[Script Info]
; Script generated by Aegisub Master r8902, line0
; http://www.aegisub.org/
Title: العربية
Original Script: cr_ar  [http://www.crunchyroll.com/user/cr_ar]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
PlayResX: 1436
PlayResY: 1080
Timer: 0.0000
WrapStyle: 0
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Naruto
Audio File: Naruto - 04.mkv
Video File: Naruto - 04.mkv
Video AR Mode: 4
Video AR Value: 1.329630
Video Zoom Percent: 0.500000
Scroll Position: 198
Active Line: 202
Video Position: 20789

[V4+ Styles]
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Style: sign_5107_88_Mystery_Meat___S,Adobe Arabic,108,&H00000000,&H000000FF,&H00F4F4F4,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,61,61,81,0
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Style: sign_5165_90_60_yen____70_yen,Adobe Arabic,108,&H00000000,&H000000FF,&H00F4F4F4,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,61,61,360,0
Style: sign_6904_115__Late_Night__The,Adobe Arabic,81,&H00121212,&H000000FF,&H00E7E7E7,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,29,815,81,0
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Style: sign_17087_255_Tokyo_Governor_,Adobe Arabic,81,&H00172631,&H000000FF,&H007AA8CC,&H00000000,0,0,0,0,100,100,0,0,1,5.99999,0,8,61,1195,240,0
Style: sign_17685_265_Tokyo_Governor,Adobe Arabic,108,&H0023222C,&H000000FF,&H0079A9C9,&H00000000,0,0,0,0,100,100,0,0,1,5.99999,0,8,349,980,513,0
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:42.58,0:01:44.24,SMMain,,0,0,0,,لقد تأخّر
Dialogue: 0,0:01:53.49,0:01:54.22,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:01:54.39,0:01:55.44,SMMain,,0,0,0,,فلتجلس مكانك
Dialogue: 0,0:01:55.81,0:02:00.82,SMMain,,0,0,0,,لماذا معلّمنا هو الوحيد الذي تأخّر؟
Dialogue: 0,0:02:01.26,0:02:04.75,SMMain,,0,0,0,,الفرق الأخرى قد ذهبت لمكان ما رفقة معلّميها سلفًا
Dialogue: 0,0:02:05.09,0:02:07.22,SMMain,,0,0,0,,كما أنّ إيروكا-سينسي قد ذهب هو الآخر
Dialogue: 0,0:02:07.49,0:02:08.55,SMMain,,0,0,0,,هذا ليس مهمًّا
Dialogue: 0,0:02:10.51,0:02:12.43,SMMain,,0,0,0,,!أوي، ما الذي تفعله يا ناروتو؟
Dialogue: 0,0:02:18.70,0:02:21.55,SMMain,,0,0,0,,هذا خطؤه لأنه تأخّر
Dialogue: 0,0:02:26.24,0:02:28.70,SMMain,,0,0,0,,!وسيكون خطأك إن وقعت في ورطة
Dialogue: 0,0:02:29.48,0:02:31.72,SMMain,,0,0,0,,!أنا أحبّ مثل هذه الأمور
Dialogue: 0,0:02:33.23,0:02:36.85,SMMain,,0,0,0,,لا يمكن أن يقع جونين في فخّ سخيف كهذا
Dialogue: 0,0:02:37.22,0:02:40.50,SMMain,,0,0,0,,!هذا صحيح، يا لك من غبيّ
Dialogue: 0,0:02:48.60,0:02:49.93,SMMain,,0,0,0,,...لقد نلتُ منه، نلتُ منه
Dialogue: 0,0:02:52.05,0:02:53.92,SMMain,,0,0,0,,أنا آسفة يا معلّم
Dialogue: 0,0:02:54.28,0:02:57.23,SMMain,,0,0,0,,...لقد حاولتُ إيقافه لكن ناروتو-كن لم ينصت إليّ
Dialogue: 0,0:02:57.91,0:02:58.80,SMMain,,0,0,0,,جيّد
Dialogue: 0,0:03:00.46,0:03:03.19,SMMain,,0,0,0,,{\i1}يا إلهي، أهو جونين حقًّا؟{\i}
Dialogue: 0,0:03:09.55,0:03:11.09,SMMain,,0,0,0,,كيف يمكنني قول هذا؟
Dialogue: 0,0:03:11.27,0:03:13.23,SMMain,,0,0,0,,بالنسبة لأوّل انطباع لي عنكم يا شباب
Dialogue: 0,0:03:13.77,0:03:15.13,SMMain,,0,0,0,,حسنًا، أنا أكرهكم
Dialogue: 0,0:03:18.97,0:03:24.97,Title-Naru_OP,,0,0,0,,{\pos(709.007,510)}النجاح أو الفشل\N اختبار البقاء
Dialogue: 0,0:03:26.77,0:03:27.50,SMMain,,0,0,0,,لنرَ
Dialogue: 0,0:03:28.04,0:03:30.35,SMMain,,0,0,0,,أوّلًا، فلتقوموا بالتعريف عن أنفسكم
Dialogue: 0,0:03:30.92,0:03:32.18,SMMain,,0,0,0,,...التعريف عن أنفسنا
Dialogue: 0,0:03:33.66,0:03:34.72,SMMain,,0,0,0,,ما الذي يجدر بنا قوله؟
Dialogue: 0,0:03:35.58,0:03:42.99,SMMain,,0,0,0,,،ما تحبّونه، ما تكرهونه\N.حلمكم المستقبليّ، هواياتكم وأشياء كهذه
Dialogue: 0,0:03:43.67,0:03:49.15,SMMain,,0,0,0,,لكن قبل ذلك، فلتخبرنا قليلًا عن نفسك
Dialogue: 0,0:03:49.90,0:03:54.11,SMMain,,0,0,0,,أنا؟ أدعى هاتاكي كاكاشي
Dialogue: 0,0:03:56.23,0:03:59.00,SMMain,,0,0,0,,ولا رغبة لديّ في إخباركم عمّا أحبّه أو أكرهه
Dialogue: 0,0:04:01.08,0:04:03.71,SMMain,,0,0,0,,...لم يسبق لي أنفكّرت في حلمي المستقبليّ
Dialogue: 0,0:04:06.38,0:04:08.27,SMMain,,0,0,0,,أمّا بالنسبة لهواياتي فلديّ الكثير منها
Dialogue: 0,0:04:09.01,0:04:11.89,SMMain,,0,0,0,,في النهاية، فكلّ ما نعرفه عنه هو اسمه صحيح؟
Dialogue: 0,0:04:12.33,0:04:12.75,SMMain,,0,0,0,,أجل
Dialogue: 0,0:04:13.66,0:04:14.95,SMMain,,0,0,0,,الآن حان دوركم
Dialogue: 0,0:04:16.35,0:04:17.72,SMMain,,0,0,0,,فلنبدأ بك أنت
Dialogue: 0,0:04:18.06,0:04:20.43,SMMain,,0,0,0,,!أنا أدعى أوزوماكي ناروتو
Dialogue: 0,0:04:21.00,0:04:22.37,SMMain,,0,0,0,,وأحب طبق الرامن الفوري
Dialogue: 0,0:04:22.60,0:04:25.59,SMMain,,0,0,0,,لكنّ الطبق الذي أحبّه أكثر \Nهو الرامن من مطعم إيتشيراكو
Dialogue: 0,0:04:25.76,0:04:27.19,SMMain,,0,0,0,,الذي يعزمني إليه إيروكا-سينسي
Dialogue: 0,0:04:27.70,0:04:28.69,SMMain,,0,0,0,,ما أكرهه هو الدقائق الثلاث التي
