[Script Info]
; Script generated by Aegisub 3.2.2
; http://www.aegisub.org/
Title: HorribleSubs
ScriptType: v4.00+
WrapStyle: 0
PlayResX: 1920
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ScaledBorderAndShadow: yes
YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: [Rhythm] Princess Principal - 11 [BD 1080p Hi10p FLAC][].mkv
Video File: [Rhythm] Princess Principal - 11 [BD 1080p Hi10p FLAC][].mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.375000
Video Position: 3949

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Style: OP Arabic-furigana,هشام الشرق طبيعي,40,&H003644B1,&H000000FF,&H00FFFFFF,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,1,1,3,30,80,25,1
Style: OP - The Other Side of the Wall-furigana,Fancy Card Text,60,&H272C37B3,&H00FFFFFF,&H00FFFFFF,&H00000000,0,0,0,0,100,100,0.6,0,1,1.5,0,7,80,80,25,1
Style: ED - A Page of My Story-furigana,Steampunk DEMO by Marta van Eck,37,&H00A8D0D7,&H000F161C,&H00244155,&HAF000000,0,0,0,0,85,100,0,0,1,1.5,0,7,45,45,38,1
Style: Default - up-furigana,Bahij Fedra Arabic,45,&H00F4F0EB,&H000000FF,&H000E0E14,&H000B0B0D,-1,0,0,0,100,100,0,0,1,1.125,0,8,0,0,23,1
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Style: Default-furigana,Bahij Droid Naskh,42.5,&H00F4F0EB,&H000000FF,&H000E0E14,&H000B0B0D,-1,0,0,0,100,100,0,0,1,0.5,0,2,0,0,30,1
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Style: Title,Hacen Liner Print-out Light,100,&H00D6D7D7,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3,0,2,10,10,10,1
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Style: Default - up,Bahij Fedra Arabic,90,&H00F4F0EB,&H000000FF,&H000E0E14,&H000B0B0D,-1,0,0,0,100,100,0,0,1,2.25,0,8,0,0,23,1
Style: ED - A Page of My Story,Steampunk DEMO by Marta van Eck,74,&H00A8D0D7,&H000F161C,&H00244155,&HAF000000,0,0,0,0,85,100,0,0,1,3,0,7,45,45,38,1
Style: OP - The Other Side of the Wall,Fancy Card Text,120,&H272C37B3,&H00FFFFFF,&H00FFFFFF,&H00000000,0,0,0,0,100,100,0.6,0,1,3,0,7,80,80,25,1
Style: OP Arabic,هشام الشرق طبيعي,80,&H003644B1,&H000000FF,&H00FFFFFF,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,2,2,3,30,80,25,1
Style: ED Arabic,Hesham Free,75,&H00A8D0D7,&H000F161C,&H00244155,&H00000000,-1,-1,0,0,100,100,0,0,1,2,2,3,80,80,20,1
Style: Rhythm,ArtBrush,50,&H00A8D0D7,&H000000FF,&H00000000,&H00000000,0,-1,0,0,100,100,0,0,1,2,2,7,10,10,15,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text

Dialogue: 0,0:02:42.57,0:02:46.47,Rhythm,,0,0,0,,{\fad(100,100)}TL: Jane-Subs\NCh: yumi\NEncoding: shx\NKaraoke & TM : Zetsubou Ou
Dialogue: 0,0:02:42.57,0:02:46.47,Rhythm,,0,0,0,,{\fad(100,100)\an9}rhy-sub.blogspot.com
Dialogue: 0,0:00:00.39,0:00:01.43,Default,,0,0,0,,{\be2}.اعذرونا
Dialogue: 0,0:00:03.64,0:00:04.97,Default,,0,0,0,,{\be2}.أنا الجنرال
Dialogue: 0,0:00:04.97,0:00:08.22,Default,,0,0,0,,{\be2}.من الآن فصاعدًا ستتلقيان أوامركما مني
Dialogue: 0,0:00:08.43,0:00:10.39,Default,,0,0,0,,{\be2}هل حدث شيء ما لإل؟
Dialogue: 0,0:00:10.39,0:00:12.26,Default,,0,0,0,,{\be2}.هذا ليس من شأنكِ
Dialogue: 0,0:00:13.89,0:00:16.55,Default,,0,0,0,,{\be2}.أحسنتما عملاً في المهمة الأخيرة
Dialogue: 0,0:00:17.05,0:00:21.05,Default,,0,0,0,,{\be2}.أريد منكما المضي لمهمتكما التالية
Dialogue: 0,0:00:21.05,0:00:23.10,Default,,0,0,0,,{\be2}مهمة؟
Dialogue: 0,0:00:23.55,0:00:24.51,Default,,0,0,0,,{\be2}.هذه هي
Dialogue: 0,0:00:25.18,0:00:26.14,Default,,0,0,0,,{\be2}...إنها
Dialogue: 0,0:00:26.80,0:00:29.26,Default,,0,0,0,,{\be2}.أريدكما أن تغتالا الأميرة
Dialogue: 0,0:00:30.85,0:00:32.80,Default,,0,0,0,,{\be2}ما الذي يحدث؟
Dialogue: 0,0:00:32.97,0:00:35.01,Default,,0,0,0,,{\be2}لمَ علينا قتل الأميرة؟
Dialogue: 0,0:00:37.89,0:00:42.43,Default,,0,0,0,,{\be2}ألم يكن هذا هو الغرض الأساسي من عمليّة التبديل؟
Dialogue: 0,0:00:42.55,0:00:45.47,Default,,0,0,0,,{\be2}.لكن الأميرة حليفتنا الآن
Dialogue: 0,0:00:45.47,0:00:47.10,Default,,0,0,0,,{\be2}.لا داعي لقتلها
Dialogue: 0,0:00:47.35,0:00:49.18,Default,,0,0,0,,{\be2}.إنها من العائلة الحاكمة
Dialogue: 0,0:00:49.35,0:00:51.93,Default,,0,0,0,,{\be2}.لا أحد يعرف متى ستخوننا
Dialogue: 0,0:00:52.35,0:00:54.97,Default,,0,0,0,,{\be2}.لم نرَ أي إشارة على نيتها فعل ذلك
Dialogue: 0,0:00:54.97,0:00:56.80,Default,,0,0,0,,{\be2}...ألا يمكننا الانتظار حتى نتيقن أنها تشكّل خطرًا
Dialogue: 0,0:00:56.80,0:00:59.60,Default,,0,0,0,,{\be2}.لا نريد المخاطرة
Dialogue: 0,0:00:59.85,0:01:02.14,Default,,0,0,0,,{\be2}!كما أننا لم نسألكِ عن رأيكِ
Dialogue: 0,0:01:03.76,0:01:05.10,Default,,0,0,0,,{\be2}.عُلم
Dialogue: 0,0:01:06.30,0:01:09.01,Default,,0,0,0,,{\be2}...عمليّة اغتيال الأميرة
Dialogue: 0,0:01:09.30,0:01:10.76,Default,,0,0,0,,{\be2}.سيتم إنجازها
Dialogue: 0,0:02:28.59,0:02:31.37,OP - The Other Side of the Wall,,0,0,0,,{\fad(150,300)\blur1.95\an9\}{\fnBlackKnightFLF\fs70.5}({\fnFancy Card Text\fs108}you got to find{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:01:27.77,0:01:30.46,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اسمعني فأنا أقول
Dialogue: 0,0:01:30.49,0:01:34.29,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}اعبر الجدار
Dialogue: 0,0:01:34.99,0:01:40.44,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أيمكنك الشعور بأنه ما من تغيير يحدث؟
Dialogue: 0,0:01:41.14,0:01:46.13,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}كترس متزامن بداخل ساعة
Dialogue: 0,0:01:47.17,0:01:52.41,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}من يعرف طريقة للتغيير؟
Dialogue: 0,0:01:52.41,0:01:58.79,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}تعرّف، تبصر باطنيًا، يجب أن تبقى حيًا
Dialogue: 0,0:01:59.24,0:02:04.97,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لن أخدع لأنني فتاة أميّز الأكاذيب
Dialogue: 0,0:02:04.97,0:02:07.99,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}لأنني أعرفها، أعرفها كلها
Dialogue: 0,0:02:07.99,0:02:12.47,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأطير عاليًا
Dialogue: 0,0:02:12.52,0:02:15.34,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}يا له من انتظار لعبور الجدار
Dialogue: 0,0:02:15.34,0:02:18.77,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وسأطيح بأي شيء يواجهني عند الجدار
Dialogue: 0,0:02:18.77,0:02:21.69,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأعبر الجدار وأهرب
Dialogue: 0,0:02:21.69,0:02:25.72,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}"ولا تدعهم يمسكوني وقل: "لا تخذليني
Dialogue: 0,0:02:25.72,0:02:26.82,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أوه نعم
Dialogue: 0,0:02:26.82,0:02:30.82,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}عندما يعمل محرك الساعة ويبدأ في التألق
Dialogue: 0,0:02:28.59,0:02:31.37,OP Arabic,,0,0,0,,{\fad(150,300)\blur1.95\an1}{\fnBlackKnightFLF\fs70.5}({\fnهشام الشرق طبيعي\fs80}سوف تجد{\fnBlackKnightFLF\fs70.5})
Dialogue: 0,0:02:30.82,0:02:32.82,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}فادفعه للأبد
Dialogue: 0,0:02:32.82,0:02:37.29,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}أكمله ومن ثم حدّد طريقه
Dialogue: 0,0:02:37.29,0:02:41.12,OP Arabic,,0,0,0,,{\fad(500,500)}{\be1}وأطلقه مباشرة
Dialogue: 0,0:02:42.57,0:02:46.47,Title,,0,0,0,,{\fad(500,500)\fs150\fscx68\fscy82\pos(829.333,858.666)}القضية 23
Dialogue: 0,0:02:42.57,0:02:46.47,Title,,0,0,0,,{\fad(500,500)\fs150\pos(1358.666,860.833)}تواضع زائف
Dialogue: 0,0:02:46.26,0:02:47.35,Default,,0,0,0,,{\be2}أواثقة من هذا؟
Dialogue: 0,0:02:47.60,0:02:48.85,Default,,0,0,0,,{\be2}مما؟
Dialogue: 0,0:02:48.85,0:02:50.10,Default,,0,0,0,,{\be2}.لا تتغابي
Dialogue: 0,0:02:50.55,0:02:52.68,Default,,0,0,0,,{\be2}.يريدون منا قتل الأميرة
Dialogue: 0,0:02:53.10,0:02:54.72,Default,,0,0,0,,{\be2}.نحن جاسوستان
Dialogue: 0,0:02:55.10,0:02:56.89,Default,,0,0,0,,{\be2}.نتّبع الأوامر وحسب
Dialogue: 0,0:03:03.01,0:03:05.22,Default,,0,0,0,,{\be2}.أنا لا أريد قتلها
Dialogue: 0,0:03:06.60,0:03:08.30,Default,,0,0,0,,{\be2}...قد نكون جاسوستان
Dialogue: 0,0:03:08.97,0:03:12.05,Default,,0,0,0,,{\be2}!لكننا كائنتان بشريتان في المقام الأول
Dialogue: 0,0:03:12.39,0:03:13.68,Default,,0,0,0,,{\be2}أيمكنكِ تجاهل مشاعركِ؟
Dialogue: 0,0:03:15.80,0:03:18.10,Default,,0,0,0,,{\be2}.إنني من كوكب السحليّة السوداء
Dialogue: 0,0:03:18.10,0:03:19.14,Default,,0,0,0,,{\be2}.ولستُ بشريّة
Dialogue: 0,0:03:28.89,0:03:29.93,Default,,0,0,0,,{\be2}.كاذبة
Dialogue: 0,0:03:37.80,0:03:38.97,Default,,0,0,0,,{\be2}.التقرير
Dialogue: 0,0:03:38.97,0:03:40.05,Default,,0,0,0,,{\be2}.حاضر
Dialogue: 0,0:03:41.05,0:03:44.43,Default,,0,0,0,,{\be2}.لدينا قائمة بـ42 رجلاً وكلهم حاضرون
Dialogue: 0,0:03:44.80,0:03:47.39,Default,,0,0,0,,{\be2}.حسنٌ، تواصل مع وحدة الجدار
Dialogue: 0,0:03:47.97,0:03:50.05,Default,,0,0,0,,{\be2}.أخبرهم أننا وصلنا لندن
Dialogue: 0,0:03:51.97,0:03:54.10,Default,,0,0,0,,{\be2}!من أجل عالم خالٍ من الحواجز
Dialogue: 0,0:04:00.72,0:04:02.22,Default,,0,0,0,,{\be2}.اسبقيني
Dialogue: 0,0:04:02.22,0:04:05.22,Default,,0,0,0,,{\be2}.ظللتُ أسير بالسيّارة لفترة طويلة، إنها بحاجة لصيانة
Dialogue: 0,0:04:08.51,0:04:09.60,Default,,0,0,0,,{\be2}.فهمت
Dialogue: 0,0:04:16.30,0:04:17.39,Default,,0,0,0,,{\be2}.دوروثي
Dialogue: 0,0:04:20.05,0:04:21.14,Default,,0,0,0,,{\be2}.شكرًا لكِ
Dialogue: 0,0:04:48.05,0:04:48.80,Default,,0,0,0,,{\be2}من هناك؟
Dialogue: 0,0:04:57.18,0:04:58.39,Default,,0,0,0,,{\be2}.إنكِ في السطح
Dialogue: 0,0:04:59.30,0:05:02.05,Default,,0,0,0,,{\be2}.يا أنجي لوكار، إنني صديقة
Dialogue: 0,0:05:02.26,0:05:03.76,Default,,0,0,0,,{\be2}.لا داعي لذلك السلاح
Dialogue: 0,0:05:06.43,0:05:07.55,Default,,0,0,0,,{\be2}زيلدا-سان؟
Dialogue: 0,0:05:08.60,0:05:10.10,Default,,0,0,0,,{\be2}ما الأمر؟
Dialogue: 0,0:05:10.10,0:05:11.85,Default,,0,0,0,,{\be2}.أتت أنجي
Dialogue: 0,0:05:15.68,0:05:17.89,Default,,0,0,0,,{\be2}.مرحبًا بعودتكِ يا أنجي
Dialogue: 0,0:05:17.89,0:05:20.26,Default,,0,0,0,,{\be2}أتأتين دومًا من خلال النافذة؟
Dialogue: 0,0:05:21.05,0:05:25.97,Default,,0,0,0,,{\be2}.أنا زيلدا، أرسلتني القيادة كحارسة شخصيّة للأميرة
Dialogue: 0,0:05:26.43,0:05:27.60,Default,,0,0,0,,{\be2}.لم يخبروني
Dialogue: 0,0:05:27.89,0:05:29.89,Default,,0,0,0,,{\be2}.اسأليهم إذن
Dialogue: 0,0:05:30.22,0:05:31.64,Default,,0,0,0,,{\be2}.بدأت العمل اليوم
Dialogue: 0,0:05:32.01,0:05:35.05,Default,,0,0,0,,{\be2}.كنتُ على وشك إعداد بعض الشاي
Dialogue: 0,0:05:35.43,0:05:37.26,Default,,0,0,0,,{\be2}أتريدين مشاركتنا؟
Dialogue: 0,0:05:38.85,0:05:39.97,Default,,0,0,0,,{\be2}ما الأمر؟
Dialogue: 0,0:05:41.14,0:05:43.18,Default,,0,0,0,,{\be2}.لا شيء
Dialogue: 0,0:05:44.89,0:05:49.01,Default,,0,0,0,,{\be2}.من الآن فصاعدًا سيتكون فريقنا من ثمانية عملاء بمن فيهم الأميرة
Dialogue: 0,0:05:50.05,0:05:53.10,Default,,0,0,0,,{\be2}.لقد أعدنا تنظيم فريق عمليّة التبديل
Dialogue: 0,0:05:53.10,0:05:56.14,Default,,0,0,0,,{\be2}.تم تعييني كقائدة جديدة للفريق
Dialogue: 0,0:05:56.51,0:05:57.68,Default,,0,0,0,,{\be2}قائدة؟
Dialogue: 0,0:05:57.80,0:05:59.05,Default,,0,0,0,,{\be2}ماذا عن دوروثي؟
Dialogue: 0,0:06:20.05,0:06:23.14,Default,,0,0,0,,{\be2}.حالما يجهز هذا المكان ستأتي الملكة بنفسها لتراه
Dialogue: 0,0:06:24.55,0:06:26.55,Default,,0,0,0,,{\be2}.هذا رائع
Dialogue: 0,0:06:41.30,0:06:43.89,Default,,0,0,0,,{\be2}.يوجد عملاء هنا لم يخبروني عنهم
Dialogue: 0,0:06:44.01,0:06:46.68,Default,,0,0,0,,{\be2}.ممّ يعني أنهم لا يثقون بي كذلك
Dialogue: 0,0:06:47.39,0:06:48.51,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:06:56.60,0:06:58.39,Default,,0,0,0,,{\be2}كيف حالكِ يا أنجي؟
Dialogue: 0,0:06:58.39,0:06:59.64,Default,,0,0,0,,{\be2}أأنتِ في نزهة؟
Dialogue: 0,0:06:59.64,0:07:00.85,Default,,0,0,0,,{\be2}.لا
Dialogue: 0,0:07:01.01,0:07:03.72,Default,,0,0,0,,{\be2}.لقد أرادت مسؤولة المسكن رؤيتي
Dialogue: 0,0:07:04.22,0:07:05.26,Default,,0,0,0,,{\be2}.اعذريني
Dialogue: 0,0:07:09.30,0:07:13.43,Default,,0,0,0,,{\be2}حرسها يتضمن أشخاصًا من جماعة الدوق\N.نورماندي وجاسوس من الجمهوريّة
Dialogue: 0,0:07:13.72,0:07:15.43,Default,,0,0,0,,{\be2}جاسوس واحد فقط؟
Dialogue: 0,0:07:17.10,0:07:19.43,Default,,0,0,0,,{\be2}.سيسبّب هذا المتاعب
Dialogue: 0,0:07:21.60,0:07:24.47,Default,,0,0,0,,{\be2}.إنكِ لطيفة جدًا أيتها الأميرة
Dialogue: 0,0:07:24.64,0:07:25.85,Default,,0,0,0,,{\be2}لطيفة؟
Dialogue: 0,0:07:26.26,0:07:28.80,Default,,0,0,0,,{\be2}.لقد أدركتُ الأمر أخيرًا
Dialogue: 0,0:07:28.97,0:07:31.68,Default,,0,0,0,,{\be2}.إنكِ تحبين شعبكِ، وتدافعين عن دولتكِ
Dialogue: 0,0:07:31.68,0:07:34.30,Default,,0,0,0,,{\be2}.لأن هذا واجبكِ الملكي
Dialogue: 0,0:07:38.76,0:07:41.60,Default,,0,0,0,,{\be2}.إن الشتاء قارس البرودة هذا العام
Dialogue: 0,0:07:41.85,0:07:43.26,Default,,0,0,0,,{\be2}.صحيح
Dialogue: 0,0:07:45.80,0:07:47.68,Default,,0,0,0,,{\be2}...أصبح الجليد الذي على البركة
Dialogue: 0,0:07:52.85,0:07:55.64,Default,,0,0,0,,{\be2}.انتبهي من لمس الأشياء التي لا تعرفينها
Dialogue: 0,0:08:01.85,0:08:03.85,Default,,0,0,0,,{\be2}أهي مزحة؟
Dialogue: 0,0:08:04.80,0:08:06.10,Default,,0,0,0,,{\be2}.سأتحرى الأمر
Dialogue: 0,0:08:17.05,0:08:20.01,Default,,0,0,0,,{\be2}.يعدّ التواصل معها مخاطرة كبيرة إذن
Dialogue: 0,0:08:33.43,0:08:34.76,Default,,0,0,0,,{\be2}ما الذي تفعلينه؟
Dialogue: 0,0:08:34.76,0:08:37.93,Default,,0,0,0,,{\be2}.تعرفين أن العملاء لا يسمح لهم بالتواصل مع القيادة
Dialogue: 0,0:08:38.10,0:08:39.93,Default,,0,0,0,,{\be2}.رغم ذلك أتيتِ
Dialogue: 0,0:08:41.64,0:08:42.93,Default,,0,0,0,,{\be2}ماذا تريدين؟
Dialogue: 0,0:08:43.55,0:08:44.89,Default,,0,0,0,,{\be2}ماذا حدث لإل؟
Dialogue: 0,0:08:45.76,0:08:47.18,Default,,0,0,0,,{\be2}.حدث تغيير في المناصب العليا
Dialogue: 0,0:08:47.55,0:08:49.47,Default,,0,0,0,,{\be2}.الجيش هو من يقودنا الآن
Dialogue: 0,0:08:49.76,0:08:51.01,Default,,0,0,0,,{\be2}.هذا كل ما في الأمر
Dialogue: 0,0:08:51.22,0:08:52.72,Default,,0,0,0,,{\be2}.إذن فقد حصلت إعادة هيكلة
Dialogue: 0,0:08:53.47,0:08:58.47,Default,,0,0,0,,{\be2}،إنّ العمليّة الجديدة لا داعي لها\N.يبدو وكأنهم يريدون أن يتم اكتشافهم
Dialogue: 0,0:08:58.68,0:09:00.47,Default,,0,0,0,,{\be2}إلى أين يفترض بهذا أن يؤدي؟
Dialogue: 0,0:09:02.72,0:09:05.05,Default,,0,0,0,,{\be2}...أكملي المهمة
Dialogue: 0,0:09:05.43,0:09:07.22,Default,,0,0,0,,{\be2}.إن أردتِ النجاة
Dialogue: 0,0:09:17.64,0:09:18.64,Default,,0,0,0,,{\be2}.تشيس
Dialogue: 0,0:09:19.76,0:09:20.43,Default,,0,0,0,,{\be2}ما الذي تفعلينه؟
Dialogue: 0,0:09:20.64,0:09:22.64,Default,,0,0,0,,{\be2}.تمّ نقلي لمدرسة أخرى
Dialogue: 0,0:09:24.47,0:09:25.39,Default,,0,0,0,,{\be2}.إنها أوامر قائدي
