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; http://www.aegisub.org/
Title: HorribleSubs
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[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: ../09.mkv
Video File: ../09.mkv
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[V4+ Styles]
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Style: Rhythm-furigana,ArtBrush,25,&H00A8D0D7,&H000000FF,&H00000000,&H00000000,0,-1,0,0,100,100,0,0,1,1,1,7,10,10,15,1
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Style: OP Arabic-furigana,هشام الشرق طبيعي,40,&H003644B1,&H000000FF,&H00FFFFFF,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,1,1,3,30,80,25,1
Style: OP - The Other Side of the Wall-furigana,Fancy Card Text,60,&H272C37B3,&H00FFFFFF,&H00FFFFFF,&H00000000,0,0,0,0,100,100,0.6,0,1,1.5,0,7,80,80,25,1
Style: ED - A Page of My Story-furigana,Steampunk DEMO by Marta van Eck,37,&H00A8D0D7,&H000F161C,&H00244155,&HAF000000,0,0,0,0,85,100,0,0,1,1.5,0,7,45,45,38,1
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Style: Title,Hacen Liner Print-out Light,100,&H00D6D7D7,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3,0,2,10,10,10,1
Style: ED - A Page of My Story,Steampunk DEMO by Marta van Eck,74,&H00A8D0D7,&H000F161C,&H00244155,&HAF000000,0,0,0,0,85,100,0,0,1,3,0,7,45,45,38,1
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Style: ED Arabic,Hesham Free,75,&H00A8D0D7,&H000F161C,&H00244155,&H00000000,-1,-1,0,0,100,100,0,0,1,2,2,3,80,80,20,1
Style: Rhythm,ArtBrush,50,&H00A8D0D7,&H000000FF,&H00000000,&H00000000,0,-1,0,0,100,100,0,0,1,2,2,7,10,10,15,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text

Dialogue: 0,0:02:00.51,0:02:04.47,Rhythm,,0,0,0,,{\fad(100,100)}TL: Jane-Subs\NCh: yumi\NEncoding: shx\NKaraoke & TM : Zetsubou Ou
Dialogue: 0,0:02:00.51,0:02:04.47,Rhythm,,0,0,0,,{\fad(100,100)\an9}rhy-sub.blogspot.com
Dialogue: 0,0:00:16.95,0:00:17.95,Default,,0,0,0,,{\be2}ما الذي تفعلينه؟
Dialogue: 0,0:00:18.41,0:00:19.78,Default,,0,0,0,,{\be2}!لا تلمسيها بيديكِ القذرتين
Dialogue: 0,0:00:26.20,0:00:28.57,Default,,0,0,0,,{\be2}.إننا نعيش في دولة فظيعة
Dialogue: 0,0:01:46.59,0:01:49.37,OP - The Other Side of the Wall,,0,0,0,,{\fad(150,300)\blur1.95\an9\}{\fnBlackKnightFLF\fs70.5}({\fnFancy Card Text\fs108}you got to find{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:00:45.77,0:00:48.46,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اسمعني فأنا أقول
Dialogue: 0,0:00:48.49,0:00:52.29,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اعبر الجدار
Dialogue: 0,0:00:52.99,0:00:58.44,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أيمكنك الشعور بأنه ما من تغيير يحدث؟
Dialogue: 0,0:00:59.14,0:01:04.13,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}كترس متزامن بداخل ساعة
Dialogue: 0,0:01:05.17,0:01:10.41,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}من يعرف طريقة للتغيير؟
Dialogue: 0,0:01:10.41,0:01:16.79,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}تعرّف، تبصر باطنيًا، يجب أن تبقى حيًا
Dialogue: 0,0:01:17.24,0:01:22.97,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لن أخدع لأنني فتاة أميّز الأكاذيب
Dialogue: 0,0:01:22.97,0:01:25.99,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لأنني أعرفها، أعرفها كلها
Dialogue: 0,0:01:25.99,0:01:30.47,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأطير عاليًا
Dialogue: 0,0:01:30.52,0:01:33.34,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}يا له من انتظار لعبور الجدار
Dialogue: 0,0:01:33.34,0:01:36.77,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وسأطيح بأي شيء يواجهني عند الجدار
Dialogue: 0,0:01:36.77,0:01:39.69,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأعبر الجدار وأهرب
Dialogue: 0,0:01:39.69,0:01:43.72,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}"ولا تدعهم يمسكوني وقل: "لا تخذليني
Dialogue: 0,0:01:43.72,0:01:44.82,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أوه نعم
Dialogue: 0,0:01:44.82,0:01:48.82,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}عندما يعمل محرك الساعة ويبدأ في التألق
Dialogue: 0,0:01:46.59,0:01:49.37,OP Arabic,,0,0,0,,{\fad(150,300)\blur1.95\an1}{\fnBlackKnightFLF\fs70.5}({\fnهشام الشرق طبيعي\fs80}سوف تجد{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:01:48.82,0:01:50.82,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}فادفعه للأبد
Dialogue: 0,0:01:50.82,0:01:55.29,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أكمله ومن ثم حدّد طريقه
Dialogue: 0,0:01:55.29,0:01:59.12,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وأطلقه مباشرة
Dialogue: 0,0:02:00.51,0:02:04.47,Title,,0,0,0,,{\fad(500,500)\fs150\fscx68\fscy82\pos(889.333,850.666)}القضية 20
Dialogue: 0,0:02:00.47,0:02:04.47,Title,,0,0,0,,{\fad(500,500)\fs150\pos(1382.666,856.833)}النشَّالة البارعة
Dialogue: 0,0:02:00.91,0:02:04.53,Default,,0,0,0,,{\be2}.يستأجر القائد أورايلي غرفة في هذا المبنى
Dialogue: 0,0:02:04.74,0:02:10.36,Default,,0,0,0,,{\be2}.إنه يلتقي سرًا بشخص ما، وهدفنا معرفة هويته
Dialogue: 0,0:02:10.36,0:02:11.57,Default,,0,0,0,,{\be2}.عمليّة مراقبة إذن
Dialogue: 0,0:02:11.57,0:02:13.41,Default,,0,0,0,,{\be2}ألن نتعقبه؟
Dialogue: 0,0:02:13.41,0:02:16.66,Default,,0,0,0,,{\be2}.على الأغلب أن هدفنا جاسوس
Dialogue: 0,0:02:16.86,0:02:18.86,Default,,0,0,0,,{\be2}.لذا ثمة احتماليّة أن يكتشفنا
Dialogue: 0,0:02:18.86,0:02:23.16,Default,,0,0,0,,{\be2}.على أي شخص يدخل أو يخرج من المبنى المرور مقابل الحديقة
Dialogue: 0,0:02:23.16,0:02:24.28,Default,,0,0,0,,{\be2}.ستراقبين من هناك يا أنجي
Dialogue: 0,0:02:25.57,0:02:26.86,Default,,0,0,0,,{\be2}...أما بالنسبة لموقع المراقبة الآخر
Dialogue: 0,0:02:26.86,0:02:29.24,Default,,0,0,0,,{\be2}.فقد قمنا بتأجير غرفة مقابلة لغرفته
Dialogue: 0,0:02:29.36,0:02:31.78,Default,,0,0,0,,{\be2}.يمكننا رؤية ما بداخل غرفته من هناك
Dialogue: 0,0:02:31.95,0:02:33.24,Default,,0,0,0,,{\be2}...إذن من سيقوم بـ
Dialogue: 0,0:02:33.36,0:02:34.20,Default,,0,0,0,,{\be2}!أنا سأراقبه
Dialogue: 0,0:02:35.24,0:02:36.03,Default,,0,0,0,,{\be2}.لا
Dialogue: 0,0:02:36.49,0:02:37.49,Default,,0,0,0,,{\be2}لمَ لا؟
Dialogue: 0,0:02:37.70,0:02:39.66,Default,,0,0,0,,{\be2}.قد تستمر عمليّة المراقبة لعدة أيام
Dialogue: 0,0:02:39.66,0:02:43.45,Default,,0,0,0,,{\be2}.سيشك الناس لو اختفت الأميرة طوال هذه الفترة
Dialogue: 0,0:02:43.45,0:02:47.32,Default,,0,0,0,,{\be2}.يمكنكِ تقمص شخصيتي خلال ذلك الوقت إذن
Dialogue: 0,0:02:47.86,0:02:50.32,Default,,0,0,0,,{\be2}.سأكون في الحديقة أراقب
Dialogue: 0,0:02:50.32,0:02:52.95,Default,,0,0,0,,{\be2}لن تستمر مراقبتها طوال اليوم، أليس كذلك؟
Dialogue: 0,0:02:52.95,0:02:55.41,Default,,0,0,0,,{\be2}.سنتناوب في الليل
Dialogue: 0,0:02:58.99,0:03:02.28,Default,,0,0,0,,{\be2}.ظللتُ أقوم بأعمال رسميّة لأيام بلا توقف، إنه أمر خانق
Dialogue: 0,0:03:02.28,0:03:06.66,Default,,0,0,0,,{\be2}.حينما تكونين أميرة فستحتاجين للراحة أحيانًا
Dialogue: 0,0:03:07.07,0:03:09.36,Default,,0,0,0,,{\be2}.من المؤكد أنكِ تفهمين هذا يا أنجي
Dialogue: 0,0:03:13.70,0:03:16.07,Default,,0,0,0,,{\be2}.ما دمتِ ستعدينني أنكِ لن تغادري موقعكِ
Dialogue: 0,0:03:17.49,0:03:18.53,Default,,0,0,0,,{\be2}!نعم
Dialogue: 0,0:03:20.24,0:03:22.99,Default,,0,0,0,,{\be2}.وضعها بتلك الطريقة لم يكن عدلاً
Dialogue: 0,0:03:24.45,0:03:28.49,Default,,0,0,0,,{\be2}لمَ تضعف أنجي-سان أمام الأميرة باعتقادكِ؟
Dialogue: 0,0:03:28.49,0:03:29.74,Default,,0,0,0,,{\be2}.لا أعرف
Dialogue: 0,0:03:32.45,0:03:35.61,Default,,0,0,0,,{\be2}.ربما لا يمكنها رفض طلب لشخص أمام ناظريه
Dialogue: 0,0:03:35.61,0:03:38.41,Default,,0,0,0,,{\be2}!إنني أسألكِ بجديّة
Dialogue: 0,0:03:47.03,0:03:48.91,Default,,0,0,0,,{\be2}.إنها هي ثانية
Dialogue: 0,0:03:51.36,0:03:52.74,Default,,0,0,0,,{\be2}!أيتها اللعينة
Dialogue: 0,0:04:06.20,0:04:08.41,Default,,0,0,0,,{\be2}!لا تأتي من الخلف بل من الأمام
Dialogue: 0,0:04:09.91,0:04:12.24,Default,,0,0,0,,{\be2}.يمكنكِ خلق بقع عمياء من أمام أهدافكِ
Dialogue: 0,0:04:18.82,0:04:21.07,Default,,0,0,0,,{\be2}ألهذا السبب علمتها طريقة النشل؟
Dialogue: 0,0:04:21.07,0:04:23.45,Default,,0,0,0,,{\be2}.لقد علمتها طريقة للنجاة
Dialogue: 0,0:04:24.28,0:04:29.78,Default,,0,0,0,,{\be2}.إنه لأمر صعب ومحزن ألا يملك المرء ما يأكله
Dialogue: 0,0:04:31.91,0:04:35.53,Default,,0,0,0,,{\be2}ألا يعيد إليكِ تبديل الملابس هكذا الذكريات؟
Dialogue: 0,0:04:36.82,0:04:39.24,Default,,0,0,0,,{\be2}ذكريات عن مضايقة السيدة كروفورد؟
Dialogue: 0,0:04:39.36,0:04:41.74,Default,,0,0,0,,{\be2}نعم! أتذكرين كم كان ممتعًا؟
Dialogue: 0,0:04:42.41,0:04:44.20,Default,,0,0,0,,{\be2}.وعروض أزياءنا الخاصّة
Dialogue: 0,0:04:44.41,0:04:47.16,Default,,0,0,0,,{\be2}.لقد علمتني طريقة نط الحبل
Dialogue: 0,0:04:47.16,0:04:48.91,Default,,0,0,0,,{\be2}!وتعلمتُ العزف على البيانو
Dialogue: 0,0:04:49.07,0:04:50.78,Default,,0,0,0,,{\be2}.وعزفنا ثنائياتٍ معًا
Dialogue: 0,0:04:51.20,0:04:53.11,Default,,0,0,0,,{\be2}.لكنَّ عزفنا لم يتناسق قط
Dialogue: 0,0:04:54.36,0:04:58.45,Default,,0,0,0,,{\be2}.لكنه كان أكثر أمر ممتع حظيتُ به في حياتي
Dialogue: 0,0:05:00.28,0:05:03.45,Default,,0,0,0,,{\be2}.لطالما أردتُ أن أسألكِ سؤالاً
Dialogue: 0,0:05:04.70,0:05:05.70,Default,,0,0,0,,{\be2}ما هو؟
Dialogue: 0,0:05:05.99,0:05:09.16,Default,,0,0,0,,{\be2}لمَ تناديني بالأميرة؟
Dialogue: 0,0:05:09.61,0:05:11.74,Default,,0,0,0,,{\be2}.هكذا هي العادات في كوكب السحليّة السوداء
Dialogue: 0,0:05:12.91,0:05:14.53,Default,,0,0,0,,{\be2}!أجيبيني إجابة واضحة
Dialogue: 0,0:05:16.49,0:05:17.78,Default,,0,0,0,,{\be2}.لا تقلقي
Dialogue: 0,0:05:17.78,0:05:19.49,Default,,0,0,0,,{\be2}.لا أسخر منكِ بمناداتكِ ذلك
Dialogue: 0,0:05:20.03,0:05:21.74,Default,,0,0,0,,{\be2}إذن لمَ؟
Dialogue: 0,0:05:23.49,0:05:25.41,Default,,0,0,0,,{\be2}.مجرد فظاظة فحسب
Dialogue: 0,0:05:31.16,0:05:32.61,Default,,0,0,0,,{\be2}.الجو بارد
Dialogue: 0,0:05:43.70,0:05:44.74,Default,,0,0,0,,{\be2}.شكرًا لكِ
Dialogue: 0,0:05:45.36,0:05:46.45,Default,,0,0,0,,{\be2}على ماذا؟
Dialogue: 0,0:05:46.57,0:05:49.03,Default,,0,0,0,,{\be2}.لقد نجح الأمر حينما أتيتُ من الأمام
Dialogue: 0,0:05:51.03,0:05:52.41,Default,,0,0,0,,{\be2}.فكرة جيدة
Dialogue: 0,0:05:52.53,0:05:54.74,Default,,0,0,0,,{\be2}أنا جولي، ما اسمكِ؟
Dialogue: 0,0:06:00.99,0:06:02.07,Default,,0,0,0,,{\be2}.كلوي
Dialogue: 0,0:07:09.91,0:07:10.78,Default,,0,0,0,,{\be2}.كلوي
Dialogue: 0,0:07:10.99,0:07:11.99,Default,,0,0,0,,{\be2}ماذا؟
Dialogue: 0,0:07:11.99,0:07:14.82,Default,,0,0,0,,{\be2}.أخبريني المزيد عن كوكب السحليّة السوداء
