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Audio File: [Athbul-Khayal] Kono Oto Tomare! - 18 [arabic][720p][AD739ED0].mkv
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[V4+ Styles]
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Style: OP-Arabic,Hayah,65,&H00000000,&H000000FF,&H00FFFFFF,&H00000000,0,0,0,0,100,100,0,0,1,3.5,0,2,10,10,20,1
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Style: ED-Arabic,Hayah,65,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,-1,0,0,100,100,0,0,1,3,0,2,10,10,20,1
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.12,0:00:04.62,Signs-0,,0,0,0,,{\c&H65413B&\frz347.1\pos(529.333,117.334)}غرفة المعلمين
Dialogue: 0,0:00:00.70,0:00:04.58,Default,,0,0,0,,...يا أستاذ، فيما يتعلق بعنوان هذه المقطوعة
Dialogue: 0,0:00:04.65,0:00:08.36,Signs-0,,0,0,0,,{\pos(613.333,182.667)\c&H574949&\fscx166\fscy138}تينكيو
Dialogue: 0,0:00:04.58,0:00:08.29,Default,,0,0,0,,قوس في السماء؟
Dialogue: 0,0:00:08.29,0:00:14.00,Default,,0,0,0,,.نعم، فكرت في "الطيف" لكن أعتقد أنه جليّ للغاية
Dialogue: 0,0:00:14.00,0:00:16.12,Default,,0,0,0,,ولماذا الطيف؟
Dialogue: 0,0:00:16.12,0:00:22.90,Default,,0,0,0,,ر-رأيت أن الطيف الذي يظهر بعد المطر\N...مشابه لابتساماتنا... فنحن سبعة
Dialogue: 0,0:00:23.02,0:00:24.52,Signs-0,,0,0,0,,{\frz25.67\pos(376,329)\c&HB979D9&}هاهاها
Dialogue: 0,0:00:23.02,0:00:24.52,Signs-0,,0,0,0,,{\c&HBB5A5F&\pos(314.667,496)}سبعة أعضاء في النادي
Dialogue: 0,0:00:23.52,0:00:24.52,Signs-0,,0,0,0,,{\pos(930,288)\c&HC25640&}سبعة ألوان...؟
Dialogue: 0,0:00:27.16,0:00:29.04,Default,,0,0,0,,طيف بسبعة ألوان إذن؟
Dialogue: 0,0:00:29.04,0:00:30.75,Default,,0,0,0,,.يبدو رائعًا
Dialogue: 0,0:00:30.75,0:00:32.41,Default,,0,0,0,,!غيرت رأيي، سأغيره
Dialogue: 0,0:00:32.41,0:00:37.00,Default,,0,0,0,,،مهلاً، مهلاً، أعتقد أنه جميل حقًا\N.لكن سأغير رمزًا واحدًا
Dialogue: 0,0:00:37.00,0:00:41.91,Default,,0,0,0,,"من "قوس" إلى "بكاء\N."سيقرأ كما هو "تينكيو
Dialogue: 0,0:00:37.02,0:00:41.80,Signs-0,,0,0,0,,{\c&H6A6050&\pos(375.667,60)\frz19.86}(تين (سماء) كيو (قوس
Dialogue: 0,0:00:37.02,0:00:41.80,Signs-0,,0,0,0,,{\c&H6A6050&\frz17.35\pos(511.333,488.667)}(كيو (بكاء
Dialogue: 0,0:00:41.91,0:00:47.37,Default,,0,0,0,,السماء تبكي"؟ أحقًا تمنح هذه المقطوعة شعورًا حزينًا؟"
Dialogue: 0,0:00:47.37,0:00:49.66,Default,,0,0,0,,.لم أقل هذا
Dialogue: 0,0:00:49.66,0:00:53.62,Default,,0,0,0,,.تينكيو مع "بكاء" هو المطر الذي يهطل بلا وجود للسحب
Dialogue: 0,0:00:53.62,0:01:00.04,Default,,0,0,0,,.هذا انطباعي عنها، أعتقد أنها كالمطر المتساقط من السماء الزرقاء الصافية
Dialogue: 0,0:01:00.04,0:01:03.95,Default,,0,0,0,,يبكي الناس لأسباب مختلفة، أليس كذلك؟\N.ليس فقط عندما يحزنون
Dialogue: 0,0:01:05.29,0:01:10.20,Default,,0,0,0,,.يبدو أنك تفهم المقطوعة أكثر مني
Dialogue: 0,0:01:10.20,0:01:11.95,Default,,0,0,0,,.سنقع في المتاعب إذا لم أفهمها
Dialogue: 0,0:01:11.95,0:01:16.16,Default,,0,0,0,,لن أستطيع تولي إرشادكم إذا لم أفهمها جيدًا، أليس كذلك؟
Dialogue: 0,0:01:20.25,0:01:21.95,Default,,0,0,0,,.حددنا العنوان
Dialogue: 0,0:01:21.95,0:01:25.83,Default,,0,0,0,,...لكن الذي يفتقرون إليه حقًا هو
Dialogue: 0,0:01:25.83,0:01:29.70,Default,,0,0,0,,يا أستاذ تاكينامي، هل لديك بعض الوقت؟
Dialogue: 0,0:03:01.65,0:03:06.70,ep,,0,0,0,,{\fad(500,500)\pos(1200,625.714)\fscx173\fscy141}الحلقة 18: عزيمتهم
Dialogue: 0,0:03:04.08,0:03:06.70,Default -up,,0,0,0,,ماذا؟ هل ستجلسين خلفي يا كوروسو-سان؟
Dialogue: 0,0:03:07.32,0:03:09.16,Default,,0,0,0,,!أنت أمامي يا كوراتا؟
Dialogue: 0,0:03:09.16,0:03:11.25,Default,,0,0,0,,.أشعر بالسوء لأن مقعدينا على مقربة من بعضهما
Dialogue: 0,0:03:11.25,0:03:14.12,Default,,0,0,0,,.هذا يعني أن نظل معًا دائمًا إذا احتسبنا وقت النادي
Dialogue: 0,0:03:14.12,0:03:16.44,Signs-0,,0,0,0,,{\c&HB8ACA8&\move(674,100,670,229.333,33,2286)}إعادة ترتيب المقاعد
Dialogue: 0,0:03:14.12,0:03:16.54,Default,,0,0,0,,!لا على الإطلاق، بل أنا سعيدة
Dialogue: 0,0:03:17.87,0:03:20.79,Default,,0,0,0,,!أ-أقصد أنه سيكون من السهل أن نتناقش حول أنشطة النادي هكذا
Dialogue: 0,0:03:20.79,0:03:21.95,Default,,0,0,0,,!هذا ما أقصده
Dialogue: 0,0:03:21.95,0:03:24.04,Default,,0,0,0,,.أجل، معك حق
Dialogue: 0,0:03:26.12,0:03:29.91,Default,,0,0,0,,.كـ-كان هذا وشيكًا، أنا سعيدة لأنه لم يفهم
Dialogue: 0,0:03:35.37,0:03:39.75,Default,,0,0,0,,!شكرًا يا رب! سأبذل جهدي في النادي، سأبذل جهدًا مضاعفًا
Dialogue: 0,0:03:40.75,0:03:46.29,Default,,0,0,0,,.أنا دوجيما من مدرسة هوزوكي للكوتو
Dialogue: 0,0:03:46.29,0:03:53.16,Default,,0,0,0,,.سمعنا أن ابنة كبيرة المعلمين عضو في نادي الكوتو لديكم
Dialogue: 0,0:03:53.16,0:03:59.20,Default,,0,0,0,,.لذا نحن نرغب في المساعدة إذا أتيحت لنا الفرصة
Dialogue: 0,0:03:59.27,0:04:01.53,Signs-0,,0,0,0,,{\fscx78\fscy71\c&H7D4830&\pos(629.333,382.667)}نادي الكوتو
Dialogue: 0,0:04:00.04,0:04:01.58,Default,,0,0,0,,!تينكيو؟
Dialogue: 0,0:04:02.28,0:04:07.29,Default,,0,0,0,,وقع الاسم جميل، المطر المتساقط من السماء المشمسة؟
Dialogue: 0,0:04:07.29,0:04:08.16,Default,,0,0,0,,.يا أستاذ
Dialogue: 0,0:04:08.16,0:04:10.87,Default,,0,0,0,,ما هذا؟ ألم يصل الجميع بعد؟
Dialogue: 0,0:04:11.58,0:04:14.87,Default,,0,0,0,,...كودو والآخرون لديهم مهام تنظيف
Dialogue: 0,0:04:17.37,0:04:20.08,Default,,0,0,0,,.طاب يومك ساتوا-سان
Dialogue: 0,0:04:22.75,0:04:25.83,Default,,0,0,0,,د-دوجيما-سان... لماذا؟
Dialogue: 0,0:04:25.83,0:04:27.58,Default,,0,0,0,,هل تعرفينها يا هوزوكي-سان؟
Dialogue: 0,0:04:27.58,0:04:34.33,Default,,0,0,0,,.سعيدة بلقائكم، أنا دوجيما أكيرا من مدرسة هوزوكي
Dialogue: 0,0:04:34.33,0:04:39.37,Default,,0,0,0,,.سأقدم لكم دروس الكوتو اعتبارًا من اليوم
Dialogue: 0,0:04:39.37,0:04:42.58,Default,,0,0,0,,.سعيدة بهذه الفرصة
Dialogue: 0,0:04:43.14,0:04:44.58,Default,,0,0,0,,د-دروس؟
Dialogue: 0,0:04:44.58,0:04:46.87,Default,,0,0,0,,!ومن مدرسة هوزوكي أيضًا؟
Dialogue: 0,0:04:47.95,0:04:50.37,Default,,0,0,0,,!مهلاً يا سوزوكا-تشان، ما معنى هذا؟
Dialogue: 0,0:04:50.37,0:04:52.83,Default,,0,0,0,,.ما معنى هذا؟ كما سمعت
Dialogue: 0,0:04:52.83,0:04:54.91,Default,,0,0,0,,!لم أقصد هذا
Dialogue: 0,0:04:55.89,0:04:57.41,Default,,0,0,0,,!سأتغلب عليك اليوم يا تشيكا
Dialogue: 0,0:04:57.41,0:04:58.62,Default,,0,0,0,,!في أحلامك
Dialogue: 0,0:05:06.70,0:05:08.45,Default,,0,0,0,,!...أيها الحمقى
Dialogue: 0,0:05:09.54,0:05:11.79,Default,,0,0,0,,!رائع! كأحجار الدومينو
Dialogue: 0,0:05:15.95,0:05:19.66,Default,,0,0,0,,يا أستاذ تاكينامي، ما الذي يفعله هؤلاء الطلاب؟
Dialogue: 0,0:05:20.44,0:05:22.95,Default,,0,0,0,,.أعتذر عن هذه الفوضى
Dialogue: 0,0:05:22.95,0:05:26.04,Default,,0,0,0,,.هم أيضًا أعضاء في النادي
Dialogue: 0,0:05:26.04,0:05:27.87,Default,,0,0,0,,هل تمزح؟
Dialogue: 0,0:05:27.87,0:05:29.58,Default,,0,0,0,,.لا
Dialogue: 0,0:05:29.58,0:05:31.91,Default,,0,0,0,,يا أستاذ، من هذه الأخت؟
Dialogue: 0,0:05:31.91,0:05:35.29,Default,,0,0,0,,.ستكون معلمتكم اعتبارًا من اليوم
Dialogue: 0,0:05:35.95,0:05:39.29,Default,,0,0,0,,.فوق هذا، إنها من مدرسة هوزوكي
Dialogue: 0,0:05:39.29,0:05:43.33,Default,,0,0,0,,.اعتقدت أنك ستتولى إرشادنا يا أستاذ تاكينامي
Dialogue: 0,0:05:43.33,0:05:47.45,Default,,0,0,0,,.سأفعل... سأقدم لكم الإرشاد الموسيقي في المقطوعة بشكل عام
Dialogue: 0,0:05:47.45,0:05:52.33,Default,,0,0,0,,.لكنكم تحتاجون الآن إلى تحسين مهاراتكم
Dialogue: 0,0:05:52.33,0:05:56.66,Default,,0,0,0,,،بغض النظر عن تميز موسيقى الأشخاص أو عمق تأثيرها على الناس
Dialogue: 0,0:05:56.66,0:05:59.87,Default,,0,0,0,,.لن يتمكنوا من الفوز في مسابقة إذا كانت مهاراتهم متدنية
Dialogue: 0,0:05:59.87,0:06:04.62,Default,,0,0,0,,.وأنا لا أستطيع تعليمكم الكوتو للأسف
Dialogue: 0,0:06:04.62,0:06:08.75,Default,,0,0,0,,...لكن لدينا هوزوكي، إذا استمرت في تعليمنا كما تفعل فسوف
Dialogue: 0,0:06:08.75,0:06:12.70,Default,,0,0,0,,.أريد من هوزوكي أن تركز على تدريباتها
Dialogue: 0,0:06:13.75,0:06:18.00,Default,,0,0,0,,.من المتعب أن يتولى الشخص تعليم الآخرين أثناء عزفه
Dialogue: 0,0:06:18.00,0:06:21.08,Default,,0,0,0,,.بالإضافة إلى أنه يخسر قدرًا كبيرًا من الوقت ليتدرب هو أيضًا
Dialogue: 0,0:06:21.08,0:06:26.58,Default,,0,0,0,,أم أنكم تعتقدون أن هوزوكي ليست بحاجة إلى تدريب؟
Dialogue: 0,0:06:26.58,0:06:30.58,Default,,0,0,0,,.إذا فهمتم هذا فابدأو التدريب في الحال
Dialogue: 0,0:06:30.58,0:06:36.04,Default,,0,0,0,,.أريد أن أرى قدراتكم، لذا سأكتفي بالمشاهدة اليوم
Dialogue: 0,0:06:36.04,0:06:40.25,Default,,0,0,0,,.صحيح أنه من الأفضل أن نحظى بمعلم للكوتو
Dialogue: 0,0:06:40.25,0:06:42.70,Default,,0,0,0,,لكن لماذا دوجيما-سان؟
Dialogue: 0,0:06:42.70,0:06:45.79,Default,,0,0,0,,ماذا سأفعل لو كانت تدبر مكيدة للنادي؟
Dialogue: 0,0:06:45.79,0:06:48.20,Default,,0,0,0,,...إذا تعرض أحدهم للأذى بسببي
Dialogue: 0,0:06:48.20,0:06:49.95,Default,,0,0,0,,.هوزوكي
Dialogue: 0,0:06:49.95,0:06:52.45,Default,,0,0,0,,.لا حاجة للقلق
Dialogue: 0,0:06:52.45,0:06:56.12,Default,,0,0,0,,.ستكون الأمور على ما يرام، لذا تدربي قدر استطاعتك
Dialogue: 0,0:06:56.12,0:06:58.00,Default,,0,0,0,,...يا أستاذ
Dialogue: 0,0:07:01.62,0:07:03.75,Default,,0,0,0,,.هيا، أنتم أيضًا
Dialogue: 0,0:07:06.70,0:07:09.70,Default,,0,0,0,,.هذه المدونة الموسيقية للمقطوعة التي يتدربون عليها الآن
Dialogue: 0,0:07:09.70,0:07:11.45,Default,,0,0,0,,.شكرًا جزيلاً
Dialogue: 0,0:07:11.45,0:07:13.54,Default,,0,0,0,,.لم أسمع عن هذه المقطوعة من قبل
Dialogue: 0,0:07:13.54,0:07:15.50,Default,,0,0,0,,...إنها مقطوعة أصلية
Dialogue: 0,0:07:15.50,0:07:21.62,Default,,0,0,0,,.هكذا إذن... أنا بحاجة إلى التعرف على هذه المقطوعة أولاً
Dialogue: 0,0:07:43.69,0:07:45.44,Signs-0,,0,0,0,,{\frz17.36\pos(807.667,105.333)\fscx85\fscy97\c&H191619&}نادي الكوتو
Dialogue: 0,0:07:45.62,0:07:48.70,Default,,0,0,0,,ما رأيك بعد أن رأيت تدريباتهم؟
Dialogue: 0,0:07:48.70,0:07:55.37,Default,,0,0,0,,.في الحقيقة... أشعر بخيبة الأمل لأن المستوى أقل مما توقعت
Dialogue: 0,0:07:55.37,0:07:58.70,Default,,0,0,0,,،يبدو أن ساتوا-سان كانت تعلمهم حتى الآن
Dialogue: 0,0:07:58.70,0:08:01.54,Default,,0,0,0,,.لكن يبدو أن تعليمها كان ركيكًا
Dialogue: 0,0:08:02.37,0:08:06.12,Default,,0,0,0,,تتحدثين بغرور، هل أنتِ بارعة إلى هذه الدرجة؟
Dialogue: 0,0:08:06.12,0:08:07.91,Default,,0,0,0,,ماذا تقصد بـ "بارعة إلى هذه الدرجة"؟
Dialogue: 0,0:08:07.91,0:08:10.37,Default,,0,0,0,,هل تستطيعين العزف أفضل من هوزوكي-سان؟
Dialogue: 0,0:08:10.37,0:08:14.50,Default,,0,0,0,,.أعتقد أن التدريب والعزف أمران مختلفان
Dialogue: 0,0:08:14.50,0:08:15.87,Default,,0,0,0,,...لكن
Dialogue: 0,0:08:15.87,0:08:22.70,Default,,0,0,0,,.ساتوا-سان عزفت المقطوعة الأصلية "تينكيو" واستُبعدت من بطولة الكوتو الوطنية
Dialogue: 0,0:08:22.70,0:08:26.58,Default,,0,0,0,,.وأنا التي حصلت على المركز الأول في نفس البطولة
Dialogue: 0,0:08:31.95,0:08:34.66,Default,,0,0,0,,هل يرضيكم هذا؟
Dialogue: 0,0:08:34.75,0:08:36.25,Signs-0,,0,0,0,,{\frz342.3\pos(572,211.667)\c&H271510&}آلات نيشينا الموسيقية
Dialogue: 0,0:08:35.25,0:08:38.16,Default,,0,0,0,,!تبًا! ما قصة تلك الفتاة؟
Dialogue: 0,0:08:38.16,0:08:40.00,Default,,0,0,0,,"هل يرضيكم هذا؟"
Dialogue: 0,0:08:40.00,0:08:40.95,Default,,0,0,0,,!إنها تثير حنقي
Dialogue: 0,0:08:40.95,0:08:42.25,Default,,0,0,0,,!أنا أيضًا أكرهها
Dialogue: 0,0:08:42.25,0:08:46.50,Default,,0,0,0,,!أنا واثقة من أنها تخطط لتدمير النادي، كما كنت أنا سابقًا
Dialogue: 0,0:08:46.50,0:08:48.37,Default,,0,0,0,,.كوروسو-سان، اهدئي
Dialogue: 0,0:08:49.27,0:08:53.70,Default -up,,0,0,0,,!لم أنت هادئ إلى هذه الدرجة يا كوراتا؟
Dialogue: 0,0:08:48.37,0:08:53.70,Default,,0,0,0,,إذا لم أكن مخطئة، الشخص الذي حصل على المركز الأول في تلك البطولة\N."عزف "ميزو نو هينتاي
Dialogue: 0,0:08:53.70,0:08:55.12,Default,,0,0,0,,ميزو نو هينتاي؟
Dialogue: 0,0:08:53.70,0:08:56.12,Default -up,,0,0,0,,!ألا يثير سلوكها غضبك؟
Dialogue: 0,0:08:55.12,0:08:56.12,Default,,0,0,0,,هينتاي؟
Dialogue: 0,0:08:56.12,0:08:59.33,Default,,0,0,0,,!إنها تصف تغير الماء إلى حالات أخرى كالضباب أو السحب
Dialogue: 0,0:08:56.12,0:08:59.33,Default -up,,0,0,0,,!كانت تقول كلامًا مزعجًا بنظرات جادة طوال الوقت
Dialogue: 0,0:08:59.33,0:09:02.79,Default -up,,0,0,0,,!إنها تثير القشعريرة في جسدي
Dialogue: 0,0:08:59.33,0:09:02.79,Default,,0,0,0,,!يجب أن تغني فيها وتقنيتها صعبة\N.إنها مقطوعة صعبة حقًا
Dialogue: 0,0:09:02.79,0:09:05.87,Default,,0,0,0,,تغني أيضًا أثناء العزف على الكوتو؟
Dialogue: 0,0:09:05.87,0:09:10.00,Default,,0,0,0,,في تلك البطولة، ما كان ليحصل أحد على جائزة المركز الأول إذا\N.لم يوجد من يستحقها
Dialogue: 0,0:09:10.00,0:09:11.33,Default,,0,0,0,,...بمعنى
Dialogue: 0,0:09:11.33,0:09:13.25,Default,,0,0,0,,.أنها أثبتت مهارتها
Dialogue: 0,0:09:13.25,0:09:16.33,Default,,0,0,0,,.وهذا يعني أنها مثالية لتحسين مهاراتنا
Dialogue: 0,0:09:16.33,0:09:19.12,Default,,0,0,0,,.والأستاذ أيضًا قال إن الأمور ستكون على ما يرام
Dialogue: 0,0:09:19.12,0:09:22.83,Default,,0,0,0,,لكن ماذا لو كان هذا القرار خاطئًا...؟
Dialogue: 0,0:09:24.00,0:09:27.08,Default,,0,0,0,,.هوزوكي-تشان! لا تضغطي على نفسك
Dialogue: 0,0:09:27.08,0:09:29.12,Default,,0,0,0,,!إذا لم يعجبك الأمر فقولي هذا صراحة
Dialogue: 0,0:09:29.12,0:09:32.62,Default,,0,0,0,,!لستِ مضطرة إلى فعل هذا لاعتقادك أنه في مصلحة النادي
Dialogue: 0,0:09:33.65,0:09:35.29,Default,,0,0,0,,...مرة أخرى
Dialogue: 0,0:09:35.29,0:09:39.62,Default,,0,0,0,,...أنا التي أتلقى المساعدة منهم دائمًا
Dialogue: 0,0:09:39.62,0:09:44.04,Default,,0,0,0,,.لا وقت للتردد أو محاولة التملص من دوجيما-سان وجدتها
Dialogue: 0,0:09:44.04,0:09:48.25,Default,,0,0,0,,.لذا فهي فرصتهما الأخيرة
Dialogue: 0,0:09:48.25,0:09:50.45,Default,,0,0,0,,.لنستغلها قدر الإمكان
Dialogue: 0,0:09:52.08,0:09:54.37,Default,,0,0,0,,.مهارة دوجيما-سان ثابتة ومعترف بها
Dialogue: 0,0:09:54.37,0:09:59.41,Default,,0,0,0,,،قال الأستاذ تاكينامي إن الأمور ستكون على ما يرام\N.لذا أنا واثقة من أنها ستعلمنا جيدًا
Dialogue: 0,0:09:59.41,0:10:04.41,Default,,0,0,0,,.لنتعلم منها قدر استطاعتنا ما دامت تحسن تعليمنا
Dialogue: 0,0:10:04.41,0:10:07.66,Default,,0,0,0,,...لكن إذا لم تفعل
Dialogue: 0,0:10:07.66,0:10:09.95,Default,,0,0,0,,.سنطردها خارج النادي...
