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Dialogue: 0,0:00:00.71,0:00:01.94,Default,,0,0,0,,غاينوس
Dialogue: 0,0:00:01.94,0:00:04.50,Default,,0,0,0,,هي القارة التي تحكمها عاصمة الملكة
Dialogue: 0,0:00:04.50,0:00:09.82,Default,,0,0,0,,تطمحُ العديد من المشتركات لذلك المكان من أجل منصب الملكة الجديدة
Dialogue: 0,0:00:09.82,0:00:12.23,Default,,0,0,0,,واضعات في سيوفهنّ مشاعر طموحاتهن المخفيّة
Dialogue: 0,0:00:12.23,0:00:15.72,Default,,0,0,0,,لذا تستمر معركة نصل الملكة الملتهبة
Dialogue: 0,0:01:47.55,0:01:53.60,sign,,0,0,0,,{\4a&H78&\3c&H201E24&\shad4.75\bord4.2\an8\fad(950,800)\fs60\fscx96\fscy112\pos(1329.333,732.333)}الحلقة  7
Dialogue: 0,0:01:47.55,0:01:53.60,sign,,0,0,0,,{\fs84\be2\an8\shad6.45\bord4.35\4a&H78&\c&HAC9EF7&\fad(1000,800)\pos(1512,985.5)\fscx113\fscy107}ملاك الفخر {\fnArial\fs67\c&}~{\fnهشام الشرق طبيعي\fs67} كورين
Dialogue: 0,0:01:47.55,0:01:53.60,sign,,0,0,0,,{\fs84\be2\an8\shad0\bord0\4a&H78&\c&HFFFFFF&\fad(1000,800)\pos(1512,985.5)\fscx113\fscy107}ملاك الفخر {\fnArial\fs67\c&}~{\fnهشام الشرق طبيعي\fs67\c&HC5BAFE&} كورين
Dialogue: 0,0:01:57.50,0:01:58.71,Default,,0,0,0,,!نانائيل-سان
Dialogue: 0,0:02:01.02,0:02:02.67,Default,,0,0,0,,مرحبًا يا هاتشي
Dialogue: 0,0:02:02.67,0:02:03.48,Default,,0,0,0,,ما الأمر؟
Dialogue: 0,0:02:03.80,0:02:05.65,Default,,0,0,0,,استدعتكِ رئيسة الملائكة
Dialogue: 0,0:02:05.65,0:02:07.81,Default,,0,0,0,,الرئيسة؟
Dialogue: 0,0:02:08.11,0:02:11.24,Default,,0,0,0,,يبدو أن رئيسة الملائكة استدعت نانائيل مجددًا
Dialogue: 0,0:02:11.38,0:02:16.47,Default,,0,0,0,, ربما سيكون بشأن المعركة السابقة بين لواء  \N  البرق كلوديت والمحاربة الجوّالة، رينا
Dialogue: 0,0:02:16.47,0:02:18.04,Default,,0,0,0,,أجل، سمعت بشأن ذلك
Dialogue: 0,0:02:18.25,0:02:21.20,Default,,0,0,0,,أجبرتهما نانائيل على القتال رغمًا عنهما
Dialogue: 0,0:02:21.20,0:02:22.75,Default,,0,0,0,,!لا يمكن
Dialogue: 0,0:02:22.75,0:02:26.23,Default,,0,0,0,, ...نظرًا لتلفيقها معركة نصل الملكة حتمًا
Dialogue: 0,0:02:26.23,0:02:28.63,Default,,0,0,0,,سيتمّ نفيها إلى أرض الأموات بلا شك، صحيح؟
Dialogue: 0,0:02:28.89,0:02:30.93,Default,,0,0,0,,!اصمتِ! ستسمعكِ المجرمة
Dialogue: 0,0:02:31.25,0:02:33.72,Default,,0,0,0,,!سمعتها على كل حال
Dialogue: 0,0:02:35.09,0:02:36.06,Default,,0,0,0,,هل أنتِ مستعدة للسماع؟
Dialogue: 0,0:02:36.51,0:02:40.31,Default,,0,0,0,,هدفنا الذي نخدمه نحن الملائكة هو
Dialogue: 0,0:02:40.78,0:02:44.61,Default,,0,0,0,, الإشراف وبثّ مسابقة نصل الملكة
Dialogue: 0,0:02:45.30,0:02:49.40,Default,,0,0,0,,أجبرتِهما على القتال رغم معرفتكِ بذلك
Dialogue: 0,0:02:49.68,0:02:52.21,Default,,0,0,0,,لن يُسمح بذلك
Dialogue: 0,0:02:52.21,0:02:54.28,Default,,0,0,0,,أتفهمين يا نانائيل؟
Dialogue: 0,0:02:54.60,0:02:56.20,Default,,0,0,0,,!أجل
Dialogue: 0,0:02:56.57,0:02:59.18,Default,,0,0,0,, ...لا يبدو وكأنكِ فهمتِ
Dialogue: 0,0:02:59.18,0:03:01.87,Default,,0,0,0,, الهدف الحقيقي لنصل الملكة
Dialogue: 0,0:03:02.43,0:03:06.29,Default,,0,0,0,,يُسمح لنا بالبقاء في السماء لأننا مرسلات من الإله
Dialogue: 0,0:03:06.43,0:03:10.93,Default,,0,0,0,,وتحتنا يعيش البشر في العالم السطحيّ
Dialogue: 0,0:03:10.93,0:03:14.87,Default,,0,0,0,,في زمن مضى، سقط العالم السطحيّ في فوضى عارمة
Dialogue: 0,0:03:14.87,0:03:19.12,Default,,0,0,0,, ولإبادة هذه الفوضى، صنع الإله نصل الملكة
Dialogue: 0,0:03:19.83,0:03:25.13,Default,,0,0,0,,قُدّر لمن تربح تلك المعارك أن تصبح الملكة الأعتى والأفتن
Dialogue: 0,0:03:25.13,0:03:26.61,Default,,0,0,0,,وأن تحكم القارة
Dialogue: 0,0:03:32.54,0:03:37.02,Default,,0,0,0,,بمعنى آخر، ابتُكرت المسابقة لحماية هذه القارة
Dialogue: 0,0:03:37.02,0:03:39.01,Default,,0,0,0,, هذه نصل الملكة
Dialogue: 0,0:03:39.47,0:03:40.58,Default,,0,0,0,,!نانائيل-سان
Dialogue: 0,0:03:45.37,0:03:49.42,Default,,0,0,0,,يبدو وكأن نانائيل ترغب بأن تُحشر في أرض الموتى
Dialogue: 0,0:03:49.42,0:03:51.17,Default,,0,0,0,,أرض الموتى؟
Dialogue: 0,0:03:51.51,0:03:52.64,Default,,0,0,0,,هذا صحيح
Dialogue: 0,0:03:52.64,0:03:55.36,Default,,0,0,0,,هاوية أكثر انحرافًا من العالم السطحيّ
Dialogue: 0,0:03:55.36,0:03:57.70,Default,,0,0,0,,أرض مملوءة بالمخلوقات الشريرة
Dialogue: 0,0:03:57.70,0:03:59.72,Default,,0,0,0,,تلك هي أرض الأموات
Dialogue: 0,0:03:59.97,0:04:04.64,Default,,0,0,0,,!يا رئيسة الملائكة! أيّ شيء عدا ذلك
Dialogue: 0,0:04:04.64,0:04:06.64,Default,,0,0,0,,حتى الآن، حقيقة تلك الدموع
Dialogue: 0,0:04:06.64,0:04:08.02,Default,,0,0,0,,لا تحمل أي مشاعر
Dialogue: 0,0:04:08.90,0:04:09.90,Default,,0,0,0,, ...لقد كشفت حقيقتي
Dialogue: 0,0:04:10.29,0:04:14.15,Default,,0,0,0,, سأعطيكِ فرصة أخيرة يا نانائيل
Dialogue: 0,0:04:14.45,0:04:15.36,Default,,0,0,0,,فرصة؟
Dialogue: 0,0:04:15.75,0:04:17.49,Default,,0,0,0,,حاليًا على سطح الأرض
Dialogue: 0,0:04:17.49,0:04:21.49,Default,,0,0,0,,بدأت تابعات ساحرة المستنقع بالتحرك بصورة مريبة
Dialogue: 0,0:04:22.58,0:04:24.83,Default,,0,0,0,,القاتلة الدائمة التغير، ميلونا
Dialogue: 0,0:04:25.20,0:04:26.98,Default,,0,0,0,, أميرة العصور القديمة، ميناس
Dialogue: 0,0:04:27.52,0:04:29.50,Default,,0,0,0,,خادمة الإغراء، أيري
Dialogue: 0,0:04:30.16,0:04:35.31,Default,,0,0,0,,ستستعمل أولئك الثلاثة لتنفذ مخططها لحكم القارة
Dialogue: 0,0:04:35.31,0:04:36.97,Default,,0,0,0,,تلك هي ساحرة المستنقع
Dialogue: 0,0:04:37.80,0:04:42.89,Default,,0,0,0,,ستجلب أعمالها في العالم السطحيّ البلاء للسماء في النهاية
Dialogue: 0,0:04:44.06,0:04:48.00,Default,,0,0,0,,لذلك، سأكلّف نانائيل بهذه المهمة المميزة
Dialogue: 0,0:04:48.00,0:04:52.27,Default,,0,0,0,,عليكِ العودة إلى العالم السطحيّ والسفر إلى المستنقع الذي تسكنه الساحرة
Dialogue: 0,0:04:52.39,0:04:53.28,Default,,0,0,0,,المستنقع؟
Dialogue: 0,0:04:53.78,0:04:57.57,Default,,0,0,0,,أرض المستنقع مكان لا تراه عين الإله
Dialogue: 0,0:04:57.57,0:05:03.16,Default,,0,0,0,,هناك، ستؤكدين تحرّكات ساحرة المستنقع الحالية
Dialogue: 0,0:05:03.16,0:05:06.09,Default,,0,0,0,,!لو قمت بعملٍ جيد، لن تقومي بإرسالي إلى أرض الأموات؟
Dialogue: 0,0:05:06.09,0:05:07.32,Default,,0,0,0,,،حسنًا
Dialogue: 0,0:05:07.32,0:05:08.50,Default,,0,0,0,,سأرى في ذلك
Dialogue: 0,0:05:08.58,0:05:10.50,Default,,0,0,0,,!حسنًا! اعتمدي عليّ
Dialogue: 0,0:05:10.61,0:05:12.96,Default,,0,0,0,, عليكِ بمرافقة نانائيل أينما ذهبت يا هاتشيل
Dialogue: 0,0:05:13.90,0:05:15.09,Default,,0,0,0,,!ماذا؟
Dialogue: 0,0:05:15.38,0:05:18.04,Default,,0,0,0,,ستراقبينها وتأمرينها كما ترغبين
Dialogue: 0,0:05:18.05,0:05:19.43,Default,,0,0,0,,!حاضر
Dialogue: 0,0:05:22.92,0:05:24.41,Default,,0,0,0,,مرعب حقًا، صحيح؟
Dialogue: 0,0:05:24.41,0:05:26.92,Default,,0,0,0,,!حسنًا! سنقترب إلى الأسفل من هنا
Dialogue: 0,0:05:26.92,0:05:30.10,Default,,0,0,0,,لكن يبدو عبور تلك السحابة أمرًا مستحيلاً، صحيح؟
Dialogue: 0,0:05:30.23,0:05:31.65,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:05:41.91,0:05:43.91,Default,,0,0,0,,الذهاب هناك سيكون مضيعة للوقت
Dialogue: 0,0:05:43.91,0:05:46.04,Default,,0,0,0,,ماذا لو لم نفعل ذلك ونبلغهم بأننا فعلنا؟
Dialogue: 0,0:05:46.04,0:05:47.75,Default,,0,0,0,, ...لكن يا نانائيل-سان
Dialogue: 0,0:05:47.75,0:05:50.39,Default,,0,0,0,,إن اكتشفوا الأمر هذه المرة، ستُرسلين إلى أرض الأموات حقًا
Dialogue: 0,0:05:50.39,0:05:52.63,Default,,0,0,0,,!هذا صحيح
Dialogue: 0,0:05:53.15,0:05:54.20,Default,,0,0,0,,!أستطيع رؤيته الآن
Dialogue: 0,0:05:56.61,0:06:00.06,Default,,0,0,0,,ذلك البرج هناك هو قلعة ساحرة المستنقع، صحيح؟
Dialogue: 0,0:06:00.06,0:06:03.08,Default,,0,0,0,, ...يبدو غريبًا
Dialogue: 0,0:06:03.08,0:06:06.22,Default,,0,0,0,,لِمَ عليّ الذهاب إلى مكان كهذا؟
Dialogue: 0,0:06:06.51,0:06:11.33,Default,,0,0,0,,!في هذه الحالة، سأطير إلى هناك وأنتهي من العمل بسرعة
Dialogue: 0,0:06:11.33,0:06:13.44,Default,,0,0,0,,!من الأفضل ألّا تفعلي
Dialogue: 0,0:06:13.76,0:06:17.74,Default,,0,0,0,,!تبدو تلك الغيوم المضطربة خطرة
Dialogue: 0,0:06:17.74,0:06:19.20,Default,,0,0,0,,!ماذا؟ أنا بخير، أنا بخير
Dialogue: 0,0:06:19.20,0:06:21.07,Default,,0,0,0,,!سيصعقكِ البرق
Dialogue: 0,0:06:27.37,0:06:29.08,Default,,0,0,0,, ...لهذا قلت لكِ
Dialogue: 0,0:06:33.06,0:06:34.79,Default,,0,0,0,,نانائيل-سان؟
Dialogue: 0,0:06:35.82,0:06:37.00,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:06:37.00,0:06:39.59,Default,,0,0,0,, ...أنا متأكدة من أنها سقطت هنا، لكن
Dialogue: 0,0:06:45.23,0:06:47.18,Default,,0,0,0,,أظنني سمعت شيئًا للتو
Dialogue: 0,0:07:03.14,0:07:05.24,Default,,0,0,0,, ...ذلك المدخل إلى أرض الأموات
Dialogue: 0,0:07:05.24,0:07:06.16,Default,,0,0,0,,بوابة الشيطان
Dialogue: 0,0:07:06.56,0:07:10.97,Default,,0,0,0,,تظهر كمدخل شيطاني لكنها مشؤومة بالفعل
Dialogue: 0,0:07:38.70,0:07:40.36,Default,,0,0,0,,!يا لها من حرارة جيدة
Dialogue: 0,0:07:48.22,0:07:50.09,Default,,0,0,0,,!النجدة
Dialogue: 0,0:07:50.09,0:07:51.45,Default,,0,0,0,,!شخص ما
Dialogue: 0,0:07:52.87,0:07:54.29,Default,,0,0,0,,!أمسكي بالحزام
Dialogue: 0,0:07:54.86,0:07:55.74,Default,,0,0,0,,!أسرعي
Dialogue: 0,0:07:57.62,0:07:58.25,Default,,0,0,0,,!أجل
Dialogue: 0,0:08:08.91,0:08:10.10,Default,,0,0,0,,!لقد أنقذتِني
Dialogue: 0,0:08:10.42,0:08:12.15,Default,,0,0,0,,بالكاد، صحيح؟
Dialogue: 0,0:08:12.15,0:08:13.81,Default,,0,0,0,,أنا سعيدة لأنني وصلت في الوقت المناسب
Dialogue: 0,0:08:14.60,0:08:17.33,Default,,0,0,0,,أنتِ؟
Dialogue: 0,0:08:17.33,0:08:19.02,Default,,0,0,0,,أنا رينا أيتها الملاك
Dialogue: 0,0:08:19.54,0:08:21.07,Default,,0,0,0,, ...هل من الممكن
Dialogue: 0,0:08:21.07,0:08:23.15,Default,,0,0,0,,أنت المحاربة الجوّالة رينا؟
Dialogue: 0,0:08:23.69,0:08:25.64,Default,,0,0,0,,أنتِ أحد معارف نانائيل؟
Dialogue: 0,0:08:25.64,0:08:26.52,Default,,0,0,0,,أجل
Dialogue: 0,0:08:28.23,0:08:32.79,Default,,0,0,0,,أعتذر بالنيابة عن جميع الملائكة بسبب المشاكل \N التي أوقعتكِ فيها نانائيل-سان
Dialogue: 0,0:08:35.73,0:08:37.63,Default,,0,0,0,,ليست غلطة أحد
Dialogue: 0,0:08:37.63,0:08:40.25,Default,,0,0,0,,كان ذلك بسبب ضعفي
Dialogue: 0,0:08:40.42,0:08:42.49,Default,,0,0,0,,!أنتِ رائعة جدًا
Dialogue: 0,0:08:42.49,0:08:44.92,Default,,0,0,0,,!كما هو متوقع من المحاربة الجوّالة، رينا
Dialogue: 0,0:08:47.33,0:08:50.22,Default,,0,0,0,,أيمكنكِ التوقف عن قول "المحاربة الجوّالة"؟
Dialogue: 0,0:08:50.22,0:08:50.80,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:08:51.01,0:08:53.82,Default,,0,0,0,,ذلك لقب ابتدعته نانائيل بنفسها
Dialogue: 0,0:08:53.82,0:08:56.77,Default,,0,0,0,,لم أكن مشتركة في نصل الملكة من البداية
Dialogue: 0,0:08:57.00,0:08:58.49,Default,,0,0,0,,!يا للخسارة
Dialogue: 0,0:08:58.49,0:09:02.77,Default,,0,0,0,,أنتِ قوية حقًا، يمكنكِ الفوز وأن تصبحي الملكة بلا شك
Dialogue: 0,0:09:03.24,0:09:04.83,Default,,0,0,0,,أنتِ طيبة جدًا
Dialogue: 0,0:09:04.83,0:09:06.40,Default,,0,0,0,,عكس نانائيل تمامًا
Dialogue: 0,0:09:07.11,0:09:08.56,Default,,0,0,0,,سأذهب الآن، حسنًا؟
Dialogue: 0,0:09:08.56,0:09:14.25,Default,,0,0,0,,من هذا المكان فصاعدًا أرض مستنقعات، لذا من الأفضل لكِ أن تسلكي طريقًا آخر
Dialogue: 0,0:09:14.25,0:09:16.20,Default,,0,0,0,,أفهم ذلك، شكرًا لكِ
Dialogue: 0,0:09:23.38,0:09:25.29,Default,,0,0,0,,!هذا النعيم، النعيم
Dialogue: 0,0:09:25.29,0:09:28.26,Default,,0,0,0,,لم أتوقع وجود ينبوع في هذا الجحيم
Dialogue: 0,0:09:28.68,0:09:29.84,Default,,0,0,0,, ...لكن حتى لو
Dialogue: 0,0:09:30.17,0:09:31.26,Default,,0,0,0,, ...ذلك الشيء سابقًا
Dialogue: 0,0:09:34.14,0:09:35.61,Default,,0,0,0,,ما كان ذلك؟
Dialogue: 0,0:09:38.48,0:09:41.12,Default,,0,0,0,,هذا ينبوع جميل
Dialogue: 0,0:09:41.70,0:09:42.77,Default,,0,0,0,,صحيح؟
Dialogue: 0,0:09:42.77,0:09:45.69,Default,,0,0,0,,"كان هذا توصيتي الخاصة، "حمام دم الجحيم
Dialogue: 0,0:09:46.85,0:09:49.26,Default,,0,0,0,,لِمَ لا تدخلين يا أيري؟
Dialogue: 0,0:09:50.04,0:09:52.41,Default,,0,0,0,,هذا الماء ساخن قليلاً
Dialogue: 0,0:09:52.41,0:09:55.17,Default,,0,0,0,,يا لكِ من طفلة مدللة
Dialogue: 0,0:09:55.17,0:09:58.26,Default,,0,0,0,,ذوقي يختلف عن خاصتك فحسب
Dialogue: 0,0:09:58.26,0:09:59.94,Default,,0,0,0,,بالمناسبة، أين ذلك القط المنحرف؟
Dialogue: 0,0:09:59.94,0:10:01.25,Default,,0,0,0,,يستريح لليوم
Dialogue: 0,0:10:01.82,0:10:05.07,Default,,0,0,0,,{\i1}ميرونا وميناس وأيري
Dialogue: 0,0:10:05.07,0:10:07.71,Default,,0,0,0,,{\i1}هن أتباع ساحرة المستنقع
Dialogue: 0,0:10:08.08,0:10:11.33,Default,,0,0,0,,!{\i1}إن استرقت السمع من هنا فربما سأكتشفُ موقعها
Dialogue: 0,0:10:11.33,0:10:13.51,Default,,0,0,0,,{\i1}!أنا محظوظة
Dialogue: 0,0:10:14.01,0:10:18.41,Default,,0,0,0,,على كل حال، رؤيتكما أمر محزن كما تعلمان
Dialogue: 0,0:10:18.41,0:10:22.90,Default,,0,0,0,,دخلت ميناس بنوبة هستيرية وحطمت منزلها الخاص، ما الذي جرى لكِ؟
Dialogue: 0,0:10:23.10,0:10:27.47,Default,,0,0,0,,لأنني لم أتحمل خيانة خادمتي رينا
Dialogue: 0,0:10:27.47,0:10:29.44,Default,,0,0,0,, ...بالحديث عن ذلك يا ميرونا
Dialogue: 0,0:10:29.44,0:10:32.54,Default,,0,0,0,,تمّ سحقكِ كليًا على يد المحاربة الجوّالة رينا سابقًا، صحيح؟
Dialogue: 0,0:10:33.84,0:10:36.48,Default,,0,0,0,,!تهاونت بالقتال فحسب
Dialogue: 0,0:10:36.48,0:10:39.66,Default,,0,0,0,,!هُزمتي أنتِ الأخرى تمامًا يا أيري
Dialogue: 0,0:10:40.24,0:10:43.88,Default,,0,0,0,,{\i1}أنتن, من يهتم لذلك؟
Dialogue: 0,0:10:44.14,0:10:47.07,Default,,0,0,0,,{\i1}أليست لديكن أمور أفضل للتحدث بشأنها؟
Dialogue: 0,0:10:47.07,0:10:49.88,Default,,0,0,0,,{\i1}!قمن بعملكن بصورة حسنة! قمن بعملكن
Dialogue: 0,0:10:49.88,0:10:54.78,Default,,0,0,0,, ...ماذا؟ أشعر بالدوار قليلاً
Dialogue: 0,0:10:57.24,0:10:58.56,Default,,0,0,0,,!فعلتها
Dialogue: 0,0:11:05.06,0:11:06.82,Default,,0,0,0,,أهنّ تابعات ساحرة المستنقع؟
Dialogue: 0,0:11:06.98,0:11:08.84,Default,,0,0,0,,!يا صاحبة النهدين الكبيرين
Dialogue: 0,0:11:08.84,0:11:10.35,Default,,0,0,0,,!يا للوقاحة
Dialogue: 0,0:11:10.35,0:11:13.82,Default,,0,0,0,,يحرم على العامة أمثالكِ قول تعليقات وقحة
Dialogue: 0,0:11:13.82,0:11:15.60,Default,,0,0,0,,!عن جسد أميرة أمارا العظيمة
Dialogue: 0,0:11:15.60,0:11:19.16,Default,,0,0,0,,إن كان ثديا ميناس كبيرين، فنهدا ميرونا واثبان
Dialogue: 0,0:11:19.35,0:11:20.48,Default,,0,0,0,,!ما كان ذلك؟
Dialogue: 0,0:11:20.48,0:11:22.12,Default,,0,0,0,,!وأنتِ مدللة مزعجة
Dialogue: 0,0:11:24.75,0:11:26.55,Default,,0,0,0,,ما هذا؟
Dialogue: 0,0:11:26.55,0:11:28.98,Default,,0,0,0,,أتساءل إن تم حملها إلى هنا بواسطة التيار؟
Dialogue: 0,0:11:28.98,0:11:30.46,Default,,0,0,0,,!يا للقرف
Dialogue: 0,0:11:38.02,0:11:39.22,Default,,0,0,0,,!{\i1}نانائيل-سان
Dialogue: 0,0:11:40.91,0:11:42.69,Default,,0,0,0,,{\i1}نانائيل
Dialogue: 0,0:11:42.69,0:11:44.22,Default,,0,0,0,,{\i1}أنتِ بطيئة
Dialogue: 0,0:11:44.93,0:11:46.04,Default,,0,0,0,,!{\i1}سنسبقكِ
Dialogue: 0,0:11:46.04,0:11:48.73,Default,,0,0,0,,!{\i1}انتظروني! قلت انتظروني
Dialogue: 0,0:11:55.68,0:11:58.59,Default,,0,0,0,,!{\i1}سيختفي كل شيء إن لم تسرعي
Dialogue: 0,0:11:59.15,0:12:01.04,Default,,0,0,0,,{\i1} ...بسبب هذه الأجنحة
Dialogue: 0,0:12:01.56,0:12:05.42,Default,,0,0,0,,{\i1} ...بسبب اختلاف حجم جناحيّ الأيمن والأيسر
Dialogue: 0,0:12:05.93,0:12:09.18,Default,,0,0,0,,أتعرضّ للسخرية دومًا
Dialogue: 0,0:12:12.78,0:12:14.35,Default,,0,0,0,,!{\i1}لن أخسر
Dialogue: 0,0:12:14.35,0:12:15.31,Default,,0,0,0,, ...{\i1}حتى أنا
Dialogue: 0,0:12:15.82,0:12:16.97,Default,,0,0,0,, ...{\i1}حتى أنا
Dialogue: 0,0:12:17.39,0:12:18.43,Default,,0,0,0,,{\i1} ...يومًا ما
Dialogue: 0,0:12:20.34,0:12:23.18,Default,,0,0,0,,!{\i1}سآكل حتى تمتلئ معدتي
Dialogue: 0,0:12:24.55,0:12:26.89,Default,,0,0,0,,تبدو وكأنها على قيد الحياة
Dialogue: 0,0:12:26.89,0:12:29.61,Default,,0,0,0,,تبدو وكأنها تحاول التهام شيء ما
Dialogue: 0,0:12:29.61,0:12:30.87,Default,,0,0,0,,...هذه الملاك
Dialogue: 0,0:12:30.87,0:12:32.02,Default,,0,0,0,,ملاك؟
Dialogue: 0,0:12:32.02,0:12:33.82,Default,,0,0,0,,ما الذي تفعله ملاك هنا؟
Dialogue: 0,0:12:36.04,0:12:39.35,Default,,0,0,0,,أريد أكل العنب أيضًا
Dialogue: 0,0:12:40.86,0:12:42.04,Default,,0,0,0,,لقد أفاقت
Dialogue: 0,0:12:43.98,0:12:45.54,Default,,0,0,0,, ...ليس هكذا، أنتِ
Dialogue: 0,0:12:45.90,0:12:48.29,Default,,0,0,0,,ماذا جاء بملاك هنا؟
Dialogue: 0,0:12:48.29,0:12:52.31,Default,,0,0,0,,هل جئتِ لمباركة هذا الينبوع المشهور في أرض المستنقعات؟
Dialogue: 0,0:12:52.31,0:12:57.13,Default,,0,0,0,,لا، جاءت لتصبح خادمتي بلا شك
Dialogue: 0,0:12:57.44,0:12:59.09,Default,,0,0,0,,كلاكما على خطأ
Dialogue: 0,0:12:59.09,0:13:03.72,Default,,0,0,0,,أمرتني حاكمة الملائكة بالتجسس على تحركات ساحرة المستنقع
Dialogue: 0,0:13:03.87,0:13:06.69,Default,,0,0,0,,لقد كشفت كل شيء
Dialogue: 0,0:13:08.75,0:13:10.92,Default,,0,0,0,,لقد جاءت ملاك غبية جدًا إلى هنا، ألا تظنان ذلك؟
Dialogue: 0,0:13:10.92,0:13:15.36,Default,,0,0,0,,أتظنين بأننا سنتحدث عن سيدتنا بهذه البساطة؟
Dialogue: 0,0:13:15.57,0:13:17.44,Default,,0,0,0,,!{\i1}اللعنة
Dialogue: 0,0:13:17.44,0:13:21.71,Default,,0,0,0,, ...{\i1}إن فشلت في مكان كهذا، وتم كشفي هذه المرة
Dialogue: 0,0:13:21.71,0:13:24.51,Default,,0,0,0,, ...{\i1}لكنني سأكون بخير طالما لا يُكتشف أمري، طالما لا يكشفون أمري
Dialogue: 0,0:13:24.51,0:13:26.77,Default,,0,0,0,, ...{\i1}من الجيد عدم وجود هاتشي هنا
Dialogue: 0,0:13:26.77,0:13:27.82,Default,,0,0,0,,نانائيل-سان
Dialogue: 0,0:13:27.82,0:13:28.87,Default,,0,0,0,,!نانائيل-سان
Dialogue: 0,0:13:28.87,0:13:30.90,Default,,0,0,0,,!{\i1}إنها هناك
Dialogue: 0,0:13:30.90,0:13:33.63,Default,,0,0,0,,{\i1}فوق هذا، لدي شعور سيئ
Dialogue: 0,0:13:33.77,0:13:35.78,Default,,0,0,0,,ما الذي علينا فعله؟
Dialogue: 0,0:13:37.72,0:13:39.43,Default,,0,0,0,,!{\i1}حسنًا، لا فائدة ترجى من ذلك
Dialogue: 0,0:13:45.56,0:13:48.18,Default,,0,0,0,,أي شيء سينفع... ماذا عن تلميح؟
Dialogue: 0,0:13:48.51,0:13:50.14,Default,,0,0,0,,فهمت
Dialogue: 0,0:13:50.14,0:13:52.99,Default,,0,0,0,,سأخبركِ إن أصبحتِ خادمتي
Dialogue: 0,0:13:52.99,0:13:54.48,Default,,0,0,0,,!هذا مستحيل
Dialogue: 0,0:13:54.81,0:13:58.68,Default,,0,0,0,,كيف لكِ ألّا ترغبي بأن تكوني خادمة لمملكة أمارا العظيمة؟
Dialogue: 0,0:13:58.68,0:14:00.40,Default,,0,0,0,,اصمتِ لحظة
Dialogue: 0,0:14:00.40,0:14:04.45,Default,,0,0,0,,هل ستربحين شيئًا من إخبار هذه الملاك؟
Dialogue: 0,0:14:04.71,0:14:07.43,Default,,0,0,0,,!بالطبع! لن يكون بلا مقابل
Dialogue: 0,0:14:07.43,0:14:13.75,Default,,0,0,0,, ...إن أخبرتَنّي بخطط ساحرة المستنقع فستحصُلن بالمقابل على
Dialogue: 0,0:14:13.75,0:14:15.21,Default,,0,0,0,,سنحصل بالمقابل على؟
Dialogue: 0,0:14:16.38,0:14:20.34,Default,,0,0,0,,أستطيع إخباركنّ بمكان المحاربة الجوّالة رينا، ربما؟