Dialogue: 0,0:09:25.39,0:09:29.22,Default,,0,0,0,,{\be2}.قضينا وقتًا قصيرًا معًا، شكرًا على كل ما فعلته
Dialogue: 0,0:09:29.22,0:09:30.14,Default,,0,0,0,,{\be2}.فهمت
Dialogue: 0,0:09:31.55,0:09:34.85,Default,,0,0,0,,{\be2}أمن شيء يشغل بالكِ؟
Dialogue: 0,0:09:37.01,0:09:40.97,Default,,0,0,0,,{\be2}.إننا نؤمن في بلادي أن حق الضيافة يجب أن يرد
Dialogue: 0,0:09:44.64,0:09:45.89,Default,,0,0,0,,{\be2}.لا شيء
Dialogue: 0,0:09:47.89,0:09:49.39,Default,,0,0,0,,{\be2}.فهمت
Dialogue: 0,0:09:50.05,0:09:51.60,Default,,0,0,0,,{\be2}.اعتني بنفسكِ
Dialogue: 0,0:10:10.68,0:10:12.47,Default,,0,0,0,,{\be2}كيف حال السابعة؟
Dialogue: 0,0:10:14.30,0:10:16.97,Default,,0,0,0,,{\be2}.سننفذ العمليّة غدًا
Dialogue: 0,0:10:19.76,0:10:23.39,Default,,0,0,0,,{\be2}...تنص الخطة على إخراجها من المدرسة للتخلص منها
Dialogue: 0,0:10:23.51,0:10:24.60,Default,,0,0,0,,{\be2}.سأفعلها أنا
Dialogue: 0,0:10:26.22,0:10:29.89,Default,,0,0,0,,{\be2}.عمليّة التبديل كانت فكرتي
Dialogue: 0,0:10:30.64,0:10:32.51,Default,,0,0,0,,{\be2}.أنا سأقتل الأميرة
Dialogue: 0,0:10:37.85,0:10:39.10,Default,,0,0,0,,{\be2}.لا بأس
Dialogue: 0,0:10:40.05,0:10:43.47,Default,,0,0,0,,{\be2}.سيتم الانتهاء من عمليّة البناء في عطلة الأسبوع القادمة
Dialogue: 0,0:10:44.01,0:10:47.60,Default,,0,0,0,,{\be2}تكريمًا لتدشين المعبد الملكيّ الجديد\N.سنقيم مراسمًا للدعاء بانتصار دولتنا
Dialogue: 0,0:10:47.60,0:10:50.68,Default,,0,0,0,,{\be2}.إننا نطلب منكِ تشريفنا بالحضور
Dialogue: 0,0:10:51.85,0:10:57.51,Default,,0,0,0,,{\be2}...سيكون للقائدين والسفراء الحاضرين الشرف لسماع بضع كلمات منكِ
Dialogue: 0,0:10:59.80,0:11:01.01,Default,,0,0,0,,{\be2}.اعذريني
Dialogue: 0,0:11:01.18,0:11:02.85,Default,,0,0,0,,{\be2}.سأعود حالاً
Dialogue: 0,0:11:10.10,0:11:11.51,Default,,0,0,0,,{\be2}ماذا؟
Dialogue: 0,0:11:11.51,0:11:17.18,Default,,0,0,0,,{\be2}.وصلتني معلومة أن جزءًا من الجيش قد بدأ التجمع في لندن الليلة الماضية
Dialogue: 0,0:11:17.35,0:11:18.72,Default,,0,0,0,,{\be2}من قائدهم؟
Dialogue: 0,0:11:19.10,0:11:21.14,Default,,0,0,0,,{\be2}.لم نحدد هويات أي أحد منهم
Dialogue: 0,0:11:21.14,0:11:25.68,Default,,0,0,0,,{\be2}.لكن نعتقد أن أغلبهم ولدوا في مستعمرات خارجيّة
Dialogue: 0,0:11:27.76,0:11:31.05,Default,,0,0,0,,{\be2}.استدعي قوات وزارة الداخليّة المتمركزة في روان
Dialogue: 0,0:11:31.05,0:11:32.51,Default,,0,0,0,,{\be2}.وأبقي الأمر طي الكتمان
Dialogue: 0,0:11:32.64,0:11:34.30,Default,,0,0,0,,{\be2}ماذا عن جلالتها؟
Dialogue: 0,0:11:35.64,0:11:38.72,Default,,0,0,0,,{\be2}.سأقرر إخبارها من عدمه بنفسي
Dialogue: 0,0:12:00.22,0:12:02.93,Default,,0,0,0,,{\be2}إنكِ تتذكرين، أليس كذلك أيتها الأميرة؟
Dialogue: 0,0:12:03.68,0:12:06.01,Default,,0,0,0,,{\be2}.أول يوم التقينا فيه
Dialogue: 0,0:12:07.05,0:12:12.01,Default,,0,0,0,,{\be2}.لم أخبركِ من قبل أين كنت أحاول الذهاب
Dialogue: 0,0:12:12.93,0:12:15.64,Default,,0,0,0,,{\be2}.سمعتُ أن هناك بئرًا جافًا في أحد أركان الحديقة
Dialogue: 0,0:12:16.39,0:12:19.72,Default,,0,0,0,,{\be2}.كنتُ أخطط الاختفاء للأبد
Dialogue: 0,0:12:20.93,0:12:22.51,Default,,0,0,0,,{\be2}.عندها التقيتكِ
Dialogue: 0,0:12:23.22,0:12:25.80,Default,,0,0,0,,{\be2}.لم أكن أحب الناس وكنتُ أخاف كل شيء
Dialogue: 0,0:12:26.18,0:12:30.26,Default,,0,0,0,,{\be2}.كنتِ أول صديقة أثق بها
Dialogue: 0,0:12:31.05,0:12:33.64,Default,,0,0,0,,{\be2}.حدثت الثورة وخسرتُ كل شيء
Dialogue: 0,0:12:33.80,0:12:35.97,Default,,0,0,0,,{\be2}.لكنني لم أتخلَ عن الحياة
Dialogue: 0,0:12:37.30,0:12:39.51,Default,,0,0,0,,{\be2}.أردتُ رؤيتكِ ثانية
Dialogue: 0,0:12:39.72,0:12:41.47,Default,,0,0,0,,{\be2}...كان هذا الأمر الوحيد
Dialogue: 0,0:12:41.68,0:12:44.10,Default,,0,0,0,,{\be2}.الذي ساعدني على مواصلة الكفاح
Dialogue: 0,0:12:45.35,0:12:47.47,Default,,0,0,0,,{\be2}.أردتُ الاعتذار إليكِ
Dialogue: 0,0:12:49.30,0:12:50.14,Default,,0,0,0,,{\be2}...لكن
Dialogue: 0,0:12:50.39,0:12:51.64,Default,,0,0,0,,{\be2}.أخبرتكِ
Dialogue: 0,0:12:52.85,0:12:56.30,Default,,0,0,0,,{\be2}.أريد مساعدتكِ لأصبح الملكة
Dialogue: 0,0:12:57.80,0:13:02.85,Default,,0,0,0,,{\be2}.في النهاية، أوقعتكِ في رغباتي الأنانيّة ثانية
Dialogue: 0,0:13:03.89,0:13:05.22,Default,,0,0,0,,{\be2}.كما أنني آسفة
Dialogue: 0,0:13:05.39,0:13:06.76,Default,,0,0,0,,{\be2}...لكن هذه المرّة
Dialogue: 0,0:13:07.30,0:13:09.22,Default,,0,0,0,,{\be2}.لا أستطيع حمايتكِ
Dialogue: 0,0:13:17.68,0:13:21.05,Default,,0,0,0,,{\be2}.أعتقد أن هذه أول مرة نذهب فيها للتسوق بمفردنا
Dialogue: 0,0:13:21.47,0:13:22.43,Default,,0,0,0,,{\be2}.صحيح
Dialogue: 0,0:13:41.39,0:13:42.89,Default,,0,0,0,,{\be2}!يوجد العديد من الناس
Dialogue: 0,0:13:42.89,0:13:43.55,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:13:44.51,0:13:45.89,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:13:45.89,0:13:47.18,Default,,0,0,0,,{\be2}!انظري، انظري
Dialogue: 0,0:13:51.14,0:13:53.14,Default,,0,0,0,,{\be2}!أسرعي يا أنجي
Dialogue: 0,0:13:53.30,0:13:54.26,Default,,0,0,0,,{\be2}!حاضر
Dialogue: 0,0:14:01.76,0:14:03.14,Default,,0,0,0,,{\be2}.إنهم لا يخفون كلابهم الحراسيّة
Dialogue: 0,0:14:03.26,0:14:05.43,Default,,0,0,0,,{\be2}إذن فهم يعتقدون أنني لن أفعلها؟
Dialogue: 0,0:14:05.89,0:14:07.22,Default,,0,0,0,,{\be2}.لا شك أنهم يعتقدون ذلك
Dialogue: 0,0:14:07.93,0:14:09.55,Default,,0,0,0,,{\be2}ما الأمر يا أنجي؟
Dialogue: 0,0:14:09.72,0:14:11.26,Default,,0,0,0,,{\be2}.لا يبدو أنكِ مستمتعة
Dialogue: 0,0:14:11.26,0:14:13.64,Default,,0,0,0,,{\be2}.لا، بالعكس
Dialogue: 0,0:14:13.64,0:14:16.97,Default,,0,0,0,,{\be2}.حقًا؟ لم أستطع معرفة ذلك من ملامحكِ
Dialogue: 0,0:14:19.43,0:14:21.01,Default,,0,0,0,,{\be2}ألا بأس بهذا؟
Dialogue: 0,0:14:21.01,0:14:24.72,Default,,0,0,0,,{\be2}.ترك مهمة اغتيال الأميرة لإيه
Dialogue: 0,0:14:24.72,0:14:26.93,Default,,0,0,0,,{\be2}.إنه اختبار ولاء
Dialogue: 0,0:14:27.05,0:14:29.39,Default,,0,0,0,,{\be2}...إن حاولت خيانتنا
Dialogue: 0,0:14:34.30,0:14:35.85,Default,,0,0,0,,{\be2}.فسيكون أمرًا يستحق المشاهدة
Dialogue: 0,0:14:52.47,0:14:53.97,Default,,0,0,0,,{\be2}.إنكِ محقة
Dialogue: 0,0:14:54.14,0:14:57.14,Default,,0,0,0,,{\be2}.لم أعتقد أن حرسي سيتبعونني إلى هنا
Dialogue: 0,0:14:57.72,0:14:59.22,Default,,0,0,0,,{\be2}.اسمعي أيتها الأميرة
Dialogue: 0,0:14:59.43,0:15:02.22,Default,,0,0,0,,{\be2}.ثمة مكان أود أن آخذكِ إليه بمفردنا
Dialogue: 0,0:15:02.60,0:15:04.43,Default,,0,0,0,,{\be2}.فلنضلّل الحرس
Dialogue: 0,0:15:04.80,0:15:06.93,Default,,0,0,0,,{\be2}.كما اعتدنا أن نفعل في صغرنا
Dialogue: 0,0:15:08.35,0:15:09.39,Default,,0,0,0,,{\be2}!نعم
Dialogue: 0,0:15:19.47,0:15:20.76,Default,,0,0,0,,{\be2}كيف أبدو؟
Dialogue: 0,0:15:23.85,0:15:24.68,Default,,0,0,0,,{\be2}!الحقيها
Dialogue: 0,0:15:24.68,0:15:25.64,Default,,0,0,0,,{\be2}!لقد كشفت أمرنا
Dialogue: 0,0:15:28.72,0:15:29.72,Default,,0,0,0,,{\be2}!لقد هربت
Dialogue: 0,0:15:34.93,0:15:36.10,Default,,0,0,0,,{\be2}.أيتها الأميرة
Dialogue: 0,0:15:36.10,0:15:37.68,Default,,0,0,0,,{\be2}أين أنتِ ذاهبة؟
Dialogue: 0,0:15:47.10,0:15:48.26,Default,,0,0,0,,{\be2}ماذا يحدث؟
Dialogue: 0,0:15:48.26,0:15:49.10,Default,,0,0,0,,{\be2}!توقفي
Dialogue: 0,0:16:36.01,0:16:36.93,Default,,0,0,0,,{\be2}!أنجي
Dialogue: 0,0:16:39.55,0:16:40.51,Default,,0,0,0,,{\be2}!هيّا بنا
Dialogue: 0,0:16:42.55,0:16:43.47,Default,,0,0,0,,{\be2}!نعم
Dialogue: 0,0:16:49.10,0:16:50.39,Default,,0,0,0,,{\be2}!هذا يعيد الذكريات
Dialogue: 0,0:16:50.39,0:16:53.14,Default,,0,0,0,,{\be2}!حينما كنا نزعج السيدة كروفورد
Dialogue: 0,0:16:53.14,0:16:54.18,Default,,0,0,0,,{\be2}!نعم
Dialogue: 0,0:16:54.39,0:16:57.14,Default,,0,0,0,,{\be2}.كنا نركض حينها أيضًا
Dialogue: 0,0:17:10.89,0:17:11.97,Default,,0,0,0,,{\be2}أين نحن؟
Dialogue: 0,0:17:11.97,0:17:14.14,Default,,0,0,0,,{\be2}.منطاد الركاب: جود هوب
Dialogue: 0,0:17:14.14,0:17:16.14,Default,,0,0,0,,{\be2}.إنه متوجه لكازابلانكا
Dialogue: 0,0:17:16.43,0:17:17.97,Default,,0,0,0,,{\be2}كازابلانكا؟
Dialogue: 0,0:17:17.97,0:17:19.30,Default,,0,0,0,,{\be2}ماذا تعنين؟
Dialogue: 0,0:17:19.60,0:17:21.97,Default,,0,0,0,,{\be2}أهذا هو المكان الذي أردتِ أخذي إليه؟
Dialogue: 0,0:17:22.76,0:17:24.55,Default,,0,0,0,,{\be2}أخبرتكِ من قبل، أليس كذلك؟
Dialogue: 0,0:17:24.55,0:17:28.05,Default,,0,0,0,,{\be2}.ثمة منزل أبيض ينتظرنا هناك
Dialogue: 0,0:17:29.01,0:17:31.05,Default,,0,0,0,,{\be2}لمَ الآن فجأة؟
Dialogue: 0,0:17:31.26,0:17:34.51,Default,,0,0,0,,{\be2}.لقد كنتِ تتصرفين بغرابة منذ أن أتت زيلدا
Dialogue: 0,0:17:35.01,0:17:36.80,Default,,0,0,0,,{\be2}ماذا حدث؟
Dialogue: 0,0:17:38.60,0:17:40.05,Default,,0,0,0,,{\be2}...تلقينا أوامرًا
Dialogue: 0,0:17:40.05,0:17:42.30,Default,,0,0,0,,{\be2}.باغتيالكِ
Dialogue: 0,0:17:42.51,0:17:43.85,Default,,0,0,0,,{\be2}اغتيال؟
Dialogue: 0,0:17:43.85,0:17:47.05,Default,,0,0,0,,{\be2}...من أجل عمليّة التبديل؟ لكن ذاك كان
Dialogue: 0,0:17:47.05,0:17:48.72,Default,,0,0,0,,{\be2}.حدث تغيير في المناصب العليا
Dialogue: 0,0:17:49.10,0:17:53.14,Default,,0,0,0,,{\be2}.حاولتُ تجنب فعل هذا بشتى الطرق، لكن خياراتي نفذت
Dialogue: 0,0:17:53.72,0:17:56.60,Default,,0,0,0,,{\be2}ماذا عن دوروثي-سان وتشيس-سان؟
Dialogue: 0,0:17:57.97,0:18:00.93,Default,,0,0,0,,{\be2}.أُقصيا من الفريق
Dialogue: 0,0:18:01.05,0:18:02.47,Default,,0,0,0,,{\be2}...محال
Dialogue: 0,0:18:02.64,0:18:09.18,Default,,0,0,0,,{\be2}.كنتُ أخطط دومًا لإلغاء هذه العمليّة حالما أنجح في التواصل معكِ
Dialogue: 0,0:18:09.18,0:18:12.97,Default,,0,0,0,,{\be2}...لا أستطيع تعريضكِ للمزيد من الخطر
Dialogue: 0,0:18:12.97,0:18:13.97,Default,,0,0,0,,{\be2}.لا
Dialogue: 0,0:18:14.85,0:18:17.72,Default,,0,0,0,,{\be2}.ما زالت هناك أمور عليّ فعلها في هذه الدولة
Dialogue: 0,0:18:18.22,0:18:19.47,Default,,0,0,0,,{\be2}.أخبرتكِ من قبل
Dialogue: 0,0:18:19.47,0:18:21.55,Default,,0,0,0,,{\be2}.سوف أتخلص من الجدار
Dialogue: 0,0:18:22.05,0:18:23.55,Default,,0,0,0,,{\be2}...أيتها الأميرة
Dialogue: 0,0:18:23.55,0:18:27.47,Default,,0,0,0,,{\be2}!ما زال هناك العديد من الأشخاص المتفرقين عن بعضهم البعض
Dialogue: 0,0:18:27.72,0:18:32.55,Default,,0,0,0,,{\be2}!ما دمتُ أنني الأميرة فلا يسعني الهرب
Dialogue: 0,0:18:33.01,0:18:36.72,Default,,0,0,0,,{\be2}.في اليوم الذي حدثت فيه الثورة أقسمتُ لنفسي
Dialogue: 0,0:18:36.85,0:18:40.68,Default,,0,0,0,,{\be2}.أقسمتُ أن أنشئ العالم الذي أردتِ رؤيته بيديّ
Dialogue: 0,0:18:41.43,0:18:43.30,Default,,0,0,0,,{\be2}.لذا أرجوكِ يا شارلوت
Dialogue: 0,0:18:43.47,0:18:46.22,Default,,0,0,0,,{\be2}!لا بد أن يكون هناك شيء أستطيع فعله
Dialogue: 0,0:18:47.47,0:18:51.55,Default,,0,0,0,,{\be2}.لا رجعة لنا بعد الفوضى التي سببناها قبل قليل
Dialogue: 0,0:18:52.01,0:18:54.26,Default,,0,0,0,,{\be2}.تفهمي هذا أرجوكِ أيتها الأميرة
Dialogue: 0,0:18:55.10,0:18:59.35,Default,,0,0,0,,{\be2}لو كنتِ تنوين الهرب من البداية فكان\N!من الأفضل ألا تقحميني في هذا
Dialogue: 0,0:18:59.35,0:19:02.43,Default,,0,0,0,,{\be2}!حياتي ليست ملككِ لتتحكمي بها
Dialogue: 0,0:19:04.97,0:19:06.01,Default,,0,0,0,,{\be2}!أيتها الأميرة؟
Dialogue: 0,0:19:07.51,0:19:08.43,Default,,0,0,0,,{\be2}!انتظري
Dialogue: 0,0:19:13.22,0:19:15.35,Default,,0,0,0,,{\be2}!افتحي الباب أيتها الأميرة
Dialogue: 0,0:19:15.35,0:19:17.97,Default,,0,0,0,,{\be2}.هذا صحيح، أنا الأميرة
Dialogue: 0,0:19:18.85,0:19:24.55,Default,,0,0,0,,{\be2}إن كانت عمليّة التبديل تعني أن على أحدنا\N.الاختفاء فيمكنكِ الاختفاء بمفردكِ
Dialogue: 0,0:19:25.01,0:19:26.26,Default,,0,0,0,,{\be2}.أيتها الأميرة
Dialogue: 0,0:19:26.68,0:19:32.55,Default,,0,0,0,,{\be2}.لقد كنتِ الشخص الجبان والباكي والمسبّب للمتاعب دومًا
Dialogue: 0,0:19:33.39,0:19:36.05,Default,,0,0,0,,{\be2}.وكنتُ أنا من ينظّف فوضاكِ
Dialogue: 0,0:19:37.51,0:19:42.51,Default,,0,0,0,,{\be2}!لطالما كرهتُ هذا الأمر فيكِ منذ أن التقينا
Dialogue: 0,0:19:44.10,0:19:45.85,Default,,0,0,0,,{\be2}.وداعًا يا أنجي
Dialogue: 0,0:19:45.85,0:19:47.89,Default,,0,0,0,,{\be2}.لا تدعيني أراكِ ثانية
Dialogue: 0,0:19:55.22,0:19:56.89,Default,,0,0,0,,{\be2}...أيتها الأميرة
Dialogue: 0,0:20:01.22,0:20:03.35,Default,,0,0,0,,{\be2}.شكرًا على عملكِ السري
Dialogue: 0,0:20:03.72,0:20:07.51,Default,,0,0,0,,{\be2}...في الحقيقة، سمعتُ بعض الشائعات غير السارّة
Dialogue: 0,0:20:07.51,0:20:10.39,Default,,0,0,0,,{\be2}.والتي دفعتني لاستدعائكِ
Dialogue: 0,0:20:10.64,0:20:12.30,Default,,0,0,0,,{\be2}ما هي؟
Dialogue: 0,0:20:12.60,0:20:19.39,Default,,0,0,0,,{\be2}إنكِ تعرفين أن أغلب الجيش الملكي ينحدر من المستعمرات، أليس كذلك؟
Dialogue: 0,0:20:19.55,0:20:20.43,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:20:20.43,0:20:24.93,Default,,0,0,0,,{\be2}.أعرف شيئًا عن نشر الجنود الاستعمارييّن ضد الجمهوريّة
Dialogue: 0,0:20:26.60,0:20:34.35,Default,,0,0,0,,{\be2}.حدثت اضطرابات من بعض الجنود الاستعمارييّن غير الراضين عن المملكة
Dialogue: 0,0:20:34.64,0:20:38.18,Default,,0,0,0,,{\be2}ألهذا استدعيتني؟
Dialogue: 0,0:20:38.18,0:20:39.22,Default,,0,0,0,,{\be2}.نعم
Dialogue: 0,0:20:39.97,0:20:41.93,Default,,0,0,0,,{\be2}...لو كانت المعلومات صحيحة
Dialogue: 0,0:20:41.93,0:20:45.01,Default,,0,0,0,,{\be2}.فإن صديقاتاكِ يقبعن في وسط هذه الاضطرابات
Dialogue: 0,0:21:04.14,0:21:07.39,Default,,0,0,0,,{\be2}.انقسمنا لأربعة مجموعات لتفتيش المطار
Dialogue: 0,0:21:07.64,0:21:10.64,Default,,0,0,0,,{\be2}.وصلتنا معلومة تفيد أنهما هربا لصالة المطار
Dialogue: 0,0:21:11.18,0:21:12.72,Default,,0,0,0,,{\be2}...أنتِ
Dialogue: 0,0:21:18.43,0:21:20.47,Default,,0,0,0,,{\be2}أنجي؟
Dialogue: 0,0:21:25.10,0:21:27.18,Default,,0,0,0,,{\be2}.أريد تفسيرًا لما حدث
Dialogue: 0,0:21:27.18,0:21:29.51,Default,,0,0,0,,{\be2}ما الذي كنتِ تفعلينه؟
Dialogue: 0,0:21:29.51,0:21:32.05,Default,,0,0,0,,{\be2}.كنتُ أحاول كسب ثقة الأميرة
Dialogue: 0,0:21:32.05,0:21:37.26,Default,,0,0,0,,{\be2}.لقد صدّقت أنني في صفها حتى الرمق الأخير
Dialogue: 0,0:21:38.80,0:21:40.01,Default,,0,0,0,,{\be2}.فهمت
Dialogue: 0,0:21:45.64,0:21:47.22,Default,,0,0,0,,{\be2}.وصلت
Dialogue: 0,0:21:47.68,0:21:49.97,Default,,0,0,0,,{\be2}.سمعتُ أن هناك فوضى بالأسفل
Dialogue: 0,0:21:50.18,0:21:52.18,Default,,0,0,0,,{\be2}.لا تقلق، لقد كانت ضمن الخطة
Dialogue: 0,0:21:53.72,0:21:55.60,Default,,0,0,0,,{\be2}...زيلدا، أتلك
Dialogue: 0,0:21:55.93,0:21:57.14,Default,,0,0,0,,{\be2}...أتلك هي
Dialogue: 0,0:21:57.14,0:21:57.76,Default,,0,0,0,,{\be2}.صحيح
Dialogue: 0,0:21:58.22,0:22:00.72,Default,,0,0,0,,{\be2}.إنها الأميرة شارلوت
Dialogue: 0,0:22:02.68,0:22:05.55,Default,,0,0,0,,{\be2}.يشرفني لقاؤكِ أيتها الأميرة
Dialogue: 0,0:22:08.14,0:22:11.26,Default,,0,0,0,,{\be2}.أيتها الأميرة، هذا هو الرائد ينغوي
Dialogue: 0,0:22:11.80,0:22:14.76,Default,,0,0,0,,{\be2}.إنه يشفق على حال هذه البلاد مثلنا
Dialogue: 0,0:22:15.05,0:22:16.22,Default,,0,0,0,,{\be2}مثلنا؟
