[Script Info]
; Script generated by Aegisub Master r8902, line0
; http://www.aegisub.org/
Title: العربية
Original Script: cr_ar  [http://www.crunchyroll.com/user/cr_ar]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
PlayResX: 1436
PlayResY: 1080
Timer: 0.0000
WrapStyle: 0
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Naruto
Audio File: Naruto - 07.mkv
Video File: Naruto - 07.mkv
Video AR Mode: 4
Video AR Value: 1.329630
Video Zoom Percent: 0.500000
Scroll Position: 226
Active Line: 233
Video Position: 33730

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
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Style: KARA-furigana,29LT Bukra Bold Italic,27,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,47,1
Style: Nar_title_end-furigana,!F Doha,39,&H00000003,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,1.5,0,2,23,23,54,1
Style: Title-Naru-furigana,!F Doha,54,&H00F5FEFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Attack-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,1.51875,0,2,41,41,15,1
Style: Title-Naru_OP-furigana,!F Doha,54,&H00EAEAEA,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Title_Naru_end-furigana,Adobe Arabic,39,&H00000003,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,1.5,0,2,23,23,54,1
Style: top-furigana,A Jannat LT,40.5,&H00B99090,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,3,1.6875,0,8,0,0,0,1
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Style: sign_33659_481_Next_Episode__Pr-furigana,Adobe Arabic,45,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,1380,61,231,0
Style: sign_33659_480_Late_Night___The-furigana,Adobe Arabic,45,&H00000000,&H000000FF,&H00EBEBEB,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,7,1465,219,0
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Style: sign_30226_459_Bad-furigana,Adobe Arabic,67.5,&H00010184,&H000000FF,&H00000017,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,522,61,81,0
Style: sign_28455_432_On_Hiatus_-furigana,Adobe Arabic,49.5,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,1195,180,481,0
Style: sign_28458_431_This_Time__Accus-furigana,Adobe Arabic,49.5,&H00EBEBEB,&H000000FF,&H0002008D,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,61,959,81,0
Style: sign_28417_430_Divorce_Finalize-furigana,Adobe Arabic,49.5,&H0000DDD6,&H000000FF,&H0056300A,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,1183,61,400,0
Style: sign_28413_429_Violence_-furigana,Adobe Arabic,49.5,&H00010197,&H000000FF,&H00FFFFFF,&H00703310,-1,0,0,0,100,100,0,0,1,3,1.5,8,118,1436,321,0
Style: sign_28360_426_Drug_Overdose_-furigana,Adobe Arabic,49.5,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,1174,151,177,0
Style: sign_28360_425_Investigation_On-furigana,Adobe Arabic,49.5,&H00FFFFFF,&H000000FF,&H00000000,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,3,1.5,8,29,1218,120,0
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Style: sign_28314_422_Banned__For_Life-furigana,Adobe Arabic,49.5,&H0040FFFD,&H000000FF,&H00570050,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,3,1.5,2,388,1160,1107,0
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Style: sign_24601_355_Late_Night__The_-furigana,Adobe Arabic,49.5,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,269,420,49,0
Style: Show Title 1-furigana,Adobe Arabic,54,&H00FFFFFF,&H000000FF,&H00091EE5,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,61,61,321,0
Style: sign_18444_285_Liars_have_to_sw-furigana,Adobe Arabic,49.5,&H00060792,&H000000FF,&H00B6BFBF,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,970,151,720,0
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Style: sign_18071_278_Yoyogi_Park_-furigana,Adobe Arabic,40.5,&H00FFFFFF,&H000000FF,&H0001008D,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,449,815,435,0
Style: sign_18071_277_Meiji_Jingu_-furigana,Adobe Arabic,40.5,&H00000000,&H000000FF,&H0044A17D,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,8,61,298,657,0
Style: sign_17821_270_Liars_have_to_sw-furigana,Adobe Arabic,45,&H00060792,&H000000FF,&H00B8C1C2,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,1194,0,417,0
Style: sign_17821_269_Tokyo_Governor_V-furigana,Adobe Arabic,40.5,&H00000000,&H000000FF,&H00B6BFBF,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,29,1106,454,0
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Style: sign_1821_26_We_ve_gotten_per-furigana,Adobe Arabic,40.5,&H00FFFFFF,&H000000FF,&H00424242,&H00000000,0,0,0,0,100,100,0,0,1,3,0,2,90,90,219,0
Style: sign_1771_24___CV__Miki__Shin-furigana,Adobe Arabic,36,&H00FFFFFF,&H000000FF,&H00808080,&H00000000,0,0,0,0,100,100,0,0,1,3,0,8,61,1187,801,0
