[Script Info]
; Script generated by Aegisub Master r8902, line0
; http://www.aegisub.org/
Title: العربية
Original Script: cr_ar  [http://www.crunchyroll.com/user/cr_ar]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
PlayResX: 1436
PlayResY: 1080
Timer: 0.0000
WrapStyle: 0
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Naruto
Audio File: Naruto - 06.mkv
Video File: Naruto - 06.mkv
Video AR Mode: 4
Video AR Value: 1.329630
Video Zoom Percent: 0.500000
Scroll Position: 314
Active Line: 323
Video Position: 32145

[V4+ Styles]
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Style: SMMain,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,2,0,0,54,1
Style: Title Gundam song,Arabic Typesetting,150,&H001EA4FE,&H00FF0000,&H00000004,&H00000000,0,0,0,0,100,100,0,0,1,3,3,3,92,314,720,0
Style: songs,AGA Rasheeq V.2 رشيق,81,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,2,0,0,47,1
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Style: Title Gundam END,Arabic Typesetting,120,&H00BDE7EB,&H00FF0000,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,3,5,92,314,720,0
Style: sign_94_1_Late_Night___The,Adobe Arabic,90,&H00F5F5F5,&H000000FF,&H00585858,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,3,2,1284,16,1068,0
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Style: sign_5107_88_Mystery_Meat___S,Adobe Arabic,108,&H00000000,&H000000FF,&H00F4F4F4,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,61,61,81,0
Style: sign_5165_89_Gari_Gari_kun,Adobe Arabic,108,&H00ECDD91,&H000000FF,&H00232323,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,73,926,759,0
Style: sign_5165_90_60_yen____70_yen,Adobe Arabic,108,&H00000000,&H000000FF,&H00F4F4F4,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,61,61,360,0
Style: sign_6904_115__Late_Night__The,Adobe Arabic,81,&H00121212,&H000000FF,&H00E7E7E7,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,29,815,81,0
Style: sign_9276_149_Late_Night___The,Adobe Arabic,108,&H00FFFFFF,&H000000FF,&H00864488,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,684,73,717,0
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Style: sign_17087_255_Tokyo_Governor_,Adobe Arabic,81,&H00172631,&H000000FF,&H007AA8CC,&H00000000,0,0,0,0,100,100,0,0,1,5.99999,0,8,61,1195,240,0
Style: sign_17685_265_Tokyo_Governor,Adobe Arabic,108,&H0023222C,&H000000FF,&H0079A9C9,&H00000000,0,0,0,0,100,100,0,0,1,5.99999,0,8,349,980,513,0
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Style: sign_17821_270_Liars_have_to_sw,Adobe Arabic,90,&H00060792,&H000000FF,&H00B8C1C2,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,1194,0,417,0
Style: sign_18071_277_Meiji_Jingu_,Adobe Arabic,81,&H00000000,&H000000FF,&H0044A17D,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,61,298,657,0
Style: sign_18071_278_Yoyogi_Park_,Adobe Arabic,81,&H00FFFFFF,&H000000FF,&H0001008D,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,449,815,435,0
Style: sign_18071_279_Harajuku,Adobe Arabic,81,&H004E1002,&H000000FF,&H0058ACC1,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,397,61,279,0
Style: sign_18444_285_Liars_have_to_sw,Adobe Arabic,99,&H00060792,&H000000FF,&H00B6BFBF,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,970,151,720,0
Style: Show Title 1,Adobe Arabic,108,&H00FFFFFF,&H000000FF,&H00091EE5,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,61,61,321,0
Style: sign_24601_355_Late_Night__The_,Adobe Arabic,99,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,269,420,49,0
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Style: sign_26416_388_Police__Box_,Adobe Arabic,72,&H000E1C33,&H000000FF,&H0076929E,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,69,1061,801,0
Style: sign_28314_422_Banned__For_Life,Adobe Arabic,99,&H0040FFFD,&H000000FF,&H00570050,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,5.99999,3,2,388,1160,1107,0
Style: sign_28317_423_Infidelity_,Adobe Arabic,99,&H00000079,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,3,8,1129,432,86,0
Style: sign_28360_425_Investigation_On,Adobe Arabic,99,&H00FFFFFF,&H000000FF,&H00000000,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,5.99999,3,8,29,1218,120,0
Style: sign_28360_426_Drug_Overdose_,Adobe Arabic,99,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,1174,151,177,0
Style: sign_28413_429_Violence_,Adobe Arabic,99,&H00010197,&H000000FF,&H00FFFFFF,&H00703310,-1,0,0,0,100,100,0,0,1,5.99999,3,8,118,1436,321,0
Style: sign_28417_430_Divorce_Finalize,Adobe Arabic,99,&H0000DDD6,&H000000FF,&H0056300A,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,1183,61,400,0
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:48.71,0:01:50.21,SMMain,,0,0,0,,!هذا أنا ساسكي في المنطقة ب
Dialogue: 0,0:01:50.84,0:01:52.46,SMMain,,0,0,0,,!هذه أنا ساكورا في المنطقة ج
Dialogue: 0,0:01:55.38,0:01:57.38,SMMain,,0,0,0,,!هذا أنا ناروتو في المنطقة أ
Dialogue: 0,0:01:58.05,0:01:59.01,SMMain,,0,0,0,,!أنت بطيءٌ يا ناروتو
Dialogue: 0,0:02:00.14,0:02:01.76,SMMain,,0,0,0,,...حسنًا أيها الفريق السابع
Dialogue: 0,0:02:02.43,0:02:02.85,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:02:04.22,0:02:05.06,SMMain,,0,0,0,,!لقد تحرّك الهدف
Dialogue: 0,0:02:06.35,0:02:06.85,SMMain,,0,0,0,,!فلتتعقّبوه
Dialogue: 0,0:02:13.65,0:02:14.98,SMMain,,0,0,0,,!حسنًا! إنه هنا
Dialogue: 0,0:02:19.07,0:02:20.28,SMMain,,0,0,0,,كم تبعد مسافتك عن الهدف؟
Dialogue: 0,0:02:21.91,0:02:25.16,SMMain,,0,0,0,,!خمسة أمتار! يمكنني الهجوم في أية لحظة
