[Script Info]
; Script generated by Aegisub Master r8902, line0
; http://www.aegisub.org/
Title: العربية
Original Script: cr_ar  [http://www.crunchyroll.com/user/cr_ar]
Original Translation: 
Original Editing: 
Original Timing: 
Synch Point: 
Script Updated By: 
Update Details: 
ScriptType: v4.00+
PlayResX: 1436
PlayResY: 1080
Timer: 0.0000
WrapStyle: 0
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Naruto
Audio File: Naruto - 18.mkv
Video File: Naruto - 18.mkv
Video AR Mode: 4
Video AR Value: 1.329630
Video Zoom Percent: 0.500000
Scroll Position: 209
Active Line: 220
Video Position: 31598

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: On Top-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,54,1
Style: Italics-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,-1,0,0,100,100,0,0,1,1.6875,0,2,0,0,54,1
Style: ضربات كاكاشي-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00A5989A,&H00000000,0,0,0,0,100,100,0,0,1,2.025,0,2,41,41,15,1
Style: ضربات ساسكي-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00693814,&H00000000,0,0,0,0,100,100,0,0,1,2.025,0,2,41,41,15,1
Style: ضربات ناروتو-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H004EB1EA,&H00000000,0,0,0,0,100,100,0,0,1,2.025,0,2,41,41,15,1
Style: Title-Naru_OP-furigana,!F Doha,54,&H00EAEAEA,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: KARA - نسخة-furigana,29LT Bukra Bold Italic,27,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,135,1
Style: KARA-furigana,29LT Bukra Bold Italic,27,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,8,0,0,47,1
Style: songs-furigana,AGA Rasheeq V.2 رشيق,41,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,2,0,0,47,1
Style: Nar_title_end-furigana,!F Doha,39,&H00000003,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,1.5,0,2,23,23,54,1
Style: Title-Naru-furigana,!F Doha,54,&H00F5FEFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Top-furigana,A Jannat LT,41,&H00B99090,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,3,1.6875,0,8,0,0,0,1
Style: Flashback-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00400000,&H00400000,-1,0,0,0,100,100,0,0,1,1.6875,0,2,23,23,54,1
Style: SMMain-furigana,rpt-Bold,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1.6875,0,2,0,0,54,1
Style: Attack-furigana,A Amine,36,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,1.51875,0,2,41,41,15,1
Style: Default-furigana,Arial,14,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,1.35,1.35,2,14,14,14,1
Style: Default,Arial,27,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2.7,2.7,2,14,14,14,1
Style: Attack,A Amine,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3.0375,0,2,41,41,15,1
Style: SMMain,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,2,0,0,54,1
Style: Flashback,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00400000,&H00400000,-1,0,0,0,100,100,0,0,1,3.375,0,2,23,23,54,1
Style: Top,A Jannat LT,81,&H00B99090,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,3,3.375,0,8,0,0,0,1
Style: Title-Naru,!F Doha,108,&H00F5FEFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: Nar_title_end,!F Doha,78,&H00000003,&H000000FF,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,3,0,2,23,23,54,1
Style: songs,AGA Rasheeq V.2 رشيق,81,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,2,0,0,47,1
Style: KARA,29LT Bukra Bold Italic,54,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,8,0,0,47,1
Style: KARA - نسخة,29LT Bukra Bold Italic,54,&H00EFF2FE,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,8,0,0,135,1
Style: Title-Naru_OP,!F Doha,108,&H00EAEAEA,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,2,23,23,30,1
Style: ضربات ناروتو,A Amine,72,&H00FFFFFF,&H000000FF,&H004EB1EA,&H00000000,0,0,0,0,100,100,0,0,1,4.05,0,2,41,41,15,1
Style: ضربات ساسكي,A Amine,72,&H00FFFFFF,&H000000FF,&H00693814,&H00000000,0,0,0,0,100,100,0,0,1,4.05,0,2,41,41,15,1
Style: ضربات كاكاشي,A Amine,72,&H00FFFFFF,&H000000FF,&H00A5989A,&H00000000,0,0,0,0,100,100,0,0,1,4.05,0,2,41,41,15,1
