[Script Info] ; Script generated by Aegisub 3.2.2 ; http://www.aegisub.org/ ScriptType: v4.00+ PlayResX: 1920 PlayResY: 1080 Timer: 100.0000 Video Aspect Ratio: 0 Video Zoom: 6 WrapStyle: 0 ScaledBorderAndShadow: no YCbCr Matrix: TV.601 [Aegisub Project Garbage] Last Style Storage: Default Audio File: [Rhythm&Nut-World] Queen's Blade Rurou no Senshi - 05 [BD 1080p Hi10P FLAC][].mkv Video File: [Rhythm&Nut-World] Queen's Blade Rurou no Senshi - 05 [BD 1080p Hi10P FLAC][].mkv Video AR Mode: 4 Video AR Value: 1.777778 Video Zoom Percent: 0.375000 Scroll Position: 1131 Active Line: 1132 Video Position: 29835 [V4+ Styles] Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding Style: Default,Adobe Arabic,90,&H00DDF9FF,&H00FFFFFF,&H32191949,&H641F2550,-1,0,0,0,100,100,0,0,1,5,0,2,90,90,45,1 Style: sign,هشام الشرق 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0,0:23:45.42,0:23:47.42,Default,,0,0,0,, Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(5.2,19.467)}TL: Eve Hatori Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(4.8,64)}CH: Akera Youi Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(6.8,105.2)}TLC: Uni's Lover Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(4.667,147.067)}TL OP&ED: SoGeBo Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(4,187.333)}Karaoke: Zetsubou Ou Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(5.333,228)}Revision: nesta Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(2.666,272)}Encode & QC: Shx Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(24,978.666)}nut-w.net Dialogue: 0,0:00:02.00,0:00:10.00,R&N,,0,0,0,,{\fad(300,300)\pos(18.666,1018.667)}rhy-sub.blogspot.com Dialogue: 0,0:00:01.27,0:00:02.92,Default,,0,0,0,, نصل الملكة Dialogue: 0,0:00:02.92,0:00:09.47,Default,,0,0,0,,طقس إلهي لتحديد الملكة الأقوى والأجمل Dialogue: 0,0:00:09.47,0:00:11.57,Default,,0,0,0,,...من يستحق لقب الملكة Dialogue: 0,0:00:11.57,0:00:14.95,Default,,0,0,0,,أمرٌ لن يُعرف حتى يبدأ القتال Dialogue: 0,0:00:17.72,0:00:18.79,Default,,0,0,0,,لا نستطيع العثور عليها Dialogue: 0,0:00:18.79,0:00:20.26,Default,,0,0,0,,لا أثر لها هنا أيضًا Dialogue: 0,0:00:20.26,0:00:21.76,Default,,0,0,0,,التيار قوي جدًا Dialogue: 0,0:00:30.10,0:00:31.70,Default,,0,0,0,,أتركيني Dialogue: 0,0:00:35.25,0:00:37.09,Default,,0,0,0,,أتركيني فحسب Dialogue: 0,0:02:12.45,0:02:16.08,sign,,0,0,0,,{\4a&H78&\3c&H0C0006&\shad5.25\bord3.75\an8\fad(650,686)\fs60\fscx98\fscy125\pos(1263,728.5)}الحلقة 5 Dialogue: 0,0:02:12.45,0:02:16.08,sign,,0,0,0,,{\4a&H78&\3c&H3D2623&\shad5.211\bord1.936\be2\an8\fs67\c&HB555A2&\fad(692,686)\pos(1466.5,969.577)}الأميرة القديمة {\fnArial\fs67\c&}~{\fnهشام الشرق طبيعي\fs67} اللعنة المنبعثة Dialogue: 0,0:02:12.45,0:02:16.08,sign,,0,0,0,,{\4a&H78&\3c&H3D2623&\shad0\bord0\be2\an8\fs67\c&HFFFFFF&\fad(692,686)\pos(1466.5,969.577)}الأميرة القديمة {\fnArial\fs67\c&}~{\fnهشام الشرق طبيعي\fs67\c&HB555A2&} اللعنة المنبعثة Dialogue: 0,0:02:23.87,0:02:26.34,Default,,0,0,0,,...هنا حيث تختفي رائحتها Dialogue: 0,0:02:37.17,0:02:40.77,Default,,0,0,0,,...على كل حال، يبدو بأن الآنسة الشابة قد نجت Dialogue: 0,0:02:49.23,0:02:51.78,Default,,0,0,0,,...استيقظي من سباتك الطويل Dialogue: 0,0:02:52.47,0:02:55.78,Default,,0,0,0,,انبعثي بجسد ولحم مجددًا Dialogue: 0,0:02:56.12,0:02:59.19,Default,,0,0,0,,كوني خادمتي الوفيّة Dialogue: 0,0:03:15.71,0:03:21.72,Default,,0,0,0,,هل تجري طقوس الاستعباد هكذا؟ Dialogue: 0,0:03:21.72,0:03:24.34,Default,,0,0,0,,يبدو لي صحيحًا Dialogue: 0,0:03:24.34,0:03:28.19,Default,,0,0,0,,ما رأيكِ بها أيتها الأميرة؟ إنها جوهرة، صحيح؟ Dialogue: 0,0:03:28.40,0:03:30.11,Default,,0,0,0,,...عندما وجدتها في النهر Dialogue: 0,0:03:31.14,0:03:38.26,Default,,0,0,0,,حيويتها ووجهها، وجسدها الساخن الرطب جعلوا ذيلي ينتصب Dialogue: 0,0:03:39.08,0:03:42.41,Default,,0,0,0,,أي جزء منك هو الذيل؟ Dialogue: 0,0:03:42.91,0:03:45.03,Default,,0,0,0,,مرحبًا يا ميناس Dialogue: 0,0:03:45.03,0:03:46.56,Default,,0,0,0,,إنها ميرونا Dialogue: 0,0:03:46.56,0:03:47.92,Default,,0,0,0,,كيف حالك؟ Dialogue: 0,0:03:47.92,0:03:50.00,Default,,0,0,0,,ما الذي جاء بكِ، أيتها المرأة اللزجة؟ Dialogue: 0,0:03:50.55,0:03:52.48,Default,,0,0,0,,اصمت أيها القط المنحرف Dialogue: 0,0:03:53.19,0:03:55.24,Default,,0,0,0,,!هذه اللعينة Dialogue: 0,0:03:55.24,0:03:58.26,Default,,0,0,0,,إنها من فعلت أبشع الأفاعيل لي في المرة السابقة Dialogue: 0,0:04:02.57,0:04:04.02,Default,,0,0,0,,!عجبًا، عجبًا Dialogue: 0,0:04:04.02,0:04:08.81,Default,,0,0,0,,نحن في خضم طقوس الاستعباد، لا تتدخلي من فضلكِ Dialogue: 0,0:04:08.81,0:04:10.49,Default,,0,0,0,,هكذا الأمر Dialogue: 0,0:04:11.76,0:04:17.67,Default,,0,0,0,, تم إحيائك بفضل ساحرة المستنقع يا ميناس Dialogue: 0,0:04:17.67,0:04:19.45,Default,,0,0,0,,حافظي على واجبكِ Dialogue: 0,0:04:19.91,0:04:23.72,Default,,0,0,0,,كل ما أهتم لأمره هو إعادة إحياء مملكتي Dialogue: 0,0:04:23.72,0:04:27.08,Default,,0,0,0,,لا يهمني أي شيء آخر Dialogue: 0,0:04:27.33,0:04:29.12,Default,,0,0,0,,ما الذي يهم؟ Dialogue: 0,0:04:29.12,0:04:33.21,Default,,0,0,0,,تحوّلت مملكتكِ مهما يكن اسمها إلى حطام، أليس كذلك؟ Dialogue: 0,0:04:36.88,0:04:39.26,Default,,0,0,0,,...إن خانك شخص كهذا Dialogue: 0,0:04:43.02,0:04:47.19,Default,,0,0,0,,لا يجب عليكِ أخذ هذه الهيئة إن قدّرتِ حياتكِ فعلاً Dialogue: 0,0:04:48.65,0:04:50.29,Default,,0,0,0,,فهمت، فهمت Dialogue: 0,0:04:50.29,0:04:52.53,Default,,0,0,0,,دعونا لا نجعل هذه مواجهة بيننا Dialogue: 0,0:04:52.80,0:04:53.99,Default,,0,0,0,,!أراكم لاحقًا Dialogue: 0,0:04:54.19,0:04:57.01,Default,,0,0,0,,يبدو أن الوقت قد حان يا أميرة Dialogue: 0,0:04:57.01,0:04:59.41,Default,,0,0,0,,سيكون إحياء رائعًا، صحيح؟ Dialogue: 0,0:04:59.99,0:05:02.54,Default,,0,0,0,,...والآن يا خادمتي الجديدة Dialogue: 0,0:05:02.54,0:05:04.33,Default,,0,0,0,,حان وقت استيقاظك Dialogue: 0,0:05:07.79,0:05:12.13,Default,,0,0,0,,أعلمني الكونت ڨانسو أن عليكِ العودة إلى القلعة فورًا Dialogue: 0,0:05:13.17,0:05:14.10,Default,,0,0,0,,حضرة اللواء؟ Dialogue: 0,0:05:16.67,0:05:17.76,Default,,0,0,0,,...رينا Dialogue: 0,0:05:22.01,0:05:22.97,Default,,0,0,0,,...أختي Dialogue: 0,0:05:23.72,0:05:27.23,Default,,0,0,0,,...رغبتُ في النوم إلى جانبكِ، والاستحمام معكِ Dialogue: 0,0:05:27.66,0:05:32.90,Default,,0,0,0,,!أردتُ فعل أمور مختلفة... الكثير من الأمور لكِ Dialogue: 0,0:05:33.98,0:05:36.83,Default,,0,0,0,,...آمرك بصفتي أميرة أمارا Dialogue: 0,0:05:36.83,0:05:40.07,Default,,0,0,0,,كوني خادمتي المطيعة Dialogue: 0,0:05:42.70,0:05:45.90,Default,,0,0,0,,...إلى الأسفل قليلاً Dialogue: 0,0:05:45.90,0:05:47.66,Default,,0,0,0,,حاضر يا سيدتي Dialogue: 0,0:05:49.21,0:05:52.03,Default,,0,0,0,,!شعور جميل Dialogue: 0,0:05:52.17,0:05:57.94,Default,,0,0,0,,من الجيد بأنك تشعرين بشعور رائع، ولكن ألم تنسي أمرًا؟ Dialogue: 0,0:05:59.09,0:06:03.35,Default,,0,0,0,,!تدليك بالزيت بعد ألف عام أمر استثنائي Dialogue: 0,0:06:03.47,0:06:06.56,Default,,0,0,0,,!يا للهول! لا يهم Dialogue: 0,0:06:06.56,0:06:07.02,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:06:07.35,0:06:09.19,Default,,0,0,0,,ما الأمر؟ Dialogue: 0,0:06:09.56,0:06:11.29,Default,,0,0,0,,اتجه شخص ما لهذا الطريق Dialogue: 0,0:06:14.77,0:06:17.90,Default,,0,0,0,,ترتديان ملابس غريبة نوعًا ما، صحيح؟ Dialogue: 0,0:06:18.85,0:06:20.66,Default,,0,0,0,,...بعد النظر إليهما Dialogue: 0,0:06:20.99,0:06:26.64,Default,,0,0,0,,هذا لباس متواضع جميل، لكن ذلك لن يخدع عيناي Dialogue: 0,0:06:26.64,0:06:31.21,Default,,0,0,0,,أرى تحت تلك الملابس جسدًا حيويًا ومرنًا Dialogue: 0,0:06:31.92,0:06:37.47,Default,,0,0,0,,والأخرى، تبدو كزهرة بيضاء رقيقة، ولكنها متسلطة Dialogue: 0,0:06:37.47,0:06:39.48,Default,,0,0,0,,تستعمل هذا لإغواء الرجال Dialogue: 0,0:06:39.48,0:06:41.43,Default,,0,0,0,,!هي من النوع اللعوب بلا شك Dialogue: 0,0:06:41.80,0:06:43.77,Default,,0,0,0,,إذن؟ من اخترت؟ Dialogue: 0,0:06:43.77,0:06:45.68,Default,,0,0,0,,...لا أريد استبعاد الفتاة ذات الرداء الأحمر Dialogue: 0,0:06:45.68,0:06:48.43,Default,,0,0,0,,لكن إن وجب عليّ الاختيار، فأنا معجبٌ بالأخرى أكثر Dialogue: 0,0:06:48.69,0:06:50.58,Default,,0,0,0,,!ليس ذلك Dialogue: 0,0:06:50.58,0:06:54.70,Default,,0,0,0,,!أود أن أعرف أيهما مناسبة أكثر لتكون خادمتي Dialogue: 0,0:06:54.70,0:06:57.36,Default,,0,0,0,,!أعتذر بشأن ذلك Dialogue: 0,0:06:57.86,0:07:02.91,Default,,0,0,0,,أول ما سأفعله هو اختبارهما Dialogue: 0,0:07:08.41,0:07:10.83,Default,,0,0,0,,!هذه هي عاصمة المملكة؟ Dialogue: 0,0:07:11.12,0:07:12.29,Default,,0,0,0,,!حقًا؟ Dialogue: 0,0:07:12.29,0:07:13.88,Default,,0,0,0,,!سأتمكن من شرب الماء! الماء Dialogue: 0,0:07:14.36,0:07:17.29,Default,,0,0,0,,لكنني لا أرى بشرًا هنا Dialogue: 0,0:07:17.29,0:07:19.88,Default,,0,0,0,,...مهما نظرتي للأمر، هذه أنقاض قصر Dialogue: 0,0:07:20.38,0:07:22.59,Default,,0,0,0,,...لا أستطيع الاستمرار، وصلتُ حدّي بالفعل Dialogue: 0,0:07:23.17,0:07:26.80,Default,,0,0,0,,شربنا كل ما تبقى من الماء قبل قليل، تحملي الأمر من فضلك Dialogue: 0,0:07:26.93,0:07:30.06,Default,,0,0,0,,!أمطري، أمطري Dialogue: 0,0:07:30.35,0:07:32.45,Default,,0,0,0,,سيجعلكِ هذا أكثر عطشًا Dialogue: 0,0:07:32.45,0:07:35.05,Default,,0,0,0,,...حتى لو فعلتِ ذلك، لن تمطر Dialogue: 0,0:07:37.82,0:07:39.11,Default,,0,0,0,,...مطر Dialogue: 0,0:07:39.53,0:07:41.41,Default,,0,0,0,,...أو لا Dialogue: 0,0:07:42.65,0:07:44.15,Default,,0,0,0,,!احذري من فضلكِ Dialogue: 0,0:07:44.15,0:07:45.45,Default,,0,0,0,,!أشعر بهالة شريرة Dialogue: 0,0:07:45.99,0:07:47.94,Default,,0,0,0,,!هنا يا شيزوكا-سان! أسرعي Dialogue: 0,0:07:50.62,0:07:52.02,Default,,0,0,0,,!شيزوكا-سان Dialogue: 0,0:07:56.29,0:08:01.93,Default,,0,0,0,,...بعد كل ما مررتُ به، لم تُحسب جولة نصل الملكة السابقة Dialogue: 0,0:08:01.93,0:08:03.92,Default,,0,0,0,,...مكان رينا مجهول حتى الآن Dialogue: 0,0:08:03.92,0:08:06.76,Default,,0,0,0,,!لم تكن تلك غلطتي Dialogue: 0,0:08:06.97,0:08:07.68,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:08:10.26,0:08:10.97,Default,,0,0,0,,من أنتِ؟ Dialogue: 0,0:08:13.73,0:08:15.23,Default,,0,0,0,,!المحاربة الجوّالة رينا Dialogue: 0,0:08:15.52,0:08:18.65,Default,,0,0,0,,!يا لها من هالة شريرة! تشبه تلك العاصفة الترابية السوداء Dialogue: 0,0:08:19.23,0:08:22.51,Default,,0,0,0,,انحنوا تبجيلاً لحاكمة مملكة أمارا Dialogue: 0,0:08:23.65,0:08:26.20,Default,,0,0,0,,!تلك رينا! إنها حيّة Dialogue: 0,0:08:26.20,0:08:28.75,Default,,0,0,0,,!فوق هذا، أشعر وكأن معركة نصل الملكة على وشك الحدوث Dialogue: 0,0:08:28.75,0:08:29.88,Default,,0,0,0,,!يا لحظي Dialogue: 0,0:08:29.88,0:08:33.20,Default,,0,0,0,,!هذه فرصة مثالية لأجعل الجميع يرى عظمتي Dialogue: 0,0:08:38.33,0:08:41.44,Default,,0,0,0,,انحنوا تبجيلاً لحاكمة مملكة أمارا Dialogue: 0,0:09:00.15,0:09:01.85,Default,,0,0,0,,إني توموي Dialogue: 0,0:09:01.85,0:09:03.44,Default,,0,0,0,,الكاهنة المحاربة، توموي Dialogue: 0,0:09:03.57,0:09:05.85,Default,,0,0,0,,أنتِ مشتركة في نصل الملكة، صحيح؟ Dialogue: 0,0:09:05.85,0:09:09.12,Default,,0,0,0,,...هذا صحيح، لكنه ليس الوقت المناسب لـ Dialogue: 0,0:09:09.12,0:09:10.48,Default,,0,0,0,,!لا بأس، لا بأس Dialogue: 0,0:09:10.48,0:09:12.62,Default,,0,0,0,,!بهذا أستطيع أن ابتدأ بها Dialogue: 0,0:09:13.24,0:09:17.20,Default,,0,0,0,,المحاربة الجوّالة رينا ستواجه الكاهنة المحاربة توموي Dialogue: 0,0:09:17.20,0:09:20.38,Default,,0,0,0,,!فلتُفتح الأبواب المؤدية إلى المعركة هنا والآن Dialogue: 0,0:09:20.79,0:09:24.13,Default,,0,0,0,,!أرجو أن تتقاتلا بحماس في هذه الجولة من نصل الملكة Dialogue: 0,0:09:24.13,0:09:25.58,Default,,0,0,0,,ما الذي فعلته؟ Dialogue: 0,0:09:25.58,0:09:27.77,Default,,0,0,0,,!لن أقاتل شخصًا ممسوسًا Dialogue: 0,0:09:27.77,0:09:29.05,Default,,0,0,0,,!ماذا؟ لحظة Dialogue: 0,0:09:30.26,0:09:32.51,Default,,0,0,0,,...ماذا؟ الطير الصغير Dialogue: 0,0:09:32.51,0:09:34.81,Default,,0,0,0,,كنتِ هناك إذن؟ Dialogue: 0,0:09:35.23,0:09:36.48,Default,,0,0,0,,...مع ذلك Dialogue: 0,0:09:37.89,0:09:39.90,Default,,0,0,0,,ليست رينا التي على طبيعتها Dialogue: 0,0:09:40.27,0:09:43.13,Default,,0,0,0,,...لسبب ما، لا رغبة لي بالتوقف بعد الآن Dialogue: 0,0:09:45.65,0:09:47.74,Default,,0,0,0,,!أختي! هذا مطمئن Dialogue: 0,0:09:47.90,0:09:50.91,Default,,0,0,0,,وصلتكِ مشاعري القوية أخيرًا، صحيح؟ Dialogue: 0,0:09:50.91,0:09:53.74,Default,,0,0,0,,!أرغب باحتضانك حالاً Dialogue: 0,0:09:55.70,0:10:01.08,Default,,0,0,0,,تلك الغبية تتصرف بشكل غريب بالفعل، ولكن ما الذي قصدته بكونها ممسوسة؟ Dialogue: 0,0:10:01.48,0:10:07.63,Default,,0,0,0,,لست متأكدة، لكنها تمتلك هالة شريرة تشبه هالة \Nالعاصفة الترابية السوداء التي شاهدتها سابقًا Dialogue: 0,0:10:07.63,0:10:12.01,Default,,0,0,0,,!أنا واثقة من وجود قوة شريرة هنا تتحكم برينا Dialogue: 0,0:10:12.43,0:10:15.87,Default,,0,0,0,,وشيزوكا-سان في مكان ما هنا كذلك Dialogue: 0,0:10:26.43,0:10:27.86,Default,,0,0,0,,!مؤلم Dialogue: 0,0:10:27.86,0:10:29.44,Default,,0,0,0,,!لا تتحركي أيتها الملاك Dialogue: 0,0:10:29.44,0:10:30.93,Default,,0,0,0,,!أنتِ تحتكّين بي Dialogue: 0,0:10:30.93,0:10:35.41,Default,,0,0,0,,!حتى لو قلتي ذلك... فإن ثدييك يسحقاني Dialogue: 0,0:10:35.41,0:10:36.62,Default,,0,0,0,,!آسفة Dialogue: 0,0:10:37.83,0:10:40.25,Default,,0,0,0,,!ظننتُ بأنني سأموت Dialogue: 0,0:10:45.62,0:10:48.46,Default,,0,0,0,,!أنقذيني Dialogue: 0,0:10:48.80,0:10:50.79,Default,,0,0,0,,كان ذلك مفاجئًا، صحيح؟ Dialogue: 0,0:10:50.79,0:10:55.10,Default,,0,0,0,,!أريد الذهاب إلى المنزل، لكنني لا أعرف أين المخرج Dialogue: 0,0:10:55.10,0:10:55.72,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:10:57.50,0:10:58.86,Default,,0,0,0,,!ماذا الآن؟ Dialogue: 0,0:10:58.86,0:10:59.64,Default,,0,0,0,,ماء؟ Dialogue: 0,0:11:01.98,0:11:03.26,Default,,0,0,0,,!لقد احتجزنا Dialogue: 0,0:11:06.27,0:11:08.04,Default,,0,0,0,,!وجدتُ مخرجًا Dialogue: 0,0:11:08.04,0:11:11.66,Default,,0,0,0,,يبدو بأنه سيخرجنا من هنا، لكنكِ غير قادرة على الطيران، صحيح؟ Dialogue: 0,0:11:11.66,0:11:13.74,Default,,0,0,0,,ألا يمكنها سماعي؟ Dialogue: 0,0:11:13.95,0:11:17.37,Default,,0,0,0,,أشعر بالأسف عليها، لكن عليّ تركها Dialogue: 0,0:11:20.71,0:11:22.55,Default,,0,0,0,,أرجو أن تخرجي من هنا Dialogue: 0,0:11:23.71,0:11:27.71,Default,,0,0,0,,تُبلي تلك الفتاة بالرداء الأحمر بلاء حسنًا Dialogue: 0,0:11:28.23,0:11:29.86,Default,,0,0,0,,!ماذا؟ سيترا؟ Dialogue: 0,0:11:29.86,0:11:32.05,Default,,0,0,0,,أين ذهبت؟ Dialogue: 0,0:11:35.51,0:11:36.51,Default,,0,0,0,,!مؤسف Dialogue: 0,0:11:36.85,0:11:38.35,Default,,0,0,0,,!مؤسف حقًا Dialogue: 0,0:11:38.85,0:11:41.98,Default,,0,0,0,,!بالفعل، من المؤسف تركها لتموت هكذا Dialogue: 0,0:11:41.98,0:11:47.52,Default,,0,0,0,,لهذا سأقوم بعمل استثناء وأسمح لكِ بأن تكوني عشيقتي Dialogue: 0,0:11:55.16,0:11:56.37,Default,,0,0,0,,هل أنت نوع من الأشباح؟ Dialogue: 0,0:11:56.78,0:11:58.10,Default,,0,0,0,,...حسنًا، لنرى Dialogue: 0,0:11:58.10,0:12:02.72,Default,,0,0,0,,!سآخذ وقتي لتذوق طعم هذه الغريبة Dialogue: 0,0:12:04.04,0:12:04.87,Default,,0,0,0,,!لعق Dialogue: 0,0:12:06.08,0:12:08.40,Default,,0,0,0,,...لم تجري الأمور على ما يرام Dialogue: 0,0:12:08.75,0:12:11.00,Default,,0,0,0,,!لا يهم، سأبذل جهدي في المرة القادمة Dialogue: 0,0:12:12.38,0:12:13.78,Default,,0,0,0,,!تم إيجاد المخرج Dialogue: 0,0:12:20.13,0:12:21.89,Default,,0,0,0,,هل ما زال البث مستمرًا؟ Dialogue: 0,0:12:23.32,0:12:25.79,Default,,0,0,0,,...أشعر بالأسى لأنني تركتها Dialogue: 0,0:12:25.79,0:12:30.01,Default,,0,0,0,,...إن ساءت سمعتي بسبب أمر كهذا Dialogue: 0,0:12:30.15,0:12:32.70,Default,,0,0,0,,!حسنًا! يجب عليّ إنقاذها فحسب Dialogue: 0,0:12:32.70,0:12:33.95,Default,,0,0,0,,!انتظريني Dialogue: 0,0:12:33.95,0:12:35.32,Default,,0,0,0,,!أنهي البث Dialogue: 0,0:12:40.79,0:12:43.04,Default,,0,0,0,,...سيصبح هذا المكان... قبري Dialogue: 0,0:12:43.04,0:12:45.46,Default,,0,0,0,,!لا! لا يمكنني الموت في مكان كهذا Dialogue: 0,0:13:06.48,0:13:08.84,Default,,0,0,0,,!ماذا؟ إنها جيدة Dialogue: 0,0:13:08.84,0:13:10.66,Default,,0,0,0,,إنها الكاهنة المحاربة توموي، صحيح؟ Dialogue: 0,0:13:10.66,0:13:13.53,Default,,0,0,0,,!لديها أسلوب شرس، سأتذكر ذلك Dialogue: 0,0:13:28.17,0:13:29.86,Default,,0,0,0,,ألستِ رينا-سان؟ Dialogue: 0,0:13:30.21,0:13:32.46,Default,,0,0,0,,!عليكِ الخجل من نفسك Dialogue: 0,0:13:32.96,0:13:35.72,Default,,0,0,0,,...تخسرين ذاتك لروح شريرة Dialogue: 0,0:13:36.26,0:13:38.26,Default,,0,0,0,,!لا تملكين مؤهلات المحاربة Dialogue: 0,0:13:39.59,0:13:41.51,Default,,0,0,0,,هلّا توقفتِ عن ذلك؟ Dialogue: 0,0:13:41.97,0:13:45.52,Default,,0,0,0,,...لن أسمح لكِ بإرباك خادمتي Dialogue: 0,0:13:46.39,0:13:47.97,Default,,0,0,0,,...لقد أظهرتي نفسكِ إذن Dialogue: 0,0:13:47.97,0:13:48.64,Default,,0,0,0,,!أيتها الروح المنتقمة Dialogue: 0,0:13:48.90,0:13:51.93,Default,,0,0,0,,ما الذي تعنينه بالروح المنتقمة؟ Dialogue: 0,0:13:51.93,0:13:56.57,Default,,0,0,0,,!أنا أميرة مملكة أمارا العظيمة، ميناس Dialogue: 0,0:13:57.25,0:13:58.58,Default,,0,0,0,,مملكة أمارا؟ Dialogue: 0,0:13:58.58,0:14:02.53,Default,,0,0,0,,أجل، مرّ وقت ازدهرت فيه المملكة ولكنها تدمرت منذ زمن طويل Dialogue: 0,0:14:03.12,0:14:07.69,Default,,0,0,0,,من المدهش بقاء قصص مملكة أمارا العريقة في مكان كهذا Dialogue: 0,0:14:07.69,0:14:09.86,Default,,0,0,0,,هل يمكنكَ قراءتها، أيها القط؟ Dialogue: 0,0:14:09.86,0:14:12.00,Default,,0,0,0,,...بالطبع يمكنني! لكن توقفي عندك Dialogue: 0,0:14:12.00,0:14:14.82,Default,,0,0,0,,!لا أُدعى بـ"القط"، إنني لروح حية Dialogue: 0,0:14:18.51,0:14:20.55,Default,,0,0,0,,ما المكتوب هنا إذن؟ Dialogue: 0,0:14:20.76,0:14:23.18,Default,,0,0,0,,إنها حكاية مضى عليها ألف عام Dialogue: 0,0:14:23.68,0:14:27.92,Default,,0,0,0,,تم اختيار سيدتي، الأميرة ميناس، لتكون الملكة القادمة Dialogue: 0,0:14:27.92,0:14:29.92,Default,,0,0,0,,وعاشت حياة سعيدة Dialogue: 0,0:14:32.21,0:14:34.40,Default,,0,0,0,,ما رأيكِ؟ شعور رائع، صحيح؟ Dialogue: 0,0:14:34.40,0:14:35.57,Default,,0,0,0,,!