Dialogue: 0,0:02:26.16,0:02:27.21,SMMain,,0,0,0,,!أنا جاهزٌ أيضًا
Dialogue: 0,0:02:27.96,0:02:28.75,SMMain,,0,0,0,,!وأنا كذلك
Dialogue: 0,0:02:30.00,0:02:30.63,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:02:33.63,0:02:34.13,SMMain,,0,0,0,,!اِنطلقوا
Dialogue: 0,0:02:37.72,0:02:39.13,SMMain,,0,0,0,,!أمسكت به
Dialogue: 0,0:02:39.97,0:02:41.39,SMMain,,0,0,0,,هل يحمل شريطًا على أذنه اليمنى؟
Dialogue: 0,0:02:41.68,0:02:43.22,SMMain,,0,0,0,,هل أنت واثق أنه هدفنا المدعو تورا؟
Dialogue: 0,0:02:44.85,0:02:46.47,SMMain,,0,0,0,,إنه هو بلا شكّ
Dialogue: 0,0:02:47.31,0:02:51.60,SMMain,,0,0,0,,!حسنًا، مهمّة الإمساك بالهدف المفقود تورا تمّت بنجاح
Dialogue: 0,0:02:52.81,0:02:56.57,SMMain,,0,0,0,,!أليست هنالك مهمّة أكثر حماسًا من هذه؟
Dialogue: 0,0:02:57.32,0:03:03.28,Title-Naru_OP,,0,0,0,,{\pos(1133.571,528.999)}!مهمّة خطرة\N!رحلة إلى قرية الأمواج
Dialogue: 0,0:03:05.16,0:03:11.33,SMMain,,0,0,0,,!تورا الظريف خاصتي! لقد قلقت كثيرًا عليك
Dialogue: 0,0:03:11.79,0:03:11.96,sign_nar,,0,0,0,,{\pos(728.879,615.6)\clip(910,540,975,628)}زوجة دايميو قرية النار
Dialogue: 0,0:03:11.96,0:03:12.13,sign_nar,,0,0,0,,{\pos(728.879,615.6)\clip(851,540,975,624)}زوجة دايميو قرية النار
Dialogue: 0,0:03:12.13,0:03:12.29,sign_nar,,0,0,0,,{\pos(728.879,615.6)\clip(m 803.625 541.375 l 975 540 975 626.375 803.625 623.75)}زوجة دايميو قرية النار
Dialogue: 0,0:03:12.29,0:03:12.46,sign_nar,,0,0,0,,{\pos(728.879,615.6)\clip(m 752 540 l 975 540 975 618.25 753.375 618.25)}زوجة دايميو قرية النار
Dialogue: 0,0:03:12.46,0:03:12.63,sign_nar,,0,0,0,,{\pos(728.879,615.6)\clip(703,540,975,621)}زوجة دايميو قرية النار
Dialogue: 0,0:03:12.63,0:03:12.83,sign_nar,,0,0,0,,{\pos(728.879,615.6)\clip(578,508,1073,621)}زوجة دايميو قرية النار
Dialogue: 0,0:03:12.83,0:03:17.00,sign_nar,,0,0,0,,{\pos(728.879,615.6)}زوجة دايميو قرية النار
Dialogue: 0,0:03:14.50,0:03:17.00,sign_nar,,0,0,0,,(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:12.83,0:03:13.13,sign_nar,,0,0,0,,{\clip(1004,930,1077,1018)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:13.13,0:03:13.29,sign_nar,,0,0,0,,{\clip(937,953,1044,1018)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:13.29,0:03:13.46,sign_nar,,0,0,0,,{\clip(872,946,1062,1018)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:13.46,0:03:13.63,sign_nar,,0,0,0,,{\clip(800,940,1044,1040)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:13.63,0:03:13.79,sign_nar,,0,0,0,,{\clip(763,921,1073,1029)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:13.79,0:03:13.96,sign_nar,,0,0,0,,{\clip(664,932,1066,1045)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:13.96,0:03:14.13,sign_nar,,0,0,0,,{\clip(616,869,1131,1034)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:14.13,0:03:14.29,sign_nar,,0,0,0,,{\clip(583,934,1055,1031)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:14.29,0:03:14.46,sign_nar,,0,0,0,,{\clip(503,930,1106,1034)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:14.46,0:03:14.50,sign_nar,,0,0,0,,{\clip(378,936,1067,1029)}(السيّدة شيجيمي وتارو (القطّ
Dialogue: 0,0:03:19.26,0:03:21.79,SMMain,,0,0,0,,!يستحقّ ما أصابه، قطّ غبيّ
Dialogue: 0,0:03:22.26,0:03:25.12,SMMain,,0,0,0,,...لا عجب في أنه لاذ بالفرار
Dialogue: 0,0:03:26.23,0:03:26.88,SMMain,,0,0,0,,!والآن
Dialogue: 0,0:03:27.66,0:03:31.06,SMMain,,0,0,0,,...المهّمة التالية لفرقة كاكاشي السابعة هي
Dialogue: 0,0:03:33.90,0:03:39.49,SMMain,,0,0,0,,...مهمّة في القرية المجاورة... لمجالسة إبن كبير المستشارين
Dialogue: 0,0:03:39.96,0:03:41.40,SMMain,,0,0,0,,...المساعدة في الحفر لاقتناء البطاطا
Dialogue: 0,0:03:41.50,0:03:42.66,SMMain,,0,0,0,,!كلّا
Dialogue: 0,0:03:43.07,0:03:44.93,SMMain,,0,0,0,,!لا أريد مهمّة كتلك! شكرا لك
Dialogue: 0,0:03:45.29,0:03:46.09,SMMain,,0,0,0,,،بالنسبة لي
Dialogue: 0,0:03:46.16,0:03:48.89,SMMain,,0,0,0,,!فأنا أريد مهمّة أكثر حماسًا
Dialogue: 0,0:03:49.20,0:03:50.29,SMMain,,0,0,0,,!فلتعطنا مهمّة أخرى
Dialogue: 0,0:03:50.70,0:03:51.63,SMMain,,0,0,0,,{\i1}...معه حقّ{\i}
Dialogue: 0,0:03:52.20,0:03:53.86,SMMain,,0,0,0,,{\i1}يا إلهي... إنه شخصٌ مزعج{\i}
Dialogue: 0,0:03:56.69,0:03:59.25,SMMain,,0,0,0,,{\i1}...توقّعت بأنه سيبدأ بالتصرّف هكذا{\i}
Dialogue: 0,0:04:00.03,0:04:03.97,SMMain,,0,0,0,,!أيها الغبيّ! أنت لا تزال نينجا مبتدئ
Dialogue: 0,0:04:04.23,0:04:05.49,SMMain,,0,0,0,,،في البداية
Dialogue: 0,0:04:05.69,0:04:06.75,SMMain,,0,0,0,,يتقدّم الجميع شيئًا فشيئًا
Dialogue: 0,0:04:06.83,0:04:08.62,SMMain,,0,0,0,,!عن طريق اكتساب الخبرة من المهام السهلة
Dialogue: 0,0:04:08.69,0:04:10.29,SMMain,,0,0,0,,!لـ-لكن
Dialogue: 0,0:04:10.50,0:04:12.99,SMMain,,0,0,0,,!لم نقم سوى بمهمّات بليدة حتى الآن
Dialogue: 0,0:04:14.70,0:04:16.18,SMMain,,0,0,0,,!توقّف عن ذلك
Dialogue: 0,0:04:17.03,0:04:17.99,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:04:19.10,0:04:23.69,SMMain,,0,0,0,,...من المهمّ أن أشرح لك مفهوم المهمّات
Dialogue: 0,0:04:25.26,0:04:26.02,SMMain,,0,0,0,,!فلتنصت إليّ
Dialogue: 0,0:04:26.91,0:04:30.43,SMMain,,0,0,0,,يتمّ إرسال طلبات إلى القرية يوميًّا
Dialogue: 0,0:04:31.41,0:04:33.93,SMMain,,0,0,0,,...وهي تمتد من مهمّات المجالسات إلى مهمّات الاغتيالات
Dialogue: 0,0:04:35.51,0:04:39.70,SMMain,,0,0,0,,يتمّ تسجيل سلسلة كبيرة\N...من الطلبات على لائحة الطلبات
Dialogue: 0,0:04:40.04,0:04:45.64,SMMain,,0,0,0,,ويتمّ ترتيبها إلى مهمّات من الفئة\Nأ، ب، ج أو د" على حسب صعوبتها"
Dialogue: 0,0:04:46.45,0:04:48.71,SMMain,,0,0,0,,في القرية، يتمّ تقسيم الجميع
Dialogue: 0,0:04:48.85,0:04:54.43,SMMain,,0,0,0,,على حسب قدراتهم من جونين، تشونين إلى غينين
