\fscy145.28)\t(4400,4620,0.9,\fscx652.25\fscy138.28)\t(4620,4840,0.9,\fscx630.25\fscy154.28)\t(4840,5060,0.9,\fscx657.25\fscy130.28)\t(5060,5190,0.9,\fscx645.25\fscy139.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4990,5190,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}يبدو أولئك الذين نحميهم
Dialogue: 0,0:22:24.63,0:22:29.20,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 312 - line fx: 6] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-63.638)\fscx689.45\fscy140.28\t(0,220,0.9,\fscx686.45\fscy137.28)\t(220,440,0.9,\fscx686.45\fscy138.28)\t(440,660,0.9,\fscx703.45\fscy130.28)\t(660,880,0.9,\fscx676.45\fscy144.28)\t(880,1100,0.9,\fscx698.45\fscy151.28)\t(1100,1320,0.9,\fscx676.45\fscy149.28)\t(1320,1540,0.9,\fscx703.45\fscy138.28)\t(1540,1760,0.9,\fscx686.45\fscy151.28)\t(1760,1980,0.9,\fscx687.45\fscy155.28)\t(1980,2200,0.9,\fscx675.45\fscy150.28)\t(2200,2420,0.9,\fscx681.45\fscy137.28)\t(2420,2640,0.9,\fscx674.45\fscy147.28)\t(2640,2860,0.9,\fscx686.45\fscy149.28)\t(2860,3080,0.9,\fscx684.45\fscy142.28)\t(3080,3300,0.9,\fscx700.45\fscy127.28)\t(3300,3520,0.9,\fscx703.45\fscy134.28)\t(3520,3740,0.9,\fscx693.45\fscy133.28)\t(3740,3960,0.9,\fscx701.45\fscy155.28)\t(3960,4180,0.9,\fscx696.45\fscy138.28)\t(4180,4400,0.9,\fscx678.45\fscy143.28)\t(4400,4570,0.9,\fscx689.45\fscy140.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4370,4570,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}يوما ما يصبحون أقوياء
Dialogue: 0,0:22:29.55,0:22:34.62,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 313 - line fx: 7] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx569.11\fscy138.28\t(0,220,0.9,\fscx583.11\fscy152.28)\t(220,440,0.9,\fscx581.11\fscy126.28)\t(440,660,0.9,\fscx565.11\fscy123.28)\t(660,880,0.9,\fscx568.11\fscy142.28)\t(880,1100,0.9,\fscx557.11\fscy123.28)\t(1100,1320,0.9,\fscx565.11\fscy125.28)\t(1320,1540,0.9,\fscx560.11\fscy151.28)\t(1540,1760,0.9,\fscx572.11\fscy137.28)\t(1760,1980,0.9,\fscx572.11\fscy145.28)\t(1980,2200,0.9,\fscx558.11\fscy146.28)\t(2200,2420,0.9,\fscx563.11\fscy138.28)\t(2420,2640,0.9,\fscx554.11\fscy152.28)\t(2640,2860,0.9,\fscx564.11\fscy128.28)\t(2860,3080,0.9,\fscx561.11\fscy126.28)\t(3080,3300,0.9,\fscx575.11\fscy146.28)\t(3300,3520,0.9,\fscx577.11\fscy128.28)\t(3520,3740,0.9,\fscx565.11\fscy131.28)\t(3740,3960,0.9,\fscx572.11\fscy127.28)\t(3960,4180,0.9,\fscx565.11\fscy145.28)\t(4180,4400,0.9,\fscx577.11\fscy124.28)\t(4400,4620,0.9,\fscx575.11\fscy126.28)\t(4620,4840,0.9,\fscx561.11\fscy150.28)\t(4840,5060,0.9,\fscx565.11\fscy135.28)\t(5060,5070,0.9,\fscx569.11\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4870,5070,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}الدفء الكامن في أيدينا المتصلة