أجل Dialogue: 0,0:14:36.11,0:14:39.45,Default,,0,0,0,,سأرسلكِ إلى النعيم يا أميرة Dialogue: 0,0:14:39.99,0:14:42.16,Default,,0,0,0,,!شعور رائع Dialogue: 0,0:14:45.28,0:14:48.76,Default,,0,0,0,,بالطبع، لم تعرف سوى الحياة الهانئة Dialogue: 0,0:14:57.84,0:15:03.50,Default,,0,0,0,,...لكن يومًا ما... بسبب خيانة أناليستا، أكثر خادماتها وفاءً Dialogue: 0,0:15:03.50,0:15:05.47,Default,,0,0,0,,سقط الحكم Dialogue: 0,0:15:06.01,0:15:10.47,Default,,0,0,0,,أمست مملكة أمارا مدمرة، وأُعدمت الأميرة ميناس Dialogue: 0,0:15:11.06,0:15:16.86,Default,,0,0,0,,بعد ألف عام، تم إحيائي لهذا العالم Dialogue: 0,0:15:16.86,0:15:19.68,Default,,0,0,0,,كله في سبيل إعادة إحياء مملكة أمارا Dialogue: 0,0:15:19.68,0:15:24.32,Default,,0,0,0,,...الآن، ستصبحين إحدى خادماتي الوفيات Dialogue: 0,0:15:24.99,0:15:30.10,Default,,0,0,0,,وسأستعمل جسدكِ لصالح إحياء مملكة أمارا Dialogue: 0,0:15:30.41,0:15:32.25,Default,,0,0,0,,!أنتِ مخطئة Dialogue: 0,0:15:32.83,0:15:39.42,Default,,0,0,0,,لن تتمكني من بناء مملكة حقيقية مهما امتلكتِ أتباعًا أقوياء Dialogue: 0,0:15:40.09,0:15:43.09,Default,,0,0,0,,...لا يرتبط البشر معًا بالإجبار Dialogue: 0,0:15:43.09,0:15:44.18,Default,,0,0,0,,!يرتبطون بقلوبهم Dialogue: 0,0:15:44.30,0:15:48.10,Default,,0,0,0,,!أكره من لا يستمع إليّ Dialogue: 0,0:15:48.85,0:15:53.73,Default,,0,0,0,,!سخّري نفسكِ لمملكة أمارا العظيمة، أيتها الخادمة الوفية Dialogue: 0,0:15:57.23,0:15:59.82,Default,,0,0,0,,!عليكِ استعادة شرفكِ، بصفتكِ محاربة Dialogue: 0,0:16:06.66,0:16:07.78,Default,,0,0,0,,!أيتها الخادمة Dialogue: 0,0:16:08.37,0:16:10.77,Default,,0,0,0,,أنا... رينا Dialogue: 0,0:16:17.29,0:16:19.76,Default,,0,0,0,,!لن أسمح لهذا بالحدوث Dialogue: 0,0:16:33.85,0:16:34.98,Default,,0,0,0,,!هذا مطمئن Dialogue: 0,0:16:38.27,0:16:39.52,Default,,0,0,0,,!رينا-سان Dialogue: 0,0:16:47.41,0:16:49.45,Default,,0,0,0,,!لا تقوم نانائيل بعمل جيد Dialogue: 0,0:16:49.83,0:16:52.29,Default,,0,0,0,,...إنه مظلم ومخيف Dialogue: 0,0:16:52.29,0:16:53.62,Default,,0,0,0,,!طفح الكيل Dialogue: 0,0:16:55.38,0:16:57.25,Default,,0,0,0,,تقعُ غرفة الأميرة الرئيسية خلف هذا المكان Dialogue: 0,0:16:57.48,0:16:59.75,Default,,0,0,0,,كما توقعتُ من الهرير! ليس سيئًا Dialogue: 0,0:16:59.75,0:17:02.88,Default,,0,0,0,,!أستطيع فعل أكثر من هذا Dialogue: 0,0:17:10.89,0:17:11.77,Default,,0,0,0,,!توموي-ساما Dialogue: 0,0:17:21.57,0:17:23.61,Default,,0,0,0,,هل أنتِ بخير يا شيزوكا-سان؟ Dialogue: 0,0:17:24.03,0:17:25.70,Default,,0,0,0,,!بالطبع Dialogue: 0,0:17:25.70,0:17:29.53,Default,,0,0,0,,مهما حدث، لن أموت وأترك توموي-ساما خلفي Dialogue: 0,0:17:29.85,0:17:31.18,Default,,0,0,0,,!شيزوكا-سان Dialogue: 0,0:17:31.18,0:17:33.45,Default,,0,0,0,,ألن تتوقفا عن ذلك؟ Dialogue: 0,0:17:33.83,0:17:36.29,Default,,0,0,0,,!لا تنفكان عن إعاقة عملي Dialogue: 0,0:17:36.29,0:17:37.84,Default,,0,0,0,,!لن أسمح بذلك بعد الآن Dialogue: 0,0:17:37.84,0:17:38.72,Default,,0,0,0,,!لقد عدت Dialogue: 0,0:17:38.72,0:17:40.33,Default,,0,0,0,,!لن أصفح عنكما Dialogue: 0,0:17:40.95,0:17:42.68,Default,,0,0,0,,...حتى تلك الخادمة Dialogue: 0,0:17:42.68,0:17:45.80,Default,,0,0,0,,!أصبحت كأناليستا، وقامت بخيانتي Dialogue: 0,0:17:46.09,0:17:49.68,Default,,0,0,0,,يبدو بأن أناليستا تلك مثيرة للشفقة Dialogue: 0,0:17:51.60,0:17:53.39,Default,,0,0,0,,ما الذي قلته؟ Dialogue: 0,0:17:53.77,0:17:57.44,Default,,0,0,0,,قرأتُ تاريخكِ المكتوب على الجدران Dialogue: 0,0:17:58.06,0:18:02.46,Default,,0,0,0,,لم يلاحظ سكان هذا البلد الأمر Dialogue: 0,0:18:02.46,0:18:04.37,Default,,0,0,0,,...في هذه المملكة أو مهما تكن Dialogue: 0,0:18:04.37,0:18:08.71,Default,,0,0,0,,بدأ الفساد برشوات صغيرة، وانتشر لاحقًا إلى سياسة الدولة كلها Dialogue: 0,0:18:08.71,0:18:11.19,Default,,0,0,0,,يبدو بأن الفساد تحكم بالحكومة بأكملها تدريجيًا Dialogue: 0,0:18:11.19,0:18:15.26,Default,,0,0,0,,إنه أشبه ببلدنا هينوموتو، صحيح؟ إنها قصة معروفة Dialogue: 0,0:18:15.26,0:18:20.35,Default,,0,0,0,,بسبب ذلك، لم يمضِ وقتٌ حتى استسلم السكّان للعدو Dialogue: 0,0:18:20.35,0:18:25.09,Default,,0,0,0,,أؤمن بأن أناليستا والآخرين اضطروا إلى اتخاذ قرار صعب Dialogue: 0,0:18:25.38,0:18:26.90,Default,,0,0,0,,ألست محقة، أيها الهرير؟ Dialogue: 0,0:18:26.90,0:18:28.07,Default,,0,0,0,,من يعلم؟ Dialogue: 0,0:18:28.38,0:18:34.85,Default,,0,0,0,,مهما يكن الوضع، أليس لازمًا على التابع أن يخدم سيده حتى النهاية؟ Dialogue: 0,0:18:35.06,0:18:37.48,Default,,0,0,0,,يعتمد ذلك على السيد Dialogue: 0,0:18:38.04,0:18:41.86,Default,,0,0,0,,...إن كان على شخص إتباع سيده حتى النهاية Dialogue: 0,0:18:41.86,0:18:44.40,Default,,0,0,0,,لا بدّ من وجود سبب ليضحي بحياته لأجل ذلك السيد Dialogue: 0,0:18:44.40,0:18:47.36,Default,,0,0,0,,...إن كان هنالك شخصًا كهذا أو لم يوجد Dialogue: 0,0:18:47.36,0:18:49.11,Default,,0,0,0,,أليس ذلك هو السبب الأهم؟ Dialogue: 0,0:18:49.70,0:18:51.98,Default,,0,0,0,,إنها حكاية عفى الزمن عليها ألفه{s}{إنه أمر مر عليه سنين} Dialogue: 0,0:18:51.98,0:18:55.60,Default,,0,0,0,,ربما فات الأوان على ذلك، لكن إن أردتِ رأيي بالموضوع Dialogue: 0,0:18:55.60,0:18:58.76,Default,,0,0,0,,أليس ذلك خطأ الأميرة لكونها غبية؟ Dialogue: 0,0:18:58.76,0:19:00.36,Default,,0,0,0,,يا لها من أميرة مخيبة للآمال، ألا تظنين ذلك؟ Dialogue: 0,0:19:02.44,0:19:06.02,Default,,0,0,0,,...أتقولين بأن مملكة أمارا قد تدمرت Dialogue: 0,0:19:06.02,0:19:08.97,Default,,0,0,0,,لأن الأميرة كانت فاشلة؟ Dialogue: 0,0:19:11.45,0:19:13.03,Default,,0,0,0,,!لن أسمح بذلك Dialogue: 0,0:19:13.03,0:19:15.56,Default,,0,0,0,,كيف يمكن أن يكون كل ذلك غلطتي؟ Dialogue: 0,0:19:15.81,0:19:16.36,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:19:17.60,0:19:19.14,Default,,0,0,0,,لِمَ هي غاضبة؟ Dialogue: 0,0:19:19.63,0:19:21.28,Default,,0,0,0,,!سألعنكما Dialogue: 0,0:19:21.28,0:19:24.90,Default,,0,0,0,,!كيف لكِ أن تتهميني أنا الأميرة بالحماقة؟ Dialogue: 0,0:19:24.90,0:19:27.07,Default,,0,0,0,,!اهدئي، أيتها الأميرة Dialogue: 0,0:19:27.31,0:19:27.96,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:19:27.96,0:19:31.86,Default,,0,0,0,,!لا يمكن... هل يمكن... مستحيل Dialogue: 0,0:19:32.28,0:19:34.05,Default,,0,0,0,,!لن أقبل بذلك Dialogue: 0,0:19:34.05,0:19:35.71,Default,,0,0,0,,!توقفي يا أميرة Dialogue: 0,0:19:35.71,0:19:39.22,Default,,0,0,0,,!الجميع... يجب على الجميع طاعتي Dialogue: 0,0:19:39.22,0:19:45.84,Default,,0,0,0,,{\fad(0,1500)}!انحنوا لسلطتي العظيمة Dialogue: 0,0:19:49.01,0:19:50.88,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:19:53.02,0:19:54.88,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:19:55.10,0:19:56.31,Default,,0,0,0,,ماذا؟ Dialogue: 0,0:19:56.53,0:19:58.84,Default,,0,0,0,,!طفح الكيل Dialogue: 0,0:20:02.72,0:20:04.15,Default,,0,0,0,,!فلنهرب يا توموي-ساما Dialogue: 0,0:20:06.87,0:20:09.61,Default,,0,0,0,,!اخضعوا لي الآن Dialogue: 0,0:20:09.85,0:20:11.00,Default,,0,0,0,,هذا الطريق؟ Dialogue: 0,0:20:11.00,0:20:12.49,Default,,0,0,0,,!فلنعبر خلاله Dialogue: 0,0:20:15.31,0:20:16.52,Default,,0,0,0,,!فلينقذني أحد ما Dialogue: 0,0:20:16.52,0:20:18.79,Default,,0,0,0,,!لا أستطيع السباحة... سأغرق Dialogue: 0,0:20:19.46,0:20:21.46,Default,,0,0,0,,!لا! اتركيني Dialogue: 0,0:20:44.36,0:20:46.04,Default,,0,0,0,,يالَ الأسف Dialogue: 0,0:20:46.04,0:20:50.01,Default,,0,0,0,,هربت كل الخادمات المرشحات إلى مكان ما، صحيح؟ Dialogue: 0,0:20:50.01,0:20:53.99,Default,,0,0,0,,ماذا؟ أنا متأكد بأنكِ تركتهن بإرادتكِ Dialogue: 0,0:20:55.49,0:20:57.49,Default,,0,0,0,,كان اليوم استثنائيًا Dialogue: 0,0:20:57.49,0:21:01.49,Default,,0,0,0,,لم تستسلمي بشأن إحياء مملكة أمارا إذن؟ Dialogue: 0,0:21:01.96,0:21:03.23,Default,,0,0,0,,!بالطبع لا Dialogue: 0,0:21:03.83,0:21:07.46,Default,,0,0,0,,مهما حدث، سأعيد إحياء مملكتنا Dialogue: 0,0:21:07.79,0:21:09.65,Default,,0,0,0,,هذا صحيح Dialogue: 0,0:21:09.65,0:21:13.75,Default,,0,0,0,,من أجل إحيائها، ربما سنتحول إلى شريرين Dialogue: 0,0:21:13.75,0:21:15.31,Default,,0,0,0,,!يبدو ممتعًا Dialogue: 0,0:21:15.31,0:21:17.51,Default,,0,0,0,,!لهذا أنتِ سيدتي Dialogue: 0,0:21:17.80,0:21:20.19,Default,,0,0,0,,!سأتبعكِ إلى أي مكان تذهبين إليه، أيتها الأميرة Dialogue: 0,0:21:20.60,0:21:22.43,Default,,0,0,0,,أشكركَ يا سيترا Dialogue: 0,0:21:23.28,0:21:27.32,Default,,0,0,0,,...فلندعو بصمت، على الأقل لهذه الليلة Dialogue: 0,0:21:27.32,0:21:31.32,Default,,0,0,0,,من أجل أن يرقد بسلام كل من أناليستا وبقية خدم مملكتنا Dialogue: 0,0:21:36.27,0:21:37.83,Default,,0,0,0,,!ظننت بأننا سنموت Dialogue: 0,0:21:37.83,0:21:39.69,Default,,0,0,0,,!شكرًا يا شيزوكا-سان Dialogue: 0,0:21:40.31,0:21:40.89,Default,,0,0,0,,أجل Dialogue: 0,0:21:39.82,0:21:42.29,sign,,0,0,0,,{\fs90\bord3.3\3c&H1D0B03&\shad6\1c&HFFFDFE&\4c&H1D0B03&\an5\t(1530,3240,\4c&H050200&)\fad(240,0)\pos(1587,805.5)}يُتبع Dialogue: 0,0:23:13.39,0:23:43.42,sign,,0,0,0,,{\4a&H78&\bord0\shad4.467\fs93.8\p1\pos(112,61.333)}m 378 119 l 378 178 606 178 606 120 Dialogue: 0,0:23:13.39,0:23:43.42,sign,,0,0,0,,{\4a&H78&\bord2\shad2.467\fs93.8\pos(488.166,178.4)\fscx54\fscy60}الحلقة القادمة Dialogue: 0,0:23:13.39,0:23:43.42,sign,,0,0,0,,{\bord1\blur1\fs93.8\fscx56\fscy63\pos(1469.334,808)\c&H1C118F&}نصل الملكة Dialogue: 0,0:23:14.04,0:23:15.97,Default,,0,0,20,,!أهلاً! معكم نانائيل Dialogue: 0,0:23:15.97,0:23:17.40,Default,,0,0,20,, هذه المرة سنكون في إحدى قرى هينوموتو Dialogue: 0,0:23:17.40,0:23:20.01,Default,,0,0,20,,منطقة غريبة ومنعزلة لسكانٍ غير متحضرين، ويفتقرون إلى الكبرياء Dialogue: 0,0:23:20.01,0:23:22.89,Default,,0,0,20,,منعزلين عن بقية البلاد وعلى ما يبدو خالية من الحياة Dialogue: 0,0:23:22.89,0:23:25.32,Default,,0,0,20,,!سأريهم مهاراتي Dialogue: 0,0:23:25.32,0:23:30.78,Default,,0,0,20,,!بالمناسبة، فشلت بإعادة بث معركة رينا، لن يحدث ذلك مجددًا Dialogue: 0,0:23:30.78,0:23:35.40,Default,,0,0,20,,!إن سارت الأمور على هذا النحو، لن تكون نانائيل كذلك! عليّ التحكم بها Dialogue: 0,0:23:35.40,0:23:37.99,Default,,0,0,20,,!فلتكن جنيّة أو أي شيء! سأفعل ما بوسعي Dialogue: 0,0:23:38.37,0:23:43.42,sign,,0,0,0,,{\be2\bord4.2\shad2.7\4a&H78&\fs75\an8\fad(660,0)\fscx97\fscy116\pos(952,324.5)}الحلقة 6 Dialogue: 0,0:23:38.37,0:23:43.42,sign,,0,0,0,,{\be2\bord0\shad0\4a&H78&\fs75\an8\fad(660,0)\fscx97\fscy116\pos(952,324.5)}الحلقة 6 Dialogue: 0,0:23:38.37,0:23:43.42,sign,,0,0,0,,{\be2\an8\shad2.6\bord2.35\4a&H78&\fs97.5\c&HFFFFFF&\fad(660,0)\fscx111\fscy110\pos(951,659.833)}غابة الحارس {\fnA Jannat LT\1c&}~ {\fnهشام الشرق طبيعي\c&HBFF867&}وعد Dialogue: 0,0:23:37.99,0:23:40.08,Default,,0,0,0,,!الحلقة القادمة : وعد - غابة الحارس Dialogue: 0,0:23:40.08,0:23:43.42,Default,,0,0,0,,!فلترشدنا المعارك التي تحدث Dialogue: 1,0:00:41.53,0:00:47.95,OP Romaji,,0,0,0,karaoke,{\k43}Ka{\k19}ga{\k37}ya{\k47}ke{\k32}ru {\k43}hi{\k43}ka{\k35}ri {\k39}yo {\k33}ma{\k49}yo{\k32}i {\k17}wo {\k39}u{\k24}chi{\k52}ke{\k33}shi{\k25}te Dialogue: 1,0:00:48.24,0:00:56.38,OP Romaji,,0,0,0,karaoke,{\k20}Yo{\k30}a{\k30}ke {\k18}ga {\k19}ku{\k20}ru {\k21}no {\k20}na{\k41}ra {\k26}o{\k41}so{\k27}re{\k20}zu {\k59}ni {\k22}ko{\k18}no {\k21}do{\k22}a {\k49}wo {\k50}hi{\k27}ra{\k31}ko{\k182}u Dialogue: 1,0:01:07.03,0:01:12.57,OP Romaji,,0,0,0,karaoke,{\k9}Mo{\k18}shi{\k28}mo {\k24}i{\k24}tsu{\k37}ka {\k21}{\k10}ho{\k9}ho{\k29}e{\k29}n{\k20}de {\k34}ku{\k25}re{\k13}ru {\k46}hi {\k20}{\k20}ga {\k20}ku{\k18}ru {\k20}na{\k80}ra Dialogue: 1,0:01:13.25,0:01:19.02,OP Romaji,,0,0,0,karaoke,{\k19}So{\k10}re {\k30}wa {\k49}ki{\k38}tto {\k38}{\k35}na{\k26}ni{\k19}ka {\k31}ga {\k33}ka{\k47}wa{\k34}tta {\k33}shu{\k18}n{\k23}ka{\k94}n Dialogue: 1,0:01:19.52,0:01:25.11,OP Romaji,,0,0,0,karaoke,{\k15}Tsu{\k15}yo{\k32}ku {\k25}na{\k21}ri{\k29}ta{\k29}i{\k41} to {\k18}{\k20}ne{\k20}ga{\k28}u {\k32}yo{\k17}ri {\k58}mo {\k38}{\k22}i{\k31}ma {\k68}wa Dialogue: 1,0:01:25.69,0:01:31.38,OP Romaji,,0,0,0,karaoke,{\k25}Ta{\k8}da {\k39}tsu{\k28}yo{\k19}ku {\k22}na{\k16}ru {\k22}no {\k50}ka {\k29}{\k19}wa{\k12}ta{\k44}shi {\k21}da{\k61}ke {\k37}ga {\k19}mo{\k24}te{\k74}ru Dialogue: 1,0:01:31.58,0:01:37.26,OP Romaji,,0,0,0,karaoke,{\k32}Ko{\k24}ta{\k21}e {\k207}wo {\k30}shi{\k29}ri{\k29}ta{\k196}i Dialogue: 1,0:01:38.03,0:01:44.55,OP Romaji,,0,0,0,karaoke,{\k43}Ka{\k17}ga{\k39}ya{\k41}ke{\k31}ru {\k46}hi{\k41}ka{\k39}ri {\k38}yo {\k33}ma{\k46}yo{\k32}i {\k20}wo {\k42}u{\k24}chi{\k51}ke{\k27}shi{\k42}te Dialogue: 1,0:01:44.91,0:01:50.97,OP Romaji,,0,0,0,karaoke,{\k40}O{\k38}mo{\k40}i{\k39}de {\k40}ba{\k40}ka{\k37}ri {\k40}wo {\k30}na{\k49}zo{\k19}ru {\k35}da{\k21}ke {\k61}ja {\k19}na{\k58}ku Dialogue: 1,0:01:50.97,0:01:57.07,OP Romaji,,0,0,0,karaoke,{\k22}Ko{\k37}re {\k43}ka{\k37}ra {\k39}ka{\k41}e{\k32}ra{\k46}re{\k37}ru {\k40}mi{\k40}ra{\k20}i {\k36}ga {\k20}ha{\k63}ji{\k18}ma{\k39}ru Dialogue: 1,0:01:57.24,0:02:07.08,OP Romaji,,0,0,0,karaoke,{\k20}Yo{\k30}a{\k30}ke {\k18}ga {\k23}ku{\k16}ru {\k21}no {\k20}na{\k41}ra {\k26}o{\k41}so{\k27}re{\k20}zu {\k59}ni {\k22}ko{\k18}no {\k21}do{\k22}a {\k49}wo {\k45}hi{\k25}ra{\k38}ko{\k352}u Dialogue: 0,0:00:41.53,0:00:47.95,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}أيها الضوء المشع اذهب الشك Dialogue: 0,0:00:48.24,0:00:56.38,OP-AR,,0,0,0,,{\blur7.5\fad(180,900)}وعند مجيء الفجر فلنفتح الباب بلا خوف Dialogue: 0,0:01:07.03,0:01:12.57,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}إن حل يوم ابتسمت فيه Dialogue: 0,0:01:13.25,0:01:19.02,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}في تلك اللحظة لابد أن أمرًا ما قد تغير Dialogue: 0,0:01:19.52,0:01:25.11,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}ما أتمناه الآن هو أن أصبح قوية Dialogue: 0,0:01:25.69,0:01:31.38,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}لمَ أريد أن أصبح قوية؟ Dialogue: 0,0:01:31.58,0:01:37.26,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}أريد معرفة الإجابة Dialogue: 0,0:01:38.03,0:01:44.55,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}أيها الضوء المشع اذهب الشك Dialogue: 0,0:01:44.91,0:01:50.97,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}إن مشاعري تحيرني فقط Dialogue: 0,0:01:50.97,0:01:57.07,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}من الآن وصاعدًا سوف يبدأ تغير المستقبل Dialogue: 0,0:01:57.24,0:02:07.08,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}وعند مجيء الفجر فلنفتح الباب بلا خوف Dialogue: 0,0:00:40.78,0:00:41.53,OP Romaji,,0,0,0,fx,{\an5\org(320,60)\move(960,70,340,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K Dialogue: 0,0:00:40.78,0:00:41.53,OP Romaji,,0,0,0,fx,{\an5\org(356,60)\move(960,70,376,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:41.53,0:00:42.36,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(357,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}Ka Dialogue: 1,0:00:41.53,0:00:42.76,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(371,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ka Dialogue: 0,0:00:40.88,0:00:41.96,OP Romaji,,0,0,0,fx,{\an5\org(391,60)\move(960,70,411,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:00:40.88,0:00:41.96,OP Romaji,,0,0,0,fx,{\an5\org(426,60)\move(960,70,446,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:41.96,0:00:42.55,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(427,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ga Dialogue: 1,0:00:41.96,0:00:42.95,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(436,88)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:00:40.98,0:00:42.15,OP Romaji,,0,0,0,fx,{\an5\org(460,60)\move(960,70,480,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:00:40.98,0:00:42.15,OP Romaji,,0,0,0,fx,{\an5\org(495,60)\move(960,70,515,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:42.15,0:00:42.92,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(497,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ya Dialogue: 1,0:00:42.15,0:00:43.32,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(492,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ya Dialogue: 0,0:00:41.08,0:00:42.52,OP Romaji,,0,0,0,fx,{\an5\org(528,60)\move(960,70,548,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:41.08,0:00:42.52,OP Romaji,,0,0,0,fx,{\an5\org(561,60)\move(960,70,581,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:00:42.52,0:00:43.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(564,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,470,\fscx100\fscy100)\}ke Dialogue: 1,0:00:42.52,0:00:43.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(534,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:00:41.18,0:00:42.99,OP Romaji,,0,0,0,fx,{\an5\org(593,60)\move(960,70,613,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:00:41.18,0:00:42.99,OP Romaji,,0,0,0,fx,{\an5\org(627,60)\move(960,70,647,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:00:42.99,0:00:43.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(631,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}ru Dialogue: 1,0:00:42.99,0:00:44.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(609,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:00:41.28,0:00:43.31,OP Romaji,,0,0,0,fx,{\an5\org(687,60)\move(960,70,707,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:00:41.28,0:00:43.31,OP Romaji,,0,0,0,fx,{\an5\org(711,60)\move(960,70,731,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:43.31,0:00:44.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(714,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}hi Dialogue: 1,0:00:43.31,0:00:44.