Dialogue: 0,0:04:55.81,0:04:59.14,SMMain,,0,0,0,,نحن أصحاب المراتب العليا نقوم\Nبتوزيع الطلبات على شكل مهمّات
Dialogue: 0,0:04:59.20,0:05:02.50,SMMain,,0,0,0,,إلى النينجا الذين يملكون قدرات تلائم تلك المهمّة
Dialogue: 0,0:05:03.14,0:05:09.94,SMMain,,0,0,0,,وإن نجحت المهمّة فسننال رسومًا من الزبون
Dialogue: 0,0:05:10.84,0:05:15.24,SMMain,,0,0,0,,...لقد أصبحتم غينين لتوّكم
Dialogue: 0,0:05:16.01,0:05:18.31,SMMain,,0,0,0,,...هذا يعني أنّ المهام من فئة "د" هي الملائمة لكم
Dialogue: 0,0:05:19.44,0:05:19.96,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:05:20.44,0:05:22.87,SMMain,,0,0,0,,غداء البارحة كان شعيريّة بمرق لحم الخنزير
Dialogue: 0,0:05:22.94,0:05:24.20,SMMain,,0,0,0,,...لذلك اليوم سنتناول مرق الميزو
Dialogue: 0,0:05:24.28,0:05:25.64,SMMain,,0,0,0,,!فلتنصتوا إليّ
Dialogue: 0,0:05:26.11,0:05:27.60,SMMain,,0,0,0,,أنا آسف
Dialogue: 0,0:05:28.01,0:05:32.13,SMMain,,0,0,0,,!يا إلهي! أنت تقوم بمحاضرتي دائمًا أيها العجوز
Dialogue: 0,0:05:32.71,0:05:38.24,SMMain,,0,0,0,,!لكنّني لم أعد ذلك الصبيّ المشاغب الذي تعوّدت عليه
Dialogue: 0,0:05:44.51,0:05:46.54,SMMain,,0,0,0,,{\i1}...يا إلهي، سوف تتمّ معاتبتي لاحقًا بلا شكّ{\i}
Dialogue: 0,0:05:54.24,0:05:57.97,SMMain,,0,0,0,,{\i1}هذا الفتى لم يكن قادرًا على\Nالتعبير عن مشاعره سوى بالمقالب{\i}
Dialogue: 0,0:06:00.24,0:06:01.64,SMMain,,0,0,0,,!حسنًا إذًا
Dialogue: 0,0:06:02.01,0:06:02.34,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:06:03.01,0:06:05.10,SMMain,,0,0,0,,...إن كنتَ مصرًّا
Dialogue: 0,0:06:05.78,0:06:08.08,SMMain,,0,0,0,,..."سأجعلك تقوم بمهمّة من فئة "ج
Dialogue: 0,0:06:09.10,0:06:11.13,SMMain,,0,0,0,,ستقوم بحراسة شخصٍ ما
Dialogue: 0,0:06:11.67,0:06:12.40,SMMain,,0,0,0,,!حقًّا؟
Dialogue: 0,0:06:14.01,0:06:15.03,SMMain,,0,0,0,,من يكون؟ من يكون؟
Dialogue: 0,0:06:15.58,0:06:16.57,SMMain,,0,0,0,,!أهو أمير؟
Dialogue: 0,0:06:16.78,0:06:18.27,SMMain,,0,0,0,,!أم أميرة ما؟
Dialogue: 0,0:06:18.75,0:06:20.20,SMMain,,0,0,0,,لا تكن متسرّعًا هكذا
Dialogue: 0,0:06:20.84,0:06:22.20,SMMain,,0,0,0,,!سأقوم بتعريفكم عليه الآن
Dialogue: 0,0:06:23.74,0:06:26.14,SMMain,,0,0,0,,هلّا تفضّلت بالدخول؟
Dialogue: 0,0:06:35.58,0:06:39.80,SMMain,,0,0,0,,!ما هذا؟ إنهم مجموعة من الصبية فحسب
Dialogue: 0,0:06:44.28,0:06:45.07,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:06:50.31,0:06:53.04,SMMain,,0,0,0,,خاصّة أنت أيها القصير ذو الوجه الغبيّ
Dialogue: 0,0:06:53.44,0:06:56.41,SMMain,,0,0,0,,هل أنت نينجا حقًّا؟
Dialogue: 0,0:06:58.08,0:07:00.70,SMMain,,0,0,0,,من القصير ذو الوجه الغبيّ الذي يتحدّث عنه؟
Dialogue: 0,0:07:01.04,0:07:01.70,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:07:05.74,0:07:07.04,SMMain,,0,0,0,,!!سوف أقتله
Dialogue: 0,0:07:07.11,0:07:08.55,SMMain,,0,0,0,,لا يفترض بك قتل ذلك العجوز
Dialogue: 0,0:07:08.61,0:07:10.40,SMMain,,0,0,0,,!بل عليك أن تقوم بحراسته أيها الغبيّ
Dialogue: 0,0:07:14.18,0:07:18.64,SMMain,,0,0,0,,أنا أدعى تازونا وأنا مختصّ في بناء الجسور
Dialogue: 0,0:07:19.37,0:07:23.64,SMMain,,0,0,0,,ستقومون بالمخاطرة بحياتكم من أجل حمايتي
Dialogue: 0,0:07:24.11,0:07:26.81,SMMain,,0,0,0,,!حتى أعود إلى قريتي لإكمال بناء الجسر
Dialogue: 0,0:07:45.01,0:07:46.48,SMMain,,0,0,0,,!حسنًا
Dialogue: 0,0:07:46.95,0:07:48.41,SMMain,,0,0,0,,!!فلننطلق
Dialogue: 0,0:07:48.75,0:07:51.07,SMMain,,0,0,0,,!ما الذي أنت متحمّسٌ بشأنه؟
Dialogue: 0,0:07:51.84,0:07:56.46,SMMain,,0,0,0,,!لم يسبق لي أن غادرتُ القرية من قبل
Dialogue: 0,0:07:56.63,0:08:00.66,SMMain,,0,0,0,,!هل سأكون على ما يرام مع هذا الصبيّ؟
Dialogue: 0,0:08:02.24,0:08:05.49,SMMain,,0,0,0,,أنا جونين وسأقوم بمراقبته لذا لا داعي للقلق
Dialogue: 0,0:08:05.70,0:08:09.10,SMMain,,0,0,0,,{\i1}!...على ما يرام مع هذا الصبيّ{\i}
Dialogue: 0,0:08:09.87,0:08:12.27,SMMain,,0,0,0,,{\i1}...تبّا لهذا الرجل العجوز{\i}
Dialogue: 0,0:08:12.34,0:08:13.70,SMMain,,0,0,0,,{\i1}!إنه أسوأ زبون{\i}
Dialogue: 0,0:08:14.01,0:08:15.55,SMMain,,0,0,0,,{\i1}...سوف أريه{\i}
Dialogue: 0,0:08:16.50,0:08:17.69,SMMain,,0,0,0,,!اِسمع أيها العجوز
Dialogue: 0,0:08:17.77,0:08:19.86,SMMain,,0,0,0,,!إيّاك أن تستخفّ بالنينجا هكذا
Dialogue: 0,0:08:19.97,0:08:21.70,SMMain,,0,0,0,,!أنا نينجا رائع
Dialogue: 0,0:08:22.04,0:08:25.22,SMMain,,0,0,0,,!أنا نينجا من النخبة ممّن ستتمّ مناداته بالهوكاغي ذات يوم
Dialogue: 0,0:08:25.66,0:08:28.03,SMMain,,0,0,0,,اِسمي هو أوزوماكي ناروتو
Dialogue: 0,0:08:28.50,0:08:29.59,SMMain,,0,0,0,,!!فلتتذكّر ذلك جيّدًا
Dialogue: 0,0:08:35.14,0:08:39.23,SMMain,,0,0,0,,الهوكاغي هو أفضل نينجا في القرية أليس كذلك؟
Dialogue: 0,0:08:39.97,0:08:43.06,SMMain,,0,0,0,,...من الواضح جدًّا أنك لن تتمكّن من أن تصبح هوكاغي
Dialogue: 0,0:08:43.74,0:08:45.53,SMMain,,0,0,0,,!فلتخرس
Dialogue: 0,0:08:45.73,0:08:49.69,SMMain,,0,0,0,,!أنا مستعدّ لفعل المستحيل من أجل أن أغدو هوكاغي
Dialogue: 0,0:08:50.00,0:08:54.46,SMMain,,0,0,0,,!لن يكون أمامك خيارٌ آخر سوى الاعتراف بي حينها
Dialogue: 0,0:08:56.06,0:08:58.59,SMMain,,0,0,0,,...لن أعترف بك أبدًا أيها الصبيّ
Dialogue: 0,0:08:59.10,0:09:01.26,SMMain,,0,0,0,,!حتى وإن أصبحت الهوكاغي
Dialogue: 0,0:09:01.44,0:09:03.77,SMMain,,0,0,0,,!ماذا؟! سوف أقتلك
Dialogue: 0,0:09:04.01,0:09:05.96,SMMain,,0,0,0,,!أخبرتك بأن تتوقّف عن ذلك أيها الغبي
Dialogue: 0,0:09:06.03,0:09:08.80,SMMain,,0,0,0,,...كلّا! فلتدعني أضربه مرّة واحدة فقط
Dialogue: 0,0:09:16.50,0:09:18.43,SMMain,,0,0,0,,...أخبرني يا تازونا-سان
Dialogue: 0,0:09:19.03,0:09:19.97,SMMain,,0,0,0,,ماذا هناك؟
Dialogue: 0,0:09:20.74,0:09:23.53,SMMain,,0,0,0,,قريتك هي "قرية الأمواج" صحيح؟
Dialogue: 0,0:09:24.54,0:09:25.96,SMMain,,0,0,0,,وماذا في ذلك؟
Dialogue: 0,0:09:26.40,0:09:27.96,SMMain,,0,0,0,,...أخبرني يا كاكاشي-سينسي