Dialogue: 0,0:04:28.87,0:04:30.71,SMMain,,0,0,0,,عليّ انتظارها بعد سكب الماء الساخن على الرامن
Dialogue: 0,0:04:31.38,0:04:33.37,SMMain,,0,0,0,,!هوايتي هي أكل ومقارنة أصناف الرامن
Dialogue: 0,0:04:34.15,0:04:35.97,SMMain,,0,0,0,,...وحلمي المستقبليّ هو
Dialogue: 0,0:04:36.34,0:04:37.73,SMMain,,0,0,0,,!هو أن أتفوّق على الهوكاغي
Dialogue: 0,0:04:38.54,0:04:40.18,SMMain,,0,0,0,,لذلك سأجبر القرية بأكملها
Dialogue: 0,0:04:40.36,0:04:43.38,SMMain,,0,0,0,,!على أن تعترف بوجودي
Dialogue: 0,0:04:45.25,0:04:46.08,SMMain,,0,0,0,,{\i1}...فهمت{\i}
Dialogue: 0,0:04:46.72,0:04:49.28,SMMain,,0,0,0,,{\i1}لقد كبُر هذا الولد بطريقة مثيرة للاهتمام{\i}
Dialogue: 0,0:04:50.47,0:04:52.27,SMMain,,0,0,0,,حسنًا، التالي
Dialogue: 0,0:04:52.83,0:04:54.03,SMMain,,0,0,0,,أنا أدعى هارونو ساكورا
Dialogue: 0,0:04:54.76,0:04:58.62,SMMain,,0,0,0,,...ما أحبه هو... أعني، من أحبه هو
Dialogue: 0,0:05:01.31,0:05:03.68,SMMain,,0,0,0,,...وهوايتي هي، أقصد
Dialogue: 0,0:05:05.20,0:05:06.83,SMMain,,0,0,0,,...حلمي المستقبليّ هو
Dialogue: 0,0:05:09.14,0:05:12.18,SMMain,,0,0,0,,وماذا عن الأشياء التي تكرهينها؟
Dialogue: 0,0:05:12.99,0:05:13.79,SMMain,,0,0,0,,!أنا أكره ناروتو
Dialogue: 0,0:05:16.95,0:05:18.82,SMMain,,0,0,0,,{\i1}على الأرجح على أنّ الفتيات اللواتي في \Nمثل سنّها مهتمّات بالوقوع في الحبّ{\i}
Dialogue: 0,0:05:18.98,0:05:20.23,SMMain,,0,0,0,,{\i1}بدل تعلّم أساليب النينجا{\i}
Dialogue: 0,0:05:20.76,0:05:21.53,SMMain,,0,0,0,,آخر شخص
Dialogue: 0,0:05:22.93,0:05:24.79,SMMain,,0,0,0,,أنا أدعى... أوتشيها ساسكي
Dialogue: 0,0:05:25.66,0:05:29.76,SMMain,,0,0,0,,وأنا أكره العديد من الأشياء. ولا أحبّ أيّ شيءٍ محدّد
Dialogue: 0,0:05:32.91,0:05:33.43,SMMain,,0,0,0,,...ثمّ
Dialogue: 0,0:05:34.08,0:05:36.30,SMMain,,0,0,0,,لديّ طموح لا أنوي اعتباره
Dialogue: 0,0:05:36.50,0:05:37.60,SMMain,,0,0,0,,!كمجرّد حلمٍ فحسب
Dialogue: 0,0:05:38.50,0:05:42.28,SMMain,,0,0,0,,...طموحي يكمن في استعادة مجد عشيرتي وكذلك
Dialogue: 0,0:05:43.25,0:05:44.80,SMMain,,0,0,0,,!في قتل شخصٍ ما دون فشل
Dialogue: 0,0:05:53.29,0:05:54.13,SMMain,,0,0,0,,{\i1}...هو لا{\i}
Dialogue: 0,0:05:54.30,0:05:56.02,SMMain,,0,0,0,,{\i1}يقصدني أنا صحيح؟{\i}
Dialogue: 0,0:05:56.39,0:05:58.72,SMMain,,0,0,0,,{\i1}ساسكي-كن رائع بالفعل{\i}
Dialogue: 0,0:05:59.79,0:06:00.67,SMMain,,0,0,0,,{\i1}كنتُ على يقين من ذلك{\i}
Dialogue: 0,0:06:02.17,0:06:02.76,SMMain,,0,0,0,,!جيّد
Dialogue: 0,0:06:03.24,0:06:05.29,SMMain,,0,0,0,,!ثلاثتكم مميّزون ومثيرون للاهتمام فعلًا
Dialogue: 0,0:06:07.00,0:06:08.59,SMMain,,0,0,0,,!سنقوم بمهمّة في الغد
Dialogue: 0,0:06:09.03,0:06:11.41,SMMain,,0,0,0,,حاضر! أيّ نوعٍ من المهام ستكون؟
Dialogue: 0,0:06:12.18,0:06:15.27,SMMain,,0,0,0,,أوّلًا، سنفعل ما يمكننا بوجود أربعة أشخاص فقط
Dialogue: 0,0:06:16.01,0:06:17.81,SMMain,,0,0,0,,!ماذا ماذا ماذا؟
Dialogue: 0,0:06:19.68,0:06:21.15,SMMain,,0,0,0,,اختبار بقاء
Dialogue: 0,0:06:22.02,0:06:23.48,SMMain,,0,0,0,,اختبار بقاء؟
Dialogue: 0,0:06:24.23,0:06:25.28,SMMain,,0,0,0,,لماذا نقوم بعمل اختبار
Dialogue: 0,0:06:25.45,0:06:27.08,SMMain,,0,0,0,,في حين يفترض بأن تكون هذه عبارة عن مهمّة؟
Dialogue: 0,0:06:27.99,0:06:30.66,SMMain,,0,0,0,,!لقد قمنا بما يكفينا من الاختبارات في الأكاديميّة
Dialogue: 0,0:06:31.40,0:06:32.79,SMMain,,0,0,0,,هذا ليس بالاختبار البسيط
Dialogue: 0,0:06:33.64,0:06:36.89,SMMain,,0,0,0,,إذًا... أيّ نوعٍ من الاختبارات هو؟
Dialogue: 0,0:06:45.27,0:06:48.16,SMMain,,0,0,0,,أوي! ما المضحك في الأمر يا سينسي؟
Dialogue: 0,0:06:49.48,0:06:53.61,SMMain,,0,0,0,,إن أخبرتكم فستفقدون الرغبة في اجتيازه
Dialogue: 0,0:06:54.32,0:06:54.84,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:06:56.13,0:06:58.25,SMMain,,0,0,0,,،من بين السبعة والعشرين متخرّجًا
Dialogue: 0,0:06:58.79,0:07:01.82,SMMain,,0,0,0,,لن يتمّ الاعتراف سوى بتسعة منهم غينين
Dialogue: 0,0:07:02.73,0:07:06.23,SMMain,,0,0,0,,الثمانية عشر المتبقّون ستتمّ إعادتهم إلى الأكاديميّة
Dialogue: 0,0:07:06.88,0:07:10.36,SMMain,,0,0,0,,بمعنى آخر، فإنّ هذا الاختبار هو امتحان صعبٌ للغاية
Dialogue: 0,0:07:10.54,0:07:13.06,SMMain,,0,0,0,,!ذو نسبة فشل تعادل ستًّا وستّين بالمئة أو أكثر
Dialogue: 0,0:07:15.71,0:07:16.45,SMMain,,0,0,0,,أرأيتم؟
Dialogue: 0,0:07:16.62,0:07:17.81,SMMain,,0,0,0,,!أنتم تشعرون بالاستياء حيال ذلك
Dialogue: 0,0:07:18.61,0:07:19.81,SMMain,,0,0,0,,!هذا جنونيّ
Dialogue: 0,0:07:20.21,0:07:21.44,SMMain,,0,0,0,,!لقد عانيت الكثير
Dialogue: 0,0:07:21.61,0:07:25.01,SMMain,,0,0,0,,ما كانت الفائدة من وراء اختبار التخرّج إذًا؟
Dialogue: 0,0:07:25.88,0:07:26.39,SMMain,,0,0,0,,ذلك الاختبار؟
Dialogue: 0,0:07:27.02,0:07:29.98,SMMain,,0,0,0,,كان الهدف منه هو اختيار أولئك\N الذين لديهم الإمكانيّات ليصبحوا غينين
Dialogue: 0,0:07:30.32,0:07:32.31,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:07:32.86,0:07:34.16,SMMain,,0,0,0,,هكذا هي الأمور