Style: Italics,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,-1,0,0,100,100,0,0,1,3.375,0,2,0,0,54,1
Style: On Top,rpt-Bold,72,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3.375,0,8,0,0,54,1
Style: ED-AR,Hacen Maghreb,60,&H00000000,&HFFB79774,&H00AEEAE7,&H00FDADFF,0,0,0,0,100,100,0,0,1,2.5,0,2,0,0,25,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 15,0:00:00.00,0:00:00.00,ضربات كاكاشي,,0,0,0,code once,math.randomseed(3500);
Comment: 0,0:00:00.00,0:00:00.00,ضربات كاكاشي,AutoTags,0,0,0,code syl,function AutoTags(Intervalo,Dato1,Dato2)            local RESULTADO=""     local SUERTE = 0     local CONTADOR = 0     local ARREGLO = 0                           local count = math.ceil(line.duration/Intervalo)                 			ARREGLO = {Dato1,Dato2}    			              for i = 1, count do               CONTADOR = i    	    	    		if Dato1 and Dato2 then     					if  CONTADOR%2 ==0 then    								SUERTE = ARREGLO[1]    					else    								SUERTE = ARREGLO[2]    					end	    		end     				    	RESULTADO = RESULTADO .."\\t(" ..(i-1)*Intervalo.. "," ..i*Intervalo.. ",\\" ..SUERTE..")"..""     			     end         		     return RESULTADO	  	    	               end
Comment: 0,0:00:00.00,0:00:00.00,ضربات كاكاشي,,0,0,0,template syl  noblank,!retime("start2syl",-700+syl.i*100,0)!{\an5\org(!$scenter-2000!,!$smiddle-500!)\pos($center,$middle)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{!AutoTags(550,'1img(SU.png,0,0)','1img(SU.png,210,-150)')!}
Comment: 1,0:00:00.00,0:00:00.00,ضربات كاكاشي,,0,0,0,template noblank,!retime("syl",0,0)!{\an5\bord3\blur8\move(!$scenter-25!,!$smiddle-5!,!$scenter!,!$smiddle!)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{!AutoTags(550,'1img(SU.png,0,0)','1img(SU.png,210,-150)')!}
Comment: 0,0:00:00.00,0:00:00.00,ضربات كاكاشي,,0,0,0,template syl,!retime("syl2end",0,-000+syl.i*100)!{\an5\\pos(!$scenter!,!$smiddle!)\))\fad(00,500)\1img(SU.png,,20)\\)}{!AutoTags(550,'1img(SU.png,80,0)','1img(SU.png,10,-80)')!}
Dialogue: 0,0:01:53.46,0:01:56.22,SMMain,,0,0,0,,!ناروتو والآخرون يقاتلون هناك
Dialogue: 0,0:01:58.51,0:01:59.80,SMMain,,0,0,0,,!علينا أن نقاتل نحن أيضًا
Dialogue: 0,0:02:01.26,0:02:07.27,Title-Naru_OP,,0,0,0,,{\pos(732.506,752.4)}الأسلحة التي تُعرف باسم الشينوبي
Dialogue: 0,0:02:08.87,0:02:09.49,SMMain,,0,0,0,,!أيها العجوز
Dialogue: 0,0:02:10.31,0:02:11.73,SMMain,,0,0,0,,!أيها العجوز غيتشي
Dialogue: 0,0:02:11.80,0:02:13.39,SMMain,,0,0,0,,!أرجوك أن تفتح الباب
Dialogue: 0,0:02:14.80,0:02:16.50,SMMain,,0,0,0,,!فلنذهب إلى الجسر
Dialogue: 0,0:02:16.64,0:02:18.27,SMMain,,0,0,0,,،إن قمنا بذلك رفقة بعض
Dialogue: 0,0:02:18.34,0:02:20.68,SMMain,,0,0,0,,!فبإمكاننا هزيمة غاتو ورجاله هذه المرّة
Dialogue: 0,0:02:26.35,0:02:27.28,SMMain,,0,0,0,,...إيناري
Dialogue: 0,0:02:28.08,0:02:30.81,SMMain,,0,0,0,,.لقد قرّرتُ عدم القتال بعد الآن
Dialogue: 0,0:02:31.82,0:02:33.45,SMMain,,0,0,0,,...حتى والدك
Dialogue: 0,0:02:34.72,0:02:36.78,SMMain,,0,0,0,,...الشخص الذي أطلقنا عليه لقب البطل
Dialogue: 0,0:02:37.76,0:02:39.09,SMMain,,0,0,0,,.لم يعد بيننا
Dialogue: 0,0:02:44.23,0:02:47.79,SMMain,,0,0,0,,.إن قاتلنا فسنفقد أرواحًا كثيرة
Dialogue: 0,0:02:49.07,0:02:52.27,SMMain,,0,0,0,,.لا أريد خسارة شيءٍ عزيزٍ عليّ بعد الآن
Dialogue: 0,0:02:53.48,0:02:56.78,SMMain,,0,0,0,,.لا أحد يريد الشعور بالندم مجدّدًا
Dialogue: 0,0:03:09.06,0:03:09.89,SMMain,,0,0,0,,...أنا
Dialogue: 0,0:03:10.30,0:03:12.52,SMMain,,0,0,0,,.لا أريد أن أشعر بالندم كذلك
Dialogue: 0,0:03:13.90,0:03:15.59,SMMain,,0,0,0,,!لهذا السبب علينا أن نقاتل
Dialogue: 0,0:03:16.97,0:03:20.23,Flashback,,0,0,0,,.على الرجل أن يعيش حياته دون ندم
Dialogue: 0,0:03:23.71,0:03:25.80,SMMain,,0,0,0,,.أنا أحبّ والدتي وجدّي
Dialogue: 0,0:03:25.88,0:03:27.97,SMMain,,0,0,0,,!وأحبك أنت أيضا أيها العجوز غيتشي
Dialogue: 0,0:03:28.04,0:03:30.04,SMMain,,0,0,0,,!أنا أحب جميع الناس هنا
Dialogue: 0,0:03:36.42,0:03:38.44,SMMain,,0,0,0,,...لقد أدركت أخيرًا
Dialogue: 0,0:03:39.26,0:03:42.45,SMMain,,0,0,0,,!بأنّني لن أحقّق أيّ شيء إن بكيت طيلة الوقت