Dialogue: 0,0:22:17.85,0:22:22.93,Default,,0,0,0,,{\be2}رغم أن قلوبنا سيعتصرها الألم جراء فعل ذلك\N.لكننا على استعداد للإطاحة بجلالة الملكة
Dialogue: 0,0:22:23.76,0:22:28.22,Default,,0,0,0,,{\be2}.ونود جعلكِ ملكتنا الجديدة
Dialogue: 0,0:22:31.18,0:22:34.01,Default,,0,0,0,,{\be2}!إننا مقبلون على حرب
Dialogue: 0,0:22:40.87,0:22:44.05,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\frz1)}If {\k33}days {\k31}were {\k60}not {\k15}the {\k137}same
Dialogue: 0,0:22:44.54,0:22:47.08,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k31}don't {\k61}know {\k38}what {\k22}I'd {\k56}do.
Dialogue: 0,0:22:47.62,0:22:50.68,ED - A Page of My Story,,0,0,0,,{\k29}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I{\k28}ma{\k14}gi{\k21}ne {\k29}me {\k62}laugh{\k31}ing {\k27}and {\k35}now
Dialogue: 0,0:22:50.84,0:22:53.49,ED - A Page of My Story,,0,0,0,,{\k45}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}see {\k29}me {\k31}walk {\k31}in {\k9}the {\k124}street,
Dialogue: 0,0:22:54.02,0:22:57.09,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}then {\k39}catch {\k28}a {\k59}red {\k32}dou{\k30}ble {\k59}bus,
Dialogue: 0,0:22:57.40,0:23:00.00,ED - A Page of My Story,,0,0,0,,{\k23}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k39}hea{\k31}ven {\k16}would {\k76}find {\k70}me.
Dialogue: 0,0:23:00.75,0:23:04.45,ED - A Page of My Story,,0,0,0,,{\k62}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I'd {\k39}go {\k31}on {\k14}a {\k102}float {\k28}{\k34}eased {\k60}up.
Dialogue: 0,0:23:04.45,0:23:06.97,ED - A Page of My Story,,0,0,0,,{\k14}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)\t(5400,6600,\ frz-1)\t(6600,7800,\ frz1)}I {\k79}smile {\k24}a {\k83}dream.
Dialogue: 0,0:23:09.03,0:23:13.02,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Now {\k29}you {\k62}know, {\k32}there {\k31}is {\k18}a {\k71}scene {\k33}that {\k93}I...
Dialogue: 0,0:23:13.94,0:23:16.39,ED - A Page of My Story,,0,0,0,,{\k31}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I {\k29}re{\k74}peat {\k19}in {\k14}my {\k72}soul
Dialogue: 0,0:23:17.00,0:23:19.96,ED - A Page of My Story,,0,0,0,,{\k15}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}while {\k46}si{\k59}ppin' {\k61}black {\k34}tea {\k31}and {\k47}now,
Dialogue: 0,0:23:20.34,0:23:22.81,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}gen{\k35}tly {\k29}tou{\k34}ching {\k23}a {\k124}tree,
Dialogue: 0,0:23:23.37,0:23:26.49,ED - A Page of My Story,,0,0,0,,{\k36}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}cal{\k22}ming {\k40}hi-{\k61}beam {\k29}from {\k16}the {\k137}sky
Dialogue: 0,0:23:26.80,0:23:29.55,ED - A Page of My Story,,0,0,0,,{\k28}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}can {\k34}free {\k30}me, {\k26}I {\k66}feel {\k141}like
Dialogue: 0,0:23:30.15,0:23:32.61,ED - A Page of My Story,,0,0,0,,{\k61}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k33}get{\k17}ting {\k44}so {\k118}close
Dialogue: 0,0:23:32.90,0:23:36.63,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}to {\k61}laugh{\k16}ing {\k77}sweet {\k30}with {\k30}e{\k31}very{\k118}thing.
Dialogue: 0,0:23:36.88,0:23:39.89,ED - A Page of My Story,,0,0,0,,{\k33}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Go{\k31}ing {\k36}out {\k11}on {\k75}Sun{\k61}day {\k32}mor{\k24}ning,
Dialogue: 0,0:23:39.89,0:23:42.41,ED - A Page of My Story,,0,0,0,,{\k38}the {\k89}light {\k32}has {\k41}come,
Dialogue: 0,0:23:39.79,0:23:44.47,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, morning the light’s on me…)
Dialogue: 0,0:23:42.71,0:23:45.78,ED - A Page of My Story,,0,0,0,,{\k32}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}and {\k24}look{\k37}ing {\k28}up {\k223}high,
Dialogue: 0,0:23:44.47,0:23:49.95,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(Looking around, you’ll see all around)
Dialogue: 0,0:23:47.86,0:23:52.21,ED - A Page of My Story,,0,0,0,,{\k67}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Va{\k62}nish {\k32}wo{\k29}rries {\k31}the {\k92}light {\k30}has {\k122}come.
Dialogue: 0,0:23:49.95,0:23:55.15,ED - A Page of My Story,,0,0,0,,{\an9\fs50\pos(1871,66)}(La la, shining the light on me…)
Dialogue: 0,0:23:52.52,0:23:57.41,ED - A Page of My Story,,0,0,0,,{\k27}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}I'm {\k34}go{\k26}ing {\k28}to {\k64}try {\k34}for {\k31}a {\k53}plea{\k70}sant {\k136}"now".
Dialogue: 0,0:23:57.68,0:24:02.13,ED - A Page of My Story,,0,0,0,,{\k41}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Just {\k23}one {\k33}page {\k29}of {\k61}life {\k61}in {\k45}my {\k79}sto{\k107}ry.
Dialogue: 0,0:24:02.50,0:24:05.96,ED - A Page of My Story,,0,0,0,,{\k51}{\fad(100,100)\org(1500,60)\t(0,600,\ frz1)\t(600,1800,\ frz-1)\t(1800,3000,\ frz1)\t(3000,4200,\ frz-1)\t(4200,5400,\ frz1)}Sweet {\k26}and {\k318}bright.
Dialogue: 0,0:22:40.87,0:22:47.08,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}لا أعرف ما سأفعل إن لم تكن الأيام كبعضها
Dialogue: 0,0:22:47.62,0:22:53.49,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}تتخيلني أضحك والآن تراني سائرة في الطريق
Dialogue: 0,0:22:54.02,0:22:57.09,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ومن ثم أركب حافلة حمراء ذات طابقين
Dialogue: 0,0:22:57.40,0:23:00.00,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والنعيم سيجدني
Dialogue: 0,0:23:00.75,0:23:04.45,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأمتطي موكبًا ببطئ
Dialogue: 0,0:23:04.45,0:23:06.97,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}ابتسامتي بها حلم
Dialogue: 0,0:23:09.03,0:23:16.39,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}والآن كما تعرف، ثمة مشهد... أكرره في نفسي
Dialogue: 0,0:23:17.00,0:23:19.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أثناء احتسائي لشاي أسود والآن
Dialogue: 0,0:23:20.34,0:23:22.81,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}أتحسّس شجرة برّقة
Dialogue: 0,0:23:23.37,0:23:26.49,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}شعاع ترحيب هادئٍ قادم من السماء
Dialogue: 0,0:23:26.80,0:23:32.61,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}يمكنه تحريري. أشعر وكأني... أقترب أكثر فأكثر
Dialogue: 0,0:23:32.90,0:23:36.63,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}للضحك بروعة على كل شيء
Dialogue: 0,0:23:36.88,0:23:39.89,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأخرج في صباح الأحد
Dialogue: 0,0:23:39.89,0:23:42.41,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وقد أشرق الضوء
Dialogue: 0,0:23:39.79,0:23:44.47,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، ضوء الصباح علي)
Dialogue: 0,0:23:42.71,0:23:45.78,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}وطامحة للعلو
Dialogue: 0,0:23:44.47,0:23:49.95,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(انظر حولك وسترى في كل مكان)
Dialogue: 0,0:23:47.86,0:23:52.21,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}فلتختفِ المخاوف فقد أشرق الضوء
Dialogue: 0,0:23:49.95,0:23:55.15,ED Arabic,,0,0,0,,{\fad(500,500)\an1}(...لا لا، لمعان الضوء علي)
Dialogue: 0,0:23:52.52,0:23:57.41,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}سأحاول إيجاد سرور الآن
Dialogue: 0,0:23:57.68,0:24:02.13,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}مجرّد جزء من قصة حياتي
Dialogue: 0,0:24:02.50,0:24:05.96,ED Arabic,,0,0,0,,{\fad(500,500)}{\be1}جميلة وبهيّة
Dialogue: 0,0:01:28.07,0:01:28.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}H
Dialogue: 0,0:01:28.07,0:01:28.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(160,85)\fad(200,0)}e
Dialogue: 0,0:01:28.07,0:01:28.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}a
Dialogue: 0,0:01:28.07,0:01:28.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}r
Dialogue: 0,0:01:28.07,0:01:28.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}
Dialogue: 0,0:01:28.73,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\bord2\shad0\be0\}Hear
Dialogue: 0,0:01:30.46,0:01:30.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}H
Dialogue: 0,0:01:30.46,0:01:30.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(160,85,160,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:30.46,0:01:30.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:01:30.46,0:01:30.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:01:30.46,0:01:30.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:28.07,0:01:28.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 2,0:01:28.07,0:01:28.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(155,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,660,\fscx100\fscy100\bord0\blur0)}Hear
Dialogue: 0,0:01:28.17,0:01:28.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(274,85)\fad(200,0)}m
Dialogue: 0,0:01:28.17,0:01:28.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(311,85)\fad(200,0)}e
Dialogue: 0,0:01:28.17,0:01:28.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(333,85)\fad(200,0)},
Dialogue: 0,0:01:28.17,0:01:28.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\fad(200,0)}
Dialogue: 0,0:01:29.30,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\bord2\shad0\be0\}me,
Dialogue: 0,0:01:30.46,0:01:30.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(274,85,274,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}m
Dialogue: 0,0:01:30.46,0:01:30.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(311,85,311,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:30.46,0:01:30.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(333,85,333,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:01:30.46,0:01:30.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(351,85,351,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:28.73,0:01:29.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 2,0:01:28.73,0:01:29.40,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(296,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,570,\fscx100\fscy100\bord0\blur0)}me,
Dialogue: 0,0:01:28.27,0:01:29.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\fad(200,0)}I
Dialogue: 0,0:01:28.27,0:01:29.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:01:29.78,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(379,85)\bord2\shad0\be0\}I
Dialogue: 0,0:01:30.46,0:01:30.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(379,85,379,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}I
Dialogue: 0,0:01:30.46,0:01:30.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:29.30,0:01:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:01:29.30,0:01:29.88,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(379,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:01:28.37,0:01:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}s
Dialogue: 0,0:01:28.37,0:01:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}a
Dialogue: 0,0:01:28.37,0:01:29.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}y
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\bord2\shad0\be0\}say
Dialogue: 0,0:01:30.46,0:01:30.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:01:30.46,0:01:30.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:30.46,0:01:30.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 2,0:01:29.78,0:01:30.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 2,0:01:29.78,0:01:30.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(465,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,680,\fscx100\fscy100\bord0\blur0)}say
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}r
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}o
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(209,85)\fad(200,0)}s
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(242,85)\fad(200,0)}s
Dialogue: 0,0:01:30.46,0:01:30.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(268,85)\fad(200,0)}
Dialogue: 0,0:01:30.71,0:01:34.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(169,85)\bord2\shad0\be0\}Cross
Dialogue: 0,0:01:34.29,0:01:34.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:01:34.29,0:01:34.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:01:34.29,0:01:34.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:34.29,0:01:34.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(209,85,209,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:01:34.29,0:01:34.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(242,85,242,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:01:34.29,0:01:34.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(268,85,268,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:30.46,0:01:30.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 2,0:01:30.46,0:01:30.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(169,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}Cross
Dialogue: 0,0:01:30.56,0:01:30.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}t
Dialogue: 0,0:01:30.56,0:01:30.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}h
Dialogue: 0,0:01:30.56,0:01:30.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}e
Dialogue: 0,0:01:30.56,0:01:30.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(366,85)\fad(200,0)}
Dialogue: 0,0:01:31.01,0:01:34.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\bord2\shad0\be0\}the
Dialogue: 0,0:01:34.29,0:01:34.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:34.29,0:01:34.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:01:34.29,0:01:34.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:34.29,0:01:34.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(366,85,366,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:30.71,0:01:31.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:01:30.71,0:01:31.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(317,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:01:30.66,0:01:31.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(399,85)\fad(200,0)}w
Dialogue: 0,0:01:30.66,0:01:31.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(435,85)\fad(200,0)}a
Dialogue: 0,0:01:30.66,0:01:31.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}l
Dialogue: 0,0:01:30.66,0:01:31.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(481,85)\fad(200,0)}l
Dialogue: 0,0:01:30.66,0:01:31.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(501,85)\fad(200,0)}.