Dialogue: 0,0:07:34.59,0:07:38.05,SMMain,,0,0,0,,أنا من سيقرّر نجاحكم أم فشلكم
Dialogue: 0,0:07:38.76,0:07:40.32,SMMain,,0,0,0,,!فلتحضروا عدّة النينجا خاصتكم
Dialogue: 0,0:07:40.67,0:07:42.06,SMMain,,0,0,0,,سنلتقي الساعة الخامسة صباحًا
Dialogue: 0,0:07:45.57,0:07:48.67,SMMain,,0,0,0,,{\i1}!من المستحيل أن أفشل في هذا{\i}
Dialogue: 0,0:07:49.01,0:07:52.60,SMMain,,0,0,0,,{\i1}يجب أن يعترفوا بقوّتي بكلّ جديّة{\i}
Dialogue: 0,0:07:53.48,0:07:56.97,SMMain,,0,0,0,,{\i1}ستتمّ تفرقتي عن ساسكي-كن إن فشلت في هذا الاختبار{\i}
Dialogue: 0,0:07:57.72,0:07:59.01,SMMain,,0,0,0,,{\i1}!إنه اختبار للحبّ{\i}
Dialogue: 0,0:08:03.99,0:08:05.69,SMMain,,0,0,0,,حسنًا، يمكنكم الانصراف الآن
Dialogue: 0,0:08:06.87,0:08:09.35,SMMain,,0,0,0,,بالمناسبة... لا داعي لتناول الفطور في الغد
Dialogue: 0,0:08:10.03,0:08:10.55,SMMain,,0,0,0,,سوف تستفرغونه بلا شكّ
Dialogue: 0,0:08:22.87,0:08:24.17,SMMain,,0,0,0,,صباح الخير
Dialogue: 0,0:08:53.06,0:08:55.06,SMMain,,0,0,0,,!مرحبا يا شباب، صباح الخير
Dialogue: 0,0:08:55.73,0:08:57.83,SMMain,,0,0,0,,!لقد تأخّرت
Dialogue: 0,0:08:58.54,0:09:02.17,SMMain,,0,0,0,,في الحقيقة لقد قطع قطّ أسود طريقي
Dialogue: 0,0:09:05.04,0:09:07.00,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:09:09.58,0:09:11.78,SMMain,,0,0,0,,!تمّ ضبط المؤقت على الساعة الثانية عشر
Dialogue: 0,0:09:15.82,0:09:20.32,SMMain,,0,0,0,,اختبار اليوم ينصّ على أخذ هذين\Nالجرسين منّي قبل حلول الظهيرة
Dialogue: 0,0:09:23.93,0:09:26.07,SMMain,,0,0,0,,الشخص الذي يفشل في\Nالحصول عليه لن يحصل على الغداء
Dialogue: 0,0:09:27.03,0:09:28.83,SMMain,,0,0,0,,...وسيتمّ ربطه هناك
Dialogue: 0,0:09:29.00,0:09:31.33,SMMain,,0,0,0,,كما أنّني سأقوم بتناول غدائي أمام أعينكم
Dialogue: 0,0:09:32.94,0:09:34.27,SMMain,,0,0,0,,{\i1}...كان ذلك هو الهدف إذًا{\i}
Dialogue: 0,0:09:35.17,0:09:36.64,SMMain,,0,0,0,,{\i1}...من عدم السماح لنا بتناول الفطور{\i}
Dialogue: 0,0:09:37.08,0:09:38.27,SMMain,,0,0,0,,اِنتظر لحظة
Dialogue: 0,0:09:38.84,0:09:40.27,SMMain,,0,0,0,,لماذا هنالك جرسان فقط؟
Dialogue: 0,0:09:42.08,0:09:43.50,SMMain,,0,0,0,,هنالك اثنان فقط لكي نتمكّن على الأقلّ
Dialogue: 0,0:09:43.68,0:09:45.01,SMMain,,0,0,0,,من ربط أحدكم بجذع الشجرة ذاك
Dialogue: 0,0:09:45.48,0:09:48.15,SMMain,,0,0,0,,...سيصبح الشخص غير مؤهّل للنجاح في هذه المهمّة
Dialogue: 0,0:09:48.72,0:09:50.09,SMMain,,0,0,0,,وسيعود إلى الأكاديميّة
Dialogue: 0,0:09:51.22,0:09:52.95,SMMain,,0,0,0,,قد يكون شخصًا واحدًا
Dialogue: 0,0:09:53.12,0:09:54.62,SMMain,,0,0,0,,أو قد يكون ثلاثتكم معًا
Dialogue: 0,0:09:55.63,0:09:57.29,SMMain,,0,0,0,,في إمكانكم استخدام الشوريكن خاصتكم
Dialogue: 0,0:09:57.86,0:10:00.70,SMMain,,0,0,0,,لن تتمكّنوا من الحصول على الجرسين إلّا\Nإذا كانت لديكم الرغبة الحقيقيّة في قتلي
Dialogue: 0,0:10:02.57,0:10:04.40,SMMain,,0,0,0,,!لكنّ ذلك خطيرٌ يا سينسي
Dialogue: 0,0:10:04.80,0:10:06.11,SMMain,,0,0,0,,!أ-أجل، هذا صحيح
Dialogue: 0,0:10:06.35,0:10:08.23,SMMain,,0,0,0,,!أنت لم تتمكّن حتى من تفادي ممحاة الغبار
Dialogue: 0,0:10:08.41,0:10:09.57,SMMain,,0,0,0,,،في هذا العالم
Dialogue: 0,0:10:09.97,0:10:12.37,SMMain,,0,0,0,,أولئك الذين يتذمّرون باستمرار هم الذين تنقصهم المهارة
Dialogue: 0,0:10:12.84,0:10:14.87,SMMain,,0,0,0,,...فلتتجاهلوا الشخص الفاشل
Dialogue: 0,0:10:16.72,0:10:18.34,SMMain,,0,0,0,,فلتبدؤوا عندما أعطيكم الإشارة لذلك
Dialogue: 0,0:10:18.52,0:10:20.35,SMMain,,0,0,0,,{\i1}فاشل، فاشل، فاشل{\i}
Dialogue: 0,0:10:36.21,0:10:40.09,SMMain,,0,0,0,,لا تتسرّع هكذا، أنا لم أعلن عن بداية الاختبار بعد
Dialogue: 0,0:10:48.05,0:10:48.64,SMMain,,0,0,0,,{\i1}!...مستحيل{\i}
Dialogue: 0,0:10:49.21,0:10:50.41,SMMain,,0,0,0,,{\i1}لم أتمكّن من رؤيته على الإطلاق{\i}
Dialogue: 0,0:10:51.48,0:10:52.71,SMMain,,0,0,0,,{\i1}هكذا هم الجونين إذًا{\i}
Dialogue: 0,0:10:53.69,0:10:54.45,SMMain,,0,0,0,,لا بأس بذلك
Dialogue: 0,0:10:54.62,0:10:57.78,SMMain,,0,0,0,,على الأقلّ كانت لديك الرغبة في قتلي
Dialogue: 0,0:11:00.06,0:11:01.15,SMMain,,0,0,0,,كيف يمكنني قول هذا؟
Dialogue: 0,0:11:01.49,0:11:02.48,SMMain,,0,0,0,,...أشعر وكأنني قد بدأت
Dialogue: 0,0:11:02.66,0:11:03.75,SMMain,,0,0,0,,في الإعجاب بكم حقًّا
Dialogue: 0,0:11:05.36,0:11:06.21,SMMain,,0,0,0,,سوف نبدأ
Dialogue: 0,0:11:07.37,0:11:09.67,SMMain,,0,0,0,,!استعداد... انطلاق
Dialogue: 0,0:11:14.18,0:11:15.63,SMMain,,0,0,0,,ما الذي ترغب في معرفته؟
Dialogue: 0,0:11:17.58,0:11:20.94,SMMain,,0,0,0,,لا أظنّ أنك قطعت كل هذه المسافة إلى هنا لشرب الشاي
Dialogue: 0,0:11:21.89,0:11:24.22,SMMain,,0,0,0,,...الجونين المسؤول عن ناروتو والفرقة السابعة
Dialogue: 0,0:11:25.02,0:11:28.48,SMMain,,0,0,0,,أيّ نوعٍ من المعلّمين هو يا ترى؟ أهو صارم؟
Dialogue: 0,0:11:29.89,0:11:33.02,SMMain,,0,0,0,,أتقصد كاكاشي؟ هل يقلقك أمره؟
Dialogue: 0,0:11:34.46,0:11:37.30,SMMain,,0,0,0,,لقد سمعتُ شائعة عنه
