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; http://www.aegisub.org/
Title: HorribleSubs
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Style: notes,Bahij Muna Black,50,&H00FFFFFF,&H000000FF,&H00053D21,&H8C000000,0,0,0,0,95,100,0,0,1,2.8,1.5,8,0,0,20,1
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Style: ED-Arabic,Hayah,65,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,-1,0,0,100,100,0,0,1,3,0,2,10,10,20,1
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:23.45,0:00:27.08,Default,,0,0,0,,...لـ-لماذا أشعر بالتوتر في هذه الغرفة
Dialogue: 0,0:00:27.08,0:00:32.41,Default,,0,0,0,,.لا حاجة للقلق... فأنا أفضل منك في الحكم على الآخرين
Dialogue: 0,0:00:32.41,0:00:33.62,Default,,0,0,0,,.كوروسو-سان
Dialogue: 0,0:00:33.62,0:00:35.00,Default,,0,0,0,,مـ-ماذا هناك؟
Dialogue: 0,0:00:35.00,0:00:38.79,Default,,0,0,0,,...فيما يتعلق بالتدريبات استعدادًا للمهرجان المدرسي
Dialogue: 0,0:00:38.79,0:00:40.75,Default,,0,0,0,,هل أنتِ مصابة بالمرض؟
Dialogue: 0,0:00:42.04,0:00:43.04,Default,,0,0,0,,!كوروسو-سان؟
Dialogue: 0,0:00:43.04,0:00:44.70,Default,,0,0,0,,!هـ-هل أنتِ بخير؟
Dialogue: 0,0:00:45.79,0:00:47.58,Default,,0,0,0,,.أنا بخير، أنا بخير
Dialogue: 0,0:00:47.58,0:00:50.00,Default,,0,0,0,,!لـ-لنتدرب! لنتدرب بسرعة
Dialogue: 0,0:00:50.00,0:00:51.41,Default,,0,0,0,,.حـ-حسنًا
Dialogue: 0,0:00:55.58,0:00:59.79,Default,,0,0,0,,.بئسًا... أشعر بتوتر أكثر مما كنت أتوقع
Dialogue: 0,0:00:59.79,0:01:04.20,Default,,0,0,0,,.رغم أنه كان حادثًا، إلا أنه أزعجها بالقدر الذي دفعها إلى البكاء
Dialogue: 0,0:01:04.20,0:01:06.95,Default,,0,0,0,,...لكن إذا اعتذرت بصدق، فأنا واثق من أنها
Dialogue: 0,0:01:06.95,0:01:08.25,Default,,0,0,0,,!هوزوكي
Dialogue: 0,0:01:09.87,0:01:12.45,Default,,0,0,0,,لماذا صرفت وجهي عنه بكل وضوح؟
Dialogue: 0,0:01:12.45,0:01:18.58,Default,,0,0,0,,لو أنني قلت "لا تلقِ لهذا بالاً" كما  أقول عادة\N.لعادت الأمور إلى مجاريها
Dialogue: 0,0:01:19.84,0:01:21.70,Default,,0,0,0,,هل من أطفال مشاغبين هنا؟
Dialogue: 0,0:01:21.70,0:01:23.50,Default,,0,0,0,,!سنأكلكم
Dialogue: 0,0:01:23.50,0:01:24.91,Default,,0,0,0,,.نمزح
Dialogue: 0,0:01:24.91,0:01:26.50,Default,,0,0,0,,هل خفتم؟ هل خفتم؟
Dialogue: 0,0:01:26.50,0:01:29.33,Default,,0,0,0,,.سنرتدي هذه الأقنعة في بيت الرعب في المهرجان المدرسي
Dialogue: 0,0:01:30.30,0:01:31.79,Default -up,,0,0,0,,....مذهل
Dialogue: 0,0:01:29.33,0:01:34.00,Default,,0,0,0,,.انظر إلى تشيكا وهوزوكي-سان، أصيبا بالذهول جراء الصدمة
Dialogue: 0,0:01:31.79,0:01:34.00,Default -up,,0,0,0,,.يبدو أنكم عدتم إلى طبائعكم المعتادة، هذا أمر جيد
Dialogue: 0,0:01:34.00,0:01:35.54,Default,,0,0,0,,!كان نجاحًا باهرًا
Dialogue: 0,0:03:05.65,0:03:08.65,Signs-0,,0,0,0,,{\c&H1F1412&\pos(429,57)}ناي الكوتو
Dialogue: 0,0:03:06.40,0:03:11.25,ep,,0,0,0,,{\fad(500,500)\fscx153\fscy131\pos(1200,625.714)}الحلقة 16: وقتهما
Dialogue: 0,0:03:08.58,0:03:11.41,Default -up,,0,0,0,,!سحقًا، أخطأت ثانية
Dialogue: 0,0:03:11.87,0:03:14.45,Default,,0,0,0,,.نحن مشتتون
Dialogue: 0,0:03:15.11,0:03:17.83,Default,,0,0,0,,،هذا يكفي\N.لنتوقف عند هذا الحد اليوم
Dialogue: 0,0:03:18.12,0:03:18.95,Default,,0,0,0,,لماذا؟
Dialogue: 0,0:03:18.95,0:03:22.75,Default,,0,0,0,,تدني مستواكم في التدريب سيؤثر على حماسكم\N.ولا فائدة ترجى منه
Dialogue: 0,0:03:22.75,0:03:27.12,Default,,0,0,0,,.إذا أردتم أن تتدربوا فافعلوا ذلك منفردين، ولا تعزفوا معًا
Dialogue: 0,0:03:27.12,0:03:29.54,Default,,0,0,0,,...هذا لأنني لم أستطع التركيز
Dialogue: 0,0:03:29.54,0:03:31.12,Default,,0,0,0,,!المعذرة
Dialogue: 0,0:03:31.12,0:03:34.12,Default,,0,0,0,,.ربما لأنني لست ماهرًا في كوتو السبعة عشر وترًا
Dialogue: 0,0:03:34.12,0:03:39.20,Default,,0,0,0,,أعتقد أننا نفتقر إلى العمل معًا لأنني لا أستطيع توجيهكم\N.كما تفعل هوزوكي-سان
Dialogue: 0,0:03:39.20,0:03:44.08,Default,,0,0,0,,كيف أكون مشتتة هكذا في حين أن الجميع يبذل ما بوسعه؟
Dialogue: 0,0:03:44.08,0:03:47.08,Default,,0,0,0,,...وخصوصًا بعد أن تحفز سوزوكا-تشان
Dialogue: 0,0:03:47.08,0:03:49.16,Default,,0,0,0,,.أنا مريعة حقًا في إدراك ما يدور حولي
Dialogue: 0,0:03:49.16,0:03:50.54,Default,,0,0,0,,!لنتدرب
Dialogue: 0,0:03:50.54,0:03:51.75,Default,,0,0,0,,...هيرو-سينباي
Dialogue: 0,0:03:51.75,0:03:55.08,Default,,0,0,0,,!لم أكن في كامل تركيزي، أنا آسفة
Dialogue: 0,0:03:55.08,0:03:58.50,Default,,0,0,0,,،أعلم ما قاله سوزوكا-تشان\N.لكن لا وقت لدينا
Dialogue: 0,0:03:58.50,0:04:00.83,Default,,0,0,0,,!لذا لنعزف معًا
Dialogue: 0,0:04:00.83,0:04:03.25,Default,,0,0,0,,.أجل... لنفعل هذا
Dialogue: 0,0:04:03.25,0:04:04.95,Default,,0,0,0,,!حسنًا إذن! لنفعل هذا
Dialogue: 0,0:04:04.95,0:04:08.00,Default -up,,0,0,0,,.إذن لنجرب من البداية ثانية
Dialogue: 0,0:04:05.58,0:04:08.00,Default,,0,0,0,,.هذا ليس وقت الارتباك بسبب أمرٍ كهذا
Dialogue: 0,0:04:08.00,0:04:10.54,Default,,0,0,0,,.يجب أن أحصر تركيزي على المهرجان المدرسي الآن
Dialogue: 0,0:04:10.54,0:04:15.12,Default,,0,0,0,,.يجب أن أسرع في التخلص من هذه المشاعر التي تفسد الأجواء
Dialogue: 0,0:04:17.37,0:04:19.16,Default,,0,0,0,,كوروسو-سان، هل أنتِ بحال أفضل الآن؟
Dialogue: 0,0:04:19.68,0:04:21.00,Default,,0,0,0,,ما الذي تتحدث عنه؟
Dialogue: 0,0:04:21.00,0:04:25.00,Default,,0,0,0,,...كنتِ تتصرفين بغرابة عندما بدأنا التدريب
Dialogue: 0,0:04:25.00,0:04:29.50,Default,,0,0,0,,هذا ما تقصده؟\N.كنت مشتتة قليلاً لأن المهرجان المدرسي على مقربة
Dialogue: 0,0:04:29.50,0:04:30.58,Default,,0,0,0,,.أنا آسفة
Dialogue: 0,0:04:30.58,0:04:33.12,Default,,0,0,0,,.حقًا؟ لا مشكلة إذن
Dialogue: 0,0:04:33.12,0:04:34.79,Default,,0,0,0,,.أعتذر عن تسببي لك بالقلق
Dialogue: 0,0:04:34.79,0:04:36.20,Default,,0,0,0,,.أنا آسفة
Dialogue: 0,0:04:37.20,0:04:40.37,Default,,0,0,0,,صحيح أنني صُدمت\N.لكن أنا التي تحركت فجأة
Dialogue: 0,0:04:40.37,0:04:43.08,Default,,0,0,0,,.لذا أنت الضحية هنا
Dialogue: 0,0:04:43.08,0:04:46.62,Default,,0,0,0,,.أعتذر عن تصرفي الغريب بسبب حادث بسيط
Dialogue: 0,0:04:46.62,0:04:47.50,Default,,0,0,0,,...هوزوكي
Dialogue: 0,0:04:47.50,0:04:51.33,Default,,0,0,0,,.حسنًا إذن، انتهى الأمر الآن
Dialogue: 0,0:04:51.33,0:04:53.04,Default,,0,0,0,,.أراكَ غدًا
Dialogue: 0,0:04:53.04,0:04:54.83,Default,,0,0,0,,.حـ-حسنًا
Dialogue: 0,0:04:58.01,0:05:00.41,Default,,0,0,0,,أليس من الرائع أن المشكلة قد انتهت؟
Dialogue: 0,0:05:00.41,0:05:03.95,Default,,0,0,0,,.بلى، لكن أشعر بوجود خطأ ما
Dialogue: 0,0:05:05.20,0:05:08.12,Default,,0,0,0,,أستطيع التحدث إليها كما أفعل عادة، أليس كذلك؟
Dialogue: 0,0:05:08.12,0:05:10.00,Default,,0,0,0,,.مـ-مرحبًا
Dialogue: 0,0:05:10.00,0:05:12.45,Default,,0,0,0,,.صباح الخير
Dialogue: 0,0:05:13.05,0:05:13.87,Default,,0,0,0,,...بالمناسبة يا هوزوكي
Dialogue: 0,0:05:13.87,0:05:16.08,Default,,0,0,0,,...أنا على عجلة، لذا سأسبقك
Dialogue: 0,0:05:22.16,0:05:24.20,Default,,0,0,0,,...الأمر ليس بيدها
Dialogue: 0,0:05:24.20,0:05:27.45,Default,,0,0,0,,.بما أن ما حدث ضايقها ودفعها إلى البكاء
Dialogue: 0,0:05:27.45,0:05:31.08,Default,,0,0,0,,.هذا قد يتطلب وقتًا، حتى لو كانت ترغب في أن تتصرف بشكل طبيعي
Dialogue: 0,0:05:31.08,0:05:34.70,Default,,0,0,0,,...اللعنة! لو أنني أسرع في ردود أفعالي
Dialogue: 0,0:05:34.70,0:05:36.58,Default,,0,0,0,,.لا أعتقد أن هذا هو السبب
Dialogue: 0,0:05:36.58,0:05:39.50,Default,,0,0,0,,ما رأيك لو أفسحت لها المجال قليلاً؟
Dialogue: 0,0:05:39.50,0:05:42.25,Default,,0,0,0,,.ستعود الأمور إلى طبيعتها مع الوقت على الأرجح
Dialogue: 0,0:05:43.61,0:05:50.61,Signs-0,,0,0,0,,{\pos(340,257.333)\c&H4D3842&}نادي الكوتو
Dialogue: 0,0:05:43.54,0:05:47.91,Default,,0,0,0,,هوزوكي-سان، هل سبق أن جهزتِ قائمة من أجل تصفيات البطولة الوطنية؟
Dialogue: 0,0:05:47.91,0:05:50.54,Default,,0,0,0,,.أجل، أحضرت بعض المقطوعات
Dialogue: 0,0:05:51.40,0:05:54.00,Default,,0,0,0,,.هذا مذهل، يوجد العديد من المقطوعات هنا
Dialogue: 0,0:05:54.00,0:05:55.87,Default,,0,0,0,,.أثارت هذه اهتمامي
Dialogue: 0,0:05:55.87,0:05:58.66,Default,,0,0,0,,.أنت أيضًا يا تشيكا، اطلع على هذه الأقراص
Dialogue: 0,0:05:58.66,0:06:00.58,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:06:00.58,0:06:01.91,Default,,0,0,0,,...ما عنوان
Dialogue: 0,0:06:03.91,0:06:06.37,Default,,0,0,0,,.دعني أر ما لديك يا ساني
Dialogue: 0,0:06:07.79,0:06:13.04,Default,,0,0,0,,،ستعود الأمور إلى طبيعتها مع الوقت\N...مع الوقت
Dialogue: 0,0:06:16.90,0:06:24.36,Signs-1,,0,0,0,,{\pos(481.333,5.333)}مهرجان توكيسي المدرسي
Dialogue: 0,0:06:19.83,0:06:24.29,Default,,0,0,0,,!أهلاً بكم! نحن نقيم بيت الرعب
Dialogue: 0,0:06:24.29,0:06:25.95,Default,,0,0,0,,!هيرو-سينباي
Dialogue: 0,0:06:25.95,0:06:27.00,Default,,0,0,0,,!كوتا
Dialogue: 0,0:06:27.76,0:06:29.04,Default,,0,0,0,,!زي جميل
Dialogue: 0,0:06:29.04,0:06:30.70,Default,,0,0,0,,!إنه يناسبك
Dialogue: 0,0:06:30.70,0:06:31.79,Default,,0,0,0,,.شكرًا لكم
Dialogue: 0,0:06:31.79,0:06:34.50,Default,,0,0,0,,.أنتم ترتدون أزياء مختلفة عما كنتم ترتدونه في ذلك اليوم
Dialogue: 0,0:06:34.50,0:06:37.16,Default,,0,0,0,,.فتيات فصلنا رفضنها
Dialogue: 0,0:06:37.16,0:06:38.66,Default,,0,0,0,,.طلبن منا ارتداء هذه
Dialogue: 0,0:06:38.66,0:06:40.33,Default,,0,0,0,,.إ-إنها تناسبكم
Dialogue: 0,0:06:42.87,0:06:44.83,Default,,0,0,0,,!أعتذر عن تأخري
Dialogue: 0,0:06:47.21,0:06:51.16,Default,,0,0,0,,أنا آسف يا كوروسو-سان\N.على جعلك تذهبين لجلبها وحدك
Dialogue: 0,0:06:51.16,0:06:53.33,Default,,0,0,0,,...جـ-جميل
Dialogue: 0,0:06:53.33,0:06:54.29,Default,,0,0,0,,!لا...
