[Script Info]
; Script generated by Aegisub 3.2.2
; http://www.aegisub.org/
Title: HorribleSubs
ScriptType: v4.00+
WrapStyle: 0
PlayResX: 1920
PlayResY: 1080
YCbCr Matrix: TV.601
ScaledBorderAndShadow: yes

[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: [Rhythm] Princess Principal - 04 [BD 1080p Hi10p FLAC][].mkv
Video File: [Rhythm] Princess Principal - 04 [BD 1080p Hi10p FLAC][].mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.250000
Scroll Position: 612
Active Line: 184
Video Position: 16694

[V4+ Styles]
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Style: Songs-furigana,Hacen Casablanca,45,&H000C0C0D,&H000000FF,&H00F0F0F6,&H00000000,0,0,0,0,100,100,0,0,1,1.125,2.25,2,23,23,23,1
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Style: Title,Hacen Liner Print-out Light,100,&H00D6D7D7,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3,0,2,10,10,10,1
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Style: ED - A Page of My Story,Steampunk DEMO by Marta van Eck,74,&H00A8D0D7,&H000F161C,&H00244155,&HAF000000,0,0,0,0,85,100,0,0,1,3,0,7,45,45,38,1
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Style: ED Arabic,Hesham Free,75,&H00A8D0D7,&H000F161C,&H00244155,&H00000000,-1,-1,0,0,100,100,0,0,1,2,2,3,80,80,20,1
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text

Dialogue: 0,0:03:42.24,0:03:46.20,Rhythm,,0,0,0,,{\fad(100,100)}TL: Jane-Subs\NCh: yumi\NEncoding: shx\NKaraoke & TM : Zetsubou Ou
Dialogue: 0,0:03:42.24,0:03:46.20,Rhythm,,0,0,0,,{\fad(100,100)\an9}rhy-sub.blogspot.com
Dialogue: 0,0:00:04.08,0:00:05.87,Default,,0,0,0,,{\be2}.استقرّ ضغط البخار
Dialogue: 0,0:00:07.25,0:00:08.87,Default,,0,0,0,,{\be2}.ينبغي أن يعمل هذه المرة
Dialogue: 0,0:00:09.21,0:00:10.96,Default,,0,0,0,,{\be2}!حسنٌ، افتح الصمّام
Dialogue: 0,0:00:27.33,0:00:28.12,Default,,0,0,0,,{\be2}.أخيرًا
Dialogue: 0,0:00:28.62,0:00:30.37,Default,,0,0,0,,{\be2}!نجحنا أخيرًا
Dialogue: 0,0:00:31.12,0:00:34.33,Default,,0,0,0,,{\be2}!تستطيع المملكة تحطيم الجمهوريّة الآن
Dialogue: 0,0:00:34.67,0:00:36.54,Default,,0,0,0,,{\be2}!المجد لمملكة ألبيون
Dialogue: 0,0:00:37.12,0:00:39.21,Default,,0,0,0,,{\be2}.علينا التركيز الآن على إنتاج كميات كبيرة
Dialogue: 0,0:00:39.67,0:00:41.96,Default,,0,0,0,,{\be2}!من يسرق دولتنا سينال عقابه
Dialogue: 0,0:01:03.83,0:01:04.91,Default,,0,0,0,,{\be2}ما هدفنا؟
Dialogue: 0,0:01:06.04,0:01:07.21,Default,,0,0,0,,{\be2}.شبيه كرة البيسبول
Dialogue: 0,0:01:10.17,0:01:14.91,Default,,0,0,0,,{\be2}.نجحت المملكة في تصغير وحدة التحكم بالكيفورايت
Dialogue: 0,0:01:15.25,0:01:18.75,Default,,0,0,0,,{\be2}.أريد من فريقكِ سرقة نموذجهم الأوليّ له
Dialogue: 0,0:01:19.37,0:01:23.21,Default,,0,0,0,,{\be2}.إذن فالجواسيس والعلماء هم الجنود الأساسيون في حرب الظل هذه
Dialogue: 0,0:01:23.58,0:01:27.04,Default,,0,0,0,,{\be2}.تملك المملكة تكنولوجيا التكرير التي نفتقر إليها
Dialogue: 0,0:01:28.00,0:01:33.33,Default,,0,0,0,,{\be2}سيجعلون أسلحة الجاذبيّة واسعة النطاق أمرًا واقعيًا\N.إن قاموا بدمجها مع وحدة التحكم المصغرّة
Dialogue: 0,0:01:34.04,0:01:36.33,Default,,0,0,0,,{\be2}.قد يغيّر هذا مجرى التاريخ إن وقع في أيدي الأشخاص الخطأ
Dialogue: 0,0:01:37.04,0:01:39.50,Default,,0,0,0,,{\be2}أليست هذه مهمة صعبة على فريق هواة مثلنا؟
Dialogue: 0,0:01:40.12,0:01:41.46,Default,,0,0,0,,{\be2}...جواسيسنا الأكثر خبرة يمكن أن
Dialogue: 0,0:01:41.79,0:01:45.25,Default,,0,0,0,,{\be2}.إنها مهمة يمكن لفريقكم فقط إنجازها
Dialogue: 0,0:01:46.96,0:01:48.08,Default,,0,0,0,,{\be2}بسبب الأميرة؟
Dialogue: 0,0:01:50.58,0:01:52.87,Default,,0,0,0,,{\be2}.إنها نقطة قوة فريقكم
Dialogue: 0,0:01:53.92,0:01:59.58,Default,,0,0,0,,{\be2}.ستستغلون منصبها للدخول للحفل في منجم الكيفورايت
Dialogue: 0,0:02:00.21,0:02:03.08,Default,,0,0,0,,{\be2}...يا لطريقتك في استغلال الأميرة
Dialogue: 0,0:02:04.29,0:02:05.66,Default,,0,0,0,,{\be2}...ثمة أمر آخر يا دوروثي
Dialogue: 0,0:02:06.62,0:02:09.50,Default,,0,0,0,,{\be2}.أبقي هذا طي الكتمان
Dialogue: 0,0:03:28.55,0:03:31.33,OP - The Other Side of the Wall,,0,0,0,,{\fad(150,300)\blur1.95\an9\}{\fnBlackKnightFLF\fs70.5}({\fnFancy Card Text\fs108}you got to find{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:02:27.73,0:02:30.42,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اسمعني فأنا أقول
Dialogue: 0,0:02:30.45,0:02:34.25,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اعبر الجدار
Dialogue: 0,0:02:34.95,0:02:40.40,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أيمكنك الشعور بأنه ما من تغيير يحدث؟
Dialogue: 0,0:02:41.10,0:02:46.09,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}كترس متزامن بداخل ساعة
Dialogue: 0,0:02:47.13,0:02:52.37,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}من يعرف طريقة للتغيير؟
Dialogue: 0,0:02:52.37,0:02:58.75,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}تعرّف، تبصر باطنيًا، يجب أن تبقى حيًا
Dialogue: 0,0:02:59.20,0:03:04.93,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لن أخدع لأنني فتاة أميّز الأكاذيب
Dialogue: 0,0:03:04.93,0:03:07.95,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لأنني أعرفها، أعرفها كلها
Dialogue: 0,0:03:07.95,0:03:12.43,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأطير عاليًا
Dialogue: 0,0:03:12.48,0:03:15.30,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}يا له من انتظار لعبور الجدار
Dialogue: 0,0:03:15.30,0:03:18.73,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وسأطيح بأي شيء يواجهني عند الجدار
Dialogue: 0,0:03:18.73,0:03:21.65,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأعبر الجدار وأهرب
Dialogue: 0,0:03:21.65,0:03:25.68,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}"ولا تدعهم يمسكوني وقل: "لا تخذليني
Dialogue: 0,0:03:25.68,0:03:26.78,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أوه نعم
Dialogue: 0,0:03:26.78,0:03:30.78,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}عندما يعمل محرك الساعة ويبدأ في التألق
Dialogue: 0,0:03:28.55,0:03:31.33,OP Arabic,,0,0,0,,{\fad(150,300)\blur1.95\an1}{\fnBlackKnightFLF\fs70.5}({\fnهشام الشرق طبيعي\fs80}سوف تجد{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:03:30.78,0:03:32.78,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}فادفعه للأبد
Dialogue: 0,0:03:32.78,0:03:37.25,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أكمله ومن ثم حدّد طريقه
Dialogue: 0,0:03:37.25,0:03:41.08,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وأطلقه مباشرة
Dialogue: 0,0:03:42.24,0:03:46.20,Title,,0,0,0,,{\fad(500,500)\fs150\fscx68\fscy82\pos(737.333,858.666)}القضية 9
Dialogue: 0,0:03:42.24,0:03:46.20,Title,,0,0,0,,{\fad(500,500)\fs150\pos(1342.666,856.833)}حمام زاجل
Dialogue: 0,0:03:57.46,0:03:59.08,Default,,0,0,0,,{\be2}.بياتو، تبديل
Dialogue: 0,0:04:33.79,0:04:34.83,Default,,0,0,0,,{\be2}.لقد فزت
Dialogue: 0,0:04:37.00,0:04:38.46,Default,,0,0,0,,{\be2}.إنه دوركِ يا بياتو
Dialogue: 0,0:04:40.58,0:04:42.29,Default,,0,0,0,,{\be2}.لن تغلبوني هذه المرة
Dialogue: 0,0:04:42.92,0:04:45.25,Default,,0,0,0,,{\be2}.ما زلتِ تقولين هذا رغم خسارتكِ عشر مرات متتالية
Dialogue: 0,0:04:45.58,0:04:47.96,Default,,0,0,0,,{\be2}.لقد خسرتِ معي يا تشيس-سان
Dialogue: 0,0:04:48.17,0:04:49.79,Default,,0,0,0,,{\be2}.لقد فزتُ مرة واحدة
Dialogue: 0,0:04:51.37,0:04:54.41,Default,,0,0,0,,{\be2}.لا يعد الأمر فوزًا حينما تعتدين على ضابط شرطة
Dialogue: 0,0:04:55.54,0:04:58.25,Default,,0,0,0,,{\be2}.لا تقلقي، استخدمتُ مؤخرة سيفي
Dialogue: 0,0:04:58.71,0:05:00.29,Default,,0,0,0,,{\be2}وهل يهوِّن هذا الأمر؟
Dialogue: 0,0:05:00.87,0:05:02.37,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:05:02.83,0:05:08.29,Default,,0,0,0,,{\be2}اسمعن، لمَ لا نطلق على فريقنا اسمًا؟
Dialogue: 0,0:05:09.50,0:05:10.83,Default,,0,0,0,,{\be2}!إنها فكرة رائعة
Dialogue: 0,0:05:11.29,0:05:13.75,Default,,0,0,0,,{\be2}."ثمة مقولة تقول "غالبًا ما تعبِّر الأسماء عن أطباع حامليها
Dialogue: 0,0:05:14.42,0:05:15.87,Default,,0,0,0,,{\be2}.لسنا بحاجة لاسم
Dialogue: 0,0:05:16.79,0:05:19.12,Default,,0,0,0,,{\be2}.لا نريد إضافة أي معلومة قد تستخدم ضدنا كدليل
Dialogue: 0,0:05:19.54,0:05:20.79,Default,,0,0,0,,{\be2}.إنه قانون جاسوسيّ رئيسي
Dialogue: 0,0:05:21.46,0:05:23.96,Default,,0,0,0,,{\be2}ألهذا السبب تكذبين دومًا؟
Dialogue: 0,0:05:24.29,0:05:28.08,Default,,0,0,0,,{\be2}لا جدوى من سؤالي بما أنني كاذبة، أليس كذلك؟
Dialogue: 0,0:05:28.71,0:05:31.58,Default,,0,0,0,,{\be2}.ينبغي أن نختار اسمًا لطيفًا بما أننا كلنا فتيات
Dialogue: 0,0:05:31.79,0:05:33.54,Default,,0,0,0,,{\be2}.شيء زهري أو وردي
Dialogue: 0,0:05:34.00,0:05:37.21,Default,,0,0,0,,{\be2}ما رأيكن باسم ذلك الطائر الغريب الذي رأيناه ذلك اليوم؟
Dialogue: 0,0:05:37.83,0:05:39.66,Default,,0,0,0,,{\be2}.أعتقد أنه كان بطريقًا
Dialogue: 0,0:05:40.12,0:05:40.91,Default,,0,0,0,,{\be2}.انتظروا لحظة
Dialogue: 0,0:05:41.12,0:05:43.25,Default,,0,0,0,,{\be2}.سأقرأ طالع هذا الاسم
Dialogue: 0,0:05:43.71,0:05:44.83,Default,,0,0,0,,{\be2}!هنا خدمة الأمن
Dialogue: 0,0:05:45.17,0:05:46.21,Default,,0,0,0,,{\be2}!افتحوا الباب
Dialogue: 0,0:05:46.83,0:05:48.21,Default,,0,0,0,,{\be2}.مرحبًا بعودتكِ يا دوروثي
Dialogue: 0,0:05:51.00,0:05:53.37,Default,,0,0,0,,{\be2}.كان عليكِ أن تخافي قليلاً يا شريكتي
Dialogue: 0,0:05:55.46,0:05:56.54,Default,,0,0,0,,{\be2}هل تمكنتِ من رؤية ل؟
Dialogue: 0,0:05:57.00,0:05:59.46,Default,,0,0,0,,{\be2}.نعم، وقد أعطانا الهدف الأكثر إزعاجًا
Dialogue: 0,0:05:59.67,0:06:00.25,Default,,0,0,0,,{\be2}ماذا عنكن؟
Dialogue: 0,0:06:00.71,0:06:03.16,Default,,0,0,0,,{\be2}.كنا نفكر باسم للفريق
Dialogue: 0,0:06:03.37,0:06:04.58,Default,,0,0,0,,{\be2}.كنا نتدرب على التعقب
Dialogue: 0,0:06:04.79,0:06:07.08,Default,,0,0,0,,{\be2}اسم للفريق؟
Dialogue: 0,0:06:07.62,0:06:11.25,Default,,0,0,0,,{\be2}...حسنٌ، أنا سأكون سكوتش وأنجي ستكون كالفادوس
Dialogue: 0,0:06:11.46,0:06:13.04,Default,,0,0,0,,{\be2}...والأميرة ستكون شامبانيا
Dialogue: 0,0:06:13.54,0:06:15.56,Default,,0,0,0,,{\be2}أليست هذه أسماء مشروبات كحوليّة؟
Dialogue: 0,0:06:16.21,0:06:17.91,Default,,0,0,0,,{\be2}.لا تتدخلي في هذا يا دوروثي
Dialogue: 0,0:06:18.29,0:06:19.75,Default,,0,0,0,,{\be2}-إنهم بحاجة لتعلم تقنيات التعقب الأساسيّة
Dialogue: 0,0:06:19.96,0:06:20.75,Default,,0,0,0,,{\be2}!سحقًا
Dialogue: 0,0:06:21.75,0:06:25.25,Default,,0,0,0,,{\be2}كيف يمكنني عدّ السكتات الدماغيّة في حروف أبجديتكِ؟
Dialogue: 0,0:06:29.33,0:06:31.54,Default,,0,0,0,,{\be2}.إنه يبدو كحصن ميكانيكيّ
Dialogue: 0,0:06:32.67,0:06:36.21,Default,,0,0,0,,{\be2}.الكيفورايت هو كنز قوات ألبيون الجويّة
Dialogue: 0,0:06:36.83,0:06:40.66,Default,,0,0,0,,{\be2}.غالبًا ما تكون المناجم تحت حراسة مشدّدة
Dialogue: 0,0:06:46.75,0:06:47.58,Default,,0,0,0,,{\be2}.المعذرة
Dialogue: 0,0:06:47.92,0:06:49.96,Default,,0,0,0,,{\be2}هل قدمتن من أجل الحفل؟