Dialogue: 0,0:03:43.19,0:03:44.75,SMMain,,0,0,0,,!لقد أدركت ذلك أخيرًا
Dialogue: 0,0:04:03.11,0:04:07.74,SMMain,,0,0,0,,.إيناري... قد كبر وأصبح رجلًا جيّدًا
Dialogue: 0,0:04:10.22,0:04:14.38,SMMain,,0,0,0,,هل ستسمح لإيناري بالذهاب إلى هناك بمفرده؟
Dialogue: 0,0:04:20.86,0:04:21.73,SMMain,,0,0,0,,!اِفتح الباب
Dialogue: 0,0:04:21.86,0:04:22.63,SMMain,,0,0,0,,
Dialogue: 0,0:04:24.07,0:04:26.36,SMMain,,0,0,0,,!أنا أطلب منك أن تقاتل رفقتي
Dialogue: 0,0:04:27.84,0:04:30.00,SMMain,,0,0,0,,!أيها العجوز! أرجوك أن تستمع إليّ
Dialogue: 0,0:04:36.31,0:04:37.37,SMMain,,0,0,0,,...لماذا
Dialogue: 0,0:04:37.95,0:04:40.69,SMMain,,0,0,0,,لماذا لا يريد أيّ شخص أن يفتح لي الباب؟
Dialogue: 0,0:04:46.02,0:04:47.65,Flashback,,0,0,0,,!أنت قويّ
Dialogue: 0,0:04:50.26,0:04:51.75,Italics,,0,0,0,,...ناروتو
Dialogue: 0,0:05:10.95,0:05:12.07,SMMain,,0,0,0,,.زابوزا
Dialogue: 0,0:05:12.15,0:05:14.14,SMMain,,0,0,0,,.لقد بالغت في الثقة بنفسك
Dialogue: 0,0:05:15.02,0:05:17.32,SMMain,,0,0,0,,.أنت طموحٌ أكثر ممّا ينبغي
Dialogue: 0,0:05:20.62,0:05:24.69,SMMain,,0,0,0,,قمتَ باغتيال الميزوكاغي \N.لكنك فشلت في الإطاحة بحكمه
Dialogue: 0,0:05:26.13,0:05:28.69,SMMain,,0,0,0,,.غادرت رفقة بعضٍ من أتباعك
Dialogue: 0,0:05:28.83,0:05:30.76,SMMain,,0,0,0,,.وأصبحت نينجا هاربًا
Dialogue: 0,0:05:31.51,0:05:35.67,SMMain,,0,0,0,,.بعد ذلك بقليل، وصل صدى اسمك إلى قرية الورق
Dialogue: 0,0:05:36.60,0:05:38.70,SMMain,,0,0,0,,.كنت في حاجة إلى دعمٍ ماليّ للهجوم مرّة أخرى
Dialogue: 0,0:05:39.14,0:05:40.50,SMMain,,0,0,0,,كما أنك كنت في حاجة للاختباء
Dialogue: 0,0:05:40.57,0:05:42.57,SMMain,,0,0,0,,.من فرقة التتبّع والانتقام
Dialogue: 0,0:05:43.45,0:05:45.04,SMMain,,0,0,0,,أليس ذلك هو السبب
Dialogue: 0,0:05:45.12,0:05:48.27,SMMain,,0,0,0,,الذي دفعك إلى توظيف شخصٍ قذرٍ مثل غاتو؟
Dialogue: 0,0:05:49.58,0:05:50.51,SMMain,,0,0,0,,.زابوزا
Dialogue: 0,0:05:50.58,0:05:54.65,SMMain,,0,0,0,,أتعتقد حقًّا أنّني تمكّنت من العيش \Nبالاعتماد على الشارينغان فحسب؟
Dialogue: 0,0:05:56.26,0:06:00.32,SMMain,,0,0,0,,...إليك شيئًا لم أقم بنسخه، تقنيّة خاصة بي
Dialogue: 0,0:06:02.07,0:06:03.30,SMMain,,0,0,0,,!لأريك ما لديّ
Dialogue: 0,0:06:17.04,0:06:17.91,Top,,0,0,0,,!سيف البرق
Comment: 0,0:06:17.04,0:06:17.91,ضربات كاكاشي,,0,0,0,karaoke,{\k40}راي {\k47}كيري{\k0}
Dialogue: 0,0:06:19.61,0:06:20.44,SMMain,,0,0,0,,ما الذي...؟
Dialogue: 0,0:06:20.71,0:06:23.72,SMMain,,0,0,0,,!يمكنني رؤية يده وهي تفيض بالتشاكرا؟
Dialogue: 0,0:06:26.85,0:06:28.65,SMMain,,0,0,0,,.أنت خطير للغاية
Dialogue: 0,0:06:29.56,0:06:32.23,SMMain,,0,0,0,,تازونا-سان، الشخص الذي تحاول اغتياله
Dialogue: 0,0:06:32.30,0:06:33.86,SMMain,,0,0,0,,!هو رمز للشجاعة على هذه الأرض
Dialogue: 0,0:06:34.77,0:06:38.32,SMMain,,0,0,0,,!الجسر الذي يقوم ببنائه يعتبر مصدر أملٍ لهذه البلاد
Dialogue: 0,0:06:39.13,0:06:41.87,SMMain,,0,0,0,,.وطموحك سيؤدّي إلى التضحية بأرواح عديدة
Dialogue: 0,0:06:43.05,0:06:47.10,SMMain,,0,0,0,,ليست هذه هي الطريقة التي \N.على النينجا أن يتصرّف بها
Dialogue: 0,0:06:47.81,0:06:48.86,SMMain,,0,0,0,,من يهتمّ لذلك؟
Dialogue: 0,0:06:50.78,0:06:54.35,SMMain,,0,0,0,,.لطالما قاتلت من أجل مُثلي الخاصة
Dialogue: 0,0:06:55.26,0:06:58.88,SMMain,,0,0,0,,!ولن يتغيّر هذا أبدًا
Dialogue: 0,0:07:02.67,0:07:04.19,SMMain,,0,0,0,,.سأقولها مرّة أخرى
Dialogue: 0,0:07:04.57,0:07:05.23,SMMain,,0,0,0,,
Dialogue: 0,0:07:05.86,0:07:07.05,SMMain,,0,0,0,,.فلتستسلم
Dialogue: 0,0:07:10.80,0:07:13.37,SMMain,,0,0,0,,!مستقبلك... هو الموت
Dialogue: 0,0:07:22.18,0:07:23.24,SMMain,,0,0,0,,...ناروتو-كن
Dialogue: 0,0:07:23.82,0:07:25.34,SMMain,,0,0,0,,.أريدك أن تقتلني
Dialogue: 0,0:07:28.78,0:07:30.41,SMMain,,0,0,0,,.أرجوك أن تجعل الأمر سريعًا
Dialogue: 0,0:07:35.30,0:07:37.62,SMMain,,0,0,0,,لماذا تتردّد؟
Dialogue: 0,0:07:41.44,0:07:43.03,SMMain,,0,0,0,,!أنا لا أفهم الأمر فحسب
Dialogue: 0,0:07:43.44,0:07:48.09,SMMain,,0,0,0,,السبب الوحيد الذي يسمح \Nلك بالعيش هو بقاؤك قويًّا؟
Dialogue: 0,0:07:51.45,0:07:53.71,SMMain,,0,0,0,,...لا بدّ أنّ هنالك أمرًا آخر عدا القتال
Dialogue: 0,0:07:53.82,0:07:54.98,SMMain,,0,0,0,,لا بدّ أنّ هنالك طريقة أخرى
Dialogue: 0,0:07:55.05,0:07:57.51,SMMain,,0,0,0,,!لتجعل الآخرين يتقبّلونك