Dialogue: 0,0:11:45.07,0:11:45.59,SMMain,,0,0,0,,ما هذا؟
Dialogue: 0,0:11:47.08,0:11:49.31,SMMain,,0,0,0,,إنها قائمة بالغينين الناجحين والفاشلين
Dialogue: 0,0:11:49.48,0:11:51.44,SMMain,,0,0,0,,الذين كان كاكاشي مسؤولًا عنهم
Dialogue: 0,0:11:54.05,0:11:54.85,SMMain,,0,0,0,,دعني ألقي نظرة
Dialogue: 0,0:12:01.33,0:12:02.82,SMMain,,0,0,0,,!...إ-إنها
Dialogue: 0,0:12:06.70,0:12:10.09,SMMain,,0,0,0,,على الشينوبي أن يخفوا وجودهم ويختبئوا بمهارة في الأساس
Dialogue: 0,0:12:18.98,0:12:21.44,SMMain,,0,0,0,,...حسنًا، الجميع مختفٍ بشكلٍ جيّد
Dialogue: 0,0:12:24.72,0:12:27.85,SMMain,,0,0,0,,!حسنًا! فلنتواجه بعدل
Dialogue: 0,0:12:29.69,0:12:30.85,SMMain,,0,0,0,,ذلك المغفّل
Dialogue: 0,0:12:32.32,0:12:34.92,SMMain,,0,0,0,,ألست غريب الأطوار بعض\Nالشيء مقارنة بالبقيّة؟
Dialogue: 0,0:12:35.22,0:12:37.79,SMMain,,0,0,0,,!بل أنت هو غريب الأطوار بتسريحتك تلك
Dialogue: 0,0:12:50.61,0:12:53.50,SMMain,,0,0,0,,...سألقّنك أوّل جتسو قتاليّ خاص بالشينوبي
Dialogue: 0,0:12:54.11,0:12:55.70,SMMain,,0,0,0,,التايجتسو
Dialogue: 0,0:12:58.95,0:12:59.75,SMMain,,0,0,0,,{\i1}تايجتسو؟{\i}
Dialogue: 0,0:12:59.95,0:13:01.72,SMMain,,0,0,0,,{\i1}...إنه قتال النينجا اليدويّ دون استخدام أسلحة{\i}
Dialogue: 0,0:13:02.12,0:13:04.15,SMMain,,0,0,0,,{\i1}لكن... هل سيقوم باستخدام أسلحة ما؟{\i}
Dialogue: 0,0:13:05.76,0:13:11.77,top,,0,0,0,,اسم الكتاب: جنّة التغزّل
Dialogue: 0,0:13:14.06,0:13:14.79,SMMain,,0,0,0,,ما المشكلة؟
Dialogue: 0,0:13:15.19,0:13:16.22,SMMain,,0,0,0,,لماذا لا تقوم بمهاجمتي؟
Dialogue: 0,0:13:16.70,0:13:20.09,SMMain,,0,0,0,,لكن... ما ذلك الكتاب يا ترى؟
Dialogue: 0,0:13:20.54,0:13:21.67,SMMain,,0,0,0,,لماذا تسألني ذلك؟
Dialogue: 0,0:13:22.24,0:13:25.10,SMMain,,0,0,0,,لأنني أشعر بالفضول لما سيحدث بعد هذا
Dialogue: 0,0:13:25.70,0:13:26.37,SMMain,,0,0,0,,لا تقلق
Dialogue: 0,0:13:27.14,0:13:28.51,SMMain,,0,0,0,,،كونكم خصومي
Dialogue: 0,0:13:28.68,0:13:29.98,SMMain,,0,0,0,,فلا فرق إن كنتُ سأقرأ هذا الكتاب أم لا
Dialogue: 0,0:13:32.68,0:13:34.55,SMMain,,0,0,0,,!سأقوم بتقطيعك إربًا
Dialogue: 0,0:13:38.19,0:13:40.22,SMMain,,0,0,0,,!تبًّا! ركلة دورانيّة هذه المرّة
Dialogue: 0,0:13:41.89,0:13:42.55,SMMain,,0,0,0,,!يا إلهي
Dialogue: 0,0:13:45.69,0:13:46.39,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:13:47.30,0:13:49.89,SMMain,,0,0,0,,لا يجب على النينجا أن يسمح لخصمه\N بمهاجمته من الخلف مرارًا وتكرارًا أيها الغبيّ
Dialogue: 0,0:13:51.47,0:13:52.96,SMMain,,0,0,0,,{\i1}...الوضعية التي عليها يداه{\i}
Dialogue: 0,0:13:53.74,0:13:54.80,SMMain,,0,0,0,,{\i1}!هل ذلك هو ختم النمر؟{\i}
Dialogue: 0,0:13:55.36,0:13:55.82,SMMain,,0,0,0,,{\i1}!مستحيل{\i}
Dialogue: 0,0:13:56.04,0:13:57.20,SMMain,,0,0,0,,{\i1}كون ناروتو هو خصمه{\i}
Dialogue: 0,0:13:57.37,0:13:59.11,SMMain,,0,0,0,,{\i1}فإنّ ذلك النينجتسو قويّ للغاية بغضّ النظر عن كلّ شيء{\i}
Dialogue: 0,0:13:59.88,0:14:02.27,SMMain,,0,0,0,,{\i1}ذلك الختم... إنه أسلوب النار{\i}
Dialogue: 0,0:14:03.35,0:14:05.83,SMMain,,0,0,0,,{\i1}ذلك المعلّم الغبيّ لن يقوم بالهرب فحسب{\i}
Dialogue: 0,0:14:06.48,0:14:08.41,SMMain,,0,0,0,,!ناروتو، فلتهرب من هنالك بسرعة
Dialogue: 0,0:14:08.59,0:14:09.75,SMMain,,0,0,0,,!سوف تموت
Dialogue: 0,0:14:11.05,0:14:11.75,SMMain,,0,0,0,,فات الأوان
Dialogue: 0,0:14:13.06,0:14:15.14,top,,0,0,0,,!سرّ القرية المخفيّة في الورق\N!التايجتسو المطلق
Comment: 0,0:14:13.06,0:14:15.14,ضربات كاكاشي,,0,0,0,karaoke,{\k31}كونوها {\k37}غاكري {\k33}هيدين{\k33} {\k40}تايجتسو {\k34}اوغي
Dialogue: 0,0:14:19.93,0:14:21.42,top,,0,0,0,,!ألف عام من الموت
Comment: 0,0:14:19.93,0:14:21.42,ضربات كاكاشي,,0,0,0,karaoke,{\k31}سين {\k27}نين {\k91}غوروشي
Dialogue: 0,0:14:23.07,0:14:25.82,SMMain,,0,0,0,,أوه إنه ليس نينجتسو
Dialogue: 0,0:14:27.04,0:14:29.24,SMMain,,0,0,0,,يا لهما من مغفّلان
Dialogue: 0,0:14:34.95,0:14:35.93,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:14:43.72,0:14:46.28,SMMain,,0,0,0,,{\i1}لكن بالرغم من ذلك، أليس هذا مخالفًا للقوانين؟{\i}
Dialogue: 0,0:14:46.46,0:14:49.12,SMMain,,0,0,0,,{\i1}ما الذي يفترض بنا فعله بخصوص قوّته؟{\i}
Dialogue: 0,0:14:54.40,0:14:55.48,SMMain,,0,0,0,,{\i1}!سحقًا{\i}
Dialogue: 0,0:14:55.66,0:14:56.96,SMMain,,0,0,0,,{\i1}ما كان يفترض أن يكون الأمر هكذا{\i}
Dialogue: 0,0:15:09.78,0:15:10.94,SMMain,,0,0,0,,!هذا لا يعقل
Dialogue: 0,0:15:11.11,0:15:12.85,SMMain,,0,0,0,,!هذا أسوأ ممّا تفيده الإشاعة
Dialogue: 0,0:15:14.05,0:15:17.65,SMMain,,0,0,0,,...قد يكون اختبار كاكاشي صعبًا نوعا ما
Dialogue: 0,0:15:18.92,0:15:22.76,SMMain,,0,0,0,,!لكن، لم يتمكّن أيّ طالب من النجاح في الاختبار حتى الآن
Dialogue: 0,0:15:23.49,0:15:24.05,SMMain,,0,0,0,,...هذا صحيح
Dialogue: 0,0:15:24.36,0:15:27.75,SMMain,,0,0,0,,لم يسبق لأيٍّ من طلّاب كاكاشي النجاح في اختباره
Dialogue: 0,0:15:28.20,0:15:28.93,SMMain,,0,0,0,,...لقد تمّت
Dialogue: 0,0:15:29.47,0:15:30.70,SMMain,,0,0,0,,هزيمتهم جميعًا...