Dialogue: 0,0:06:50.17,0:06:51.46,Default,,0,0,0,,{\be2}.بورك مجهودك
Dialogue: 0,0:06:52.54,0:06:53.46,Default,,0,0,0,,{\be2}!الأميرة
Dialogue: 0,0:06:53.79,0:06:56.37,Default,,0,0,0,,{\be2}.أحضرتُ معي بعضًا من صديقاتي
Dialogue: 0,0:06:56.58,0:06:57.91,Default,,0,0,0,,{\be2}ألا بأس بهذا؟
Dialogue: 0,0:06:58.67,0:06:59.87,Default,,0,0,0,,{\be2}.اعذريني
Dialogue: 0,0:07:01.46,0:07:03.91,Default,,0,0,0,,{\be2}.كل صديقاتكِ مرحب بهنّ
Dialogue: 0,0:07:05.54,0:07:07.50,Default,,0,0,0,,{\be2}.هذه قوة أميرة الدولة
Dialogue: 0,0:07:07.83,0:07:11.12,Default,,0,0,0,,{\be2}.لو قاموا بتفتيشها لكنا في خبر كان
Dialogue: 0,0:07:11.58,0:07:12.66,Default,,0,0,0,,{\be2}أنا المفتاح إذن؟
Dialogue: 0,0:07:13.00,0:07:14.58,Default,,0,0,0,,{\be2}.نعم، مفتاح سحريّ
Dialogue: 0,0:07:23.08,0:07:25.21,Default,,0,0,0,,{\be2}.سيبدأ الحفل خلال 30 دقيقة
Dialogue: 0,0:07:25.71,0:07:31.66,Default,,0,0,0,,{\be2}هذا هو الوقت الذي يكونون فيه في غاية الانشغال\N.بما أنه وقت القيام بالاستعدادت ووصول الضيوف
Dialogue: 0,0:07:32.04,0:07:35.37,Default,,0,0,0,,{\be2}.بعبارة أخرى، أكثر وقت تكون فيه الحراسة متراخية
Dialogue: 0,0:07:35.75,0:07:39.83,Default,,0,0,0,,{\be2}!وسنستخدم هذا الوقت لسرقة النموذج الأوليّ من المختبر تحت الأرض
Dialogue: 0,0:07:40.50,0:07:42.41,Default,,0,0,0,,{\be2}تعرفن الخطة جميعًا، صحيح؟
Dialogue: 0,0:07:42.62,0:07:46.00,Default,,0,0,0,,{\be2}.سنتسلل أنا ودوروثي وبياتو للمختبر
Dialogue: 0,0:07:46.54,0:07:48.04,Default,,0,0,0,,{\be2}.مرحبًا أيتها الأميرة
Dialogue: 0,0:07:49.37,0:07:51.41,Default,,0,0,0,,{\be2}.جلالة الملكة قد وصلت
Dialogue: 0,0:07:51.62,0:07:52.54,Default,,0,0,0,,{\be2}...إن لم تمانعي
Dialogue: 0,0:07:53.04,0:07:53.75,Default,,0,0,0,,{\be2}.بالطبع
Dialogue: 0,0:07:53.96,0:07:57.71,Default,,0,0,0,,{\be2}.أيتها الأميرة، سننتظركِ هناك
Dialogue: 0,0:07:58.58,0:08:00.33,Default,,0,0,0,,{\be2}.سنبقي تشيس لحمايتك
Dialogue: 0,0:08:00.87,0:08:03.33,Default,,0,0,0,,{\be2}.إنها مقاتلتنا الأكثر فاعليّة
Dialogue: 0,0:08:23.83,0:08:24.37,Default,,0,0,0,,{\be2}.حارس واحد
Dialogue: 0,0:08:24.58,0:08:25.62,Default,,0,0,0,,{\be2}ماذا نفعل؟
Dialogue: 0,0:08:26.04,0:08:27.21,Default,,0,0,0,,{\be2}.يبدو أنه حان وقت سحري
Dialogue: 0,0:08:28.08,0:08:30.00,Default,,0,0,0,,{\be2}...ما الذي
Dialogue: 0,0:08:36.71,0:08:38.79,Default,,0,0,0,,{\be2}نهاية مسدودة أخرى؟
Dialogue: 0,0:08:40.08,0:08:41.79,Default,,0,0,0,,{\be2}.اسلكي الدرج على اليمين
Dialogue: 0,0:08:42.37,0:08:44.37,Default,,0,0,0,,{\be2}.ومن ثم اذهبي للأمام وستصلين لقاعة الحفل
Dialogue: 0,0:08:45.33,0:08:47.58,Default,,0,0,0,,{\be2}!شكرًا على التوجيهات
Dialogue: 0,0:08:48.87,0:08:50.50,Default,,0,0,0,,{\be2}.أعتقد أنني أفرطتُ في الشرب
Dialogue: 0,0:08:51.00,0:08:53.12,Default,,0,0,0,,{\be2}أيمكنك أن تحضر لي شيئًا لأشربه؟
Dialogue: 0,0:08:54.00,0:08:56.37,Default,,0,0,0,,{\be2}.إن أردتِ ماء فلا بأس
Dialogue: 0,0:08:56.58,0:08:58.54,Default,,0,0,0,,{\be2}!أنت لطيف جدًا
Dialogue: 0,0:09:05.58,0:09:06.96,Default,,0,0,0,,{\be2}...ما الذي
Dialogue: 0,0:09:08.00,0:09:10.50,Default,,0,0,0,,{\be2}.وجهك جميل أيها الحارس
Dialogue: 0,0:09:11.58,0:09:14.37,Default,,0,0,0,,{\be2}أتعتقدين ذلك حقًا؟
Dialogue: 0,0:09:21.79,0:09:22.79,Default,,0,0,0,,{\be2}ما هذا؟
Dialogue: 0,0:09:25.42,0:09:26.29,Default,,0,0,0,,{\be2}أهذا أنت يا جيك؟
Dialogue: 0,0:09:26.87,0:09:29.62,Default,,0,0,0,,{\be2}!لقد انفجر غاز الميثان
Dialogue: 0,0:09:30.25,0:09:32.29,Default,,0,0,0,,{\be2}!إذن فهذا الغبار قادم منه
Dialogue: 0,0:09:32.96,0:09:33.79,Default,,0,0,0,,{\be2}!سأحرس المكان هنا
Dialogue: 0,0:09:34.21,0:09:35.75,Default,,0,0,0,,{\be2}!اذهبا وأحضرا بعض الأقنعة
Dialogue: 0,0:09:36.08,0:09:37.25,Default,,0,0,0,,{\be2}.إنهم في المخزن الثالث
Dialogue: 0,0:09:37.62,0:09:40.16,Default,,0,0,0,,{\be2}!الثالث؟ إنه في الضفة الأخرى
Dialogue: 0,0:09:40.54,0:09:41.83,Default,,0,0,0,,{\be2}!ارحمني من فضلك
Dialogue: 0,0:09:42.04,0:09:44.96,Default,,0,0,0,,{\be2}!إنني متعب من النقل سلفًا
Dialogue: 0,0:09:46.42,0:09:48.16,Default,,0,0,0,,{\be2}.المكان خالٍ يا أنجي-سان
Dialogue: 0,0:09:48.87,0:09:49.91,Default,,0,0,0,,{\be2}.فلنسرع
Dialogue: 0,0:09:50.46,0:09:53.21,Default,,0,0,0,,{\be2}.لدينا 20 دقيقة قبل أن يعودا
Dialogue: 0,0:09:54.50,0:09:56.66,Default,,0,0,0,,{\be2}.لقد كنتُ أفكر يا أنجي-سان
Dialogue: 0,0:09:56.87,0:09:57.54,Default,,0,0,0,,{\be2}عمّ؟
Dialogue: 0,0:09:57.96,0:09:59.83,Default,,0,0,0,,{\be2}ما رأيكِ باسم فريق القط البريّ؟
Dialogue: 0,0:10:00.17,0:10:01.83,Default,,0,0,0,,{\be2}.إنهم رشيقون جدًا وشجعان
Dialogue: 0,0:10:02.21,0:10:04.08,Default,,0,0,0,,{\be2}!لكنهم جذّابون
Dialogue: 0,0:10:04.71,0:10:06.50,Default,,0,0,0,,{\be2}هلا أعدتِ صوتكِ لطبيعته؟
Dialogue: 0,0:10:06.92,0:10:07.96,Default,,0,0,0,,{\be2}.إنه مزعج
Dialogue: 0,0:10:10.71,0:10:13.33,Default,,0,0,0,,{\be2}كيف حالكِ يا جدتي؟
Dialogue: 0,0:10:13.71,0:10:16.75,Default,,0,0,0,,{\be2}.لم نركِ منذ حفلة الأكاديميّة الموسيقيّة
Dialogue: 0,0:10:17.21,0:10:18.46,Default,,0,0,0,,{\be2}كيف تسير المدرسة؟
Dialogue: 0,0:10:19.46,0:10:21.29,Default,,0,0,0,,{\be2}.كوّنت بعض الصداقات
Dialogue: 0,0:10:21.67,0:10:22.87,Default,,0,0,0,,{\be2}.من الجيد سماع هذا
Dialogue: 0,0:10:23.25,0:10:26.87,Default,,0,0,0,,{\be2}.الأصدقاء هم ثروات طويلة الأمد
Dialogue: 0,0:10:27.42,0:10:28.12,Default,,0,0,0,,{\be2}.صحيح
Dialogue: 0,0:10:34.25,0:10:35.66,Default,,0,0,0,,{\be2}ما رأيكِ بالأميرة؟
Dialogue: 0,0:10:35.87,0:10:37.96,Default,,0,0,0,,{\be2}.إنها ليست كما تصورتها
Dialogue: 0,0:10:39.37,0:10:41.96,Default,,0,0,0,,{\be2}.إنها تتحدث إلينا بطريقة طبيعيّة رغم أنها من العائلة الحاكمة
Dialogue: 0,0:10:42.67,0:10:43.91,Default,,0,0,0,,{\be2}.إنها تقول نكتًا أيضًا
Dialogue: 0,0:10:44.29,0:10:46.79,Default,,0,0,0,,{\be2}.لكن لا شيء منهم مضحك
Dialogue: 0,0:10:47.58,0:10:50.83,Default,,0,0,0,,{\be2}.إنها فضوليّة ودائمًا ما تسبّب لأنجي المتاعب
Dialogue: 0,0:10:51.04,0:10:51.79,Default,,0,0,0,,{\be2}.تشيس
Dialogue: 0,0:10:52.75,0:10:54.71,Default,,0,0,0,,{\be2}هل يشكون بكِ؟
Dialogue: 0,0:10:55.58,0:10:58.50,Default,,0,0,0,,{\be2}.لقد استبعدوني من فريق التسلل
Dialogue: 0,0:10:58.87,0:11:03.37,Default,,0,0,0,,{\be2}إننا هنا لمعرفة أي الفريقين يمكننا أن نثق\N.المملكة أو الجمهوريّة
Dialogue: 0,0:11:03.58,0:11:06.16,Default,,0,0,0,,{\be2}.لا بد أن نختار أحدهما للتحالف معه
Dialogue: 0,0:11:07.25,0:11:07.91,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:11:08.67,0:11:09.66,Default,,0,0,0,,{\be2}.أعرف
Dialogue: 0,0:11:10.54,0:11:13.16,Default,,0,0,0,,{\be2}.جلالتكِ، أعتقد أن الوقت قد حان
Dialogue: 0,0:11:14.62,0:11:15.37,Default,,0,0,0,,{\be2}حان على ماذا؟
Dialogue: 0,0:11:15.58,0:11:17.46,Default,,0,0,0,,{\be2}.على مناقشة أمر الزواج
Dialogue: 0,0:11:17.96,0:11:18.62,Default,,0,0,0,,{\be2}زواجي؟
Dialogue: 0,0:11:19.37,0:11:21.16,Default,,0,0,0,,{\be2}.أخبرتك أن الوقت مبكر
Dialogue: 0,0:11:21.54,0:11:25.25,Default,,0,0,0,,{\be2}.أمور كهذه يمكنها الانتظار حتى تخرجها
Dialogue: 0,0:11:25.79,0:11:27.37,Default,,0,0,0,,{\be2}...اعذريني يا جلالة الملكة
Dialogue: 0,0:11:27.58,0:11:32.62,Default,,0,0,0,,{\be2}لكن تعزيز علاقتنا بموسكو ستؤدي لتحقيق\N.الاستقرار في جميع أنحاء أوروبا
Dialogue: 0,0:11:33.00,0:11:36.29,Default,,0,0,0,,{\be2}وتريدنا أن نضحي بحفيدتي لتحقيق ذلك؟
Dialogue: 0,0:11:36.62,0:11:44.21,Default,,0,0,0,,{\be2}.ربط دولنا بالزواج سيقلل من إمكانية نشوب حرب عالميّة
Dialogue: 0,0:11:45.75,0:11:48.12,Default,,0,0,0,,{\be2}.سأمضي قدمًا بمفردي من هنا
Dialogue: 0,0:11:48.87,0:11:52.33,Default,,0,0,0,,{\be2}.إن لم أعد خلال عشر دقائق فعودي للأخريات
Dialogue: 0,0:11:52.54,0:11:53.12,Default,,0,0,0,,{\be2}.حسنٌ
Dialogue: 0,0:11:53.58,0:11:54.96,Default,,0,0,0,,{\be2}.توخي الحذر من فضلك
Dialogue: 0,0:12:40.54,0:12:41.46,Default,,0,0,0,,{\be2}.مرحبًا بعودتك
Dialogue: 0,0:12:42.33,0:12:44.37,Default,,0,0,0,,{\be2}هل تركتِ أنجي وبياتو؟
Dialogue: 0,0:12:44.75,0:12:46.29,Default,,0,0,0,,{\be2}...نعم، نوعًا ما
Dialogue: 0,0:12:46.71,0:12:48.16,Default,,0,0,0,,{\be2}هل سيكونان بخير؟
Dialogue: 0,0:12:48.92,0:12:49.87,Default,,0,0,0,,{\be2}أأنتِ قلقة؟
Dialogue: 0,0:12:50.29,0:12:52.00,Default,,0,0,0,,{\be2}.بالطبع أنا قلقة
Dialogue: 0,0:12:54.92,0:12:57.62,Default,,0,0,0,,{\be2}.أبقي هذا طي الكتمان
Dialogue: 0,0:12:58.37,0:13:02.79,Default,,0,0,0,,{\be2}.ستسبب هذه المهمة ضررًا بالغًا على المملكة
Dialogue: 0,0:13:03.25,0:13:08.46,Default,,0,0,0,,{\be2}.إن كانت الأميرة عميلة مزدوجة فمن المؤكد أن تقوم بردة فعل
Dialogue: 0,0:13:09.46,0:13:10.16,Default,,0,0,0,,{\be2}...أتعني
Dialogue: 0,0:13:10.50,0:13:15.25,Default,,0,0,0,,{\be2}.لم نصرف النظر عن احتماليّة كون الأميرة عدوتنا بعد
Dialogue: 0,0:13:16.04,0:13:17.50,Default,,0,0,0,,{\be2}أمن خطب ما؟
Dialogue: 0,0:13:17.87,0:13:21.54,Default,,0,0,0,,{\be2}.لا، كنتُ أفكر باسم مناسب للفريق
Dialogue: 0,0:13:41.62,0:13:43.66,Default,,0,0,0,,{\be2}.لقد تأخرت
Dialogue: 0,0:13:47.46,0:13:48.50,Default,,0,0,0,,{\be2}...محال
Dialogue: 0,0:13:49.58,0:13:50.96,Default,,0,0,0,,{\be2}أكان هناك تسريب للمعلومة؟
Dialogue: 0,0:13:51.50,0:13:53.12,Default,,0,0,0,,{\be2}...لا، حتى لو كان هناك
Dialogue: 0,0:14:12.75,0:14:13.87,Default,,0,0,0,,{\be2}.إنها معدات كبيرة
Dialogue: 0,0:14:14.37,0:14:17.62,Default,,0,0,0,,{\be2}.من المؤكد أن هذا كان المعمل البحثيّ
Dialogue: 0,0:14:18.79,0:14:20.25,Default,,0,0,0,,{\be2}!ارحمني من فضلك
Dialogue: 0,0:14:20.58,0:14:23.41,Default,,0,0,0,,{\be2}!إنني متعب من النقل سلفًا
Dialogue: 0,0:14:25.79,0:14:27.08,Default,,0,0,0,,{\be2}هل نقلوه؟
Dialogue: 0,0:14:32.96,0:14:33.79,Default,,0,0,0,,{\be2}في الأعلى؟
Dialogue: 0,0:15:00.21,0:15:01.08,Default,,0,0,0,,{\be2}...هذا
Dialogue: 0,0:15:09.67,0:15:10.54,Default,,0,0,0,,{\be2}!دوروثي-سان
Dialogue: 0,0:15:11.21,0:15:12.83,Default,,0,0,0,,{\be2}بياتو؟ أين أنجي؟
Dialogue: 0,0:15:13.50,0:15:15.96,Default,,0,0,0,,{\be2}.أخبرتني أن أعود بدونها إن لم تعد خلال عشر دقائق
Dialogue: 0,0:15:16.42,0:15:18.41,Default,,0,0,0,,{\be2}.هكذا إذن، لا بد أنها تواجه بعض المصاعب
Dialogue: 0,0:15:18.79,0:15:20.04,Default,,0,0,0,,{\be2}.آمل أنها بخير
Dialogue: 0,0:15:27.04,0:15:27.62,Default,,0,0,0,,{\be2}.تعالي
Dialogue: 0,0:15:30.00,0:15:31.21,Default,,0,0,0,,{\be2}.فلنذهب أيتها الأميرة
Dialogue: 0,0:15:31.83,0:15:32.58,Default,,0,0,0,,{\be2}ما الأمر؟
Dialogue: 0,0:15:32.79,0:15:33.66,Default,,0,0,0,,{\be2}.ليس أمامنا وقت
Dialogue: 0,0:15:33.87,0:15:35.04,Default,,0,0,0,,{\be2}.سأشرح في الطريق
Dialogue: 0,0:15:36.62,0:15:37.58,Default,,0,0,0,,{\be2}ما الذي يحدث؟
Dialogue: 0,0:15:37.96,0:15:40.21,Default,,0,0,0,,{\be2}.يبدو أنهم نقلوا المختبر بأكمله
Dialogue: 0,0:15:41.12,0:15:42.62,Default,,0,0,0,,{\be2}أكان هناك تسريب للمعلومة؟
Dialogue: 0,0:15:43.37,0:15:44.29,Default,,0,0,0,,{\be2}.لا أعرف
Dialogue: 0,0:15:44.50,0:15:46.37,Default,,0,0,0,,{\be2}.لكني وجدتُ رصيف التحميل الذي استخدموه
