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Dialogue: 0,0:03:13.52,0:03:17.42,Rhythm,,0,0,0,,{\fad(100,100)}TL: Jane-Subs\NCh: yumi\NEncoding: shx\NKaraoke & TM : Zetsubou Ou
Dialogue: 0,0:03:13.52,0:03:17.42,Rhythm,,0,0,0,,{\fad(100,100)\an9}rhy-sub.blogspot.com
Dialogue: 0,0:00:01.50,0:00:04.80,Default,,0,0,0,,{\be2}.كانت توجد منشأة تدريبيّة في أعماق الغابة
Dialogue: 0,0:00:13.63,0:00:15.00,Default,,0,0,0,,{\be2}...مذهل
Dialogue: 0,0:00:16.21,0:00:20.80,Default,,0,0,0,,{\be2}.كانت تعرف فيما بيننا على أنها مزرعة
Dialogue: 0,0:00:21.63,0:00:23.25,Default,,0,0,0,,{\be2}...وهدفها الوحيد
Dialogue: 0,0:00:24.80,0:00:27.21,Default,,0,0,0,,{\be2}.هو تدريب الجواسيس البارعين
Dialogue: 0,0:00:27.88,0:00:34.17,Default,,0,0,0,,{\be2}لذا لو اكتشفوا أن إحدى الفتيات لم تحقق المستوى المطلوب منها\N.فإننا نجدها قد اختفت بحلول اليوم التالي
Dialogue: 0,0:00:35.09,0:00:38.88,Default,,0,0,0,,{\be2}.لهذا كلمة وداعًا ليست موجودة في قاموس هذا البرنامج
Dialogue: 0,0:00:55.25,0:00:56.09,Default,,0,0,0,,{\be2}.انتهيت
Dialogue: 0,0:00:56.71,0:00:58.09,Default,,0,0,0,,{\be2}!ماذا؟ لا بد أنكِ تمزحين
Dialogue: 0,0:00:58.09,0:00:59.05,Default,,0,0,0,,{\be2}بهذه السرعة؟
Dialogue: 0,0:00:59.21,0:00:59.96,Default,,0,0,0,,{\be2}!انتهيت
Dialogue: 0,0:01:00.21,0:01:01.59,Default,,0,0,0,,{\be2}!حتى هي؟
Dialogue: 0,0:01:01.59,0:01:02.71,Default,,0,0,0,,{\be2}!كيف؟
Dialogue: 0,0:01:06.59,0:01:08.30,Default,,0,0,0,,{\be2}ما خطبكما أنتما الإثنتان؟
Dialogue: 0,0:01:08.67,0:01:10.13,Default,,0,0,0,,{\be2}.لا داعي للعجلة
Dialogue: 0,0:01:13.00,0:01:15.34,Default,,0,0,0,,{\be2}إذن فقد كنتن زميلات؟
Dialogue: 0,0:01:15.34,0:01:16.13,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:01:16.75,0:01:19.30,Default,,0,0,0,,{\be2}.لقد كانت طالبة متفوقة جدًا
Dialogue: 0,0:01:19.55,0:01:23.13,Default,,0,0,0,,{\be2}.طالبة رفيعة المستوى والتي لم ينخفض ترتيبها عن المرتبة الثانية قط
Dialogue: 0,0:01:23.55,0:01:25.34,Default,,0,0,0,,{\be2}.ما زلنا نحتفظ بسجلاتها
Dialogue: 0,0:01:25.71,0:01:29.25,Default,,0,0,0,,{\be2}.أنتما الإثنتان مناسبتان لهذه المهمة
Dialogue: 0,0:01:30.30,0:01:31.50,Default,,0,0,0,,{\be2}حقًا؟
Dialogue: 0,0:01:31.96,0:01:33.50,Default,,0,0,0,,{\be2}بمَ أخبرتموها؟
Dialogue: 0,0:01:33.88,0:01:36.25,Default,,0,0,0,,{\be2}.أخبرناها بما تحتاج لمعرفته
Dialogue: 0,0:01:36.25,0:01:40.75,Default,,0,0,0,,{\be2}أريدكما أن تلتقيانها في الموقع المحدد\N.وتجدن طريقة لإكمال المهمة
Dialogue: 0,0:01:41.34,0:01:42.34,Default,,0,0,0,,{\be2}.حاضر
Dialogue: 0,0:02:59.58,0:03:02.36,OP - The Other Side of the Wall,,0,0,0,,{\fad(150,300)\blur1.95\an9\}{\fnBlackKnightFLF\fs70.5}({\fnFancy Card Text\fs108}you got to find{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:01:58.76,0:02:01.45,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اسمعني فأنا أقول
Dialogue: 0,0:02:01.48,0:02:05.28,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اعبر الجدار
Dialogue: 0,0:02:05.98,0:02:11.43,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أيمكنك الشعور بأنه ما من تغيير يحدث؟
Dialogue: 0,0:02:12.13,0:02:17.12,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}كترس متزامن بداخل ساعة
Dialogue: 0,0:02:18.16,0:02:23.40,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}من يعرف طريقة للتغيير؟
Dialogue: 0,0:02:23.40,0:02:29.78,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}تعرّف، تبصر باطنيًا، يجب أن تبقى حيًا
Dialogue: 0,0:02:30.23,0:02:35.96,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لن أخدع لأنني فتاة أميّز الأكاذيب
Dialogue: 0,0:02:35.96,0:02:38.98,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لأنني أعرفها، أعرفها كلها
Dialogue: 0,0:02:38.98,0:02:43.46,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأطير عاليًا
Dialogue: 0,0:02:43.51,0:02:46.33,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}يا له من انتظار لعبور الجدار
Dialogue: 0,0:02:46.33,0:02:49.76,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وسأطيح بأي شيء يواجهني عند الجدار
Dialogue: 0,0:02:49.76,0:02:52.68,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأعبر الجدار وأهرب
Dialogue: 0,0:02:52.68,0:02:56.71,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}"ولا تدعهم يمسكوني وقل: "لا تخذليني
Dialogue: 0,0:02:56.71,0:02:57.81,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أوه نعم
Dialogue: 0,0:02:57.81,0:03:01.81,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}عندما يعمل محرك الساعة ويبدأ في التألق
Dialogue: 0,0:02:59.58,0:03:02.36,OP Arabic,,0,0,0,,{\fad(150,300)\blur1.95\an1}{\fnBlackKnightFLF\fs70.5}({\fnهشام الشرق طبيعي\fs80}سوف تجد{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:03:01.81,0:03:03.81,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}فادفعه للأبد
Dialogue: 0,0:03:03.81,0:03:08.28,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أكمله ومن ثم حدّد طريقه
Dialogue: 0,0:03:08.28,0:03:12.11,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وأطلقه مباشرة
Dialogue: 0,0:03:13.52,0:03:17.42,Title,,0,0,0,,{\fad(500,500)\fs150\fscx68\fscy82\pos(722.666,853.333)}القضية 22
Dialogue: 0,0:03:13.52,0:03:17.42,Title,,0,0,0,,{\fad(500,500)\fs150\pos(1333.333,858.166)}رفيقة مريحة
Dialogue: 0,0:03:14.88,0:03:20.92,Default,,0,0,0,,{\be2\an8}مهمتنا تقتضي استرجاع وثائق سريّة\N.بحوزة القائد الأميراليّ الأول
Dialogue: 0,0:03:20.92,0:03:23.50,Default,,0,0,0,,{\be2}.سنباشر العمليّة في الخامس والعشرين من ديسمبر
Dialogue: 0,0:03:23.84,0:03:25.05,Default,,0,0,0,,{\be2}.أي في يوم عيد الميلاد
Dialogue: 0,0:03:25.05,0:03:26.55,Default,,0,0,0,,{\be2}!إنه اليوم
Dialogue: 0,0:03:27.00,0:03:29.75,Default,,0,0,0,,{\be2}!هذا مستحيل! لم نستعد بعد
Dialogue: 0,0:03:29.75,0:03:32.84,Default,,0,0,0,,{\be2}.لا تقلقي، لدينا حليفة بالداخل
Dialogue: 0,0:03:32.84,0:03:35.84,Default,,0,0,0,,{\be2}.ستكون مرشدتنا حالما نصل هناك
Dialogue: 0,0:03:36.30,0:03:38.50,Default,,0,0,0,,{\be2}.إنها بارعة فيما تفعله فلا تقلقي
Dialogue: 0,0:03:39.25,0:03:40.88,Default,,0,0,0,,{\be2}أتعرفانها؟
Dialogue: 0,0:03:41.34,0:03:42.55,Default,,0,0,0,,{\be2}.لقد كنا زميلات
Dialogue: 0,0:03:43.05,0:03:44.63,Default,,0,0,0,,{\be2}.في منشأة التدريب
Dialogue: 0,0:03:51.80,0:03:56.13,Default,,0,0,0,,{\be2}.المخططات البحريّة لكل أوروبا على وشك التغيّر
Dialogue: 0,0:03:57.17,0:04:01.67,Default,,0,0,0,,{\be2}إن أردنا مقاومة أسلحة القوى العالميّة البحريّة\N...مع الأخذ بعين الاعتبار الزيادة الملحوظة للقوة العسكريّة
Dialogue: 0,0:04:02.13,0:04:07.46,Default,,0,0,0,,{\be2}فعلينا حلّ أسطول قناة الدفاع عن ألبيون الرئيسي\N...والمضي في خططنا
Dialogue: 0,0:04:08.09,0:04:15.67,Default,,0,0,0,,{\be2}لضمه مع الأسطول الأطلسي ودمج كل قوات\N.المملكة مع الأسطول البريطاني الجديد
Dialogue: 0,0:04:17.67,0:04:20.71,Default,,0,0,0,,{\be2}.إنه عيد الميلاد، سيفي هذا بالغرض الليلة
Dialogue: 0,0:04:21.55,0:04:22.59,Default,,0,0,0,,{\be2}.حاضر
Dialogue: 0,0:04:25.75,0:04:30.13,Default,,0,0,0,,{\be2}هل ستقضين الأمسية مع أحد يا آنسة إلانور؟
Dialogue: 0,0:04:30.63,0:04:31.75,Default,,0,0,0,,{\be2}.لا أحد
Dialogue: 0,0:04:32.63,0:04:34.96,Default,,0,0,0,,{\be2}.أكره عيد الميلاد
Dialogue: 0,0:04:36.00,0:04:37.46,Default,,0,0,0,,{\be2}لمَ؟
Dialogue: 0,0:04:38.13,0:04:40.50,Default,,0,0,0,,{\be2}.لأنها تذكرني بمعرفة قديمة
Dialogue: 0,0:04:42.84,0:04:44.21,Default,,0,0,0,,{\be2}...إنها
Dialogue: 0,0:04:44.21,0:04:48.05,Default,,0,0,0,,{\be2}.المرأة التي تطلعتُ لأكون مثلها دومًا
Dialogue: 0,0:04:50.55,0:04:53.25,Default,,0,0,0,,{\be2}.قالوا إنها النافذة الثالثة من اليمين
Dialogue: 0,0:04:53.25,0:04:55.55,Default,,0,0,0,,{\be2}.نعم، تلك النافذة هناك
Dialogue: 0,0:04:56.05,0:04:59.17,Default,,0,0,0,,{\be2}هل تركتها زميلتكما مفتوحة لكما؟
Dialogue: 0,0:04:59.17,0:05:00.09,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:05:00.50,0:05:01.59,Default,,0,0,0,,{\be2}.هيّا بنا
Dialogue: 0,0:05:22.42,0:05:23.59,Default,,0,0,0,,{\be2}أتعتقد ذلك أيضًا؟
Dialogue: 0,0:05:23.59,0:05:24.92,Default,,0,0,0,,{\be2}.لديك وجهة نظر
Dialogue: 0,0:05:34.59,0:05:36.67,Default,,0,0,0,,{\be2}.وضعيتكن خاطئة تمامًا
Dialogue: 0,0:05:36.67,0:05:40.34,Default,,0,0,0,,{\be2}.تجعلن خطواتكنّ تصدر صوتًا أعلى بالطريقة التي تنقلن فيها أوزانكن
Dialogue: 0,0:05:40.59,0:05:42.46,Default,,0,0,0,,{\be2}.دقيقة كالعادة
Dialogue: 0,0:05:42.46,0:05:44.80,Default,,0,0,0,,{\be2}.فلترفقي بها
Dialogue: 0,0:05:44.80,0:05:47.50,Default,,0,0,0,,{\be2}.فهي لم تتدرب في المزرعة كما فعلنا
Dialogue: 0,0:05:47.75,0:05:50.34,Default,,0,0,0,,{\be2}.لا تتوقعن من أعدائكن أن يرفقن بكنّ
Dialogue: 0,0:05:53.80,0:05:55.09,Default,,0,0,0,,{\be2}...أأنتِ
Dialogue: 0,0:05:55.55,0:05:57.50,Default,,0,0,0,,{\be2}زميلة أنجي-سان؟
Dialogue: 0,0:05:59.00,0:06:01.63,Default,,0,0,0,,{\be2}.لا أصدق أنهم أرسلوكما أنتما الإثنتان
Dialogue: 0,0:06:01.63,0:06:03.92,Default,,0,0,0,,{\be2}.إنّ القيادة تقوم بأعمال حسنة أحيانًا
Dialogue: 0,0:06:03.92,0:06:06.25,Default,,0,0,0,,{\be2}.يمكننا أن نلمّ شملنا الآن بفضلهم
Dialogue: 0,0:06:06.59,0:06:08.30,Default,,0,0,0,,{\be2}.لن نفعل ذلك
Dialogue: 0,0:06:08.30,0:06:09.63,Default,,0,0,0,,{\be2}.أوافقك
Dialogue: 0,0:06:09.63,0:06:11.84,Default,,0,0,0,,{\be2}أيمكنكِ محاولة مجاراتي على الأقل؟
Dialogue: 0,0:06:11.84,0:06:16.09,Default,,0,0,0,,{\be2}.فنحن الثلاثة آخر من تبقى من صفنا
Dialogue: 0,0:06:16.09,0:06:17.75,Default,,0,0,0,,{\be2}حقًا؟
Dialogue: 0,0:06:17.75,0:06:21.38,Default,,0,0,0,,{\be2}ألديكما أدنى فكرة عمّا تفعلانه؟
Dialogue: 0,0:06:21.75,0:06:23.38,Default,,0,0,0,,{\be2}.إنني أواجه صعوبة في الفهم
Dialogue: 0,0:06:23.38,0:06:26.63,Default,,0,0,0,,{\be2}لمَ أرسلت القيادة هذه المبتدئة معنا؟
Dialogue: 0,0:06:55.67,0:06:57.88,Default,,0,0,0,,{\be2}.تانك الإثنتان مذهلتان
Dialogue: 0,0:06:57.88,0:07:01.88,Default,,0,0,0,,{\be2}.إنهما يعملان بانسجام تام رغم أنهما لا يتحدثان لبعضهما البعض
Dialogue: 0,0:07:01.88,0:07:05.59,Default,,0,0,0,,{\be2}.لقد كانتا متفوقتين عن بقية طالبات صفنا بكثير
Dialogue: 0,0:07:11.17,0:07:12.50,Default,,0,0,0,,{\be2}.هناك
Dialogue: 0,0:07:14.21,0:07:18.46,Default,,0,0,0,,{\be2}.توجد الوثائق السريّة في سرداب تحت كابينة حارس الطرائد