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Style: sign_94_1_Late_Night___The-furigana,Adobe Arabic,45,&H00F5F5F5,&H000000FF,&H00585858,&H00000000,-1,0,0,0,100,100,0,0,1,3,1.5,2,1284,16,1068,0
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Style: sign_1771_24__CV__Miki__Shini,Adobe Arabic,90,&H00FFFFFF,&H000000FF,&H00424242,&H00000000,0,0,0,0,100,100,0,0,1,5.99999,3,2,241,1367,464,0
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:58.59,0:02:01.28,SMMain,,0,0,0,,يا لهذا الضباب، لا يمكنني رؤية ما يقع أمامي
Dialogue: 0,0:02:13.59,0:02:15.51,SMMain,,0,0,0,,يجب أن يظهر الجسر عمّا قريب
Dialogue: 0,0:02:16.39,0:02:19.34,SMMain,,0,0,0,,إن واصلنا السير بجانب الجسر فسنصل إلى قرية الأمواج
Dialogue: 0,0:02:41.04,0:02:44.18,SMMain,,0,0,0,,!يا لضخامته
Dialogue: 0,0:02:44.45,0:02:46.84,SMMain,,0,0,0,,أ-أنت! فلتخفض صوتك
Dialogue: 0,0:02:47.34,0:02:49.51,SMMain,,0,0,0,,لقد أخذت هذا القارب خفية في الضباب
Dialogue: 0,0:02:50.11,0:02:52.69,SMMain,,0,0,0,,لذلك السبب أطفأت المحرّك\Nوقمت بالتجديف عوض ذلك
Dialogue: 0,0:02:53.26,0:02:56.05,SMMain,,0,0,0,,إن عثروا علينا فسنكون في ورطة كبيرة
Dialogue: 0,0:03:01.79,0:03:02.97,SMMain,,0,0,0,,تازونا-سان
Dialogue: 0,0:03:06.24,0:03:11.16,SMMain,,0,0,0,,أريد أن أسألك شيئًا ما قبل أن نصل إلى رصيف الميناء
Dialogue: 0,0:03:15.11,0:03:19.97,SMMain,,0,0,0,,بشأن هويّة القاتليْن وسبب سعيهما خلفك
Dialogue: 0,0:03:20.14,0:03:21.97,SMMain,,0,0,0,,...إن لم تخبرنا بذلك
Dialogue: 0,0:03:22.56,0:03:26.64,SMMain,,0,0,0,,فقد تنتهي مهمّتنا بمجرّد وصولنا إلى اليابسة
Dialogue: 0,0:03:30.35,0:03:36.32,Title-Naru_OP,,0,0,0,,{\i1\pos(688.831,792)}! قاتل قرية الضباب{\i0}
Dialogue: 0,0:03:49.54,0:03:52.04,SMMain,,0,0,0,,يبدو أنه لا خيار أمامي سوى إخباركم بالحقيقة
Dialogue: 0,0:03:52.41,0:03:55.09,SMMain,,0,0,0,,أريد منكم أن تسمعوا قصّتي
Dialogue: 0,0:03:55.95,0:03:57.84,SMMain,,0,0,0,,،تمامًا كما قلت
Dialogue: 0,0:03:57.94,0:04:00.94,SMMain,,0,0,0,,قد يكون هذا خارجًا عن نطاق مهمّتكم
Dialogue: 0,0:04:01.65,0:04:06.85,SMMain,,0,0,0,,في الحقيقة هنالك رجل مرعب يستهدفني
Dialogue: 0,0:04:07.69,0:04:09.38,SMMain,,0,0,0,,رجلٌ مرعب؟
Dialogue: 0,0:04:12.06,0:04:12.90,SMMain,,0,0,0,,من يكون؟
Dialogue: 0,0:04:15.17,0:04:18.82,SMMain,,0,0,0,,لا بدّ أنّكم قد سمعتم باسمه من قبل
Dialogue: 0,0:04:19.57,0:04:24.77,SMMain,,0,0,0,,ثريّ الّنقل البحريّ الذي يحمل اسم غاتو
Dialogue: 0,0:04:24.88,0:04:28.98,SMMain,,0,0,0,,هل قلت غاتو؟ من شركة غاتو؟
Dialogue: 0,0:04:29.48,0:04:32.31,SMMain,,0,0,0,,أحد أثرى الرجال في العالم
Dialogue: 0,0:04:32.35,0:04:34.65,SMMain,,0,0,0,,من؟ ماذا؟
Dialogue: 0,0:04:35.59,0:04:36.38,SMMain,,0,0,0,,...أجل
Dialogue: 0,0:04:36.86,0:04:41.28,SMMain,,0,0,0,,...من الخارج يبدو كرئيس تنفيذيّ لشركة شحن
Dialogue: 0,0:04:42.53,0:04:44.77,SMMain,,0,0,0,,لكنه في الحقيقة متورّط في تهريب المخدّرات
Dialogue: 0,0:04:44.94,0:04:47.79,SMMain,,0,0,0,,ويتعامل في التهريب باستخدام العصابات والنينجا
Dialogue: 0,0:04:47.97,0:04:50.29,SMMain,,0,0,0,,إنه يدير شركة خسيسة
Dialogue: 0,0:04:50.57,0:04:54.04,SMMain,,0,0,0,,وهو يقوم بالاستيلاء على الدول والشركات دون شفقة
Dialogue: 0,0:04:59.07,0:05:00.74,SMMain,,0,0,0,,،قبل مضيّ سنة
Dialogue: 0,0:05:00.98,0:05:04.45,SMMain,,0,0,0,,...عندما وضع عينيه نصب قرية الأمواج
Dialogue: 0,0:05:04.79,0:05:08.47,SMMain,,0,0,0,,قام باستخدام ثروته وعنفه لدخولها
Dialogue: 0,0:05:08.61,0:05:10.17,SMMain,,0,0,0,,،وبعد فترة قصيرة
Dialogue: 0,0:05:10.35,0:05:15.06,SMMain,,0,0,0,,قام بالاستيلاء على النقل\Nوالشحن البحريّ الخاصّان بالجزيرة
Dialogue: 0,0:05:16.30,0:05:20.29,SMMain,,0,0,0,,،بالاستيلاء على المحيط في جزيرة مثل قرية الأمواج
Dialogue: 0,0:05:20.86,0:05:25.27,SMMain,,0,0,0,,يعني التحكّم في نظام الماليّة\Nوالحكومة والشعب وكلّ شيء
Dialogue: 0,0:05:26.21,0:05:29.63,SMMain,,0,0,0,,...الشيء الوحيد الذي يخشاه غاتو هو
Dialogue: 0,0:05:30.67,0:05:33.11,SMMain,,0,0,0,,...انتهاء بناء الجسر
Dialogue: 0,0:05:35.22,0:05:37.61,SMMain,,0,0,0,,الذي كانت تتمّ عمليّة بنائه لفترة
Dialogue: 0,0:05:40.68,0:05:41.71,SMMain,,0,0,0,,فهمت
Dialogue: 0,0:05:41.73,0:05:45.63,SMMain,,0,0,0,,بما أنك أنت من يقوم ببنائه فقد شكّلت عليهم عائقًا
Dialogue: 0,0:05:46.43,0:05:50.65,SMMain,,0,0,0,,إذًا فالنينجا الذين صادفناهم كانوا رجال غاتو؟
Dialogue: 0,0:05:54.04,0:05:56.33,SMMain,,0,0,0,,هنالك أمر لا أفهمه
Dialogue: 0,0:05:56.44,0:05:59.46,SMMain,,0,0,0,,خصمك شخص خطير يستخدم النينجا
Dialogue: 0,0:05:59.60,0:06:02.46,SMMain,,0,0,0,,لماذا قمتَ بإخفاء ذلك\Nالأمر عنّا عندما قدّمت طلبك؟
Dialogue: 0,0:06:03.25,0:06:05.08,SMMain,,0,0,0,,...قرية الأمواج
Dialogue: 0,0:06:05.85,0:06:11.38,SMMain,,0,0,0,,هي دولة فقيرة للغاية وحتى\Nالأمراء الإقطاعيون لا يملكون مالًا كافيا
Dialogue: 0,0:06:13.96,0:06:16.82,SMMain,,0,0,0,,بالطبع فنحن المواطنون العاديّون لا نملك ما يكفي أيضًا