Dialogue: 0,0:15:46.71,0:15:48.12,Default,,0,0,0,,{\be2}.إنه يؤدي لنهر التايمز
Dialogue: 0,0:15:48.50,0:15:49.79,Default,,0,0,0,,{\be2}إذن فقد هربوا بقارب؟
Dialogue: 0,0:15:50.33,0:15:52.21,Default,,0,0,0,,{\be2}.لقد فُتح الجسر المتحرك قبل عشر دقائق
Dialogue: 0,0:15:52.42,0:15:53.91,Default,,0,0,0,,{\be2}.لا يمكن أن يكونوا قد ابتعدوا
Dialogue: 0,0:15:55.33,0:15:58.66,Default,,0,0,0,,{\be2}.سنلتقي بهم في غرينتش إن سلكنا الطريق الأقصر
Dialogue: 0,0:15:59.00,0:15:59.58,Default,,0,0,0,,{\be2}!حسنٌ
Dialogue: 0,0:16:12.71,0:16:15.33,Default,,0,0,0,,{\be2}.لقد كان بحثنا يسير على قدم وساق
Dialogue: 0,0:16:15.83,0:16:18.04,Default,,0,0,0,,{\be2}لمَ ينبغي علينا الانتقال الآن؟
Dialogue: 0,0:16:18.42,0:16:21.62,Default,,0,0,0,,{\be2}.إجابة سؤالك تكمن بداخل هذا
Dialogue: 0,0:16:23.08,0:16:25.41,Default,,0,0,0,,{\be2}ما دخل هذا الكتاب بعملنا؟
Dialogue: 0,0:16:25.87,0:16:27.00,Default,,0,0,0,,{\be2}.سترى
Dialogue: 0,0:16:29.37,0:16:30.54,Default,,0,0,0,,{\be2}!كاميرا
Dialogue: 0,0:16:30.96,0:16:34.12,Default,,0,0,0,,{\be2}.ثمة جاسوس من الجمهوريّة من ضمننا
Dialogue: 0,0:16:34.96,0:16:38.37,Default,,0,0,0,,{\be2}.سنجري تحقيقًا دقيقًا وشاملاً
Dialogue: 0,0:16:40.42,0:16:41.96,Default,,0,0,0,,{\be2}.إلى اليسار في المنعطف القادم
Dialogue: 0,0:16:46.25,0:16:47.33,Default,,0,0,0,,{\be2}.إلى اليمين في التقاطع القادم
Dialogue: 0,0:16:52.71,0:16:54.08,Default,,0,0,0,,{\be2}.إلى اليمين من خلال السلالم
Dialogue: 0,0:16:54.29,0:16:54.83,Default,,0,0,0,,{\be2}!فهمت
Dialogue: 0,0:16:55.04,0:16:57.04,Default,,0,0,0,,{\be2}!سلالم؟ لكننا في سيّارة
Dialogue: 0,0:16:57.46,0:16:58.37,Default,,0,0,0,,{\be2}.احذري من عظ لسانك
Dialogue: 0,0:17:03.37,0:17:05.96,Default,,0,0,0,,{\be2}ما رأيكن باسم فريق ميكيو شيسوي؟
Dialogue: 0,0:17:06.46,0:17:07.75,Default,,0,0,0,,{\be2}ما معناه؟
Dialogue: 0,0:17:10.08,0:17:12.33,Default,,0,0,0,,{\be2}!اعبري تاليًا من الممر الضيق والتفي بعدها لليسار
Dialogue: 0,0:17:13.12,0:17:14.29,Default,,0,0,0,,{\be2}!احذرن السقوط
Dialogue: 0,0:17:19.08,0:17:19.91,Default,,0,0,0,,{\be2}.اهدئي
Dialogue: 0,0:17:30.25,0:17:30.79,Default,,0,0,0,,{\be2}.ها هو
Dialogue: 0,0:17:31.12,0:17:32.71,Default,,0,0,0,,{\be2}!فعلناها
Dialogue: 0,0:17:33.92,0:17:36.96,Default,,0,0,0,,{\be2}...ظننتُ أن الأميرة ربما تكون سرّبت المعلومة، ولكن
Dialogue: 0,0:17:37.29,0:17:39.00,Default,,0,0,0,,{\be2}إنه قارب كبير، أليس كذلك؟
Dialogue: 0,0:17:40.00,0:17:42.50,Default,,0,0,0,,{\be2}.بهذا الحجم، قد يكون على متنه وحدة عسكريّة كاملة
Dialogue: 0,0:17:43.04,0:17:43.96,Default,,0,0,0,,{\be2}.سأرافقكِ
Dialogue: 0,0:17:44.17,0:17:45.91,Default,,0,0,0,,{\be2}.لا، ابقي هنا يا تشيس
Dialogue: 0,0:17:46.83,0:17:48.96,Default,,0,0,0,,{\be2}.سنذهب أنا ودوروثي فقط
Dialogue: 0,0:17:49.71,0:17:53.04,Default,,0,0,0,,{\be2}هل ستتركوني خلفكن ثانية؟
Dialogue: 0,0:17:53.62,0:17:54.66,Default,,0,0,0,,{\be2}...تشيس-سان
Dialogue: 0,0:17:56.04,0:17:58.16,Default,,0,0,0,,{\be2}!إنني أقوى من دوروثي عتادًا
Dialogue: 0,0:17:58.58,0:17:59.08,Default,,0,0,0,,{\be2}.أعرف
Dialogue: 0,0:17:59.29,0:18:00.41,Default,,0,0,0,,{\be2}...إذن لمَ
Dialogue: 0,0:18:00.83,0:18:03.79,Default,,0,0,0,,{\be2}.لقد أتيتِ إلينا بفضل القائد هوريكاوا
Dialogue: 0,0:18:04.25,0:18:06.50,Default,,0,0,0,,{\be2}.لا يمكننا أن نطلب منكِ تعريض حياتكِ للخطر
Dialogue: 0,0:18:06.92,0:18:08.08,Default,,0,0,0,,{\be2}!قلقكِ لا داعي له
Dialogue: 0,0:18:08.29,0:18:09.71,Default,,0,0,0,,{\be2}!قلتُ أنني سأذهب
Dialogue: 0,0:18:11.67,0:18:12.25,Default,,0,0,0,,{\be2}سموك؟
Dialogue: 0,0:18:16.83,0:18:18.21,Default,,0,0,0,,{\be2}.سأرافقكن أيضًا
Dialogue: 0,0:18:18.58,0:18:19.79,Default,,0,0,0,,{\be2}!لا، لا يمكنك
Dialogue: 0,0:18:20.96,0:18:22.29,Default,,0,0,0,,{\be2}.لقد تدربتْ
Dialogue: 0,0:18:22.87,0:18:26.54,Default,,0,0,0,,{\be2}.إضافة لذلك، لن تحتجن أن تبقوا شخصًا كي يحميني إن رافقتكن
Dialogue: 0,0:18:27.58,0:18:28.75,Default,,0,0,0,,{\be2}.انتظري لحظة أيتها الأميرة
Dialogue: 0,0:18:29.17,0:18:31.33,Default,,0,0,0,,{\be2}.إننا لا نتحدث عن حفلة
Dialogue: 0,0:18:31.92,0:18:33.58,Default,,0,0,0,,{\be2}.إن الأمر خطير جدًا على غير المحترفين
Dialogue: 0,0:18:34.29,0:18:36.41,Default,,0,0,0,,{\be2}.أود أن أسألكِ عن سبب إصراركِ على المجازفة
Dialogue: 0,0:18:37.00,0:18:39.83,Default,,0,0,0,,{\be2}.لقد كنتُ في خطر طوال الوقت
Dialogue: 0,0:18:40.46,0:18:43.46,Default,,0,0,0,,{\be2}.إن اكتشف أنني جاسوسة فسينتهي أمري
Dialogue: 0,0:18:44.08,0:18:48.54,Default,,0,0,0,,{\be2}إنني أقف على شفا الهاوية، على جسر أنحل\N.وأكثر هشاشة من هذا
Dialogue: 0,0:18:48.92,0:18:51.46,Default,,0,0,0,,{\be2}!لا داعي لأن تعرّضي حياتكِ لخطر أكبر
Dialogue: 0,0:18:52.12,0:18:53.41,Default,,0,0,0,,{\be2}.إن الأمر سيان
Dialogue: 0,0:18:54.17,0:18:58.41,Default,,0,0,0,,{\be2}.إن فشلتن فسيقتادهم هذا لسري
Dialogue: 0,0:18:59.29,0:19:05.21,Default,,0,0,0,,{\be2}وفي تلك الحالة، لا بد أن أضع\N.حياتي على المحك سعيًا لنجاح الخطة
Dialogue: 0,0:19:07.50,0:19:13.00,Default,,0,0,0,,{\be2}لو كانت الأميرة عميلة مزدوجة فلن يهمها لو اكتشف\N.أمرها لأنه سيكون لديها طوق نجاة
Dialogue: 0,0:19:13.33,0:19:16.21,Default,,0,0,0,,{\be2}.ولن يكون هناك داعٍ لأن تجازف مجازفة كبيرة كهذه
Dialogue: 0,0:19:17.25,0:19:18.91,Default,,0,0,0,,{\be2}.حسنٌ أيتها الأميرة
Dialogue: 0,0:19:20.96,0:19:23.00,Default,,0,0,0,,{\be2}.إن حيواتنا كلها على المحك
Dialogue: 0,0:19:24.79,0:19:25.41,Default,,0,0,0,,{\be2}!نعم
Dialogue: 0,0:19:33.67,0:19:34.33,Default,,0,0,0,,{\be2}ما كان هذا؟
Dialogue: 0,0:19:37.62,0:19:38.83,Default,,0,0,0,,{\be2}هل قتلته؟
Dialogue: 0,0:19:39.29,0:19:41.41,Default,,0,0,0,,{\be2}.لم يكن قويًا كفاية ليستحق القتل
Dialogue: 0,0:19:42.00,0:19:43.25,Default,,0,0,0,,{\be2}ماذا نفعل الآن؟
Dialogue: 0,0:19:43.79,0:19:45.16,Default,,0,0,0,,{\be2}.فلننقسم لمجموعتين
Dialogue: 0,0:19:45.67,0:19:47.29,Default,,0,0,0,,{\be2}.أنا والأميرة سنذهب لمؤخرة السفينة
Dialogue: 0,0:19:47.50,0:19:49.41,Default,,0,0,0,,{\be2}.حسنٌ، سنهتم نحن بالمقدمة
Dialogue: 0,0:19:58.92,0:19:59.58,Default,,0,0,0,,{\be2}.شارلوت
Dialogue: 0,0:19:59.92,0:20:00.83,Default,,0,0,0,,{\be2}أأنتِ غاضبة؟
Dialogue: 0,0:20:01.17,0:20:03.41,Default,,0,0,0,,{\be2}...بالطبع غاضبة بعد عملكِ الطائش
Dialogue: 0,0:20:03.75,0:20:04.91,Default,,0,0,0,,{\be2}.لقد كنتُ قلقة
Dialogue: 0,0:20:05.50,0:20:06.41,Default,,0,0,0,,{\be2}.أنا آسفة
Dialogue: 0,0:20:06.92,0:20:10.00,Default,,0,0,0,,{\be2}.أيتها اللئيمة، إنكِ تحبين رؤيتي متضايقة
Dialogue: 0,0:20:10.67,0:20:12.37,Default,,0,0,0,,{\be2}أيمكنكِ لومي على ذلك يا شارلوت؟
Dialogue: 0,0:20:12.58,0:20:15.12,Default,,0,0,0,,{\be2}.إنكِ تتصرفين كأنني الوحيدة المهمة
Dialogue: 0,0:20:15.83,0:20:16.58,Default,,0,0,0,,{\be2}...هذا
Dialogue: 0,0:20:17.08,0:20:19.50,Default,,0,0,0,,{\be2}.لقد كنتِ تتحدثين إليّ بطريقة طبيعيّة عندما كنا صغارًا
Dialogue: 0,0:20:20.17,0:20:23.91,Default,,0,0,0,,{\be2}.سيعرف الآخرون أننا أصدقاء طفولة إن فعلتُ ذلك الآن
Dialogue: 0,0:20:24.67,0:20:26.41,Default,,0,0,0,,{\be2}.لكننا أصدقاء جميعًا
Dialogue: 0,0:20:27.08,0:20:30.66,Default,,0,0,0,,{\be2}إذن، ما رأيكِ أن نقول أننا التقينا وأدركنا أننا روحيَن متقاربتين؟
Dialogue: 0,0:20:31.08,0:20:32.87,Default,,0,0,0,,{\be2}.عندها لن نضطر لإخفاء علاقتنا
Dialogue: 0,0:20:33.50,0:20:34.00,Default,,0,0,0,,{\be2}.لا
Dialogue: 0,0:20:34.33,0:20:35.58,Default,,0,0,0,,{\be2}.سأفقد السيطرة على نفسي
Dialogue: 0,0:20:36.71,0:20:39.33,Default,,0,0,0,,{\be2}.أعتقد أنه من الجيد أن تطلقي العنان لنفسك أحيانًا
Dialogue: 0,0:20:39.96,0:20:41.00,Default,,0,0,0,,{\be2}.كما اعتدت أن تفعلي
Dialogue: 0,0:20:41.54,0:20:43.16,Default,,0,0,0,,{\be2}.إنني أكره شخصي السابق
Dialogue: 0,0:20:43.67,0:20:47.66,Default,,0,0,0,,{\be2}.لكنها شخصيتكِ التي أحبها كثيرًا
Dialogue: 0,0:20:50.92,0:20:52.62,Default,,0,0,0,,{\be2}.لقد أظهرت معدنك الحقيقيّ أخيرًا
Dialogue: 0,0:20:55.33,0:20:55.79,Default,,0,0,0,,{\be2}!ماذا؟
Dialogue: 0,0:21:01.62,0:21:03.50,Default,,0,0,0,,{\be2}.أعتقد أنكم فريق كيفورايت البحثي
Dialogue: 0,0:21:06.54,0:21:08.00,Default,,0,0,0,,{\be2}.نود منكم مرافقتنا
Dialogue: 0,0:21:09.21,0:21:10.12,Default,,0,0,0,,{\be2}...أنتِ
Dialogue: 0,0:21:10.58,0:21:11.50,Default,,0,0,0,,{\be2}...أيعقل أنكِ
Dialogue: 0,0:21:11.92,0:21:12.79,Default,,0,0,0,,{\be2}.إننا جواسيس
Dialogue: 0,0:21:13.62,0:21:15.96,Default,,0,0,0,,{\be2}.لم نقرر اسمًا لنا بعد
Dialogue: 0,0:21:20.75,0:21:24.71,Default,,0,0,0,,{\be2}لم نحصل على النموذج الأولي وحسب\N.بل وتحفظنا على الباحثين
Dialogue: 0,0:21:25.54,0:21:27.41,Default,,0,0,0,,{\be2}.النتائج أفضل مما أملنا أن تكون
Dialogue: 0,0:21:27.83,0:21:30.79,Default,,0,0,0,,{\be2}.والأميرة خالية من كل الشبهات الآن
Dialogue: 0,0:21:31.00,0:21:31.71,Default,,0,0,0,,{\be2}.لا
Dialogue: 0,0:21:32.71,0:21:34.91,Default,,0,0,0,,{\be2}.هذا العالم ليس مكونًا من خير وشر
Dialogue: 0,0:21:35.29,0:21:37.41,Default,,0,0,0,,{\be2}.بل من شر وغموض
Dialogue: 0,0:21:38.37,0:21:39.75,Default,,0,0,0,,{\be2}.والأميرة شخص غامض
Dialogue: 0,0:21:40.54,0:21:42.50,Default,,0,0,0,,{\be2}.ابقي مراقبة لها دائمًا
Dialogue: 0,0:21:48.92,0:21:49.62,Default,,0,0,0,,{\be2}.حسنٌ إذن
Dialogue: 0,0:21:49.83,0:21:52.12,Default,,0,0,0,,{\be2}!كجزء من السلسلة الغذائيّة، فليكن اسمنا فريق الجزر
Dialogue: 0,0:21:52.71,0:21:54.66,Default,,0,0,0,,{\be2}.هذا الأمر يسوء أكثر فأكثر
Dialogue: 0,0:21:55.29,0:21:57.58,Default,,0,0,0,,{\be2}.إنني لا أحب الجزر بالذات
Dialogue: 0,0:21:57.96,0:22:00.21,Default,,0,0,0,,{\be2}!سموكِ! لا تكوني صعبة الإرضاء
Dialogue: 0,0:22:04.33,0:22:07.08,Default,,0,0,0,,{\be2}اسمعن، ما رأيكن بفريق الحمامة البيضاء؟
Dialogue: 0,0:22:07.42,0:22:08.16,Default,,0,0,0,,{\be2}حمامة؟
Dialogue: 0,0:22:08.67,0:22:09.71,Default,,0,0,0,,{\be2}.ليس سيئًا
Dialogue: 0,0:22:09.92,0:22:12.96,Default,,0,0,0,,{\be2}!إنه جميل ولطيف، لقد أعجبني
Dialogue: 0,0:22:13.37,0:22:15.46,Default,,0,0,0,,{\be2}.إنّ الحمام اسم من أسماء الجواسيس بالفعل
Dialogue: 0,0:22:16.29,0:22:17.25,Default,,0,0,0,,{\be2}حقًا؟
Dialogue: 0,0:22:17.96,0:22:22.75,Default,,0,0,0,,{\be2}.بعد الفيضان، أرسل نوح حمامة لاستكشاف الأرض
Dialogue: 0,0:22:23.25,0:22:24.54,Default,,0,0,0,,{\be2}.إذن فقد تقرر الأمر
Dialogue: 0,0:22:24.92,0:22:26.50,Default,,0,0,0,,{\be2}ما رأيكِ يا دوروثي؟
Dialogue: 0,0:22:28.21,0:22:30.33,Default,,0,0,0,,{\be2}.أعجبني، فريق الحمامة البيضاء
Dialogue: 0,0:22:31.50,0:22:33.41,Default,,0,0,0,,{\be2}.ما أعجبني فيه بالذات هو أنه ليس غامضًا
Dialogue: 0,0:22:33.62,0:22:35.29,Default,,0,0,0,,{\be2}!عرفتُ أنه سيعجبك
Dialogue: 0,0:22:40.87,0:22:44.05,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\frz1)}If {\k33}days {\k31}were {\k60}not {\k15}the {\k137}same
Dialogue: 0,0:22:44.54,0:22:47.08,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k31}don't {\k61}know {\k38}what {\k22}I'd {\k56}do.
