[Script Info]
; Script generated by Aegisub Master r8902, line0
; http://www.aegisub.org/
Title: العربية
Original Script: cr_ar  [http://www.crunchyroll.com/user/cr_ar]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
PlayResX: 1436
PlayResY: 1080
Timer: 0.0000
WrapStyle: 0
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Naruto
Audio File: Naruto - 16.mkv
Video File: Naruto - 16.mkv
Video AR Mode: 4
Video AR Value: 1.329630
Video Zoom Percent: 0.500000
Scroll Position: 226
Active Line: 236
Video Position: 31393

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: On Top-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,54,1
Style: ضربات كاكاشي-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00A5989A,&H00000000,0,0,0,0,100,100,0,0,1,2.025,0,2,41,41,15,1
Style: ضربات ساسكي-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00693814,&H00000000,0,0,0,0,100,100,0,0,1,2.025,0,2,41,41,15,1
Style: ضربات ناروتو-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H004EB1EA,&H00000000,0,0,0,0,100,100,0,0,1,2.025,0,2,41,41,15,1
Style: KARA - نسخة-furigana,29LT Bukra Bold Italic,27,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,135,1
Style: KARA-furigana,29LT Bukra Bold Italic,27,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,47,1
Style: songs-furigana,AGA Rasheeq V.2 رشيق,41,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,2,0,0,47,1
Style: Nar_title_end-furigana,!F Doha,39,&H00000003,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,1.5,0,2,23,23,54,1
Style: Title-Naru-furigana,!F Doha,54,&H00F5FEFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Attack-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,1.51875,0,2,41,41,15,1
Style: Title-Naru_OP-furigana,!F Doha,54,&H00EAEAEA,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Flashback-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00400000,&H00400000,-1,0,0,0,100,100,0,0,1,1.6875,0,2,23,23,54,1
Style: Italics-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,-1,0,0,100,100,0,0,1,1.6875,0,2,0,0,54,1
Style: Top-furigana,A Jannat LT,41,&H00B99090,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,3,1.6875,0,8,0,0,0,1
Style: SMMain-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,2,0,0,54,1
Style: SMMain,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,2,0,0,54,1
Style: Top,A Jannat LT,81,&H00B99090,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,3,3.375,0,8,0,0,0,1
Style: Italics,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,-1,0,0,100,100,0,0,1,3.375,0,2,0,0,54,1
Style: Flashback,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00400000,&H00400000,-1,0,0,0,100,100,0,0,1,3.375,0,2,23,23,54,1
Style: Title-Naru_OP,!F Doha,108,&H00EAEAEA,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Attack,A Amine,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3.0375,0,2,41,41,15,1
Style: Title-Naru,!F Doha,108,&H00F5FEFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Nar_title_end,!F Doha,78,&H00000003,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,23,23,54,1
Style: songs,AGA Rasheeq V.2 رشيق,81,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,2,0,0,47,1
Style: KARA,29LT Bukra Bold Italic,54,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,8,0,0,47,1
Style: KARA - نسخة,29LT Bukra Bold Italic,54,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,8,0,0,135,1
Style: ضربات ناروتو,A Amine,72,&H00FFFFFF,&H000000FF,&H004EB1EA,&H00000000,0,0,0,0,100,100,0,0,1,4.05,0,2,41,41,15,1
Style: ضربات ساسكي,A Amine,72,&H00FFFFFF,&H000000FF,&H00693814,&H00000000,0,0,0,0,100,100,0,0,1,4.05,0,2,41,41,15,1
Style: ضربات كاكاشي,A Amine,72,&H00FFFFFF,&H000000FF,&H00A5989A,&H00000000,0,0,0,0,100,100,0,0,1,4.05,0,2,41,41,15,1
Style: On Top,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,8,0,0,54,1
Style: ED-AR,Hacen Maghreb,60,&H00000000,&HFFB79774,&H00AEEAE7,&H00FDADFF,0,0,0,0,100,100,0,0,1,2.5,0,2,0,0,25,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 15,0:00:00.00,0:00:00.00,ضربات ساسكي,,0,0,0,code once,math.randomseed(3500);