Dialogue: 0,0:07:18.92,0:07:20.42,Default,,0,0,0,,{\be2}.لكن ثمة مشكلة
Dialogue: 0,0:07:21.63,0:07:23.92,Default,,0,0,0,,{\be2}.أولئك الحرس المزعجين
Dialogue: 0,0:07:24.63,0:07:27.21,Default,,0,0,0,,{\be2}!كلاب؟ ثمة العديد منهم
Dialogue: 0,0:07:27.21,0:07:29.67,Default,,0,0,0,,{\be2}.لا يمكننا إخضاعهم بالرشاوي أو الإغراء
Dialogue: 0,0:07:29.88,0:07:31.09,Default,,0,0,0,,{\be2}ماذا ستفعلان؟
Dialogue: 0,0:07:31.55,0:07:33.84,Default,,0,0,0,,{\be2}.لهذا السبب نحن هنا
Dialogue: 0,0:07:33.84,0:07:34.80,Default,,0,0,0,,{\be2}.بياتو
Dialogue: 0,0:07:34.80,0:07:37.05,Default,,0,0,0,,{\be2}.حاضر، دعا أمرهم عليّ
Dialogue: 0,0:07:51.25,0:07:55.50,Default,,0,0,0,,{\be2}لن تستطيع حتى أفضل طالبة في المزرعة فعل خدعة كهذه، أليس كذلك؟
Dialogue: 0,0:07:58.05,0:08:00.67,Default,,0,0,0,,{\be2}.ابقيا أنتما الإثنتين للمراقبة
Dialogue: 0,0:08:07.05,0:08:08.13,Default,,0,0,0,,{\be2}...ما الذي
Dialogue: 0,0:08:19.13,0:08:21.50,Default,,0,0,0,,{\be2}.إنها بارعة كما هو متوقع
Dialogue: 0,0:08:21.50,0:08:23.34,Default,,0,0,0,,{\be2}.وكذلك أنتِ يا عريفة الصف
Dialogue: 0,0:08:23.67,0:08:26.42,Default,,0,0,0,,{\be2}.سمعتُ بأعمالكِ البطوليّة منذ تخرجنا
Dialogue: 0,0:08:27.67,0:08:29.67,Default,,0,0,0,,{\be2}.كنتُ يائسة وحسب
Dialogue: 0,0:08:33.92,0:08:36.34,Default,,0,0,0,,{\be2}هل تعتقدين أن أنجي والأخريتين سيكونن بخير؟
Dialogue: 0,0:08:36.71,0:08:38.00,Default,,0,0,0,,{\be2}.لا تقلقي
Dialogue: 0,0:08:38.00,0:08:40.92,Default,,0,0,0,,{\be2}.إنكِ تعرفين مهارتهنّ
Dialogue: 0,0:08:41.34,0:08:42.71,Default,,0,0,0,,{\be2}...هذا صحيح، لكن
Dialogue: 0,0:08:45.17,0:08:48.13,Default,,0,0,0,,{\be2}تشيس-سان، ما ذاك؟
Dialogue: 0,0:08:48.42,0:08:49.88,Default,,0,0,0,,{\be2}.إنه شيشي أودوشي
Dialogue: 0,0:08:50.17,0:08:54.67,Default,,0,0,0,,{\be2}الشيشي أودوشي الأصلي يصنع من الخيزران\N.لكن للأسف لم أستطع إيجاد أي خيزران
Dialogue: 0,0:08:55.59,0:08:57.88,Default,,0,0,0,,{\be2}فيما يستخدم؟
Dialogue: 0,0:08:58.25,0:08:59.59,Default,,0,0,0,,{\be2}...فيما
Dialogue: 0,0:09:08.84,0:09:10.42,Default,,0,0,0,,{\be2}!نخبكنّ
Dialogue: 0,0:09:15.13,0:09:17.75,Default,,0,0,0,,{\be2}.لقد شربتِ النخب قبل قليل
Dialogue: 0,0:09:17.75,0:09:19.25,Default,,0,0,0,,{\be2}.هذا نخبها السابع عشر
Dialogue: 0,0:09:19.25,0:09:21.00,Default,,0,0,0,,{\be2}أكنتِ تعدين؟
Dialogue: 0,0:09:21.55,0:09:24.71,Default,,0,0,0,,{\be2}.لطالما كانت عريفتنا مهووسة بالتفاصيل
Dialogue: 0,0:09:24.71,0:09:28.00,Default,,0,0,0,,{\be2}.تجعلينه يبدو وكأنه أمر سيئ
Dialogue: 0,0:09:28.00,0:09:29.88,Default,,0,0,0,,{\be2}!لقد كان مديحًا
Dialogue: 0,0:09:29.88,0:09:32.05,Default,,0,0,0,,{\be2}.لأنني عكسكِ
Dialogue: 0,0:09:32.05,0:09:36.00,Default,,0,0,0,,{\be2}أيوجد عرفاء في مدرسة التجسس؟
Dialogue: 0,0:09:36.00,0:09:38.09,Default,,0,0,0,,{\be2}.مناداتي لها بالعريفة مجرّد لقب
Dialogue: 0,0:09:38.50,0:09:43.05,Default,,0,0,0,,{\be2}.لأنها أهل للمسؤولية وتحقق درجات عالية وتهتم بصفنا
Dialogue: 0,0:09:43.05,0:09:45.00,Default,,0,0,0,,{\be2}.لقد كنتُ مزعجة للآخرين وحسب
Dialogue: 0,0:09:45.00,0:09:48.25,Default,,0,0,0,,{\be2}.كما أن درجاتي كانت في المرتبة الثانية دومًا
Dialogue: 0,0:09:48.25,0:09:49.63,Default,,0,0,0,,{\be2}.هذا ليس خطأكِ
Dialogue: 0,0:09:49.63,0:09:51.34,Default,,0,0,0,,{\be2}.لأن من يحقق المرتبة الأولى مخلوقة فضائيّة
Dialogue: 0,0:09:51.50,0:09:53.42,Default,,0,0,0,,{\be2}.إنها من كوكب السحليّة السوداء
Dialogue: 0,0:09:54.30,0:09:57.30,Default,,0,0,0,,{\be2}هل كانت أنجي-سان هكذا دومًا؟
Dialogue: 0,0:09:57.67,0:09:59.55,Default,,0,0,0,,{\be2}.إنها غريبة منذ عرفتها
Dialogue: 0,0:09:59.55,0:10:01.30,Default,,0,0,0,,{\be2}.وأنتِ طبيعيّة
Dialogue: 0,0:10:01.88,0:10:03.34,Default,,0,0,0,,{\be2}أتقولين عني عاديّة؟
Dialogue: 0,0:10:03.75,0:10:05.30,Default,,0,0,0,,{\be2}.إنها ليست إهانة
Dialogue: 0,0:10:06.30,0:10:07.46,Default,,0,0,0,,{\be2}.صحيح
Dialogue: 0,0:10:07.96,0:10:11.30,Default,,0,0,0,,{\be2}.إنكِ لا تهتمين بالناس لكي تهينيهم أصلاً
Dialogue: 0,0:10:14.25,0:10:16.96,Default,,0,0,0,,{\be2}ألسن على وفاق؟
Dialogue: 0,0:10:17.21,0:10:19.42,Default,,0,0,0,,{\be2}.إنهما منافستان
Dialogue: 0,0:10:20.84,0:10:22.17,Default,,0,0,0,,{\be2}.اعذرنني رجاء
Dialogue: 0,0:10:22.17,0:10:24.13,Default,,0,0,0,,{\be2}أأنتِ عائدة للمنزل؟
Dialogue: 0,0:10:24.13,0:10:26.75,Default,,0,0,0,,{\be2}.إنني ذاهبة لدورة المياه، لا تجبريني على قولها
Dialogue: 0,0:10:27.05,0:10:28.96,Default,,0,0,0,,{\be2}!بالتوفيق
Dialogue: 0,0:10:37.34,0:10:40.50,Default,,0,0,0,,{\be2}لم تتغيري قط، أليس كذلك؟
Dialogue: 0,0:10:53.34,0:10:54.50,Default,,0,0,0,,{\be2}أين الأخريتان؟
Dialogue: 0,0:10:54.50,0:10:56.92,Default,,0,0,0,,{\be2}.أرسلتُ الأطفال للمنزل
Dialogue: 0,0:10:56.92,0:10:58.55,Default,,0,0,0,,{\be2}.لكن الليل ما يزال طويلاً
Dialogue: 0,0:10:58.55,0:11:00.17,Default,,0,0,0,,{\be2}.احتسي الشراب معي
Dialogue: 0,0:11:01.21,0:11:02.50,Default,,0,0,0,,{\be2}.لا بأس
Dialogue: 0,0:11:03.50,0:11:04.92,Default,,0,0,0,,{\be2}عميلة مزدوجة؟
Dialogue: 0,0:11:05.55,0:11:07.30,Default,,0,0,0,,{\be2}.ثمة احتماليّة لذلك
Dialogue: 0,0:11:08.42,0:11:13.96,Default,,0,0,0,,{\be2}.مهمتنا الحقيقيّة هي معرفة ما إن كانت تخوننا أم لا
Dialogue: 0,0:11:13.96,0:11:16.75,Default,,0,0,0,,{\be2}لمَ لم تخبرنني؟
Dialogue: 0,0:11:16.96,0:11:19.63,Default,,0,0,0,,{\be2}.لأننا أردنا تقليل شكوكها قدر الإمكان
Dialogue: 0,0:11:20.13,0:11:22.13,Default,,0,0,0,,{\be2}.ستتصرفين بطريقة مختلفة لو أخبرناكِ
Dialogue: 0,0:11:22.13,0:11:24.80,Default,,0,0,0,,{\be2}...قد يكون هذا صحيحًا، لكن
Dialogue: 0,0:11:25.42,0:11:26.55,Default,,0,0,0,,{\be2}.وصلنا
Dialogue: 0,0:11:28.63,0:11:29.59,Default,,0,0,0,,{\be2}ما هذا المكان؟
Dialogue: 0,0:11:29.59,0:11:31.59,Default,,0,0,0,,{\be2}.نُزل العريفة
Dialogue: 0,0:11:31.59,0:11:33.46,Default,,0,0,0,,{\be2}!نخبكِ
Dialogue: 0,0:11:33.71,0:11:35.42,Default,,0,0,0,,{\be2}.هذا نخبكِ الواحد والعشرين
Dialogue: 0,0:11:35.42,0:11:37.17,Default,,0,0,0,,{\be2}أما زلتِ تعدين؟
Dialogue: 0,0:11:40.80,0:11:42.67,Default,,0,0,0,,{\be2}أتذكرين؟
Dialogue: 0,0:11:43.21,0:11:44.75,Default,,0,0,0,,{\be2}.اختبار عيد الميلاد
Dialogue: 0,0:11:45.25,0:11:46.50,Default,,0,0,0,,{\be2}اختبار؟
Dialogue: 0,0:11:46.50,0:11:48.46,Default,,0,0,0,,{\be2}.نعم، أتذكر
Dialogue: 0,0:11:48.80,0:11:52.67,Default,,0,0,0,,{\be2}.كنا أنا وأنتِ وأنجي في فريق واحد
Dialogue: 0,0:11:53.63,0:11:55.17,Default,,0,0,0,,{\be2}أضعتِ الهدف؟
Dialogue: 0,0:11:55.34,0:11:56.88,Default,,0,0,0,,{\be2}!أنا متأسفة جدًا
Dialogue: 0,0:11:57.13,0:11:59.42,Default,,0,0,0,,{\be2}.لن ننجح في الاختبار الآن
Dialogue: 0,0:11:59.42,0:12:01.59,Default,,0,0,0,,{\be2}!لأنني فشلت
Dialogue: 0,0:12:02.88,0:12:04.55,Default,,0,0,0,,{\be2}...علينا إيجاده ثانية وحسب
Dialogue: 0,0:12:04.55,0:12:06.75,Default,,0,0,0,,{\be2}!ينتهي الاختبار الليلة
Dialogue: 0,0:12:07.21,0:12:11.88,Default,,0,0,0,,{\be2}البحث عن شخص في مدينة كهذه\N!كالبحث عن إبرة في قومة قش
Dialogue: 0,0:12:12.34,0:12:14.34,Default,,0,0,0,,{\be2}.حسنٌ، أعتقد أن هذا صحيحًا
Dialogue: 0,0:12:14.75,0:12:16.13,Default,,0,0,0,,{\be2}...في هذه الحالة
Dialogue: 0,0:12:16.92,0:12:18.25,Default,,0,0,0,,{\be2}!فلنذهب ونحظى ببعض المرح
Dialogue: 0,0:12:19.13,0:12:20.09,Default,,0,0,0,,{\be2}ماذا؟
Dialogue: 0,0:12:20.09,0:12:22.67,Default,,0,0,0,,{\be2}.إنهم لا يسمحون لنا بمغادرة المزرعة كل يوم
Dialogue: 0,0:12:22.67,0:12:24.92,Default,,0,0,0,,{\be2}.وأعتقد أن الملاهي تقع في البلدة
Dialogue: 0,0:12:25.63,0:12:28.80,Default,,0,0,0,,{\be2}!ما الذي تفكرين به؟ إننا في خضم اختبار
Dialogue: 0,0:12:28.80,0:12:31.25,Default,,0,0,0,,{\be2}لكننا فشلنا فيه، صحيح؟
Dialogue: 0,0:12:31.92,0:12:34.21,Default,,0,0,0,,{\be2}.ظننتكِ حمقاء
Dialogue: 0,0:12:34.92,0:12:37.46,Default,,0,0,0,,{\be2}.لكنكِ رافقتني للملاهي في النهاية
Dialogue: 0,0:12:37.46,0:12:39.21,Default,,0,0,0,,{\be2}.كنتُ يائسة
Dialogue: 0,0:12:39.21,0:12:41.30,Default,,0,0,0,,{\be2}.كنتُ واثقة أنني سأطرد
Dialogue: 0,0:12:41.30,0:12:45.96,Default,,0,0,0,,{\be2}.لقد صدّقتِ أنهم سيطردوننا إن فشلنا في الاختبار
Dialogue: 0,0:12:46.34,0:12:51.55,Default,,0,0,0,,{\be2}.لكن بينما كنا نتسكع وجدت أنجي هدفنا بمفردها
Dialogue: 0,0:12:51.55,0:12:54.09,Default,,0,0,0,,{\be2}.تلك الفتاة موهوبة
Dialogue: 0,0:12:56.13,0:12:59.30,Default,,0,0,0,,{\be2}.إنها المرة الأولى التي أسمعكِ فيها تطرين أنجي
Dialogue: 0,0:12:59.30,0:13:00.42,Default,,0,0,0,,{\be2}حقًا؟
Dialogue: 0,0:13:00.84,0:13:02.34,Default,,0,0,0,,{\be2}.هذا يسعدني
Dialogue: 0,0:13:02.92,0:13:04.21,Default,,0,0,0,,{\be2}.لكني لا أعرف السبب
Dialogue: 0,0:13:10.13,0:13:12.30,Default,,0,0,0,,{\be2}.انظري لكل هذا الثلج
Dialogue: 0,0:13:13.17,0:13:14.50,Default,,0,0,0,,{\be2}.اسمعي يا دوروثي
Dialogue: 0,0:13:15.50,0:13:18.21,Default,,0,0,0,,{\be2}هل سبق وأن تطلعتِ لشخص ما؟
Dialogue: 0,0:13:19.67,0:13:21.80,Default,,0,0,0,,{\be2}.لا أعتقد ذلك
Dialogue: 0,0:13:22.63,0:13:24.17,Default,,0,0,0,,{\be2}.لقد سبق وتطلعت
Dialogue: 0,0:13:24.96,0:13:26.88,Default,,0,0,0,,{\be2}.شخص أردتُ أن أكون مثله بشدّة
Dialogue: 0,0:13:27.21,0:13:29.88,Default,,0,0,0,,{\be2}.لكن لم أستطع فعلها
Dialogue: 0,0:13:38.55,0:13:40.00,Default,,0,0,0,,{\be2}.فلنغادر
Dialogue: 0,0:13:40.00,0:13:42.00,Default,,0,0,0,,{\be2}.لم أجد أي أدلة
Dialogue: 0,0:13:42.00,0:13:43.38,Default,,0,0,0,,{\be2}!حاضر
Dialogue: 0,0:13:43.38,0:13:47.38,Default,,0,0,0,,{\be2}.أنا سعيدة لأن صديقتكِ ليست عميلة مزدوجة
Dialogue: 0,0:13:47.38,0:13:48.55,Default,,0,0,0,,{\be2}.إنكِ مخطئة
Dialogue: 0,0:13:49.75,0:13:50.96,Default,,0,0,0,,{\be2}...أنا
Dialogue: 0,0:13:51.46,0:13:53.05,Default,,0,0,0,,{\be2}.لستُ صديقتها
Dialogue: 0,0:14:15.25,0:14:16.80,Default,,0,0,0,,{\be2}.توقعت هذا
Dialogue: 0,0:14:16.80,0:14:18.88,Default,,0,0,0,,{\be2}.أتين ليراقبنني
Dialogue: 0,0:14:27.92,0:14:29.30,Default,,0,0,0,,{\be2}.إنها تتحرك
Dialogue: 0,0:14:30.17,0:14:31.34,Default,,0,0,0,,{\be2}...العريفة
Dialogue: 0,0:14:34.75,0:14:36.63,Default,,0,0,0,,{\be2}ما الذي يحدث؟
Dialogue: 0,0:14:36.63,0:14:38.88,Default,,0,0,0,,{\be2}.لقد قلتِ أنه لم يكن هناك أي دليل
Dialogue: 0,0:14:39.71,0:14:43.17,Default,,0,0,0,,{\be2}.تركتُ آثار أقدام على الفخ الذي أعدّته عمدًا