Dialogue: 0,0:01:34.29,0:01:34.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}wall.
Dialogue: 0,0:01:34.29,0:01:34.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(399,85,399,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:01:34.29,0:01:34.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(435,85,435,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:01:34.29,0:01:34.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:01:34.29,0:01:34.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(481,85,481,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:01:34.29,0:01:34.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(501,85,501,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}.
Dialogue: 2,0:01:31.01,0:01:34.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 2,0:01:31.01,0:01:34.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,3280,\fscx100\fscy100\bord0\blur0)}wall.
Dialogue: 0,0:01:35.06,0:01:35.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:01:35.06,0:01:35.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:01:35.06,0:01:35.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}n
Dialogue: 0,0:01:35.06,0:01:35.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(206,85)\fad(200,0)}
Dialogue: 0,0:01:35.42,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(138,85)\bord2\shad0\be0\}Can
Dialogue: 0,0:01:40.44,0:01:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:01:40.44,0:01:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:01:40.44,0:01:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:40.44,0:01:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(206,85,206,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:35.06,0:01:35.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 2,0:01:35.06,0:01:35.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(138,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Can
Dialogue: 0,0:01:35.16,0:01:35.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}y
Dialogue: 0,0:01:35.16,0:01:35.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}o
Dialogue: 0,0:01:35.16,0:01:35.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}u
Dialogue: 0,0:01:35.16,0:01:35.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(326,85)\fad(200,0)}
Dialogue: 0,0:01:35.58,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\bord2\shad0\be0\}you
Dialogue: 0,0:01:40.44,0:01:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:01:40.44,0:01:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:01:40.44,0:01:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:01:40.44,0:01:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(326,85,326,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:35.42,0:01:35.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 2,0:01:35.42,0:01:35.68,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(266,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}you
Dialogue: 0,0:01:35.26,0:01:35.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(347,85)\fad(200,0)}f
Dialogue: 0,0:01:35.26,0:01:35.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(371,85)\fad(200,0)}e
Dialogue: 0,0:01:35.26,0:01:35.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(398,85)\fad(200,0)}e
Dialogue: 0,0:01:35.26,0:01:35.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}l
Dialogue: 0,0:01:35.26,0:01:35.58,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)}
Dialogue: 0,0:01:36.10,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\bord2\shad0\be0\}feel
Dialogue: 0,0:01:40.44,0:01:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(347,85,347,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:01:40.44,0:01:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(371,85,371,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:40.44,0:01:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(398,85,398,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:40.44,0:01:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:01:40.44,0:01:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:35.58,0:01:36.20,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 2,0:01:35.58,0:01:36.20,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(385,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}feel
Dialogue: 0,0:01:35.36,0:01:36.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(464,85)\fad(200,0)}t
Dialogue: 0,0:01:35.36,0:01:36.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(490,85)\fad(200,0)}h
Dialogue: 0,0:01:35.36,0:01:36.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(519,85)\fad(200,0)}a
Dialogue: 0,0:01:35.36,0:01:36.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}t
Dialogue: 0,0:01:35.36,0:01:36.10,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}
Dialogue: 0,0:01:36.33,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}that
Dialogue: 0,0:01:40.44,0:01:40.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(464,85,464,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:40.44,0:01:40.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(490,85,490,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:01:40.44,0:01:40.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(519,85,519,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:40.44,0:01:40.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:40.44,0:01:40.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:36.10,0:01:36.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:01:36.10,0:01:36.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\fad(200,0)}n
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(625,85)\fad(200,0)}o
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}t
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(677,85)\fad(200,0)}h
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(702,85)\fad(200,0)}i
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(729,85)\fad(200,0)}n
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(762,85)\fad(200,0)}g
Dialogue: 0,0:01:35.46,0:01:36.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(789,85)\fad(200,0)}
Dialogue: 0,0:01:37.23,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(676,85)\bord2\shad0\be0\}nothing
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(592,85,592,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(625,85,625,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(677,85,677,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(702,85,702,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(729,85,729,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(762,85,762,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}g
Dialogue: 0,0:01:40.44,0:01:40.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(789,85,789,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:36.33,0:01:37.33,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 2,0:01:36.33,0:01:37.33,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(676,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,900,\fscx100\fscy100\bord0\blur0)}nothing
Dialogue: 0,0:01:35.56,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(809,85)\fad(200,0)}t
Dialogue: 0,0:01:35.56,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(837,85)\fad(200,0)}u
Dialogue: 0,0:01:35.56,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(868,85)\fad(200,0)}r
Dialogue: 0,0:01:35.56,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(900,85)\fad(200,0)}n
Dialogue: 0,0:01:35.56,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(934,85)\fad(200,0)}s
Dialogue: 0,0:01:35.56,0:01:37.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(960,85)\fad(200,0)}
Dialogue: 0,0:01:37.73,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(874,85)\bord2\shad0\be0\}turns
Dialogue: 0,0:01:40.44,0:01:40.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(809,85,809,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:01:40.44,0:01:40.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(837,85,837,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:01:40.44,0:01:40.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(868,85,868,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:01:40.44,0:01:40.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(900,85,900,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:01:40.44,0:01:40.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(934,85,934,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:01:40.44,0:01:40.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(960,85,960,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:37.23,0:01:37.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 2,0:01:37.23,0:01:37.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(874,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,500,\fscx100\fscy100\bord0\blur0)}turns
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(984,85)\fad(200,0)}a
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1012,85)\fad(200,0)}r
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1043,85)\fad(200,0)}o
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1075,85)\fad(200,0)}u
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1109,85)\fad(200,0)}n
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1143,85)\fad(200,0)}d
Dialogue: 0,0:01:35.66,0:01:37.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}.
Dialogue: 0,0:01:40.44,0:01:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\bord2\shad0\be0\}around.
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(984,85,984,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1012,85,1012,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}r
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1043,85,1043,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1075,85,1075,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}u
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1109,85,1109,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1143,85,1143,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}d
Dialogue: 0,0:01:40.44,0:01:40.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:01:37.73,0:01:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 2,0:01:37.73,0:01:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1074,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2710,\fscx100\fscy100\bord0\blur0)}around.
Dialogue: 0,0:01:41.25,0:01:41.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(112,85)\fad(200,0)}L
Dialogue: 0,0:01:41.25,0:01:41.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}i
Dialogue: 0,0:01:41.25,0:01:41.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(181,85)\fad(200,0)}k
Dialogue: 0,0:01:41.25,0:01:41.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(211,85)\fad(200,0)}e
Dialogue: 0,0:01:41.25,0:01:41.25,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}
Dialogue: 0,0:01:41.71,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(152,85)\bord2\shad0\be0\}Like
Dialogue: 0,0:01:46.13,0:01:46.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(112,85,112,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}L
Dialogue: 0,0:01:46.13,0:01:46.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:01:46.13,0:01:46.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(181,85,181,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}k
Dialogue: 0,0:01:46.13,0:01:46.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(211,85,211,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:46.13,0:01:46.18,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:41.25,0:01:41.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 2,0:01:41.25,0:01:41.81,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(152,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Like
Dialogue: 0,0:01:41.35,0:01:41.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}a
Dialogue: 0,0:01:41.35,0:01:41.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(283,85)\fad(200,0)}
Dialogue: 0,0:01:41.92,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\bord2\shad0\be0\}a
Dialogue: 0,0:01:46.13,0:01:46.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:46.13,0:01:46.23,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(283,85,283,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:41.71,0:01:42.02,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:01:41.71,0:01:42.02,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(259,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:01:41.45,0:01:41.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}g
Dialogue: 0,0:01:41.45,0:01:41.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(339,85)\fad(200,0)}e
Dialogue: 0,0:01:41.45,0:01:41.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}a
Dialogue: 0,0:01:41.45,0:01:41.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(395,85)\fad(200,0)}r
Dialogue: 0,0:01:41.45,0:01:41.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(420,85)\fad(200,0)}
Dialogue: 0,0:01:42.35,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(351,85)\bord2\shad0\be0\}gear
Dialogue: 0,0:01:46.13,0:01:46.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:01:46.13,0:01:46.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(339,85,339,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:46.13,0:01:46.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:01:46.13,0:01:46.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(395,85,395,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:01:46.13,0:01:46.28,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(420,85,420,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:41.92,0:01:42.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 2,0:01:41.92,0:01:42.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(351,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,430,\fscx100\fscy100\bord0\blur0)}gear
Dialogue: 0,0:01:41.55,0:01:42.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}i
Dialogue: 0,0:01:41.55,0:01:42.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(467,85)\fad(200,0)}n
Dialogue: 0,0:01:41.55,0:01:42.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}
Dialogue: 0,0:01:42.60,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(457,85)\bord2\shad0\be0\}in
Dialogue: 0,0:01:46.13,0:01:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:01:46.13,0:01:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(467,85,467,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:01:46.13,0:01:46.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:42.35,0:01:42.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 2,0:01:42.35,0:01:42.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(457,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}in
Dialogue: 0,0:01:41.65,0:01:42.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(521,85)\fad(200,0)}s
Dialogue: 0,0:01:41.65,0:01:42.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(554,85)\fad(200,0)}y
Dialogue: 0,0:01:41.65,0:01:42.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:01:41.65,0:01:42.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(619,85)\fad(200,0)}c
Dialogue: 0,0:01:41.65,0:01:42.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}
Dialogue: 0,0:01:43.32,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(568,85)\bord2\shad0\be0\}sync
Dialogue: 0,0:01:46.13,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(521,85,521,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:01:46.13,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(554,85,554,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:01:46.13,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:01:46.13,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(619,85,619,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:01:46.13,0:01:46.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:42.60,0:01:43.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 2,0:01:42.60,0:01:43.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(568,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,720,\fscx100\fscy100\bord0\blur0)}sync
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(661,85)\fad(200,0)}i
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}n
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}s
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(748,85)\fad(200,0)}i
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(774,85)\fad(200,0)}d
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(803,85)\fad(200,0)}e
Dialogue: 0,0:01:41.75,0:01:43.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}
Dialogue: 0,0:01:43.97,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}inside
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(661,85,661,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}n
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}s
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(748,85,748,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(774,85,774,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}d
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(803,85,803,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:01:46.13,0:01:46.43,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:43.32,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 2,0:01:43.32,0:01:44.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}inside
Dialogue: 0,0:01:41.85,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\fad(200,0)}a
Dialogue: 0,0:01:41.85,0:01:43.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(875,85)\fad(200,0)}
Dialogue: 0,0:01:44.08,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(851,85)\bord2\shad0\be0\}a
Dialogue: 0,0:01:46.13,0:01:46.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(851,85,851,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:01:46.13,0:01:46.48,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(875,85,875,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:01:43.97,0:01:44.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:01:43.97,0:01:44.18,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(851,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:01:41.95,0:01:44.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}c
Dialogue: 0,0:01:41.95,0:01:44.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(921,85)\fad(200,0)}l
Dialogue: 0,0:01:41.95,0:01:44.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(947,85)\fad(200,0)}o
Dialogue: 0,0:01:41.95,0:01:44.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(975,85)\fad(200,0)}c
Dialogue: 0,0:01:41.95,0:01:44.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}k
Dialogue: 0,0:01:41.95,0:01:44.08,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1030,85)\fad(200,0)}.
Dialogue: 0,0:01:46.13,0:01:46.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(962,85)\bord2\shad0\be0\}clock.
Dialogue: 0,0:01:46.13,0:01:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:01:46.13,0:01:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(921,85,921,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}l
Dialogue: 0,0:01:46.13,0:01:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(947,85,947,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}o
Dialogue: 0,0:01:46.13,0:01:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(975,85,975,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}c
Dialogue: 0,0:01:46.13,0:01:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:01:46.13,0:01:46.53,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1030,85,1030,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}.
Dialogue: 2,0:01:44.08,0:01:46.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 2,0:01:44.08,0:01:46.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(962,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2050,\fscx100\fscy100\bord0\blur0)}clock.
Dialogue: 0,0:01:47.26,0:01:47.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:01:47.26,0:01:47.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:01:47.26,0:01:47.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(203,85)\fad(200,0)}o
Dialogue: 0,0:01:47.26,0:01:47.26,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(228,85)\fad(200,0)}
Dialogue: 0,0:01:47.54,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(149,85)\bord2\shad0\be0\}Who
Dialogue: 0,0:01:52.41,0:01:52.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:01:52.41,0:01:52.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:01:52.41,0:01:52.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(203,85,203,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:52.41,0:01:52.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(228,85,228,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:47.26,0:01:47.64,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 2,0:01:47.26,0:01:47.64,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(149,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}Who
Dialogue: 0,0:01:47.36,0:01:47.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(251,85)\fad(200,0)}c
Dialogue: 0,0:01:47.36,0:01:47.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(277,85)\fad(200,0)}a
Dialogue: 0,0:01:47.36,0:01:47.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}n
Dialogue: 0,0:01:47.36,0:01:47.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(336,85)\fad(200,0)}
Dialogue: 0,0:01:47.81,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\bord2\shad0\be0\}can
Dialogue: 0,0:01:52.41,0:01:52.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(251,85,251,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:01:52.41,0:01:52.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(277,85,277,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:01:52.41,0:01:52.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:52.41,0:01:52.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(336,85,336,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:47.54,0:01:47.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:01:47.54,0:01:47.91,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(282,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:01:47.46,0:01:47.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}b
Dialogue: 0,0:01:47.46,0:01:47.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}e
Dialogue: 0,0:01:47.46,0:01:47.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:01:48.03,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(375,85)\bord2\shad0\be0\}be
Dialogue: 0,0:01:52.41,0:01:52.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}b
Dialogue: 0,0:01:52.41,0:01:52.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:01:52.41,0:01:52.56,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:47.81,0:01:48.13,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:01:47.81,0:01:48.13,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(375,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:01:47.56,0:01:48.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(440,85)\fad(200,0)}s
Dialogue: 0,0:01:47.56,0:01:48.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(473,85)\fad(200,0)}u
Dialogue: 0,0:01:47.56,0:01:48.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\fad(200,0)}r
Dialogue: 0,0:01:47.56,0:01:48.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}e
Dialogue: 0,0:01:47.56,0:01:48.03,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}
Dialogue: 0,0:01:48.59,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\bord2\shad0\be0\}sure
Dialogue: 0,0:01:52.41,0:01:52.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(440,85,440,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:01:52.41,0:01:52.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(473,85,473,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}u
Dialogue: 0,0:01:52.41,0:01:52.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(504,85,504,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:01:52.41,0:01:52.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:01:52.41,0:01:52.61,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:48.03,0:01:48.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 2,0:01:48.03,0:01:48.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(485,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,560,\fscx100\fscy100\bord0\blur0)}sure
Dialogue: 0,0:01:47.66,0:01:48.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(582,85)\fad(200,0)}o
Dialogue: 0,0:01:47.66,0:01:48.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(608,85)\fad(200,0)}f
Dialogue: 0,0:01:47.66,0:01:48.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}
Dialogue: 0,0:01:48.98,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(592,85)\bord2\shad0\be0\}of
Dialogue: 0,0:01:52.41,0:01:52.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(582,85,582,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:01:52.41,0:01:52.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(608,85,608,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}f
Dialogue: 0,0:01:52.41,0:01:52.66,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:01:48.59,0:01:49.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 2,0:01:48.59,0:01:49.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(592,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}of
Dialogue: 0,0:01:47.76,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(654,85)\fad(200,0)}h
Dialogue: 0,0:01:47.76,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}o
Dialogue: 0,0:01:47.76,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)}w
Dialogue: 0,0:01:47.76,0:01:48.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(755,85)\fad(200,0)}
Dialogue: 0,0:01:49.33,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(692,85)\bord2\shad0\be0\}how
Dialogue: 0,0:01:52.41,0:01:52.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(654,85,654,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:01:52.41,0:01:52.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:01:52.41,0:01:52.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:01:52.41,0:01:52.71,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(755,85,755,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:01:48.98,0:01:49.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 2,0:01:48.98,0:01:49.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(692,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}how
Dialogue: 0,0:01:47.86,0:01:49.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(776,85)\fad(200,0)}t
Dialogue: 0,0:01:47.86,0:01:49.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(802,85)\fad(200,0)}o
Dialogue: 0,0:01:47.86,0:01:49.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(828,85)\fad(200,0)}
Dialogue: 0,0:01:49.75,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(791,85)\bord2\shad0\be0\}to
Dialogue: 0,0:01:52.41,0:01:52.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(776,85,776,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:01:52.41,0:01:52.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(802,85,802,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:01:52.41,0:01:52.76,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(828,85,828,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:01:49.33,0:01:49.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:01:49.33,0:01:49.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(791,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:01:47.96,0:01:49.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}m
Dialogue: 0,0:01:47.96,0:01:49.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(898,85)\fad(200,0)}a
Dialogue: 0,0:01:47.96,0:01:49.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(929,85)\fad(200,0)}k
Dialogue: 0,0:01:47.96,0:01:49.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(959,85)\fad(200,0)}e
Dialogue: 0,0:01:47.96,0:01:49.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(983,85)\fad(200,0)}
Dialogue: 0,0:01:50.15,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(905,85)\bord2\shad0\be0\}make
Dialogue: 0,0:01:52.41,0:01:52.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}m
Dialogue: 0,0:01:52.41,0:01:52.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(898,85,898,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}a
Dialogue: 0,0:01:52.41,0:01:52.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(929,85,929,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}k
Dialogue: 0,0:01:52.41,0:01:52.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(959,85,959,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}e
Dialogue: 0,0:01:52.41,0:01:52.81,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(983,85,983,85,-100,400)\bord2\shad0\\blur0\t(-100,400,\frx420)\}
Dialogue: 2,0:01:49.75,0:01:50.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 2,0:01:49.75,0:01:50.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(905,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}make
Dialogue: 0,0:01:48.06,0:01:50.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}i
Dialogue: 0,0:01:48.06,0:01:50.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1023,85)\fad(200,0)}t
Dialogue: 0,0:01:48.06,0:01:50.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1044,85)\fad(200,0)}
Dialogue: 0,0:01:50.38,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\bord2\shad0\be0\}it
Dialogue: 0,0:01:52.41,0:01:52.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}i
Dialogue: 0,0:01:52.41,0:01:52.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1023,85,1023,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:01:52.41,0:01:52.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1044,85,1044,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:01:50.15,0:01:50.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:01:50.15,0:01:50.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1013,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:01:48.16,0:01:50.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1077,85)\fad(200,0)}w
Dialogue: 0,0:01:48.16,0:01:50.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1115,85)\fad(200,0)}o
Dialogue: 0,0:01:48.16,0:01:50.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1145,85)\fad(200,0)}r
Dialogue: 0,0:01:48.16,0:01:50.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}k
Dialogue: 0,0:01:48.16,0:01:50.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1201,85)\fad(200,0)}.