Comment: 0,0:00:00.00,0:00:00.00,ضربات ساسكي,AutoTags,0,0,0,code syl,function AutoTags(Intervalo,Dato1,Dato2)            local RESULTADO=""     local SUERTE = 0     local CONTADOR = 0     local ARREGLO = 0                           local count = math.ceil(line.duration/Intervalo)                 			ARREGLO = {Dato1,Dato2}    			              for i = 1, count do               CONTADOR = i    	    	    		if Dato1 and Dato2 then     					if  CONTADOR%2 ==0 then    								SUERTE = ARREGLO[1]    					else    								SUERTE = ARREGLO[2]    					end	    		end     				    	RESULTADO = RESULTADO .."\\t(" ..(i-1)*Intervalo.. "," ..i*Intervalo.. ",\\" ..SUERTE..")"..""     			     end         		     return RESULTADO	  	    	               end
Comment: 0,0:00:00.00,0:00:00.00,ضربات ساسكي,,0,0,0,template syl  noblank,!retime("start2syl",-700+syl.i*100,0)!{\an5\org(!$scenter-2000!,!$smiddle-500!)\pos($center,$middle)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{!AutoTags(550,'1img(SU.png,0,0)','1img(SU.png,210,-150)')!}
Comment: 1,0:00:00.00,0:00:00.00,ضربات ساسكي,,0,0,0,template noblank,!retime("syl",0,0)!{\an5\bord3\blur8\move(!$scenter-25!,!$smiddle-5!,!$scenter!,!$smiddle!)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{!AutoTags(550,'1img(SU.png,0,0)','1img(SU.png,210,-150)')!}
Comment: 0,0:00:00.00,0:00:00.00,ضربات ساسكي,,0,0,0,template syl,!retime("syl2end",0,-000+syl.i*100)!{\an5\\pos(!$scenter!,!$smiddle!)\))\fad(00,500)\1img(SU.png,,20)\\)}{!AutoTags(550,'1img(SU.png,80,0)','1img(SU.png,10,-80)')!}
Dialogue: 0,0:01:54.34,0:01:55.38,Italics,,0,0,0,,!هذا جيّد
Dialogue: 0,0:01:55.42,0:01:57.88,Italics,,0,0,0,,.أنا أقوم بمعرفة التوقيت الصحيح شيئًا فشيئًا
Dialogue: 0,0:02:04.02,0:02:05.52,Italics,,0,0,0,,.لقد توقّع تحرّكاتي
Dialogue: 0,0:02:06.10,0:02:07.81,Italics,,0,0,0,,.من المستحيل أن يتمكّن من فعل ذلك
Dialogue: 0,0:02:08.73,0:02:11.44,SMMain,,0,0,0,,!تبّا! كان ذلك وشيكا
Dialogue: 0,0:02:11.52,0:02:13.98,SMMain,,0,0,0,,ناروتو، أما زلت قادرًا على التحرّك؟
Dialogue: 0,0:02:14.73,0:02:17.49,SMMain,,0,0,0,,!بالطبع! أنا على ما يرام
Dialogue: 0,0:02:18.36,0:02:21.41,SMMain,,0,0,0,,.إنه مرهق... ولا عجب في ذلك
Dialogue: 0,0:02:21.87,0:02:24.54,SMMain,,0,0,0,,.تقنية نسخ الظلّ تستخدم الكثير من التشاكرا
Dialogue: 0,0:02:25.29,0:02:27.50,SMMain,,0,0,0,,.لكن بفضله تمكّنت من معرفة طريقة لهزيمة العدوّ
Dialogue: 0,0:02:28.54,0:02:29.79,SMMain,,0,0,0,,!وجدت الحلّ
Dialogue: 0,0:02:31.58,0:02:33.25,SMMain,,0,0,0,,!مستحيل
Dialogue: 0,0:02:35.38,0:02:38.47,SMMain,,0,0,0,,.كانت تلك صدفة فحسب
Dialogue: 0,0:02:42.39,0:02:43.55,SMMain,,0,0,0,,!ناروتو! فلتهرب
Dialogue: 0,0:02:44.35,0:02:46.97,SMMain,,0,0,0,,!فلتهرب من هنا ولتهاجم من الخارج
Dialogue: 0,0:02:48.06,0:02:49.77,SMMain,,0,0,0,,!حـ-حسنًا
Dialogue: 0,0:02:51.90,0:02:53.11,SMMain,,0,0,0,,!لن تتمكّن من ذلك
Dialogue: 0,0:03:05.79,0:03:07.20,SMMain,,0,0,0,,!لن أخسر
Dialogue: 0,0:03:10.29,0:03:11.12,SMMain,,0,0,0,,!هناك
Dialogue: 0,0:03:11.23,0:03:13.19,Top,,0,0,0,,!أسلوب النار: تقنيّة كرة النار
Comment: 0,0:03:11.23,0:03:13.19,ضربات ساسكي,,0,0,0,karaoke,{\k89}كاتون {\k48}غوكاكيو {\k11}نو {\k48}جيتسو
Dialogue: 0,0:03:39.53,0:03:40.95,SMMain,,0,0,0,,!تبّا
Dialogue: 0,0:03:42.28,0:03:43.49,SMMain,,0,0,0,,!كان ذلك جيّدًا
Dialogue: 0,0:03:43.53,0:03:44.32,SMMain,,0,0,0,,ماذا؟
Dialogue: 0,0:03:45.12,0:03:46.58,SMMain,,0,0,0,,!سنقوم بذلك مرّة أخرى
Dialogue: 0,0:03:47.95,0:03:49.12,SMMain,,0,0,0,,!حسنًا
Dialogue: 0,0:03:52.79,0:03:55.79,SMMain,,0,0,0,,.على الأرجح أنّ هنالك حدودًا للتشاكرا خاصته
Dialogue: 0,0:03:56.79,0:03:58.21,SMMain,,0,0,0,,...لإثبات ذلك، فهو يقوم شيئًا فشيئًا
Dialogue: 0,0:04:05.05,0:04:07.35,SMMain,,0,0,0,,.لن تسير الأمور كما خطّطتما لها
Dialogue: 0,0:04:08.68,0:04:10.14,SMMain,,0,0,0,,!أوّلًا سأنال منك أنت
Dialogue: 0,0:04:15.94,0:04:16.90,SMMain,,0,0,0,,!ساسكي
Dialogue: 0,0:04:26.45,0:04:30.95,SMMain,,0,0,0,,تبًّا! مضى وقت طويل منذ \N.أن قاتلت في ظروف سيّئة كهذه
Dialogue: 0,0:04:32.75,0:04:35.37,SMMain,,0,0,0,,.كما أنّني قلق بشأن ساسكي وناروتو أيضًا
Dialogue: 0,0:04:39.09,0:04:44.88,SMMain,,0,0,0,,كن هادئًا... فكّر... من أين سيهاجمني؟
Dialogue: 0,0:04:45.72,0:04:47.26,SMMain,,0,0,0,,!هذا سيّئ
Dialogue: 0,0:05:03.24,0:05:03.86,SMMain,,0,0,0,,