Dialogue: 0,0:07:15.78,0:07:17.78,Default,,0,0,0,,{\be2}إنكِ تحبين القصص، أليس كذلك؟
Dialogue: 0,0:07:17.78,0:07:20.32,Default,,0,0,0,,{\be2}!قصصكِ ممتعة جدًا
Dialogue: 0,0:07:21.28,0:07:23.57,Default,,0,0,0,,{\be2}أتودين سماع قصة الحيتان الطائرة؟
Dialogue: 0,0:07:23.57,0:07:26.20,Default,,0,0,0,,{\be2}أم قصة الرجل الذي تحول لصندوق؟
Dialogue: 0,0:07:26.20,0:07:29.07,Default,,0,0,0,,{\be2}نظام الحكم ليس ملكيًا في كوكب السحليّة السوداء، أليس كذلك؟
Dialogue: 0,0:07:30.28,0:07:32.82,Default,,0,0,0,,{\be2}ولا يوجد فقراء مثلي؟
Dialogue: 0,0:07:32.82,0:07:34.74,Default,,0,0,0,,{\be2}!لا بد أن يكون كوكبًا رائعًا للعيش فيه إذن
Dialogue: 0,0:07:36.45,0:07:39.66,Default,,0,0,0,,{\be2}.سأخبركِ اليوم قصة الأميرة والنشَّالة إذن
Dialogue: 0,0:07:41.49,0:07:43.45,Default,,0,0,0,,{\be2}...لقد حدثت في مكان بعيد جدًا
Dialogue: 0,0:07:43.45,0:07:45.53,Default,,0,0,0,,{\be2}.أبعد من العالم الجديد
Dialogue: 0,0:07:46.07,0:07:47.99,Default,,0,0,0,,{\be2}.في كوكب السحليّة السوداء
Dialogue: 0,0:07:49.36,0:07:53.07,Default,,0,0,0,,{\be2}.كانت تعيش هناك أميرة صغيرة
Dialogue: 0,0:07:58.95,0:08:00.49,Default,,0,0,0,,{\be2}!شارلوت-ساما
Dialogue: 0,0:08:00.99,0:08:02.82,Default,,0,0,0,,{\be2}!لا فائدة من الهرب منّا
Dialogue: 0,0:08:02.99,0:08:04.61,Default,,0,0,0,,{\be2}!أظهري نفسكِ رجاء
Dialogue: 0,0:08:06.16,0:08:13.61,Default,,0,0,0,,{\be2}السلوك والآداب، اللغة والموسيقى\N.ركوب الخيل، الرقص، التاريخ، الفن والأدب
Dialogue: 0,0:08:13.74,0:08:15.45,Default,,0,0,0,,{\be2}.درستهم كلهم
Dialogue: 0,0:08:15.53,0:08:19.61,Default,,0,0,0,,{\be2}.نضجت الأميرة مستحقرة حياتها في القصر
Dialogue: 0,0:08:21.99,0:08:23.28,Default,,0,0,0,,{\be2}!العالم الخارجيّ
Dialogue: 0,0:08:37.45,0:08:41.70,Default,,0,0,0,,{\be2}.نظرت الفتاة في الجانب الآخر من الجدار عبر الفتحة كما فعلت الأميرة
Dialogue: 0,0:08:49.45,0:08:54.66,Default,,0,0,0,,{\be2}.بدأت الفتاة بعبور الجدار كل يوم لزيارة الأميرة
Dialogue: 0,0:09:01.78,0:09:03.36,Default,,0,0,0,,{\be2}.أيتها الأميرة
Dialogue: 0,0:09:03.53,0:09:05.70,Default,,0,0,0,,{\be2}!فلنصبح صديقتين
Dialogue: 0,0:09:07.91,0:09:10.11,Default,,0,0,0,,{\be2}.إنني فتاة مملة نوعًا ما
Dialogue: 0,0:09:10.11,0:09:13.20,Default,,0,0,0,,{\be2}.لا أعتقد أنكِ ستستمتعين بصداقتي
Dialogue: 0,0:09:14.03,0:09:16.16,Default,,0,0,0,,{\be2}!لا، بل سأستمتع
Dialogue: 0,0:09:18.07,0:09:19.03,Default,,0,0,0,,{\be2}لمَ؟
Dialogue: 0,0:09:19.49,0:09:22.03,Default,,0,0,0,,{\be2}.لأننا متناقضتين
Dialogue: 0,0:09:27.91,0:09:29.78,Default,,0,0,0,,{\be2}...لعبن وضحكن
Dialogue: 0,0:09:29.91,0:09:32.32,Default,,0,0,0,,{\be2}.بدّلن هويات بعضهن، ونفذن الدعابات بطريقة عمليّة
Dialogue: 0,0:09:35.57,0:09:40.49,Default,,0,0,0,,{\be2}.لقد كانت أول صديقة للأميرة
Dialogue: 0,0:09:41.49,0:09:47.07,Default,,0,0,0,,{\be2}.ذات يوم، سألت الأميرة الفتاة إن كانت تود أن تحل محلها
Dialogue: 0,0:09:47.66,0:09:49.99,Default,,0,0,0,,{\be2}.لقد أرادت أن ترى كيف تبدو الحياة خارج القصر
Dialogue: 0,0:09:51.66,0:09:55.28,Default,,0,0,0,,{\be2}.بدأ قلبها بالخفقان بشدة استعدادًا لرؤية عالم جديد
Dialogue: 0,0:09:55.49,0:09:57.99,Default,,0,0,0,,{\be2}.لا أحد سيلاحظها
Dialogue: 0,0:09:58.11,0:10:00.24,Default,,0,0,0,,{\be2}.لا أحد سيسألها أي شيء
Dialogue: 0,0:10:00.36,0:10:03.66,Default,,0,0,0,,{\be2}.هذا ما أرادته الأميرة بالضبط
Dialogue: 0,0:10:24.53,0:10:25.57,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:10:25.95,0:10:27.45,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:10:29.41,0:10:31.70,Default,,0,0,0,,{\be2}أيتها الشقيّة، لمَ لم تنهي عملكِ؟
Dialogue: 0,0:10:31.70,0:10:32.66,Default,,0,0,0,,{\be2}عملي؟
Dialogue: 0,0:10:32.91,0:10:34.41,Default,,0,0,0,,{\be2}!لا تتغافلي
Dialogue: 0,0:10:35.91,0:10:37.86,Default,,0,0,0,,{\be2}!إنكِ تتهربين من العمل ثانية
Dialogue: 0,0:10:38.11,0:10:40.20,Default,,0,0,0,,{\be2}!لن تتناولي العشاء اليوم
Dialogue: 0,0:10:40.32,0:10:44.07,Default,,0,0,0,,{\be2}!أنهي عملكِ بالغد إن أردتِ ملء معدتكِ
Dialogue: 0,0:10:47.49,0:10:50.11,Default,,0,0,0,,{\be2}!انظروا! لقد حصلت الأميرة على أعلى درجة ثانية
Dialogue: 0,0:10:50.24,0:10:51.24,Default,,0,0,0,,{\be2}!كما هو متوقع منها
Dialogue: 0,0:10:51.24,0:10:53.32,Default,,0,0,0,,{\be2}!ركوب الخيل والرقص والعزف على البيانو أيضًا
Dialogue: 0,0:10:53.32,0:10:55.03,Default,,0,0,0,,{\be2}!ليتني أستطيع أن أكون مثلها
Dialogue: 0,0:11:05.16,0:11:07.24,Default,,0,0,0,,{\be2}.شكرًا لكِ على الانتظار
Dialogue: 0,0:11:07.82,0:11:10.36,Default,,0,0,0,,{\be2}.سأفقد مهارتي إن لم أتدرب كل يوم
Dialogue: 0,0:11:10.36,0:11:13.53,Default,,0,0,0,,{\be2}.العزف على البيانو والرقص واللغة والتاريخ
Dialogue: 0,0:11:14.11,0:11:15.78,Default,,0,0,0,,{\be2}.إنكِ مجتهدة
Dialogue: 0,0:11:15.91,0:11:17.45,Default,,0,0,0,,{\be2}.تستحقين مني كل الاحترام
Dialogue: 0,0:11:19.57,0:11:20.86,Default,,0,0,0,,{\be2}.إنكِ مجتهدة أيضًا يا تشيس-سان
Dialogue: 0,0:11:21.07,0:11:23.49,Default,,0,0,0,,{\be2}.إنني أواصل فعل ما أفعله لأني أستمتع به
Dialogue: 0,0:11:23.49,0:11:26.16,Default,,0,0,0,,{\be2}.لكن لا يبدو أن الأمر سيان بالنسبة لكِ
Dialogue: 0,0:11:27.36,0:11:29.61,Default,,0,0,0,,{\be2}هل أبدو متمللة؟
Dialogue: 0,0:11:29.74,0:11:31.28,Default,,0,0,0,,{\be2}.مظهركِ يوحي أنكِ تعاقبين نفسكِ
Dialogue: 0,0:11:31.41,0:11:33.07,Default,,0,0,0,,{\be2}.لاحظتِ ذلك إذن
Dialogue: 0,0:11:33.66,0:11:36.07,Default,,0,0,0,,{\be2}.عليّ التدرب بجد
Dialogue: 0,0:11:39.07,0:11:41.28,Default,,0,0,0,,{\be2}.لأنني خاوية
Dialogue: 0,0:11:42.86,0:11:46.78,Default,,0,0,0,,{\be2}.لهذا عليّ بناء مظهر خارجيٍّ سميك
Dialogue: 0,0:11:53.24,0:11:53.82,Default,,0,0,0,,{\be2}.ها هي
Dialogue: 0,0:12:00.24,0:12:01.99,Default,,0,0,0,,{\be2}.إنها إشارة أنجي
Dialogue: 0,0:12:02.16,0:12:03.28,Default,,0,0,0,,{\be2}.حاضر
Dialogue: 0,0:12:05.78,0:12:07.99,Default,,0,0,0,,{\be2}.لا أستطيع تمييز وجهها مع ذلك الغطاء
Dialogue: 0,0:12:11.11,0:12:12.95,Default,,0,0,0,,{\be2}!لا فائدة يا دوروثي-سان
Dialogue: 0,0:12:12.95,0:12:16.16,Default,,0,0,0,,{\be2}!إنها لن تخلع غطاءها ولا أستطيع قراءة شفتيها
Dialogue: 0,0:12:16.28,0:12:19.45,Default,,0,0,0,,{\be2}قد يكون أمرًا خطيرًا، لكن أعتقد أن علينا\N.مراقبتها حتى نكتشف هويتها
Dialogue: 0,0:12:35.16,0:12:36.70,Default,,0,0,0,,{\be2}.اخترتِ الشخص الخطأ لنشله
Dialogue: 0,0:12:42.45,0:12:45.61,Default,,0,0,0,,{\be2}.لديها قوة كبيرة بالنسبة لسيدة متأنقة
Dialogue: 0,0:12:49.74,0:12:52.20,Default,,0,0,0,,{\be2}.كان يلتقي القائد أورايلي بغازيل
Dialogue: 0,0:12:52.36,0:12:54.28,Default,,0,0,0,,{\be2}.إحدى جواسيس الدوق نورماندي
Dialogue: 0,0:12:54.28,0:12:56.49,Default,,0,0,0,,{\be2}هل تعرفين أشكالهم كلهم؟
Dialogue: 0,0:12:56.66,0:12:58.49,Default,,0,0,0,,{\be2}.هذا أمر عادي في كوكب السحليّة السوداء
Dialogue: 0,0:13:01.61,0:13:02.82,Default,,0,0,0,,{\be2}أين أنتِ ذاهبة يا أنجي-سان؟
Dialogue: 0,0:13:03.03,0:13:04.70,Default,,0,0,0,,{\be2}.لتدمير الأدلة
Dialogue: 0,0:13:07.78,0:13:11.20,Default,,0,0,0,,{\be2}!اسمعي، إنني لا أفعل هذا لأنني أريد فعله
Dialogue: 0,0:13:11.32,0:13:12.95,Default,,0,0,0,,{\be2}!تحتاجين للانضباط
Dialogue: 0,0:13:13.24,0:13:16.78,Default,,0,0,0,,{\be2}!ضعي في عين الاعتبار أن عليكِ العمل بجد أكبر
Dialogue: 0,0:13:18.82,0:13:20.03,Default,,0,0,0,,{\be2}بماذا تردين؟
Dialogue: 0,0:13:21.24,0:13:22.70,Default,,0,0,0,,{\be2}!شكرًا جزيلاً لك
Dialogue: 0,0:13:22.70,0:13:26.82,Default,,0,0,0,,{\be2}.إنني سعيدة لعملي تحت إمرة سيد طيب مثلك
Dialogue: 0,0:13:27.20,0:13:28.41,Default,,0,0,0,,{\be2}.حسنٌ
Dialogue: 0,0:13:28.41,0:13:30.41,Default,,0,0,0,,{\be2}.لا تنسي أن تستشعري ذلك أيضًا
Dialogue: 0,0:13:32.41,0:13:34.32,Default,,0,0,0,,{\be2}!من أنتِ؟
Dialogue: 0,0:13:35.07,0:13:36.91,Default,,0,0,0,,{\be2}!كيف دخلتِ؟
Dialogue: 0,0:13:37.07,0:13:39.45,Default,,0,0,0,,{\be2}.مجرّد عابرة سبيل من كوكب السحليّة السوداء
Dialogue: 0,0:13:39.45,0:13:40.82,Default,,0,0,0,,{\be2}.إنني أقاتل من أجل العدالة
Dialogue: 0,0:13:40.91,0:13:43.86,Default,,0,0,0,,{\be2}!ما الذي تخالين نفسكِ باقتحامكِ لمنازل الآخرين؟
Dialogue: 0,0:13:43.86,0:13:46.32,Default,,0,0,0,,{\be2}!إنني أطعم هؤلاء الأطفال
Dialogue: 0,0:13:46.45,0:13:47.91,Default,,0,0,0,,{\be2}تطعمهم؟
Dialogue: 0,0:13:48.03,0:13:50.82,Default,,0,0,0,,{\be2}.أعتقد أنهم هم من يطعمونك
Dialogue: 0,0:13:50.95,0:13:52.28,Default,,0,0,0,,{\be2}!لا تعبثي معي
Dialogue: 0,0:13:57.57,0:13:58.24,Default,,0,0,0,,{\be2}.مذهل
Dialogue: 0,0:13:58.24,0:13:59.32,Default,,0,0,0,,{\be2}بيد واحدة؟
Dialogue: 0,0:13:59.32,0:14:01.66,Default,,0,0,0,,{\be2}!أنزليني! أنزليني
Dialogue: 0,0:14:02.03,0:14:02.91,Default,,0,0,0,,{\be2}.كما تريد
Dialogue: 0,0:14:05.70,0:14:07.70,Default,,0,0,0,,{\be2}.هذا ما طلبته
Dialogue: 0,0:14:07.70,0:14:09.24,Default,,0,0,0,,{\be2}...أيتها
Dialogue: 0,0:14:19.11,0:14:20.03,Default,,0,0,0,,{\be2}!لقد كان أمرًا مذهلاً
Dialogue: 0,0:14:20.03,0:14:21.66,Default,,0,0,0,,{\be2}!إنكِ قويّة جدًا
Dialogue: 0,0:14:21.66,0:14:22.95,Default,,0,0,0,,{\be2}كيف فعلتِ هذا؟
Dialogue: 0,0:14:23.20,0:14:24.03,Default,,0,0,0,,{\be2}...لكن
Dialogue: 0,0:14:24.61,0:14:26.53,Default,,0,0,0,,{\be2}.سيعود للانتقام
Dialogue: 0,0:14:27.82,0:14:31.49,Default,,0,0,0,,{\be2}حينما يكون السيد في مزاج سيئ\N.فإنه ينفّس عن غضبه فينا
Dialogue: 0,0:14:31.78,0:14:33.16,Default,,0,0,0,,{\be2}...لذا أنا واثقة أنه
Dialogue: 0,0:14:33.86,0:14:35.32,Default,,0,0,0,,{\be2}.خطاب تقديم
Dialogue: 0,0:14:35.49,0:14:37.86,Default,,0,0,0,,{\be2}.ثمة دار أيتام في ستانفورد هيل
Dialogue: 0,0:14:37.86,0:14:39.36,Default,,0,0,0,,{\be2}.اذهبي هناك واطلبي المساعدة
Dialogue: 0,0:14:42.41,0:14:45.36,Default,,0,0,0,,{\be2}لمَ تفعلين كل هذا من أجلي؟
Dialogue: 0,0:14:45.57,0:14:49.91,Default,,0,0,0,,{\be2}لقد تتبعتي السيدة ذات الغطاء الأسود كما طلبتُ منكِ، أليس كذلك؟
Dialogue: 0,0:14:51.07,0:14:53.03,Default,,0,0,0,,{\be2}.لكنني فشلت
Dialogue: 0,0:14:53.16,0:14:55.53,Default,,0,0,0,,{\be2}.لا، لقد منحتني ما كنتُ بحاجته
Dialogue: 0,0:14:57.41,0:14:58.32,Default,,0,0,0,,{\be2}!انتظري
Dialogue: 0,0:14:59.45,0:15:02.32,Default,,0,0,0,,{\be2}...أنا
Dialogue: 0,0:15:03.41,0:15:06.95,Default,,0,0,0,,{\be2}في تلك القصة، ماذا حدث للنشَّالة؟
Dialogue: 0,0:15:10.82,0:15:13.99,Default,,0,0,0,,{\be2}.حدثت الثورة في اليوم نفسه الذي بدّلن فيه هويات بعضهن البعض
Dialogue: 0,0:15:16.99,0:15:18.45,Default,,0,0,0,,{\be2}!فليسقط النظام الملكيّ
Dialogue: 0,0:15:19.36,0:15:20.86,Default,,0,0,0,,{\be2}!فليسقط النظام الملكيّ
Dialogue: 0,0:15:20.99,0:15:23.24,Default,,0,0,0,,{\be2}!سحقًا لكم ولحياتكم المترفة