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1132,85)\bord2\shad0\be0\}work.
Dialogue: 0,0:01:52.41,0:01:52.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1077,85,1077,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}w
Dialogue: 0,0:01:52.41,0:01:52.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1115,85,1115,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}o
Dialogue: 0,0:01:52.41,0:01:52.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1145,85,1145,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}r
Dialogue: 0,0:01:52.41,0:01:52.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}k
Dialogue: 0,0:01:52.41,0:01:52.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1201,85,1201,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}.
Dialogue: 2,0:01:50.38,0:01:52.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 2,0:01:50.38,0:01:52.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1132,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2030,\fscx100\fscy100\bord0\blur0)}work.
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(114,85)\fad(200,0)}R
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(162,85)\fad(200,0)}e
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}c
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(216,85)\fad(200,0)}o
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(247,85)\fad(200,0)}g
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\fad(200,0)}i
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}z
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(363,85)\fad(200,0)}e
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(385,85)\fad(200,0)},
Dialogue: 0,0:01:52.41,0:01:52.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}
Dialogue: 0,0:01:54.05,0:01:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(237,85)\bord2\shad0\be0\}Recognize,
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(114,85,114,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}R
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(162,85,162,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}c
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(216,85,216,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(247,85,247,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}g
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(308,85,308,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}i
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(363,85,363,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(385,85,385,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\},
Dialogue: 0,0:01:58.79,0:01:58.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:52.41,0:01:54.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 2,0:01:52.41,0:01:54.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(237,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1640,\fscx100\fscy100\bord0\blur0)}Recognize,
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(423,85)\fad(200,0)}i
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(450,85)\fad(200,0)}n
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}n
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(516,85)\fad(200,0)}e
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(544,85)\fad(200,0)}r
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(569,85)\fad(200,0)}
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}i
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}g
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}h
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(703,85)\fad(200,0)}t
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(722,85)\fad(200,0)},
Dialogue: 0,0:01:52.51,0:01:54.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\fad(200,0)}
Dialogue: 0,0:01:55.60,0:01:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(572,85)\bord2\shad0\be0\}inner sight,
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(423,85,423,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(450,85,450,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(516,85,516,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(544,85,544,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(569,85,569,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}g
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(703,85,703,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(722,85,722,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:01:58.79,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(741,85,741,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:54.05,0:01:55.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 2,0:01:54.05,0:01:55.70,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(572,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1550,\fscx100\fscy100\bord0\blur0)}inner sight,
Dialogue: 0,0:01:52.61,0:01:55.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(767,85)\fad(200,0)}g
Dialogue: 0,0:01:52.61,0:01:55.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(799,85)\fad(200,0)}o
Dialogue: 0,0:01:52.61,0:01:55.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(825,85)\fad(200,0)}t
Dialogue: 0,0:01:52.61,0:01:55.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(846,85)\fad(200,0)}t
Dialogue: 0,0:01:52.61,0:01:55.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(871,85)\fad(200,0)}a
Dialogue: 0,0:01:52.61,0:01:55.60,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(895,85)\fad(200,0)}
Dialogue: 0,0:01:55.90,0:01:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(818,85)\bord2\shad0\be0\}gotta
Dialogue: 0,0:01:58.79,0:01:58.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(767,85,767,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:01:58.79,0:01:58.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(799,85,799,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:01:58.79,0:01:58.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(825,85,825,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:58.79,0:01:58.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(846,85,846,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:01:58.79,0:01:58.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(871,85,871,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:01:58.79,0:01:58.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(895,85,895,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:01:55.60,0:01:56.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 2,0:01:55.60,0:01:56.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(818,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,300,\fscx100\fscy100\bord0\blur0)}gotta
Dialogue: 0,0:01:52.71,0:01:55.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}s
Dialogue: 0,0:01:52.71,0:01:55.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(948,85)\fad(200,0)}t
Dialogue: 0,0:01:52.71,0:01:55.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\fad(200,0)}a
Dialogue: 0,0:01:52.71,0:01:55.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1004,85)\fad(200,0)}y
Dialogue: 0,0:01:52.71,0:01:55.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1032,85)\fad(200,0)}
Dialogue: 0,0:01:56.38,0:01:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(964,85)\bord2\shad0\be0\}stay
Dialogue: 0,0:01:58.79,0:01:58.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:01:58.79,0:01:58.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(948,85,948,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:01:58.79,0:01:58.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(973,85,973,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:01:58.79,0:01:58.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1004,85,1004,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}y
Dialogue: 0,0:01:58.79,0:01:58.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1032,85,1032,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:01:55.90,0:01:56.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 2,0:01:55.90,0:01:56.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(964,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}stay
Dialogue: 0,0:01:52.81,0:01:56.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}a
Dialogue: 0,0:01:52.81,0:01:56.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1081,85)\fad(200,0)}l
Dialogue: 0,0:01:52.81,0:01:56.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1101,85)\fad(200,0)}i
Dialogue: 0,0:01:52.81,0:01:56.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1126,85)\fad(200,0)}v
Dialogue: 0,0:01:52.81,0:01:56.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1155,85)\fad(200,0)}e
Dialogue: 0,0:01:52.81,0:01:56.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1177,85)\fad(200,0)}.
Dialogue: 0,0:01:58.79,0:01:58.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1114,85)\bord2\shad0\be0\}alive.
Dialogue: 0,0:01:58.79,0:01:59.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:01:58.79,0:01:59.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1081,85,1081,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}l
Dialogue: 0,0:01:58.79,0:01:59.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1101,85,1101,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:01:58.79,0:01:59.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1126,85,1126,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:01:58.79,0:01:59.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1155,85,1155,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:01:58.79,0:01:59.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1177,85,1177,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:01:56.38,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 2,0:01:56.38,0:01:58.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1114,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2410,\fscx100\fscy100\bord0\blur0)}alive.
Dialogue: 0,0:01:59.29,0:01:59.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:01:59.29,0:01:59.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(126,85)\fad(200,0)}
Dialogue: 0,0:01:59.70,0:02:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\bord2\shad0\be0\}I
Dialogue: 0,0:02:01.87,0:02:01.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:02:01.87,0:02:01.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(126,85,126,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:01:59.29,0:01:59.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:01:59.29,0:01:59.80,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(98,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:01:59.39,0:01:59.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(159,85)\fad(200,0)}w
Dialogue: 0,0:01:59.39,0:01:59.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(191,85)\fad(200,0)}i
Dialogue: 0,0:01:59.39,0:01:59.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(212,85)\fad(200,0)}l
Dialogue: 0,0:01:59.39,0:01:59.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(233,85)\fad(200,0)}l
Dialogue: 0,0:01:59.39,0:01:59.70,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}
Dialogue: 0,0:02:00.06,0:02:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\bord2\shad0\be0\}will
Dialogue: 0,0:02:01.87,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(159,85,159,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:02:01.87,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(191,85,191,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:01.87,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(212,85,212,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:01.87,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(233,85,233,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:01.87,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:01:59.70,0:02:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 2,0:01:59.70,0:02:00.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(190,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}will
Dialogue: 0,0:01:59.49,0:02:00.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}n
Dialogue: 0,0:01:59.49,0:02:00.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(312,85)\fad(200,0)}e
Dialogue: 0,0:01:59.49,0:02:00.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(341,85)\fad(200,0)}v
Dialogue: 0,0:01:59.49,0:02:00.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}e
Dialogue: 0,0:01:59.49,0:02:00.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(397,85)\fad(200,0)}r
Dialogue: 0,0:01:59.49,0:02:00.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(422,85)\fad(200,0)}
Dialogue: 0,0:02:00.67,0:02:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\bord2\shad0\be0\}never
Dialogue: 0,0:02:01.87,0:02:02.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:02:01.87,0:02:02.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(312,85,312,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:01.87,0:02:02.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(341,85,341,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}v
Dialogue: 0,0:02:01.87,0:02:02.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:01.87,0:02:02.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(397,85,397,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:01.87,0:02:02.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(422,85,422,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:00.06,0:02:00.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 2,0:02:00.06,0:02:00.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(338,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,610,\fscx100\fscy100\bord0\blur0)}never
Dialogue: 0,0:01:59.59,0:02:00.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}b
Dialogue: 0,0:01:59.59,0:02:00.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(475,85)\fad(200,0)}e
Dialogue: 0,0:01:59.59,0:02:00.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(499,85)\fad(200,0)}
Dialogue: 0,0:02:01.07,0:02:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\bord2\shad0\be0\}be
Dialogue: 0,0:02:01.87,0:02:02.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}b
Dialogue: 0,0:02:01.87,0:02:02.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(475,85,475,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:01.87,0:02:02.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(499,85,499,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:00.67,0:02:01.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 2,0:02:00.67,0:02:01.17,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(461,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,400,\fscx100\fscy100\bord0\blur0)}be
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}d
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(555,85)\fad(200,0)}e
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}c
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(607,85)\fad(200,0)}e
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(631,85)\fad(200,0)}i
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}v
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}e
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(714,85)\fad(200,0)}d
Dialogue: 0,0:01:59.69,0:02:01.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\fad(200,0)}.
Dialogue: 0,0:02:01.87,0:02:01.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\bord2\shad0\be0\}deceived.
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(555,85,555,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(607,85,607,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(631,85,631,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}i
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}v
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(714,85,714,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}d
Dialogue: 0,0:02:01.87,0:02:02.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(739,85,739,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}.
Dialogue: 2,0:02:01.07,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 2,0:02:01.07,0:02:01.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(629,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,800,\fscx100\fscy100\bord0\blur0)}deceived.
Dialogue: 0,0:02:01.94,0:02:01.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(98,85)\fad(200,0)}I
Dialogue: 0,0:02:01.94,0:02:01.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\fad(200,0)}'
Dialogue: 0,0:02:01.94,0:02:01.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(157,85)\fad(200,0)}m
Dialogue: 0,0:02:01.94,0:02:01.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(190,85)\fad(200,0)}
Dialogue: 0,0:02:02.21,0:02:04.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(130,85)\bord2\shad0\be0\}I'm
Dialogue: 0,0:02:04.94,0:02:04.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(98,85,98,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}I
Dialogue: 0,0:02:04.94,0:02:04.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(125,85,125,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:02:04.94,0:02:04.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(157,85,157,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}m
Dialogue: 0,0:02:04.94,0:02:04.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(190,85,190,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:01.94,0:02:02.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 2,0:02:01.94,0:02:02.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(130,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,270,\fscx100\fscy100\bord0\blur0)}I'm
Dialogue: 0,0:02:02.04,0:02:02.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\fad(200,0)}a
Dialogue: 0,0:02:02.04,0:02:02.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(238,85)\fad(200,0)}
Dialogue: 0,0:02:02.40,0:02:04.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(214,85)\bord2\shad0\be0\}a
Dialogue: 0,0:02:04.94,0:02:05.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(214,85,214,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:04.94,0:02:05.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(238,85,238,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:02.21,0:02:02.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 2,0:02:02.21,0:02:02.50,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(214,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,190,\fscx100\fscy100\bord0\blur0)}a
Dialogue: 0,0:02:02.14,0:02:02.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(265,85)\fad(200,0)}g
Dialogue: 0,0:02:02.14,0:02:02.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(291,85)\fad(200,0)}i
Dialogue: 0,0:02:02.14,0:02:02.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\fad(200,0)}r
Dialogue: 0,0:02:02.14,0:02:02.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}l
Dialogue: 0,0:02:02.14,0:02:02.40,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(361,85)\fad(200,0)}
Dialogue: 0,0:02:02.73,0:02:04.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\bord2\shad0\be0\}girl
Dialogue: 0,0:02:04.94,0:02:05.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(265,85,265,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}g
Dialogue: 0,0:02:04.94,0:02:05.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(291,85,291,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:02:04.94,0:02:05.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(315,85,315,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:04.94,0:02:05.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:04.94,0:02:05.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(361,85,361,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:02.40,0:02:02.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 2,0:02:02.40,0:02:02.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(300,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,330,\fscx100\fscy100\bord0\blur0)}girl
Dialogue: 0,0:02:02.24,0:02:02.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(382,85)\fad(200,0)}t
Dialogue: 0,0:02:02.24,0:02:02.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}h
Dialogue: 0,0:02:02.24,0:02:02.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}a
Dialogue: 0,0:02:02.24,0:02:02.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(461,85)\fad(200,0)}t
Dialogue: 0,0:02:02.24,0:02:02.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(482,85)\fad(200,0)}
Dialogue: 0,0:02:02.90,0:02:04.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}that
Dialogue: 0,0:02:04.94,0:02:05.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(382,85,382,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:04.94,0:02:05.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:04.94,0:02:05.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:04.94,0:02:05.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(461,85,461,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:04.94,0:02:05.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(482,85,482,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:02.73,0:02:03.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 2,0:02:02.73,0:02:03.00,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}that
Dialogue: 0,0:02:02.34,0:02:02.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(508,85)\fad(200,0)}s
Dialogue: 0,0:02:02.34,0:02:02.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(538,85)\fad(200,0)}e
Dialogue: 0,0:02:02.34,0:02:02.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(565,85)\fad(200,0)}e
Dialogue: 0,0:02:02.34,0:02:02.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(595,85)\fad(200,0)}s
Dialogue: 0,0:02:02.34,0:02:02.90,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(621,85)\fad(200,0)}
Dialogue: 0,0:02:03.38,0:02:04.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(551,85)\bord2\shad0\be0\}sees
Dialogue: 0,0:02:04.94,0:02:05.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(508,85,508,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:04.94,0:02:05.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(538,85,538,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:04.94,0:02:05.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(565,85,565,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:04.94,0:02:05.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(595,85,595,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:04.94,0:02:05.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(621,85,621,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:02.90,0:02:03.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 2,0:02:02.90,0:02:03.48,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(551,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,480,\fscx100\fscy100\bord0\blur0)}sees
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(642,85)\fad(200,0)}t
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}h
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(696,85)\fad(200,0)}r
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}o
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(759,85)\fad(200,0)}u
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}g
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(823,85)\fad(200,0)}h
Dialogue: 0,0:02:02.44,0:02:03.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}
Dialogue: 0,0:02:03.77,0:02:04.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(734,85)\bord2\shad0\be0\}through
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(642,85,642,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(696,85,696,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}r
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}o
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(759,85,759,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}u
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}g
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(823,85,823,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:04.94,0:02:05.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:03.38,0:02:03.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 2,0:02:03.38,0:02:03.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(734,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}through
Dialogue: 0,0:02:02.54,0:02:03.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\fad(200,0)}l
Dialogue: 0,0:02:02.54,0:02:03.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\fad(200,0)}i
Dialogue: 0,0:02:02.54,0:02:03.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(913,85)\fad(200,0)}e
Dialogue: 0,0:02:02.54,0:02:03.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(943,85)\fad(200,0)}s
Dialogue: 0,0:02:02.54,0:02:03.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(968,85)\fad(200,0)}.
Dialogue: 0,0:02:04.94,0:02:05.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(869,85,869,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:02:04.94,0:02:05.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(890,85,890,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:02:04.94,0:02:05.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(913,85,913,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}e
Dialogue: 0,0:02:04.94,0:02:05.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(943,85,943,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:02:04.94,0:02:05.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(968,85,968,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:02:03.77,0:02:05.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 2,0:02:03.77,0:02:05.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(918,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1200,\fscx100\fscy100\bord0\blur0)}lies.