Dialogue: 0,0:07:58.94,0:08:02.89,SMMain,,0,0,0,,هل تذكر عندما التقينا في الغابة؟ أتعلم ما فكّرت فيه؟
Dialogue: 0,0:08:02.96,0:08:05.32,SMMain,,0,0,0,,.بأنّنا متشابهان
Dialogue: 0,0:08:08.12,0:08:09.85,SMMain,,0,0,0,,.أنا واثق أنك تشعر بما أشعر به
Dialogue: 0,0:08:12.37,0:08:16.02,SMMain,,0,0,0,,.أنا آسف على تلطيخ يديك بدمي
Dialogue: 0,0:08:17.30,0:08:18.35,SMMain,,0,0,0,,أهذا كلّ شيء؟
Dialogue: 0,0:08:19.57,0:08:21.63,SMMain,,0,0,0,,أليست هنالك طريقة أخرى على الإطلاق؟
Dialogue: 0,0:08:23.85,0:08:24.71,SMMain,,0,0,0,,.كلّا
Dialogue: 0,0:08:28.71,0:08:31.78,SMMain,,0,0,0,,،ليتنا... التقينا في ظروف مختلفة
Dialogue: 0,0:08:31.85,0:08:33.72,SMMain,,0,0,0,,.كنّا لنصبح أصدقاء
Dialogue: 0,0:08:40.85,0:08:44.46,SMMain,,0,0,0,,رجاءً... عدني بأنك ستحقّق حلمك
Dialogue: 0,0:08:45.63,0:08:47.52,SMMain,,0,0,0,,...هو أيضًا
Dialogue: 0,0:08:48.79,0:08:51.93,SMMain,,0,0,0,,!لدى ساسكي أحلامه هو أيضًا
Dialogue: 0,0:09:00.44,0:09:03.91,SMMain,,0,0,0,,.شكرًا لك... سوف تصبح أقوى
Dialogue: 0,0:09:05.94,0:09:06.77,SMMain,,0,0,0,,
Dialogue: 0,0:09:06.85,0:09:09.75,SMMain,,0,0,0,,.الضباب الكثيف بدأ ينقشع
Dialogue: 0,0:09:12.29,0:09:13.63,SMMain,,0,0,0,,!هنالك شخصان هناك
Dialogue: 0,0:09:13.90,0:09:15.06,SMMain,,0,0,0,,.إنهما يتواجهان
Dialogue: 0,0:09:15.13,0:09:15.95,SMMain,,0,0,0,,
Dialogue: 0,0:09:16.72,0:09:18.05,SMMain,,0,0,0,,...لا يمكنني الرؤية بوضوح
Dialogue: 0,0:09:19.12,0:09:20.82,SMMain,,0,0,0,,...أيهما كاكاشي-سينسي
Dialogue: 0,0:09:22.34,0:09:23.33,SMMain,,0,0,0,,!لقد تحرّك أحدهما
Dialogue: 0,0:09:27.90,0:09:28.63,SMMain,,0,0,0,,
Dialogue: 0,0:09:38.94,0:09:40.74,SMMain,,0,0,0,,...سامحني يا ناروتو-كن
Dialogue: 0,0:09:48.89,0:09:51.13,SMMain,,0,0,0,,!لا يمكنني الموت بعد
Dialogue: 0,0:10:05.31,0:10:06.40,SMMain,,0,0,0,,أهذه هي النهاية...؟
Dialogue: 0,0:10:22.36,0:10:23.42,SMMain,,0,0,0,,ماذا كان ذلك؟
Dialogue: 0,0:11:21.29,0:11:22.78,SMMain,,0,0,0,,...زابوزا
Dialogue: 0,0:11:26.52,0:11:29.51,SMMain,,0,0,0,,هل قلتَ بأنّ مستقبلي هو الموت المحتّم؟
Dialogue: 0,0:11:31.43,0:11:35.43,SMMain,,0,0,0,,!لقد أخطأت الهدف مجدّدًا يا كاكاشي
Dialogue: 0,0:11:40.47,0:11:41.31,SMMain,,0,0,0,,...كلّا
Dialogue: 0,0:11:41.38,0:11:42.94,SMMain,,0,0,0,,!لن تذهب إلى الجسر بمفردك
Dialogue: 0,0:11:46.18,0:11:49.58,SMMain,,0,0,0,,ذهبت إلى القرية بأكملها \N.لكن لا أحد يرغب في المجيء
Dialogue: 0,0:11:50.31,0:11:51.34,SMMain,,0,0,0,,!لا خيار أمامي
Dialogue: 0,0:11:53.26,0:11:54.55,SMMain,,0,0,0,,...لكن
Dialogue: 0,0:12:05.60,0:12:08.94,SMMain,,0,0,0,,!لحظة! أنت مجرّد فتى
Dialogue: 0,0:12:10.06,0:12:15.51,SMMain,,0,0,0,,.قد أكون مجرّد فتى، لكنّني أعلم ماهية القتال
Dialogue: 0,0:12:16.78,0:12:19.11,SMMain,,0,0,0,,!هذا لأنني ابن والدي
Dialogue: 0,0:12:25.12,0:12:26.05,SMMain,,0,0,0,,...عزيزي
Dialogue: 0,0:12:29.19,0:12:30.91,SMMain,,0,0,0,,!انتظر لحظة يا إيناري
Dialogue: 0,0:12:39.90,0:12:41.63,SMMain,,0,0,0,,إلى أين ذهب؟
Dialogue: 0,0:12:43.74,0:12:47.68,SMMain,,0,0,0,,...لم ألاحظ الأمر، لكن الضباب قد انقشع
Dialogue: 0,0:12:49.15,0:12:50.86,SMMain,,0,0,0,,أهو هناك؟
Dialogue: 0,0:12:53.98,0:12:54.81,SMMain,,0,0,0,,
Dialogue: 0,0:13:06.70,0:13:09.19,SMMain,,0,0,0,,!ما الذي يحدث هنا بحقّ الجحيم؟
Dialogue: 0,0:13:15.74,0:13:17.90,SMMain,,0,0,0,,أليس ذاك هو الفتى المقنّع؟
Dialogue: 0,0:13:20.07,0:13:22.77,Italics,,0,0,0,,.لم أتوقّع منه أن يقفز لإنقاذ زابوزا
Dialogue: 0,0:13:29.32,0:13:32.62,Italics,,0,0,0,,.الفتى... قد مات سلفًا
Dialogue: 0,0:13:36.96,0:13:38.36,SMMain,,0,0,0,,.أحسنت صنعًا يا هاكو
Dialogue: 0,0:13:44.83,0:13:45.82,SMMain,,0,0,0,,!كاكاشي سينسي
Dialogue: 0,0:13:47.40,0:13:49.43,Italics,,0,0,0,,!هل ينوي تقطيعي رفقة الفتى؟
Dialogue: 0,0:13:50.73,0:13:54.20,SMMain,,0,0,0,,!إنه تابع رائع عثرتُ عليه
Dialogue: 0,0:13:54.74,0:13:56.41,SMMain,,0,0,0,,،حتى في لحظاته الأخيرة
Dialogue: 0,0:13:56.48,0:13:59.07,SMMain,,0,0,0,,!منحني فرصة مثاليّة
Dialogue: 0,0:14:07.69,0:14:09.49,Flashback,,0,0,0,,.هاكو، لديّ أخبارٌ سيّئة
Dialogue: 0,0:14:10.82,0:14:13.73,Flashback,,0,0,0,,،عليّ مغادرة قرية الماء
Dialogue: 0,0:14:15.63,0:14:19.76,Flashback,,0,0,0,,.لكنّني سأعود لهذه القرية في يومٍ ما