Dialogue: 0,0:22:47.62,0:22:50.68,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I{\k28}ma{\k14}gi{\k21}ne {\k29}me {\k62}laugh{\k31}ing {\k27}and {\k35}now
Dialogue: 0,0:22:50.84,0:22:53.49,ED - A Page of My Story,,0,0,0,,{\k45}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}see {\k29}me {\k31}walk {\k31}in {\k9}the {\k124}street,
Dialogue: 0,0:22:54.02,0:22:57.09,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}then {\k39}catch {\k28}a {\k59}red {\k32}dou{\k30}ble {\k59}bus,
Dialogue: 0,0:22:57.40,0:23:00.00,ED - A Page of My Story,,0,0,0,,{\k23}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k39}hea{\k31}ven {\k16}would {\k76}find {\k70}me.
Dialogue: 0,0:23:00.75,0:23:04.45,ED - A Page of My Story,,0,0,0,,{\k62}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I'd {\k39}go {\k31}on {\k14}a {\k102}float {\k28}{\k34}eased {\k60}up.
Dialogue: 0,0:23:04.45,0:23:06.97,ED - A Page of My Story,,0,0,0,,{\k14}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I {\k79}smile {\k24}a {\k83}dream.
Dialogue: 0,0:23:09.03,0:23:13.02,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Now {\k29}you {\k62}know, {\k32}there {\k31}is {\k18}a {\k71}scene {\k33}that {\k93}I...
Dialogue: 0,0:23:13.94,0:23:16.39,ED - A Page of My Story,,0,0,0,,{\k31}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k29}re{\k74}peat {\k19}in {\k14}my {\k72}soul
Dialogue: 0,0:23:17.00,0:23:19.96,ED - A Page of My Story,,0,0,0,,{\k15}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}while {\k46}si{\k59}ppin' {\k61}black {\k34}tea {\k31}and {\k47}now,
Dialogue: 0,0:23:20.34,0:23:22.81,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}gen{\k35}tly {\k29}tou{\k34}ching {\k23}a {\k124}tree,
Dialogue: 0,0:23:23.37,0:23:26.49,ED - A Page of My Story,,0,0,0,,{\k36}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}cal{\k22}ming {\k40}hi-{\k61}beam {\k29}from {\k16}the {\k137}sky
Dialogue: 0,0:23:26.80,0:23:29.55,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}can {\k34}free {\k30}me, {\k26}I {\k66}feel {\k141}like
Dialogue: 0,0:23:30.15,0:23:32.61,ED - A Page of My Story,,0,0,0,,{\k61}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k33}get{\k17}ting {\k44}so {\k118}close
Dialogue: 0,0:23:32.90,0:23:36.63,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}to {\k61}laugh{\k16}ing {\k77}sweet {\k30}with {\k30}e{\k31}very{\k118}thing.
Dialogue: 0,0:23:36.88,0:23:39.89,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Go{\k31}ing {\k36}out {\k11}on {\k75}Sun{\k61}day {\k32}mor{\k24}ning,
Dialogue: 0,0:23:39.89,0:23:42.41,ED - A Page of My Story,,0,0,0,,{\k38}the {\k89}light {\k32}has {\k41}come,
Dialogue: 0,0:23:39.79,0:23:44.47,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, morning the light’s on me…)
Dialogue: 0,0:23:42.71,0:23:45.78,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k24}look{\k37}ing {\k28}up {\k223}high,
Dialogue: 0,0:23:44.47,0:23:49.95,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(Looking around, you’ll see all around)
Dialogue: 0,0:23:47.86,0:23:52.21,ED - A Page of My Story,,0,0,0,,{\k67}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Va{\k62}nish {\k32}wo{\k29}rries {\k31}the {\k92}light {\k30}has {\k122}come.
Dialogue: 0,0:23:49.95,0:23:55.15,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, shining the light on me…)
Dialogue: 0,0:23:52.52,0:23:57.41,ED - A Page of My Story,,0,0,0,,{\k27}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k34}go{\k26}ing {\k28}to {\k64}try {\k34}for {\k31}a {\k53}plea{\k70}sant {\k136}"now".
Dialogue: 0,0:23:57.68,0:24:02.13,ED - A Page of My Story,,0,0,0,,{\k41}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Just {\k23}a {\k33}page {\k29}of {\k61}life {\k61}in {\k45}my {\k79}sto{\k107}ry.
Dialogue: 0,0:24:02.50,0:24:05.96,ED - A Page of My Story,,0,0,0,,{\k51}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Sweet {\k26}and {\k318}bright.
Dialogue: 0,0:22:40.87,0:22:47.08,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}لا أعرف ما سأفعل إن لم تكن الأيام كبعضها
Dialogue: 0,0:22:47.62,0:22:53.49,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}تتخيلني أضحك والآن تراني سائرة في الطريق
Dialogue: 0,0:22:54.02,0:22:57.09,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ومن ثم أركب حافلة حمراء ذات طابقين
Dialogue: 0,0:22:57.40,0:23:00.00,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والنعيم سيجدني
Dialogue: 0,0:23:00.75,0:23:04.45,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأمتطي موكبًا ببطئ
Dialogue: 0,0:23:04.45,0:23:06.97,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ابتسامتي بها حلم
Dialogue: 0,0:23:09.03,0:23:16.39,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والآن كما تعرف، ثمة مشهد... أكرره في نفسي
Dialogue: 0,0:23:17.00,0:23:19.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أثناء احتسائي لشاي أسود والآن
Dialogue: 0,0:23:20.34,0:23:22.81,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أتحسّس شجرة برّقة
Dialogue: 0,0:23:23.37,0:23:26.49,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}شعاع ترحيب هادئٍ قادم من السماء
Dialogue: 0,0:23:26.80,0:23:32.61,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}يمكنه تحريري. أشعر وكأني... أقترب أكثر فأكثر
Dialogue: 0,0:23:32.90,0:23:36.63,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}للضحك بروعة على كل شيء
Dialogue: 0,0:23:36.88,0:23:39.89,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأخرج في صباح الأحد
Dialogue: 0,0:23:39.89,0:23:42.41,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وقد أشرق الضوء
Dialogue: 0,0:23:39.79,0:23:44.47,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، ضوء الصباح علي)
Dialogue: 0,0:23:42.71,0:23:45.78,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وطامحة للعلو
Dialogue: 0,0:23:44.47,0:23:49.95,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(انظر حولك وسترى في كل مكان)
Dialogue: 0,0:23:47.86,0:23:52.21,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}فلتختفِ المخاوف فقد أشرق الضوء
Dialogue: 0,0:23:49.95,0:23:55.15,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، لمعان الضوء علي)
Dialogue: 0,0:23:52.52,0:23:57.41,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأحاول إيجاد سرور الآن
Dialogue: 0,0:23:57.68,0:24:02.13,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}مجرّد جزء من قصة حياتي
Dialogue: 0,0:24:02.50,0:24:05.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}جميلة وبهيّة
Dialogue: 0,0:02:28.03,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}H
Dialogue: 0,0:02:28.03,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(160,85)\fad(200,0)}e
Dialogue: 0,0:02:28.03,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}a
Dialogue: 0,0:02:28.03,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}r
Dialogue: 0,0:02:28.03,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}
Dialogue: 0,0:02:28.69,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\bord2\shad0\be0\}Hear
Dialogue: 0,0:02:30.42,0:02:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}H
Dialogue: 0,0:02:30.42,0:02:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(160,85,160,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:30.42,0:02:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:30.42,0:02:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:30.42,0:02:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:28.03,0:02:28.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 2,0:02:28.03,0:02:28.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 0,0:02:28.13,0:02:28.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(274,85)\fad(200,0)}m
Dialogue: 0,0:02:28.13,0:02:28.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(311,85)\fad(200,0)}e
Dialogue: 0,0:02:28.13,0:02:28.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(333,85)\fad(200,0)},
Dialogue: 0,0:02:28.13,0:02:28.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\fad(200,0)}
Dialogue: 0,0:02:29.26,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\bord2\shad0\be0\}me,
Dialogue: 0,0:02:30.42,0:02:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(274,85,274,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}m
Dialogue: 0,0:02:30.42,0:02:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(311,85,311,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:30.42,0:02:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(333,85,333,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:02:30.42,0:02:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(351,85,351,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:28.69,0:02:29.36,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 2,0:02:28.69,0:02:29.36,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 0,0:02:28.23,0:02:29.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\fad(200,0)}I
Dialogue: 0,0:02:28.23,0:02:29.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:02:29.74,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\bord2\shad0\be0\}I
Dialogue: 0,0:02:30.42,0:02:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(379,85,379,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}I
Dialogue: 0,0:02:30.42,0:02:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:29.26,0:02:29.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:02:29.26,0:02:29.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:02:28.33,0:02:29.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}s
Dialogue: 0,0:02:28.33,0:02:29.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}a
Dialogue: 0,0:02:28.33,0:02:29.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}y
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\bord2\shad0\be0\}say
Dialogue: 0,0:02:30.42,0:02:30.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:30.42,0:02:30.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:30.42,0:02:30.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 2,0:02:29.74,0:02:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 2,0:02:29.74,0:02:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}r
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}o
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(209,85)\fad(200,0)}s
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(242,85)\fad(200,0)}s
Dialogue: 0,0:02:30.42,0:02:30.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(268,85)\fad(200,0)}
Dialogue: 0,0:02:30.67,0:02:34.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(169,85)\bord2\shad0\be0\}Cross
Dialogue: 0,0:02:34.25,0:02:34.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:34.25,0:02:34.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:34.25,0:02:34.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:34.25,0:02:34.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(209,85,209,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:02:34.25,0:02:34.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(242,85,242,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:02:34.25,0:02:34.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(268,85,268,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:30.42,0:02:30.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 2,0:02:30.42,0:02:30.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 0,0:02:30.52,0:02:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}t
Dialogue: 0,0:02:30.52,0:02:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}h
Dialogue: 0,0:02:30.52,0:02:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}e
Dialogue: 0,0:02:30.52,0:02:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(366,85)\fad(200,0)}
Dialogue: 0,0:02:30.97,0:02:34.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:34.25,0:02:34.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:34.25,0:02:34.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:34.25,0:02:34.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:34.25,0:02:34.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(366,85,366,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:30.67,0:02:31.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:30.67,0:02:31.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:30.62,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(399,85)\fad(200,0)}w
Dialogue: 0,0:02:30.62,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(435,85)\fad(200,0)}a
Dialogue: 0,0:02:30.62,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}l
Dialogue: 0,0:02:30.62,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(481,85)\fad(200,0)}l
Dialogue: 0,0:02:30.62,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(501,85)\fad(200,0)}.
Dialogue: 0,0:02:34.25,0:02:34.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}wall.
Dialogue: 0,0:02:34.25,0:02:34.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(399,85,399,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:34.25,0:02:34.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(435,85,435,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:34.25,0:02:34.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:34.25,0:02:34.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(481,85,481,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:34.25,0:02:34.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(501,85,501,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}.
Dialogue: 2,0:02:30.97,0:02:34.35,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 2,0:02:30.97,0:02:34.35,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 0,0:02:35.02,0:02:35.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:02:35.02,0:02:35.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:02:35.02,0:02:35.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}n
Dialogue: 0,0:02:35.02,0:02:35.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(206,85)\fad(200,0)}
Dialogue: 0,0:02:35.38,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(138,85)\bord2\shad0\be0\}Can
Dialogue: 0,0:02:40.40,0:02:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:40.40,0:02:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:40.40,0:02:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:40.40,0:02:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(206,85,206,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:35.02,0:02:35.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 2,0:02:35.02,0:02:35.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 0,0:02:35.12,0:02:35.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}y
Dialogue: 0,0:02:35.12,0:02:35.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}o
Dialogue: 0,0:02:35.12,0:02:35.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}u
Dialogue: 0,0:02:35.12,0:02:35.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(326,85)\fad(200,0)}
Dialogue: 0,0:02:35.54,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\bord2\shad0\be0\}you
Dialogue: 0,0:02:40.40,0:02:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:02:40.40,0:02:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:40.40,0:02:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:02:40.40,0:02:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(326,85,326,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:35.38,0:02:35.64,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 2,0:02:35.38,0:02:35.64,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 0,0:02:35.22,0:02:35.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(347,85)\fad(200,0)}f
Dialogue: 0,0:02:35.22,0:02:35.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(371,85)\fad(200,0)}e
Dialogue: 0,0:02:35.22,0:02:35.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(398,85)\fad(200,0)}e
Dialogue: 0,0:02:35.22,0:02:35.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}l
Dialogue: 0,0:02:35.22,0:02:35.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)}
Dialogue: 0,0:02:36.06,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\bord2\shad0\be0\}feel
Dialogue: 0,0:02:40.40,0:02:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(347,85,347,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:02:40.40,0:02:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(371,85,371,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:40.40,0:02:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(398,85,398,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:40.40,0:02:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:40.40,0:02:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:35.54,0:02:36.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 2,0:02:35.54,0:02:36.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 0,0:02:35.32,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}t
Dialogue: 0,0:02:35.32,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(490,85)\fad(200,0)}h
Dialogue: 0,0:02:35.32,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(519,85)\fad(200,0)}a
Dialogue: 0,0:02:35.32,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}t
Dialogue: 0,0:02:35.32,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}
Dialogue: 0,0:02:36.29,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}that
Dialogue: 0,0:02:40.40,0:02:40.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:40.40,0:02:40.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(490,85,490,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:40.40,0:02:40.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(519,85,519,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:40.40,0:02:40.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:40.40,0:02:40.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:36.06,0:02:36.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:02:36.06,0:02:36.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\fad(200,0)}n
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(625,85)\fad(200,0)}o
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}t
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(677,85)\fad(200,0)}h
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(702,85)\fad(200,0)}i
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(729,85)\fad(200,0)}n
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(762,85)\fad(200,0)}g
Dialogue: 0,0:02:35.42,0:02:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(789,85)\fad(200,0)}
Dialogue: 0,0:02:37.19,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(676,85)\bord2\shad0\be0\}nothing
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(592,85,592,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(625,85,625,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(677,85,677,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(702,85,702,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(729,85,729,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(762,85,762,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}g
Dialogue: 0,0:02:40.40,0:02:40.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(789,85,789,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:36.29,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 2,0:02:36.29,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 0,0:02:35.52,0:02:37.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(809,85)\fad(200,0)}t
Dialogue: 0,0:02:35.52,0:02:37.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(837,85)\fad(200,0)}u
Dialogue: 0,0:02:35.52,0:02:37.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(868,85)\fad(200,0)}r
Dialogue: 0,0:02:35.52,0:02:37.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(900,85)\fad(200,0)}n
Dialogue: 0,0:02:35.52,0:02:37.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(934,85)\fad(200,0)}s
Dialogue: 0,0:02:35.52,0:02:37.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(960,85)\fad(200,0)}
Dialogue: 0,0:02:37.69,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(874,85)\bord2\shad0\be0\}turns
Dialogue: 0,0:02:40.40,0:02:40.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(809,85,809,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:40.40,0:02:40.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(837,85,837,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:02:40.40,0:02:40.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(868,85,868,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:02:40.40,0:02:40.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(900,85,900,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:02:40.40,0:02:40.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(934,85,934,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:02:40.40,0:02:40.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(960,85,960,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:37.19,0:02:37.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 2,0:02:37.19,0:02:37.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(984,85)\fad(200,0)}a
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1012,85)\fad(200,0)}r
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1043,85)\fad(200,0)}o
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1075,85)\fad(200,0)}u
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1109,85)\fad(200,0)}n
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1143,85)\fad(200,0)}d
Dialogue: 0,0:02:35.62,0:02:37.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}.