Dialogue: 0,0:02:04.95,0:02:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(89,85)\fad(200,0)}'
Dialogue: 0,0:02:04.95,0:02:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(124,85)\fad(200,0)}C
Dialogue: 0,0:02:04.95,0:02:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\fad(200,0)}u
Dialogue: 0,0:02:04.95,0:02:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(200,85)\fad(200,0)}z
Dialogue: 0,0:02:04.95,0:02:04.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(226,85)\fad(200,0)}
Dialogue: 0,0:02:05.21,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(148,85)\bord2\shad0\be0\}'Cuz
Dialogue: 0,0:02:07.99,0:02:08.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(89,85,89,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}'
Dialogue: 0,0:02:07.99,0:02:08.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(124,85,124,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:07.99,0:02:08.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(167,85,167,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}u
Dialogue: 0,0:02:07.99,0:02:08.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(200,85,200,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}z
Dialogue: 0,0:02:07.99,0:02:08.04,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(226,85,226,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:04.95,0:02:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 2,0:02:04.95,0:02:05.31,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(148,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}'Cuz
Dialogue: 0,0:02:05.05,0:02:05.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\fad(200,0)}I
Dialogue: 0,0:02:05.05,0:02:05.21,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(282,85)\fad(200,0)}
Dialogue: 0,0:02:05.35,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(254,85)\bord2\shad0\be0\}I
Dialogue: 0,0:02:07.99,0:02:08.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(254,85,254,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}I
Dialogue: 0,0:02:07.99,0:02:08.09,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(282,85,282,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:05.21,0:02:05.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 2,0:02:05.21,0:02:05.45,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(254,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}I
Dialogue: 0,0:02:05.15,0:02:05.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(309,85)\fad(200,0)}k
Dialogue: 0,0:02:05.15,0:02:05.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}n
Dialogue: 0,0:02:05.15,0:02:05.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}o
Dialogue: 0,0:02:05.15,0:02:05.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(414,85)\fad(200,0)}w
Dialogue: 0,0:02:05.15,0:02:05.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(444,85)\fad(200,0)},
Dialogue: 0,0:02:05.15,0:02:05.35,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(463,85)\fad(200,0)}
Dialogue: 0,0:02:05.98,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(372,85)\bord2\shad0\be0\}know,
Dialogue: 0,0:02:07.99,0:02:08.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(309,85,309,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:02:07.99,0:02:08.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:02:07.99,0:02:08.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:07.99,0:02:08.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(414,85,414,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:07.99,0:02:08.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(444,85,444,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\},
Dialogue: 0,0:02:07.99,0:02:08.14,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(463,85,463,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:05.35,0:02:06.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 2,0:02:05.35,0:02:06.08,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(372,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,630,\fscx100\fscy100\bord0\blur0)}know,
Dialogue: 0,0:02:05.35,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}k
Dialogue: 0,0:02:05.35,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(523,85)\fad(200,0)}n
Dialogue: 0,0:02:05.35,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(556,85)\fad(200,0)}o
Dialogue: 0,0:02:05.35,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}w
Dialogue: 0,0:02:05.35,0:02:06.51,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(627,85)\fad(200,0)}
Dialogue: 0,0:02:06.75,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(545,85)\bord2\shad0\be0\}know
Dialogue: 0,0:02:07.99,0:02:08.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:02:07.99,0:02:08.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(523,85,523,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}n
Dialogue: 0,0:02:07.99,0:02:08.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(556,85,556,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:07.99,0:02:08.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:02:07.99,0:02:08.24,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(627,85,627,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:06.51,0:02:06.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 2,0:02:06.51,0:02:06.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(545,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}know
Dialogue: 0,0:02:05.45,0:02:06.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(647,85)\fad(200,0)}i
Dialogue: 0,0:02:05.45,0:02:06.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(667,85)\fad(200,0)}t
Dialogue: 0,0:02:05.45,0:02:06.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(688,85)\fad(200,0)}
Dialogue: 0,0:02:06.97,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(657,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:07.99,0:02:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(647,85,647,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}i
Dialogue: 0,0:02:07.99,0:02:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(667,85,667,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:07.99,0:02:08.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(688,85,688,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:06.75,0:02:07.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:06.75,0:02:07.07,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(657,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:05.55,0:02:06.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(712,85)\fad(200,0)}a
Dialogue: 0,0:02:05.55,0:02:06.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(737,85)\fad(200,0)}l
Dialogue: 0,0:02:05.55,0:02:06.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(758,85)\fad(200,0)}l
Dialogue: 0,0:02:05.55,0:02:06.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(778,85)\fad(200,0)}.
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(743,85)\bord2\shad0\be0\}all.
Dialogue: 0,0:02:07.99,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(712,85,712,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:07.99,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(737,85,737,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:02:07.99,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(758,85,758,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}l
Dialogue: 0,0:02:07.99,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(778,85,778,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}.
Dialogue: 2,0:02:06.97,0:02:08.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 2,0:02:06.97,0:02:08.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(743,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1020,\fscx100\fscy100\bord0\blur0)}all.
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(188,85)\fad(200,0)}n
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}n
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}a
Dialogue: 0,0:02:07.99,0:02:07.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(279,85)\fad(200,0)}
Dialogue: 0,0:02:08.34,0:02:12.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(174,85)\bord2\shad0\be0\}Gonna
Dialogue: 0,0:02:12.47,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:02:12.47,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:12.47,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(188,85,188,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:12.47,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:12.47,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:12.47,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(279,85,279,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:07.99,0:02:08.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 2,0:02:07.99,0:02:08.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(174,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Gonna
Dialogue: 0,0:02:08.09,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(299,85)\fad(200,0)}f
Dialogue: 0,0:02:08.09,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}l
Dialogue: 0,0:02:08.09,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(349,85)\fad(200,0)}y
Dialogue: 0,0:02:08.09,0:02:08.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(376,85)\fad(200,0)}
Dialogue: 0,0:02:09.57,0:02:12.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(328,85)\bord2\shad0\be0\}fly
Dialogue: 0,0:02:12.47,0:02:12.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(299,85,299,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}f
Dialogue: 0,0:02:12.47,0:02:12.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:12.47,0:02:12.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(349,85,349,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:02:12.47,0:02:12.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(376,85,376,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:08.34,0:02:09.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 2,0:02:08.34,0:02:09.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(328,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1230,\fscx100\fscy100\bord0\blur0)}fly
Dialogue: 0,0:02:08.19,0:02:09.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}s
Dialogue: 0,0:02:08.19,0:02:09.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(434,85)\fad(200,0)}o
Dialogue: 0,0:02:08.19,0:02:09.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}
Dialogue: 0,0:02:10.01,0:02:12.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(418,85)\bord2\shad0\be0\}so
Dialogue: 0,0:02:12.47,0:02:12.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}s
Dialogue: 0,0:02:12.47,0:02:12.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(434,85,434,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:12.47,0:02:12.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:09.57,0:02:10.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 2,0:02:09.57,0:02:10.11,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(418,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}so
Dialogue: 0,0:02:08.29,0:02:10.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(485,85)\fad(200,0)}h
Dialogue: 0,0:02:08.29,0:02:10.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(510,85)\fad(200,0)}i
Dialogue: 0,0:02:08.29,0:02:10.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}g
Dialogue: 0,0:02:08.29,0:02:10.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(567,85)\fad(200,0)}h
Dialogue: 0,0:02:08.29,0:02:10.01,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(591,85)\fad(200,0)}.
Dialogue: 0,0:02:12.47,0:02:12.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(535,85)\bord2\shad0\be0\}high.
Dialogue: 0,0:02:12.47,0:02:12.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(485,85,485,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:12.47,0:02:12.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(510,85,510,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:12.47,0:02:12.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:02:12.47,0:02:12.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(567,85,567,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:12.47,0:02:12.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(591,85,591,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:02:10.01,0:02:12.57,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 2,0:02:10.01,0:02:12.57,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(535,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2460,\fscx100\fscy100\bord0\blur0)}high.
Dialogue: 0,0:02:12.52,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:02:12.52,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:02:12.52,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:02:12.52,0:02:12.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:02:12.88,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:02:15.34,0:02:15.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:02:15.34,0:02:15.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:15.34,0:02:15.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:02:15.34,0:02:15.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:12.52,0:02:12.98,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:02:12.52,0:02:12.98,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:02:12.62,0:02:12.88,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:02:13.12,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:15.34,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:12.88,0:02:13.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:02:12.88,0:02:13.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:02:12.72,0:02:13.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:02:12.72,0:02:13.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:02:12.72,0:02:13.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:02:12.72,0:02:13.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:02:13.32,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:15.34,0:02:15.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:15.34,0:02:15.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:02:15.34,0:02:15.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:15.34,0:02:15.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:13.12,0:02:13.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:13.12,0:02:13.42,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:02:12.82,0:02:13.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:02:14.05,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:15.34,0:02:15.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:13.32,0:02:14.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:02:13.32,0:02:14.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,730,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:02:13.02,0:02:14.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}W
Dialogue: 0,0:02:13.02,0:02:14.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(787,85)\fad(200,0)}h
Dialogue: 0,0:02:13.02,0:02:14.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(816,85)\fad(200,0)}a
Dialogue: 0,0:02:13.02,0:02:14.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(840,85)\fad(200,0)}t
Dialogue: 0,0:02:13.02,0:02:14.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(861,85)\fad(200,0)}
Dialogue: 0,0:02:14.50,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(773,85)\bord2\shad0\be0\}What
Dialogue: 0,0:02:15.34,0:02:15.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}W
Dialogue: 0,0:02:15.34,0:02:15.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(787,85,787,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}h
Dialogue: 0,0:02:15.34,0:02:15.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(816,85,816,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:02:15.34,0:02:15.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(840,85,840,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}t
Dialogue: 0,0:02:15.34,0:02:15.64,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(861,85,861,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:14.30,0:02:14.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 2,0:02:14.30,0:02:14.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(773,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,200,\fscx100\fscy100\bord0\blur0)}What
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(885,85)\fad(200,0)}a
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(922,85)\fad(200,0)}w
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(958,85)\fad(200,0)}a
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(982,85)\fad(200,0)}i
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1003,85)\fad(200,0)}t
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1029,85)\fad(200,0)}s
Dialogue: 0,0:02:13.12,0:02:14.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1056,85)\fad(200,0)}!
Dialogue: 0,0:02:15.34,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(969,85)\bord2\shad0\be0\}awaits!
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(885,85,885,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(922,85,922,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(958,85,958,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(982,85,982,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}i
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1003,85,1003,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}t
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1029,85,1029,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:02:15.34,0:02:15.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1056,85,1056,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}!
Dialogue: 2,0:02:14.50,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 2,0:02:14.50,0:02:15.44,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(969,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,840,\fscx100\fscy100\bord0\blur0)}awaits!
Dialogue: 0,0:02:15.34,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:02:15.34,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:02:15.34,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:02:15.34,0:02:15.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:02:15.62,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:02:18.77,0:02:18.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:02:18.77,0:02:18.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:18.77,0:02:18.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:02:18.77,0:02:18.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:15.34,0:02:15.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:02:15.34,0:02:15.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,280,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:02:15.44,0:02:15.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}w
Dialogue: 0,0:02:15.44,0:02:15.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(292,85)\fad(200,0)}h
Dialogue: 0,0:02:15.44,0:02:15.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}a
Dialogue: 0,0:02:15.44,0:02:15.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(346,85)\fad(200,0)}t
Dialogue: 0,0:02:15.44,0:02:15.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}
Dialogue: 0,0:02:15.79,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\bord2\shad0\be0\}what
Dialogue: 0,0:02:18.77,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}w
Dialogue: 0,0:02:18.77,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(292,85,292,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:18.77,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:18.77,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(346,85,346,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:18.77,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:15.62,0:02:15.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 2,0:02:15.62,0:02:15.89,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(295,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}what
Dialogue: 0,0:02:15.54,0:02:15.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(389,85)\fad(200,0)}c
Dialogue: 0,0:02:15.54,0:02:15.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(416,85)\fad(200,0)}a
Dialogue: 0,0:02:15.54,0:02:15.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(447,85)\fad(200,0)}n
Dialogue: 0,0:02:15.54,0:02:15.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:02:16.05,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(421,85)\bord2\shad0\be0\}can
Dialogue: 0,0:02:18.77,0:02:18.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(389,85,389,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:02:18.77,0:02:18.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(416,85,416,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}a
Dialogue: 0,0:02:18.77,0:02:18.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(447,85,447,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}n
Dialogue: 0,0:02:18.77,0:02:18.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:15.79,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 2,0:02:15.79,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(421,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,260,\fscx100\fscy100\bord0\blur0)}can
Dialogue: 0,0:02:15.64,0:02:16.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(494,85)\fad(200,0)}i
Dialogue: 0,0:02:15.64,0:02:16.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(515,85)\fad(200,0)}t
Dialogue: 0,0:02:15.64,0:02:16.05,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(536,85)\fad(200,0)}
Dialogue: 0,0:02:16.15,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(505,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:18.77,0:02:18.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(494,85,494,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:18.77,0:02:18.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(515,85,515,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:18.77,0:02:18.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(536,85,536,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:16.05,0:02:16.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:16.05,0:02:16.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(505,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,100,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:15.74,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}s
Dialogue: 0,0:02:15.74,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(593,85)\fad(200,0)}h
Dialogue: 0,0:02:15.74,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}o
Dialogue: 0,0:02:15.74,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(662,85)\fad(200,0)}w
Dialogue: 0,0:02:15.74,0:02:16.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(694,85)\fad(200,0)}
Dialogue: 0,0:02:16.67,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}show
Dialogue: 0,0:02:18.77,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}s
Dialogue: 0,0:02:18.77,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(593,85,593,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:02:18.77,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}o
Dialogue: 0,0:02:18.77,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(662,85,662,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:02:18.77,0:02:19.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(694,85,694,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:16.15,0:02:16.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 2,0:02:16.15,0:02:16.77,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,520,\fscx100\fscy100\bord0\blur0)}show
Dialogue: 0,0:02:15.84,0:02:16.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(727,85)\fad(200,0)}m
Dialogue: 0,0:02:15.84,0:02:16.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(764,85)\fad(200,0)}e
Dialogue: 0,0:02:15.84,0:02:16.67,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(788,85)\fad(200,0)}
Dialogue: 0,0:02:16.83,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(741,85)\bord2\shad0\be0\}me
Dialogue: 0,0:02:18.77,0:02:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(727,85,727,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:02:18.77,0:02:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(764,85,764,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:02:18.77,0:02:19.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(788,85,788,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:16.67,0:02:16.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:02:16.67,0:02:16.93,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(741,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:02:15.94,0:02:16.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(815,85)\fad(200,0)}n
Dialogue: 0,0:02:15.94,0:02:16.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(848,85)\fad(200,0)}o
Dialogue: 0,0:02:15.94,0:02:16.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(886,85)\fad(200,0)}w
Dialogue: 0,0:02:15.94,0:02:16.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(924,85)\fad(200,0)}?
Dialogue: 0,0:02:15.94,0:02:16.83,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(950,85)\fad(200,0)}
Dialogue: 0,0:02:17.61,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(869,85)\bord2\shad0\be0\}now?
Dialogue: 0,0:02:18.77,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(815,85,815,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}n
Dialogue: 0,0:02:18.77,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(848,85,848,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}o
Dialogue: 0,0:02:18.77,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(886,85,886,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}w
Dialogue: 0,0:02:18.77,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(924,85,924,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}?
Dialogue: 0,0:02:18.77,0:02:19.12,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(950,85,950,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:16.83,0:02:17.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 2,0:02:16.83,0:02:17.71,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(869,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}now?
Dialogue: 0,0:02:16.14,0:02:17.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(987,85)\fad(200,0)}S
Dialogue: 0,0:02:16.14,0:02:17.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1037,85)\fad(200,0)}m
Dialogue: 0,0:02:16.14,0:02:17.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1074,85)\fad(200,0)}a
Dialogue: 0,0:02:16.14,0:02:17.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1100,85)\fad(200,0)}c
Dialogue: 0,0:02:16.14,0:02:17.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1129,85)\fad(200,0)}k
Dialogue: 0,0:02:16.14,0:02:17.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1156,85)\fad(200,0)}
Dialogue: 0,0:02:18.19,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1053,85)\bord2\shad0\be0\}Smack
Dialogue: 0,0:02:18.77,0:02:19.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(987,85,987,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}S
Dialogue: 0,0:02:18.77,0:02:19.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1037,85,1037,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}m
Dialogue: 0,0:02:18.77,0:02:19.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1074,85,1074,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}a
Dialogue: 0,0:02:18.77,0:02:19.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1100,85,1100,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}c
Dialogue: 0,0:02:18.77,0:02:19.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1129,85,1129,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}k
Dialogue: 0,0:02:18.77,0:02:19.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1156,85,1156,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:02:17.73,0:02:18.29,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 2,0:02:17.73,0:02:18.29,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1053,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,460,\fscx100\fscy100\bord0\blur0)}Smack
Dialogue: 0,0:02:16.24,0:02:18.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1176,85)\fad(200,0)}i
Dialogue: 0,0:02:16.24,0:02:18.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1196,85)\fad(200,0)}t
Dialogue: 0,0:02:16.24,0:02:18.19,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1217,85)\fad(200,0)}
Dialogue: 0,0:02:18.36,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1186,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:18.77,0:02:19.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1176,85,1176,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}i
Dialogue: 0,0:02:18.77,0:02:19.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1196,85,1196,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:02:18.77,0:02:19.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1217,85,1217,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:02:18.19,0:02:18.46,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:18.19,0:02:18.46,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1186,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:16.34,0:02:18.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1243,85)\fad(200,0)}d
Dialogue: 0,0:02:16.34,0:02:18.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1275,85)\fad(200,0)}o
Dialogue: 0,0:02:16.34,0:02:18.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1313,85)\fad(200,0)}w
Dialogue: 0,0:02:16.34,0:02:18.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1353,85)\fad(200,0)}n
Dialogue: 0,0:02:16.34,0:02:18.36,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1381,85)\fad(200,0)}!
Dialogue: 0,0:02:18.77,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1309,85)\bord2\shad0\be0\}down!
Dialogue: 0,0:02:18.77,0:02:19.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1243,85,1243,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}d
Dialogue: 0,0:02:18.77,0:02:19.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1275,85,1275,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}o
Dialogue: 0,0:02:18.77,0:02:19.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1313,85,1313,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}w
Dialogue: 0,0:02:18.77,0:02:19.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1353,85,1353,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}n
Dialogue: 0,0:02:18.77,0:02:19.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1381,85,1381,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}!
Dialogue: 2,0:02:18.36,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 2,0:02:18.36,0:02:18.87,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1309,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,410,\fscx100\fscy100\bord0\blur0)}down!