Dialogue: 0,0:06:54.29,0:06:55.29,Default,,0,0,0,,!كوروسو-سان
Dialogue: 0,0:06:55.29,0:06:59.25,Default,,0,0,0,,إ-إلى أي درجة قد يصبح المهرجان مخيفًا؟\N.يجب ألا أرخي دفاعاتي
Dialogue: 0,0:06:59.25,0:07:01.75,Default,,0,0,0,,.الزي يناسبك يا كوروسو-سان، تبدين جميلة
Dialogue: 0,0:07:01.75,0:07:02.91,Default,,0,0,0,,!سأبرحك ضربًا
Dialogue: 0,0:07:02.91,0:07:03.91,Default,,0,0,0,,!المعذرة
Dialogue: 0,0:07:03.98,0:07:05.98,Signs-0,,0,0,0,,{\c&H554C4B&\frz275.4\pos(939.667,381)\fscx73\fscy101}مقهى على الطراز الياباني
Dialogue: 0,0:07:03.98,0:07:05.98,Signs-0,,0,0,0,,{\c&H554C4B&\frz276.7\pos(499.667,486.667)}الماتشا بالحليب 150 ينًا
Dialogue: 0,0:07:03.98,0:07:05.98,Signs-0,,0,0,0,,{\c&H554C4B&\frz276.4\fscx63\fscy85\pos(388,542.667)}الهوجيتشا 150 ينًا
Dialogue: 0,0:07:03.98,0:07:05.98,Signs-0,,0,0,0,,{\c&H554C4B&\frz274.8\fscx56\fscy81\pos(238.666,534.667)}دايفوكو الفراولة 200 ين
Dialogue: 0,0:07:09.58,0:07:11.66,Default,,0,0,0,,،عذرًا عن التأخير\N...ها هو الماتشا بالحليب
Dialogue: 0,0:07:12.32,0:07:13.29,Default,,0,0,0,,!ما أجملك
Dialogue: 0,0:07:14.12,0:07:17.25,Default,,0,0,0,,اسمعي، ما رأيك لو تركتِ هذا المكان وخرجت معنا لبعض الوقت؟
Dialogue: 0,0:07:17.25,0:07:18.95,Default,,0,0,0,,...أنا آسفة، لكنني مشغولة
Dialogue: 0,0:07:18.95,0:07:21.04,Default,,0,0,0,,.ما المانع؟ لوقت قصير فقط
Dialogue: 0,0:07:21.04,0:07:22.37,Default,,0,0,0,,.دعني رجاءً
Dialogue: 0,0:07:22.37,0:07:25.58,Default,,0,0,0,,.حسنًا، سأتركك إذا أخبرتني عن اسمك
Dialogue: 0,0:07:25.58,0:07:26.25,Default,,0,0,0,,ما-؟
Dialogue: 0,0:07:27.58,0:07:32.25,Default,,0,0,0,,كودو تشيكا، من برج العذراء، ولدت في الثاني من سبتمبر\N.فصيلة دمي أو
Dialogue: 0,0:07:32.25,0:07:34.79,Default,,0,0,0,,هل تريدان معرفة شيء آخر؟
Dialogue: 0,0:07:34.79,0:07:36.66,Default,,0,0,0,,.لـ-لا نريد
Dialogue: 0,0:07:39.79,0:07:41.83,Default,,0,0,0,,...ما زلت عاجزة
Dialogue: 0,0:07:41.83,0:07:45.16,Default,,0,0,0,,.عن النظر إلى عيني كودو
Dialogue: 0,0:07:45.16,0:07:47.37,Default,,0,0,0,,.ما زلت أشعر بحرارة في وجهي
Dialogue: 0,0:07:47.37,0:07:49.70,Default,,0,0,0,,لماذا...؟ ما العمل؟
Dialogue: 0,0:07:49.70,0:07:52.41,Default,,0,0,0,,...أريد أن تعود الأمور إلى طبيعتها بسرعة
Dialogue: 0,0:07:52.41,0:07:54.25,Default,,0,0,0,,هل أنتَ بخير؟
Dialogue: 0,0:07:54.25,0:07:55.91,Default,,0,0,0,,.اصمت أيها الغبي
Dialogue: 0,0:07:55.91,0:07:57.54,Default,,0,0,0,,.تيتسوكي الغبي
Dialogue: 0,0:07:57.54,0:07:59.91,Default,,0,0,0,,.يبدو مكتئبًا حقًا
Dialogue: 0,0:07:59.91,0:08:03.20,Default,,0,0,0,,!الفصل 2-أ يقدم الوافل
Dialogue: 0,0:08:03.20,0:08:08.79,Default,,0,0,0,,من الجيد أنني اخترت دور الدعاية\N.بهذا لن أضطر إلى رؤية كوراتا كثيرًا
Dialogue: 0,0:08:08.79,0:08:10.08,Default,,0,0,0,,!أهلاً وسهلاً
Dialogue: 0,0:08:10.08,0:08:13.50,Default,,0,0,0,,أرجو المعذرة، هل كوراتا-كن هنا؟
Dialogue: 0,0:08:13.50,0:08:15.16,Default,,0,0,0,,.نعم، إنه هنا
Dialogue: 0,0:08:15.16,0:08:16.25,Default,,0,0,0,,من هذه؟
Dialogue: 0,0:08:17.79,0:08:18.91,Default,,0,0,0,,!تاكيزو
Dialogue: 0,0:08:27.03,0:08:30.00,Default,,0,0,0,,مـ-ماشيرو-سينباي؟! أتيت إذن؟
Dialogue: 0,0:08:30.00,0:08:33.20,Default,,0,0,0,,.أجل، أتيت لأنني أردت رؤيتك
Dialogue: 0,0:08:33.20,0:08:34.54,Default,,0,0,0,,.تبدو جميلاً في الزي
Dialogue: 0,0:08:34.54,0:08:35.91,Default,,0,0,0,,.سـ-سينباي
Dialogue: 0,0:08:35.91,0:08:38.04,Default,,0,0,0,,.كان ينبغي أن تخبريني بقدومك
Dialogue: 0,0:08:38.04,0:08:39.75,Default,,0,0,0,,.أردت أن أفاجئك
Dialogue: 0,0:08:39.75,0:08:43.16,Default,,0,0,0,,،رغم أنه لم يمض وقت طويل\N!إلا أنك تبدو أنضج الآن
Dialogue: 0,0:08:43.16,0:08:44.75,Default,,0,0,0,,...هذا
Dialogue: 0,0:08:44.75,0:08:46.45,Default,,0,0,0,,.ا-المعذرة
Dialogue: 0,0:08:46.45,0:08:51.16,Default,,0,0,0,,.زيارتك المفاجئة أصابتني بالذهول وجعلتني أعجز عن الكلام
Dialogue: 0,0:08:56.70,0:09:01.37,Default,,0,0,0,,.سينباي، سنقدم أداءنا في الكوتو في الثانية عشرة والنصف في صالة الرياضة
Dialogue: 0,0:09:01.37,0:09:04.20,Default,,0,0,0,,!لا أصدق! سأحضر! سأحضر لسماعه بكل تأكيد
Dialogue: 0,0:09:04.20,0:09:07.37,Default,,0,0,0,,لكن هل حصلتم على إذن باستخدام المسرح؟
Dialogue: 0,0:09:07.37,0:09:10.70,Default,,0,0,0,,.أذكر أنه لا بد من حصولكم على خمسة أعضاء لاعتلائه
Dialogue: 0,0:09:10.70,0:09:13.50,Default,,0,0,0,,.يوجد الآن سبعة أعضاء في نادي الكوتو
Dialogue: 0,0:09:13.50,0:09:15.58,Default,,0,0,0,,...سبعة... أعضاء
Dialogue: 0,0:09:15.58,0:09:17.54,Default,,0,0,0,,...لا أصدق... هذا مذهل
Dialogue: 0,0:09:17.54,0:09:19.75,Default,,0,0,0,,.هذا مذهل يا تاكيزو
Dialogue: 0,0:09:19.75,0:09:22.20,Default,,0,0,0,,.لا بد أنك بذلت جهدًا كبيرًا، هذا مذهل
Dialogue: 0,0:09:22.20,0:09:25.41,Default,,0,0,0,,.لا، في الحقيقة لم أفعل الكثير
Dialogue: 0,0:09:25.41,0:09:27.33,Default,,0,0,0,,.بذلت جهدًا كبيرًا
Dialogue: 0,0:09:31.58,0:09:35.00,Default,,0,0,0,,أراك لاحقًا إذن\N!أنا متشوقة لسماع أدائكم
Dialogue: 0,0:09:35.00,0:09:36.29,Default,,0,0,0,,!حسنًا
Dialogue: 0,0:09:39.61,0:09:43.08,Default,,0,0,0,,.كوروسو-سان، كان ينبغي أن أقدمك لها
Dialogue: 0,0:09:43.08,0:09:46.12,Default,,0,0,0,,.تلك الفتاة كانت الرئيسة السابقة لنادي الكوتو
Dialogue: 0,0:09:46.12,0:09:49.29,Default,,0,0,0,,.كانت لطيفة معي لأنني كنت الشخص الوحيد من السنة الأولى في العام الماضي
Dialogue: 0,0:09:49.29,0:09:50.12,Default,,0,0,0,,...لا
Dialogue: 0,0:09:51.00,0:09:54.95,Default,,0,0,0,,.لا علاقة لي بهذا الأمر
Dialogue: 0,0:09:54.95,0:09:58.45,Default,,0,0,0,,.معك... حق، أنا آسف
Dialogue: 0,0:09:59.54,0:10:02.45,Default,,0,0,0,,.جرحت مشاعره للتو
Dialogue: 0,0:10:02.45,0:10:04.50,Default,,0,0,0,,،بدلاً من أن أتخلص من مشاعري نحوه
Dialogue: 0,0:10:04.50,0:10:06.37,Default,,0,0,0,,شعرت بالغيرة وأفرغت غضبي عليه؟
Dialogue: 0,0:10:06.37,0:10:09.50,Default,,0,0,0,,!ما الذي أفعله؟ كم أنا مريعة
Dialogue: 0,0:10:09.50,0:10:14.16,Default,,0,0,0,,.لم أكن أعرف عن كوراتا إلا القليل عندما كنا في السنة الأولى
Dialogue: 0,0:10:14.16,0:10:17.08,Default,,0,0,0,,،عندما كنت أخدع الناس وأؤذيهم
Dialogue: 0,0:10:17.08,0:10:21.62,Default,,0,0,0,,."تابع العمل بجد في أنشطة النادي، في حين أنه كان يدعى "ناديشكو-تشان
Dialogue: 0,0:10:21.62,0:10:24.66,Default,,0,0,0,,.وكنت أنظر إليه بازدراء كحال الآخرين
Dialogue: 0,0:10:24.66,0:10:28.70,Default,,0,0,0,,.أنا لا أعلم شيئًا عن ماضيهما والذي قاد إلى تلك المحادثة بينهما
Dialogue: 0,0:10:28.70,0:10:32.62,Default,,0,0,0,,...رغم هذا، ما دمت قادرة على أن أؤدي دورًا
Dialogue: 0,0:10:32.62,0:10:33.54,Default,,0,0,0,,!كوراتا
Dialogue: 0,0:10:33.54,0:10:37.75,Default,,0,0,0,,!ا-انسَ ما قلته لك، أفرغت غضبي عليك\N!أنا آسفة
Dialogue: 0,0:10:37.75,0:10:40.25,Default,,0,0,0,,تلك الفتاة عزيزة عليك، أليس كذلك؟
Dialogue: 0,0:10:40.25,0:10:45.62,Default,,0,0,0,,!سأبذل ما بوسعي في الأداء لتكون فخورًا بنادي الكوتو الحالي
Dialogue: 0,0:10:45.62,0:10:48.70,Default,,0,0,0,,...لذا
Dialogue: 0,0:10:48.70,0:10:49.87,Default,,0,0,0,,.كوروسو-سان
Dialogue: 0,0:10:51.91,0:10:53.41,Default,,0,0,0,,.شكرًا لك
Dialogue: 0,0:10:56.62,0:11:01.45,Default,,0,0,0,,.اسمعوا! رئيسة النادي السابقة جاءت إلى هنا لسماع أدائنا\N!فلنبذل أقصى جهدنا
Dialogue: 0,0:11:01.45,0:11:03.66,Default,,0,0,0,,سينباي تاكيزو-سينباي؟
Dialogue: 0,0:11:03.66,0:11:05.83,Default,,0,0,0,,.هذا يعني أنها سينباي عظمى بالنسبة لنا
Dialogue: 0,0:11:05.83,0:11:08.00,Default,,0,0,0,,.يجدر بنا أن نقدم أداءً جيدًا
Dialogue: 0,0:11:08.00,0:11:09.45,Default,,0,0,0,,.أجل، سأبذل ما بوسعي
Dialogue: 0,0:11:09.45,0:11:11.45,Default,,0,0,0,,.لا حاجة لإجهاد أنفسكم
Dialogue: 0,0:11:11.45,0:11:16.45,Default,,0,0,0,,لنستمتع بأدائنا على المسرح إلى أقصى حد\N.هذا ما طلبته مني
Dialogue: 0,0:11:16.45,0:11:20.16,Default,,0,0,0,,،ستكون الأمور على ما يرام، هذا ما قالته لي سينباي في إحدى المرات
Dialogue: 0,0:11:20.16,0:11:24.79,Default,,0,0,0,,.اعتلاء المسرح مكافأة لك على ما بذلته من مجهود حتى الآن
Dialogue: 0,0:11:24.79,0:11:28.04,Default,,0,0,0,,!لذا استمتع به قدر الإمكان
Dialogue: 0,0:11:28.04,0:11:30.05,Default,,0,0,0,,،بل لي علاقة بهذا الأمر
Dialogue: 0,0:11:30.05,0:11:32.20,Default,,0,0,0,,.أنا على صلة بها بالفعل
Dialogue: 0,0:11:32.20,0:11:37.87,Default,,0,0,0,,عندما كنت العضو الوحيد في النادي\N.كانت كلماتها هي الدافع الوحيد لي كل يوم
Dialogue: 0,0:11:37.87,0:11:45.08,Default,,0,0,0,,لذا أنا في غاية السعادة\N !لأنه حل اليوم الذي نعزف فيه نحن أعضاء النادي الحاليين أمامها
Dialogue: 0,0:11:51.95,0:11:55.45,Default,,0,0,0,,.التالي هو أداء مقدم من نادي الكوتو
Dialogue: 0,0:11:55.45,0:11:58.04,Default,,0,0,0,,.هذا مذهل... إنهم سبعة حقًا
Dialogue: 0,0:11:58.04,0:12:00.33,Default,,0,0,0,,.فوق هذا يوجد الكثير من الفتيان
Dialogue: 0,0:12:13.50,0:12:17.83,Default,,0,0,0,,هذا مذهل... أليسوا بارعين؟\N.يبدو أنهم مستمتعون بأدائهم
Dialogue: 0,0:12:17.83,0:12:19.12,Default,,0,0,0,,.أجل
Dialogue: 0,0:12:19.12,0:12:24.37,Default,,0,0,0,,،كان البعض منهم يشعر بعدم الراحة أثناء التدريب
Dialogue: 0,0:12:24.37,0:12:29.37,Default,,0,0,0,,...لذا اعتقدت أنهم قد يفقدون تركيزهم أثناء الأداء، لكن
Dialogue: 0,0:12:29.37,0:12:36.54,Default,,0,0,0,,.يبدو أنهم جميعًا يسعون إلى هدف واحد
Dialogue: 0,0:12:36.54,0:12:40.12,Default,,0,0,0,,.إنهم حقًا... مجموعة مثيرة للاهتمام
Dialogue: 0,0:12:43.70,0:12:47.12,Default,,0,0,0,,!كنتم رائعين حقًا
Dialogue: 0,0:12:47.12,0:12:48.16,Default,,0,0,0,,!حـ-حقًا؟
Dialogue: 0,0:12:48.16,0:12:49.54,Default,,0,0,0,,هـ-هل تعتقدين هذا؟
Dialogue: 0,0:12:49.54,0:12:51.58,Default,,0,0,0,,!أنتم مذهلون! كنتم تعزفون بتزامن أيضًا
Dialogue: 0,0:12:51.58,0:12:54.33,Default,,0,0,0,,!لقد غمرني العزف كليًا! كان مذهلاً حقًا
Dialogue: 0,0:12:54.94,0:12:56.70,Default,,0,0,0,,!أنا أحبك يا ماشيرون-سينباي
Dialogue: 0,0:12:56.70,0:12:59.12,Default,,0,0,0,,.لم تتغير
Dialogue: 0,0:13:02.00,0:13:05.58,Default,,0,0,0,,.هذا يكفي يا جماعة، لا تحتكروها لأنفسكم
Dialogue: 0,0:13:05.58,0:13:08.95,Default,,0,0,0,,.لا بد أنها ترغب في الحديث مع كوراتا حول كثير من الأمور
Dialogue: 0,0:13:08.95,0:13:11.95,Default,,0,0,0,,كوراتا، لا تبالي بشأننا\N.اذهب وتحدث معها
Dialogue: 0,0:13:12.26,0:13:12.79,Default,,0,0,0,,...لكن
Dialogue: 0,0:13:12.79,0:13:14.66,Default,,0,0,0,,.اذهب فحسب
Dialogue: 0,0:13:14.66,0:13:16.45,Default,,0,0,0,,أنت كوروسو-سان، أليس كذلك؟
Dialogue: 0,0:13:16.93,0:13:18.33,Default,,0,0,0,,.بلى
Dialogue: 0,0:13:18.33,0:13:19.87,Default,,0,0,0,,.شكرًا لك على مجهودك
Dialogue: 0,0:13:19.87,0:13:25.08,Default,,0,0,0,,.لا بد أن وجود نائبة رئيس مثلك في النادي قد خفف عنه
Dialogue: 0,0:13:25.08,0:13:27.29,Default,,0,0,0,,.لستُ واثقة بشأن هذا
Dialogue: 0,0:13:27.29,0:13:29.83,Default,,0,0,0,,.إنها لطيفة حقًا
Dialogue: 0,0:13:29.83,0:13:31.37,Default,,0,0,0,,.اعذروني إذن
Dialogue: 0,0:13:31.37,0:13:34.20,Default,,0,0,0,,!لا عليك! خذ وقتك
Dialogue: 0,0:13:34.20,0:13:35.37,Default,,0,0,0,,.يا لها من سينباي رائعة
Dialogue: 0,0:13:35.37,0:13:36.08,Default,,0,0,0,,.أجل
Dialogue: 0,0:13:36.08,0:13:38.41,Default,,0,0,0,,ألا بأس بهذا؟
Dialogue: 0,0:13:39.05,0:13:41.08,Default,,0,0,0,,عن ماذا تتحدث؟
Dialogue: 0,0:13:42.29,0:13:43.66,Default,,0,0,0,,.لا شيء
Dialogue: 0,0:13:46.00,0:13:48.16,Default,,0,0,0,,!سوزوكا-تشان، تعال
Dialogue: 0,0:13:48.16,0:13:49.54,Default,,0,0,0,,هيرو-سينباي؟
Dialogue: 0,0:13:49.54,0:13:51.45,Default,,0,0,0,,مـ-ما الحكاية؟
Dialogue: 0,0:13:55.95,0:14:00.25,Default,,0,0,0,,.تفاجأت حقًا بعدد الأعضاء وكذلك بمهاراتكم
Dialogue: 0,0:14:00.25,0:14:04.66,Default,,0,0,0,,.شكرًا جزيلاً، يسعدني سماع هذا منك
Dialogue: 0,0:14:04.66,0:14:10.20,Default,,0,0,0,,.في البداية كنت أخشى ألا أتمكن من الوفاء بوعدي في حماية النادي
Dialogue: 0,0:14:10.20,0:14:13.16,Default,,0,0,0,,.لكنني كنتُ محظوظًا حقًا بأصدقاء رائعين
Dialogue: 0,0:14:13.16,0:14:19.00,Default,,0,0,0,,.وأيضًا كلماتك التي تركتها لي ساعدتني في كثير من الأوقات
Dialogue: 0,0:14:19.00,0:14:20.95,Default,,0,0,0,,حقًا؟
Dialogue: 0,0:14:20.95,0:14:24.29,Default,,0,0,0,,في الحقيقة، شعرت بالندم على قول تلك الكلمات
Dialogue: 0,0:14:24.29,0:14:29.41,Default,,0,0,0,,.كقولي إننا سنترك النادي بين يديك، وإنك ستكون على ما يرام
Dialogue: 0,0:14:30.33,0:14:34.50,Default,,0,0,0,,.أعتقد أنني كنت أنانية بما قلته لك
Dialogue: 0,0:14:34.50,0:14:38.62,Default,,0,0,0,,،عندما رأيتك وحيدًا في النادي في يوم تخرجنا
Dialogue: 0,0:14:38.62,0:14:41.66,Default,,0,0,0,,عرفت أنك ومنذ ذلك الوقت ستضطر إلى جمع أعضاء للنادي
Dialogue: 0,0:14:41.66,0:14:44.25,Default,,0,0,0,,.وأن تدير أنشطة النادي بصفتك رئيسًا بمفردك
Dialogue: 0,0:14:44.25,0:14:48.33,Default,,0,0,0,,.عرفت أنك قد تشعر بالقلق، وأن الأمر سيكون صعبًا عليك
Dialogue: 0,0:14:48.33,0:14:53.70,Default,,0,0,0,,...شعرت بأنني حاصرتك بكلامي وألقيت عليك حملاً ثقيلاً
Dialogue: 0,0:14:53.70,0:14:58.45,Default,,0,0,0,,.وأنني أرغمتك على أن تكون نهاية النادي بيدك
Dialogue: 0,0:14:58.45,0:15:02.66,Default,,0,0,0,,هذا مريع، ألا تعتقد؟\N.هذا يعني أنني لم أكن على أتم الثقة بك
Dialogue: 0,0:15:02.66,0:15:04.04,Default,,0,0,0,,.أنا آسفة حقًا
Dialogue: 0,0:15:04.04,0:15:05.66,Default,,0,0,0,,تقصدين هذا؟
Dialogue: 0,0:15:05.66,0:15:07.04,Default,,0,0,0,,!هذا"؟"
Dialogue: 0,0:15:07.04,0:15:09.75,Default,,0,0,0,,.لا حاجة للقلق بشأن هذا
Dialogue: 0,0:15:09.75,0:15:12.79,Default,,0,0,0,,،بغض النظر عن مدى ثقتك بي حينها
Dialogue: 0,0:15:12.79,0:15:16.79,Default,,0,0,0,,.هذا لا يغير حقيقة أن كلماتك منحتني القوة
Dialogue: 0,0:15:20.58,0:15:23.29,Default,,0,0,0,,.أصبحت رئيس نادٍ بحق الآن يا تاكيزو
Dialogue: 0,0:15:23.29,0:15:25.79,Default,,0,0,0,,!توقفي عن هذا
Dialogue: 0,0:15:28.58,0:15:34.20,Default,,0,0,0,,سـ-سوزوكا-تشان... أدركت الأمر، أليس كذلك؟
Dialogue: 0,0:15:34.20,0:15:36.20,Default,,0,0,0,,ماذا أدركت؟
Dialogue: 0,0:15:36.20,0:15:38.00,Default,,0,0,0,,!لا بد أنك أدركته
Dialogue: 0,0:15:38.00,0:15:40.33,Default,,0,0,0,,وهذا ما دفعك إلى قول ذلك الكلام، أليس كذلك؟
Dialogue: 0,0:15:40.33,0:15:41.87,Default,,0,0,0,,هل قلتُ شيئًا؟
Dialogue: 0,0:15:41.87,0:15:43.95,Default,,0,0,0,,...سأحرص
Dialogue: 0,0:15:43.95,0:15:47.12,Default,,0,0,0,,.سـ-سأحرص على أتخلص من هذه المشاعر
Dialogue: 0,0:15:47.12,0:15:50.75,Default,,0,0,0,,...سأحرص على ألا أسبب المشاكل للنادي! لذا
Dialogue: 0,0:15:50.75,0:15:52.87,Default,,0,0,0,,ولماذا أنتِ مضطرة إلى التخلص منها؟
Dialogue: 0,0:15:52.87,0:15:54.45,Default,,0,0,0,,لماذا؟
Dialogue: 0,0:15:54.45,0:16:02.29,Default,,0,0,0,,لأن الجميع يبذل ما بوسعه في حين أنني مشتتة الذهن\N.هذه أنانية، هذا لا ينبغي
Dialogue: 0,0:16:02.29,0:16:08.83,Default,,0,0,0,,.لا أرى أي أنانية في حب أحدهم
Dialogue: 0,0:16:08.83,0:16:12.12,Default,,0,0,0,,.ولا أرى أيضًا أن هذا قد يسبب مشكلة
Dialogue: 0,0:16:12.12,0:16:18.25,Default,,0,0,0,,ما دمنا على قيد الحياة سنسبب المشاكل ونتعرض لها من قبل الآخرين\N .بحب أو بلا حب
Dialogue: 0,0:16:18.25,0:16:20.54,Default,,0,0,0,,سوزوكا-تشان... ما الذي تقوله؟
Dialogue: 0,0:16:20.54,0:16:23.95,Default,,0,0,0,,.لا شيء، أقول ما يخطر ببالي فقط
Dialogue: 0,0:16:23.95,0:16:27.95,Default,,0,0,0,,،إذا تراجع النادي بسبب حب أحد الأعضاء لآخر
Dialogue: 0,0:16:27.95,0:16:31.20,Default,,0,0,0,,.فهذا يشير إلى مستوى النادي فقط
Dialogue: 0,0:16:31.20,0:16:34.75,Default,,0,0,0,,،إذا أردتِ أن تفعلي شيئًا بشأن هذا\N.فحوليه إلى قوة
Dialogue: 0,0:16:36.75,0:16:39.33,Default,,0,0,0,,ألا بأس بأن أحوله إلى قوة؟
Dialogue: 0,0:16:39.33,0:16:41.83,Default,,0,0,0,,ألا بأس بأن أحب؟
Dialogue: 0,0:16:55.61,0:16:58.09,Signs-0,,0,0,0,,{\c&H0A1D35&\pos(346.286,254.286)}نادي الكوتو
Dialogue: 0,0:16:55.91,0:16:58.29,Default,,0,0,0,,!أجل! انتهينا من حزم الآلات
Dialogue: 0,0:16:58.29,0:17:01.45,Default,,0,0,0,,ترى هل ستعود هيرو-سينباي مع الأستاذ إلى هنا؟
Dialogue: 0,0:17:01.45,0:17:05.70,Default,,0,0,0,,.ربما، فقد قال الأستاذ إنه يريد التحدث معنا بشأن مقطوعة التصفيات
Dialogue: 0,0:17:05.70,0:17:09.37,Default,,0,0,0,,.لنذهب إلى الكشك إذن ونحصل على بعض الطعام ما دمنا قادرين
Dialogue: 0,0:17:09.37,0:17:10.45,Default,,0,0,0,,!فكرة جيدة
Dialogue: 0,0:17:10.45,0:17:13.00,Default,,0,0,0,,.إذن سأنتظر الأستاذ وهيرو-سينباي هنا
Dialogue: 0,0:17:13.00,0:17:15.87,Default,,0,0,0,,.سنشتري الطعام لك إذن
Dialogue: 0,0:17:15.87,0:17:17.37,Default,,0,0,0,,.شكرًا
Dialogue: 0,0:17:17.37,0:17:18.62,Default,,0,0,0,,!لنذهب يا تشيكا
Dialogue: 0,0:17:18.62,0:17:22.79,Default,,0,0,0,,.هذا متعب، سأنتظر هنا أيضًا
Dialogue: 0,0:17:22.79,0:17:25.25,Default,,0,0,0,,!تشيكا! كفاك كسلاً
Dialogue: 0,0:17:25.25,0:17:27.16,Default,,0,0,0,,!اصمت! غادر فحسب
Dialogue: 0,0:17:27.16,0:17:29.12,Default,,0,0,0,,لـ-لا أصدق... ما العمل؟
Dialogue: 0,0:17:29.12,0:17:31.41,Default,,0,0,0,,...أعتقد أنني أرغب في مرافقة الجميع
Dialogue: 0,0:17:31.41,0:17:32.79,Default,,0,0,0,,...هوزوكي
Dialogue: 0,0:17:32.79,0:17:34.50,Default,,0,0,0,,...سان
Dialogue: 0,0:17:34.50,0:17:36.08,Default,,0,0,0,,سان؟
Dialogue: 0,0:17:36.08,0:17:37.62,Default,,0,0,0,,...هلا
Dialogue: 0,0:17:43.08,0:17:49.00,Default,,0,0,0,,هلا تخبرينني بما ينبغي أن أفعله لتسامحيني؟
Dialogue: 0,0:17:49.00,0:17:53.50,Default,,0,0,0,,.أنا أشعر بالسوء لأنني سبب انزعاجك
Dialogue: 0,0:17:53.50,0:17:56.91,Default,,0,0,0,,.لكنك تتجنبينني كلما حاولت الاعتذار
Dialogue: 0,0:17:56.91,0:17:58.20,Default,,0,0,0,,...لذا
Dialogue: 0,0:17:58.20,0:18:01.16,Default,,0,0,0,,.أنا... آسف حقًا
Dialogue: 0,0:18:03.68,0:18:06.87,Default,,0,0,0,,!تشيكا! صادفنا الأستاذ في الخارج
Dialogue: 0,0:18:10.20,0:18:11.62,Default,,0,0,0,,!مهلاً! مهلاً! مهلاً
Dialogue: 0,0:18:11.62,0:18:12.95,Default,,0,0,0,,!كان هذا تصرفًا غريبًا
Dialogue: 0,0:18:12.95,0:18:16.33,Default,,0,0,0,,.لا أرغب في مقاطعة حديثكما
Dialogue: 0,0:18:16.33,0:18:19.75,Default,,0,0,0,,فات الأوان! أتيت للتحدث بشأن المقطوعة، أليس كذلك؟
Dialogue: 0,0:18:19.75,0:18:21.91,Default,,0,0,0,,...القائمة الخاصة بالتصفيات الوطنية
Dialogue: 0,0:18:21.91,0:18:25.95,Default,,0,0,0,,هل استمعت إليها؟\N.أفكر في اختيار إحداها
Dialogue: 0,0:18:25.95,0:18:28.29,Default,,0,0,0,,.جميعها ليست مناسبة
Dialogue: 0,0:18:29.29,0:18:33.75,Default,,0,0,0,,.هوزوكي، أحضري كل تسجيلات الكوتو التي لديك
Dialogue: 0,0:18:33.75,0:18:37.29,Default,,0,0,0,,ما المشكلة على وجه التحديد؟
Dialogue: 0,0:18:37.29,0:18:41.58,Default,,0,0,0,,.لا يوجد مقطوعة من بينها تكفل وصولكم إلى البطولة الوطنية، هذا كل شيء
Dialogue: 0,0:18:41.58,0:18:44.75,Default,,0,0,0,,...لكن من ناحية الصعوبة، أعتقد أن جميعها جيدة بما يكفي
Dialogue: 0,0:18:44.75,0:18:46.83,Default,,0,0,0,,.الأمر لا يتعلق بالصعوبة
Dialogue: 0,0:18:46.83,0:18:51.29,Default,,0,0,0,,.لهذا السبب اعزفوا هذه حتى أتخذ قرارًا بشأن المقطوعة
Dialogue: 0,0:18:51.29,0:18:55.41,Default,,0,0,0,,.إنها مقطوعة للتدريب على حركة اليد، لذا ليست ممتعة
Dialogue: 0,0:18:55.41,0:18:57.70,Default,,0,0,0,,.أخبرا كوراتا و كوروسو بشأنها أيضًا
Dialogue: 0,0:18:57.70,0:19:02.83,Default,,0,0,0,,.التصفيات التالية هي الفرصة الأخيرة لهما ليصلا إلى البطولة
Dialogue: 0,0:19:05.16,0:19:06.66,Default,,0,0,0,,ما الذي تتحدث عنه؟
Dialogue: 0,0:19:06.66,0:19:09.58,Default,,0,0,0,,،إنهما في السنة الثانية\Nلماذا تكون فرصتهما الأخيرة؟
Dialogue: 0,0:19:09.58,0:19:13.04,Default,,0,0,0,,ماذا؟ ألا تعلمون هذا؟
Dialogue: 0,0:19:13.04,0:19:15.25,Default,,0,0,0,,.التصفيات تقام في الخريف أو الشتاء
Dialogue: 0,0:19:15.25,0:19:19.41,Default,,0,0,0,,.والبطولة الوطنية تقام في صيف العام الذي يليه
Dialogue: 0,0:19:19.41,0:19:22.25,Default,,0,0,0,,،لذا حتى لو تجاوزا التصفيات في السنة الثالثة
Dialogue: 0,0:19:22.25,0:19:26.83,Default,,0,0,0,,.لن يتمكنا من المشاركة في البطولة لأنهما سيتخرجان قبلها
Dialogue: 0,0:19:26.83,0:19:32.00,Default,,0,0,0,,،إذا فشلتما في التصفيات التالية\N.لن يتمكنا من الوصول إلى البطولة
Dialogue: 0,0:19:32.00,0:19:36.20,Default,,0,0,0,,.لذا فهي فرصتهما الأخيرة
Dialogue: 0,0:19:36.20,0:19:39.12,Default,,0,0,0,,.شكرًا لك على قدومك اليوم
Dialogue: 0,0:19:39.12,0:19:41.33,Default,,0,0,0,,.لا، بل الشكر لك
Dialogue: 0,0:19:41.33,0:19:43.41,Default,,0,0,0,,ستشاركون في تصفيات البطولة الوطنية، أليس كذلك؟
Dialogue: 0,0:19:43.41,0:19:44.75,Default,,0,0,0,,.بلى
Dialogue: 0,0:19:44.75,0:19:49.04,Default,,0,0,0,,بمستوى نادي توكيسي الحالي\N ،أشعر بأن البطولة لم تعد مجرد حلم
Dialogue: 0,0:19:49.04,0:19:52.04,Default,,0,0,0,,.رغم أننا كنا أبعد ما نكون عنها عندما كنتُ في النادي
Dialogue: 0,0:19:52.04,0:19:56.37,Default,,0,0,0,,.كنتِ في السنة الثالثة، رغم هذا سعيت للبطولة من أجلي
Dialogue: 0,0:19:56.37,0:19:58.25,Default,,0,0,0,,.هذا وحده أشعرني بالسعادة
Dialogue: 0,0:19:58.25,0:20:02.79,Default,,0,0,0,,،حتى لو نجحنا في التصفيات\N،ما كنتِ لتتمكني من الوصول إلى البطولة
Dialogue: 0,0:20:02.79,0:20:04.75,Default,,0,0,0,,.رغم هذا بذلتِ ما بوسعك معي
Dialogue: 0,0:20:04.75,0:20:10.00,Default,,0,0,0,,.لو أننا تمكنا حقًا من منحك تذكرة الوصول إلى البطولة لكان الأمر رائعًا
Dialogue: 0,0:20:10.00,0:20:13.66,Default,,0,0,0,,.رغم هذا كنت سعيدًا حقًا
Dialogue: 0,0:20:15.75,0:20:17.70,Default,,0,0,0,,...فرصتهما الأخيرة
Dialogue: 0,0:20:17.70,0:20:21.75,Default,,0,0,0,,.سينتهي الأمر إذا فشلنا
Dialogue: 0,0:20:21.75,0:20:22.91,Default,,0,0,0,,!لن أقبل بهذا
Dialogue: 0,0:20:24.00,0:20:27.83,Default,,0,0,0,,من بين المنضمين إلى النادي من السنة الأولى\N.يوجد شخص بارع حقًا في العزف
Dialogue: 0,0:20:27.83,0:20:29.79,Default,,0,0,0,,.تدربوا إذن
Dialogue: 0,0:20:29.79,0:20:34.50,Default,,0,0,0,,طلاب السنة الأولى الآخرون وكذلك كوروسو-سان يبذلون ما بوسعهم\N.ويتحسنون بسرعة
Dialogue: 0,0:20:34.50,0:20:36.54,Default,,0,0,0,,.إنهم يتدربون بجد
Dialogue: 0,0:20:36.54,0:20:38.70,Default,,0,0,0,,،إذا كنتم لا ترغبون في أن تكون المرة الأخيرة لهما
Dialogue: 0,0:20:38.70,0:20:42.00,Default,,0,0,0,,.تدربوا بجنون خلال الشهرين القادمين
Dialogue: 0,0:20:42.00,0:20:44.87,Default,,0,0,0,,.لذا لا أريد أن تكون المنافسة التالية هي الأخيرة
Dialogue: 0,0:20:44.87,0:20:48.08,Default,,0,0,0,,...افعلوا هذا بكفاءة وحماس وشغف
Dialogue: 0,0:20:48.08,0:20:51.83,Default,,0,0,0,,.حتى تتمكنوا من القول وبكل ثقة إنكم تدربتم أكثر من أي فريق آخر
Dialogue: 0,0:20:51.83,0:20:54.58,Default,,0,0,0,,.وحتى بعد كل هذا، ستكون البطولة صعبة المنال
Dialogue: 0,0:20:54.58,0:21:00.45,Default,,0,0,0,,.معهم جميعًا... سأبذل أقصى ما أستطيع حتى النهاية
Dialogue: 0,0:21:00.45,0:21:01.70,Default,,0,0,0,,!أجل
Dialogue: 0,0:21:01.70,0:21:03.12,Default,,0,0,0,,!ابذل جهدك
Dialogue: 0,0:21:03.12,0:21:04.20,Default,,0,0,0,,!مهلاً
Dialogue: 0,0:21:05.00,0:21:06.12,Default,,0,0,0,,...تشيكا
Dialogue: 0,0:21:15.87,0:21:19.08,Default,,0,0,0,,.هوزوكي، لستِ مضطرة إلى جلب الموسيقى
Dialogue: 0,0:21:19.70,0:21:20.83,Default,,0,0,0,,...لكن
Dialogue: 0,0:21:20.83,0:21:23.58,Default,,0,0,0,,.سأقلك، لنذهب معًا لأخذها
Dialogue: 0,0:21:23.58,0:21:26.16,Default,,0,0,0,,.إنه يوم المهرجان المدرسي، لذا لا بأس بخروجنا
Dialogue: 0,0:21:26.16,0:21:31.00,Default,,0,0,0,,.مفهوم، هذا أفضل؛ فأنا أرغب في معرفة المقطوعة التي تختارها في أقرب وقت
Dialogue: 0,0:21:31.00,0:21:37.08,notes,,0,0,0,,{\fad(250,250)}.مقياس هيراجوشي: مقياس توليف لضبط الكوتو
Dialogue: 0,0:21:31.00,0:21:34.08,Default,,0,0,0,,.كودو، مقطوعة التدريب هذه تستخدم مقياس هيراجوشي
Dialogue: 0,0:21:34.08,0:21:35.87,Default,,0,0,0,,.ها هو المدوزن
Dialogue: 0,0:21:38.37,0:21:39.62,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:21:44.95,0:21:46.75,Default,,0,0,0,,...فرصتهما الأخيرة
Dialogue: 0,0:23:20.83,0:23:24.08,Default,,0,0,0,,.اللعنة، لا شيء منها يبدو جيدًا
Dialogue: 0,0:23:31.65,0:23:33.15,Signs-0,,0,0,0,,{\c&H403E3F&\pos(741.714,130.857)\frz20.78}بطولة الكوتو الوطنية
Dialogue: 0,0:23:31.83,0:23:33.08,Default,,0,0,0,,.وجدتها
Dialogue: 0,0:23:50.16,0:23:52.20,Default,,0,0,0,,"في الحلقة القادمة: "لم الشمل
Dialogue: 0,0:23:52.20,0:23:54.54,next,,0,0,0,,{\fscx80\fscy80}الحلقة 17: لم الشمل
Dialogue: 0,0:23:54.54,0:23:56.54,next,,0,0,0,,
Dialogue: 0,0:02:57.88,0:03:03.00,op,,0,0,0,,{\fad(2000,200)}!أوقف هذا الصوت
Dialogue: 0,0:02:57.88,0:03:03.00,op,,0,0,0,,{\fscx61\fscy70\pos(88,724)\fad(2000,200)}عذب الخيال
Dialogue: 0,0:02:57.88,0:03:03.00,op,,0,0,0,,{\fad(2000,200)\fscx51\fscy50\pos(1040,50)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:01:36.08,0:01:44.20,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k17}O{\k28}wa{\k21}ri {\k42}na{\k22}n{\k41}te {\k22}n{\k37}ai {\k51}bo{\k43}ku{\k39}ta{\k45}chi {\k140}no {\k53}mo{\k42}no{\k24}ga{\k40}ta{\k43}ri {\k55}ga
Comment: 0,0:01:44.20,0:01:56.25,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k40}U{\k45}go{\k45}ki{\k18}da{\k52}shi{\k40}ta {\k44}n {\k336}da {\k43}hi{\k31}bi{\k14}ku {\k488}yo
Comment: 0,0:01:57.03,0:01:59.89,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k16}I{\k19}tsu {\k33}mo {\k29}no {\k36}se{\k30}ka{\k34}i {\k82}ga
Comment: 0,0:01:59.99,0:02:03.98,OP-Romaji,,0,0,0,,{\blur3}{\k16}I{\k21}tsu {\k29}da {\k32}tte {\k31}ka{\k17}wa{\k32}ra{\k44}na{\k42}i {\k54}ma{\k54}ma {\k27}de
Comment: 0,0:02:03.98,0:02:06.31,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ko{\k33}ko {\k17}ni {\k30}wa {\k32}a{\k87}ru
Comment: 0,0:02:07.18,0:02:10.15,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k34}Zu{\k30}tto {\k35}ta{\k23}i{\k35}se{\k40}tsu {\k86}de
Comment: 0,0:02:10.16,0:02:15.30,OP-Romaji,,0,0,0,,{\blur3}{\k21}Da {\k20}ke{\k29}do {\k31}a{\k33}ta{\k16}ri{\k30}ma{\k45}e {\k53}ja {\k47}na{\k44}i {\k37}n {\k30}da {\k78}to
Comment: 0,0:02:15.35,0:02:17.40,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k16}Wa{\k25}su{\k25}re{\k25}na{\k25}i {\k80}yo
Comment: 0,0:02:17.40,0:02:22.25,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k19}A{\k10}no {\k27}hi {\k106}ni {\k15}chi{\k50}ka{\k31}tta {\k29}ya{\k25}ku{\k42}so{\k13}ku {\k104}wa
Comment: 0,0:02:22.55,0:02:28.95,OP-Romaji,,0,0,0,,{\blur3}{\k13}{\k15}I{\k15}ma {\k33}mo {\k48}mu{\k21}ne {\k27}no {\k41}o{\k213}ku {\k16}ka{\k16}ka{\k14}e{\k62}ta {\k48}ma{\k58}ma
Comment: 0,0:02:28.95,0:02:32.22,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k22}Hi{\k14}bi{\k22}ku {\k55}shō{\k38}dō {\k28}ni {\k18}mi {\k15}o {\k18}ma{\k24}ka{\k39}se{\k28}te
Comment: 0,0:02:32.22,0:02:34.21,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ka{\k15}na{\k19}de{\k14}ru {\k16}me{\k31}ro{\k70}dī
Comment: 0,0:02:34.21,0:02:39.05,OP-Romaji,,0,0,0,,{\blur3}{\k27}Ki{\k16}mi {\k15}no {\k50}mu{\k27}ne {\k37}no {\k28}na{\k35}ka {\k16}de {\k28}Re{\k34}son{\k154}an{\k17}ce
Comment: 0,0:02:39.15,0:02:42.30,OP-Romaji,,0,0,0,,{\blur3}{\k8}{\k20}Na{\k9}ra{\k30}se {\k35}ze{\k9}n{\k20}shi{\k21}n {\k36}zen{\k22}re{\k8}i {\k23}o{\k23}mo{\k31}i {\k20}o
Comment: 0,0:02:42.30,0:02:44.47,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k42}So{\k15}ra {\k14}no {\k18}ka{\k14}na{\k30}ta {\k78}e
Comment: 0,0:02:44.47,0:02:49.61,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k31}Tō{\k14}ku {\k81}tō{\k35}ku {\k27}i{\k35}tsu {\k17}ma{\k30}de {\k27}de{\k210}mo
Comment: 0,0:02:49.61,0:02:51.33,OP-Romaji,,0,0,0,,{\blur3}{\k15}O{\k19}wa{\k14}ri {\k36}na{\k13}n{\k33}te {\k16}na{\k26}i