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(724,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi Dialogue: 0,0:00:41.38,0:00:43.74,OP Romaji,,0,0,0,fx,{\an5\org(735,60)\move(960,70,755,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:41.38,0:00:43.74,OP Romaji,,0,0,0,fx,{\an5\org(768,60)\move(960,70,788,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:43.74,0:00:44.57,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(771,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}ka Dialogue: 1,0:00:43.74,0:00:44.97,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(755,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:00:41.48,0:00:44.17,OP Romaji,,0,0,0,fx,{\an5\org(801,60)\move(960,70,821,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:00:41.48,0:00:44.17,OP Romaji,,0,0,0,fx,{\an5\org(825,60)\move(960,70,845,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:44.17,0:00:44.92,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(828,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,350,\fscx100\fscy100)\}ri Dialogue: 1,0:00:44.17,0:00:45.32,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(828,87)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri Dialogue: 0,0:00:41.58,0:00:44.52,OP Romaji,,0,0,0,fx,{\an5\org(875,60)\move(960,70,895,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:00:41.58,0:00:44.52,OP Romaji,,0,0,0,fx,{\an5\org(909,60)\move(960,70,929,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:44.52,0:00:45.31,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(912,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}yo Dialogue: 1,0:00:44.52,0:00:45.71,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(897,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:00:41.68,0:00:44.91,OP Romaji,,0,0,0,fx,{\an5\org(979,60)\move(960,70,999,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:00:41.68,0:00:44.91,OP Romaji,,0,0,0,fx,{\an5\org(1024,60)\move(960,70,1044,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:44.91,0:00:45.64,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1016,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}ma Dialogue: 1,0:00:44.91,0:00:46.04,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1031,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma Dialogue: 0,0:00:41.78,0:00:45.24,OP Romaji,,0,0,0,fx,{\an5\org(1058,60)\move(960,70,1078,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:00:41.78,0:00:45.24,OP Romaji,,0,0,0,fx,{\an5\org(1093,60)\move(960,70,1113,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:45.24,0:00:46.13,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1095,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}yo Dialogue: 1,0:00:45.24,0:00:46.53,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1071,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:00:41.88,0:00:45.73,OP Romaji,,0,0,0,fx,{\an5\org(1117,60)\move(960,70,1137,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:45.73,0:00:46.45,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1137,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}i Dialogue: 1,0:00:45.73,0:00:46.85,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1159,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:00:41.98,0:00:46.05,OP Romaji,,0,0,0,fx,{\an5\org(1177,60)\move(960,70,1197,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:00:41.98,0:00:46.05,OP Romaji,,0,0,0,fx,{\an5\org(1221,60)\move(960,70,1241,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:46.05,0:00:46.62,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1214,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,170,\fscx100\fscy100)\}wo Dialogue: 1,0:00:46.05,0:00:47.02,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1225,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo Dialogue: 0,0:00:42.08,0:00:46.22,OP Romaji,,0,0,0,fx,{\an5\org(1280,60)\move(960,70,1300,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:00:46.22,0:00:47.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1300,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}u Dialogue: 1,0:00:46.22,0:00:47.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1271,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u Dialogue: 0,0:00:42.18,0:00:46.61,OP Romaji,,0,0,0,fx,{\an5\org(1314,60)\move(960,70,1334,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}c Dialogue: 0,0:00:42.18,0:00:46.61,OP Romaji,,0,0,0,fx,{\an5\org(1347,60)\move(960,70,1367,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:00:42.18,0:00:46.61,OP Romaji,,0,0,0,fx,{\an5\org(1371,60)\move(960,70,1391,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:46.61,0:00:47.25,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1358,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}chi Dialogue: 1,0:00:46.61,0:00:47.65,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1378,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "chi Dialogue: 0,0:00:42.28,0:00:46.85,OP Romaji,,0,0,0,fx,{\an5\org(1395,60)\move(960,70,1415,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:42.28,0:00:46.85,OP Romaji,,0,0,0,fx,{\an5\org(1428,60)\move(960,70,1448,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:00:46.85,0:00:47.77,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1431,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,520,\fscx100\fscy100)\}ke Dialogue: 1,0:00:46.85,0:00:48.17,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1404,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:00:42.38,0:00:47.37,OP Romaji,,0,0,0,fx,{\an5\org(1459,60)\move(960,70,1479,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:00:42.38,0:00:47.37,OP Romaji,,0,0,0,fx,{\an5\org(1492,60)\move(960,70,1512,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:00:42.38,0:00:47.37,OP Romaji,,0,0,0,fx,{\an5\org(1516,60)\move(960,70,1536,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:47.37,0:00:48.10,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1503,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}shi Dialogue: 1,0:00:47.37,0:00:48.50,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1506,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi Dialogue: 0,0:00:42.48,0:00:47.70,OP Romaji,,0,0,0,fx,{\an5\org(1535,60)\move(960,70,1555,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:00:42.48,0:00:47.70,OP Romaji,,0,0,0,fx,{\an5\org(1563,60)\move(960,70,1583,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:00:47.70,0:00:48.35,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1571,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}te Dialogue: 1,0:00:47.70,0:00:48.75,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1559,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "te Dialogue: 0,0:00:47.49,0:00:48.24,OP Romaji,,0,0,0,fx,{\an5\org(132,60)\move(960,70,152,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}Y Dialogue: 0,0:00:47.49,0:00:48.24,OP Romaji,,0,0,0,fx,{\an5\org(166,60)\move(960,70,186,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:48.24,0:00:48.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(169,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}Yo Dialogue: 1,0:00:48.24,0:00:49.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(181,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Yo Dialogue: 0,0:00:47.59,0:00:48.44,OP Romaji,,0,0,0,fx,{\an5\org(200,60)\move(960,70,220,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:48.44,0:00:49.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(220,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}a Dialogue: 1,0:00:48.44,0:00:49.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(216,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a Dialogue: 0,0:00:47.69,0:00:48.74,OP Romaji,,0,0,0,fx,{\an5\org(233,60)\move(960,70,253,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:47.69,0:00:48.74,OP Romaji,,0,0,0,fx,{\an5\org(266,60)\move(960,70,286,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:00:48.74,0:00:49.44,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(269,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}ke Dialogue: 1,0:00:48.74,0:00:49.84,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(255,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:00:47.79,0:00:49.04,OP Romaji,,0,0,0,fx,{\an5\org(325,60)\move(960,70,345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:00:47.79,0:00:49.04,OP Romaji,,0,0,0,fx,{\an5\org(360,60)\move(960,70,380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:49.04,0:00:49.62,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ga Dialogue: 1,0:00:49.04,0:00:50.02,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(358,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:00:47.89,0:00:49.22,OP Romaji,,0,0,0,fx,{\an5\org(418,60)\move(960,70,438,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:47.89,0:00:49.22,OP Romaji,,0,0,0,fx,{\an5\org(452,60)\move(960,70,472,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:00:49.22,0:00:49.81,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(455,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ku Dialogue: 1,0:00:49.22,0:00:50.21,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(434,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:00:47.99,0:00:49.41,OP Romaji,,0,0,0,fx,{\an5\org(486,60)\move(960,70,506,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:00:47.99,0:00:49.41,OP Romaji,,0,0,0,fx,{\an5\org(520,60)\move(960,70,540,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:00:49.41,0:00:50.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(523,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ru Dialogue: 1,0:00:49.41,0:00:50.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(537,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:00:48.09,0:00:49.61,OP Romaji,,0,0,0,fx,{\an5\org(579,60)\move(960,70,599,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:00:48.09,0:00:49.61,OP Romaji,,0,0,0,fx,{\an5\org(613,60)\move(960,70,633,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:49.61,0:00:50.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(616,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}no Dialogue: 1,0:00:49.61,0:00:50.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(633,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no Dialogue: 0,0:00:48.19,0:00:49.82,OP Romaji,,0,0,0,fx,{\an5\org(672,60)\move(960,70,692,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:00:48.19,0:00:49.82,OP Romaji,,0,0,0,fx,{\an5\org(706,60)\move(960,70,726,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:49.82,0:00:50.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(708,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}na Dialogue: 1,0:00:49.82,0:00:50.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(696,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:00:48.29,0:00:50.02,OP Romaji,,0,0,0,fx,{\an5\org(739,60)\move(960,70,759,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:00:48.29,0:00:50.02,OP Romaji,,0,0,0,fx,{\an5\org(772,60)\move(960,70,792,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:50.02,0:00:50.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(776,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ra Dialogue: 1,0:00:50.02,0:00:51.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(795,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:00:48.39,0:00:50.43,OP Romaji,,0,0,0,fx,{\an5\org(831,60)\move(960,70,851,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:50.43,0:00:51.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(851,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,260,\fscx100\fscy100)\}o Dialogue: 1,0:00:50.43,0:00:51.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(881,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "o Dialogue: 0,0:00:48.49,0:00:50.69,OP Romaji,,0,0,0,fx,{\an5\org(863,60)\move(960,70,883,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:00:48.49,0:00:50.69,OP Romaji,,0,0,0,fx,{\an5\org(895,60)\move(960,70,915,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:50.69,0:00:51.50,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(900,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}so Dialogue: 1,0:00:50.69,0:00:51.90,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(893,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "so Dialogue: 0,0:00:48.59,0:00:51.10,OP Romaji,,0,0,0,fx,{\an5\org(928,60)\move(960,70,948,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:00:48.59,0:00:51.10,OP Romaji,,0,0,0,fx,{\an5\org(961,60)\move(960,70,981,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:00:51.10,0:00:51.77,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(965,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}re Dialogue: 1,0:00:51.10,0:00:52.17,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(994,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re Dialogue: 0,0:00:48.69,0:00:51.37,OP Romaji,,0,0,0,fx,{\an5\org(995,60)\move(960,70,1015,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}z Dialogue: 0,0:00:48.69,0:00:51.37,OP Romaji,,0,0,0,fx,{\an5\org(1030,60)\move(960,70,1050,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:00:51.37,0:00:51.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1032,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}zu Dialogue: 1,0:00:51.37,0:00:52.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1026,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "zu Dialogue: 0,0:00:48.79,0:00:51.57,OP Romaji,,0,0,0,fx,{\an5\org(1090,60)\move(960,70,1110,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:00:48.79,0:00:51.57,OP Romaji,,0,0,0,fx,{\an5\org(1114,60)\move(960,70,1134,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:51.57,0:00:52.56,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1117,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,590,\fscx100\fscy100)\}ni Dialogue: 1,0:00:51.57,0:00:52.96,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1120,73)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ni Dialogue: 0,0:00:48.89,0:00:52.16,OP Romaji,,0,0,0,fx,{\an5\org(1163,60)\move(960,70,1183,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:48.89,0:00:52.16,OP Romaji,,0,0,0,fx,{\an5\org(1196,60)\move(960,70,1216,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:52.16,0:00:52.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1199,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}ko Dialogue: 1,0:00:52.16,0:00:53.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1208,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko Dialogue: 0,0:00:48.99,0:00:52.38,OP Romaji,,0,0,0,fx,{\an5\org(1230,60)\move(960,70,1250,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:00:48.99,0:00:52.38,OP Romaji,,0,0,0,fx,{\an5\org(1264,60)\move(960,70,1284,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:52.38,0:00:52.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1267,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}no Dialogue: 1,0:00:52.38,0:00:53.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1243,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no Dialogue: 0,0:00:49.09,0:00:52.56,OP Romaji,,0,0,0,fx,{\an5\org(1325,60)\move(960,70,1345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:00:49.09,0:00:52.56,OP Romaji,,0,0,0,fx,{\an5\org(1360,60)\move(960,70,1380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:52.56,0:00:53.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}do Dialogue: 1,0:00:52.56,0:00:53.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1377,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "do Dialogue: 0,0:00:49.19,0:00:52.77,OP Romaji,,0,0,0,fx,{\an5\org(1394,60)\move(960,70,1414,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:52.77,0:00:53.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1414,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}a Dialogue: 1,0:00:52.77,0:00:53.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1428,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a Dialogue: 0,0:00:49.29,0:00:52.99,OP Romaji,,0,0,0,fx,{\an5\org(1463,60)\move(960,70,1483,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:00:49.29,0:00:52.99,OP Romaji,,0,0,0,fx,{\an5\org(1508,60)\move(960,70,1528,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:52.99,0:00:53.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1500,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}wo Dialogue: 1,0:00:52.99,0:00:54.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1521,88)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo Dialogue: 0,0:00:49.39,0:00:53.48,OP Romaji,,0,0,0,fx,{\an5\org(1567,60)\move(960,70,1587,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:00:49.39,0:00:53.48,OP Romaji,,0,0,0,fx,{\an5\org(1591,60)\move(960,70,1611,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:00:53.48,0:00:54.38,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1594,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,500,\fscx100\fscy100)\}hi Dialogue: 1,0:00:53.48,0:00:54.78,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1572,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi Dialogue: 0,0:00:49.49,0:00:53.98,OP Romaji,,0,0,0,fx,{\an5\org(1615,60)\move(960,70,1635,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:00:49.49,0:00:53.98,OP Romaji,,0,0,0,fx,{\an5\org(1648,60)\move(960,70,1668,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:00:53.98,0:00:54.65,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1652,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}ra Dialogue: 1,0:00:53.98,0:00:55.05,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1641,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:00:49.59,0:00:54.25,OP Romaji,,0,0,0,fx,{\an5\org(1681,60)\move(960,70,1701,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:00:49.59,0:00:54.25,OP Romaji,,0,0,0,fx,{\an5\org(1715,60)\move(960,70,1735,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:00:54.25,0:00:54.