Dialogue: 0,0:06:17.22,0:06:21.58,SMMain,,0,0,0,,لذا لا يمكننا تحمّل تكلفة\N...مهامٍ من الفئة "ب" وما شابه
Dialogue: 0,0:06:22.46,0:06:27.25,SMMain,,0,0,0,,إن كنتم ستستغنون عن\N،المهمّة عندما نصل إلى اليابسة
Dialogue: 0,0:06:27.30,0:06:30.23,SMMain,,0,0,0,,فسأُقتَل بلا شك
Dialogue: 0,0:06:30.40,0:06:33.34,SMMain,,0,0,0,,سيتمّ قتلي قبل أن أصل إلى المنزل
Dialogue: 0,0:06:34.18,0:06:36.81,SMMain,,0,0,0,,!لكن لا داعي للقلق
Dialogue: 0,0:06:37.34,0:06:41.47,SMMain,,0,0,0,,...إن متّ فإنّ حفيدي الذي سيبلغ سنّ الثامنة
Dialogue: 0,0:06:41.54,0:06:44.82,SMMain,,0,0,0,,!سيبكي بحرقة عليّ
Dialogue: 0,0:06:47.02,0:06:50.88,SMMain,,0,0,0,,وستلقي ابنتي اللّوم على قرية الورق
Dialogue: 0,0:06:50.88,0:06:55.40,SMMain,,0,0,0,,!لبقيّة حياتها ثمّ ستغرق في الحزن والوحدة
Dialogue: 0,0:06:58.62,0:07:01.68,SMMain,,0,0,0,,!هذا ليس خطأكم على الإطلاق
Dialogue: 0,0:07:07.73,0:07:08.55,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:07:08.62,0:07:10.06,SMMain,,0,0,0,,يبدو أنه لا خيار أمامنا
Dialogue: 0,0:07:10.13,0:07:11.89,SMMain,,0,0,0,,فلنواصل كوننا حرّاسه الشخصيّين
Dialogue: 0,0:07:12.06,0:07:14.57,SMMain,,0,0,0,,!أنا مدينٌ لكم للغاية
Dialogue: 0,0:07:17.20,0:07:18.30,SMMain,,0,0,0,,{\i1}!لقد فزت{\i}
Dialogue: 0,0:07:22.01,0:07:23.74,SMMain,,0,0,0,,سنصل عمّا قريب
Dialogue: 0,0:07:29.88,0:07:30.88,SMMain,,0,0,0,,تازونا
Dialogue: 0,0:07:30.95,0:07:33.98,SMMain,,0,0,0,,...يبدو أنه لم تتمّ ملاحظتنا حتى الآن
Dialogue: 0,0:07:34.56,0:07:35.78,SMMain,,0,0,0,,شكرًا لك
Dialogue: 0,0:08:16.19,0:08:17.66,SMMain,,0,0,0,,لا يمكنني التقدّم أكثر من هذا
Dialogue: 0,0:08:17.96,0:08:18.99,SMMain,,0,0,0,,أراك لاحقًا
Dialogue: 0,0:08:19.16,0:08:21.85,SMMain,,0,0,0,,أجل، شكرًا لك على مساعدتك
Dialogue: 0,0:08:22.73,0:08:23.74,SMMain,,0,0,0,,فلتكن حذرًا
Dialogue: 0,0:08:36.05,0:08:37.01,SMMain,,0,0,0,,!حسنًا
Dialogue: 0,0:08:37.11,0:08:40.45,SMMain,,0,0,0,,أرجو أن توصلوني إلى المنزل بأمان
Dialogue: 0,0:08:40.49,0:08:41.91,SMMain,,0,0,0,,أجل أجل
Dialogue: 0,0:08:42.59,0:08:47.99,SMMain,,0,0,0,,{\i1}في المرّة القادمة التي سنهاجم فيها سنواجه\N نخبة من الجونين وليس تشونين فحسب{\i}
Dialogue: 0,0:08:48.56,0:08:50.19,SMMain,,0,0,0,,{\i1}!يا إلهي{\i}
Dialogue: 0,0:09:02.11,0:09:05.17,SMMain,,0,0,0,,{\i1}!لن أسمح لهذا الشخص القيام بالأمور المميّزة بعد الآن{\i}
Dialogue: 0,0:09:11.25,0:09:12.07,SMMain,,0,0,0,,!هناك
Dialogue: 0,0:09:24.81,0:09:27.33,SMMain,,0,0,0,,إنه مجرّد فأر
Dialogue: 0,0:09:27.40,0:09:29.66,SMMain,,0,0,0,,!كفاك تباهيًا
Dialogue: 0,0:09:29.67,0:09:32.03,SMMain,,0,0,0,,!لم يكن هنالك أيّ شيء
Dialogue: 0,0:09:32.10,0:09:33.61,SMMain,,0,0,0,,رجاءً يا ناروتو
Dialogue: 0,0:09:33.71,0:09:35.43,SMMain,,0,0,0,,لا تستخدم الكوناي بتهوّر هكذا
Dialogue: 0,0:09:35.54,0:09:36.70,SMMain,,0,0,0,,إنها خطرة للغاية
Dialogue: 0,0:09:37.68,0:09:40.64,SMMain,,0,0,0,,!أيها الصبيّ! لا تقم بإخافتنا هكذا
Dialogue: 0,0:09:40.78,0:09:43.07,SMMain,,0,0,0,,!أشعر بوجود شيءٍ ما هناك
Dialogue: 0,0:09:43.15,0:09:44.91,SMMain,,0,0,0,,!كلّا بل هنا؟
Dialogue: 0,0:09:48.02,0:09:48.81,SMMain,,0,0,0,,!هناك
Dialogue: 0,0:09:50.72,0:09:52.51,SMMain,,0,0,0,,!توقّف عن ذلك
Dialogue: 0,0:09:55.03,0:09:59.89,SMMain,,0,0,0,,!أ-أحدهم كان يستهدفنا طيلة هذا الوقت
Dialogue: 0,0:09:59.90,0:10:01.23,SMMain,,0,0,0,,!تلك كذبة
Dialogue: 0,0:10:01.30,0:10:03.71,SMMain,,0,0,0,,!توقّف عن ذلك
Dialogue: 0,0:10:08.77,0:10:11.07,SMMain,,0,0,0,,!ناروتو! ما الذي فعلته؟
Dialogue: 0,0:10:11.14,0:10:12.37,SMMain,,0,0,0,,!إنه أرنب
Dialogue: 0,0:10:14.72,0:10:15.97,SMMain,,0,0,0,,أنا آسف
Dialogue: 0,0:10:15.98,0:10:19.14,SMMain,,0,0,0,,لم أقصد ذلك... أنا آسف يا سيّد أرنب
Dialogue: 0,0:10:19.21,0:10:20.71,SMMain,,0,0,0,,كان مجرّد أرنبٍ إذًا
Dialogue: 0,0:10:22.65,0:10:24.26,SMMain,,0,0,0,,{\i1}إنه أرنب ثلج{\i}
Dialogue: 0,0:10:24.86,0:10:27.58,SMMain,,0,0,0,,{\i1}...لكنّ هذا لا يشرح لون فروه{\i}
Dialogue: 0,0:10:28.56,0:10:32.72,SMMain,,0,0,0,,{\i1}يتحوّل لون فروه إلى الأبيض خلال\N الشتاء فقط حيث تقلّ أشعّة الشمس{\i}
Dialogue: 0,0:10:43.18,0:10:44.90,SMMain,,0,0,0,,{\i1}...ممّا يعني{\i}
Dialogue: 0,0:10:45.01,0:10:50.04,SMMain,,0,0,0,,{\i1}أنّ هذا الأرنب تمّت تربيته داخل منزل ما لا تصله\N أشعة الشمس ليستخدم خلال تقنية الاستبدال{\i}
Dialogue: 0,0:10:59.26,0:11:01.12,SMMain,,0,0,0,,{\i1}...يبدو أنهم قد وصلوا سلفًا{\i}
Dialogue: 0,0:11:01.13,0:11:02.85,SMMain,,0,0,0,,...أنا آسف
Dialogue: 0,0:11:03.30,0:11:08.96,SMMain,,0,0,0,,{\i1}الآن فهمت... الأخوان الشيطانان لن يكونا ندًّا لهم{\i}
Dialogue: 0,0:11:09.80,0:11:12.27,SMMain,,0,0,0,,{\i1}النينجا الناسخ ذاك من قرية الورق برفقتهم{\i}
Dialogue: 0,0:11:12.84,0:11:16.06,SMMain,,0,0,0,,{\i1}...كاكاشي مستخدم الشارينغان{\i}
Dialogue: 0,0:11:20.81,0:11:21.84,SMMain,,0,0,0,,!اِنبطحوا جميعًا
Dialogue: 0,0:11:41.57,0:11:43.27,SMMain,,0,0,0,,{\i1}...إن لم تخنّي الذاكرة فهذا{\i}