Comment: 0,0:02:51.33,0:02:55.65,OP-Romaji,,0,0,0,,{\blur3}{\k37}Bo{\k32}ku{\k32}ta{\k31}chi {\k112}no {\k36}mo{\k29}no{\k16}ga{\k30}ta{\k32}ri {\k45}ga
Comment: 0,0:02:55.65,0:03:01.03,OP-Romaji,,0,0,0,,{\blur3}{\k10}{\k26}U{\k34}go{\k32}ki{\k18}da{\k33}shi{\k30}ta{\k27}n {\k328}da
Comment: 0,0:03:01.89,0:03:05.41,OP-Romaji,,0,0,0,,{\blur3}{\k12}{\k38}Hi{\k33}bi{\k17}ku {\k252}yo
Dialogue: 0,0:01:36.08,0:01:44.20,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا التي لا نهاية لها
Dialogue: 0,0:01:44.20,0:01:56.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:01:57.03,0:01:59.89,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}عالم عادي
Dialogue: 0,0:01:59.99,0:02:03.98,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه على حاله دائمًا
Dialogue: 0,0:02:03.98,0:02:06.31,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه هنا
Dialogue: 0,0:02:07.18,0:02:10.15,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ومهم على الدوام
Dialogue: 0,0:02:10.16,0:02:15.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لكن أليس هذا أمرًا بديهيًا؟
Dialogue: 0,0:02:15.35,0:02:17.40,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لن أنسى
Dialogue: 0,0:02:17.40,0:02:22.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}الوعد الذي قطعته في ذلك اليوم
Dialogue: 0,0:02:22.55,0:02:28.95,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ما زلت أحتفظ به في صدري
Dialogue: 0,0:02:28.95,0:02:32.22,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}اعهد بنفسك إلى النغمات المترددة
Dialogue: 0,0:02:32.22,0:02:34.21,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إلى لحن يعزف
Dialogue: 0,0:02:34.21,0:02:39.05,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}يتردد صداه في قلبك
Dialogue: 0,0:02:39.15,0:02:42.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}دع اللحن يطغى
Dialogue: 0,0:02:42.30,0:02:44.47,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}على جسدك وروحك
Dialogue: 0,0:02:44.47,0:02:49.61,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ويحلق بك عاليًا
Dialogue: 0,0:02:49.61,0:02:51.33,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بلا توقف
Dialogue: 0,0:02:51.33,0:02:55.65,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا
Dialogue: 0,0:02:55.65,0:03:01.03,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:03:01.89,0:03:05.41,OP-Arabic,,0,0,0,,{\fad(200,500)\blur3}يتعالى صوتها ويتردد
Dialogue: 1,0:01:36.15,0:01:36.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:01:36.32,0:01:36.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 2] \an5\pos(318.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:36.60,0:01:36.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 3] \an5\pos(355.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:36.81,0:01:37.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 4] \an5\pos(396.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:37.23,0:01:37.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 5] \an5\pos(427.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:37.45,0:01:37.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 6] \an5\pos(455.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:01:37.86,0:01:38.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 7] \an5\pos(491.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:38.08,0:01:38.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 8] \an5\pos(517.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ai
Dialogue: 1,0:01:38.45,0:01:38.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 9] \an5\pos(562,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bo
Dialogue: 1,0:01:38.96,0:01:39.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 10] \an5\pos(603.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:39.39,0:01:39.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 11] \an5\pos(640.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:39.78,0:01:40.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 12] \an5\pos(682.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:01:40.23,0:01:41.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 13] \an5\pos(737.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:41.63,0:01:42.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 14] \an5\pos(793.22,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:42.16,0:01:42.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 15] \an5\pos(840.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:42.58,0:01:42.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 16] \an5\pos(882.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:42.82,0:01:43.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 17] \an5\pos(919.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:43.22,0:01:43.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 18] \an5\pos(948.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:43.65,0:01:44.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 19] \an5\pos(989.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:44.29,0:01:44.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 20] \an5\pos(421.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:01:44.69,0:01:45.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 21] \an5\pos(453.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:01:45.14,0:01:45.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 22] \an5\pos(489.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:01:45.59,0:01:45.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 23] \an5\pos(524.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:45.77,0:01:46.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 24] \an5\pos(570.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:01:46.29,0:01:46.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 25] \an5\pos(612.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:46.69,0:01:47.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 26] \an5\pos(648.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:47.13,0:01:50.49,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 27] \an5\pos(688.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:50.49,0:01:50.92,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 28] \an5\pos(733.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:01:50.92,0:01:51.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 29] \an5\pos(764.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:01:51.23,0:01:51.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 30] \an5\pos(799.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:51.37,0:01:56.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 31] \an5\pos(849.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:01:57.10,0:01:57.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 32] \an5\pos(482.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:57.26,0:01:57.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 33] \an5\pos(514.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:57.45,0:01:57.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 34] \an5\pos(575.82,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:57.78,0:01:58.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 35] \an5\pos(631.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:58.07,0:01:58.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 36] \an5\pos(681.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:58.43,0:01:58.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 37] \an5\pos(721.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:58.73,0:01:59.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 38] \an5\pos(746.72,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:59.07,0:01:59.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 39] \an5\pos(781.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:59.99,0:02:00.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 40] \an5\pos(386.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:02:00.15,0:02:00.36,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 41] \an5\pos(417.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:00.36,0:02:00.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 42] \an5\pos(474.06,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:00.65,0:02:00.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 43] \an5\pos(527.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tte
Dialogue: 1,0:02:00.97,0:02:01.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 44] \an5\pos(579.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:01.28,0:02:01.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 45] \an5\pos(625.15,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:01.45,0:02:01.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 46] \an5\pos(667.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:02:01.77,0:02:02.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 47] \an5\pos(705.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:02.21,0:02:02.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 48] \an5\pos(730.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:02.63,0:02:03.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 49] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:03.17,0:02:03.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 50] \an5\pos(821.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:03.71,0:02:03.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 51] \an5\pos(877.35,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:03.98,0:02:04.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 52] \an5\pos(538.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ko
Dialogue: 1,0:02:04.32,0:02:04.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 53] \an5\pos(580.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ko
Dialogue: 1,0:02:04.65,0:02:04.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 54] \an5\pos(625.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:04.82,0:02:05.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 55] \an5\pos(674.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:05.12,0:02:05.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 56] \an5\pos(718.29,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:02:05.44,0:02:06.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 57] \an5\pos(745.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:02:07.32,0:02:07.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 58] \an5\pos(518.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Zu
Dialogue: 1,0:02:07.66,0:02:07.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 59] \an5\pos(562.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tto
Dialogue: 1,0:02:07.96,0:02:08.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 60] \an5\pos(611.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:08.31,0:02:08.54,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 61] \an5\pos(633.65,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:08.54,0:02:08.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 62] \an5\pos(658.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:08.89,0:02:09.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 63] \an5\pos(705.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:09.29,0:02:10.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 64] \an5\pos(761.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:10.16,0:02:10.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 65] \an5\pos(403.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Da
Dialogue: 1,0:02:10.37,0:02:10.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 66] \an5\pos(454.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ke
Dialogue: 1,0:02:10.57,0:02:10.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 67] \an5\pos(496.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}do
Dialogue: 1,0:02:10.86,0:02:11.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 68] \an5\pos(536.08,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:02:11.17,0:02:11.50,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 69] \an5\pos(563.21,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:11.50,0:02:11.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 70] \an5\pos(591.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:11.66,0:02:11.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 71] \an5\pos(629.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:11.96,0:02:12.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 72] \an5\pos(665.51,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:12.41,0:02:12.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 73] \an5\pos(699.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ja
Dialogue: 1,0:02:12.94,0:02:13.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 74] \an5\pos(744.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:13.41,0:02:13.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 75] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:13.85,0:02:14.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 76] \an5\pos(794.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:14.22,0:02:14.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 77] \an5\pos(834.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:14.52,0:02:15.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 78] \an5\pos(880.9,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}to
Dialogue: 1,0:02:15.44,0:02:15.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 79] \an5\pos(551.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Wa
Dialogue: 1,0:02:15.60,0:02:15.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 80] \an5\pos(599.53,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}su
Dialogue: 1,0:02:15.85,0:02:16.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 81] \an5\pos(636.84,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:02:16.10,0:02:16.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 82] \an5\pos(674.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:16.35,0:02:16.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 83] \an5\pos(700.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:16.60,0:02:17.40,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 84] \an5\pos(734.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:02:17.54,0:02:17.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 85] \an5\pos(391.33,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}A
Dialogue: 1,0:02:17.73,0:02:17.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 86] \an5\pos(424.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:17.83,0:02:18.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 87] \an5\pos(469.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:02:18.10,0:02:19.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 88] \an5\pos(508.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:19.16,0:02:19.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 89] \an5\pos(557.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:19.31,0:02:19.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 90] \an5\pos(603.12,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:19.81,0:02:20.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 91] \an5\pos(646.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tta
Dialogue: 1,0:02:20.12,0:02:20.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 92] \an5\pos(699.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ya
Dialogue: 1,0:02:20.41,0:02:20.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 93] \an5\pos(740.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:20.66,0:02:21.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 94] \an5\pos(780.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}so
Dialogue: 1,0:02:21.08,0:02:21.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 95] \an5\pos(821.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:21.21,0:02:22.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 96] \an5\pos(875.28,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:22.68,0:02:22.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 97] \an5\pos(344.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:02:22.83,0:02:22.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 98] \an5\pos(374.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:22.98,0:02:23.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 99] \an5\pos(435.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:23.31,0:02:23.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 100] \an5\pos(496.1,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:02:23.79,0:02:24.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 101] \an5\pos(542.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:02:24.00,0:02:24.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 102] \an5\pos(593.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:24.27,0:02:24.68,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 103] \an5\pos(633.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:24.68,0:02:26.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 104] \an5\pos(664.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:26.81,0:02:26.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 105] \an5\pos(713.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:26.97,0:02:27.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 106] \an5\pos(753.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:27.13,0:02:27.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 107] \an5\pos(784.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:27.27,0:02:27.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 108] \an5\pos(811.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:27.89,0:02:28.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 109] \an5\pos(863.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:28.37,0:02:28.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 110] \an5\pos(914.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:29.01,0:02:29.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 111] \an5\pos(401.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:02:29.23,0:02:29.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 112] \an5\pos(433.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:02:29.37,0:02:29.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 113] \an5\pos(468.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:29.59,0:02:30.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 114] \an5\pos(528.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shō
Dialogue: 1,0:02:30.14,0:02:30.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 115] \an5\pos(580.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dō
Dialogue: 1,0:02:30.52,0:02:30.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 116] \an5\pos(625.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:30.80,0:02:30.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 117] \an5\pos(669.66,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:02:30.98,0:02:31.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 118] \an5\pos(709.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:31.13,0:02:31.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 119] \an5\pos(754.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:31.31,0:02:31.55,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 120] \an5\pos(800.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:31.55,0:02:31.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 121] \an5\pos(840.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:31.94,0:02:32.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 122] \an5\pos(877.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:02:32.22,0:02:32.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 123] \an5\pos(518.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ka
Dialogue: 1,0:02:32.56,0:02:32.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 124] \an5\pos(560.09,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:32.71,0:02:32.90,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 125] \an5\pos(601.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:32.90,0:02:33.04,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 126] \an5\pos(639.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:02:33.04,0:02:33.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 127] \an5\pos(691.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}me
Dialogue: 1,0:02:33.20,0:02:33.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 128] \an5\pos(735.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ro
Dialogue: 1,0:02:33.51,0:02:34.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 129] \an5\pos(767.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dī
Dialogue: 1,0:02:34.21,0:02:34.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 130] \an5\pos(349.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ki
Dialogue: 1,0:02:34.48,0:02:34.64,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 131] \an5\pos(385.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:02:34.64,0:02:34.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 132] \an5\pos(435.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:34.79,0:02:35.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 133] \an5\pos(490.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:02:35.29,0:02:35.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 134] \an5\pos(537.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:02:35.56,0:02:35.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 135] \an5\pos(588.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:35.93,0:02:36.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 136] \an5\pos(638.92,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:36.21,0:02:36.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 137] \an5\pos(679.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:36.56,0:02:36.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 138] \an5\pos(729.67,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:36.72,0:02:37.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 139] \an5\pos(781.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Re
Dialogue: 1,0:02:37.00,0:02:37.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 140] \an5\pos(833.74,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}son
Dialogue: 1,0:02:37.34,0:02:38.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 141] \an5\pos(885.19,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}an
Dialogue: 1,0:02:38.88,0:02:39.05,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 142] \an5\pos(926.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ce
Dialogue: 1,0:02:39.23,0:02:39.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 143] \an5\pos(415.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Na
Dialogue: 1,0:02:39.43,0:02:39.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 144] \an5\pos(455.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:02:39.52,0:02:39.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 145] \an5\pos(492.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:39.82,0:02:40.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 146] \an5\pos(540.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ze
Dialogue: 1,0:02:40.17,0:02:40.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 147] \an5\pos(570.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:40.26,0:02:40.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 148] \an5\pos(606.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:02:40.46,0:02:40.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 149] \an5\pos(641.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:40.67,0:02:41.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 150] \an5\pos(691.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}zen
Dialogue: 1,0:02:41.03,0:02:41.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 151] \an5\pos(738.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:02:41.25,0:02:41.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 152] \an5\pos(760.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:41.33,0:02:41.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 153] \an5\pos(784.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:41.56,0:02:41.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 154] \an5\pos(820.98,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:41.79,0:02:42.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 155] \an5\pos(851.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:42.10,0:02:42.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 156] \an5\pos(875.86,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:42.36,0:02:42.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 157] \an5\pos(520.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}So
Dialogue: 1,0:02:42.78,0:02:42.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 158] \an5\pos(559.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:02:42.93,0:02:43.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 159] \an5\pos(606.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:43.07,0:02:43.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 160] \an5\pos(656.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:43.25,0:02:43.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 161] \an5\pos(697.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:43.39,0:02:43.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 162] \an5\pos(734.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:43.69,0:02:44.47,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 163] \an5\pos(770.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:44.54,0:02:44.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 164] \an5\pos(439.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Tō
