[Script Info]
; Script generated by Aegisub Master r8902, line0
; http://www.aegisub.org/
Title: العربية
Original Script: cr_ar  [http://www.crunchyroll.com/user/cr_ar]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
PlayResX: 1436
PlayResY: 1080
Timer: 0.0000
WrapStyle: 0
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Naruto
Audio File: Naruto - 10.mkv
Video File: Naruto - 10.mkv
Video AR Mode: 4
Video AR Value: 1.329630
Video Zoom Percent: 0.500000
Scroll Position: 446
Active Line: 451
Video Position: 31786

[V4+ Styles]
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Style: Show Title 1,Adobe Arabic,108,&H00FFFFFF,&H000000FF,&H00091EE5,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,2,61,61,321,0
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Style: sign_28413_429_Violence_,Adobe Arabic,99,&H00010197,&H000000FF,&H00FFFFFF,&H00703310,-1,0,0,0,100,100,0,0,1,5.99999,3,8,118,1436,321,0
Style: sign_28417_430_Divorce_Finalize,Adobe Arabic,99,&H0000DDD6,&H000000FF,&H0056300A,&H00000000,-1,0,0,0,100,100,0,0,1,5.99999,0,8,1183,61,400,0
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:47.96,0:01:50.67,SMMain,,0,0,0,,{\i1}...يبدو أنّني أفرطتُ في استخدام الشارينغان{\i}
Dialogue: 0,0:01:52.38,0:01:54.30,SMMain,,0,0,0,,هل أنت بخير يا معلم؟
Dialogue: 0,0:01:54.71,0:01:58.84,SMMain,,0,0,0,,...ليس تمامًا...سيكون من الصعب عليّ التحرّك لأسبوع
Dialogue: 0,0:01:59.55,0:02:00.30,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:02:00.39,0:02:03.06,SMMain,,0,0,0,,سيكون من الأفضل لو لم تتحرّك لفترة
Dialogue: 0,0:02:03.47,0:02:04.39,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:02:08.77,0:02:10.94,SMMain,,0,0,0,,!لقد استيقظ المعلم
Dialogue: 0,0:02:11.56,0:02:12.82,SMMain,,0,0,0,,!ما هذا
Dialogue: 0,0:02:13.36,0:02:14.82,SMMain,,0,0,0,,الشارينغان خاصتك مميّزة للغاية
Dialogue: 0,0:02:14.94,0:02:18.40,SMMain,,0,0,0,,لكن إن كانت تشكّل هذا العبء على جسدك\N!فقد لا يكون من الجيّد استخدامها هكذا
Dialogue: 0,0:02:18.70,0:02:19.86,SMMain,,0,0,0,,...أنا آسف
Dialogue: 0,0:02:20.49,0:02:21.70,SMMain,,0,0,0,,...لكن كما تعرفون
Dialogue: 0,0:02:21.95,0:02:24.58,SMMain,,0,0,0,,!فقد تمكّن من القضاء على نينجا قويّ باستخدامها
Dialogue: 0,0:02:24.62,0:02:26.37,SMMain,,0,0,0,,ربما لا يجدر بنا القلق لفترة
Dialogue: 0,0:02:26.95,0:02:31.00,SMMain,,0,0,0,,على أية حال، ذلك الفتى ذو القناع... من عساه يكون؟
Dialogue: 0,0:02:32.00,0:02:34.25,SMMain,,0,0,0,,لقد كان أنبو من قرية الضباب
Dialogue: 0,0:02:35.09,0:02:37.38,SMMain,,0,0,0,,إنه قناع ترتديه نخبة النينجا من وحدة التعقّب
Dialogue: 0,0:02:38.42,0:02:39.63,SMMain,,0,0,0,,نخبة النينجا من وحدة التعقّب؟
Dialogue: 0,0:02:40.05,0:02:42.68,SMMain,,0,0,0,,هم يعرفون باسم "وحدة إطفاء الحريق" أيضًا
Dialogue: 0,0:02:43.43,0:02:47.18,SMMain,,0,0,0,,ومهمّتهم تقتضي بمحو كلّ الآثار\N التي تدلّ على وجود ذلك النينجا
Dialogue: 0,0:02:48.02,0:02:49.52,SMMain,,0,0,0,,...جسد النينجا يمكن أن يكشف عن العديد من الأشياء
Dialogue: 0,0:02:49.60,0:02:54.36,SMMain,,0,0,0,,أسرار النينجتسو وخصائص\N...التشاكرا للقرية التي أتى منها النينجا
Dialogue: 0,0:02:54.40,0:02:59.32,SMMain,,0,0,0,,...مكوّنات أدوية سريّة استخدمت على النينجا
Dialogue: 0,0:03:01.16,0:03:02.91,SMMain,,0,0,0,,،لنأخذ على سبيل المثال وفاتي
Dialogue: 0,0:03:03.70,0:03:06.54,SMMain,,0,0,0,,كلّ سرٍّ متعلّقٍ بالشارينغان\Nخاصتي سيتمّ التحقيق فيه بعمق
Dialogue: 0,0:03:07.70,0:03:08.96,SMMain,,0,0,0,,،وفي أسوأ الحالات
Dialogue: 0,0:03:09.04,0:03:12.13,SMMain,,0,0,0,,هنالك احتمال كبير في أن \Nتتّم سرقة الجتسو خاصتي بأكمله
Dialogue: 0,0:03:13.13,0:03:14.59,SMMain,,0,0,0,,بمعنى آخر، فإنّ النينجا المتعقّبين مختصّون
Dialogue: 0,0:03:14.63,0:03:17.67,SMMain,,0,0,0,,في منع تسرّب أسرار القرية
Dialogue: 0,0:03:18.09,0:03:20.97,SMMain,,0,0,0,,عن طريق اغتيال النينجا المتمرّدين الذين هربوا من قراهم
Dialogue: 0,0:03:21.05,0:03:25.39,SMMain,,0,0,0,,والتخلّص من أجسادهم كليًّا
Dialogue: 0,0:03:28.02,0:03:31.19,SMMain,,0,0,0,,أوّلًا، سأقوم بقصّ القماش\N...الذي على فمه وجعله يبصق الدّم
Dialogue: 0,0:03:34.27,0:03:35.27,SMMain,,0,0,0,,لا عليك
Dialogue: 0,0:03:35.86,0:03:38.03,SMMain,,0,0,0,,سأفعل ذلك... بمفردي
Dialogue: 0,0:03:38.53,0:03:41.61,SMMain,,0,0,0,,...ماذا؟ لقد عدت إلى الحياة سلفًا
Dialogue: 0,0:03:46.16,0:03:49.75,SMMain,,0,0,0,,...يا إلهي، أنت قاسٍ للغاية
Dialogue: 0,0:03:51.50,0:03:52.67,SMMain,,0,0,0,,نفس الأمر ينطبق عليك يا زابوزا-سان
Dialogue: 0,0:03:52.83,0:03:56.59,SMMain,,0,0,0,,أرجو ألّا تقوم بإزالتها بقوّة هكذا وإلّا فستموت حقًّا
Dialogue: 0,0:04:01.63,0:04:04.64,SMMain,,0,0,0,,!إلى متى ستبقى ترتدي ذلك القتاع المريب؟
Dialogue: 0,0:04:04.84,0:04:05.64,SMMain,,0,0,0,,!اِخلعه
Dialogue: 0,0:04:06.43,0:04:11.89,SMMain,,0,0,0,,...إنه تذكار مقدّس من ماضيّ وهو مفيد جدًّا للتنكّر
Dialogue: 0,0:04:15.69,0:04:20.49,SMMain,,0,0,0,,لكن لو لم أقم بإنقاذك لكنتَ ميّتًا الآن بلا شكّ
Dialogue: 0,0:04:21.24,0:04:23.15,SMMain,,0,0,0,,لو كنتَ تنوي وضعي في حالة أشبه بالموت
Dialogue: 0,0:04:23.24,0:04:26.03,SMMain,,0,0,0,,فما كان عليك أن تسدّد على الفتحة السريّة التي في عنقي
Dialogue: 0,0:04:26.70,0:04:30.04,SMMain,,0,0,0,,لا تزال شخصًا خبيثًا
Dialogue: 0,0:04:30.70,0:04:32.33,SMMain,,0,0,0,,...لم يكن لديّ خيارٌ آخر
Dialogue: 0,0:04:33.25,0:04:37.46,SMMain,,0,0,0,,كما أنّني لم أشأ وضع علامة على جسدك الطاهر
Dialogue: 0,0:04:38.34,0:04:41.92,SMMain,,0,0,0,,زيادة على ذلك، فبإمكاني التصويب بدقّة على نقطة العنق
Dialogue: 0,0:04:42.01,0:04:43.97,SMMain,,0,0,0,,حيث لا توجد العديد من العضلات
Dialogue: 0,0:04:47.18,0:04:49.72,SMMain,,0,0,0,,ستشعر بالتخدير لمدّة أسبوع ولن تقدر على التحرّك
Dialogue: 0,0:04:50.39,0:04:55.06,SMMain,,0,0,0,,لكن بما أنك زابوزا-سان فعلى الأرجح\N ...أنك ستتمكّن من التحرّك قريبًا
Dialogue: 0,0:04:58.44,0:05:02.32,SMMain,,0,0,0,,...أنت بريء، ذكيّ وطاهر
Dialogue: 0,0:05:03.19,0:05:05.36,SMMain,,0,0,0,,وهذا ما أحبّه فيك