Dialogue: 0,0:14:20.63,0:14:22.22,Default,,0,0,0,,ما رأيكن؟ ألا ترغبن بمعرفة ذلك؟
Dialogue: 0,0:14:22.26,0:14:24.26,Default,,0,0,0,,ما كان ذلك؟ موقع رينا؟
Dialogue: 0,0:14:24.52,0:14:27.26,Default,,0,0,0,,تلك الخادمة في مكان قريب؟
Dialogue: 0,0:14:27.26,0:14:29.14,Default,,0,0,0,, ...المحاربة الجوّالة رينا
Dialogue: 0,0:14:29.42,0:14:33.27,Default,,0,0,0,,{\i1}وكأنني أعرف مكان رينا
Dialogue: 0,0:14:33.27,0:14:34.82,Default,,0,0,0,,{\i1} كما هو متوقع من نانائيل
Dialogue: 0,0:14:35.22,0:14:37.46,Default,,0,0,0,,حسنًا، سنخبرك
Dialogue: 0,0:14:37.46,0:14:38.36,Default,,0,0,0,,ميرونا
Dialogue: 0,0:14:40.54,0:14:43.15,Default,,0,0,0,,لكننا لن نسامحك إن لم تلتزمي بوعدكِ
Dialogue: 0,0:14:43.68,0:14:45.95,Default,,0,0,0,,!اكتملت المفاوضات
Dialogue: 0,0:14:46.19,0:14:47.28,Default,,0,0,0,,!يا للقسوة
Dialogue: 0,0:14:47.28,0:14:49.08,Default,,0,0,0,, ...سمعتُ بالإشاعات، ولكن
Dialogue: 0,0:14:49.08,0:14:50.57,Default,,0,0,0,, ...الوصول إلى هذا الحد
Dialogue: 0,0:14:50.57,0:14:52.50,Default,,0,0,0,,لا أظن بأنها يجب أن تدعى ملاكًا
Dialogue: 0,0:14:54.94,0:14:56.42,Default,,0,0,0,, نصل الملكة؟
Dialogue: 0,0:14:56.68,0:15:02.46,Default,,0,0,0,,أجل، تبعًا لأوامر ساحرة المستنقع، علينا إيقاف معركة نصل الملكة
Dialogue: 0,0:15:02.46,0:15:03.26,Default,,0,0,0,,فهمتُ
Dialogue: 0,0:15:03.69,0:15:07.76,Default,,0,0,0,,إن تم القضاء على كل المحاربات المشتركات
Dialogue: 0,0:15:07.76,0:15:10.73,Default,,0,0,0,,عندها سأستطيع التهام ما أشاء من الأرواح
Dialogue: 0,0:15:11.00,0:15:12.02,Default,,0,0,0,,وبعدها، وبعدها؟
Dialogue: 0,0:15:12.49,0:15:15.36,Default,,0,0,0,,يعلم الجميع بذلك بالفعل
Dialogue: 0,0:15:15.77,0:15:19.15,Default,,0,0,0,,!وسيتم إحياء مملكة أمارا العظيمة
Dialogue: 0,0:15:19.15,0:15:21.09,Default,,0,0,0,,!هذا خطأ
Dialogue: 0,0:15:21.09,0:15:22.20,Default,,0,0,0,,فهمت
Dialogue: 0,0:15:22.71,0:15:25.74,Default,,0,0,0,,حسنًا، أخبرناكِ بأسرارنا
Dialogue: 0,0:15:25.74,0:15:28.00,Default,,0,0,0,,عليكِ إخبارنا كما وعدتي
Dialogue: 0,0:15:28.00,0:15:29.04,Default,,0,0,0,, بمكان رينا
Dialogue: 0,0:15:29.43,0:15:30.81,Default,,0,0,0,,!حاضر
Dialogue: 0,0:15:32.04,0:15:33.61,Default,,0,0,0,,تسلقن ذلك المنحدر الطويل والرقيق
Dialogue: 0,0:15:33.61,0:15:34.47,Default,,0,0,0,,طويل ورقيق؟
Dialogue: 0,0:15:34.47,0:15:36.31,Default,,0,0,0,,سيكون هناك طريق ذو اتجاهين
Dialogue: 0,0:15:36.31,0:15:37.15,Default,,0,0,0,,ذو اتجاهين؟
Dialogue: 0,0:15:37.15,0:15:38.28,Default,,0,0,0,,!وشيء برأس حاد ومدبب
Dialogue: 0,0:15:38.28,0:15:39.27,Default,,0,0,0,,حاد ومدبب؟
Dialogue: 0,0:15:43.87,0:15:44.84,Default,,0,0,0,,!ليس عدلاً
Dialogue: 0,0:15:44.84,0:15:47.30,Default,,0,0,0,,!لن أسمح لكِ بالحصول على خادمتي
Dialogue: 0,0:15:47.64,0:15:49.11,Default,,0,0,0,,!حظًا موفقًا
Dialogue: 0,0:15:50.74,0:15:51.85,Default,,0,0,0,,!نانائيل-سان
Dialogue: 0,0:15:53.17,0:15:54.64,Default,,0,0,0,, أنتِ هنا يا هاتشي
Dialogue: 0,0:15:54.97,0:15:57.90,Default,,0,0,0,,لم أعلم ما الذي ستفعلينه
Dialogue: 0,0:15:57.90,0:16:00.27,Default,,0,0,0,,لن تُرسلي إلى أرض الأموات بعد الآن
Dialogue: 0,0:16:00.39,0:16:01.84,Default,,0,0,0,,!بالطبع لا
Dialogue: 0,0:16:01.84,0:16:05.90,Default,,0,0,0,,حتى المهمات الخاصة أمر سهل بالنسبة لي
Dialogue: 0,0:16:05.90,0:16:07.24,Default,,0,0,0,,حسنًا، ما رأيكِ بالعودة إلى المنزل؟
Dialogue: 0,0:16:07.68,0:16:08.27,Default,,0,0,0,,!حسنًا
Dialogue: 0,0:16:10.17,0:16:11.80,Default,,0,0,0,, ...بالمناسبة يا نانائيل-سان
Dialogue: 0,0:16:11.80,0:16:14.99,Default,,0,0,0,,تعلمين بأن المحاربة الجوّالة رينا قريبة، صحيح؟
Dialogue: 0,0:16:14.99,0:16:16.66,Default,,0,0,0,,!مستحيل
Dialogue: 0,0:16:16.66,0:16:18.63,Default,,0,0,0,,لحظة، كانت رينا هناك حقًا؟
Dialogue: 0,0:16:18.63,0:16:19.25,Default,,0,0,0,,!أجل
Dialogue: 0,0:16:19.67,0:16:23.30,Default,,0,0,0,,أتساءل عمَّ ستفعله رينا الآن؟
Dialogue: 0,0:16:23.30,0:16:25.85,Default,,0,0,0,,ربما ليس أمرًا مسالمًا ومحببًا
Dialogue: 0,0:16:25.85,0:16:28.11,Default,,0,0,0,, ...كما هو متوقع من ثلاث خصوم
Dialogue: 0,0:16:28.11,0:16:30.12,Default,,0,0,0,,لن تتمكن من النجاة، صحيح؟
Dialogue: 0,0:16:31.80,0:16:32.99,Default,,0,0,0,,هل أنتِ قلقة؟
Dialogue: 0,0:16:32.99,0:16:35.09,Default,,0,0,0,,!قلقة؟ بتاتًا
Dialogue: 0,0:16:35.27,0:16:36.82,Default,,0,0,0,,صحيح؟
Dialogue: 0,0:16:36.82,0:16:40.93,Default,,0,0,0,,!لا علاقة للملائكة بما يفعله البشر
Dialogue: 0,0:16:40.93,0:16:41.89,Default,,0,0,0,,!هذا صحيح، هذا صحيح
Dialogue: 0,0:16:41.89,0:16:43.71,Default,,0,0,0,,!لا علاقة، لا علاقة
Dialogue: 0,0:16:45.41,0:16:51.63,Default,,0,0,0,,لا تهتم نانائيل-سان بأي شيء يتعلق بنصل الملكة من البداية، صحيح؟
Dialogue: 0,0:16:51.63,0:16:53.09,Default,,0,0,0,,!لا تهتم بلا شك
Dialogue: 0,0:16:53.09,0:16:54.87,Default,,0,0,0,,!أجل، قطعًا
Dialogue: 0,0:16:55.09,0:16:59.83,Default,,0,0,0,,!على البشر أن يصمتوا ويستمعوا لما نأمرهم به فحسب
Dialogue: 0,0:16:59.83,0:17:04.80,Default,,0,0,0,,مهما كافحوا فلا يزالون مجرد بيادق بأيدينا، صحيح؟
Dialogue: 0,0:17:06.53,0:17:07.76,Default,,0,0,0,,نانائيل-سان؟
Dialogue: 0,0:17:11.89,0:17:13.01,Default,,0,0,0,,أين تذهبين؟
Dialogue: 0,0:17:13.40,0:17:15.89,Default,,0,0,0,,!لديّ أمر عليّ القيام به! اسبقيني إلى المنزل
Dialogue: 0,0:17:16.40,0:17:18.03,Default,,0,0,0,, ...رباه
Dialogue: 0,0:17:18.03,0:17:19.90,Default,,0,0,0,,من السهل معرفة ما تفكر به
Dialogue: 0,0:17:23.07,0:17:25.15,Default,,0,0,0,,أتساءل إن كانت هنا؟
Dialogue: 0,0:17:25.15,0:17:27.32,Default,,0,0,0,,لا يمكن أن تذهب بعيدًا
Dialogue: 0,0:17:30.47,0:17:31.57,Default,,0,0,0,,!وجدتها
Dialogue: 0,0:17:36.96,0:17:38.99,Default,,0,0,0,,أنتِ مجددًا؟
Dialogue: 0,0:17:38.99,0:17:40.58,Default,,0,0,0,,ألم ينتهي عملكِ معنا؟
Dialogue: 0,0:17:40.67,0:17:43.17,Default,,0,0,0,,نسيت أمرًا هامًا
Dialogue: 0,0:17:43.72,0:17:46.88,Default,,0,0,0,,جدًا مهم لي، مهم للغاية
Dialogue: 0,0:17:47.11,0:17:48.13,Default,,0,0,0,,ما هو؟
Dialogue: 0,0:17:48.51,0:17:50.89,Default,,0,0,0,, لن أستطيع السماح لكنّ بالذهاب حيث رينا
Dialogue: 0,0:17:51.26,0:17:53.64,Default,,0,0,0,,ما الذي تتحدث عنه هذه الملاك؟
Dialogue: 0,0:17:53.64,0:17:55.95,Default,,0,0,0,,!أكملنا الصفقة
Dialogue: 0,0:17:55.95,0:17:57.06,Default,,0,0,0,,!هذا صحيح
Dialogue: 0,0:17:57.06,0:17:59.21,Default,,0,0,0,, !تخلّيتي عن رينا
Dialogue: 0,0:18:01.14,0:18:05.26,Default,,0,0,0,,هل ظننتنّ بأنني سأعقدُ صفقة عادلة مع شيطانات؟
Dialogue: 0,0:18:05.26,0:18:08.09,Default,,0,0,0,,على الملاك احترام وعدها
Dialogue: 0,0:18:08.09,0:18:11.91,Default,,0,0,0,,كما ظننتُ، سأجعلها خادمتي
Dialogue: 0,0:18:12.15,0:18:14.96,Default,,0,0,0,,أنتِ شجاعة لقدرتكِ على خداع الشياطين، صحيح؟
Dialogue: 0,0:18:14.96,0:18:15.28,Default,,0,0,0,, ...لكن
Dialogue: 0,0:18:15.80,0:18:18.81,Default,,0,0,0,,هل تخططين لمواجهتنا بمفردك؟
Dialogue: 0,0:18:18.81,0:18:19.37,Default,,0,0,0,,هل تفعلين؟
Dialogue: 0,0:18:19.52,0:18:23.29,Default,,0,0,0,,لطالما أردتُ تجربة طاقة ملاك روحيّة
Dialogue: 0,0:18:23.29,0:18:26.75,Default,,0,0,0,,!ستخضعين لسلطة مملكة أمارا
Dialogue: 0,0:18:32.61,0:18:35.56,Default,,0,0,0,, أنا الملاك العظيمة، نانائيل
Dialogue: 0,0:18:42.64,0:18:43.90,Default,,0,0,0,,!تلك اللعينة، بهذه البساطة
Dialogue: 0,0:18:44.58,0:18:45.94,Default,,0,0,0,,!الأرواح القذرة
Dialogue: 0,0:18:50.57,0:18:54.91,Default,,0,0,0,,أظننتن بأنكن أهل لهزيمتي يا شيطانات؟
Dialogue: 0,0:18:55.33,0:18:57.45,Default,,0,0,0,,!ضربة العقاب الملكي
Dialogue: 0,0:18:57.59,0:18:59.39,Default,,0,0,0,,!الهجوم المقدس
Dialogue: 0,0:19:00.64,0:19:01.88,Default,,0,0,0,,!هذا هو حدكِ
Dialogue: 0,0:19:04.06,0:19:04.86,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:19:09.67,0:19:12.52,Default,,0,0,0,,!ركلة النجم الساقط
Dialogue: 0,0:19:24.14,0:19:25.40,Default,,0,0,0,,!انتهى الأمر
Dialogue: 0,0:19:26.67,0:19:29.18,Default,,0,0,0,,!أنا رائعة
Dialogue: 0,0:19:34.94,0:19:37.28,Default,,0,0,0,, ...تقريرك
Dialogue: 0,0:19:37.28,0:19:39.45,Default,,0,0,0,,مليء بالمعلومات التي نعرفها مسبقًا
Dialogue: 0,0:19:39.75,0:19:44.93,Default,,0,0,0,,وفوق هذا، علمت ساحرة المستنقع بتحركاتنا بالفعل
Dialogue: 0,0:19:44.93,0:19:47.50,Default,,0,0,0,, ...لذا فإن انتصارك على تلك الشيطانات
Dialogue: 0,0:19:47.73,0:19:49.03,Default,,0,0,0,,!لكن
Dialogue: 0,0:19:49.03,0:19:50.59,Default,,0,0,0,,!لن أستمع لأعذاركِ
Dialogue: 0,0:19:51.75,0:19:52.99,Default,,0,0,0,, ...نانائيل
Dialogue: 0,0:19:52.99,0:19:55.47,Default,,0,0,0,,لن أسمح لكِ بالبقاء في السماء أكثر من هذا
Dialogue: 0,0:19:57.07,0:20:01.77,Default,,0,0,0,,من الآن فصاعدًا، ستهبطين إلى العالم السطحيّ \Nوترافقين المحاربة الجوّالة رينا في رحلتها
Dialogue: 0,0:20:02.07,0:20:03.60,Default,,0,0,0,,ماذا؟ العالم السطحيّ؟
Dialogue: 0,0:20:03.60,0:20:06.09,Default,,0,0,0,,وفوق هذا، السفر مع رينا؟
Dialogue: 0,0:20:06.09,0:20:07.22,Default,,0,0,0,,لماذا؟
Dialogue: 0,0:20:07.22,0:20:11.35,Default,,0,0,0,,في العادة، لا خيار لديّ سوى نفيكِ إلى عالم الأموات
Dialogue: 0,0:20:11.35,0:20:16.74,Default,,0,0,0,,لكن، لأن هاتشيل طلبت لكِ المغفرة، سأقبل طلبها
Dialogue: 0,0:20:17.36,0:20:22.09,Default,,0,0,0,, كوني ممتنة، الهدف من هذا هو الاعتذار لرينا
Dialogue: 0,0:20:22.09,0:20:25.29,Default,,0,0,0,,حالما تصلين إلى الأرض، ستجرّدين من قوتكِ كملاك
Dialogue: 0,0:20:25.29,0:20:28.69,Default,,0,0,0,,لن يُسمح لكِ بالتصرف بعدوانية بعد الآن
Dialogue: 0,0:20:28.69,0:20:29.75,Default,,0,0,0,,سأئتمن هذا عندكِ
Dialogue: 0,0:20:34.51,0:20:35.68,Default,,0,0,0,,ما هذا؟
Dialogue: 0,0:20:35.68,0:20:37.37,Default,,0,0,0,,إنه حليب إلهيّ
Dialogue: 0,0:20:37.37,0:20:38.72,Default,,0,0,0,,مقدّس جدًا
Dialogue: 0,0:20:39.28,0:20:42.56,Default,,0,0,0,,من الآن فصاعدًا عليكِ بذل جهدكِ حتى لا تسكبي هذا الحليب
Dialogue: 0,0:20:42.78,0:20:43.55,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:20:43.55,0:20:44.95,Default,,0,0,0,,سيكون ذلك مستحيلاً
Dialogue: 0,0:20:45.44,0:20:50.31,Default,,0,0,0,,ستنتظرك أرض الأموات عندما يُسكبُ كل الحليب
Dialogue: 0,0:20:50.82,0:20:51.68,Default,,0,0,0,,!أرض الأموات
Dialogue: 0,0:20:52.35,0:20:54.54,Default,,0,0,0,,افعلي ما بوسعك يا نانائيل-سان
Dialogue: 0,0:21:06.60,0:21:07.78,Default,,0,0,0,,عليها الطيران فحسب
Dialogue: 0,0:21:12.99,0:21:15.55,Default,,0,0,0,,!فليوقفه شخص ما
Dialogue: 0,0:21:21.57,0:21:23.14,Default,,0,0,0,,!مؤلم
Dialogue: 0,0:21:23.14,0:21:24.72,Default,,0,0,0,,!ما كل هذا فجأة؟
Dialogue: 0,0:21:25.45,0:21:27.23,Default,,0,0,0,,أوه لا، ماذا؟ ماذا؟
Dialogue: 0,0:21:27.23,0:21:28.64,Default,,0,0,0,,ما هذا؟
Dialogue: 0,0:21:30.91,0:21:33.23,Default,,0,0,0,, ...سُكبت نصف الزجاجة بالفعل
Dialogue: 0,0:21:33.59,0:21:35.12,Default,,0,0,0,,!هذه أنتِ يا نانائيل
Dialogue: 0,0:21:35.12,0:21:37.30,Default,,0,0,0,,ألديكِ ضغينة ضدّي؟
Dialogue: 0,0:21:38.18,0:21:41.45,Default,,0,0,0,,!الأهم من ذلك، لقد سُكب الحليب المقدس
Dialogue: 0,0:21:37.15,0:21:42.28,sign,,0,0,0,,{\fs90\be2\bord3\shad6\1c&HFFFDFE&\4c&H68584E&\an5\t(1280,1905,\4c&H000001&)\fad(153,0)\pos(1585.5,805.5)}يُتبع
Dialogue: 0,0:23:14.12,0:23:19.25,Default,,0,0,20,,أخيرًا، لقد تأثرتم بالمشاعر المُتّقدة للرائعة نانائيل، صحيح؟
Dialogue: 0,0:23:13.38,0:23:43.41,sign,,0,0,0,,{\4a&H78&\bord0\shad4.467\fs93.8\p1\pos(112,61.333)}m 378 119 l 378 178 606 178 606 120
Dialogue: 0,0:23:13.38,0:23:43.41,sign,,0,0,0,,{\4a&H78&\bord2\shad2.467\fs93.8\pos(488.166,178.4)\fscx54\fscy60}الحلقة القادمة
Dialogue: 0,0:23:13.38,0:23:43.41,sign,,0,0,0,,{\bord1\blur1\fs93.8\fscx56\fscy63\pos(1469.334,808)\c&H1C118F&}نصل الملكة
Dialogue: 0,0:23:19.25,0:23:23.89,Default,,0,0,20,,أخيرًا، من الآن فصاعدًا، سأحصد ثمار \Nتعبي! فهمتم؟ سأظل الشخصية الرئيسية إلى الأبد
Dialogue: 0,0:23:23.89,0:23:26.20,Default,,0,0,20,,هذه المرة، سيحدث أمر مهم في منطقة غير متحضرة
Dialogue: 0,0:23:26.20,0:23:31.41,Default,,0,0,20,,لكن بسبب تعليمات رئيسة الملائكة بألّا أسكب الحليب المقدس
Dialogue: 0,0:23:31.41,0:23:32.86,Default,,0,0,20,,!لن أصبح منقذة الوضع للأسف
Dialogue: 0,0:23:32.86,0:23:35.78,Default,,0,0,20,,!هذا وضع مؤسف للملاك المقدسة نانائيل
Dialogue: 0,0:23:35.78,0:23:38.07,Default,,0,0,20,,!الحلقة القادمة: المُناورة السرية - أنياب القاتلة
Dialogue: 0,0:23:38.07,0:23:41.02,Default,,0,0,20,,!فلترشدنا المعركة التي تحدث هنا
Dialogue: 0,0:23:41.02,0:23:43.25,Default,,0,0,20,,!يا للكآبة، يا للكآبة
Dialogue: 0,0:23:36.78,0:23:43.41,sign,,0,0,0,,{\be2\bord2.2\shad2.7\4a&H78&\fs75\an8\fad(750,0)\fscx98\fscy116\pos(957.333,321.833)}الحلقة 8
Dialogue: 0,0:23:36.78,0:23:43.41,sign,,0,0,0,,{\be2\an8\shad2.6\bord2.35\4a&H78&\fs97.5\c&HFFFFFF&\fad(750,0)\pos(933,670.5)}أنياب القاتلة {\fnA Jannat LT\1c&}~{\fnهشام الشرق طبيعي\c&HD44859&} المُناورة السرية
Dialogue: 1,0:00:16.53,0:00:22.95,OP Romaji,,0,0,0,karaoke,{\k43}Ka{\k19}ga{\k37}ya{\k47}ke{\k32}ru {\k43}hi{\k43}ka{\k35}ri {\k39}yo {\k33}ma{\k49}yo{\k32}i {\k17}wo {\k39}u{\k24}chi{\k52}ke{\k33}shi{\k25}te
Dialogue: 1,0:00:23.24,0:00:31.38,OP Romaji,,0,0,0,karaoke,{\k20}Yo{\k30}a{\k30}ke {\k18}ga {\k19}ku{\k20}ru {\k21}no {\k20}na{\k41}ra {\k26}o{\k41}so{\k27}re{\k20}zu {\k59}ni {\k22}ko{\k18}no {\k21}do{\k22}a {\k49}wo {\k50}hi{\k27}ra{\k31}ko{\k182}u
Dialogue: 1,0:00:42.03,0:00:47.57,OP Romaji,,0,0,0,karaoke,{\k9}Mo{\k18}shi{\k28}mo {\k24}i{\k24}tsu{\k37}ka {\k21}{\k10}ho{\k9}ho{\k29}e{\k29}n{\k20}de {\k34}ku{\k25}re{\k13}ru {\k46}hi {\k20}{\k20}ga {\k20}ku{\k18}ru {\k20}na{\k80}ra
Dialogue: 1,0:00:48.25,0:00:54.02,OP Romaji,,0,0,0,karaoke,{\k19}So{\k10}re {\k30}wa {\k49}ki{\k38}tto {\k38}{\k35}na{\k26}ni{\k19}ka {\k31}ga {\k33}ka{\k47}wa{\k34}tta {\k33}shu{\k18}n{\k23}ka{\k94}n
Dialogue: 1,0:00:54.52,0:01:00.11,OP Romaji,,0,0,0,karaoke,{\k15}Tsu{\k15}yo{\k32}ku {\k25}na{\k21}ri{\k29}ta{\k29}i{\k41} to {\k18}{\k20}ne{\k20}ga{\k28}u {\k32}yo{\k17}ri {\k58}mo {\k38}{\k22}i{\k31}ma {\k68}wa
Dialogue: 1,0:01:00.69,0:01:06.38,OP Romaji,,0,0,0,karaoke,{\k25}Ta{\k8}da {\k39}tsu{\k28}yo{\k19}ku {\k22}na{\k16}ru {\k22}no {\k50}ka {\k29}{\k19}wa{\k12}ta{\k44}shi {\k21}da{\k61}ke {\k37}ga {\k19}mo{\k24}te{\k74}ru
Dialogue: 1,0:01:06.58,0:01:12.26,OP Romaji,,0,0,0,karaoke,{\k32}Ko{\k24}ta{\k21}e {\k207}wo {\k30}shi{\k29}ri{\k29}ta{\k196}i
Dialogue: 1,0:01:13.03,0:01:19.55,OP Romaji,,0,0,0,karaoke,{\k43}Ka{\k17}ga{\k39}ya{\k41}ke{\k31}ru {\k46}hi{\k41}ka{\k39}ri {\k38}yo {\k33}ma{\k46}yo{\k32}i {\k20}wo {\k42}u{\k24}chi{\k51}ke{\k27}shi{\k42}te
Dialogue: 1,0:01:19.91,0:01:25.97,OP Romaji,,0,0,0,karaoke,{\k40}O{\k38}mo{\k40}i{\k39}de {\k40}ba{\k40}ka{\k37}ri {\k40}wo {\k30}na{\k49}zo{\k19}ru {\k35}da{\k21}ke {\k61}ja {\k19}na{\k58}ku
Dialogue: 1,0:01:25.97,0:01:32.07,OP Romaji,,0,0,0,karaoke,{\k22}Ko{\k37}re {\k43}ka{\k37}ra {\k39}ka{\k41}e{\k32}ra{\k46}re{\k37}ru {\k40}mi{\k40}ra{\k20}i {\k36}ga {\k20}ha{\k63}ji{\k18}ma{\k39}ru
Dialogue: 1,0:01:32.24,0:01:42.08,OP Romaji,,0,0,0,karaoke,{\k20}Yo{\k30}a{\k30}ke {\k18}ga {\k23}ku{\k16}ru {\k21}no {\k20}na{\k41}ra {\k26}o{\k41}so{\k27}re{\k20}zu {\k59}ni {\k22}ko{\k18}no {\k21}do{\k22}a {\k49}wo {\k45}hi{\k25}ra{\k38}ko{\k352}u
Dialogue: 0,0:00:16.53,0:00:22.95,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}أيها الضوء المشع اذهب الشك
Dialogue: 0,0:00:23.24,0:00:31.38,OP-AR,,0,0,0,,{\blur7.5\fad(180,900)}وعند مجيء الفجر فلنفتح الباب بلا خوف
Dialogue: 0,0:00:42.03,0:00:47.57,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}إن حل يوم ابتسمت فيه
Dialogue: 0,0:00:48.25,0:00:54.02,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}في تلك اللحظة لابد أن أمرًا ما قد تغير
Dialogue: 0,0:00:54.52,0:01:00.11,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}ما أتمناه الآن هو أن أصبح قوية
Dialogue: 0,0:01:00.69,0:01:06.38,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}لمَ أريد أن أصبح قوية؟
Dialogue: 0,0:01:06.58,0:01:12.26,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}أريد معرفة الإجابة
Dialogue: 0,0:01:13.03,0:01:19.55,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}أيها الضوء المشع اذهب الشك
Dialogue: 0,0:01:19.91,0:01:25.97,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}إن مشاعري تحيرني فقط
Dialogue: 0,0:01:25.97,0:01:32.07,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}من الآن وصاعدًا سوف يبدأ تغير المستقبل
Dialogue: 0,0:01:32.24,0:01:42.08,OP-AR,,0,0,0,,{\fad(300,300)\blur7.5}وعند مجيء الفجر فلنفتح الباب بلا خوف
Dialogue: 0,0:00:15.78,0:00:16.53,OP Romaji,,0,0,0,fx,{\an5\org(320,60)\move(960,70,340,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K
Dialogue: 0,0:00:15.78,0:00:16.53,OP Romaji,,0,0,0,fx,{\an5\org(356,60)\move(960,70,376,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:16.53,0:00:17.36,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(357,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}Ka
Dialogue: 1,0:00:16.53,0:00:17.76,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(371,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ka
Dialogue: 0,0:00:15.88,0:00:16.96,OP Romaji,,0,0,0,fx,{\an5\org(391,60)\move(960,70,411,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:00:15.88,0:00:16.96,OP Romaji,,0,0,0,fx,{\an5\org(426,60)\move(960,70,446,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:16.96,0:00:17.55,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(427,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ga
Dialogue: 1,0:00:16.96,0:00:17.95,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(436,88)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:00:15.98,0:00:17.15,OP Romaji,,0,0,0,fx,{\an5\org(460,60)\move(960,70,480,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:00:15.98,0:00:17.15,OP Romaji,,0,0,0,fx,{\an5\org(495,60)\move(960,70,515,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:17.15,0:00:17.92,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(497,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ya
Dialogue: 1,0:00:17.15,0:00:18.32,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(492,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ya
Dialogue: 0,0:00:16.08,0:00:17.52,OP Romaji,,0,0,0,fx,{\an5\org(528,60)\move(960,70,548,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:16.08,0:00:17.52,OP Romaji,,0,0,0,fx,{\an5\org(561,60)\move(960,70,581,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:17.52,0:00:18.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(564,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,470,\fscx100\fscy100)\}ke