Dialogue: 1,0:02:44.85,0:02:44.99,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 165] \an5\pos(480.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:44.99,0:02:45.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 166] \an5\pos(526.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tō
Dialogue: 1,0:02:45.80,0:02:46.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 167] \an5\pos(563.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:46.15,0:02:46.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 168] \an5\pos(597.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:46.42,0:02:46.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 169] \an5\pos(628.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:46.77,0:02:46.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 170] \an5\pos(689.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:46.94,0:02:47.24,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 171] \an5\pos(736.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:47.24,0:02:47.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 172] \an5\pos(787.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:47.51,0:02:49.61,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 173] \an5\pos(834.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:49.61,0:02:49.76,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 174] \an5\pos(520.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:02:49.76,0:02:49.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 175] \an5\pos(557.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:49.95,0:02:50.09,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 176] \an5\pos(594.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:50.09,0:02:50.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 177] \an5\pos(635.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:50.45,0:02:50.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 178] \an5\pos(666.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:50.58,0:02:50.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 179] \an5\pos(694.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:02:50.91,0:02:51.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 180] \an5\pos(740.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:51.07,0:02:51.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 181] \an5\pos(766.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:51.33,0:02:51.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 182] \an5\pos(426.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Bo
Dialogue: 1,0:02:51.70,0:02:52.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 183] \an5\pos(468.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:52.02,0:02:52.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 184] \an5\pos(505.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:52.34,0:02:52.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 185] \an5\pos(547.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:52.65,0:02:53.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 186] \an5\pos(602.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:53.77,0:02:54.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 187] \an5\pos(658.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:54.13,0:02:54.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 188] \an5\pos(705.42,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:54.42,0:02:54.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 189] \an5\pos(747.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:54.58,0:02:54.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 190] \an5\pos(784.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:54.88,0:02:55.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 191] \an5\pos(813.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:55.20,0:02:55.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 192] \an5\pos(854.62,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:55.75,0:02:56.01,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 193] \an5\pos(505.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:02:56.01,0:02:56.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 194] \an5\pos(538.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:02:56.35,0:02:56.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 195] \an5\pos(574.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:02:56.67,0:02:56.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 196] \an5\pos(609.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:56.85,0:02:57.18,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 197] \an5\pos(655.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:02:57.18,0:02:57.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 198] \an5\pos(697.37,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:57.48,0:02:57.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 199] \an5\pos(724.75,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:57.75,0:03:01.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 200] \an5\pos(764.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:03:02.01,0:03:02.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 201] \an5\pos(574.85,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:03:02.39,0:03:02.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 202] \an5\pos(606.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:03:02.72,0:03:02.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 203] \an5\pos(642.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:03:02.89,0:03:05.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 204] \an5\pos(691.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 0,0:01:35.53,0:01:36.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 1] \an5\move(381.59,47.5,281.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:01:35.58,0:01:36.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 2] \an5\move(408.29,47.5,308.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:35.63,0:01:36.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 3] \an5\move(433.4,47.5,333.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:35.68,0:01:36.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 4] \an5\move(450.52,47.5,350.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:35.73,0:01:36.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 5] \an5\move(462.18,47.5,362.18,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:35.78,0:01:36.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 6] \an5\move(486.23,47.5,386.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:35.83,0:01:36.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 7] \an5\move(506.98,47.5,406.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:35.88,0:01:37.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 8] \an5\move(527.73,47.5,427.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:35.93,0:01:37.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 9] \an5\move(544.86,47.5,444.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:35.98,0:01:37.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 10] \an5\move(561.94,47.5,461.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:36.03,0:01:37.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 11] \an5\move(591.63,47.5,491.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:36.08,0:01:38.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 12] \an5\move(612.38,47.5,512.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:36.13,0:01:38.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 13] \an5\move(627.43,47.5,527.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:36.18,0:01:38.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 14] \an5\move(651.52,47.5,551.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:36.23,0:01:38.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 15] \an5\move(672.54,47.5,572.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:36.28,0:01:38.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 16] \an5\move(692.91,47.5,592.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:36.33,0:01:38.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 17] \an5\move(713.08,47.5,613.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:36.38,0:01:39.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 18] \an5\move(730,47.5,630,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:36.43,0:01:39.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 19] \an5\move(746.88,47.5,646.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:36.48,0:01:39.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 20] \an5\move(767.13,47.5,667.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:36.53,0:01:39.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 21] \an5\move(787.62,47.5,687.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:36.58,0:01:39.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 22] \an5\move(802.9,47.5,702.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:36.63,0:01:40.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 23] \an5\move(826.95,47.5,726.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:36.68,0:01:40.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 24] \an5\move(847.93,47.5,747.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:36.73,0:01:41.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 25] \an5\move(882.73,47.5,782.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:36.78,0:01:41.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 26] \an5\move(908.79,47.5,808.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:36.83,0:01:42.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 27] \an5\move(929.77,47.5,829.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:36.88,0:01:42.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 28] \an5\move(950.76,47.5,850.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:36.93,0:01:42.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 29] \an5\move(971.78,47.5,871.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:36.98,0:01:42.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 30] \an5\move(992.57,47.5,892.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:37.03,0:01:42.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 31] \an5\move(1009.45,47.5,909.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:37.08,0:01:42.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 32] \an5\move(1026.34,47.5,926.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:37.13,0:01:43.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 33] \an5\move(1043.45,47.5,943.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:37.18,0:01:43.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 34] \an5\move(1055.12,47.5,955.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:37.23,0:01:43.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 35] \an5\move(1079.2,47.5,979.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:37.28,0:01:43.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 36] \an5\move(1099.99,47.5,999.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:43.65,0:01:44.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 37] \an5\move(521.16,47.5,421.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:01:43.70,0:01:44.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 38] \an5\move(543.25,47.5,443.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:43.75,0:01:44.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 39] \an5\move(564.27,47.5,464.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:43.80,0:01:45.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 40] \an5\move(584.64,47.5,484.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:43.85,0:01:45.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 41] \an5\move(599.32,47.5,499.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:43.90,0:01:45.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 42] \an5\move(614.66,47.5,514.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:43.95,0:01:45.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 43] \an5\move(635.45,47.5,535.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:44.00,0:01:45.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 44] \an5\move(655.41,47.5,555.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:44.05,0:01:45.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 45] \an5\move(675.6,47.5,575.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:44.10,0:01:45.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 46] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:44.15,0:01:46.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 47] \an5\move(702.31,47.5,602.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:44.20,0:01:46.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 48] \an5\move(719.2,47.5,619.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:44.25,0:01:46.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 49] \an5\move(748.7,47.5,648.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:44.30,0:01:47.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 50] \an5\move(778.48,47.5,678.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:44.35,0:01:47.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 51] \an5\move(799.27,47.5,699.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:44.40,0:01:50.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 52] \an5\move(828.76,47.5,728.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:44.45,0:01:50.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 53] \an5\move(844.04,47.5,744.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:44.50,0:01:50.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 54] \an5\move(859.38,47.5,759.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:44.55,0:01:50.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 55] \an5\move(874.71,47.5,774.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:44.60,0:01:51.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 56] \an5\move(889.39,47.5,789.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:44.65,0:01:51.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 57] \an5\move(909.56,47.5,809.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:44.70,0:01:51.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 58] \an5\move(939.01,47.5,839.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:01:44.75,0:01:51.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 59] \an5\move(959.9,47.5,859.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:56.48,0:01:57.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 60] \an5\move(582.95,47.5,482.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:56.53,0:01:57.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 61] \an5\move(594.38,47.5,494.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:56.58,0:01:57.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 62] \an5\move(610.73,47.5,510.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:56.63,0:01:57.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 63] \an5\move(630.73,47.5,530.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:56.68,0:01:57.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 64] \an5\move(665.34,47.5,565.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:56.73,0:01:57.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 65] \an5\move(691.39,47.5,591.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:56.78,0:01:57.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 66] \an5\move(721.13,47.5,621.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:56.83,0:01:57.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 67] \an5\move(742.11,47.5,642.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:56.88,0:01:58.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 68] \an5\move(771.05,47.5,671.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:56.93,0:01:58.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 69] \an5\move(791.21,47.5,691.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:56.98,0:01:58.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 70] \an5\move(811.54,47.5,711.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:57.03,0:01:58.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 71] \an5\move(831.67,47.5,731.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:57.08,0:01:58.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 72] \an5\move(846.72,47.5,746.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:57.13,0:01:59.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 73] \an5\move(870.8,47.5,770.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:57.18,0:01:59.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 74] \an5\move(891.59,47.5,791.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.44,0:01:59.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 75] \an5\move(486.46,47.5,386.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:59.49,0:02:00.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 76] \an5\move(497.89,47.5,397.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:59.54,0:02:00.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 77] \an5\move(514.23,47.5,414.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:59.59,0:02:00.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 78] \an5\move(534.23,47.5,434.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:59.64,0:02:00.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 79] \an5\move(563.81,47.5,463.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:59.69,0:02:00.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 80] \an5\move(584.6,47.5,484.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.74,0:02:00.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 81] \an5\move(610.23,47.5,510.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:59.79,0:02:00.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 82] \an5\move(623.5,47.5,523.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:59.84,0:02:00.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 83] \an5\move(640.58,47.5,540.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:59.89,0:02:00.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 84] \an5\move(669.66,47.5,569.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:59.94,0:02:00.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 85] \an5\move(689.79,47.5,589.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.99,0:02:01.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 86] \an5\move(714.9,47.5,614.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:00.04,0:02:01.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 87] \an5\move(740.01,47.5,640.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.09,0:02:01.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 88] \an5\move(757.13,47.5,657.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:00.14,0:02:01.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 89] \an5\move(774.24,47.5,674.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.19,0:02:01.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 90] \an5\move(794.99,47.5,694.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:00.24,0:02:01.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 91] \an5\move(815.74,47.5,715.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.29,0:02:02.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 92] \an5\move(830.79,47.5,730.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:00.34,0:02:02.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 93] \an5\move(859.91,47.5,759.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:00.39,0:02:02.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 94] \an5\move(885.73,47.5,785.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.44,0:02:03.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 95] \an5\move(911.55,47.5,811.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:00.49,0:02:03.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 96] \an5\move(937.37,47.5,837.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.54,0:02:03.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 97] \an5\move(966.91,47.5,866.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:00.59,0:02:03.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 98] \an5\move(987.89,47.5,887.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:03.43,0:02:03.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 99] \an5\move(628.21,47.5,528.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:03.48,0:02:03.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 100] \an5\move(649.76,47.5,549.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:03.53,0:02:04.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 101] \an5\move(670.13,47.5,570.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:03.58,0:02:04.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 102] \an5\move(690.49,47.5,590.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:03.63,0:02:04.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 103] \an5\move(720.23,47.5,620.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:03.68,0:02:04.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 104] \an5\move(735.52,47.5,635.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:03.73,0:02:04.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 105] \an5\move(763.93,47.5,663.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:03.78,0:02:04.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 106] \an5\move(789.04,47.5,689.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:03.83,0:02:05.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 107] \an5\move(818.29,47.5,718.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:03.88,0:02:05.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 108] \an5\move(835.41,47.5,735.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:03.93,0:02:05.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 109] \an5\move(852.56,47.5,752.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:06.63,0:02:07.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 110] \an5\move(607.76,47.5,507.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}Z
Dialogue: 0,0:02:06.68,0:02:07.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 111] \an5\move(628.55,47.5,528.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:06.73,0:02:07.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 112] \an5\move(645.47,47.5,545.47,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:06.78,0:02:07.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 113] \an5\move(658.73,47.5,558.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:06.83,0:02:07.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 114] \an5\move(675.85,47.5,575.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:06.88,0:02:07.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 115] \an5\move(701.72,47.5,601.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:06.93,0:02:07.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 116] \an5\move(718.6,47.5,618.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:06.98,0:02:08.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 117] \an5\move(733.65,47.5,633.65,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:07.03,0:02:08.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 118] \an5\move(748.16,47.5,648.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:07.08,0:02:08.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 119] \an5\move(768.31,47.5,668.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:07.13,0:02:08.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 120] \an5\move(785.39,47.5,685.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:07.18,0:02:08.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 121] \an5\move(801.73,47.5,701.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:07.23,0:02:08.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 122] \an5\move(821.73,47.5,721.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:07.28,0:02:09.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 123] \an5\move(851.31,47.5,751.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:07.33,0:02:09.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 124] \an5\move(872.3,47.5,772.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:09.61,0:02:10.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 125] \an5\move(493.55,47.5,393.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}D