Dialogue: 0,0:10:10.70,0:10:12.41,Default,,0,0,0,,!ساتوا الشريرة
Dialogue: 0,0:10:12.41,0:10:15.04,Default,,0,0,0,,هل أنتِ واثقة من هذا يا هوزوكي-سان؟
Dialogue: 0,0:10:15.04,0:10:19.91,Default,,0,0,0,,.نعم، أنا أيضًا أعتقد أن تحسين مهاراتنا أمر مهم
Dialogue: 0,0:10:19.91,0:10:20.79,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:10:20.79,0:10:22.87,Default,,0,0,0,,...كوراتا! أنت أيضًا ما الذي
Dialogue: 0,0:10:22.87,0:10:25.83,Default,,0,0,0,,.الاستمرار في هذا النقاش لن يوصلنا إلى نتيجة
Dialogue: 0,0:10:25.83,0:10:27.83,Default,,0,0,0,,.لنجرب درسًا معها أولاً
Dialogue: 0,0:10:27.83,0:10:30.45,Default,,0,0,0,,.وإلا فلن نتمكن من الوصول إلى قرار
Dialogue: 0,0:10:31.75,0:10:34.62,Default,,0,0,0,,لكن هل سيقبل تشيكا بهذا؟
Dialogue: 0,0:10:34.62,0:10:37.66,Default,,0,0,0,,.ما زال يتدرب، سأذهب لاستدعائه
Dialogue: 0,0:10:41.25,0:10:47.29,Default,,0,0,0,,.من المتعب أن يتولى الشخص تعليم الآخرين أثناء عزفه
Dialogue: 0,0:10:47.29,0:10:50.33,Default,,0,0,0,,.لكن يبدو أن تعليمها كان ركيكًا
Dialogue: 0,0:10:50.33,0:10:54.41,Default,,0,0,0,,.أشعر بخيبة الأمل لأن المستوى أقل مما توقعت
Dialogue: 0,0:10:54.41,0:10:56.83,Default,,0,0,0,,تشيكا! ما رأيك في أخذ استراحة؟
Dialogue: 0,0:10:56.83,0:10:59.70,Default,,0,0,0,,...كنا نتحدث للتو عن دوجيما-سان
Dialogue: 0,0:10:59.70,0:11:03.20,Default,,0,0,0,,...يا هذا! لا تقل لي إنك نمت أثناء عزفك
Dialogue: 0,0:11:07.54,0:11:08.91,Default,,0,0,0,,...تشيكا
Dialogue: 0,0:11:16.70,0:11:20.00,Default,,0,0,0,,أكيرا-سان، كيف كان نادي الكوتو؟
Dialogue: 0,0:11:20.00,0:11:22.91,Default,,0,0,0,,.معظمهم لا يجيدون الأساسيات
Dialogue: 0,0:11:22.91,0:11:26.91,Default,,0,0,0,,.ليس هناك ما يثير القلق على الإطلاق
Dialogue: 0,0:11:26.91,0:11:31.91,Default,,0,0,0,,لكن ليس أمامنا سوى التخلص من هذا الأمر في مهده\N.بغض النظر عن صغر حجمه
Dialogue: 0,0:11:31.91,0:11:39.29,Default,,0,0,0,,.اجعليهم يدركون الفرق بين قدراتهم وقدرات عازف الكوتو الحقيقي
Dialogue: 0,0:11:39.29,0:11:46.83,Default,,0,0,0,,.واجعليها تدرك أنه لم يعد لديها مكان تعزف فيه على الكوتو
Dialogue: 0,0:11:46.83,0:11:48.45,Default,,0,0,0,,.مفهوم
Dialogue: 0,0:12:01.83,0:12:03.75,Default,,0,0,0,,...يا للغباء
Dialogue: 0,0:12:12.50,0:12:17.62,Default,,0,0,0,,.ستتدربون اليوم على عزف نغمة واحدة بقوة ودقة
Dialogue: 0,0:12:17.62,0:12:18.50,Default,,0,0,0,,!نغمة واحدة؟
Dialogue: 0,0:12:18.50,0:12:20.62,Default,,0,0,0,,هل سنبدأ بشيء أساسي كهذا الآن؟
Dialogue: 0,0:12:20.62,0:12:24.45,Default,,0,0,0,,ستتدربون على هذا لأنكم لا تجيدونه\N.والآن اعزفوا
Dialogue: 0,0:12:29.04,0:12:32.25,Default,,0,0,0,,هل تستهينون بالأمر لأنها مجرد نغمة واحدة؟
Dialogue: 0,0:12:32.25,0:12:37.37,Default,,0,0,0,,.كل أداء يتشكل من مجموعة متصلة من النغمات
Dialogue: 0,0:12:40.54,0:12:43.70,Default,,0,0,0,,.هكذا، والآن مرة أخرى
Dialogue: 0,0:12:44.95,0:12:46.75,Default,,0,0,0,,...هوزوكي-سان
Dialogue: 0,0:12:46.75,0:12:49.66,Default,,0,0,0,,.لستِ بحاجة إلى فعل هذا يا ساتوا-سان
Dialogue: 0,0:12:49.66,0:12:53.29,Default,,0,0,0,,.لا، من المهم العودة إلى الأساسيات
Dialogue: 0,0:12:56.54,0:12:59.54,Default,,0,0,0,,.والآن اعزفوا من الوتر "كين" إلى الوتر العاشر بشكل متواصل
Dialogue: 0,0:12:59.54,0:13:04.12,Default,,0,0,0,,.أرجو أن تعزفوها على نحو تكون فيه جميع النغمات بنفس الوزن
Dialogue: 0,0:13:04.12,0:13:07.12,Default,,0,0,0,,.احرصوا على جعل النغمات متساوية
Dialogue: 0,0:13:07.12,0:13:10.54,Default,,0,0,0,,.اعزفوا بوتيرة سريعة وتدرجوا نزولاً بنغمة كل مرة
Dialogue: 0,0:13:12.79,0:13:18.04,Default,,0,0,0,,،ماذا؟ يفترض أن يكون هذا نموذجًا بسيطًا\N.لكن النغمات تبدو مشوشة
Dialogue: 0,0:13:18.04,0:13:21.00,Default,,0,0,0,,.لا أسمع سوى أصوات مشوشة
Dialogue: 0,0:13:21.00,0:13:23.79,Default,,0,0,0,,.هذا يكفي، لننتقل إلى الخطوة التالية
Dialogue: 0,0:13:23.79,0:13:25.95,Default,,0,0,0,,.هذا تغيير زوج الأصابع
Dialogue: 0,0:13:25.95,0:13:29.04,Default,,0,0,0,,.تحركوا بالدرجات صعودًا من الأوتار 1 و 5، 2 و7، 3 و 8 وهكذا
Dialogue: 0,0:13:29.04,0:13:32.62,Default,,0,0,0,,.وعندما تصلون إلى وتر "كين" تدرجوا نزولاً بنفس الطريقة
Dialogue: 0,0:13:32.62,0:13:35.37,Default,,0,0,0,,،بعدها اعزفوا أوتارًا أقرب هذه المرة
Dialogue: 0,0:13:35.37,0:13:39.00,Default,,0,0,0,,من 1 و 3، 2 و 4، 3 و 5 وهكذا\N.وافعلوا الشيء نفسه لكن بسرعة
Dialogue: 0,0:13:39.00,0:13:41.41,Default,,0,0,0,,.أرجو أن تناوبوا بينها وتكرروها
Dialogue: 0,0:13:44.16,0:13:48.87,Default,,0,0,0,,هل يعقل أنكم لا تدركون أن الأصوات التي تصدرونها مشوشة؟
Dialogue: 0,0:13:49.87,0:13:53.16,Default,,0,0,0,,.أنتم لا تعيرون أصوات النغمات انتباهًا
Dialogue: 0,0:13:53.16,0:13:57.54,Default,,0,0,0,,تستخفون بكل نغمة وتعتقدون أنكم قادرون على عزفها\N.لأن صوتها يبدو جيدًا
Dialogue: 0,0:13:57.54,0:14:00.16,Default,,0,0,0,,،إذا كان حجم الصوت الذي يصدره زوج الأصابع غير متطابق
Dialogue: 0,0:14:00.16,0:14:02.66,Default,,0,0,0,,.لن تكون النغمات موحدة
Dialogue: 0,0:14:02.66,0:14:04.79,Default,,0,0,0,,حجم الصوت الذي يصدره زوج الأصابع"؟"
Dialogue: 0,0:14:04.79,0:14:08.20,Default,,0,0,0,,.أنتم تعزفون كل نغمة بحجم صوت مختلف
Dialogue: 0,0:14:08.20,0:14:10.87,Default,,0,0,0,,.لهذا ليست موحدة والأصوات مشوشة
Dialogue: 0,0:14:10.87,0:14:13.79,Default,,0,0,0,,.وهذا يجعل الإيقاع مختلاً
Dialogue: 0,0:14:19.62,0:14:22.91,Default,,0,0,0,,.هذا ما يعنيه أن تكون النغمات موحدة
Dialogue: 0,0:14:24.33,0:14:27.79,Default,,0,0,0,,.والآن جربوا ثانية جميعكم
Dialogue: 0,0:14:28.67,0:14:29.95,Default,,0,0,0,,!تشيكا
Dialogue: 0,0:14:29.95,0:14:33.70,Default,,0,0,0,,...ماذا هناك؟ إذا كنت تريد التذمر فمن الأفضل أن تتوقف
Dialogue: 0,0:14:34.95,0:14:36.91,Default,,0,0,0,,.اعزفي ثانية
Dialogue: 0,0:14:37.87,0:14:42.00,Default,,0,0,0,,لمَ أر جيدًا لأنني كنت أجلس بعيدًا\N.لذا اعزفي ثانية
Dialogue: 0,0:14:42.00,0:14:45.33,Default,,0,0,0,,.ينبغي أن تتحدث بأدب مع معلمتك
Dialogue: 0,0:14:46.58,0:14:48.95,Default,,0,0,0,,.اعزفي ثانية رجاءً
Dialogue: 0,0:14:56.29,0:15:00.83,Default,,0,0,0,,.عند استخدام الانتقاء المزدوج لا تستخدموا إبهاماتكم فقط
Dialogue: 0,0:15:00.83,0:15:06.12,Default,,0,0,0,,.هذه النغمات تبدو مشوشة أيضًا عندما نعزفها في مقطوعاتنا
Dialogue: 0,0:15:06.12,0:15:08.58,Default,,0,0,0,,،اعتقدت أنني أعزفها جيدًا
Dialogue: 0,0:15:08.58,0:15:13.04,Default,,0,0,0,,.لكن عندما أعزف كل واحدة منها منفردة يبدو صوتها غير واضح
Dialogue: 0,0:15:13.04,0:15:16.37,Default,,0,0,0,,.هذا يكفي، لن نصل إلى نتيجة
Dialogue: 0,0:15:16.37,0:15:19.58,Default,,0,0,0,,.من المفاجئ أن تطمحوا إلى البطولة الوطنية بهذا المستوى
Dialogue: 0,0:15:19.58,0:15:20.95,Default,,0,0,0,,...لا حاجة لقول هذا
Dialogue: 0,0:15:20.95,0:15:23.95,Default,,0,0,0,,.لستم أهلاً لعزف "تينكيو" حتى الآن
Dialogue: 0,0:15:23.95,0:15:28.75,Default,,0,0,0,,.أرجو أن تجتهدوا اليوم في التدريب على الأساسيات التي ذكرتها
Dialogue: 0,0:15:28.75,0:15:31.70,Default,,0,0,0,,.هذا هو الأنسب لكم
Dialogue: 0,0:15:36.62,0:15:41.20,Default,,0,0,0,,هوزوكي-سان، بالإمكان التدرب على "تينكيو" في منزل نيشينا-سان، أليس كذلك؟
Dialogue: 0,0:15:41.20,0:15:42.37,Default,,0,0,0,,.بالطبع
Dialogue: 0,0:15:42.37,0:15:44.33,Default,,0,0,0,,...وأيضًا، اليوم
Dialogue: 0,0:15:46.33,0:15:48.37,Default,,0,0,0,,تشيكا-كن، ما الذي كنتَ تفكر فيه؟
Dialogue: 0,0:15:48.37,0:15:51.54,Default,,0,0,0,,لماذا تتبع تعليمات تلك المرأة؟
Dialogue: 0,0:15:51.87,0:15:53.04,Default,,0,0,0,,تسألين لماذا؟
Dialogue: 0,0:15:53.04,0:15:56.37,Default,,0,0,0,,!تلك المرأة تنظر إلى هوزوكي-تشان وإلى نادينا باحتقار
Dialogue: 0,0:15:56.37,0:16:00.20,Default,,0,0,0,,...هذا صحيح! في العادة أنت أول من يغضب من أمر كهذا، لكن
Dialogue: 0,0:16:00.20,0:16:02.45,Default,,0,0,0,,.لأننا عازفون مريعون
Dialogue: 0,0:16:03.62,0:16:08.25,Default,,0,0,0,,.إنها تنظر إلى هوزوكي وإلى النادي باحتقار لأننا عازفون مريعون
Dialogue: 0,0:16:08.25,0:16:10.62,Default,,0,0,0,,.أريد أن أتحسن في أقرب وقت
Dialogue: 0,0:16:12.29,0:16:15.45,Default,,0,0,0,,...وسأصل إلى البطولة الوطنية بكل تأكيد
Dialogue: 0,0:16:15.45,0:16:18.20,Default,,0,0,0,,.مع الجميع هنا...