Dialogue: 0,0:14:43.55,0:14:46.59,Default,,0,0,0,,{\be2}.توقعتُ أن تستجيب وتتحرك لو كانت تخطط لشيء ما
Dialogue: 0,0:14:48.30,0:14:49.88,Default,,0,0,0,,{\be2}.سوف نقبض عليها
Dialogue: 0,0:14:50.30,0:14:52.42,Default,,0,0,0,,{\be2}.لعلها بطريقها للمحطة في هذه الأثناء
Dialogue: 0,0:14:52.42,0:14:53.84,Default,,0,0,0,,{\be2}.سأسبقها إلى هناك
Dialogue: 0,0:14:54.30,0:14:56.25,Default,,0,0,0,,{\be2}.أما أنتما فاتبعاها
Dialogue: 0,0:14:56.25,0:14:58.05,Default,,0,0,0,,{\be2}.سنحاصرها حالما تصل للمحطة
Dialogue: 0,0:15:05.00,0:15:07.63,Default,,0,0,0,,{\be2}ألن تستخدمي الكرة؟
Dialogue: 0,0:15:07.63,0:15:09.25,Default,,0,0,0,,{\be2}.سأبقيها كحلٍ أخير
Dialogue: 0,0:15:12.63,0:15:14.67,Default,,0,0,0,,{\be2}لمَ فعلتِ هذا أيتها العريفة؟
Dialogue: 0,0:15:26.84,0:15:28.55,Default,,0,0,0,,{\be2}.لحقنا بها
Dialogue: 0,0:15:28.55,0:15:30.25,Default,,0,0,0,,{\be2}...علينا أن نتأكد الآن ألا ترانا
Dialogue: 0,0:15:30.55,0:15:31.63,Default,,0,0,0,,{\be2}أنجي-سان؟
Dialogue: 0,0:15:40.84,0:15:42.13,Default,,0,0,0,,{\be2}.لقد نلتما مني
Dialogue: 0,0:15:42.13,0:15:44.55,Default,,0,0,0,,{\be2}.الأمر برمته كان فخًا وقد وقعتُ فيه
Dialogue: 0,0:15:45.13,0:15:47.21,Default,,0,0,0,,{\be2}.لن أسألكِ عن سبب خيانتكِ لنا
Dialogue: 0,0:15:47.63,0:15:50.00,Default,,0,0,0,,{\be2}.فهذا ليس جزءًا من المهمة
Dialogue: 0,0:15:50.00,0:15:54.17,Default,,0,0,0,,{\be2}.ولا أعتقد أنكِ ستدعيني وشأني حتى لو طلبت ذلك بلطافة
Dialogue: 0,0:15:54.17,0:15:55.34,Default,,0,0,0,,{\be2}!لا تتحركي
Dialogue: 0,0:15:55.96,0:15:58.50,Default,,0,0,0,,{\be2}.ضعي سلاحكِ وحقيبتكِ على الأرض وارفعي يديكِ
Dialogue: 0,0:16:03.09,0:16:05.21,Default,,0,0,0,,{\be2}.لقد تغيّرتِ
Dialogue: 0,0:16:05.80,0:16:08.63,Default,,0,0,0,,{\be2}.سينتهي مطاف شخصيتكِ القديمة بطلقة في مؤخرة رأسي
Dialogue: 0,0:16:09.09,0:16:14.09,Default,,0,0,0,,{\be2}هل غرس شخص ما مشاعرًا في قلب سحليّة سوداء؟
Dialogue: 0,0:16:15.13,0:16:16.30,Default,,0,0,0,,{\be2}...لكن
Dialogue: 0,0:16:28.75,0:16:29.84,Default,,0,0,0,,{\be2}إطلاق نار؟
Dialogue: 0,0:16:30.25,0:16:31.05,Default,,0,0,0,,{\be2}...أيعقل أنها
Dialogue: 0,0:16:32.59,0:16:34.88,Default,,0,0,0,,{\be2}!إنّ شخصيتكِ الجديدة لهدف سهل
Dialogue: 0,0:16:36.05,0:16:37.05,Default,,0,0,0,,{\be2}!أنجي-سان
Dialogue: 0,0:16:37.05,0:16:37.92,Default,,0,0,0,,{\be2}.تراجعي
Dialogue: 0,0:16:37.92,0:16:39.34,Default,,0,0,0,,{\be2}.ستتأذين
Dialogue: 0,0:16:42.05,0:16:43.50,Default,,0,0,0,,{\be2}!أنجي! بياتو
Dialogue: 0,0:16:44.30,0:16:46.38,Default,,0,0,0,,{\be2}ماذا حدث؟ هل كشفتكما؟
Dialogue: 0,0:16:46.63,0:16:48.38,Default,,0,0,0,,{\be2}...لا
Dialogue: 0,0:16:48.38,0:16:52.13,Default,,0,0,0,,{\be2}...لقد ذهبنا إليها بأنفسنا
Dialogue: 0,0:16:53.25,0:16:54.34,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:16:54.34,0:16:57.50,Default,,0,0,0,,{\be2}أخبرتكِ أننا سنحاصرها! لمَ لم تنتظري؟
Dialogue: 0,0:16:57.50,0:17:00.34,Default,,0,0,0,,{\be2}.أردتُ ضمان نجاح المهمة
Dialogue: 0,0:17:00.71,0:17:03.75,Default,,0,0,0,,{\be2}هل ظننتِ أن بمقدروكِ التغلب على العريفة بمفردكِ؟
Dialogue: 0,0:17:04.05,0:17:08.13,Default,,0,0,0,,{\be2}أم كنتِ تحاولين معرفة أيٍّ منكما هي الجاسوسة الأفضل؟
Dialogue: 0,0:17:08.92,0:17:10.34,Default,,0,0,0,,{\be2}!أجيبيني يا أنجي
Dialogue: 0,0:17:16.71,0:17:18.42,Default,,0,0,0,,{\be2}!انتظري أيتها الآنسة
Dialogue: 0,0:17:18.42,0:17:19.46,Default,,0,0,0,,{\be2}!انتظري
Dialogue: 0,0:17:27.17,0:17:29.25,Default,,0,0,0,,{\be2}.هذا ممنوع أيتها الآنسة
Dialogue: 0,0:17:29.63,0:17:33.17,Default,,0,0,0,,{\be2}آسفة، ألديكم أي مقصورات فارغة؟
Dialogue: 0,0:17:34.46,0:17:35.92,Default,,0,0,0,,{\be2}.بالطبع
Dialogue: 0,0:17:37.42,0:17:38.80,Default,,0,0,0,,{\be2}.تفضلي من هنا
Dialogue: 0,0:17:38.80,0:17:40.05,Default,,0,0,0,,{\be2}.شكرًا
Dialogue: 0,0:17:42.25,0:17:43.77,Default,,0,0,0,,{\be2}.أريد النوم قليلاً
Dialogue: 0,0:17:43.89,0:17:45.63,Default,,0,0,0,,{\be2}هلاّ أعرتني بطانيّة من فضلك؟
Dialogue: 0,0:17:45.63,0:17:47.25,Default,,0,0,0,,{\be2}.حالاً
Dialogue: 0,0:17:59.00,0:18:01.92,Default,,0,0,0,,{\be2}.إن سرنا بخط مستقيم فسنلتقي بها على الجسر
Dialogue: 0,0:18:03.00,0:18:04.30,Default,,0,0,0,,{\be2}!ها هي
Dialogue: 0,0:18:17.88,0:18:19.38,Default,,0,0,0,,{\be2}ما الذي أخّرك؟
Dialogue: 0,0:18:21.71,0:18:23.00,Default,,0,0,0,,{\be2}!دوروثي
Dialogue: 0,0:18:23.63,0:18:24.84,Default,,0,0,0,,{\be2}...كيف استطعتِ
Dialogue: 0,0:18:24.84,0:18:28.21,Default,,0,0,0,,{\be2}.لحقتُ بكِ بسيارة وقفزت إلى هنا بالكرة
Dialogue: 0,0:18:28.21,0:18:31.80,Default,,0,0,0,,{\be2}.الكرة... لقد سمعتُ بالشائعات
Dialogue: 0,0:18:32.38,0:18:34.92,Default,,0,0,0,,{\be2}.إذن فقد تم إنتاجها لفريقكم
Dialogue: 0,0:18:35.63,0:18:37.25,Default,,0,0,0,,{\be2}.إنهم يعقدون آمالاً كبيرة عليكما
Dialogue: 0,0:18:37.25,0:18:38.67,Default,,0,0,0,,{\be2}.على أنجي فقط
Dialogue: 0,0:18:47.05,0:18:49.50,Default,,0,0,0,,{\be2}!لا يمكنكما أن تطلبا مني تولي القيادة وحسب
Dialogue: 0,0:18:57.92,0:18:59.42,Default,,0,0,0,,{\be2}.لقد أثرتِ إعجابي
Dialogue: 0,0:18:59.88,0:19:01.88,Default,,0,0,0,,{\be2}.الإفلات من أنجي بتلك الطريقة
Dialogue: 0,0:19:01.88,0:19:03.05,Default,,0,0,0,,{\be2}.حالفني الحظ
Dialogue: 0,0:19:03.84,0:19:06.42,Default,,0,0,0,,{\be2}.لم أعتقد أن الأمر سينجح لتلك الدرجة
Dialogue: 0,0:19:06.71,0:19:07.96,Default,,0,0,0,,{\be2}.إنه ينمُّ عن مهارة
Dialogue: 0,0:19:07.96,0:19:10.46,Default,,0,0,0,,{\be2}.لقد غلبتِ أنجي أيتها العريفة
Dialogue: 0,0:19:12.25,0:19:14.09,Default,,0,0,0,,{\be2}.إنكِ لا تفهمين
Dialogue: 0,0:19:14.50,0:19:18.05,Default,,0,0,0,,{\be2}.المرأة التي تطلعتُ لأكون مثلها لم تكن أنجي
Dialogue: 0,0:19:19.13,0:19:21.30,Default,,0,0,0,,{\be2}...المرأة التي تطلعتُ لأكون مثلها دومًا
Dialogue: 0,0:19:22.13,0:19:23.96,Default,,0,0,0,,{\be2}...المرأة التي أردت أن أكون مثلها بشدّة
Dialogue: 0,0:19:24.96,0:19:26.71,Default,,0,0,0,,{\be2}.لكنني لم أستطع...
Dialogue: 0,0:19:27.59,0:19:29.88,Default,,0,0,0,,{\be2}.هي أنتِ يا دوروثي
Dialogue: 0,0:19:31.59,0:19:34.38,Default,,0,0,0,,{\be2}.في الحقيقة، لم أكن أهتم بالدرجات
Dialogue: 0,0:19:34.38,0:19:39.67,Default,,0,0,0,,{\be2}فعلتُ كل ما استطعت لأكون طالبة متفوقة\N.لأنني لم أرد تخييب ظن أي أحد
Dialogue: 0,0:19:40.42,0:19:43.42,Default,,0,0,0,,{\be2}.لكنني سئمت
Dialogue: 0,0:19:43.63,0:19:47.13,Default,,0,0,0,,{\be2}لذا أخذتِ استراحة ولم تكوني حذرة فتمكنوا منكِ؟
Dialogue: 0,0:19:47.55,0:19:48.55,Default,,0,0,0,,{\be2}...أم
Dialogue: 0,0:19:48.55,0:19:49.96,Default,,0,0,0,,{\be2}.كلاهما
Dialogue: 0,0:19:50.55,0:19:54.05,Default,,0,0,0,,{\be2}.لو أنني استطعتُ أن أكون مثلكِ وحسب
Dialogue: 0,0:19:54.80,0:19:55.75,Default,,0,0,0,,{\be2}...أيتها العريفة
Dialogue: 0,0:19:56.42,0:20:01.42,Default,,0,0,0,,{\be2}.لقد كانت تلك المرة الأولى التي أذهب فيها للملاهي
Dialogue: 0,0:20:11.84,0:20:13.42,Default,,0,0,0,,{\be2}.لقد كان ممتعًا
Dialogue: 0,0:20:14.46,0:20:16.50,Default,,0,0,0,,{\be2}.ما زلتُ أحلم به
Dialogue: 0,0:20:17.25,0:20:20.46,Default,,0,0,0,,{\be2}.بتسكعنا وضحكنا معًا
Dialogue: 0,0:20:22.71,0:20:26.17,Default,,0,0,0,,{\be2}!فلنذهب ثانية إذن! تعالي للندن
Dialogue: 0,0:20:26.17,0:20:28.34,Default,,0,0,0,,{\be2}...سأقدّمكِ لفريقي و
Dialogue: 0,0:20:30.21,0:20:31.17,Default,,0,0,0,,{\be2}.دوروثي
Dialogue: 0,0:20:31.63,0:20:34.09,Default,,0,0,0,,{\be2}.لطالما كنتِ كالرياح
Dialogue: 0,0:20:34.92,0:20:37.30,Default,,0,0,0,,{\be2}.عليلة وحرّة
Dialogue: 0,0:20:38.55,0:20:39.80,Default,,0,0,0,,{\be2}.توقفي أيتها العريفة
Dialogue: 0,0:20:39.80,0:20:41.42,Default,,0,0,0,,{\be2}.لا أريد أن أطلق على صديقة
Dialogue: 0,0:20:41.59,0:20:42.75,Default,,0,0,0,,{\be2}.شكرًا لكِ
Dialogue: 0,0:20:43.25,0:20:45.59,Default,,0,0,0,,{\be2}.لكونكِ لطيفة لدرجة دعوتي بصديقتكِ
Dialogue: 0,0:20:45.59,0:20:47.84,Default,,0,0,0,,{\be2}.سأمنحكِ هدية عيد الميلاد
Dialogue: 0,0:20:49.13,0:20:52.30,Default,,0,0,0,,{\be2}.سأعفيكِ من قتل صديقتكِ
Dialogue: 0,0:20:52.30,0:20:55.05,Default,,0,0,0,,{\be2}!توقفي أيتها العريفة
Dialogue: 0,0:20:56.38,0:20:59.21,Default,,0,0,0,,{\be2}.وداعًا يا دوروثي
Dialogue: 0,0:21:27.71,0:21:29.75,Default,,0,0,0,,{\be2}.شكرًا يا أنجي
Dialogue: 0,0:21:30.46,0:21:31.59,Default,,0,0,0,,{\be2}على ماذا؟
Dialogue: 0,0:21:31.59,0:21:33.13,Default,,0,0,0,,{\be2}...حينما خالفتِ خطتنا في ذلك الوقت
Dialogue: 0,0:21:33.46,0:21:37.13,Default,,0,0,0,,{\be2}كنتِ تحاولين أن تجعليني ألا أقتل العريفة، أليس كذلك؟
Dialogue: 0,0:21:38.50,0:21:41.34,Default,,0,0,0,,{\be2}.كنتُ أحاول زيادة فرص نجاح مهمتنا
Dialogue: 0,0:21:41.75,0:21:42.84,Default,,0,0,0,,{\be2}.هذا كل ما في الأمر
Dialogue: 0,0:21:43.46,0:21:47.42,Default,,0,0,0,,{\be2}!سحقًا! أنا محاطة بالكاذبين
Dialogue: 0,0:21:47.88,0:21:50.17,Default,,0,0,0,,{\be2}.لأننا جاسوستان
Dialogue: 0,0:21:50.50,0:21:52.96,Default,,0,0,0,,{\be2}.صحيح، أنتِ محقة
Dialogue: 0,0:21:56.30,0:21:57.17,Default,,0,0,0,,{\be2}.تفضلا
Dialogue: 0,0:21:57.17,0:21:58.30,Default,,0,0,0,,{\be2}.اعذرونا
Dialogue: 0,0:22:03.21,0:22:05.30,Default,,0,0,0,,{\be2}.لقد تمّ نقل إل
Dialogue: 0,0:22:05.30,0:22:06.92,Default,,0,0,0,,{\be2}.أنا الجنرال
Dialogue: 0,0:22:06.92,0:22:10.34,Default,,0,0,0,,{\be2}.من الآن فصاعدًا ستتلقيان أوامركما مني
Dialogue: 0,0:22:10.34,0:22:12.50,Default,,0,0,0,,{\be2}هل حدث شيء ما لإل؟
Dialogue: 0,0:22:12.50,0:22:14.46,Default,,0,0,0,,{\be2}.هذا ليس من شأنك
Dialogue: 0,0:22:16.09,0:22:18.75,Default,,0,0,0,,{\be2}.أحسنتما عملاً في المهمة الأخيرة
Dialogue: 0,0:22:19.50,0:22:24.71,Default,,0,0,0,,{\be2}.بما أنكما نجحتما أريدكما أن تمضيا لمهمتكما التالية
Dialogue: 0,0:22:24.71,0:22:26.75,Default,,0,0,0,,{\be2}مهمة؟
Dialogue: 0,0:22:27.34,0:22:28.50,Default,,0,0,0,,{\be2}.هذه هي
Dialogue: 0,0:22:29.46,0:22:30.46,Default,,0,0,0,,{\be2}...إنها
Dialogue: 0,0:22:31.34,0:22:33.80,Default,,0,0,0,,{\be2}.أريدكما أن تغتالا الأميرة
Dialogue: 0,0:22:40.87,0:22:44.05,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\frz1)}If {\k33}days {\k31}were {\k60}not {\k15}the {\k137}same
Dialogue: 0,0:22:44.54,0:22:47.08,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k31}don't {\k61}know {\k38}what {\k22}I'd {\k56}do.