Dialogue: 1,0:00:17.52,0:00:18.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(534,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:00:16.18,0:00:17.99,OP Romaji,,0,0,0,fx,{\an5\org(593,60)\move(960,70,613,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:16.18,0:00:17.99,OP Romaji,,0,0,0,fx,{\an5\org(627,60)\move(960,70,647,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:17.99,0:00:18.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(631,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}ru
Dialogue: 1,0:00:17.99,0:00:19.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(609,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:00:16.28,0:00:18.31,OP Romaji,,0,0,0,fx,{\an5\org(687,60)\move(960,70,707,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:16.28,0:00:18.31,OP Romaji,,0,0,0,fx,{\an5\org(711,60)\move(960,70,731,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:18.31,0:00:19.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(714,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}hi
Dialogue: 1,0:00:18.31,0:00:19.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(724,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi
Dialogue: 0,0:00:16.38,0:00:18.74,OP Romaji,,0,0,0,fx,{\an5\org(735,60)\move(960,70,755,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:16.38,0:00:18.74,OP Romaji,,0,0,0,fx,{\an5\org(768,60)\move(960,70,788,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:18.74,0:00:19.57,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(771,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}ka
Dialogue: 1,0:00:18.74,0:00:19.97,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(755,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:00:16.48,0:00:19.17,OP Romaji,,0,0,0,fx,{\an5\org(801,60)\move(960,70,821,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:16.48,0:00:19.17,OP Romaji,,0,0,0,fx,{\an5\org(825,60)\move(960,70,845,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:19.17,0:00:19.92,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(828,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,350,\fscx100\fscy100)\}ri
Dialogue: 1,0:00:19.17,0:00:20.32,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(828,87)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri
Dialogue: 0,0:00:16.58,0:00:19.52,OP Romaji,,0,0,0,fx,{\an5\org(875,60)\move(960,70,895,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:00:16.58,0:00:19.52,OP Romaji,,0,0,0,fx,{\an5\org(909,60)\move(960,70,929,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:19.52,0:00:20.31,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(912,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}yo
Dialogue: 1,0:00:19.52,0:00:20.71,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(897,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:00:16.68,0:00:19.91,OP Romaji,,0,0,0,fx,{\an5\org(979,60)\move(960,70,999,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:00:16.68,0:00:19.91,OP Romaji,,0,0,0,fx,{\an5\org(1024,60)\move(960,70,1044,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:19.91,0:00:20.64,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1016,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}ma
Dialogue: 1,0:00:19.91,0:00:21.04,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1031,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma
Dialogue: 0,0:00:16.78,0:00:20.24,OP Romaji,,0,0,0,fx,{\an5\org(1058,60)\move(960,70,1078,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:00:16.78,0:00:20.24,OP Romaji,,0,0,0,fx,{\an5\org(1093,60)\move(960,70,1113,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:20.24,0:00:21.13,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1095,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}yo
Dialogue: 1,0:00:20.24,0:00:21.53,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1071,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:00:16.88,0:00:20.73,OP Romaji,,0,0,0,fx,{\an5\org(1117,60)\move(960,70,1137,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:20.73,0:00:21.45,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1137,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}i
Dialogue: 1,0:00:20.73,0:00:21.85,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1159,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:00:16.98,0:00:21.05,OP Romaji,,0,0,0,fx,{\an5\org(1177,60)\move(960,70,1197,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:00:16.98,0:00:21.05,OP Romaji,,0,0,0,fx,{\an5\org(1221,60)\move(960,70,1241,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:21.05,0:00:21.62,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1214,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,170,\fscx100\fscy100)\}wo
Dialogue: 1,0:00:21.05,0:00:22.02,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1225,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo
Dialogue: 0,0:00:17.08,0:00:21.22,OP Romaji,,0,0,0,fx,{\an5\org(1280,60)\move(960,70,1300,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:21.22,0:00:22.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1300,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}u
Dialogue: 1,0:00:21.22,0:00:22.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1271,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u
Dialogue: 0,0:00:17.18,0:00:21.61,OP Romaji,,0,0,0,fx,{\an5\org(1314,60)\move(960,70,1334,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}c
Dialogue: 0,0:00:17.18,0:00:21.61,OP Romaji,,0,0,0,fx,{\an5\org(1347,60)\move(960,70,1367,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:17.18,0:00:21.61,OP Romaji,,0,0,0,fx,{\an5\org(1371,60)\move(960,70,1391,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:21.61,0:00:22.25,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1358,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}chi
Dialogue: 1,0:00:21.61,0:00:22.65,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1378,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "chi
Dialogue: 0,0:00:17.28,0:00:21.85,OP Romaji,,0,0,0,fx,{\an5\org(1395,60)\move(960,70,1415,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:17.28,0:00:21.85,OP Romaji,,0,0,0,fx,{\an5\org(1428,60)\move(960,70,1448,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:21.85,0:00:22.77,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1431,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,520,\fscx100\fscy100)\}ke
Dialogue: 1,0:00:21.85,0:00:23.17,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1404,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:00:17.38,0:00:22.37,OP Romaji,,0,0,0,fx,{\an5\org(1459,60)\move(960,70,1479,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:00:17.38,0:00:22.37,OP Romaji,,0,0,0,fx,{\an5\org(1492,60)\move(960,70,1512,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:17.38,0:00:22.37,OP Romaji,,0,0,0,fx,{\an5\org(1516,60)\move(960,70,1536,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:22.37,0:00:23.10,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1503,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}shi
Dialogue: 1,0:00:22.37,0:00:23.50,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1506,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi
Dialogue: 0,0:00:17.48,0:00:22.70,OP Romaji,,0,0,0,fx,{\an5\org(1535,60)\move(960,70,1555,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:17.48,0:00:22.70,OP Romaji,,0,0,0,fx,{\an5\org(1563,60)\move(960,70,1583,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:22.70,0:00:23.35,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1571,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}te
Dialogue: 1,0:00:22.70,0:00:23.75,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1559,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "te
Dialogue: 0,0:00:22.49,0:00:23.24,OP Romaji,,0,0,0,fx,{\an5\org(132,60)\move(960,70,152,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}Y
Dialogue: 0,0:00:22.49,0:00:23.24,OP Romaji,,0,0,0,fx,{\an5\org(166,60)\move(960,70,186,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:23.24,0:00:23.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(169,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}Yo
Dialogue: 1,0:00:23.24,0:00:24.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(181,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Yo
Dialogue: 0,0:00:22.59,0:00:23.44,OP Romaji,,0,0,0,fx,{\an5\org(200,60)\move(960,70,220,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:23.44,0:00:24.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(220,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}a
Dialogue: 1,0:00:23.44,0:00:24.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(216,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a
Dialogue: 0,0:00:22.69,0:00:23.74,OP Romaji,,0,0,0,fx,{\an5\org(233,60)\move(960,70,253,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:22.69,0:00:23.74,OP Romaji,,0,0,0,fx,{\an5\org(266,60)\move(960,70,286,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:23.74,0:00:24.44,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(269,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}ke
Dialogue: 1,0:00:23.74,0:00:24.84,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(255,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:00:22.79,0:00:24.04,OP Romaji,,0,0,0,fx,{\an5\org(325,60)\move(960,70,345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:00:22.79,0:00:24.04,OP Romaji,,0,0,0,fx,{\an5\org(360,60)\move(960,70,380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:24.04,0:00:24.62,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ga
Dialogue: 1,0:00:24.04,0:00:25.02,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(358,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:00:22.89,0:00:24.22,OP Romaji,,0,0,0,fx,{\an5\org(418,60)\move(960,70,438,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:22.89,0:00:24.22,OP Romaji,,0,0,0,fx,{\an5\org(452,60)\move(960,70,472,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:24.22,0:00:24.81,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(455,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ku
Dialogue: 1,0:00:24.22,0:00:25.21,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(434,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:00:22.99,0:00:24.41,OP Romaji,,0,0,0,fx,{\an5\org(486,60)\move(960,70,506,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:22.99,0:00:24.41,OP Romaji,,0,0,0,fx,{\an5\org(520,60)\move(960,70,540,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:24.41,0:00:25.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(523,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ru
Dialogue: 1,0:00:24.41,0:00:25.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(537,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:00:23.09,0:00:24.61,OP Romaji,,0,0,0,fx,{\an5\org(579,60)\move(960,70,599,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:23.09,0:00:24.61,OP Romaji,,0,0,0,fx,{\an5\org(613,60)\move(960,70,633,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:24.61,0:00:25.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(616,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}no
Dialogue: 1,0:00:24.61,0:00:25.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(633,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no
Dialogue: 0,0:00:23.19,0:00:24.82,OP Romaji,,0,0,0,fx,{\an5\org(672,60)\move(960,70,692,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:23.19,0:00:24.82,OP Romaji,,0,0,0,fx,{\an5\org(706,60)\move(960,70,726,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:24.82,0:00:25.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(708,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}na
Dialogue: 1,0:00:24.82,0:00:25.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(696,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:00:23.29,0:00:25.02,OP Romaji,,0,0,0,fx,{\an5\org(739,60)\move(960,70,759,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:23.29,0:00:25.02,OP Romaji,,0,0,0,fx,{\an5\org(772,60)\move(960,70,792,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:25.02,0:00:25.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(776,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ra
Dialogue: 1,0:00:25.02,0:00:26.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(795,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:00:23.39,0:00:25.43,OP Romaji,,0,0,0,fx,{\an5\org(831,60)\move(960,70,851,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:25.43,0:00:26.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(851,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,260,\fscx100\fscy100)\}o
Dialogue: 1,0:00:25.43,0:00:26.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(881,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "o
Dialogue: 0,0:00:23.49,0:00:25.69,OP Romaji,,0,0,0,fx,{\an5\org(863,60)\move(960,70,883,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:00:23.49,0:00:25.69,OP Romaji,,0,0,0,fx,{\an5\org(895,60)\move(960,70,915,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:25.69,0:00:26.50,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(900,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}so
Dialogue: 1,0:00:25.69,0:00:26.90,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(893,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "so
Dialogue: 0,0:00:23.59,0:00:26.10,OP Romaji,,0,0,0,fx,{\an5\org(928,60)\move(960,70,948,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:23.59,0:00:26.10,OP Romaji,,0,0,0,fx,{\an5\org(961,60)\move(960,70,981,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:26.10,0:00:26.77,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(965,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}re
Dialogue: 1,0:00:26.10,0:00:27.17,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(994,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re
Dialogue: 0,0:00:23.69,0:00:26.37,OP Romaji,,0,0,0,fx,{\an5\org(995,60)\move(960,70,1015,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}z
Dialogue: 0,0:00:23.69,0:00:26.37,OP Romaji,,0,0,0,fx,{\an5\org(1030,60)\move(960,70,1050,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:26.37,0:00:26.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1032,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}zu
Dialogue: 1,0:00:26.37,0:00:27.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1026,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "zu
Dialogue: 0,0:00:23.79,0:00:26.57,OP Romaji,,0,0,0,fx,{\an5\org(1090,60)\move(960,70,1110,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:23.79,0:00:26.57,OP Romaji,,0,0,0,fx,{\an5\org(1114,60)\move(960,70,1134,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:26.57,0:00:27.56,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1117,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,590,\fscx100\fscy100)\}ni
Dialogue: 1,0:00:26.57,0:00:27.96,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1120,73)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ni
Dialogue: 0,0:00:23.89,0:00:27.16,OP Romaji,,0,0,0,fx,{\an5\org(1163,60)\move(960,70,1183,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:23.89,0:00:27.16,OP Romaji,,0,0,0,fx,{\an5\org(1196,60)\move(960,70,1216,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:27.16,0:00:27.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1199,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}ko
Dialogue: 1,0:00:27.16,0:00:28.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1208,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko
Dialogue: 0,0:00:23.99,0:00:27.38,OP Romaji,,0,0,0,fx,{\an5\org(1230,60)\move(960,70,1250,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:23.99,0:00:27.38,OP Romaji,,0,0,0,fx,{\an5\org(1264,60)\move(960,70,1284,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:27.38,0:00:27.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1267,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}no
Dialogue: 1,0:00:27.38,0:00:28.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1243,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no
Dialogue: 0,0:00:24.09,0:00:27.56,OP Romaji,,0,0,0,fx,{\an5\org(1325,60)\move(960,70,1345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:00:24.09,0:00:27.56,OP Romaji,,0,0,0,fx,{\an5\org(1360,60)\move(960,70,1380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:27.56,0:00:28.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}do
Dialogue: 1,0:00:27.56,0:00:28.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1377,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "do
Dialogue: 0,0:00:24.19,0:00:27.77,OP Romaji,,0,0,0,fx,{\an5\org(1394,60)\move(960,70,1414,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:27.77,0:00:28.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1414,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}a
Dialogue: 1,0:00:27.77,0:00:28.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1428,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a
Dialogue: 0,0:00:24.29,0:00:27.99,OP Romaji,,0,0,0,fx,{\an5\org(1463,60)\move(960,70,1483,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:00:24.29,0:00:27.99,OP Romaji,,0,0,0,fx,{\an5\org(1508,60)\move(960,70,1528,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:27.99,0:00:28.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1500,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}wo