Dialogue: 0,0:16:18.20,0:16:21.29,Default,,0,0,0,,.سأفعل كل ما أستطيع لأتمكن من هذا
Dialogue: 0,0:16:21.29,0:16:26.08,Default,,0,0,0,,...اعتقدت أن تشيكا هو أكثر من غضب من احتقارها لنا
Dialogue: 0,0:16:26.08,0:16:31.33,Default,,0,0,0,,لأنه يحب النادي أكثر من أي شخص فينا، صح؟
Dialogue: 0,0:16:33.94,0:16:39.29,Default,,0,0,0,,!تبًا! قلت كلامًا غبيًا\N!أفسدت الأمر ثانية
Dialogue: 0,0:16:39.29,0:16:42.45,Default,,0,0,0,,!يجب أن نفعل شيئًا قبل أن نتذمر
Dialogue: 0,0:16:42.45,0:16:43.62,Default,,0,0,0,,!أجل
Dialogue: 0,0:16:45.94,0:16:48.32,Signs-0,,0,0,0,,{\c&H030013&\fscx58\fscy65\frz344.1\pos(770.667,429.333)\fad(250,0)}بطولة الكوتو الوطنية السادسة والثلاثون\Nجائزة أفضل أداء
Dialogue: 0,0:16:49.00,0:16:54.87,Default,,0,0,0,,!لنبدأ أولاً بالأساسيات حتى نتقنها كما ينبغي
Dialogue: 0,0:16:58.29,0:17:00.58,Default,,0,0,0,,!كودو! أتيت باكرًا
Dialogue: 0,0:17:00.58,0:17:02.95,Default,,0,0,0,,.أجل
Dialogue: 0,0:17:02.95,0:17:05.62,Default,,0,0,0,,.ربما جعلت يدك مبسوطة أكثر من اللازم
Dialogue: 0,0:17:05.62,0:17:07.20,Default,,0,0,0,,.لا، ليس هكذا
Dialogue: 0,0:17:07.20,0:17:08.54,Default,,0,0,0,,.أنا على ما يرام
Dialogue: 0,0:17:09.37,0:17:13.66,Default,,0,0,0,,.لا تقلقي بشأني، مارسي تدريباتك
Dialogue: 0,0:17:13.66,0:17:15.45,Default,,0,0,0,,هل أنتَ غبي؟
Dialogue: 0,0:17:16.29,0:17:19.04,Default,,0,0,0,,.أنت قلق بشأن ما قاله الأستاذ
Dialogue: 0,0:17:19.04,0:17:21.33,Default,,0,0,0,,.ويبدو أنك قبلت ما قاله كالغبي
Dialogue: 0,0:17:21.33,0:17:22.16,Default,,0,0,0,,.أنت غبي حقًا
Dialogue: 0,0:17:22.16,0:17:23.75,Default,,0,0,0,,!لا تصفيني بالغبي ثلاث مرات
Dialogue: 0,0:17:23.75,0:17:26.25,Default,,0,0,0,,.سأستمر في تدريبك
Dialogue: 0,0:17:26.25,0:17:28.58,Default,,0,0,0,,...لكن إذا فعلت فإن وقت تدريبك
Dialogue: 0,0:17:28.58,0:17:34.37,Default,,0,0,0,,.لأكون واضحة، تعليم الجميع لم يثقل كاهلي
Dialogue: 0,0:17:34.37,0:17:36.33,Default,,0,0,0,,.أبدًا
Dialogue: 0,0:17:37.75,0:17:44.83,Default,,0,0,0,,هيا تحرك، ذو السبعة عشر وترًا صعب لأن القوة التي تستخدمها فيه\N.مختلفة عن ذي الثلاثة عشر وترًا
Dialogue: 0,0:17:47.08,0:17:52.12,Default,,0,0,0,,،الأساسيات هي نفسها\N .لكن الصوت يكون مختلفًا تمامًا تبعًا للعازف
Dialogue: 0,0:17:52.12,0:17:55.25,Default,,0,0,0,,.نغمات هوزوكي قوية لكنها ناعمة بشكل ما
Dialogue: 0,0:17:55.25,0:17:57.91,Default,,0,0,0,,...وأيضًا، كيف أصف هذا
Dialogue: 0,0:17:57.91,0:18:00.16,Default,,0,0,0,,.إنها واضحة جدًا
Dialogue: 0,0:18:00.16,0:18:03.70,Default,,0,0,0,,.خلافًا لنغماتي، إنها تخلو تمامًا من الأصوات غير المرغوبة
Dialogue: 0,0:18:03.70,0:18:07.41,Default,,0,0,0,,.وكأن لكل نغمة منها معنى
Dialogue: 0,0:18:07.41,0:18:10.20,Default,,0,0,0,,!أريد أن أعزف هكذا أنا أيضًا
Dialogue: 0,0:18:11.08,0:18:12.79,Default,,0,0,0,,!مرة أخرى
Dialogue: 0,0:18:14.58,0:18:16.00,Default,,0,0,0,,!مهلاً، مهلاً
Dialogue: 0,0:18:16.00,0:18:19.00,Default,,0,0,0,,!ليس عدلاً أن يرى تشيكا وحده الطريقة
Dialogue: 0,0:18:19.00,0:18:20.87,Default,,0,0,0,,!هوزوكي-سان! علمينا الطريقة نحن أيضًا رجاءً
Dialogue: 0,0:18:20.87,0:18:22.66,Default,,0,0,0,,!أنتم قريبون أكثر من اللازم
Dialogue: 0,0:18:22.66,0:18:25.54,Default,,0,0,0,,يا إلهي... ما الذي تفعلونه؟
Dialogue: 0,0:18:25.54,0:18:28.45,Default,,0,0,0,,.هذا جيد، عادت الأمور إلى طبيعتها
Dialogue: 0,0:18:28.45,0:18:31.95,Default,,0,0,0,,.أنا التي كنتُ غاضبة أكثر من غيري
Dialogue: 0,0:18:31.95,0:18:37.75,Default,,0,0,0,,.لكن هذا لأنك كنتِ تفكرين في هوزوكي-سان
Dialogue: 0,0:18:37.75,0:18:42.66,Default,,0,0,0,,.لهذا أرى أنه لا بأس بقبول دوجيما-سان
Dialogue: 0,0:18:44.21,0:18:46.62,Default,,0,0,0,,اسمعوا يا رفاق، هل لديكم بعض الوقت؟
Dialogue: 0,0:18:46.62,0:18:47.95,Default,,0,0,0,,ماذا هناك يا ذا الأعين الأربع؟
Dialogue: 0,0:18:47.95,0:18:50.66,Default,,0,0,0,,...بشأن التدريب على الأساسيات
Dialogue: 0,0:18:58.25,0:19:01.33,Default -up,,0,0,0,,...أربعة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:18:58.93,0:19:00.93,Signs-0,,0,0,0,,{\c&H2A5A7E&\move(101.333,53.334,142.666,53.334,2,1963)}نادي الكوتو
Dialogue: 0,0:19:01.33,0:19:04.37,Default -up,,0,0,0,,...واحد، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:04.37,0:19:07.45,Default -up,,0,0,0,,...اثنان، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:07.45,0:19:09.41,Default -up,,0,0,0,,...ثلاثة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:08.08,0:19:09.41,Default,,0,0,0,,ما الذي يفعلونه؟
Dialogue: 0,0:19:09.41,0:19:12.20,Default,,0,0,0,,.قالوا إنهم ابتكروا طريقتهم الخاصة في التدريب على الأساسيات
Dialogue: 0,0:19:09.41,0:19:10.54,Default -up,,0,0,0,,...ثلاثة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:10.54,0:19:12.20,Default -up,,0,0,0,,...أربعة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:12.20,0:19:17.66,Default,,0,0,0,,يبدو أنهم يستخدمون أنماطًا من "تينكيو" والتي تحتوي على الأساسيات\N .ليساعدهم هذا قدر الإمكان عند عزفها
Dialogue: 0,0:19:12.20,0:19:13.66,Default -up,,0,0,0,,...أربعة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:13.66,0:19:15.08,Default -up,,0,0,0,,...واحد، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:15.08,0:19:16.75,Default -up,,0,0,0,,...واحد، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:16.75,0:19:17.66,Default -up,,0,0,0,,...اثنان، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:17.66,0:19:21.95,Default,,0,0,0,,.جميعهم يتشاركون الأفكار، ويعزفون الأجزاء بالتتابع
Dialogue: 0,0:19:17.66,0:19:19.83,Default -up,,0,0,0,,...اثنان، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:19.83,0:19:21.95,Default -up,,0,0,0,,...ثلاثة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:21.95,0:19:24.50,Default,,0,0,0,,.وتوجد أفكار أخرى عديدة
Dialogue: 0,0:19:21.95,0:19:22.91,Default -up,,0,0,0,,...ثلاثة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:22.91,0:19:24.50,Default -up,,0,0,0,,...أربعة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:24.50,0:19:25.95,Default,,0,0,0,,هذا مثير للاهتمام، أليس كذلك؟
Dialogue: 0,0:19:24.50,0:19:25.95,Default -up,,0,0,0,,...أربعة، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:25.95,0:19:29.54,Default -up,,0,0,0,,...واحد، اثنان، ثلاثة، أربعة
Dialogue: 0,0:19:29.54,0:19:30.91,Default,,0,0,0,,...دوجيما-سان
Dialogue: 0,0:19:30.91,0:19:33.12,Default,,0,0,0,,.لم يتمكنوا من الأساسيات بعد
Dialogue: 0,0:19:33.12,0:19:35.50,Default,,0,0,0,,.لا تنتقلي إلى مستوى أعلى من تلقاء نفسك
Dialogue: 0,0:19:35.50,0:19:38.50,Default,,0,0,0,,.أنتم بهذا تسرعتم وأهملتم الأساسيات
Dialogue: 0,0:19:38.50,0:19:42.66,Default,,0,0,0,,...سنبدأ اليوم بتعلم الوضعية الصحيحة لـ
Dialogue: 0,0:19:49.33,0:19:52.91,Default,,0,0,0,,كودو-كن! متى أجاد العزف بوضوح هكذا؟
Dialogue: 0,0:19:57.54,0:19:59.75,Default,,0,0,0,,!هذا مذهل! ما الذي يجري؟
Dialogue: 0,0:19:59.75,0:20:02.16,Default,,0,0,0,,.يفاجئني دائمًا
Dialogue: 0,0:20:03.25,0:20:06.00,Default,,0,0,0,,.لم نهملها
Dialogue: 0,0:20:06.95,0:20:09.70,Default,,0,0,0,,!نغماته مختلفة تمامًا عما كانت عليه سابقًا
Dialogue: 0,0:20:09.70,0:20:12.87,Default,,0,0,0,,!لم تكن مختلفة عن نغماتي قبل وقت قصير
Dialogue: 0,0:20:12.87,0:20:15.33,Default,,0,0,0,,.لا يفصلنا وقت طويل عن التصفيات
Dialogue: 0,0:20:15.33,0:20:20.37,Default,,0,0,0,,لذا ماذا لو قدمت الدروس في "تينكيو" مع التدريبات الأساسية؟
Dialogue: 0,0:20:21.45,0:20:23.29,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:20:23.29,0:20:25.45,Default,,0,0,0,,.إذن سأعمل على كل جزء وحده
Dialogue: 0,0:20:25.45,0:20:29.45,Default,,0,0,0,,.أرجو أن تتدربوا على أجزائكم حتى تحين أدواركم
Dialogue: 0,0:20:29.45,0:20:33.87,Default,,0,0,0,,ساتوا-سان... لستِ بحاجة إلى دروس، صحيح؟
Dialogue: 0,0:20:34.27,0:20:37.20,Default,,0,0,0,,.لا، أرجو أن تقدمي لي النصيحة عند الحاجة
Dialogue: 0,0:20:37.20,0:20:40.45,Default,,0,0,0,,.أنا أقدم لك النصيحة؟ لا بد أنكِ تمزحين
Dialogue: 0,0:20:40.45,0:20:45.79,Default,,0,0,0,,."أنا لا أمزح، سمعت أنكِ فزت في البطولة بمقطوعة "ميزو نو هينتاي
Dialogue: 0,0:20:45.79,0:20:48.33,Default,,0,0,0,,.أعتقد أن هذا مذهل
Dialogue: 0,0:20:50.08,0:20:52.79,Default,,0,0,0,,هل أستطيع أن أطرح عليكِ سؤالاً؟
Dialogue: 0,0:20:52.79,0:20:53.79,Default,,0,0,0,,.أجل
Dialogue: 0,0:20:53.79,0:20:57.54,Default,,0,0,0,,لماذا اخترتِ هذه المقطوعة؟
Dialogue: 0,0:20:57.54,0:21:00.00,Default,,0,0,0,,.اقترحها الأستاذ تاكينامي
Dialogue: 0,0:21:00.00,0:21:04.29,Default,,0,0,0,,.وأيضًا رأيت أنها فرصة مناسبة لأواجه هذه المقطوعة أخيرًا
Dialogue: 0,0:21:04.29,0:21:06.16,Default,,0,0,0,,تواجهينها؟
Dialogue: 0,0:21:06.16,0:21:07.91,Default,,0,0,0,,.هكذا إذن
Dialogue: 0,0:21:07.91,0:21:11.25,Default,,0,0,0,,هل أستطيع أن أطرح عليكِ سؤالاً أنا أيضًا؟
Dialogue: 0,0:21:11.25,0:21:12.70,Default,,0,0,0,,ما هو؟
Dialogue: 0,0:21:12.70,0:21:16.66,Default,,0,0,0,,.سمعتُ أنكِ تعلميننا دون مقابل
Dialogue: 0,0:21:16.66,0:21:19.91,Default,,0,0,0,,.فعل هذا مرتين أسبوعيًا يتطلب جزءًا كبيرًا من وقتك
Dialogue: 0,0:21:19.91,0:21:21.79,Default,,0,0,0,,لم تفعلين كل هذا؟
Dialogue: 0,0:21:23.00,0:21:24.95,Default,,0,0,0,,...طوال هذا الوقت
Dialogue: 0,0:21:24.95,0:21:29.37,Default,,0,0,0,,...طوال هذا الوقت... طوال هذا الوقت... طوال هذا الوقت
Dialogue: 0,0:21:30.62,0:21:34.29,Default,,0,0,0,,.لم أتمكن من رؤية النور منذ ذلك اليوم
Dialogue: 0,0:21:34.29,0:21:38.54,Default,,0,0,0,,أردت أن أعرف الشيء الذي كنت تتوقين إليه بشدة\Nمما جعلك تتخلين عن كل شيء
Dialogue: 0,0:21:38.54,0:21:42.75,Default,,0,0,0,,.بل وتفسدين الأمر على من هم حولك
Dialogue: 0,0:21:43.62,0:21:45.87,Default,,0,0,0,,إنه هذا النادي، أليس كذلك؟
Dialogue: 0,0:21:45.87,0:21:48.50,Default,,0,0,0,,.أريد أن أعرف قيمته
Dialogue: 0,0:21:48.50,0:21:50.20,Default,,0,0,0,,.هذا كل شيء
Dialogue: 0,0:21:51.12,0:21:54.33,Default,,0,0,0,,.لم أعد أذكر النور
Dialogue: 0,0:23:35.62,0:23:37.41,Default,,0,0,0,,"في الحلقة القادمة: "المواجهة
Dialogue: 0,0:23:37.48,0:23:40.09,next,,0,0,0,,{\fscx82\fscy100}الحلقة 19: المواجهة
Dialogue: 0,0:23:40.07,0:23:42.07,next,,0,0,0,,
Dialogue: 0,0:23:42.07,0:23:44.07,next,,0,0,0,,
Dialogue: 0,0:02:53.38,0:02:58.50,op,,0,0,0,,{\fad(2000,200)}!أوقف هذا الصوت
Dialogue: 0,0:02:53.38,0:02:58.50,op,,0,0,0,,{\fscx61\fscy70\pos(88,724)\fad(2000,200)}عذب الخيال
Dialogue: 0,0:02:53.38,0:02:58.50,op,,0,0,0,,{\fscx61\fscy70\pos(984,66)\fad(2000,200)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:01:31.58,0:01:39.70,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k17}O{\k28}wa{\k21}ri {\k42}na{\k22}n{\k41}te {\k22}n{\k37}ai {\k51}bo{\k43}ku{\k39}ta{\k45}chi {\k140}no {\k53}mo{\k42}no{\k24}ga{\k40}ta{\k43}ri {\k55}ga
Comment: 0,0:01:39.70,0:01:51.75,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k40}U{\k45}go{\k45}ki{\k18}da{\k52}shi{\k40}ta {\k44}n {\k336}da {\k43}hi{\k31}bi{\k14}ku {\k488}yo
Comment: 0,0:01:52.53,0:01:55.39,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k16}I{\k19}tsu {\k33}mo {\k29}no {\k36}se{\k30}ka{\k34}i {\k82}ga
Comment: 0,0:01:55.49,0:01:59.48,OP-Romaji,,0,0,0,,{\blur3}{\k16}I{\k21}tsu {\k29}da {\k32}tte {\k31}ka{\k17}wa{\k32}ra{\k44}na{\k42}i {\k54}ma{\k54}ma {\k27}de
Comment: 0,0:01:59.48,0:02:01.81,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ko{\k33}ko {\k17}ni {\k30}wa {\k32}a{\k87}ru
Comment: 0,0:02:02.68,0:02:05.65,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k34}Zu{\k30}tto {\k35}ta{\k23}i{\k35}se{\k40}tsu {\k86}de
Comment: 0,0:02:05.66,0:02:10.80,OP-Romaji,,0,0,0,,{\blur3}{\k21}Da {\k20}ke{\k29}do {\k31}a{\k33}ta{\k16}ri{\k30}ma{\k45}e {\k53}ja {\k47}na{\k44}i {\k37}n {\k30}da {\k78}to
Comment: 0,0:02:10.85,0:02:12.90,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k16}Wa{\k25}su{\k25}re{\k25}na{\k25}i {\k80}yo
Comment: 0,0:02:12.90,0:02:17.75,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k19}A{\k10}no {\k27}hi {\k106}ni {\k15}chi{\k50}ka{\k31}tta {\k29}ya{\k25}ku{\k42}so{\k13}ku {\k104}wa
Comment: 0,0:02:18.05,0:02:24.45,OP-Romaji,,0,0,0,,{\blur3}{\k13}{\k15}I{\k15}ma {\k33}mo {\k48}mu{\k21}ne {\k27}no {\k41}o{\k213}ku {\k16}ka{\k16}ka{\k14}e{\k62}ta {\k48}ma{\k58}ma
Comment: 0,0:02:24.45,0:02:27.72,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k22}Hi{\k14}bi{\k22}ku {\k55}shō{\k38}dō {\k28}ni {\k18}mi {\k15}o {\k18}ma{\k24}ka{\k39}se{\k28}te
Comment: 0,0:02:27.72,0:02:29.71,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ka{\k15}na{\k19}de{\k14}ru {\k16}me{\k31}ro{\k70}dī
Comment: 0,0:02:29.71,0:02:34.55,OP-Romaji,,0,0,0,,{\blur3}{\k27}Ki{\k16}mi {\k15}no {\k50}mu{\k27}ne {\k37}no {\k28}na{\k35}ka {\k16}de {\k28}Re{\k34}son{\k154}an{\k17}ce
Comment: 0,0:02:34.65,0:02:37.80,OP-Romaji,,0,0,0,,{\blur3}{\k8}{\k20}Na{\k9}ra{\k30}se {\k35}ze{\k9}n{\k20}shi{\k21}n {\k36}zen{\k22}re{\k8}i {\k23}o{\k23}mo{\k31}i {\k20}o
Comment: 0,0:02:37.80,0:02:39.97,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k42}So{\k15}ra {\k14}no {\k18}ka{\k14}na{\k30}ta {\k78}e
Comment: 0,0:02:39.97,0:02:45.11,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k31}Tō{\k14}ku {\k81}tō{\k35}ku {\k27}i{\k35}tsu {\k17}ma{\k30}de {\k27}de{\k210}mo
Comment: 0,0:02:45.11,0:02:46.83,OP-Romaji,,0,0,0,,{\blur3}{\k15}O{\k19}wa{\k14}ri {\k36}na{\k13}n{\k33}te {\k16}na{\k26}i
Comment: 0,0:02:46.83,0:02:51.15,OP-Romaji,,0,0,0,,{\blur3}{\k37}Bo{\k32}ku{\k32}ta{\k31}chi {\k112}no {\k36}mo{\k29}no{\k16}ga{\k30}ta{\k32}ri {\k45}ga
Comment: 0,0:02:51.15,0:02:56.53,OP-Romaji,,0,0,0,,{\blur3}{\k10}{\k26}U{\k34}go{\k32}ki{\k18}da{\k33}shi{\k30}ta{\k27}n {\k328}da
Comment: 0,0:02:57.39,0:03:00.91,OP-Romaji,,0,0,0,,{\blur3}{\k12}{\k38}Hi{\k33}bi{\k17}ku {\k252}yo
Dialogue: 0,0:01:31.58,0:01:39.70,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا اللتي لا نهاية لها
Dialogue: 0,0:01:39.70,0:01:51.75,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:01:52.53,0:01:55.39,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}عالم عادي
Dialogue: 0,0:01:55.49,0:01:59.48,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه على حاله دائمًا
Dialogue: 0,0:01:59.48,0:02:01.81,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه هنا
Dialogue: 0,0:02:02.68,0:02:05.65,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ومهم على الدوام
Dialogue: 0,0:02:05.66,0:02:10.80,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لكن أليس هذا أمرًا بديهيًا؟
Dialogue: 0,0:02:10.85,0:02:12.90,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لن أنسى
Dialogue: 0,0:02:12.90,0:02:17.75,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}الوعد الذي قطعته في ذلك اليوم
Dialogue: 0,0:02:18.05,0:02:24.45,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ما زلت أحتفظ به في صدري
Dialogue: 0,0:02:24.45,0:02:27.72,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}اعهد بنفسك إلى النغمات المترددة
Dialogue: 0,0:02:27.72,0:02:29.71,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إلى لحن يعزف
Dialogue: 0,0:02:29.71,0:02:34.55,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}يتردد صداه في قلبك
Dialogue: 0,0:02:34.65,0:02:37.80,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}دع اللحن يطغى
Dialogue: 0,0:02:37.80,0:02:39.97,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}على جسدك وروحك
Dialogue: 0,0:02:39.97,0:02:45.11,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ويحلق بك عاليًا
Dialogue: 0,0:02:45.11,0:02:46.83,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بلا توقف
Dialogue: 0,0:02:46.83,0:02:51.15,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا
Dialogue: 0,0:02:51.15,0:02:56.53,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:02:57.39,0:03:00.91,OP-Arabic,,0,0,0,,{\fad(200,500)\blur3}يتعالى صوتها ويتردد
Dialogue: 1,0:01:31.65,0:01:31.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:01:31.82,0:01:32.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 2] \an5\pos(318.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:32.10,0:01:32.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 3] \an5\pos(355.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:32.31,0:01:32.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 4] \an5\pos(396.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:32.73,0:01:32.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 5] \an5\pos(427.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:32.95,0:01:33.36,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 6] \an5\pos(455.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:01:33.36,0:01:33.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 7] \an5\pos(491.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:33.58,0:01:33.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 8] \an5\pos(517.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ai
Dialogue: 1,0:01:33.95,0:01:34.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 9] \an5\pos(562,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bo
Dialogue: 1,0:01:34.46,0:01:34.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 10] \an5\pos(603.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:34.89,0:01:35.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 11] \an5\pos(640.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:35.28,0:01:35.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 12] \an5\pos(682.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:01:35.73,0:01:37.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 13] \an5\pos(737.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:37.13,0:01:37.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 14] \an5\pos(793.22,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:37.66,0:01:38.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 15] \an5\pos(840.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:38.08,0:01:38.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 16] \an5\pos(882.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:38.32,0:01:38.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 17] \an5\pos(919.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:38.72,0:01:39.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 18] \an5\pos(948.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:39.15,0:01:39.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 19] \an5\pos(989.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:39.79,0:01:40.19,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 20] \an5\pos(421.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:01:40.19,0:01:40.64,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 21] \an5\pos(453.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:01:40.64,0:01:41.09,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 22] \an5\pos(489.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:01:41.09,0:01:41.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 23] \an5\pos(524.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:41.27,0:01:41.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 24] \an5\pos(570.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:01:41.79,0:01:42.19,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 25] \an5\pos(612.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:42.19,0:01:42.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 26] \an5\pos(648.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:42.63,0:01:45.99,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 27] \an5\pos(688.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:45.99,0:01:46.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 28] \an5\pos(733.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:01:46.42,0:01:46.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 29] \an5\pos(764.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:01:46.73,0:01:46.87,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 30] \an5\pos(799.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:46.87,0:01:51.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 31] \an5\pos(849.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:01:52.60,0:01:52.76,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 32] \an5\pos(482.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:52.76,0:01:52.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 33] \an5\pos(514.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:52.95,0:01:53.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 34] \an5\pos(575.82,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:53.28,0:01:53.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 35] \an5\pos(631.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:53.57,0:01:53.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 36] \an5\pos(681.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:53.93,0:01:54.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 37] \an5\pos(721.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:54.23,0:01:54.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 38] \an5\pos(746.72,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:54.57,0:01:55.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 39] \an5\pos(781.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:55.49,0:01:55.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 40] \an5\pos(386.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:55.65,0:01:55.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 41] \an5\pos(417.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:55.86,0:01:56.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 42] \an5\pos(474.06,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:56.15,0:01:56.47,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 43] \an5\pos(527.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tte
Dialogue: 1,0:01:56.47,0:01:56.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 44] \an5\pos(579.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:56.78,0:01:56.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 45] \an5\pos(625.15,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:56.95,0:01:57.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 46] \an5\pos(667.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:01:57.27,0:01:57.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 47] \an5\pos(705.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:57.71,0:01:58.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 48] \an5\pos(730.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:58.13,0:01:58.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 49] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:58.67,0:01:59.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 50] \an5\pos(821.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:59.21,0:01:59.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 51] \an5\pos(877.35,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:59.48,0:01:59.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 52] \an5\pos(538.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ko
Dialogue: 1,0:01:59.82,0:02:00.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 53] \an5\pos(580.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ko
Dialogue: 1,0:02:00.15,0:02:00.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 54] \an5\pos(625.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:00.32,0:02:00.62,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 55] \an5\pos(674.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:00.62,0:02:00.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 56] \an5\pos(718.29,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:02:00.94,0:02:01.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 57] \an5\pos(745.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:02:02.82,0:02:03.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 58] \an5\pos(518.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Zu
Dialogue: 1,0:02:03.16,0:02:03.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 59] \an5\pos(562.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tto
Dialogue: 1,0:02:03.46,0:02:03.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 60] \an5\pos(611.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:03.81,0:02:04.04,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 61] \an5\pos(633.65,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:04.04,0:02:04.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 62] \an5\pos(658.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:04.39,0:02:04.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 63] \an5\pos(705.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:04.79,0:02:05.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 64] \an5\pos(761.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:05.66,0:02:05.87,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 65] \an5\pos(403.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Da
Dialogue: 1,0:02:05.87,0:02:06.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 66] \an5\pos(454.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ke
Dialogue: 1,0:02:06.07,0:02:06.36,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 67] \an5\pos(496.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}do
Dialogue: 1,0:02:06.36,0:02:06.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 68] \an5\pos(536.08,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:02:06.67,0:02:07.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 69] \an5\pos(563.21,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:07.00,0:02:07.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 70] \an5\pos(591.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:07.16,0:02:07.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 71] \an5\pos(629.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:07.46,0:02:07.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 72] \an5\pos(665.51,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:07.91,0:02:08.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 73] \an5\pos(699.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ja
Dialogue: 1,0:02:08.44,0:02:08.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 74] \an5\pos(744.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:08.91,0:02:09.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 75] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:09.35,0:02:09.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 76] \an5\pos(794.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:09.72,0:02:10.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 77] \an5\pos(834.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:10.02,0:02:10.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 78] \an5\pos(880.9,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}to
Dialogue: 1,0:02:10.94,0:02:11.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 79] \an5\pos(551.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Wa
Dialogue: 1,0:02:11.10,0:02:11.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 80] \an5\pos(599.53,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}su
Dialogue: 1,0:02:11.35,0:02:11.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 81] \an5\pos(636.84,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:02:11.60,0:02:11.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 82] \an5\pos(674.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:11.85,0:02:12.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 83] \an5\pos(700.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:12.10,0:02:12.90,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 84] \an5\pos(734.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:02:13.04,0:02:13.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 85] \an5\pos(391.33,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}A
Dialogue: 1,0:02:13.23,0:02:13.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 86] \an5\pos(424.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:13.33,0:02:13.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 87] \an5\pos(469.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:02:13.60,0:02:14.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 88] \an5\pos(508.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:14.66,0:02:14.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 89] \an5\pos(557.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:14.81,0:02:15.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 90] \an5\pos(603.12,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:15.31,0:02:15.62,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 91] \an5\pos(646.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tta