Dialogue: 0,0:15:36.31,0:15:37.76,SMMain,,0,0,0,,ما المشكلة؟
Dialogue: 0,0:15:38.31,0:15:41.41,SMMain,,0,0,0,,لن تتمكّن من الحصول على الغداء\Nإن لم تحصل على الجرس قبل الظهيرة
Dialogue: 0,0:15:42.38,0:15:44.47,SMMain,,0,0,0,,أنا أعلم ذلك
Dialogue: 0,0:15:44.85,0:15:46.84,SMMain,,0,0,0,,تنقصك الكثير من الطاقة
Dialogue: 0,0:15:47.02,0:15:48.71,SMMain,,0,0,0,,كونك قلت أنك ستتفوّق على الهوكاغي
Dialogue: 0,0:15:50.32,0:15:53.82,SMMain,,0,0,0,,تبًّا! تبًّا! يمكنني القتال حتى وإن كنتُ جائعًا
Dialogue: 0,0:15:57.26,0:16:00.46,SMMain,,0,0,0,,{\i1}لم أتناول العشاء ليلة البارحة حتى{\i}
Dialogue: 0,0:16:01.70,0:16:04.19,SMMain,,0,0,0,,{\i1}ما كان يجدر بي اتّباع حمية{\i}
Dialogue: 0,0:16:05.03,0:16:08.06,SMMain,,0,0,0,,!اِنتظر لحظة، لقد كنتُ متهوّرًا قبل قليل
Dialogue: 0,0:16:08.71,0:16:11.17,SMMain,,0,0,0,,...تبًّا! أشعر بالجوع لذلك فقوّتي
Dialogue: 0,0:16:12.01,0:16:15.43,SMMain,,0,0,0,,لكن... عليّ أخذ الجرس مهما كلّفني الأمر
Dialogue: 0,0:16:16.28,0:16:17.61,SMMain,,0,0,0,,...مهما كلّف ذلك
Dialogue: 0,0:16:18.39,0:16:20.63,SMMain,,0,0,0,,...أنا...لن
Dialogue: 0,0:16:21.39,0:16:23.31,SMMain,,0,0,0,,!أتراجع الآن
Dialogue: 0,0:16:27.54,0:16:28.84,SMMain,,0,0,0,,!سوف أصبح نينجا
Dialogue: 0,0:16:39.32,0:16:40.74,SMMain,,0,0,0,,!الحماية هي أكبر أعدائك
Dialogue: 0,0:16:40.95,0:16:44.44,SMMain,,0,0,0,,!والآن، حان دور تقنية نسخ الظل المتعددة المفضّلة لديّ
Dialogue: 0,0:16:45.41,0:16:47.29,SMMain,,0,0,0,,{\i1}سبعة... من ناروتو؟{\i}
Dialogue: 0,0:16:51.72,0:16:53.75,SMMain,,0,0,0,,{\i1}ماذا؟ إنها ليست صورًا فحسب{\i}
Dialogue: 0,0:16:54.59,0:16:56.85,SMMain,,0,0,0,,{\i1}هل جميعها حقيقيّة؟{\i}
Dialogue: 0,0:17:03.70,0:17:06.57,SMMain,,0,0,0,,ليست النسخة وإنما ظلّ النسخة إذًا؟
Dialogue: 0,0:17:08.28,0:17:12.76,SMMain,,0,0,0,,{\i1}!إن وضعت إصبعك على إيروكا-سينسي فسأقتلك{\i}
Dialogue: 0,0:17:12.94,0:17:15.10,SMMain,,0,0,0,,{\i1}!فلترني ما يمكنك فعله أيها الثعلب الشيطان{\i}
Dialogue: 0,0:17:22.35,0:17:26.55,SMMain,,0,0,0,,{\i1}!إنها ليست صورًا وإنما نسخٌ حقيقيّة{\i}
Dialogue: 0,0:17:26.72,0:17:27.82,SMMain,,0,0,0,,{\i1}!إنه نينجتسو متطوّر{\i}
Dialogue: 0,0:17:29.57,0:17:32.91,SMMain,,0,0,0,,{\i1}لا بدّ أنها التقنية الممنوعة\Nالتي استخدمها لهزيمة ميزوكي{\i}
Dialogue: 0,0:17:35.36,0:17:37.21,SMMain,,0,0,0,,،بالنظر إلى مقدرتك
Dialogue: 0,0:17:37.37,0:17:39.67,SMMain,,0,0,0,,فلا بدّ أنّ حدّ تلك التقنية هو دقيقة واحدة
Dialogue: 0,0:17:40.68,0:17:42.63,SMMain,,0,0,0,,،حتّى وإن كان يتحدّث بغرور
Dialogue: 0,0:17:42.80,0:17:44.80,SMMain,,0,0,0,,...سيبقى ناروتو هو ناروتو رغم كلّ شيء
Dialogue: 0,0:17:45.54,0:17:48.58,SMMain,,0,0,0,,ما زلتَ غير قادرٍ على هزيمتي بتلك المهارة
Dialogue: 0,0:17:51.34,0:17:52.84,SMMain,,0,0,0,,مـ-ماذا؟ من الخلف؟
Dialogue: 0,0:17:59.10,0:18:02.39,SMMain,,0,0,0,,لا يجب على النينجا أن\Nيسمح لعدوّه بأن يهاجمه من الخلف
Dialogue: 0,0:18:02.56,0:18:04.22,SMMain,,0,0,0,,أليس كذلك يا كاكاشي-سينسي؟
Dialogue: 0,0:18:05.02,0:18:06.26,SMMain,,0,0,0,,،باستخدام تقنية نسخ الظلّ
Dialogue: 0,0:18:06.43,0:18:07.74,SMMain,,0,0,0,,جعلت أحدهم يخرج
Dialogue: 0,0:18:07.90,0:18:10.86,SMMain,,0,0,0,,!من أعماق النهر ويتسلّل خلفك
Dialogue: 0,0:18:11.73,0:18:14.23,SMMain,,0,0,0,,!هذه من أجل هجمة المؤخّرة التي أصبتني بها قبل قليل
Dialogue: 0,0:18:14.77,0:18:16.29,SMMain,,0,0,0,,{\i1}!هذا ليس سيّئًا يا ناروتو{\i}