Dialogue: 1,0:00:27.99,0:00:29.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1521,88)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo
Dialogue: 0,0:00:24.39,0:00:28.48,OP Romaji,,0,0,0,fx,{\an5\org(1567,60)\move(960,70,1587,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:24.39,0:00:28.48,OP Romaji,,0,0,0,fx,{\an5\org(1591,60)\move(960,70,1611,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:28.48,0:00:29.38,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1594,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,500,\fscx100\fscy100)\}hi
Dialogue: 1,0:00:28.48,0:00:29.78,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1572,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi
Dialogue: 0,0:00:24.49,0:00:28.98,OP Romaji,,0,0,0,fx,{\an5\org(1615,60)\move(960,70,1635,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:24.49,0:00:28.98,OP Romaji,,0,0,0,fx,{\an5\org(1648,60)\move(960,70,1668,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:28.98,0:00:29.65,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1652,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}ra
Dialogue: 1,0:00:28.98,0:00:30.05,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1641,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:00:24.59,0:00:29.25,OP Romaji,,0,0,0,fx,{\an5\org(1681,60)\move(960,70,1701,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:24.59,0:00:29.25,OP Romaji,,0,0,0,fx,{\an5\org(1715,60)\move(960,70,1735,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:29.25,0:00:29.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1718,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ko
Dialogue: 1,0:00:29.25,0:00:30.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1744,88)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko
Dialogue: 0,0:00:24.69,0:00:29.56,OP Romaji,,0,0,0,fx,{\an5\org(1749,60)\move(960,70,1769,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:29.56,0:00:31.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1769,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,1820,\fscx100\fscy100)\}u
Dialogue: 1,0:00:29.56,0:00:32.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1744,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u
Dialogue: 0,0:00:41.28,0:00:42.03,OP Romaji,,0,0,0,fx,{\an5\org(236,60)\move(960,70,256,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}M
Dialogue: 0,0:00:41.28,0:00:42.03,OP Romaji,,0,0,0,fx,{\an5\org(280,60)\move(960,70,300,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:42.03,0:00:42.52,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(273,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,90,\fscx100\fscy100)\}Mo
Dialogue: 1,0:00:42.03,0:00:42.92,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(268,79)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Mo
Dialogue: 0,0:00:41.38,0:00:42.12,OP Romaji,,0,0,0,fx,{\an5\org(312,60)\move(960,70,332,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:00:41.38,0:00:42.12,OP Romaji,,0,0,0,fx,{\an5\org(345,60)\move(960,70,365,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:41.38,0:00:42.12,OP Romaji,,0,0,0,fx,{\an5\org(369,60)\move(960,70,389,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:42.12,0:00:42.70,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(357,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}shi
Dialogue: 1,0:00:42.12,0:00:43.10,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(348,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi
Dialogue: 0,0:00:41.48,0:00:42.30,OP Romaji,,0,0,0,fx,{\an5\org(404,60)\move(960,70,424,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:00:41.48,0:00:42.30,OP Romaji,,0,0,0,fx,{\an5\org(449,60)\move(960,70,469,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:42.30,0:00:42.98,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(441,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,280,\fscx100\fscy100)\}mo
Dialogue: 1,0:00:42.30,0:00:43.38,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(433,87)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo
Dialogue: 0,0:00:41.58,0:00:42.58,OP Romaji,,0,0,0,fx,{\an5\org(498,60)\move(960,70,518,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:42.58,0:00:43.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(518,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}i
Dialogue: 1,0:00:42.58,0:00:43.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(506,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:00:41.68,0:00:42.82,OP Romaji,,0,0,0,fx,{\an5\org(517,60)\move(960,70,537,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:41.68,0:00:42.82,OP Romaji,,0,0,0,fx,{\an5\org(545,60)\move(960,70,565,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:00:41.68,0:00:42.82,OP Romaji,,0,0,0,fx,{\an5\org(577,60)\move(960,70,597,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:42.82,0:00:43.46,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(570,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}tsu
Dialogue: 1,0:00:42.82,0:00:43.86,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(548,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tsu
Dialogue: 0,0:00:41.78,0:00:43.06,OP Romaji,,0,0,0,fx,{\an5\org(611,60)\move(960,70,631,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:41.78,0:00:43.06,OP Romaji,,0,0,0,fx,{\an5\org(644,60)\move(960,70,664,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:43.06,0:00:43.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(648,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ka
Dialogue: 1,0:00:43.06,0:00:44.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(677,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:00:41.98,0:00:43.64,OP Romaji,,0,0,0,fx,{\an5\org(703,60)\move(960,70,723,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:41.98,0:00:43.64,OP Romaji,,0,0,0,fx,{\an5\org(737,60)\move(960,70,757,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:43.64,0:00:44.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(740,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,100,\fscx100\fscy100)\}ho
Dialogue: 1,0:00:43.64,0:00:44.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(715,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ho
Dialogue: 0,0:00:42.08,0:00:43.74,OP Romaji,,0,0,0,fx,{\an5\org(771,60)\move(960,70,791,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:42.08,0:00:43.74,OP Romaji,,0,0,0,fx,{\an5\org(805,60)\move(960,70,825,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:43.74,0:00:44.23,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(808,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,90,\fscx100\fscy100)\}ho
Dialogue: 1,0:00:43.74,0:00:44.63,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(821,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ho
Dialogue: 0,0:00:42.18,0:00:43.83,OP Romaji,,0,0,0,fx,{\an5\org(838,60)\move(960,70,858,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:43.83,0:00:44.52,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(858,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}e
Dialogue: 1,0:00:43.83,0:00:44.92,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(863,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "e
Dialogue: 0,0:00:42.28,0:00:44.12,OP Romaji,,0,0,0,fx,{\an5\org(871,60)\move(960,70,891,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:44.12,0:00:44.81,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(891,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}n
Dialogue: 1,0:00:44.12,0:00:45.21,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(879,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "n
Dialogue: 0,0:00:42.38,0:00:44.41,OP Romaji,,0,0,0,fx,{\an5\org(907,60)\move(960,70,927,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:00:42.38,0:00:44.41,OP Romaji,,0,0,0,fx,{\an5\org(942,60)\move(960,70,962,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:44.41,0:00:45.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(944,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}de
Dialogue: 1,0:00:44.41,0:00:45.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(951,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "de
Dialogue: 0,0:00:42.48,0:00:44.61,OP Romaji,,0,0,0,fx,{\an5\org(1000,60)\move(960,70,1020,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:42.48,0:00:44.61,OP Romaji,,0,0,0,fx,{\an5\org(1034,60)\move(960,70,1054,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:44.61,0:00:45.35,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1037,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,340,\fscx100\fscy100)\}ku
Dialogue: 1,0:00:44.61,0:00:45.75,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1050,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:00:42.58,0:00:44.95,OP Romaji,,0,0,0,fx,{\an5\org(1068,60)\move(960,70,1088,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:42.58,0:00:44.95,OP Romaji,,0,0,0,fx,{\an5\org(1100,60)\move(960,70,1120,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:44.95,0:00:45.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1104,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}re
Dialogue: 1,0:00:44.95,0:00:46.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1109,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re
Dialogue: 0,0:00:42.68,0:00:45.20,OP Romaji,,0,0,0,fx,{\an5\org(1133,60)\move(960,70,1153,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:42.68,0:00:45.20,OP Romaji,,0,0,0,fx,{\an5\org(1167,60)\move(960,70,1187,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:45.20,0:00:45.73,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1170,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,130,\fscx100\fscy100)\}ru
Dialogue: 1,0:00:45.20,0:00:46.13,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1161,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:00:42.78,0:00:45.33,OP Romaji,,0,0,0,fx,{\an5\org(1226,60)\move(960,70,1246,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:42.78,0:00:45.33,OP Romaji,,0,0,0,fx,{\an5\org(1250,60)\move(960,70,1270,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:45.33,0:00:46.19,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1253,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}hi
Dialogue: 1,0:00:45.33,0:00:46.59,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1232,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi
Dialogue: 0,0:00:42.98,0:00:45.99,OP Romaji,,0,0,0,fx,{\an5\org(1300,60)\move(960,70,1320,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:00:42.98,0:00:45.99,OP Romaji,,0,0,0,fx,{\an5\org(1335,60)\move(960,70,1355,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:45.99,0:00:46.59,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1337,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ga
Dialogue: 1,0:00:45.99,0:00:46.99,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1310,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:00:43.08,0:00:46.19,OP Romaji,,0,0,0,fx,{\an5\org(1394,60)\move(960,70,1414,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:43.08,0:00:46.19,OP Romaji,,0,0,0,fx,{\an5\org(1427,60)\move(960,70,1447,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:46.19,0:00:46.79,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1431,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ku
Dialogue: 1,0:00:46.19,0:00:47.19,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1433,69)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:00:43.18,0:00:46.39,OP Romaji,,0,0,0,fx,{\an5\org(1461,60)\move(960,70,1481,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:43.18,0:00:46.39,OP Romaji,,0,0,0,fx,{\an5\org(1495,60)\move(960,70,1515,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:46.39,0:00:46.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1498,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ru
Dialogue: 1,0:00:46.39,0:00:47.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1520,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:00:43.28,0:00:46.57,OP Romaji,,0,0,0,fx,{\an5\org(1554,60)\move(960,70,1574,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:43.28,0:00:46.57,OP Romaji,,0,0,0,fx,{\an5\org(1588,60)\move(960,70,1608,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:46.57,0:00:47.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1591,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}na
Dialogue: 1,0:00:46.57,0:00:47.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1605,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:00:43.38,0:00:46.77,OP Romaji,,0,0,0,fx,{\an5\org(1621,60)\move(960,70,1641,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:43.38,0:00:46.77,OP Romaji,,0,0,0,fx,{\an5\org(1655,60)\move(960,70,1675,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:46.77,0:00:47.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1658,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,800,\fscx100\fscy100)\}ra
Dialogue: 1,0:00:46.77,0:00:48.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1653,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:00:47.50,0:00:48.25,OP Romaji,,0,0,0,fx,{\an5\org(344,60)\move(960,70,364,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}S
Dialogue: 0,0:00:47.50,0:00:48.25,OP Romaji,,0,0,0,fx,{\an5\org(378,60)\move(960,70,398,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:48.25,0:00:48.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(381,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}So
Dialogue: 1,0:00:48.25,0:00:49.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(393,78)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "So
Dialogue: 0,0:00:47.60,0:00:48.44,OP Romaji,,0,0,0,fx,{\an5\org(412,60)\move(960,70,432,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:47.60,0:00:48.44,OP Romaji,,0,0,0,fx,{\an5\org(444,60)\move(960,70,464,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:48.44,0:00:48.94,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(448,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,100,\fscx100\fscy100)\}re
Dialogue: 1,0:00:48.44,0:00:49.34,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(427,62)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re
Dialogue: 0,0:00:47.70,0:00:48.54,OP Romaji,,0,0,0,fx,{\an5\org(513,60)\move(960,70,533,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:00:47.70,0:00:48.54,OP Romaji,,0,0,0,fx,{\an5\org(557,60)\move(960,70,577,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:48.54,0:00:49.24,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(550,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}wa
Dialogue: 1,0:00:48.54,0:00:49.64,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(566,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa
Dialogue: 0,0:00:47.80,0:00:48.84,OP Romaji,,0,0,0,fx,{\an5\org(616,60)\move(960,70,636,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:47.80,0:00:48.84,OP Romaji,,0,0,0,fx,{\an5\org(639,60)\move(960,70,659,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:48.84,0:00:49.73,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(643,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}ki
Dialogue: 1,0:00:48.84,0:00:50.13,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(613,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ki
Dialogue: 0,0:00:47.90,0:00:49.33,OP Romaji,,0,0,0,fx,{\an5\org(659,60)\move(960,70,679,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:47.90,0:00:49.33,OP Romaji,,0,0,0,fx,{\an5\org(683,60)\move(960,70,703,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:47.90,0:00:49.33,OP Romaji,,0,0,0,fx,{\an5\org(712,60)\move(960,70,732,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:49.33,0:00:50.11,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(708,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}tto
Dialogue: 1,0:00:49.33,0:00:50.51,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(715,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tto
Dialogue: 0,0:00:48.10,0:00:50.09,OP Romaji,,0,0,0,fx,{\an5\org(771,60)\move(960,70,791,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:48.10,0:00:50.09,OP Romaji,,0,0,0,fx,{\an5\org(805,60)\move(960,70,825,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:50.09,0:00:50.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(807,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,350,\fscx100\fscy100)\}na
Dialogue: 1,0:00:50.09,0:00:51.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(805,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:00:48.20,0:00:50.44,OP Romaji,,0,0,0,fx,{\an5\org(839,60)\move(960,70,859,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:48.20,0:00:50.44,OP Romaji,,0,0,0,fx,{\an5\org(863,60)\move(960,70,883,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:50.44,0:00:51.10,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(866,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,260,\fscx100\fscy100)\}ni
Dialogue: 1,0:00:50.44,0:00:51.50,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(870,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ni
Dialogue: 0,0:00:48.30,0:00:50.70,OP Romaji,,0,0,0,fx,{\an5\org(887,60)\move(960,70,907,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:48.30,0:00:50.70,OP Romaji,,0,0,0,fx,{\an5\org(920,60)\move(960,70,940,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:50.70,0:00:51.29,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(923,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ka