Dialogue: 0,0:22:47.62,0:22:50.68,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I{\k28}ma{\k14}gi{\k21}ne {\k29}me {\k62}laugh{\k31}ing {\k27}and {\k35}now
Dialogue: 0,0:22:50.84,0:22:53.49,ED - A Page of My Story,,0,0,0,,{\k45}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}see {\k29}me {\k31}walk {\k31}in {\k9}the {\k124}street,
Dialogue: 0,0:22:54.02,0:22:57.09,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}then {\k39}catch {\k28}a {\k59}red {\k32}dou{\k30}ble {\k59}bus,
Dialogue: 0,0:22:57.40,0:23:00.00,ED - A Page of My Story,,0,0,0,,{\k23}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k39}hea{\k31}ven {\k16}would {\k76}find {\k70}me.
Dialogue: 0,0:23:00.75,0:23:04.45,ED - A Page of My Story,,0,0,0,,{\k62}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I'd {\k39}go {\k31}on {\k14}a {\k102}float {\k28}{\k34}eased {\k60}up.
Dialogue: 0,0:23:04.45,0:23:06.97,ED - A Page of My Story,,0,0,0,,{\k14}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I {\k79}smile {\k24}a {\k83}dream.
Dialogue: 0,0:23:09.03,0:23:13.02,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Now {\k29}you {\k62}know, {\k32}there {\k31}is {\k18}a {\k71}scene {\k33}that {\k93}I...
Dialogue: 0,0:23:13.94,0:23:16.39,ED - A Page of My Story,,0,0,0,,{\k31}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k29}re{\k74}peat {\k19}in {\k14}my {\k72}soul
Dialogue: 0,0:23:17.00,0:23:19.96,ED - A Page of My Story,,0,0,0,,{\k15}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}while {\k46}si{\k59}ppin' {\k61}black {\k34}tea {\k31}and {\k47}now,
Dialogue: 0,0:23:20.34,0:23:22.81,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}gen{\k35}tly {\k29}tou{\k34}ching {\k23}a {\k124}tree,
Dialogue: 0,0:23:23.37,0:23:26.49,ED - A Page of My Story,,0,0,0,,{\k36}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}cal{\k22}ming {\k40}hi-{\k61}beam {\k29}from {\k16}the {\k137}sky
Dialogue: 0,0:23:26.80,0:23:29.55,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}can {\k34}free {\k30}me, {\k26}I {\k66}feel {\k141}like
Dialogue: 0,0:23:30.15,0:23:32.61,ED - A Page of My Story,,0,0,0,,{\k61}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k33}get{\k17}ting {\k44}so {\k118}close
Dialogue: 0,0:23:32.90,0:23:36.63,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}to {\k61}laugh{\k16}ing {\k77}sweet {\k30}with {\k30}e{\k31}very{\k118}thing.
Dialogue: 0,0:23:36.88,0:23:39.89,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Go{\k31}ing {\k36}out {\k11}on {\k75}Sun{\k61}day {\k32}mor{\k24}ning,
Dialogue: 0,0:23:39.89,0:23:42.41,ED - A Page of My Story,,0,0,0,,{\k38}the {\k89}light {\k32}has {\k41}come,
Dialogue: 0,0:23:39.79,0:23:44.47,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, morning the light’s on me…)
Dialogue: 0,0:23:42.71,0:23:45.78,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k24}look{\k37}ing {\k28}up {\k223}high,
Dialogue: 0,0:23:44.47,0:23:49.95,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(Looking around, you’ll see all around)
Dialogue: 0,0:23:47.86,0:23:52.21,ED - A Page of My Story,,0,0,0,,{\k67}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Va{\k62}nish {\k32}wo{\k29}rries {\k31}the {\k92}light {\k30}has {\k122}come.
Dialogue: 0,0:23:49.95,0:23:55.15,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, shining the light on me…)
Dialogue: 0,0:23:52.52,0:23:57.41,ED - A Page of My Story,,0,0,0,,{\k27}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k34}go{\k26}ing {\k28}to {\k64}try {\k34}for {\k31}a {\k53}plea{\k70}sant {\k136}"now".
Dialogue: 0,0:23:57.68,0:24:02.13,ED - A Page of My Story,,0,0,0,,{\k41}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Just {\k23}one {\k33}page {\k29}of {\k61}life {\k61}in {\k45}my {\k79}sto{\k107}ry.
Dialogue: 0,0:24:02.50,0:24:05.96,ED - A Page of My Story,,0,0,0,,{\k51}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Sweet {\k26}and {\k318}bright.
Dialogue: 0,0:22:40.87,0:22:47.08,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}لا أعرف ما سأفعل إن لم تكن الأيام كبعضها
Dialogue: 0,0:22:47.62,0:22:53.49,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}تتخيلني أضحك والآن تراني سائرة في الطريق
Dialogue: 0,0:22:54.02,0:22:57.09,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ومن ثم أركب حافلة حمراء ذات طابقين
Dialogue: 0,0:22:57.40,0:23:00.00,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والنعيم سيجدني
Dialogue: 0,0:23:00.75,0:23:04.45,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأمتطي موكبًا ببطئ
Dialogue: 0,0:23:04.45,0:23:06.97,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ابتسامتي بها حلم
Dialogue: 0,0:23:09.03,0:23:16.39,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والآن كما تعرف، ثمة مشهد... أكرره في نفسي
Dialogue: 0,0:23:17.00,0:23:19.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أثناء احتسائي لشاي أسود والآن
Dialogue: 0,0:23:20.34,0:23:22.81,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أتحسّس شجرة برّقة
Dialogue: 0,0:23:23.37,0:23:26.49,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}شعاع ترحيب هادئٍ قادم من السماء
Dialogue: 0,0:23:26.80,0:23:32.61,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}يمكنه تحريري. أشعر وكأني... أقترب أكثر فأكثر
Dialogue: 0,0:23:32.90,0:23:36.63,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}للضحك بروعة على كل شيء
Dialogue: 0,0:23:36.88,0:23:39.89,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأخرج في صباح الأحد
Dialogue: 0,0:23:39.89,0:23:42.41,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وقد أشرق الضوء
Dialogue: 0,0:23:39.79,0:23:44.47,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، ضوء الصباح علي)
Dialogue: 0,0:23:42.71,0:23:45.78,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وطامحة للعلو
Dialogue: 0,0:23:44.47,0:23:49.95,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(انظر حولك وسترى في كل مكان)
Dialogue: 0,0:23:47.86,0:23:52.21,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}فلتختفِ المخاوف فقد أشرق الضوء
Dialogue: 0,0:23:49.95,0:23:55.15,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، لمعان الضوء علي)
Dialogue: 0,0:23:52.52,0:23:57.41,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأحاول إيجاد سرور الآن
Dialogue: 0,0:23:57.68,0:24:02.13,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}مجرّد جزء من قصة حياتي
Dialogue: 0,0:24:02.50,0:24:05.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}جميلة وبهيّة
Dialogue: 0,0:01:59.06,0:01:59.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}H
Dialogue: 0,0:01:59.06,0:01:59.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(160,85)\fad(200,0)}e
Dialogue: 0,0:01:59.06,0:01:59.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}a
Dialogue: 0,0:01:59.06,0:01:59.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}r
Dialogue: 0,0:01:59.06,0:01:59.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}
Dialogue: 0,0:01:59.72,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\bord2\shad0\be0\}Hear
Dialogue: 0,0:02:01.45,0:02:01.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}H
Dialogue: 0,0:02:01.45,0:02:01.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(160,85,160,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:01.45,0:02:01.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:01.45,0:02:01.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:01.45,0:02:01.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:59.06,0:01:59.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 2,0:01:59.06,0:01:59.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 0,0:01:59.16,0:01:59.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(274,85)\fad(200,0)}m
Dialogue: 0,0:01:59.16,0:01:59.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(311,85)\fad(200,0)}e
Dialogue: 0,0:01:59.16,0:01:59.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(333,85)\fad(200,0)},
Dialogue: 0,0:01:59.16,0:01:59.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\fad(200,0)}
Dialogue: 0,0:02:00.29,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\bord2\shad0\be0\}me,
Dialogue: 0,0:02:01.45,0:02:01.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(274,85,274,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}m
Dialogue: 0,0:02:01.45,0:02:01.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(311,85,311,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:01.45,0:02:01.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(333,85,333,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:02:01.45,0:02:01.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(351,85,351,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:59.72,0:02:00.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 2,0:01:59.72,0:02:00.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 0,0:01:59.26,0:02:00.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\fad(200,0)}I
Dialogue: 0,0:01:59.26,0:02:00.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:02:00.77,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\bord2\shad0\be0\}I
Dialogue: 0,0:02:01.45,0:02:01.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(379,85,379,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}I
Dialogue: 0,0:02:01.45,0:02:01.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:00.29,0:02:00.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:02:00.29,0:02:00.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:01:59.36,0:02:00.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}s
Dialogue: 0,0:01:59.36,0:02:00.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}a
Dialogue: 0,0:01:59.36,0:02:00.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}y
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\bord2\shad0\be0\}say
Dialogue: 0,0:02:01.45,0:02:01.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:01.45,0:02:01.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:01.45,0:02:01.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 2,0:02:00.77,0:02:01.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 2,0:02:00.77,0:02:01.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}r
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}o
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(209,85)\fad(200,0)}s
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(242,85)\fad(200,0)}s
Dialogue: 0,0:02:01.45,0:02:01.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(268,85)\fad(200,0)}
Dialogue: 0,0:02:01.70,0:02:05.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(169,85)\bord2\shad0\be0\}Cross
Dialogue: 0,0:02:05.28,0:02:05.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:05.28,0:02:05.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:05.28,0:02:05.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:05.28,0:02:05.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(209,85,209,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:02:05.28,0:02:05.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(242,85,242,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:02:05.28,0:02:05.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(268,85,268,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:01.45,0:02:01.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 2,0:02:01.45,0:02:01.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 0,0:02:01.55,0:02:01.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}t
Dialogue: 0,0:02:01.55,0:02:01.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}h
Dialogue: 0,0:02:01.55,0:02:01.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}e
Dialogue: 0,0:02:01.55,0:02:01.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(366,85)\fad(200,0)}
Dialogue: 0,0:02:02.00,0:02:05.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:05.28,0:02:05.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:05.28,0:02:05.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:05.28,0:02:05.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:05.28,0:02:05.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(366,85,366,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:01.70,0:02:02.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:01.70,0:02:02.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:01.65,0:02:02.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(399,85)\fad(200,0)}w
Dialogue: 0,0:02:01.65,0:02:02.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(435,85)\fad(200,0)}a
Dialogue: 0,0:02:01.65,0:02:02.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}l
Dialogue: 0,0:02:01.65,0:02:02.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(481,85)\fad(200,0)}l
Dialogue: 0,0:02:01.65,0:02:02.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(501,85)\fad(200,0)}.
Dialogue: 0,0:02:05.28,0:02:05.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}wall.
Dialogue: 0,0:02:05.28,0:02:05.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(399,85,399,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:05.28,0:02:05.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(435,85,435,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:05.28,0:02:05.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:05.28,0:02:05.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(481,85,481,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:05.28,0:02:05.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(501,85,501,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}.
Dialogue: 2,0:02:02.00,0:02:05.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 2,0:02:02.00,0:02:05.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 0,0:02:06.05,0:02:06.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:02:06.05,0:02:06.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:02:06.05,0:02:06.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}n
Dialogue: 0,0:02:06.05,0:02:06.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(206,85)\fad(200,0)}
Dialogue: 0,0:02:06.41,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(138,85)\bord2\shad0\be0\}Can
Dialogue: 0,0:02:11.43,0:02:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:11.43,0:02:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:11.43,0:02:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:11.43,0:02:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(206,85,206,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:06.05,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 2,0:02:06.05,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 0,0:02:06.15,0:02:06.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}y
Dialogue: 0,0:02:06.15,0:02:06.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}o
Dialogue: 0,0:02:06.15,0:02:06.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}u
Dialogue: 0,0:02:06.15,0:02:06.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(326,85)\fad(200,0)}
Dialogue: 0,0:02:06.57,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\bord2\shad0\be0\}you
Dialogue: 0,0:02:11.43,0:02:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:02:11.43,0:02:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:11.43,0:02:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:02:11.43,0:02:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(326,85,326,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:06.41,0:02:06.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 2,0:02:06.41,0:02:06.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 0,0:02:06.25,0:02:06.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(347,85)\fad(200,0)}f
Dialogue: 0,0:02:06.25,0:02:06.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(371,85)\fad(200,0)}e
Dialogue: 0,0:02:06.25,0:02:06.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(398,85)\fad(200,0)}e
Dialogue: 0,0:02:06.25,0:02:06.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}l
Dialogue: 0,0:02:06.25,0:02:06.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)}
Dialogue: 0,0:02:07.09,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\bord2\shad0\be0\}feel
Dialogue: 0,0:02:11.43,0:02:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(347,85,347,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:02:11.43,0:02:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(371,85,371,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:11.43,0:02:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(398,85,398,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:11.43,0:02:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:11.43,0:02:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:06.57,0:02:07.19,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 2,0:02:06.57,0:02:07.19,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 0,0:02:06.35,0:02:07.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}t
Dialogue: 0,0:02:06.35,0:02:07.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(490,85)\fad(200,0)}h
Dialogue: 0,0:02:06.35,0:02:07.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(519,85)\fad(200,0)}a
Dialogue: 0,0:02:06.35,0:02:07.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}t
Dialogue: 0,0:02:06.35,0:02:07.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}
Dialogue: 0,0:02:07.32,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}that
Dialogue: 0,0:02:11.43,0:02:11.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:11.43,0:02:11.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(490,85,490,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:11.43,0:02:11.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(519,85,519,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:11.43,0:02:11.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:11.43,0:02:11.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:07.09,0:02:07.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:02:07.09,0:02:07.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\fad(200,0)}n
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(625,85)\fad(200,0)}o
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}t
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(677,85)\fad(200,0)}h
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(702,85)\fad(200,0)}i
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(729,85)\fad(200,0)}n
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(762,85)\fad(200,0)}g
Dialogue: 0,0:02:06.45,0:02:07.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(789,85)\fad(200,0)}
Dialogue: 0,0:02:08.22,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(676,85)\bord2\shad0\be0\}nothing
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(592,85,592,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(625,85,625,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(677,85,677,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(702,85,702,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(729,85,729,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(762,85,762,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}g
Dialogue: 0,0:02:11.43,0:02:11.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(789,85,789,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:07.32,0:02:08.32,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 2,0:02:07.32,0:02:08.32,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 0,0:02:06.55,0:02:08.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(809,85)\fad(200,0)}t
Dialogue: 0,0:02:06.55,0:02:08.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(837,85)\fad(200,0)}u
Dialogue: 0,0:02:06.55,0:02:08.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(868,85)\fad(200,0)}r
Dialogue: 0,0:02:06.55,0:02:08.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(900,85)\fad(200,0)}n
Dialogue: 0,0:02:06.55,0:02:08.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(934,85)\fad(200,0)}s
Dialogue: 0,0:02:06.55,0:02:08.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(960,85)\fad(200,0)}
Dialogue: 0,0:02:08.72,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(874,85)\bord2\shad0\be0\}turns
Dialogue: 0,0:02:11.43,0:02:11.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(809,85,809,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:11.43,0:02:11.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(837,85,837,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:02:11.43,0:02:11.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(868,85,868,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:02:11.43,0:02:11.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(900,85,900,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:02:11.43,0:02:11.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(934,85,934,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:02:11.43,0:02:11.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(960,85,960,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:08.22,0:02:08.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 2,0:02:08.22,0:02:08.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(984,85)\fad(200,0)}a
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1012,85)\fad(200,0)}r
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1043,85)\fad(200,0)}o
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1075,85)\fad(200,0)}u
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1109,85)\fad(200,0)}n
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1143,85)\fad(200,0)}d
Dialogue: 0,0:02:06.65,0:02:08.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}.
Dialogue: 0,0:02:11.43,0:02:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\bord2\shad0\be0\}around.