Dialogue: 0,0:18:17.08,0:18:18.68,SMMain,,0,0,0,,{\i1}خدعة تظليليّة إذًا؟{\i}
Dialogue: 0,0:18:21.21,0:18:22.77,SMMain,,0,0,0,,!والآن... فلتسمح لي بأن ألكمك
Dialogue: 0,0:18:32.45,0:18:33.32,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:18:40.24,0:18:41.53,SMMain,,0,0,0,,...الشخص الذي تمّ لكمه هو
Dialogue: 0,0:18:44.30,0:18:44.96,SMMain,,0,0,0,,ناروتو؟
Dialogue: 0,0:18:46.63,0:18:47.87,SMMain,,0,0,0,,!هذا مؤلم
Dialogue: 0,0:18:48.31,0:18:49.01,SMMain,,0,0,0,,!أنت
Dialogue: 0,0:18:49.75,0:18:52.04,SMMain,,0,0,0,,!أنت هو كاكاشي-سينسي صحيح؟
Dialogue: 0,0:18:52.21,0:18:54.40,SMMain,,0,0,0,,!لقد استخدمت تقنية التحوّل لتغيّر نفسك أليس كذلك؟
Dialogue: 0,0:18:54.57,0:18:55.27,SMMain,,0,0,0,,!إنه أنت
Dialogue: 0,0:18:55.44,0:18:56.77,SMMain,,0,0,0,,بل أنت هو كاكاشي-سينسي
Dialogue: 0,0:18:57.69,0:18:59.35,SMMain,,0,0,0,,!رائحتك شبيهة برائحة كاكاشي-سينسي
Dialogue: 0,0:18:59.52,0:19:00.48,SMMain,,0,0,0,,!رائحة شخصٍ كبير في السنّ
Dialogue: 0,0:19:02.22,0:19:03.21,SMMain,,0,0,0,,!تبًّا لك
Dialogue: 0,0:19:03.45,0:19:06.88,SMMain,,0,0,0,,أنت! فلنحاول إلغاء التقنية في الوقت الراهن
Dialogue: 0,0:19:07.46,0:19:09.85,SMMain,,0,0,0,,...إن قمنا بذلك فلن يبقى سوى هما الإثنان
Dialogue: 0,0:19:10.27,0:19:11.78,SMMain,,0,0,0,,!كان يجدر بك التفكير في ذلك مسبقًا أيها الغبيّ
Dialogue: 0,0:19:12.19,0:19:15.06,SMMain,,0,0,0,,!أنت هو أنا أيها الغبيّ! فلتلغِ التقنية فحسب
Dialogue: 0,0:19:23.90,0:19:24.79,SMMain,,0,0,0,,{\i1}...ناروتو{\i}
Dialogue: 0,0:19:25.47,0:19:26.36,SMMain,,0,0,0,,{\i1}...مشاهدتك أمر محرج{\i}
Dialogue: 0,0:19:27.15,0:19:29.64,SMMain,,0,0,0,,{\i1}كانت تلك تقنية الاستبدال{\i}
Dialogue: 0,0:19:30.42,0:19:33.30,SMMain,,0,0,0,,{\i1}إنها تقنية تستخدم في الأساس لتغيير جسد شخصٍ ما بسرعة{\i}
Dialogue: 0,0:19:33.48,0:19:35.37,SMMain,,0,0,0,,{\i1}واستبداله بشيءٍ أو حيوان ما{\i}
Dialogue: 0,0:19:35.88,0:19:38.92,SMMain,,0,0,0,,{\i1}هذا يجعل العدوّ يعتقد أنه يهاجمك أنت{\i}
Dialogue: 0,0:19:39.53,0:19:41.09,SMMain,,0,0,0,,{\i1}لكنك تقوم بمهاجمته بينما يقف دون دفاع{\i}
Dialogue: 0,0:19:42.02,0:19:46.19,SMMain,,0,0,0,,{\i1}،بعد أن سمح لنفسه بأن يتمّ القبض عليه من قبل ناروتو{\i}
Dialogue: 0,0:19:46.36,0:19:50.00,SMMain,,0,0,0,,{\i1}قام الجونين الغبيّ باستبدال جسده بأحد نسخ ناروتو{\i}
Dialogue: 0,0:19:50.74,0:19:52.69,SMMain,,0,0,0,,{\i1}...لم يسمح لناروتو بالاعتقاد بأنه تمكّن منه فحسب{\i}
Dialogue: 0,0:19:53.13,0:19:55.63,SMMain,,0,0,0,,{\i1}بل استخدم هجمة ناروتو نفسها عليه{\i}
Dialogue: 0,0:20:02.54,0:20:03.27,SMMain,,0,0,0,,{\i1}!جرس؟{\i}
Dialogue: 0,0:20:04.84,0:20:06.61,SMMain,,0,0,0,,لا بدّ أنه كان على عجلة من أمره
Dialogue: 0,0:20:07.02,0:20:08.36,SMMain,,0,0,0,,!لقد أوقعت أحد أجراسك
Dialogue: 0,0:20:13.32,0:20:15.08,SMMain,,0,0,0,,!ما هذا بالضبط؟
Dialogue: 0,0:20:17.83,0:20:19.70,SMMain,,0,0,0,,{\i1}...بالطبع إنه فخّ{\i}
Dialogue: 0,0:20:20.34,0:20:22.99,SMMain,,0,0,0,,!مـ-مهلًا
Dialogue: 0,0:20:23.63,0:20:28.94,SMMain,,0,0,0,,{\i1}ذلك الجونين لا يرخي دفاعاته حتى خلال مقاتلته لناروتو{\i}
Dialogue: 0,0:20:29.51,0:20:31.18,SMMain,,0,0,0,,!الجرس
Dialogue: 0,0:20:35.91,0:20:37.81,SMMain,,0,0,0,,عليك التفكير خلال استخدامك للجتسو
Dialogue: 0,0:20:38.86,0:20:40.95,SMMain,,0,0,0,,إذ يمكن استخدامه ضدّك
Dialogue: 0,0:20:42.92,0:20:43.71,SMMain,,0,0,0,,...إضافة إلى ذلك
Dialogue: 0,0:20:45.15,0:20:48.33,SMMain,,0,0,0,,لا تقع في فخّ بديهيّ كهذا أيها الغبيّ...