Dialogue: 0,0:02:09.66,0:02:10.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 126] \an5\move(515.38,47.5,415.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:09.71,0:02:10.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 127] \an5\move(544.26,47.5,444.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:09.76,0:02:10.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 128] \an5\move(564.59,47.5,464.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:09.81,0:02:10.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 129] \an5\move(585.57,47.5,485.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:09.86,0:02:10.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 130] \an5\move(606.59,47.5,506.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:09.91,0:02:10.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 131] \an5\move(636.08,47.5,536.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:09.96,0:02:11.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 132] \an5\move(652.96,47.5,552.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:10.01,0:02:11.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 133] \an5\move(669.84,47.5,569.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.06,0:02:11.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 134] \an5\move(686.96,47.5,586.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:10.11,0:02:11.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 135] \an5\move(698.63,47.5,598.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:10.16,0:02:11.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 136] \an5\move(718.99,47.5,618.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:10.21,0:02:11.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 137] \an5\move(744.81,47.5,644.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.26,0:02:11.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 138] \an5\move(765.51,47.5,665.51,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:10.31,0:02:12.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 139] \an5\move(789.66,47.5,689.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}j
Dialogue: 0,0:02:10.36,0:02:12.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 140] \an5\move(804.86,47.5,704.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.41,0:02:12.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 141] \an5\move(834.36,47.5,734.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:10.46,0:02:12.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 142] \an5\move(855.11,47.5,755.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.51,0:02:13.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 143] \an5\move(870.16,47.5,770.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:10.56,0:02:13.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 144] \an5\move(894.2,47.5,794.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:10.61,0:02:14.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 145] \an5\move(923.99,47.5,823.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:10.66,0:02:14.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 146] \an5\move(944.78,47.5,844.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:10.71,0:02:14.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 147] \an5\move(970.41,47.5,870.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:10.76,0:02:14.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 148] \an5\move(987.53,47.5,887.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:14.80,0:02:15.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 149] \an5\move(641.63,47.5,541.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}W
Dialogue: 0,0:02:14.85,0:02:15.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 150] \an5\move(669.28,47.5,569.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:14.90,0:02:15.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 151] \an5\move(689.24,47.5,589.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:14.95,0:02:15.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 152] \an5\move(709.24,47.5,609.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:15.00,0:02:15.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 153] \an5\move(726.4,47.5,626.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:15.05,0:02:15.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 154] \an5\move(743.71,47.5,643.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:15.10,0:02:16.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 155] \an5\move(764.66,47.5,664.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:15.15,0:02:16.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 156] \an5\move(785.41,47.5,685.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:15.20,0:02:16.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 157] \an5\move(800.45,47.5,700.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:15.25,0:02:16.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 158] \an5\move(824.41,47.5,724.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:15.30,0:02:16.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 159] \an5\move(845.3,47.5,745.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:16.85,0:02:17.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 160] \an5\move(491.33,47.5,391.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}A
Dialogue: 0,0:02:16.90,0:02:17.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 161] \an5\move(513.55,47.5,413.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:16.95,0:02:17.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 162] \an5\move(534.53,47.5,434.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:17.00,0:02:17.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 163] \an5\move(564.25,47.5,464.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:17.05,0:02:17.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 164] \an5\move(579.53,47.5,479.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:17.10,0:02:18.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 165] \an5\move(603.58,47.5,503.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:17.15,0:02:18.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 166] \an5\move(618.88,47.5,518.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:17.20,0:02:19.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 167] \an5\move(642.42,47.5,542.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:17.25,0:02:19.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 168] \an5\move(662.91,47.5,562.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:17.30,0:02:19.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 169] \an5\move(678.19,47.5,578.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:17.35,0:02:19.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 170] \an5\move(692.87,47.5,592.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:17.40,0:02:19.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 171] \an5\move(713,47.5,613,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:17.45,0:02:19.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 172] \an5\move(729.88,47.5,629.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:17.50,0:02:19.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 173] \an5\move(743.15,47.5,643.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:17.55,0:02:19.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 174] \an5\move(760.03,47.5,660.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:17.60,0:02:20.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 175] \an5\move(789.44,47.5,689.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:17.65,0:02:20.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 176] \an5\move(810.09,47.5,710.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:17.70,0:02:20.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 177] \an5\move(830.23,47.5,730.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:17.75,0:02:20.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 178] \an5\move(850.4,47.5,750.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:17.80,0:02:20.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 179] \an5\move(870.4,47.5,770.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:17.85,0:02:20.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 180] \an5\move(890.59,47.5,790.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:17.90,0:02:21.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 181] \an5\move(910.96,47.5,810.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:17.95,0:02:21.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 182] \an5\move(931.13,47.5,831.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:18.00,0:02:21.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 183] \an5\move(965.03,47.5,865.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:18.05,0:02:21.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 184] \an5\move(990.14,47.5,890.14,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:22.00,0:02:22.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 185] \an5\move(444.2,47.5,344.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:02:22.05,0:02:22.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 186] \an5\move(464.56,47.5,364.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:22.10,0:02:22.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 187] \an5\move(490.38,47.5,390.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:22.15,0:02:22.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 188] \an5\move(524.95,47.5,424.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:22.20,0:02:22.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 189] \an5\move(551.01,47.5,451.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:22.25,0:02:23.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 190] \an5\move(585.81,47.5,485.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:22.30,0:02:23.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 191] \an5\move(611.67,47.5,511.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:22.35,0:02:23.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 192] \an5\move(632.46,47.5,532.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:22.40,0:02:23.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 193] \an5\move(653.41,47.5,553.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:22.45,0:02:24.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 194] \an5\move(683.1,47.5,583.1,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:22.50,0:02:24.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 195] \an5\move(704.09,47.5,604.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:22.55,0:02:24.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 196] \an5\move(733.8,47.5,633.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:22.60,0:02:24.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 197] \an5\move(754.17,47.5,654.17,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:22.65,0:02:24.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 198] \an5\move(774.34,47.5,674.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:22.70,0:02:26.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 199] \an5\move(803.27,47.5,703.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:22.75,0:02:26.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 200] \an5\move(823.4,47.5,723.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:22.80,0:02:26.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 201] \an5\move(843.53,47.5,743.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:22.85,0:02:26.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 202] \an5\move(863.66,47.5,763.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:22.90,0:02:27.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 203] \an5\move(884.36,47.5,784.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:22.95,0:02:27.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 204] \an5\move(901.44,47.5,801.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:23.00,0:02:27.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 205] \an5\move(918.32,47.5,818.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:23.05,0:02:27.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 206] \an5\move(952.89,47.5,852.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:23.10,0:02:27.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 207] \an5\move(978.71,47.5,878.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:23.15,0:02:28.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 208] \an5\move(1004.53,47.5,904.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:23.20,0:02:28.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 209] \an5\move(1030.35,47.5,930.35,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:28.40,0:02:29.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 210] \an5\move(496.78,47.5,396.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:02:28.45,0:02:29.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 211] \an5\move(513.23,47.5,413.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:28.50,0:02:29.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 212] \an5\move(528.56,47.5,428.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:28.55,0:02:29.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 213] \an5\move(543.9,47.5,443.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:28.60,0:02:29.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 214] \an5\move(558.58,47.5,458.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:28.65,0:02:29.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 215] \an5\move(578.75,47.5,478.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:28.70,0:02:29.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 216] \an5\move(607.5,47.5,507.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:28.75,0:02:29.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 217] \an5\move(627.7,47.5,527.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:28.80,0:02:29.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 218] \an5\move(648.66,47.5,548.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:28.85,0:02:30.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 219] \an5\move(669.69,47.5,569.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:28.90,0:02:30.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 220] \an5\move(690.71,47.5,590.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:28.95,0:02:30.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 221] \an5\move(720.45,47.5,620.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:29.00,0:02:30.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 222] \an5\move(735.74,47.5,635.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:29.05,0:02:30.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 223] \an5\move(764.86,47.5,664.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:29.10,0:02:30.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 224] \an5\move(785.23,47.5,685.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:29.15,0:02:30.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 225] \an5\move(809.26,47.5,709.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:29.20,0:02:31.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 226] \an5\move(844.06,47.5,744.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:29.25,0:02:31.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 227] \an5\move(869.88,47.5,769.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:29.30,0:02:31.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 228] \an5\move(890.02,47.5,790.02,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:29.35,0:02:31.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 229] \an5\move(910.15,47.5,810.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:29.40,0:02:31.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 230] \an5\move(930.11,47.5,830.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:29.45,0:02:31.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 231] \an5\move(950.27,47.5,850.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:29.50,0:02:31.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 232] \an5\move(967.34,47.5,867.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:29.55,0:02:31.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 233] \an5\move(984.42,47.5,884.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:31.67,0:02:32.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 234] \an5\move(607.78,47.5,507.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:31.72,0:02:32.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 235] \an5\move(629.09,47.5,529.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:31.77,0:02:32.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 236] \an5\move(649.84,47.5,549.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:31.82,0:02:32.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 237] \an5\move(670.59,47.5,570.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:31.87,0:02:32.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 238] \an5\move(691.38,47.5,591.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:31.92,0:02:32.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 239] \an5\move(712.37,47.5,612.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:31.97,0:02:32.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 240] \an5\move(729.68,47.5,629.68,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:32.02,0:02:32.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 241] \an5\move(746.84,47.5,646.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:32.07,0:02:33.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 242] \an5\move(781.45,47.5,681.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:32.12,0:02:33.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 243] \an5\move(807.46,47.5,707.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:32.17,0:02:33.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 244] \an5\move(824.77,47.5,724.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:32.22,0:02:33.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 245] \an5\move(842.13,47.5,742.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:32.27,0:02:33.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 246] \an5\move(863.15,47.5,763.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:32.32,0:02:33.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 247] \an5\move(878.48,47.5,778.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ī
Dialogue: 0,0:02:33.66,0:02:34.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 248] \an5\move(444.23,47.5,344.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:33.71,0:02:34.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 249] \an5\move(460.09,47.5,360.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:33.76,0:02:34.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 250] \an5\move(480.46,47.5,380.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:33.81,0:02:34.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 251] \an5\move(500.83,47.5,400.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:33.86,0:02:34.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 252] \an5\move(524.88,47.5,424.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:33.91,0:02:34.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 253] \an5\move(545.86,47.5,445.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:33.96,0:02:34.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 254] \an5\move(580.66,47.5,480.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:34.01,0:02:34.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 255] \an5\move(606.52,47.5,506.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:34.06,0:02:35.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 256] \an5\move(627.31,47.5,527.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.11,0:02:35.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 257] \an5\move(648.26,47.5,548.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.16,0:02:35.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 258] \an5\move(677.95,47.5,577.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.21,0:02:35.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 259] \an5\move(698.94,47.5,598.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:34.26,0:02:35.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 260] \an5\move(728.67,47.5,628.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.31,0:02:35.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 261] \an5\move(749.42,47.5,649.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.36,0:02:36.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 262] \an5\move(769.55,47.5,669.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:34.41,0:02:36.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 263] \an5\move(789.69,47.5,689.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.46,0:02:36.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 264] \an5\move(819.23,47.5,719.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:34.51,0:02:36.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 265] \an5\move(840.21,47.5,740.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.56,0:02:36.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 266] \an5\move(870.78,47.5,770.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}R
Dialogue: 0,0:02:34.61,0:02:36.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 267] \an5\move(892.6,47.5,792.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.66,0:02:37.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 268] \an5\move(912.76,47.5,812.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:34.71,0:02:37.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 269] \an5\move(932.95,47.5,832.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:34.76,0:02:37.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 270] \an5\move(953.94,47.5,853.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.81,0:02:37.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 271] \an5\move(974.69,47.5,874.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.86,0:02:37.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 272] \an5\move(995.44,47.5,895.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.91,0:02:38.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 273] \an5\move(1015.94,47.5,915.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:34.96,0:02:38.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 274] \an5\move(1036.38,47.5,936.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:38.60,0:02:39.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 275] \an5\move(505.63,47.5,405.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}N
Dialogue: 0,0:02:38.65,0:02:39.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 276] \an5\move(527.86,47.5,427.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:38.70,0:02:39.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 277] \an5\move(544.98,47.5,444.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:38.75,0:02:39.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 278] \an5\move(562.09,47.5,462.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:38.80,0:02:39.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 279] \an5\move(582.05,47.5,482.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:38.85,0:02:39.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 280] \an5\move(602.21,47.5,502.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:38.90,0:02:39.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 281] \an5\move(630.42,47.5,530.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:02:38.95,0:02:39.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 282] \an5\move(649.88,47.5,549.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:39.00,0:02:40.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 283] \an5\move(670.83,47.5,570.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:39.05,0:02:40.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 284] \an5\move(691.04,47.5,591.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:39.10,0:02:40.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 285] \an5\move(711.23,47.5,611.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:39.15,0:02:40.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 286] \an5\move(726.52,47.5,626.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:39.20,0:02:40.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 287] \an5\move(741.81,47.5,641.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:39.25,0:02:40.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 288] \an5\move(770.08,47.5,670.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:02:39.30,0:02:40.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 289] \an5\move(789.54,47.5,689.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:39.35,0:02:40.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 290] \an5\move(810.48,47.5,710.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:39.40,0:02:41.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 291] \an5\move(827.85,47.5,727.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:39.45,0:02:41.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 292] \an5\move(845.16,47.5,745.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:39.50,0:02:41.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 293] \an5\move(860.41,47.5,760.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:39.55,0:02:41.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 294] \an5\move(884.44,47.5,784.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:39.60,0:02:41.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 295] \an5\move(910.49,47.5,810.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:39.65,0:02:41.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 296] \an5\move(936.55,47.5,836.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:39.70,0:02:41.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 297] \an5\move(951.83,47.5,851.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:39.75,0:02:42.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 298] \an5\move(975.86,47.5,875.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:41.75,0:02:42.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 299] \an5\move(610.08,47.5,510.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}S