Dialogue: 0,0:14:20.46,0:14:22.73,Flashback,,0,0,0,,.سوف أحكم هذه الأرض
Dialogue: 0,0:14:23.61,0:14:25.44,Flashback,,0,0,0,,،من أجل القيام بذلك
Dialogue: 0,0:14:25.51,0:14:29.94,Flashback,,0,0,0,,.ما أحتاجه ليس المواساة، التشجيع أو كلمات فارغة
Dialogue: 0,0:14:31.01,0:14:32.61,Flashback,,0,0,0,,...ما أحتاجه فعلًا هو
Dialogue: 0,0:14:32.88,0:14:34.01,Flashback,,0,0,0,,.أعلم ذلك سلفًا
Dialogue: 0,0:14:34.15,0:14:35.58,Flashback,,0,0,0,,.لا داعي للقلق
Dialogue: 0,0:14:35.95,0:14:38.15,Flashback,,0,0,0,,.أنا هو سلاحك يا زابوزا
Dialogue: 0,0:14:38.39,0:14:42.72,Flashback,,0,0,0,,.فلتبقني إلى جانبك كمجرّد أداة تنصاع لكلّ أوامرك
Dialogue: 0,0:14:45.93,0:14:47.19,Flashback,,0,0,0,,.أنت فتى طيّب
Dialogue: 0,0:15:05.82,0:15:08.11,SMMain,,0,0,0,,مات هاكو و ما زلت تستطيع الحراك؟
Dialogue: 0,0:15:09.98,0:15:11.15,SMMain,,0,0,0,,!لن أغفر لك
Dialogue: 0,0:15:11.22,0:15:12.15,SMMain,,0,0,0,,!ناروتو
Dialogue: 0,0:15:12.22,0:15:13.62,SMMain,,0,0,0,,!فلتبقَ هنالك ولتشاهد فحسب
Dialogue: 0,0:15:36.18,0:15:37.41,SMMain,,0,0,0,,...هذه
Dialogue: 0,0:15:38.48,0:15:40.10,SMMain,,0,0,0,,!معركتي
Dialogue: 0,0:15:45.32,0:15:46.25,SMMain,,0,0,0,,...ناروتو
Dialogue: 0,0:15:47.52,0:15:50.11,SMMain,,0,0,0,,!ناروتو! تسرّني رؤيتك
Dialogue: 0,0:15:51.93,0:15:52.99,Italics,,0,0,0,,...ساكورا-تشان
Dialogue: 0,0:15:54.40,0:15:55.49,SMMain,,0,0,0,,أين هو ساسكي-كن؟
Dialogue: 0,0:15:59.34,0:16:02.46,SMMain,,0,0,0,,ناروتو! أين هو ساسكي-كن؟
Dialogue: 0,0:16:12.32,0:16:13.21,SMMain,,0,0,0,,...ساكورا
Dialogue: 0,0:16:14.75,0:16:15.88,SMMain,,0,0,0,,!كاكاشي
Dialogue: 0,0:16:16.15,0:16:18.12,SMMain,,0,0,0,,!لا وقت لديك لتبعد ناظريك عنّي
Dialogue: 0,0:16:22.33,0:16:24.35,SMMain,,0,0,0,,لمَ لا أذهب رفقتك؟
Dialogue: 0,0:16:24.66,0:16:28.86,SMMain,,0,0,0,,.بتلك الطريقة، لن تخالفي تعاليم معلّمك
Dialogue: 0,0:16:30.00,0:16:30.83,SMMain,,0,0,0,,...صحيح
Dialogue: 0,0:16:45.10,0:16:46.23,SMMain,,0,0,0,,...ساسكي
Dialogue: 0,0:16:53.26,0:16:54.28,SMMain,,0,0,0,,
Dialogue: 0,0:17:22.59,0:17:23.71,SMMain,,0,0,0,,.إنه بارد
Dialogue: 0,0:17:24.32,0:17:27.12,SMMain,,0,0,0,,هذا ليس غينجتسو، صحيح؟
Dialogue: 0,0:17:29.56,0:17:32.53,SMMain,,0,0,0,,.لا تخفي دموعك فقط لأنني هنا
Dialogue: 0,0:17:33.36,0:17:36.82,SMMain,,0,0,0,,.لا داعي لإخفاء مشاعرك
Dialogue: 0,0:17:45.80,0:17:51.84,SMMain,,0,0,0,,...لطالما حصلت على علامات كاملة في أكاديميّة النينجا
Dialogue: 0,0:17:53.65,0:17:54.48,SMMain,,0,0,0,,
Dialogue: 0,0:17:56.18,0:17:59.71,SMMain,,0,0,0,,.قمتُ بحفظ المئات من قوانين الشينوبي
Dialogue: 0,0:18:00.36,0:18:03.38,SMMain,,0,0,0,,.جميع الاختبارات كانت سهلة
Dialogue: 0,0:18:04.46,0:18:07.59,SMMain,,0,0,0,,...حتى أحد الأيّام، صادفني هذا السؤال
Dialogue: 0,0:18:10.07,0:18:13.93,SMMain,,0,0,0,,ما هي القاعدة رقم 25 في طريق الشينوبي؟
Dialogue: 0,0:18:15.23,0:18:19.47,SMMain,,0,0,0,,.كالعادة، قمت بكتابة الإجابة دون التفكير حتى
Dialogue: 0,0:18:25.91,0:18:28.85,SMMain,,0,0,0,,على الشينوبي ألّا يظهر مشاعره أبدًا"
Dialogue: 0,0:18:28.92,0:18:30.75,SMMain,,0,0,0,,...تحت أيّ ظرف، مهما حدث
Dialogue: 0,0:18:31.95,0:18:33.72,SMMain,,0,0,0,,.المهمّة تأتي أوّلًا دائمًا
Dialogue: 0,0:18:34.12,0:18:38.12,SMMain,,0,0,0,,على النينجا أن يملك قوّة \N..."الشخصية لكي لا يذرف أية دموع
Dialogue: 0,0:18:46.90,0:18:50.50,Italics,,0,0,0,,أهذه هي... حياة الشينوبي؟
Dialogue: 0,0:18:52.51,0:18:54.20,Italics,,0,0,0,,...إنه أمر مؤلم لا يطلق
Dialogue: 0,0:18:56.17,0:18:57.08,SMMain,,0,0,0,,...ساسكي-كن
Dialogue: 0,0:19:24.64,0:19:28.27,Italics,,0,0,0,,لماذا؟ لماذا لا يمكنني مجاراته؟
Dialogue: 0,0:19:31.28,0:19:32.80,SMMain,,0,0,0,,!تبّا لك
Dialogue: 0,0:19:50.17,0:19:51.13,SMMain,,0,0,0,,!سحقًا
Dialogue: 0,0:20:02.11,0:20:04.84,SMMain,,0,0,0,,.لا يمكنك هزيمتي وأنت على هذه الحال
Dialogue: 0,0:20:05.34,0:20:06.46,SMMain,,0,0,0,,ما الذي قلته؟
Dialogue: 0,0:20:07.38,0:20:11.98,SMMain,,0,0,0,,!أنت ما زلت تجهل... معنى القوّة الحقيقيّة
Dialogue: 0,0:20:17.86,0:20:20.29,SMMain,,0,0,0,,.لنرى كيف تسير الأمور
Dialogue: 0,0:20:27.70,0:20:30.14,SMMain,,0,0,0,,!وداعًا أيها الشيطان
Dialogue: 0,0:20:56.62,0:20:59.29,SMMain,,0,0,0,,.كلا ذراعيك قد شُلّتا