Dialogue: 0,0:05:04.15,0:05:05.20,SMMain,,0,0,0,,!بطيء للغاية
Dialogue: 0,0:05:16.00,0:05:22.88,Title-Naru_OP,,0,0,0,,{\pos(696.242,779.4)}الختم المكسور
Dialogue: 0,0:05:25.15,0:05:27.31,Italics,,0,0,0,,.كان ذلك صوت ساكورا
Dialogue: 0,0:05:28.25,0:05:29.48,Italics,,0,0,0,,هل حدث شيءٌ ما؟
Dialogue: 0,0:05:30.62,0:05:32.68,Italics,,0,0,0,,ما الذي يفعله كاكاشي ذاك؟
Dialogue: 0,0:05:36.12,0:05:38.31,SMMain,,0,0,0,,...سا... كورا-تشان
Dialogue: 0,0:05:38.99,0:05:41.11,SMMain,,0,0,0,,.تبّا... عليّ فعل شيءٍ ما
Dialogue: 0,0:05:44.52,0:05:46.54,SMMain,,0,0,0,,.سأفعل شيئًا حيال ذلك
Dialogue: 0,0:05:47.72,0:05:49.19,Italics,,0,0,0,,...هـ-هذا الشخص
Dialogue: 0,0:05:49.82,0:05:51.41,SMMain,,0,0,0,,...ها أنذا
Dialogue: 0,0:05:53.79,0:05:55.18,SMMain,,0,0,0,,.لا جدوى من المقاومة
Dialogue: 0,0:06:11.72,0:06:13.02,SMMain,,0,0,0,,!ناروتو، خلفك
Dialogue: 0,0:06:18.09,0:06:18.85,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:06:19.59,0:06:23.08,SMMain,,0,0,0,,.من المستحيل عليكما الخروج من هنا
Dialogue: 0,0:06:24.06,0:06:25.51,SMMain,,0,0,0,,.فلتكونا واثقين من ذلك
Dialogue: 0,0:06:27.05,0:06:28.64,SMMain,,0,0,0,,هل يمكنك الوقوف يا ناروتو؟
Dialogue: 0,0:06:28.82,0:06:30.62,SMMain,,0,0,0,,...أ-أجل
Dialogue: 0,0:06:30.82,0:06:32.69,SMMain,,0,0,0,,!من الآن فصاعدا، لا تقم بتبذير التشاكرا خاصتك
Dialogue: 0,0:06:32.96,0:06:34.62,SMMain,,0,0,0,,.هذا ما يريد منّا فعله بالضبط
Dialogue: 0,0:06:36.32,0:06:38.18,SMMain,,0,0,0,,.أعلم ذلك
Dialogue: 0,0:06:39.82,0:06:40.88,Italics,,0,0,0,,!تبّا
Dialogue: 0,0:06:40.95,0:06:43.05,Italics,,0,0,0,,،إن استمرّت الأمور على هذا الحال\N.فسيكون الأمر سيّئًا للغاية
Dialogue: 0,0:06:43.46,0:06:44.48,Italics,,0,0,0,,...عليّ
Dialogue: 0,0:06:44.56,0:06:46.48,Italics,,0,0,0,,.عليّ فعل شيئٍ ما
Dialogue: 0,0:06:49.55,0:06:51.61,Italics,,0,0,0,,.لقد تعوّدت عيناي على تحرّكاته
Dialogue: 0,0:06:52.36,0:06:55.87,SMMain,,0,0,0,,.حان وقت إنهاء الأمور الآن
Dialogue: 0,0:07:00.75,0:07:01.58,Italics,,0,0,0,,ماذا؟
Dialogue: 0,0:07:04.92,0:07:06.91,SMMain,,0,0,0,,!فلتقف أيها الغبيّ
Dialogue: 0,0:07:09.82,0:07:15.08,Italics,,0,0,0,,أقوم بالتصويب نحو أعضائه \N.الحيويّة لكنه يتفاداها جميعًا
Dialogue: 0,0:07:18.49,0:07:21.58,SMMain,,0,0,0,,!أعلم ذلك، توقّف عن إزعاجي
Dialogue: 0,0:07:27.32,0:07:30.01,Italics,,0,0,0,,أهي  مجرّد صدفة؟\N.كلّا، ليس الأمر كذلك
Dialogue: 0,0:07:30.45,0:07:35.64,Italics,,0,0,0,,.على العكس، هو يقاتل بينما يقوم بحماية صديقه
Dialogue: 0,0:07:38.95,0:07:40.65,Italics,,0,0,0,,أيعقل أنه قادرًا على توقّع تحرّكاتي؟
Dialogue: 0,0:07:42.49,0:07:46.04,Italics,,0,0,0,,.ذلك الفتى... قادر على رؤية شيءٍ ما
Dialogue: 0,0:07:47.65,0:07:48.95,Italics,,0,0,0,,ما هو بحقّ الجحيم؟
Dialogue: 0,0:07:50.12,0:07:51.64,Italics,,0,0,0,,!حسنا، في تلك الحالة
Dialogue: 0,0:07:52.99,0:07:54.01,SMMain,,0,0,0,,.لقد اختفى
Dialogue: 0,0:07:54.09,0:07:56.28,SMMain,,0,0,0,,!أين هو؟ أين اختفى؟
Dialogue: 0,0:07:56.95,0:07:59.01,SMMain,,0,0,0,,!ناروتو! إيّاك أن يغمى عليك
Dialogue: 0,0:07:59.49,0:08:01.95,SMMain,,0,0,0,,!لا يمكنني حمايتك أكثر من هذا
Dialogue: 0,0:08:02.66,0:08:04.94,SMMain,,0,0,0,,من طلب منك حمايتي؟
Dialogue: 0,0:08:08.39,0:08:12.48,SMMain,,0,0,0,,.يبدو أنّ ذلك الفتى قد بلغ حدود قوّته
Dialogue: 0,0:08:18.69,0:08:19.41,SMMain,,0,0,0,,
Dialogue: 0,0:08:19.49,0:08:22.68,SMMain,,0,0,0,,.مذهل... حركة مذهلة
Dialogue: 0,0:08:23.99,0:08:25.71,SMMain,,0,0,0,,.أنت تتحرّك بطريقة جيّدة
Dialogue: 0,0:08:26.35,0:08:27.15,SMMain,,0,0,0,,!ما؟
Dialogue: 0,0:08:28.12,0:08:30.02,SMMain,,0,0,0,,.لكنّني سأوقفك بالهجوم التالي
Dialogue: 0,0:08:31.49,0:08:32.61,SMMain,,0,0,0,,...الوظيفة الحركيّة
Dialogue: 0,0:08:33.19,0:08:36.74,SMMain,,0,0,0,,...ردود الفعل... قدرة الحكم على وضعٍ ما
Dialogue: 0,0:08:38.54,0:08:43.10,SMMain,,0,0,0,,!جميع هذه الأمور... قد بلغت حدودها
Dialogue: 0,0:08:45.57,0:08:46.37,Italics,,0,0,0,,!إنه قادم
Dialogue: 0,0:08:48.71,0:08:49.70,Italics,,0,0,0,,...فلتهدأ
Dialogue: 0,0:08:50.88,0:08:52.11,Italics,,0,0,0,,!ركّز
Dialogue: 0,0:08:55.51,0:08:56.56,Italics,,0,0,0,,!ولتقم برؤية كلّ شيء
Dialogue: 0,0:09:09.81,0:09:10.97,Italics,,0,0,0,,...تمكّن من توقّع تحرّكاتي
Dialogue: 0,0:09:12.45,0:09:13.28,Italics,,0,0,0,,.مستحيل...