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1718,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ko Dialogue: 1,0:00:54.25,0:00:55.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1744,88)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko Dialogue: 0,0:00:49.69,0:00:54.56,OP Romaji,,0,0,0,fx,{\an5\org(1749,60)\move(960,70,1769,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:00:54.56,0:00:56.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1769,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,1820,\fscx100\fscy100)\}u Dialogue: 1,0:00:54.56,0:00:57.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1744,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u Dialogue: 0,0:01:06.28,0:01:07.03,OP Romaji,,0,0,0,fx,{\an5\org(236,60)\move(960,70,256,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}M Dialogue: 0,0:01:06.28,0:01:07.03,OP Romaji,,0,0,0,fx,{\an5\org(280,60)\move(960,70,300,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:07.03,0:01:07.52,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(273,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,90,\fscx100\fscy100)\}Mo Dialogue: 1,0:01:07.03,0:01:07.92,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(268,79)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Mo Dialogue: 0,0:01:06.38,0:01:07.12,OP Romaji,,0,0,0,fx,{\an5\org(312,60)\move(960,70,332,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:06.38,0:01:07.12,OP Romaji,,0,0,0,fx,{\an5\org(345,60)\move(960,70,365,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:06.38,0:01:07.12,OP Romaji,,0,0,0,fx,{\an5\org(369,60)\move(960,70,389,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:07.12,0:01:07.70,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(357,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}shi Dialogue: 1,0:01:07.12,0:01:08.10,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(348,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi Dialogue: 0,0:01:06.48,0:01:07.30,OP Romaji,,0,0,0,fx,{\an5\org(404,60)\move(960,70,424,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:06.48,0:01:07.30,OP Romaji,,0,0,0,fx,{\an5\org(449,60)\move(960,70,469,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:07.30,0:01:07.98,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(441,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,280,\fscx100\fscy100)\}mo Dialogue: 1,0:01:07.30,0:01:08.38,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(433,87)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo Dialogue: 0,0:01:06.58,0:01:07.58,OP Romaji,,0,0,0,fx,{\an5\org(498,60)\move(960,70,518,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:07.58,0:01:08.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(518,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}i Dialogue: 1,0:01:07.58,0:01:08.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(506,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:06.68,0:01:07.82,OP Romaji,,0,0,0,fx,{\an5\org(517,60)\move(960,70,537,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:06.68,0:01:07.82,OP Romaji,,0,0,0,fx,{\an5\org(545,60)\move(960,70,565,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:06.68,0:01:07.82,OP Romaji,,0,0,0,fx,{\an5\org(577,60)\move(960,70,597,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:07.82,0:01:08.46,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(570,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}tsu Dialogue: 1,0:01:07.82,0:01:08.86,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(548,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tsu Dialogue: 0,0:01:06.78,0:01:08.06,OP Romaji,,0,0,0,fx,{\an5\org(611,60)\move(960,70,631,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:06.78,0:01:08.06,OP Romaji,,0,0,0,fx,{\an5\org(644,60)\move(960,70,664,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:08.06,0:01:08.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(648,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ka Dialogue: 1,0:01:08.06,0:01:09.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(677,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:06.98,0:01:08.64,OP Romaji,,0,0,0,fx,{\an5\org(703,60)\move(960,70,723,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:06.98,0:01:08.64,OP Romaji,,0,0,0,fx,{\an5\org(737,60)\move(960,70,757,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:08.64,0:01:09.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(740,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,100,\fscx100\fscy100)\}ho Dialogue: 1,0:01:08.64,0:01:09.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(715,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ho Dialogue: 0,0:01:07.08,0:01:08.74,OP Romaji,,0,0,0,fx,{\an5\org(771,60)\move(960,70,791,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:07.08,0:01:08.74,OP Romaji,,0,0,0,fx,{\an5\org(805,60)\move(960,70,825,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:08.74,0:01:09.23,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(808,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,90,\fscx100\fscy100)\}ho Dialogue: 1,0:01:08.74,0:01:09.63,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(821,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ho Dialogue: 0,0:01:07.18,0:01:08.83,OP Romaji,,0,0,0,fx,{\an5\org(838,60)\move(960,70,858,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:08.83,0:01:09.52,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(858,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}e Dialogue: 1,0:01:08.83,0:01:09.92,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(863,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "e Dialogue: 0,0:01:07.28,0:01:09.12,OP Romaji,,0,0,0,fx,{\an5\org(871,60)\move(960,70,891,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:09.12,0:01:09.81,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(891,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}n Dialogue: 1,0:01:09.12,0:01:10.21,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(879,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "n Dialogue: 0,0:01:07.38,0:01:09.41,OP Romaji,,0,0,0,fx,{\an5\org(907,60)\move(960,70,927,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:01:07.38,0:01:09.41,OP Romaji,,0,0,0,fx,{\an5\org(942,60)\move(960,70,962,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:09.41,0:01:10.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(944,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}de Dialogue: 1,0:01:09.41,0:01:10.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(951,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "de Dialogue: 0,0:01:07.48,0:01:09.61,OP Romaji,,0,0,0,fx,{\an5\org(1000,60)\move(960,70,1020,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:07.48,0:01:09.61,OP Romaji,,0,0,0,fx,{\an5\org(1034,60)\move(960,70,1054,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:09.61,0:01:10.35,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1037,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,340,\fscx100\fscy100)\}ku Dialogue: 1,0:01:09.61,0:01:10.75,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1050,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:01:07.58,0:01:09.95,OP Romaji,,0,0,0,fx,{\an5\org(1068,60)\move(960,70,1088,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:07.58,0:01:09.95,OP Romaji,,0,0,0,fx,{\an5\org(1100,60)\move(960,70,1120,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:09.95,0:01:10.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1104,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}re Dialogue: 1,0:01:09.95,0:01:11.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1109,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re Dialogue: 0,0:01:07.68,0:01:10.20,OP Romaji,,0,0,0,fx,{\an5\org(1133,60)\move(960,70,1153,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:07.68,0:01:10.20,OP Romaji,,0,0,0,fx,{\an5\org(1167,60)\move(960,70,1187,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:10.20,0:01:10.73,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1170,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,130,\fscx100\fscy100)\}ru Dialogue: 1,0:01:10.20,0:01:11.13,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1161,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:07.78,0:01:10.33,OP Romaji,,0,0,0,fx,{\an5\org(1226,60)\move(960,70,1246,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:07.78,0:01:10.33,OP Romaji,,0,0,0,fx,{\an5\org(1250,60)\move(960,70,1270,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:10.33,0:01:11.19,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1253,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}hi Dialogue: 1,0:01:10.33,0:01:11.59,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1232,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi Dialogue: 0,0:01:07.98,0:01:10.99,OP Romaji,,0,0,0,fx,{\an5\org(1300,60)\move(960,70,1320,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:07.98,0:01:10.99,OP Romaji,,0,0,0,fx,{\an5\org(1335,60)\move(960,70,1355,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:10.99,0:01:11.59,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1337,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ga Dialogue: 1,0:01:10.99,0:01:11.99,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1310,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:08.08,0:01:11.19,OP Romaji,,0,0,0,fx,{\an5\org(1394,60)\move(960,70,1414,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:08.08,0:01:11.19,OP Romaji,,0,0,0,fx,{\an5\org(1427,60)\move(960,70,1447,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:11.19,0:01:11.79,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1431,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ku Dialogue: 1,0:01:11.19,0:01:12.19,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1433,69)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:01:08.18,0:01:11.39,OP Romaji,,0,0,0,fx,{\an5\org(1461,60)\move(960,70,1481,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:08.18,0:01:11.39,OP Romaji,,0,0,0,fx,{\an5\org(1495,60)\move(960,70,1515,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:11.39,0:01:11.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1498,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ru Dialogue: 1,0:01:11.39,0:01:12.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1520,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:08.28,0:01:11.57,OP Romaji,,0,0,0,fx,{\an5\org(1554,60)\move(960,70,1574,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:08.28,0:01:11.57,OP Romaji,,0,0,0,fx,{\an5\org(1588,60)\move(960,70,1608,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:11.57,0:01:12.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1591,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}na Dialogue: 1,0:01:11.57,0:01:12.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1605,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:08.38,0:01:11.77,OP Romaji,,0,0,0,fx,{\an5\org(1621,60)\move(960,70,1641,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:08.38,0:01:11.77,OP Romaji,,0,0,0,fx,{\an5\org(1655,60)\move(960,70,1675,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:11.77,0:01:12.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1658,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,800,\fscx100\fscy100)\}ra Dialogue: 1,0:01:11.77,0:01:13.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1653,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:01:12.50,0:01:13.25,OP Romaji,,0,0,0,fx,{\an5\org(344,60)\move(960,70,364,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}S Dialogue: 0,0:01:12.50,0:01:13.25,OP Romaji,,0,0,0,fx,{\an5\org(378,60)\move(960,70,398,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:13.25,0:01:13.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(381,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}So Dialogue: 1,0:01:13.25,0:01:14.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(393,78)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "So Dialogue: 0,0:01:12.60,0:01:13.44,OP Romaji,,0,0,0,fx,{\an5\org(412,60)\move(960,70,432,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:12.60,0:01:13.44,OP Romaji,,0,0,0,fx,{\an5\org(444,60)\move(960,70,464,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:13.44,0:01:13.94,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(448,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,100,\fscx100\fscy100)\}re Dialogue: 1,0:01:13.44,0:01:14.34,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(427,62)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re Dialogue: 0,0:01:12.70,0:01:13.54,OP Romaji,,0,0,0,fx,{\an5\org(513,60)\move(960,70,533,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:12.70,0:01:13.54,OP Romaji,,0,0,0,fx,{\an5\org(557,60)\move(960,70,577,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:13.54,0:01:14.24,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(550,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}wa Dialogue: 1,0:01:13.54,0:01:14.64,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(566,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa Dialogue: 0,0:01:12.80,0:01:13.84,OP Romaji,,0,0,0,fx,{\an5\org(616,60)\move(960,70,636,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:12.80,0:01:13.84,OP Romaji,,0,0,0,fx,{\an5\org(639,60)\move(960,70,659,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:13.84,0:01:14.73,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(643,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}ki Dialogue: 1,0:01:13.84,0:01:15.13,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(613,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ki Dialogue: 0,0:01:12.90,0:01:14.33,OP Romaji,,0,0,0,fx,{\an5\org(659,60)\move(960,70,679,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:12.90,0:01:14.33,OP Romaji,,0,0,0,fx,{\an5\org(683,60)\move(960,70,703,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:12.90,0:01:14.33,OP Romaji,,0,0,0,fx,{\an5\org(712,60)\move(960,70,732,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:14.33,0:01:15.11,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(708,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}tto Dialogue: 1,0:01:14.33,0:01:15.51,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(715,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tto Dialogue: 0,0:01:13.10,0:01:15.09,OP Romaji,,0,0,0,fx,{\an5\org(771,60)\move(960,70,791,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:13.10,0:01:15.09,OP Romaji,,0,0,0,fx,{\an5\org(805,60)\move(960,70,825,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:15.09,0:01:15.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(807,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,350,\fscx100\fscy100)\}na Dialogue: 1,0:01:15.09,0:01:16.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(805,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:13.20,0:01:15.44,OP Romaji,,0,0,0,fx,{\an5\org(839,60)\move(960,70,859,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:13.20,0:01:15.44,OP Romaji,,0,0,0,fx,{\an5\org(863,60)\move(960,70,883,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:15.44,0:01:16.10,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(866,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,260,\fscx100\fscy100)\}ni Dialogue: 1,0:01:15.44,0:01:16.50,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(870,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ni Dialogue: 0,0:01:13.30,0:01:15.70,OP Romaji,,0,0,0,fx,{\an5\org(887,60)\move(960,70,907,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:13.30,0:01:15.70,OP Romaji,,0,0,0,fx,{\an5\org(920,60)\move(960,70,940,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:15.70,0:01:16.29,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(923,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ka Dialogue: 1,0:01:15.70,0:01:16.69,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(915,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:13.40,0:01:15.89,OP Romaji,,0,0,0,fx,{\an5\org(980,60)\move(960,70,1000,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:13.40,0:01:15.89,OP Romaji,,0,0,0,fx,{\an5\org(1015,60)\move(960,70,1035,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:15.89,0:01:16.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1016,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ga Dialogue: 1,0:01:15.89,0:01:17.