Dialogue: 1,0:00:50.70,0:00:51.69,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(915,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:00:48.40,0:00:50.89,OP Romaji,,0,0,0,fx,{\an5\org(980,60)\move(960,70,1000,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:00:48.40,0:00:50.89,OP Romaji,,0,0,0,fx,{\an5\org(1015,60)\move(960,70,1035,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:50.89,0:00:51.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1016,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ga
Dialogue: 1,0:00:50.89,0:00:52.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1035,79)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:00:48.50,0:00:51.20,OP Romaji,,0,0,0,fx,{\an5\org(1073,60)\move(960,70,1093,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:48.50,0:00:51.20,OP Romaji,,0,0,0,fx,{\an5\org(1106,60)\move(960,70,1126,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:51.20,0:00:51.93,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1109,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}ka
Dialogue: 1,0:00:51.20,0:00:52.33,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1109,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:00:48.60,0:00:51.53,OP Romaji,,0,0,0,fx,{\an5\org(1151,60)\move(960,70,1171,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:00:48.60,0:00:51.53,OP Romaji,,0,0,0,fx,{\an5\org(1195,60)\move(960,70,1215,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:51.53,0:00:52.40,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1187,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,470,\fscx100\fscy100)\}wa
Dialogue: 1,0:00:51.53,0:00:52.80,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1206,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa
Dialogue: 0,0:00:48.70,0:00:52.00,OP Romaji,,0,0,0,fx,{\an5\org(1224,60)\move(960,70,1244,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:48.70,0:00:52.00,OP Romaji,,0,0,0,fx,{\an5\org(1248,60)\move(960,70,1268,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:48.70,0:00:52.00,OP Romaji,,0,0,0,fx,{\an5\org(1277,60)\move(960,70,1297,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:52.00,0:00:52.74,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1273,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,340,\fscx100\fscy100)\}tta
Dialogue: 1,0:00:52.00,0:00:53.14,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1296,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tta
Dialogue: 0,0:00:48.80,0:00:52.34,OP Romaji,,0,0,0,fx,{\an5\org(1334,60)\move(960,70,1354,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:00:48.80,0:00:52.34,OP Romaji,,0,0,0,fx,{\an5\org(1366,60)\move(960,70,1386,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:00:48.80,0:00:52.34,OP Romaji,,0,0,0,fx,{\an5\org(1401,60)\move(960,70,1421,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:52.34,0:00:53.07,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1388,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}shu
Dialogue: 1,0:00:52.34,0:00:53.47,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1371,90)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shu
Dialogue: 0,0:00:48.90,0:00:52.67,OP Romaji,,0,0,0,fx,{\an5\org(1435,60)\move(960,70,1455,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:52.67,0:00:53.25,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1455,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}n
Dialogue: 1,0:00:52.67,0:00:53.65,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1475,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "n
Dialogue: 0,0:00:49.00,0:00:52.85,OP Romaji,,0,0,0,fx,{\an5\org(1469,60)\move(960,70,1489,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:49.00,0:00:52.85,OP Romaji,,0,0,0,fx,{\an5\org(1502,60)\move(960,70,1522,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:52.85,0:00:53.48,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1506,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,230,\fscx100\fscy100)\}ka
Dialogue: 1,0:00:52.85,0:00:53.88,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1525,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:00:49.10,0:00:53.08,OP Romaji,,0,0,0,fx,{\an5\org(1536,60)\move(960,70,1556,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:53.08,0:00:54.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1556,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,940,\fscx100\fscy100)\}n
Dialogue: 1,0:00:53.08,0:00:54.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1564,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "n
Dialogue: 0,0:00:53.77,0:00:54.52,OP Romaji,,0,0,0,fx,{\an5\org(345,60)\move(960,70,365,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}T
Dialogue: 0,0:00:53.77,0:00:54.52,OP Romaji,,0,0,0,fx,{\an5\org(376,60)\move(960,70,396,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:00:53.77,0:00:54.52,OP Romaji,,0,0,0,fx,{\an5\org(408,60)\move(960,70,428,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:54.52,0:00:55.07,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(397,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,150,\fscx100\fscy100)\}Tsu
Dialogue: 1,0:00:54.52,0:00:55.47,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(397,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Tsu
Dialogue: 0,0:00:53.87,0:00:54.67,OP Romaji,,0,0,0,fx,{\an5\org(443,60)\move(960,70,463,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:00:53.87,0:00:54.67,OP Romaji,,0,0,0,fx,{\an5\org(478,60)\move(960,70,498,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:54.67,0:00:55.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(480,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,150,\fscx100\fscy100)\}yo
Dialogue: 1,0:00:54.67,0:00:55.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(494,80)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:00:53.97,0:00:54.82,OP Romaji,,0,0,0,fx,{\an5\org(512,60)\move(960,70,532,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:00:53.97,0:00:54.82,OP Romaji,,0,0,0,fx,{\an5\org(545,60)\move(960,70,565,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:54.82,0:00:55.54,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(549,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}ku
Dialogue: 1,0:00:54.82,0:00:55.94,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(576,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:00:54.07,0:00:55.14,OP Romaji,,0,0,0,fx,{\an5\org(605,60)\move(960,70,625,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:54.07,0:00:55.14,OP Romaji,,0,0,0,fx,{\an5\org(639,60)\move(960,70,659,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:55.14,0:00:55.79,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(641,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}na
Dialogue: 1,0:00:55.14,0:00:56.19,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(654,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:00:54.17,0:00:55.39,OP Romaji,,0,0,0,fx,{\an5\org(672,60)\move(960,70,692,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:54.17,0:00:55.39,OP Romaji,,0,0,0,fx,{\an5\org(696,60)\move(960,70,716,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:55.39,0:00:56.00,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(699,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}ri
Dialogue: 1,0:00:55.39,0:00:56.40,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(685,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri
Dialogue: 0,0:00:54.27,0:00:55.60,OP Romaji,,0,0,0,fx,{\an5\org(715,60)\move(960,70,735,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:54.27,0:00:55.60,OP Romaji,,0,0,0,fx,{\an5\org(744,60)\move(960,70,764,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:55.60,0:00:56.29,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(751,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}ta
Dialogue: 1,0:00:55.60,0:00:56.69,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(769,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta
Dialogue: 0,0:00:54.37,0:00:55.89,OP Romaji,,0,0,0,fx,{\an5\org(767,60)\move(960,70,787,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:55.89,0:00:56.58,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(787,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}i
Dialogue: 1,0:00:55.89,0:00:56.98,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(773,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:00:54.47,0:00:56.18,OP Romaji,,0,0,0,fx,{\an5\org(836,60)\move(960,70,856,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:00:54.47,0:00:56.18,OP Romaji,,0,0,0,fx,{\an5\org(865,60)\move(960,70,885,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:56.18,0:00:56.99,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(848,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\} to
Dialogue: 1,0:00:56.18,0:00:57.39,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(859,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 " to
Dialogue: 0,0:00:54.67,0:00:56.77,OP Romaji,,0,0,0,fx,{\an5\org(899,60)\move(960,70,919,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:00:54.67,0:00:56.77,OP Romaji,,0,0,0,fx,{\an5\org(933,60)\move(960,70,953,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:00:56.77,0:00:57.37,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(935,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ne
Dialogue: 1,0:00:56.77,0:00:57.77,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(959,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ne
Dialogue: 0,0:00:54.77,0:00:56.97,OP Romaji,,0,0,0,fx,{\an5\org(967,60)\move(960,70,987,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:00:54.77,0:00:56.97,OP Romaji,,0,0,0,fx,{\an5\org(1002,60)\move(960,70,1022,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:56.97,0:00:57.57,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1004,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ga
Dialogue: 1,0:00:56.97,0:00:57.97,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1008,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:00:54.87,0:00:57.17,OP Romaji,,0,0,0,fx,{\an5\org(1036,60)\move(960,70,1056,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:00:57.17,0:00:57.85,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1056,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,280,\fscx100\fscy100)\}u
Dialogue: 1,0:00:57.17,0:00:58.25,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1043,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u
Dialogue: 0,0:00:54.97,0:00:57.45,OP Romaji,,0,0,0,fx,{\an5\org(1095,60)\move(960,70,1115,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:00:54.97,0:00:57.45,OP Romaji,,0,0,0,fx,{\an5\org(1130,60)\move(960,70,1150,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:57.45,0:00:58.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1132,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}yo
Dialogue: 1,0:00:57.45,0:00:58.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1117,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:00:55.07,0:00:57.77,OP Romaji,,0,0,0,fx,{\an5\org(1164,60)\move(960,70,1184,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:00:55.07,0:00:57.77,OP Romaji,,0,0,0,fx,{\an5\org(1187,60)\move(960,70,1207,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:57.77,0:00:58.34,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1191,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,170,\fscx100\fscy100)\}ri
Dialogue: 1,0:00:57.77,0:00:58.74,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1209,50)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri
Dialogue: 0,0:00:55.17,0:00:57.94,OP Romaji,,0,0,0,fx,{\an5\org(1247,60)\move(960,70,1267,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:00:55.17,0:00:57.94,OP Romaji,,0,0,0,fx,{\an5\org(1292,60)\move(960,70,1312,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:00:57.94,0:00:58.92,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1284,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,580,\fscx100\fscy100)\}mo
Dialogue: 1,0:00:57.94,0:00:59.32,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1273,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo
Dialogue: 0,0:00:55.37,0:00:58.90,OP Romaji,,0,0,0,fx,{\an5\org(1341,60)\move(960,70,1361,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:00:58.90,0:00:59.52,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1361,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}i
Dialogue: 1,0:00:58.90,0:00:59.92,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1387,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:00:55.47,0:00:59.12,OP Romaji,,0,0,0,fx,{\an5\org(1376,60)\move(960,70,1396,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:00:55.47,0:00:59.12,OP Romaji,,0,0,0,fx,{\an5\org(1421,60)\move(960,70,1441,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:59.12,0:00:59.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1413,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ma
Dialogue: 1,0:00:59.12,0:01:00.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1407,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma
Dialogue: 0,0:00:55.57,0:00:59.43,OP Romaji,,0,0,0,fx,{\an5\org(1490,60)\move(960,70,1510,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:00:55.57,0:00:59.43,OP Romaji,,0,0,0,fx,{\an5\org(1534,60)\move(960,70,1554,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:00:59.43,0:01:00.51,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1527,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,680,\fscx100\fscy100)\}wa
Dialogue: 1,0:00:59.43,0:01:00.91,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1514,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa
Dialogue: 0,0:00:59.94,0:01:00.69,OP Romaji,,0,0,0,fx,{\an5\org(217,60)\move(960,70,237,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}T
Dialogue: 0,0:00:59.94,0:01:00.69,OP Romaji,,0,0,0,fx,{\an5\org(250,60)\move(960,70,270,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:00.69,0:01:01.34,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(254,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}Ta
Dialogue: 1,0:01:00.69,0:01:01.74,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(243,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ta
Dialogue: 0,0:01:00.04,0:01:00.94,OP Romaji,,0,0,0,fx,{\an5\org(285,60)\move(960,70,305,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:01:00.04,0:01:00.94,OP Romaji,,0,0,0,fx,{\an5\org(321,60)\move(960,70,341,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:00.94,0:01:01.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(322,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,80,\fscx100\fscy100)\}da
Dialogue: 1,0:01:00.94,0:01:01.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(324,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "da
Dialogue: 0,0:01:00.14,0:01:01.02,OP Romaji,,0,0,0,fx,{\an5\org(375,60)\move(960,70,395,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:01:00.14,0:01:01.02,OP Romaji,,0,0,0,fx,{\an5\org(402,60)\move(960,70,422,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:01:00.14,0:01:01.02,OP Romaji,,0,0,0,fx,{\an5\org(435,60)\move(960,70,455,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:01.02,0:01:01.81,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(427,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}tsu
Dialogue: 1,0:01:01.02,0:01:02.21,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(408,90)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "tsu
Dialogue: 0,0:01:00.24,0:01:01.41,OP Romaji,,0,0,0,fx,{\an5\org(470,60)\move(960,70,490,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:01:00.24,0:01:01.41,OP Romaji,,0,0,0,fx,{\an5\org(504,60)\move(960,70,524,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:01.41,0:01:02.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(506,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,280,\fscx100\fscy100)\}yo
Dialogue: 1,0:01:01.41,0:01:02.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(496,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:01:00.34,0:01:01.69,OP Romaji,,0,0,0,fx,{\an5\org(538,60)\move(960,70,558,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:00.34,0:01:01.69,OP Romaji,,0,0,0,fx,{\an5\org(572,60)\move(960,70,592,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:01.69,0:01:02.28,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(575,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ku
Dialogue: 1,0:01:01.69,0:01:02.68,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(599,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:01:00.44,0:01:01.88,OP Romaji,,0,0,0,fx,{\an5\org(631,60)\move(960,70,651,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:00.44,0:01:01.88,OP Romaji,,0,0,0,fx,{\an5\org(665,60)\move(960,70,685,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:01.88,0:01:02.50,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(667,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}na
Dialogue: 1,0:01:01.88,0:01:02.90,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(637,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:01:00.54,0:01:02.10,OP Romaji,,0,0,0,fx,{\an5\org(698,60)\move(960,70,718,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:00.54,0:01:02.10,OP Romaji,,0,0,0,fx,{\an5\org(732,60)\move(960,70,752,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:02.10,0:01:02.66,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(735,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,160,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:02.10,0:01:03.06,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(759,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:00.64,0:01:02.26,OP Romaji,,0,0,0,fx,{\an5\org(791,60)\move(960,70,811,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:00.64,0:01:02.26,OP Romaji,,0,0,0,fx,{\an5\org(825,60)\move(960,70,845,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:02.26,0:01:02.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(828,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}no