Dialogue: 0,0:15:23.24,0:15:25.07,Default,,0,0,0,,{\be2}!فلتتخلوا عن السلطة
Dialogue: 0,0:15:25.24,0:15:28.28,Default,,0,0,0,,{\be2}.ركضت الأميرة بأقصى سرعتها
Dialogue: 0,0:15:28.45,0:15:30.36,Default,,0,0,0,,{\be2}!أنجي! أرجو أن تكوني بأمان
Dialogue: 0,0:15:30.36,0:15:31.49,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:15:39.45,0:15:40.95,Default,,0,0,0,,{\be2}!شارلوت
Dialogue: 0,0:15:40.95,0:15:41.91,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:15:42.91,0:15:44.41,Default,,0,0,0,,{\be2}!سعيدة أنكِ لم تتأذي
Dialogue: 0,0:15:44.41,0:15:45.53,Default,,0,0,0,,{\be2}!وكذلك أنتِ
Dialogue: 0,0:15:45.53,0:15:46.28,Default,,0,0,0,,{\be2}!أطلقوا
Dialogue: 0,0:15:48.24,0:15:49.66,Default,,0,0,0,,{\be2}!فلنهرب من هنا
Dialogue: 0,0:15:56.66,0:15:57.53,Default,,0,0,0,,{\be2}.أنجي
Dialogue: 0,0:15:57.53,0:16:00.16,Default,,0,0,0,,{\be2}.سوف أصبح الملكة
Dialogue: 0,0:16:00.36,0:16:01.49,Default,,0,0,0,,{\be2}ماذا؟
Dialogue: 0,0:16:01.82,0:16:05.66,Default,,0,0,0,,{\be2}.تعلمتُ شيئًا حينما بدلتُ هويتي معكِ
Dialogue: 0,0:16:05.78,0:16:09.57,Default,,0,0,0,,{\be2}.ثمة عدة أنواع للجدران تبقي الجميع متفرقين
Dialogue: 0,0:16:09.99,0:16:12.03,Default,,0,0,0,,{\be2}،سوف أصبح الملكة
Dialogue: 0,0:16:12.31,0:16:14.28,Default,,0,0,0,,{\be2}.وأزيل هذه الجدران
Dialogue: 0,0:16:14.86,0:16:16.34,Default,,0,0,0,,{\be2}...وعندها يا أنجي
Dialogue: 0,0:16:16.57,0:16:19.57,Default,,0,0,0,,{\be2}!يمكننا أن نصبح معًا للأبد
Dialogue: 0,0:16:20.53,0:16:22.16,Default,,0,0,0,,{\be2}.يا له من حلم جميل
Dialogue: 0,0:16:22.41,0:16:23.70,Default,,0,0,0,,{\be2}!إنه ليس حلمًا
Dialogue: 0,0:16:23.70,0:16:25.95,Default,,0,0,0,,{\be2}.سأحققه
Dialogue: 0,0:16:25.95,0:16:27.32,Default,,0,0,0,,{\be2}.أعدكِ
Dialogue: 0,0:16:27.99,0:16:28.61,Default,,0,0,0,,{\be2}...لذا
Dialogue: 0,0:16:32.20,0:16:33.41,Default,,0,0,0,,{\be2}!شارلوت
Dialogue: 0,0:16:48.24,0:16:49.49,Default,,0,0,0,,{\be2}...شارلوت
Dialogue: 0,0:16:50.41,0:16:51.32,Default,,0,0,0,,{\be2}!أيتها الأميرة
Dialogue: 0,0:16:51.91,0:16:53.86,Default,,0,0,0,,{\be2}أأنتِ بخير أيتها الأميرة؟
Dialogue: 0,0:16:53.86,0:16:57.07,Default,,0,0,0,,{\be2}!انتظروا، أنا لستُ هي... أنا لستُ الأميرة
Dialogue: 0,0:16:57.78,0:17:00.07,Default,,0,0,0,,{\be2}لقد شعرتِ بالخوف، أليس كذلك؟
Dialogue: 0,0:17:00.45,0:17:03.28,Default,,0,0,0,,{\be2}.لا داعي لإخفاء هويتكِ عنّا
Dialogue: 0,0:17:03.45,0:17:05.49,Default,,0,0,0,,{\be2}.أعدكِ أننا سنبقيكِ بأمان
Dialogue: 0,0:17:05.78,0:17:07.91,Default,,0,0,0,,{\be2}!انتظر! استمع لي
Dialogue: 0,0:17:07.91,0:17:09.74,Default,,0,0,0,,{\be2}!الأميرة الحقيقيّة سقطت هناك
Dialogue: 0,0:17:10.36,0:17:13.70,Default,,0,0,0,,{\be2}!شارلوت! شارلوت
Dialogue: 0,0:17:14.53,0:17:18.91,Default,,0,0,0,,{\be2}.ومن ذلك اليوم، لم يستطيعا كلتيهما العودة لهويتيهما الحقيقيّة
Dialogue: 0,0:17:24.74,0:17:26.78,Default,,0,0,0,,{\be2}.الأميرة المسكينة
Dialogue: 0,0:17:26.99,0:17:30.74,Default,,0,0,0,,{\be2}.لا، الفتاة التي عليكِ الشعور بالأسى عليها هي النشَّالة
Dialogue: 0,0:17:31.53,0:17:32.70,Default,,0,0,0,,{\be2}لمَ؟
Dialogue: 0,0:17:32.95,0:17:35.03,Default,,0,0,0,,{\be2}!لقد أصبحت الأميرة
Dialogue: 0,0:17:35.16,0:17:39.11,Default,,0,0,0,,{\be2}.قامت الأميرة والنشَّالة بالتبديل أثناء فوضى الثورة
Dialogue: 0,0:17:39.28,0:17:42.57,Default,,0,0,0,,{\be2}ماذا سيحدث باعتقادكِ لو اكتشفت العائلة الحاكمة الأمر؟
Dialogue: 0,0:17:42.91,0:17:46.24,Default,,0,0,0,,{\be2}!علينا استدعاء الجيش وسحق هؤلاء المتمردين فورًا
Dialogue: 0,0:17:46.45,0:17:49.07,Default,,0,0,0,,{\be2}!سمعتُ أن الجيش قد خاننا
Dialogue: 0,0:17:49.07,0:17:52.36,Default,,0,0,0,,{\be2}.لهذا السبب كنتُ معارضًا للسماح للعامّة بالانضمام للجيش
Dialogue: 0,0:17:52.86,0:17:59.36,Default,,0,0,0,,{\be2}كانت محاطة بمجموعة بالغين متوحشين\N.وأُجبرت على المناضلة من أجل نفسها
Dialogue: 0,0:18:00.24,0:18:02.70,Default,,0,0,0,,{\be2}.إن لم تؤدي دور الأميرة باتقان فسيقتلونها
Dialogue: 0,0:18:02.82,0:18:06.61,Default,,0,0,0,,{\be2}سخّرت كل جهدها ووقتها للعمل بجد\N.تحت وطأة ضغط شديد
Dialogue: 0,0:18:07.41,0:18:14.91,Default,,0,0,0,,{\be2}السلوك والآداب، اللغة والموسيقى\N.ركوب الخيل، الرقص، التاريخ، الفن والأدب
Dialogue: 0,0:18:14.99,0:18:16.99,Default,,0,0,0,,{\be2}.كان أمامها الكثير لتتعلمه
Dialogue: 0,0:18:25.53,0:18:28.95,Default,,0,0,0,,{\be2}.أصغر خطأ قد ترتكبه كان سيقودها لحبل المشنقة
Dialogue: 0,0:18:28.95,0:18:32.20,Default,,0,0,0,,{\be2}وتحت وطأة ذلك النوع من الضغط\N.نجحت في تخطي الأمر بلا أدنى خطأ
Dialogue: 0,0:18:38.74,0:18:43.36,Default,,0,0,0,,{\be2}.الفتاة التي لم تكن تقرأ أو تكتب أتقنت تسع لغات
Dialogue: 0,0:18:44.03,0:18:50.16,Default,,0,0,0,,{\be2}لم ترَ في حياتها نوتاتٌ موسيقيّة، لكنها أصبحت معروفة\N.الآن بأنها أفضل عازفي المملكة للبيانو
Dialogue: 0,0:18:58.53,0:19:02.20,Default,,0,0,0,,{\be2}.كل ذلك كان نتاج مثابرتها الموجعة
Dialogue: 0,0:19:33.41,0:19:36.11,Default,,0,0,0,,{\be2}.يا له من أداء رائع أيتها الأميرة
Dialogue: 0,0:19:36.86,0:19:39.32,Default,,0,0,0,,{\be2}.شكرًا لك أيها القائد أورايلي
Dialogue: 0,0:19:40.78,0:19:43.45,Default,,0,0,0,,{\be2}بالمناسبة، كيف حال المفتشة فلينت؟
Dialogue: 0,0:19:44.78,0:19:49.16,Default,,0,0,0,,{\be2}.المرأة التي تلتقيها في غرفتك بجانب الحديقة
Dialogue: 0,0:19:55.20,0:20:01.45,Default,,0,0,0,,{\be2}،المفتشة فلينت تعمل لصالح الدوق نورماندي\N.كلامها عن الانشقاق مجرّد فخ
Dialogue: 0,0:20:04.16,0:20:07.74,Default,,0,0,0,,{\be2}أتقولين أن عليّ تسليم نفسي أيتها الأميرة؟
Dialogue: 0,0:20:07.86,0:20:09.16,Default,,0,0,0,,{\be2}.لا
Dialogue: 0,0:20:09.49,0:20:11.57,Default,,0,0,0,,{\be2}.لستَ مضطرًا لأن تعول عليهم
Dialogue: 0,0:20:11.57,0:20:15.74,Default,,0,0,0,,{\be2}إن أردت، يمكنني إسداؤك معروفًا\N.وأهرّبك عبر الجدار
Dialogue: 0,0:20:17.57,0:20:20.45,Default,,0,0,0,,{\be2}من أنتِ أيتها الأميرة؟
Dialogue: 0,0:20:25.16,0:20:26.86,Default,,0,0,0,,{\be2}.مجرّد جاسوسة
Dialogue: 0,0:20:46.70,0:20:49.07,Default,,0,0,0,,{\be2}.ما زال جميلاً مهما استمعتُ إليه
Dialogue: 0,0:20:50.03,0:20:52.78,Default,,0,0,0,,{\be2}.لقد علمتني طريقة العزف يا شارلوت
Dialogue: 0,0:20:53.20,0:20:55.49,Default,,0,0,0,,{\be2}.لقد فقتني مهارة منذ زمن طويل
Dialogue: 0,0:20:55.74,0:20:57.70,Default,,0,0,0,,{\be2}.كنتُ فاقدة للأمل وحسب
Dialogue: 0,0:20:57.70,0:21:00.45,Default,,0,0,0,,{\be2}.كنتُ جاهلة غير مثقفة ولا أفقه أي شيء
Dialogue: 0,0:21:00.86,0:21:02.99,Default,,0,0,0,,{\be2}.لقد كنتُ خاوية
Dialogue: 0,0:21:03.11,0:21:04.28,Default,,0,0,0,,{\be2}.إنكِ مخطئة
Dialogue: 0,0:21:05.86,0:21:10.86,Default,,0,0,0,,{\be2}.حينما وجدتكِ أخيرًا قلتُ لكِ أن علينا الهرب معًا
Dialogue: 0,0:21:11.11,0:21:12.20,Default,,0,0,0,,{\be2}...لكن
Dialogue: 0,0:21:15.49,0:21:18.57,Default,,0,0,0,,{\be2}.قلتِ أنكِ ستغيرين الدولة
Dialogue: 0,0:21:19.16,0:21:21.74,Default,,0,0,0,,{\be2}.كما تمنيتُ أن أفعل ذات مرة
Dialogue: 0,0:21:23.45,0:21:26.99,Default,,0,0,0,,{\be2}.إنكِ أميرة حقيقيّة الآن
Dialogue: 0,0:21:31.49,0:21:33.07,Default,,0,0,0,,{\be2}.شكرًا لكِ
Dialogue: 0,0:21:33.49,0:21:36.53,Default,,0,0,0,,{\be2}.صدور هذا الكلام منكِ يغمرني بالسعادة
Dialogue: 0,0:21:37.20,0:21:39.07,Default,,0,0,0,,{\be2}.إنني آسفة أيضًا
Dialogue: 0,0:21:39.86,0:21:41.66,Default,,0,0,0,,{\be2}.لإجباركِ على تأدية دور الأميرة
Dialogue: 0,0:21:45.74,0:21:48.61,Default,,0,0,0,,{\be2}!لقد مضى زمن طويل... فلنعزف معًا
Dialogue: 0,0:21:50.20,0:21:51.61,Default,,0,0,0,,{\be2}.إنني لستُ بارعة كفاية
Dialogue: 0,0:21:52.11,0:21:55.36,Default,,0,0,0,,{\be2}.لقد كنتُ مبتدئة حينما عزفتِ معي للمرة الأولى
Dialogue: 0,0:21:55.78,0:21:57.86,Default,,0,0,0,,{\be2}أتذكرين ما قلتِه آنذاك؟
Dialogue: 0,0:22:00.74,0:22:04.36,Default,,0,0,0,,{\be2}".لم أستمتع بعزف البيانو من قبل قط"
Dialogue: 0,0:22:04.36,0:22:05.36,Default,,0,0,0,,{\be2}!صحيح
Dialogue: 0,0:22:40.94,0:22:44.12,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\frz1)}If {\k33}days {\k31}were {\k60}not {\k15}the {\k137}same
Dialogue: 0,0:22:44.61,0:22:47.15,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k31}don't {\k61}know {\k38}what {\k22}I'd {\k56}do.
Dialogue: 0,0:22:47.69,0:22:50.75,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I{\k28}ma{\k14}gi{\k21}ne {\k29}me {\k62}laugh{\k31}ing {\k27}and {\k35}now
Dialogue: 0,0:22:50.91,0:22:53.56,ED - A Page of My Story,,0,0,0,,{\k45}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}see {\k29}me {\k31}walk {\k31}in {\k9}the {\k124}street,
Dialogue: 0,0:22:54.09,0:22:57.16,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}then {\k39}catch {\k28}a {\k59}red {\k32}dou{\k30}ble {\k59}bus,
Dialogue: 0,0:22:57.47,0:23:00.07,ED - A Page of My Story,,0,0,0,,{\k23}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k39}hea{\k31}ven {\k16}would {\k76}find {\k70}me.
Dialogue: 0,0:23:00.82,0:23:04.52,ED - A Page of My Story,,0,0,0,,{\k62}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I'd {\k39}go {\k31}on {\k14}a {\k102}float {\k28}{\k34}eased {\k60}up.
Dialogue: 0,0:23:04.52,0:23:07.04,ED - A Page of My Story,,0,0,0,,{\k14}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I {\k79}smile {\k24}a {\k83}dream.
Dialogue: 0,0:23:09.10,0:23:13.09,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Now {\k29}you {\k62}know, {\k32}there {\k31}is {\k18}a {\k71}scene {\k33}that {\k93}I...
Dialogue: 0,0:23:14.01,0:23:16.46,ED - A Page of My Story,,0,0,0,,{\k31}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k29}re{\k74}peat {\k19}in {\k14}my {\k72}soul
Dialogue: 0,0:23:17.07,0:23:20.03,ED - A Page of My Story,,0,0,0,,{\k15}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}while {\k46}si{\k59}ppin' {\k61}black {\k34}tea {\k31}and {\k47}now,
Dialogue: 0,0:23:20.41,0:23:22.88,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}gen{\k35}tly {\k29}tou{\k34}ching {\k23}a {\k124}tree,
Dialogue: 0,0:23:23.44,0:23:26.56,ED - A Page of My Story,,0,0,0,,{\k36}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}cal{\k22}ming {\k40}hi-{\k61}beam {\k29}from {\k16}the {\k137}sky
Dialogue: 0,0:23:26.87,0:23:29.62,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}can {\k34}free {\k30}me, {\k26}I {\k66}feel {\k141}like
Dialogue: 0,0:23:30.22,0:23:32.68,ED - A Page of My Story,,0,0,0,,{\k61}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k33}get{\k17}ting {\k44}so {\k118}close
Dialogue: 0,0:23:32.97,0:23:36.70,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}to {\k61}laugh{\k16}ing {\k77}sweet {\k30}with {\k30}e{\k31}very{\k118}thing.