Dialogue: 0,0:05:07.28,0:05:09.62,SMMain,,0,0,0,,هذا لأنني لا أزال صبيًّا
Dialogue: 0,0:05:12.41,0:05:13.66,SMMain,,0,0,0,,لقد انقشع الضباب
Dialogue: 0,0:05:14.00,0:05:14.58,SMMain,,0,0,0,,أجل
Dialogue: 0,0:05:16.79,0:05:18.84,SMMain,,0,0,0,,هل ستكون على ما يرام المرّة القادمة؟
Dialogue: 0,0:05:20.25,0:05:20.96,SMMain,,0,0,0,,...في المرّة القادمة
Dialogue: 0,0:05:22.17,0:05:24.17,SMMain,,0,0,0,,سأتمكّن من التعامل مع تلك الشارينغان كما ينبغي
Dialogue: 0,0:05:24.63,0:05:30.64,Title-Naru_OP,,0,0,0,,{\i1\pos(721.625,748.8)}غابة التشاكرا{\i}
Dialogue: 0,0:05:32.85,0:05:33.64,SMMain,,0,0,0,,{\i1}ما هذا الشعور؟{\i}
Dialogue: 0,0:05:34.41,0:05:36.13,SMMain,,0,0,0,,{\i1}...بالرغم من أنّ زابوزا قد مات{\i}
Dialogue: 0,0:05:36.34,0:05:38.31,SMMain,,0,0,0,,{\i1}...إلّا أنّني أشعر بعدم الارتياح {\i}
Dialogue: 0,0:05:39.28,0:05:40.64,SMMain,,0,0,0,,{\i1}...لا بدّ أن يعني هذا شيئًا مهمًّا{\i}
Dialogue: 0,0:05:42.31,0:05:44.74,SMMain,,0,0,0,,{\i1}لديّ شعور بأنّني أصرفت النظر عن شيءٍ مهمّ{\i}
Dialogue: 0,0:05:45.64,0:05:48.20,SMMain,,0,0,0,,ما المشكلة يا معلم؟
Dialogue: 0,0:05:48.57,0:05:49.20,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:05:49.28,0:05:51.87,SMMain,,0,0,0,,...سأكمل قصتي
Dialogue: 0,0:05:53.21,0:05:54.20,SMMain,,0,0,0,,...النينجا المتعقّبون
Dialogue: 0,0:05:54.28,0:05:57.76,SMMain,,0,0,0,,يهتمّون بأمر جثّة النينجا الذين يقتلونهم على الفور
Dialogue: 0,0:05:58.37,0:05:59.86,SMMain,,0,0,0,,وماذا في ذلك؟
Dialogue: 0,0:06:01.04,0:06:04.44,SMMain,,0,0,0,,ما الذي فعله ذلك الفتى ذو القناع بزابوزا؟
Dialogue: 0,0:06:07.41,0:06:08.84,SMMain,,0,0,0,,!كيف لنا أن نعرف؟
Dialogue: 0,0:06:09.08,0:06:11.70,SMMain,,0,0,0,,!لقد أخذه رفقته
Dialogue: 0,0:06:12.95,0:06:13.60,SMMain,,0,0,0,,...هذا صحيح
Dialogue: 0,0:06:14.94,0:06:18.96,SMMain,,0,0,0,,لو كان في حاجة لدليل على قتله\N ...لزابوزا، كان ليأخذ رأسه وحسب
Dialogue: 0,0:06:20.21,0:06:21.30,SMMain,,0,0,0,,...والسؤال هو
Dialogue: 0,0:06:21.38,0:06:25.46,SMMain,,0,0,0,,...السلاح الذي استخدمه الصبيّ النينجا المتعقّب لقتل زابوزا
Dialogue: 0,0:06:27.14,0:06:28.07,SMMain,,0,0,0,,...سينبون عاديّ
Dialogue: 0,0:06:29.24,0:06:30.17,SMMain,,0,0,0,,...مستحيل
Dialogue: 0,0:06:30.61,0:06:33.24,SMMain,,0,0,0,,أجل، الأمر كذلك
Dialogue: 0,0:06:35.17,0:06:38.27,SMMain,,0,0,0,,!ما الذي تتحدّثان عنه؟
Dialogue: 0,0:06:39.51,0:06:42.20,SMMain,,0,0,0,,!هنالك احتمال... بأن يكون زابوزا على قيد الحياة
Dialogue: 0,0:06:44.48,0:06:45.03,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:06:45.74,0:06:47.67,SMMain,,0,0,0,,!ما الذي تقصده بحقّ الححيم؟
Dialogue: 0,0:06:47.74,0:06:51.23,SMMain,,0,0,0,,!لكن يا كاكاشي-سينسي، لقد تأكّدت من كونه ميّتًا
Dialogue: 0,0:06:51.88,0:06:53.57,SMMain,,0,0,0,,...هذا صحيح، لقد تأكّدت من ذلك
Dialogue: 0,0:06:54.54,0:06:58.37,SMMain,,0,0,0,,لكن على الأرجح أنه كان في حالة شبه موت
Dialogue: 0,0:07:03.08,0:07:07.90,SMMain,,0,0,0,,السينبون الذي استخدمه النينجا المتعقّب \Nلديه قدرة ضعيفة جدًّا على القتل
Dialogue: 0,0:07:07.97,0:07:10.24,SMMain,,0,0,0,,...إلّا إن أصاب نقطة حيويّة
Dialogue: 0,0:07:11.14,0:07:13.74,SMMain,,0,0,0,,إنها أداة استخدمت فيما مضى للعلاجات الطبيّة
Dialogue: 0,0:07:13.81,0:07:15.27,SMMain,,0,0,0,,مثل علاج الوخز بالإبر
Dialogue: 0,0:07:16.34,0:07:19.78,SMMain,,0,0,0,,النينجا المتعقّبون لديهم\N...علمٌ واسع ببنية الجسم البشريّ
Dialogue: 0,0:07:20.58,0:07:24.53,SMMain,,0,0,0,,وضع الناس في حالة شبه موت يعتبر أمرًا سهلًا بالنسبة لهم
Dialogue: 0,0:07:25.77,0:07:28.97,SMMain,,0,0,0,,في البداية تكبّد عناء أخذ جثّة زابوزا
Dialogue: 0,0:07:29.04,0:07:31.07,SMMain,,0,0,0,,والتي كانت أثقل منه
Dialogue: 0,0:07:32.31,0:07:36.67,SMMain,,0,0,0,,ثانيًا، قام باستخدام سينبون\Nوالذي هو سلاح ضعيف للقتل
Dialogue: 0,0:07:38.31,0:07:39.57,SMMain,,0,0,0,,،بناءً على هذين العامليْن
Dialogue: 0,0:07:39.64,0:07:44.54,SMMain,,0,0,0,,فإنّ ذلك الصبيّ لم يكن ينوي قتل زابوزا وإنّما إنقاذ حياته
Dialogue: 0,0:07:45.91,0:07:47.96,SMMain,,0,0,0,,ألست تبالغ في التفكير بالأمر فحسب؟
Dialogue: 0,0:07:48.47,0:07:49.13,SMMain,,0,0,0,,...كلّا
Dialogue: 0,0:07:49.58,0:07:53.67,SMMain,,0,0,0,,إن بدا أمرٌ ما مثيرًا للشبهات، فمن\N الأحسن عمل تحضيرات قبل فوات الأوان
Dialogue: 0,0:07:54.15,0:07:56.00,SMMain,,0,0,0,,!كما أنها إحدى قوانين الشينوبي الأساسيّة
Dialogue: 0,0:08:01.94,0:08:06.93,SMMain,,0,0,0,,{\i1}إنه سعيد باحتمالية كون\N...زابوزا لا يزال على قيد الحياة{\i}
Dialogue: 0,0:08:07.44,0:08:10.57,SMMain,,0,0,0,,سينسي، ما الذي يمكننا فعله من أجل \Nعمل تحضيرات قبل فوات الأوان؟
Dialogue: 0,0:08:11.34,0:08:12.83,SMMain,,0,0,0,,...أنت غير قادر على التحرّك لفترة من الزمن
Dialogue: 0,0:08:16.51,0:08:18.53,SMMain,,0,0,0,,!سوف أكلّفكم بتدريب
Dialogue: 0,0:08:19.11,0:08:23.98,SMMain,,0,0,0,,!اِنتظر لحظة! حتّى وإن تدرّبنا فلن نكون أقوياء كفاية
Dialogue: 0,0:08:24.35,0:08:29.04,SMMain,,0,0,0,,خصمنا هو نينجا حتّى أنت مستخدم\N !الشارينغان واجهت صعوبة في قتاله
Dialogue: 0,0:08:29.11,0:08:31.91,SMMain,,0,0,0,,!أتحاول قتلنا؟
Dialogue: 0,0:08:32.65,0:08:33.61,SMMain,,0,0,0,,...ساكورا
Dialogue: 0,0:08:33.88,0:08:36.70,SMMain,,0,0,0,,من الذي قام بإنقاذي خلال معركتي الصعبة؟
Dialogue: 0,0:08:37.54,0:08:41.24,SMMain,,0,0,0,,!لقد كبرتم بسرعة... خاصة ناروتو
Dialogue: 0,0:08:43.35,0:08:45.13,SMMain,,0,0,0,,أنت أكثر واحد نضج فيهم
Dialogue: 0,0:08:49.08,0:08:52.64,SMMain,,0,0,0,,{\i1}...صحيح أنه يبدو أقوى من ذي قبل لكن{\i}
Dialogue: 0,0:08:53.51,0:08:58.20,SMMain,,0,0,0,,!إذًا فقد لاحظت ذلك يا كاكاشي-سينسي\N!أصبحت الأمور مثيرة للاهتمام أكثر الآن
Dialogue: 0,0:08:58.67,0:09:00.27,SMMain,,0,0,0,,...الأمور ليست مثيرة للاهتمام على الإطلاق
Dialogue: 0,0:09:06.69,0:09:07.68,SMMain,,0,0,0,,من تكون أنت؟
Dialogue: 0,0:09:08.26,0:09:10.75,SMMain,,0,0,0,,إيناري! أين كنت؟
Dialogue: 0,0:09:10.83,0:09:12.53,SMMain,,0,0,0,,...أهلا بعودتك يا جدّي
Dialogue: 0,0:09:13.20,0:09:15.35,SMMain,,0,0,0,,!إيناري، أيّ نوعٍ من الترحيب هو هذا؟