Dialogue: 0,0:11:49.07,0:11:50.37,SMMain,,0,0,0,,{\i1}!ها قد أتى{\i}
Dialogue: 0,0:11:50.54,0:11:52.24,SMMain,,0,0,0,,{\i1}!ها قد أتى! ها قد أتى! ها قد أتى{\i}
Dialogue: 0,0:11:52.51,0:11:54.79,SMMain,,0,0,0,,{\i1}سوف أفعلها هذه المرّة{\i}
Dialogue: 0,0:11:54.95,0:11:57.11,SMMain,,0,0,0,,{\i1}!لن أخسر أمام ساسكي{\i}
Dialogue: 0,0:11:57.98,0:11:59.14,SMMain,,0,0,0,,اُنظروا من هنا
Dialogue: 0,0:11:59.72,0:12:03.83,SMMain,,0,0,0,,أليس هذا هو النينجا المرتدّ من\N!قرية الضباب موموتشي زابوزا
Dialogue: 0,0:12:04.40,0:12:08.18,SMMain,,0,0,0,,{\i1}...النينجا المرتدّ؟ لا يهم. الآن عليّ أن{\i}
Dialogue: 0,0:12:08.43,0:12:09.92,SMMain,,0,0,0,,{\i1}...استعداد{\i}
Dialogue: 0,0:12:09.97,0:12:10.52,SMMain,,0,0,0,,{\i1}!اِنطلاق{\i}
Dialogue: 0,0:12:13.31,0:12:14.10,SMMain,,0,0,0,,لا تعترض طريقي
Dialogue: 0,0:12:15.00,0:12:16.29,SMMain,,0,0,0,,تراجعوا يا شباب
Dialogue: 0,0:12:16.40,0:12:17.43,SMMain,,0,0,0,,!لماذا؟
Dialogue: 0,0:12:17.64,0:12:20.96,SMMain,,0,0,0,,إنه في مستوى آخر تمامًا عن الأشخاص\N الذين صادفناهم ذلك اليوم
Dialogue: 0,0:12:23.45,0:12:25.37,SMMain,,0,0,0,,{\i1}...كونه خصمنا يعني{\i}
Dialogue: 0,0:12:29.88,0:12:32.48,SMMain,,0,0,0,,{\i1}أنه لا يمكنني الفوز على حالتي هذه{\i}
Dialogue: 0,0:12:33.36,0:12:36.25,SMMain,,0,0,0,,...أرجّح على أنك المدعوّ كاكاشي مستخدم الشارينغان
Dialogue: 0,0:12:41.56,0:12:43.29,SMMain,,0,0,0,,...آسف لكن
Dialogue: 0,0:12:43.50,0:12:46.13,SMMain,,0,0,0,,سأطلب منك أن تسلّمني ذلك العجوز
Dialogue: 0,0:13:00.89,0:13:04.54,SMMain,,0,0,0,,{\i1}شارينغان؟ ما معنى ذلك؟{\i}
Dialogue: 0,0:13:04.81,0:13:07.47,SMMain,,0,0,0,,{\i1}ماذا؟ ما الذي يتحدّث عنه؟{\i}
Dialogue: 0,0:13:07.88,0:13:09.43,SMMain,,0,0,0,,{\i1}أهو شخصٌ قويّ؟{\i}
Dialogue: 0,0:13:09.53,0:13:10.79,SMMain,,0,0,0,,{\i1}...شارينغان{\i}
Dialogue: 0,0:13:11.10,0:13:13.14,SMMain,,0,0,0,,فلتتخّذوا وضعية مانجي للقتال
Dialogue: 0,0:13:14.05,0:13:15.61,SMMain,,0,0,0,,...ولتقوموا بحماية تازونا-سان
Dialogue: 0,0:13:16.62,0:13:18.30,SMMain,,0,0,0,,لا تتورّطوا في القتال
Dialogue: 0,0:13:19.14,0:13:19.81,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:13:20.51,0:13:22.84,SMMain,,0,0,0,,هذا هو العمل الجماعيّ اللّازم في هذه الحالة
Dialogue: 0,0:13:32.36,0:13:33.86,SMMain,,0,0,0,,فلتقاتلني
Dialogue: 0,0:13:35.77,0:13:38.20,SMMain,,0,0,0,,{\i1}مـ-ما هذه العين؟{\i}
Dialogue: 0,0:13:40.07,0:13:43.29,SMMain,,0,0,0,,...لم أتوقّع رؤية الشارينغان المشهورة بهذه السرعة
Dialogue: 0,0:13:43.75,0:13:45.21,SMMain,,0,0,0,,يشرّفني ذلك
Dialogue: 0,0:13:45.51,0:13:47.68,SMMain,,0,0,0,,...الجميع يردّد كلمة شارينغان هذه
Dialogue: 0,0:13:47.95,0:13:49.20,SMMain,,0,0,0,,!ما معناها؟
Dialogue: 0,0:13:50.21,0:13:51.40,SMMain,,0,0,0,,الشارينغان
Dialogue: 0,0:13:51.98,0:13:55.21,SMMain,,0,0,0,,هي القوّة التي تولّدها العين وتعكسها الحدقة
Dialogue: 0,0:13:57.43,0:13:59.18,SMMain,,0,0,0,,مستخدمو الدوجتسو يقال بأنّهم
Dialogue: 0,0:13:57.43,0:13:59.17,top,,0,0,0,,تقنيّات العين
Dialogue: 0,0:13:59.35,0:14:03.59,SMMain,,0,0,0,,قادرون على تمييز خدع\Nالغينجتسو والتايجتسو والنينجتسو
Dialogue: 0,0:13:59.35,0:14:03.59,top,,0,0,0,,التايجتسو = القوى الجسديّة
Dialogue: 0,0:13:59.35,0:14:03.59,top,,0,0,0,,النينجتسو = قوى النينجا
Dialogue: 0,0:14:04.40,0:14:06.53,SMMain,,0,0,0,,وهم قادرون على التصدّي لها
Dialogue: 0,0:14:09.13,0:14:12.54,SMMain,,0,0,0,,الشارينغان هي نوع فريد من العيون
Dialogue: 0,0:14:12.60,0:14:14.21,SMMain,,0,0,0,,لمستخدمي تقنيّات العين
Dialogue: 0,0:14:15.94,0:14:19.97,SMMain,,0,0,0,,لكنّها ليست القوى الوحيدة للشارينغان
Dialogue: 0,0:14:24.29,0:14:26.04,SMMain,,0,0,0,,أحسنت قولًا
Dialogue: 0,0:14:26.12,0:14:28.02,SMMain,,0,0,0,,تلك ليست قواها الوحيدة
Dialogue: 0,0:14:28.41,0:14:31.61,SMMain,,0,0,0,,المخيف في الأمر هو أنّ عينًا مثلها
Dialogue: 0,0:14:31.68,0:14:35.39,SMMain,,0,0,0,,بإمكانها تقييم تقنيّات الفرد ونسخها
Dialogue: 0,0:14:42.89,0:14:45.87,SMMain,,0,0,0,,عندما كنت عضوًا في الأنبو\Nللعمليّات السوداء في قرية الضباب
Dialogue: 0,0:14:45.94,0:14:48.30,SMMain,,0,0,0,,البحث عن معلومات بخصوصك\Nكان مندرجًا في كتاب البينغو
Dialogue: 0,0:14:48.37,0:14:50.93,SMMain,,0,0,0,,الذي كنت أحمله رفقتي
Dialogue: 0,0:14:52.30,0:14:54.51,SMMain,,0,0,0,,...كان هنالك شيءٌ آخر في ذلك الكتاب
Dialogue: 0,0:14:55.18,0:14:58.37,SMMain,,0,0,0,,...بشأن الرجل الذي قام بنسخ أكثر من ألف تقنيّة
Dialogue: 0,0:14:58.44,0:15:00.34,SMMain,,0,0,0,,كاكاشي النينجا الناسخ
Dialogue: 0,0:15:05.96,0:15:09.94,SMMain,,0,0,0,,{\i1}ماذا؟ كاكاشي سينسي هو نينجا رائع لتلك الدرجة؟{\i}
Dialogue: 0,0:15:10.79,0:15:12.52,SMMain,,0,0,0,,!مـ-مذهل
Dialogue: 0,0:15:15.80,0:15:17.10,SMMain,,0,0,0,,{\i1}ما الذي يعنيه هذا؟{\i}
Dialogue: 0,0:15:17.57,0:15:20.22,SMMain,,0,0,0,,{\i1}الشارينغان هي عبارة عن طابع خاصّ{\i}