Dialogue: 0,0:23:36.95,0:23:39.96,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Go{\k31}ing {\k36}out {\k11}on {\k75}Sun{\k61}day {\k32}mor{\k24}ning,
Dialogue: 0,0:23:39.96,0:23:42.48,ED - A Page of My Story,,0,0,0,,{\k38}the {\k89}light {\k32}has {\k41}come,
Dialogue: 0,0:23:39.86,0:23:44.54,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, morning the light’s on me…)
Dialogue: 0,0:23:42.78,0:23:45.85,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k24}look{\k37}ing {\k28}up {\k223}high,
Dialogue: 0,0:23:44.54,0:23:50.02,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(Looking around, you’ll see all around)
Dialogue: 0,0:23:47.93,0:23:52.28,ED - A Page of My Story,,0,0,0,,{\k67}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Va{\k62}nish {\k32}wo{\k29}rries {\k31}the {\k92}light {\k30}has {\k122}come.
Dialogue: 0,0:23:50.02,0:23:55.22,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, shining the light on me…)
Dialogue: 0,0:23:52.59,0:23:57.48,ED - A Page of My Story,,0,0,0,,{\k27}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k34}go{\k26}ing {\k28}to {\k64}try {\k34}for {\k31}a {\k53}plea{\k70}sant {\k136}"now".
Dialogue: 0,0:23:57.75,0:24:02.20,ED - A Page of My Story,,0,0,0,,{\k41}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Just {\k23}one {\k33}page {\k29}of {\k61}life {\k61}in {\k45}my {\k79}sto{\k107}ry.
Dialogue: 0,0:24:02.57,0:24:06.03,ED - A Page of My Story,,0,0,0,,{\k51}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Sweet {\k26}and {\k318}bright.
Dialogue: 0,0:22:40.94,0:22:47.15,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}لا أعرف ما سأفعل إن لم تكن الأيام كبعضها
Dialogue: 0,0:22:47.69,0:22:53.56,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}تتخيلني أضحك والآن تراني سائرة في الطريق
Dialogue: 0,0:22:54.09,0:22:57.16,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ومن ثم أركب حافلة حمراء ذات طابقين
Dialogue: 0,0:22:57.47,0:23:00.07,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والنعيم سيجدني
Dialogue: 0,0:23:00.82,0:23:04.52,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأمتطي موكبًا ببطئ
Dialogue: 0,0:23:04.52,0:23:07.04,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ابتسامتي بها حلم
Dialogue: 0,0:23:09.10,0:23:16.46,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والآن كما تعرف، ثمة مشهد... أكرره في نفسي
Dialogue: 0,0:23:17.07,0:23:20.03,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أثناء احتسائي لشاي أسود والآن
Dialogue: 0,0:23:20.41,0:23:22.88,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أتحسّس شجرة برّقة
Dialogue: 0,0:23:23.44,0:23:26.56,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}شعاع ترحيب هادئٍ قادم من السماء
Dialogue: 0,0:23:26.87,0:23:32.68,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}يمكنه تحريري. أشعر وكأني... أقترب أكثر فأكثر
Dialogue: 0,0:23:32.97,0:23:36.70,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}للضحك بروعة على كل شيء
Dialogue: 0,0:23:36.95,0:23:39.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأخرج في صباح الأحد
Dialogue: 0,0:23:39.96,0:23:42.48,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وقد أشرق الضوء
Dialogue: 0,0:23:39.86,0:23:44.54,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، ضوء الصباح علي)
Dialogue: 0,0:23:42.78,0:23:45.85,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وطامحة للعلو
Dialogue: 0,0:23:44.54,0:23:50.02,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(انظر حولك وسترى في كل مكان)
Dialogue: 0,0:23:47.93,0:23:52.28,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}فلتختفِ المخاوف فقد أشرق الضوء
Dialogue: 0,0:23:50.02,0:23:55.22,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، لمعان الضوء علي)
Dialogue: 0,0:23:52.59,0:23:57.48,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأحاول إيجاد سرور الآن
Dialogue: 0,0:23:57.75,0:24:02.20,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}مجرّد جزء من قصة حياتي
Dialogue: 0,0:24:02.57,0:24:06.03,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}جميلة وبهيّة
Dialogue: 0,0:00:46.07,0:00:46.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}H
Dialogue: 0,0:00:46.07,0:00:46.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(160,85)\fad(200,0)}e
Dialogue: 0,0:00:46.07,0:00:46.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}a
Dialogue: 0,0:00:46.07,0:00:46.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}r
Dialogue: 0,0:00:46.07,0:00:46.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}
Dialogue: 0,0:00:46.73,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\bord2\shad0\be0\}Hear
Dialogue: 0,0:00:48.46,0:00:48.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}H
Dialogue: 0,0:00:48.46,0:00:48.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(160,85,160,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:00:48.46,0:00:48.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:00:48.46,0:00:48.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:00:48.46,0:00:48.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:00:46.07,0:00:46.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 2,0:00:46.07,0:00:46.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 0,0:00:46.17,0:00:46.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(274,85)\fad(200,0)}m
Dialogue: 0,0:00:46.17,0:00:46.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(311,85)\fad(200,0)}e
Dialogue: 0,0:00:46.17,0:00:46.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(333,85)\fad(200,0)},
Dialogue: 0,0:00:46.17,0:00:46.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\fad(200,0)}
Dialogue: 0,0:00:47.30,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\bord2\shad0\be0\}me,
Dialogue: 0,0:00:48.46,0:00:48.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(274,85,274,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}m
Dialogue: 0,0:00:48.46,0:00:48.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(311,85,311,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:00:48.46,0:00:48.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(333,85,333,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:00:48.46,0:00:48.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(351,85,351,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:00:46.73,0:00:47.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 2,0:00:46.73,0:00:47.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 0,0:00:46.27,0:00:47.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\fad(200,0)}I
Dialogue: 0,0:00:46.27,0:00:47.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:00:47.78,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\bord2\shad0\be0\}I
Dialogue: 0,0:00:48.46,0:00:48.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(379,85,379,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}I
Dialogue: 0,0:00:48.46,0:00:48.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:00:47.30,0:00:47.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:00:47.30,0:00:47.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:00:46.37,0:00:47.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}s
Dialogue: 0,0:00:46.37,0:00:47.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}a
Dialogue: 0,0:00:46.37,0:00:47.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}y
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\bord2\shad0\be0\}say
Dialogue: 0,0:00:48.46,0:00:48.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:00:48.46,0:00:48.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:00:48.46,0:00:48.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 2,0:00:47.78,0:00:48.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 2,0:00:47.78,0:00:48.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}r
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}o
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(209,85)\fad(200,0)}s
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(242,85)\fad(200,0)}s
Dialogue: 0,0:00:48.46,0:00:48.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(268,85)\fad(200,0)}
Dialogue: 0,0:00:48.71,0:00:52.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(169,85)\bord2\shad0\be0\}Cross
Dialogue: 0,0:00:52.29,0:00:52.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:00:52.29,0:00:52.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:00:52.29,0:00:52.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:00:52.29,0:00:52.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(209,85,209,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:00:52.29,0:00:52.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(242,85,242,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:00:52.29,0:00:52.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(268,85,268,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:00:48.46,0:00:48.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 2,0:00:48.46,0:00:48.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 0,0:00:48.56,0:00:48.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}t
Dialogue: 0,0:00:48.56,0:00:48.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}h
Dialogue: 0,0:00:48.56,0:00:48.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}e
Dialogue: 0,0:00:48.56,0:00:48.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(366,85)\fad(200,0)}
Dialogue: 0,0:00:49.01,0:00:52.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\bord2\shad0\be0\}the
Dialogue: 0,0:00:52.29,0:00:52.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:00:52.29,0:00:52.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:00:52.29,0:00:52.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:00:52.29,0:00:52.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(366,85,366,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:00:48.71,0:00:49.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:00:48.71,0:00:49.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:00:48.66,0:00:49.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(399,85)\fad(200,0)}w
Dialogue: 0,0:00:48.66,0:00:49.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(435,85)\fad(200,0)}a
Dialogue: 0,0:00:48.66,0:00:49.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}l
Dialogue: 0,0:00:48.66,0:00:49.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(481,85)\fad(200,0)}l
Dialogue: 0,0:00:48.66,0:00:49.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(501,85)\fad(200,0)}.
Dialogue: 0,0:00:52.29,0:00:52.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}wall.
Dialogue: 0,0:00:52.29,0:00:52.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(399,85,399,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:00:52.29,0:00:52.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(435,85,435,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:00:52.29,0:00:52.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:00:52.29,0:00:52.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(481,85,481,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:00:52.29,0:00:52.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(501,85,501,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}.
Dialogue: 2,0:00:49.01,0:00:52.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 2,0:00:49.01,0:00:52.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 0,0:00:53.06,0:00:53.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:00:53.06,0:00:53.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:00:53.06,0:00:53.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}n
Dialogue: 0,0:00:53.06,0:00:53.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(206,85)\fad(200,0)}
Dialogue: 0,0:00:53.42,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(138,85)\bord2\shad0\be0\}Can
Dialogue: 0,0:00:58.44,0:00:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:00:58.44,0:00:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:00:58.44,0:00:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:00:58.44,0:00:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(206,85,206,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:00:53.06,0:00:53.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 2,0:00:53.06,0:00:53.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 0,0:00:53.16,0:00:53.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}y
Dialogue: 0,0:00:53.16,0:00:53.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}o
Dialogue: 0,0:00:53.16,0:00:53.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}u
Dialogue: 0,0:00:53.16,0:00:53.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(326,85)\fad(200,0)}
Dialogue: 0,0:00:53.58,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\bord2\shad0\be0\}you
Dialogue: 0,0:00:58.44,0:00:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:00:58.44,0:00:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:00:58.44,0:00:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:00:58.44,0:00:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(326,85,326,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:00:53.42,0:00:53.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 2,0:00:53.42,0:00:53.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 0,0:00:53.26,0:00:53.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(347,85)\fad(200,0)}f
Dialogue: 0,0:00:53.26,0:00:53.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(371,85)\fad(200,0)}e
Dialogue: 0,0:00:53.26,0:00:53.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(398,85)\fad(200,0)}e
Dialogue: 0,0:00:53.26,0:00:53.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}l
Dialogue: 0,0:00:53.26,0:00:53.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)}
Dialogue: 0,0:00:54.10,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\bord2\shad0\be0\}feel
Dialogue: 0,0:00:58.44,0:00:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(347,85,347,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:00:58.44,0:00:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(371,85,371,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:00:58.44,0:00:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(398,85,398,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:00:58.44,0:00:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:00:58.44,0:00:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:00:53.58,0:00:54.20,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 2,0:00:53.58,0:00:54.20,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 0,0:00:53.36,0:00:54.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}t
Dialogue: 0,0:00:53.36,0:00:54.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(490,85)\fad(200,0)}h
Dialogue: 0,0:00:53.36,0:00:54.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(519,85)\fad(200,0)}a
Dialogue: 0,0:00:53.36,0:00:54.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}t
Dialogue: 0,0:00:53.36,0:00:54.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}
Dialogue: 0,0:00:54.33,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}that
Dialogue: 0,0:00:58.44,0:00:58.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:00:58.44,0:00:58.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(490,85,490,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:00:58.44,0:00:58.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(519,85,519,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:00:58.44,0:00:58.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:00:58.44,0:00:58.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:00:54.10,0:00:54.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:00:54.10,0:00:54.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\fad(200,0)}n
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(625,85)\fad(200,0)}o
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}t
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(677,85)\fad(200,0)}h
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(702,85)\fad(200,0)}i
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(729,85)\fad(200,0)}n
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(762,85)\fad(200,0)}g
Dialogue: 0,0:00:53.46,0:00:54.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(789,85)\fad(200,0)}
Dialogue: 0,0:00:55.23,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(676,85)\bord2\shad0\be0\}nothing
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(592,85,592,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(625,85,625,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(677,85,677,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(702,85,702,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(729,85,729,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(762,85,762,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}g
Dialogue: 0,0:00:58.44,0:00:58.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(789,85,789,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:00:54.33,0:00:55.33,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 2,0:00:54.33,0:00:55.33,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 0,0:00:53.56,0:00:55.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(809,85)\fad(200,0)}t
Dialogue: 0,0:00:53.56,0:00:55.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(837,85)\fad(200,0)}u
Dialogue: 0,0:00:53.56,0:00:55.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(868,85)\fad(200,0)}r
Dialogue: 0,0:00:53.56,0:00:55.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(900,85)\fad(200,0)}n
Dialogue: 0,0:00:53.56,0:00:55.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(934,85)\fad(200,0)}s
Dialogue: 0,0:00:53.56,0:00:55.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(960,85)\fad(200,0)}
Dialogue: 0,0:00:55.73,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(874,85)\bord2\shad0\be0\}turns
Dialogue: 0,0:00:58.44,0:00:58.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(809,85,809,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:00:58.44,0:00:58.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(837,85,837,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:00:58.44,0:00:58.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(868,85,868,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:00:58.44,0:00:58.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(900,85,900,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:00:58.44,0:00:58.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(934,85,934,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:00:58.44,0:00:58.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(960,85,960,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:00:55.23,0:00:55.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 2,0:00:55.23,0:00:55.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(984,85)\fad(200,0)}a
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1012,85)\fad(200,0)}r
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1043,85)\fad(200,0)}o
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1075,85)\fad(200,0)}u
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1109,85)\fad(200,0)}n
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1143,85)\fad(200,0)}d
Dialogue: 0,0:00:53.66,0:00:55.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}.
Dialogue: 0,0:00:58.44,0:00:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\bord2\shad0\be0\}around.