Dialogue: 0,0:20:50.93,0:20:53.02,SMMain,,0,0,0,,!على النينجا أن يتمكّن من تمييز خدعٍ كهذه
Dialogue: 0,0:20:53.43,0:20:56.02,SMMain,,0,0,0,,!أعلم ذلك
Dialogue: 0,0:20:56.66,0:20:59.06,SMMain,,0,0,0,,أنا أخبرك بذلك لأنك لا تفهم الأمر
Dialogue: 0,0:20:59.24,0:21:00.11,SMMain,,0,0,0,,!اِسمع
Dialogue: 0,0:21:01.83,0:21:04.36,SMMain,,0,0,0,,تحرّكاتك مضيعة للوقت
Dialogue: 0,0:21:05.27,0:21:06.04,SMMain,,0,0,0,,{\i1}!الآن{\i}
Dialogue: 0,0:21:10.09,0:21:11.44,SMMain,,0,0,0,,{\i1}!لقد أرخى دفاعاته أخيرًا{\i}
Dialogue: 0,0:21:12.21,0:21:13.17,SMMain,,0,0,0,,...أنت حقًّا
Dialogue: 0,0:21:17.46,0:21:18.45,SMMain,,0,0,0,,!مستحيل
Dialogue: 0,0:21:19.10,0:21:20.16,SMMain,,0,0,0,,!ساسكي أيها الوغد
Dialogue: 0,0:21:20.33,0:21:21.71,SMMain,,0,0,0,,!لقد تماديت كثيرًا
Dialogue: 0,0:23:04.15,0:23:04.90,SMMain,,0,0,0,,!تبًّا
Dialogue: 0,0:23:05.15,0:23:07.69,SMMain,,0,0,0,,لن أتمكّن من هزيمة كاكاشي-سينسي إن استمرّت الأمور هكذا
Dialogue: 0,0:23:08.03,0:23:09.03,SMMain,,0,0,0,,...لكن إن لم أتمكّن من أخذ الجرس
Dialogue: 0,0:23:09.20,0:23:09.86,SMMain,,0,0,0,,...فلن أحصل على الغداء
Dialogue: 0,0:23:10.03,0:23:12.16,SMMain,,0,0,0,,!كلّا... بل سأفشل في الاختبار
Dialogue: 0,0:23:12.49,0:23:15.24,SMMain,,0,0,0,,قال بأنه على النينجا تمييز مثل هذه الخدع
Dialogue: 0,0:23:15.41,0:23:17.20,SMMain,,0,0,0,,لكن لا فكرة لديّ عمّا يعنيه ذلك
Dialogue: 0,0:23:17.58,0:23:19.33,SMMain,,0,0,0,,كيف سأتمكّن من أخذ ذلك الجرس بالضبط؟
Dialogue: 0,0:23:19.50,0:23:21.46,SMMain,,0,0,0,,!من بين يدي كاكاشي-سينسي؟
Dialogue: 0,0:23:23.59,0:23:27.59,Nar_title_end,,0,0,0,,{\pos(1216.61,567)}الحلقة القادمة
Dialogue: 0,0:23:23.59,0:23:27.59,Nar_title_end,,0,0,0,,{\pos(768.767,558)}فشل؟
Dialogue: 0,0:23:23.59,0:23:27.59,Nar_title_end,,0,0,0,,{\pos(439.232,303.6)}" قرار كاكاشي النهائيّ"
Dialogue: 0,0:23:25.55,0:23:28.05,SMMain,,0,0,0,,!لا تفوّتوا أدائي الرائع
Dialogue: 0,0:14:13.06,0:14:15.14,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(1053,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))}
Dialogue: 0,0:14:12.46,0:14:13.06,ضربات كاكاشي,,0,0,0,fx,{\an5\org(-1016,532)\pos(984,1032)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}كونوها
Dialogue: 1,0:14:13.06,0:14:13.37,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(959,1027,984,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}كونوها
Dialogue: 0,0:14:13.37,0:14:15.24,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(984,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))}كونوها
Dialogue: 1,0:14:13.37,0:14:13.74,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(818,1027,843,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}غاكري
Dialogue: 0,0:14:13.74,0:14:15.34,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(843,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}غاكري
Dialogue: 1,0:14:13.74,0:14:14.07,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(684,1027,709,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}هيدين
Dialogue: 0,0:14:14.07,0:14:15.44,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(709,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}هيدين
Dialogue: 0,0:14:14.40,0:14:15.54,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(639,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}
Dialogue: 1,0:14:14.40,0:14:14.80,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(540,1027,565,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}تايجتسو
Dialogue: 0,0:14:14.80,0:14:15.64,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(565,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}تايجتسو
Dialogue: 1,0:14:14.80,0:14:15.14,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(407,1027,432,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}اوغي
Dialogue: 0,0:14:15.14,0:14:15.74,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(432,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}اوغي
Dialogue: 0,0:14:19.93,0:14:21.42,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(883,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}
Dialogue: 0,0:14:19.33,0:14:19.93,ضربات كاكاشي,,0,0,0,fx,{\an5\org(-1159,532)\pos(841,1032)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}سين
Dialogue: 1,0:14:19.93,0:14:20.24,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(816,1027,841,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}سين
Dialogue: 0,0:14:20.24,0:14:21.52,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(841,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}سين
Dialogue: 1,0:14:20.24,0:14:20.51,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(736,1027,761,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}نين
Dialogue: 0,0:14:20.51,0:14:21.62,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(761,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}نين
Dialogue: 1,0:14:20.51,0:14:21.42,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(612,1027,637,1032)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}غوروشي
Dialogue: 0,0:14:21.42,0:14:21.72,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(637,1032)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))}غوروشي
Dialogue: 0,0:21:44.94,0:21:48.41,ED-AR,,0,0,0,,احفظ جوعك قبل أن تكون مثالًا
Dialogue: 0,0:21:48.42,0:21:51.85,ED-AR,,0,0,0,,وهيّج غضبك لتجعل فيهم إدراكًا
Dialogue: 0,0:21:51.86,0:21:55.23,ED-AR,,0,0,0,,تسلّق الجبل ولا تنزل أبدًا
Dialogue: 0,0:21:55.29,0:21:58.65,ED-AR,,0,0,0,,شقّ طريقك إلى باطنه ولا تخرّ ساقطًا
Dialogue: 0,0:22:02.07,0:22:05.56,ED-AR,,0,0,0,,ما زالت ركبتاي ترتعشان، وكأن الثانية عشرة عمري
Dialogue: 0,0:22:05.56,0:22:08.84,ED-AR,,0,0,0,,أتسلل خارج الفصلِ، عبر الباب الخلفيّ
Dialogue: 0,0:22:08.84,0:22:12.28,ED-AR,,0,0,0,,وإذ برجلٍ يوبخني مرتين، لكنني في كلتا الحالتين لا أبالي
Dialogue: 0,0:22:12.28,0:22:15.77,ED-AR,,0,0,0,,فالانتظار ليس إلّا مضيعةً لأمثالي
Dialogue: 0,0:22:15.85,0:22:19.26,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:19.26,0:22:22.71,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:22.71,0:22:26.08,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:26.08,0:22:29.07,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:38.83,0:22:41.99,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:42.27,0:22:45.33,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:45.70,0:22:48.94,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:48.94,0:22:52.17,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:52.51,0:22:55.83,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:55.99,0:22:59.07,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:59.40,0:23:00.91,ED-AR,,0,0,0,,...ولا تجفَّ
Comment: 0,0:00:09.63,0:00:10.51,KARA,,0,0,0,karaoke,{\k37}Come {\k50}on!