Dialogue: 0,0:02:18.77,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}G
Dialogue: 0,0:02:18.77,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}e
Dialogue: 0,0:02:18.77,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}t
Dialogue: 0,0:02:18.77,0:02:18.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(198,85)\fad(200,0)}
Dialogue: 0,0:02:19.13,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(134,85)\bord2\shad0\be0\}Get
Dialogue: 0,0:02:21.69,0:02:21.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}G
Dialogue: 0,0:02:21.69,0:02:21.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:21.69,0:02:21.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:02:21.69,0:02:21.74,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(198,85,198,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:18.77,0:02:19.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 2,0:02:18.77,0:02:19.23,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(134,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,360,\fscx100\fscy100\bord0\blur0)}Get
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}a
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}c
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}r
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(306,85)\fad(200,0)}o
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(338,85)\fad(200,0)}s
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(370,85)\fad(200,0)}s
Dialogue: 0,0:02:18.87,0:02:19.13,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(396,85)\fad(200,0)}
Dialogue: 0,0:02:19.42,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(297,85)\bord2\shad0\be0\}across
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}c
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(306,85,306,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(338,85,338,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(370,85,370,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:21.69,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(396,85,396,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:19.13,0:02:19.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 2,0:02:19.13,0:02:19.52,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(297,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,290,\fscx100\fscy100\bord0\blur0)}across
Dialogue: 0,0:02:18.97,0:02:19.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(417,85)\fad(200,0)}t
Dialogue: 0,0:02:18.97,0:02:19.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\fad(200,0)}h
Dialogue: 0,0:02:18.97,0:02:19.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(471,85)\fad(200,0)}e
Dialogue: 0,0:02:18.97,0:02:19.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}
Dialogue: 0,0:02:19.50,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(445,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:21.69,0:02:21.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(417,85,417,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:21.69,0:02:21.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(443,85,443,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:02:21.69,0:02:21.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(471,85,471,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:21.69,0:02:21.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:19.42,0:02:19.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:19.42,0:02:19.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(445,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(527,85)\fad(200,0)}w
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(564,85)\fad(200,0)}a
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(588,85)\fad(200,0)}l
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(610,85)\fad(200,0)}l
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(629,85)\fad(200,0)}.
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(648,85)\fad(200,0)}.
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(666,85)\fad(200,0)}.
Dialogue: 0,0:02:19.07,0:02:19.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(685,85)\fad(200,0)}
Dialogue: 0,0:02:20.50,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(590,85)\bord2\shad0\be0\}wall...
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(527,85,527,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}w
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(564,85,564,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}a
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(588,85,588,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(610,85,610,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}l
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(629,85,629,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(648,85,648,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(666,85,666,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 0,0:02:21.69,0:02:21.89,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(685,85,685,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:19.50,0:02:20.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 2,0:02:19.50,0:02:20.60,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(590,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1000,\fscx100\fscy100\bord0\blur0)}wall...
Dialogue: 0,0:02:19.17,0:02:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(726,85)\fad(200,0)}B
Dialogue: 0,0:02:19.17,0:02:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(771,85)\fad(200,0)}r
Dialogue: 0,0:02:19.17,0:02:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:02:19.17,0:02:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(827,85)\fad(200,0)}a
Dialogue: 0,0:02:19.17,0:02:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(858,85)\fad(200,0)}k
Dialogue: 0,0:02:19.17,0:02:20.50,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(884,85)\fad(200,0)}
Dialogue: 0,0:02:20.73,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(785,85)\bord2\shad0\be0\}Break
Dialogue: 0,0:02:21.69,0:02:21.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(726,85,726,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}B
Dialogue: 0,0:02:21.69,0:02:21.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(771,85,771,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}r
Dialogue: 0,0:02:21.69,0:02:21.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}e
Dialogue: 0,0:02:21.69,0:02:21.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(827,85,827,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:21.69,0:02:21.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(858,85,858,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}k
Dialogue: 0,0:02:21.69,0:02:21.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(884,85,884,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:20.50,0:02:20.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 2,0:02:20.50,0:02:20.83,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(785,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,230,\fscx100\fscy100\bord0\blur0)}Break
Dialogue: 0,0:02:19.27,0:02:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(908,85)\fad(200,0)}a
Dialogue: 0,0:02:19.27,0:02:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(945,85)\fad(200,0)}w
Dialogue: 0,0:02:19.27,0:02:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(981,85)\fad(200,0)}a
Dialogue: 0,0:02:19.27,0:02:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1013,85)\fad(200,0)}y
Dialogue: 0,0:02:19.27,0:02:20.73,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1040,85)\fad(200,0)}!
Dialogue: 0,0:02:21.69,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(973,85)\bord2\shad0\be0\}away!
Dialogue: 0,0:02:21.69,0:02:21.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(908,85,908,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:02:21.69,0:02:21.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(945,85,945,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}w
Dialogue: 0,0:02:21.69,0:02:21.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(981,85,981,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}a
Dialogue: 0,0:02:21.69,0:02:21.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1013,85,1013,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}y
Dialogue: 0,0:02:21.69,0:02:21.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1040,85,1040,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}!
Dialogue: 2,0:02:20.73,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 2,0:02:20.73,0:02:21.79,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(973,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,960,\fscx100\fscy100\bord0\blur0)}away!
Dialogue: 0,0:02:21.69,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:02:21.69,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:02:21.69,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:02:21.69,0:02:21.69,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:02:21.86,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:02:25.72,0:02:25.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:02:25.72,0:02:25.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:25.72,0:02:25.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:02:25.72,0:02:25.77,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:21.69,0:02:21.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:02:21.69,0:02:21.96,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,170,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:02:21.79,0:02:21.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}d
Dialogue: 0,0:02:21.79,0:02:21.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(281,85)\fad(200,0)}o
Dialogue: 0,0:02:21.79,0:02:21.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(314,85)\fad(200,0)}n
Dialogue: 0,0:02:21.79,0:02:21.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(340,85)\fad(200,0)}'
Dialogue: 0,0:02:21.79,0:02:21.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(359,85)\fad(200,0)}t
Dialogue: 0,0:02:21.79,0:02:21.86,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}
Dialogue: 0,0:02:22.11,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(301,85)\bord2\shad0\be0\}don't
Dialogue: 0,0:02:25.72,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}d
Dialogue: 0,0:02:25.72,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(281,85,281,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:25.72,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(314,85,314,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}n
Dialogue: 0,0:02:25.72,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(340,85,340,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}'
Dialogue: 0,0:02:25.72,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(359,85,359,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:25.72,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:21.86,0:02:22.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 2,0:02:21.86,0:02:22.21,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(301,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,250,\fscx100\fscy100\bord0\blur0)}don't
Dialogue: 0,0:02:21.89,0:02:22.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(401,85)\fad(200,0)}l
Dialogue: 0,0:02:21.89,0:02:22.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\fad(200,0)}e
Dialogue: 0,0:02:21.89,0:02:22.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(449,85)\fad(200,0)}t
Dialogue: 0,0:02:21.89,0:02:22.11,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(470,85)\fad(200,0)}
Dialogue: 0,0:02:22.33,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(425,85)\bord2\shad0\be0\}let
Dialogue: 0,0:02:25.72,0:02:25.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(401,85,401,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:25.72,0:02:25.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(425,85,425,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}e
Dialogue: 0,0:02:25.72,0:02:25.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(449,85,449,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:25.72,0:02:25.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(470,85,470,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:22.11,0:02:22.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:02:22.11,0:02:22.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(425,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,220,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:02:21.99,0:02:22.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(489,85)\fad(200,0)}'
Dialogue: 0,0:02:21.99,0:02:22.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(511,85)\fad(200,0)}e
Dialogue: 0,0:02:21.99,0:02:22.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(548,85)\fad(200,0)}m
Dialogue: 0,0:02:21.99,0:02:22.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(581,85)\fad(200,0)}
Dialogue: 0,0:02:22.45,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(526,85)\bord2\shad0\be0\}'em
Dialogue: 0,0:02:25.72,0:02:25.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(489,85,489,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}'
Dialogue: 0,0:02:25.72,0:02:25.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(511,85,511,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:25.72,0:02:25.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(548,85,548,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:02:25.72,0:02:25.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(581,85,581,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:22.33,0:02:22.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 2,0:02:22.33,0:02:22.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(526,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,120,\fscx100\fscy100\bord0\blur0)}'em
Dialogue: 0,0:02:22.09,0:02:22.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(604,85)\fad(200,0)}c
Dialogue: 0,0:02:22.09,0:02:22.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(630,85)\fad(200,0)}a
Dialogue: 0,0:02:22.09,0:02:22.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(655,85)\fad(200,0)}t
Dialogue: 0,0:02:22.09,0:02:22.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(678,85)\fad(200,0)}c
Dialogue: 0,0:02:22.09,0:02:22.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(705,85)\fad(200,0)}h
Dialogue: 0,0:02:22.09,0:02:22.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(730,85)\fad(200,0)}
Dialogue: 0,0:02:22.87,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(656,85)\bord2\shad0\be0\}catch
Dialogue: 0,0:02:25.72,0:02:25.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(604,85,604,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:25.72,0:02:25.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(630,85,630,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:25.72,0:02:25.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(655,85,655,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}t
Dialogue: 0,0:02:25.72,0:02:25.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(678,85,678,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}c
Dialogue: 0,0:02:25.72,0:02:25.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(705,85,705,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}h
Dialogue: 0,0:02:25.72,0:02:25.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(730,85,730,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}
Dialogue: 2,0:02:22.45,0:02:22.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 2,0:02:22.45,0:02:22.97,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(656,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}catch
Dialogue: 0,0:02:22.19,0:02:22.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(763,85)\fad(200,0)}m
Dialogue: 0,0:02:22.19,0:02:22.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(800,85)\fad(200,0)}e
Dialogue: 0,0:02:22.19,0:02:22.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(824,85)\fad(200,0)}
Dialogue: 0,0:02:22.95,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(777,85)\bord2\shad0\be0\}me
Dialogue: 0,0:02:25.72,0:02:26.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(763,85,763,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}m
Dialogue: 0,0:02:25.72,0:02:26.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(800,85,800,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}e
Dialogue: 0,0:02:25.72,0:02:26.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(824,85,824,85,-200,300)\bord2\shad0\\blur0\t(-200,300,\frx420)\}
Dialogue: 2,0:02:22.87,0:02:23.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:02:22.87,0:02:23.05,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(777,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,80,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:02:22.29,0:02:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(850,85)\fad(200,0)}s
Dialogue: 0,0:02:22.29,0:02:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(880,85)\fad(200,0)}a
Dialogue: 0,0:02:22.29,0:02:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(912,85)\fad(200,0)}y
Dialogue: 0,0:02:22.29,0:02:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(937,85)\fad(200,0)},
Dialogue: 0,0:02:22.29,0:02:22.95,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(955,85)\fad(200,0)}
Dialogue: 0,0:02:23.59,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(890,85)\bord2\shad0\be0\}say,
Dialogue: 0,0:02:25.72,0:02:26.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(850,85,850,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}s
Dialogue: 0,0:02:25.72,0:02:26.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(880,85,880,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}a
Dialogue: 0,0:02:25.72,0:02:26.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(912,85,912,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}y
Dialogue: 0,0:02:25.72,0:02:26.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(937,85,937,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\},
Dialogue: 0,0:02:25.72,0:02:26.07,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(955,85,955,85,-150,350)\bord2\shad0\\blur0\t(-150,350,\frx420)\}
Dialogue: 2,0:02:22.95,0:02:23.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 2,0:02:22.95,0:02:23.69,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(890,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,640,\fscx100\fscy100\bord0\blur0)}say,
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(980,85)\fad(200,0)}"
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1024,85)\fad(200,0)}D
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1069,85)\fad(200,0)}o
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1102,85)\fad(200,0)}n
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1128,85)\fad(200,0)}'
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1147,85)\fad(200,0)}t
Dialogue: 0,0:02:22.49,0:02:23.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1168,85)\fad(200,0)}
Dialogue: 0,0:02:24.02,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1062,85)\bord2\shad0\be0\}"Don't
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(980,85,980,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}"
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1024,85,1024,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}D
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1069,85,1069,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}o
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1102,85,1102,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}n
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1128,85,1128,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}'
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1147,85,1147,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}t
Dialogue: 0,0:02:25.72,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1168,85,1168,85,-50,450)\bord2\shad0\\blur0\t(-50,450,\frx420)\}
Dialogue: 2,0:02:23.78,0:02:24.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 2,0:02:23.78,0:02:24.12,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1062,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}"Don't
Dialogue: 0,0:02:22.59,0:02:24.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1189,85)\fad(200,0)}l
Dialogue: 0,0:02:22.59,0:02:24.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\fad(200,0)}e
Dialogue: 0,0:02:22.59,0:02:24.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1238,85)\fad(200,0)}t
Dialogue: 0,0:02:22.59,0:02:24.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1258,85)\fad(200,0)}
Dialogue: 0,0:02:24.41,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1213,85)\bord2\shad0\be0\}let
Dialogue: 0,0:02:25.72,0:02:26.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1189,85,1189,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}l
Dialogue: 0,0:02:25.72,0:02:26.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1213,85,1213,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}e
Dialogue: 0,0:02:25.72,0:02:26.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1238,85,1238,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}t
Dialogue: 0,0:02:25.72,0:02:26.22,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1258,85,1258,85,0,500)\bord2\shad0\\blur0\t(0,500,\frx420)\}
Dialogue: 2,0:02:24.02,0:02:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:02:24.02,0:02:24.51,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1213,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:02:22.69,0:02:24.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1292,85)\fad(200,0)}m
Dialogue: 0,0:02:22.69,0:02:24.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1328,85)\fad(200,0)}e
Dialogue: 0,0:02:22.69,0:02:24.41,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1352,85)\fad(200,0)}
Dialogue: 0,0:02:24.57,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1305,85)\bord2\shad0\be0\}me
Dialogue: 0,0:02:25.72,0:02:26.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1292,85,1292,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}m
Dialogue: 0,0:02:25.72,0:02:26.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1328,85,1328,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}e
Dialogue: 0,0:02:25.72,0:02:26.27,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1352,85,1352,85,50,550)\bord2\shad0\\blur0\t(50,550,\frx420)\}
Dialogue: 2,0:02:24.41,0:02:24.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 2,0:02:24.41,0:02:24.67,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1305,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}me
Dialogue: 0,0:02:22.79,0:02:24.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1378,85)\fad(200,0)}d
Dialogue: 0,0:02:22.79,0:02:24.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1410,85)\fad(200,0)}o
Dialogue: 0,0:02:22.79,0:02:24.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1448,85)\fad(200,0)}w
Dialogue: 0,0:02:22.79,0:02:24.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1488,85)\fad(200,0)}n
Dialogue: 0,0:02:22.79,0:02:24.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1520,85)\fad(200,0)}"
Dialogue: 0,0:02:25.72,0:02:25.72,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(1449,85)\bord2\shad0\be0\}down"
Dialogue: 0,0:02:25.72,0:02:26.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1378,85,1378,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}d
Dialogue: 0,0:02:25.72,0:02:26.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1410,85,1410,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}o
Dialogue: 0,0:02:25.72,0:02:26.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1448,85,1448,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}w
Dialogue: 0,0:02:25.72,0:02:26.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1488,85,1488,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}n
Dialogue: 0,0:02:25.72,0:02:26.32,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(1520,85,1520,85,100,600)\bord2\shad0\\blur0\t(100,600,\frx420)\}"
Dialogue: 2,0:02:24.57,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 2,0:02:24.57,0:02:25.82,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(1449,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1150,\fscx100\fscy100\bord0\blur0)}down"
Dialogue: 0,0:02:25.78,0:02:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(110,85)\fad(200,0)}O
Dialogue: 0,0:02:25.78,0:02:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}h
Dialogue: 0,0:02:25.78,0:02:25.78,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(180,85)\fad(200,0)}
Dialogue: 0,0:02:26.17,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(125,85)\bord2\shad0\be0\}Oh
Dialogue: 0,0:02:26.82,0:02:26.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(110,85,110,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}O
Dialogue: 0,0:02:26.82,0:02:26.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:02:26.82,0:02:26.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(180,85,180,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:25.78,0:02:26.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 2,0:02:25.78,0:02:26.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(125,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,390,\fscx100\fscy100\bord0\blur0)}Oh
Dialogue: 0,0:02:25.88,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}y
Dialogue: 0,0:02:25.88,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(239,85)\fad(200,0)}e
Dialogue: 0,0:02:25.88,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(266,85)\fad(200,0)}a
Dialogue: 0,0:02:25.88,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(295,85)\fad(200,0)}h
Dialogue: 0,0:02:25.88,0:02:26.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(321,85)\fad(200,0)}!
Dialogue: 0,0:02:26.82,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(261,85)\bord2\shad0\be0\}yeah!
Dialogue: 0,0:02:26.82,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}y
Dialogue: 0,0:02:26.82,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(239,85,239,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:26.82,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(266,85,266,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:26.82,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(295,85,295,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:26.82,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(321,85,321,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}!
Dialogue: 2,0:02:26.17,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 2,0:02:26.17,0:02:26.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(261,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}yeah!