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(984,85,984,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1012,85,1012,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}r
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1043,85,1043,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1075,85,1075,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}u
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1109,85,1109,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1143,85,1143,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}d
Dialogue: 0,0:00:58.44,0:00:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:00:55.73,0:00:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 2,0:00:55.73,0:00:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 0,0:00:59.25,0:00:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(112,85)\fad(200,0)}L
Dialogue: 0,0:00:59.25,0:00:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}i
Dialogue: 0,0:00:59.25,0:00:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(181,85)\fad(200,0)}k
Dialogue: 0,0:00:59.25,0:00:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(211,85)\fad(200,0)}e
Dialogue: 0,0:00:59.25,0:00:59.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}
Dialogue: 0,0:00:59.71,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(152,85)\bord2\shad0\be0\}Like
Dialogue: 0,0:01:04.13,0:01:04.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(112,85,112,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}L
Dialogue: 0,0:01:04.13,0:01:04.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:01:04.13,0:01:04.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(181,85,181,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}k
Dialogue: 0,0:01:04.13,0:01:04.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(211,85,211,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:04.13,0:01:04.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:00:59.25,0:00:59.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 2,0:00:59.25,0:00:59.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 0,0:00:59.35,0:00:59.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}a
Dialogue: 0,0:00:59.35,0:00:59.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(283,85)\fad(200,0)}
Dialogue: 0,0:00:59.92,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\bord2\shad0\be0\}a
Dialogue: 0,0:01:04.13,0:01:04.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:04.13,0:01:04.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(283,85,283,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:00:59.71,0:01:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:00:59.71,0:01:00.02,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:00:59.45,0:00:59.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}g
Dialogue: 0,0:00:59.45,0:00:59.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(339,85)\fad(200,0)}e
Dialogue: 0,0:00:59.45,0:00:59.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}a
Dialogue: 0,0:00:59.45,0:00:59.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(395,85)\fad(200,0)}r
Dialogue: 0,0:00:59.45,0:00:59.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(420,85)\fad(200,0)}
Dialogue: 0,0:01:00.35,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\bord2\shad0\be0\}gear
Dialogue: 0,0:01:04.13,0:01:04.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:01:04.13,0:01:04.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(339,85,339,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:04.13,0:01:04.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:01:04.13,0:01:04.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(395,85,395,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:01:04.13,0:01:04.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(420,85,420,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:00:59.92,0:01:00.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 2,0:00:59.92,0:01:00.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 0,0:00:59.55,0:01:00.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}i
Dialogue: 0,0:00:59.55,0:01:00.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(467,85)\fad(200,0)}n
Dialogue: 0,0:00:59.55,0:01:00.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}
Dialogue: 0,0:01:00.60,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(457,85)\bord2\shad0\be0\}in
Dialogue: 0,0:01:04.13,0:01:04.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:01:04.13,0:01:04.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(467,85,467,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:01:04.13,0:01:04.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:00.35,0:01:00.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 2,0:01:00.35,0:01:00.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 0,0:00:59.65,0:01:00.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(521,85)\fad(200,0)}s
Dialogue: 0,0:00:59.65,0:01:00.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(554,85)\fad(200,0)}y
Dialogue: 0,0:00:59.65,0:01:00.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:00:59.65,0:01:00.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(619,85)\fad(200,0)}c
Dialogue: 0,0:00:59.65,0:01:00.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}
Dialogue: 0,0:01:01.32,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(568,85)\bord2\shad0\be0\}sync
Dialogue: 0,0:01:04.13,0:01:04.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(521,85,521,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:01:04.13,0:01:04.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(554,85,554,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:01:04.13,0:01:04.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:01:04.13,0:01:04.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(619,85,619,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:01:04.13,0:01:04.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:00.60,0:01:01.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 2,0:01:00.60,0:01:01.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(661,85)\fad(200,0)}i
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}n
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}s
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(748,85)\fad(200,0)}i
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(774,85)\fad(200,0)}d
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(803,85)\fad(200,0)}e
Dialogue: 0,0:00:59.75,0:01:01.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}
Dialogue: 0,0:01:01.97,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}inside
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(661,85,661,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(748,85,748,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(774,85,774,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}d
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(803,85,803,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:01:04.13,0:01:04.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:01.32,0:01:02.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 2,0:01:01.32,0:01:02.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 0,0:00:59.85,0:01:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\fad(200,0)}a
Dialogue: 0,0:00:59.85,0:01:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(875,85)\fad(200,0)}
Dialogue: 0,0:01:02.08,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\bord2\shad0\be0\}a
Dialogue: 0,0:01:04.13,0:01:04.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(851,85,851,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:04.13,0:01:04.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(875,85,875,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:01:01.97,0:01:02.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:01:01.97,0:01:02.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:00:59.95,0:01:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}c
Dialogue: 0,0:00:59.95,0:01:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(921,85)\fad(200,0)}l
Dialogue: 0,0:00:59.95,0:01:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(947,85)\fad(200,0)}o
Dialogue: 0,0:00:59.95,0:01:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(975,85)\fad(200,0)}c
Dialogue: 0,0:00:59.95,0:01:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}k
Dialogue: 0,0:00:59.95,0:01:02.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1030,85)\fad(200,0)}.
Dialogue: 0,0:01:04.13,0:01:04.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(962,85)\bord2\shad0\be0\}clock.
Dialogue: 0,0:01:04.13,0:01:04.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:01:04.13,0:01:04.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(921,85,921,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}l
Dialogue: 0,0:01:04.13,0:01:04.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(947,85,947,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}o
Dialogue: 0,0:01:04.13,0:01:04.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(975,85,975,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:01:04.13,0:01:04.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:01:04.13,0:01:04.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1030,85,1030,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}.
Dialogue: 2,0:01:02.08,0:01:04.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 2,0:01:02.08,0:01:04.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 0,0:01:05.26,0:01:05.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:01:05.26,0:01:05.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:01:05.26,0:01:05.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(203,85)\fad(200,0)}o
Dialogue: 0,0:01:05.26,0:01:05.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(228,85)\fad(200,0)}
Dialogue: 0,0:01:05.54,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(149,85)\bord2\shad0\be0\}Who
Dialogue: 0,0:01:10.41,0:01:10.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:01:10.41,0:01:10.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:01:10.41,0:01:10.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(203,85,203,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:10.41,0:01:10.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(228,85,228,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:05.26,0:01:05.64,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 2,0:01:05.26,0:01:05.64,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 0,0:01:05.36,0:01:05.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(251,85)\fad(200,0)}c
Dialogue: 0,0:01:05.36,0:01:05.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(277,85)\fad(200,0)}a
Dialogue: 0,0:01:05.36,0:01:05.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}n
Dialogue: 0,0:01:05.36,0:01:05.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(336,85)\fad(200,0)}
Dialogue: 0,0:01:05.81,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\bord2\shad0\be0\}can
Dialogue: 0,0:01:10.41,0:01:10.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(251,85,251,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:01:10.41,0:01:10.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(277,85,277,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:10.41,0:01:10.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:10.41,0:01:10.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(336,85,336,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:05.54,0:01:05.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:01:05.54,0:01:05.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:01:05.46,0:01:05.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}b
Dialogue: 0,0:01:05.46,0:01:05.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}e
Dialogue: 0,0:01:05.46,0:01:05.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:01:06.03,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(375,85)\bord2\shad0\be0\}be
Dialogue: 0,0:01:10.41,0:01:10.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}b
Dialogue: 0,0:01:10.41,0:01:10.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:10.41,0:01:10.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:05.81,0:01:06.13,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:01:05.81,0:01:06.13,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:01:05.56,0:01:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}s
Dialogue: 0,0:01:05.56,0:01:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(473,85)\fad(200,0)}u
Dialogue: 0,0:01:05.56,0:01:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\fad(200,0)}r
Dialogue: 0,0:01:05.56,0:01:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}e
Dialogue: 0,0:01:05.56,0:01:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}
Dialogue: 0,0:01:06.59,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\bord2\shad0\be0\}sure
Dialogue: 0,0:01:10.41,0:01:10.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:01:10.41,0:01:10.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(473,85,473,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}u
Dialogue: 0,0:01:10.41,0:01:10.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(504,85,504,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:01:10.41,0:01:10.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:10.41,0:01:10.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:06.03,0:01:06.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 2,0:01:06.03,0:01:06.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 0,0:01:05.66,0:01:06.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(582,85)\fad(200,0)}o
Dialogue: 0,0:01:05.66,0:01:06.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(608,85)\fad(200,0)}f
Dialogue: 0,0:01:05.66,0:01:06.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}
Dialogue: 0,0:01:06.98,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\bord2\shad0\be0\}of
Dialogue: 0,0:01:10.41,0:01:10.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(582,85,582,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:01:10.41,0:01:10.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(608,85,608,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}f
Dialogue: 0,0:01:10.41,0:01:10.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:06.59,0:01:07.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 2,0:01:06.59,0:01:07.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 0,0:01:05.76,0:01:06.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(654,85)\fad(200,0)}h
Dialogue: 0,0:01:05.76,0:01:06.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}o
Dialogue: 0,0:01:05.76,0:01:06.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}w
Dialogue: 0,0:01:05.76,0:01:06.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(755,85)\fad(200,0)}
Dialogue: 0,0:01:07.33,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(692,85)\bord2\shad0\be0\}how
Dialogue: 0,0:01:10.41,0:01:10.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(654,85,654,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:01:10.41,0:01:10.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:01:10.41,0:01:10.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:01:10.41,0:01:10.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(755,85,755,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:06.98,0:01:07.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 2,0:01:06.98,0:01:07.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 0,0:01:05.86,0:01:07.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(776,85)\fad(200,0)}t
Dialogue: 0,0:01:05.86,0:01:07.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(802,85)\fad(200,0)}o
Dialogue: 0,0:01:05.86,0:01:07.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(828,85)\fad(200,0)}
Dialogue: 0,0:01:07.75,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(791,85)\bord2\shad0\be0\}to
Dialogue: 0,0:01:10.41,0:01:10.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(776,85,776,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:01:10.41,0:01:10.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(802,85,802,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:01:10.41,0:01:10.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(828,85,828,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:01:07.33,0:01:07.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:01:07.33,0:01:07.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:01:05.96,0:01:07.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}m
Dialogue: 0,0:01:05.96,0:01:07.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}a
Dialogue: 0,0:01:05.96,0:01:07.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(929,85)\fad(200,0)}k
Dialogue: 0,0:01:05.96,0:01:07.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(959,85)\fad(200,0)}e
Dialogue: 0,0:01:05.96,0:01:07.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(983,85)\fad(200,0)}
Dialogue: 0,0:01:08.15,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(905,85)\bord2\shad0\be0\}make
Dialogue: 0,0:01:10.41,0:01:10.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}m
Dialogue: 0,0:01:10.41,0:01:10.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}a
Dialogue: 0,0:01:10.41,0:01:10.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(929,85,929,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:01:10.41,0:01:10.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(959,85,959,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}e
Dialogue: 0,0:01:10.41,0:01:10.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(983,85,983,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}
Dialogue: 2,0:01:07.75,0:01:08.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 2,0:01:07.75,0:01:08.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 0,0:01:06.06,0:01:08.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}i
Dialogue: 0,0:01:06.06,0:01:08.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1023,85)\fad(200,0)}t
Dialogue: 0,0:01:06.06,0:01:08.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1044,85)\fad(200,0)}
Dialogue: 0,0:01:08.38,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:10.41,0:01:10.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}i
Dialogue: 0,0:01:10.41,0:01:10.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1023,85,1023,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:01:10.41,0:01:10.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1044,85,1044,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:01:08.15,0:01:08.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:08.15,0:01:08.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:06.16,0:01:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1077,85)\fad(200,0)}w
Dialogue: 0,0:01:06.16,0:01:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1115,85)\fad(200,0)}o
Dialogue: 0,0:01:06.16,0:01:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1145,85)\fad(200,0)}r
Dialogue: 0,0:01:06.16,0:01:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}k
Dialogue: 0,0:01:06.16,0:01:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1201,85)\fad(200,0)}.
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1132,85)\bord2\shad0\be0\}work.
Dialogue: 0,0:01:10.41,0:01:10.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1077,85,1077,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}w
Dialogue: 0,0:01:10.41,0:01:10.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1115,85,1115,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}o
Dialogue: 0,0:01:10.41,0:01:10.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1145,85,1145,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}r
Dialogue: 0,0:01:10.41,0:01:10.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}k
Dialogue: 0,0:01:10.41,0:01:10.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1201,85,1201,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}.
Dialogue: 2,0:01:08.38,0:01:10.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 2,0:01:08.38,0:01:10.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(114,85)\fad(200,0)}R
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(162,85)\fad(200,0)}e
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}c
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}o
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(247,85)\fad(200,0)}g
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\fad(200,0)}i
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}z
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(363,85)\fad(200,0)}e
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\fad(200,0)},
Dialogue: 0,0:01:10.41,0:01:10.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}
Dialogue: 0,0:01:12.05,0:01:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(237,85)\bord2\shad0\be0\}Recognize,
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(114,85,114,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}R
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(162,85,162,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}c
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(247,85,247,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}g
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(308,85,308,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(363,85,363,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(385,85,385,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\},
Dialogue: 0,0:01:16.79,0:01:16.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:10.41,0:01:12.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 2,0:01:10.41,0:01:12.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}i
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(450,85)\fad(200,0)}n
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}n
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(516,85)\fad(200,0)}e
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}r
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(569,85)\fad(200,0)}
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}i
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}g
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}h
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(703,85)\fad(200,0)}t
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)},
Dialogue: 0,0:01:10.51,0:01:12.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\fad(200,0)}
Dialogue: 0,0:01:13.60,0:01:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(572,85)\bord2\shad0\be0\}inner sight,
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(450,85,450,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(516,85,516,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(569,85,569,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}g
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(703,85,703,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:01:16.79,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(741,85,741,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:12.05,0:01:13.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 2,0:01:12.05,0:01:13.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 0,0:01:10.61,0:01:13.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(767,85)\fad(200,0)}g
Dialogue: 0,0:01:10.61,0:01:13.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(799,85)\fad(200,0)}o
Dialogue: 0,0:01:10.61,0:01:13.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(825,85)\fad(200,0)}t
Dialogue: 0,0:01:10.61,0:01:13.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(846,85)\fad(200,0)}t
Dialogue: 0,0:01:10.61,0:01:13.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(871,85)\fad(200,0)}a
Dialogue: 0,0:01:10.61,0:01:13.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(895,85)\fad(200,0)}
Dialogue: 0,0:01:13.90,0:01:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(818,85)\bord2\shad0\be0\}gotta
Dialogue: 0,0:01:16.79,0:01:16.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(767,85,767,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:01:16.79,0:01:16.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(799,85,799,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:16.79,0:01:16.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(825,85,825,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:16.79,0:01:16.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(846,85,846,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:16.79,0:01:16.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(871,85,871,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:01:16.79,0:01:16.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(895,85,895,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:13.60,0:01:14.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 2,0:01:13.60,0:01:14.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 0,0:01:10.71,0:01:13.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}s
Dialogue: 0,0:01:10.71,0:01:13.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(948,85)\fad(200,0)}t
Dialogue: 0,0:01:10.71,0:01:13.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\fad(200,0)}a
Dialogue: 0,0:01:10.71,0:01:13.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}y
Dialogue: 0,0:01:10.71,0:01:13.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1032,85)\fad(200,0)}
Dialogue: 0,0:01:14.38,0:01:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(964,85)\bord2\shad0\be0\}stay
Dialogue: 0,0:01:16.79,0:01:16.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:01:16.79,0:01:16.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(948,85,948,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:16.79,0:01:16.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(973,85,973,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:16.79,0:01:16.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 0,0:01:16.79,0:01:16.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1032,85,1032,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:13.90,0:01:14.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 2,0:01:13.90,0:01:14.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 0,0:01:10.81,0:01:14.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}a
Dialogue: 0,0:01:10.81,0:01:14.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1081,85)\fad(200,0)}l
Dialogue: 0,0:01:10.81,0:01:14.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1101,85)\fad(200,0)}i
Dialogue: 0,0:01:10.81,0:01:14.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1126,85)\fad(200,0)}v
Dialogue: 0,0:01:10.81,0:01:14.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1155,85)\fad(200,0)}e
Dialogue: 0,0:01:10.81,0:01:14.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1177,85)\fad(200,0)}.
Dialogue: 0,0:01:16.79,0:01:16.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1114,85)\bord2\shad0\be0\}alive.
Dialogue: 0,0:01:16.79,0:01:17.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:01:16.79,0:01:17.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1081,85,1081,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}l
Dialogue: 0,0:01:16.79,0:01:17.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1101,85,1101,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:01:16.79,0:01:17.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1126,85,1126,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:01:16.79,0:01:17.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1155,85,1155,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:16.79,0:01:17.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1177,85,1177,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:01:14.38,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 2,0:01:14.38,0:01:16.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 0,0:01:17.29,0:01:17.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:01:17.29,0:01:17.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(126,85)\fad(200,0)}
Dialogue: 0,0:01:17.70,0:01:19.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\bord2\shad0\be0\}I
Dialogue: 0,0:01:19.87,0:01:19.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:01:19.87,0:01:19.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(126,85,126,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:17.29,0:01:17.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:01:17.29,0:01:17.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:01:17.39,0:01:17.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(159,85)\fad(200,0)}w
Dialogue: 0,0:01:17.39,0:01:17.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(191,85)\fad(200,0)}i
Dialogue: 0,0:01:17.39,0:01:17.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(212,85)\fad(200,0)}l
Dialogue: 0,0:01:17.39,0:01:17.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}l
Dialogue: 0,0:01:17.39,0:01:17.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}
Dialogue: 0,0:01:18.06,0:01:19.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\bord2\shad0\be0\}will
Dialogue: 0,0:01:19.87,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(159,85,159,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:01:19.87,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(191,85,191,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:01:19.87,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(212,85,212,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:01:19.87,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:01:19.87,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:17.70,0:01:18.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 2,0:01:17.70,0:01:18.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 0,0:01:17.49,0:01:18.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:01:17.49,0:01:18.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(312,85)\fad(200,0)}e
Dialogue: 0,0:01:17.49,0:01:18.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(341,85)\fad(200,0)}v
Dialogue: 0,0:01:17.49,0:01:18.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}e
Dialogue: 0,0:01:17.49,0:01:18.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(397,85)\fad(200,0)}r
Dialogue: 0,0:01:17.49,0:01:18.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(422,85)\fad(200,0)}
Dialogue: 0,0:01:18.67,0:01:19.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\bord2\shad0\be0\}never
Dialogue: 0,0:01:19.87,0:01:20.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:01:19.87,0:01:20.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(312,85,312,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:19.87,0:01:20.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(341,85,341,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}v
Dialogue: 0,0:01:19.87,0:01:20.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:19.87,0:01:20.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(397,85,397,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:01:19.87,0:01:20.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(422,85,422,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:18.06,0:01:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 2,0:01:18.06,0:01:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 0,0:01:17.59,0:01:18.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}b
Dialogue: 0,0:01:17.59,0:01:18.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(475,85)\fad(200,0)}e
Dialogue: 0,0:01:17.59,0:01:18.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(499,85)\fad(200,0)}
Dialogue: 0,0:01:19.07,0:01:19.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\bord2\shad0\be0\}be
Dialogue: 0,0:01:19.87,0:01:20.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}b
Dialogue: 0,0:01:19.87,0:01:20.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(475,85,475,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:19.87,0:01:20.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(499,85,499,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:18.67,0:01:19.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:01:18.67,0:01:19.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}d
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(555,85)\fad(200,0)}e
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}c
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(607,85)\fad(200,0)}e
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(631,85)\fad(200,0)}i
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}v
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}e
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(714,85)\fad(200,0)}d
Dialogue: 0,0:01:17.69,0:01:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\fad(200,0)}.