Dialogue: 0,0:22:34.34,0:22:38.83,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 314 - line fx: 8] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-63.638)\fscx575.19\fscy140.28\t(0,220,0.9,\fscx579.19\fscy144.28)\t(220,440,0.9,\fscx583.19\fscy129.28)\t(440,660,0.9,\fscx574.19\fscy137.28)\t(660,880,0.9,\fscx583.19\fscy136.28)\t(880,1100,0.9,\fscx579.19\fscy127.28)\t(1100,1320,0.9,\fscx562.19\fscy141.28)\t(1320,1540,0.9,\fscx563.19\fscy146.28)\t(1540,1760,0.9,\fscx582.19\fscy143.28)\t(1760,1980,0.9,\fscx588.19\fscy132.28)\t(1980,2200,0.9,\fscx581.19\fscy143.28)\t(2200,2420,0.9,\fscx561.19\fscy146.28)\t(2420,2640,0.9,\fscx590.19\fscy141.28)\t(2640,2860,0.9,\fscx575.19\fscy127.28)\t(2860,3080,0.9,\fscx578.19\fscy136.28)\t(3080,3300,0.9,\fscx567.19\fscy137.28)\t(3300,3520,0.9,\fscx575.19\fscy129.28)\t(3520,3740,0.9,\fscx570.19\fscy144.28)\t(3740,3960,0.9,\fscx583.19\fscy150.28)\t(3960,4180,0.9,\fscx583.19\fscy149.28)\t(4180,4400,0.9,\fscx570.19\fscy138.28)\t(4400,4490,0.9,\fscx575.19\fscy140.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4290,4490,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}يجب أن تصبح مصدرًا ثابتًا لقوتنا
Dialogue: 0,0:22:38.56,0:22:44.25,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 315 - line fx: 9] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx530.45\fscy138.28\t(0,220,0.9,\fscx537.45\fscy145.28)\t(220,440,0.9,\fscx545.45\fscy151.28)\t(440,660,0.9,\fscx539.45\fscy149.28)\t(660,880,0.9,\fscx520.45\fscy138.28)\t(880,1100,0.9,\fscx519.45\fscy150.28)\t(1100,1320,0.9,\fscx536.45\fscy123.28)\t(1320,1540,0.9,\fscx540.45\fscy149.28)\t(1540,1760,0.9,\fscx532.45\fscy136.28)\t(1760,1980,0.9,\fscx541.45\fscy146.28)\t(1980,2200,0.9,\fscx537.45\fscy147.28)\t(2200,2420,0.9,\fscx520.45\fscy140.28)\t(2420,2640,0.9,\fscx521.45\fscy125.28)\t(2640,2860,0.9,\fscx540.45\fscy132.28)\t(2860,3080,0.9,\fscx515.45\fscy131.28)\t(3080,3300,0.9,\fscx540.45\fscy152.28)\t(3300,3520,0.9,\fscx520.45\fscy134.28)\t(3520,3740,0.9,\fscx518.45\fscy139.28)\t(3740,3960,0.9,\fscx534.45\fscy136.28)\t(3960,4180,0.9,\fscx537.45\fscy124.28)\t(4180,4400,0.9,\fscx527.45\fscy134.28)\t(4400,4620,0.9,\fscx536.45\fscy137.28)\t(4620,4840,0.9,\fscx531.45\fscy131.28)\t(4840,5060,0.9,\fscx544.45\fscy148.28)\t(5060,5280,0.9,\fscx544.45\fscy125.28)\t(5280,5500,0.9,\fscx531.45\fscy125.28)\t(5500,5690,0.9,\fscx530.45\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(5490,5690,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}أنا فقط ألعب بقوة ، لكني قررت ذلك
Dialogue: 0,0:22:43.98,0:22:49.17,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 316 - line fx: 10] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx420.6\fscy138.28\t(0,220,0.9,\fscx430.6\fscy148.28)\t(220,440,0.9,\fscx405.6\fscy125.28)\t(440,660,0.9,\fscx429.6\fscy126.28)\t(660,880,0.9,\fscx409.6\fscy149.28)\t(880,1100,0.9,\fscx408.6\fscy132.28)\t(1100,1320,0.9,\fscx424.6\fscy139.28)\t(1320,1540,0.9,\fscx427.6\fscy137.28)\t(1540,1760,0.9,\fscx418.6\fscy126.28)\t(1760,1980,0.9,\fscx426.6\fscy139.28)\t(1980,2200,0.9,\fscx421.6\fscy143.28)\t(2200,2420,0.9,\fscx434.6\fscy138.28)\t(2420,2640,0.9,\fscx435.6\fscy126.28)\t(2640,2860,0.9,\fscx422.6\fscy136.28)\t(2860,3080,0.9,\fscx427.6\fscy137.28)\t(3080,3300,0.9,\fscx420.6\fscy130.28)\t(