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1035,79)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:13.50,0:01:16.20,OP Romaji,,0,0,0,fx,{\an5\org(1073,60)\move(960,70,1093,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:13.50,0:01:16.20,OP Romaji,,0,0,0,fx,{\an5\org(1106,60)\move(960,70,1126,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:16.20,0:01:16.93,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1109,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}ka Dialogue: 1,0:01:16.20,0:01:17.33,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1109,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:13.60,0:01:16.53,OP Romaji,,0,0,0,fx,{\an5\org(1151,60)\move(960,70,1171,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:13.60,0:01:16.53,OP Romaji,,0,0,0,fx,{\an5\org(1195,60)\move(960,70,1215,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:16.53,0:01:17.40,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1187,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,470,\fscx100\fscy100)\}wa Dialogue: 1,0:01:16.53,0:01:17.80,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1206,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa Dialogue: 0,0:01:13.70,0:01:17.00,OP Romaji,,0,0,0,fx,{\an5\org(1224,60)\move(960,70,1244,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:13.70,0:01:17.00,OP Romaji,,0,0,0,fx,{\an5\org(1248,60)\move(960,70,1268,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:13.70,0:01:17.00,OP Romaji,,0,0,0,fx,{\an5\org(1277,60)\move(960,70,1297,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:17.00,0:01:17.74,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1273,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,340,\fscx100\fscy100)\}tta Dialogue: 1,0:01:17.00,0:01:18.14,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1296,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tta Dialogue: 0,0:01:13.80,0:01:17.34,OP Romaji,,0,0,0,fx,{\an5\org(1334,60)\move(960,70,1354,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:13.80,0:01:17.34,OP Romaji,,0,0,0,fx,{\an5\org(1366,60)\move(960,70,1386,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:13.80,0:01:17.34,OP Romaji,,0,0,0,fx,{\an5\org(1401,60)\move(960,70,1421,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:17.34,0:01:18.07,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1388,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}shu Dialogue: 1,0:01:17.34,0:01:18.47,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1371,90)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shu Dialogue: 0,0:01:13.90,0:01:17.67,OP Romaji,,0,0,0,fx,{\an5\org(1435,60)\move(960,70,1455,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:17.67,0:01:18.25,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1455,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}n Dialogue: 1,0:01:17.67,0:01:18.65,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1475,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "n Dialogue: 0,0:01:14.00,0:01:17.85,OP Romaji,,0,0,0,fx,{\an5\org(1469,60)\move(960,70,1489,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:14.00,0:01:17.85,OP Romaji,,0,0,0,fx,{\an5\org(1502,60)\move(960,70,1522,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:17.85,0:01:18.48,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1506,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,230,\fscx100\fscy100)\}ka Dialogue: 1,0:01:17.85,0:01:18.88,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1525,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:14.10,0:01:18.08,OP Romaji,,0,0,0,fx,{\an5\org(1536,60)\move(960,70,1556,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:18.08,0:01:19.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1556,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,940,\fscx100\fscy100)\}n Dialogue: 1,0:01:18.08,0:01:19.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1564,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "n Dialogue: 0,0:01:18.77,0:01:19.52,OP Romaji,,0,0,0,fx,{\an5\org(345,60)\move(960,70,365,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}T Dialogue: 0,0:01:18.77,0:01:19.52,OP Romaji,,0,0,0,fx,{\an5\org(376,60)\move(960,70,396,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:18.77,0:01:19.52,OP Romaji,,0,0,0,fx,{\an5\org(408,60)\move(960,70,428,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:19.52,0:01:20.07,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(397,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,150,\fscx100\fscy100)\}Tsu Dialogue: 1,0:01:19.52,0:01:20.47,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(397,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Tsu Dialogue: 0,0:01:18.87,0:01:19.67,OP Romaji,,0,0,0,fx,{\an5\org(443,60)\move(960,70,463,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:01:18.87,0:01:19.67,OP Romaji,,0,0,0,fx,{\an5\org(478,60)\move(960,70,498,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:19.67,0:01:20.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(480,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,150,\fscx100\fscy100)\}yo Dialogue: 1,0:01:19.67,0:01:20.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(494,80)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:01:18.97,0:01:19.82,OP Romaji,,0,0,0,fx,{\an5\org(512,60)\move(960,70,532,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:18.97,0:01:19.82,OP Romaji,,0,0,0,fx,{\an5\org(545,60)\move(960,70,565,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:19.82,0:01:20.54,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(549,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}ku Dialogue: 1,0:01:19.82,0:01:20.94,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(576,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:01:19.07,0:01:20.14,OP Romaji,,0,0,0,fx,{\an5\org(605,60)\move(960,70,625,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:19.07,0:01:20.14,OP Romaji,,0,0,0,fx,{\an5\org(639,60)\move(960,70,659,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:20.14,0:01:20.79,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(641,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}na Dialogue: 1,0:01:20.14,0:01:21.19,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(654,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:19.17,0:01:20.39,OP Romaji,,0,0,0,fx,{\an5\org(672,60)\move(960,70,692,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:19.17,0:01:20.39,OP Romaji,,0,0,0,fx,{\an5\org(696,60)\move(960,70,716,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:20.39,0:01:21.00,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(699,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}ri Dialogue: 1,0:01:20.39,0:01:21.40,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(685,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri Dialogue: 0,0:01:19.27,0:01:20.60,OP Romaji,,0,0,0,fx,{\an5\org(715,60)\move(960,70,735,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:19.27,0:01:20.60,OP Romaji,,0,0,0,fx,{\an5\org(744,60)\move(960,70,764,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:20.60,0:01:21.29,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(751,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}ta Dialogue: 1,0:01:20.60,0:01:21.69,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(769,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta Dialogue: 0,0:01:19.37,0:01:20.89,OP Romaji,,0,0,0,fx,{\an5\org(767,60)\move(960,70,787,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:20.89,0:01:21.58,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(787,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}i Dialogue: 1,0:01:20.89,0:01:21.98,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(773,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:19.47,0:01:21.18,OP Romaji,,0,0,0,fx,{\an5\org(836,60)\move(960,70,856,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:19.47,0:01:21.18,OP Romaji,,0,0,0,fx,{\an5\org(865,60)\move(960,70,885,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:21.18,0:01:21.99,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(848,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\} to Dialogue: 1,0:01:21.18,0:01:22.39,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(859,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 " to Dialogue: 0,0:01:19.67,0:01:21.77,OP Romaji,,0,0,0,fx,{\an5\org(899,60)\move(960,70,919,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:19.67,0:01:21.77,OP Romaji,,0,0,0,fx,{\an5\org(933,60)\move(960,70,953,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:21.77,0:01:22.37,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(935,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ne Dialogue: 1,0:01:21.77,0:01:22.77,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(959,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ne Dialogue: 0,0:01:19.77,0:01:21.97,OP Romaji,,0,0,0,fx,{\an5\org(967,60)\move(960,70,987,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:19.77,0:01:21.97,OP Romaji,,0,0,0,fx,{\an5\org(1002,60)\move(960,70,1022,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:21.97,0:01:22.57,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1004,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ga Dialogue: 1,0:01:21.97,0:01:22.97,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1008,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:19.87,0:01:22.17,OP Romaji,,0,0,0,fx,{\an5\org(1036,60)\move(960,70,1056,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:22.17,0:01:22.85,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1056,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,280,\fscx100\fscy100)\}u Dialogue: 1,0:01:22.17,0:01:23.25,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1043,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u Dialogue: 0,0:01:19.97,0:01:22.45,OP Romaji,,0,0,0,fx,{\an5\org(1095,60)\move(960,70,1115,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:01:19.97,0:01:22.45,OP Romaji,,0,0,0,fx,{\an5\org(1130,60)\move(960,70,1150,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:22.45,0:01:23.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1132,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}yo Dialogue: 1,0:01:22.45,0:01:23.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1117,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:01:20.07,0:01:22.77,OP Romaji,,0,0,0,fx,{\an5\org(1164,60)\move(960,70,1184,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:20.07,0:01:22.77,OP Romaji,,0,0,0,fx,{\an5\org(1187,60)\move(960,70,1207,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:22.77,0:01:23.34,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1191,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,170,\fscx100\fscy100)\}ri Dialogue: 1,0:01:22.77,0:01:23.74,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1209,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri Dialogue: 0,0:01:20.17,0:01:22.94,OP Romaji,,0,0,0,fx,{\an5\org(1247,60)\move(960,70,1267,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:20.17,0:01:22.94,OP Romaji,,0,0,0,fx,{\an5\org(1292,60)\move(960,70,1312,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:22.94,0:01:23.92,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1284,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,580,\fscx100\fscy100)\}mo Dialogue: 1,0:01:22.94,0:01:24.32,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1273,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo Dialogue: 0,0:01:20.37,0:01:23.90,OP Romaji,,0,0,0,fx,{\an5\org(1341,60)\move(960,70,1361,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:23.90,0:01:24.52,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1361,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}i Dialogue: 1,0:01:23.90,0:01:24.92,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1387,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:20.47,0:01:24.12,OP Romaji,,0,0,0,fx,{\an5\org(1376,60)\move(960,70,1396,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:20.47,0:01:24.12,OP Romaji,,0,0,0,fx,{\an5\org(1421,60)\move(960,70,1441,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:24.12,0:01:24.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1413,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ma Dialogue: 1,0:01:24.12,0:01:25.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1407,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma Dialogue: 0,0:01:20.57,0:01:24.43,OP Romaji,,0,0,0,fx,{\an5\org(1490,60)\move(960,70,1510,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:20.57,0:01:24.43,OP Romaji,,0,0,0,fx,{\an5\org(1534,60)\move(960,70,1554,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:24.43,0:01:25.51,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1527,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,680,\fscx100\fscy100)\}wa Dialogue: 1,0:01:24.43,0:01:25.91,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1514,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa Dialogue: 0,0:01:24.94,0:01:25.69,OP Romaji,,0,0,0,fx,{\an5\org(217,60)\move(960,70,237,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}T Dialogue: 0,0:01:24.94,0:01:25.69,OP Romaji,,0,0,0,fx,{\an5\org(250,60)\move(960,70,270,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:25.69,0:01:26.34,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(254,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}Ta Dialogue: 1,0:01:25.69,0:01:26.74,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(243,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ta Dialogue: 0,0:01:25.04,0:01:25.94,OP Romaji,,0,0,0,fx,{\an5\org(285,60)\move(960,70,305,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:01:25.04,0:01:25.94,OP Romaji,,0,0,0,fx,{\an5\org(321,60)\move(960,70,341,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:25.94,0:01:26.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(322,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,80,\fscx100\fscy100)\}da Dialogue: 1,0:01:25.94,0:01:26.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(324,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "da Dialogue: 0,0:01:25.14,0:01:26.02,OP Romaji,,0,0,0,fx,{\an5\org(375,60)\move(960,70,395,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:25.14,0:01:26.02,OP Romaji,,0,0,0,fx,{\an5\org(402,60)\move(960,70,422,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:25.14,0:01:26.02,OP Romaji,,0,0,0,fx,{\an5\org(435,60)\move(960,70,455,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:26.02,0:01:26.81,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(427,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}tsu Dialogue: 1,0:01:26.02,0:01:27.21,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(408,90)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tsu Dialogue: 0,0:01:25.24,0:01:26.41,OP Romaji,,0,0,0,fx,{\an5\org(470,60)\move(960,70,490,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:01:25.24,0:01:26.41,OP Romaji,,0,0,0,fx,{\an5\org(504,60)\move(960,70,524,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:26.41,0:01:27.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(506,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,280,\fscx100\fscy100)\}yo Dialogue: 1,0:01:26.41,0:01:27.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(496,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:01:25.34,0:01:26.69,OP Romaji,,0,0,0,fx,{\an5\org(538,60)\move(960,70,558,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:25.34,0:01:26.69,OP Romaji,,0,0,0,fx,{\an5\org(572,60)\move(960,70,592,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:26.69,0:01:27.28,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(575,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ku Dialogue: 1,0:01:26.69,0:01:27.68,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(599,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:01:25.44,0:01:26.88,OP Romaji,,0,0,0,fx,{\an5\org(631,60)\move(960,70,651,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:25.44,0:01:26.88,OP Romaji,,0,0,0,fx,{\an5\org(665,60)\move(960,70,685,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:26.88,0:01:27.50,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(667,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}na Dialogue: 1,0:01:26.88,0:01:27.90,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(637,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:25.54,0:01:27.10,OP Romaji,,0,0,0,fx,{\an5\org(698,60)\move(960,70,718,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:25.54,0:01:27.10,OP Romaji,,0,0,0,fx,{\an5\org(732,60)\move(960,70,752,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:27.10,0:01:27.66,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(735,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,160,\fscx100\fscy100)\}ru Dialogue: 1,0:01:27.10,0:01:28.06,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(759,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:25.64,0:01:27.26,OP Romaji,,0,0,0,fx,{\an5\org(791,60)\move(960,70,811,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:25.64,0:01:27.26,OP Romaji,,0,0,0,fx,{\an5\org(825,60)\move(960,70,845,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:27.26,0:01:27.