Dialogue: 0,0:02:41.80,0:02:42.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 300] \an5\move(631.84,47.5,531.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:41.85,0:02:42.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 301] \an5\move(649.2,47.5,549.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:41.90,0:02:42.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 302] \an5\move(666.31,47.5,566.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:41.95,0:02:42.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 303] \an5\move(695.81,47.5,595.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:42.00,0:02:42.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 304] \an5\move(716.8,47.5,616.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:42.05,0:02:43.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 305] \an5\move(745.91,47.5,645.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:42.10,0:02:43.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 306] \an5\move(766.05,47.5,666.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:42.15,0:02:43.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 307] \an5\move(786.8,47.5,686.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:42.20,0:02:43.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 308] \an5\move(807.55,47.5,707.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:42.25,0:02:43.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 309] \an5\move(824.43,47.5,724.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:42.30,0:02:43.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 310] \an5\move(841.31,47.5,741.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:42.35,0:02:43.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 311] \an5\move(870.76,47.5,770.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:43.92,0:02:44.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 312] \an5\move(529.28,47.5,429.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}T
Dialogue: 0,0:02:43.97,0:02:44.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 313] \an5\move(549.57,47.5,449.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:44.02,0:02:44.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 314] \an5\move(569.94,47.5,469.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:44.07,0:02:44.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 315] \an5\move(590.11,47.5,490.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:44.12,0:02:44.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 316] \an5\move(615.78,47.5,515.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:44.17,0:02:44.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 317] \an5\move(632.9,47.5,532.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:44.22,0:02:45.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 318] \an5\move(653.27,47.5,553.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:44.27,0:02:45.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 319] \an5\move(673.44,47.5,573.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:44.32,0:02:46.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 320] \an5\move(697.27,47.5,597.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:44.37,0:02:46.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 321] \an5\move(708.7,47.5,608.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:44.42,0:02:46.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 322] \an5\move(725.05,47.5,625.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:44.47,0:02:46.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 323] \an5\move(745.05,47.5,645.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:44.52,0:02:46.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 324] \an5\move(779.66,47.5,679.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:44.57,0:02:46.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 325] \an5\move(805.48,47.5,705.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:44.62,0:02:46.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 326] \an5\move(826.27,47.5,726.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:44.67,0:02:46.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 327] \an5\move(847.25,47.5,747.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:44.72,0:02:47.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 328] \an5\move(876.98,47.5,776.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:44.77,0:02:47.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 329] \an5\move(897.97,47.5,797.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:44.82,0:02:47.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 330] \an5\move(923.98,47.5,823.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:44.87,0:02:47.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 331] \an5\move(950.04,47.5,850.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:49.06,0:02:49.61,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 332] \an5\move(620.6,47.5,520.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:02:49.11,0:02:49.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 333] \an5\move(647.3,47.5,547.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:49.16,0:02:49.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 334] \an5\move(672.41,47.5,572.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:49.21,0:02:49.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 335] \an5\move(689.52,47.5,589.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:49.26,0:02:49.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 336] \an5\move(701.19,47.5,601.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:49.31,0:02:50.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 337] \an5\move(725.23,47.5,625.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:49.36,0:02:50.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 338] \an5\move(745.98,47.5,645.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:49.41,0:02:50.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 339] \an5\move(766.73,47.5,666.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:49.46,0:02:50.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 340] \an5\move(783.87,47.5,683.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:49.51,0:02:50.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 341] \an5\move(800.95,47.5,700.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:49.56,0:02:50.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 342] \an5\move(830.64,47.5,730.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:49.61,0:02:50.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 343] \an5\move(851.39,47.5,751.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:49.66,0:02:51.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 344] \an5\move(866.44,47.5,766.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:50.78,0:02:51.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 345] \an5\move(515.91,47.5,415.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}B
Dialogue: 0,0:02:50.83,0:02:51.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 346] \an5\move(537.7,47.5,437.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:50.88,0:02:51.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 347] \an5\move(558.07,47.5,458.07,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:50.93,0:02:51.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 348] \an5\move(578.24,47.5,478.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:50.98,0:02:52.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 349] \an5\move(595.16,47.5,495.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:51.03,0:02:52.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 350] \an5\move(612.05,47.5,512.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:51.08,0:02:52.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 351] \an5\move(632.3,47.5,532.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:51.13,0:02:52.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 352] \an5\move(652.78,47.5,552.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:51.18,0:02:52.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 353] \an5\move(668.06,47.5,568.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:51.23,0:02:52.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 354] \an5\move(692.11,47.5,592.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:51.28,0:02:52.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 355] \an5\move(713.09,47.5,613.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:51.33,0:02:53.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 356] \an5\move(747.9,47.5,647.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:51.38,0:02:53.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 357] \an5\move(773.95,47.5,673.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:51.43,0:02:54.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 358] \an5\move(794.94,47.5,694.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:51.48,0:02:54.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 359] \an5\move(815.92,47.5,715.92,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:51.53,0:02:54.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 360] \an5\move(836.95,47.5,736.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:51.58,0:02:54.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 361] \an5\move(857.73,47.5,757.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:51.63,0:02:54.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 362] \an5\move(874.62,47.5,774.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:51.68,0:02:54.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 363] \an5\move(891.5,47.5,791.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:51.73,0:02:54.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 364] \an5\move(908.62,47.5,808.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:51.78,0:02:54.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 365] \an5\move(920.28,47.5,820.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:51.83,0:02:55.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 366] \an5\move(944.37,47.5,844.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:51.88,0:02:55.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 367] \an5\move(965.16,47.5,865.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:55.10,0:02:55.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 368] \an5\move(605.97,47.5,505.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:02:55.15,0:02:56.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 369] \an5\move(628.05,47.5,528.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:55.20,0:02:56.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 370] \an5\move(649.08,47.5,549.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:55.25,0:02:56.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 371] \an5\move(669.45,47.5,569.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:55.30,0:02:56.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 372] \an5\move(684.13,47.5,584.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:55.35,0:02:56.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 373] \an5\move(699.46,47.5,599.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:55.40,0:02:56.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 374] \an5\move(720.25,47.5,620.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:55.45,0:02:56.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 375] \an5\move(740.21,47.5,640.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:55.50,0:02:56.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 376] \an5\move(760.41,47.5,660.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:55.55,0:02:56.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 377] \an5\move(775.69,47.5,675.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:55.60,0:02:57.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 378] \an5\move(787.12,47.5,687.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:55.65,0:02:57.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 379] \an5\move(804,47.5,704,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:55.70,0:02:57.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 380] \an5\move(824.75,47.5,724.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:55.75,0:02:57.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 381] \an5\move(854.54,47.5,754.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:55.80,0:02:57.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 382] \an5\move(875.33,47.5,775.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:01.34,0:03:02.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 383] \an5\move(674.43,47.5,574.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:03:01.39,0:03:02.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 384] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:01.44,0:03:02.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 385] \an5\move(706.21,47.5,606.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:03:01.49,0:03:02.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 386] \an5\move(721.55,47.5,621.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:01.54,0:03:02.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 387] \an5\move(736.23,47.5,636.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:01.59,0:03:02.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 388] \an5\move(756.4,47.5,656.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:03:01.64,0:03:02.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 389] \an5\move(785.84,47.5,685.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:03:01.69,0:03:02.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 390] \an5\move(806.73,47.5,706.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:36.32,0:01:43.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\t(6273.42,6713.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:01:36.60,0:01:43.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 2] \an5\pos(308.29,47.5)\t(6043.42,6483.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:36.60,0:01:43.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 3] \an5\pos(333.4,47.5)\t(6093.42,6533.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:36.81,0:01:43.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 4] \an5\pos(350.52,47.5)\t(5933.42,6373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:36.81,0:01:43.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 5] \an5\pos(362.18,47.5)\t(5983.42,6423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:37.23,0:01:43.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 6] \an5\pos(386.23,47.5)\t(5613.42,6053.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:37.23,0:01:43.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 7] \an5\pos(406.98,47.5)\t(5663.42,6103.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:37.45,0:01:43.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 8] \an5\pos(427.73,47.5)\t(5493.42,5933.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:37.86,0:01:43.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 9] \an5\pos(444.86,47.5)\t(5133.42,5573.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:37.86,0:01:43.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 10] \an5\pos(461.94,47.5)\t(5183.42,5623.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:38.08,0:01:43.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 11] \an5\pos(491.63,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:38.45,0:01:43.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 12] \an5\pos(512.38,47.5)\t(4693.42,5133.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:38.45,0:01:43.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 13] \an5\pos(527.43,47.5)\t(4743.42,5183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:38.96,0:01:43.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 14] \an5\pos(551.52,47.5)\t(4283.42,4723.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:38.96,0:01:43.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 15] \an5\pos(572.54,47.5)\t(4333.42,4773.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:39.39,0:01:43.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 16] \an5\pos(592.91,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:39.39,0:01:43.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 17] \an5\pos(613.08,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:39.78,0:01:43.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 18] \an5\pos(630,47.5)\t(3663.42,4103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:39.78,0:01:43.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 19] \an5\pos(646.88,47.5)\t(3713.42,4153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:40.23,0:01:43.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 20] \an5\pos(667.13,47.5)\t(3313.42,3753.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:01:40.23,0:01:44.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 21] \an5\pos(687.62,47.5)\t(3363.42,3803.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:40.23,0:01:44.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 22] \an5\pos(702.9,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:41.63,0:01:44.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 23] \an5\pos(726.95,47.5)\t(2063.42,2503.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:41.63,0:01:44.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 24] \an5\pos(747.93,47.5)\t(2113.42,2553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:42.16,0:01:44.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 25] \an5\pos(782.73,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:42.16,0:01:44.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 26] \an5\pos(808.79,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:42.58,0:01:44.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 27] \an5\pos(829.77,47.5)\t(1313.42,1753.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:42.58,0:01:44.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 28] \an5\pos(850.76,47.5)\t(1363.42,1803.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:42.82,0:01:44.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 29] \an5\pos(871.78,47.5)\t(1173.42,1613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:42.82,0:01:44.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 30] \an5\pos(892.57,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:43.22,0:01:44.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 31] \an5\pos(909.45,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:43.22,0:01:44.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 32] \an5\pos(926.34,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:43.65,0:01:44.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 33] \an5\pos(943.45,47.5)\t(543.42,983.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:43.65,0:01:44.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 34] \an5\pos(955.12,47.5)\t(593.42,1033.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:44.20,0:01:44.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 35] \an5\pos(979.2,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:44.20,0:01:44.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 36] \an5\pos(999.99,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:44.69,0:01:55.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 37] \an5\pos(421.16,47.5)\t(10603.42,11043.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:01:45.14,0:01:55.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 38] \an5\pos(443.25,47.5)\t(10203.42,10643.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:45.14,0:01:55.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 39] \an5\pos(464.27,47.5)\t(10253.42,10693.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:45.59,0:01:55.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 40] \an5\pos(484.64,47.5)\t(9853.42,10293.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:45.59,0:01:55.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 41] \an5\pos(499.32,47.5)\t(9903.42,10343.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:45.77,0:01:55.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 42] \an5\pos(514.66,47.5)\t(9773.42,10213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:45.77,0:01:56.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 43] \an5\pos(535.45,47.5)\t(9823.42,10263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:46.29,0:01:56.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 44] \an5\pos(555.41,47.5)\t(9353.42,9793.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:46.29,0:01:56.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 45] \an5\pos(575.6,47.5)\t(9403.42,9843.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:46.29,0:01:56.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 46] \an5\pos(590.88,47.5)\t(9453.42,9893.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:46.69,0:01:56.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 47] \an5\pos(602.31,47.5)\t(9103.42,9543.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:46.69,0:01:56.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 48] \an5\pos(619.2,47.5)\t(9153.42,9593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:47.13,0:01:56.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 49] \an5\pos(648.7,47.5)\t(8763.42,9203.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:50.49,0:01:56.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 50] \an5\pos(678.48,47.5)\t(5453.42,5893.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:50.49,0:01:56.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 51] \an5\pos(699.27,47.5)\t(5503.42,5943.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:50.92,0:01:56.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 52] \an5\pos(728.76,47.5)\t(5123.42,5563.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:50.92,0:01:56.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 53] \an5\pos(744.04,47.5)\t(5173.42,5613.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:51.23,0:01:56.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 54] \an5\pos(759.38,47.5)\t(4913.42,5353.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:51.23,0:01:56.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 55] \an5\pos(774.71,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:51.37,0:01:56.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 56] \an5\pos(789.39,47.5)\t(4873.42,5313.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:51.37,0:01:56.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 57] \an5\pos(809.56,47.5)\t(4923.42,5363.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:56.25,0:01:56.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 58] \an5\pos(839.01,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:01:56.25,0:01:56.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 59] \an5\pos(859.9,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:57.26,0:01:59.77,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 60] \an5\pos(482.95,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:57.45,0:01:59.82,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 61] \an5\pos(494.38,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:57.45,0:01:59.87,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 62] \an5\pos(510.73,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:57.45,0:01:59.92,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 63] \an5\pos(530.73,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:57.78,0:01:59.97,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 64] \an5\pos(565.34,47.5)\t(1753.42,2193.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:57.78,0:02:00.02,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 65] \an5\pos(591.39,47.5)\t(1803.42,2243.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:58.07,0:02:00.07,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 66] \an5\pos(621.13,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:58.07,0:02:00.12,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 67] \an5\pos(642.11,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:58.43,0:02:00.17,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 68] \an5\pos(671.05,47.5)\t(1303.42,1743.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:58.43,0:02:00.22,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 69] \an5\pos(691.21,47.5)\t(1353.42,1793.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:58.73,0:02:00.27,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 70] \an5\pos(711.54,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:58.73,0:02:00.32,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 71] \an5\pos(731.67,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:59.07,0:02:00.37,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 72] \an5\pos(746.72,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:59.89,0:02:00.42,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 73] \an5\pos(770.8,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:59.89,0:02:00.47,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 74] \an5\pos(791.59,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:00.15,0:02:03.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 75] \an5\pos(386.46,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:02:00.36,0:02:03.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 76] \an5\pos(397.89,47.5)\t(2663.42,3103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:00.36,0:02:03.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 77] \an5\pos(414.23,47.5)\t(2713.42,3153.