Dialogue: 0,0:02:40.40,0:02:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\bord2\shad0\be0\}around.
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(984,85,984,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1012,85,1012,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}r
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1043,85,1043,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1075,85,1075,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}u
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1109,85,1109,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1143,85,1143,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}d
Dialogue: 0,0:02:40.40,0:02:40.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:02:37.69,0:02:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 2,0:02:37.69,0:02:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 0,0:02:41.21,0:02:41.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(112,85)\fad(200,0)}L
Dialogue: 0,0:02:41.21,0:02:41.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}i
Dialogue: 0,0:02:41.21,0:02:41.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(181,85)\fad(200,0)}k
Dialogue: 0,0:02:41.21,0:02:41.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(211,85)\fad(200,0)}e
Dialogue: 0,0:02:41.21,0:02:41.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}
Dialogue: 0,0:02:41.67,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(152,85)\bord2\shad0\be0\}Like
Dialogue: 0,0:02:46.09,0:02:46.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(112,85,112,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}L
Dialogue: 0,0:02:46.09,0:02:46.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:02:46.09,0:02:46.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(181,85,181,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}k
Dialogue: 0,0:02:46.09,0:02:46.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(211,85,211,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:46.09,0:02:46.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:41.21,0:02:41.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 2,0:02:41.21,0:02:41.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 0,0:02:41.31,0:02:41.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}a
Dialogue: 0,0:02:41.31,0:02:41.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(283,85)\fad(200,0)}
Dialogue: 0,0:02:41.88,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\bord2\shad0\be0\}a
Dialogue: 0,0:02:46.09,0:02:46.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:46.09,0:02:46.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(283,85,283,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:41.67,0:02:41.98,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:02:41.67,0:02:41.98,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:02:41.41,0:02:41.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}g
Dialogue: 0,0:02:41.41,0:02:41.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(339,85)\fad(200,0)}e
Dialogue: 0,0:02:41.41,0:02:41.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}a
Dialogue: 0,0:02:41.41,0:02:41.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(395,85)\fad(200,0)}r
Dialogue: 0,0:02:41.41,0:02:41.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(420,85)\fad(200,0)}
Dialogue: 0,0:02:42.31,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\bord2\shad0\be0\}gear
Dialogue: 0,0:02:46.09,0:02:46.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:02:46.09,0:02:46.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(339,85,339,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:46.09,0:02:46.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:46.09,0:02:46.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(395,85,395,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:46.09,0:02:46.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(420,85,420,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:41.88,0:02:42.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 2,0:02:41.88,0:02:42.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 0,0:02:41.51,0:02:42.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}i
Dialogue: 0,0:02:41.51,0:02:42.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(467,85)\fad(200,0)}n
Dialogue: 0,0:02:41.51,0:02:42.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}
Dialogue: 0,0:02:42.56,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(457,85)\bord2\shad0\be0\}in
Dialogue: 0,0:02:46.09,0:02:46.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:46.09,0:02:46.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(467,85,467,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:02:46.09,0:02:46.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:42.31,0:02:42.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 2,0:02:42.31,0:02:42.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 0,0:02:41.61,0:02:42.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(521,85)\fad(200,0)}s
Dialogue: 0,0:02:41.61,0:02:42.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(554,85)\fad(200,0)}y
Dialogue: 0,0:02:41.61,0:02:42.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:02:41.61,0:02:42.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(619,85)\fad(200,0)}c
Dialogue: 0,0:02:41.61,0:02:42.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}
Dialogue: 0,0:02:43.28,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(568,85)\bord2\shad0\be0\}sync
Dialogue: 0,0:02:46.09,0:02:46.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(521,85,521,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:46.09,0:02:46.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(554,85,554,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:02:46.09,0:02:46.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:46.09,0:02:46.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(619,85,619,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:46.09,0:02:46.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:42.56,0:02:43.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 2,0:02:42.56,0:02:43.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(661,85)\fad(200,0)}i
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}n
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}s
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(748,85)\fad(200,0)}i
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(774,85)\fad(200,0)}d
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(803,85)\fad(200,0)}e
Dialogue: 0,0:02:41.71,0:02:43.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}
Dialogue: 0,0:02:43.93,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}inside
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(661,85,661,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(748,85,748,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(774,85,774,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}d
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(803,85,803,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:02:46.09,0:02:46.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:43.28,0:02:44.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 2,0:02:43.28,0:02:44.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 0,0:02:41.81,0:02:43.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\fad(200,0)}a
Dialogue: 0,0:02:41.81,0:02:43.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(875,85)\fad(200,0)}
Dialogue: 0,0:02:44.04,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\bord2\shad0\be0\}a
Dialogue: 0,0:02:46.09,0:02:46.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(851,85,851,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:46.09,0:02:46.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(875,85,875,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:43.93,0:02:44.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:02:43.93,0:02:44.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:02:41.91,0:02:44.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}c
Dialogue: 0,0:02:41.91,0:02:44.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(921,85)\fad(200,0)}l
Dialogue: 0,0:02:41.91,0:02:44.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(947,85)\fad(200,0)}o
Dialogue: 0,0:02:41.91,0:02:44.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(975,85)\fad(200,0)}c
Dialogue: 0,0:02:41.91,0:02:44.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}k
Dialogue: 0,0:02:41.91,0:02:44.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1030,85)\fad(200,0)}.
Dialogue: 0,0:02:46.09,0:02:46.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(962,85)\bord2\shad0\be0\}clock.
Dialogue: 0,0:02:46.09,0:02:46.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:02:46.09,0:02:46.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(921,85,921,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}l
Dialogue: 0,0:02:46.09,0:02:46.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(947,85,947,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}o
Dialogue: 0,0:02:46.09,0:02:46.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(975,85,975,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:02:46.09,0:02:46.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:02:46.09,0:02:46.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1030,85,1030,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}.
Dialogue: 2,0:02:44.04,0:02:46.19,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 2,0:02:44.04,0:02:46.19,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 0,0:02:47.22,0:02:47.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:02:47.22,0:02:47.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:02:47.22,0:02:47.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(203,85)\fad(200,0)}o
Dialogue: 0,0:02:47.22,0:02:47.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(228,85)\fad(200,0)}
Dialogue: 0,0:02:47.50,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(149,85)\bord2\shad0\be0\}Who
Dialogue: 0,0:02:52.37,0:02:52.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:02:52.37,0:02:52.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:02:52.37,0:02:52.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(203,85,203,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:52.37,0:02:52.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(228,85,228,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:47.22,0:02:47.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 2,0:02:47.22,0:02:47.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 0,0:02:47.32,0:02:47.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(251,85)\fad(200,0)}c
Dialogue: 0,0:02:47.32,0:02:47.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(277,85)\fad(200,0)}a
Dialogue: 0,0:02:47.32,0:02:47.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}n
Dialogue: 0,0:02:47.32,0:02:47.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(336,85)\fad(200,0)}
Dialogue: 0,0:02:47.77,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\bord2\shad0\be0\}can
Dialogue: 0,0:02:52.37,0:02:52.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(251,85,251,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:02:52.37,0:02:52.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(277,85,277,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:52.37,0:02:52.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:52.37,0:02:52.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(336,85,336,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:47.50,0:02:47.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:02:47.50,0:02:47.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:02:47.42,0:02:47.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}b
Dialogue: 0,0:02:47.42,0:02:47.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}e
Dialogue: 0,0:02:47.42,0:02:47.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:02:47.99,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(375,85)\bord2\shad0\be0\}be
Dialogue: 0,0:02:52.37,0:02:52.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}b
Dialogue: 0,0:02:52.37,0:02:52.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:52.37,0:02:52.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:47.77,0:02:48.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:02:47.77,0:02:48.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:02:47.52,0:02:47.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}s
Dialogue: 0,0:02:47.52,0:02:47.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(473,85)\fad(200,0)}u
Dialogue: 0,0:02:47.52,0:02:47.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\fad(200,0)}r
Dialogue: 0,0:02:47.52,0:02:47.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}e
Dialogue: 0,0:02:47.52,0:02:47.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}
Dialogue: 0,0:02:48.55,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\bord2\shad0\be0\}sure
Dialogue: 0,0:02:52.37,0:02:52.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:52.37,0:02:52.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(473,85,473,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}u
Dialogue: 0,0:02:52.37,0:02:52.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(504,85,504,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:02:52.37,0:02:52.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:52.37,0:02:52.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:47.99,0:02:48.65,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 2,0:02:47.99,0:02:48.65,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 0,0:02:47.62,0:02:48.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(582,85)\fad(200,0)}o
Dialogue: 0,0:02:47.62,0:02:48.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(608,85)\fad(200,0)}f
Dialogue: 0,0:02:47.62,0:02:48.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}
Dialogue: 0,0:02:48.94,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\bord2\shad0\be0\}of
Dialogue: 0,0:02:52.37,0:02:52.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(582,85,582,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:52.37,0:02:52.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(608,85,608,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}f
Dialogue: 0,0:02:52.37,0:02:52.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:48.55,0:02:49.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 2,0:02:48.55,0:02:49.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 0,0:02:47.72,0:02:48.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(654,85)\fad(200,0)}h
Dialogue: 0,0:02:47.72,0:02:48.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}o
Dialogue: 0,0:02:47.72,0:02:48.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}w
Dialogue: 0,0:02:47.72,0:02:48.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(755,85)\fad(200,0)}
Dialogue: 0,0:02:49.29,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(692,85)\bord2\shad0\be0\}how
Dialogue: 0,0:02:52.37,0:02:52.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(654,85,654,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:52.37,0:02:52.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:02:52.37,0:02:52.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:02:52.37,0:02:52.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(755,85,755,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:48.94,0:02:49.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 2,0:02:48.94,0:02:49.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 0,0:02:47.82,0:02:49.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(776,85)\fad(200,0)}t
Dialogue: 0,0:02:47.82,0:02:49.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(802,85)\fad(200,0)}o
Dialogue: 0,0:02:47.82,0:02:49.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(828,85)\fad(200,0)}
Dialogue: 0,0:02:49.71,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(791,85)\bord2\shad0\be0\}to
Dialogue: 0,0:02:52.37,0:02:52.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(776,85,776,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:02:52.37,0:02:52.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(802,85,802,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:02:52.37,0:02:52.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(828,85,828,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:49.29,0:02:49.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:02:49.29,0:02:49.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:02:47.92,0:02:49.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}m
Dialogue: 0,0:02:47.92,0:02:49.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}a
Dialogue: 0,0:02:47.92,0:02:49.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(929,85)\fad(200,0)}k
Dialogue: 0,0:02:47.92,0:02:49.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(959,85)\fad(200,0)}e
Dialogue: 0,0:02:47.92,0:02:49.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(983,85)\fad(200,0)}
Dialogue: 0,0:02:50.11,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(905,85)\bord2\shad0\be0\}make
Dialogue: 0,0:02:52.37,0:02:52.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}m
Dialogue: 0,0:02:52.37,0:02:52.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}a
Dialogue: 0,0:02:52.37,0:02:52.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(929,85,929,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:02:52.37,0:02:52.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(959,85,959,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}e
Dialogue: 0,0:02:52.37,0:02:52.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(983,85,983,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}
Dialogue: 2,0:02:49.71,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 2,0:02:49.71,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 0,0:02:48.02,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}i
Dialogue: 0,0:02:48.02,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1023,85)\fad(200,0)}t
Dialogue: 0,0:02:48.02,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1044,85)\fad(200,0)}
Dialogue: 0,0:02:50.34,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:52.37,0:02:52.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}i
Dialogue: 0,0:02:52.37,0:02:52.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1023,85,1023,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:02:52.37,0:02:52.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1044,85,1044,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:02:50.11,0:02:50.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:50.11,0:02:50.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:48.12,0:02:50.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1077,85)\fad(200,0)}w
Dialogue: 0,0:02:48.12,0:02:50.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1115,85)\fad(200,0)}o
Dialogue: 0,0:02:48.12,0:02:50.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1145,85)\fad(200,0)}r
Dialogue: 0,0:02:48.12,0:02:50.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}k
Dialogue: 0,0:02:48.12,0:02:50.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1201,85)\fad(200,0)}.
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1132,85)\bord2\shad0\be0\}work.
Dialogue: 0,0:02:52.37,0:02:52.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1077,85,1077,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}w
Dialogue: 0,0:02:52.37,0:02:52.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1115,85,1115,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}o
Dialogue: 0,0:02:52.37,0:02:52.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1145,85,1145,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}r
Dialogue: 0,0:02:52.37,0:02:52.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}k
Dialogue: 0,0:02:52.37,0:02:52.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1201,85,1201,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}.
Dialogue: 2,0:02:50.34,0:02:52.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 2,0:02:50.34,0:02:52.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(114,85)\fad(200,0)}R
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(162,85)\fad(200,0)}e
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}c
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}o
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(247,85)\fad(200,0)}g
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\fad(200,0)}i
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}z
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(363,85)\fad(200,0)}e
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\fad(200,0)},
Dialogue: 0,0:02:52.37,0:02:52.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}
Dialogue: 0,0:02:54.01,0:02:58.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(237,85)\bord2\shad0\be0\}Recognize,
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(114,85,114,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}R
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(162,85,162,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}c
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(247,85,247,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}g
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(308,85,308,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(363,85,363,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(385,85,385,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\},
Dialogue: 0,0:02:58.75,0:02:58.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:52.37,0:02:54.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 2,0:02:52.37,0:02:54.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}i
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(450,85)\fad(200,0)}n
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}n
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(516,85)\fad(200,0)}e
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}r
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(569,85)\fad(200,0)}
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}i
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}g
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}h
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(703,85)\fad(200,0)}t
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)},
Dialogue: 0,0:02:52.47,0:02:54.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\fad(200,0)}
Dialogue: 0,0:02:55.56,0:02:58.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(572,85)\bord2\shad0\be0\}inner sight,
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(450,85,450,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(516,85,516,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(569,85,569,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}g
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(703,85,703,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:02:58.75,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(741,85,741,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:54.01,0:02:55.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 2,0:02:54.01,0:02:55.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 0,0:02:52.57,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(767,85)\fad(200,0)}g
Dialogue: 0,0:02:52.57,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(799,85)\fad(200,0)}o
Dialogue: 0,0:02:52.57,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(825,85)\fad(200,0)}t
Dialogue: 0,0:02:52.57,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(846,85)\fad(200,0)}t
Dialogue: 0,0:02:52.57,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(871,85)\fad(200,0)}a
Dialogue: 0,0:02:52.57,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(895,85)\fad(200,0)}
Dialogue: 0,0:02:55.86,0:02:58.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(818,85)\bord2\shad0\be0\}gotta
Dialogue: 0,0:02:58.75,0:02:58.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(767,85,767,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:02:58.75,0:02:58.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(799,85,799,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:58.75,0:02:58.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(825,85,825,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:58.75,0:02:58.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(846,85,846,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:58.75,0:02:58.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(871,85,871,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:58.75,0:02:58.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(895,85,895,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:55.56,0:02:55.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 2,0:02:55.56,0:02:55.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 0,0:02:52.67,0:02:55.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}s
Dialogue: 0,0:02:52.67,0:02:55.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(948,85)\fad(200,0)}t
Dialogue: 0,0:02:52.67,0:02:55.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\fad(200,0)}a
Dialogue: 0,0:02:52.67,0:02:55.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}y
Dialogue: 0,0:02:52.67,0:02:55.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1032,85)\fad(200,0)}
Dialogue: 0,0:02:56.34,0:02:58.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(964,85)\bord2\shad0\be0\}stay
Dialogue: 0,0:02:58.75,0:02:58.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:58.75,0:02:58.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(948,85,948,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:58.75,0:02:58.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(973,85,973,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:58.75,0:02:58.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 0,0:02:58.75,0:02:58.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1032,85,1032,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:55.86,0:02:56.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 2,0:02:55.86,0:02:56.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 0,0:02:52.77,0:02:56.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}a
Dialogue: 0,0:02:52.77,0:02:56.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1081,85)\fad(200,0)}l
Dialogue: 0,0:02:52.77,0:02:56.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1101,85)\fad(200,0)}i
Dialogue: 0,0:02:52.77,0:02:56.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1126,85)\fad(200,0)}v
Dialogue: 0,0:02:52.77,0:02:56.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1155,85)\fad(200,0)}e
Dialogue: 0,0:02:52.77,0:02:56.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1177,85)\fad(200,0)}.
Dialogue: 0,0:02:58.75,0:02:58.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1114,85)\bord2\shad0\be0\}alive.