Dialogue: 0,0:09:28.27,0:09:29.96,SMMain,,0,0,0,,هل هنالك نينجا في تلك القرية إذًا؟
Dialogue: 0,0:09:30.54,0:09:33.30,SMMain,,0,0,0,,...كلّا، لا وجود للنينجا في قرية الأمواج
Dialogue: 0,0:09:34.01,0:09:38.70,SMMain,,0,0,0,,لكن في الدول الأخرى، وبالرغم\N،من أنّ العادات والتقاليد تختلف
Dialogue: 0,0:09:39.27,0:09:41.90,SMMain,,0,0,0,,فإنّ القرى المخفيّة والنينجا موجودون
Dialogue: 0,0:09:45.80,0:09:48.20,SMMain,,0,0,0,,،بالنسبة للدول على هذه القارّة
Dialogue: 0,0:09:48.83,0:09:52.60,SMMain,,0,0,0,,فإنّ وجود قرى الشينوبي هو معيار للقوّة العسكريّة للدولة
Dialogue: 0,0:09:53.71,0:09:54.64,SMMain,,0,0,0,,،بمعنى آخر
Dialogue: 0,0:09:54.84,0:09:58.53,SMMain,,0,0,0,,فإنّ هذه هي الطريقة التي تبقي فيها \Nالدول على علاقاتها مع الدول المجاورة
Dialogue: 0,0:09:59.94,0:10:04.03,SMMain,,0,0,0,,بالرغم من ذلك فهذه القرى\Nليست تحت سيطرة تلك الدول
Dialogue: 0,0:10:04.44,0:10:06.66,SMMain,,0,0,0,,بل هي متساوية في الرتبة
Dialogue: 0,0:10:08.40,0:10:10.89,SMMain,,0,0,0,,،بالنسبة لجزيرة صغيرة مثل قرية الأمواج
Dialogue: 0,0:10:10.97,0:10:12.87,SMMain,,0,0,0,,حيث من الصعب التأثّر مع الدول الأخرى
Dialogue: 0,0:10:13.31,0:10:15.59,SMMain,,0,0,0,,فليست هنالك حاجة إلى قرية شينوبي
Dialogue: 0,0:10:19.07,0:10:21.87,SMMain,,0,0,0,,،من بين الدول المعنيّة التي تملك قرى شينوبي
Dialogue: 0,0:10:22.10,0:10:28.36,SMMain,,0,0,0,,الدول الخمسة تمثّل دول "النار\N"والماء والبرق والريح والأرض
Dialogue: 0,0:10:29.07,0:10:31.73,SMMain,,0,0,0,,،بفضل المساحة والقوى الهائلة التي تملكها
Dialogue: 0,0:10:32.00,0:10:33.67,SMMain,,0,0,0,,"فهي تلقّب بـ "الدول الخمس العظمى
Dialogue: 0,0:10:36.23,0:10:38.22,SMMain,,0,0,0,,"القرية المخفيّة في الورق والمسمّاة "قرية الورق
Dialogue: 0,0:10:39.23,0:10:41.33,SMMain,,0,0,0,,"القرية المخفيّة في الضباب والمسمّاة "قرية الضباب
Dialogue: 0,0:10:42.00,0:10:44.20,SMMain,,0,0,0,,"القرية المخفيّة في السحاب والمسمّاة "قرية السحاب
Dialogue: 0,0:10:44.87,0:10:46.99,SMMain,,0,0,0,,"القرية المخفيّة في الرمال والمسمّاة "قرية الرمل
Dialogue: 0,0:10:48.00,0:10:50.30,SMMain,,0,0,0,,"القرية المخفيّة في الصخور والمسمّاة "قرية الصخر
Dialogue: 0,0:10:51.14,0:10:53.20,SMMain,,0,0,0,,قادة كلّ من هذه القرى المخفيّة
Dialogue: 0,0:10:53.27,0:10:55.53,SMMain,,0,0,0,,"هم الوحيدون الذين يملكون اسم "الكاغي
Dialogue: 0,0:10:57.57,0:10:59.03,SMMain,,0,0,0,,الهوكاغي
Dialogue: 0,0:10:57.57,0:10:59.03,top,,0,0,0,,ظلّ النّار
Dialogue: 0,0:10:59.10,0:11:00.30,SMMain,,0,0,0,,الميزوكاغي
Dialogue: 0,0:10:59.10,0:11:00.30,top,,0,0,0,,ظلّ الماء
Dialogue: 0,0:11:00.37,0:11:01.43,SMMain,,0,0,0,,الرايكاغي
Dialogue: 0,0:11:00.37,0:11:01.43,top,,0,0,0,,ظلّ البرق
Dialogue: 0,0:11:01.50,0:11:02.60,SMMain,,0,0,0,,الكازيكاغي
Dialogue: 0,0:11:01.50,0:11:02.60,top,,0,0,0,,ظلّ الريح
Dialogue: 0,0:11:02.77,0:11:03.83,SMMain,,0,0,0,,تسوتشيكاغي
Dialogue: 0,0:11:02.77,0:11:03.83,top,,0,0,0,,ظلّ الأرض
Dialogue: 0,0:11:03.91,0:11:05.69,SMMain,,0,0,0,,وهم ما يسمّون بالكاغي الخمسة
Dialogue: 0,0:11:05.76,0:11:09.20,SMMain,,0,0,0,,وهم يحكمون على الآلاف من النينجا
Dialogue: 0,0:11:09.27,0:11:10.86,SMMain,,0,0,0,,في كلّ دولة من هذا العالم
Dialogue: 0,0:11:11.34,0:11:14.36,SMMain,,0,0,0,,!لا عجب في أنّ الهوكاغي رائع للغاية
Dialogue: 0,0:11:15.89,0:11:18.89,SMMain,,0,0,0,,{\i1}...أتساءل إن كان ذلك العجوز المملّ رائًعا حقًّا{\i0}
Dialogue: 0,0:11:19.16,0:11:20.72,SMMain,,0,0,0,,{\i1}يبدو ذلك مثيرًا للشبهات{\i0}
Dialogue: 0,0:11:25.13,0:11:27.53,SMMain,,0,0,0,,{\i1}من المستحيل أن يكون ذلك حقيقيًّا{\i}
Dialogue: 0,0:11:31.17,0:11:34.16,SMMain,,0,0,0,,لقد شككتم في أمر الهوكاغي-ساما للتوّ أليس كذلك؟
Dialogue: 0,0:11:38.76,0:11:40.70,SMMain,,0,0,0,,حسنًا... لا تقلقوا
Dialogue: 0,0:11:41.57,0:11:45.06,SMMain,,0,0,0,,"ليست هنالك أية معارك في مهمّات الفئة "ج
Dialogue: 0,0:11:45.76,0:11:49.86,SMMain,,0,0,0,,!عندها لن نقلق بشأن ملاقاة نينجا من قرية ما
Dialogue: 0,0:11:50.23,0:11:50.86,SMMain,,0,0,0,,بالطبع
Dialogue: 0,0:12:44.27,0:12:44.89,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:12:45.73,0:12:47.13,SMMain,,0,0,0,,مـ-ماذا؟
Dialogue: 0,0:12:47.60,0:12:48.62,SMMain,,0,0,0,,!الأوّل
Dialogue: 0,0:12:59.56,0:13:01.69,SMMain,,0,0,0,,!كـ-كاكاشي-سينسي
Dialogue: 0,0:13:04.34,0:13:05.73,SMMain,,0,0,0,,...الثاني
Dialogue: 0,0:13:09.11,0:13:10.04,SMMain,,0,0,0,,...الثاني
Dialogue: 0,0:13:32.64,0:13:33.63,SMMain,,0,0,0,,{\i1}!إنها عالقة{\i}
Dialogue: 0,0:13:42.17,0:13:42.87,SMMain,,0,0,0,,{\i1}!!مـ-مذهل{\i}
Dialogue: 0,0:13:52.24,0:13:53.10,SMMain,,0,0,0,,{\i1}!إنه قادم{\i}
Dialogue: 0,0:13:53.67,0:13:55.61,SMMain,,0,0,0,,{\i1}!عليّ فعلها... عليّ فعل ذلك{\i}
Dialogue: 0,0:13:56.14,0:13:57.37,SMMain,,0,0,0,,!تراجع أيها العجوز
Dialogue: 0,0:14:23.87,0:14:24.40,SMMain,,0,0,0,,...مرحبًا
Dialogue: 0,0:14:25.11,0:14:27.80,SMMain,,0,0,0,,{\i1}!كاكاشي-سينسي! لا يزال على قيد الحياة{\i}
Dialogue: 0,0:14:28.28,0:14:30.07,SMMain,,0,0,0,,{\i1}يا له من متباهٍ{\i}
Dialogue: 0,0:14:32.67,0:14:33.64,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:14:33.71,0:14:34.93,SMMain,,0,0,0,,{\i1}عندها، ماذا كان ذلك...؟{\i0}
Dialogue: 0,0:14:37.64,0:14:40.80,SMMain,,0,0,0,,{\i1}إذًا فكاكاشي-سينسي استخدم تقنية الاستبدال؟{\i}
Dialogue: 0,0:14:43.81,0:14:47.74,SMMain,,0,0,0,,...ناروتو... آسف لأنّني لم أقم بمساعدتك على الفور
Dialogue: 0,0:14:48.64,0:14:49.70,SMMain,,0,0,0,,لقد تسبّبت في إيذائك
Dialogue: 0,0:14:51.54,0:14:55.17,SMMain,,0,0,0,,...لم أتوقّع أنك لن تقدر على التحرّك
Dialogue: 0,0:14:57.38,0:14:59.50,SMMain,,0,0,0,,{\i1}...لقد تمّ إنقاذي بطريقة ما{\i}
Dialogue: 0,0:15:03.44,0:15:05.57,SMMain,,0,0,0,,على أية حال، أحسنت صنعًا يا ساسكي
Dialogue: 0,0:15:06.11,0:15:07.04,SMMain,,0,0,0,,وأنت أيضًا يا ساكورا