Dialogue: 0,0:15:20.30,0:15:23.24,SMMain,,0,0,0,,{\i1}يظهر عند فئة قليلة جدًّا من عشيرة أوتشيها{\i}
Dialogue: 0,0:15:24.75,0:15:26.34,SMMain,,0,0,0,,{\i1}...أيعقل أن يكون هذا الشخص{\i}
Dialogue: 0,0:15:29.77,0:15:32.11,SMMain,,0,0,0,,فلننهِ الحديث هنا
Dialogue: 0,0:15:32.98,0:15:35.96,SMMain,,0,0,0,,يفترض بي قتل ذلك العجوز على الفور
Dialogue: 0,0:15:47.27,0:15:51.92,SMMain,,0,0,0,,لكن يا كاكاشي، يبدو أنّني مضطرّ لهزيمتك أوّلًا
Dialogue: 0,0:16:00.71,0:16:01.57,SMMain,,0,0,0,,!إنه هناك
Dialogue: 0,0:16:01.58,0:16:02.64,SMMain,,0,0,0,,وهو واقف على الماء؟
Dialogue: 0,0:16:12.85,0:16:14.84,SMMain,,0,0,0,,{\i1}!إنه يكدّس الكثير من التشاكرا{\i}
Dialogue: 0,0:16:22.91,0:16:25.98,top,,0,0,0,,أسلوب النينجا، تقنيّة القرية المخفيّة في الضباب
Comment: 0,0:16:22.91,0:16:25.98,Attack,,0,0,0,karaoke,{\k83}نينبو{\k44} {\k37}كيري {\k54}غاكرو {\k17}نو {\k72}جيتسو
Dialogue: 0,0:16:36.16,0:16:36.93,SMMain,,0,0,0,,!لقد اختفى
Dialogue: 0,0:16:39.58,0:16:40.24,SMMain,,0,0,0,,!معلم
Dialogue: 0,0:16:40.71,0:16:43.31,SMMain,,0,0,0,,...على الأرجح أنه سيقوم بالقضاء عليّ أوّلًا
Dialogue: 0,0:16:43.98,0:16:45.46,SMMain,,0,0,0,,ماذا يكون هذا الشخص؟
Dialogue: 0,0:16:46.07,0:16:47.31,SMMain,,0,0,0,,موموتشي زابوزا
Dialogue: 0,0:16:47.95,0:16:50.05,SMMain,,0,0,0,,إنه عضو في أنبو العمليّات السوداء لقرية الضباب
Dialogue: 0,0:16:50.12,0:16:52.92,SMMain,,0,0,0,,"وهو معروف باختصاصه في تقنيّات "القتل الصامت
Dialogue: 0,0:16:53.12,0:16:54.11,SMMain,,0,0,0,,صـ-صامت؟
Dialogue: 0,0:16:54.63,0:16:56.05,SMMain,,0,0,0,,.تمامًا كما يوحيه الاسم
Dialogue: 0,0:16:56.58,0:17:01.12,SMMain,,0,0,0,,إنها تقنية قتل يتمّ عملها في لحظة وفي صمت تامّ
Dialogue: 0,0:17:09.11,0:17:10.07,SMMain,,0,0,0,,،في الوقت الذي تدرك فيه الأمر
Dialogue: 0,0:17:10.14,0:17:12.30,SMMain,,0,0,0,,سيكون الأوان قد فات
Dialogue: 0,0:17:13.14,0:17:16.33,SMMain,,0,0,0,,لا يمكنني استخدام الشارينغان خاصّتي لأقصى طاقتها
Dialogue: 0,0:17:16.90,0:17:18.64,SMMain,,0,0,0,,لذا لا ترخوا دفاعاتكم
Dialogue: 0,0:17:24.42,0:17:26.71,SMMain,,0,0,0,,إن فشلنا فسنموت
Dialogue: 0,0:17:27.08,0:17:28.58,SMMain,,0,0,0,,!كيف لك أن تكون غير مبالٍ هكذا؟
Dialogue: 0,0:17:35.10,0:17:37.43,SMMain,,0,0,0,,!الضباب أصبح أكثر كثافة
Dialogue: 0,0:17:37.74,0:17:40.23,SMMain,,0,0,0,,قرية الأمواج محاطة بالماء
Dialogue: 0,0:17:40.71,0:17:42.76,SMMain,,0,0,0,,لذلك فالضباب يظهر بكلّ سهولة
Dialogue: 0,0:17:46.13,0:17:46.76,SMMain,,0,0,0,,!معلم
Dialogue: 0,0:17:57.49,0:17:58.55,SMMain,,0,0,0,,النقاط الثمانية
Dialogue: 0,0:17:58.86,0:18:00.41,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:18:01.56,0:18:04.53,SMMain,,0,0,0,,...الحنجر والعمود الفقري والرئتان والكبد
Dialogue: 0,0:18:05.20,0:18:07.72,SMMain,,0,0,0,,الوريد الوداجي والوريد تحت الترقوي
Dialogue: 0,0:18:08.07,0:18:10.43,SMMain,,0,0,0,,الكلى والقلب
Dialogue: 0,0:18:11.48,0:18:14.53,SMMain,,0,0,0,,والآن، أيّ نقطة ضعيفة تودّون أن أهاجمكم فيها؟
Dialogue: 0,0:18:42.20,0:18:43.86,SMMain,,0,0,0,,{\i1}!يا لقوّة التعطّش للدماء هذه{\i}
Dialogue: 0,0:18:45.14,0:18:48.04,SMMain,,0,0,0,,{\i1}،حركة تنفّس أو رمشة عين واحدة{\i}
Dialogue: 0,0:18:48.11,0:18:51.77,SMMain,,0,0,0,,{\i1}قد تؤدّي إلى مقتلي، هذا ما أشعر به{\i}
Dialogue: 0,0:18:52.91,0:18:56.73,SMMain,,0,0,0,,{\i1}!إن بقيت هكذا لساعة فسأُجنّ{\i}
Dialogue: 0,0:18:58.55,0:19:00.54,SMMain,,0,0,0,,{\i1}...الرغبة القاتلة لاثنين من الجونين {\i0}
Dialogue: 0,0:19:01.52,0:19:04.58,SMMain,,0,0,0,,{\i1}...الشعور وكأنّ حياتي تقع على عاتق شخصٍ آخر{\i}
Dialogue: 0,0:19:07.01,0:19:11.05,SMMain,,0,0,0,,{\i1}!كلّا! أفضّل الموت على الشعور بهذا{\i}
Dialogue: 0,0:19:13.13,0:19:13.96,SMMain,,0,0,0,,ساسكي
Dialogue: 0,0:19:14.80,0:19:18.46,SMMain,,0,0,0,,لا تقلق، سأحميكم مهما كلّفني الأمر
Dialogue: 0,0:19:21.24,0:19:25.27,SMMain,,0,0,0,,لن أدع أيّ شخصٍ في فريقي يموت
Dialogue: 0,0:19:30.58,0:19:33.18,SMMain,,0,0,0,,...أتساءل حيال ذلك
Dialogue: 0,0:19:39.72,0:19:40.69,SMMain,,0,0,0,,إنها النهاية
Dialogue: 0,0:20:11.62,0:20:12.85,SMMain,,0,0,0,,!قرية! إنه خلفك
Dialogue: 0,0:20:18.03,0:20:19.36,SMMain,,0,0,0,,!فلتمت
Dialogue: 0,0:20:30.91,0:20:32.34,SMMain,,0,0,0,,{\i1}!تقنية النسخة المائية{\i0}
Dialogue: 0,0:20:34.05,0:20:34.94,SMMain,,0,0,0,,{\i1}!لا يعقل{\i}
Dialogue: 0,0:20:49.23,0:20:50.82,SMMain,,0,0,0,,{\i1}...في هذا الضباب الكثيف{\i}
Dialogue: 0,0:20:56.62,0:20:58.80,SMMain,,0,0,0,,{\i1}هل قام بنسخ تقنيّتي حقًّا؟{\i}
Dialogue: 0,0:21:03.07,0:21:03.77,SMMain,,0,0,0,,لا تتحرّك
Dialogue: 0,0:21:18.82,0:21:19.72,SMMain,,0,0,0,,انتهى الأمر
Dialogue: 0,0:23:03.82,0:23:05.11,SMMain,,0,0,0,,!لا
Dialogue: 0,0:23:05.15,0:23:07.86,SMMain,,0,0,0,,حتى كاكاشي سينسي قد وقع في تقنية زابوزا
Dialogue: 0,0:23:08.36,0:23:09.03,SMMain,,0,0,0,,عليّ أن أهرب
Dialogue: 0,0:23:09.11,0:23:11.41,SMMain,,0,0,0,,سوف أُقتل بلا شكّ
Dialogue: 0,0:23:12.70,0:23:13.66,SMMain,,0,0,0,,هذا الألم