Dialogue: 0,0:01:19.87,0:01:19.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\bord2\shad0\be0\}deceived.
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(555,85,555,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(607,85,607,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(631,85,631,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(714,85,714,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:01:19.87,0:01:20.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(739,85,739,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:01:19.07,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 2,0:01:19.07,0:01:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 0,0:01:19.94,0:01:19.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:01:19.94,0:01:19.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\fad(200,0)}'
Dialogue: 0,0:01:19.94,0:01:19.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(157,85)\fad(200,0)}m
Dialogue: 0,0:01:19.94,0:01:19.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\fad(200,0)}
Dialogue: 0,0:01:20.21,0:01:22.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(130,85)\bord2\shad0\be0\}I'm
Dialogue: 0,0:01:22.94,0:01:22.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:01:22.94,0:01:22.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(125,85,125,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:01:22.94,0:01:22.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(157,85,157,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}m
Dialogue: 0,0:01:22.94,0:01:22.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(190,85,190,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:19.94,0:01:20.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 2,0:01:19.94,0:01:20.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 0,0:01:20.04,0:01:20.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\fad(200,0)}a
Dialogue: 0,0:01:20.04,0:01:20.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(238,85)\fad(200,0)}
Dialogue: 0,0:01:20.40,0:01:22.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\bord2\shad0\be0\}a
Dialogue: 0,0:01:22.94,0:01:23.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(214,85,214,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:22.94,0:01:23.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(238,85,238,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:20.21,0:01:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:01:20.21,0:01:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:01:20.14,0:01:20.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(265,85)\fad(200,0)}g
Dialogue: 0,0:01:20.14,0:01:20.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(291,85)\fad(200,0)}i
Dialogue: 0,0:01:20.14,0:01:20.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\fad(200,0)}r
Dialogue: 0,0:01:20.14,0:01:20.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}l
Dialogue: 0,0:01:20.14,0:01:20.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}
Dialogue: 0,0:01:20.73,0:01:22.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\bord2\shad0\be0\}girl
Dialogue: 0,0:01:22.94,0:01:23.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(265,85,265,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:01:22.94,0:01:23.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(291,85,291,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:01:22.94,0:01:23.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(315,85,315,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:01:22.94,0:01:23.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:01:22.94,0:01:23.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:20.40,0:01:20.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 2,0:01:20.40,0:01:20.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 0,0:01:20.24,0:01:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(382,85)\fad(200,0)}t
Dialogue: 0,0:01:20.24,0:01:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}h
Dialogue: 0,0:01:20.24,0:01:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}a
Dialogue: 0,0:01:20.24,0:01:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\fad(200,0)}t
Dialogue: 0,0:01:20.24,0:01:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(482,85)\fad(200,0)}
Dialogue: 0,0:01:20.90,0:01:22.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}that
Dialogue: 0,0:01:22.94,0:01:23.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(382,85,382,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:22.94,0:01:23.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:22.94,0:01:23.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:22.94,0:01:23.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(461,85,461,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:22.94,0:01:23.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(482,85,482,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:20.73,0:01:21.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:01:20.73,0:01:21.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:01:20.34,0:01:20.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(508,85)\fad(200,0)}s
Dialogue: 0,0:01:20.34,0:01:20.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(538,85)\fad(200,0)}e
Dialogue: 0,0:01:20.34,0:01:20.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(565,85)\fad(200,0)}e
Dialogue: 0,0:01:20.34,0:01:20.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:01:20.34,0:01:20.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}
Dialogue: 0,0:01:21.38,0:01:22.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(551,85)\bord2\shad0\be0\}sees
Dialogue: 0,0:01:22.94,0:01:23.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(508,85,508,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:01:22.94,0:01:23.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(538,85,538,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:22.94,0:01:23.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(565,85,565,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:22.94,0:01:23.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:01:22.94,0:01:23.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:20.90,0:01:21.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 2,0:01:20.90,0:01:21.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(642,85)\fad(200,0)}t
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}h
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(696,85)\fad(200,0)}r
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}o
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(759,85)\fad(200,0)}u
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}g
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(823,85)\fad(200,0)}h
Dialogue: 0,0:01:20.44,0:01:21.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}
Dialogue: 0,0:01:21.77,0:01:22.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}through
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(642,85,642,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(696,85,696,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(759,85,759,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}g
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(823,85,823,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:01:22.94,0:01:23.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:21.38,0:01:21.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 2,0:01:21.38,0:01:21.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 0,0:01:20.54,0:01:21.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\fad(200,0)}l
Dialogue: 0,0:01:20.54,0:01:21.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\fad(200,0)}i
Dialogue: 0,0:01:20.54,0:01:21.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(913,85)\fad(200,0)}e
Dialogue: 0,0:01:20.54,0:01:21.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(943,85)\fad(200,0)}s
Dialogue: 0,0:01:20.54,0:01:21.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(968,85)\fad(200,0)}.
Dialogue: 0,0:01:22.94,0:01:23.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(869,85,869,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:01:22.94,0:01:23.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(890,85,890,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:01:22.94,0:01:23.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(913,85,913,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}e
Dialogue: 0,0:01:22.94,0:01:23.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(943,85,943,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:01:22.94,0:01:23.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(968,85,968,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:01:21.77,0:01:23.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 2,0:01:21.77,0:01:23.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 0,0:01:22.95,0:01:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(89,85)\fad(200,0)}'
Dialogue: 0,0:01:22.95,0:01:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(124,85)\fad(200,0)}C
Dialogue: 0,0:01:22.95,0:01:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\fad(200,0)}u
Dialogue: 0,0:01:22.95,0:01:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(200,85)\fad(200,0)}z
Dialogue: 0,0:01:22.95,0:01:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(226,85)\fad(200,0)}
Dialogue: 0,0:01:23.21,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(148,85)\bord2\shad0\be0\}'Cuz
Dialogue: 0,0:01:25.99,0:01:26.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(89,85,89,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:01:25.99,0:01:26.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(124,85,124,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:01:25.99,0:01:26.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(167,85,167,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}u
Dialogue: 0,0:01:25.99,0:01:26.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(200,85,200,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:01:25.99,0:01:26.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(226,85,226,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:22.95,0:01:23.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 2,0:01:22.95,0:01:23.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 0,0:01:23.05,0:01:23.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}I
Dialogue: 0,0:01:23.05,0:01:23.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\fad(200,0)}
Dialogue: 0,0:01:23.35,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\bord2\shad0\be0\}I
Dialogue: 0,0:01:25.99,0:01:26.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}I
Dialogue: 0,0:01:25.99,0:01:26.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(282,85,282,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:23.21,0:01:23.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:01:23.21,0:01:23.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:01:23.15,0:01:23.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}k
Dialogue: 0,0:01:23.15,0:01:23.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}n
Dialogue: 0,0:01:23.15,0:01:23.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}o
Dialogue: 0,0:01:23.15,0:01:23.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(414,85)\fad(200,0)}w
Dialogue: 0,0:01:23.15,0:01:23.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)},
Dialogue: 0,0:01:23.15,0:01:23.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(463,85)\fad(200,0)}
Dialogue: 0,0:01:23.98,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(372,85)\bord2\shad0\be0\}know,
Dialogue: 0,0:01:25.99,0:01:26.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:01:25.99,0:01:26.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:01:25.99,0:01:26.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:25.99,0:01:26.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(414,85,414,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:01:25.99,0:01:26.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\},
Dialogue: 0,0:01:25.99,0:01:26.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(463,85,463,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:23.35,0:01:24.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 2,0:01:23.35,0:01:24.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 0,0:01:23.35,0:01:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}k
Dialogue: 0,0:01:23.35,0:01:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(523,85)\fad(200,0)}n
Dialogue: 0,0:01:23.35,0:01:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}o
Dialogue: 0,0:01:23.35,0:01:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}w
Dialogue: 0,0:01:23.35,0:01:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(627,85)\fad(200,0)}
Dialogue: 0,0:01:24.75,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(545,85)\bord2\shad0\be0\}know
Dialogue: 0,0:01:25.99,0:01:26.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:01:25.99,0:01:26.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(523,85,523,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:01:25.99,0:01:26.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:01:25.99,0:01:26.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:01:25.99,0:01:26.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(627,85,627,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:24.51,0:01:24.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 2,0:01:24.51,0:01:24.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 0,0:01:23.45,0:01:24.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}i
Dialogue: 0,0:01:23.45,0:01:24.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}t
Dialogue: 0,0:01:23.45,0:01:24.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}
Dialogue: 0,0:01:24.97,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(657,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:25.99,0:01:26.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:01:25.99,0:01:26.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:01:25.99,0:01:26.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:24.75,0:01:25.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:24.75,0:01:25.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:23.55,0:01:24.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(712,85)\fad(200,0)}a
Dialogue: 0,0:01:23.55,0:01:24.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(737,85)\fad(200,0)}l
Dialogue: 0,0:01:23.55,0:01:24.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(758,85)\fad(200,0)}l
Dialogue: 0,0:01:23.55,0:01:24.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(778,85)\fad(200,0)}.
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(743,85)\bord2\shad0\be0\}all.
Dialogue: 0,0:01:25.99,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(712,85,712,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:25.99,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(737,85,737,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:01:25.99,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(758,85,758,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:01:25.99,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(778,85,778,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:01:24.97,0:01:26.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 2,0:01:24.97,0:01:26.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}n
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}n
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}a
Dialogue: 0,0:01:25.99,0:01:25.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(279,85)\fad(200,0)}
Dialogue: 0,0:01:26.34,0:01:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(174,85)\bord2\shad0\be0\}Gonna
Dialogue: 0,0:01:30.47,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:01:30.47,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:30.47,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:30.47,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:30.47,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:01:30.47,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(279,85,279,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:25.99,0:01:26.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 2,0:01:25.99,0:01:26.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 0,0:01:26.09,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}f
Dialogue: 0,0:01:26.09,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}l
Dialogue: 0,0:01:26.09,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(349,85)\fad(200,0)}y
Dialogue: 0,0:01:26.09,0:01:26.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}
Dialogue: 0,0:01:27.57,0:01:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(328,85)\bord2\shad0\be0\}fly
Dialogue: 0,0:01:30.47,0:01:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}f
Dialogue: 0,0:01:30.47,0:01:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:01:30.47,0:01:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(349,85,349,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:01:30.47,0:01:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:26.34,0:01:27.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 2,0:01:26.34,0:01:27.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 0,0:01:26.19,0:01:27.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}s
Dialogue: 0,0:01:26.19,0:01:27.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}o
Dialogue: 0,0:01:26.19,0:01:27.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}
Dialogue: 0,0:01:28.01,0:01:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(418,85)\bord2\shad0\be0\}so
Dialogue: 0,0:01:30.47,0:01:30.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}s
Dialogue: 0,0:01:30.47,0:01:30.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:30.47,0:01:30.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:27.57,0:01:28.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 2,0:01:27.57,0:01:28.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 0,0:01:26.29,0:01:28.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}h
Dialogue: 0,0:01:26.29,0:01:28.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(510,85)\fad(200,0)}i
Dialogue: 0,0:01:26.29,0:01:28.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}g
Dialogue: 0,0:01:26.29,0:01:28.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(567,85)\fad(200,0)}h
Dialogue: 0,0:01:26.29,0:01:28.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(591,85)\fad(200,0)}.
Dialogue: 0,0:01:30.47,0:01:30.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(535,85)\bord2\shad0\be0\}high.
Dialogue: 0,0:01:30.47,0:01:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:30.47,0:01:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(510,85,510,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:01:30.47,0:01:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:01:30.47,0:01:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(567,85,567,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:30.47,0:01:30.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(591,85,591,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:01:28.01,0:01:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 2,0:01:28.01,0:01:30.57,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 0,0:01:30.52,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:01:30.52,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:01:30.52,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:01:30.52,0:01:30.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:01:30.88,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:01:33.34,0:01:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:01:33.34,0:01:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:33.34,0:01:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:01:33.34,0:01:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:30.52,0:01:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:01:30.52,0:01:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:01:30.62,0:01:30.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:01:31.12,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:33.34,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:30.88,0:01:31.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:01:30.88,0:01:31.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:01:30.72,0:01:31.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:01:30.72,0:01:31.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:01:30.72,0:01:31.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:01:30.72,0:01:31.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:01:31.32,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:01:33.34,0:01:33.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:33.34,0:01:33.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:01:33.34,0:01:33.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:33.34,0:01:33.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:31.12,0:01:31.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:01:31.12,0:01:31.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:01:30.82,0:01:31.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:01:32.05,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:01:33.34,0:01:33.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:31.32,0:01:32.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:01:31.32,0:01:32.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:01:31.02,0:01:32.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}W
Dialogue: 0,0:01:31.02,0:01:32.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(787,85)\fad(200,0)}h
Dialogue: 0,0:01:31.02,0:01:32.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(816,85)\fad(200,0)}a
Dialogue: 0,0:01:31.02,0:01:32.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(840,85)\fad(200,0)}t
Dialogue: 0,0:01:31.02,0:01:32.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}
Dialogue: 0,0:01:32.50,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(773,85)\bord2\shad0\be0\}What
Dialogue: 0,0:01:33.34,0:01:33.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}W
Dialogue: 0,0:01:33.34,0:01:33.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(787,85,787,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:01:33.34,0:01:33.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(816,85,816,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:01:33.34,0:01:33.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(840,85,840,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:01:33.34,0:01:33.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:32.30,0:01:32.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 2,0:01:32.30,0:01:32.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(885,85)\fad(200,0)}a
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}w
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(958,85)\fad(200,0)}a
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(982,85)\fad(200,0)}i
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}t
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1029,85)\fad(200,0)}s
Dialogue: 0,0:01:31.12,0:01:32.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}!
Dialogue: 0,0:01:33.34,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(969,85)\bord2\shad0\be0\}awaits!
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(885,85,885,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(958,85,958,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(982,85,982,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1029,85,1029,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:01:33.34,0:01:33.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}!