Dialogue: 1,0:02:15.62,0:02:15.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 92] \an5\pos(699.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ya
Dialogue: 1,0:02:15.91,0:02:16.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 93] \an5\pos(740.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:16.16,0:02:16.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 94] \an5\pos(780.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}so
Dialogue: 1,0:02:16.58,0:02:16.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 95] \an5\pos(821.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:16.71,0:02:17.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 96] \an5\pos(875.28,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:18.18,0:02:18.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 97] \an5\pos(344.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:02:18.33,0:02:18.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 98] \an5\pos(374.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:18.48,0:02:18.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 99] \an5\pos(435.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:18.81,0:02:19.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 100] \an5\pos(496.1,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:02:19.29,0:02:19.50,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 101] \an5\pos(542.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:02:19.50,0:02:19.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 102] \an5\pos(593.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:19.77,0:02:20.18,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 103] \an5\pos(633.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:20.18,0:02:22.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 104] \an5\pos(664.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:22.31,0:02:22.47,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 105] \an5\pos(713.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:22.47,0:02:22.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 106] \an5\pos(753.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:22.63,0:02:22.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 107] \an5\pos(784.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:22.77,0:02:23.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 108] \an5\pos(811.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:23.39,0:02:23.87,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 109] \an5\pos(863.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:23.87,0:02:24.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 110] \an5\pos(914.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:24.51,0:02:24.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 111] \an5\pos(401.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:02:24.73,0:02:24.87,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 112] \an5\pos(433.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:02:24.87,0:02:25.09,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 113] \an5\pos(468.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:25.09,0:02:25.64,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 114] \an5\pos(528.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shō
Dialogue: 1,0:02:25.64,0:02:26.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 115] \an5\pos(580.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dō
Dialogue: 1,0:02:26.02,0:02:26.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 116] \an5\pos(625.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:26.30,0:02:26.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 117] \an5\pos(669.66,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:02:26.48,0:02:26.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 118] \an5\pos(709.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:26.63,0:02:26.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 119] \an5\pos(754.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:26.81,0:02:27.05,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 120] \an5\pos(800.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:27.05,0:02:27.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 121] \an5\pos(840.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:27.44,0:02:27.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 122] \an5\pos(877.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:02:27.72,0:02:28.06,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 123] \an5\pos(518.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ka
Dialogue: 1,0:02:28.06,0:02:28.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 124] \an5\pos(560.09,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:28.21,0:02:28.40,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 125] \an5\pos(601.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:28.40,0:02:28.54,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 126] \an5\pos(639.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:02:28.54,0:02:28.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 127] \an5\pos(691.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}me
Dialogue: 1,0:02:28.70,0:02:29.01,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 128] \an5\pos(735.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ro
Dialogue: 1,0:02:29.01,0:02:29.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 129] \an5\pos(767.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dī
Dialogue: 1,0:02:29.71,0:02:29.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 130] \an5\pos(349.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ki
Dialogue: 1,0:02:29.98,0:02:30.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 131] \an5\pos(385.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:02:30.14,0:02:30.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 132] \an5\pos(435.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:30.29,0:02:30.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 133] \an5\pos(490.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:02:30.79,0:02:31.06,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 134] \an5\pos(537.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:02:31.06,0:02:31.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 135] \an5\pos(588.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:31.43,0:02:31.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 136] \an5\pos(638.92,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:31.71,0:02:32.06,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 137] \an5\pos(679.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:32.06,0:02:32.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 138] \an5\pos(729.67,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:32.22,0:02:32.50,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 139] \an5\pos(781.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Re
Dialogue: 1,0:02:32.50,0:02:32.84,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 140] \an5\pos(833.74,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}son
Dialogue: 1,0:02:32.84,0:02:34.38,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 141] \an5\pos(885.19,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}an
Dialogue: 1,0:02:34.38,0:02:34.55,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 142] \an5\pos(926.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ce
Dialogue: 1,0:02:34.73,0:02:34.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 143] \an5\pos(415.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Na
Dialogue: 1,0:02:34.93,0:02:35.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 144] \an5\pos(455.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:02:35.02,0:02:35.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 145] \an5\pos(492.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:35.32,0:02:35.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 146] \an5\pos(540.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ze
Dialogue: 1,0:02:35.67,0:02:35.76,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 147] \an5\pos(570.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:35.76,0:02:35.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 148] \an5\pos(606.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:02:35.96,0:02:36.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 149] \an5\pos(641.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:36.17,0:02:36.53,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 150] \an5\pos(691.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}zen
Dialogue: 1,0:02:36.53,0:02:36.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 151] \an5\pos(738.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:02:36.75,0:02:36.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 152] \an5\pos(760.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:36.83,0:02:37.06,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 153] \an5\pos(784.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:37.06,0:02:37.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 154] \an5\pos(820.98,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:37.29,0:02:37.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 155] \an5\pos(851.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:37.60,0:02:37.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 156] \an5\pos(875.86,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:37.86,0:02:38.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 157] \an5\pos(520.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}So
Dialogue: 1,0:02:38.28,0:02:38.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 158] \an5\pos(559.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:02:38.43,0:02:38.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 159] \an5\pos(606.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:38.57,0:02:38.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 160] \an5\pos(656.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:38.75,0:02:38.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 161] \an5\pos(697.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:38.89,0:02:39.19,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 162] \an5\pos(734.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:39.19,0:02:39.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 163] \an5\pos(770.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:40.04,0:02:40.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 164] \an5\pos(439.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Tō
Dialogue: 1,0:02:40.35,0:02:40.49,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 165] \an5\pos(480.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:40.49,0:02:41.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 166] \an5\pos(526.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tō
Dialogue: 1,0:02:41.30,0:02:41.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 167] \an5\pos(563.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:41.65,0:02:41.92,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 168] \an5\pos(597.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:41.92,0:02:42.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 169] \an5\pos(628.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:42.27,0:02:42.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 170] \an5\pos(689.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:42.44,0:02:42.74,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 171] \an5\pos(736.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:42.74,0:02:43.01,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 172] \an5\pos(787.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:43.01,0:02:45.11,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 173] \an5\pos(834.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:45.11,0:02:45.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 174] \an5\pos(520.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:02:45.26,0:02:45.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 175] \an5\pos(557.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:45.45,0:02:45.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 176] \an5\pos(594.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:45.59,0:02:45.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 177] \an5\pos(635.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:45.95,0:02:46.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 178] \an5\pos(666.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:46.08,0:02:46.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 179] \an5\pos(694.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:02:46.41,0:02:46.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 180] \an5\pos(740.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:46.57,0:02:46.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 181] \an5\pos(766.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:46.83,0:02:47.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 182] \an5\pos(426.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Bo
Dialogue: 1,0:02:47.20,0:02:47.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 183] \an5\pos(468.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:47.52,0:02:47.84,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 184] \an5\pos(505.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:47.84,0:02:48.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 185] \an5\pos(547.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:48.15,0:02:49.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 186] \an5\pos(602.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:49.27,0:02:49.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 187] \an5\pos(658.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:49.63,0:02:49.92,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 188] \an5\pos(705.42,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:49.92,0:02:50.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 189] \an5\pos(747.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:50.08,0:02:50.38,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 190] \an5\pos(784.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:50.38,0:02:50.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 191] \an5\pos(813.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:50.70,0:02:51.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 192] \an5\pos(854.62,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:51.25,0:02:51.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 193] \an5\pos(505.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:02:51.51,0:02:51.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 194] \an5\pos(538.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:02:51.85,0:02:52.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 195] \an5\pos(574.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:02:52.17,0:02:52.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 196] \an5\pos(609.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:52.35,0:02:52.68,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 197] \an5\pos(655.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:02:52.68,0:02:52.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 198] \an5\pos(697.37,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:52.98,0:02:53.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 199] \an5\pos(724.75,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:53.25,0:02:56.53,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 200] \an5\pos(764.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:57.51,0:02:57.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 201] \an5\pos(574.85,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:02:57.89,0:02:58.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 202] \an5\pos(606.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:02:58.22,0:02:58.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 203] \an5\pos(642.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:58.39,0:03:00.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 204] \an5\pos(691.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 0,0:01:31.03,0:01:31.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 1] \an5\move(381.59,47.5,281.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:01:31.08,0:01:31.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 2] \an5\move(408.29,47.5,308.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:31.13,0:01:31.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 3] \an5\move(433.4,47.5,333.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:31.18,0:01:32.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 4] \an5\move(450.52,47.5,350.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:31.23,0:01:32.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 5] \an5\move(462.18,47.5,362.18,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:31.28,0:01:32.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 6] \an5\move(486.23,47.5,386.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:31.33,0:01:32.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 7] \an5\move(506.98,47.5,406.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:31.38,0:01:32.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 8] \an5\move(527.73,47.5,427.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:31.43,0:01:32.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 9] \an5\move(544.86,47.5,444.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:31.48,0:01:32.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 10] \an5\move(561.94,47.5,461.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:31.53,0:01:33.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 11] \an5\move(591.63,47.5,491.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:31.58,0:01:33.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 12] \an5\move(612.38,47.5,512.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:31.63,0:01:33.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 13] \an5\move(627.43,47.5,527.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:31.68,0:01:33.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 14] \an5\move(651.52,47.5,551.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:31.73,0:01:33.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 15] \an5\move(672.54,47.5,572.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:31.78,0:01:34.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 16] \an5\move(692.91,47.5,592.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:31.83,0:01:34.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 17] \an5\move(713.08,47.5,613.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:31.88,0:01:34.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 18] \an5\move(730,47.5,630,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:31.93,0:01:34.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 19] \an5\move(746.88,47.5,646.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:31.98,0:01:35.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 20] \an5\move(767.13,47.5,667.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:32.03,0:01:35.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 21] \an5\move(787.62,47.5,687.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:32.08,0:01:35.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 22] \an5\move(802.9,47.5,702.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:32.13,0:01:35.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 23] \an5\move(826.95,47.5,726.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:32.18,0:01:35.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 24] \an5\move(847.93,47.5,747.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:32.23,0:01:37.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 25] \an5\move(882.73,47.5,782.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:32.28,0:01:37.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 26] \an5\move(908.79,47.5,808.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:32.33,0:01:37.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 27] \an5\move(929.77,47.5,829.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:32.38,0:01:37.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 28] \an5\move(950.76,47.5,850.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:32.43,0:01:38.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 29] \an5\move(971.78,47.5,871.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:32.48,0:01:38.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 30] \an5\move(992.57,47.5,892.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:32.53,0:01:38.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 31] \an5\move(1009.45,47.5,909.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:32.58,0:01:38.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 32] \an5\move(1026.34,47.5,926.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:32.63,0:01:38.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 33] \an5\move(1043.45,47.5,943.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:32.68,0:01:38.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 34] \an5\move(1055.12,47.5,955.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:32.73,0:01:39.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 35] \an5\move(1079.2,47.5,979.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:32.78,0:01:39.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 36] \an5\move(1099.99,47.5,999.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:39.15,0:01:39.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 37] \an5\move(521.16,47.5,421.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:01:39.20,0:01:40.19,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 38] \an5\move(543.25,47.5,443.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:39.25,0:01:40.19,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 39] \an5\move(564.27,47.5,464.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:39.30,0:01:40.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 40] \an5\move(584.64,47.5,484.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:39.35,0:01:40.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 41] \an5\move(599.32,47.5,499.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:39.40,0:01:41.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 42] \an5\move(614.66,47.5,514.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:39.45,0:01:41.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 43] \an5\move(635.45,47.5,535.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:39.50,0:01:41.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 44] \an5\move(655.41,47.5,555.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:39.55,0:01:41.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 45] \an5\move(675.6,47.5,575.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:39.60,0:01:41.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 46] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:39.65,0:01:41.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 47] \an5\move(702.31,47.5,602.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:39.70,0:01:41.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 48] \an5\move(719.2,47.5,619.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:39.75,0:01:42.19,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 49] \an5\move(748.7,47.5,648.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:39.80,0:01:42.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 50] \an5\move(778.48,47.5,678.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:39.85,0:01:42.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 51] \an5\move(799.27,47.5,699.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:39.90,0:01:45.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 52] \an5\move(828.76,47.5,728.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:39.95,0:01:45.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 53] \an5\move(844.04,47.5,744.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:40.00,0:01:46.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 54] \an5\move(859.38,47.5,759.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:40.05,0:01:46.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 55] \an5\move(874.71,47.5,774.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:40.10,0:01:46.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 56] \an5\move(889.39,47.5,789.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:40.15,0:01:46.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 57] \an5\move(909.56,47.5,809.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:40.20,0:01:46.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 58] \an5\move(939.01,47.5,839.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:01:40.25,0:01:46.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 59] \an5\move(959.9,47.5,859.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:51.98,0:01:52.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 60] \an5\move(582.95,47.5,482.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:52.03,0:01:52.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 61] \an5\move(594.38,47.5,494.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:52.08,0:01:52.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 62] \an5\move(610.73,47.5,510.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:52.13,0:01:52.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 63] \an5\move(630.73,47.5,530.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:52.18,0:01:52.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 64] \an5\move(665.34,47.5,565.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:52.23,0:01:52.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 65] \an5\move(691.39,47.5,591.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:52.28,0:01:53.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 66] \an5\move(721.13,47.5,621.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:52.33,0:01:53.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 67] \an5\move(742.11,47.5,642.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:52.38,0:01:53.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 68] \an5\move(771.05,47.5,671.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:52.43,0:01:53.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 69] \an5\move(791.21,47.5,691.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:52.48,0:01:53.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 70] \an5\move(811.54,47.5,711.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:52.53,0:01:53.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 71] \an5\move(831.67,47.5,731.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:52.58,0:01:54.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 72] \an5\move(846.72,47.5,746.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:52.63,0:01:54.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 73] \an5\move(870.8,47.5,770.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:52.68,0:01:54.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 74] \an5\move(891.59,47.5,791.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:54.94,0:01:55.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 75] \an5\move(486.46,47.5,386.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:54.99,0:01:55.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 76] \an5\move(497.89,47.5,397.