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(828,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}no Dialogue: 1,0:01:27.26,0:01:28.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(809,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no Dialogue: 0,0:01:25.74,0:01:27.48,OP Romaji,,0,0,0,fx,{\an5\org(883,60)\move(960,70,903,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:25.74,0:01:27.48,OP Romaji,,0,0,0,fx,{\an5\org(917,60)\move(960,70,937,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:27.48,0:01:28.38,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(920,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,500,\fscx100\fscy100)\}ka Dialogue: 1,0:01:27.48,0:01:28.78,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(898,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:25.94,0:01:28.27,OP Romaji,,0,0,0,fx,{\an5\org(986,60)\move(960,70,1006,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:25.94,0:01:28.27,OP Romaji,,0,0,0,fx,{\an5\org(1031,60)\move(960,70,1051,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:28.27,0:01:28.86,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1023,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}wa Dialogue: 1,0:01:28.27,0:01:29.26,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1024,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa Dialogue: 0,0:01:26.04,0:01:28.46,OP Romaji,,0,0,0,fx,{\an5\org(1059,60)\move(960,70,1079,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:26.04,0:01:28.46,OP Romaji,,0,0,0,fx,{\an5\org(1088,60)\move(960,70,1108,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:28.46,0:01:28.98,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1096,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,120,\fscx100\fscy100)\}ta Dialogue: 1,0:01:28.46,0:01:29.38,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1071,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta Dialogue: 0,0:01:26.14,0:01:28.58,OP Romaji,,0,0,0,fx,{\an5\org(1120,60)\move(960,70,1140,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:26.14,0:01:28.58,OP Romaji,,0,0,0,fx,{\an5\org(1153,60)\move(960,70,1173,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:26.14,0:01:28.58,OP Romaji,,0,0,0,fx,{\an5\org(1177,60)\move(960,70,1197,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:28.58,0:01:29.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1165,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,440,\fscx100\fscy100)\}shi Dialogue: 1,0:01:28.58,0:01:29.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1194,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi Dialogue: 0,0:01:26.24,0:01:29.02,OP Romaji,,0,0,0,fx,{\an5\org(1228,60)\move(960,70,1248,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:01:26.24,0:01:29.02,OP Romaji,,0,0,0,fx,{\an5\org(1263,60)\move(960,70,1283,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:29.02,0:01:29.63,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1265,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}da Dialogue: 1,0:01:29.02,0:01:30.03,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1274,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "da Dialogue: 0,0:01:26.34,0:01:29.23,OP Romaji,,0,0,0,fx,{\an5\org(1297,60)\move(960,70,1317,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:26.34,0:01:29.23,OP Romaji,,0,0,0,fx,{\an5\org(1330,60)\move(960,70,1350,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:29.23,0:01:30.24,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1333,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,610,\fscx100\fscy100)\}ke Dialogue: 1,0:01:29.23,0:01:30.64,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1343,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:01:26.44,0:01:29.84,OP Romaji,,0,0,0,fx,{\an5\org(1389,60)\move(960,70,1409,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:26.44,0:01:29.84,OP Romaji,,0,0,0,fx,{\an5\org(1424,60)\move(960,70,1444,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:29.84,0:01:30.61,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1425,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ga Dialogue: 1,0:01:29.84,0:01:31.01,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1401,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:26.54,0:01:30.21,OP Romaji,,0,0,0,fx,{\an5\org(1493,60)\move(960,70,1513,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:26.54,0:01:30.21,OP Romaji,,0,0,0,fx,{\an5\org(1538,60)\move(960,70,1558,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:30.21,0:01:30.80,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1530,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}mo Dialogue: 1,0:01:30.21,0:01:31.20,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1549,59)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo Dialogue: 0,0:01:26.64,0:01:30.40,OP Romaji,,0,0,0,fx,{\an5\org(1567,60)\move(960,70,1587,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:26.64,0:01:30.40,OP Romaji,,0,0,0,fx,{\an5\org(1595,60)\move(960,70,1615,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:30.40,0:01:31.04,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1603,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}te Dialogue: 1,0:01:30.40,0:01:31.44,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1626,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "te Dialogue: 0,0:01:26.74,0:01:30.64,OP Romaji,,0,0,0,fx,{\an5\org(1628,60)\move(960,70,1648,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:26.74,0:01:30.64,OP Romaji,,0,0,0,fx,{\an5\org(1662,60)\move(960,70,1682,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:30.64,0:01:31.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1665,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,740,\fscx100\fscy100)\}ru Dialogue: 1,0:01:30.64,0:01:32.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1685,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:30.83,0:01:31.58,OP Romaji,,0,0,0,fx,{\an5\org(710,60)\move(960,70,730,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K Dialogue: 0,0:01:30.83,0:01:31.58,OP Romaji,,0,0,0,fx,{\an5\org(746,60)\move(960,70,766,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:31.58,0:01:32.30,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(746,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}Ko Dialogue: 1,0:01:31.58,0:01:32.70,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(723,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ko Dialogue: 0,0:01:30.93,0:01:31.90,OP Romaji,,0,0,0,fx,{\an5\org(775,60)\move(960,70,795,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:30.93,0:01:31.90,OP Romaji,,0,0,0,fx,{\an5\org(803,60)\move(960,70,823,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:31.90,0:01:32.54,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(811,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}ta Dialogue: 1,0:01:31.90,0:01:32.94,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(790,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta Dialogue: 0,0:01:31.03,0:01:32.14,OP Romaji,,0,0,0,fx,{\an5\org(836,60)\move(960,70,856,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:32.14,0:01:32.75,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(856,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}e Dialogue: 1,0:01:32.14,0:01:33.15,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(873,87)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "e Dialogue: 0,0:01:31.13,0:01:32.35,OP Romaji,,0,0,0,fx,{\an5\org(905,60)\move(960,70,925,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:31.13,0:01:32.35,OP Romaji,,0,0,0,fx,{\an5\org(950,60)\move(960,70,970,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:32.35,0:01:34.82,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(942,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,2070,\fscx100\fscy100)\}wo Dialogue: 1,0:01:32.35,0:01:35.22,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(966,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo Dialogue: 0,0:01:31.23,0:01:34.42,OP Romaji,,0,0,0,fx,{\an5\org(1007,60)\move(960,70,1027,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:31.23,0:01:34.42,OP Romaji,,0,0,0,fx,{\an5\org(1039,60)\move(960,70,1059,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:31.23,0:01:34.42,OP Romaji,,0,0,0,fx,{\an5\org(1063,60)\move(960,70,1083,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:34.42,0:01:35.12,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1051,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}shi Dialogue: 1,0:01:34.42,0:01:35.52,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1071,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi Dialogue: 0,0:01:31.33,0:01:34.72,OP Romaji,,0,0,0,fx,{\an5\org(1087,60)\move(960,70,1107,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:31.33,0:01:34.72,OP Romaji,,0,0,0,fx,{\an5\org(1111,60)\move(960,70,1131,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:34.72,0:01:35.41,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1114,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}ri Dialogue: 1,0:01:34.72,0:01:35.81,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1099,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri Dialogue: 0,0:01:31.43,0:01:35.01,OP Romaji,,0,0,0,fx,{\an5\org(1130,60)\move(960,70,1150,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:31.43,0:01:35.01,OP Romaji,,0,0,0,fx,{\an5\org(1159,60)\move(960,70,1179,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:35.01,0:01:35.70,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1167,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}ta Dialogue: 1,0:01:35.01,0:01:36.10,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1189,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta Dialogue: 0,0:01:31.53,0:01:35.30,OP Romaji,,0,0,0,fx,{\an5\org(1183,60)\move(960,70,1203,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:35.30,0:01:37.66,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1203,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,1960,\fscx100\fscy100)\}i Dialogue: 1,0:01:35.30,0:01:38.06,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1187,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:37.28,0:01:38.03,OP Romaji,,0,0,0,fx,{\an5\org(320,60)\move(960,70,340,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K Dialogue: 0,0:01:37.28,0:01:38.03,OP Romaji,,0,0,0,fx,{\an5\org(356,60)\move(960,70,376,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:38.03,0:01:38.86,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(357,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}Ka Dialogue: 1,0:01:38.03,0:01:39.26,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(370,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ka Dialogue: 0,0:01:37.38,0:01:38.46,OP Romaji,,0,0,0,fx,{\an5\org(391,60)\move(960,70,411,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:37.38,0:01:38.46,OP Romaji,,0,0,0,fx,{\an5\org(426,60)\move(960,70,446,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:38.46,0:01:39.03,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(427,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,170,\fscx100\fscy100)\}ga Dialogue: 1,0:01:38.46,0:01:39.43,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(444,79)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:37.48,0:01:38.63,OP Romaji,,0,0,0,fx,{\an5\org(460,60)\move(960,70,480,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:01:37.48,0:01:38.63,OP Romaji,,0,0,0,fx,{\an5\org(495,60)\move(960,70,515,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:38.63,0:01:39.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(497,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ya Dialogue: 1,0:01:38.63,0:01:39.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(506,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ya Dialogue: 0,0:01:37.58,0:01:39.02,OP Romaji,,0,0,0,fx,{\an5\org(528,60)\move(960,70,548,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:37.58,0:01:39.02,OP Romaji,,0,0,0,fx,{\an5\org(561,60)\move(960,70,581,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:39.02,0:01:39.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(564,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ke Dialogue: 1,0:01:39.02,0:01:40.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(549,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:01:37.68,0:01:39.43,OP Romaji,,0,0,0,fx,{\an5\org(593,60)\move(960,70,613,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:37.68,0:01:39.43,OP Romaji,,0,0,0,fx,{\an5\org(627,60)\move(960,70,647,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:39.43,0:01:40.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(631,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ru Dialogue: 1,0:01:39.43,0:01:40.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(613,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:37.78,0:01:39.74,OP Romaji,,0,0,0,fx,{\an5\org(687,60)\move(960,70,707,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:37.78,0:01:39.74,OP Romaji,,0,0,0,fx,{\an5\org(711,60)\move(960,70,731,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:39.74,0:01:40.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(714,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}hi Dialogue: 1,0:01:39.74,0:01:41.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(736,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi Dialogue: 0,0:01:37.88,0:01:40.20,OP Romaji,,0,0,0,fx,{\an5\org(735,60)\move(960,70,755,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:37.88,0:01:40.20,OP Romaji,,0,0,0,fx,{\an5\org(768,60)\move(960,70,788,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:40.20,0:01:41.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(771,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ka Dialogue: 1,0:01:40.20,0:01:41.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(760,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:37.98,0:01:40.61,OP Romaji,,0,0,0,fx,{\an5\org(801,60)\move(960,70,821,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:37.98,0:01:40.61,OP Romaji,,0,0,0,fx,{\an5\org(825,60)\move(960,70,845,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:40.61,0:01:41.40,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(828,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ri Dialogue: 1,0:01:40.61,0:01:41.80,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(855,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri Dialogue: 0,0:01:38.08,0:01:41.00,OP Romaji,,0,0,0,fx,{\an5\org(875,60)\move(960,70,895,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:01:38.08,0:01:41.00,OP Romaji,,0,0,0,fx,{\an5\org(909,60)\move(960,70,929,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:41.00,0:01:41.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(912,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}yo Dialogue: 1,0:01:41.00,0:01:42.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(912,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:01:38.18,0:01:41.38,OP Romaji,,0,0,0,fx,{\an5\org(979,60)\move(960,70,999,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:38.18,0:01:41.38,OP Romaji,,0,0,0,fx,{\an5\org(1024,60)\move(960,70,1044,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:41.38,0:01:42.11,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1016,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}ma Dialogue: 1,0:01:41.38,0:01:42.51,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1007,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma Dialogue: 0,0:01:38.28,0:01:41.71,OP Romaji,,0,0,0,fx,{\an5\org(1058,60)\move(960,70,1078,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y Dialogue: 0,0:01:38.28,0:01:41.71,OP Romaji,,0,0,0,fx,{\an5\org(1093,60)\move(960,70,1113,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:41.71,0:01:42.57,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1095,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}yo Dialogue: 1,0:01:41.71,0:01:42.97,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1072,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo Dialogue: 0,0:01:38.38,0:01:42.17,OP Romaji,,0,0,0,fx,{\an5\org(1117,60)\move(960,70,1137,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:42.17,0:01:42.89,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1137,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}i Dialogue: 1,0:01:42.17,0:01:43.29,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1134,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:38.48,0:01:42.49,OP Romaji,,0,0,0,fx,{\an5\org(1177,60)\move(960,70,1197,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:38.48,0:01:42.49,OP Romaji,,0,0,0,fx,{\an5\org(1221,60)\move(960,70,1241,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:42.49,0:01:43.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1214,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}wo Dialogue: 1,0:01:42.49,0:01:43.