Dialogue: 0,0:02:26.82,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(119,85)\fad(200,0)}W
Dialogue: 0,0:02:26.82,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(172,85)\fad(200,0)}h
Dialogue: 0,0:02:26.82,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(201,85)\fad(200,0)}e
Dialogue: 0,0:02:26.82,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(232,85)\fad(200,0)}n
Dialogue: 0,0:02:26.82,0:02:26.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(259,85)\fad(200,0)}
Dialogue: 0,0:02:27.00,0:02:28.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(164,85)\bord2\shad0\be0\}When
Dialogue: 0,0:02:28.37,0:02:28.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(119,85,119,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}W
Dialogue: 0,0:02:28.37,0:02:28.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(172,85,172,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}h
Dialogue: 0,0:02:28.37,0:02:28.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(201,85,201,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:28.37,0:02:28.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(232,85,232,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:28.37,0:02:28.42,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(259,85,259,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:26.82,0:02:27.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 2,0:02:26.82,0:02:27.10,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(164,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,180,\fscx100\fscy100\bord0\blur0)}When
Dialogue: 0,0:02:26.92,0:02:27.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(280,85)\fad(200,0)}t
Dialogue: 0,0:02:26.92,0:02:27.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(305,85)\fad(200,0)}h
Dialogue: 0,0:02:26.92,0:02:27.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(334,85)\fad(200,0)}e
Dialogue: 0,0:02:26.92,0:02:27.00,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(358,85)\fad(200,0)}
Dialogue: 0,0:02:27.15,0:02:28.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(308,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:28.37,0:02:28.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(280,85,280,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:28.37,0:02:28.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(305,85,305,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}h
Dialogue: 0,0:02:28.37,0:02:28.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(334,85,334,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:28.37,0:02:28.47,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(358,85,358,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:27.00,0:02:27.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:27.00,0:02:27.25,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(308,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(380,85)\fad(200,0)}c
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(403,85)\fad(200,0)}l
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(429,85)\fad(200,0)}o
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(458,85)\fad(200,0)}c
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}k
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\fad(200,0)}w
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(563,85)\fad(200,0)}o
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(594,85)\fad(200,0)}r
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(624,85)\fad(200,0)}k
Dialogue: 0,0:02:27.02,0:02:27.15,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(651,85)\fad(200,0)}
Dialogue: 0,0:02:27.93,0:02:28.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(504,85)\bord2\shad0\be0\}clockwork
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(380,85,380,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(403,85,403,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}l
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(429,85,429,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(458,85,458,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}c
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(525,85,525,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(563,85,563,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(594,85,594,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}r
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(624,85,624,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}k
Dialogue: 0,0:02:28.37,0:02:28.52,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(651,85,651,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:27.15,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 2,0:02:27.15,0:02:28.03,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(504,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,780,\fscx100\fscy100\bord0\blur0)}clockwork
Dialogue: 0,0:02:27.12,0:02:27.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(684,85)\fad(200,0)}m
Dialogue: 0,0:02:27.12,0:02:27.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(723,85)\fad(200,0)}o
Dialogue: 0,0:02:27.12,0:02:27.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(754,85)\fad(200,0)}v
Dialogue: 0,0:02:27.12,0:02:27.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(782,85)\fad(200,0)}e
Dialogue: 0,0:02:27.12,0:02:27.93,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(812,85)\fad(200,0)}s
Dialogue: 0,0:02:28.37,0:02:28.37,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(745,85)\bord2\shad0\be0\}moves
Dialogue: 0,0:02:28.37,0:02:28.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(684,85,684,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}m
Dialogue: 0,0:02:28.37,0:02:28.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(723,85,723,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:02:28.37,0:02:28.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(754,85,754,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}v
Dialogue: 0,0:02:28.37,0:02:28.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(782,85,782,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:28.37,0:02:28.57,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(812,85,812,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 2,0:02:27.93,0:02:28.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 2,0:02:27.93,0:02:28.47,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(745,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}moves
Dialogue: 0,0:02:28.38,0:02:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(113,85)\fad(200,0)}A
Dialogue: 0,0:02:28.38,0:02:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\fad(200,0)}n
Dialogue: 0,0:02:28.38,0:02:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\fad(200,0)}d
Dialogue: 0,0:02:28.38,0:02:28.38,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(223,85)\fad(200,0)}
Dialogue: 0,0:02:28.62,0:02:30.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(146,85)\bord2\shad0\be0\}And
Dialogue: 0,0:02:30.82,0:02:30.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(113,85,113,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}A
Dialogue: 0,0:02:30.82,0:02:30.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(163,85,163,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}n
Dialogue: 0,0:02:30.82,0:02:30.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(196,85,196,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}d
Dialogue: 0,0:02:30.82,0:02:30.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(223,85,223,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:28.38,0:02:28.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 2,0:02:28.38,0:02:28.72,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(146,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,240,\fscx100\fscy100\bord0\blur0)}And
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(249,85)\fad(200,0)}s
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(276,85)\fad(200,0)}t
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(300,85)\fad(200,0)}a
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(329,85)\fad(200,0)}r
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(354,85)\fad(200,0)}t
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(381,85)\fad(200,0)}s
Dialogue: 0,0:02:28.48,0:02:28.62,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(407,85)\fad(200,0)}
Dialogue: 0,0:02:29.06,0:02:30.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(315,85)\bord2\shad0\be0\}starts
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(249,85,249,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(276,85,276,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(300,85,300,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}a
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(329,85,329,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}r
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(354,85,354,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(381,85,381,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}s
Dialogue: 0,0:02:30.82,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(407,85,407,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:28.62,0:02:29.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 2,0:02:28.62,0:02:29.16,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(315,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,440,\fscx100\fscy100\bord0\blur0)}starts
Dialogue: 0,0:02:28.58,0:02:29.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(428,85)\fad(200,0)}t
Dialogue: 0,0:02:28.58,0:02:29.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(454,85)\fad(200,0)}o
Dialogue: 0,0:02:28.58,0:02:29.06,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(480,85)\fad(200,0)}
Dialogue: 0,0:02:29.17,0:02:30.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}to
Dialogue: 0,0:02:30.82,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(428,85,428,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:30.82,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(454,85,454,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:30.82,0:02:30.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(480,85,480,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:29.06,0:02:29.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 2,0:02:29.06,0:02:29.27,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,110,\fscx100\fscy100\bord0\blur0)}to
Dialogue: 0,0:02:28.68,0:02:29.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(506,85)\fad(200,0)}s
Dialogue: 0,0:02:28.68,0:02:29.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(537,85)\fad(200,0)}h
Dialogue: 0,0:02:28.68,0:02:29.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}i
Dialogue: 0,0:02:28.68,0:02:29.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(589,85)\fad(200,0)}n
Dialogue: 0,0:02:28.68,0:02:29.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(620,85)\fad(200,0)}e
Dialogue: 0,0:02:28.68,0:02:29.17,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(643,85)\fad(200,0)}.
Dialogue: 0,0:02:30.82,0:02:30.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(571,85)\bord2\shad0\be0\}shine.
Dialogue: 0,0:02:30.82,0:02:31.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(506,85,506,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}s
Dialogue: 0,0:02:30.82,0:02:31.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(537,85,537,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:30.82,0:02:31.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:30.82,0:02:31.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(589,85,589,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}n
Dialogue: 0,0:02:30.82,0:02:31.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(620,85,620,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:30.82,0:02:31.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(643,85,643,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:02:29.17,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 2,0:02:29.17,0:02:30.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(571,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,1650,\fscx100\fscy100\bord0\blur0)}shine.
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(109,85)\fad(200,0)}F
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(155,85)\fad(200,0)}o
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(185,85)\fad(200,0)}r
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(213,85)\fad(200,0)}e
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(241,85)\fad(200,0)}v
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(270,85)\fad(200,0)}e
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(298,85)\fad(200,0)}r
Dialogue: 0,0:02:30.98,0:02:30.98,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}
Dialogue: 0,0:02:31.63,0:02:32.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(196,85)\bord2\shad0\be0\}Forever
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(109,85,109,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}F
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(155,85,155,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}o
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(185,85,185,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(213,85,213,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(241,85,241,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}v
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(270,85,270,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}e
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(298,85,298,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:32.82,0:02:32.87,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:30.98,0:02:31.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 2,0:02:30.98,0:02:31.73,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(196,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,650,\fscx100\fscy100\bord0\blur0)}Forever
Dialogue: 0,0:02:31.08,0:02:31.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}l
Dialogue: 0,0:02:31.08,0:02:31.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\fad(200,0)}e
Dialogue: 0,0:02:31.08,0:02:31.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(392,85)\fad(200,0)}t
Dialogue: 0,0:02:31.08,0:02:31.63,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(413,85)\fad(200,0)}
Dialogue: 0,0:02:31.84,0:02:32.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(367,85)\bord2\shad0\be0\}let
Dialogue: 0,0:02:32.82,0:02:32.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}l
Dialogue: 0,0:02:32.82,0:02:32.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(367,85,367,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}e
Dialogue: 0,0:02:32.82,0:02:32.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(392,85,392,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:32.82,0:02:32.92,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(413,85,413,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:31.63,0:02:31.94,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 2,0:02:31.63,0:02:31.94,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(367,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,210,\fscx100\fscy100\bord0\blur0)}let
Dialogue: 0,0:02:31.18,0:02:31.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(433,85)\fad(200,0)}i
Dialogue: 0,0:02:31.18,0:02:31.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(453,85)\fad(200,0)}t
Dialogue: 0,0:02:31.18,0:02:31.84,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(474,85)\fad(200,0)}
Dialogue: 0,0:02:31.99,0:02:32.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(443,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:32.82,0:02:32.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(433,85,433,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}i
Dialogue: 0,0:02:32.82,0:02:32.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(453,85,453,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}t
Dialogue: 0,0:02:32.82,0:02:32.97,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(474,85,474,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:31.84,0:02:32.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:31.84,0:02:32.09,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(443,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,150,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:31.28,0:02:31.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(500,85)\fad(200,0)}g
Dialogue: 0,0:02:31.28,0:02:31.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(532,85)\fad(200,0)}o
Dialogue: 0,0:02:31.28,0:02:31.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(557,85)\fad(200,0)}.
Dialogue: 0,0:02:32.82,0:02:32.82,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(525,85)\bord2\shad0\be0\}go.
Dialogue: 0,0:02:32.82,0:02:33.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(500,85,500,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:02:32.82,0:02:33.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(532,85,532,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}o
Dialogue: 0,0:02:32.82,0:02:33.02,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(557,85,557,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:02:31.99,0:02:32.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 2,0:02:31.99,0:02:32.92,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(525,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,830,\fscx100\fscy100\bord0\blur0)}go.
Dialogue: 0,0:02:32.99,0:02:32.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(107,85)\fad(200,0)}C
Dialogue: 0,0:02:32.99,0:02:32.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(147,85)\fad(200,0)}a
Dialogue: 0,0:02:32.99,0:02:32.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(176,85)\fad(200,0)}r
Dialogue: 0,0:02:32.99,0:02:32.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(204,85)\fad(200,0)}r
Dialogue: 0,0:02:32.99,0:02:32.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(236,85)\fad(200,0)}y
Dialogue: 0,0:02:32.99,0:02:32.99,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(264,85)\fad(200,0)}
Dialogue: 0,0:02:33.46,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(167,85)\bord2\shad0\be0\}Carry
Dialogue: 0,0:02:37.29,0:02:37.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(107,85,107,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}C
Dialogue: 0,0:02:37.29,0:02:37.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(147,85,147,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:37.29,0:02:37.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(176,85,176,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:37.29,0:02:37.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(204,85,204,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}r
Dialogue: 0,0:02:37.29,0:02:37.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(236,85,236,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}y
Dialogue: 0,0:02:37.29,0:02:37.34,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(264,85,264,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:32.99,0:02:33.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 2,0:02:32.99,0:02:33.56,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(167,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,470,\fscx100\fscy100\bord0\blur0)}Carry
Dialogue: 0,0:02:33.09,0:02:33.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(289,85)\fad(200,0)}o
Dialogue: 0,0:02:33.09,0:02:33.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(322,85)\fad(200,0)}u
Dialogue: 0,0:02:33.09,0:02:33.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(350,85)\fad(200,0)}t
Dialogue: 0,0:02:33.09,0:02:33.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)},
Dialogue: 0,0:02:33.09,0:02:33.46,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(387,85)\fad(200,0)}
Dialogue: 0,0:02:34.45,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(325,85)\bord2\shad0\be0\}out,
Dialogue: 0,0:02:37.29,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(289,85,289,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}o
Dialogue: 0,0:02:37.29,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(322,85,322,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}u
Dialogue: 0,0:02:37.29,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(350,85,350,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:37.29,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\},
Dialogue: 0,0:02:37.29,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(387,85,387,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:33.46,0:02:34.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 2,0:02:33.46,0:02:34.55,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(325,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,990,\fscx100\fscy100\bord0\blur0)}out,
Dialogue: 0,0:02:33.19,0:02:34.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(424,85)\fad(200,0)}S
Dialogue: 0,0:02:33.19,0:02:34.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(465,85)\fad(200,0)}h
Dialogue: 0,0:02:33.19,0:02:34.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(495,85)\fad(200,0)}o
Dialogue: 0,0:02:33.19,0:02:34.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(534,85)\fad(200,0)}w
Dialogue: 0,0:02:33.19,0:02:34.45,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(566,85)\fad(200,0)}
Dialogue: 0,0:02:34.80,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(476,85)\bord2\shad0\be0\}Show
Dialogue: 0,0:02:37.29,0:02:37.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(424,85,424,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}S
Dialogue: 0,0:02:37.29,0:02:37.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(465,85,465,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}h
Dialogue: 0,0:02:37.29,0:02:37.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(495,85,495,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:37.29,0:02:37.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(534,85,534,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}w
Dialogue: 0,0:02:37.29,0:02:37.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(566,85,566,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:34.45,0:02:34.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 2,0:02:34.45,0:02:34.90,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(476,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,350,\fscx100\fscy100\bord0\blur0)}Show
Dialogue: 0,0:02:33.29,0:02:34.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(587,85)\fad(200,0)}t
Dialogue: 0,0:02:33.29,0:02:34.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(612,85)\fad(200,0)}h
Dialogue: 0,0:02:33.29,0:02:34.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(641,85)\fad(200,0)}e
Dialogue: 0,0:02:33.29,0:02:34.80,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(665,85)\fad(200,0)}
Dialogue: 0,0:02:34.94,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(615,85)\bord2\shad0\be0\}the
Dialogue: 0,0:02:37.29,0:02:37.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(587,85,587,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:37.29,0:02:37.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(612,85,612,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:37.29,0:02:37.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(641,85,641,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}e
Dialogue: 0,0:02:37.29,0:02:37.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(665,85,665,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}
Dialogue: 2,0:02:34.80,0:02:35.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 2,0:02:34.80,0:02:35.04,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(615,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,140,\fscx100\fscy100\bord0\blur0)}the
Dialogue: 0,0:02:33.39,0:02:34.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(697,85)\fad(200,0)}w
Dialogue: 0,0:02:33.39,0:02:34.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(733,85)\fad(200,0)}a
Dialogue: 0,0:02:33.39,0:02:34.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(765,85)\fad(200,0)}y
Dialogue: 0,0:02:33.39,0:02:34.94,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(792,85)\fad(200,0)}!
Dialogue: 0,0:02:37.29,0:02:37.29,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(739,85)\bord2\shad0\be0\}way!
Dialogue: 0,0:02:37.29,0:02:37.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(697,85,697,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}w
Dialogue: 0,0:02:37.29,0:02:37.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(733,85,733,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}a
Dialogue: 0,0:02:37.29,0:02:37.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(765,85,765,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}y
Dialogue: 0,0:02:37.29,0:02:37.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(792,85,792,85,-250,250)\bord2\shad0\\blur0\t(-250,250,\frx420)\}!
Dialogue: 2,0:02:34.94,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 2,0:02:34.94,0:02:37.39,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(739,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2350,\fscx100\fscy100\bord0\blur0)}way!
Dialogue: 0,0:02:37.30,0:02:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(111,85)\fad(200,0)}B
Dialogue: 0,0:02:37.30,0:02:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(153,85)\fad(200,0)}l
Dialogue: 0,0:02:37.30,0:02:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(178,85)\fad(200,0)}a
Dialogue: 0,0:02:37.30,0:02:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(208,85)\fad(200,0)}s
Dialogue: 0,0:02:37.30,0:02:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(235,85)\fad(200,0)}t
Dialogue: 0,0:02:37.30,0:02:37.30,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(255,85)\fad(200,0)}
Dialogue: 0,0:02:37.75,0:02:40.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(163,85)\bord2\shad0\be0\}Blast
Dialogue: 0,0:02:40.39,0:02:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(111,85,111,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}B
Dialogue: 0,0:02:40.39,0:02:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(153,85,153,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}l
Dialogue: 0,0:02:40.39,0:02:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(178,85,178,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}a
Dialogue: 0,0:02:40.39,0:02:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(208,85,208,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}s
Dialogue: 0,0:02:40.39,0:02:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(235,85,235,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}t
Dialogue: 0,0:02:40.39,0:02:40.44,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(255,85,255,85,-450,50)\bord2\shad0\\blur0\t(-450,50,\frx420)\}
Dialogue: 2,0:02:37.30,0:02:37.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 2,0:02:37.30,0:02:37.85,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(163,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,450,\fscx100\fscy100\bord0\blur0)}Blast
Dialogue: 0,0:02:37.40,0:02:37.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(275,85)\fad(200,0)}i
Dialogue: 0,0:02:37.40,0:02:37.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(296,85)\fad(200,0)}t
Dialogue: 0,0:02:37.40,0:02:37.75,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(317,85)\fad(200,0)}
Dialogue: 0,0:02:37.91,0:02:40.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(286,85)\bord2\shad0\be0\}it
Dialogue: 0,0:02:40.39,0:02:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(275,85,275,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}i
Dialogue: 0,0:02:40.39,0:02:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(296,85,296,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}t
Dialogue: 0,0:02:40.39,0:02:40.49,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(317,85,317,85,-400,100)\bord2\shad0\\blur0\t(-400,100,\frx420)\}
Dialogue: 2,0:02:37.75,0:02:38.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 2,0:02:37.75,0:02:38.01,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(286,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,160,\fscx100\fscy100\bord0\blur0)}it
Dialogue: 0,0:02:37.50,0:02:37.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(343,85)\fad(200,0)}o
Dialogue: 0,0:02:37.50,0:02:37.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(369,85)\fad(200,0)}f
Dialogue: 0,0:02:37.50,0:02:37.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(390,85)\fad(200,0)}f
Dialogue: 0,0:02:37.50,0:02:37.91,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(411,85)\fad(200,0)}
Dialogue: 0,0:02:38.33,0:02:40.39,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(364,85)\bord2\shad0\be0\}off
Dialogue: 0,0:02:40.39,0:02:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(343,85,343,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}o
Dialogue: 0,0:02:40.39,0:02:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(369,85,369,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:02:40.39,0:02:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(390,85,390,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}f
Dialogue: 0,0:02:40.39,0:02:40.54,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(411,85,411,85,-350,150)\bord2\shad0\\blur0\t(-350,150,\frx420)\}
Dialogue: 2,0:02:37.91,0:02:38.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 2,0:02:37.91,0:02:38.43,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(364,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,420,\fscx100\fscy100\bord0\blur0)}off
Dialogue: 0,0:02:37.60,0:02:38.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(436,85)\fad(200,0)}r
Dialogue: 0,0:02:37.60,0:02:38.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(460,85)\fad(200,0)}i
Dialogue: 0,0:02:37.60,0:02:38.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(486,85)\fad(200,0)}g
Dialogue: 0,0:02:37.60,0:02:38.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(517,85)\fad(200,0)}h
Dialogue: 0,0:02:37.60,0:02:38.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(543,85)\fad(200,0)}t
Dialogue: 0,0:02:37.60,0:02:38.33,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\pos(562,85)\fad(200,0)}.
Dialogue: 0,0:02:40.39,0:02:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(436,85,436,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}r
Dialogue: 0,0:02:40.39,0:02:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(460,85,460,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}i
Dialogue: 0,0:02:40.39,0:02:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(486,85,486,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}g
Dialogue: 0,0:02:40.39,0:02:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(517,85,517,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}h
Dialogue: 0,0:02:40.39,0:02:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(543,85,543,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}t
Dialogue: 0,0:02:40.39,0:02:40.59,OP - The Other Side of the Wall,,0,0,0,fx,{\an5\move(562,85,562,85,-300,200)\bord2\shad0\\blur0\t(-300,200,\frx420)\}.
Dialogue: 2,0:02:38.33,0:02:41.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx125\fscy125)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.
Dialogue: 2,0:02:38.33,0:02:41.22,OP - The Other Side of the Wall,,0,0,0,fx,{\galovejiro\an5\blur0\bord4.0909\pos(496,85)\fad(0,200)\t(0,100,\blur8\3c&HFFFFFF&\fscx100\fscy100)\t(100,2790,\fscx100\fscy100\bord0\blur0)}right.