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(984,85,984,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1012,85,1012,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}r
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1043,85,1043,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1075,85,1075,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}u
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1109,85,1109,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1143,85,1143,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}d
Dialogue: 0,0:02:11.43,0:02:11.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:02:08.72,0:02:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 2,0:02:08.72,0:02:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 0,0:02:12.24,0:02:12.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(112,85)\fad(200,0)}L
Dialogue: 0,0:02:12.24,0:02:12.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}i
Dialogue: 0,0:02:12.24,0:02:12.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(181,85)\fad(200,0)}k
Dialogue: 0,0:02:12.24,0:02:12.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(211,85)\fad(200,0)}e
Dialogue: 0,0:02:12.24,0:02:12.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}
Dialogue: 0,0:02:12.70,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(152,85)\bord2\shad0\be0\}Like
Dialogue: 0,0:02:17.12,0:02:17.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(112,85,112,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}L
Dialogue: 0,0:02:17.12,0:02:17.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:02:17.12,0:02:17.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(181,85,181,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}k
Dialogue: 0,0:02:17.12,0:02:17.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(211,85,211,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:17.12,0:02:17.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:12.24,0:02:12.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 2,0:02:12.24,0:02:12.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 0,0:02:12.34,0:02:12.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}a
Dialogue: 0,0:02:12.34,0:02:12.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(283,85)\fad(200,0)}
Dialogue: 0,0:02:12.91,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\bord2\shad0\be0\}a
Dialogue: 0,0:02:17.12,0:02:17.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:17.12,0:02:17.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(283,85,283,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:12.70,0:02:13.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:02:12.70,0:02:13.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:02:12.44,0:02:12.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}g
Dialogue: 0,0:02:12.44,0:02:12.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(339,85)\fad(200,0)}e
Dialogue: 0,0:02:12.44,0:02:12.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}a
Dialogue: 0,0:02:12.44,0:02:12.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(395,85)\fad(200,0)}r
Dialogue: 0,0:02:12.44,0:02:12.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(420,85)\fad(200,0)}
Dialogue: 0,0:02:13.34,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\bord2\shad0\be0\}gear
Dialogue: 0,0:02:17.12,0:02:17.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:02:17.12,0:02:17.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(339,85,339,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:17.12,0:02:17.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:17.12,0:02:17.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(395,85,395,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:17.12,0:02:17.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(420,85,420,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:12.91,0:02:13.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 2,0:02:12.91,0:02:13.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 0,0:02:12.54,0:02:13.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}i
Dialogue: 0,0:02:12.54,0:02:13.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(467,85)\fad(200,0)}n
Dialogue: 0,0:02:12.54,0:02:13.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}
Dialogue: 0,0:02:13.59,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(457,85)\bord2\shad0\be0\}in
Dialogue: 0,0:02:17.12,0:02:17.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:17.12,0:02:17.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(467,85,467,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:02:17.12,0:02:17.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:13.34,0:02:13.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 2,0:02:13.34,0:02:13.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 0,0:02:12.64,0:02:13.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(521,85)\fad(200,0)}s
Dialogue: 0,0:02:12.64,0:02:13.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(554,85)\fad(200,0)}y
Dialogue: 0,0:02:12.64,0:02:13.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:02:12.64,0:02:13.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(619,85)\fad(200,0)}c
Dialogue: 0,0:02:12.64,0:02:13.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}
Dialogue: 0,0:02:14.31,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(568,85)\bord2\shad0\be0\}sync
Dialogue: 0,0:02:17.12,0:02:17.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(521,85,521,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:17.12,0:02:17.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(554,85,554,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:02:17.12,0:02:17.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:17.12,0:02:17.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(619,85,619,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:17.12,0:02:17.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:13.59,0:02:14.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 2,0:02:13.59,0:02:14.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(661,85)\fad(200,0)}i
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}n
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}s
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(748,85)\fad(200,0)}i
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(774,85)\fad(200,0)}d
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(803,85)\fad(200,0)}e
Dialogue: 0,0:02:12.74,0:02:14.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}
Dialogue: 0,0:02:14.96,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}inside
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(661,85,661,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(748,85,748,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(774,85,774,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}d
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(803,85,803,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:02:17.12,0:02:17.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:14.31,0:02:15.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 2,0:02:14.31,0:02:15.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 0,0:02:12.84,0:02:14.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\fad(200,0)}a
Dialogue: 0,0:02:12.84,0:02:14.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(875,85)\fad(200,0)}
Dialogue: 0,0:02:15.07,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\bord2\shad0\be0\}a
Dialogue: 0,0:02:17.12,0:02:17.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(851,85,851,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:17.12,0:02:17.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(875,85,875,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:14.96,0:02:15.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:02:14.96,0:02:15.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:02:12.94,0:02:15.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}c
Dialogue: 0,0:02:12.94,0:02:15.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(921,85)\fad(200,0)}l
Dialogue: 0,0:02:12.94,0:02:15.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(947,85)\fad(200,0)}o
Dialogue: 0,0:02:12.94,0:02:15.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(975,85)\fad(200,0)}c
Dialogue: 0,0:02:12.94,0:02:15.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}k
Dialogue: 0,0:02:12.94,0:02:15.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1030,85)\fad(200,0)}.
Dialogue: 0,0:02:17.12,0:02:17.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(962,85)\bord2\shad0\be0\}clock.
Dialogue: 0,0:02:17.12,0:02:17.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:02:17.12,0:02:17.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(921,85,921,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}l
Dialogue: 0,0:02:17.12,0:02:17.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(947,85,947,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}o
Dialogue: 0,0:02:17.12,0:02:17.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(975,85,975,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:02:17.12,0:02:17.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:02:17.12,0:02:17.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1030,85,1030,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}.
Dialogue: 2,0:02:15.07,0:02:17.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 2,0:02:15.07,0:02:17.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 0,0:02:18.25,0:02:18.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:02:18.25,0:02:18.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:02:18.25,0:02:18.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(203,85)\fad(200,0)}o
Dialogue: 0,0:02:18.25,0:02:18.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(228,85)\fad(200,0)}
Dialogue: 0,0:02:18.53,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(149,85)\bord2\shad0\be0\}Who
Dialogue: 0,0:02:23.40,0:02:23.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:02:23.40,0:02:23.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:02:23.40,0:02:23.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(203,85,203,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:23.40,0:02:23.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(228,85,228,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:18.25,0:02:18.63,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 2,0:02:18.25,0:02:18.63,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 0,0:02:18.35,0:02:18.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(251,85)\fad(200,0)}c
Dialogue: 0,0:02:18.35,0:02:18.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(277,85)\fad(200,0)}a
Dialogue: 0,0:02:18.35,0:02:18.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}n
Dialogue: 0,0:02:18.35,0:02:18.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(336,85)\fad(200,0)}
Dialogue: 0,0:02:18.80,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\bord2\shad0\be0\}can
Dialogue: 0,0:02:23.40,0:02:23.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(251,85,251,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:02:23.40,0:02:23.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(277,85,277,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:23.40,0:02:23.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:23.40,0:02:23.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(336,85,336,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:18.53,0:02:18.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:02:18.53,0:02:18.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:02:18.45,0:02:18.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}b
Dialogue: 0,0:02:18.45,0:02:18.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}e
Dialogue: 0,0:02:18.45,0:02:18.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:02:19.02,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(375,85)\bord2\shad0\be0\}be
Dialogue: 0,0:02:23.40,0:02:23.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}b
Dialogue: 0,0:02:23.40,0:02:23.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:23.40,0:02:23.55,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:18.80,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:02:18.80,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:02:18.55,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}s
Dialogue: 0,0:02:18.55,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(473,85)\fad(200,0)}u
Dialogue: 0,0:02:18.55,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\fad(200,0)}r
Dialogue: 0,0:02:18.55,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}e
Dialogue: 0,0:02:18.55,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}
Dialogue: 0,0:02:19.58,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\bord2\shad0\be0\}sure
Dialogue: 0,0:02:23.40,0:02:23.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:23.40,0:02:23.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(473,85,473,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}u
Dialogue: 0,0:02:23.40,0:02:23.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(504,85,504,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:02:23.40,0:02:23.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:23.40,0:02:23.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:19.02,0:02:19.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 2,0:02:19.02,0:02:19.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 0,0:02:18.65,0:02:19.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(582,85)\fad(200,0)}o
Dialogue: 0,0:02:18.65,0:02:19.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(608,85)\fad(200,0)}f
Dialogue: 0,0:02:18.65,0:02:19.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}
Dialogue: 0,0:02:19.97,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\bord2\shad0\be0\}of
Dialogue: 0,0:02:23.40,0:02:23.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(582,85,582,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:23.40,0:02:23.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(608,85,608,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}f
Dialogue: 0,0:02:23.40,0:02:23.65,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:19.58,0:02:20.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 2,0:02:19.58,0:02:20.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 0,0:02:18.75,0:02:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(654,85)\fad(200,0)}h
Dialogue: 0,0:02:18.75,0:02:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}o
Dialogue: 0,0:02:18.75,0:02:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}w
Dialogue: 0,0:02:18.75,0:02:19.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(755,85)\fad(200,0)}
Dialogue: 0,0:02:20.32,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(692,85)\bord2\shad0\be0\}how
Dialogue: 0,0:02:23.40,0:02:23.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(654,85,654,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:23.40,0:02:23.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:02:23.40,0:02:23.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:02:23.40,0:02:23.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(755,85,755,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:19.97,0:02:20.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 2,0:02:19.97,0:02:20.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 0,0:02:18.85,0:02:20.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(776,85)\fad(200,0)}t
Dialogue: 0,0:02:18.85,0:02:20.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(802,85)\fad(200,0)}o
Dialogue: 0,0:02:18.85,0:02:20.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(828,85)\fad(200,0)}
Dialogue: 0,0:02:20.74,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(791,85)\bord2\shad0\be0\}to
Dialogue: 0,0:02:23.40,0:02:23.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(776,85,776,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:02:23.40,0:02:23.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(802,85,802,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:02:23.40,0:02:23.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(828,85,828,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:20.32,0:02:20.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:02:20.32,0:02:20.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:02:18.95,0:02:20.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}m
Dialogue: 0,0:02:18.95,0:02:20.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}a
Dialogue: 0,0:02:18.95,0:02:20.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(929,85)\fad(200,0)}k
Dialogue: 0,0:02:18.95,0:02:20.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(959,85)\fad(200,0)}e
Dialogue: 0,0:02:18.95,0:02:20.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(983,85)\fad(200,0)}
Dialogue: 0,0:02:21.14,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(905,85)\bord2\shad0\be0\}make
Dialogue: 0,0:02:23.40,0:02:23.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}m
Dialogue: 0,0:02:23.40,0:02:23.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}a
Dialogue: 0,0:02:23.40,0:02:23.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(929,85,929,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:02:23.40,0:02:23.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(959,85,959,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}e
Dialogue: 0,0:02:23.40,0:02:23.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(983,85,983,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}
Dialogue: 2,0:02:20.74,0:02:21.24,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 2,0:02:20.74,0:02:21.24,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 0,0:02:19.05,0:02:21.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}i
Dialogue: 0,0:02:19.05,0:02:21.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1023,85)\fad(200,0)}t
Dialogue: 0,0:02:19.05,0:02:21.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1044,85)\fad(200,0)}
Dialogue: 0,0:02:21.37,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:23.40,0:02:23.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}i
Dialogue: 0,0:02:23.40,0:02:23.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1023,85,1023,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:02:23.40,0:02:23.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1044,85,1044,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:02:21.14,0:02:21.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:21.14,0:02:21.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:19.15,0:02:21.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1077,85)\fad(200,0)}w
Dialogue: 0,0:02:19.15,0:02:21.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1115,85)\fad(200,0)}o
Dialogue: 0,0:02:19.15,0:02:21.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1145,85)\fad(200,0)}r
Dialogue: 0,0:02:19.15,0:02:21.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}k
Dialogue: 0,0:02:19.15,0:02:21.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1201,85)\fad(200,0)}.
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1132,85)\bord2\shad0\be0\}work.
Dialogue: 0,0:02:23.40,0:02:23.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1077,85,1077,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}w
Dialogue: 0,0:02:23.40,0:02:23.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1115,85,1115,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}o
Dialogue: 0,0:02:23.40,0:02:23.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1145,85,1145,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}r
Dialogue: 0,0:02:23.40,0:02:23.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}k
Dialogue: 0,0:02:23.40,0:02:23.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1201,85,1201,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}.
Dialogue: 2,0:02:21.37,0:02:23.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 2,0:02:21.37,0:02:23.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(114,85)\fad(200,0)}R
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(162,85)\fad(200,0)}e
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}c
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}o
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(247,85)\fad(200,0)}g
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\fad(200,0)}i
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}z
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(363,85)\fad(200,0)}e
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\fad(200,0)},
Dialogue: 0,0:02:23.40,0:02:23.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}
Dialogue: 0,0:02:25.04,0:02:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(237,85)\bord2\shad0\be0\}Recognize,
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(114,85,114,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}R
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(162,85,162,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}c
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(247,85,247,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}g
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(308,85,308,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(363,85,363,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(385,85,385,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\},
Dialogue: 0,0:02:29.78,0:02:29.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:23.40,0:02:25.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 2,0:02:23.40,0:02:25.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}i
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(450,85)\fad(200,0)}n
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}n
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(516,85)\fad(200,0)}e
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}r
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(569,85)\fad(200,0)}
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}i
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}g
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}h
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(703,85)\fad(200,0)}t
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)},
Dialogue: 0,0:02:23.50,0:02:25.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\fad(200,0)}
Dialogue: 0,0:02:26.59,0:02:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(572,85)\bord2\shad0\be0\}inner sight,
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(450,85,450,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(516,85,516,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(569,85,569,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}g
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(703,85,703,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:02:29.78,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(741,85,741,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:25.04,0:02:26.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 2,0:02:25.04,0:02:26.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 0,0:02:23.60,0:02:26.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(767,85)\fad(200,0)}g
Dialogue: 0,0:02:23.60,0:02:26.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(799,85)\fad(200,0)}o
Dialogue: 0,0:02:23.60,0:02:26.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(825,85)\fad(200,0)}t
Dialogue: 0,0:02:23.60,0:02:26.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(846,85)\fad(200,0)}t
Dialogue: 0,0:02:23.60,0:02:26.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(871,85)\fad(200,0)}a
Dialogue: 0,0:02:23.60,0:02:26.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(895,85)\fad(200,0)}
Dialogue: 0,0:02:26.89,0:02:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(818,85)\bord2\shad0\be0\}gotta
Dialogue: 0,0:02:29.78,0:02:29.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(767,85,767,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:02:29.78,0:02:29.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(799,85,799,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:29.78,0:02:29.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(825,85,825,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:29.78,0:02:29.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(846,85,846,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:29.78,0:02:29.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(871,85,871,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:29.78,0:02:29.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(895,85,895,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:26.59,0:02:26.99,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 2,0:02:26.59,0:02:26.99,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 0,0:02:23.70,0:02:26.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}s
Dialogue: 0,0:02:23.70,0:02:26.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(948,85)\fad(200,0)}t
Dialogue: 0,0:02:23.70,0:02:26.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\fad(200,0)}a
Dialogue: 0,0:02:23.70,0:02:26.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}y
Dialogue: 0,0:02:23.70,0:02:26.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1032,85)\fad(200,0)}
Dialogue: 0,0:02:27.37,0:02:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(964,85)\bord2\shad0\be0\}stay
Dialogue: 0,0:02:29.78,0:02:29.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:29.78,0:02:29.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(948,85,948,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:29.78,0:02:29.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(973,85,973,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:29.78,0:02:29.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 0,0:02:29.78,0:02:29.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1032,85,1032,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:26.89,0:02:27.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 2,0:02:26.89,0:02:27.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 0,0:02:23.80,0:02:27.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}a
Dialogue: 0,0:02:23.80,0:02:27.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1081,85)\fad(200,0)}l
Dialogue: 0,0:02:23.80,0:02:27.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1101,85)\fad(200,0)}i
Dialogue: 0,0:02:23.80,0:02:27.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1126,85)\fad(200,0)}v
Dialogue: 0,0:02:23.80,0:02:27.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1155,85)\fad(200,0)}e
Dialogue: 0,0:02:23.80,0:02:27.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1177,85)\fad(200,0)}.
Dialogue: 0,0:02:29.78,0:02:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1114,85)\bord2\shad0\be0\}alive.