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:00.36,0:02:03.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 78] \an5\pos(434.23,47.5)\t(2763.42,3203.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:00.65,0:02:03.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 79] \an5\pos(463.81,47.5)\t(2523.42,2963.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:00.65,0:02:03.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 80] \an5\pos(484.6,47.5)\t(2573.42,3013.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:00.97,0:02:03.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 81] \an5\pos(510.23,47.5)\t(2303.42,2743.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:00.97,0:02:03.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 82] \an5\pos(523.5,47.5)\t(2353.42,2793.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:00.97,0:02:03.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 83] \an5\pos(540.58,47.5)\t(2403.42,2843.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:01.28,0:02:03.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 84] \an5\pos(569.66,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:01.28,0:02:03.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 85] \an5\pos(589.79,47.5)\t(2193.42,2633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:01.45,0:02:03.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 86] \an5\pos(614.9,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:01.45,0:02:04.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 87] \an5\pos(640.01,47.5)\t(2123.42,2563.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:01.77,0:02:04.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 88] \an5\pos(657.13,47.5)\t(1853.42,2293.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:01.77,0:02:04.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 89] \an5\pos(674.24,47.5)\t(1903.42,2343.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:02.21,0:02:04.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 90] \an5\pos(694.99,47.5)\t(1513.42,1953.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:02.21,0:02:04.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 91] \an5\pos(715.74,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:02.63,0:02:04.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 92] \an5\pos(730.79,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:03.17,0:02:04.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 93] \an5\pos(759.91,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:03.17,0:02:04.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 94] \an5\pos(785.73,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:03.71,0:02:04.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 95] \an5\pos(811.55,47.5)\t(263.42,703.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:03.71,0:02:04.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 96] \an5\pos(837.37,47.5)\t(313.42,753.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:03.98,0:02:04.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 97] \an5\pos(866.91,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:03.98,0:02:04.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 98] \an5\pos(887.89,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:04.32,0:02:06.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 99] \an5\pos(528.21,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:04.32,0:02:06.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 100] \an5\pos(549.76,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:04.65,0:02:06.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 101] \an5\pos(570.13,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:04.65,0:02:06.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 102] \an5\pos(590.49,47.5)\t(1453.42,1893.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:04.82,0:02:06.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 103] \an5\pos(620.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:04.82,0:02:06.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 104] \an5\pos(635.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:05.12,0:02:06.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 105] \an5\pos(663.93,47.5)\t(1133.42,1573.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:05.12,0:02:06.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 106] \an5\pos(689.04,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:05.44,0:02:06.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 107] \an5\pos(718.29,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:06.31,0:02:06.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 108] \an5\pos(735.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:06.31,0:02:06.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 109] \an5\pos(752.56,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:07.66,0:02:10.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 110] \an5\pos(507.76,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}Z
Dialogue: 0,0:02:07.66,0:02:10.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 111] \an5\pos(528.55,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:07.96,0:02:10.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 112] \an5\pos(545.47,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:07.96,0:02:10.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 113] \an5\pos(558.73,47.5)\t(1783.42,2223.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:07.96,0:02:10.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 114] \an5\pos(575.85,47.5)\t(1833.42,2273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:08.31,0:02:10.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 115] \an5\pos(601.72,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:08.31,0:02:10.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 116] \an5\pos(618.6,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:08.54,0:02:10.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 117] \an5\pos(633.65,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:08.89,0:02:10.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 118] \an5\pos(648.16,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:08.89,0:02:10.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 119] \an5\pos(668.31,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:09.29,0:02:10.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 120] \an5\pos(685.39,47.5)\t(803.42,1243.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:09.29,0:02:10.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 121] \an5\pos(701.73,47.5)\t(853.42,1293.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:09.29,0:02:10.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 122] \an5\pos(721.73,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:10.15,0:02:10.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 123] \an5\pos(751.31,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:10.15,0:02:10.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 124] \an5\pos(772.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:10.37,0:02:14.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 125] \an5\pos(393.55,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}D
Dialogue: 0,0:02:10.37,0:02:14.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 126] \an5\pos(415.38,47.5)\t(3973.42,4413.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:10.57,0:02:14.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 127] \an5\pos(444.26,47.5)\t(3823.42,4263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:10.57,0:02:14.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 128] \an5\pos(464.59,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:10.86,0:02:14.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 129] \an5\pos(485.57,47.5)\t(3633.42,4073.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:10.86,0:02:14.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 130] \an5\pos(506.59,47.5)\t(3683.42,4123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:11.17,0:02:15.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 131] \an5\pos(536.08,47.5)\t(3423.42,3863.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:11.50,0:02:15.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 132] \an5\pos(552.96,47.5)\t(3143.42,3583.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:11.50,0:02:15.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 133] \an5\pos(569.84,47.5)\t(3193.42,3633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:11.66,0:02:15.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 134] \an5\pos(586.96,47.5)\t(3083.42,3523.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:11.66,0:02:15.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 135] \an5\pos(598.63,47.5)\t(3133.42,3573.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:11.96,0:02:15.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 136] \an5\pos(618.99,47.5)\t(2883.42,3323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:11.96,0:02:15.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 137] \an5\pos(644.81,47.5)\t(2933.42,3373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:12.41,0:02:15.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 138] \an5\pos(665.51,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:12.94,0:02:15.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 139] \an5\pos(689.66,47.5)\t(2053.42,2493.42,0.8,\fr-180)\blur3\fad(0,200)}j
Dialogue: 0,0:02:12.94,0:02:15.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 140] \an5\pos(704.86,47.5)\t(2103.42,2543.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:13.41,0:02:15.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 141] \an5\pos(734.36,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:13.41,0:02:15.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 142] \an5\pos(755.11,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:13.85,0:02:15.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 143] \an5\pos(770.16,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:14.22,0:02:15.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 144] \an5\pos(794.2,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:14.52,0:02:15.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 145] \an5\pos(823.99,47.5)\t(773.42,1213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:14.52,0:02:15.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 146] \an5\pos(844.78,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:15.30,0:02:15.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 147] \an5\pos(870.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:15.30,0:02:15.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 148] \an5\pos(887.53,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:15.60,0:02:17.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 149] \an5\pos(541.63,47.5)\t(1443.42,1883.42,0.8,\fr-180)\blur3\fad(0,200)}W
Dialogue: 0,0:02:15.60,0:02:17.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 150] \an5\pos(569.28,47.5)\t(1493.42,1933.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:15.85,0:02:17.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 151] \an5\pos(589.24,47.5)\t(1293.42,1733.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:15.85,0:02:17.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 152] \an5\pos(609.24,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:16.10,0:02:17.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 153] \an5\pos(626.4,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:16.10,0:02:17.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 154] \an5\pos(643.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:16.35,0:02:17.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 155] \an5\pos(664.66,47.5)\t(993.42,1433.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:16.35,0:02:17.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 156] \an5\pos(685.41,47.5)\t(1043.42,1483.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:16.60,0:02:17.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 157] \an5\pos(700.45,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:17.40,0:02:17.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 158] \an5\pos(724.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:17.40,0:02:17.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 159] \an5\pos(745.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:17.73,0:02:21.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 160] \an5\pos(391.33,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}A
Dialogue: 0,0:02:17.83,0:02:21.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 161] \an5\pos(413.55,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:17.83,0:02:21.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 162] \an5\pos(434.53,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:18.10,0:02:21.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 163] \an5\pos(464.25,47.5)\t(3243.42,3683.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:18.10,0:02:21.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 164] \an5\pos(479.53,47.5)\t(3293.42,3733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:19.16,0:02:21.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 165] \an5\pos(503.58,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:19.16,0:02:21.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 166] \an5\pos(518.88,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:19.31,0:02:21.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 167] \an5\pos(542.42,47.5)\t(2233.42,2673.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:19.31,0:02:22.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 168] \an5\pos(562.91,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:19.31,0:02:22.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 169] \an5\pos(578.19,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:19.81,0:02:22.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 170] \an5\pos(592.87,47.5)\t(1883.42,2323.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:19.81,0:02:22.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 171] \an5\pos(613,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:20.12,0:02:22.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 172] \an5\pos(629.88,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:20.12,0:02:22.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 173] \an5\pos(643.15,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:20.12,0:02:22.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 174] \an5\pos(660.03,47.5)\t(1773.42,2213.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:20.41,0:02:22.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 175] \an5\pos(689.44,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:20.41,0:02:22.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 176] \an5\pos(710.09,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:20.66,0:02:22.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 177] \an5\pos(730.23,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:20.66,0:02:22.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 178] \an5\pos(750.4,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:21.08,0:02:22.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 179] \an5\pos(770.4,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:21.08,0:02:22.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 180] \an5\pos(790.59,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:21.21,0:02:22.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 181] \an5\pos(810.96,47.5)\t(1033.42,1473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:21.21,0:02:22.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 182] \an5\pos(831.13,47.5)\t(1083.42,1523.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:22.25,0:02:22.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 183] \an5\pos(865.03,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:22.25,0:02:22.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 184] \an5\pos(890.14,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:22.83,0:02:28.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 185] \an5\pos(344.2,47.5)\t(5063.42,5503.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:02:22.98,0:02:28.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 186] \an5\pos(364.56,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:22.98,0:02:28.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 187] \an5\pos(390.38,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:23.31,0:02:28.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 188] \an5\pos(424.95,47.5)\t(4733.42,5173.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:23.31,0:02:28.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 189] \an5\pos(451.01,47.5)\t(4783.42,5223.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:23.79,0:02:28.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 190] \an5\pos(485.81,47.5)\t(4353.42,4793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:23.79,0:02:28.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 191] \an5\pos(511.67,47.5)\t(4403.42,4843.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:24.00,0:02:28.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 192] \an5\pos(532.46,47.5)\t(4243.42,4683.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:24.00,0:02:28.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 193] \an5\pos(553.41,47.5)\t(4293.42,4733.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:24.27,0:02:28.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 194] \an5\pos(583.1,47.5)\t(4073.42,4513.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:24.27,0:02:28.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 195] \an5\pos(604.09,47.5)\t(4123.42,4563.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:24.68,0:02:28.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 196] \an5\pos(633.8,47.5)\t(3763.42,4203.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:26.81,0:02:28.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 197] \an5\pos(654.17,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:26.81,0:02:28.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 198] \an5\pos(674.34,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:26.97,0:02:29.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 199] \an5\pos(703.27,47.5)\t(1623.42,2063.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:26.97,0:02:29.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 200] \an5\pos(723.4,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:27.13,0:02:29.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 201] \an5\pos(743.53,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:27.13,0:02:29.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 202] \an5\pos(763.66,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:27.27,0:02:29.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 203] \an5\pos(784.36,47.5)\t(1523.42,1963.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:27.89,0:02:29.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 204] \an5\pos(801.44,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:27.89,0:02:29.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 205] \an5\pos(818.32,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:28.37,0:02:29.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 206] \an5\pos(852.89,47.5)\t(573.42,1013.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:28.37,0:02:29.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 207] \an5\pos(878.71,47.5)\t(623.42,1063.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:28.95,0:02:29.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 208] \an5\pos(904.53,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:28.95,0:02:29.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 209] \an5\pos(930.35,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:29.23,0:02:31.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 210] \an5\pos(396.78,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:02:29.23,0:02:31.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 211] \an5\pos(413.23,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:29.37,0:02:31.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 212] \an5\pos(428.56,47.5)\t(1943.42,2383.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:29.37,0:02:31.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 213] \an5\pos(443.9,47.5)\t(1993.42,2433.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:29.59,0:02:31.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 214] \an5\pos(458.58,47.5)\t(1823.42,2263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:29.59,0:02:31.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 215] \an5\pos(478.75,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:30.14,0:02:31.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 216] \an5\pos(507.5,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:30.14,0:02:32.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 217] \an5\pos(527.7,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:30.14,0:02:32.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 218] \an5\pos(548.66,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:30.52,0:02:32.10,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 219] \an5\pos(569.69,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:30.52,0:02:32.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 220] \an5\pos(590.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:30.80,0:02:32.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 221] \an5\pos(620.45,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:30.80,0:02:32.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 222] \an5\pos(635.74,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:30.98,0:02:32.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 223] \an5\pos(664.86,47.5)\t(883.42,1323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:30.98,0:02:32.35,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 224] \an5\pos(685.23,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:31.13,0:02:32.40,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 225] \an5\pos(709.26,47.5)\t(833.42,1273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:31.31,0:02:32.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 226] \an5\pos(744.06,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:31.31,0:02:32.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 227] \an5\pos(769.88,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:31.55,0:02:32.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 228] \an5\pos(790.02,47.5)\t(563.42,1003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:31.55,0:02:32.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 229] \an5\pos(810.15,47.5)\t(613.42,1053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:31.94,0:02:32.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 230] \an5\pos(830.11,47.5)\t(273.42,713.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:31.94,0:02:32.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 231] \an5\pos(850.27,47.5)\t(323.42,763.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:32.22,0:02:32.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 232] \an5\pos(867.34,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:32.22,0:02:32.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 233] \an5\pos(884.42,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:32.56,0:02:34.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 234] \an5\pos(507.78,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:32.56,0:02:34.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 235] \an5\pos(529.09,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:32.71,0:02:34.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 236] \an5\pos(549.84,47.5)\t(1093.42,1533.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:32.71,0:02:34.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 237] \an5\pos(570.59,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:32.90,0:02:34.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 238] \an5\pos(591.38,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:32.90,0:02:34.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 239] \an5\pos(612.37,47.5)\t(1053.42,1493.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:33.04,0:02:34.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 240] \an5\pos(629.68,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:33.04,0:02:34.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 241] \an5\pos(646.84,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:33.20,0:02:34.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 242] \an5\pos(681.45,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:33.20,0:02:34.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 243] \an5\pos(707.46,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:33.51,0:02:34.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 244] \an5\pos(724.77,47.5)\t(693.42,1133.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:33.51,0:02:34.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 245] \an5\pos(742.13,47.5)\t(743.42,1183.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:34.21,0:02:34.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 246] \an5\pos(763.15,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:34.21,0:02:34.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 247] \an5\pos(778.48,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}ī