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:55.04,0:01:55.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 77] \an5\move(514.23,47.5,414.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:55.09,0:01:55.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 78] \an5\move(534.23,47.5,434.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:55.14,0:01:55.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 79] \an5\move(563.81,47.5,463.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:55.19,0:01:55.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 80] \an5\move(584.6,47.5,484.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:55.24,0:01:56.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 81] \an5\move(610.23,47.5,510.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:55.29,0:01:56.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 82] \an5\move(623.5,47.5,523.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:55.34,0:01:56.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 83] \an5\move(640.58,47.5,540.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:55.39,0:01:56.47,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 84] \an5\move(669.66,47.5,569.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:55.44,0:01:56.47,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 85] \an5\move(689.79,47.5,589.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:55.49,0:01:56.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 86] \an5\move(714.9,47.5,614.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:55.54,0:01:56.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 87] \an5\move(740.01,47.5,640.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:55.59,0:01:56.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 88] \an5\move(757.13,47.5,657.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:55.64,0:01:56.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 89] \an5\move(774.24,47.5,674.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:55.69,0:01:57.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 90] \an5\move(794.99,47.5,694.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:55.74,0:01:57.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 91] \an5\move(815.74,47.5,715.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:55.79,0:01:57.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 92] \an5\move(830.79,47.5,730.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:55.84,0:01:58.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 93] \an5\move(859.91,47.5,759.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:55.89,0:01:58.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 94] \an5\move(885.73,47.5,785.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:55.94,0:01:58.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 95] \an5\move(911.55,47.5,811.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:55.99,0:01:58.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 96] \an5\move(937.37,47.5,837.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:56.04,0:01:59.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 97] \an5\move(966.91,47.5,866.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:56.09,0:01:59.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 98] \an5\move(987.89,47.5,887.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:58.93,0:01:59.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 99] \an5\move(628.21,47.5,528.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:01:58.98,0:01:59.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 100] \an5\move(649.76,47.5,549.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:59.03,0:01:59.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 101] \an5\move(670.13,47.5,570.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:59.08,0:01:59.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 102] \an5\move(690.49,47.5,590.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:59.13,0:02:00.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 103] \an5\move(720.23,47.5,620.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:59.18,0:02:00.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 104] \an5\move(735.52,47.5,635.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:59.23,0:02:00.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 105] \an5\move(763.93,47.5,663.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:59.28,0:02:00.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 106] \an5\move(789.04,47.5,689.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.33,0:02:00.62,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 107] \an5\move(818.29,47.5,718.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.38,0:02:00.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 108] \an5\move(835.41,47.5,735.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:59.43,0:02:00.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 109] \an5\move(852.56,47.5,752.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:02.13,0:02:02.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 110] \an5\move(607.76,47.5,507.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}Z
Dialogue: 0,0:02:02.18,0:02:02.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 111] \an5\move(628.55,47.5,528.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:02.23,0:02:03.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 112] \an5\move(645.47,47.5,545.47,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:02.28,0:02:03.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 113] \an5\move(658.73,47.5,558.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:02.33,0:02:03.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 114] \an5\move(675.85,47.5,575.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:02.38,0:02:03.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 115] \an5\move(701.72,47.5,601.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:02.43,0:02:03.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 116] \an5\move(718.6,47.5,618.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:02.48,0:02:03.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 117] \an5\move(733.65,47.5,633.65,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:02.53,0:02:04.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 118] \an5\move(748.16,47.5,648.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:02.58,0:02:04.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 119] \an5\move(768.31,47.5,668.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:02.63,0:02:04.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 120] \an5\move(785.39,47.5,685.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:02.68,0:02:04.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 121] \an5\move(801.73,47.5,701.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:02.73,0:02:04.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 122] \an5\move(821.73,47.5,721.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:02.78,0:02:04.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 123] \an5\move(851.31,47.5,751.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:02.83,0:02:04.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 124] \an5\move(872.3,47.5,772.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:05.11,0:02:05.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 125] \an5\move(493.55,47.5,393.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}D
Dialogue: 0,0:02:05.16,0:02:05.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 126] \an5\move(515.38,47.5,415.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:05.21,0:02:05.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 127] \an5\move(544.26,47.5,444.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:05.26,0:02:05.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 128] \an5\move(564.59,47.5,464.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:05.31,0:02:06.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 129] \an5\move(585.57,47.5,485.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:05.36,0:02:06.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 130] \an5\move(606.59,47.5,506.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:05.41,0:02:06.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 131] \an5\move(636.08,47.5,536.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:05.46,0:02:06.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 132] \an5\move(652.96,47.5,552.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:05.51,0:02:06.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 133] \an5\move(669.84,47.5,569.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:05.56,0:02:07.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 134] \an5\move(686.96,47.5,586.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:05.61,0:02:07.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 135] \an5\move(698.63,47.5,598.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:05.66,0:02:07.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 136] \an5\move(718.99,47.5,618.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:05.71,0:02:07.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 137] \an5\move(744.81,47.5,644.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:05.76,0:02:07.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 138] \an5\move(765.51,47.5,665.51,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:05.81,0:02:07.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 139] \an5\move(789.66,47.5,689.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}j
Dialogue: 0,0:02:05.86,0:02:07.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 140] \an5\move(804.86,47.5,704.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:05.91,0:02:08.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 141] \an5\move(834.36,47.5,734.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:05.96,0:02:08.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 142] \an5\move(855.11,47.5,755.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:06.01,0:02:08.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 143] \an5\move(870.16,47.5,770.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:06.06,0:02:09.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 144] \an5\move(894.2,47.5,794.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:06.11,0:02:09.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 145] \an5\move(923.99,47.5,823.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:06.16,0:02:09.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 146] \an5\move(944.78,47.5,844.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:06.21,0:02:10.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 147] \an5\move(970.41,47.5,870.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:06.26,0:02:10.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 148] \an5\move(987.53,47.5,887.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:10.30,0:02:10.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 149] \an5\move(641.63,47.5,541.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}W
Dialogue: 0,0:02:10.35,0:02:10.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 150] \an5\move(669.28,47.5,569.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.40,0:02:11.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 151] \an5\move(689.24,47.5,589.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:10.45,0:02:11.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 152] \an5\move(709.24,47.5,609.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:10.50,0:02:11.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 153] \an5\move(726.4,47.5,626.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:10.55,0:02:11.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 154] \an5\move(743.71,47.5,643.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:10.60,0:02:11.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 155] \an5\move(764.66,47.5,664.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:10.65,0:02:11.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 156] \an5\move(785.41,47.5,685.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.70,0:02:11.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 157] \an5\move(800.45,47.5,700.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:10.75,0:02:12.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 158] \an5\move(824.41,47.5,724.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:10.80,0:02:12.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 159] \an5\move(845.3,47.5,745.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:12.35,0:02:13.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 160] \an5\move(491.33,47.5,391.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}A
Dialogue: 0,0:02:12.40,0:02:13.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 161] \an5\move(513.55,47.5,413.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:12.45,0:02:13.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 162] \an5\move(534.53,47.5,434.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:12.50,0:02:13.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 163] \an5\move(564.25,47.5,464.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:12.55,0:02:13.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 164] \an5\move(579.53,47.5,479.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:12.60,0:02:13.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 165] \an5\move(603.58,47.5,503.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:12.65,0:02:13.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 166] \an5\move(618.88,47.5,518.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:12.70,0:02:14.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 167] \an5\move(642.42,47.5,542.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:12.75,0:02:14.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 168] \an5\move(662.91,47.5,562.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:12.80,0:02:14.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 169] \an5\move(678.19,47.5,578.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:12.85,0:02:14.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 170] \an5\move(692.87,47.5,592.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:12.90,0:02:14.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 171] \an5\move(713,47.5,613,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:12.95,0:02:15.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 172] \an5\move(729.88,47.5,629.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:13.00,0:02:15.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 173] \an5\move(743.15,47.5,643.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:13.05,0:02:15.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 174] \an5\move(760.03,47.5,660.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:13.10,0:02:15.62,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 175] \an5\move(789.44,47.5,689.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:13.15,0:02:15.62,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 176] \an5\move(810.09,47.5,710.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:13.20,0:02:15.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 177] \an5\move(830.23,47.5,730.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:13.25,0:02:15.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 178] \an5\move(850.4,47.5,750.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:13.30,0:02:16.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 179] \an5\move(870.4,47.5,770.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:13.35,0:02:16.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 180] \an5\move(890.59,47.5,790.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:13.40,0:02:16.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 181] \an5\move(910.96,47.5,810.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:13.45,0:02:16.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 182] \an5\move(931.13,47.5,831.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:13.50,0:02:16.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 183] \an5\move(965.03,47.5,865.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:13.55,0:02:16.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 184] \an5\move(990.14,47.5,890.14,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:17.50,0:02:18.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 185] \an5\move(444.2,47.5,344.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:02:17.55,0:02:18.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 186] \an5\move(464.56,47.5,364.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:17.60,0:02:18.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 187] \an5\move(490.38,47.5,390.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:17.65,0:02:18.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 188] \an5\move(524.95,47.5,424.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:17.70,0:02:18.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 189] \an5\move(551.01,47.5,451.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:17.75,0:02:18.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 190] \an5\move(585.81,47.5,485.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:17.80,0:02:18.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 191] \an5\move(611.67,47.5,511.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:17.85,0:02:19.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 192] \an5\move(632.46,47.5,532.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:17.90,0:02:19.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 193] \an5\move(653.41,47.5,553.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:17.95,0:02:19.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 194] \an5\move(683.1,47.5,583.1,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:18.00,0:02:19.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 195] \an5\move(704.09,47.5,604.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:18.05,0:02:19.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 196] \an5\move(733.8,47.5,633.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:18.10,0:02:20.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 197] \an5\move(754.17,47.5,654.17,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:18.15,0:02:20.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 198] \an5\move(774.34,47.5,674.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:18.20,0:02:22.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 199] \an5\move(803.27,47.5,703.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:18.25,0:02:22.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 200] \an5\move(823.4,47.5,723.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:18.30,0:02:22.47,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 201] \an5\move(843.53,47.5,743.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:18.35,0:02:22.47,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 202] \an5\move(863.66,47.5,763.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:18.40,0:02:22.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 203] \an5\move(884.36,47.5,784.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:18.45,0:02:22.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 204] \an5\move(901.44,47.5,801.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:18.50,0:02:22.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 205] \an5\move(918.32,47.5,818.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:18.55,0:02:23.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 206] \an5\move(952.89,47.5,852.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:18.60,0:02:23.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 207] \an5\move(978.71,47.5,878.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:18.65,0:02:23.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 208] \an5\move(1004.53,47.5,904.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:18.70,0:02:23.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 209] \an5\move(1030.35,47.5,930.35,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:23.90,0:02:24.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 210] \an5\move(496.78,47.5,396.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:02:23.95,0:02:24.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 211] \an5\move(513.23,47.5,413.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:24.00,0:02:24.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 212] \an5\move(528.56,47.5,428.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:24.05,0:02:24.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 213] \an5\move(543.9,47.5,443.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:24.10,0:02:24.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 214] \an5\move(558.58,47.5,458.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:24.15,0:02:24.87,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 215] \an5\move(578.75,47.5,478.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:24.20,0:02:25.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 216] \an5\move(607.5,47.5,507.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:24.25,0:02:25.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 217] \an5\move(627.7,47.5,527.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:24.30,0:02:25.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 218] \an5\move(648.66,47.5,548.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:24.35,0:02:25.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 219] \an5\move(669.69,47.5,569.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:24.40,0:02:25.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 220] \an5\move(690.71,47.5,590.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:24.45,0:02:26.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 221] \an5\move(720.45,47.5,620.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:24.50,0:02:26.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 222] \an5\move(735.74,47.5,635.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:24.55,0:02:26.30,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 223] \an5\move(764.86,47.5,664.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:24.60,0:02:26.30,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 224] \an5\move(785.23,47.5,685.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:24.65,0:02:26.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 225] \an5\move(809.26,47.5,709.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:24.70,0:02:26.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 226] \an5\move(844.06,47.5,744.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:24.75,0:02:26.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 227] \an5\move(869.88,47.5,769.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.80,0:02:26.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 228] \an5\move(890.02,47.5,790.02,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:24.85,0:02:26.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 229] \an5\move(910.15,47.5,810.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.90,0:02:27.05,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 230] \an5\move(930.11,47.5,830.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:24.95,0:02:27.05,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 231] \an5\move(950.27,47.5,850.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:25.00,0:02:27.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 232] \an5\move(967.34,47.5,867.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:25.05,0:02:27.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 233] \an5\move(984.42,47.5,884.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:27.17,0:02:27.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 234] \an5\move(607.78,47.5,507.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:27.22,0:02:27.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 235] \an5\move(629.09,47.5,529.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:27.27,0:02:28.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 236] \an5\move(649.84,47.5,549.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:27.32,0:02:28.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 237] \an5\move(670.59,47.5,570.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:27.37,0:02:28.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 238] \an5\move(691.38,47.5,591.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:27.42,0:02:28.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 239] \an5\move(712.37,47.5,612.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:27.47,0:02:28.40,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 240] \an5\move(729.68,47.5,629.68,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:27.52,0:02:28.40,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 241] \an5\move(746.84,47.5,646.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:27.57,0:02:28.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 242] \an5\move(781.45,47.5,681.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:27.62,0:02:28.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 243] \an5\move(807.46,47.5,707.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:27.67,0:02:28.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 244] \an5\move(824.77,47.5,724.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:27.72,0:02:28.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 245] \an5\move(842.13,47.5,742.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:27.77,0:02:29.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 246] \an5\move(863.15,47.5,763.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:27.82,0:02:29.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 247] \an5\move(878.48,47.5,778.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ī
Dialogue: 0,0:02:29.16,0:02:29.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 248] \an5\move(444.23,47.5,344.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:29.21,0:02:29.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 249] \an5\move(460.09,47.5,360.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:29.26,0:02:29.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 250] \an5\move(480.46,47.5,380.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:29.31,0:02:29.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 251] \an5\move(500.83,47.5,400.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:29.36,0:02:30.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 252] \an5\move(524.88,47.5,424.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:29.41,0:02:30.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 253] \an5\move(545.86,47.5,445.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:29.46,0:02:30.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 254] \an5\move(580.66,47.5,480.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:29.51,0:02:30.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 255] \an5\move(606.52,47.5,506.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:29.56,0:02:30.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 256] \an5\move(627.31,47.5,527.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:29.61,0:02:30.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 257] \an5\move(648.26,47.5,548.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:29.66,0:02:31.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 258] \an5\move(677.95,47.5,577.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:29.71,0:02:31.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 259] \an5\move(698.94,47.5,598.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:29.76,0:02:31.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 260] \an5\move(728.67,47.5,628.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:29.81,0:02:31.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 261] \an5\move(749.42,47.5,649.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:29.86,0:02:31.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 262] \an5\move(769.55,47.5,669.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:29.91,0:02:31.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 263] \an5\move(789.69,47.5,689.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:29.96,0:02:32.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 264] \an5\move(819.23,47.5,719.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:30.01,0:02:32.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 265] \an5\move(840.21,47.5,740.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:30.06,0:02:32.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 266] \an5\move(870.78,47.5,770.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}R