Dialogue: 0,0:09:25.27,0:09:26.17,Italics,,0,0,0,,...تلك العيون
Dialogue: 0,0:09:26.97,0:09:28.00,Italics,,0,0,0,,!غير معقول
Dialogue: 0,0:09:30.51,0:09:31.50,Italics,,0,0,0,,الشارينغان؟
Dialogue: 0,0:09:35.51,0:09:36.60,Italics,,0,0,0,,...أنت
Dialogue: 0,0:09:37.31,0:09:38.64,Italics,,0,0,0,,،لوقت قصيرٍ فقط
Dialogue: 0,0:09:39.88,0:09:40.80,Italics,,0,0,0,,!تمكّنت من رؤيتها
Dialogue: 0,0:09:43.41,0:09:47.00,SMMain,,0,0,0,,...فهمت. أنت أيضًا تملك قدرة الكيكي غينكاي إذًا
Dialogue: 0,0:09:49.21,0:09:50.37,Italics,,0,0,0,,.يا له من فتى مذهل
Dialogue: 0,0:09:51.21,0:09:52.54,Italics,,0,0,0,,،ليست مكتملة بعد
Dialogue: 0,0:09:53.48,0:09:56.60,Italics,,0,0,0,,.لكني أعتقد أنه تمكّن من تحريض قوّته وسط المعركة
Dialogue: 0,0:09:58.74,0:10:02.23,Italics,,0,0,0,,إن كانت الأمور كذلك \N.فلا يمكنني مقاتلته لوقتٍ طويل
Dialogue: 0,0:10:03.48,0:10:05.84,Italics,,0,0,0,,.هذه التقنية تستهلك الكثير من التشاكرا
Dialogue: 0,0:10:06.54,0:10:09.34,Italics,,0,0,0,,.كما أنّ هنالك حدودًا للإبقاء على سرعة الانتقال الفوريّ
Dialogue: 0,0:10:10.34,0:10:13.71,Italics,,0,0,0,,،كما أنه كلّما طال هذا القتال
Dialogue: 0,0:10:14.21,0:10:18.33,Italics,,0,0,0,,."كلّما دخلت تحرّكاتي في مجال "توقّعاته
Dialogue: 0,0:10:20.08,0:10:24.34,Italics,,0,0,0,,.في الحقيقة، لقد تمكّنت عيناه من أسري سلفًا
Dialogue: 0,0:10:27.94,0:10:30.60,Italics,,0,0,0,,.سيكون من الغباء التسديد نحوه مباشرة
Dialogue: 0,0:10:31.85,0:10:32.87,Italics,,0,0,0,,...في تلك الحالة
Dialogue: 0,0:10:35.04,0:10:37.94,Italics,,0,0,0,,!سأستخدم ذلك الفتى كطعم
Dialogue: 0,0:10:40.44,0:10:41.24,SMMain,,0,0,0,,!ماذا؟
Dialogue: 0,0:10:43.01,0:10:43.95,SMMain,,0,0,0,,!أريد الوصول في الوقت المناسب
Dialogue: 0,0:10:57.67,0:10:59.11,SMMain,,0,0,0,,!كـ-كاكاشي-سينسي
Dialogue: 0,0:10:59.51,0:11:02.74,SMMain,,0,0,0,,.لقد كنت بطيئًا في حماية نفسك يا كاكاشي
Dialogue: 0,0:11:03.28,0:11:07.71,SMMain,,0,0,0,,نيّتك الطيّبة في حماية هؤلاء الأطفال جعلتك تفقد تركيزك
Dialogue: 0,0:11:07.77,0:11:10.24,SMMain,,0,0,0,,وقامت بنشر ضباب على الشارينغان خاصّتك
Dialogue: 0,0:11:10.31,0:11:11.97,SMMain,,0,0,0,,.أكثف من هذا الضباب
Dialogue: 0,0:11:13.11,0:11:16.00,SMMain,,0,0,0,,،بالرغم من أنك تملك تلك الأعين المدهشة
Dialogue: 0,0:11:16.14,0:11:19.47,SMMain,,0,0,0,,.فإنّ قدرتك على قراءة تحرّكات خصمك أصبحت مشوّشة
Dialogue: 0,0:11:21.65,0:11:24.80,SMMain,,0,0,0,,.فلتقم بتسليتي أكثر يا كاكاشي-سينسي
Dialogue: 0,0:11:25.81,0:11:28.87,SMMain,,0,0,0,,.أريد أن أسدّد ديني بطريقة مسلّية
Dialogue: 0,0:11:30.31,0:11:36.67,SMMain,,0,0,0,,.لا تقلق. سيقوم هاكو بهزيمة أولئك الأطفال في أية لحظة
Dialogue: 0,0:11:44.58,0:11:47.70,SMMain,,0,0,0,,يجدر بك الاعتذار منهم بالدموع
Dialogue: 0,0:11:47.77,0:11:51.87,SMMain,,0,0,0,,.عندما تصل إلى العالم الآخر بسبب ضعف قوّتك
Dialogue: 0,0:12:22.33,0:12:25.23,SMMain,,0,0,0,,ستتمّ هزيمة ساسكي-كن؟
Dialogue: 0,0:12:27.29,0:12:28.42,SMMain,,0,0,0,,!هذا غير صحيح
Dialogue: 0,0:12:29.40,0:12:30.42,SMMain,,0,0,0,,...ساسكي قد
Dialogue: 0,0:12:30.73,0:12:31.76,Italics,,0,0,0,,!بالطبع
Dialogue: 0,0:12:33.03,0:12:34.06,SMMain,,0,0,0,,!ليس من قبل ذلك الشخص
Dialogue: 0,0:12:34.94,0:12:36.10,Italics,,0,0,0,,!بالطبع
Dialogue: 0,0:12:36.79,0:12:37.95,SMMain,,0,0,0,,!لن تتمّ هزيمته
Dialogue: 0,0:12:39.03,0:12:40.59,SMMain,,0,0,0,,!بالطبع
Dialogue: 0,0:12:41.67,0:12:42.96,SMMain,,0,0,0,,!وناروتو كذلك
Dialogue: 0,0:12:44.07,0:12:45.19,SMMain,,0,0,0,,.هذا صحيح
Dialogue: 0,0:12:45.34,0:12:46.10,SMMain,,0,0,0,,
Dialogue: 0,0:12:48.76,0:12:53.63,SMMain,,0,0,0,,.أنا... مؤمن بقوّتهما
Dialogue: 0,0:12:56.04,0:13:00.49,SMMain,,0,0,0,,...ناروتو هو النينجا المزعج الأوّل في مفاجأة الناس
Dialogue: 0,0:13:02.20,0:13:06.99,SMMain,,0,0,0,,.وساسكي عضوٌ في أكثر عشيرة قوّة في قرية الورق
Dialogue: 0,0:13:08.56,0:13:09.59,SMMain,,0,0,0,,!هذا غير معقول