Dialogue: 0,0:21:00.80,0:21:02.29,SMMain,,0,0,0,,.لا يمكنك حتّى عمل تقنيات ختم
Dialogue: 0,0:21:05.93,0:21:06.69,SMMain,,0,0,0,,
Dialogue: 0,0:21:11.48,0:21:15.00,SMMain,,0,0,0,,.يبدو أنك فشلت حقّا هذه المرّة
Dialogue: 0,0:21:17.92,0:21:20.86,SMMain,,0,0,0,,.لقد خاب أملي فيك حقّا يا زابوزا
Dialogue: 0,0:23:03.77,0:23:05.86,SMMain,,0,0,0,,!تبًّا لك
Dialogue: 0,0:23:06.11,0:23:08.32,SMMain,,0,0,0,,!ما الذي تفعله؟
Dialogue: 0,0:23:08.95,0:23:11.28,SMMain,,0,0,0,,!أليس لديك ما تقوله يا زابوزا؟
Dialogue: 0,0:23:11.53,0:23:12.95,SMMain,,0,0,0,,!لقد كان رفيقك، أليس كذلك؟
Dialogue: 0,0:23:13.16,0:23:15.87,SMMain,,0,0,0,,لقد كنتما رفقة بعضٍ دائمًا، صحيح؟
Dialogue: 0,0:23:16.08,0:23:18.62,SMMain,,0,0,0,,!لقد أحبك كثيرًا كما تعلم
Dialogue: 0,0:23:19.04,0:23:24.00,SMMain,,0,0,0,,!ألا تشعر بأيّ شيء حقًّا؟
Dialogue: 0,0:23:24.75,0:23:28.34,Nar_title_end,,0,0,0,,{\pos(1220.237,565.2)}الحلقة القادمة
Dialogue: 0,0:23:24.75,0:23:28.34,Nar_title_end,,0,0,0,,{\pos(389.824,241.2)}الشيطان يختفي وسط الثلج
Dialogue: 0,0:23:25.21,0:23:27.96,SMMain,,0,0,0,,{\pos(1088.798,930)}:في الحلقة القادمة \N"الشيطان يختفي وسط الثلج"
Dialogue: 0,0:23:28.30,0:23:31.30,SMMain,,0,0,0,,
Dialogue: 0,0:06:17.04,0:06:17.91,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(809,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}
Dialogue: 0,0:06:16.44,0:06:17.04,ضربات كاكاشي,,0,0,0,fx,{\an5\org(-1226,528)\pos(774,1028)\\c&HFFFFFF&\\fad200)\1img(SU.png,20,20)\\\t(0,300,\frx-3\fr-7\t(0,500,\fr5\frx3)\t(0,650,\fr0\frx0))}{\t(0,550,\1img(SU.png,210,-150))\t(550,1100,\1img(SU.png,0,0))}راي
Dialogue: 1,0:06:17.04,0:06:17.44,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(749,1023,774,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}راي
Dialogue: 0,0:06:17.44,0:06:18.01,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(774,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))\t(550,1100,\1img(SU.png,80,0))}راي
Dialogue: 1,0:06:17.44,0:06:17.91,ضربات كاكاشي,,0,0,0,fx,{\an5\bord3\blur8\move(653,1023,678,1028)\\fscx150\fscy150\3img(SU.png,20,20)\t)\bord2\blur3\fscx220\fscy220)\t(50,0,\\fscx100\fscy100\)}{\t(0,550,\1img(SU.png,210,-150))}كيري
Dialogue: 0,0:06:17.91,0:06:18.11,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(678,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))}كيري
Dialogue: 0,0:06:17.91,0:06:18.21,ضربات كاكاشي,,0,0,0,fx,{\an5\\pos(625,1028)\))\fad(00,500)\1img(SU.png,,20)\\)}{\t(0,550,\1img(SU.png,10,-80))}
Dialogue: 0,0:21:44.17,0:21:47.64,ED-AR,,0,0,0,,احفظ جوعك قبل أن تكون مثالًا
Dialogue: 0,0:21:47.65,0:21:51.08,ED-AR,,0,0,0,,وهيّج غضبك لتجعل فيهم إدراكًا
Dialogue: 0,0:21:51.09,0:21:54.46,ED-AR,,0,0,0,,تسلّق الجبل ولا تنزل أبدًا
Dialogue: 0,0:21:54.52,0:21:57.88,ED-AR,,0,0,0,,شقّ طريقك إلى باطنه ولا تخرّ ساقطًا
Dialogue: 0,0:22:01.30,0:22:04.79,ED-AR,,0,0,0,,ما زالت ركبتاي ترتعشان، وكأن الثانية عشرة عمري
Dialogue: 0,0:22:04.79,0:22:08.07,ED-AR,,0,0,0,,أتسلل خارج الفصلِ، عبر الباب الخلفيّ
Dialogue: 0,0:22:08.07,0:22:11.51,ED-AR,,0,0,0,,وإذ برجلٍ يوبخني مرتين، لكنني في كلتا الحالتين لا أبالي
Dialogue: 0,0:22:11.51,0:22:15.00,ED-AR,,0,0,0,,فالانتظار ليس إلّا مضيعةً لأمثالي
Dialogue: 0,0:22:15.08,0:22:18.49,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:18.49,0:22:21.94,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:21.94,0:22:25.31,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:25.31,0:22:28.30,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:38.06,0:22:41.22,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:41.50,0:22:44.56,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:44.93,0:22:48.17,ED-AR,,0,0,0,,ولا تجفَّ خائفًا ضالًّا
Dialogue: 0,0:22:48.17,0:22:51.40,ED-AR,,0,0,0,,وإلا انتهى بك الأمر لنفسك كارهًا
Dialogue: 0,0:22:51.74,0:22:55.06,ED-AR,,0,0,0,,لا تحاول أن تعِش حليمًا
Dialogue: 0,0:22:55.22,0:22:58.30,ED-AR,,0,0,0,,ولا تبكِ لأنك لستَ مخطئًا
Dialogue: 0,0:22:58.63,0:23:00.14,ED-AR,,0,0,0,,...ولا تجفَّ
Comment: 0,0:00:09.63,0:00:10.51,KARA,,0,0,0,karaoke,{\k37}Come {\k50}on!