3300,3520,0.9,\fscx430.6\fscy146.28)\t(3520,3740,0.9,\fscx427.6\fscy123.28)\t(3740,3960,0.9,\fscx411.6\fscy153.28)\t(3960,4180,0.9,\fscx414.6\fscy144.28)\t(4180,4400,0.9,\fscx434.6\fscy126.28)\t(4400,4620,0.9,\fscx410.6\fscy131.28)\t(4620,4840,0.9,\fscx405.6\fscy128.28)\t(4840,5060,0.9,\fscx417.6\fscy148.28)\t(5060,5190,0.9,\fscx420.6\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4990,5190,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}مطاردة بعد المستقبل المبهر في المستقبل
Dialogue: 0,0:22:48.86,0:22:53.76,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 317 - line fx: 11] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-62.638)\fscx555.42\fscy139.28\t(0,220,0.9,\fscx565.42\fscy149.28)\t(220,440,0.9,\fscx555.42\fscy144.28)\t(440,660,0.9,\fscx563.42\fscy130.28)\t(660,880,0.9,\fscx558.42\fscy139.28)\t(880,1100,0.9,\fscx570.42\fscy139.28)\t(1100,1320,0.9,\fscx570.42\fscy131.28)\t(1320,1540,0.9,\fscx557.42\fscy146.28)\t(1540,1760,0.9,\fscx561.42\fscy152.28)\t(1760,1980,0.9,\fscx553.42\fscy150.28)\t(1980,2200,0.9,\fscx563.42\fscy140.28)\t(2200,2420,0.9,\fscx560.42\fscy152.28)\t(2420,2640,0.9,\fscx543.42\fscy125.28)\t(2640,2860,0.9,\fscx545.42\fscy151.28)\t(2860,3080,0.9,\fscx565.42\fscy139.28)\t(3080,3300,0.9,\fscx540.42\fscy149.28)\t(3300,3520,0.9,\fscx565.42\fscy150.28)\t(3520,3740,0.9,\fscx546.42\fscy143.28)\t(3740,3960,0.9,\fscx545.42\fscy128.28)\t(3960,4180,0.9,\fscx561.42\fscy136.28)\t(4180,4400,0.9,\fscx565.42\fscy135.28)\t(4400,4620,0.9,\fscx556.42\fscy126.28)\t(4620,4840,0.9,\fscx564.42\fscy139.28)\t(4840,4900,0.9,\fscx555.42\fscy139.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4700,4900,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}ويوما ما سوف ينعكس في داخلي
Dialogue: 0,0:22:53.70,0:22:58.85,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 318 - line fx: 12] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-62.638)\fscx484.42\fscy139.28\t(0,220,0.9,\fscx477.42\fscy132.28)\t(220,440,0.9,\fscx469.42\fscy153.28)\t(440,660,0.9,\fscx478.42\fscy134.28)\t(660,880,0.9,\fscx474.42\fscy138.28)\t(880,1100,0.9,\fscx489.42\fscy133.28)\t(1100,1320,0.9,\fscx490.42\fscy151.28)\t(1320,1540,0.9,\fscx478.42\fscy130.28)\t(1540,1760,0.9,\fscx484.42\fscy132.28)\t(1760,1980,0.9,\fscx478.42\fscy125.28)\t(1980,2200,0.9,\fscx489.42\fscy140.28)\t(2200,2420,0.9,\fscx487.42\fscy148.28)\t(2420,2640,0.9,\fscx472.42\fscy147.28)\t(2640,2860,0.9,\fscx476.42\fscy138.28)\t(2860,3080,0.9,\fscx497.42\fscy151.28)\t(3080,3300,0.9,\fscx474.42\fscy125.28)\t(3300,3520,0.9,\fscx470.42\fscy153.28)\t(3520,3740,0.9,\fscx483.42\fscy141.28)\t(3740,3960,0.9,\fscx483.42\fscy152.28)\t(3960,4180,0.9,\fscx470.42\fscy154.28)\t(4180,4400,0.9,\fscx476.42\fscy149.28)\t(4400,4620,0.9,\fscx499.42\fscy135.28)\t(4620,4840,0.9,\fscx478.42\fscy143.28)\t(4840,5060,0.9,\fscx476.42\fscy143.28)\t(5060,5150,0.9,\fscx484.42\fscy139.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4950,5150,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}آمل أن أتمكن من الوصول إليه بطريقة ما