Dialogue: 0,0:09:15.56,0:09:18.55,SMMain,,0,0,0,,!هؤلاء هم النينجا الذين قاموا بحراسة جدّك
Dialogue: 0,0:09:19.13,0:09:21.49,SMMain,,0,0,0,,لا عليك لا عليك، أليس كذلك يا إيناري؟
Dialogue: 0,0:09:28.09,0:09:30.03,SMMain,,0,0,0,,...أمّي، هؤلاء الأشخاص سيموتون
Dialogue: 0,0:09:30.33,0:09:33.26,SMMain,,0,0,0,,من المستحيل أن يقفوا في وجه غاتو ويفوزون
Dialogue: 0,0:09:33.33,0:09:35.29,SMMain,,0,0,0,,!ما الذي قلته أيها المشاكس
Dialogue: 0,0:09:35.66,0:09:37.52,SMMain,,0,0,0,,!فلتسمعني
Dialogue: 0,0:09:37.59,0:09:40.26,SMMain,,0,0,0,,أنا هو بطلٌ سيصبح نينجا رائعًا
Dialogue: 0,0:09:40.33,0:09:41.56,SMMain,,0,0,0,,!والذي سيلقّب بالهوكاغي في المستقبل
Dialogue: 0,0:09:41.63,0:09:44.06,SMMain,,0,0,0,,...لا يهمّني غاتو أو شوكولا أو أيًّا كان
Dialogue: 0,0:09:44.13,0:09:46.68,SMMain,,0,0,0,,!لا يقلقني أمر هؤلاء على الإطلاق
Dialogue: 0,0:09:46.93,0:09:51.86,SMMain,,0,0,0,,!أقلت بطل؟ يا للسخافة! الأبطال لا وجود لهم
Dialogue: 0,0:09:52.20,0:09:54.22,SMMain,,0,0,0,,!مـ-ما الذي قلته؟
Dialogue: 0,0:09:54.62,0:09:55.61,SMMain,,0,0,0,,!توقّف عن ذلك
Dialogue: 0,0:09:56.29,0:09:59.28,SMMain,,0,0,0,,،إن لم تكن لديكم رغبة في الموت\N ...فلتسرعوا في العودة إلى منزلكم
Dialogue: 0,0:10:02.97,0:10:04.79,SMMain,,0,0,0,,إيناري، إلى أين أنت ذاهب؟
Dialogue: 0,0:10:06.69,0:10:08.66,SMMain,,0,0,0,,...إلى البحر... سأذهب لمشاهدة البحر
Dialogue: 0,0:10:13.83,0:10:14.92,SMMain,,0,0,0,,أنا آسف
Dialogue: 0,0:10:20.10,0:10:23.59,SMMain,,0,0,0,,!ذلك الوغد... سوف أسمعه ما لا يرضيه
Dialogue: 0,0:10:31.63,0:10:32.69,SMMain,,0,0,0,,{\i1}!أهو يبكي؟{\i}
Dialogue: 0,0:10:46.06,0:10:47.42,SMMain,,0,0,0,,...أ-أبي
Dialogue: 0,0:10:59.15,0:11:01.75,SMMain,,0,0,0,,!سيبدأ التدريب الآن
Dialogue: 0,0:11:02.09,0:11:02.61,SMMain,,0,0,0,,!حاضر
Dialogue: 0,0:11:03.29,0:11:10.01,SMMain,,0,0,0,,قبل ذلك، دعوني أشرح لكم\Nمبادئ قوّة التشاكرا بالنسبة للنينجا
Dialogue: 0,0:11:10.35,0:11:11.22,SMMain,,0,0,0,,...في هذه المرحلة
Dialogue: 0,0:11:11.72,0:11:15.41,SMMain,,0,0,0,,بالطبع نحن نعلم بشأن ذلك. التشاتورا صحيح؟
Dialogue: 0,0:11:16.15,0:11:17.14,SMMain,,0,0,0,,...بل التشاكرا
Dialogue: 0,0:11:18.15,0:11:19.85,SMMain,,0,0,0,,تفضّلي يا ساكورا
Dialogue: 0,0:11:20.09,0:11:21.52,SMMain,,0,0,0,,!فلتسمعني يا ناروتو
Dialogue: 0,0:11:21.85,0:11:24.07,SMMain,,0,0,0,,!الأمر متعب لذا سأشرح بشكل مبسّط
Dialogue: 0,0:11:26.25,0:11:31.52,SMMain,,0,0,0,,التشاكرا هي الطاقة التي يحتاجها\N النينجا عندما يستخدم جتسو ما
Dialogue: 0,0:11:25.83,0:12:01.36,Title_Naru_end,,0,0,0,,{\pos(243.199,538.2)\frz90.02}فصل التشاكرا
Dialogue: 0,0:11:32.22,0:11:33.98,SMMain,,0,0,0,,:إنها مكوّنة من نوعين من الطاقة
Dialogue: 0,0:11:34.06,0:11:38.61,SMMain,,0,0,0,,الطاقة الجسديّة المجمّعة من كلّ خليّة في الجسم
Dialogue: 0,0:11:39.02,0:11:45.28,SMMain,,0,0,0,,!والطاقة الروحانيّة المجمّعة من مختلف التدريبات والخبرات
Dialogue: 0,0:11:45.85,0:11:50.41,SMMain,,0,0,0,,بمعنى آخر، فإنّ الجستو هو نتاج هاتين الطاقتين المندمجتين
Dialogue: 0,0:11:50.49,0:11:51.78,SMMain,,0,0,0,,من داخل الجسم
Dialogue: 0,0:11:51.85,0:11:54.97,SMMain,,0,0,0,,"وهذا ما يسمّى بـ "دمج التشاكرا
Dialogue: 0,0:11:55.25,0:12:00.45,SMMain,,0,0,0,,ثمّ يتمّ تفعيل التشاكرا عن طريق تأدية "أختام" باليد
Dialogue: 0,0:11:56.61,0:11:56.65,Title_Naru_end,,0,0,0,,{=0}{\pos(429.712,365.405)}ختم
Dialogue: 0,0:11:56.65,0:11:56.69,Title_Naru_end,,0,0,0,,{=0}{\pos(553.445,365.391)}ختم
Dialogue: 0,0:11:56.69,0:11:56.73,Title_Naru_end,,0,0,0,,{=0}{\pos(673.043,365.377)}ختم
Dialogue: 0,0:11:56.73,0:11:56.77,Title_Naru_end,,0,0,0,,{=0}{\pos(780.417,365.418)}ختم
Dialogue: 0,0:11:56.77,0:11:56.82,Title_Naru_end,,0,0,0,,{=0}{\pos(867.298,365.364)}ختم
Dialogue: 0,0:11:56.82,0:11:56.86,Title_Naru_end,,0,0,0,,{=0}{\pos(925.309,365.31)}ختم
Dialogue: 0,0:11:56.86,0:11:56.90,Title_Naru_end,,0,0,0,,{=0}{\pos(946.523,365.364)}ختم
Dialogue: 0,0:11:56.90,0:11:56.94,Title_Naru_end,,0,0,0,,{=0}{\pos(946.563,365.351)}ختم
Dialogue: 0,0:11:56.94,0:11:57.02,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.351)}ختم
Dialogue: 0,0:11:57.02,0:11:57.11,Title_Naru_end,,0,0,0,,{=0}{\pos(946.563,365.351)}ختم
Dialogue: 0,0:11:57.11,0:11:57.27,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.377)}ختم
Dialogue: 0,0:11:57.27,0:11:57.32,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.391)}ختم
Dialogue: 0,0:11:57.32,0:11:57.44,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.391)}ختم
Dialogue: 0,0:11:57.44,0:11:57.52,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.405)}ختم
Dialogue: 0,0:11:57.52,0:11:57.57,Title_Naru_end,,0,0,0,,{=0}{\pos(946.563,365.405)}ختم
Dialogue: 0,0:11:57.57,0:11:57.61,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.405)}ختم
Dialogue: 0,0:11:57.61,0:11:57.65,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.391)}ختم
Dialogue: 0,0:11:57.65,0:11:57.73,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.405)}ختم
Dialogue: 0,0:11:57.73,0:11:57.86,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.391)}ختم
Dialogue: 0,0:11:57.86,0:11:57.98,Title_Naru_end,,0,0,0,,{=0}{\pos(946.563,365.377)}ختم
Dialogue: 0,0:11:57.98,0:11:58.03,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.377)}ختم
Dialogue: 0,0:11:58.03,0:11:58.11,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.364)}ختم
Dialogue: 0,0:11:58.11,0:11:58.23,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.364)}ختم
Dialogue: 0,0:11:58.23,0:11:58.28,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.377)}ختم
Dialogue: 0,0:11:58.28,0:11:58.36,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.391)}ختم
Dialogue: 0,0:11:58.36,0:11:58.48,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.405)}ختم
Dialogue: 0,0:11:58.48,0:11:58.57,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.418)}ختم