Dialogue: 0,0:23:14.49,0:23:16.87,SMMain,,0,0,0,,!ما الذي أفعله؟
Dialogue: 0,0:23:17.37,0:23:21.12,SMMain,,0,0,0,,لقد سبق وأن قرّرت ألّا أهرب مهما حدث
Dialogue: 0,0:23:22.83,0:23:26.84,Nar_title_end,,0,0,0,,{\pos(1222.051,570.599)}الحلقة القادمة
Dialogue: 0,0:23:22.83,0:23:26.84,Nar_title_end,,0,0,0,,{\pos(502.237,495)}"!عزيمة نذر الألم"
Dialogue: 0,0:23:25.00,0:23:27.88,SMMain,,0,0,0,,!ترقّبوا أدائي الرائع
Dialogue: 0,0:16:22.91,0:16:25.98,Attack,,0,0,0,fx,{\an5\\pos(963,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))\t(2200,2750,\1img(SU.png,10,-80))\t(2750,3300,\1img(SU.png,80,0))}
Dialogue: 0,0:16:22.31,0:16:22.91,Attack,,0,0,0,fx,{\an5\org(-1078,528)\pos(922,1028)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}نينبو
Dialogue: 1,0:16:22.91,0:16:23.74,Attack,,0,0,0,fx,{\an5\bord3\blur8\move(897,1023,922,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}نينبو
Dialogue: 0,0:16:23.74,0:16:26.08,Attack,,0,0,0,fx,{\an5\\pos(922,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))\t(2200,2750,\1img(SU.png,10,-80))}نينبو
Dialogue: 0,0:16:24.18,0:16:26.18,Attack,,0,0,0,fx,{\an5\\pos(874,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))}
Dialogue: 1,0:16:24.18,0:16:24.55,Attack,,0,0,0,fx,{\an5\bord3\blur8\move(796,1023,821,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}كيري
Dialogue: 0,0:16:24.55,0:16:26.28,Attack,,0,0,0,fx,{\an5\\pos(821,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))}كيري
Dialogue: 1,0:16:24.55,0:16:25.09,Attack,,0,0,0,fx,{\an5\bord3\blur8\move(680,1023,705,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}غاكرو
Dialogue: 0,0:16:25.09,0:16:26.38,Attack,,0,0,0,fx,{\an5\\pos(705,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}غاكرو
Dialogue: 1,0:16:25.09,0:16:25.26,Attack,,0,0,0,fx,{\an5\bord3\blur8\move(598,1023,623,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}نو
Dialogue: 0,0:16:25.26,0:16:26.48,Attack,,0,0,0,fx,{\an5\\pos(623,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}نو
Dialogue: 1,0:16:25.26,0:16:25.98,Attack,,0,0,0,fx,{\an5\bord3\blur8\move(508,1023,533,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}جيتسو
Dialogue: 0,0:16:25.98,0:16:26.58,Attack,,0,0,0,fx,{\an5\\pos(533,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}جيتسو
Dialogue: 0,0:21:44.81,0:21:48.28,ED-AR,,0,0,0,,احفظ جوعك قبل أن تكون مثالًا
Dialogue: 0,0:21:48.29,0:21:51.72,ED-AR,,0,0,0,,وهيّج غضبك لتجعل فيهم إدراكًا
Dialogue: 0,0:21:51.73,0:21:55.10,ED-AR,,0,0,0,,تسلّق الجبل ولا تنزل أبدًا
Dialogue: 0,0:21:55.16,0:21:58.52,ED-AR,,0,0,0,,شقّ طريقك إلى باطنه ولا تخرّ ساقطًا
Dialogue: 0,0:22:01.94,0:22:05.43,ED-AR,,0,0,0,,ما زالت ركبتاي ترتعشان، وكأن الثانية عشرة عمري
Dialogue: 0,0:22:05.43,0:22:08.71,ED-AR,,0,0,0,,أتسلل خارج الفصلِ، عبر الباب الخلفيّ
Dialogue: 0,0:22:08.71,0:22:12.15,ED-AR,,0,0,0,,وإذ برجلٍ يوبخني مرتين، لكنني في كلتا الحالتين لا أبالي
Dialogue: 0,0:22:12.15,0:22:15.64,ED-AR,,0,0,0,,فالانتظار ليس إلّا مضيعةً لأمثالي
Dialogue: 0,0:22:15.72,0:22:19.13,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:19.13,0:22:22.58,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:22.58,0:22:25.95,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:25.95,0:22:28.94,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:38.70,0:22:41.86,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:42.14,0:22:45.20,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:45.57,0:22:48.81,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:48.81,0:22:52.04,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:52.38,0:22:55.70,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:55.86,0:22:58.94,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:59.27,0:23:00.78,ED-AR,,0,0,0,,...ولا تجفَّ
Comment: 0,0:00:09.63,0:00:10.51,KARA,,0,0,0,karaoke,{\k37}Come {\k50}on!
Dialogue: 0,0:00:09.68,0:00:10.51,songs,,0,0,0,,!هيّا
Comment: 0,0:00:16.93,0:00:19.52,KARA,,0,0,0,karaoke,{\k48}o{\k24}wa{\k24}re{\k12}ru {\k29}yo{\k56}u{\k66}ni
Dialogue: 0,0:00:16.93,0:00:19.52,songs,,0,0,0,,أن تركض مثل الهارب
Comment: 0,0:00:20.52,0:00:22.69,KARA,,0,0,0,karaoke,{\k19}{\k36}i{\k39}so{\k17}i {\k24}de {\k28}i{\k54}ru
Dialogue: 0,0:00:20.52,0:00:22.69,songs,,0,0,0,,بينما تتمّ مطاردتك من قبل شيءٍ ما
Comment: 0,0:00:24.36,0:00:27.03,KARA,,0,0,0,karaoke,{\k19}{\k39}ka{\k32}wa{\k25}i {\k25}ta {\k24}mu{\k43}ne {\k59}ga
Dialogue: 0,0:00:24.36,0:00:27.03,songs,,0,0,0,,قلبي ينبض من الداخل
Comment: 0,0:00:28.11,0:00:31.11,KARA,,0,0,0,karaoke,{\k25}{\k49}ka{\k23}ri {\k26}ta{\k20}te{\k17}ru {\k37}no {\k101}sa
Dialogue: 0,0:00:28.11,0:00:30.74,songs,,0,0,0,,حلقي جافّ وكأنه يضمحلّ
Comment: 0,0:00:32.45,0:00:35.58,KARA,,0,0,0,karaoke,{\k22}{\k23}da{\k26}re {\k18}no {\k53}ta{\k46}me {\k31}de {\k42}na{\k49}ku