Dialogue: 0,0:22:58.58,0:23:03.69,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 319 - line fx: 13] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx286.49\fscy138.28\t(0,220,0.9,\fscx292.49\fscy144.28)\t(220,440,0.9,\fscx277.49\fscy123.28)\t(440,660,0.9,\fscx280.49\fscy124.28)\t(660,880,0.9,\fscx301.49\fscy148.28)\t(880,1100,0.9,\fscx278.49\fscy132.28)\t(1100,1320,0.9,\fscx273.49\fscy140.28)\t(1320,1540,0.9,\fscx286.49\fscy138.28)\t(1540,1760,0.9,\fscx286.49\fscy129.28)\t(1760,1980,0.9,\fscx273.49\fscy142.28)\t(1980,2200,0.9,\fscx278.49\fscy147.28)\t(2200,2420,0.9,\fscx301.49\fscy143.28)\t(2420,2640,0.9,\fscx279.49\fscy131.28)\t(2640,2860,0.9,\fscx276.49\fscy142.28)\t(2860,3080,0.9,\fscx291.49\fscy144.28)\t(3080,3300,0.9,\fscx293.49\fscy138.28)\t(3300,3520,0.9,\fscx282.49\fscy124.28)\t(3520,3740,0.9,\fscx289.49\fscy132.28)\t(3740,3960,0.9,\fscx283.49\fscy132.28)\t(3960,4180,0.9,\fscx295.49\fscy124.28)\t(4180,4400,0.9,\fscx294.49\fscy138.28)\t(4400,4620,0.9,\fscx280.49\fscy144.28)\t(4620,4840,0.9,\fscx284.49\fscy142.28)\t(4840,5060,0.9,\fscx274.49\fscy131.28)\t(5060,5110,0.9,\fscx286.49\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4910,5110,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}هناك أوقات أردت فيها البكاء لأنني لا أعرف ما الذي يحدث
Dialogue: 0,0:23:03.41,0:23:08.53,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 320 - line fx: 14] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx565.66\fscy138.28\t(0,220,0.9,\fscx568.66\fscy141.28)\t(220,440,0.9,\fscx576.66\fscy139.28)\t(440,660,0.9,\fscx571.66\fscy128.28)\t(660,880,0.9,\fscx554.66\fscy140.28)\t(880,1100,0.9,\fscx554.66\fscy144.28)\t(1100,1320,0.9,\fscx572.66\fscy139.28)\t(1320,1540,0.9,\fscx578.66\fscy127.28)\t(1540,1760,0.9,\fscx570.66\fscy136.28)\t(1760,1980,0.9,\fscx580.66\fscy138.28)\t(1980,2200,0.9,\fscx578.66\fscy131.28)\t(2200,2420,0.9,\fscx562.66\fscy147.28)\t(2420,2640,0.9,\fscx565.66\fscy123.28)\t(2640,2860,0.9,\fscx554.66\fscy153.28)\t(2860,3080,0.9,\fscx561.66\fscy144.28)\t(3080,3300,0.9,\fscx556.66\fscy126.28)\t(3300,3520,0.9,\fscx568.66\fscy131.28)\t(3520,3740,0.9,\fscx567.66\fscy128.28)\t(3740,3960,0.9,\fscx554.66\fscy147.28)\t(3960,4180,0.9,\fscx558.66\fscy127.28)\t(4180,4400,0.9,\fscx580.66\fscy130.28)\t(4400,4620,0.9,\fscx559.66\fscy124.28)\t(4620,4840,0.9,\fscx555.66\fscy141.28)\t(4840,5060,0.9,\fscx569.66\fscy149.28)\t(5060,5120,0.9,\fscx565.66\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4920,5120,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}وهناك أيام أخسر فيها من الجُبن