Dialogue: 0,0:11:58.57,0:11:58.69,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.418)}ختم
Dialogue: 0,0:11:58.69,0:11:58.73,Title_Naru_end,,0,0,0,,{=0}{\pos(946.604,365.418)}ختم
Dialogue: 0,0:11:58.73,0:11:58.86,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.405)}ختم
Dialogue: 0,0:11:58.86,0:11:58.90,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.391)}ختم
Dialogue: 0,0:11:58.90,0:11:58.98,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.377)}ختم
Dialogue: 0,0:11:58.98,0:11:59.03,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.377)}ختم
Dialogue: 0,0:11:59.03,0:11:59.28,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.377)}ختم
Dialogue: 0,0:11:59.28,0:11:59.32,Title_Naru_end,,0,0,0,,{=0}{\pos(946.604,365.364)}ختم
Dialogue: 0,0:11:59.32,0:11:59.36,Title_Naru_end,,0,0,0,,{=0}{\pos(946.591,365.377)}ختم
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Dialogue: 0,0:12:00.69,0:12:00.74,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.432)}ختم
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Dialogue: 0,0:12:01.32,0:12:01.36,Title_Naru_end,,0,0,0,,{=0}{\pos(946.577,365.432)}ختم
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Dialogue: 0,0:11:56.82,0:11:56.86,technique_nar,,0,0,0,,{=1}{\pos(482.433,401.963)}تقنيّة
Dialogue: 0,0:11:56.86,0:11:56.90,technique_nar,,0,0,0,,{=1}{\pos(503.579,402.003)}تقنيّة
Dialogue: 0,0:11:56.90,0:11:56.94,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.949)}تقنيّة
Dialogue: 0,0:11:56.94,0:11:56.98,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.949)}تقنيّة
Dialogue: 0,0:11:56.98,0:11:57.02,technique_nar,,0,0,0,,{=1}{\pos(503.593,402.003)}تقنيّة
Dialogue: 0,0:11:57.02,0:11:57.07,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.949)}تقنيّة
Dialogue: 0,0:11:57.07,0:11:57.11,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.936)}تقنيّة
Dialogue: 0,0:11:57.11,0:11:57.15,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.949)}تقنيّة
Dialogue: 0,0:11:57.15,0:11:57.19,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.922)}تقنيّة
Dialogue: 0,0:11:57.19,0:11:57.23,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.963)}تقنيّة
Dialogue: 0,0:11:57.23,0:11:57.27,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.909)}تقنيّة
Dialogue: 0,0:11:57.27,0:11:57.32,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.922)}تقنيّة
Dialogue: 0,0:11:57.32,0:11:57.36,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.909)}تقنيّة
Dialogue: 0,0:11:57.36,0:11:57.40,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.949)}تقنيّة
Dialogue: 0,0:11:57.40,0:11:57.44,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.936)}تقنيّة
Dialogue: 0,0:11:57.44,0:11:57.52,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.949)}تقنيّة
Dialogue: 0,0:11:57.52,0:11:57.57,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.963)}تقنيّة
Dialogue: 0,0:11:57.57,0:11:57.61,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.963)}تقنيّة
Dialogue: 0,0:11:57.61,0:11:57.65,technique_nar,,0,0,0,,{=1}{\pos(503.552,401.976)}تقنيّة
Dialogue: 0,0:11:57.65,0:11:57.69,technique_nar,,0,0,0,,{=1}{\pos(503.552,401.963)}تقنيّة
Dialogue: 0,0:11:57.69,0:11:57.78,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.936)}تقنيّة
Dialogue: 0,0:11:57.78,0:11:57.86,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.963)}تقنيّة
Dialogue: 0,0:11:57.86,0:11:57.98,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.949)}تقنيّة
Dialogue: 0,0:11:57.98,0:11:58.03,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.949)}تقنيّة
Dialogue: 0,0:11:58.03,0:11:58.07,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.936)}تقنيّة
Dialogue: 0,0:11:58.07,0:11:58.23,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.922)}تقنيّة
Dialogue: 0,0:11:58.23,0:11:58.28,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.922)}تقنيّة
Dialogue: 0,0:11:58.28,0:11:58.32,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.909)}تقنيّة
Dialogue: 0,0:11:58.32,0:11:58.36,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.936)}تقنيّة
Dialogue: 0,0:11:58.36,0:11:58.44,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.909)}تقنيّة
Dialogue: 0,0:11:58.44,0:11:58.48,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.895)}تقنيّة
Dialogue: 0,0:11:58.48,0:11:58.53,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.922)}تقنيّة
Dialogue: 0,0:11:58.53,0:11:58.57,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.922)}تقنيّة
Dialogue: 0,0:11:58.57,0:11:58.65,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.936)}تقنيّة
Dialogue: 0,0:11:58.65,0:11:58.69,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.909)}تقنيّة
Dialogue: 0,0:11:58.69,0:11:58.73,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.922)}تقنيّة
Dialogue: 0,0:11:58.73,0:11:58.78,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.936)}تقنيّة
Dialogue: 0,0:11:58.78,0:11:58.82,technique_nar,,0,0,0,,{=1}{\pos(503.565,401.922)}تقنيّة
Dialogue: 0,0:11:58.82,0:11:58.86,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.936)}تقنيّة
Dialogue: 0,0:11:58.86,0:11:58.94,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.963)}تقنيّة
Dialogue: 0,0:11:58.94,0:11:58.98,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.922)}تقنيّة
Dialogue: 0,0:11:58.98,0:11:59.03,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.936)}تقنيّة
Dialogue: 0,0:11:59.03,0:11:59.07,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.909)}تقنيّة
Dialogue: 0,0:11:59.07,0:11:59.11,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.895)}تقنيّة
Dialogue: 0,0:11:59.11,0:11:59.24,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.909)}تقنيّة
Dialogue: 0,0:11:59.24,0:11:59.36,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.895)}تقنيّة