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1195,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo Dialogue: 0,0:01:38.58,0:01:42.69,OP Romaji,,0,0,0,fx,{\an5\org(1280,60)\move(960,70,1300,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:42.69,0:01:43.51,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1300,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,420,\fscx100\fscy100)\}u Dialogue: 1,0:01:42.69,0:01:43.91,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1330,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u Dialogue: 0,0:01:38.68,0:01:43.11,OP Romaji,,0,0,0,fx,{\an5\org(1314,60)\move(960,70,1334,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}c Dialogue: 0,0:01:38.68,0:01:43.11,OP Romaji,,0,0,0,fx,{\an5\org(1347,60)\move(960,70,1367,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:38.68,0:01:43.11,OP Romaji,,0,0,0,fx,{\an5\org(1371,60)\move(960,70,1391,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:43.11,0:01:43.75,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1358,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}chi Dialogue: 1,0:01:43.11,0:01:44.15,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1376,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "chi Dialogue: 0,0:01:38.78,0:01:43.35,OP Romaji,,0,0,0,fx,{\an5\org(1395,60)\move(960,70,1415,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:38.78,0:01:43.35,OP Romaji,,0,0,0,fx,{\an5\org(1428,60)\move(960,70,1448,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:43.35,0:01:44.26,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1431,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,510,\fscx100\fscy100)\}ke Dialogue: 1,0:01:43.35,0:01:44.66,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1453,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:01:38.88,0:01:43.86,OP Romaji,,0,0,0,fx,{\an5\org(1459,60)\move(960,70,1479,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:38.88,0:01:43.86,OP Romaji,,0,0,0,fx,{\an5\org(1492,60)\move(960,70,1512,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:38.88,0:01:43.86,OP Romaji,,0,0,0,fx,{\an5\org(1516,60)\move(960,70,1536,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:43.86,0:01:44.53,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1503,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}shi Dialogue: 1,0:01:43.86,0:01:44.93,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1508,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi Dialogue: 0,0:01:38.98,0:01:44.13,OP Romaji,,0,0,0,fx,{\an5\org(1535,60)\move(960,70,1555,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t Dialogue: 0,0:01:38.98,0:01:44.13,OP Romaji,,0,0,0,fx,{\an5\org(1563,60)\move(960,70,1583,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:44.13,0:01:44.95,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1571,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,420,\fscx100\fscy100)\}te Dialogue: 1,0:01:44.13,0:01:45.35,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1599,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "te Dialogue: 0,0:01:44.16,0:01:44.91,OP Romaji,,0,0,0,fx,{\an5\org(369,60)\move(960,70,389,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}O Dialogue: 0,0:01:44.91,0:01:45.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(389,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}O Dialogue: 1,0:01:44.91,0:01:46.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(397,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "O Dialogue: 0,0:01:44.26,0:01:45.31,OP Romaji,,0,0,0,fx,{\an5\org(415,60)\move(960,70,435,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:44.26,0:01:45.31,OP Romaji,,0,0,0,fx,{\an5\org(460,60)\move(960,70,480,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:45.31,0:01:46.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(452,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}mo Dialogue: 1,0:01:45.31,0:01:46.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(467,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo Dialogue: 0,0:01:44.36,0:01:45.69,OP Romaji,,0,0,0,fx,{\an5\org(484,60)\move(960,70,504,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:45.69,0:01:46.49,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(504,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}i Dialogue: 1,0:01:45.69,0:01:46.89,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(508,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:44.46,0:01:46.09,OP Romaji,,0,0,0,fx,{\an5\org(510,60)\move(960,70,530,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:01:44.46,0:01:46.09,OP Romaji,,0,0,0,fx,{\an5\org(545,60)\move(960,70,565,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:46.09,0:01:46.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(546,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}de Dialogue: 1,0:01:46.09,0:01:47.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(554,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "de Dialogue: 0,0:01:44.56,0:01:46.48,OP Romaji,,0,0,0,fx,{\an5\org(603,60)\move(960,70,623,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}b Dialogue: 0,0:01:44.56,0:01:46.48,OP Romaji,,0,0,0,fx,{\an5\org(637,60)\move(960,70,657,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:46.48,0:01:47.28,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(639,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}ba Dialogue: 1,0:01:46.48,0:01:47.68,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(619,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ba Dialogue: 0,0:01:44.66,0:01:46.88,OP Romaji,,0,0,0,fx,{\an5\org(670,60)\move(960,70,690,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:44.66,0:01:46.88,OP Romaji,,0,0,0,fx,{\an5\org(704,60)\move(960,70,724,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:46.88,0:01:47.68,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(707,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}ka Dialogue: 1,0:01:46.88,0:01:48.08,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(727,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:44.76,0:01:47.28,OP Romaji,,0,0,0,fx,{\an5\org(737,60)\move(960,70,757,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:44.76,0:01:47.28,OP Romaji,,0,0,0,fx,{\an5\org(761,60)\move(960,70,781,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:47.28,0:01:48.05,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(764,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ri Dialogue: 1,0:01:47.28,0:01:48.45,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(758,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri Dialogue: 0,0:01:44.86,0:01:47.65,OP Romaji,,0,0,0,fx,{\an5\org(820,60)\move(960,70,840,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:44.86,0:01:47.65,OP Romaji,,0,0,0,fx,{\an5\org(865,60)\move(960,70,885,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:47.65,0:01:48.45,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(857,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}wo Dialogue: 1,0:01:47.65,0:01:48.85,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(839,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo Dialogue: 0,0:01:44.96,0:01:48.05,OP Romaji,,0,0,0,fx,{\an5\org(924,60)\move(960,70,944,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:44.96,0:01:48.05,OP Romaji,,0,0,0,fx,{\an5\org(958,60)\move(960,70,978,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:48.05,0:01:48.75,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(960,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}na Dialogue: 1,0:01:48.05,0:01:49.15,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(959,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:45.06,0:01:48.35,OP Romaji,,0,0,0,fx,{\an5\org(992,60)\move(960,70,1012,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}z Dialogue: 0,0:01:45.06,0:01:48.35,OP Romaji,,0,0,0,fx,{\an5\org(1027,60)\move(960,70,1047,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:48.35,0:01:49.24,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1029,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}zo Dialogue: 1,0:01:48.35,0:01:49.64,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1034,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "zo Dialogue: 0,0:01:45.16,0:01:48.84,OP Romaji,,0,0,0,fx,{\an5\org(1061,60)\move(960,70,1081,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:45.16,0:01:48.84,OP Romaji,,0,0,0,fx,{\an5\org(1094,60)\move(960,70,1114,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:48.84,0:01:49.43,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1098,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ru Dialogue: 1,0:01:48.84,0:01:49.83,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1070,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:45.26,0:01:49.03,OP Romaji,,0,0,0,fx,{\an5\org(1155,60)\move(960,70,1175,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:01:45.26,0:01:49.03,OP Romaji,,0,0,0,fx,{\an5\org(1191,60)\move(960,70,1211,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:49.03,0:01:49.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1192,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,350,\fscx100\fscy100)\}da Dialogue: 1,0:01:49.03,0:01:50.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1185,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "da Dialogue: 0,0:01:45.36,0:01:49.38,OP Romaji,,0,0,0,fx,{\an5\org(1224,60)\move(960,70,1244,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:45.36,0:01:49.38,OP Romaji,,0,0,0,fx,{\an5\org(1257,60)\move(960,70,1277,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:49.38,0:01:49.99,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1260,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}ke Dialogue: 1,0:01:49.38,0:01:50.39,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1271,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:01:45.46,0:01:49.59,OP Romaji,,0,0,0,fx,{\an5\org(1316,60)\move(960,70,1336,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}j Dialogue: 0,0:01:45.46,0:01:49.59,OP Romaji,,0,0,0,fx,{\an5\org(1351,60)\move(960,70,1371,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:49.59,0:01:50.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1353,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,610,\fscx100\fscy100)\}ja Dialogue: 1,0:01:49.59,0:01:51.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1375,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ja Dialogue: 0,0:01:45.56,0:01:50.20,OP Romaji,,0,0,0,fx,{\an5\org(1410,60)\move(960,70,1430,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:45.56,0:01:50.20,OP Romaji,,0,0,0,fx,{\an5\org(1444,60)\move(960,70,1464,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:50.20,0:01:50.79,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1447,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}na Dialogue: 1,0:01:50.20,0:01:51.19,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1449,58)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:45.66,0:01:50.39,OP Romaji,,0,0,0,fx,{\an5\org(1477,60)\move(960,70,1497,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:45.66,0:01:50.39,OP Romaji,,0,0,0,fx,{\an5\org(1511,60)\move(960,70,1531,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:50.39,0:01:51.37,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1514,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,580,\fscx100\fscy100)\}ku Dialogue: 1,0:01:50.39,0:01:51.77,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1485,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:01:50.22,0:01:50.97,OP Romaji,,0,0,0,fx,{\an5\org(364,60)\move(960,70,384,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K Dialogue: 0,0:01:50.22,0:01:50.97,OP Romaji,,0,0,0,fx,{\an5\org(401,60)\move(960,70,421,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:50.97,0:01:51.59,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(401,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}Ko Dialogue: 1,0:01:50.97,0:01:51.99,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(413,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ko Dialogue: 0,0:01:50.32,0:01:51.19,OP Romaji,,0,0,0,fx,{\an5\org(434,60)\move(960,70,454,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:50.32,0:01:51.19,OP Romaji,,0,0,0,fx,{\an5\org(467,60)\move(960,70,487,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:51.19,0:01:51.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(470,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}re Dialogue: 1,0:01:51.19,0:01:52.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(488,59)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re Dialogue: 0,0:01:50.42,0:01:51.56,OP Romaji,,0,0,0,fx,{\an5\org(524,60)\move(960,70,544,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:50.42,0:01:51.56,OP Romaji,,0,0,0,fx,{\an5\org(558,60)\move(960,70,578,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:51.56,0:01:52.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(561,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}ka Dialogue: 1,0:01:51.56,0:01:52.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(555,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:50.52,0:01:51.99,OP Romaji,,0,0,0,fx,{\an5\org(591,60)\move(960,70,611,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:50.52,0:01:51.99,OP Romaji,,0,0,0,fx,{\an5\org(624,60)\move(960,70,644,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:51.99,0:01:52.76,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(628,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ra Dialogue: 1,0:01:51.99,0:01:53.16,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(608,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:01:50.62,0:01:52.36,OP Romaji,,0,0,0,fx,{\an5\org(683,60)\move(960,70,703,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:50.62,0:01:52.36,OP Romaji,,0,0,0,fx,{\an5\org(716,60)\move(960,70,736,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:52.36,0:01:53.15,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(719,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ka Dialogue: 1,0:01:52.36,0:01:53.55,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(715,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka Dialogue: 0,0:01:50.72,0:01:52.75,OP Romaji,,0,0,0,fx,{\an5\org(749,60)\move(960,70,769,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:52.75,0:01:53.56,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(769,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}e Dialogue: 1,0:01:52.75,0:01:53.96,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(740,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "e Dialogue: 0,0:01:50.82,0:01:53.16,OP Romaji,,0,0,0,fx,{\an5\org(781,60)\move(960,70,801,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:50.82,0:01:53.16,OP Romaji,,0,0,0,fx,{\an5\org(815,60)\move(960,70,835,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:53.16,0:01:53.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(818,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}ra Dialogue: 1,0:01:53.16,0:01:54.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(823,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:01:50.92,0:01:53.48,OP Romaji,,0,0,0,fx,{\an5\org(848,60)\move(960,70,868,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:50.92,0:01:53.48,OP Romaji,,0,0,0,fx,{\an5\org(881,60)\move(960,70,901,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:53.48,0:01:54.34,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(884,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}re Dialogue: 1,0:01:53.48,0:01:54.74,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(879,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re Dialogue: 0,0:01:51.02,0:01:53.94,OP Romaji,,0,0,0,fx,{\an5\org(913,60)\move(960,70,933,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:51.02,0:01:53.94,OP Romaji,,0,0,0,fx,{\an5\org(947,60)\move(960,70,967,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:53.94,0:01:54.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(951,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ru Dialogue: 1,0:01:53.94,0:01:55.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(926,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:51.12,0:01:54.31,OP Romaji,,0,0,0,fx,{\an5\org(1017,60)\move(960,70,1037,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:51.12,0:01:54.31,OP Romaji,,0,0,0,fx,{\an5\org(1052,60)\move(960,70,1072,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:54.31,0:01:55.11,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1044,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}mi Dialogue: 1,0:01:54.31,0:01:55.51,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1017,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mi Dialogue: 0,0:01:51.22,0:01:54.71,OP Romaji,,0,0,0,fx,{\an5\org(1076,60)\move(960,70,1096,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:51.22,0:01:54.71,OP Romaji,,0,0,0,fx,{\an5\org(1109,60)\move(960,70,1129,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:54.71,0:01:55.51,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1113,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}ra Dialogue: 1,0:01:54.71,0:01:55.91,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1095,80)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:01:51.32,0:01:55.11,OP Romaji,,0,0,0,fx,{\an5\org(1133,60)\move(960,70,1153,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:55.11,0:01:55.