Dialogue: 2,0:01:32.50,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 2,0:01:32.50,0:01:33.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 0,0:01:33.34,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:01:33.34,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:01:33.34,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:01:33.34,0:01:33.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:01:33.62,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:01:36.77,0:01:36.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:01:36.77,0:01:36.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:36.77,0:01:36.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:01:36.77,0:01:36.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:33.34,0:01:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:01:33.34,0:01:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:01:33.44,0:01:33.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}w
Dialogue: 0,0:01:33.44,0:01:33.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(292,85)\fad(200,0)}h
Dialogue: 0,0:01:33.44,0:01:33.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}a
Dialogue: 0,0:01:33.44,0:01:33.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(346,85)\fad(200,0)}t
Dialogue: 0,0:01:33.44,0:01:33.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}
Dialogue: 0,0:01:33.79,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\bord2\shad0\be0\}what
Dialogue: 0,0:01:36.77,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:01:36.77,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(292,85,292,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:01:36.77,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:36.77,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(346,85,346,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:36.77,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:33.62,0:01:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 2,0:01:33.62,0:01:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 0,0:01:33.54,0:01:33.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(389,85)\fad(200,0)}c
Dialogue: 0,0:01:33.54,0:01:33.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(416,85)\fad(200,0)}a
Dialogue: 0,0:01:33.54,0:01:33.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}n
Dialogue: 0,0:01:33.54,0:01:33.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:01:34.05,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}can
Dialogue: 0,0:01:36.77,0:01:36.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(389,85,389,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:01:36.77,0:01:36.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(416,85,416,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:01:36.77,0:01:36.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:01:36.77,0:01:36.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:33.79,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:01:33.79,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:01:33.64,0:01:34.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}i
Dialogue: 0,0:01:33.64,0:01:34.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(515,85)\fad(200,0)}t
Dialogue: 0,0:01:33.64,0:01:34.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}
Dialogue: 0,0:01:34.15,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(505,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:36.77,0:01:36.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:01:36.77,0:01:36.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(515,85,515,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:36.77,0:01:36.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:34.05,0:01:34.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:34.05,0:01:34.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:33.74,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}s
Dialogue: 0,0:01:33.74,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(593,85)\fad(200,0)}h
Dialogue: 0,0:01:33.74,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}o
Dialogue: 0,0:01:33.74,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(662,85)\fad(200,0)}w
Dialogue: 0,0:01:33.74,0:01:34.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(694,85)\fad(200,0)}
Dialogue: 0,0:01:34.67,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}show
Dialogue: 0,0:01:36.77,0:01:37.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:01:36.77,0:01:37.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(593,85,593,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:01:36.77,0:01:37.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:01:36.77,0:01:37.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(662,85,662,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:01:36.77,0:01:37.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(694,85,694,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:34.15,0:01:34.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 2,0:01:34.15,0:01:34.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 0,0:01:33.84,0:01:34.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}m
Dialogue: 0,0:01:33.84,0:01:34.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(764,85)\fad(200,0)}e
Dialogue: 0,0:01:33.84,0:01:34.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(788,85)\fad(200,0)}
Dialogue: 0,0:01:34.83,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\bord2\shad0\be0\}me
Dialogue: 0,0:01:36.77,0:01:37.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:01:36.77,0:01:37.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(764,85,764,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:01:36.77,0:01:37.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(788,85,788,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:34.67,0:01:34.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:01:34.67,0:01:34.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:01:33.94,0:01:34.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(815,85)\fad(200,0)}n
Dialogue: 0,0:01:33.94,0:01:34.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}o
Dialogue: 0,0:01:33.94,0:01:34.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(886,85)\fad(200,0)}w
Dialogue: 0,0:01:33.94,0:01:34.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(924,85)\fad(200,0)}?
Dialogue: 0,0:01:33.94,0:01:34.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(950,85)\fad(200,0)}
Dialogue: 0,0:01:35.61,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\bord2\shad0\be0\}now?
Dialogue: 0,0:01:36.77,0:01:37.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(815,85,815,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:01:36.77,0:01:37.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:01:36.77,0:01:37.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(886,85,886,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:01:36.77,0:01:37.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(924,85,924,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}?
Dialogue: 0,0:01:36.77,0:01:37.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(950,85,950,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:01:34.83,0:01:35.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 2,0:01:34.83,0:01:35.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 0,0:01:34.14,0:01:35.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(987,85)\fad(200,0)}S
Dialogue: 0,0:01:34.14,0:01:35.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1037,85)\fad(200,0)}m
Dialogue: 0,0:01:34.14,0:01:35.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\fad(200,0)}a
Dialogue: 0,0:01:34.14,0:01:35.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1100,85)\fad(200,0)}c
Dialogue: 0,0:01:34.14,0:01:35.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1129,85)\fad(200,0)}k
Dialogue: 0,0:01:34.14,0:01:35.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1156,85)\fad(200,0)}
Dialogue: 0,0:01:36.19,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1053,85)\bord2\shad0\be0\}Smack
Dialogue: 0,0:01:36.77,0:01:37.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(987,85,987,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}S
Dialogue: 0,0:01:36.77,0:01:37.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1037,85,1037,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}m
Dialogue: 0,0:01:36.77,0:01:37.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1074,85,1074,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}a
Dialogue: 0,0:01:36.77,0:01:37.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1100,85,1100,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}c
Dialogue: 0,0:01:36.77,0:01:37.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1129,85,1129,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}k
Dialogue: 0,0:01:36.77,0:01:37.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1156,85,1156,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:01:35.73,0:01:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 2,0:01:35.73,0:01:36.29,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 0,0:01:34.24,0:01:36.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}i
Dialogue: 0,0:01:34.24,0:01:36.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1196,85)\fad(200,0)}t
Dialogue: 0,0:01:34.24,0:01:36.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1217,85)\fad(200,0)}
Dialogue: 0,0:01:36.36,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1186,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:36.77,0:01:37.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}i
Dialogue: 0,0:01:36.77,0:01:37.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1196,85,1196,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:01:36.77,0:01:37.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1217,85,1217,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:01:36.19,0:01:36.46,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:36.19,0:01:36.46,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:34.34,0:01:36.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1243,85)\fad(200,0)}d
Dialogue: 0,0:01:34.34,0:01:36.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1275,85)\fad(200,0)}o
Dialogue: 0,0:01:34.34,0:01:36.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1313,85)\fad(200,0)}w
Dialogue: 0,0:01:34.34,0:01:36.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1353,85)\fad(200,0)}n
Dialogue: 0,0:01:34.34,0:01:36.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1381,85)\fad(200,0)}!
Dialogue: 0,0:01:36.77,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1309,85)\bord2\shad0\be0\}down!
Dialogue: 0,0:01:36.77,0:01:37.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1243,85,1243,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}d
Dialogue: 0,0:01:36.77,0:01:37.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1275,85,1275,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}o
Dialogue: 0,0:01:36.77,0:01:37.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1313,85,1313,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}w
Dialogue: 0,0:01:36.77,0:01:37.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1353,85,1353,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}n
Dialogue: 0,0:01:36.77,0:01:37.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1381,85,1381,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}!
Dialogue: 2,0:01:36.36,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 2,0:01:36.36,0:01:36.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 0,0:01:36.77,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:01:36.77,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:01:36.77,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:01:36.77,0:01:36.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:01:37.13,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:01:39.69,0:01:39.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:01:39.69,0:01:39.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:39.69,0:01:39.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:01:39.69,0:01:39.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:36.77,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:01:36.77,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:01:36.87,0:01:37.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:01:37.42,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:39.69,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:37.13,0:01:37.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:01:37.13,0:01:37.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:01:36.97,0:01:37.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:01:36.97,0:01:37.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:01:36.97,0:01:37.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:01:36.97,0:01:37.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:01:37.50,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:01:39.69,0:01:39.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:39.69,0:01:39.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:01:39.69,0:01:39.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:39.69,0:01:39.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:37.42,0:01:37.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:01:37.42,0:01:37.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:01:37.07,0:01:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:01:38.50,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:01:39.69,0:01:39.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:37.50,0:01:38.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:01:37.50,0:01:38.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:01:37.17,0:01:38.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(726,85)\fad(200,0)}B
Dialogue: 0,0:01:37.17,0:01:38.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(771,85)\fad(200,0)}r
Dialogue: 0,0:01:37.17,0:01:38.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:01:37.17,0:01:38.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}a
Dialogue: 0,0:01:37.17,0:01:38.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(858,85)\fad(200,0)}k
Dialogue: 0,0:01:37.17,0:01:38.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(884,85)\fad(200,0)}
Dialogue: 0,0:01:38.73,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(785,85)\bord2\shad0\be0\}Break
Dialogue: 0,0:01:39.69,0:01:39.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(726,85,726,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}B
Dialogue: 0,0:01:39.69,0:01:39.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(771,85,771,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}r
Dialogue: 0,0:01:39.69,0:01:39.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:39.69,0:01:39.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:01:39.69,0:01:39.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(858,85,858,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:01:39.69,0:01:39.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(884,85,884,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:38.50,0:01:38.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 2,0:01:38.50,0:01:38.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 0,0:01:37.27,0:01:38.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(908,85)\fad(200,0)}a
Dialogue: 0,0:01:37.27,0:01:38.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(945,85)\fad(200,0)}w
Dialogue: 0,0:01:37.27,0:01:38.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(981,85)\fad(200,0)}a
Dialogue: 0,0:01:37.27,0:01:38.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\fad(200,0)}y
Dialogue: 0,0:01:37.27,0:01:38.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1040,85)\fad(200,0)}!
Dialogue: 0,0:01:39.69,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\bord2\shad0\be0\}away!
Dialogue: 0,0:01:39.69,0:01:39.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(908,85,908,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:01:39.69,0:01:39.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(945,85,945,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:01:39.69,0:01:39.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(981,85,981,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:01:39.69,0:01:39.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1013,85,1013,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}y
Dialogue: 0,0:01:39.69,0:01:39.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1040,85,1040,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}!
Dialogue: 2,0:01:38.73,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 2,0:01:38.73,0:01:39.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 0,0:01:39.69,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:01:39.69,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:01:39.69,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:01:39.69,0:01:39.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:01:39.86,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:01:43.72,0:01:43.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:01:43.72,0:01:43.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:43.72,0:01:43.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:01:43.72,0:01:43.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:39.69,0:01:39.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:01:39.69,0:01:39.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:01:39.79,0:01:39.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}d
Dialogue: 0,0:01:39.79,0:01:39.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}o
Dialogue: 0,0:01:39.79,0:01:39.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}n
Dialogue: 0,0:01:39.79,0:01:39.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}'
Dialogue: 0,0:01:39.79,0:01:39.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(359,85)\fad(200,0)}t
Dialogue: 0,0:01:39.79,0:01:39.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}
Dialogue: 0,0:01:40.11,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(301,85)\bord2\shad0\be0\}don't
Dialogue: 0,0:01:43.72,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}d
Dialogue: 0,0:01:43.72,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:01:43.72,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:43.72,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}'
Dialogue: 0,0:01:43.72,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(359,85,359,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:43.72,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:39.86,0:01:40.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 2,0:01:39.86,0:01:40.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 0,0:01:39.89,0:01:40.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(401,85)\fad(200,0)}l
Dialogue: 0,0:01:39.89,0:01:40.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\fad(200,0)}e
Dialogue: 0,0:01:39.89,0:01:40.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(449,85)\fad(200,0)}t
Dialogue: 0,0:01:39.89,0:01:40.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(470,85)\fad(200,0)}
Dialogue: 0,0:01:40.33,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\bord2\shad0\be0\}let
Dialogue: 0,0:01:43.72,0:01:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(401,85,401,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:01:43.72,0:01:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(425,85,425,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:43.72,0:01:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(449,85,449,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:43.72,0:01:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(470,85,470,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:40.11,0:01:40.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:01:40.11,0:01:40.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:01:39.99,0:01:40.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}'
Dialogue: 0,0:01:39.99,0:01:40.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(511,85)\fad(200,0)}e
Dialogue: 0,0:01:39.99,0:01:40.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(548,85)\fad(200,0)}m
Dialogue: 0,0:01:39.99,0:01:40.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}
Dialogue: 0,0:01:40.45,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(526,85)\bord2\shad0\be0\}'em
Dialogue: 0,0:01:43.72,0:01:43.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}'
Dialogue: 0,0:01:43.72,0:01:43.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(511,85,511,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:43.72,0:01:43.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(548,85,548,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:01:43.72,0:01:43.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:40.33,0:01:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 2,0:01:40.33,0:01:40.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 0,0:01:40.09,0:01:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(604,85)\fad(200,0)}c
Dialogue: 0,0:01:40.09,0:01:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(630,85)\fad(200,0)}a
Dialogue: 0,0:01:40.09,0:01:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}t
Dialogue: 0,0:01:40.09,0:01:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}c
Dialogue: 0,0:01:40.09,0:01:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(705,85)\fad(200,0)}h
Dialogue: 0,0:01:40.09,0:01:40.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(730,85)\fad(200,0)}
Dialogue: 0,0:01:40.87,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(656,85)\bord2\shad0\be0\}catch
Dialogue: 0,0:01:43.72,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(604,85,604,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:01:43.72,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(630,85,630,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:01:43.72,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:01:43.72,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:01:43.72,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(705,85,705,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:01:43.72,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(730,85,730,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:40.45,0:01:40.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 2,0:01:40.45,0:01:40.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 0,0:01:40.19,0:01:40.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(763,85)\fad(200,0)}m
Dialogue: 0,0:01:40.19,0:01:40.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:01:40.19,0:01:40.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(824,85)\fad(200,0)}
Dialogue: 0,0:01:40.95,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(777,85)\bord2\shad0\be0\}me
Dialogue: 0,0:01:43.72,0:01:44.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(763,85,763,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:01:43.72,0:01:44.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:01:43.72,0:01:44.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(824,85,824,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:40.87,0:01:41.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:01:40.87,0:01:41.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:01:40.29,0:01:40.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(850,85)\fad(200,0)}s
Dialogue: 0,0:01:40.29,0:01:40.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(880,85)\fad(200,0)}a
Dialogue: 0,0:01:40.29,0:01:40.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(912,85)\fad(200,0)}y
Dialogue: 0,0:01:40.29,0:01:40.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(937,85)\fad(200,0)},
Dialogue: 0,0:01:40.29,0:01:40.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(955,85)\fad(200,0)}
Dialogue: 0,0:01:41.59,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\bord2\shad0\be0\}say,
Dialogue: 0,0:01:43.72,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(850,85,850,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:01:43.72,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(880,85,880,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:43.72,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(912,85,912,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}y
Dialogue: 0,0:01:43.72,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(937,85,937,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\},
Dialogue: 0,0:01:43.72,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(955,85,955,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:01:40.95,0:01:41.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 2,0:01:40.95,0:01:41.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(980,85)\fad(200,0)}"
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1024,85)\fad(200,0)}D
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1069,85)\fad(200,0)}o
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1102,85)\fad(200,0)}n
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1128,85)\fad(200,0)}'
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1147,85)\fad(200,0)}t
Dialogue: 0,0:01:40.49,0:01:41.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}
Dialogue: 0,0:01:42.02,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1062,85)\bord2\shad0\be0\}"Don't
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(980,85,980,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}"
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1024,85,1024,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}D
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1069,85,1069,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}o
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1102,85,1102,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}n
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1128,85,1128,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}'
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1147,85,1147,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:01:43.72,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:01:41.78,0:01:42.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 2,0:01:41.78,0:01:42.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 0,0:01:40.59,0:01:42.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1189,85)\fad(200,0)}l
Dialogue: 0,0:01:40.59,0:01:42.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\fad(200,0)}e
Dialogue: 0,0:01:40.59,0:01:42.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1238,85)\fad(200,0)}t
Dialogue: 0,0:01:40.59,0:01:42.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1258,85)\fad(200,0)}
Dialogue: 0,0:01:42.41,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\bord2\shad0\be0\}let
Dialogue: 0,0:01:43.72,0:01:44.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1189,85,1189,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}l
Dialogue: 0,0:01:43.72,0:01:44.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1213,85,1213,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}e
Dialogue: 0,0:01:43.72,0:01:44.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1238,85,1238,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:01:43.72,0:01:44.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1258,85,1258,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:01:42.02,0:01:42.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:01:42.02,0:01:42.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:01:40.69,0:01:42.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1292,85)\fad(200,0)}m
Dialogue: 0,0:01:40.69,0:01:42.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1328,85)\fad(200,0)}e
Dialogue: 0,0:01:40.69,0:01:42.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1352,85)\fad(200,0)}
Dialogue: 0,0:01:42.57,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1305,85)\bord2\shad0\be0\}me
Dialogue: 0,0:01:43.72,0:01:44.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1292,85,1292,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}m
Dialogue: 0,0:01:43.72,0:01:44.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1328,85,1328,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}e
Dialogue: 0,0:01:43.72,0:01:44.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1352,85,1352,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}
Dialogue: 2,0:01:42.41,0:01:42.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:01:42.41,0:01:42.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:01:40.79,0:01:42.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1378,85)\fad(200,0)}d
Dialogue: 0,0:01:40.79,0:01:42.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1410,85)\fad(200,0)}o
Dialogue: 0,0:01:40.79,0:01:42.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1448,85)\fad(200,0)}w
Dialogue: 0,0:01:40.79,0:01:42.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1488,85)\fad(200,0)}n
Dialogue: 0,0:01:40.79,0:01:42.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1520,85)\fad(200,0)}"
Dialogue: 0,0:01:43.72,0:01:43.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1449,85)\bord2\shad0\be0\}down"
Dialogue: 0,0:01:43.72,0:01:44.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1378,85,1378,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}d
Dialogue: 0,0:01:43.72,0:01:44.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1410,85,1410,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}o
Dialogue: 0,0:01:43.72,0:01:44.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1448,85,1448,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}w
Dialogue: 0,0:01:43.72,0:01:44.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1488,85,1488,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}n
Dialogue: 0,0:01:43.72,0:01:44.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1520,85,1520,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}"
Dialogue: 2,0:01:42.57,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 2,0:01:42.57,0:01:43.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 0,0:01:43.78,0:01:43.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}O
Dialogue: 0,0:01:43.78,0:01:43.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}h
Dialogue: 0,0:01:43.78,0:01:43.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(180,85)\fad(200,0)}
Dialogue: 0,0:01:44.17,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\bord2\shad0\be0\}Oh
Dialogue: 0,0:01:44.82,0:01:44.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}O
Dialogue: 0,0:01:44.82,0:01:44.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:01:44.82,0:01:44.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(180,85,180,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:43.78,0:01:44.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 2,0:01:43.78,0:01:44.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 0,0:01:43.88,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}y
Dialogue: 0,0:01:43.88,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(239,85)\fad(200,0)}e
Dialogue: 0,0:01:43.88,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}a
Dialogue: 0,0:01:43.88,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\fad(200,0)}h
Dialogue: 0,0:01:43.88,0:01:44.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}!