Dialogue: 0,0:00:09.68,0:00:10.51,songs,,0,0,0,,!هيّا
Comment: 0,0:00:16.93,0:00:19.52,KARA,,0,0,0,karaoke,{\k48}o{\k24}wa{\k24}re{\k12}ru {\k29}yo{\k56}u{\k66}ni
Dialogue: 0,0:00:16.93,0:00:19.52,songs,,0,0,0,,أن تركض مثل الهارب
Comment: 0,0:00:20.52,0:00:22.69,KARA,,0,0,0,karaoke,{\k19}{\k36}i{\k39}so{\k17}i {\k24}de {\k18}i{\k63}ru
Dialogue: 0,0:00:20.52,0:00:22.69,songs,,0,0,0,,بينما تتمّ مطاردتك من قبل شيءٍ ما
Comment: 0,0:00:24.36,0:00:27.03,KARA,,0,0,0,karaoke,{\k19}{\k39}ka{\k32}wa{\k25}i {\k25}ta {\k24}mu{\k43}ne {\k59}ga
Dialogue: 0,0:00:24.36,0:00:27.03,songs,,0,0,0,,قلبي ينبض من الداخل
Comment: 0,0:00:28.11,0:00:31.11,KARA,,0,0,0,karaoke,{\k25}{\k49}ka{\k23}ri {\k26}ta{\k20}te{\k17}ru {\k37}no {\k101}sa
Dialogue: 0,0:00:28.11,0:00:30.74,songs,,0,0,0,,حلقي جافّ وكأنه يضمحلّ
Comment: 0,0:00:32.45,0:00:35.58,KARA,,0,0,0,karaoke,{\k22}{\k23}da{\k26}re {\k18}no {\k53}ta{\k46}me {\k31}de {\k42}na{\k49}ku
Dialogue: 0,0:00:32.45,0:00:35.54,songs,,0,0,0,,لا أقوم بهذا من أجل أيّ شخص
Comment: 0,0:00:36.08,0:00:39.33,KARA,,0,0,0,karaoke,{\k42}{\k25}da{\k26}re {\k17}no {\k52}mo{\k50}no {\k32}de {\k36}na{\k46}ku
Dialogue: 0,0:00:36.08,0:00:39.33,songs,,0,0,0,,وهذا لا يخصّ أيّ شخص
Comment: 0,0:00:40.79,0:00:45.09,KARA,,0,0,0,karaoke,{\k20}{\k47}o{\k26}re {\k39}ta{\k40}chi {\k65}no{\k91} {\k25}i{\k18}ma {\k55}ga
Dialogue: 0,0:00:40.79,0:00:45.05,songs,,0,0,0,,...هذا وقتنا نحن الآن
Comment: 0,0:00:47.71,0:00:49.59,KARA,,0,0,0,karaoke,{\k21}{\k26}i{\k25}ta{\k23}mi {\k35}ho{\k35}do{\k22}ki
Dialogue: 0,0:00:47.67,0:00:49.55,songs,,0,0,0,,الكشف عن الألم
Comment: 0,0:00:49.67,0:00:51.43,KARA - نسخة,,0,0,0,karaoke,{\k17}{\k23}ko{\k19}ko{\k29}ro {\k27}ho{\k22}do{\k36}ki
Dialogue: 0,0:00:49.68,0:00:51.39,songs,,0,0,0,,الكشف عن قلوبنا
Comment: 0,0:00:51.47,0:00:53.80,KARA,,0,0,0,karaoke,{\k29}{\k24}ka{\k20}ge {\k28}o {\k29}ho{\k41}do{\k63}ki
Dialogue: 0,0:00:51.47,0:00:53.81,songs,,0,0,0,,الكشف عن الظلال
Comment: 0,0:00:55.64,0:00:57.47,KARA,,0,0,0,karaoke,{\k25}i{\k27}ki {\k15}o {\k33}tsu{\k45}ne{\k41}te
Dialogue: 0,0:00:55.31,0:00:57.10,songs,,0,0,0,,التي تخنق أنفاسنا
Comment: 0,0:00:57.51,0:00:59.39,KARA - نسخة,,0,0,0,karaoke,{\k20}ha{\k34}shi{\k20}ri {\k21}nu{\k26}ke{\k65}ro
Dialogue: 0,0:00:57.14,0:00:59.06,songs,,0,0,0,,السعي نحو المنتهى
Comment: 0,0:00:59.39,0:01:01.60,KARA,,0,0,0,karaoke,{\k29}ya{\k18}mi {\k21}o {\k35}sa{\k41}i{\k76}te
Dialogue: 0,0:00:59.14,0:01:01.56,songs,,0,0,0,,الولوج خلال الظلمة
Comment: 0,0:01:03.48,0:01:10.07,KARA,,0,0,0,karaoke,{\k17}{\k48}ta{\k21}ta{\k21}ka{\k30}u {\k26}ko{\k43}to {\k77}mo{\k116} {\k32}a{\k26}i{\k41}shi {\k46}au {\k43}ko{\k43}to {\k26}mo
Dialogue: 0,0:01:03.44,0:01:10.03,songs,,0,0,0,,خلال القتال والحب
Comment: 0,0:01:11.03,0:01:13.66,KARA,,0,0,0,karaoke,{\k25}{\k28}o{\k41}wa{\k26}ri {\k37}wa {\k35}shi{\k29}na{\k41}i
Dialogue: 0,0:01:10.99,0:01:13.62,songs,,0,0,0,,نحو النور البعيد فوقنا
Comment: 0,0:01:14.11,0:01:17.28,KARA,,0,0,0,karaoke,{\k39}{\k41}On {\k16}the {\k223}way
Dialogue: 0,0:01:14.08,0:01:17.25,songs,,0,0,0,,أجل، نحن في طريقنا
Comment: 0,0:01:22.29,0:01:23.67,KARA,,0,0,0,karaoke,{\k28}I {\k19}wanna {\k93}ROCKS
Dialogue: 0,0:01:22.21,0:01:23.63,songs,,0,0,0,,أريد أن أتزعزع
Comment: 0,0:01:26.04,0:01:27.50,KARA,,0,0,0,karaoke,{\k33}mu{\k25}ne {\k22}ni {\k65}ROCKS
Dialogue: 0,0:01:26.00,0:01:27.42,songs,,0,0,0,,أزعزع قلبي
Dialogue: 0,0:00:00.00,0:00:05.00,Default,,0,0,0,,
Dialogue: 0,0:00:08.63,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:09.53,0:00:09.63,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:09.63,0:00:10.69,KARA,,0,0,0,fx,{\an5\pos(616,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:08.69,0:00:09.53,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(1000,0)}Come
Dialogue: 0,0:00:09.53,0:00:10.00,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,470,\fscx100\fscy100\3c&H00000000&)}Come
Dialogue: 0,0:00:10.00,0:00:10.75,KARA,,0,0,0,fx,{\an5\pos(678,74)\blur3\fad(0,1000)}Come
Dialogue: 0,0:00:08.75,0:00:09.90,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(1000,0)}on!
Dialogue: 0,0:00:09.90,0:00:10.50,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,600,\fscx100\fscy100\3c&H00000000&)}on!
Dialogue: 0,0:00:10.50,0:00:10.81,KARA,,0,0,0,fx,{\an5\pos(786,74)\blur3\fad(0,1000)}on!