Dialogue: 0,0:02:30.11,0:02:32.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 267] \an5\move(892.6,47.5,792.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:30.16,0:02:32.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 268] \an5\move(912.76,47.5,812.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:30.21,0:02:32.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 269] \an5\move(932.95,47.5,832.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:30.26,0:02:32.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 270] \an5\move(953.94,47.5,853.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:30.31,0:02:32.84,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 271] \an5\move(974.69,47.5,874.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:30.36,0:02:32.84,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 272] \an5\move(995.44,47.5,895.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:30.41,0:02:34.38,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 273] \an5\move(1015.94,47.5,915.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:30.46,0:02:34.38,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 274] \an5\move(1036.38,47.5,936.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.10,0:02:34.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 275] \an5\move(505.63,47.5,405.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}N
Dialogue: 0,0:02:34.15,0:02:34.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 276] \an5\move(527.86,47.5,427.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.20,0:02:34.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 277] \an5\move(544.98,47.5,444.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:34.25,0:02:34.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 278] \an5\move(562.09,47.5,462.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.30,0:02:35.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 279] \an5\move(582.05,47.5,482.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:34.35,0:02:35.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 280] \an5\move(602.21,47.5,502.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.40,0:02:35.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 281] \an5\move(630.42,47.5,530.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:02:34.45,0:02:35.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 282] \an5\move(649.88,47.5,549.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.50,0:02:35.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 283] \an5\move(670.83,47.5,570.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.55,0:02:35.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 284] \an5\move(691.04,47.5,591.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:34.60,0:02:35.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 285] \an5\move(711.23,47.5,611.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:34.65,0:02:35.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 286] \an5\move(726.52,47.5,626.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:34.70,0:02:35.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 287] \an5\move(741.81,47.5,641.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.75,0:02:36.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 288] \an5\move(770.08,47.5,670.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:02:34.80,0:02:36.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 289] \an5\move(789.54,47.5,689.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.85,0:02:36.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 290] \an5\move(810.48,47.5,710.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.90,0:02:36.53,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 291] \an5\move(827.85,47.5,727.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:34.95,0:02:36.53,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 292] \an5\move(845.16,47.5,745.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:35.00,0:02:36.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 293] \an5\move(860.41,47.5,760.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:35.05,0:02:36.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 294] \an5\move(884.44,47.5,784.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:35.10,0:02:37.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 295] \an5\move(910.49,47.5,810.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:35.15,0:02:37.06,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 296] \an5\move(936.55,47.5,836.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:35.20,0:02:37.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 297] \an5\move(951.83,47.5,851.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:35.25,0:02:37.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 298] \an5\move(975.86,47.5,875.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:37.25,0:02:37.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 299] \an5\move(610.08,47.5,510.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}S
Dialogue: 0,0:02:37.30,0:02:37.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 300] \an5\move(631.84,47.5,531.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:37.35,0:02:38.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 301] \an5\move(649.2,47.5,549.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:37.40,0:02:38.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 302] \an5\move(666.31,47.5,566.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:37.45,0:02:38.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 303] \an5\move(695.81,47.5,595.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:37.50,0:02:38.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 304] \an5\move(716.8,47.5,616.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:37.55,0:02:38.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 305] \an5\move(745.91,47.5,645.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:37.60,0:02:38.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 306] \an5\move(766.05,47.5,666.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:37.65,0:02:38.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 307] \an5\move(786.8,47.5,686.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:37.70,0:02:38.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 308] \an5\move(807.55,47.5,707.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:37.75,0:02:38.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 309] \an5\move(824.43,47.5,724.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:37.80,0:02:38.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 310] \an5\move(841.31,47.5,741.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:37.85,0:02:39.19,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 311] \an5\move(870.76,47.5,770.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:39.42,0:02:40.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 312] \an5\move(529.28,47.5,429.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}T
Dialogue: 0,0:02:39.47,0:02:40.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 313] \an5\move(549.57,47.5,449.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:39.52,0:02:40.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 314] \an5\move(569.94,47.5,469.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:39.57,0:02:40.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 315] \an5\move(590.11,47.5,490.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:39.62,0:02:40.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 316] \an5\move(615.78,47.5,515.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:39.67,0:02:40.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 317] \an5\move(632.9,47.5,532.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:39.72,0:02:41.30,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 318] \an5\move(653.27,47.5,553.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:39.77,0:02:41.30,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 319] \an5\move(673.44,47.5,573.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:39.82,0:02:41.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 320] \an5\move(697.27,47.5,597.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:39.87,0:02:41.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 321] \an5\move(708.7,47.5,608.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:39.92,0:02:41.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 322] \an5\move(725.05,47.5,625.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:39.97,0:02:41.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 323] \an5\move(745.05,47.5,645.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:40.02,0:02:42.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 324] \an5\move(779.66,47.5,679.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:40.07,0:02:42.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 325] \an5\move(805.48,47.5,705.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:40.12,0:02:42.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 326] \an5\move(826.27,47.5,726.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:40.17,0:02:42.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 327] \an5\move(847.25,47.5,747.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:40.22,0:02:42.74,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 328] \an5\move(876.98,47.5,776.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:40.27,0:02:42.74,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 329] \an5\move(897.97,47.5,797.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:40.32,0:02:43.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 330] \an5\move(923.98,47.5,823.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:40.37,0:02:43.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 331] \an5\move(950.04,47.5,850.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:44.56,0:02:45.11,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 332] \an5\move(620.6,47.5,520.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:02:44.61,0:02:45.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 333] \an5\move(647.3,47.5,547.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:44.66,0:02:45.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 334] \an5\move(672.41,47.5,572.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:44.71,0:02:45.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 335] \an5\move(689.52,47.5,589.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:44.76,0:02:45.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 336] \an5\move(701.19,47.5,601.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:44.81,0:02:45.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 337] \an5\move(725.23,47.5,625.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:44.86,0:02:45.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 338] \an5\move(745.98,47.5,645.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:44.91,0:02:45.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 339] \an5\move(766.73,47.5,666.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:44.96,0:02:46.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 340] \an5\move(783.87,47.5,683.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:45.01,0:02:46.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 341] \an5\move(800.95,47.5,700.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:45.06,0:02:46.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 342] \an5\move(830.64,47.5,730.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:45.11,0:02:46.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 343] \an5\move(851.39,47.5,751.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:45.16,0:02:46.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 344] \an5\move(866.44,47.5,766.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:46.28,0:02:46.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 345] \an5\move(515.91,47.5,415.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}B
Dialogue: 0,0:02:46.33,0:02:46.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 346] \an5\move(537.7,47.5,437.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:46.38,0:02:47.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 347] \an5\move(558.07,47.5,458.07,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:46.43,0:02:47.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 348] \an5\move(578.24,47.5,478.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:46.48,0:02:47.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 349] \an5\move(595.16,47.5,495.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:46.53,0:02:47.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 350] \an5\move(612.05,47.5,512.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:46.58,0:02:47.84,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 351] \an5\move(632.3,47.5,532.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:46.63,0:02:47.84,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 352] \an5\move(652.78,47.5,552.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:46.68,0:02:47.84,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 353] \an5\move(668.06,47.5,568.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:46.73,0:02:48.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 354] \an5\move(692.11,47.5,592.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:46.78,0:02:48.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 355] \an5\move(713.09,47.5,613.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:46.83,0:02:49.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 356] \an5\move(747.9,47.5,647.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:46.88,0:02:49.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 357] \an5\move(773.95,47.5,673.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:46.93,0:02:49.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 358] \an5\move(794.94,47.5,694.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:46.98,0:02:49.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 359] \an5\move(815.92,47.5,715.92,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:47.03,0:02:49.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 360] \an5\move(836.95,47.5,736.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:47.08,0:02:49.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 361] \an5\move(857.73,47.5,757.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:47.13,0:02:50.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 362] \an5\move(874.62,47.5,774.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:47.18,0:02:50.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 363] \an5\move(891.5,47.5,791.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:47.23,0:02:50.38,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 364] \an5\move(908.62,47.5,808.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:47.28,0:02:50.38,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 365] \an5\move(920.28,47.5,820.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:47.33,0:02:50.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 366] \an5\move(944.37,47.5,844.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:47.38,0:02:50.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 367] \an5\move(965.16,47.5,865.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:50.60,0:02:51.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 368] \an5\move(605.97,47.5,505.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:02:50.65,0:02:51.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 369] \an5\move(628.05,47.5,528.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:50.70,0:02:51.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 370] \an5\move(649.08,47.5,549.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:50.75,0:02:51.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 371] \an5\move(669.45,47.5,569.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:50.80,0:02:51.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 372] \an5\move(684.13,47.5,584.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:50.85,0:02:52.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 373] \an5\move(699.46,47.5,599.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:50.90,0:02:52.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 374] \an5\move(720.25,47.5,620.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:50.95,0:02:52.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 375] \an5\move(740.21,47.5,640.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:51.00,0:02:52.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 376] \an5\move(760.41,47.5,660.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:51.05,0:02:52.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 377] \an5\move(775.69,47.5,675.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:51.10,0:02:52.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 378] \an5\move(787.12,47.5,687.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:51.15,0:02:52.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 379] \an5\move(804,47.5,704,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:51.20,0:02:52.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 380] \an5\move(824.75,47.5,724.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:51.25,0:02:53.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 381] \an5\move(854.54,47.5,754.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:51.30,0:02:53.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 382] \an5\move(875.33,47.5,775.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:56.84,0:02:57.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 383] \an5\move(674.43,47.5,574.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:02:56.89,0:02:57.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 384] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:56.94,0:02:57.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 385] \an5\move(706.21,47.5,606.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:56.99,0:02:57.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 386] \an5\move(721.55,47.5,621.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:57.04,0:02:58.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 387] \an5\move(736.23,47.5,636.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:57.09,0:02:58.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 388] \an5\move(756.4,47.5,656.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:57.14,0:02:58.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 389] \an5\move(785.84,47.5,685.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:57.19,0:02:58.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 390] \an5\move(806.73,47.5,706.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:31.82,0:01:38.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\t(6273.42,6713.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:01:32.10,0:01:38.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 2] \an5\pos(308.29,47.5)\t(6043.42,6483.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:32.10,0:01:38.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 3] \an5\pos(333.4,47.5)\t(6093.42,6533.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:32.31,0:01:38.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 4] \an5\pos(350.52,47.5)\t(5933.42,6373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:32.31,0:01:38.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 5] \an5\pos(362.18,47.5)\t(5983.42,6423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:32.73,0:01:38.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 6] \an5\pos(386.23,47.5)\t(5613.42,6053.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:32.73,0:01:38.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 7] \an5\pos(406.98,47.5)\t(5663.42,6103.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:32.95,0:01:38.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 8] \an5\pos(427.73,47.5)\t(5493.42,5933.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:33.36,0:01:38.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 9] \an5\pos(444.86,47.5)\t(5133.42,5573.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:33.36,0:01:38.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 10] \an5\pos(461.94,47.5)\t(5183.42,5623.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:33.58,0:01:39.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 11] \an5\pos(491.63,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:33.95,0:01:39.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 12] \an5\pos(512.38,47.5)\t(4693.42,5133.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:33.95,0:01:39.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 13] \an5\pos(527.43,47.5)\t(4743.42,5183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:34.46,0:01:39.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 14] \an5\pos(551.52,47.5)\t(4283.42,4723.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:34.46,0:01:39.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 15] \an5\pos(572.54,47.5)\t(4333.42,4773.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:34.89,0:01:39.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 16] \an5\pos(592.91,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:34.89,0:01:39.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 17] \an5\pos(613.08,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:35.28,0:01:39.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 18] \an5\pos(630,47.5)\t(3663.42,4103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:35.28,0:01:39.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 19] \an5\pos(646.88,47.5)\t(3713.42,4153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:35.73,0:01:39.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 20] \an5\pos(667.13,47.5)\t(3313.42,3753.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:01:35.73,0:01:39.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 21] \an5\pos(687.62,47.5)\t(3363.42,3803.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:35.73,0:01:39.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 22] \an5\pos(702.9,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:37.13,0:01:39.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 23] \an5\pos(726.95,47.5)\t(2063.42,2503.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:37.13,0:01:39.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 24] \an5\pos(747.93,47.5)\t(2113.42,2553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:37.66,0:01:39.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 25] \an5\pos(782.73,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:37.66,0:01:39.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 26] \an5\pos(808.79,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:38.08,0:01:39.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 27] \an5\pos(829.77,47.5)\t(1313.42,1753.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:38.08,0:01:39.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 28] \an5\pos(850.76,47.5)\t(1363.42,1803.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:38.32,0:01:39.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 29] \an5\pos(871.78,47.5)\t(1173.42,1613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:38.32,0:01:39.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 30] \an5\pos(892.57,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:38.72,0:01:40.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 31] \an5\pos(909.45,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:38.72,0:01:40.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 32] \an5\pos(926.34,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:39.15,0:01:40.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 33] \an5\pos(943.45,47.5)\t(543.42,983.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:39.15,0:01:40.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 34] \an5\pos(955.12,47.5)\t(593.42,1033.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:39.70,0:01:40.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 35] \an5\pos(979.2,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:39.70,0:01:40.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 36] \an5\pos(999.99,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:40.19,0:01:51.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 37] \an5\pos(421.16,47.5)\t(10603.42,11043.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:01:40.64,0:01:51.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 38] \an5\pos(443.25,47.5)\t(10203.42,10643.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:40.64,0:01:51.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 39] \an5\pos(464.27,47.5)\t(10253.42,10693.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:41.09,0:01:51.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 40] \an5\pos(484.64,47.5)\t(9853.42,10293.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:41.09,0:01:51.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 41] \an5\pos(499.32,47.5)\t(9903.42,10343.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:41.27,0:01:51.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 42] \an5\pos(514.66,47.5)\t(9773.42,10213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:41.27,0:01:51.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 43] \an5\pos(535.45,47.5)\t(9823.42,10263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:41.79,0:01:51.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 44] \an5\pos(555.41,47.5)\t(9353.42,9793.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:41.79,0:01:51.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 45] \an5\pos(575.6,47.5)\t(9403.42,9843.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:41.79,0:01:51.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 46] \an5\pos(590.88,47.5)\t(9453.42,9893.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:42.19,0:01:51.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 47] \an5\pos(602.31,47.5)\t(9103.42,9543.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:42.19,0:01:51.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 48] \an5\pos(619.2,47.5)\t(9153.42,9593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:42.63,0:01:51.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 49] \an5\pos(648.7,47.5)\t(8763.42,9203.