Dialogue: 0,0:15:09.45,0:15:12.40,SMMain,,0,0,0,,{\i1}...لم أستطع فعل أيّ شيء{\i}
Dialogue: 0,0:15:13.34,0:15:14.77,SMMain,,0,0,0,,{\i1}...لكنّ ساسكي{\i}
Dialogue: 0,0:15:15.11,0:15:16.80,SMMain,,0,0,0,,{\i1}كانت هذه أوّل معركة حقيقيّة له{\i}
Dialogue: 0,0:15:17.54,0:15:19.81,SMMain,,0,0,0,,{\i1}ألم يشعر بالخوف على الإطلاق؟{\i}
Dialogue: 0,0:15:20.18,0:15:25.44,SMMain,,0,0,0,,{\i1}لقد أنقذني برباطة جأش\N...ولم يلطّخ ثيابه أثناء ذلك حتى{\i}
Dialogue: 0,0:15:29.81,0:15:31.33,SMMain,,0,0,0,,...هل تأذّيت
Dialogue: 0,0:15:32.91,0:15:33.93,SMMain,,0,0,0,,أيها القطّ الخائف؟
Dialogue: 0,0:15:38.21,0:15:39.21,SMMain,,0,0,0,,!ساسكي
Dialogue: 0,0:15:39.24,0:15:39.77,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:15:41.27,0:15:43.40,SMMain,,0,0,0,,هذان الشخصان يملكان سمًّا في مخالبهما
Dialogue: 0,0:15:44.51,0:15:47.17,SMMain,,0,0,0,,عليك إزالة السمّ على الفور
Dialogue: 0,0:15:47.38,0:15:47.77,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:15:49.08,0:15:52.16,SMMain,,0,0,0,,عليك أن تفتح الجرح وتدع الدم يسيل
Dialogue: 0,0:15:52.60,0:15:53.70,SMMain,,0,0,0,,لا تتحرّك كثيرًا
Dialogue: 0,0:15:53.97,0:15:55.17,SMMain,,0,0,0,,وإلّا فسينتشر السمّ
Dialogue: 0,0:15:56.34,0:15:57.71,SMMain,,0,0,0,,...بالمناسبة يا تازونا-سان
Dialogue: 0,0:15:57.88,0:15:59.78,SMMain,,0,0,0,,مـ-ماذا هناك؟
Dialogue: 0,0:16:01.54,0:16:03.33,SMMain,,0,0,0,,هنالك ما أودّ التحدّث إليك بشأنه
Dialogue: 0,0:16:06.64,0:16:09.13,SMMain,,0,0,0,,...تشونين من قرية الضباب
Dialogue: 0,0:16:09.95,0:16:12.34,SMMain,,0,0,0,,هؤلاء النينجا معروفٌ عنهم قدرتهم على القتال
Dialogue: 0,0:16:12.40,0:16:14.50,SMMain,,0,0,0,,مهما كلّفهم ذلك
Dialogue: 0,0:16:16.14,0:16:18.44,SMMain,,0,0,0,,كيف تمكّنت من اكتشاف وجودنا؟
Dialogue: 0,0:16:19.68,0:16:21.69,SMMain,,0,0,0,,من المستحيل تواجد بركٍ من الماء
Dialogue: 0,0:16:22.27,0:16:26.23,SMMain,,0,0,0,,في يومٍ مشمس كهذا حيث لم تمطر منذ أيّام
Dialogue: 0,0:16:27.38,0:16:30.89,SMMain,,0,0,0,,بمعرفتك لذلك، لمَ تركت الأطفال يقاتلون؟
Dialogue: 0,0:16:31.84,0:16:35.74,SMMain,,0,0,0,,كنتُ لأتمكّن من قتلهم على\N...الفور لو أنّني رغبت في ذلك
Dialogue: 0,0:16:36.54,0:16:40.76,SMMain,,0,0,0,,...لكن... أردت أن أعرف
Dialogue: 0,0:16:42.30,0:16:45.57,SMMain,,0,0,0,,...من كان الهدف من وراء هجومهم
Dialogue: 0,0:16:46.14,0:16:48.51,SMMain,,0,0,0,,ماذا؟! ما الذي تقصده؟
Dialogue: 0,0:16:49.61,0:16:50.41,SMMain,,0,0,0,,...بمعنى آخر
Dialogue: 0,0:16:50.64,0:16:53.33,SMMain,,0,0,0,,كنت أريد أن أتأكّد إن كنتَ أنت هو الهدف
Dialogue: 0,0:16:54.01,0:16:59.50,SMMain,,0,0,0,,أم نحن الشينوبي... هم الهدف المقصود
Dialogue: 0,0:17:00.80,0:17:05.33,SMMain,,0,0,0,,لم نسمع بشأن كونك هدفًا للشينوبي
Dialogue: 0,0:17:06.31,0:17:09.30,SMMain,,0,0,0,,محتوى الطلب كان ينصّ على
Dialogue: 0,0:17:09.38,0:17:12.36,SMMain,,0,0,0,,...الحماية من السارقين ،قطّاع الطرق وما إلى ذلك
Dialogue: 0,0:17:13.31,0:17:16.33,SMMain,,0,0,0,,هذه مهمّة من الفئة "ب" وما فوق
Dialogue: 0,0:17:17.91,0:17:19.04,SMMain,,0,0,0,,كان يفترض بأن ينصّ طلبك على
Dialogue: 0,0:17:19.11,0:17:22.09,SMMain,,0,0,0,,...الحماية الاحتياطية حتى تنتهي من بناء جسرك ذاك
Dialogue: 0,0:17:24.07,0:17:26.04,SMMain,,0,0,0,,،إن كان أعداؤنا من النينجا
Dialogue: 0,0:17:26.11,0:17:28.17,SMMain,,0,0,0,,فكانت هذه المهمّة لتصنّف بلا شكّ
Dialogue: 0,0:17:28.24,0:17:30.18,SMMain,,0,0,0,,"على كونها مهمّة مكلفة من الفئة "ب
Dialogue: 0,0:17:31.88,0:17:33.84,SMMain,,0,0,0,,يبدو أنّ هنالك سببًا وجيها لذلك
Dialogue: 0,0:17:34.37,0:17:36.86,SMMain,,0,0,0,,لكن الكذب خلال تقديم طلب\Nمساعدة لن يكون في صالحنا
Dialogue: 0,0:17:37.37,0:17:41.14,SMMain,,0,0,0,,هذا يعتبر خارج نطاق مهمّتنا
Dialogue: 0,0:17:42.31,0:17:45.13,SMMain,,0,0,0,,...نحن غير جاهزين لمهمّة كهذه
Dialogue: 0,0:17:45.90,0:17:46.89,SMMain,,0,0,0,,!فلنستسلم
Dialogue: 0,0:17:48.11,0:17:50.07,SMMain,,0,0,0,,نحن في حاجة إلى مخدّر لفتح جرح ناروتو
Dialogue: 0,0:17:50.14,0:17:52.41,SMMain,,0,0,0,,...وإزالة الدم المسموم
Dialogue: 0,0:17:53.15,0:17:55.37,SMMain,,0,0,0,,...علينا العودة إلى القرية وأخذه إلى طبيب
Dialogue: 0,0:17:59.84,0:18:00.81,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:18:03.80,0:18:05.50,SMMain,,0,0,0,,!هذا يشكّل عبئًا حقًّا
Dialogue: 0,0:18:06.00,0:18:09.27,SMMain,,0,0,0,,بما أنّنا مضطرّون لعلاج جرح\Nناروتو، هلّا عدنا إلى القرية...؟
Dialogue: 0,0:18:27.27,0:18:29.07,SMMain,,0,0,0,,{\i1}!لمَ أنا مختلفٌ عن البقيّة؟{\i}
Dialogue: 0,0:18:29.57,0:18:33.48,SMMain,,0,0,0,,{\i1}!...لمَ يتعلّق الأمر بي أنا دائمًا{\i}
Dialogue: 0,0:18:33.55,0:18:36.06,SMMain,,0,0,0,,!ناروتو! ما الذي فعلته؟
Dialogue: 0,0:18:37.87,0:18:40.60,SMMain,,0,0,0,,{\i1}...يجب أن أصبح أقوى{\i}
Dialogue: 0,0:18:41.44,0:18:43.31,SMMain,,0,0,0,,{\i1}أنا أقوم بعمل مهام باستمرار وبجدّ{\i}
Dialogue: 0,0:18:43.38,0:18:46.03,SMMain,,0,0,0,,{\i1}...القيام بتمارين للمهارات الخاصة بمفردي يوميًّا{\i}
Dialogue: 0,0:18:49.84,0:18:54.27,SMMain,,0,0,0,,{\i1}لن أقع في وضعٍ يتطلّب أن يتمّ إنقاذي فيه مجدّدًا{\i}
Dialogue: 0,0:18:55.84,0:18:58.60,SMMain,,0,0,0,,{\i1}...لن أشعر بالخوف أو الجبن مجدّدًا{\i}
Dialogue: 0,0:18:59.98,0:19:01.97,SMMain,,0,0,0,,{\i1}...لن أخسر أمام ساسكي{\i}
Dialogue: 0,0:19:04.00,0:19:07.34,SMMain,,0,0,0,,!أقسم بقدر الألم الذي في يدي اليسرى هذه
Dialogue: 0,0:19:09.64,0:19:12.87,SMMain,,0,0,0,,!بأنّني سأحميك أيها العجوز... باستخدام هذا الكوناي
Dialogue: 0,0:19:20.04,0:19:21.70,SMMain,,0,0,0,,!!ستستمرّ المهمّة
Dialogue: 0,0:19:22.48,0:19:23.34,SMMain,,0,0,0,,...ناروتو
Dialogue: 0,0:19:23.80,0:19:26.57,SMMain,,0,0,0,,من الجيّد أن تخلّص نفسك من الدم المسموم