Dialogue: 0,0:02:34.48,0:02:38.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 248] \an5\pos(344.23,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:34.48,0:02:38.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 249] \an5\pos(360.09,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:34.64,0:02:38.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 250] \an5\pos(380.46,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:34.64,0:02:38.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 251] \an5\pos(400.83,47.5)\t(3403.42,3843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:34.79,0:02:38.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 252] \an5\pos(424.88,47.5)\t(3303.42,3743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:34.79,0:02:38.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 253] \an5\pos(445.86,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:35.29,0:02:38.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 254] \an5\pos(480.66,47.5)\t(2903.42,3343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:35.29,0:02:38.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 255] \an5\pos(506.52,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:35.56,0:02:38.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 256] \an5\pos(527.31,47.5)\t(2733.42,3173.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:35.56,0:02:38.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 257] \an5\pos(548.26,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:35.93,0:02:38.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 258] \an5\pos(577.95,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:35.93,0:02:38.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 259] \an5\pos(598.94,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:36.21,0:02:38.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 260] \an5\pos(628.67,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:36.21,0:02:38.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 261] \an5\pos(649.42,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:36.56,0:02:39.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 262] \an5\pos(669.55,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:36.56,0:02:39.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 263] \an5\pos(689.69,47.5)\t(2083.42,2523.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:36.72,0:02:39.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 264] \an5\pos(719.23,47.5)\t(1973.42,2413.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:36.72,0:02:39.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 265] \an5\pos(740.21,47.5)\t(2023.42,2463.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:37.00,0:02:39.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 266] \an5\pos(770.78,47.5)\t(1793.42,2233.42,0.8,\fr-180)\blur3\fad(0,200)}R
Dialogue: 0,0:02:37.00,0:02:39.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 267] \an5\pos(792.6,47.5)\t(1843.42,2283.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:37.34,0:02:39.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 268] \an5\pos(812.76,47.5)\t(1553.42,1993.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:37.34,0:02:39.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 269] \an5\pos(832.95,47.5)\t(1603.42,2043.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:37.34,0:02:39.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 270] \an5\pos(853.94,47.5)\t(1653.42,2093.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:38.88,0:02:39.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 271] \an5\pos(874.69,47.5)\t(163.42,603.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:38.88,0:02:39.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 272] \an5\pos(895.44,47.5)\t(213.42,653.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:39.05,0:02:39.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 273] \an5\pos(915.94,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:39.05,0:02:39.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 274] \an5\pos(936.38,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:39.43,0:02:41.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 275] \an5\pos(405.63,47.5)\t(1863.42,2303.42,0.8,\fr-180)\blur3\fad(0,200)}N
Dialogue: 0,0:02:39.43,0:02:41.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 276] \an5\pos(427.86,47.5)\t(1913.42,2353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:39.52,0:02:41.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 277] \an5\pos(444.98,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:39.52,0:02:41.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 278] \an5\pos(462.09,47.5)\t(1923.42,2363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:39.82,0:02:41.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 279] \an5\pos(482.05,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:39.82,0:02:41.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 280] \an5\pos(502.21,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:40.17,0:02:42.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 281] \an5\pos(530.42,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:02:40.17,0:02:42.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 282] \an5\pos(549.88,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:40.26,0:02:42.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 283] \an5\pos(570.83,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:40.46,0:02:42.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 284] \an5\pos(591.04,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:40.46,0:02:42.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 285] \an5\pos(611.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:40.46,0:02:42.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 286] \an5\pos(626.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:40.67,0:02:42.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 287] \an5\pos(641.81,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:41.03,0:02:42.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 288] \an5\pos(670.08,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:02:41.03,0:02:42.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 289] \an5\pos(689.54,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:41.03,0:02:42.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 290] \an5\pos(710.48,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:41.25,0:02:42.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 291] \an5\pos(727.85,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:41.25,0:02:42.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 292] \an5\pos(745.16,47.5)\t(893.42,1333.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:41.33,0:02:42.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 293] \an5\pos(760.41,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:41.56,0:02:42.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 294] \an5\pos(784.44,47.5)\t(683.42,1123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:41.79,0:02:42.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 295] \an5\pos(810.49,47.5)\t(503.42,943.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:41.79,0:02:42.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 296] \an5\pos(836.55,47.5)\t(553.42,993.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:42.10,0:02:42.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 297] \an5\pos(851.83,47.5)\t(293.42,733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:42.30,0:02:42.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 298] \an5\pos(875.86,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:42.78,0:02:44.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 299] \an5\pos(510.08,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}S
Dialogue: 0,0:02:42.78,0:02:44.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 300] \an5\pos(531.84,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:42.93,0:02:44.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 301] \an5\pos(549.2,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:42.93,0:02:44.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 302] \an5\pos(566.31,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:43.07,0:02:44.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 303] \an5\pos(595.81,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:43.07,0:02:44.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 304] \an5\pos(616.8,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:43.25,0:02:44.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 305] \an5\pos(645.91,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:43.25,0:02:44.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 306] \an5\pos(666.05,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:43.39,0:02:44.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 307] \an5\pos(686.8,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:43.39,0:02:44.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 308] \an5\pos(707.55,47.5)\t(1073.42,1513.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:43.69,0:02:44.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 309] \an5\pos(724.43,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:43.69,0:02:45.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 310] \an5\pos(741.31,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:44.47,0:02:45.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 311] \an5\pos(770.76,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:44.85,0:02:49.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 312] \an5\pos(429.28,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}T
Dialogue: 0,0:02:44.85,0:02:49.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 313] \an5\pos(449.57,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:44.99,0:02:49.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 314] \an5\pos(469.94,47.5)\t(3913.42,4353.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:44.99,0:02:49.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 315] \an5\pos(490.11,47.5)\t(3963.42,4403.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:45.80,0:02:49.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 316] \an5\pos(515.78,47.5)\t(3203.42,3643.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:45.80,0:02:49.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 317] \an5\pos(532.9,47.5)\t(3253.42,3693.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:46.15,0:02:49.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 318] \an5\pos(553.27,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:46.15,0:02:49.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 319] \an5\pos(573.44,47.5)\t(3003.42,3443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:46.42,0:02:49.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 320] \an5\pos(597.27,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:46.77,0:02:49.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 321] \an5\pos(608.7,47.5)\t(2483.42,2923.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:46.77,0:02:49.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 322] \an5\pos(625.05,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:46.77,0:02:49.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 323] \an5\pos(645.05,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:46.94,0:02:49.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 324] \an5\pos(679.66,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:46.94,0:02:49.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 325] \an5\pos(705.48,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:47.24,0:02:49.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 326] \an5\pos(726.27,47.5)\t(2263.42,2703.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:47.24,0:02:49.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 327] \an5\pos(747.25,47.5)\t(2313.42,2753.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:47.51,0:02:50.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 328] \an5\pos(776.98,47.5)\t(2093.42,2533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:47.51,0:02:50.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 329] \an5\pos(797.97,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:49.61,0:02:50.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 330] \an5\pos(823.98,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:49.61,0:02:50.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 331] \an5\pos(850.04,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:49.76,0:02:51.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 332] \an5\pos(520.6,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:02:49.95,0:02:51.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 333] \an5\pos(547.3,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:49.95,0:02:51.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 334] \an5\pos(572.41,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:50.09,0:02:51.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 335] \an5\pos(589.52,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:50.09,0:02:51.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 336] \an5\pos(601.19,47.5)\t(983.42,1423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:50.45,0:02:51.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 337] \an5\pos(625.23,47.5)\t(673.42,1113.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:50.45,0:02:51.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 338] \an5\pos(645.98,47.5)\t(723.42,1163.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:50.58,0:02:51.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 339] \an5\pos(666.73,47.5)\t(643.42,1083.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:50.91,0:02:51.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 340] \an5\pos(683.87,47.5)\t(363.42,803.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:50.91,0:02:51.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 341] \an5\pos(700.95,47.5)\t(413.42,853.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:51.07,0:02:51.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 342] \an5\pos(730.64,47.5)\t(303.42,743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:51.07,0:02:51.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 343] \an5\pos(751.39,47.5)\t(353.42,793.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:51.33,0:02:51.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 344] \an5\pos(766.44,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:51.70,0:02:55.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 345] \an5\pos(415.91,47.5)\t(2993.42,3433.42,0.8,\fr-180)\blur3\fad(0,200)}B
Dialogue: 0,0:02:51.70,0:02:55.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 346] \an5\pos(437.7,47.5)\t(3043.42,3483.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:52.02,0:02:55.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 347] \an5\pos(458.07,47.5)\t(2773.42,3213.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:52.02,0:02:55.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 348] \an5\pos(478.24,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:52.34,0:02:55.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 349] \an5\pos(495.16,47.5)\t(2553.42,2993.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:52.34,0:02:55.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 350] \an5\pos(512.05,47.5)\t(2603.42,3043.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:52.65,0:02:55.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 351] \an5\pos(532.3,47.5)\t(2343.42,2783.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:52.65,0:02:55.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 352] \an5\pos(552.78,47.5)\t(2393.42,2833.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:52.65,0:02:55.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 353] \an5\pos(568.06,47.5)\t(2443.42,2883.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:53.77,0:02:55.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 354] \an5\pos(592.11,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:53.77,0:02:55.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 355] \an5\pos(613.09,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:54.13,0:02:55.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 356] \an5\pos(647.9,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:54.13,0:02:55.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 357] \an5\pos(673.95,47.5)\t(1163.42,1603.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:54.42,0:02:55.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 358] \an5\pos(694.94,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:54.42,0:02:55.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 359] \an5\pos(715.92,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:54.58,0:02:55.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 360] \an5\pos(736.95,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:54.58,0:02:55.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 361] \an5\pos(757.73,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:54.88,0:02:55.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 362] \an5\pos(774.62,47.5)\t(663.42,1103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:54.88,0:02:56.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 363] \an5\pos(791.5,47.5)\t(713.42,1153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:55.20,0:02:56.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 364] \an5\pos(808.62,47.5)\t(443.42,883.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:55.20,0:02:56.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 365] \an5\pos(820.28,47.5)\t(493.42,933.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:55.65,0:02:56.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 366] \an5\pos(844.37,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:55.65,0:02:56.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 367] \an5\pos(865.16,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:56.01,0:03:00.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 368] \an5\pos(505.97,47.5)\t(4463.42,4903.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:02:56.35,0:03:00.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 369] \an5\pos(528.05,47.5)\t(4173.42,4613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:56.35,0:03:01.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 370] \an5\pos(549.08,47.5)\t(4223.42,4663.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:56.67,0:03:01.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 371] \an5\pos(569.45,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:56.67,0:03:01.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 372] \an5\pos(584.13,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:56.85,0:03:01.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 373] \an5\pos(599.46,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:56.85,0:03:01.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 374] \an5\pos(620.25,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:57.18,0:03:01.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 375] \an5\pos(640.21,47.5)\t(3643.42,4083.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:57.18,0:03:01.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 376] \an5\pos(660.41,47.5)\t(3693.42,4133.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:57.18,0:03:01.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 377] \an5\pos(675.69,47.5)\t(3743.42,4183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:57.48,0:03:01.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 378] \an5\pos(687.12,47.5)\t(3493.42,3933.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:57.48,0:03:01.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 379] \an5\pos(704,47.5)\t(3543.42,3983.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:57.75,0:03:01.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 380] \an5\pos(724.75,47.5)\t(3323.42,3763.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:01.03,0:03:01.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 381] \an5\pos(754.54,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:03:01.03,0:03:01.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 382] \an5\pos(775.33,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:02.39,0:03:05.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 383] \an5\pos(574.43,47.5)\t(2813.42,3253.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:03:02.39,0:03:05.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 384] \an5\pos(590.88,47.5)\t(2863.42,3303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:02.72,0:03:05.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 385] \an5\pos(606.21,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:03:02.72,0:03:05.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 386] \an5\pos(621.55,47.5)\t(2633.42,3073.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:02.89,0:03:05.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 387] \an5\pos(636.23,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:02.89,0:03:05.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 388] \an5\pos(656.4,47.5)\t(2563.42,3003.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:05.41,0:03:05.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 389] \an5\pos(685.84,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:03:05.41,0:03:05.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 390] \an5\pos(706.73,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:23:56.48,0:23:58.48,next,,0,0,0,,
Dialogue: 0,0:21:49.52,0:21:56.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}شكرًا لكم على طيب المتابعة
Dialogue: 0,0:21:56.50,0:22:03.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}عذب الخيال
Dialogue: 0,0:21:56.50,0:22:03.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(1081,116.8)}Twitter: @athbulkhayual
Dialogue: 0,0:21:56.50,0:22:03.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(241.4,717.8)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:22:04.15,0:22:07.53,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k43}De{\k41}a{\k25}tta {\k45}ko{\k23}ro {\k21}wa {\k40}da{\k26}re{\k21}ni{\k46}mo
Comment: 0,0:22:07.62,0:22:11.87,ED-Romaji,,0,0,0,,{\blur3}{\k13}{\2c&H606CEB&\t(783,1283,\2c&HC3A7EF&\t(3536,4036,\2c&HE3AE58&))}{\k26}Yo{\k41}so{\k23}ku {\k18}fu{\k44}ka{\k23}no{\k20}u{\k44}na {\k26}te{\k21}n{\k67}ka{\k59}i
Comment: 0,0:22:12.70,0:22:16.88,ED-Romaji,,0,0,0,,{\blur3}{\k11}{\k46}Uso {\k17}mi{\k29}ta{\k14}i{\k19}da {\k116}ne{\k68} {\k98}Yeah
Comment: 0,0:22:18.22,0:22:21.71,ED-Romaji,,0,0,0,,{\blur3}{\k12}{\k34}Guu{\k33}ze{\k21}n {\k22}ba{\k49}ka{\k32}ri {\k48}ja{\k21}na{\k28}ku{\k49}te
Comment: 0,0:22:21.71,0:22:24.65,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k9}Hi{\k29}to{\k15}tus {\k31}ta{\k30}shi{\k44}ka{\k46}na {\k44}no {\k39}wa
Comment: 0,0:22:24.65,0:22:30.55,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k85}Bo{\k26}ku{\k153}ra {\k22}o{\k22}to {\k21}ni {\k14}a{\k55}tsu{\k45}ma{\k140}tta
Comment: 0,0:22:30.90,0:22:37.42,ED-Romaji 3,,0,0,0,,{\blur3}{\k11}{\k43}So{\k54}re{\k54}zo{\k80}re {\k196}no {\k53}ka{\k52}ra{\k53}a {\k56}de
Comment: 0,0:22:37.42,0:22:38.75,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k27}Hi{\k17}bi{\k25}ki {\k25}a{\k17}e{\k15}be
Comment: 0,0:22:38.75,0:22:45.03,ED-Romaji,,0,0,0,,{\blur3}{\k8}{\k177}Ki{\k89}tto {\k21}ni{\k25}ji {\k20}ni {\k20}mu{\k180}kou {\k88}e
Comment: 0,0:22:45.03,0:22:49.40,ED-Romaji,,0,0,0,,{\blur3}{\k22}ki{\k22}mi {\k22}ga {\k23}i{\k85}re{\k89}ba {\k46}e{\k10}ga{\k10}i{\k28}te{\k16}ta {\k22}yu{\k42}me
Comment: 0,0:22:49.40,0:22:52.90,ED-Romaji,,0,0,0,,{\blur3}{\k32}Ta{\k14}shi{\k25}ka{\k30}na {\k11}mi{\k11}ra{\k8}i {\k45}ni {\k46}ka{\k44}wa{\k45}tte {\k39}ku
Comment: 0,0:22:52.90,0:22:59.12,ED-Romaji,,0,0,0,,{\blur3}{\k158}I{\k24}tsu{\k87}ka {\k25}ma{\k17}na{\k26}tsu {\k10}no {\k15}hi{\k175}ka{\k85}ri
Comment: 0,0:22:59.12,0:23:04.84,ED-Romaji,,0,0,0,,{\blur3}{\k13}Ka{\k32}sa{\k23}na{\k21}ri{\k88}a{\k89}tte {\k42}ka{\k47}na{\k46}de{\k40}ru {\k131}no
Comment: 0,0:23:04.84,0:23:07.17,ED-Romaji,,0,0,0,,{\blur3}{\k47}Kii{\k47}te {\k41}i{\k98}te
Comment: 0,0:23:07.17,0:23:10.30,ED-Romaji,,0,0,0,,{\blur3}{\k58}Play {\k19}the {\k236}music
Dialogue: 0,0:22:04.15,0:22:07.53,ED-Arabic,,0,0,0,,{\blur3}عندما التقينا
Dialogue: 0,0:22:07.62,0:22:11.87,ED-Arabic,,0,0,0,,{\blur3}كان الأمر غير متوقع
Dialogue: 0,0:22:12.70,0:22:16.88,ED-Arabic,,0,0,0,,{\blur3}كان يبدو وكأنه كذبة، أجل
Dialogue: 0,0:22:18.22,0:22:21.71,ED-Arabic,,0,0,0,,{\blur3}لم تكن مجرد مصادفة
Dialogue: 0,0:22:21.71,0:22:24.65,ED-Arabic,,0,0,0,,{\blur3}الأمر المؤكد هو
Dialogue: 0,0:22:24.65,0:22:30.55,ED-Arabic,,0,0,0,,{\blur3}أن الموسيقى جمعتنا
Dialogue: 0,0:22:30.90,0:22:37.42,ED-Arabic,,0,0,0,,{\blur3}يتردد صدى موسيقانا معًا
Dialogue: 0,0:22:37.42,0:22:38.75,ED-Arabic,,0,0,0,,{\blur3}حاملاً معه ألواننا
Dialogue: 0,0:22:38.75,0:22:45.03,ED-Arabic,,0,0,0,,{\blur3}لننطلق ونتجاوز الطيف
Dialogue: 0,0:22:45.03,0:22:49.40,ED-Arabic,,0,0,0,,{\blur3}إذا كنت معي فإن الحلم الذي طالما حلمت به
Dialogue: 0,0:22:49.40,0:22:52.90,ED-Arabic,,0,0,0,,{\blur3}سيتحقق في الغد بكل تأكيد
Dialogue: 0,0:22:52.90,0:22:59.12,ED-Arabic,,0,0,0,,{\blur3}يومًا ما ستتداخل الألوان السبعة ببعضها
Dialogue: 0,0:22:59.12,0:23:04.84,ED-Arabic,,0,0,0,,{\blur3}وتنسجم معًا
Dialogue: 0,0:23:04.84,0:23:07.17,ED-Arabic,,0,0,0,,{\blur3}لذا أرجوك اسمعي
Dialogue: 0,0:23:07.17,0:23:10.30,ED-Arabic,,0,0,0,,{\blur3}اعزفي الموسيقى
Dialogue: 0,0:23:56.54,0:23:58.54,next,,0,0,0,,