Dialogue: 0,0:02:58.75,0:02:59.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:58.75,0:02:59.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1081,85,1081,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}l
Dialogue: 0,0:02:58.75,0:02:59.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1101,85,1101,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:02:58.75,0:02:59.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1126,85,1126,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:02:58.75,0:02:59.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1155,85,1155,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:58.75,0:02:59.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1177,85,1177,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:02:56.34,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 2,0:02:56.34,0:02:58.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 0,0:02:59.25,0:02:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:02:59.25,0:02:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(126,85)\fad(200,0)}
Dialogue: 0,0:02:59.66,0:03:01.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\bord2\shad0\be0\}I
Dialogue: 0,0:03:01.83,0:03:01.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:03:01.83,0:03:01.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(126,85,126,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:59.25,0:02:59.76,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:02:59.25,0:02:59.76,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:02:59.35,0:02:59.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(159,85)\fad(200,0)}w
Dialogue: 0,0:02:59.35,0:02:59.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(191,85)\fad(200,0)}i
Dialogue: 0,0:02:59.35,0:02:59.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(212,85)\fad(200,0)}l
Dialogue: 0,0:02:59.35,0:02:59.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}l
Dialogue: 0,0:02:59.35,0:02:59.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}
Dialogue: 0,0:03:00.02,0:03:01.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\bord2\shad0\be0\}will
Dialogue: 0,0:03:01.83,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(159,85,159,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:03:01.83,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(191,85,191,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:03:01.83,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(212,85,212,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:03:01.83,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:03:01.83,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:59.66,0:03:00.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 2,0:02:59.66,0:03:00.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 0,0:02:59.45,0:03:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:02:59.45,0:03:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(312,85)\fad(200,0)}e
Dialogue: 0,0:02:59.45,0:03:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(341,85)\fad(200,0)}v
Dialogue: 0,0:02:59.45,0:03:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}e
Dialogue: 0,0:02:59.45,0:03:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(397,85)\fad(200,0)}r
Dialogue: 0,0:02:59.45,0:03:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(422,85)\fad(200,0)}
Dialogue: 0,0:03:00.63,0:03:01.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\bord2\shad0\be0\}never
Dialogue: 0,0:03:01.83,0:03:01.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:03:01.83,0:03:01.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(312,85,312,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:03:01.83,0:03:01.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(341,85,341,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}v
Dialogue: 0,0:03:01.83,0:03:01.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:03:01.83,0:03:01.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(397,85,397,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:03:01.83,0:03:01.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(422,85,422,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:00.02,0:03:00.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 2,0:03:00.02,0:03:00.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 0,0:02:59.55,0:03:00.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}b
Dialogue: 0,0:02:59.55,0:03:00.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(475,85)\fad(200,0)}e
Dialogue: 0,0:02:59.55,0:03:00.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(499,85)\fad(200,0)}
Dialogue: 0,0:03:01.03,0:03:01.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\bord2\shad0\be0\}be
Dialogue: 0,0:03:01.83,0:03:02.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}b
Dialogue: 0,0:03:01.83,0:03:02.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(475,85,475,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:01.83,0:03:02.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(499,85,499,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:00.63,0:03:01.13,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:03:00.63,0:03:01.13,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}d
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(555,85)\fad(200,0)}e
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}c
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(607,85)\fad(200,0)}e
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(631,85)\fad(200,0)}i
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}v
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}e
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(714,85)\fad(200,0)}d
Dialogue: 0,0:02:59.65,0:03:01.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\fad(200,0)}.
Dialogue: 0,0:03:01.83,0:03:01.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\bord2\shad0\be0\}deceived.
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(555,85,555,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(607,85,607,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(631,85,631,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(714,85,714,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:03:01.83,0:03:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(739,85,739,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:03:01.03,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 2,0:03:01.03,0:03:01.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 0,0:03:01.60,0:03:01.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:03:01.60,0:03:01.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\fad(200,0)}'
Dialogue: 0,0:03:01.60,0:03:01.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(157,85)\fad(200,0)}m
Dialogue: 0,0:03:01.60,0:03:01.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\fad(200,0)}
Dialogue: 0,0:03:01.87,0:03:04.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(130,85)\bord2\shad0\be0\}I'm
Dialogue: 0,0:03:04.60,0:03:04.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:03:04.60,0:03:04.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(125,85,125,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:03:04.60,0:03:04.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(157,85,157,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}m
Dialogue: 0,0:03:04.60,0:03:04.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(190,85,190,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:01.60,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 2,0:03:01.60,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 0,0:03:01.70,0:03:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\fad(200,0)}a
Dialogue: 0,0:03:01.70,0:03:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(238,85)\fad(200,0)}
Dialogue: 0,0:03:02.06,0:03:04.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\bord2\shad0\be0\}a
Dialogue: 0,0:03:04.60,0:03:04.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(214,85,214,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:04.60,0:03:04.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(238,85,238,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:01.87,0:03:02.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:03:01.87,0:03:02.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:03:01.80,0:03:02.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(265,85)\fad(200,0)}g
Dialogue: 0,0:03:01.80,0:03:02.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(291,85)\fad(200,0)}i
Dialogue: 0,0:03:01.80,0:03:02.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\fad(200,0)}r
Dialogue: 0,0:03:01.80,0:03:02.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}l
Dialogue: 0,0:03:01.80,0:03:02.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}
Dialogue: 0,0:03:02.39,0:03:04.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\bord2\shad0\be0\}girl
Dialogue: 0,0:03:04.60,0:03:04.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(265,85,265,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:03:04.60,0:03:04.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(291,85,291,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:03:04.60,0:03:04.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(315,85,315,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:03:04.60,0:03:04.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:03:04.60,0:03:04.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:02.06,0:03:02.49,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 2,0:03:02.06,0:03:02.49,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 0,0:03:01.90,0:03:02.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(382,85)\fad(200,0)}t
Dialogue: 0,0:03:01.90,0:03:02.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}h
Dialogue: 0,0:03:01.90,0:03:02.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}a
Dialogue: 0,0:03:01.90,0:03:02.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\fad(200,0)}t
Dialogue: 0,0:03:01.90,0:03:02.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(482,85)\fad(200,0)}
Dialogue: 0,0:03:02.56,0:03:04.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}that
Dialogue: 0,0:03:04.60,0:03:04.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(382,85,382,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:04.60,0:03:04.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:04.60,0:03:04.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:03:04.60,0:03:04.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(461,85,461,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:04.60,0:03:04.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(482,85,482,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:02.39,0:03:02.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:03:02.39,0:03:02.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:03:02.00,0:03:02.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(508,85)\fad(200,0)}s
Dialogue: 0,0:03:02.00,0:03:02.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(538,85)\fad(200,0)}e
Dialogue: 0,0:03:02.00,0:03:02.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(565,85)\fad(200,0)}e
Dialogue: 0,0:03:02.00,0:03:02.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:03:02.00,0:03:02.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}
Dialogue: 0,0:03:03.04,0:03:04.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(551,85)\bord2\shad0\be0\}sees
Dialogue: 0,0:03:04.60,0:03:04.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(508,85,508,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:03:04.60,0:03:04.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(538,85,538,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:03:04.60,0:03:04.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(565,85,565,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:03:04.60,0:03:04.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:03:04.60,0:03:04.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:03:02.56,0:03:03.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 2,0:03:02.56,0:03:03.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(642,85)\fad(200,0)}t
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}h
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(696,85)\fad(200,0)}r
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}o
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(759,85)\fad(200,0)}u
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}g
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(823,85)\fad(200,0)}h
Dialogue: 0,0:03:02.10,0:03:03.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}
Dialogue: 0,0:03:03.43,0:03:04.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}through
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(642,85,642,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(696,85,696,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(759,85,759,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}g
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(823,85,823,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:03:04.60,0:03:04.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:03:03.04,0:03:03.53,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 2,0:03:03.04,0:03:03.53,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 0,0:03:02.20,0:03:03.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\fad(200,0)}l
Dialogue: 0,0:03:02.20,0:03:03.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\fad(200,0)}i
Dialogue: 0,0:03:02.20,0:03:03.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(913,85)\fad(200,0)}e
Dialogue: 0,0:03:02.20,0:03:03.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(943,85)\fad(200,0)}s
Dialogue: 0,0:03:02.20,0:03:03.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(968,85)\fad(200,0)}.
Dialogue: 0,0:03:04.60,0:03:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(869,85,869,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:03:04.60,0:03:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(890,85,890,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:03:04.60,0:03:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(913,85,913,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}e
Dialogue: 0,0:03:04.60,0:03:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(943,85,943,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:03:04.60,0:03:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(968,85,968,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:03:03.43,0:03:04.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 2,0:03:03.43,0:03:04.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 0,0:03:04.91,0:03:04.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(89,85)\fad(200,0)}'
Dialogue: 0,0:03:04.91,0:03:04.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(124,85)\fad(200,0)}C
Dialogue: 0,0:03:04.91,0:03:04.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\fad(200,0)}u
Dialogue: 0,0:03:04.91,0:03:04.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(200,85)\fad(200,0)}z
Dialogue: 0,0:03:04.91,0:03:04.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(226,85)\fad(200,0)}
Dialogue: 0,0:03:05.17,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(148,85)\bord2\shad0\be0\}'Cuz
Dialogue: 0,0:03:07.95,0:03:08.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(89,85,89,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:03:07.95,0:03:08.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(124,85,124,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:03:07.95,0:03:08.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(167,85,167,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}u
Dialogue: 0,0:03:07.95,0:03:08.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(200,85,200,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:03:07.95,0:03:08.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(226,85,226,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:04.91,0:03:05.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 2,0:03:04.91,0:03:05.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 0,0:03:05.01,0:03:05.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}I
Dialogue: 0,0:03:05.01,0:03:05.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\fad(200,0)}
Dialogue: 0,0:03:05.31,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\bord2\shad0\be0\}I
Dialogue: 0,0:03:07.95,0:03:08.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}I
Dialogue: 0,0:03:07.95,0:03:08.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(282,85,282,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:05.17,0:03:05.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:03:05.17,0:03:05.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:03:05.11,0:03:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}k
Dialogue: 0,0:03:05.11,0:03:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}n
Dialogue: 0,0:03:05.11,0:03:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}o
Dialogue: 0,0:03:05.11,0:03:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(414,85)\fad(200,0)}w
Dialogue: 0,0:03:05.11,0:03:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)},
Dialogue: 0,0:03:05.11,0:03:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(463,85)\fad(200,0)}
Dialogue: 0,0:03:05.94,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(372,85)\bord2\shad0\be0\}know,
Dialogue: 0,0:03:07.95,0:03:08.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:03:07.95,0:03:08.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:03:07.95,0:03:08.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:07.95,0:03:08.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(414,85,414,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:03:07.95,0:03:08.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\},
Dialogue: 0,0:03:07.95,0:03:08.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(463,85,463,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:05.31,0:03:06.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 2,0:03:05.31,0:03:06.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 0,0:03:05.31,0:03:06.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}k
Dialogue: 0,0:03:05.31,0:03:06.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(523,85)\fad(200,0)}n
Dialogue: 0,0:03:05.31,0:03:06.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}o
Dialogue: 0,0:03:05.31,0:03:06.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}w
Dialogue: 0,0:03:05.31,0:03:06.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(627,85)\fad(200,0)}
Dialogue: 0,0:03:06.71,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(545,85)\bord2\shad0\be0\}know
Dialogue: 0,0:03:07.95,0:03:08.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:03:07.95,0:03:08.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(523,85,523,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:03:07.95,0:03:08.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:03:07.95,0:03:08.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:03:07.95,0:03:08.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(627,85,627,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:03:06.47,0:03:06.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 2,0:03:06.47,0:03:06.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 0,0:03:05.41,0:03:06.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}i
Dialogue: 0,0:03:05.41,0:03:06.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}t
Dialogue: 0,0:03:05.41,0:03:06.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}
Dialogue: 0,0:03:06.93,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(657,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:07.95,0:03:08.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:03:07.95,0:03:08.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:03:07.95,0:03:08.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:03:06.71,0:03:07.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:06.71,0:03:07.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:05.51,0:03:06.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(712,85)\fad(200,0)}a
Dialogue: 0,0:03:05.51,0:03:06.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(737,85)\fad(200,0)}l
Dialogue: 0,0:03:05.51,0:03:06.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(758,85)\fad(200,0)}l
Dialogue: 0,0:03:05.51,0:03:06.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(778,85)\fad(200,0)}.
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(743,85)\bord2\shad0\be0\}all.
Dialogue: 0,0:03:07.95,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(712,85,712,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:03:07.95,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(737,85,737,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:03:07.95,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(758,85,758,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:03:07.95,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(778,85,778,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:03:06.93,0:03:08.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 2,0:03:06.93,0:03:08.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}n
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}n
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}a
Dialogue: 0,0:03:07.95,0:03:07.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(279,85)\fad(200,0)}
Dialogue: 0,0:03:08.30,0:03:12.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(174,85)\bord2\shad0\be0\}Gonna
Dialogue: 0,0:03:12.43,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:03:12.43,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:03:12.43,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:12.43,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:12.43,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:03:12.43,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(279,85,279,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:07.95,0:03:08.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 2,0:03:07.95,0:03:08.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 0,0:03:08.05,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}f
Dialogue: 0,0:03:08.05,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}l
Dialogue: 0,0:03:08.05,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(349,85)\fad(200,0)}y
Dialogue: 0,0:03:08.05,0:03:08.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}
Dialogue: 0,0:03:09.53,0:03:12.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(328,85)\bord2\shad0\be0\}fly
Dialogue: 0,0:03:12.43,0:03:12.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}f
Dialogue: 0,0:03:12.43,0:03:12.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:03:12.43,0:03:12.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(349,85,349,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:03:12.43,0:03:12.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:08.30,0:03:09.63,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 2,0:03:08.30,0:03:09.63,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 0,0:03:08.15,0:03:09.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}s
Dialogue: 0,0:03:08.15,0:03:09.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}o
Dialogue: 0,0:03:08.15,0:03:09.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}
Dialogue: 0,0:03:09.97,0:03:12.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(418,85)\bord2\shad0\be0\}so
Dialogue: 0,0:03:12.43,0:03:12.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}s
Dialogue: 0,0:03:12.43,0:03:12.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:12.43,0:03:12.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:09.53,0:03:10.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 2,0:03:09.53,0:03:10.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 0,0:03:08.25,0:03:09.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}h
Dialogue: 0,0:03:08.25,0:03:09.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(510,85)\fad(200,0)}i
Dialogue: 0,0:03:08.25,0:03:09.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}g
Dialogue: 0,0:03:08.25,0:03:09.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(567,85)\fad(200,0)}h
Dialogue: 0,0:03:08.25,0:03:09.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(591,85)\fad(200,0)}.
Dialogue: 0,0:03:12.43,0:03:12.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(535,85)\bord2\shad0\be0\}high.
Dialogue: 0,0:03:12.43,0:03:12.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:12.43,0:03:12.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(510,85,510,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:03:12.43,0:03:12.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:03:12.43,0:03:12.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(567,85,567,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:12.43,0:03:12.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(591,85,591,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:09.97,0:03:12.53,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 2,0:03:09.97,0:03:12.53,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 0,0:03:12.48,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:03:12.48,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:03:12.48,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:03:12.48,0:03:12.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:03:12.84,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:03:15.30,0:03:15.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:03:15.30,0:03:15.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:15.30,0:03:15.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:03:15.30,0:03:15.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:12.48,0:03:12.94,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:03:12.48,0:03:12.94,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:03:12.58,0:03:12.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:03:13.08,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:15.30,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:12.84,0:03:13.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:03:12.84,0:03:13.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:03:12.68,0:03:13.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:03:12.68,0:03:13.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:03:12.68,0:03:13.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:03:12.68,0:03:13.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:03:13.28,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:03:15.30,0:03:15.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:15.30,0:03:15.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:03:15.30,0:03:15.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:03:15.30,0:03:15.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:13.08,0:03:13.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:03:13.08,0:03:13.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:03:12.78,0:03:13.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:03:14.01,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:03:15.30,0:03:15.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:13.28,0:03:14.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:03:13.28,0:03:14.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:03:12.98,0:03:14.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}W
Dialogue: 0,0:03:12.98,0:03:14.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(787,85)\fad(200,0)}h
Dialogue: 0,0:03:12.98,0:03:14.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(816,85)\fad(200,0)}a
Dialogue: 0,0:03:12.98,0:03:14.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(840,85)\fad(200,0)}t
Dialogue: 0,0:03:12.98,0:03:14.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}
Dialogue: 0,0:03:14.46,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(773,85)\bord2\shad0\be0\}What
Dialogue: 0,0:03:15.30,0:03:15.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}W
Dialogue: 0,0:03:15.30,0:03:15.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(787,85,787,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:03:15.30,0:03:15.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(816,85,816,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:03:15.30,0:03:15.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(840,85,840,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:03:15.30,0:03:15.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:03:14.26,0:03:14.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 2,0:03:14.26,0:03:14.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(885,85)\fad(200,0)}a
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}w
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(958,85)\fad(200,0)}a
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(982,85)\fad(200,0)}i
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}t
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1029,85)\fad(200,0)}s
Dialogue: 0,0:03:13.08,0:03:14.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}!
Dialogue: 0,0:03:15.30,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(969,85)\bord2\shad0\be0\}awaits!
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(885,85,885,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(958,85,958,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(982,85,982,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1029,85,1029,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:03:15.30,0:03:15.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}!