Dialogue: 0,0:13:10.93,0:13:15.10,SMMain,,0,0,0,,.أجل... اسمه الكامل هو... أوتشيها ساسكي
Dialogue: 0,0:13:16.46,0:13:18.69,SMMain,,0,0,0,,وهو يحمل في جسده
Dialogue: 0,0:13:18.76,0:13:21.32,SMMain,,0,0,0,,!الكيكي غينكاي المشهور من عشيرة أوتشيها
Dialogue: 0,0:13:22.17,0:13:22.99,SMMain,,0,0,0,,.إنه نينجا عبقريّ
Dialogue: 0,0:13:26.24,0:13:30.32,SMMain,,0,0,0,,!أهو الناجي الوحيد من تلك العشيرة المأساويّة؟
Dialogue: 0,0:13:38.73,0:13:41.25,SMMain,,0,0,0,,.لا عجب في أنه سريع التعلّم
Dialogue: 0,0:13:43.97,0:13:44.76,SMMain,,0,0,0,,...لكن
Dialogue: 0,0:13:45.60,0:13:48.12,SMMain,,0,0,0,,.نفس الأمر ينطبق على هاكو
Dialogue: 0,0:13:49.80,0:13:52.89,SMMain,,0,0,0,,لم يسبق لأحد هزيمة التقنيّة السريّة الخاصة بهاكو
Dialogue: 0,0:13:53.87,0:13:55.83,SMMain,,0,0,0,,.لا أحد
Dialogue: 0,0:13:58.76,0:14:00.20,SMMain,,0,0,0,,.حسنًا إذًا
Dialogue: 0,0:14:00.56,0:14:03.29,SMMain,,0,0,0,,.حان الوقت لأنهي هذا الأمر أنا أيضًا
Dialogue: 0,0:14:03.73,0:14:05.86,SMMain,,0,0,0,,.ساكورا، لا تتحرّكي من هنا
Dialogue: 0,0:14:06.04,0:14:08.55,SMMain,,0,0,0,,!حسنًا
Dialogue: 0,0:14:15.37,0:14:18.69,Italics,,0,0,0,,!كلّا، بل أنا من سيضع حدّا لهذا الأمر
Dialogue: 0,0:14:29.00,0:14:30.96,SMMain,,0,0,0,,...يا إلهي... أنت
Dialogue: 0,0:14:32.07,0:14:36.09,SMMain,,0,0,0,,.أنت... عبءٌ عليّ... طيلة الوقت
Dialogue: 0,0:14:36.73,0:14:38.16,SMMain,,0,0,0,,!لقد فعلتها يا ساسكي
Dialogue: 0,0:14:53.56,0:14:55.53,SMMain,,0,0,0,,...اُنظر لنفسك
Dialogue: 0,0:14:56.33,0:15:01.45,SMMain,,0,0,0,,!أيها... الغبيّ
Dialogue: 0,0:15:02.86,0:15:04.83,SMMain,,0,0,0,,!لـ-لماذا؟
Dialogue: 0,0:15:06.62,0:15:08.82,SMMain,,0,0,0,,أقمت... بحمايتي؟
Dialogue: 0,0:15:09.96,0:15:14.55,SMMain,,0,0,0,,...من... يدري
Dialogue: 0,0:15:36.23,0:15:40.88,Italics,,0,0,0,,!ساسكي... ساسكي... ساسكي
Dialogue: 0,0:15:46.30,0:15:47.45,SMMain,,0,0,0,,
Dialogue: 0,0:15:49.26,0:15:50.45,SMMain,,0,0,0,,...أنت
Dialogue: 0,0:15:51.56,0:15:53.22,SMMain,,0,0,0,,.لطالما كرهتك
Dialogue: 0,0:15:55.53,0:15:58.55,SMMain,,0,0,0,,لماذا؟ لماذا إذًا؟
Dialogue: 0,0:15:59.22,0:16:01.69,SMMain,,0,0,0,,لماذا قمت بحمايتي؟
Dialogue: 0,0:16:08.86,0:16:10.98,SMMain,,0,0,0,,!أنا لم أطلب مساعدتك
Dialogue: 0,0:16:15.66,0:16:17.18,SMMain,,0,0,0,,...لا أعلم
Dialogue: 0,0:16:17.69,0:16:21.99,SMMain,,0,0,0,,.لقد تحرّك جسدي... بمحض إرادته
Dialogue: 0,0:16:22.93,0:16:23.92,SMMain,,0,0,0,,!أيها الغبيّ
Dialogue: 0,0:16:37.09,0:16:38.15,SMMain,,0,0,0,,!ساسكي
Dialogue: 0,0:16:40.16,0:16:41.75,SMMain,,0,0,0,,...ذلك الشخص
Dialogue: 0,0:16:45.03,0:16:48.45,SMMain,,0,0,0,,...حتى أهزم... أخي
Dialogue: 0,0:16:51.26,0:16:53.19,SMMain,,0,0,0,,...أنا أرفض أن أموت
Dialogue: 0,0:16:53.26,0:16:55.73,SMMain,,0,0,0,,...هذا ما قرّرته لكن
Dialogue: 0,0:17:01.59,0:17:05.46,SMMain,,0,0,0,,...أنت، لن تموت
Dialogue: 0,0:17:41.86,0:17:42.72,SMMain,,0,0,0,,...لقد
Dialogue: 0,0:17:55.16,0:17:57.48,SMMain,,0,0,0,,،من أجل حماية شخصٍ عزيز عليه
Dialogue: 0,0:17:58.99,0:18:02.08,SMMain,,0,0,0,,.قام برمي نفسه بداخل فخّ عن قصد
Dialogue: 0,0:18:03.29,0:18:07.62,SMMain,,0,0,0,,.إنه شينوبي يستحقّ الثناء
Dialogue: 0,0:18:10.22,0:18:12.89,SMMain,,0,0,0,,أهذه أوّل مرّة تواجه فيها موت صديق؟
Dialogue: 0,0:18:14.16,0:18:16.81,SMMain,,0,0,0,,.تلك هي طريق النينجا
Dialogue: 0,0:18:22.16,0:18:23.63,SMMain,,0,0,0,,!اِخرس
Dialogue: 0,0:18:27.62,0:18:32.68,Italics,,0,0,0,,بالرغم من أنّني كرهتك أنا أيضًا
Dialogue: 0,0:18:42.59,0:18:44.15,SMMain,,0,0,0,,...لن أسامحك
Dialogue: 0,0:19:05.20,0:19:07.06,SMMain,,0,0,0,,!سوف أقتلك
Dialogue: 0,0:19:16.46,0:19:18.26,Italics,,0,0,0,,!ما هذه التشاكرا؟
Dialogue: 0,0:19:22.76,0:19:23.95,Italics,,0,0,0,,...من المستحيل
Dialogue: 0,0:19:25.20,0:19:27.39,Italics,,0,0,0,,أن تكون التشاكرا ملموسة هكذا...