Dialogue: 0,0:00:32.45,0:00:35.54,songs,,0,0,0,,لا أقوم بهذا من أجل أيّ شخص
Comment: 0,0:00:36.08,0:00:39.33,KARA,,0,0,0,karaoke,{\k42}{\k25}da{\k26}re {\k17}no {\k52}mo{\k50}no {\k32}de {\k36}na{\k46}ku
Dialogue: 0,0:00:36.08,0:00:39.33,songs,,0,0,0,,وهذا لا يخصّ أيّ شخص
Comment: 0,0:00:40.79,0:00:45.09,KARA,,0,0,0,karaoke,{\k20}{\k47}o{\k26}re {\k39}ta{\k40}chi {\k65}no{\k91} {\k25}i{\k18}ma {\k55}ga
Dialogue: 0,0:00:40.79,0:00:45.05,songs,,0,0,0,,...هذا وقتنا نحن الآن
Comment: 0,0:00:47.71,0:00:49.59,KARA,,0,0,0,karaoke,{\k21}{\k26}i{\k25}ta{\k23}mi {\k35}ho{\k35}do{\k22}ki
Dialogue: 0,0:00:47.67,0:00:49.55,songs,,0,0,0,,الكشف عن الألم
Comment: 0,0:00:49.67,0:00:51.43,KARA - نسخة,,0,0,0,karaoke,{\k17}{\k23}ko{\k19}ko{\k29}ro {\k27}ho{\k22}do{\k36}ki
Dialogue: 0,0:00:49.68,0:00:51.39,songs,,0,0,0,,الكشف عن قلوبنا
Comment: 0,0:00:51.47,0:00:53.80,KARA,,0,0,0,karaoke,{\k29}{\k24}ka{\k20}ge {\k28}o {\k29}ho{\k41}do{\k63}ki
Dialogue: 0,0:00:51.47,0:00:53.81,songs,,0,0,0,,الكشف عن الظلال
Comment: 0,0:00:55.64,0:00:57.47,KARA,,0,0,0,karaoke,{\k25}i{\k27}ki {\k15}o {\k33}tsu{\k45}ne{\k41}te
Dialogue: 0,0:00:55.31,0:00:57.10,songs,,0,0,0,,التي تخنق أنفاسنا
Comment: 0,0:00:57.51,0:00:59.39,KARA - نسخة,,0,0,0,karaoke,{\k20}ha{\k34}shi{\k20}ri {\k21}nu{\k26}ke{\k65}ro
Dialogue: 0,0:00:57.14,0:00:59.06,songs,,0,0,0,,السعي نحو المنتهى
Comment: 0,0:00:59.39,0:01:01.60,KARA,,0,0,0,karaoke,{\k29}ya{\k18}mi {\k21}o {\k35}sa{\k41}i{\k76}te
Dialogue: 0,0:00:59.14,0:01:01.56,songs,,0,0,0,,الولوج خلال الظلمة
Comment: 0,0:01:03.48,0:01:10.07,KARA,,0,0,0,karaoke,{\k17}{\k48}ta{\k21}ta{\k21}ka{\k30}u {\k26}ko{\k43}to {\k77}mo{\k116} {\k32}a{\k26}i{\k41}shi {\k46}au {\k43}ko{\k43}to {\k26}mo
Dialogue: 0,0:01:03.44,0:01:10.03,songs,,0,0,0,,خلال القتال والحب
Comment: 0,0:01:11.03,0:01:13.66,KARA,,0,0,0,karaoke,{\k25}{\k28}o{\k41}wa{\k26}ri {\k37}wa {\k35}shi{\k29}na{\k41}i
Dialogue: 0,0:01:10.99,0:01:13.62,songs,,0,0,0,,نحو النور البعيد فوقنا
Comment: 0,0:01:14.11,0:01:17.28,KARA,,0,0,0,karaoke,{\k39}{\k41}On {\k16}the {\k223}way
Dialogue: 0,0:01:14.08,0:01:17.25,songs,,0,0,0,,أجل، نحن في طريقنا
Comment: 0,0:01:22.29,0:01:23.67,KARA,,0,0,0,karaoke,{\k28}I {\k19}wanna {\k93}ROCKS
Dialogue: 0,0:01:22.21,0:01:23.63,songs,,0,0,0,,أريد أن أتزعزع
Comment: 0,0:01:26.04,0:01:27.50,KARA,,0,0,0,karaoke,{\k33}mu{\k25}ne {\k22}ni {\k65}ROCKS
Dialogue: 0,0:01:26.00,0:01:27.42,songs,,0,0,0,,أزعزع قلبي
Dialogue: 0,0:00:00.00,0:00:05.00,Default,,0,0,0,,
Dialogue: 0,0:00:08.63,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:09.53,0:00:09.63,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:09.63,0:00:10.69,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:08.69,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(1000,0)}Come
Dialogue: 0,0:00:09.53,0:00:10.00,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,470,\fscx100\fscy100\3c&H00000000&)}Come
Dialogue: 0,0:00:10.00,0:00:10.75,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(0,1000)}Come
Dialogue: 0,0:00:08.75,0:00:09.90,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(1000,0)}on!
Dialogue: 0,0:00:09.90,0:00:10.50,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,600,\fscx100\fscy100\3c&H00000000&)}on!
Dialogue: 0,0:00:10.50,0:00:10.81,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(0,1000)}on!
Dialogue: 0,0:00:15.93,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:16.83,0:00:16.93,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:16.93,0:00:19.40,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:15.99,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(1000,0)}o
Dialogue: 0,0:00:16.83,0:00:17.41,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,580,\fscx100\fscy100\3c&H00000000&)}o
Dialogue: 0,0:00:17.41,0:00:19.46,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(0,1000)}o
Dialogue: 0,0:00:16.05,0:00:17.31,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:17.31,0:00:17.65,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:17.65,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:16.11,0:00:17.55,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(1000,0)}re
Dialogue: 0,0:00:17.55,0:00:17.89,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}re
Dialogue: 0,0:00:17.89,0:00:19.58,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(0,1000)}re
Dialogue: 0,0:00:16.17,0:00:17.79,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:17.79,0:00:18.01,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,220,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:18.01,0:00:19.64,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:16.23,0:00:17.91,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(1000,0)}yo