Dialogue: 0,0:01:44.82,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(261,85)\bord2\shad0\be0\}yeah!
Dialogue: 0,0:01:44.82,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:01:44.82,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(239,85,239,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:44.82,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:44.82,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(295,85,295,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:01:44.82,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}!
Dialogue: 2,0:01:44.17,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 2,0:01:44.17,0:01:44.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 0,0:01:44.82,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:01:44.82,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:01:44.82,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(201,85)\fad(200,0)}e
Dialogue: 0,0:01:44.82,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(232,85)\fad(200,0)}n
Dialogue: 0,0:01:44.82,0:01:44.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}
Dialogue: 0,0:01:45.00,0:01:46.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(164,85)\bord2\shad0\be0\}When
Dialogue: 0,0:01:46.37,0:01:46.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:01:46.37,0:01:46.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:01:46.37,0:01:46.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(201,85,201,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:46.37,0:01:46.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(232,85,232,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:46.37,0:01:46.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:44.82,0:01:45.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 2,0:01:44.82,0:01:45.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 0,0:01:44.92,0:01:45.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(280,85)\fad(200,0)}t
Dialogue: 0,0:01:44.92,0:01:45.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(305,85)\fad(200,0)}h
Dialogue: 0,0:01:44.92,0:01:45.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}e
Dialogue: 0,0:01:44.92,0:01:45.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(358,85)\fad(200,0)}
Dialogue: 0,0:01:45.15,0:01:46.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\bord2\shad0\be0\}the
Dialogue: 0,0:01:46.37,0:01:46.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(280,85,280,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:46.37,0:01:46.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(305,85,305,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:01:46.37,0:01:46.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:46.37,0:01:46.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(358,85,358,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:45.00,0:01:45.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:01:45.00,0:01:45.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}c
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}l
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(429,85)\fad(200,0)}o
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(458,85)\fad(200,0)}c
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}k
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}w
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(563,85)\fad(200,0)}o
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}r
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}k
Dialogue: 0,0:01:45.02,0:01:45.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}
Dialogue: 0,0:01:45.93,0:01:46.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}clockwork
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(429,85,429,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(458,85,458,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(563,85,563,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:01:46.37,0:01:46.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:45.15,0:01:46.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 2,0:01:45.15,0:01:46.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 0,0:01:45.12,0:01:45.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}m
Dialogue: 0,0:01:45.12,0:01:45.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(723,85)\fad(200,0)}o
Dialogue: 0,0:01:45.12,0:01:45.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(754,85)\fad(200,0)}v
Dialogue: 0,0:01:45.12,0:01:45.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(782,85)\fad(200,0)}e
Dialogue: 0,0:01:45.12,0:01:45.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(812,85)\fad(200,0)}s
Dialogue: 0,0:01:46.37,0:01:46.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(745,85)\bord2\shad0\be0\}moves
Dialogue: 0,0:01:46.37,0:01:46.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:01:46.37,0:01:46.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(723,85,723,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:01:46.37,0:01:46.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(754,85,754,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}v
Dialogue: 0,0:01:46.37,0:01:46.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(782,85,782,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:46.37,0:01:46.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(812,85,812,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 2,0:01:45.93,0:01:46.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 2,0:01:45.93,0:01:46.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 0,0:01:46.38,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:01:46.38,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:01:46.38,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:01:46.38,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:01:46.62,0:01:48.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:01:48.82,0:01:48.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:01:48.82,0:01:48.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:48.82,0:01:48.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:01:48.82,0:01:48.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:46.38,0:01:46.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:01:46.38,0:01:46.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}s
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}t
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\fad(200,0)}a
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(329,85)\fad(200,0)}r
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(354,85)\fad(200,0)}t
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(381,85)\fad(200,0)}s
Dialogue: 0,0:01:46.48,0:01:46.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:01:47.06,0:01:48.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\bord2\shad0\be0\}starts
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(300,85,300,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(329,85,329,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(354,85,354,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(381,85,381,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:48.82,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:46.62,0:01:47.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 2,0:01:46.62,0:01:47.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 0,0:01:46.58,0:01:47.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(428,85)\fad(200,0)}t
Dialogue: 0,0:01:46.58,0:01:47.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(454,85)\fad(200,0)}o
Dialogue: 0,0:01:46.58,0:01:47.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(480,85)\fad(200,0)}
Dialogue: 0,0:01:47.17,0:01:48.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}to
Dialogue: 0,0:01:48.82,0:01:48.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(428,85,428,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:48.82,0:01:48.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(454,85,454,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:48.82,0:01:48.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(480,85,480,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:47.06,0:01:47.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:01:47.06,0:01:47.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:01:46.68,0:01:47.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(506,85)\fad(200,0)}s
Dialogue: 0,0:01:46.68,0:01:47.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(537,85)\fad(200,0)}h
Dialogue: 0,0:01:46.68,0:01:47.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}i
Dialogue: 0,0:01:46.68,0:01:47.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:01:46.68,0:01:47.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(620,85)\fad(200,0)}e
Dialogue: 0,0:01:46.68,0:01:47.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(643,85)\fad(200,0)}.
Dialogue: 0,0:01:48.82,0:01:48.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(571,85)\bord2\shad0\be0\}shine.
Dialogue: 0,0:01:48.82,0:01:49.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(506,85,506,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:01:48.82,0:01:49.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(537,85,537,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:48.82,0:01:49.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:01:48.82,0:01:49.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:01:48.82,0:01:49.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(620,85,620,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:48.82,0:01:49.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(643,85,643,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:01:47.17,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 2,0:01:47.17,0:01:48.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(109,85)\fad(200,0)}F
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(185,85)\fad(200,0)}r
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(213,85)\fad(200,0)}e
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}v
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(270,85)\fad(200,0)}e
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(298,85)\fad(200,0)}r
Dialogue: 0,0:01:48.98,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}
Dialogue: 0,0:01:49.63,0:01:50.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\bord2\shad0\be0\}Forever
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(109,85,109,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}F
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(185,85,185,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(213,85,213,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}v
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(270,85,270,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(298,85,298,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:01:50.82,0:01:50.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:48.98,0:01:49.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 2,0:01:48.98,0:01:49.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 0,0:01:49.08,0:01:49.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}l
Dialogue: 0,0:01:49.08,0:01:49.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}e
Dialogue: 0,0:01:49.08,0:01:49.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(392,85)\fad(200,0)}t
Dialogue: 0,0:01:49.08,0:01:49.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:01:49.84,0:01:50.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\bord2\shad0\be0\}let
Dialogue: 0,0:01:50.82,0:01:50.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:01:50.82,0:01:50.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:50.82,0:01:50.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(392,85,392,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:50.82,0:01:50.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:49.63,0:01:49.94,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:01:49.63,0:01:49.94,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:01:49.18,0:01:49.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(433,85)\fad(200,0)}i
Dialogue: 0,0:01:49.18,0:01:49.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(453,85)\fad(200,0)}t
Dialogue: 0,0:01:49.18,0:01:49.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:01:49.99,0:01:50.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:50.82,0:01:50.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(433,85,433,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:01:50.82,0:01:50.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(453,85,453,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:50.82,0:01:50.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:49.84,0:01:50.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:49.84,0:01:50.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:49.28,0:01:49.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(500,85)\fad(200,0)}g
Dialogue: 0,0:01:49.28,0:01:49.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}o
Dialogue: 0,0:01:49.28,0:01:49.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(557,85)\fad(200,0)}.
Dialogue: 0,0:01:50.82,0:01:50.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\bord2\shad0\be0\}go.
Dialogue: 0,0:01:50.82,0:01:51.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(500,85,500,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:01:50.82,0:01:51.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:01:50.82,0:01:51.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(557,85,557,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:01:49.99,0:01:50.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 2,0:01:49.99,0:01:50.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 0,0:01:50.99,0:01:50.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:01:50.99,0:01:50.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:01:50.99,0:01:50.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(176,85)\fad(200,0)}r
Dialogue: 0,0:01:50.99,0:01:50.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(204,85)\fad(200,0)}r
Dialogue: 0,0:01:50.99,0:01:50.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(236,85)\fad(200,0)}y
Dialogue: 0,0:01:50.99,0:01:50.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(264,85)\fad(200,0)}
Dialogue: 0,0:01:51.46,0:01:55.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\bord2\shad0\be0\}Carry
Dialogue: 0,0:01:55.29,0:01:55.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:01:55.29,0:01:55.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:01:55.29,0:01:55.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(176,85,176,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:01:55.29,0:01:55.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(204,85,204,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:01:55.29,0:01:55.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(236,85,236,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}y
Dialogue: 0,0:01:55.29,0:01:55.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(264,85,264,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:50.99,0:01:51.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 2,0:01:50.99,0:01:51.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 0,0:01:51.09,0:01:51.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}o
Dialogue: 0,0:01:51.09,0:01:51.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}u
Dialogue: 0,0:01:51.09,0:01:51.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(350,85)\fad(200,0)}t
Dialogue: 0,0:01:51.09,0:01:51.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)},
Dialogue: 0,0:01:51.09,0:01:51.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(387,85)\fad(200,0)}
Dialogue: 0,0:01:52.45,0:01:55.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(325,85)\bord2\shad0\be0\}out,
Dialogue: 0,0:01:55.29,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:01:55.29,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:01:55.29,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(350,85,350,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:55.29,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:01:55.29,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(387,85,387,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:51.46,0:01:52.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 2,0:01:51.46,0:01:52.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 0,0:01:51.19,0:01:52.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(424,85)\fad(200,0)}S
Dialogue: 0,0:01:51.19,0:01:52.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\fad(200,0)}h
Dialogue: 0,0:01:51.19,0:01:52.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}o
Dialogue: 0,0:01:51.19,0:01:52.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(534,85)\fad(200,0)}w
Dialogue: 0,0:01:51.19,0:01:52.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(566,85)\fad(200,0)}
Dialogue: 0,0:01:52.80,0:01:55.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(476,85)\bord2\shad0\be0\}Show
Dialogue: 0,0:01:55.29,0:01:55.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(424,85,424,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}S
Dialogue: 0,0:01:55.29,0:01:55.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(465,85,465,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:01:55.29,0:01:55.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:55.29,0:01:55.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(534,85,534,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:01:55.29,0:01:55.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(566,85,566,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:52.45,0:01:52.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 2,0:01:52.45,0:01:52.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 0,0:01:51.29,0:01:52.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(587,85)\fad(200,0)}t
Dialogue: 0,0:01:51.29,0:01:52.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(612,85)\fad(200,0)}h
Dialogue: 0,0:01:51.29,0:01:52.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}e
Dialogue: 0,0:01:51.29,0:01:52.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(665,85)\fad(200,0)}
Dialogue: 0,0:01:52.94,0:01:55.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}the
Dialogue: 0,0:01:55.29,0:01:55.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(587,85,587,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:55.29,0:01:55.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(612,85,612,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:55.29,0:01:55.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:55.29,0:01:55.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(665,85,665,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:52.80,0:01:53.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:01:52.80,0:01:53.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:01:51.39,0:01:52.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(697,85)\fad(200,0)}w
Dialogue: 0,0:01:51.39,0:01:52.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}a
Dialogue: 0,0:01:51.39,0:01:52.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(765,85)\fad(200,0)}y
Dialogue: 0,0:01:51.39,0:01:52.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}!
Dialogue: 0,0:01:55.29,0:01:55.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\bord2\shad0\be0\}way!
Dialogue: 0,0:01:55.29,0:01:55.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(697,85,697,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:01:55.29,0:01:55.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:01:55.29,0:01:55.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(765,85,765,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:01:55.29,0:01:55.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}!
Dialogue: 2,0:01:52.94,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 2,0:01:52.94,0:01:55.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 0,0:01:55.30,0:01:55.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(111,85)\fad(200,0)}B
Dialogue: 0,0:01:55.30,0:01:55.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}l
Dialogue: 0,0:01:55.30,0:01:55.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}a
Dialogue: 0,0:01:55.30,0:01:55.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}s
Dialogue: 0,0:01:55.30,0:01:55.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}t
Dialogue: 0,0:01:55.30,0:01:55.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}
Dialogue: 0,0:01:55.75,0:01:58.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\bord2\shad0\be0\}Blast
Dialogue: 0,0:01:58.39,0:01:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(111,85,111,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}B
Dialogue: 0,0:01:58.39,0:01:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}l
Dialogue: 0,0:01:58.39,0:01:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:01:58.39,0:01:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:01:58.39,0:01:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:01:58.39,0:01:58.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:55.30,0:01:55.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 2,0:01:55.30,0:01:55.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 0,0:01:55.40,0:01:55.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(275,85)\fad(200,0)}i
Dialogue: 0,0:01:55.40,0:01:55.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\fad(200,0)}t
Dialogue: 0,0:01:55.40,0:01:55.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\fad(200,0)}
Dialogue: 0,0:01:55.91,0:01:58.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(286,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:58.39,0:01:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(275,85,275,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:01:58.39,0:01:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(296,85,296,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:58.39,0:01:58.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(317,85,317,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:55.75,0:01:56.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:55.75,0:01:56.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:55.50,0:01:55.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}o
Dialogue: 0,0:01:55.50,0:01:55.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}f
Dialogue: 0,0:01:55.50,0:01:55.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}f
Dialogue: 0,0:01:55.50,0:01:55.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(411,85)\fad(200,0)}
Dialogue: 0,0:01:56.33,0:01:58.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(364,85)\bord2\shad0\be0\}off
Dialogue: 0,0:01:58.39,0:01:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:58.39,0:01:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:01:58.39,0:01:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:01:58.39,0:01:58.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(411,85,411,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:55.91,0:01:56.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 2,0:01:55.91,0:01:56.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 0,0:01:55.60,0:01:56.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}r
Dialogue: 0,0:01:55.60,0:01:56.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}i
Dialogue: 0,0:01:55.60,0:01:56.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}g
Dialogue: 0,0:01:55.60,0:01:56.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(517,85)\fad(200,0)}h
Dialogue: 0,0:01:55.60,0:01:56.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(543,85)\fad(200,0)}t
Dialogue: 0,0:01:55.60,0:01:56.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}.
Dialogue: 0,0:01:58.39,0:01:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:01:58.39,0:01:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:01:58.39,0:01:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:01:58.39,0:01:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(517,85,517,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:58.39,0:01:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(543,85,543,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:58.39,0:01:58.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:01:56.33,0:01:59.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.
Dialogue: 2,0:01:56.33,0:01:59.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(112,85)\fad(200,0)}(
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(161,85)\fad(200,0)}y
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(194,85)\fad(200,0)}o
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(227,85)\fad(200,0)}u
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(280,85)\fad(200,0)}g
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(312,85)\fad(200,0)}o
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}t
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(359,85)\fad(200,0)}
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}t
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(406,85)\fad(200,0)}o
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(432,85)\fad(200,0)}
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(453,85)\fad(200,0)}f
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(473,85)\fad(200,0)}i
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(501,85)\fad(200,0)}n
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(534,85)\fad(200,0)}d
Dialogue: 0,0:01:46.59,0:01:46.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(582,85)\fad(200,0)})
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(112,85,112,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}(
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(161,85,161,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}y
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(194,85,194,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(227,85,227,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}u
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(280,85,280,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}g
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(312,85,312,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(359,85,359,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(406,85,406,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(432,85,432,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(453,85,453,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}f
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(473,85,473,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(501,85,501,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(534,85,534,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:01:49.37,0:01:49.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(582,85,582,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\})