Dialogue: 0,0:19:29.20,0:19:33.32,Italics,,0,0,0,,!يا لها من تشاكرا مرعبة
Dialogue: 0,0:19:47.66,0:19:51.40,Italics,,0,0,0,,الجرح الذي على يده... يقوم بالشفاء آنيّا؟
Dialogue: 0,0:19:53.03,0:19:54.39,Italics,,0,0,0,,...هذا الفتى
Dialogue: 0,0:19:55.00,0:19:56.52,Italics,,0,0,0,,!من يكون بحقّ الجحيم؟
Dialogue: 0,0:20:07.23,0:20:08.22,SMMain,,0,0,0,,أهو زابوزا؟
Dialogue: 0,0:20:09.73,0:20:10.53,SMMain,,0,0,0,,!كلّا
Dialogue: 0,0:20:10.90,0:20:13.09,SMMain,,0,0,0,,...هذه التشاكرا المرعبة كانت فيما مضى
Dialogue: 0,0:20:15.70,0:20:16.63,SMMain,,0,0,0,,!غير معقول
Dialogue: 0,0:20:17.30,0:20:19.29,Italics,,0,0,0,,ما هذه... التشاكرا؟
Dialogue: 0,0:20:19.97,0:20:21.52,Italics,,0,0,0,,.تبدو شرّيرة للغاية
Dialogue: 0,0:20:22.17,0:20:26.65,Italics,,0,0,0,,...كاكاشي؟ كلّا، إنها أكبر من أن تكون خاصة بكاكاشي
Dialogue: 0,0:20:28.17,0:20:29.13,Italics,,0,0,0,,من عساه يكون؟
Dialogue: 0,0:20:31.80,0:20:32.82,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:20:41.13,0:20:42.26,SMMain,,0,0,0,,!يا لها من كارثة
Dialogue: 0,0:20:44.56,0:20:45.82,SMMain,,0,0,0,,كيف يعقل أن يكسر الختم
Dialogue: 0,0:20:46.23,0:20:47.49,SMMain,,0,0,0,,في وقتٍ كهذا...؟
Dialogue: 0,0:20:48.47,0:20:49.63,SMMain,,0,0,0,,!عليّ أن أسرع
Dialogue: 0,0:21:24.83,0:21:25.89,SMMain,,0,0,0,,!إنه قادم
Dialogue: 0,0:23:06.65,0:23:07.86,SMMain,,0,0,0,,...كيف تجرؤ
Dialogue: 0,0:23:07.94,0:23:12.28,SMMain,,0,0,0,,!على قتل ساسكي أيها الوغد
Dialogue: 0,0:23:13.28,0:23:14.99,SMMain,,0,0,0,,...حلم ساسكي
Dialogue: 0,0:23:18.16,0:23:19.37,SMMain,,0,0,0,,!أيّ حلم؟
Dialogue: 0,0:23:20.17,0:23:22.79,SMMain,,0,0,0,,!تبّا لك! تبّا لك! تبّا لك
Dialogue: 0,0:23:23.25,0:23:26.00,SMMain,,0,0,0,,!...بسبب حلمك
Dialogue: 0,0:23:27.46,0:23:32.01,Nar_title_end,,0,0,0,,{\pos(1222.05,563.401)}الحلقة القادمة
Dialogue: 0,0:23:27.46,0:23:32.01,Nar_title_end,,0,0,0,,{\pos(589.267,293.4)}الماضي الأبيض
Dialogue: 0,0:23:27.46,0:23:32.01,Nar_title_end,,0,0,0,,{\pos(844.919,754.2)}طموح مخفيّ
Dialogue: 0,0:23:27.21,0:23:30.88,SMMain,,0,0,0,,"في الحلقة القادمة :"الماضي الأبيض: طموح مخفيّ
Dialogue: 0,0:03:11.23,0:03:13.19,ضربات ساسكي,,0,0,0,fx,{\an5\\pos(951,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))\t(1650,2200,\1img(SU.png,80,0))}
Dialogue: 0,0:03:10.63,0:03:11.23,ضربات ساسكي,,0,0,0,fx,{\an5\org(-1106,528)\pos(894,1028)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}كاتون
Dialogue: 1,0:03:11.23,0:03:12.12,ضربات ساسكي,,0,0,0,fx,{\an5\bord3\blur8\move(869,1023,894,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}كاتون
Dialogue: 0,0:03:12.12,0:03:13.29,ضربات ساسكي,,0,0,0,fx,{\an5\\pos(894,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))\t(1100,1650,\1img(SU.png,10,-80))}كاتون
Dialogue: 1,0:03:12.12,0:03:12.60,ضربات ساسكي,,0,0,0,fx,{\an5\bord3\blur8\move(721,1023,746,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}غوكاكيو
Dialogue: 0,0:03:12.60,0:03:13.39,ضربات ساسكي,,0,0,0,fx,{\an5\\pos(746,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}غوكاكيو
Dialogue: 1,0:03:12.60,0:03:12.71,ضربات ساسكي,,0,0,0,fx,{\an5\bord3\blur8\move(610,1023,635,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}نو
Dialogue: 0,0:03:12.71,0:03:13.49,ضربات ساسكي,,0,0,0,fx,{\an5\\pos(635,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}نو
Dialogue: 1,0:03:12.71,0:03:13.19,ضربات ساسكي,,0,0,0,fx,{\an5\bord3\blur8\move(520,1023,545,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}جيتسو
Dialogue: 0,0:03:13.19,0:03:13.59,ضربات ساسكي,,0,0,0,fx,{\an5\\pos(545,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))}جيتسو
Dialogue: 0,0:21:44.82,0:21:48.29,ED-AR,,0,0,0,,احفظ جوعك قبل أن تكون مثالًا
Dialogue: 0,0:21:48.30,0:21:51.73,ED-AR,,0,0,0,,وهيّج غضبك لتجعل فيهم إدراكًا
Dialogue: 0,0:21:51.74,0:21:55.11,ED-AR,,0,0,0,,تسلّق الجبل ولا تنزل أبدًا
Dialogue: 0,0:21:55.17,0:21:58.53,ED-AR,,0,0,0,,شقّ طريقك إلى باطنه ولا تخرّ ساقطًا
Dialogue: 0,0:22:01.95,0:22:05.44,ED-AR,,0,0,0,,ما زالت ركبتاي ترتعشان، وكأن الثانية عشرة عمري
Dialogue: 0,0:22:05.44,0:22:08.72,ED-AR,,0,0,0,,أتسلل خارج الفصلِ، عبر الباب الخلفيّ
Dialogue: 0,0:22:08.72,0:22:12.16,ED-AR,,0,0,0,,وإذ برجلٍ يوبخني مرتين، لكنني في كلتا الحالتين لا أبالي
Dialogue: 0,0:22:12.16,0:22:15.65,ED-AR,,0,0,0,,فالانتظار ليس إلّا مضيعةً لأمثالي
Dialogue: 0,0:22:15.73,0:22:19.14,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:19.14,0:22:22.59,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:22.59,0:22:25.96,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:25.96,0:22:28.95,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:38.71,0:22:41.87,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:42.15,0:22:45.21,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:45.58,0:22:48.82,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:48.82,0:22:52.05,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:52.39,0:22:55.71,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:55.87,0:22:58.95,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:59.28,0:23:00.79,ED-AR,,0,0,0,,...ولا تجفَّ
Comment: 0,0:00:09.63,0:00:10.51,KARA,,0,0,0,karaoke,{\k37}Come {\k50}on!