Dialogue: 0,0:02:29.78,0:02:30.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:29.78,0:02:30.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1081,85,1081,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}l
Dialogue: 0,0:02:29.78,0:02:30.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1101,85,1101,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:02:29.78,0:02:30.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1126,85,1126,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:02:29.78,0:02:30.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1155,85,1155,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:29.78,0:02:30.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1177,85,1177,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:02:27.37,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 2,0:02:27.37,0:02:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 0,0:02:30.28,0:02:30.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:02:30.28,0:02:30.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(126,85)\fad(200,0)}
Dialogue: 0,0:02:30.69,0:02:32.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\bord2\shad0\be0\}I
Dialogue: 0,0:02:32.86,0:02:32.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:02:32.86,0:02:32.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(126,85,126,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:30.28,0:02:30.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:02:30.28,0:02:30.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:02:30.38,0:02:30.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(159,85)\fad(200,0)}w
Dialogue: 0,0:02:30.38,0:02:30.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(191,85)\fad(200,0)}i
Dialogue: 0,0:02:30.38,0:02:30.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(212,85)\fad(200,0)}l
Dialogue: 0,0:02:30.38,0:02:30.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}l
Dialogue: 0,0:02:30.38,0:02:30.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}
Dialogue: 0,0:02:31.05,0:02:32.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\bord2\shad0\be0\}will
Dialogue: 0,0:02:32.86,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(159,85,159,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:02:32.86,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(191,85,191,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:32.86,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(212,85,212,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:32.86,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:32.86,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:30.69,0:02:31.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 2,0:02:30.69,0:02:31.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 0,0:02:30.48,0:02:31.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:02:30.48,0:02:31.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(312,85)\fad(200,0)}e
Dialogue: 0,0:02:30.48,0:02:31.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(341,85)\fad(200,0)}v
Dialogue: 0,0:02:30.48,0:02:31.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}e
Dialogue: 0,0:02:30.48,0:02:31.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(397,85)\fad(200,0)}r
Dialogue: 0,0:02:30.48,0:02:31.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(422,85)\fad(200,0)}
Dialogue: 0,0:02:31.66,0:02:32.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\bord2\shad0\be0\}never
Dialogue: 0,0:02:32.86,0:02:33.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:02:32.86,0:02:33.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(312,85,312,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:32.86,0:02:33.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(341,85,341,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}v
Dialogue: 0,0:02:32.86,0:02:33.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:32.86,0:02:33.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(397,85,397,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:32.86,0:02:33.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(422,85,422,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:31.05,0:02:31.76,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 2,0:02:31.05,0:02:31.76,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 0,0:02:30.58,0:02:31.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}b
Dialogue: 0,0:02:30.58,0:02:31.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(475,85)\fad(200,0)}e
Dialogue: 0,0:02:30.58,0:02:31.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(499,85)\fad(200,0)}
Dialogue: 0,0:02:32.06,0:02:32.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\bord2\shad0\be0\}be
Dialogue: 0,0:02:32.86,0:02:33.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}b
Dialogue: 0,0:02:32.86,0:02:33.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(475,85,475,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:32.86,0:02:33.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(499,85,499,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:31.66,0:02:32.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:02:31.66,0:02:32.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}d
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(555,85)\fad(200,0)}e
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}c
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(607,85)\fad(200,0)}e
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(631,85)\fad(200,0)}i
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}v
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}e
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(714,85)\fad(200,0)}d
Dialogue: 0,0:02:30.68,0:02:32.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\fad(200,0)}.
Dialogue: 0,0:02:32.86,0:02:32.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\bord2\shad0\be0\}deceived.
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(555,85,555,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(607,85,607,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(631,85,631,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(714,85,714,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:02:32.86,0:02:33.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(739,85,739,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:02:32.06,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 2,0:02:32.06,0:02:32.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 0,0:02:32.93,0:02:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:02:32.93,0:02:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\fad(200,0)}'
Dialogue: 0,0:02:32.93,0:02:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(157,85)\fad(200,0)}m
Dialogue: 0,0:02:32.93,0:02:32.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\fad(200,0)}
Dialogue: 0,0:02:33.20,0:02:35.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(130,85)\bord2\shad0\be0\}I'm
Dialogue: 0,0:02:35.93,0:02:35.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:02:35.93,0:02:35.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(125,85,125,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:02:35.93,0:02:35.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(157,85,157,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}m
Dialogue: 0,0:02:35.93,0:02:35.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(190,85,190,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:32.93,0:02:33.30,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 2,0:02:32.93,0:02:33.30,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 0,0:02:33.03,0:02:33.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\fad(200,0)}a
Dialogue: 0,0:02:33.03,0:02:33.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(238,85)\fad(200,0)}
Dialogue: 0,0:02:33.39,0:02:35.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\bord2\shad0\be0\}a
Dialogue: 0,0:02:35.93,0:02:36.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(214,85,214,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:35.93,0:02:36.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(238,85,238,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:33.20,0:02:33.49,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:02:33.20,0:02:33.49,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:02:33.13,0:02:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(265,85)\fad(200,0)}g
Dialogue: 0,0:02:33.13,0:02:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(291,85)\fad(200,0)}i
Dialogue: 0,0:02:33.13,0:02:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\fad(200,0)}r
Dialogue: 0,0:02:33.13,0:02:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}l
Dialogue: 0,0:02:33.13,0:02:33.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}
Dialogue: 0,0:02:33.72,0:02:35.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\bord2\shad0\be0\}girl
Dialogue: 0,0:02:35.93,0:02:36.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(265,85,265,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:02:35.93,0:02:36.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(291,85,291,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:02:35.93,0:02:36.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(315,85,315,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:35.93,0:02:36.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:35.93,0:02:36.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:33.39,0:02:33.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 2,0:02:33.39,0:02:33.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 0,0:02:33.23,0:02:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(382,85)\fad(200,0)}t
Dialogue: 0,0:02:33.23,0:02:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}h
Dialogue: 0,0:02:33.23,0:02:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}a
Dialogue: 0,0:02:33.23,0:02:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\fad(200,0)}t
Dialogue: 0,0:02:33.23,0:02:33.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(482,85)\fad(200,0)}
Dialogue: 0,0:02:33.89,0:02:35.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}that
Dialogue: 0,0:02:35.93,0:02:36.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(382,85,382,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:35.93,0:02:36.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:35.93,0:02:36.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:35.93,0:02:36.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(461,85,461,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:35.93,0:02:36.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(482,85,482,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:33.72,0:02:33.99,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:02:33.72,0:02:33.99,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:02:33.33,0:02:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(508,85)\fad(200,0)}s
Dialogue: 0,0:02:33.33,0:02:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(538,85)\fad(200,0)}e
Dialogue: 0,0:02:33.33,0:02:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(565,85)\fad(200,0)}e
Dialogue: 0,0:02:33.33,0:02:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:02:33.33,0:02:33.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}
Dialogue: 0,0:02:34.37,0:02:35.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(551,85)\bord2\shad0\be0\}sees
Dialogue: 0,0:02:35.93,0:02:36.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(508,85,508,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:35.93,0:02:36.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(538,85,538,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:35.93,0:02:36.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(565,85,565,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:35.93,0:02:36.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:35.93,0:02:36.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:33.89,0:02:34.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 2,0:02:33.89,0:02:34.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(642,85)\fad(200,0)}t
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}h
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(696,85)\fad(200,0)}r
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}o
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(759,85)\fad(200,0)}u
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}g
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(823,85)\fad(200,0)}h
Dialogue: 0,0:02:33.43,0:02:34.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}
Dialogue: 0,0:02:34.76,0:02:35.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}through
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(642,85,642,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(696,85,696,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(759,85,759,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}g
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(823,85,823,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:35.93,0:02:36.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:34.37,0:02:34.86,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 2,0:02:34.37,0:02:34.86,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 0,0:02:33.53,0:02:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\fad(200,0)}l
Dialogue: 0,0:02:33.53,0:02:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\fad(200,0)}i
Dialogue: 0,0:02:33.53,0:02:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(913,85)\fad(200,0)}e
Dialogue: 0,0:02:33.53,0:02:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(943,85)\fad(200,0)}s
Dialogue: 0,0:02:33.53,0:02:34.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(968,85)\fad(200,0)}.
Dialogue: 0,0:02:35.93,0:02:36.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(869,85,869,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:02:35.93,0:02:36.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(890,85,890,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:02:35.93,0:02:36.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(913,85,913,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}e
Dialogue: 0,0:02:35.93,0:02:36.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(943,85,943,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:02:35.93,0:02:36.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(968,85,968,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:02:34.76,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 2,0:02:34.76,0:02:36.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 0,0:02:35.94,0:02:35.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(89,85)\fad(200,0)}'
Dialogue: 0,0:02:35.94,0:02:35.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(124,85)\fad(200,0)}C
Dialogue: 0,0:02:35.94,0:02:35.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\fad(200,0)}u
Dialogue: 0,0:02:35.94,0:02:35.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(200,85)\fad(200,0)}z
Dialogue: 0,0:02:35.94,0:02:35.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(226,85)\fad(200,0)}
Dialogue: 0,0:02:36.20,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(148,85)\bord2\shad0\be0\}'Cuz
Dialogue: 0,0:02:38.98,0:02:39.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(89,85,89,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:02:38.98,0:02:39.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(124,85,124,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:38.98,0:02:39.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(167,85,167,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}u
Dialogue: 0,0:02:38.98,0:02:39.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(200,85,200,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:02:38.98,0:02:39.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(226,85,226,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:35.94,0:02:36.30,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 2,0:02:35.94,0:02:36.30,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 0,0:02:36.04,0:02:36.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}I
Dialogue: 0,0:02:36.04,0:02:36.20,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\fad(200,0)}
Dialogue: 0,0:02:36.34,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\bord2\shad0\be0\}I
Dialogue: 0,0:02:38.98,0:02:39.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}I
Dialogue: 0,0:02:38.98,0:02:39.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(282,85,282,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:36.20,0:02:36.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:02:36.20,0:02:36.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:02:36.14,0:02:36.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}k
Dialogue: 0,0:02:36.14,0:02:36.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}n
Dialogue: 0,0:02:36.14,0:02:36.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}o
Dialogue: 0,0:02:36.14,0:02:36.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(414,85)\fad(200,0)}w
Dialogue: 0,0:02:36.14,0:02:36.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)},
Dialogue: 0,0:02:36.14,0:02:36.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(463,85)\fad(200,0)}
Dialogue: 0,0:02:36.97,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(372,85)\bord2\shad0\be0\}know,
Dialogue: 0,0:02:38.98,0:02:39.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:02:38.98,0:02:39.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:02:38.98,0:02:39.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:38.98,0:02:39.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(414,85,414,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:38.98,0:02:39.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\},
Dialogue: 0,0:02:38.98,0:02:39.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(463,85,463,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:36.34,0:02:37.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 2,0:02:36.34,0:02:37.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 0,0:02:36.34,0:02:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}k
Dialogue: 0,0:02:36.34,0:02:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(523,85)\fad(200,0)}n
Dialogue: 0,0:02:36.34,0:02:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}o
Dialogue: 0,0:02:36.34,0:02:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}w
Dialogue: 0,0:02:36.34,0:02:37.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(627,85)\fad(200,0)}
Dialogue: 0,0:02:37.74,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(545,85)\bord2\shad0\be0\}know
Dialogue: 0,0:02:38.98,0:02:39.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:02:38.98,0:02:39.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(523,85,523,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:38.98,0:02:39.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:38.98,0:02:39.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:02:38.98,0:02:39.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(627,85,627,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:37.50,0:02:37.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 2,0:02:37.50,0:02:37.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 0,0:02:36.44,0:02:37.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}i
Dialogue: 0,0:02:36.44,0:02:37.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}t
Dialogue: 0,0:02:36.44,0:02:37.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}
Dialogue: 0,0:02:37.96,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(657,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:38.98,0:02:39.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:02:38.98,0:02:39.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:38.98,0:02:39.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:37.74,0:02:38.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:37.74,0:02:38.06,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:36.54,0:02:37.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(712,85)\fad(200,0)}a
Dialogue: 0,0:02:36.54,0:02:37.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(737,85)\fad(200,0)}l
Dialogue: 0,0:02:36.54,0:02:37.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(758,85)\fad(200,0)}l
Dialogue: 0,0:02:36.54,0:02:37.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(778,85)\fad(200,0)}.
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(743,85)\bord2\shad0\be0\}all.
Dialogue: 0,0:02:38.98,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(712,85,712,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:38.98,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(737,85,737,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:02:38.98,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(758,85,758,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:02:38.98,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(778,85,778,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:02:37.96,0:02:39.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 2,0:02:37.96,0:02:39.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}n
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}n
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}a
Dialogue: 0,0:02:38.98,0:02:38.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(279,85)\fad(200,0)}
Dialogue: 0,0:02:39.33,0:02:43.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(174,85)\bord2\shad0\be0\}Gonna
Dialogue: 0,0:02:43.46,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:02:43.46,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:43.46,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:43.46,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:43.46,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:43.46,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(279,85,279,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:38.98,0:02:39.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 2,0:02:38.98,0:02:39.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 0,0:02:39.08,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}f
Dialogue: 0,0:02:39.08,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}l
Dialogue: 0,0:02:39.08,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(349,85)\fad(200,0)}y
Dialogue: 0,0:02:39.08,0:02:39.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}
Dialogue: 0,0:02:40.56,0:02:43.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(328,85)\bord2\shad0\be0\}fly
Dialogue: 0,0:02:43.46,0:02:43.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}f
Dialogue: 0,0:02:43.46,0:02:43.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:43.46,0:02:43.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(349,85,349,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:02:43.46,0:02:43.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:39.33,0:02:40.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 2,0:02:39.33,0:02:40.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 0,0:02:39.18,0:02:40.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}s
Dialogue: 0,0:02:39.18,0:02:40.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}o
Dialogue: 0,0:02:39.18,0:02:40.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}
Dialogue: 0,0:02:41.00,0:02:43.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(418,85)\bord2\shad0\be0\}so
Dialogue: 0,0:02:43.46,0:02:43.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}s
Dialogue: 0,0:02:43.46,0:02:43.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:43.46,0:02:43.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:40.56,0:02:41.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 2,0:02:40.56,0:02:41.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 0,0:02:39.28,0:02:41.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}h
Dialogue: 0,0:02:39.28,0:02:41.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(510,85)\fad(200,0)}i
Dialogue: 0,0:02:39.28,0:02:41.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}g
Dialogue: 0,0:02:39.28,0:02:41.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(567,85)\fad(200,0)}h
Dialogue: 0,0:02:39.28,0:02:41.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(591,85)\fad(200,0)}.
Dialogue: 0,0:02:43.46,0:02:43.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(535,85)\bord2\shad0\be0\}high.
Dialogue: 0,0:02:43.46,0:02:43.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:43.46,0:02:43.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(510,85,510,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:43.46,0:02:43.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:02:43.46,0:02:43.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(567,85,567,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:43.46,0:02:43.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(591,85,591,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:02:41.00,0:02:43.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 2,0:02:41.00,0:02:43.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 0,0:02:43.51,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:02:43.51,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:02:43.51,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:02:43.51,0:02:43.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:02:43.87,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:02:46.33,0:02:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:02:46.33,0:02:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:46.33,0:02:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:02:46.33,0:02:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:43.51,0:02:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:02:43.51,0:02:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:02:43.61,0:02:43.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:02:44.11,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:46.33,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:43.87,0:02:44.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:02:43.87,0:02:44.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:02:43.71,0:02:44.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:02:43.71,0:02:44.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:02:43.71,0:02:44.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:02:43.71,0:02:44.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:02:44.31,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:46.33,0:02:46.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:46.33,0:02:46.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:02:46.33,0:02:46.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:46.33,0:02:46.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:44.11,0:02:44.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:44.11,0:02:44.41,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:02:43.81,0:02:44.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:02:45.04,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:46.33,0:02:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:44.31,0:02:45.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:02:44.31,0:02:45.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:02:44.01,0:02:45.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}W
Dialogue: 0,0:02:44.01,0:02:45.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(787,85)\fad(200,0)}h
Dialogue: 0,0:02:44.01,0:02:45.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(816,85)\fad(200,0)}a
Dialogue: 0,0:02:44.01,0:02:45.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(840,85)\fad(200,0)}t
Dialogue: 0,0:02:44.01,0:02:45.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}
Dialogue: 0,0:02:45.49,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(773,85)\bord2\shad0\be0\}What
Dialogue: 0,0:02:46.33,0:02:46.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}W
Dialogue: 0,0:02:46.33,0:02:46.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(787,85,787,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:46.33,0:02:46.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(816,85,816,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:02:46.33,0:02:46.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(840,85,840,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:46.33,0:02:46.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:45.29,0:02:45.59,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 2,0:02:45.29,0:02:45.59,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(885,85)\fad(200,0)}a
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}w
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(958,85)\fad(200,0)}a
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(982,85)\fad(200,0)}i
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}t
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1029,85)\fad(200,0)}s
Dialogue: 0,0:02:44.11,0:02:45.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}!
Dialogue: 0,0:02:46.33,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(969,85)\bord2\shad0\be0\}awaits!
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(885,85,885,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(958,85,958,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(982,85,982,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1029,85,1029,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:02:46.33,0:02:46.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}!