Dialogue: 0,0:00:17.91,0:00:18.30,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,390,\fscx100\fscy100\3c&H00000000&)}yo
Dialogue: 0,0:00:18.30,0:00:19.70,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(0,1000)}yo
Dialogue: 0,0:00:16.29,0:00:18.20,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(1000,0)}u
Dialogue: 0,0:00:18.20,0:00:18.86,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,660,\fscx100\fscy100\3c&H00000000&)}u
Dialogue: 0,0:00:18.86,0:00:19.76,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(0,1000)}u
Dialogue: 0,0:00:16.35,0:00:18.76,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(1000,0)}ni
Dialogue: 0,0:00:18.76,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,760,\fscx100\fscy100\3c&H00000000&)}ni
Dialogue: 0,0:00:19.52,0:00:19.82,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(0,1000)}ni
Dialogue: 0,0:00:19.52,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.52,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.52,0:00:22.57,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.58,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.71,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.71,0:00:22.63,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.64,0:00:20.61,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:20.61,0:00:21.07,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,460,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.07,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.70,0:00:20.97,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(1000,0)}so
Dialogue: 0,0:00:20.97,0:00:21.46,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}so
Dialogue: 0,0:00:21.46,0:00:22.75,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(0,1000)}so
Dialogue: 0,0:00:19.76,0:00:21.36,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.36,0:00:21.63,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,270,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.63,0:00:22.81,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.82,0:00:21.53,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(1000,0)}de
Dialogue: 0,0:00:21.53,0:00:21.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}de
Dialogue: 0,0:00:21.87,0:00:22.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(0,1000)}de
Dialogue: 0,0:00:19.88,0:00:21.77,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.77,0:00:22.15,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,380,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:22.15,0:00:22.93,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.94,0:00:22.05,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:22.05,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,640,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:22.69,0:00:22.99,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:23.36,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.36,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.36,0:00:26.85,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.42,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.55,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.55,0:00:26.91,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.48,0:00:24.45,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:24.45,0:00:24.94,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}ka
Dialogue: 0,0:00:24.94,0:00:26.97,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(0,1000)}ka
Dialogue: 0,0:00:23.54,0:00:24.84,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:24.84,0:00:25.26,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,420,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:25.26,0:00:27.03,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:23.60,0:00:25.16,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:25.16,0:00:25.51,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:25.51,0:00:27.09,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:23.66,0:00:25.41,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(1000,0)}ta
Dialogue: 0,0:00:25.41,0:00:25.76,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}ta
Dialogue: 0,0:00:25.76,0:00:27.15,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(0,1000)}ta
Dialogue: 0,0:00:23.72,0:00:25.66,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(1000,0)}mu
Dialogue: 0,0:00:25.66,0:00:26.00,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}mu
Dialogue: 0,0:00:26.00,0:00:27.21,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(0,1000)}mu
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