Dialogue: 0,0:19:26.64,0:19:29.30,SMMain,,0,0,0,,لكن إن استمرّ ذلك فقد تموت إثر فقدان الدم
Dialogue: 0,0:19:38.94,0:19:41.57,SMMain,,0,0,0,,!ستصبح الأمور أسوأ إن لم توقف النزيف على الفور
Dialogue: 0,0:19:41.74,0:19:42.30,SMMain,,0,0,0,,!يا إلهي
Dialogue: 0,0:19:43.05,0:19:45.44,SMMain,,0,0,0,,!كلّا! كلّا
Dialogue: 0,0:19:45.50,0:19:47.80,SMMain,,0,0,0,,!لا يمكنني الموت هكذا
Dialogue: 0,0:19:48.01,0:19:49.60,SMMain,,0,0,0,,فلترني يدك
Dialogue: 0,0:19:49.71,0:19:52.18,SMMain,,0,0,0,,!!كلّا! فلتساعدني
Dialogue: 0,0:19:52.24,0:19:53.21,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:19:53.54,0:19:55.77,SMMain,,0,0,0,,!لديك شخصية مسيئة بالفعل
Dialogue: 0,0:19:56.47,0:19:57.77,SMMain,,0,0,0,,!هذا ما يسمّى بالماسوشيّة
Dialogue: 0,0:20:04.84,0:20:06.06,SMMain,,0,0,0,,{\i1}...الجرح قد{\i}
Dialogue: 0,0:20:07.04,0:20:08.10,SMMain,,0,0,0,,{\i1}...بدأ في الشفاء{\i}
Dialogue: 0,0:20:12.64,0:20:13.93,SMMain,,0,0,0,,...عفوًا
Dialogue: 0,0:20:15.07,0:20:19.53,SMMain,,0,0,0,,...هل أنا بخير؟ تعابير وجهك تبدو جادّة للغاية
Dialogue: 0,0:20:20.91,0:20:22.71,SMMain,,0,0,0,,ستكون على ما يرام
Dialogue: 0,0:20:24.64,0:20:27.33,SMMain,,0,0,0,,{\i1}أيعقل أن تكون هذه قوّة الكيوبي؟{\i}
Dialogue: 0,0:20:36.41,0:20:38.31,SMMain,,0,0,0,,!أقلت بأنكم فشلتم؟
Dialogue: 0,0:20:39.01,0:20:42.20,SMMain,,0,0,0,,لقد دفعت أموالًا كثيرة لتعيينكم
Dialogue: 0,0:20:42.28,0:20:45.03,SMMain,,0,0,0,,!لأنك قلت بأنكم كنتم نينجا ماهرين فيما مضى
Dialogue: 0,0:20:46.07,0:20:48.56,SMMain,,0,0,0,,!!فلتوقف صراخك المزعج ذاك
Dialogue: 0,0:20:52.38,0:20:58.97,SMMain,,0,0,0,,!في المرّة القادمة، سأقتله بهذا السّاطور
Dialogue: 0,0:21:01.21,0:21:03.57,SMMain,,0,0,0,,هل ستكون على ما يرام حقًّا؟
Dialogue: 0,0:21:04.27,0:21:07.47,SMMain,,0,0,0,,...يبدو أنّ العدوّ قد عيّن نينجا بارعين
Dialogue: 0,0:21:07.61,0:21:12.20,SMMain,,0,0,0,,وزيادة على ذلك فبما أنّ الأخوين الشيطانين\N قد فشلا، فسيزيدان من شدة الحراسة
Dialogue: 0,0:21:12.28,0:21:14.06,SMMain,,0,0,0,,لذا لن يكون الأمر سهلًا
Dialogue: 0,0:21:14.14,0:21:16.97,SMMain,,0,0,0,,!من تخالني يا هذا؟
Dialogue: 0,0:21:21.24,0:21:24.73,SMMain,,0,0,0,,...أنا هو موموتشي زابوزا والملقّب بـ
Dialogue: 0,0:21:25.17,0:21:27.20,SMMain,,0,0,0,,!شيطان الضباب
Dialogue: 0,0:23:03.36,0:23:05.61,SMMain,,0,0,0,,لقد وصلنا أخيرًا إلى قرية الأمواج
Dialogue: 0,0:23:05.82,0:23:07.03,SMMain,,0,0,0,,كان الأشخاص الذين قابلناهم أقوياء
Dialogue: 0,0:23:07.11,0:23:09.53,SMMain,,0,0,0,,لكن لا بدّ أنّ هنالك أقوى منهم في انتظارنا
Dialogue: 0,0:23:09.78,0:23:12.62,SMMain,,0,0,0,,حينًا سوف أكتسب شرفي من جديد وأواصل المهمّة
Dialogue: 0,0:23:12.78,0:23:14.16,SMMain,,0,0,0,,أيًّا كان العدوّ القادم
Dialogue: 0,0:23:14.24,0:23:16.33,SMMain,,0,0,0,,سوف أحمي العجوز هذ المرّة بلا شكّ
Dialogue: 0,0:23:16.41,0:23:18.66,SMMain,,0,0,0,,ها قد ظهروا بالفعل
Dialogue: 0,0:23:18.91,0:23:21.54,SMMain,,0,0,0,,رجل مثير للاهتمام يحمل سيف كاتانا ضخمًا
Dialogue: 0,0:23:23.00,0:23:27.01,Nar_title_end,,0,0,0,,{\pos(1216.27,559.599)}الحلقة القادمة
Dialogue: 0,0:23:23.00,0:23:27.01,Nar_title_end,,0,0,0,,{\pos(489.545,455.4)}"!قاتل قرية الضباب"
Dialogue: 0,0:23:24.50,0:23:27.30,SMMain,,0,0,0,,!لا تفوّتوا أدائي الرائع مجدّدًا
Dialogue: 0,0:21:44.28,0:21:47.75,ED-AR,,0,0,0,,احفظ جوعك قبل أن تكون مثالًا
Dialogue: 0,0:21:47.76,0:21:51.19,ED-AR,,0,0,0,,وهيّج غضبك لتجعل فيهم إدراكًا
Dialogue: 0,0:21:51.20,0:21:54.57,ED-AR,,0,0,0,,تسلّق الجبل ولا تنزل أبدًا
Dialogue: 0,0:21:54.63,0:21:57.99,ED-AR,,0,0,0,,شقّ طريقك إلى باطنه ولا تخرّ ساقطًا
Dialogue: 0,0:22:01.41,0:22:04.90,ED-AR,,0,0,0,,ما زالت ركبتاي ترتعشان، وكأن الثانية عشرة عمري
Dialogue: 0,0:22:04.90,0:22:08.18,ED-AR,,0,0,0,,أتسلل خارج الفصلِ، عبر الباب الخلفيّ
Dialogue: 0,0:22:08.18,0:22:11.62,ED-AR,,0,0,0,,وإذ برجلٍ يوبخني مرتين، لكنني في كلتا الحالتين لا أبالي
Dialogue: 0,0:22:11.62,0:22:15.11,ED-AR,,0,0,0,,فالانتظار ليس إلّا مضيعةً لأمثالي
Dialogue: 0,0:22:15.19,0:22:18.60,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:18.60,0:22:22.05,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:22.05,0:22:25.42,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:25.42,0:22:28.41,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:38.17,0:22:41.33,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:41.61,0:22:44.67,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:45.04,0:22:48.28,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:48.28,0:22:51.51,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:51.85,0:22:55.17,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:55.33,0:22:58.41,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:58.74,0:23:00.25,ED-AR,,0,0,0,,...ولا تجفَّ
Comment: 0,0:00:09.63,0:00:10.51,KARA,,0,0,0,karaoke,{\k37}Come {\k50}on!
Dialogue: 0,0:00:09.68,0:00:10.51,songs,,0,0,0,,!هيّا
Comment: 0,0:00:16.93,0:00:19.52,KARA,,0,0,0,karaoke,{\k48}o{\k24}wa{\k24}re{\k12}ru {\k29}yo{\k56}u{\k66}ni
Dialogue: 0,0:00:16.93,0:00:19.52,songs,,0,0,0,,أن تركض مثل الهارب
Comment: 0,0:00:20.52,0:00:22.69,KARA,,0,0,0,karaoke,{\k19}{\k36}i{\k39}so{\k17}i {\k24}de {\k31}i{\k51}ru
Dialogue: 0,0:00:20.52,0:00:22.69,songs,,0,0,0,,بينما تتمّ مطاردتك من قبل شيءٍ ما
Comment: 0,0:00:24.36,0:00:27.03,KARA,,0,0,0,karaoke,{\k19}{\k39}ka{\k32}wa{\k25}i {\k25}ta {\k24}mu{\k43}ne {\k59}ga
Dialogue: 0,0:00:24.36,0:00:27.03,songs,,0,0,0,,قلبي ينبض من الداخل
Comment: 0,0:00:28.11,0:00:31.11,KARA,,0,0,0,karaoke,{\k25}{\k49}ka{\k23}ri {\k26}ta{\k20}te{\k17}ru {\k37}no {\k101}sa
Dialogue: 0,0:00:28.11,0:00:30.74,songs,,0,0,0,,حلقي جافّ وكأنه يضمحلّ