Dialogue: 0,0:23:08.21,0:23:13.37,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 321 - line fx: 15] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0,-61.638)\fscx514.98\fscy138.28\t(0,220,0.9,\fscx526.98\fscy150.28)\t(220,440,0.9,\fscx506.98\fscy139.28)\t(440,660,0.9,\fscx504.98\fscy151.28)\t(660,880,0.9,\fscx521.98\fscy123.28)\t(880,1100,0.9,\fscx524.98\fscy149.28)\t(1100,1320,0.9,\fscx514.98\fscy135.28)\t(1320,1540,0.9,\fscx522.98\fscy145.28)\t(1540,1760,0.9,\fscx517.98\fscy145.28)\t(1760,1980,0.9,\fscx499.98\fscy138.28)\t(1980,2200,0.9,\fscx500.98\fscy153.28)\t(2200,2420,0.9,\fscx518.98\fscy129.28)\t(2420,2640,0.9,\fscx523.98\fscy127.28)\t(2640,2860,0.9,\fscx515.98\fscy149.28)\t(2860,3080,0.9,\fscx525.98\fscy130.28)\t(3080,3300,0.9,\fscx523.98\fscy135.28)\t(3300,3520,0.9,\fscx507.98\fscy131.28)\t(3520,3740,0.9,\fscx509.98\fscy150.28)\t(3740,3960,0.9,\fscx529.98\fscy129.28)\t(3960,4180,0.9,\fscx505.98\fscy131.28)\t(4180,4400,0.9,\fscx500.98\fscy125.28)\t(4400,4620,0.9,\fscx512.98\fscy141.28)\t(4620,4840,0.9,\fscx511.98\fscy149.28)\t(4840,5060,0.9,\fscx528.98\fscy149.28)\t(5060,5160,0.9,\fscx514.98\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(4960,5160,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))}أتوقع الكثير مما قد يحمله المستقبل
Dialogue: 0,0:23:13.09,0:23:21.29,ED,lead-in,0,0,0,Effector [fx],{\be1}{Kara Effector 3.5 aratani: Rmove Syl retime line [line origin: 322 - line fx: 16] \3vc(&H000000&,&H000000&,&H000000&,&H000000&)\an7\q2\pos(0.005,-61.638)\fscx391.96\fscy138.28\t(0,220,0.9,\fscx398.96\fscy145.28)\t(220,440,0.9,\fscx376.96\fscy140.28)\t(440,660,0.9,\fscx403.96\fscy127.28)\t(660,880,0.9,\fscx386.96\fscy137.28)\t(880,1100,0.9,\fscx387.96\fscy139.28)\t(1100,1320,0.9,\fscx406.96\fscy132.28)\t(1320,1540,0.9,\fscx381.96\fscy147.28)\t(1540,1760,0.9,\fscx406.96\fscy124.28)\t(1760,1980,0.9,\fscx386.96\fscy123.28)\t(1980,2200,0.9,\fscx384.96\fscy145.28)\t(2200,2420,0.9,\fscx400.96\fscy127.28)\t(2420,2640,0.9,\fscx403.96\fscy132.28)\t(2640,2860,0.9,\fscx393.96\fscy129.28)\t(2860,3080,0.9,\fscx401.96\fscy148.28)\t(3080,3300,0.9,\fscx396.96\fscy128.28)\t(3300,3520,0.9,\fscx378.96\fscy131.28)\t(3520,3740,0.9,\fscx379.96\fscy125.28)\t(3740,3960,0.9,\fscx397.96\fscy142.28)\t(3960,4180,0.9,\fscx402.96\fscy150.28)\t(4180,4400,0.9,\fscx394.96\fscy151.28)\t(4400,4620,0.9,\fscx404.96\fscy142.28)\t(4620,4840,0.9,\fscx401.96\fscy126.28)\t(4840,5060,0.9,\fscx385.96\fscy132.28)\t(5060,5280,0.9,\fscx387.96\fscy130.28)\t(5280,5500,0.9,\fscx376.96\fscy151.28)\t(5500,5720,0.9,\fscx384.96\fscy132.28)\t(5720,5940,0.9,\fscx378.96\fscy135.28)\t(5940,6160,0.9,\fscx390.96\fscy131.28)\t(6160,6380,0.9,\fscx389.96\fscy149.28)\t(6380,6600,0.9,\fscx406.96\fscy128.28)\t(6600,6820,0.9,\fscx379.96\fscy129.28)\t(6820,7040,0.9,\fscx401.96\fscy153.28)\t(7040,7260,0.9,\fscx379.96\fscy138.28)\t(7260,7480,0.9,\fscx406.96\fscy145.28)\t(7480,7700,0.9,\fscx389.96\fscy144.28)\t(7700,7920,0.9,\fscx391.96\fscy135.28)\t(7920,8140,0.9,\fscx379.96\fscy148.28)\t(8140,8200,0.9,\fscx391.96\fscy138.28)\p1}m 0 0 m 100 100 {\p0\r\3vc(&H000000&,&H000000&,&H000000&,&H000000&)\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&)\t(0,200,\1va(&H00&,&H00&,&H00&,&H00&)\3va(&H00&,&H00&,&H00&,&H00&)\4va(&H00&,&H00&,&H00&,&H00&),\t(8000,8200,\1va(&HFF&,&HFF&,&HFF&,&HFF&)\3va(&HFF&,&HFF&,&HFF&,&HFF&)\4va(&HFF&,&HFF&,&HFF&,&HFF&))} حتى لو مشينا بهذا الشكل مرات عديدة من قبل