Dialogue: 0,0:11:59.36,0:11:59.40,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.909)}تقنيّة
Dialogue: 0,0:11:59.40,0:11:59.53,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.895)}تقنيّة
Dialogue: 0,0:11:59.53,0:11:59.57,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.895)}تقنيّة
Dialogue: 0,0:11:59.57,0:11:59.61,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.922)}تقنيّة
Dialogue: 0,0:11:59.61,0:11:59.69,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.936)}تقنيّة
Dialogue: 0,0:11:59.69,0:11:59.82,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.922)}تقنيّة
Dialogue: 0,0:11:59.82,0:11:59.86,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.936)}تقنيّة
Dialogue: 0,0:11:59.86,0:11:59.90,technique_nar,,0,0,0,,{=1}{\pos(503.62,401.922)}تقنيّة
Dialogue: 0,0:11:59.90,0:11:59.94,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.922)}تقنيّة
Dialogue: 0,0:11:59.94,0:11:59.99,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.936)}تقنيّة
Dialogue: 0,0:11:59.99,0:12:00.03,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.922)}تقنيّة
Dialogue: 0,0:12:00.03,0:12:00.07,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.895)}تقنيّة
Dialogue: 0,0:12:00.07,0:12:00.11,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.841)}تقنيّة
Dialogue: 0,0:12:00.11,0:12:00.19,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.855)}تقنيّة
Dialogue: 0,0:12:00.19,0:12:00.28,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.855)}تقنيّة
Dialogue: 0,0:12:00.28,0:12:00.44,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.882)}تقنيّة
Dialogue: 0,0:12:00.44,0:12:00.49,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.868)}تقنيّة
Dialogue: 0,0:12:00.49,0:12:00.53,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.882)}تقنيّة
Dialogue: 0,0:12:00.53,0:12:00.57,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.868)}تقنيّة
Dialogue: 0,0:12:00.57,0:12:00.61,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.855)}تقنيّة
Dialogue: 0,0:12:00.61,0:12:00.65,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.882)}تقنيّة
Dialogue: 0,0:12:00.65,0:12:00.69,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.868)}تقنيّة
Dialogue: 0,0:12:00.69,0:12:00.74,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.868)}تقنيّة
Dialogue: 0,0:12:00.74,0:12:00.86,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.882)}تقنيّة
Dialogue: 0,0:12:00.86,0:12:00.90,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.909)}تقنيّة
Dialogue: 0,0:12:00.90,0:12:00.95,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.895)}تقنيّة
Dialogue: 0,0:12:00.95,0:12:00.99,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.882)}تقنيّة
Dialogue: 0,0:12:00.99,0:12:01.03,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.895)}تقنيّة
Dialogue: 0,0:12:01.03,0:12:01.07,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.868)}تقنيّة
Dialogue: 0,0:12:01.07,0:12:01.11,technique_nar,,0,0,0,,{=1}{\pos(503.62,401.855)}تقنيّة
Dialogue: 0,0:12:01.11,0:12:01.15,technique_nar,,0,0,0,,{=1}{\pos(503.579,401.895)}تقنيّة
Dialogue: 0,0:12:01.15,0:12:01.20,technique_nar,,0,0,0,,{=1}{\pos(503.62,401.868)}تقنيّة
Dialogue: 0,0:12:01.20,0:12:01.24,technique_nar,,0,0,0,,{=1}{\pos(503.62,401.855)}تقنيّة
Dialogue: 0,0:12:01.24,0:12:01.28,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.922)}تقنيّة
Dialogue: 0,0:12:01.28,0:12:01.32,technique_nar,,0,0,0,,{=1}{\pos(503.593,401.936)}تقنيّة
Dialogue: 0,0:12:01.32,0:12:01.36,technique_nar,,0,0,0,,{=1}{\pos(503.606,401.909)}تقنيّة
Dialogue: 0,0:12:01.42,0:12:02.41,SMMain,,0,0,0,,!هذا صحيح
Dialogue: 0,0:12:02.69,0:12:06.41,SMMain,,0,0,0,,!لدى إيروكا سينسي تلاميذ نجباء بالفعل
Dialogue: 0,0:12:07.68,0:12:11.88,SMMain,,0,0,0,,لا يهمّ! قد لا أكون قادرًا على فهم الشروحات المعقّدة
Dialogue: 0,0:12:12.02,0:12:13.92,SMMain,,0,0,0,,!لكنّني سأتعلّمها باستخدام جسدي
Dialogue: 0,0:12:13.97,0:12:15.57,SMMain,,0,0,0,,...ناروتو محقٌّ تمامًا
Dialogue: 0,0:12:16.30,0:12:18.61,SMMain,,0,0,0,,...نحن قادرون على استخدام الجتسو
Dialogue: 0,0:12:18.74,0:12:23.03,SMMain,,0,0,0,,كلّا! جميعكم لا تعرفون كيفية استخدام التشاكرا بفعاليّة
Dialogue: 0,0:12:23.21,0:12:24.13,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:12:25.00,0:12:26.53,SMMain,,0,0,0,,...استمعوا إليّ
Dialogue: 0,0:12:26.87,0:12:28.83,SMMain,,0,0,0,,كما شرحت ساكورا سابقًا
Dialogue: 0,0:12:29.03,0:12:33.64,SMMain,,0,0,0,,دمج التشاكرا يعني استخدام الطاقة الجسديّة والروحيّة معًا
Dialogue: 0,0:12:33.80,0:12:35.47,SMMain,,0,0,0,,ودمجهما بداخل الجسد
Dialogue: 0,0:12:37.47,0:12:42.58,SMMain,,0,0,0,,ثمّ إنّ كميّة كلّ طاقة والتحضير اللازم لها
Dialogue: 0,0:12:43.01,0:12:45.67,SMMain,,0,0,0,,...يتغيّر على حسب الجتسو الذي تنوي تفعيله
Dialogue: 0,0:12:46.17,0:12:49.52,SMMain,,0,0,0,,!جميعكم لا يجيد استخدام التشاكرا بفعاليّة حاليًّا
Dialogue: 0,0:12:50.61,0:12:53.85,SMMain,,0,0,0,,حتى وإن تمكّنتم من دمج الكثير من التشاكرا
Dialogue: 0,0:12:54.23,0:12:56.78,SMMain,,0,0,0,,إن لم تتمكّنوا من التحكّم فيها بالطريقة المثالية
Dialogue: 0,0:12:57.20,0:13:00.15,SMMain,,0,0,0,,فإنّ فعاليّة الجتسو لن تنقص إلى النصف فحسب
Dialogue: 0,0:13:00.44,0:13:02.56,SMMain,,0,0,0,,بل قد لا يتفعّل من البداية
Dialogue: 0,0:13:02.98,0:13:06.71,SMMain,,0,0,0,,تبذير الطاقة سيمنعكم من خوض معارك طويلة المدى
Dialogue: 0,0:13:06.84,0:13:09.41,SMMain,,0,0,0,,هذه إحدى نقاط الضعف التي قد تحدث
Dialogue: 0,0:13:09.87,0:13:12.22,SMMain,,0,0,0,,مـ-ما الذي يجدر بنا فعله؟
Dialogue: 0,0:13:13.81,0:13:16.25,SMMain,,0,0,0,,!يجب أن تتعلّموا طريقة التحكّم في التشاكرا بأجسادكم
Dialogue: 0,0:13:16.30,0:13:21.05,SMMain,,0,0,0,,إنه تدريب صعبٌ يتطلّب منكم\N!وضع حياتكم على المحكّ لتعلّمه
Dialogue: 0,0:13:23.11,0:13:24.65,SMMain,,0,0,0,,مـ-ما الذي يجدر بنا فعله؟