Comment: 0,0:00:32.45,0:00:35.58,KARA,,0,0,0,karaoke,{\k22}{\k23}da{\k26}re {\k18}no {\k53}ta{\k46}me {\k31}de {\k42}na{\k49}ku
Dialogue: 0,0:00:32.45,0:00:35.54,songs,,0,0,0,,لا أقوم بهذا من أجل أيّ شخص
Comment: 0,0:00:36.08,0:00:39.33,KARA,,0,0,0,karaoke,{\k42}{\k25}da{\k26}re {\k17}no {\k52}mo{\k50}no {\k32}de {\k36}na{\k46}ku
Dialogue: 0,0:00:36.08,0:00:39.33,songs,,0,0,0,,وهذا لا يخصّ أيّ شخص
Comment: 0,0:00:40.79,0:00:45.09,KARA,,0,0,0,karaoke,{\k20}{\k47}o{\k26}re {\k39}ta{\k40}chi {\k65}no{\k91} {\k25}i{\k18}ma {\k55}ga
Dialogue: 0,0:00:40.79,0:00:45.05,songs,,0,0,0,,...هذا وقتنا نحن الآن
Comment: 0,0:00:47.71,0:00:49.59,KARA,,0,0,0,karaoke,{\k21}{\k26}i{\k25}ta{\k23}mi {\k35}ho{\k35}do{\k22}ki
Dialogue: 0,0:00:47.67,0:00:49.55,songs,,0,0,0,,الكشف عن الألم
Comment: 0,0:00:49.67,0:00:51.43,KARA - نسخة,,0,0,0,karaoke,{\k17}{\k23}ko{\k19}ko{\k29}ro {\k27}ho{\k22}do{\k36}ki
Dialogue: 0,0:00:49.68,0:00:51.39,songs,,0,0,0,,الكشف عن قلوبنا
Comment: 0,0:00:51.47,0:00:53.80,KARA,,0,0,0,karaoke,{\k29}{\k24}ka{\k20}ge {\k28}o {\k29}ho{\k41}do{\k63}ki
Dialogue: 0,0:00:51.47,0:00:53.81,songs,,0,0,0,,الكشف عن الظلال
Comment: 0,0:00:55.64,0:00:57.47,KARA,,0,0,0,karaoke,{\k25}i{\k27}ki {\k15}o {\k33}tsu{\k45}ne{\k41}te
Dialogue: 0,0:00:55.31,0:00:57.10,songs,,0,0,0,,التي تخنق أنفاسنا
Comment: 0,0:00:57.51,0:00:59.39,KARA - نسخة,,0,0,0,karaoke,{\k20}ha{\k34}shi{\k20}ri {\k21}nu{\k26}ke{\k65}ro
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Comment: 0,0:00:59.39,0:01:01.60,KARA,,0,0,0,karaoke,{\k29}ya{\k18}mi {\k21}o {\k35}sa{\k41}i{\k76}te
Dialogue: 0,0:00:59.14,0:01:01.56,songs,,0,0,0,,الولوج خلال الظلمة
Comment: 0,0:01:03.48,0:01:10.07,KARA,,0,0,0,karaoke,{\k17}{\k48}ta{\k21}ta{\k21}ka{\k30}u {\k26}ko{\k43}to {\k77}mo{\k116} {\k32}a{\k26}i{\k41}shi {\k46}au {\k43}ko{\k43}to {\k26}mo
Dialogue: 0,0:01:03.44,0:01:10.03,songs,,0,0,0,,خلال القتال والحب
Comment: 0,0:01:11.03,0:01:13.66,KARA,,0,0,0,karaoke,{\k25}{\k28}o{\k41}wa{\k26}ri {\k37}wa {\k35}shi{\k29}na{\k41}i
Dialogue: 0,0:01:10.99,0:01:13.62,songs,,0,0,0,,نحو النور البعيد فوقنا
Comment: 0,0:01:14.11,0:01:17.28,KARA,,0,0,0,karaoke,{\k39}{\k41}On {\k16}the {\k223}way
Dialogue: 0,0:01:14.08,0:01:17.25,songs,,0,0,0,,أجل، نحن في طريقنا
Comment: 0,0:01:22.29,0:01:23.67,KARA,,0,0,0,karaoke,{\k28}I {\k19}wanna {\k93}ROCKS
Dialogue: 0,0:01:22.21,0:01:23.63,songs,,0,0,0,,أريد أن أتزعزع
Comment: 0,0:01:26.04,0:01:27.50,KARA,,0,0,0,karaoke,{\k33}mu{\k25}ne {\k22}ni {\k65}ROCKS
Dialogue: 0,0:01:26.00,0:01:27.42,songs,,0,0,0,,أزعزع قلبي
Dialogue: 0,0:00:00.00,0:00:05.00,Default,,0,0,0,,
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Dialogue: 0,0:00:09.63,0:00:10.69,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:08.69,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(1000,0)}Come
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Dialogue: 0,0:00:08.75,0:00:09.90,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(1000,0)}on!
Dialogue: 0,0:00:09.90,0:00:10.50,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,600,\fscx100\fscy100\3c&H00000000&)}on!
Dialogue: 0,0:00:10.50,0:00:10.81,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(0,1000)}on!
Dialogue: 0,0:00:15.93,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:16.83,0:00:16.93,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:16.93,0:00:19.40,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:15.99,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(1000,0)}o
Dialogue: 0,0:00:16.83,0:00:17.41,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,580,\fscx100\fscy100\3c&H00000000&)}o
Dialogue: 0,0:00:17.41,0:00:19.46,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(0,1000)}o
Dialogue: 0,0:00:16.05,0:00:17.31,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:17.31,0:00:17.65,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:17.65,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:16.11,0:00:17.55,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(1000,0)}re
Dialogue: 0,0:00:17.55,0:00:17.89,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}re
Dialogue: 0,0:00:17.89,0:00:19.58,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(0,1000)}re
Dialogue: 0,0:00:16.17,0:00:17.79,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:17.79,0:00:18.01,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,220,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:18.01,0:00:19.64,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:16.23,0:00:17.91,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(1000,0)}yo
Dialogue: 0,0:00:17.91,0:00:18.30,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,390,\fscx100\fscy100\3c&H00000000&)}yo
Dialogue: 0,0:00:18.30,0:00:19.70,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(0,1000)}yo
Dialogue: 0,0:00:16.29,0:00:18.20,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(1000,0)}u
Dialogue: 0,0:00:18.20,0:00:18.86,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,660,\fscx100\fscy100\3c&H00000000&)}u
Dialogue: 0,0:00:18.86,0:00:19.76,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(0,1000)}u
Dialogue: 0,0:00:16.35,0:00:18.76,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(1000,0)}ni
Dialogue: 0,0:00:18.76,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,760,\fscx100\fscy100\3c&H00000000&)}ni
Dialogue: 0,0:00:19.52,0:00:19.82,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(0,1000)}ni