Dialogue: 2,0:03:14.46,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 2,0:03:14.46,0:03:15.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 0,0:03:15.30,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:03:15.30,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:03:15.30,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:03:15.30,0:03:15.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:03:15.58,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:03:18.73,0:03:18.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:03:18.73,0:03:18.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:18.73,0:03:18.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:03:18.73,0:03:18.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:15.30,0:03:15.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:03:15.30,0:03:15.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:03:15.40,0:03:15.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}w
Dialogue: 0,0:03:15.40,0:03:15.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(292,85)\fad(200,0)}h
Dialogue: 0,0:03:15.40,0:03:15.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}a
Dialogue: 0,0:03:15.40,0:03:15.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(346,85)\fad(200,0)}t
Dialogue: 0,0:03:15.40,0:03:15.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}
Dialogue: 0,0:03:15.75,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\bord2\shad0\be0\}what
Dialogue: 0,0:03:18.73,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:03:18.73,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(292,85,292,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:03:18.73,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:18.73,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(346,85,346,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:18.73,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:15.58,0:03:15.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 2,0:03:15.58,0:03:15.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 0,0:03:15.50,0:03:15.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(389,85)\fad(200,0)}c
Dialogue: 0,0:03:15.50,0:03:15.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(416,85)\fad(200,0)}a
Dialogue: 0,0:03:15.50,0:03:15.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}n
Dialogue: 0,0:03:15.50,0:03:15.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:03:16.01,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}can
Dialogue: 0,0:03:18.73,0:03:18.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(389,85,389,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:03:18.73,0:03:18.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(416,85,416,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:03:18.73,0:03:18.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:03:18.73,0:03:18.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:15.75,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:03:15.75,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:03:15.60,0:03:16.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}i
Dialogue: 0,0:03:15.60,0:03:16.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(515,85)\fad(200,0)}t
Dialogue: 0,0:03:15.60,0:03:16.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}
Dialogue: 0,0:03:16.11,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(505,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:18.73,0:03:18.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:03:18.73,0:03:18.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(515,85,515,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:18.73,0:03:18.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:16.01,0:03:16.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:16.01,0:03:16.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:15.70,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}s
Dialogue: 0,0:03:15.70,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(593,85)\fad(200,0)}h
Dialogue: 0,0:03:15.70,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}o
Dialogue: 0,0:03:15.70,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(662,85)\fad(200,0)}w
Dialogue: 0,0:03:15.70,0:03:16.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(694,85)\fad(200,0)}
Dialogue: 0,0:03:16.63,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}show
Dialogue: 0,0:03:18.73,0:03:18.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:03:18.73,0:03:18.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(593,85,593,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:03:18.73,0:03:18.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:03:18.73,0:03:18.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(662,85,662,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:03:18.73,0:03:18.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(694,85,694,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:03:16.11,0:03:16.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 2,0:03:16.11,0:03:16.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 0,0:03:15.80,0:03:16.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}m
Dialogue: 0,0:03:15.80,0:03:16.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(764,85)\fad(200,0)}e
Dialogue: 0,0:03:15.80,0:03:16.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(788,85)\fad(200,0)}
Dialogue: 0,0:03:16.79,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\bord2\shad0\be0\}me
Dialogue: 0,0:03:18.73,0:03:19.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:03:18.73,0:03:19.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(764,85,764,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:03:18.73,0:03:19.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(788,85,788,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:03:16.63,0:03:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:03:16.63,0:03:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:03:15.90,0:03:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(815,85)\fad(200,0)}n
Dialogue: 0,0:03:15.90,0:03:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}o
Dialogue: 0,0:03:15.90,0:03:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(886,85)\fad(200,0)}w
Dialogue: 0,0:03:15.90,0:03:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(924,85)\fad(200,0)}?
Dialogue: 0,0:03:15.90,0:03:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(950,85)\fad(200,0)}
Dialogue: 0,0:03:17.57,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\bord2\shad0\be0\}now?
Dialogue: 0,0:03:18.73,0:03:19.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(815,85,815,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:03:18.73,0:03:19.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:03:18.73,0:03:19.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(886,85,886,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:03:18.73,0:03:19.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(924,85,924,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}?
Dialogue: 0,0:03:18.73,0:03:19.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(950,85,950,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:03:16.79,0:03:17.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 2,0:03:16.79,0:03:17.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 0,0:03:16.10,0:03:17.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(987,85)\fad(200,0)}S
Dialogue: 0,0:03:16.10,0:03:17.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1037,85)\fad(200,0)}m
Dialogue: 0,0:03:16.10,0:03:17.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\fad(200,0)}a
Dialogue: 0,0:03:16.10,0:03:17.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1100,85)\fad(200,0)}c
Dialogue: 0,0:03:16.10,0:03:17.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1129,85)\fad(200,0)}k
Dialogue: 0,0:03:16.10,0:03:17.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1156,85)\fad(200,0)}
Dialogue: 0,0:03:18.15,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1053,85)\bord2\shad0\be0\}Smack
Dialogue: 0,0:03:18.73,0:03:19.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(987,85,987,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}S
Dialogue: 0,0:03:18.73,0:03:19.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1037,85,1037,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}m
Dialogue: 0,0:03:18.73,0:03:19.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1074,85,1074,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}a
Dialogue: 0,0:03:18.73,0:03:19.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1100,85,1100,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}c
Dialogue: 0,0:03:18.73,0:03:19.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1129,85,1129,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}k
Dialogue: 0,0:03:18.73,0:03:19.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1156,85,1156,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:03:17.69,0:03:18.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 2,0:03:17.69,0:03:18.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 0,0:03:16.20,0:03:18.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}i
Dialogue: 0,0:03:16.20,0:03:18.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1196,85)\fad(200,0)}t
Dialogue: 0,0:03:16.20,0:03:18.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1217,85)\fad(200,0)}
Dialogue: 0,0:03:18.32,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1186,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:18.73,0:03:19.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}i
Dialogue: 0,0:03:18.73,0:03:19.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1196,85,1196,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:03:18.73,0:03:19.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1217,85,1217,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:03:18.15,0:03:18.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:18.15,0:03:18.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:16.30,0:03:18.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1243,85)\fad(200,0)}d
Dialogue: 0,0:03:16.30,0:03:18.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1275,85)\fad(200,0)}o
Dialogue: 0,0:03:16.30,0:03:18.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1313,85)\fad(200,0)}w
Dialogue: 0,0:03:16.30,0:03:18.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1353,85)\fad(200,0)}n
Dialogue: 0,0:03:16.30,0:03:18.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1381,85)\fad(200,0)}!
Dialogue: 0,0:03:18.73,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1309,85)\bord2\shad0\be0\}down!
Dialogue: 0,0:03:18.73,0:03:19.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1243,85,1243,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}d
Dialogue: 0,0:03:18.73,0:03:19.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1275,85,1275,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}o
Dialogue: 0,0:03:18.73,0:03:19.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1313,85,1313,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}w
Dialogue: 0,0:03:18.73,0:03:19.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1353,85,1353,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}n
Dialogue: 0,0:03:18.73,0:03:19.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1381,85,1381,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}!
Dialogue: 2,0:03:18.32,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 2,0:03:18.32,0:03:18.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 0,0:03:18.73,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:03:18.73,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:03:18.73,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:03:18.73,0:03:18.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:03:19.09,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:03:21.65,0:03:21.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:03:21.65,0:03:21.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:21.65,0:03:21.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:03:21.65,0:03:21.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:18.73,0:03:19.19,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:03:18.73,0:03:19.19,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:03:18.83,0:03:19.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:03:19.38,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:21.65,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:19.09,0:03:19.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:03:19.09,0:03:19.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:03:18.93,0:03:19.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:03:18.93,0:03:19.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:03:18.93,0:03:19.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:03:18.93,0:03:19.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:03:19.46,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:03:21.65,0:03:21.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:21.65,0:03:21.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:03:21.65,0:03:21.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:03:21.65,0:03:21.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:19.38,0:03:19.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:03:19.38,0:03:19.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:03:19.03,0:03:19.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:03:20.46,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:03:21.65,0:03:21.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:19.46,0:03:20.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:03:19.46,0:03:20.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:03:19.13,0:03:20.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(726,85)\fad(200,0)}B
Dialogue: 0,0:03:19.13,0:03:20.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(771,85)\fad(200,0)}r
Dialogue: 0,0:03:19.13,0:03:20.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:03:19.13,0:03:20.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}a
Dialogue: 0,0:03:19.13,0:03:20.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(858,85)\fad(200,0)}k
Dialogue: 0,0:03:19.13,0:03:20.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(884,85)\fad(200,0)}
Dialogue: 0,0:03:20.69,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(785,85)\bord2\shad0\be0\}Break
Dialogue: 0,0:03:21.65,0:03:21.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(726,85,726,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}B
Dialogue: 0,0:03:21.65,0:03:21.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(771,85,771,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}r
Dialogue: 0,0:03:21.65,0:03:21.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:03:21.65,0:03:21.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:03:21.65,0:03:21.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(858,85,858,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:03:21.65,0:03:21.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(884,85,884,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:03:20.46,0:03:20.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 2,0:03:20.46,0:03:20.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 0,0:03:19.23,0:03:20.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(908,85)\fad(200,0)}a
Dialogue: 0,0:03:19.23,0:03:20.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(945,85)\fad(200,0)}w
Dialogue: 0,0:03:19.23,0:03:20.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(981,85)\fad(200,0)}a
Dialogue: 0,0:03:19.23,0:03:20.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\fad(200,0)}y
Dialogue: 0,0:03:19.23,0:03:20.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1040,85)\fad(200,0)}!
Dialogue: 0,0:03:21.65,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\bord2\shad0\be0\}away!
Dialogue: 0,0:03:21.65,0:03:21.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(908,85,908,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:03:21.65,0:03:21.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(945,85,945,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:03:21.65,0:03:21.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(981,85,981,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:03:21.65,0:03:21.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1013,85,1013,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}y
Dialogue: 0,0:03:21.65,0:03:21.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1040,85,1040,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}!
Dialogue: 2,0:03:20.69,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 2,0:03:20.69,0:03:21.75,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 0,0:03:21.65,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:03:21.65,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:03:21.65,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:03:21.65,0:03:21.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:03:21.82,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:03:25.68,0:03:25.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:03:25.68,0:03:25.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:25.68,0:03:25.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:03:25.68,0:03:25.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:21.65,0:03:21.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:03:21.65,0:03:21.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:03:21.75,0:03:21.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}d
Dialogue: 0,0:03:21.75,0:03:21.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}o
Dialogue: 0,0:03:21.75,0:03:21.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}n
Dialogue: 0,0:03:21.75,0:03:21.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}'
Dialogue: 0,0:03:21.75,0:03:21.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(359,85)\fad(200,0)}t
Dialogue: 0,0:03:21.75,0:03:21.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}
Dialogue: 0,0:03:22.07,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(301,85)\bord2\shad0\be0\}don't
Dialogue: 0,0:03:25.68,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}d
Dialogue: 0,0:03:25.68,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:03:25.68,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:03:25.68,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}'
Dialogue: 0,0:03:25.68,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(359,85,359,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:25.68,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:21.82,0:03:22.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 2,0:03:21.82,0:03:22.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 0,0:03:21.85,0:03:22.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(401,85)\fad(200,0)}l
Dialogue: 0,0:03:21.85,0:03:22.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\fad(200,0)}e
Dialogue: 0,0:03:21.85,0:03:22.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(449,85)\fad(200,0)}t
Dialogue: 0,0:03:21.85,0:03:22.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(470,85)\fad(200,0)}
Dialogue: 0,0:03:22.29,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\bord2\shad0\be0\}let
Dialogue: 0,0:03:25.68,0:03:25.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(401,85,401,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:03:25.68,0:03:25.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(425,85,425,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:03:25.68,0:03:25.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(449,85,449,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:25.68,0:03:25.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(470,85,470,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:22.07,0:03:22.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:03:22.07,0:03:22.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:03:21.95,0:03:22.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}'
Dialogue: 0,0:03:21.95,0:03:22.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(511,85)\fad(200,0)}e
Dialogue: 0,0:03:21.95,0:03:22.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(548,85)\fad(200,0)}m
Dialogue: 0,0:03:21.95,0:03:22.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}
Dialogue: 0,0:03:22.41,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(526,85)\bord2\shad0\be0\}'em
Dialogue: 0,0:03:25.68,0:03:25.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}'
Dialogue: 0,0:03:25.68,0:03:25.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(511,85,511,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:25.68,0:03:25.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(548,85,548,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:03:25.68,0:03:25.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:22.29,0:03:22.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 2,0:03:22.29,0:03:22.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 0,0:03:22.05,0:03:22.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(604,85)\fad(200,0)}c
Dialogue: 0,0:03:22.05,0:03:22.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(630,85)\fad(200,0)}a
Dialogue: 0,0:03:22.05,0:03:22.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}t
Dialogue: 0,0:03:22.05,0:03:22.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}c
Dialogue: 0,0:03:22.05,0:03:22.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(705,85)\fad(200,0)}h
Dialogue: 0,0:03:22.05,0:03:22.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(730,85)\fad(200,0)}
Dialogue: 0,0:03:22.83,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(656,85)\bord2\shad0\be0\}catch
Dialogue: 0,0:03:25.68,0:03:25.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(604,85,604,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:03:25.68,0:03:25.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(630,85,630,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:03:25.68,0:03:25.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:03:25.68,0:03:25.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:03:25.68,0:03:25.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(705,85,705,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:03:25.68,0:03:25.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(730,85,730,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:03:22.41,0:03:22.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 2,0:03:22.41,0:03:22.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 0,0:03:22.15,0:03:22.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(763,85)\fad(200,0)}m
Dialogue: 0,0:03:22.15,0:03:22.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:03:22.15,0:03:22.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(824,85)\fad(200,0)}
Dialogue: 0,0:03:22.91,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(777,85)\bord2\shad0\be0\}me
Dialogue: 0,0:03:25.68,0:03:25.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(763,85,763,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:03:25.68,0:03:25.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:03:25.68,0:03:25.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(824,85,824,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:03:22.83,0:03:23.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:03:22.83,0:03:23.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:03:22.25,0:03:22.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(850,85)\fad(200,0)}s
Dialogue: 0,0:03:22.25,0:03:22.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(880,85)\fad(200,0)}a
Dialogue: 0,0:03:22.25,0:03:22.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(912,85)\fad(200,0)}y
Dialogue: 0,0:03:22.25,0:03:22.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(937,85)\fad(200,0)},
Dialogue: 0,0:03:22.25,0:03:22.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(955,85)\fad(200,0)}
Dialogue: 0,0:03:23.55,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\bord2\shad0\be0\}say,
Dialogue: 0,0:03:25.68,0:03:26.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(850,85,850,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:03:25.68,0:03:26.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(880,85,880,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:03:25.68,0:03:26.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(912,85,912,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}y
Dialogue: 0,0:03:25.68,0:03:26.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(937,85,937,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\},
Dialogue: 0,0:03:25.68,0:03:26.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(955,85,955,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:03:22.91,0:03:23.65,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 2,0:03:22.91,0:03:23.65,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(980,85)\fad(200,0)}"
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1024,85)\fad(200,0)}D
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1069,85)\fad(200,0)}o
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1102,85)\fad(200,0)}n
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1128,85)\fad(200,0)}'
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1147,85)\fad(200,0)}t
Dialogue: 0,0:03:22.45,0:03:23.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}
Dialogue: 0,0:03:23.98,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1062,85)\bord2\shad0\be0\}"Don't
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(980,85,980,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}"
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1024,85,1024,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}D
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1069,85,1069,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}o
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1102,85,1102,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}n
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1128,85,1128,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}'
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1147,85,1147,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:03:25.68,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:03:23.74,0:03:24.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 2,0:03:23.74,0:03:24.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 0,0:03:22.55,0:03:23.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1189,85)\fad(200,0)}l
Dialogue: 0,0:03:22.55,0:03:23.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\fad(200,0)}e
Dialogue: 0,0:03:22.55,0:03:23.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1238,85)\fad(200,0)}t
Dialogue: 0,0:03:22.55,0:03:23.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1258,85)\fad(200,0)}
Dialogue: 0,0:03:24.37,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\bord2\shad0\be0\}let
Dialogue: 0,0:03:25.68,0:03:26.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1189,85,1189,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}l
Dialogue: 0,0:03:25.68,0:03:26.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1213,85,1213,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}e
Dialogue: 0,0:03:25.68,0:03:26.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1238,85,1238,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:03:25.68,0:03:26.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1258,85,1258,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:03:23.98,0:03:24.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:03:23.98,0:03:24.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:03:22.65,0:03:24.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1292,85)\fad(200,0)}m
Dialogue: 0,0:03:22.65,0:03:24.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1328,85)\fad(200,0)}e
Dialogue: 0,0:03:22.65,0:03:24.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1352,85)\fad(200,0)}
Dialogue: 0,0:03:24.53,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1305,85)\bord2\shad0\be0\}me
Dialogue: 0,0:03:25.68,0:03:26.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1292,85,1292,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}m
Dialogue: 0,0:03:25.68,0:03:26.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1328,85,1328,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}e
Dialogue: 0,0:03:25.68,0:03:26.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1352,85,1352,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}
Dialogue: 2,0:03:24.37,0:03:24.63,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:03:24.37,0:03:24.63,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:03:22.75,0:03:24.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1378,85)\fad(200,0)}d
Dialogue: 0,0:03:22.75,0:03:24.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1410,85)\fad(200,0)}o
Dialogue: 0,0:03:22.75,0:03:24.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1448,85)\fad(200,0)}w
Dialogue: 0,0:03:22.75,0:03:24.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1488,85)\fad(200,0)}n
Dialogue: 0,0:03:22.75,0:03:24.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1520,85)\fad(200,0)}"
Dialogue: 0,0:03:25.68,0:03:25.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1449,85)\bord2\shad0\be0\}down"
Dialogue: 0,0:03:25.68,0:03:26.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1378,85,1378,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}d
Dialogue: 0,0:03:25.68,0:03:26.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1410,85,1410,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}o
Dialogue: 0,0:03:25.68,0:03:26.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1448,85,1448,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}w
Dialogue: 0,0:03:25.68,0:03:26.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1488,85,1488,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}n
Dialogue: 0,0:03:25.68,0:03:26.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1520,85,1520,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}"
Dialogue: 2,0:03:24.53,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 2,0:03:24.53,0:03:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 0,0:03:25.74,0:03:25.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}O
Dialogue: 0,0:03:25.74,0:03:25.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}h
Dialogue: 0,0:03:25.74,0:03:25.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(180,85)\fad(200,0)}
Dialogue: 0,0:03:26.13,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\bord2\shad0\be0\}Oh
Dialogue: 0,0:03:26.78,0:03:26.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}O
Dialogue: 0,0:03:26.78,0:03:26.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:03:26.78,0:03:26.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(180,85,180,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:25.74,0:03:26.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 2,0:03:25.74,0:03:26.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 0,0:03:25.84,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}y
Dialogue: 0,0:03:25.84,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(239,85)\fad(200,0)}e
Dialogue: 0,0:03:25.84,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}a
Dialogue: 0,0:03:25.84,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\fad(200,0)}h
Dialogue: 0,0:03:25.84,0:03:26.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}!