Dialogue: 2,0:02:45.49,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 2,0:02:45.49,0:02:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 0,0:02:46.33,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:02:46.33,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:02:46.33,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:02:46.33,0:02:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:02:46.61,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:02:49.76,0:02:49.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:02:49.76,0:02:49.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:49.76,0:02:49.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:02:49.76,0:02:49.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:46.33,0:02:46.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:02:46.33,0:02:46.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:02:46.43,0:02:46.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}w
Dialogue: 0,0:02:46.43,0:02:46.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(292,85)\fad(200,0)}h
Dialogue: 0,0:02:46.43,0:02:46.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}a
Dialogue: 0,0:02:46.43,0:02:46.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(346,85)\fad(200,0)}t
Dialogue: 0,0:02:46.43,0:02:46.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}
Dialogue: 0,0:02:46.78,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\bord2\shad0\be0\}what
Dialogue: 0,0:02:49.76,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:02:49.76,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(292,85,292,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:49.76,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:49.76,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(346,85,346,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:49.76,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:46.61,0:02:46.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 2,0:02:46.61,0:02:46.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 0,0:02:46.53,0:02:46.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(389,85)\fad(200,0)}c
Dialogue: 0,0:02:46.53,0:02:46.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(416,85)\fad(200,0)}a
Dialogue: 0,0:02:46.53,0:02:46.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}n
Dialogue: 0,0:02:46.53,0:02:46.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:02:47.04,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}can
Dialogue: 0,0:02:49.76,0:02:49.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(389,85,389,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:02:49.76,0:02:49.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(416,85,416,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:49.76,0:02:49.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:02:49.76,0:02:49.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:46.78,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:02:46.78,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:02:46.63,0:02:47.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}i
Dialogue: 0,0:02:46.63,0:02:47.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(515,85)\fad(200,0)}t
Dialogue: 0,0:02:46.63,0:02:47.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}
Dialogue: 0,0:02:47.14,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(505,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:49.76,0:02:49.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:49.76,0:02:49.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(515,85,515,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:49.76,0:02:49.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:47.04,0:02:47.24,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:47.04,0:02:47.24,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:46.73,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}s
Dialogue: 0,0:02:46.73,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(593,85)\fad(200,0)}h
Dialogue: 0,0:02:46.73,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}o
Dialogue: 0,0:02:46.73,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(662,85)\fad(200,0)}w
Dialogue: 0,0:02:46.73,0:02:47.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(694,85)\fad(200,0)}
Dialogue: 0,0:02:47.66,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}show
Dialogue: 0,0:02:49.76,0:02:50.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:49.76,0:02:50.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(593,85,593,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:02:49.76,0:02:50.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:49.76,0:02:50.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(662,85,662,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:02:49.76,0:02:50.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(694,85,694,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:47.14,0:02:47.76,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 2,0:02:47.14,0:02:47.76,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 0,0:02:46.83,0:02:47.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}m
Dialogue: 0,0:02:46.83,0:02:47.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(764,85)\fad(200,0)}e
Dialogue: 0,0:02:46.83,0:02:47.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(788,85)\fad(200,0)}
Dialogue: 0,0:02:47.82,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\bord2\shad0\be0\}me
Dialogue: 0,0:02:49.76,0:02:50.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:02:49.76,0:02:50.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(764,85,764,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:02:49.76,0:02:50.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(788,85,788,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:47.66,0:02:47.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:02:47.66,0:02:47.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:02:46.93,0:02:47.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(815,85)\fad(200,0)}n
Dialogue: 0,0:02:46.93,0:02:47.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}o
Dialogue: 0,0:02:46.93,0:02:47.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(886,85)\fad(200,0)}w
Dialogue: 0,0:02:46.93,0:02:47.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(924,85)\fad(200,0)}?
Dialogue: 0,0:02:46.93,0:02:47.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(950,85)\fad(200,0)}
Dialogue: 0,0:02:48.60,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\bord2\shad0\be0\}now?
Dialogue: 0,0:02:49.76,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(815,85,815,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:02:49.76,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:02:49.76,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(886,85,886,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:02:49.76,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(924,85,924,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}?
Dialogue: 0,0:02:49.76,0:02:50.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(950,85,950,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:47.82,0:02:48.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 2,0:02:47.82,0:02:48.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 0,0:02:47.13,0:02:48.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(987,85)\fad(200,0)}S
Dialogue: 0,0:02:47.13,0:02:48.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1037,85)\fad(200,0)}m
Dialogue: 0,0:02:47.13,0:02:48.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\fad(200,0)}a
Dialogue: 0,0:02:47.13,0:02:48.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1100,85)\fad(200,0)}c
Dialogue: 0,0:02:47.13,0:02:48.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1129,85)\fad(200,0)}k
Dialogue: 0,0:02:47.13,0:02:48.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1156,85)\fad(200,0)}
Dialogue: 0,0:02:49.18,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1053,85)\bord2\shad0\be0\}Smack
Dialogue: 0,0:02:49.76,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(987,85,987,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}S
Dialogue: 0,0:02:49.76,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1037,85,1037,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}m
Dialogue: 0,0:02:49.76,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1074,85,1074,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}a
Dialogue: 0,0:02:49.76,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1100,85,1100,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}c
Dialogue: 0,0:02:49.76,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1129,85,1129,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}k
Dialogue: 0,0:02:49.76,0:02:50.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1156,85,1156,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:02:48.72,0:02:49.28,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 2,0:02:48.72,0:02:49.28,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 0,0:02:47.23,0:02:49.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}i
Dialogue: 0,0:02:47.23,0:02:49.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1196,85)\fad(200,0)}t
Dialogue: 0,0:02:47.23,0:02:49.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1217,85)\fad(200,0)}
Dialogue: 0,0:02:49.35,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1186,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:49.76,0:02:50.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}i
Dialogue: 0,0:02:49.76,0:02:50.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1196,85,1196,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:02:49.76,0:02:50.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1217,85,1217,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:02:49.18,0:02:49.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:49.18,0:02:49.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:47.33,0:02:49.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1243,85)\fad(200,0)}d
Dialogue: 0,0:02:47.33,0:02:49.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1275,85)\fad(200,0)}o
Dialogue: 0,0:02:47.33,0:02:49.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1313,85)\fad(200,0)}w
Dialogue: 0,0:02:47.33,0:02:49.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1353,85)\fad(200,0)}n
Dialogue: 0,0:02:47.33,0:02:49.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1381,85)\fad(200,0)}!
Dialogue: 0,0:02:49.76,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1309,85)\bord2\shad0\be0\}down!
Dialogue: 0,0:02:49.76,0:02:50.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1243,85,1243,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}d
Dialogue: 0,0:02:49.76,0:02:50.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1275,85,1275,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}o
Dialogue: 0,0:02:49.76,0:02:50.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1313,85,1313,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}w
Dialogue: 0,0:02:49.76,0:02:50.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1353,85,1353,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}n
Dialogue: 0,0:02:49.76,0:02:50.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1381,85,1381,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}!
Dialogue: 2,0:02:49.35,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 2,0:02:49.35,0:02:49.86,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 0,0:02:49.76,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:02:49.76,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:02:49.76,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:02:49.76,0:02:49.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:02:50.12,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:02:52.68,0:02:52.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:02:52.68,0:02:52.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:52.68,0:02:52.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:02:52.68,0:02:52.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:49.76,0:02:50.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:02:49.76,0:02:50.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:02:49.86,0:02:50.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:02:50.41,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:52.68,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:50.12,0:02:50.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:02:50.12,0:02:50.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:02:49.96,0:02:50.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:02:49.96,0:02:50.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:02:49.96,0:02:50.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:02:49.96,0:02:50.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:02:50.49,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:52.68,0:02:52.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:52.68,0:02:52.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:02:52.68,0:02:52.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:52.68,0:02:52.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:50.41,0:02:50.59,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:50.41,0:02:50.59,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:02:50.06,0:02:50.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:02:51.49,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:52.68,0:02:52.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:50.49,0:02:51.59,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:02:50.49,0:02:51.59,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:02:50.16,0:02:51.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(726,85)\fad(200,0)}B
Dialogue: 0,0:02:50.16,0:02:51.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(771,85)\fad(200,0)}r
Dialogue: 0,0:02:50.16,0:02:51.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:02:50.16,0:02:51.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}a
Dialogue: 0,0:02:50.16,0:02:51.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(858,85)\fad(200,0)}k
Dialogue: 0,0:02:50.16,0:02:51.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(884,85)\fad(200,0)}
Dialogue: 0,0:02:51.72,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(785,85)\bord2\shad0\be0\}Break
Dialogue: 0,0:02:52.68,0:02:52.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(726,85,726,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}B
Dialogue: 0,0:02:52.68,0:02:52.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(771,85,771,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}r
Dialogue: 0,0:02:52.68,0:02:52.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:52.68,0:02:52.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:52.68,0:02:52.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(858,85,858,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:02:52.68,0:02:52.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(884,85,884,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:51.49,0:02:51.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 2,0:02:51.49,0:02:51.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 0,0:02:50.26,0:02:51.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(908,85)\fad(200,0)}a
Dialogue: 0,0:02:50.26,0:02:51.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(945,85)\fad(200,0)}w
Dialogue: 0,0:02:50.26,0:02:51.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(981,85)\fad(200,0)}a
Dialogue: 0,0:02:50.26,0:02:51.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\fad(200,0)}y
Dialogue: 0,0:02:50.26,0:02:51.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1040,85)\fad(200,0)}!
Dialogue: 0,0:02:52.68,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\bord2\shad0\be0\}away!
Dialogue: 0,0:02:52.68,0:02:52.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(908,85,908,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:02:52.68,0:02:52.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(945,85,945,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:02:52.68,0:02:52.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(981,85,981,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:02:52.68,0:02:52.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1013,85,1013,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}y
Dialogue: 0,0:02:52.68,0:02:52.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1040,85,1040,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}!
Dialogue: 2,0:02:51.72,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 2,0:02:51.72,0:02:52.78,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 0,0:02:52.68,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:02:52.68,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:02:52.68,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:02:52.68,0:02:52.68,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:02:52.85,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:02:56.71,0:02:56.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:02:56.71,0:02:56.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:56.71,0:02:56.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:02:56.71,0:02:56.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:52.68,0:02:52.95,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:02:52.68,0:02:52.95,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:02:52.78,0:02:52.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}d
Dialogue: 0,0:02:52.78,0:02:52.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}o
Dialogue: 0,0:02:52.78,0:02:52.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}n
Dialogue: 0,0:02:52.78,0:02:52.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}'
Dialogue: 0,0:02:52.78,0:02:52.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(359,85)\fad(200,0)}t
Dialogue: 0,0:02:52.78,0:02:52.85,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}
Dialogue: 0,0:02:53.10,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(301,85)\bord2\shad0\be0\}don't
Dialogue: 0,0:02:56.71,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}d
Dialogue: 0,0:02:56.71,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:56.71,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:56.71,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}'
Dialogue: 0,0:02:56.71,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(359,85,359,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:56.71,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:52.85,0:02:53.20,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 2,0:02:52.85,0:02:53.20,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 0,0:02:52.88,0:02:53.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(401,85)\fad(200,0)}l
Dialogue: 0,0:02:52.88,0:02:53.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\fad(200,0)}e
Dialogue: 0,0:02:52.88,0:02:53.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(449,85)\fad(200,0)}t
Dialogue: 0,0:02:52.88,0:02:53.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(470,85)\fad(200,0)}
Dialogue: 0,0:02:53.32,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\bord2\shad0\be0\}let
Dialogue: 0,0:02:56.71,0:02:56.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(401,85,401,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:56.71,0:02:56.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(425,85,425,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:56.71,0:02:56.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(449,85,449,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:56.71,0:02:56.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(470,85,470,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:53.10,0:02:53.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:02:53.10,0:02:53.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:02:52.98,0:02:53.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}'
Dialogue: 0,0:02:52.98,0:02:53.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(511,85)\fad(200,0)}e
Dialogue: 0,0:02:52.98,0:02:53.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(548,85)\fad(200,0)}m
Dialogue: 0,0:02:52.98,0:02:53.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}
Dialogue: 0,0:02:53.44,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(526,85)\bord2\shad0\be0\}'em
Dialogue: 0,0:02:56.71,0:02:56.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}'
Dialogue: 0,0:02:56.71,0:02:56.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(511,85,511,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:56.71,0:02:56.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(548,85,548,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:02:56.71,0:02:56.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:53.32,0:02:53.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 2,0:02:53.32,0:02:53.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 0,0:02:53.08,0:02:53.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(604,85)\fad(200,0)}c
Dialogue: 0,0:02:53.08,0:02:53.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(630,85)\fad(200,0)}a
Dialogue: 0,0:02:53.08,0:02:53.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}t
Dialogue: 0,0:02:53.08,0:02:53.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}c
Dialogue: 0,0:02:53.08,0:02:53.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(705,85)\fad(200,0)}h
Dialogue: 0,0:02:53.08,0:02:53.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(730,85)\fad(200,0)}
Dialogue: 0,0:02:53.86,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(656,85)\bord2\shad0\be0\}catch
Dialogue: 0,0:02:56.71,0:02:56.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(604,85,604,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:56.71,0:02:56.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(630,85,630,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:56.71,0:02:56.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:02:56.71,0:02:56.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:56.71,0:02:56.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(705,85,705,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:02:56.71,0:02:56.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(730,85,730,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:53.44,0:02:53.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 2,0:02:53.44,0:02:53.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 0,0:02:53.18,0:02:53.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(763,85)\fad(200,0)}m
Dialogue: 0,0:02:53.18,0:02:53.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:02:53.18,0:02:53.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(824,85)\fad(200,0)}
Dialogue: 0,0:02:53.94,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(777,85)\bord2\shad0\be0\}me
Dialogue: 0,0:02:56.71,0:02:57.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(763,85,763,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:02:56.71,0:02:57.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:02:56.71,0:02:57.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(824,85,824,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:53.86,0:02:54.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:02:53.86,0:02:54.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:02:53.28,0:02:53.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(850,85)\fad(200,0)}s
Dialogue: 0,0:02:53.28,0:02:53.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(880,85)\fad(200,0)}a
Dialogue: 0,0:02:53.28,0:02:53.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(912,85)\fad(200,0)}y
Dialogue: 0,0:02:53.28,0:02:53.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(937,85)\fad(200,0)},
Dialogue: 0,0:02:53.28,0:02:53.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(955,85)\fad(200,0)}
Dialogue: 0,0:02:54.58,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\bord2\shad0\be0\}say,
Dialogue: 0,0:02:56.71,0:02:57.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(850,85,850,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:02:56.71,0:02:57.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(880,85,880,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:56.71,0:02:57.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(912,85,912,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}y
Dialogue: 0,0:02:56.71,0:02:57.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(937,85,937,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\},
Dialogue: 0,0:02:56.71,0:02:57.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(955,85,955,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:53.94,0:02:54.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 2,0:02:53.94,0:02:54.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(980,85)\fad(200,0)}"
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1024,85)\fad(200,0)}D
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1069,85)\fad(200,0)}o
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1102,85)\fad(200,0)}n
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1128,85)\fad(200,0)}'
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1147,85)\fad(200,0)}t
Dialogue: 0,0:02:53.48,0:02:54.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}
Dialogue: 0,0:02:55.01,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1062,85)\bord2\shad0\be0\}"Don't
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(980,85,980,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}"
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1024,85,1024,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}D
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1069,85,1069,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}o
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1102,85,1102,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}n
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1128,85,1128,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}'
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1147,85,1147,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:02:56.71,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:02:54.77,0:02:55.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 2,0:02:54.77,0:02:55.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 0,0:02:53.58,0:02:55.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1189,85)\fad(200,0)}l
Dialogue: 0,0:02:53.58,0:02:55.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\fad(200,0)}e
Dialogue: 0,0:02:53.58,0:02:55.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1238,85)\fad(200,0)}t
Dialogue: 0,0:02:53.58,0:02:55.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1258,85)\fad(200,0)}
Dialogue: 0,0:02:55.40,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\bord2\shad0\be0\}let
Dialogue: 0,0:02:56.71,0:02:57.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1189,85,1189,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}l
Dialogue: 0,0:02:56.71,0:02:57.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1213,85,1213,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}e
Dialogue: 0,0:02:56.71,0:02:57.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1238,85,1238,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:02:56.71,0:02:57.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1258,85,1258,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:02:55.01,0:02:55.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:02:55.01,0:02:55.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:02:53.68,0:02:55.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1292,85)\fad(200,0)}m
Dialogue: 0,0:02:53.68,0:02:55.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1328,85)\fad(200,0)}e
Dialogue: 0,0:02:53.68,0:02:55.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1352,85)\fad(200,0)}
Dialogue: 0,0:02:55.56,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1305,85)\bord2\shad0\be0\}me
Dialogue: 0,0:02:56.71,0:02:57.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1292,85,1292,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}m
Dialogue: 0,0:02:56.71,0:02:57.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1328,85,1328,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}e
Dialogue: 0,0:02:56.71,0:02:57.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1352,85,1352,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}
Dialogue: 2,0:02:55.40,0:02:55.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:02:55.40,0:02:55.66,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:02:53.78,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1378,85)\fad(200,0)}d
Dialogue: 0,0:02:53.78,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1410,85)\fad(200,0)}o
Dialogue: 0,0:02:53.78,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1448,85)\fad(200,0)}w
Dialogue: 0,0:02:53.78,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1488,85)\fad(200,0)}n
Dialogue: 0,0:02:53.78,0:02:55.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1520,85)\fad(200,0)}"
Dialogue: 0,0:02:56.71,0:02:56.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1449,85)\bord2\shad0\be0\}down"
Dialogue: 0,0:02:56.71,0:02:57.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1378,85,1378,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}d
Dialogue: 0,0:02:56.71,0:02:57.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1410,85,1410,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}o
Dialogue: 0,0:02:56.71,0:02:57.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1448,85,1448,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}w
Dialogue: 0,0:02:56.71,0:02:57.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1488,85,1488,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}n
Dialogue: 0,0:02:56.71,0:02:57.31,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1520,85,1520,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}"
Dialogue: 2,0:02:55.56,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 2,0:02:55.56,0:02:56.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 0,0:02:56.77,0:02:56.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}O
Dialogue: 0,0:02:56.77,0:02:56.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}h
Dialogue: 0,0:02:56.77,0:02:56.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(180,85)\fad(200,0)}
Dialogue: 0,0:02:57.16,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\bord2\shad0\be0\}Oh
Dialogue: 0,0:02:57.81,0:02:57.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}O
Dialogue: 0,0:02:57.81,0:02:57.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:02:57.81,0:02:57.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(180,85,180,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:56.77,0:02:57.26,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 2,0:02:56.77,0:02:57.26,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 0,0:02:56.87,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}y
Dialogue: 0,0:02:56.87,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(239,85)\fad(200,0)}e
Dialogue: 0,0:02:56.87,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}a
Dialogue: 0,0:02:56.87,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\fad(200,0)}h
Dialogue: 0,0:02:56.87,0:02:57.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}!