Dialogue: 0,0:13:27.57,0:13:28.38,SMMain,,0,0,0,,...تسلّق الأشجار
Dialogue: 0,0:13:28.67,0:13:30.19,SMMain,,0,0,0,,!تسلّق الأشجار؟
Dialogue: 0,0:13:30.34,0:13:31.35,SMMain,,0,0,0,,هذا صحيح
Dialogue: 0,0:13:31.44,0:13:33.72,SMMain,,0,0,0,,!لكن ليس تسلّق أشجار عاديّ
Dialogue: 0,0:13:34.14,0:13:36.05,SMMain,,0,0,0,,ستتسلّقون دون استخدام أرجلكم
Dialogue: 0,0:13:36.24,0:13:37.91,SMMain,,0,0,0,,ماذا؟ كيف ذلك؟
Dialogue: 0,0:13:39.91,0:13:42.05,SMMain,,0,0,0,,فلتشاهدوا فحسب
Dialogue: 0,0:13:58.00,0:13:59.28,SMMain,,0,0,0,,...إنه يتسلّق
Dialogue: 0,0:13:59.84,0:14:02.58,SMMain,,0,0,0,,!بشكل عموديّ على الشجرة وبأرجله
Dialogue: 0,0:14:05.67,0:14:07.84,SMMain,,0,0,0,,...الأمر أشبه بهذا
Dialogue: 0,0:14:08.37,0:14:12.12,SMMain,,0,0,0,,فلتركّزوا التشاكرا على أسفل أقدامكم\N ولتجعلوها تلتصق بجذع الشجرة
Dialogue: 0,0:14:12.71,0:14:15.58,SMMain,,0,0,0,,إن استخدمتم التشاكرا كما ينبغي فستتمكّنون من فعلها
Dialogue: 0,0:14:15.70,0:14:16.84,SMMain,,0,0,0,,!اِنتظر لحظة
Dialogue: 0,0:14:17.14,0:14:19.81,SMMain,,0,0,0,,كيف يمكن لشيءٍ كهذا أن يجعلك أقوى؟
Dialogue: 0,0:14:20.11,0:14:22.28,SMMain,,0,0,0,,...هذه هي النقطة الأساسيّة
Dialogue: 0,0:14:22.74,0:14:24.74,SMMain,,0,0,0,,الهدف من هذا التدريب هو
Dialogue: 0,0:14:24.87,0:14:28.65,SMMain,,0,0,0,,تجميع الكميّة المناسبة من\N...التشاكرا المدموجة إلى نقطة محدّدة
Dialogue: 0,0:14:29.31,0:14:32.55,SMMain,,0,0,0,,إنه أمر صعبٌ للغاية حتى بالنسبة لنينجا محترف
Dialogue: 0,0:14:33.24,0:14:36.44,SMMain,,0,0,0,,كميّة التشاكرا المستخدمة لتسلّق الأشجار حادّة للغاية
Dialogue: 0,0:14:37.50,0:14:42.49,SMMain,,0,0,0,,وأسفل القدميْن هو أصعب\Nمكان يمكن تجميع التشاكرا فيه
Dialogue: 0,0:14:43.24,0:14:46.61,SMMain,,0,0,0,,على أية حال! إن تمكّنتم من تعلّم تلك القدرة على التحكّم
Dialogue: 0,0:14:47.04,0:14:52.09,SMMain,,0,0,0,,!فبإمكانكم إتقان أيّ جتسو نظريًّا
Dialogue: 0,0:14:53.18,0:14:56.58,SMMain,,0,0,0,,الهدف الثاني هو المحافظة على تلك التشاكرا المدموجة
Dialogue: 0,0:14:57.27,0:15:00.55,SMMain,,0,0,0,,يقوم النينجا بدمج الكثير من التشاكرا خلال المعارك
Dialogue: 0,0:15:01.17,0:15:02.62,SMMain,,0,0,0,,،خلال حالات كتلك
Dialogue: 0,0:15:02.64,0:15:06.45,SMMain,,0,0,0,,التحكّم" و"صيانة" التشاكرا يصبح أمرًا صعبًا للغاية"
Dialogue: 0,0:15:07.34,0:15:11.72,SMMain,,0,0,0,,على أية حال، لن يحدث أيّ شيءٍ\N...إثر إلقائي لهذه المحاضرة
Dialogue: 0,0:15:12.61,0:15:15.62,SMMain,,0,0,0,,عليكم تعلّم الأمر بأجسادكم
Dialogue: 0,0:15:19.41,0:15:21.76,SMMain,,0,0,0,,فلتستخدموا الكوناي لوضع علامة على المكان
Dialogue: 0,0:15:21.87,0:15:24.74,SMMain,,0,0,0,,الذي يمكنكم التسلّق إليه باستخدام قوّتكم الحاليّة
Dialogue: 0,0:15:26.24,0:15:30.55,SMMain,,0,0,0,,ولتحاولوا وضع علامة أعلى من ذلك
Dialogue: 0,0:15:31.94,0:15:34.88,SMMain,,0,0,0,,لن تكونوا قادرين على المشي منذ البداية
Dialogue: 0,0:15:35.33,0:15:40.01,SMMain,,0,0,0,,لذا فلتركضوا لتحصلوا على قوّة دفع... مفهوم؟
Dialogue: 0,0:15:42.07,0:15:46.28,SMMain,,0,0,0,,!هذا التدريب لا شيء! إنه سهلٌ للغاية بالنسبة إليّ
Dialogue: 0,0:15:47.07,0:15:50.48,SMMain,,0,0,0,,!فأنا هو الشخص الذي نضج أكثر من البقيّة
Dialogue: 0,0:15:50.67,0:15:54.41,SMMain,,0,0,0,,كفاك كلامًا... فلتبدأ الآن. حاول تسلّق الشجرة
Dialogue: 0,0:15:56.60,0:16:00.31,SMMain,,0,0,0,,{\i1}...حسنًا، عليّ أوّلًا تجميع التشاكرا في أسفل قدميْ{\i}
Dialogue: 0,0:16:08.34,0:16:12.72,SMMain,,0,0,0,,!!استعداد! ها أنذا
Dialogue: 0,0:16:28.70,0:16:32.31,SMMain,,0,0,0,,{\i1}لم أعلم أنه من الصعب الحفاظ\N...على كميّة ثابتة من التشاكرا{\i}
Dialogue: 0,0:16:32.48,0:16:34.61,SMMain,,0,0,0,,{\i1}...إن كانت التشاكرا قويّة للغاية فسيتمّ دفعك للوراء{\i}
Dialogue: 0,0:16:36.77,0:16:41.32,SMMain,,0,0,0,,{\i1}وإن كانت ضعيفة فلن تكون\Nهنالك قوّة للالتصاق وهذا ما سيحدث{\i}
Dialogue: 0,0:16:43.81,0:16:44.51,SMMain,,0,0,0,,...حسنًا
Dialogue: 0,0:16:44.53,0:16:47.21,SMMain,,0,0,0,,يبدو أنّ الفريق بين ناروتو وساسكي واضحٌ للغاية
Dialogue: 0,0:16:47.47,0:16:48.99,SMMain,,0,0,0,,!هذا سهلٌ للغاية
Dialogue: 0,0:16:49.77,0:16:50.39,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:16:51.57,0:16:53.16,SMMain,,0,0,0,,!سـ-ساكورا-تشان
Dialogue: 0,0:16:57.07,0:17:03.49,SMMain,,0,0,0,,يبدو أنّ الشخص ذو أفضل قدرة على\Nالتحكّم في التشاكرا هو الفتاة ساكورا
Dialogue: 0,0:17:07.44,0:17:09.35,SMMain,,0,0,0,,!مذهل! أحسنتِ صنعًا يا ساكورا-تشان
Dialogue: 0,0:17:09.37,0:17:11.65,SMMain,,0,0,0,,!كما هو متوقّع من الفتاة التي أُعجبت بها
Dialogue: 0,0:17:11.77,0:17:13.62,SMMain,,0,0,0,,{\i1}!لكنّ هذا يزعجني نوعًا ما{\i}
Dialogue: 0,0:17:14.33,0:17:14.97,SMMain,,0,0,0,,!لا يهمّ
Dialogue: 0,0:17:15.17,0:17:17.95,SMMain,,0,0,0,,{\i1}...أردتُ أن يمدحني ساسكي-كن{\i}
Dialogue: 0,0:17:18.14,0:17:20.45,SMMain,,0,0,0,,{\i1}!لمَ يحدث هذا الأمر دائمًا؟{\i}
Dialogue: 0,0:17:20.74,0:17:23.55,SMMain,,0,0,0,,يبدو أنّ ساكورا لا تحمل\Nمعرفة شاملة عن التشاكرا فحسب
Dialogue: 0,0:17:23.61,0:17:26.74,SMMain,,0,0,0,,بل إنّ قدرتها على التحكّم والتحمّل جيّدتان للغاية
Dialogue: 0,0:17:27.04,0:17:28.31,SMMain,,0,0,0,,...يبدو أنها
Dialogue: 0,0:17:28.40,0:17:33.98,SMMain,,0,0,0,,أقرب شخصٍ يمكن أن يصبح\Nهوكاغي... على غيار بعض الأشخاص
Dialogue: 0,0:17:34.30,0:17:38.48,SMMain,,0,0,0,,كما أنّ عشيرة الأوتشيها\N،ليست بتلك الروعة على ما يبدو
Dialogue: 0,0:17:38.70,0:17:40.58,SMMain,,0,0,0,,!فلتخرس يا معلم
Dialogue: 0,0:17:41.61,0:17:43.59,SMMain,,0,0,0,,{\i1}!ساسكي-كن لن يعجب بي هكذا{\i}
Dialogue: 0,0:17:47.20,0:17:49.99,SMMain,,0,0,0,,{\i1}...بقولي لذلك، فإنّ ناروتو وساسكي{\i}
Dialogue: 0,0:17:50.11,0:17:54.84,SMMain,,0,0,0,,{\i1}يحملان كميّة هائلة من التشاكرا بداخلهما\N لا يمكن لساكورا مجاراتها على الإطلاق{\i}
Dialogue: 0,0:17:55.43,0:17:59.65,SMMain,,0,0,0,,{\i1}إن نجح هذا التدريب، فسيكون\N...ذلك بمثابة مدّخرات ثمينة لهم{\i}
Dialogue: 0,0:18:00.01,0:18:03.28,SMMain,,0,0,0,,!حسنًا! أوّلًا عليّ اللّحاق بساسكي
Dialogue: 0,0:18:03.44,0:18:04.81,SMMain,,0,0,0,,!سأفعلها... بكلّ تأكيد