Dialogue: 0,0:03:26.78,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(261,85)\bord2\shad0\be0\}yeah!
Dialogue: 0,0:03:26.78,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:03:26.78,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(239,85,239,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:03:26.78,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:26.78,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(295,85,295,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:03:26.78,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}!
Dialogue: 2,0:03:26.13,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 2,0:03:26.13,0:03:26.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 0,0:03:26.78,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:03:26.78,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:03:26.78,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(201,85)\fad(200,0)}e
Dialogue: 0,0:03:26.78,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(232,85)\fad(200,0)}n
Dialogue: 0,0:03:26.78,0:03:26.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}
Dialogue: 0,0:03:26.96,0:03:28.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(164,85)\bord2\shad0\be0\}When
Dialogue: 0,0:03:28.33,0:03:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:03:28.33,0:03:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:03:28.33,0:03:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(201,85,201,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:28.33,0:03:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(232,85,232,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:28.33,0:03:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:26.78,0:03:27.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 2,0:03:26.78,0:03:27.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 0,0:03:26.88,0:03:26.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(280,85)\fad(200,0)}t
Dialogue: 0,0:03:26.88,0:03:26.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(305,85)\fad(200,0)}h
Dialogue: 0,0:03:26.88,0:03:26.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}e
Dialogue: 0,0:03:26.88,0:03:26.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(358,85)\fad(200,0)}
Dialogue: 0,0:03:27.11,0:03:28.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\bord2\shad0\be0\}the
Dialogue: 0,0:03:28.33,0:03:28.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(280,85,280,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:28.33,0:03:28.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(305,85,305,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:03:28.33,0:03:28.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:03:28.33,0:03:28.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(358,85,358,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:26.96,0:03:27.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:03:26.96,0:03:27.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}c
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}l
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(429,85)\fad(200,0)}o
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(458,85)\fad(200,0)}c
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}k
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}w
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(563,85)\fad(200,0)}o
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}r
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}k
Dialogue: 0,0:03:26.98,0:03:27.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}
Dialogue: 0,0:03:27.89,0:03:28.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}clockwork
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(429,85,429,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(458,85,458,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(563,85,563,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:03:28.33,0:03:28.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:27.11,0:03:27.99,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 2,0:03:27.11,0:03:27.99,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 0,0:03:27.08,0:03:27.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}m
Dialogue: 0,0:03:27.08,0:03:27.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(723,85)\fad(200,0)}o
Dialogue: 0,0:03:27.08,0:03:27.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(754,85)\fad(200,0)}v
Dialogue: 0,0:03:27.08,0:03:27.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(782,85)\fad(200,0)}e
Dialogue: 0,0:03:27.08,0:03:27.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(812,85)\fad(200,0)}s
Dialogue: 0,0:03:28.33,0:03:28.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(745,85)\bord2\shad0\be0\}moves
Dialogue: 0,0:03:28.33,0:03:28.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:03:28.33,0:03:28.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(723,85,723,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:03:28.33,0:03:28.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(754,85,754,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}v
Dialogue: 0,0:03:28.33,0:03:28.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(782,85,782,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:28.33,0:03:28.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(812,85,812,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 2,0:03:27.89,0:03:28.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 2,0:03:27.89,0:03:28.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 0,0:03:28.34,0:03:28.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:03:28.34,0:03:28.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:03:28.34,0:03:28.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:03:28.34,0:03:28.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:03:28.58,0:03:30.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:03:30.78,0:03:30.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:03:30.78,0:03:30.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:30.78,0:03:30.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:03:30.78,0:03:30.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:28.34,0:03:28.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:03:28.34,0:03:28.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}s
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}t
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\fad(200,0)}a
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(329,85)\fad(200,0)}r
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(354,85)\fad(200,0)}t
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(381,85)\fad(200,0)}s
Dialogue: 0,0:03:28.44,0:03:28.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:03:29.02,0:03:30.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\bord2\shad0\be0\}starts
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(300,85,300,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(329,85,329,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(354,85,354,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(381,85,381,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:30.78,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:28.58,0:03:29.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 2,0:03:28.58,0:03:29.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 0,0:03:28.54,0:03:29.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(428,85)\fad(200,0)}t
Dialogue: 0,0:03:28.54,0:03:29.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(454,85)\fad(200,0)}o
Dialogue: 0,0:03:28.54,0:03:29.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(480,85)\fad(200,0)}
Dialogue: 0,0:03:29.13,0:03:30.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}to
Dialogue: 0,0:03:30.78,0:03:30.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(428,85,428,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:30.78,0:03:30.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(454,85,454,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:30.78,0:03:30.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(480,85,480,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:29.02,0:03:29.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:03:29.02,0:03:29.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:03:28.64,0:03:29.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(506,85)\fad(200,0)}s
Dialogue: 0,0:03:28.64,0:03:29.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(537,85)\fad(200,0)}h
Dialogue: 0,0:03:28.64,0:03:29.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}i
Dialogue: 0,0:03:28.64,0:03:29.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:03:28.64,0:03:29.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(620,85)\fad(200,0)}e
Dialogue: 0,0:03:28.64,0:03:29.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(643,85)\fad(200,0)}.
Dialogue: 0,0:03:30.78,0:03:30.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(571,85)\bord2\shad0\be0\}shine.
Dialogue: 0,0:03:30.78,0:03:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(506,85,506,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:03:30.78,0:03:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(537,85,537,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:30.78,0:03:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:03:30.78,0:03:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:03:30.78,0:03:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(620,85,620,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:30.78,0:03:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(643,85,643,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:29.13,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 2,0:03:29.13,0:03:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(112,85)\fad(200,0)}(
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(161,85)\fad(200,0)}y
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(194,85)\fad(200,0)}o
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(227,85)\fad(200,0)}u
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(280,85)\fad(200,0)}g
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(312,85)\fad(200,0)}o
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}t
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(359,85)\fad(200,0)}
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}t
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(406,85)\fad(200,0)}o
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(432,85)\fad(200,0)}
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(453,85)\fad(200,0)}f
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(473,85)\fad(200,0)}i
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(501,85)\fad(200,0)}n
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(534,85)\fad(200,0)}d
Dialogue: 0,0:03:28.55,0:03:28.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(582,85)\fad(200,0)})
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(112,85,112,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}(
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(161,85,161,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}y
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(194,85,194,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(227,85,227,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}u
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(280,85,280,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}g
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(312,85,312,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(359,85,359,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(406,85,406,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(432,85,432,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(453,85,453,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}f
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(473,85,473,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(501,85,501,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(534,85,534,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:03:31.33,0:03:31.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(582,85,582,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\})
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(109,85)\fad(200,0)}F
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(185,85)\fad(200,0)}r
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(213,85)\fad(200,0)}e
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}v
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(270,85)\fad(200,0)}e
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(298,85)\fad(200,0)}r
Dialogue: 0,0:03:30.94,0:03:30.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}
Dialogue: 0,0:03:31.59,0:03:32.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\bord2\shad0\be0\}Forever
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(109,85,109,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}F
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(185,85,185,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(213,85,213,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}v
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(270,85,270,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(298,85,298,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:32.78,0:03:32.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:30.94,0:03:31.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 2,0:03:30.94,0:03:31.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 0,0:03:31.04,0:03:31.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}l
Dialogue: 0,0:03:31.04,0:03:31.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}e
Dialogue: 0,0:03:31.04,0:03:31.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(392,85)\fad(200,0)}t
Dialogue: 0,0:03:31.04,0:03:31.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:03:31.80,0:03:32.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\bord2\shad0\be0\}let
Dialogue: 0,0:03:32.78,0:03:32.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:03:32.78,0:03:32.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:03:32.78,0:03:32.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(392,85,392,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:32.78,0:03:32.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:31.59,0:03:31.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:03:31.59,0:03:31.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:03:31.14,0:03:31.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(433,85)\fad(200,0)}i
Dialogue: 0,0:03:31.14,0:03:31.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(453,85)\fad(200,0)}t
Dialogue: 0,0:03:31.14,0:03:31.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:03:31.95,0:03:32.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:32.78,0:03:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(433,85,433,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:03:32.78,0:03:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(453,85,453,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:32.78,0:03:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:31.80,0:03:32.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:31.80,0:03:32.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:31.24,0:03:31.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(500,85)\fad(200,0)}g
Dialogue: 0,0:03:31.24,0:03:31.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}o
Dialogue: 0,0:03:31.24,0:03:31.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(557,85)\fad(200,0)}.
Dialogue: 0,0:03:32.78,0:03:32.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\bord2\shad0\be0\}go.
Dialogue: 0,0:03:32.78,0:03:32.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(500,85,500,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:03:32.78,0:03:32.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:03:32.78,0:03:32.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(557,85,557,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:31.95,0:03:32.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 2,0:03:31.95,0:03:32.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 0,0:03:32.95,0:03:32.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:03:32.95,0:03:32.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:03:32.95,0:03:32.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(176,85)\fad(200,0)}r
Dialogue: 0,0:03:32.95,0:03:32.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(204,85)\fad(200,0)}r
Dialogue: 0,0:03:32.95,0:03:32.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(236,85)\fad(200,0)}y
Dialogue: 0,0:03:32.95,0:03:32.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(264,85)\fad(200,0)}
Dialogue: 0,0:03:33.42,0:03:37.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\bord2\shad0\be0\}Carry
Dialogue: 0,0:03:37.25,0:03:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:03:37.25,0:03:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:03:37.25,0:03:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(176,85,176,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:37.25,0:03:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(204,85,204,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:37.25,0:03:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(236,85,236,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}y
Dialogue: 0,0:03:37.25,0:03:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(264,85,264,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:32.95,0:03:33.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 2,0:03:32.95,0:03:33.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 0,0:03:33.05,0:03:33.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}o
Dialogue: 0,0:03:33.05,0:03:33.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}u
Dialogue: 0,0:03:33.05,0:03:33.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(350,85)\fad(200,0)}t
Dialogue: 0,0:03:33.05,0:03:33.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)},
Dialogue: 0,0:03:33.05,0:03:33.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(387,85)\fad(200,0)}
Dialogue: 0,0:03:34.41,0:03:37.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(325,85)\bord2\shad0\be0\}out,
Dialogue: 0,0:03:37.25,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:03:37.25,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:03:37.25,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(350,85,350,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:37.25,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:03:37.25,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(387,85,387,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:33.42,0:03:34.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 2,0:03:33.42,0:03:34.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 0,0:03:33.15,0:03:34.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(424,85)\fad(200,0)}S
Dialogue: 0,0:03:33.15,0:03:34.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\fad(200,0)}h
Dialogue: 0,0:03:33.15,0:03:34.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}o
Dialogue: 0,0:03:33.15,0:03:34.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(534,85)\fad(200,0)}w
Dialogue: 0,0:03:33.15,0:03:34.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(566,85)\fad(200,0)}
Dialogue: 0,0:03:34.76,0:03:37.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(476,85)\bord2\shad0\be0\}Show
Dialogue: 0,0:03:37.25,0:03:37.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(424,85,424,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}S
Dialogue: 0,0:03:37.25,0:03:37.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(465,85,465,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:03:37.25,0:03:37.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:37.25,0:03:37.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(534,85,534,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:03:37.25,0:03:37.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(566,85,566,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:34.41,0:03:34.86,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 2,0:03:34.41,0:03:34.86,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 0,0:03:33.25,0:03:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(587,85)\fad(200,0)}t
Dialogue: 0,0:03:33.25,0:03:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(612,85)\fad(200,0)}h
Dialogue: 0,0:03:33.25,0:03:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}e
Dialogue: 0,0:03:33.25,0:03:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(665,85)\fad(200,0)}
Dialogue: 0,0:03:34.90,0:03:37.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}the
Dialogue: 0,0:03:37.25,0:03:37.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(587,85,587,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:37.25,0:03:37.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(612,85,612,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:37.25,0:03:37.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:37.25,0:03:37.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(665,85,665,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:34.76,0:03:35.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:03:34.76,0:03:35.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:03:33.35,0:03:34.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(697,85)\fad(200,0)}w
Dialogue: 0,0:03:33.35,0:03:34.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}a
Dialogue: 0,0:03:33.35,0:03:34.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(765,85)\fad(200,0)}y
Dialogue: 0,0:03:33.35,0:03:34.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}!
Dialogue: 0,0:03:37.25,0:03:37.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\bord2\shad0\be0\}way!
Dialogue: 0,0:03:37.25,0:03:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(697,85,697,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:03:37.25,0:03:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:03:37.25,0:03:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(765,85,765,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:03:37.25,0:03:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}!
Dialogue: 2,0:03:34.90,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 2,0:03:34.90,0:03:37.35,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 0,0:03:37.26,0:03:37.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(111,85)\fad(200,0)}B
Dialogue: 0,0:03:37.26,0:03:37.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}l
Dialogue: 0,0:03:37.26,0:03:37.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}a
Dialogue: 0,0:03:37.26,0:03:37.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}s
Dialogue: 0,0:03:37.26,0:03:37.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}t
Dialogue: 0,0:03:37.26,0:03:37.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}
Dialogue: 0,0:03:37.71,0:03:40.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\bord2\shad0\be0\}Blast
Dialogue: 0,0:03:40.35,0:03:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(111,85,111,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}B
Dialogue: 0,0:03:40.35,0:03:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}l
Dialogue: 0,0:03:40.35,0:03:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:03:40.35,0:03:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:03:40.35,0:03:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:03:40.35,0:03:40.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:37.26,0:03:37.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 2,0:03:37.26,0:03:37.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 0,0:03:37.36,0:03:37.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(275,85)\fad(200,0)}i
Dialogue: 0,0:03:37.36,0:03:37.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\fad(200,0)}t
Dialogue: 0,0:03:37.36,0:03:37.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\fad(200,0)}
Dialogue: 0,0:03:37.87,0:03:40.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(286,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:40.35,0:03:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(275,85,275,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:03:40.35,0:03:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(296,85,296,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:40.35,0:03:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(317,85,317,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:37.71,0:03:37.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:37.71,0:03:37.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:37.46,0:03:37.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}o
Dialogue: 0,0:03:37.46,0:03:37.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}f
Dialogue: 0,0:03:37.46,0:03:37.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}f
Dialogue: 0,0:03:37.46,0:03:37.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(411,85)\fad(200,0)}
Dialogue: 0,0:03:38.29,0:03:40.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(364,85)\bord2\shad0\be0\}off
Dialogue: 0,0:03:40.35,0:03:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:40.35,0:03:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:03:40.35,0:03:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:03:40.35,0:03:40.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(411,85,411,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:37.87,0:03:38.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 2,0:03:37.87,0:03:38.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 0,0:03:37.56,0:03:38.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}r
Dialogue: 0,0:03:37.56,0:03:38.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}i
Dialogue: 0,0:03:37.56,0:03:38.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}g
Dialogue: 0,0:03:37.56,0:03:38.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(517,85)\fad(200,0)}h
Dialogue: 0,0:03:37.56,0:03:38.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(543,85)\fad(200,0)}t
Dialogue: 0,0:03:37.56,0:03:38.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}.
Dialogue: 0,0:03:40.35,0:03:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:03:40.35,0:03:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:03:40.35,0:03:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:03:40.35,0:03:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(517,85,517,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:40.35,0:03:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(543,85,543,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:40.35,0:03:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:38.29,0:03:41.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.
Dialogue: 2,0:03:38.29,0:03:41.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.