Dialogue: 0,0:02:57.81,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(261,85)\bord2\shad0\be0\}yeah!
Dialogue: 0,0:02:57.81,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:02:57.81,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(239,85,239,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:57.81,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:57.81,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(295,85,295,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:57.81,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}!
Dialogue: 2,0:02:57.16,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 2,0:02:57.16,0:02:57.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 0,0:02:57.81,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:02:57.81,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:02:57.81,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(201,85)\fad(200,0)}e
Dialogue: 0,0:02:57.81,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(232,85)\fad(200,0)}n
Dialogue: 0,0:02:57.81,0:02:57.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}
Dialogue: 0,0:02:57.99,0:02:59.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(164,85)\bord2\shad0\be0\}When
Dialogue: 0,0:02:59.36,0:02:59.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:02:59.36,0:02:59.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:02:59.36,0:02:59.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(201,85,201,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:59.36,0:02:59.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(232,85,232,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:59.36,0:02:59.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:57.81,0:02:58.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 2,0:02:57.81,0:02:58.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 0,0:02:57.91,0:02:57.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(280,85)\fad(200,0)}t
Dialogue: 0,0:02:57.91,0:02:57.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(305,85)\fad(200,0)}h
Dialogue: 0,0:02:57.91,0:02:57.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}e
Dialogue: 0,0:02:57.91,0:02:57.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(358,85)\fad(200,0)}
Dialogue: 0,0:02:58.14,0:02:59.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:59.36,0:02:59.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(280,85,280,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:59.36,0:02:59.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(305,85,305,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:59.36,0:02:59.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:59.36,0:02:59.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(358,85,358,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:57.99,0:02:58.24,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:57.99,0:02:58.24,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}c
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}l
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(429,85)\fad(200,0)}o
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(458,85)\fad(200,0)}c
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}k
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}w
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(563,85)\fad(200,0)}o
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}r
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}k
Dialogue: 0,0:02:58.01,0:02:58.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}
Dialogue: 0,0:02:58.92,0:02:59.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}clockwork
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(429,85,429,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(458,85,458,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(563,85,563,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:02:59.36,0:02:59.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:58.14,0:02:59.02,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 2,0:02:58.14,0:02:59.02,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 0,0:02:58.11,0:02:58.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}m
Dialogue: 0,0:02:58.11,0:02:58.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(723,85)\fad(200,0)}o
Dialogue: 0,0:02:58.11,0:02:58.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(754,85)\fad(200,0)}v
Dialogue: 0,0:02:58.11,0:02:58.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(782,85)\fad(200,0)}e
Dialogue: 0,0:02:58.11,0:02:58.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(812,85)\fad(200,0)}s
Dialogue: 0,0:02:59.36,0:02:59.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(745,85)\bord2\shad0\be0\}moves
Dialogue: 0,0:02:59.36,0:02:59.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:02:59.36,0:02:59.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(723,85,723,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:02:59.36,0:02:59.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(754,85,754,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}v
Dialogue: 0,0:02:59.36,0:02:59.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(782,85,782,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:59.36,0:02:59.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(812,85,812,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 2,0:02:58.92,0:02:59.46,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 2,0:02:58.92,0:02:59.46,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 0,0:02:59.37,0:02:59.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:02:59.37,0:02:59.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:02:59.37,0:02:59.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:02:59.37,0:02:59.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:02:59.61,0:03:01.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:03:01.81,0:03:01.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:03:01.81,0:03:01.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:03:01.81,0:03:01.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:03:01.81,0:03:01.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:59.37,0:02:59.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:02:59.37,0:02:59.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}s
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}t
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\fad(200,0)}a
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(329,85)\fad(200,0)}r
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(354,85)\fad(200,0)}t
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(381,85)\fad(200,0)}s
Dialogue: 0,0:02:59.47,0:02:59.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:03:00.05,0:03:01.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\bord2\shad0\be0\}starts
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(300,85,300,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(329,85,329,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(354,85,354,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(381,85,381,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:03:01.81,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:59.61,0:03:00.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 2,0:02:59.61,0:03:00.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 0,0:02:59.57,0:03:00.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(428,85)\fad(200,0)}t
Dialogue: 0,0:02:59.57,0:03:00.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(454,85)\fad(200,0)}o
Dialogue: 0,0:02:59.57,0:03:00.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(480,85)\fad(200,0)}
Dialogue: 0,0:03:00.16,0:03:01.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}to
Dialogue: 0,0:03:01.81,0:03:01.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(428,85,428,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:01.81,0:03:01.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(454,85,454,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:01.81,0:03:01.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(480,85,480,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:00.05,0:03:00.26,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:03:00.05,0:03:00.26,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:02:59.67,0:03:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(506,85)\fad(200,0)}s
Dialogue: 0,0:02:59.67,0:03:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(537,85)\fad(200,0)}h
Dialogue: 0,0:02:59.67,0:03:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}i
Dialogue: 0,0:02:59.67,0:03:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:02:59.67,0:03:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(620,85)\fad(200,0)}e
Dialogue: 0,0:02:59.67,0:03:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(643,85)\fad(200,0)}.
Dialogue: 0,0:03:01.81,0:03:01.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(571,85)\bord2\shad0\be0\}shine.
Dialogue: 0,0:03:01.81,0:03:02.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(506,85,506,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:03:01.81,0:03:02.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(537,85,537,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:01.81,0:03:02.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:03:01.81,0:03:02.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:03:01.81,0:03:02.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(620,85,620,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:01.81,0:03:02.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(643,85,643,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:00.16,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 2,0:03:00.16,0:03:01.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(109,85)\fad(200,0)}F
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(185,85)\fad(200,0)}r
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(213,85)\fad(200,0)}e
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}v
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(270,85)\fad(200,0)}e
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(298,85)\fad(200,0)}r
Dialogue: 0,0:03:01.97,0:03:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}
Dialogue: 0,0:03:02.62,0:03:03.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\bord2\shad0\be0\}Forever
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(109,85,109,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}F
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(185,85,185,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(213,85,213,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}v
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(270,85,270,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(298,85,298,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:03.81,0:03:03.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:01.97,0:03:02.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 2,0:03:01.97,0:03:02.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 0,0:03:02.07,0:03:02.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}l
Dialogue: 0,0:03:02.07,0:03:02.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}e
Dialogue: 0,0:03:02.07,0:03:02.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(392,85)\fad(200,0)}t
Dialogue: 0,0:03:02.07,0:03:02.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:03:02.83,0:03:03.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\bord2\shad0\be0\}let
Dialogue: 0,0:03:03.81,0:03:03.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:03:03.81,0:03:03.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:03:03.81,0:03:03.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(392,85,392,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:03.81,0:03:03.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:02.62,0:03:02.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:03:02.62,0:03:02.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:03:02.17,0:03:02.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(433,85)\fad(200,0)}i
Dialogue: 0,0:03:02.17,0:03:02.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(453,85)\fad(200,0)}t
Dialogue: 0,0:03:02.17,0:03:02.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:03:02.98,0:03:03.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:03.81,0:03:03.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(433,85,433,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:03:03.81,0:03:03.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(453,85,453,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:03:03.81,0:03:03.96,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:02.83,0:03:03.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:02.83,0:03:03.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:02.27,0:03:02.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(500,85)\fad(200,0)}g
Dialogue: 0,0:03:02.27,0:03:02.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}o
Dialogue: 0,0:03:02.27,0:03:02.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(557,85)\fad(200,0)}.
Dialogue: 0,0:03:03.81,0:03:03.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\bord2\shad0\be0\}go.
Dialogue: 0,0:03:03.81,0:03:04.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(500,85,500,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:03:03.81,0:03:04.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:03:03.81,0:03:04.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(557,85,557,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:02.98,0:03:03.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 2,0:03:02.98,0:03:03.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 0,0:03:03.98,0:03:03.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:03:03.98,0:03:03.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:03:03.98,0:03:03.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(176,85)\fad(200,0)}r
Dialogue: 0,0:03:03.98,0:03:03.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(204,85)\fad(200,0)}r
Dialogue: 0,0:03:03.98,0:03:03.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(236,85)\fad(200,0)}y
Dialogue: 0,0:03:03.98,0:03:03.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(264,85)\fad(200,0)}
Dialogue: 0,0:03:04.45,0:03:08.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\bord2\shad0\be0\}Carry
Dialogue: 0,0:03:08.28,0:03:08.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:03:08.28,0:03:08.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:03:08.28,0:03:08.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(176,85,176,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:08.28,0:03:08.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(204,85,204,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:03:08.28,0:03:08.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(236,85,236,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}y
Dialogue: 0,0:03:08.28,0:03:08.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(264,85,264,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:03.98,0:03:04.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 2,0:03:03.98,0:03:04.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 0,0:03:04.08,0:03:04.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}o
Dialogue: 0,0:03:04.08,0:03:04.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}u
Dialogue: 0,0:03:04.08,0:03:04.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(350,85)\fad(200,0)}t
Dialogue: 0,0:03:04.08,0:03:04.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)},
Dialogue: 0,0:03:04.08,0:03:04.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(387,85)\fad(200,0)}
Dialogue: 0,0:03:05.44,0:03:08.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(325,85)\bord2\shad0\be0\}out,
Dialogue: 0,0:03:08.28,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:03:08.28,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:03:08.28,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(350,85,350,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:08.28,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:03:08.28,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(387,85,387,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:04.45,0:03:05.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 2,0:03:04.45,0:03:05.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 0,0:03:04.18,0:03:05.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(424,85)\fad(200,0)}S
Dialogue: 0,0:03:04.18,0:03:05.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\fad(200,0)}h
Dialogue: 0,0:03:04.18,0:03:05.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}o
Dialogue: 0,0:03:04.18,0:03:05.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(534,85)\fad(200,0)}w
Dialogue: 0,0:03:04.18,0:03:05.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(566,85)\fad(200,0)}
Dialogue: 0,0:03:05.79,0:03:08.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(476,85)\bord2\shad0\be0\}Show
Dialogue: 0,0:03:08.28,0:03:08.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(424,85,424,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}S
Dialogue: 0,0:03:08.28,0:03:08.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(465,85,465,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:03:08.28,0:03:08.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:08.28,0:03:08.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(534,85,534,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:03:08.28,0:03:08.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(566,85,566,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:05.44,0:03:05.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 2,0:03:05.44,0:03:05.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 0,0:03:04.28,0:03:05.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(587,85)\fad(200,0)}t
Dialogue: 0,0:03:04.28,0:03:05.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(612,85)\fad(200,0)}h
Dialogue: 0,0:03:04.28,0:03:05.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}e
Dialogue: 0,0:03:04.28,0:03:05.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(665,85)\fad(200,0)}
Dialogue: 0,0:03:05.93,0:03:08.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}the
Dialogue: 0,0:03:08.28,0:03:08.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(587,85,587,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:08.28,0:03:08.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(612,85,612,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:08.28,0:03:08.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:03:08.28,0:03:08.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(665,85,665,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:03:05.79,0:03:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:03:05.79,0:03:06.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:03:04.38,0:03:05.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(697,85)\fad(200,0)}w
Dialogue: 0,0:03:04.38,0:03:05.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}a
Dialogue: 0,0:03:04.38,0:03:05.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(765,85)\fad(200,0)}y
Dialogue: 0,0:03:04.38,0:03:05.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}!
Dialogue: 0,0:03:08.28,0:03:08.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\bord2\shad0\be0\}way!
Dialogue: 0,0:03:08.28,0:03:08.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(697,85,697,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:03:08.28,0:03:08.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:03:08.28,0:03:08.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(765,85,765,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:03:08.28,0:03:08.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}!
Dialogue: 2,0:03:05.93,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 2,0:03:05.93,0:03:08.38,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 0,0:03:08.29,0:03:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(111,85)\fad(200,0)}B
Dialogue: 0,0:03:08.29,0:03:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}l
Dialogue: 0,0:03:08.29,0:03:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}a
Dialogue: 0,0:03:08.29,0:03:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}s
Dialogue: 0,0:03:08.29,0:03:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}t
Dialogue: 0,0:03:08.29,0:03:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}
Dialogue: 0,0:03:08.74,0:03:11.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\bord2\shad0\be0\}Blast
Dialogue: 0,0:03:11.38,0:03:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(111,85,111,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}B
Dialogue: 0,0:03:11.38,0:03:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}l
Dialogue: 0,0:03:11.38,0:03:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:03:11.38,0:03:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:03:11.38,0:03:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:03:11.38,0:03:11.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:03:08.29,0:03:08.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 2,0:03:08.29,0:03:08.84,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 0,0:03:08.39,0:03:08.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(275,85)\fad(200,0)}i
Dialogue: 0,0:03:08.39,0:03:08.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\fad(200,0)}t
Dialogue: 0,0:03:08.39,0:03:08.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\fad(200,0)}
Dialogue: 0,0:03:08.90,0:03:11.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(286,85)\bord2\shad0\be0\}it
Dialogue: 0,0:03:11.38,0:03:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(275,85,275,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:03:11.38,0:03:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(296,85,296,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:03:11.38,0:03:11.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(317,85,317,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:03:08.74,0:03:09.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:03:08.74,0:03:09.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:03:08.49,0:03:08.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}o
Dialogue: 0,0:03:08.49,0:03:08.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}f
Dialogue: 0,0:03:08.49,0:03:08.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}f
Dialogue: 0,0:03:08.49,0:03:08.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(411,85)\fad(200,0)}
Dialogue: 0,0:03:09.32,0:03:11.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(364,85)\bord2\shad0\be0\}off
Dialogue: 0,0:03:11.38,0:03:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:03:11.38,0:03:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:03:11.38,0:03:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:03:11.38,0:03:11.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(411,85,411,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:03:08.90,0:03:09.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 2,0:03:08.90,0:03:09.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 0,0:03:08.59,0:03:09.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}r
Dialogue: 0,0:03:08.59,0:03:09.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}i
Dialogue: 0,0:03:08.59,0:03:09.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}g
Dialogue: 0,0:03:08.59,0:03:09.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(517,85)\fad(200,0)}h
Dialogue: 0,0:03:08.59,0:03:09.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(543,85)\fad(200,0)}t
Dialogue: 0,0:03:08.59,0:03:09.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}.
Dialogue: 0,0:03:11.38,0:03:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:03:11.38,0:03:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:03:11.38,0:03:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:03:11.38,0:03:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(517,85,517,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:03:11.38,0:03:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(543,85,543,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:03:11.38,0:03:11.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:03:09.32,0:03:12.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.
Dialogue: 2,0:03:09.32,0:03:12.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.