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:45.99,0:01:51.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 50] \an5\pos(678.48,47.5)\t(5453.42,5893.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:45.99,0:01:51.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 51] \an5\pos(699.27,47.5)\t(5503.42,5943.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:46.42,0:01:51.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 52] \an5\pos(728.76,47.5)\t(5123.42,5563.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:46.42,0:01:52.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 53] \an5\pos(744.04,47.5)\t(5173.42,5613.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:46.73,0:01:52.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 54] \an5\pos(759.38,47.5)\t(4913.42,5353.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:46.73,0:01:52.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 55] \an5\pos(774.71,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:46.87,0:01:52.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 56] \an5\pos(789.39,47.5)\t(4873.42,5313.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:46.87,0:01:52.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 57] \an5\pos(809.56,47.5)\t(4923.42,5363.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:51.75,0:01:52.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 58] \an5\pos(839.01,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:01:51.75,0:01:52.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 59] \an5\pos(859.9,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:52.76,0:01:55.27,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 60] \an5\pos(482.95,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:52.95,0:01:55.32,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 61] \an5\pos(494.38,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:52.95,0:01:55.37,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 62] \an5\pos(510.73,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:52.95,0:01:55.42,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 63] \an5\pos(530.73,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:53.28,0:01:55.47,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 64] \an5\pos(565.34,47.5)\t(1753.42,2193.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:53.28,0:01:55.52,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 65] \an5\pos(591.39,47.5)\t(1803.42,2243.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:53.57,0:01:55.57,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 66] \an5\pos(621.13,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:53.57,0:01:55.62,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 67] \an5\pos(642.11,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:53.93,0:01:55.67,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 68] \an5\pos(671.05,47.5)\t(1303.42,1743.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:53.93,0:01:55.72,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 69] \an5\pos(691.21,47.5)\t(1353.42,1793.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:54.23,0:01:55.77,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 70] \an5\pos(711.54,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:54.23,0:01:55.82,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 71] \an5\pos(731.67,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:54.57,0:01:55.87,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 72] \an5\pos(746.72,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:55.39,0:01:55.92,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 73] \an5\pos(770.8,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:55.39,0:01:55.97,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 74] \an5\pos(791.59,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:55.65,0:01:58.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 75] \an5\pos(386.46,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:55.86,0:01:58.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 76] \an5\pos(397.89,47.5)\t(2663.42,3103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:55.86,0:01:59.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 77] \an5\pos(414.23,47.5)\t(2713.42,3153.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:55.86,0:01:59.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 78] \an5\pos(434.23,47.5)\t(2763.42,3203.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:56.15,0:01:59.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 79] \an5\pos(463.81,47.5)\t(2523.42,2963.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:56.15,0:01:59.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 80] \an5\pos(484.6,47.5)\t(2573.42,3013.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:56.47,0:01:59.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 81] \an5\pos(510.23,47.5)\t(2303.42,2743.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:56.47,0:01:59.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 82] \an5\pos(523.5,47.5)\t(2353.42,2793.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:56.47,0:01:59.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 83] \an5\pos(540.58,47.5)\t(2403.42,2843.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:56.78,0:01:59.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 84] \an5\pos(569.66,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:56.78,0:01:59.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 85] \an5\pos(589.79,47.5)\t(2193.42,2633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:56.95,0:01:59.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 86] \an5\pos(614.9,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:56.95,0:01:59.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 87] \an5\pos(640.01,47.5)\t(2123.42,2563.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:57.27,0:01:59.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 88] \an5\pos(657.13,47.5)\t(1853.42,2293.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:57.27,0:01:59.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 89] \an5\pos(674.24,47.5)\t(1903.42,2343.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:57.71,0:01:59.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 90] \an5\pos(694.99,47.5)\t(1513.42,1953.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:57.71,0:01:59.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 91] \an5\pos(715.74,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:58.13,0:01:59.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 92] \an5\pos(730.79,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:58.67,0:01:59.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 93] \an5\pos(759.91,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:58.67,0:01:59.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 94] \an5\pos(785.73,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:59.21,0:01:59.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 95] \an5\pos(811.55,47.5)\t(263.42,703.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:59.21,0:01:59.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 96] \an5\pos(837.37,47.5)\t(313.42,753.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:59.48,0:02:00.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 97] \an5\pos(866.91,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:59.48,0:02:00.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 98] \an5\pos(887.89,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:59.82,0:02:01.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 99] \an5\pos(528.21,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:01:59.82,0:02:01.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 100] \an5\pos(549.76,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:00.15,0:02:01.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 101] \an5\pos(570.13,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:00.15,0:02:02.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 102] \an5\pos(590.49,47.5)\t(1453.42,1893.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:00.32,0:02:02.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 103] \an5\pos(620.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:00.32,0:02:02.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 104] \an5\pos(635.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:00.62,0:02:02.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 105] \an5\pos(663.93,47.5)\t(1133.42,1573.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:00.62,0:02:02.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 106] \an5\pos(689.04,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:00.94,0:02:02.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 107] \an5\pos(718.29,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:01.81,0:02:02.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 108] \an5\pos(735.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:01.81,0:02:02.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 109] \an5\pos(752.56,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:03.16,0:02:05.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 110] \an5\pos(507.76,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}Z
Dialogue: 0,0:02:03.16,0:02:05.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 111] \an5\pos(528.55,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:03.46,0:02:05.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 112] \an5\pos(545.47,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:03.46,0:02:05.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 113] \an5\pos(558.73,47.5)\t(1783.42,2223.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:03.46,0:02:05.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 114] \an5\pos(575.85,47.5)\t(1833.42,2273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:03.81,0:02:05.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 115] \an5\pos(601.72,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:03.81,0:02:05.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 116] \an5\pos(618.6,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:04.04,0:02:05.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 117] \an5\pos(633.65,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:04.39,0:02:05.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 118] \an5\pos(648.16,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:04.39,0:02:05.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 119] \an5\pos(668.31,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:04.79,0:02:06.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 120] \an5\pos(685.39,47.5)\t(803.42,1243.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:04.79,0:02:06.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 121] \an5\pos(701.73,47.5)\t(853.42,1293.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:04.79,0:02:06.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 122] \an5\pos(721.73,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:05.65,0:02:06.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 123] \an5\pos(751.31,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:05.65,0:02:06.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 124] \an5\pos(772.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:05.87,0:02:10.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 125] \an5\pos(393.55,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}D
Dialogue: 0,0:02:05.87,0:02:10.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 126] \an5\pos(415.38,47.5)\t(3973.42,4413.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:06.07,0:02:10.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 127] \an5\pos(444.26,47.5)\t(3823.42,4263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:06.07,0:02:10.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 128] \an5\pos(464.59,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:06.36,0:02:10.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 129] \an5\pos(485.57,47.5)\t(3633.42,4073.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:06.36,0:02:10.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 130] \an5\pos(506.59,47.5)\t(3683.42,4123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:06.67,0:02:10.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 131] \an5\pos(536.08,47.5)\t(3423.42,3863.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:07.00,0:02:10.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 132] \an5\pos(552.96,47.5)\t(3143.42,3583.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:07.00,0:02:10.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 133] \an5\pos(569.84,47.5)\t(3193.42,3633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:07.16,0:02:10.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 134] \an5\pos(586.96,47.5)\t(3083.42,3523.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:07.16,0:02:10.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 135] \an5\pos(598.63,47.5)\t(3133.42,3573.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:07.46,0:02:10.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 136] \an5\pos(618.99,47.5)\t(2883.42,3323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:07.46,0:02:10.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 137] \an5\pos(644.81,47.5)\t(2933.42,3373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:07.91,0:02:10.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 138] \an5\pos(665.51,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:08.44,0:02:10.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 139] \an5\pos(689.66,47.5)\t(2053.42,2493.42,0.8,\fr-180)\blur3\fad(0,200)}j
Dialogue: 0,0:02:08.44,0:02:10.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 140] \an5\pos(704.86,47.5)\t(2103.42,2543.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:08.91,0:02:11.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 141] \an5\pos(734.36,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:08.91,0:02:11.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 142] \an5\pos(755.11,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:09.35,0:02:11.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 143] \an5\pos(770.16,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:09.72,0:02:11.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 144] \an5\pos(794.2,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:10.02,0:02:11.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 145] \an5\pos(823.99,47.5)\t(773.42,1213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:10.02,0:02:11.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 146] \an5\pos(844.78,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:10.80,0:02:11.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 147] \an5\pos(870.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:10.80,0:02:11.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 148] \an5\pos(887.53,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:11.10,0:02:12.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 149] \an5\pos(541.63,47.5)\t(1443.42,1883.42,0.8,\fr-180)\blur3\fad(0,200)}W
Dialogue: 0,0:02:11.10,0:02:13.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 150] \an5\pos(569.28,47.5)\t(1493.42,1933.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:11.35,0:02:13.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 151] \an5\pos(589.24,47.5)\t(1293.42,1733.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:11.35,0:02:13.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 152] \an5\pos(609.24,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:11.60,0:02:13.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 153] \an5\pos(626.4,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:11.60,0:02:13.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 154] \an5\pos(643.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:11.85,0:02:13.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 155] \an5\pos(664.66,47.5)\t(993.42,1433.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:11.85,0:02:13.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 156] \an5\pos(685.41,47.5)\t(1043.42,1483.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:12.10,0:02:13.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 157] \an5\pos(700.45,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:12.90,0:02:13.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 158] \an5\pos(724.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:12.90,0:02:13.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 159] \an5\pos(745.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:13.23,0:02:17.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 160] \an5\pos(391.33,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}A
Dialogue: 0,0:02:13.33,0:02:17.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 161] \an5\pos(413.55,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:13.33,0:02:17.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 162] \an5\pos(434.53,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:13.60,0:02:17.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 163] \an5\pos(464.25,47.5)\t(3243.42,3683.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:13.60,0:02:17.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 164] \an5\pos(479.53,47.5)\t(3293.42,3733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:14.66,0:02:17.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 165] \an5\pos(503.58,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:14.66,0:02:17.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 166] \an5\pos(518.88,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:14.81,0:02:17.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 167] \an5\pos(542.42,47.5)\t(2233.42,2673.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:14.81,0:02:17.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 168] \an5\pos(562.91,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:14.81,0:02:17.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 169] \an5\pos(578.19,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:15.31,0:02:17.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 170] \an5\pos(592.87,47.5)\t(1883.42,2323.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:15.31,0:02:17.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 171] \an5\pos(613,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:15.62,0:02:17.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 172] \an5\pos(629.88,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:15.62,0:02:17.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 173] \an5\pos(643.15,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:15.62,0:02:17.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 174] \an5\pos(660.03,47.5)\t(1773.42,2213.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:15.91,0:02:17.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 175] \an5\pos(689.44,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:15.91,0:02:17.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 176] \an5\pos(710.09,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:16.16,0:02:17.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 177] \an5\pos(730.23,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:16.16,0:02:18.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 178] \an5\pos(750.4,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:16.58,0:02:18.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 179] \an5\pos(770.4,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:16.58,0:02:18.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 180] \an5\pos(790.59,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:16.71,0:02:18.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 181] \an5\pos(810.96,47.5)\t(1033.42,1473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:16.71,0:02:18.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 182] \an5\pos(831.13,47.5)\t(1083.42,1523.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:17.75,0:02:18.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 183] \an5\pos(865.03,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:17.75,0:02:18.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 184] \an5\pos(890.14,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:18.33,0:02:23.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 185] \an5\pos(344.2,47.5)\t(5063.42,5503.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:02:18.48,0:02:23.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 186] \an5\pos(364.56,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:18.48,0:02:23.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 187] \an5\pos(390.38,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:18.81,0:02:23.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 188] \an5\pos(424.95,47.5)\t(4733.42,5173.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:18.81,0:02:24.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 189] \an5\pos(451.01,47.5)\t(4783.42,5223.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:19.29,0:02:24.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 190] \an5\pos(485.81,47.5)\t(4353.42,4793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:19.29,0:02:24.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 191] \an5\pos(511.67,47.5)\t(4403.42,4843.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:19.50,0:02:24.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 192] \an5\pos(532.46,47.5)\t(4243.42,4683.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:19.50,0:02:24.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 193] \an5\pos(553.41,47.5)\t(4293.42,4733.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:19.77,0:02:24.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 194] \an5\pos(583.1,47.5)\t(4073.42,4513.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:19.77,0:02:24.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 195] \an5\pos(604.09,47.5)\t(4123.42,4563.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:20.18,0:02:24.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 196] \an5\pos(633.8,47.5)\t(3763.42,4203.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:22.31,0:02:24.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 197] \an5\pos(654.17,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:22.31,0:02:24.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 198] \an5\pos(674.34,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:22.47,0:02:24.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 199] \an5\pos(703.27,47.5)\t(1623.42,2063.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:22.47,0:02:24.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 200] \an5\pos(723.4,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:22.63,0:02:24.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 201] \an5\pos(743.53,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:22.63,0:02:24.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 202] \an5\pos(763.66,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:22.77,0:02:24.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 203] \an5\pos(784.36,47.5)\t(1523.42,1963.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:23.39,0:02:24.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 204] \an5\pos(801.44,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:23.39,0:02:24.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 205] \an5\pos(818.32,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:23.87,0:02:24.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 206] \an5\pos(852.89,47.5)\t(573.42,1013.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:23.87,0:02:24.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 207] \an5\pos(878.71,47.5)\t(623.42,1063.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:24.45,0:02:24.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 208] \an5\pos(904.53,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:24.45,0:02:25.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 209] \an5\pos(930.35,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:24.73,0:02:27.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 210] \an5\pos(396.78,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:02:24.73,0:02:27.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 211] \an5\pos(413.23,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:24.87,0:02:27.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 212] \an5\pos(428.56,47.5)\t(1943.42,2383.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:24.87,0:02:27.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 213] \an5\pos(443.9,47.5)\t(1993.42,2433.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:25.09,0:02:27.35,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 214] \an5\pos(458.58,47.5)\t(1823.42,2263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:25.09,0:02:27.40,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 215] \an5\pos(478.75,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:25.64,0:02:27.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 216] \an5\pos(507.5,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:25.64,0:02:27.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 217] \an5\pos(527.7,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:25.64,0:02:27.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 218] \an5\pos(548.66,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:26.02,0:02:27.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 219] \an5\pos(569.69,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:26.02,0:02:27.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 220] \an5\pos(590.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:26.30,0:02:27.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 221] \an5\pos(620.45,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:26.30,0:02:27.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 222] \an5\pos(635.74,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:26.48,0:02:27.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 223] \an5\pos(664.86,47.5)\t(883.42,1323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:26.48,0:02:27.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 224] \an5\pos(685.23,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:26.63,0:02:27.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 225] \an5\pos(709.26,47.5)\t(833.42,1273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:26.81,0:02:27.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 226] \an5\pos(744.06,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:26.81,0:02:28.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 227] \an5\pos(769.88,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:27.05,0:02:28.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 228] \an5\pos(790.02,47.5)\t(563.42,1003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:27.05,0:02:28.10,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 229] \an5\pos(810.15,47.5)\t(613.42,1053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:27.44,0:02:28.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 230] \an5\pos(830.11,47.5)\t(273.42,713.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:27.44,0:02:28.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 231] \an5\pos(850.27,47.5)\t(323.42,763.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:27.72,0:02:28.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 232] \an5\pos(867.34,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:27.72,0:02:28.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 233] \an5\pos(884.42,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:28.06,0:02:29.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 234] \an5\pos(507.78,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:28.06,0:02:29.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 235] \an5\pos(529.09,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:28.21,0:02:29.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 236] \an5\pos(549.84,47.5)\t(1093.42,1533.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:28.21,0:02:29.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 237] \an5\pos(570.59,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:28.40,0:02:29.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 238] \an5\pos(591.38,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:28.40,0:02:29.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 239] \an5\pos(612.37,47.5)\t(1053.42,1493.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:28.54,0:02:29.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 240] \an5\pos(629.68,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:28.54,0:02:29.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 241] \an5\pos(646.84,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:28.70,0:02:30.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 242] \an5\pos(681.45,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:28.70,0:02:30.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 243] \an5\pos(707.46,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:29.01,0:02:30.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 244] \an5\pos(724.77,47.5)\t(693.42,1133.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:29.01,0:02:30.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 245] \an5\pos(742.13,47.5)\t(743.42,1183.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:29.71,0:02:30.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 246] \an5\pos(763.15,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:29.71,0:02:30.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 247] \an5\pos(778.48,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}ī