Dialogue: 0,0:00:15.93,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:16.83,0:00:16.93,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:16.93,0:00:19.40,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:15.99,0:00:16.83,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(1000,0)}o
Dialogue: 0,0:00:16.83,0:00:17.41,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,580,\fscx100\fscy100\3c&H00000000&)}o
Dialogue: 0,0:00:17.41,0:00:19.46,KARA,,0,0,0,fx,{\an5\pos(579,74)\blur3\fad(0,1000)}o
Dialogue: 0,0:00:16.05,0:00:17.31,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:17.31,0:00:17.65,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:17.65,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(623,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:16.11,0:00:17.55,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(1000,0)}re
Dialogue: 0,0:00:17.55,0:00:17.89,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}re
Dialogue: 0,0:00:17.89,0:00:19.58,KARA,,0,0,0,fx,{\an5\pos(676,74)\blur3\fad(0,1000)}re
Dialogue: 0,0:00:16.17,0:00:17.79,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:17.79,0:00:18.01,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,220,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:18.01,0:00:19.64,KARA,,0,0,0,fx,{\an5\pos(720,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:16.23,0:00:17.91,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(1000,0)}yo
Dialogue: 0,0:00:17.91,0:00:18.30,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,390,\fscx100\fscy100\3c&H00000000&)}yo
Dialogue: 0,0:00:18.30,0:00:19.70,KARA,,0,0,0,fx,{\an5\pos(780,74)\blur3\fad(0,1000)}yo
Dialogue: 0,0:00:16.29,0:00:18.20,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(1000,0)}u
Dialogue: 0,0:00:18.20,0:00:18.86,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,660,\fscx100\fscy100\3c&H00000000&)}u
Dialogue: 0,0:00:18.86,0:00:19.76,KARA,,0,0,0,fx,{\an5\pos(819,74)\blur3\fad(0,1000)}u
Dialogue: 0,0:00:16.35,0:00:18.76,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(1000,0)}ni
Dialogue: 0,0:00:18.76,0:00:19.52,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,760,\fscx100\fscy100\3c&H00000000&)}ni
Dialogue: 0,0:00:19.52,0:00:19.82,KARA,,0,0,0,fx,{\an5\pos(851,74)\blur3\fad(0,1000)}ni
Dialogue: 0,0:00:19.52,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.52,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.52,0:00:22.57,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.58,0:00:20.42,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:20.42,0:00:20.71,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:20.71,0:00:22.63,KARA,,0,0,0,fx,{\an5\pos(614,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:19.64,0:00:20.61,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:20.61,0:00:21.07,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,460,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.07,0:00:22.69,KARA,,0,0,0,fx,{\an5\pos(620,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.70,0:00:20.97,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(1000,0)}so
Dialogue: 0,0:00:20.97,0:00:21.46,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}so
Dialogue: 0,0:00:21.46,0:00:22.75,KARA,,0,0,0,fx,{\an5\pos(652,74)\blur3\fad(0,1000)}so
Dialogue: 0,0:00:19.76,0:00:21.36,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.36,0:00:21.63,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,270,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:21.63,0:00:22.81,KARA,,0,0,0,fx,{\an5\pos(683,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.82,0:00:21.53,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(1000,0)}de
Dialogue: 0,0:00:21.53,0:00:21.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}de
Dialogue: 0,0:00:21.87,0:00:22.87,KARA,,0,0,0,fx,{\an5\pos(728,74)\blur3\fad(0,1000)}de
Dialogue: 0,0:00:19.88,0:00:21.77,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:21.77,0:00:22.05,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,280,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:22.05,0:00:22.93,KARA,,0,0,0,fx,{\an5\pos(773,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:19.94,0:00:21.95,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(1000,0)}ru
Dialogue: 0,0:00:21.95,0:00:22.68,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,730,\fscx100\fscy100\3c&H00000000&)}ru
Dialogue: 0,0:00:22.68,0:00:22.99,KARA,,0,0,0,fx,{\an5\pos(800,74)\blur3\fad(0,1000)}ru
Dialogue: 0,0:00:23.36,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.36,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.36,0:00:26.85,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.42,0:00:24.26,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:24.26,0:00:24.55,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,290,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:24.55,0:00:26.91,KARA,,0,0,0,fx,{\an5\pos(530,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:23.48,0:00:24.45,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:24.45,0:00:24.94,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,490,\fscx100\fscy100\3c&H00000000&)}ka
Dialogue: 0,0:00:24.94,0:00:26.97,KARA,,0,0,0,fx,{\an5\pos(555,74)\blur3\fad(0,1000)}ka
Dialogue: 0,0:00:23.54,0:00:24.84,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(1000,0)}wa
Dialogue: 0,0:00:24.84,0:00:25.26,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,420,\fscx100\fscy100\3c&H00000000&)}wa
Dialogue: 0,0:00:25.26,0:00:27.03,KARA,,0,0,0,fx,{\an5\pos(611,74)\blur3\fad(0,1000)}wa
Dialogue: 0,0:00:23.60,0:00:25.16,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(1000,0)}i
Dialogue: 0,0:00:25.16,0:00:25.51,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}i
Dialogue: 0,0:00:25.51,0:00:27.09,KARA,,0,0,0,fx,{\an5\pos(647,74)\blur3\fad(0,1000)}i
Dialogue: 0,0:00:23.66,0:00:25.41,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(1000,0)}ta
Dialogue: 0,0:00:25.41,0:00:25.76,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}ta
Dialogue: 0,0:00:25.76,0:00:27.15,KARA,,0,0,0,fx,{\an5\pos(689,74)\blur3\fad(0,1000)}ta
Dialogue: 0,0:00:23.72,0:00:25.66,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(1000,0)}mu
Dialogue: 0,0:00:25.66,0:00:26.00,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,340,\fscx100\fscy100\3c&H00000000&)}mu
Dialogue: 0,0:00:26.00,0:00:27.21,KARA,,0,0,0,fx,{\an5\pos(757,74)\blur3\fad(0,1000)}mu
Dialogue: 0,0:00:23.78,0:00:25.90,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\fad(1000,0)}ne
Dialogue: 0,0:00:25.90,0:00:26.43,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,530,\fscx100\fscy100\3c&H00000000&)}ne
Dialogue: 0,0:00:26.43,0:00:27.27,KARA,,0,0,0,fx,{\an5\pos(815,74)\blur3\fad(0,1000)}ne
Dialogue: 0,0:00:23.84,0:00:26.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(1000,0)}ga
Dialogue: 0,0:00:26.33,0:00:27.02,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,690,\fscx100\fscy100\3c&H00000000&)}ga
Dialogue: 0,0:00:27.02,0:00:27.33,KARA,,0,0,0,fx,{\an5\pos(880,74)\blur3\fad(0,1000)}ga
Dialogue: 0,0:00:27.11,0:00:28.01,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:28.01,0:00:28.11,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,100,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:28.11,0:00:30.93,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:27.17,0:00:28.01,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(1000,0)}
Dialogue: 0,0:00:28.01,0:00:28.36,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,350,\fscx100\fscy100\3c&H00000000&)}
Dialogue: 0,0:00:28.36,0:00:30.99,KARA,,0,0,0,fx,{\an5\pos(540,74)\blur3\fad(0,1000)}
Dialogue: 0,0:00:27.23,0:00:28.26,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\fad(1000,0)}ka
Dialogue: 0,0:00:28.26,0:00:28.85,KARA,,0,0,0,fx,{\an5\pos(565,74)\blur3\t(0,100,\fscx120\fscy120\3c&HFFFFFF&)\t(100,590,\fscx100\fscy100\3c&H00000000&)}ka
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