Dialogue: 0,0:00:09.68,0:00:10.51,songs,,0,0,0,,!هيّا
Comment: 0,0:00:16.93,0:00:19.52,KARA,,0,0,0,karaoke,{\k48}o{\k24}wa{\k24}re{\k12}ru {\k29}yo{\k56}u{\k66}ni
Dialogue: 0,0:00:16.93,0:00:19.52,songs,,0,0,0,,أن تركض مثل الهارب
Comment: 0,0:00:20.52,0:00:22.69,KARA,,0,0,0,karaoke,{\k19}{\k36}i{\k39}so{\k17}i {\k24}de {\k18}i{\k63}ru
Dialogue: 0,0:00:20.52,0:00:22.69,songs,,0,0,0,,بينما تتمّ مطاردتك من قبل شيءٍ ما
Comment: 0,0:00:24.36,0:00:27.03,KARA,,0,0,0,karaoke,{\k19}{\k39}ka{\k32}wa{\k25}i {\k25}ta {\k24}mu{\k43}ne {\k59}ga
Dialogue: 0,0:00:24.36,0:00:27.03,songs,,0,0,0,,قلبي ينبض من الداخل
Comment: 0,0:00:28.11,0:00:31.11,KARA,,0,0,0,karaoke,{\k25}{\k49}ka{\k23}ri {\k26}ta{\k20}te{\k17}ru {\k37}no {\k101}sa
Dialogue: 0,0:00:28.11,0:00:30.74,songs,,0,0,0,,حلقي جافّ وكأنه يضمحلّ
Comment: 0,0:00:32.45,0:00:35.58,KARA,,0,0,0,karaoke,{\k22}{\k23}da{\k26}re {\k18}no {\k53}ta{\k46}me {\k31}de {\k42}na{\k49}ku
Dialogue: 0,0:00:32.45,0:00:35.54,songs,,0,0,0,,لا أقوم بهذا من أجل أيّ شخص
Comment: 0,0:00:36.08,0:00:39.33,KARA,,0,0,0,karaoke,{\k42}{\k25}da{\k26}re {\k17}no {\k52}mo{\k50}no {\k32}de {\k36}na{\k46}ku
Dialogue: 0,0:00:36.08,0:00:39.33,songs,,0,0,0,,وهذا لا يخصّ أيّ شخص
Comment: 0,0:00:40.79,0:00:45.09,KARA,,0,0,0,karaoke,{\k20}{\k47}o{\k26}re {\k39}ta{\k40}chi {\k65}no{\k91} {\k25}i{\k18}ma {\k55}ga
Dialogue: 0,0:00:40.79,0:00:45.05,songs,,0,0,0,,...هذا وقتنا نحن الآن
Comment: 0,0:00:47.71,0:00:49.59,KARA,,0,0,0,karaoke,{\k21}{\k26}i{\k25}ta{\k23}mi {\k35}ho{\k35}do{\k22}ki
Dialogue: 0,0:00:47.67,0:00:49.55,songs,,0,0,0,,الكشف عن الألم
Comment: 0,0:00:49.67,0:00:51.43,KARA - نسخة,,0,0,0,karaoke,{\k17}{\k23}ko{\k19}ko{\k29}ro {\k27}ho{\k22}do{\k36}ki
Dialogue: 0,0:00:49.68,0:00:51.39,songs,,0,0,0,,الكشف عن قلوبنا
Comment: 0,0:00:51.47,0:00:53.80,KARA,,0,0,0,karaoke,{\k29}{\k24}ka{\k20}ge {\k28}o {\k29}ho{\k41}do{\k63}ki
Dialogue: 0,0:00:51.47,0:00:53.81,songs,,0,0,0,,الكشف عن الظلال
Comment: 0,0:00:55.64,0:00:57.47,KARA,,0,0,0,karaoke,{\k25}i{\k27}ki {\k15}o {\k33}tsu{\k45}ne{\k41}te
Dialogue: 0,0:00:55.31,0:00:57.10,songs,,0,0,0,,التي تخنق أنفاسنا
Comment: 0,0:00:57.51,0:00:59.39,KARA - نسخة,,0,0,0,karaoke,{\k20}ha{\k34}shi{\k20}ri {\k21}nu{\k26}ke{\k65}ro
Dialogue: 0,0:00:57.14,0:00:59.06,songs,,0,0,0,,السعي نحو المنتهى
Comment: 0,0:00:59.39,0:01:01.60,KARA,,0,0,0,karaoke,{\k29}ya{\k18}mi {\k21}o {\k35}sa{\k41}i{\k76}te
Dialogue: 0,0:00:59.14,0:01:01.56,songs,,0,0,0,,الولوج خلال الظلمة
Comment: 0,0:01:03.48,0:01:10.07,KARA,,0,0,0,karaoke,{\k17}{\k48}ta{\k21}ta{\k21}ka{\k30}u {\k26}ko{\k43}to {\k77}mo{\k116} {\k32}a{\k26}i{\k41}shi {\k46}au {\k43}ko{\k43}to {\k26}mo
Dialogue: 0,0:01:03.44,0:01:10.03,songs,,0,0,0,,خلال القتال والحب
Comment: 0,0:01:11.03,0:01:13.66,KARA,,0,0,0,karaoke,{\k25}{\k28}o{\k41}wa{\k26}ri {\k37}wa {\k35}shi{\k29}na{\k41}i
Dialogue: 0,0:01:10.99,0:01:13.62,songs,,0,0,0,,نحو النور البعيد فوقنا
Comment: 0,0:01:14.11,0:01:17.28,KARA,,0,0,0,karaoke,{\k39}{\k41}On {\k16}the {\k223}way
Dialogue: 0,0:01:14.08,0:01:17.25,songs,,0,0,0,,أجل، نحن في طريقنا
Comment: 0,0:01:22.29,0:01:23.67,KARA,,0,0,0,karaoke,{\k28}I {\k19}wanna {\k93}ROCKS
Dialogue: 0,0:01:22.21,0:01:23.63,songs,,0,0,0,,أريد أن أتزعزع
Comment: 0,0:01:26.04,0:01:27.50,KARA,,0,0,0,karaoke,{\k33}mu{\k25}ne {\k22}ni {\k65}ROCKS
Dialogue: 0,0:01:26.00,0:01:27.42,songs,,0,0,0,,أزعزع قلبي
Dialogue: 0,0:00:00.00,0:00:05.00,Default,,0,0,0,,
Dialogue: 0,0:00:08.63,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:09.53,0:00:09.63,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:09.63,0:00:10.69,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:08.69,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(1000,0)}Come
Dialogue: 0,0:00:09.53,0:00:10.00,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,470,\fscx100\fscy100\3c&H00000000&)}Come
Dialogue: 0,0:00:10.00,0:00:10.75,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(0,1000)}Come
Dialogue: 0,0:00:08.75,0:00:09.90,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(1000,0)}on!
Dialogue: 0,0:00:09.90,0:00:10.50,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,600,\fscx100\fscy100\3c&H00000000&)}on!
Dialogue: 0,0:00:10.50,0:00:10.81,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(0,1000)}on!
Dialogue: 0,0:00:15.93,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:16.83,0:00:16.93,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:16.93,0:00:19.40,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:15.99,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(1000,0)}o
Dialogue: 0,0:00:16.83,0:00:17.41,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,580,\fscx100\fscy100\3c&H00000000&)}o
Dialogue: 0,0:00:17.41,0:00:19.46,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(0,1000)}o
Dialogue: 0,0:00:16.05,0:00:17.31,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:17.31,0:00:17.65,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:17.65,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:16.11,0:00:17.55,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(1000,0)}re
Dialogue: 0,0:00:17.55,0:00:17.89,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}re
Dialogue: 0,0:00:17.89,0:00:19.58,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(0,1000)}re