Dialogue: 0,0:18:10.62,0:18:11.21,SMMain,,0,0,0,,{\i1}!{\i}لا يهمّ
Dialogue: 0,0:18:12.73,0:18:15.11,SMMain,,0,0,0,,{\i1}حتى وإن تمكّنوا من فعل\N...ذلك، إنها مجرّد مضيعة للوقت{\i}
Dialogue: 0,0:18:37.53,0:18:38.86,SMMain,,0,0,0,,...غير معقول
Dialogue: 0,0:18:38.89,0:18:41.03,SMMain,,0,0,0,,حتى أنت تمكّنوا من القضاء عليك واضطررت للعودة؟
Dialogue: 0,0:18:41.06,0:18:43.83,SMMain,,0,0,0,,!نينجا قرية الضباب ضعفاء حقًّا
Dialogue: 0,0:18:44.09,0:18:46.11,SMMain,,0,0,0,,لا يمكنكم حتّى إنهاء ما بدأه زملاؤك
Dialogue: 0,0:18:46.13,0:18:48.50,SMMain,,0,0,0,,!وتخال نفسك شيطانًا؟ هذا مثيرٌ للسخرية
Dialogue: 0,0:18:56.06,0:18:57.30,SMMain,,0,0,0,,{\i1}...تقنيّة إياي إذًا{\i}
Dialogue: 0,0:18:56.06,0:18:57.30,top,,0,0,0,,تقنيّة سحب السيف وقطع العدوّ على الفور
Dialogue: 0,0:18:59.39,0:19:00.70,SMMain,,0,0,0,,اِنتظرا لحظة
Dialogue: 0,0:19:01.26,0:19:04.40,SMMain,,0,0,0,,!أنت! لم أنت صامت
Dialogue: 0,0:19:05.19,0:19:07.68,SMMain,,0,0,0,,لمَ لا تقول شيئًا ما؟
Dialogue: 0,0:19:11.82,0:19:14.31,SMMain,,0,0,0,,!إيّاك وأن تلمس زابوزا-سان بيداك الوسختين
Dialogue: 0,0:19:15.16,0:19:16.80,SMMain,,0,0,0,,!...سـ-سوف تكسر
Dialogue: 0,0:19:21.99,0:19:23.67,SMMain,,0,0,0,,{\i1}...مـ-مستحيل{\i}
Dialogue: 0,0:19:24.26,0:19:26.00,SMMain,,0,0,0,,{\i1}لقد تحرّك... في لحظة{\i}
Dialogue: 0,0:19:26.50,0:19:30.59,SMMain,,0,0,0,,!ما كنتَ لأفعل ذلك... أنا أستشيط غضبًا
Dialogue: 0,0:19:34.19,0:19:34.93,SMMain,,0,0,0,,...في المرّة القادمة
Dialogue: 0,0:19:34.96,0:19:37.21,SMMain,,0,0,0,,...إن خسرت مجدّدًا المرّة القادمة
Dialogue: 0,0:19:37.33,0:19:39.96,SMMain,,0,0,0,,!فلتتذكّر أنه لن يكون لديك مكان بيننا هنا
Dialogue: 0,0:19:41.49,0:19:42.44,SMMain,,0,0,0,,!فلنذهب
Dialogue: 0,0:19:47.10,0:19:49.67,SMMain,,0,0,0,,...هاكو... كان ذلك تصرّفًا لا حاجة إليه
Dialogue: 0,0:19:50.32,0:19:51.46,SMMain,,0,0,0,,...أعلم ذلك
Dialogue: 0,0:19:52.89,0:19:56.60,SMMain,,0,0,0,,...لكن من المبكر القضاء على غاتو الآن
Dialogue: 0,0:19:57.10,0:19:59.00,SMMain,,0,0,0,,...إن سبّبنا المشاكل هنا
Dialogue: 0,0:20:01.46,0:20:04.54,SMMain,,0,0,0,,فسيقومون بملاحقتنا مجدّدًا
Dialogue: 0,0:20:05.06,0:20:07.11,SMMain,,0,0,0,,علينا أن نتمالك أنفسنا حاليًّا
Dialogue: 0,0:20:09.19,0:20:10.13,SMMain,,0,0,0,,...أجل
Dialogue: 0,0:20:10.66,0:20:11.93,SMMain,,0,0,0,,معك حقّ
Dialogue: 0,0:20:31.99,0:20:33.54,SMMain,,0,0,0,,{\i1}!أشعر بالإرهاق{\i}
Dialogue: 0,0:20:33.76,0:20:36.07,SMMain,,0,0,0,,{\i1}ما مدى قدرة التحمّل التي يملكانها يا ترى؟{\i}
Dialogue: 0,0:20:42.32,0:20:46.04,SMMain,,0,0,0,,{\i1}لكنّ ناروتو لم يتحسّن على الإطلاق{\i}
Dialogue: 0,0:20:46.66,0:20:49.20,SMMain,,0,0,0,,{\i1}سيستسلم عمّا قريب ويثير ضجّة بشأن الأمر{\i}
Dialogue: 0,0:20:51.49,0:20:52.20,SMMain,,0,0,0,,!سحقًا
Dialogue: 0,0:20:52.32,0:20:55.88,SMMain,,0,0,0,,{\i1}!إنه شخصٌ سهل التوقّع، يا إلهي{\i}
Dialogue: 0,0:20:57.26,0:20:58.84,SMMain,,0,0,0,,!ساكورا
Dialogue: 0,0:20:59.19,0:21:01.10,SMMain,,0,0,0,,هلّا أعطيتني بعض النصائح؟
Dialogue: 0,0:21:01.42,0:21:01.94,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:21:02.76,0:21:04.88,SMMain,,0,0,0,,فلنبقِ ذلك سرًّا على ساسكي، هيّا فلتخبريني
Dialogue: 0,0:21:07.93,0:21:12.60,SMMain,,0,0,0,,{\i1}إنه يصبح أقوى فأقوى... كم ستبلغ قوّته يا ترى؟{\i0}
Dialogue: 0,0:21:13.29,0:21:14.53,SMMain,,0,0,0,,{\i1}...على أية حال يا ناروتو{\i0}
Dialogue: 0,0:21:14.99,0:21:19.33,SMMain,,0,0,0,,{\i1}على الأرجح أنّ كميّة التشاكرا النائمة\N بداخلك أكبر من التي يملكها ساسكي بكثير{\i0}
Dialogue: 0,0:21:21.36,0:21:24.77,SMMain,,0,0,0,,{\i1}!وأكبر من التي لديّ حتّى{\i0}
Dialogue: 0,0:21:25.33,0:21:28.16,SMMain,,0,0,0,,{\i1}أتحرّق شوقًا لرؤيتها يومًا ما{\i0}
Dialogue: 0,0:23:05.19,0:23:08.40,SMMain,,0,0,0,,إيناري ذاك... كان يبكي بمفرده
Dialogue: 0,0:23:08.86,0:23:10.95,SMMain,,0,0,0,,كان ينظر إلى البحر وهو يبكي طيلة الوقت
Dialogue: 0,0:23:11.91,0:23:15.45,SMMain,,0,0,0,,إنه يبكي بمفرده دائمًا
Dialogue: 0,0:23:15.87,0:23:17.54,SMMain,,0,0,0,,ما الذي سيستفيده من ذلك؟
Dialogue: 0,0:23:18.12,0:23:20.87,SMMain,,0,0,0,,!ما الذي جعله يشعر بكلّ هذا الحزن؟
Dialogue: 0,0:23:22.83,0:23:26.76,Nar_title_end,,0,0,0,,{\pos(1225.676,563.4)}الحلقة القادمة
Dialogue: 0,0:23:22.83,0:23:26.76,Nar_title_end,,0,0,0,,{\pos(411.581,491.4)}"القرية التي عاش فيها البطل" {reposition}
Dialogue: 0,0:21:44.13,0:21:47.60,ED-AR,,0,0,0,,احفظ جوعك قبل أن تكون مثالًا
Dialogue: 0,0:21:47.61,0:21:51.04,ED-AR,,0,0,0,,وهيّج غضبك لتجعل فيهم إدراكًا
Dialogue: 0,0:21:51.05,0:21:54.42,ED-AR,,0,0,0,,تسلّق الجبل ولا تنزل أبدًا
Dialogue: 0,0:21:54.48,0:21:57.84,ED-AR,,0,0,0,,شقّ طريقك إلى باطنه ولا تخرّ ساقطًا
Dialogue: 0,0:22:01.26,0:22:04.75,ED-AR,,0,0,0,,ما زالت ركبتاي ترتعشان، وكأن الثانية عشرة عمري
Dialogue: 0,0:22:04.75,0:22:08.03,ED-AR,,0,0,0,,أتسلل خارج الفصلِ، عبر الباب الخلفيّ
Dialogue: 0,0:22:08.03,0:22:11.47,ED-AR,,0,0,0,,وإذ برجلٍ يوبخني مرتين، لكنني في كلتا الحالتين لا أبالي
Dialogue: 0,0:22:11.47,0:22:14.96,ED-AR,,0,0,0,,فالانتظار ليس إلّا مضيعةً لأمثالي
Dialogue: 0,0:22:15.04,0:22:18.45,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:18.45,0:22:21.90,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:21.90,0:22:25.27,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:25.27,0:22:28.26,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:38.02,0:22:41.18,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:41.46,0:22:44.52,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:44.89,0:22:48.13,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:48.13,0:22:51.36,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:51.70,0:22:55.02,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:55.18,0:22:58.26,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:58.59,0:23:00.10,ED-AR,,0,0,0,,...ولا تجفَّ
Comment: 0,0:00:09.63,0:00:10.51,KARA,,0,0,0,karaoke,{\k37}Come {\k50}on!