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1153,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}i Dialogue: 1,0:01:55.11,0:01:56.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1174,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i Dialogue: 0,0:01:51.42,0:01:55.31,OP Romaji,,0,0,0,fx,{\an5\org(1183,60)\move(960,70,1203,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:51.42,0:01:55.31,OP Romaji,,0,0,0,fx,{\an5\org(1218,60)\move(960,70,1238,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:55.31,0:01:56.07,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1220,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,360,\fscx100\fscy100)\}ga Dialogue: 1,0:01:55.31,0:01:56.47,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1195,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:51.52,0:01:55.67,OP Romaji,,0,0,0,fx,{\an5\org(1277,60)\move(960,70,1297,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:51.52,0:01:55.67,OP Romaji,,0,0,0,fx,{\an5\org(1311,60)\move(960,70,1331,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:55.67,0:01:56.27,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1313,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ha Dialogue: 1,0:01:55.67,0:01:56.67,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1301,62)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ha Dialogue: 0,0:01:51.62,0:01:55.87,OP Romaji,,0,0,0,fx,{\an5\org(1346,60)\move(960,70,1366,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}j Dialogue: 0,0:01:51.62,0:01:55.87,OP Romaji,,0,0,0,fx,{\an5\org(1371,60)\move(960,70,1391,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:01:55.87,0:01:56.90,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1373,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,630,\fscx100\fscy100)\}ji Dialogue: 1,0:01:55.87,0:01:57.30,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1368,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ji Dialogue: 0,0:01:51.72,0:01:56.50,OP Romaji,,0,0,0,fx,{\an5\org(1406,60)\move(960,70,1426,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m Dialogue: 0,0:01:51.72,0:01:56.50,OP Romaji,,0,0,0,fx,{\an5\org(1451,60)\move(960,70,1471,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:56.50,0:01:57.08,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1443,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ma Dialogue: 1,0:01:56.50,0:01:57.48,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1469,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma Dialogue: 0,0:01:51.82,0:01:56.68,OP Romaji,,0,0,0,fx,{\an5\org(1484,60)\move(960,70,1504,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:51.82,0:01:56.68,OP Romaji,,0,0,0,fx,{\an5\org(1518,60)\move(960,70,1538,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:56.68,0:01:57.47,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1521,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ru Dialogue: 1,0:01:56.68,0:01:57.87,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1540,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:56.49,0:01:57.24,OP Romaji,,0,0,0,fx,{\an5\org(132,60)\move(960,70,152,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}Y Dialogue: 0,0:01:56.49,0:01:57.24,OP Romaji,,0,0,0,fx,{\an5\org(166,60)\move(960,70,186,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:57.24,0:01:57.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(169,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}Yo Dialogue: 1,0:01:57.24,0:01:58.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(175,62)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Yo Dialogue: 0,0:01:56.59,0:01:57.44,OP Romaji,,0,0,0,fx,{\an5\org(200,60)\move(960,70,220,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:57.44,0:01:58.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(220,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}a Dialogue: 1,0:01:57.44,0:01:58.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(194,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a Dialogue: 0,0:01:56.69,0:01:57.74,OP Romaji,,0,0,0,fx,{\an5\org(233,60)\move(960,70,253,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:56.69,0:01:57.74,OP Romaji,,0,0,0,fx,{\an5\org(266,60)\move(960,70,286,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:01:57.74,0:01:58.44,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(269,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}ke Dialogue: 1,0:01:57.74,0:01:58.84,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(292,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke Dialogue: 0,0:01:56.79,0:01:58.04,OP Romaji,,0,0,0,fx,{\an5\org(325,60)\move(960,70,345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g Dialogue: 0,0:01:56.79,0:01:58.04,OP Romaji,,0,0,0,fx,{\an5\org(360,60)\move(960,70,380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:58.04,0:01:58.62,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ga Dialogue: 1,0:01:58.04,0:01:59.02,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(376,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga Dialogue: 0,0:01:56.89,0:01:58.22,OP Romaji,,0,0,0,fx,{\an5\org(418,60)\move(960,70,438,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:56.89,0:01:58.22,OP Romaji,,0,0,0,fx,{\an5\org(452,60)\move(960,70,472,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:58.22,0:01:58.85,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(455,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,230,\fscx100\fscy100)\}ku Dialogue: 1,0:01:58.22,0:01:59.25,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(473,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku Dialogue: 0,0:01:56.99,0:01:58.45,OP Romaji,,0,0,0,fx,{\an5\org(486,60)\move(960,70,506,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:56.99,0:01:58.45,OP Romaji,,0,0,0,fx,{\an5\org(520,60)\move(960,70,540,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:01:58.45,0:01:59.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(523,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,160,\fscx100\fscy100)\}ru Dialogue: 1,0:01:58.45,0:01:59.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(542,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru Dialogue: 0,0:01:57.09,0:01:58.61,OP Romaji,,0,0,0,fx,{\an5\org(579,60)\move(960,70,599,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:57.09,0:01:58.61,OP Romaji,,0,0,0,fx,{\an5\org(613,60)\move(960,70,633,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:58.61,0:01:59.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(616,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}no Dialogue: 1,0:01:58.61,0:01:59.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(609,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no Dialogue: 0,0:01:57.19,0:01:58.82,OP Romaji,,0,0,0,fx,{\an5\org(672,60)\move(960,70,692,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:57.19,0:01:58.82,OP Romaji,,0,0,0,fx,{\an5\org(706,60)\move(960,70,726,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:58.82,0:01:59.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(708,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}na Dialogue: 1,0:01:58.82,0:01:59.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(702,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na Dialogue: 0,0:01:57.29,0:01:59.02,OP Romaji,,0,0,0,fx,{\an5\org(739,60)\move(960,70,759,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:57.29,0:01:59.02,OP Romaji,,0,0,0,fx,{\an5\org(772,60)\move(960,70,792,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:01:59.02,0:01:59.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(776,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ra Dialogue: 1,0:01:59.02,0:02:00.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(795,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:01:57.39,0:01:59.43,OP Romaji,,0,0,0,fx,{\an5\org(831,60)\move(960,70,851,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:59.43,0:02:00.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(851,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,260,\fscx100\fscy100)\}o Dialogue: 1,0:01:59.43,0:02:00.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(851,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "o Dialogue: 0,0:01:57.49,0:01:59.69,OP Romaji,,0,0,0,fx,{\an5\org(863,60)\move(960,70,883,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s Dialogue: 0,0:01:57.49,0:01:59.69,OP Romaji,,0,0,0,fx,{\an5\org(895,60)\move(960,70,915,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:01:59.69,0:02:00.50,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(900,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}so Dialogue: 1,0:01:59.69,0:02:00.90,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(878,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "so Dialogue: 0,0:01:57.59,0:02:00.10,OP Romaji,,0,0,0,fx,{\an5\org(928,60)\move(960,70,948,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:57.59,0:02:00.10,OP Romaji,,0,0,0,fx,{\an5\org(961,60)\move(960,70,981,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e Dialogue: 0,0:02:00.10,0:02:00.77,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(965,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}re Dialogue: 1,0:02:00.10,0:02:01.17,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(993,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re Dialogue: 0,0:01:57.69,0:02:00.37,OP Romaji,,0,0,0,fx,{\an5\org(995,60)\move(960,70,1015,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}z Dialogue: 0,0:01:57.69,0:02:00.37,OP Romaji,,0,0,0,fx,{\an5\org(1030,60)\move(960,70,1050,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:02:00.37,0:02:00.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1032,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}zu Dialogue: 1,0:02:00.37,0:02:01.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1029,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "zu Dialogue: 0,0:01:57.79,0:02:00.57,OP Romaji,,0,0,0,fx,{\an5\org(1090,60)\move(960,70,1110,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:57.79,0:02:00.57,OP Romaji,,0,0,0,fx,{\an5\org(1114,60)\move(960,70,1134,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:02:00.57,0:02:01.56,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1117,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,590,\fscx100\fscy100)\}ni Dialogue: 1,0:02:00.57,0:02:01.96,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1089,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ni Dialogue: 0,0:01:57.89,0:02:01.16,OP Romaji,,0,0,0,fx,{\an5\org(1163,60)\move(960,70,1183,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:57.89,0:02:01.16,OP Romaji,,0,0,0,fx,{\an5\org(1196,60)\move(960,70,1216,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:02:01.16,0:02:01.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1199,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}ko Dialogue: 1,0:02:01.16,0:02:02.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1225,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko Dialogue: 0,0:01:57.99,0:02:01.38,OP Romaji,,0,0,0,fx,{\an5\org(1230,60)\move(960,70,1250,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n Dialogue: 0,0:01:57.99,0:02:01.38,OP Romaji,,0,0,0,fx,{\an5\org(1264,60)\move(960,70,1284,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:02:01.38,0:02:01.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1267,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}no Dialogue: 1,0:02:01.38,0:02:02.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1276,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no Dialogue: 0,0:01:58.09,0:02:01.56,OP Romaji,,0,0,0,fx,{\an5\org(1325,60)\move(960,70,1345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d Dialogue: 0,0:01:58.09,0:02:01.56,OP Romaji,,0,0,0,fx,{\an5\org(1360,60)\move(960,70,1380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:02:01.56,0:02:02.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}do Dialogue: 1,0:02:01.56,0:02:02.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1348,58)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "do Dialogue: 0,0:01:58.19,0:02:01.77,OP Romaji,,0,0,0,fx,{\an5\org(1394,60)\move(960,70,1414,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:02:01.77,0:02:02.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1414,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}a Dialogue: 1,0:02:01.77,0:02:02.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1442,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a Dialogue: 0,0:01:58.29,0:02:01.99,OP Romaji,,0,0,0,fx,{\an5\org(1463,60)\move(960,70,1483,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w Dialogue: 0,0:01:58.29,0:02:01.99,OP Romaji,,0,0,0,fx,{\an5\org(1508,60)\move(960,70,1528,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:02:01.99,0:02:02.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1500,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}wo Dialogue: 1,0:02:01.99,0:02:03.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1476,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo Dialogue: 0,0:01:58.39,0:02:02.48,OP Romaji,,0,0,0,fx,{\an5\org(1567,60)\move(960,70,1587,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h Dialogue: 0,0:01:58.39,0:02:02.48,OP Romaji,,0,0,0,fx,{\an5\org(1591,60)\move(960,70,1611,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i Dialogue: 0,0:02:02.48,0:02:03.33,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1594,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,450,\fscx100\fscy100)\}hi Dialogue: 1,0:02:02.48,0:02:03.73,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1593,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi Dialogue: 0,0:01:58.49,0:02:02.93,OP Romaji,,0,0,0,fx,{\an5\org(1615,60)\move(960,70,1635,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r Dialogue: 0,0:01:58.49,0:02:02.93,OP Romaji,,0,0,0,fx,{\an5\org(1648,60)\move(960,70,1668,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a Dialogue: 0,0:02:02.93,0:02:03.58,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1652,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}ra Dialogue: 1,0:02:02.93,0:02:03.98,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1633,58)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra Dialogue: 0,0:01:58.59,0:02:03.18,OP Romaji,,0,0,0,fx,{\an5\org(1681,60)\move(960,70,1701,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k Dialogue: 0,0:01:58.59,0:02:03.18,OP Romaji,,0,0,0,fx,{\an5\org(1715,60)\move(960,70,1735,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o Dialogue: 0,0:02:03.18,0:02:03.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1718,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}ko Dialogue: 1,0:02:03.18,0:02:04.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1688,90)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko Dialogue: 0,0:01:58.69,0:02:03.56,OP Romaji,,0,0,0,fx,{\an5\org(1749,60)\move(960,70,1769,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u Dialogue: 0,0:02:03.56,0:02:07.48,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1769,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,3520,\fscx100\fscy100)\}u Dialogue: 1,0:02:03.56,0:02:07.88,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1758,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u Dialogue: 1,0:21:43.16,0:21:48.38,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}لن أنسى أمرك Dialogue: 1,0:21:48.67,0:21:52.40,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}مهما مضى الوقت Dialogue: 1,0:21:52.47,0:22:01.20,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}لا يمكنني التعبير عن مشاعري الفائضة جيدًا Dialogue: 1,0:22:11.41,0:22:14.90,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}السماء سوف تستمر Dialogue: 1,0:22:15.18,0:22:19.09,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}ولكن الرياح تنساب بطريقة مختلفة Dialogue: 1,0:22:19.51,0:22:24.14,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}كم من المرات دعوت Dialogue: 1,0:22:24.37,0:22:28.73,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}وكم منها قد استجيبت Dialogue: 1,0:22:29.89,0:22:37.64,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}التاريخ هو دائمًا أسطورة بعيدة Dialogue: 1,0:22:37.69,0:22:42.76,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}يمكنك الدوران طالما هناك أناس Dialogue: 1,0:22:42.81,0:22:48.42,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}لنسرع قدمًا Dialogue: 1,0:22:50.11,0:22:55.52,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}أريد حمايتك Dialogue: 1,0:22:55.58,0:22:59.19,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}حتى إن انفصلت عنك Dialogue: 1,0:22:59.24,0:23:08.40,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}إن أمنيتي هي أخبارك بكل شيء Dialogue: 0,0:23:47.42,0:23:49.42,Default,,0,0,0,,