Dialogue: 0,0:00:16.17,0:00:17.79,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:17.79,0:00:18.01,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,220,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:18.01,0:00:19.64,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:16.23,0:00:17.91,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(1000,0)}yo
Dialogue: 0,0:00:17.91,0:00:18.30,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,390,\fscx100\fscy100\3c&H00000000&)}yo
Dialogue: 0,0:00:18.30,0:00:19.70,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(0,1000)}yo
Dialogue: 0,0:00:16.29,0:00:18.20,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(1000,0)}u
Dialogue: 0,0:00:18.20,0:00:18.86,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,660,\fscx100\fscy100\3c&H00000000&)}u
Dialogue: 0,0:00:18.86,0:00:19.76,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(0,1000)}u
Dialogue: 0,0:00:16.35,0:00:18.76,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(1000,0)}ni
Dialogue: 0,0:00:18.76,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,760,\fscx100\fscy100\3c&H00000000&)}ni
Dialogue: 0,0:00:19.52,0:00:19.82,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(0,1000)}ni
Dialogue: 0,0:00:19.52,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.52,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.52,0:00:22.57,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.58,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.71,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.71,0:00:22.63,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.64,0:00:20.61,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:20.61,0:00:21.07,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,460,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.07,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.70,0:00:20.97,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(1000,0)}so
Dialogue: 0,0:00:20.97,0:00:21.46,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}so
Dialogue: 0,0:00:21.46,0:00:22.75,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(0,1000)}so
Dialogue: 0,0:00:19.76,0:00:21.36,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.36,0:00:21.63,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,270,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.63,0:00:22.81,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.82,0:00:21.53,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(1000,0)}de
Dialogue: 0,0:00:21.53,0:00:21.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}de
Dialogue: 0,0:00:21.87,0:00:22.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(0,1000)}de
Dialogue: 0,0:00:19.88,0:00:21.77,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.77,0:00:22.05,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,280,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:22.05,0:00:22.93,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.94,0:00:21.95,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:21.95,0:00:22.68,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,730,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:22.68,0:00:22.99,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:23.36,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.36,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.36,0:00:26.85,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.42,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.55,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.55,0:00:26.91,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.48,0:00:24.45,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:24.45,0:00:24.94,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}ka
Dialogue: 0,0:00:24.94,0:00:26.97,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(0,1000)}ka
Dialogue: 0,0:00:23.54,0:00:24.84,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:24.84,0:00:25.26,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,420,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:25.26,0:00:27.03,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:23.60,0:00:25.16,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:25.16,0:00:25.51,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:25.51,0:00:27.09,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:23.66,0:00:25.41,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(1000,0)}ta
Dialogue: 0,0:00:25.41,0:00:25.76,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}ta
Dialogue: 0,0:00:25.76,0:00:27.15,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(0,1000)}ta
Dialogue: 0,0:00:23.72,0:00:25.66,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(1000,0)}mu
Dialogue: 0,0:00:25.66,0:00:26.00,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}mu
Dialogue: 0,0:00:26.00,0:00:27.21,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(0,1000)}mu
Dialogue: 0,0:00:23.78,0:00:25.90,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\fad(1000,0)}ne
Dialogue: 0,0:00:25.90,0:00:26.43,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,530,\fscx100\fscy100\3c&H00000000&)}ne
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Dialogue: 0,0:00:23.84,0:00:26.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(1000,0)}ga
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