Dialogue: 0,0:02:29.98,0:02:33.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 248] \an5\pos(344.23,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:29.98,0:02:33.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 249] \an5\pos(360.09,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:30.14,0:02:33.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 250] \an5\pos(380.46,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:30.14,0:02:33.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 251] \an5\pos(400.83,47.5)\t(3403.42,3843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:30.29,0:02:34.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 252] \an5\pos(424.88,47.5)\t(3303.42,3743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:30.29,0:02:34.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 253] \an5\pos(445.86,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:30.79,0:02:34.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 254] \an5\pos(480.66,47.5)\t(2903.42,3343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:30.79,0:02:34.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 255] \an5\pos(506.52,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:31.06,0:02:34.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 256] \an5\pos(527.31,47.5)\t(2733.42,3173.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:31.06,0:02:34.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 257] \an5\pos(548.26,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:31.43,0:02:34.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 258] \an5\pos(577.95,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:31.43,0:02:34.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 259] \an5\pos(598.94,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:31.71,0:02:34.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 260] \an5\pos(628.67,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:31.71,0:02:34.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 261] \an5\pos(649.42,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:32.06,0:02:34.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 262] \an5\pos(669.55,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:32.06,0:02:34.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 263] \an5\pos(689.69,47.5)\t(2083.42,2523.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:32.22,0:02:34.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 264] \an5\pos(719.23,47.5)\t(1973.42,2413.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:32.22,0:02:34.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 265] \an5\pos(740.21,47.5)\t(2023.42,2463.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:32.50,0:02:34.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 266] \an5\pos(770.78,47.5)\t(1793.42,2233.42,0.8,\fr-180)\blur3\fad(0,200)}R
Dialogue: 0,0:02:32.50,0:02:34.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 267] \an5\pos(792.6,47.5)\t(1843.42,2283.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:32.84,0:02:34.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 268] \an5\pos(812.76,47.5)\t(1553.42,1993.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:32.84,0:02:34.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 269] \an5\pos(832.95,47.5)\t(1603.42,2043.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:32.84,0:02:34.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 270] \an5\pos(853.94,47.5)\t(1653.42,2093.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:34.38,0:02:34.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 271] \an5\pos(874.69,47.5)\t(163.42,603.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:34.38,0:02:35.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 272] \an5\pos(895.44,47.5)\t(213.42,653.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:34.55,0:02:35.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 273] \an5\pos(915.94,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:34.55,0:02:35.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 274] \an5\pos(936.38,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:34.93,0:02:37.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 275] \an5\pos(405.63,47.5)\t(1863.42,2303.42,0.8,\fr-180)\blur3\fad(0,200)}N
Dialogue: 0,0:02:34.93,0:02:37.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 276] \an5\pos(427.86,47.5)\t(1913.42,2353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:35.02,0:02:37.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 277] \an5\pos(444.98,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:35.02,0:02:37.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 278] \an5\pos(462.09,47.5)\t(1923.42,2363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:35.32,0:02:37.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 279] \an5\pos(482.05,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:35.32,0:02:37.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 280] \an5\pos(502.21,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:35.67,0:02:37.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 281] \an5\pos(530.42,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:02:35.67,0:02:37.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 282] \an5\pos(549.88,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:35.76,0:02:37.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 283] \an5\pos(570.83,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:35.96,0:02:37.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 284] \an5\pos(591.04,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:35.96,0:02:37.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 285] \an5\pos(611.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:35.96,0:02:37.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 286] \an5\pos(626.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:36.17,0:02:37.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 287] \an5\pos(641.81,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:36.53,0:02:37.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 288] \an5\pos(670.08,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:02:36.53,0:02:37.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 289] \an5\pos(689.54,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:36.53,0:02:37.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 290] \an5\pos(710.48,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:36.75,0:02:38.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 291] \an5\pos(727.85,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:36.75,0:02:38.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 292] \an5\pos(745.16,47.5)\t(893.42,1333.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:36.83,0:02:38.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 293] \an5\pos(760.41,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:37.06,0:02:38.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 294] \an5\pos(784.44,47.5)\t(683.42,1123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:37.29,0:02:38.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 295] \an5\pos(810.49,47.5)\t(503.42,943.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:37.29,0:02:38.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 296] \an5\pos(836.55,47.5)\t(553.42,993.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:37.60,0:02:38.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 297] \an5\pos(851.83,47.5)\t(293.42,733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:37.80,0:02:38.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 298] \an5\pos(875.86,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:38.28,0:02:39.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 299] \an5\pos(510.08,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}S
Dialogue: 0,0:02:38.28,0:02:40.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 300] \an5\pos(531.84,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:38.43,0:02:40.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 301] \an5\pos(549.2,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:38.43,0:02:40.10,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 302] \an5\pos(566.31,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:38.57,0:02:40.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 303] \an5\pos(595.81,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:38.57,0:02:40.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 304] \an5\pos(616.8,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:38.75,0:02:40.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 305] \an5\pos(645.91,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:38.75,0:02:40.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 306] \an5\pos(666.05,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:38.89,0:02:40.35,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 307] \an5\pos(686.8,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:38.89,0:02:40.40,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 308] \an5\pos(707.55,47.5)\t(1073.42,1513.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:39.19,0:02:40.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 309] \an5\pos(724.43,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:39.19,0:02:40.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 310] \an5\pos(741.31,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:39.97,0:02:40.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 311] \an5\pos(770.76,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:40.35,0:02:44.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 312] \an5\pos(429.28,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}T
Dialogue: 0,0:02:40.35,0:02:44.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 313] \an5\pos(449.57,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:40.49,0:02:44.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 314] \an5\pos(469.94,47.5)\t(3913.42,4353.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:40.49,0:02:44.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 315] \an5\pos(490.11,47.5)\t(3963.42,4403.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:41.30,0:02:44.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 316] \an5\pos(515.78,47.5)\t(3203.42,3643.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:41.30,0:02:44.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 317] \an5\pos(532.9,47.5)\t(3253.42,3693.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:41.65,0:02:45.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 318] \an5\pos(553.27,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:41.65,0:02:45.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 319] \an5\pos(573.44,47.5)\t(3003.42,3443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:41.92,0:02:45.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 320] \an5\pos(597.27,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:42.27,0:02:45.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 321] \an5\pos(608.7,47.5)\t(2483.42,2923.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:42.27,0:02:45.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 322] \an5\pos(625.05,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:42.27,0:02:45.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 323] \an5\pos(645.05,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:42.44,0:02:45.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 324] \an5\pos(679.66,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:42.44,0:02:45.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 325] \an5\pos(705.48,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:42.74,0:02:45.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 326] \an5\pos(726.27,47.5)\t(2263.42,2703.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:42.74,0:02:45.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 327] \an5\pos(747.25,47.5)\t(2313.42,2753.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:43.01,0:02:45.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 328] \an5\pos(776.98,47.5)\t(2093.42,2533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:43.01,0:02:45.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 329] \an5\pos(797.97,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:45.11,0:02:45.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 330] \an5\pos(823.98,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:45.11,0:02:45.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 331] \an5\pos(850.04,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:45.26,0:02:46.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 332] \an5\pos(520.6,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:02:45.45,0:02:46.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 333] \an5\pos(547.3,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:45.45,0:02:46.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 334] \an5\pos(572.41,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:45.59,0:02:46.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 335] \an5\pos(589.52,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:45.59,0:02:47.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 336] \an5\pos(601.19,47.5)\t(983.42,1423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:45.95,0:02:47.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 337] \an5\pos(625.23,47.5)\t(673.42,1113.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:45.95,0:02:47.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 338] \an5\pos(645.98,47.5)\t(723.42,1163.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:46.08,0:02:47.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 339] \an5\pos(666.73,47.5)\t(643.42,1083.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:46.41,0:02:47.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 340] \an5\pos(683.87,47.5)\t(363.42,803.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:46.41,0:02:47.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 341] \an5\pos(700.95,47.5)\t(413.42,853.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:46.57,0:02:47.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 342] \an5\pos(730.64,47.5)\t(303.42,743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:46.57,0:02:47.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 343] \an5\pos(751.39,47.5)\t(353.42,793.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:46.83,0:02:47.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 344] \an5\pos(766.44,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:47.20,0:02:50.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 345] \an5\pos(415.91,47.5)\t(2993.42,3433.42,0.8,\fr-180)\blur3\fad(0,200)}B
Dialogue: 0,0:02:47.20,0:02:50.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 346] \an5\pos(437.7,47.5)\t(3043.42,3483.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:47.52,0:02:50.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 347] \an5\pos(458.07,47.5)\t(2773.42,3213.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:47.52,0:02:50.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 348] \an5\pos(478.24,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:47.84,0:02:50.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 349] \an5\pos(495.16,47.5)\t(2553.42,2993.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:47.84,0:02:50.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 350] \an5\pos(512.05,47.5)\t(2603.42,3043.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:48.15,0:02:50.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 351] \an5\pos(532.3,47.5)\t(2343.42,2783.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:48.15,0:02:50.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 352] \an5\pos(552.78,47.5)\t(2393.42,2833.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:48.15,0:02:51.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 353] \an5\pos(568.06,47.5)\t(2443.42,2883.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:49.27,0:02:51.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 354] \an5\pos(592.11,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:49.27,0:02:51.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 355] \an5\pos(613.09,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:49.63,0:02:51.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 356] \an5\pos(647.9,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:49.63,0:02:51.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 357] \an5\pos(673.95,47.5)\t(1163.42,1603.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:49.92,0:02:51.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 358] \an5\pos(694.94,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:49.92,0:02:51.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 359] \an5\pos(715.92,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:50.08,0:02:51.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 360] \an5\pos(736.95,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:50.08,0:02:51.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 361] \an5\pos(757.73,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:50.38,0:02:51.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 362] \an5\pos(774.62,47.5)\t(663.42,1103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:50.38,0:02:51.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 363] \an5\pos(791.5,47.5)\t(713.42,1153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:50.70,0:02:51.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 364] \an5\pos(808.62,47.5)\t(443.42,883.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:50.70,0:02:51.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 365] \an5\pos(820.28,47.5)\t(493.42,933.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:51.15,0:02:51.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 366] \an5\pos(844.37,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:51.15,0:02:51.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 367] \an5\pos(865.16,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:51.51,0:02:56.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 368] \an5\pos(505.97,47.5)\t(4463.42,4903.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:02:51.85,0:02:56.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 369] \an5\pos(528.05,47.5)\t(4173.42,4613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:51.85,0:02:56.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 370] \an5\pos(549.08,47.5)\t(4223.42,4663.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:52.17,0:02:56.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 371] \an5\pos(569.45,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:52.17,0:02:56.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 372] \an5\pos(584.13,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:52.35,0:02:56.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 373] \an5\pos(599.46,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:52.35,0:02:56.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 374] \an5\pos(620.25,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:52.68,0:02:56.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 375] \an5\pos(640.21,47.5)\t(3643.42,4083.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:52.68,0:02:56.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 376] \an5\pos(660.41,47.5)\t(3693.42,4133.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:52.68,0:02:56.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 377] \an5\pos(675.69,47.5)\t(3743.42,4183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:52.98,0:02:56.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 378] \an5\pos(687.12,47.5)\t(3493.42,3933.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:52.98,0:02:56.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 379] \an5\pos(704,47.5)\t(3543.42,3983.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:53.25,0:02:57.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 380] \an5\pos(724.75,47.5)\t(3323.42,3763.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:56.53,0:02:57.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 381] \an5\pos(754.54,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:56.53,0:02:57.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 382] \an5\pos(775.33,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:57.89,0:03:01.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 383] \an5\pos(574.43,47.5)\t(2813.42,3253.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:02:57.89,0:03:01.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 384] \an5\pos(590.88,47.5)\t(2863.42,3303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:58.22,0:03:01.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 385] \an5\pos(606.21,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:58.22,0:03:01.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 386] \an5\pos(621.55,47.5)\t(2633.42,3073.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:58.39,0:03:01.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 387] \an5\pos(636.23,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:58.39,0:03:01.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 388] \an5\pos(656.4,47.5)\t(2563.42,3003.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:00.91,0:03:01.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 389] \an5\pos(685.84,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:03:00.91,0:03:01.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 390] \an5\pos(706.73,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:23:41.98,0:23:43.98,next,,0,0,0,,
Dialogue: 0,0:21:55.02,0:22:02.20,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}شكرًا لكم على طيب المتابعة
Dialogue: 0,0:22:02.00,0:22:09.20,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}عذب الخيال
Dialogue: 0,0:22:02.00,0:22:09.20,Default -alt,,0,0,0,,{\fad(250,250)\pos(1081,116.8)}Twitter: @athbulkhayual
Dialogue: 0,0:22:02.00,0:22:09.20,Default -alt,,0,0,0,,{\fad(250,250)\pos(241.4,717.8)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:22:09.65,0:22:13.03,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k43}De{\k41}a{\k25}tta {\k45}ko{\k23}ro {\k21}wa {\k40}da{\k26}re{\k21}ni{\k46}mo
Comment: 0,0:22:13.12,0:22:17.37,ED-Romaji,,0,0,0,,{\blur3}{\k13}{\2c&H606CEB&\t(783,1283,\2c&HC3A7EF&\t(3536,4036,\2c&HE3AE58&))}{\k26}Yo{\k41}so{\k23}ku {\k18}fu{\k44}ka{\k23}no{\k20}u{\k44}na {\k26}te{\k21}n{\k67}ka{\k59}i
Comment: 0,0:22:18.20,0:22:22.38,ED-Romaji,,0,0,0,,{\blur3}{\k11}{\k46}Uso {\k17}mi{\k29}ta{\k14}i{\k19}da {\k116}ne{\k68} {\k98}Yeah
Comment: 0,0:22:23.72,0:22:27.21,ED-Romaji,,0,0,0,,{\blur3}{\k12}{\k34}Guu{\k33}ze{\k21}n {\k22}ba{\k49}ka{\k32}ri {\k48}ja{\k21}na{\k28}ku{\k49}te
Comment: 0,0:22:27.21,0:22:30.15,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k9}Hi{\k29}to{\k15}tus {\k31}ta{\k30}shi{\k44}ka{\k46}na {\k44}no {\k39}wa
Comment: 0,0:22:30.15,0:22:36.05,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k85}Bo{\k26}ku{\k153}ra {\k22}o{\k22}to {\k21}ni {\k14}a{\k55}tsu{\k45}ma{\k140}tta
Comment: 0,0:22:36.40,0:22:42.92,ED-Romaji 3,,0,0,0,,{\blur3}{\k11}{\k43}So{\k54}re{\k54}zo{\k80}re {\k196}no {\k53}ka{\k52}ra{\k53}a {\k56}de
Comment: 0,0:22:42.92,0:22:44.25,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k27}Hi{\k17}bi{\k25}ki {\k25}a{\k17}e{\k15}be
Comment: 0,0:22:44.25,0:22:50.53,ED-Romaji,,0,0,0,,{\blur3}{\k8}{\k177}Ki{\k89}tto {\k21}ni{\k25}ji {\k20}ni {\k20}mu{\k180}kou {\k88}e
Comment: 0,0:22:50.53,0:22:54.90,ED-Romaji,,0,0,0,,{\blur3}{\k22}ki{\k22}mi {\k22}ga {\k23}i{\k85}re{\k89}ba {\k46}e{\k10}ga{\k10}i{\k28}te{\k16}ta {\k22}yu{\k42}me
Comment: 0,0:22:54.90,0:22:58.40,ED-Romaji,,0,0,0,,{\blur3}{\k32}Ta{\k14}shi{\k25}ka{\k30}na {\k11}mi{\k11}ra{\k8}i {\k45}ni {\k46}ka{\k44}wa{\k45}tte {\k39}ku
Comment: 0,0:22:58.40,0:23:04.62,ED-Romaji,,0,0,0,,{\blur3}{\k158}I{\k24}tsu{\k87}ka {\k25}ma{\k17}na{\k26}tsu {\k10}no {\k15}hi{\k175}ka{\k85}ri
Comment: 0,0:23:04.62,0:23:10.34,ED-Romaji,,0,0,0,,{\blur3}{\k13}Ka{\k32}sa{\k23}na{\k21}ri{\k88}a{\k89}tte {\k42}ka{\k47}na{\k46}de{\k40}ru {\k131}no
Comment: 0,0:23:10.34,0:23:12.67,ED-Romaji,,0,0,0,,{\blur3}{\k47}Kii{\k47}te {\k41}i{\k98}te
Comment: 0,0:23:12.67,0:23:15.80,ED-Romaji,,0,0,0,,{\blur3}{\k58}Play {\k19}the {\k236}music
Dialogue: 0,0:22:09.65,0:22:13.03,ED-Arabic,,0,0,0,,{\blur3}عندما التقينا
Dialogue: 0,0:22:13.12,0:22:17.37,ED-Arabic,,0,0,0,,{\blur3}كان الأمر غير متوقع
Dialogue: 0,0:22:18.20,0:22:22.38,ED-Arabic,,0,0,0,,{\blur3}كان يبدو وكأنه كذبة، أجل
Dialogue: 0,0:22:23.72,0:22:27.21,ED-Arabic,,0,0,0,,{\blur3}لم تكن مجرد مصادفة
Dialogue: 0,0:22:27.21,0:22:30.15,ED-Arabic,,0,0,0,,{\blur3}الأمر المؤكد هو
Dialogue: 0,0:22:30.15,0:22:36.05,ED-Arabic,,0,0,0,,{\blur3}أن الموسيقى جمعتنا
Dialogue: 0,0:22:36.40,0:22:42.92,ED-Arabic,,0,0,0,,{\blur3}يتردد صدى موسيقانا معًا
Dialogue: 0,0:22:42.92,0:22:44.25,ED-Arabic,,0,0,0,,{\blur3}حاملاً معه ألواننا
Dialogue: 0,0:22:44.25,0:22:50.53,ED-Arabic,,0,0,0,,{\blur3}لننطلق ونتجاوز الطيف
Dialogue: 0,0:22:50.53,0:22:54.90,ED-Arabic,,0,0,0,,{\blur3}إذا كنت معي فإن الحلم الذي طالما حلمت به
Dialogue: 0,0:22:54.90,0:22:58.40,ED-Arabic,,0,0,0,,{\blur3}سيتحقق في الغد بكل تأكيد
Dialogue: 0,0:22:58.40,0:23:04.62,ED-Arabic,,0,0,0,,{\blur3}يومًا ما ستتداخل الألوان السبعة ببعضها
Dialogue: 0,0:23:04.62,0:23:10.34,ED-Arabic,,0,0,0,,{\blur3}وتنسجم معًا
Dialogue: 0,0:23:10.34,0:23:12.67,ED-Arabic,,0,0,0,,{\blur3}لذا أرجوك اسمعي
Dialogue: 0,0:23:12.67,0:23:15.80,ED-Arabic,,0,0,0,,{\blur3}اعزفي الموسيقى
Dialogue: 0,0:23:43.98,0:23:45.98,next,,0,0,0,,
Dialogue: 0,0:23:44.07,0:23:46.07,next,,0,0,0,,