Dialogue: 0,0:00:09.68,0:00:10.51,songs,,0,0,0,,!هيّا
Comment: 0,0:00:16.93,0:00:19.52,KARA,,0,0,0,karaoke,{\k48}o{\k24}wa{\k24}re{\k12}ru {\k29}yo{\k56}u{\k66}ni
Dialogue: 0,0:00:16.93,0:00:19.52,songs,,0,0,0,,أن تركض مثل الهارب
Comment: 0,0:00:20.52,0:00:22.69,KARA,,0,0,0,karaoke,{\k19}{\k36}i{\k39}so{\k17}i {\k24}de {\k28}i{\k54}ru
Dialogue: 0,0:00:20.52,0:00:22.69,songs,,0,0,0,,بينما تتمّ مطاردتك من قبل شيءٍ ما
Comment: 0,0:00:24.36,0:00:27.03,KARA,,0,0,0,karaoke,{\k19}{\k39}ka{\k32}wa{\k25}i {\k25}ta {\k24}mu{\k43}ne {\k59}ga
Dialogue: 0,0:00:24.36,0:00:27.03,songs,,0,0,0,,قلبي ينبض من الداخل
Comment: 0,0:00:28.11,0:00:31.11,KARA,,0,0,0,karaoke,{\k25}{\k49}ka{\k23}ri {\k26}ta{\k20}te{\k17}ru {\k37}no {\k101}sa
Dialogue: 0,0:00:28.11,0:00:30.74,songs,,0,0,0,,حلقي جافّ وكأنه يضمحلّ
Comment: 0,0:00:32.45,0:00:35.58,KARA,,0,0,0,karaoke,{\k22}{\k23}da{\k26}re {\k18}no {\k53}ta{\k46}me {\k31}de {\k42}na{\k49}ku
Dialogue: 0,0:00:32.45,0:00:35.54,songs,,0,0,0,,لا أقوم بهذا من أجل أيّ شخص
Comment: 0,0:00:36.08,0:00:39.33,KARA,,0,0,0,karaoke,{\k42}{\k25}da{\k26}re {\k17}no {\k52}mo{\k50}no {\k32}de {\k36}na{\k46}ku
Dialogue: 0,0:00:36.08,0:00:39.33,songs,,0,0,0,,وهذا لا يخصّ أيّ شخص
Comment: 0,0:00:40.79,0:00:45.09,KARA,,0,0,0,karaoke,{\k20}{\k47}o{\k26}re {\k39}ta{\k40}chi {\k65}no{\k91} {\k25}i{\k18}ma {\k55}ga
Dialogue: 0,0:00:40.79,0:00:45.05,songs,,0,0,0,,...هذا وقتنا نحن الآن
Comment: 0,0:00:47.71,0:00:49.59,KARA,,0,0,0,karaoke,{\k21}{\k26}i{\k25}ta{\k23}mi {\k35}ho{\k35}do{\k22}ki
Dialogue: 0,0:00:47.67,0:00:49.55,songs,,0,0,0,,الكشف عن الألم
Comment: 0,0:00:49.67,0:00:51.43,KARA - نسخة,,0,0,0,karaoke,{\k17}{\k23}ko{\k19}ko{\k29}ro {\k27}ho{\k22}do{\k36}ki
Dialogue: 0,0:00:49.68,0:00:51.39,songs,,0,0,0,,الكشف عن قلوبنا
Comment: 0,0:00:51.47,0:00:53.80,KARA,,0,0,0,karaoke,{\k29}{\k24}ka{\k20}ge {\k28}o {\k29}ho{\k41}do{\k63}ki
Dialogue: 0,0:00:51.47,0:00:53.81,songs,,0,0,0,,الكشف عن الظلال
Comment: 0,0:00:55.64,0:00:57.47,KARA,,0,0,0,karaoke,{\k25}i{\k27}ki {\k15}o {\k33}tsu{\k45}ne{\k41}te
Dialogue: 0,0:00:55.31,0:00:57.10,songs,,0,0,0,,التي تخنق أنفاسنا
Comment: 0,0:00:57.51,0:00:59.39,KARA - نسخة,,0,0,0,karaoke,{\k20}ha{\k34}shi{\k20}ri {\k21}nu{\k26}ke{\k65}ro
Dialogue: 0,0:00:57.14,0:00:59.06,songs,,0,0,0,,السعي نحو المنتهى
Comment: 0,0:00:59.39,0:01:01.60,KARA,,0,0,0,karaoke,{\k29}ya{\k18}mi {\k21}o {\k35}sa{\k41}i{\k76}te
Dialogue: 0,0:00:59.14,0:01:01.56,songs,,0,0,0,,الولوج خلال الظلمة
Comment: 0,0:01:03.48,0:01:10.07,KARA,,0,0,0,karaoke,{\k17}{\k48}ta{\k21}ta{\k21}ka{\k30}u {\k26}ko{\k43}to {\k77}mo{\k116} {\k32}a{\k26}i{\k41}shi {\k46}au {\k43}ko{\k43}to {\k26}mo
Dialogue: 0,0:01:03.44,0:01:10.03,songs,,0,0,0,,خلال القتال والحب
Comment: 0,0:01:11.03,0:01:13.66,KARA,,0,0,0,karaoke,{\k25}{\k28}o{\k41}wa{\k26}ri {\k37}wa {\k35}shi{\k29}na{\k41}i
Dialogue: 0,0:01:10.99,0:01:13.62,songs,,0,0,0,,نحو النور البعيد فوقنا
Comment: 0,0:01:14.11,0:01:17.28,KARA,,0,0,0,karaoke,{\k39}{\k41}On {\k16}the {\k223}way
Dialogue: 0,0:01:14.08,0:01:17.25,songs,,0,0,0,,أجل، نحن في طريقنا
Comment: 0,0:01:22.29,0:01:23.67,KARA,,0,0,0,karaoke,{\k28}I {\k19}wanna {\k93}ROCKS
Dialogue: 0,0:01:22.21,0:01:23.63,songs,,0,0,0,,أريد أن أتزعزع
Comment: 0,0:01:26.04,0:01:27.50,KARA,,0,0,0,karaoke,{\k33}mu{\k25}ne {\k22}ni {\k65}ROCKS
Dialogue: 0,0:01:26.00,0:01:27.42,songs,,0,0,0,,أزعزع قلبي
Dialogue: 0,0:00:00.00,0:00:05.00,Default,,0,0,0,,
Dialogue: 0,0:00:08.63,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:09.53,0:00:09.63,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:09.63,0:00:10.69,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:08.69,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(1000,0)}Come
Dialogue: 0,0:00:09.53,0:00:10.00,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,470,\fscx100\fscy100\3c&H00000000&)}Come
Dialogue: 0,0:00:10.00,0:00:10.75,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(0,1000)}Come
Dialogue: 0,0:00:08.75,0:00:09.90,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(1000,0)}on!
Dialogue: 0,0:00:09.90,0:00:10.50,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,600,\fscx100\fscy100\3c&H00000000&)}on!
Dialogue: 0,0:00:10.50,0:00:10.81,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(0,1000)}on!
Dialogue: 0,0:00:15.93,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:16.83,0:00:16.93,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:16.93,0:00:19.40,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:15.99,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(1000,0)}o
Dialogue: 0,0:00:16.83,0:00:17.41,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,580,\fscx100\fscy100\3c&H00000000&)}o
Dialogue: 0,0:00:17.41,0:00:19.46,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(0,1000)}o
Dialogue: 0,0:00:16.05,0:00:17.31,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:17.31,0:00:17.65,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:17.65,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:16.11,0:00:17.55,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(1000,0)}re
Dialogue: 0,0:00:17.55,0:00:17.89,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}re
Dialogue: 0,0:00:17.89,0:00:19.58,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(0,1000)}re
Dialogue: 0,0:00:16.17,0:00:17.79,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:17.79,0:00:18.01,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,220,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:18.01,0:00:19.64,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:16.23,0:00:17.91,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(1000,0)}yo
Dialogue: 0,0:00:17.91,0:00:18.30,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,390,\fscx100\fscy100\3c&H00000000&)}yo
Dialogue: 0,0:00:18.30,0:00:19.70,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(0,1000)}yo
Dialogue: 0,0:00:16.29,0:00:18.20,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(1000,0)}u
Dialogue: 0,0:00:18.20,0:00:18.86,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,660,\fscx100\fscy100\3c&H00000000&)}u
Dialogue: 0,0:00:18.86,0:00:19.76,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(0,1000)}u
Dialogue: 0,0:00:16.35,0:00:18.76,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(1000,0)}ni
Dialogue: 0,0:00:18.76,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,760,\fscx100\fscy100\3c&H00000000&)}ni
Dialogue: 0,0:00:19.52,0:00:19.82,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(0,1000)}ni
Dialogue: 0,0:00:19.52,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.52,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.52,0:00:22.57,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.58,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.71,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.71,0:00:22.63,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.64,0:00:20.61,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:20.61,0:00:21.07,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,460,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.07,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.70,0:00:20.97,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(1000,0)}so
Dialogue: 0,0:00:20.97,0:00:21.46,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}so
Dialogue: 0,0:00:21.46,0:00:22.75,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(0,1000)}so
Dialogue: 0,0:00:19.76,0:00:21.36,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.36,0:00:21.63,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,270,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.63,0:00:22.81,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.82,0:00:21.53,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(1000,0)}de
Dialogue: 0,0:00:21.53,0:00:21.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}de
Dialogue: 0,0:00:21.87,0:00:22.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(0,1000)}de
Dialogue: 0,0:00:19.88,0:00:21.77,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.77,0:00:22.15,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,380,\fscx100\fscy100\3c&H00000000&)}i
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