Dialogue: 0,0:00:09.68,0:00:10.51,songs,,0,0,0,,!هيّا
Comment: 0,0:00:16.93,0:00:19.52,KARA,,0,0,0,karaoke,{\k48}o{\k24}wa{\k24}re{\k12}ru {\k29}yo{\k56}u{\k66}ni
Dialogue: 0,0:00:16.93,0:00:19.52,songs,,0,0,0,,أن تركض مثل الهارب
Comment: 0,0:00:20.52,0:00:22.69,KARA,,0,0,0,karaoke,{\k19}{\k36}i{\k39}so{\k17}i {\k24}de {\k18}i{\k63}ru
Dialogue: 0,0:00:20.52,0:00:22.69,songs,,0,0,0,,بينما تتمّ مطاردتك من قبل شيءٍ ما
Comment: 0,0:00:24.36,0:00:27.03,KARA,,0,0,0,karaoke,{\k19}{\k39}ka{\k32}wa{\k25}i {\k25}ta {\k24}mu{\k43}ne {\k59}ga
Dialogue: 0,0:00:24.36,0:00:27.03,songs,,0,0,0,,قلبي ينبض من الداخل
Comment: 0,0:00:28.11,0:00:31.11,KARA,,0,0,0,karaoke,{\k25}{\k49}ka{\k23}ri {\k26}ta{\k20}te{\k17}ru {\k37}no {\k101}sa
Dialogue: 0,0:00:28.11,0:00:30.74,songs,,0,0,0,,حلقي جافّ وكأنه يضمحلّ
Comment: 0,0:00:32.45,0:00:35.58,KARA,,0,0,0,karaoke,{\k22}{\k23}da{\k26}re {\k18}no {\k53}ta{\k46}me {\k31}de {\k42}na{\k49}ku
Dialogue: 0,0:00:32.45,0:00:35.54,songs,,0,0,0,,لا أقوم بهذا من أجل أيّ شخص
Comment: 0,0:00:36.08,0:00:39.33,KARA,,0,0,0,karaoke,{\k42}{\k25}da{\k26}re {\k17}no {\k52}mo{\k50}no {\k32}de {\k36}na{\k46}ku
Dialogue: 0,0:00:36.08,0:00:39.33,songs,,0,0,0,,وهذا لا يخصّ أيّ شخص
Comment: 0,0:00:40.79,0:00:45.09,KARA,,0,0,0,karaoke,{\k20}{\k47}o{\k26}re {\k39}ta{\k40}chi {\k65}no{\k91} {\k25}i{\k18}ma {\k55}ga
Dialogue: 0,0:00:40.79,0:00:45.05,songs,,0,0,0,,...هذا وقتنا نحن الآن
Comment: 0,0:00:47.71,0:00:49.59,KARA,,0,0,0,karaoke,{\k21}{\k26}i{\k25}ta{\k23}mi {\k35}ho{\k35}do{\k22}ki
Dialogue: 0,0:00:47.67,0:00:49.55,songs,,0,0,0,,الكشف عن الألم
Comment: 0,0:00:49.67,0:00:51.43,KARA - نسخة,,0,0,0,karaoke,{\k17}{\k23}ko{\k19}ko{\k29}ro {\k27}ho{\k22}do{\k36}ki
Dialogue: 0,0:00:49.68,0:00:51.39,songs,,0,0,0,,الكشف عن قلوبنا
Comment: 0,0:00:51.47,0:00:53.80,KARA,,0,0,0,karaoke,{\k29}{\k24}ka{\k20}ge {\k28}o {\k29}ho{\k41}do{\k63}ki
Dialogue: 0,0:00:51.47,0:00:53.81,songs,,0,0,0,,الكشف عن الظلال
Comment: 0,0:00:55.64,0:00:57.47,KARA,,0,0,0,karaoke,{\k25}i{\k27}ki {\k15}o {\k33}tsu{\k45}ne{\k41}te
Dialogue: 0,0:00:55.31,0:00:57.10,songs,,0,0,0,,التي تخنق أنفاسنا
Comment: 0,0:00:57.51,0:00:59.39,KARA - نسخة,,0,0,0,karaoke,{\k20}ha{\k34}shi{\k20}ri {\k21}nu{\k26}ke{\k65}ro
Dialogue: 0,0:00:57.14,0:00:59.06,songs,,0,0,0,,السعي نحو المنتهى
Comment: 0,0:00:59.39,0:01:01.60,KARA,,0,0,0,karaoke,{\k29}ya{\k18}mi {\k21}o {\k35}sa{\k41}i{\k76}te
Dialogue: 0,0:00:59.14,0:01:01.56,songs,,0,0,0,,الولوج خلال الظلمة
Comment: 0,0:01:03.48,0:01:10.07,KARA,,0,0,0,karaoke,{\k17}{\k48}ta{\k21}ta{\k21}ka{\k30}u {\k26}ko{\k43}to {\k77}mo{\k116} {\k32}a{\k26}i{\k41}shi {\k46}au {\k43}ko{\k43}to {\k26}mo
Dialogue: 0,0:01:03.44,0:01:10.03,songs,,0,0,0,,خلال القتال والحب
Comment: 0,0:01:11.03,0:01:13.66,KARA,,0,0,0,karaoke,{\k25}{\k28}o{\k41}wa{\k26}ri {\k37}wa {\k35}shi{\k29}na{\k41}i
Dialogue: 0,0:01:10.99,0:01:13.62,songs,,0,0,0,,نحو النور البعيد فوقنا
Comment: 0,0:01:14.11,0:01:17.28,KARA,,0,0,0,karaoke,{\k39}{\k41}On {\k16}the {\k223}way
Dialogue: 0,0:01:14.08,0:01:17.25,songs,,0,0,0,,أجل، نحن في طريقنا
Comment: 0,0:01:22.29,0:01:23.67,KARA,,0,0,0,karaoke,{\k28}I {\k19}wanna {\k93}ROCKS
Dialogue: 0,0:01:22.21,0:01:23.63,songs,,0,0,0,,أريد أن أتزعزع
Comment: 0,0:01:26.04,0:01:27.50,KARA,,0,0,0,karaoke,{\k33}mu{\k25}ne {\k22}ni {\k65}ROCKS
Dialogue: 0,0:01:26.00,0:01:27.42,songs,,0,0,0,,أزعزع قلبي
Dialogue: 0,0:00:00.00,0:00:05.00,Default,,0,0,0,,
Dialogue: 0,0:00:08.63,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:09.53,0:00:09.63,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:09.63,0:00:10.69,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:08.69,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(1000,0)}Come
Dialogue: 0,0:00:09.53,0:00:10.00,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,470,\fscx100\fscy100\3c&H00000000&)}Come
Dialogue: 0,0:00:10.00,0:00:10.75,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(0,1000)}Come
Dialogue: 0,0:00:08.75,0:00:09.90,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(1000,0)}on!
Dialogue: 0,0:00:09.90,0:00:10.50,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,600,\fscx100\fscy100\3c&H00000000&)}on!
Dialogue: 0,0:00:10.50,0:00:10.81,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(0,1000)}on!
Dialogue: 0,0:00:15.93,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:16.83,0:00:16.93,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:16.93,0:00:19.40,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:15.99,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(1000,0)}o
Dialogue: 0,0:00:16.83,0:00:17.41,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,580,\fscx100\fscy100\3c&H00000000&)}o
Dialogue: 0,0:00:17.41,0:00:19.46,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(0,1000)}o
Dialogue: 0,0:00:16.05,0:00:17.31,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:17.31,0:00:17.65,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:17.65,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:16.11,0:00:17.55,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(1000,0)}re
Dialogue: 0,0:00:17.55,0:00:17.89,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}re
Dialogue: 0,0:00:17.89,0:00:19.58,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(0,1000)}re
Dialogue: 0,0:00:16.17,0:00:17.79,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:17.79,0:00:18.01,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,220,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:18.01,0:00:19.64,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:16.23,0:00:17.91,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(1000,0)}yo
Dialogue: 0,0:00:17.91,0:00:18.30,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,390,\fscx100\fscy100\3c&H00000000&)}yo
Dialogue: 0,0:00:18.30,0:00:19.70,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(0,1000)}yo
Dialogue: 0,0:00:16.29,0:00:18.20,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(1000,0)}u
Dialogue: 0,0:00:18.20,0:00:18.86,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,660,\fscx100\fscy100\3c&H00000000&)}u
Dialogue: 0,0:00:18.86,0:00:19.76,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(0,1000)}u
Dialogue: 0,0:00:16.35,0:00:18.76,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(1000,0)}ni
Dialogue: 0,0:00:18.76,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,760,\fscx100\fscy100\3c&H00000000&)}ni
Dialogue: 0,0:00:19.52,0:00:19.82,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(0,1000)}ni
Dialogue: 0,0:00:19.52,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.52,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.52,0:00:22.57,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.58,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.71,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.71,0:00:22.63,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.64,0:00:20.61,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:20.61,0:00:21.07,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,460,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.07,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.70,0:00:20.97,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(1000,0)}so
Dialogue: 0,0:00:20.97,0:00:21.46,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}so
Dialogue: 0,0:00:21.46,0:00:22.75,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(0,1000)}so
Dialogue: 0,0:00:19.76,0:00:21.36,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.36,0:00:21.63,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,270,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.63,0:00:22.81,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.82,0:00:21.53,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(1000,0)}de
Dialogue: 0,0:00:21.53,0:00:21.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}de
Dialogue: 0,0:00:21.87,0:00:22.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(0,1000)}de
Dialogue: 0,0:00:19.88,0:00:21.77,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.77,0:00:22.05,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,280,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:22.05,0:00:22.93,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.94,0:00:21.95,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:21.95,0:00:22.68,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,730,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:22.68,0:00:22.99,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:23.36,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.36,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.36,0:00:26.85,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.42,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.55,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.55,0:00:26.91,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.48,0:00:24.45,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:24.45,0:00:24.94,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}ka
Dialogue: 0,0:00:24.94,0:00:26.97,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(0,1000)}ka
Dialogue: 0,0:00:23.54,0:00:24.84,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:24.84,0:00:25.26,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,420,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:25.26,0:00:27.03,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:23.60,0:00:25.16,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:25.16,0:00:25.51,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:25.51,0:00:27.09,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:23.66,0:00:25.41,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(1000,0)}ta
Dialogue: 0,0:00:25.41,0:00:25.76,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}ta
Dialogue: 0,0:00:25.76,0:00:27.15,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(0,1000)}ta
Dialogue: 0,0:00:23.72,0:00:25.66,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(1000,0)}mu
Dialogue: 0,0:00:25.66,0:00:26.00,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}mu
Dialogue: 0,0:00:26.00,0:00:27.21,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(0,1000)}mu
Dialogue: 0,0:00:23.78,0:00:25.90,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\fad(1000,0)}ne
Dialogue: 0,0:00:25.90,0:00:26.43,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,530,\fscx100\fscy100\3c&H00000000&)}ne
Dialogue: 0,0:00:26.43,0:00:27.27,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\fad(0,1000)}ne
Dialogue: 0,0:00:23.84,0:00:26.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(1000,0)}ga
Dialogue: 0,0:00:26.33,0:00:27.02,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,690,\fscx100\fscy100\3c&H00000000&)}ga
Dialogue: 0,0:00:27.02,0:00:27.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(0,1000)}ga
Dialogue: 0,0:00:27.11,0:00:28.01,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:28.01,0:00:28.11,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:28.11,0:00:30.93,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:27.17,0:00:28.01,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:28.01,0:00:28.36,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:28.36,0:00:30.99,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(0,1000)}
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