Dialogue: 1,0:01:02.26,0:01:03.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(809,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no
Dialogue: 0,0:01:00.74,0:01:02.48,OP Romaji,,0,0,0,fx,{\an5\org(883,60)\move(960,70,903,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:00.74,0:01:02.48,OP Romaji,,0,0,0,fx,{\an5\org(917,60)\move(960,70,937,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:02.48,0:01:03.38,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(920,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,500,\fscx100\fscy100)\}ka
Dialogue: 1,0:01:02.48,0:01:03.78,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(898,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:01:00.94,0:01:03.27,OP Romaji,,0,0,0,fx,{\an5\org(986,60)\move(960,70,1006,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:01:00.94,0:01:03.27,OP Romaji,,0,0,0,fx,{\an5\org(1031,60)\move(960,70,1051,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:03.27,0:01:03.86,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1023,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}wa
Dialogue: 1,0:01:03.27,0:01:04.26,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1024,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wa
Dialogue: 0,0:01:01.04,0:01:03.46,OP Romaji,,0,0,0,fx,{\an5\org(1059,60)\move(960,70,1079,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:01:01.04,0:01:03.46,OP Romaji,,0,0,0,fx,{\an5\org(1088,60)\move(960,70,1108,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:03.46,0:01:03.98,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1096,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,120,\fscx100\fscy100)\}ta
Dialogue: 1,0:01:03.46,0:01:04.38,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1071,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta
Dialogue: 0,0:01:01.14,0:01:03.58,OP Romaji,,0,0,0,fx,{\an5\org(1120,60)\move(960,70,1140,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:01:01.14,0:01:03.58,OP Romaji,,0,0,0,fx,{\an5\org(1153,60)\move(960,70,1173,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:01.14,0:01:03.58,OP Romaji,,0,0,0,fx,{\an5\org(1177,60)\move(960,70,1197,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:03.58,0:01:04.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1165,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,440,\fscx100\fscy100)\}shi
Dialogue: 1,0:01:03.58,0:01:04.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1194,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi
Dialogue: 0,0:01:01.24,0:01:04.02,OP Romaji,,0,0,0,fx,{\an5\org(1228,60)\move(960,70,1248,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:01:01.24,0:01:04.02,OP Romaji,,0,0,0,fx,{\an5\org(1263,60)\move(960,70,1283,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:04.02,0:01:04.63,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1265,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}da
Dialogue: 1,0:01:04.02,0:01:05.03,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1274,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "da
Dialogue: 0,0:01:01.34,0:01:04.23,OP Romaji,,0,0,0,fx,{\an5\org(1297,60)\move(960,70,1317,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:01.34,0:01:04.23,OP Romaji,,0,0,0,fx,{\an5\org(1330,60)\move(960,70,1350,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:04.23,0:01:05.24,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1333,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,610,\fscx100\fscy100)\}ke
Dialogue: 1,0:01:04.23,0:01:05.64,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1343,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:01:01.44,0:01:04.84,OP Romaji,,0,0,0,fx,{\an5\org(1389,60)\move(960,70,1409,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:01:01.44,0:01:04.84,OP Romaji,,0,0,0,fx,{\an5\org(1424,60)\move(960,70,1444,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:04.84,0:01:05.61,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1425,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ga
Dialogue: 1,0:01:04.84,0:01:06.01,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1401,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:01:01.54,0:01:05.21,OP Romaji,,0,0,0,fx,{\an5\org(1493,60)\move(960,70,1513,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:01:01.54,0:01:05.21,OP Romaji,,0,0,0,fx,{\an5\org(1538,60)\move(960,70,1558,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:05.21,0:01:05.80,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1530,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}mo
Dialogue: 1,0:01:05.21,0:01:06.20,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1549,59)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo
Dialogue: 0,0:01:01.64,0:01:05.40,OP Romaji,,0,0,0,fx,{\an5\org(1567,60)\move(960,70,1587,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:01:01.64,0:01:05.40,OP Romaji,,0,0,0,fx,{\an5\org(1595,60)\move(960,70,1615,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:05.40,0:01:06.04,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1603,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}te
Dialogue: 1,0:01:05.40,0:01:06.44,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1626,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "te
Dialogue: 0,0:01:01.74,0:01:05.64,OP Romaji,,0,0,0,fx,{\an5\org(1628,60)\move(960,70,1648,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:01.74,0:01:05.64,OP Romaji,,0,0,0,fx,{\an5\org(1662,60)\move(960,70,1682,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:05.64,0:01:06.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1665,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,740,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:05.64,0:01:07.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1685,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:05.83,0:01:06.58,OP Romaji,,0,0,0,fx,{\an5\org(710,60)\move(960,70,730,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K
Dialogue: 0,0:01:05.83,0:01:06.58,OP Romaji,,0,0,0,fx,{\an5\org(746,60)\move(960,70,766,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:06.58,0:01:07.30,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(746,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}Ko
Dialogue: 1,0:01:06.58,0:01:07.70,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(723,81)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ko
Dialogue: 0,0:01:05.93,0:01:06.90,OP Romaji,,0,0,0,fx,{\an5\org(775,60)\move(960,70,795,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:01:05.93,0:01:06.90,OP Romaji,,0,0,0,fx,{\an5\org(803,60)\move(960,70,823,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:06.90,0:01:07.54,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(811,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}ta
Dialogue: 1,0:01:06.90,0:01:07.94,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(790,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta
Dialogue: 0,0:01:06.03,0:01:07.14,OP Romaji,,0,0,0,fx,{\an5\org(836,60)\move(960,70,856,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:07.14,0:01:07.75,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(856,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}e
Dialogue: 1,0:01:07.14,0:01:08.15,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(873,87)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "e
Dialogue: 0,0:01:06.13,0:01:07.35,OP Romaji,,0,0,0,fx,{\an5\org(905,60)\move(960,70,925,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:01:06.13,0:01:07.35,OP Romaji,,0,0,0,fx,{\an5\org(950,60)\move(960,70,970,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:07.35,0:01:09.82,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(942,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,2070,\fscx100\fscy100)\}wo
Dialogue: 1,0:01:07.35,0:01:10.22,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(966,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo
Dialogue: 0,0:01:06.23,0:01:09.42,OP Romaji,,0,0,0,fx,{\an5\org(1007,60)\move(960,70,1027,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:01:06.23,0:01:09.42,OP Romaji,,0,0,0,fx,{\an5\org(1039,60)\move(960,70,1059,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:06.23,0:01:09.42,OP Romaji,,0,0,0,fx,{\an5\org(1063,60)\move(960,70,1083,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:09.42,0:01:10.12,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1051,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}shi
Dialogue: 1,0:01:09.42,0:01:10.52,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1071,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi
Dialogue: 0,0:01:06.33,0:01:09.72,OP Romaji,,0,0,0,fx,{\an5\org(1087,60)\move(960,70,1107,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:06.33,0:01:09.72,OP Romaji,,0,0,0,fx,{\an5\org(1111,60)\move(960,70,1131,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:09.72,0:01:10.41,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1114,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}ri
Dialogue: 1,0:01:09.72,0:01:10.81,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1099,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri
Dialogue: 0,0:01:06.43,0:01:10.01,OP Romaji,,0,0,0,fx,{\an5\org(1130,60)\move(960,70,1150,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:01:06.43,0:01:10.01,OP Romaji,,0,0,0,fx,{\an5\org(1159,60)\move(960,70,1179,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:10.01,0:01:10.70,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1167,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,290,\fscx100\fscy100)\}ta
Dialogue: 1,0:01:10.01,0:01:11.10,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1189,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ta
Dialogue: 0,0:01:06.53,0:01:10.30,OP Romaji,,0,0,0,fx,{\an5\org(1183,60)\move(960,70,1203,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:10.30,0:01:12.66,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1203,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,1960,\fscx100\fscy100)\}i
Dialogue: 1,0:01:10.30,0:01:13.06,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1187,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:01:12.28,0:01:13.03,OP Romaji,,0,0,0,fx,{\an5\org(320,60)\move(960,70,340,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K
Dialogue: 0,0:01:12.28,0:01:13.03,OP Romaji,,0,0,0,fx,{\an5\org(356,60)\move(960,70,376,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:13.03,0:01:13.86,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(357,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}Ka
Dialogue: 1,0:01:13.03,0:01:14.26,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(370,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ka
Dialogue: 0,0:01:12.38,0:01:13.46,OP Romaji,,0,0,0,fx,{\an5\org(391,60)\move(960,70,411,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:01:12.38,0:01:13.46,OP Romaji,,0,0,0,fx,{\an5\org(426,60)\move(960,70,446,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:13.46,0:01:14.03,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(427,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,170,\fscx100\fscy100)\}ga
Dialogue: 1,0:01:13.46,0:01:14.43,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(444,79)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:01:12.48,0:01:13.63,OP Romaji,,0,0,0,fx,{\an5\org(460,60)\move(960,70,480,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:01:12.48,0:01:13.63,OP Romaji,,0,0,0,fx,{\an5\org(495,60)\move(960,70,515,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:13.63,0:01:14.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(497,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ya
Dialogue: 1,0:01:13.63,0:01:14.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(506,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ya
Dialogue: 0,0:01:12.58,0:01:14.02,OP Romaji,,0,0,0,fx,{\an5\org(528,60)\move(960,70,548,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:12.58,0:01:14.02,OP Romaji,,0,0,0,fx,{\an5\org(561,60)\move(960,70,581,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:14.02,0:01:14.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(564,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ke
Dialogue: 1,0:01:14.02,0:01:15.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(549,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:01:12.68,0:01:14.43,OP Romaji,,0,0,0,fx,{\an5\org(593,60)\move(960,70,613,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:12.68,0:01:14.43,OP Romaji,,0,0,0,fx,{\an5\org(627,60)\move(960,70,647,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:14.43,0:01:15.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(631,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,310,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:14.43,0:01:15.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(613,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:12.78,0:01:14.74,OP Romaji,,0,0,0,fx,{\an5\org(687,60)\move(960,70,707,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:12.78,0:01:14.74,OP Romaji,,0,0,0,fx,{\an5\org(711,60)\move(960,70,731,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:14.74,0:01:15.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(714,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}hi
Dialogue: 1,0:01:14.74,0:01:16.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(736,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi
Dialogue: 0,0:01:12.88,0:01:15.20,OP Romaji,,0,0,0,fx,{\an5\org(735,60)\move(960,70,755,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:12.88,0:01:15.20,OP Romaji,,0,0,0,fx,{\an5\org(768,60)\move(960,70,788,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:15.20,0:01:16.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(771,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ka
Dialogue: 1,0:01:15.20,0:01:16.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(760,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:01:12.98,0:01:15.61,OP Romaji,,0,0,0,fx,{\an5\org(801,60)\move(960,70,821,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:12.98,0:01:15.61,OP Romaji,,0,0,0,fx,{\an5\org(825,60)\move(960,70,845,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:15.61,0:01:16.40,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(828,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ri
Dialogue: 1,0:01:15.61,0:01:16.80,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(855,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri
Dialogue: 0,0:01:13.08,0:01:16.00,OP Romaji,,0,0,0,fx,{\an5\org(875,60)\move(960,70,895,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:01:13.08,0:01:16.00,OP Romaji,,0,0,0,fx,{\an5\org(909,60)\move(960,70,929,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:16.00,0:01:16.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(912,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}yo
Dialogue: 1,0:01:16.00,0:01:17.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(912,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:01:13.18,0:01:16.38,OP Romaji,,0,0,0,fx,{\an5\org(979,60)\move(960,70,999,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:01:13.18,0:01:16.38,OP Romaji,,0,0,0,fx,{\an5\org(1024,60)\move(960,70,1044,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:16.38,0:01:17.11,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1016,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,330,\fscx100\fscy100)\}ma
Dialogue: 1,0:01:16.38,0:01:17.51,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1007,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma
Dialogue: 0,0:01:13.28,0:01:16.71,OP Romaji,,0,0,0,fx,{\an5\org(1058,60)\move(960,70,1078,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}y
Dialogue: 0,0:01:13.28,0:01:16.71,OP Romaji,,0,0,0,fx,{\an5\org(1093,60)\move(960,70,1113,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:16.71,0:01:17.57,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1095,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}yo
Dialogue: 1,0:01:16.71,0:01:17.97,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1072,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "yo
Dialogue: 0,0:01:13.38,0:01:17.17,OP Romaji,,0,0,0,fx,{\an5\org(1117,60)\move(960,70,1137,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:17.17,0:01:17.89,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1137,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}i
Dialogue: 1,0:01:17.17,0:01:18.29,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1134,66)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:01:13.48,0:01:17.49,OP Romaji,,0,0,0,fx,{\an5\org(1177,60)\move(960,70,1197,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:01:13.48,0:01:17.49,OP Romaji,,0,0,0,fx,{\an5\org(1221,60)\move(960,70,1241,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:17.49,0:01:18.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1214,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}wo
Dialogue: 1,0:01:17.49,0:01:18.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1195,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo
Dialogue: 0,0:01:13.58,0:01:17.69,OP Romaji,,0,0,0,fx,{\an5\org(1280,60)\move(960,70,1300,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:17.69,0:01:18.51,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1300,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,420,\fscx100\fscy100)\}u