Dialogue: 0,0:00:19.52,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.52,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.52,0:00:22.57,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.58,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.71,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.71,0:00:22.63,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.64,0:00:20.61,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:20.61,0:00:21.07,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,460,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.07,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.70,0:00:20.97,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(1000,0)}so
Dialogue: 0,0:00:20.97,0:00:21.46,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}so
Dialogue: 0,0:00:21.46,0:00:22.75,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(0,1000)}so
Dialogue: 0,0:00:19.76,0:00:21.36,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.36,0:00:21.63,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,270,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.63,0:00:22.81,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.82,0:00:21.53,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(1000,0)}de
Dialogue: 0,0:00:21.53,0:00:21.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}de
Dialogue: 0,0:00:21.87,0:00:22.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(0,1000)}de
Dialogue: 0,0:00:19.88,0:00:21.77,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.77,0:00:22.15,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,380,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:22.15,0:00:22.93,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.94,0:00:22.05,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:22.05,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,640,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:22.69,0:00:22.99,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:23.36,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.36,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.36,0:00:26.85,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.42,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.55,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.55,0:00:26.91,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.48,0:00:24.45,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:24.45,0:00:24.94,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}ka
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Dialogue: 0,0:00:23.54,0:00:24.84,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:24.84,0:00:25.26,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,420,\fscx100\fscy100\3c&H00000000&)}wa
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Dialogue: 0,0:00:23.60,0:00:25.16,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:25.16,0:00:25.51,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}i
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Dialogue: 0,0:00:23.66,0:00:25.41,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(1000,0)}ta
Dialogue: 0,0:00:25.41,0:00:25.76,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}ta
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Dialogue: 0,0:00:23.72,0:00:25.66,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(1000,0)}mu
Dialogue: 0,0:00:25.66,0:00:26.00,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}mu
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Dialogue: 0,0:00:23.78,0:00:25.90,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\fad(1000,0)}ne
Dialogue: 0,0:00:25.90,0:00:26.43,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,530,\fscx100\fscy100\3c&H00000000&)}ne
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Dialogue: 0,0:00:23.84,0:00:26.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(1000,0)}ga
Dialogue: 0,0:00:26.33,0:00:27.02,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,690,\fscx100\fscy100\3c&H00000000&)}ga
Dialogue: 0,0:00:27.02,0:00:27.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(0,1000)}ga
Dialogue: 0,0:00:27.11,0:00:28.01,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:28.01,0:00:28.11,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
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Dialogue: 0,0:00:27.17,0:00:28.01,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:28.01,0:00:28.36,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}
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Dialogue: 0,0:00:27.23,0:00:28.26,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:28.26,0:00:28.85,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,590,\fscx100\fscy100\3c&H00000000&)}ka
Dialogue: 0,0:00:28.85,0:00:31.05,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}ka
Dialogue: 0,0:00:27.29,0:00:28.75,KARA,,0,0,0,fx,{\an5\pos(605,74)\blur3\fad(1000,0)}ri
Dialogue: 0,0:00:28.75,0:00:29.08,KARA,,0,0,0,fx,{\an5\pos(605,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,330,\fscx100\fscy100\3c&H00000000&)}ri
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Dialogue: 0,0:00:27.35,0:00:28.98,KARA,,0,0,0,fx,{\an5\pos(655,74)\blur3\fad(1000,0)}ta
Dialogue: 0,0:00:28.98,0:00:29.34,KARA,,0,0,0,fx,{\an5\pos(655,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,360,\fscx100\fscy100\3c&H00000000&)}ta
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Dialogue: 0,0:00:27.41,0:00:29.24,KARA,,0,0,0,fx,{\an5\pos(702,74)\blur3\fad(1000,0)}te
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