Dialogue: 1,0:01:17.69,0:01:18.91,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1330,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u
Dialogue: 0,0:01:13.68,0:01:18.11,OP Romaji,,0,0,0,fx,{\an5\org(1314,60)\move(960,70,1334,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}c
Dialogue: 0,0:01:13.68,0:01:18.11,OP Romaji,,0,0,0,fx,{\an5\org(1347,60)\move(960,70,1367,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:13.68,0:01:18.11,OP Romaji,,0,0,0,fx,{\an5\org(1371,60)\move(960,70,1391,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:18.11,0:01:18.75,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1358,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,240,\fscx100\fscy100)\}chi
Dialogue: 1,0:01:18.11,0:01:19.15,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1376,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "chi
Dialogue: 0,0:01:13.78,0:01:18.35,OP Romaji,,0,0,0,fx,{\an5\org(1395,60)\move(960,70,1415,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:13.78,0:01:18.35,OP Romaji,,0,0,0,fx,{\an5\org(1428,60)\move(960,70,1448,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:18.35,0:01:19.26,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1431,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,510,\fscx100\fscy100)\}ke
Dialogue: 1,0:01:18.35,0:01:19.66,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1453,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:01:13.88,0:01:18.86,OP Romaji,,0,0,0,fx,{\an5\org(1459,60)\move(960,70,1479,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:01:13.88,0:01:18.86,OP Romaji,,0,0,0,fx,{\an5\org(1492,60)\move(960,70,1512,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:13.88,0:01:18.86,OP Romaji,,0,0,0,fx,{\an5\org(1516,60)\move(960,70,1536,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:18.86,0:01:19.53,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1503,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}shi
Dialogue: 1,0:01:18.86,0:01:19.93,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1508,84)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "shi
Dialogue: 0,0:01:13.98,0:01:19.13,OP Romaji,,0,0,0,fx,{\an5\org(1535,60)\move(960,70,1555,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}t
Dialogue: 0,0:01:13.98,0:01:19.13,OP Romaji,,0,0,0,fx,{\an5\org(1563,60)\move(960,70,1583,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:19.13,0:01:19.95,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1571,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,420,\fscx100\fscy100)\}te
Dialogue: 1,0:01:19.13,0:01:20.35,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1599,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "te
Dialogue: 0,0:01:19.16,0:01:19.91,OP Romaji,,0,0,0,fx,{\an5\org(369,60)\move(960,70,389,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}O
Dialogue: 0,0:01:19.91,0:01:20.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(389,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}O
Dialogue: 1,0:01:19.91,0:01:21.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(397,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "O
Dialogue: 0,0:01:19.26,0:01:20.31,OP Romaji,,0,0,0,fx,{\an5\org(415,60)\move(960,70,435,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:01:19.26,0:01:20.31,OP Romaji,,0,0,0,fx,{\an5\org(460,60)\move(960,70,480,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:20.31,0:01:21.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(452,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}mo
Dialogue: 1,0:01:20.31,0:01:21.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(467,57)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mo
Dialogue: 0,0:01:19.36,0:01:20.69,OP Romaji,,0,0,0,fx,{\an5\org(484,60)\move(960,70,504,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:20.69,0:01:21.49,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(504,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}i
Dialogue: 1,0:01:20.69,0:01:21.89,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(508,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:01:19.46,0:01:21.09,OP Romaji,,0,0,0,fx,{\an5\org(510,60)\move(960,70,530,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:01:19.46,0:01:21.09,OP Romaji,,0,0,0,fx,{\an5\org(545,60)\move(960,70,565,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:21.09,0:01:21.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(546,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}de
Dialogue: 1,0:01:21.09,0:01:22.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(554,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "de
Dialogue: 0,0:01:19.56,0:01:21.48,OP Romaji,,0,0,0,fx,{\an5\org(603,60)\move(960,70,623,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}b
Dialogue: 0,0:01:19.56,0:01:21.48,OP Romaji,,0,0,0,fx,{\an5\org(637,60)\move(960,70,657,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:21.48,0:01:22.28,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(639,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}ba
Dialogue: 1,0:01:21.48,0:01:22.68,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(619,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ba
Dialogue: 0,0:01:19.66,0:01:21.88,OP Romaji,,0,0,0,fx,{\an5\org(670,60)\move(960,70,690,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:19.66,0:01:21.88,OP Romaji,,0,0,0,fx,{\an5\org(704,60)\move(960,70,724,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:21.88,0:01:22.68,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(707,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}ka
Dialogue: 1,0:01:21.88,0:01:23.08,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(727,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:01:19.76,0:01:22.28,OP Romaji,,0,0,0,fx,{\an5\org(737,60)\move(960,70,757,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:19.76,0:01:22.28,OP Romaji,,0,0,0,fx,{\an5\org(761,60)\move(960,70,781,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:22.28,0:01:23.05,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(764,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ri
Dialogue: 1,0:01:22.28,0:01:23.45,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(758,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ri
Dialogue: 0,0:01:19.86,0:01:22.65,OP Romaji,,0,0,0,fx,{\an5\org(820,60)\move(960,70,840,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:01:19.86,0:01:22.65,OP Romaji,,0,0,0,fx,{\an5\org(865,60)\move(960,70,885,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:22.65,0:01:23.45,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(857,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}wo
Dialogue: 1,0:01:22.65,0:01:23.85,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(839,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo
Dialogue: 0,0:01:19.96,0:01:23.05,OP Romaji,,0,0,0,fx,{\an5\org(924,60)\move(960,70,944,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:19.96,0:01:23.05,OP Romaji,,0,0,0,fx,{\an5\org(958,60)\move(960,70,978,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:23.05,0:01:23.75,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(960,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}na
Dialogue: 1,0:01:23.05,0:01:24.15,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(959,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:01:20.06,0:01:23.35,OP Romaji,,0,0,0,fx,{\an5\org(992,60)\move(960,70,1012,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}z
Dialogue: 0,0:01:20.06,0:01:23.35,OP Romaji,,0,0,0,fx,{\an5\org(1027,60)\move(960,70,1047,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:23.35,0:01:24.24,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1029,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}zo
Dialogue: 1,0:01:23.35,0:01:24.64,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1034,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "zo
Dialogue: 0,0:01:20.16,0:01:23.84,OP Romaji,,0,0,0,fx,{\an5\org(1061,60)\move(960,70,1081,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:20.16,0:01:23.84,OP Romaji,,0,0,0,fx,{\an5\org(1094,60)\move(960,70,1114,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:23.84,0:01:24.43,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1098,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:23.84,0:01:24.83,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1070,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:20.26,0:01:24.03,OP Romaji,,0,0,0,fx,{\an5\org(1155,60)\move(960,70,1175,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:01:20.26,0:01:24.03,OP Romaji,,0,0,0,fx,{\an5\org(1191,60)\move(960,70,1211,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:24.03,0:01:24.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1192,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,350,\fscx100\fscy100)\}da
Dialogue: 1,0:01:24.03,0:01:25.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1185,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "da
Dialogue: 0,0:01:20.36,0:01:24.38,OP Romaji,,0,0,0,fx,{\an5\org(1224,60)\move(960,70,1244,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:20.36,0:01:24.38,OP Romaji,,0,0,0,fx,{\an5\org(1257,60)\move(960,70,1277,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:24.38,0:01:24.99,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1260,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}ke
Dialogue: 1,0:01:24.38,0:01:25.39,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1271,74)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:01:20.46,0:01:24.59,OP Romaji,,0,0,0,fx,{\an5\org(1316,60)\move(960,70,1336,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}j
Dialogue: 0,0:01:20.46,0:01:24.59,OP Romaji,,0,0,0,fx,{\an5\org(1351,60)\move(960,70,1371,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:24.59,0:01:25.60,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1353,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,610,\fscx100\fscy100)\}ja
Dialogue: 1,0:01:24.59,0:01:26.00,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1375,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ja
Dialogue: 0,0:01:20.56,0:01:25.20,OP Romaji,,0,0,0,fx,{\an5\org(1410,60)\move(960,70,1430,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:20.56,0:01:25.20,OP Romaji,,0,0,0,fx,{\an5\org(1444,60)\move(960,70,1464,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:25.20,0:01:25.79,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1447,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,190,\fscx100\fscy100)\}na
Dialogue: 1,0:01:25.20,0:01:26.19,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1449,58)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:01:20.66,0:01:25.39,OP Romaji,,0,0,0,fx,{\an5\org(1477,60)\move(960,70,1497,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:20.66,0:01:25.39,OP Romaji,,0,0,0,fx,{\an5\org(1511,60)\move(960,70,1531,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:25.39,0:01:26.37,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1514,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,580,\fscx100\fscy100)\}ku
Dialogue: 1,0:01:25.39,0:01:26.77,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1485,55)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:01:25.22,0:01:25.97,OP Romaji,,0,0,0,fx,{\an5\org(364,60)\move(960,70,384,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}K
Dialogue: 0,0:01:25.22,0:01:25.97,OP Romaji,,0,0,0,fx,{\an5\org(401,60)\move(960,70,421,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:25.97,0:01:26.59,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(401,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}Ko
Dialogue: 1,0:01:25.97,0:01:26.99,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(413,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Ko
Dialogue: 0,0:01:25.32,0:01:26.19,OP Romaji,,0,0,0,fx,{\an5\org(434,60)\move(960,70,454,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:25.32,0:01:26.19,OP Romaji,,0,0,0,fx,{\an5\org(467,60)\move(960,70,487,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:26.19,0:01:26.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(470,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}re
Dialogue: 1,0:01:26.19,0:01:27.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(488,59)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re
Dialogue: 0,0:01:25.42,0:01:26.56,OP Romaji,,0,0,0,fx,{\an5\org(524,60)\move(960,70,544,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:25.42,0:01:26.56,OP Romaji,,0,0,0,fx,{\an5\org(558,60)\move(960,70,578,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:26.56,0:01:27.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(561,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,430,\fscx100\fscy100)\}ka
Dialogue: 1,0:01:26.56,0:01:27.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(555,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:01:25.52,0:01:26.99,OP Romaji,,0,0,0,fx,{\an5\org(591,60)\move(960,70,611,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:25.52,0:01:26.99,OP Romaji,,0,0,0,fx,{\an5\org(624,60)\move(960,70,644,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:26.99,0:01:27.76,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(628,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ra
Dialogue: 1,0:01:26.99,0:01:28.16,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(608,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:01:25.62,0:01:27.36,OP Romaji,,0,0,0,fx,{\an5\org(683,60)\move(960,70,703,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:25.62,0:01:27.36,OP Romaji,,0,0,0,fx,{\an5\org(716,60)\move(960,70,736,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:27.36,0:01:28.15,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(719,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ka
Dialogue: 1,0:01:27.36,0:01:28.55,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(715,76)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ka
Dialogue: 0,0:01:25.72,0:01:27.75,OP Romaji,,0,0,0,fx,{\an5\org(749,60)\move(960,70,769,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:27.75,0:01:28.56,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(769,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}e
Dialogue: 1,0:01:27.75,0:01:28.96,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(740,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "e
Dialogue: 0,0:01:25.82,0:01:28.16,OP Romaji,,0,0,0,fx,{\an5\org(781,60)\move(960,70,801,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:25.82,0:01:28.16,OP Romaji,,0,0,0,fx,{\an5\org(815,60)\move(960,70,835,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:28.16,0:01:28.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(818,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,320,\fscx100\fscy100)\}ra
Dialogue: 1,0:01:28.16,0:01:29.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(823,77)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:01:25.92,0:01:28.48,OP Romaji,,0,0,0,fx,{\an5\org(848,60)\move(960,70,868,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:25.92,0:01:28.48,OP Romaji,,0,0,0,fx,{\an5\org(881,60)\move(960,70,901,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:28.48,0:01:29.34,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(884,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,460,\fscx100\fscy100)\}re
Dialogue: 1,0:01:28.48,0:01:29.74,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(879,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re
Dialogue: 0,0:01:26.02,0:01:28.94,OP Romaji,,0,0,0,fx,{\an5\org(913,60)\move(960,70,933,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:26.02,0:01:28.94,OP Romaji,,0,0,0,fx,{\an5\org(947,60)\move(960,70,967,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:28.94,0:01:29.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(951,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,370,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:28.94,0:01:30.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(926,63)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:26.12,0:01:29.31,OP Romaji,,0,0,0,fx,{\an5\org(1017,60)\move(960,70,1037,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:01:26.12,0:01:29.31,OP Romaji,,0,0,0,fx,{\an5\org(1052,60)\move(960,70,1072,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:29.31,0:01:30.11,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1044,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}mi
Dialogue: 1,0:01:29.31,0:01:30.51,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1017,86)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "mi
Dialogue: 0,0:01:26.22,0:01:29.71,OP Romaji,,0,0,0,fx,{\an5\org(1076,60)\move(960,70,1096,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:26.22,0:01:29.71,OP Romaji,,0,0,0,fx,{\an5\org(1109,60)\move(960,70,1129,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:29.71,0:01:30.51,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1113,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,400,\fscx100\fscy100)\}ra
Dialogue: 1,0:01:29.71,0:01:30.91,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1095,80)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:01:26.32,0:01:30.11,OP Romaji,,0,0,0,fx,{\an5\org(1133,60)\move(960,70,1153,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:30.11,0:01:30.71,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1153,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}i
Dialogue: 1,0:01:30.11,0:01:31.11,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1174,61)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "i
Dialogue: 0,0:01:26.42,0:01:30.31,OP Romaji,,0,0,0,fx,{\an5\org(1183,60)\move(960,70,1203,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:01:26.42,0:01:30.31,OP Romaji,,0,0,0,fx,{\an5\org(1218,60)\move(960,70,1238,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:30.31,0:01:31.07,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1220,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,360,\fscx100\fscy100)\}ga
Dialogue: 1,0:01:30.31,0:01:31.47,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1195,82)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:01:26.52,0:01:30.67,OP Romaji,,0,0,0,fx,{\an5\org(1277,60)\move(960,70,1297,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:26.52,0:01:30.67,OP Romaji,,0,0,0,fx,{\an5\org(1311,60)\move(960,70,1331,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:30.67,0:01:31.27,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1313,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}ha
Dialogue: 1,0:01:30.67,0:01:31.67,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1301,62)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ha
Dialogue: 0,0:01:26.62,0:01:30.87,OP Romaji,,0,0,0,fx,{\an5\org(1346,60)\move(960,70,1366,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}j
Dialogue: 0,0:01:26.62,0:01:30.87,OP Romaji,,0,0,0,fx,{\an5\org(1371,60)\move(960,70,1391,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:30.87,0:01:31.90,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1373,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,630,\fscx100\fscy100)\}ji
Dialogue: 1,0:01:30.87,0:01:32.30,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1368,85)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ji
Dialogue: 0,0:01:26.72,0:01:31.50,OP Romaji,,0,0,0,fx,{\an5\org(1406,60)\move(960,70,1426,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}m
Dialogue: 0,0:01:26.72,0:01:31.50,OP Romaji,,0,0,0,fx,{\an5\org(1451,60)\move(960,70,1471,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:31.50,0:01:32.08,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1443,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ma
Dialogue: 1,0:01:31.50,0:01:32.48,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1469,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ma
Dialogue: 0,0:01:26.82,0:01:31.68,OP Romaji,,0,0,0,fx,{\an5\org(1484,60)\move(960,70,1504,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:26.82,0:01:31.68,OP Romaji,,0,0,0,fx,{\an5\org(1518,60)\move(960,70,1538,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:31.68,0:01:32.47,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1521,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,390,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:31.68,0:01:32.87,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1540,56)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:31.49,0:01:32.24,OP Romaji,,0,0,0,fx,{\an5\org(132,60)\move(960,70,152,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}Y
Dialogue: 0,0:01:31.49,0:01:32.24,OP Romaji,,0,0,0,fx,{\an5\org(166,60)\move(960,70,186,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:32.24,0:01:32.84,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(169,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}Yo
Dialogue: 1,0:01:32.24,0:01:33.24,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(175,62)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "Yo
Dialogue: 0,0:01:31.59,0:01:32.44,OP Romaji,,0,0,0,fx,{\an5\org(200,60)\move(960,70,220,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:32.44,0:01:33.14,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(220,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}a
Dialogue: 1,0:01:32.44,0:01:33.54,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(194,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a
Dialogue: 0,0:01:31.69,0:01:32.74,OP Romaji,,0,0,0,fx,{\an5\org(233,60)\move(960,70,253,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:31.69,0:01:32.74,OP Romaji,,0,0,0,fx,{\an5\org(266,60)\move(960,70,286,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:32.74,0:01:33.44,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(269,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,300,\fscx100\fscy100)\}ke
Dialogue: 1,0:01:32.74,0:01:33.84,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(292,51)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ke
Dialogue: 0,0:01:31.79,0:01:33.04,OP Romaji,,0,0,0,fx,{\an5\org(325,60)\move(960,70,345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}g
Dialogue: 0,0:01:31.79,0:01:33.04,OP Romaji,,0,0,0,fx,{\an5\org(360,60)\move(960,70,380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:33.04,0:01:33.62,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}ga
Dialogue: 1,0:01:33.04,0:01:34.02,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(376,53)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ga
Dialogue: 0,0:01:31.89,0:01:33.22,OP Romaji,,0,0,0,fx,{\an5\org(418,60)\move(960,70,438,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:31.89,0:01:33.22,OP Romaji,,0,0,0,fx,{\an5\org(452,60)\move(960,70,472,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:33.22,0:01:33.85,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(455,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,230,\fscx100\fscy100)\}ku
Dialogue: 1,0:01:33.22,0:01:34.25,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(473,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ku
Dialogue: 0,0:01:31.99,0:01:33.45,OP Romaji,,0,0,0,fx,{\an5\org(486,60)\move(960,70,506,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:31.99,0:01:33.45,OP Romaji,,0,0,0,fx,{\an5\org(520,60)\move(960,70,540,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:33.45,0:01:34.01,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(523,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,160,\fscx100\fscy100)\}ru
Dialogue: 1,0:01:33.45,0:01:34.41,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(542,75)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ru
Dialogue: 0,0:01:32.09,0:01:33.61,OP Romaji,,0,0,0,fx,{\an5\org(579,60)\move(960,70,599,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:32.09,0:01:33.61,OP Romaji,,0,0,0,fx,{\an5\org(613,60)\move(960,70,633,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:33.61,0:01:34.22,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(616,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}no
Dialogue: 1,0:01:33.61,0:01:34.62,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(609,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no
Dialogue: 0,0:01:32.19,0:01:33.82,OP Romaji,,0,0,0,fx,{\an5\org(672,60)\move(960,70,692,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:32.19,0:01:33.82,OP Romaji,,0,0,0,fx,{\an5\org(706,60)\move(960,70,726,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:33.82,0:01:34.42,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(708,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}na
Dialogue: 1,0:01:33.82,0:01:34.82,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(702,65)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "na
Dialogue: 0,0:01:32.29,0:01:34.02,OP Romaji,,0,0,0,fx,{\an5\org(739,60)\move(960,70,759,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:32.29,0:01:34.02,OP Romaji,,0,0,0,fx,{\an5\org(772,60)\move(960,70,792,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:34.02,0:01:34.83,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(776,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}ra
Dialogue: 1,0:01:34.02,0:01:35.23,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(795,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:01:32.39,0:01:34.43,OP Romaji,,0,0,0,fx,{\an5\org(831,60)\move(960,70,851,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:34.43,0:01:35.09,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(851,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,260,\fscx100\fscy100)\}o
Dialogue: 1,0:01:34.43,0:01:35.49,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(851,71)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "o
Dialogue: 0,0:01:32.49,0:01:34.69,OP Romaji,,0,0,0,fx,{\an5\org(863,60)\move(960,70,883,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}s
Dialogue: 0,0:01:32.49,0:01:34.69,OP Romaji,,0,0,0,fx,{\an5\org(895,60)\move(960,70,915,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:34.69,0:01:35.50,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(900,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,410,\fscx100\fscy100)\}so
Dialogue: 1,0:01:34.69,0:01:35.90,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(878,89)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "so
Dialogue: 0,0:01:32.59,0:01:35.10,OP Romaji,,0,0,0,fx,{\an5\org(928,60)\move(960,70,948,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:32.59,0:01:35.10,OP Romaji,,0,0,0,fx,{\an5\org(961,60)\move(960,70,981,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}e
Dialogue: 0,0:01:35.10,0:01:35.77,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(965,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,270,\fscx100\fscy100)\}re
Dialogue: 1,0:01:35.10,0:01:36.17,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(993,72)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "re
Dialogue: 0,0:01:32.69,0:01:35.37,OP Romaji,,0,0,0,fx,{\an5\org(995,60)\move(960,70,1015,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}z
Dialogue: 0,0:01:32.69,0:01:35.37,OP Romaji,,0,0,0,fx,{\an5\org(1030,60)\move(960,70,1050,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:35.37,0:01:35.97,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1032,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,200,\fscx100\fscy100)\}zu
Dialogue: 1,0:01:35.37,0:01:36.37,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1029,67)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "zu
Dialogue: 0,0:01:32.79,0:01:35.57,OP Romaji,,0,0,0,fx,{\an5\org(1090,60)\move(960,70,1110,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:32.79,0:01:35.57,OP Romaji,,0,0,0,fx,{\an5\org(1114,60)\move(960,70,1134,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:35.57,0:01:36.56,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1117,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,590,\fscx100\fscy100)\}ni
Dialogue: 1,0:01:35.57,0:01:36.96,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1089,54)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ni
Dialogue: 0,0:01:32.89,0:01:36.16,OP Romaji,,0,0,0,fx,{\an5\org(1163,60)\move(960,70,1183,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:32.89,0:01:36.16,OP Romaji,,0,0,0,fx,{\an5\org(1196,60)\move(960,70,1216,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:36.16,0:01:36.78,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1199,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}ko
Dialogue: 1,0:01:36.16,0:01:37.18,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1225,83)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko
Dialogue: 0,0:01:32.99,0:01:36.38,OP Romaji,,0,0,0,fx,{\an5\org(1230,60)\move(960,70,1250,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}n
Dialogue: 0,0:01:32.99,0:01:36.38,OP Romaji,,0,0,0,fx,{\an5\org(1264,60)\move(960,70,1284,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:36.38,0:01:36.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1267,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,180,\fscx100\fscy100)\}no
Dialogue: 1,0:01:36.38,0:01:37.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1276,70)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "no
Dialogue: 0,0:01:33.09,0:01:36.56,OP Romaji,,0,0,0,fx,{\an5\org(1325,60)\move(960,70,1345,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}d
Dialogue: 0,0:01:33.09,0:01:36.56,OP Romaji,,0,0,0,fx,{\an5\org(1360,60)\move(960,70,1380,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:36.56,0:01:37.17,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1362,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,210,\fscx100\fscy100)\}do
Dialogue: 1,0:01:36.56,0:01:37.57,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1348,58)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "do
Dialogue: 0,0:01:33.19,0:01:36.77,OP Romaji,,0,0,0,fx,{\an5\org(1394,60)\move(960,70,1414,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:36.77,0:01:37.39,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1414,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,220,\fscx100\fscy100)\}a
Dialogue: 1,0:01:36.77,0:01:37.79,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1442,64)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "a
Dialogue: 0,0:01:33.29,0:01:36.99,OP Romaji,,0,0,0,fx,{\an5\org(1463,60)\move(960,70,1483,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}w
Dialogue: 0,0:01:33.29,0:01:36.99,OP Romaji,,0,0,0,fx,{\an5\org(1508,60)\move(960,70,1528,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:36.99,0:01:37.88,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1500,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,490,\fscx100\fscy100)\}wo
Dialogue: 1,0:01:36.99,0:01:38.28,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1476,68)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "wo
Dialogue: 0,0:01:33.39,0:01:37.48,OP Romaji,,0,0,0,fx,{\an5\org(1567,60)\move(960,70,1587,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}h
Dialogue: 0,0:01:33.39,0:01:37.48,OP Romaji,,0,0,0,fx,{\an5\org(1591,60)\move(960,70,1611,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}i
Dialogue: 0,0:01:37.48,0:01:38.33,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1594,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,450,\fscx100\fscy100)\}hi
Dialogue: 1,0:01:37.48,0:01:38.73,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1593,52)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "hi
Dialogue: 0,0:01:33.49,0:01:37.93,OP Romaji,,0,0,0,fx,{\an5\org(1615,60)\move(960,70,1635,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}r
Dialogue: 0,0:01:33.49,0:01:37.93,OP Romaji,,0,0,0,fx,{\an5\org(1648,60)\move(960,70,1668,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}a
Dialogue: 0,0:01:37.93,0:01:38.58,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1652,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,250,\fscx100\fscy100)\}ra
Dialogue: 1,0:01:37.93,0:01:38.98,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1633,58)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ra
Dialogue: 0,0:01:33.59,0:01:38.18,OP Romaji,,0,0,0,fx,{\an5\org(1681,60)\move(960,70,1701,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}k
Dialogue: 0,0:01:33.59,0:01:38.18,OP Romaji,,0,0,0,fx,{\an5\org(1715,60)\move(960,70,1735,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}o
Dialogue: 0,0:01:38.18,0:01:38.96,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1718,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,380,\fscx100\fscy100)\}ko
Dialogue: 1,0:01:38.18,0:01:39.36,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1688,90)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "ko
Dialogue: 0,0:01:33.69,0:01:38.56,OP Romaji,,0,0,0,fx,{\an5\org(1749,60)\move(960,70,1769,70,0,800)\fad(500,0)\fscx70\fscy50\frz-20\be1.3\t(100,440,\frz10)\t(440,800,\frz0\fscx120\fscy100)\fad(300,0)\blur4\bord1}u
Dialogue: 0,0:01:38.56,0:01:42.48,OP Romaji,,0,0,0,fx,{\an5\fad(0,400)\an5\pos(1769,70)\bord2\blur5\t(0,100,\fscx120\fscy120)\t(100,3520,\fscx100\fscy100)\}u
Dialogue: 1,0:01:38.56,0:01:42.88,OP Romaji,,0,0,0,fx,{\galovejiro\fscx20\fscy20\alpha0\an5\c&HFFFFFF&\bord0\blur0\pos(1758,60)\(0,100,\alpha0\3c&HFFFFFF&)\t(100,200,\1a&HFF&)\t(200,300,\alpha0\3c&HFFFFFF&)\t(300,350,\1a&HFF&)\t(350,400,\alpha0\alpha0\3c&HFFFFFF&)\t(400,420,\1a&HFF&)\t(500,580,\alpha0\3c&HFFFFFF&)\t(580,720,\1a&HFF&)\t(750,800,\alpha0\3c&HFFFFFF&)\t(800,920,\1a&HFF&)\p1}m -50 0 b -17 -1 -6 -1 -8 -6 b -1 -6 -1 -17 0 -50 b 1 -17 1 -6 8 -6 b 6 -1 17 -1 50 0 b 17 1 6 1 8 6 b 1 6 1 17 0 50 b -1 17 -1 6 -8 6 b -7 0 -17 1 -50 0 "u
Dialogue: 1,0:21:43.16,0:21:48.38,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}لن أنسى أمرك
Dialogue: 1,0:21:48.67,0:21:52.40,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}مهما مضى الوقت
Dialogue: 1,0:21:52.47,0:22:01.20,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}لا يمكنني التعبير عن مشاعري الفائضة جيدًا
Dialogue: 1,0:22:11.42,0:22:14.91,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}الألم لمقدار ما
Dialogue: 1,0:22:15.11,0:22:19.29,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5} تجعلك تدرك مقدار القوة التي يمكنك امتلاكها
Dialogue: 1,0:22:19.50,0:22:24.14,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}وأنه يمكنك الطيران عاليًا وبعيدًا
Dialogue: 1,0:22:24.34,0:22:29.38,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}إنه سر عهدته لنفسك
Dialogue: 1,0:22:29.88,0:22:37.39,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}المعجزات دومًا تستهوي بعض الناس
Dialogue: 1,0:22:37.68,0:22:42.52,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}إن كنا تحت نفس السماء
Dialogue: 1,0:22:42.85,0:22:49.23,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}فإنني لن أستسلم
Dialogue: 1,0:22:50.11,0:22:55.36,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}لن أنسى ذلك اليوم
Dialogue: 1,0:22:55.49,0:22:59.24,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}مهما مضى الوقت
Dialogue: 1,0:22:59.27,0:23:07.95,ED - AR,,0,0,0,,{\fad(300,300)\blur7.5}المشاعر التي لا يمكنني التعبير عنها تفيضني
Dialogue: 0,0:23:47.41,0:23:49.41,sign,,0,0,0,,