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Style: ED-Arabic,Hayah,65,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,-1,0,0,100,100,0,0,1,3,0,2,10,10,20,1
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:45.11,0:01:50.16,Signs-0,,0,0,0,,{\c&H433B29&\fscx85\fscy88\pos(630.666,224)\fad(250,0)}نادي الكوتو
Dialogue: 0,0:01:45.20,0:01:50.25,ep,,0,0,0,,{\fad(500,500)\fscx121\fscy136}الحلقة 21: معنى ودور
Dialogue: 0,0:01:46.25,0:01:50.25,Default -up,,0,0,0,,.كنت أتساءل ما الحكاية عندما طلبت مني المجيء في الخامسة صباحًا
Dialogue: 0,0:01:50.25,0:01:53.95,Default,,0,0,0,,هل كنت تبدأ التمرين في هذا الوقت المبكر يوميًا؟
Dialogue: 0,0:01:53.95,0:01:55.79,Default,,0,0,0,,.ليس غريبًا أن تكون هنا قبلنا
Dialogue: 0,0:01:55.79,0:01:58.29,Default,,0,0,0,,.لكن ألا تشعر بالنعاس؟ فلستَ شخصًا اعتاد على الاستيقاظ باكرًا
Dialogue: 0,0:01:58.29,0:02:00.87,Default,,0,0,0,,.أتمنى أن ألقي بنفسي في الفراش الآن
Dialogue: 0,0:02:01.79,0:02:06.33,Default,,0,0,0,,.أداء فريق هوزوكي-سان و الأستاذة دوجيما كان مذهلاً
Dialogue: 0,0:02:06.33,0:02:07.66,Default,,0,0,0,,.نعم
Dialogue: 0,0:02:07.66,0:02:08.70,Default,,0,0,0,,،طوال هذا الوقت
Dialogue: 0,0:02:08.70,0:02:12.75,Default,,0,0,0,,،اعتقدت أنني سأكون قادرًا على العزف مثل هوزوكي في البطولة الوطنية
Dialogue: 0,0:02:12.75,0:02:14.50,Default,,0,0,0,,.لكن ربما كنت مخطئًا
Dialogue: 0,0:02:14.50,0:02:15.87,Default,,0,0,0,,ماذا تقصد؟
Dialogue: 0,0:02:20.58,0:02:26.08,Default,,0,0,0,,.أعتقد أنه يجب علينا أن نجد طريقنا الخاص للوقوف إلى جوارها
Dialogue: 0,0:02:27.04,0:02:29.20,Default,,0,0,0,,طريقنا الخاص؟
Dialogue: 0,0:02:29.20,0:02:31.08,Default,,0,0,0,,قال تاكينامي أمرًا كهذا
Dialogue: 0,0:02:31.08,0:02:34.37,Default,,0,0,0,,.أن نفكر في معنى عزفنا ودوره
Dialogue: 0,0:02:34.37,0:02:38.29,Default,,0,0,0,,،رغم أنني ما زلت أجهل هذا
Dialogue: 0,0:02:38.29,0:02:43.20,Default,,0,0,0,,.لكن أعتقد أن الأمر يتجاوز عزف كل نغمة بعناية ومهارة
Dialogue: 0,0:02:43.20,0:02:47.79,Default,,0,0,0,,...صحيح أنني شعرت بأنه يتوجب علي أنا أيضًا بذل المزيد من الجهد، لكن
Dialogue: 0,0:02:47.79,0:02:53.37,Default,,0,0,0,,.تشيكا... أنا أشعر حقًا بأنك تتجاوزني وتنطلق بعيدًا
Dialogue: 0,0:02:53.37,0:02:57.95,Default,,0,0,0,,لكنك قلت "يجب علينا"؟
Dialogue: 0,0:02:57.95,0:02:59.37,Default,,0,0,0,,!حسنًا
Dialogue: 0,0:02:59.37,0:03:03.50,Default,,0,0,0,,!لنجعل أداء ذي السبعة عشر وترًا رائعًا بما يكفي لمجاراة أداء هوزوكي-سان
Dialogue: 0,0:03:03.50,0:03:04.62,Default,,0,0,0,,!أجل
Dialogue: 0,0:03:04.62,0:03:07.91,Default -up,,0,0,0,,.لنبدأ أولاً بمضاعفة وقت تمريناتنا
Dialogue: 0,0:03:05.00,0:03:11.79,Default,,0,0,0,,.اسمع يا تشيكا... أنا أيضًا سأكون حريصًا على الوقوف إلى جوارك
Dialogue: 0,0:03:07.91,0:03:11.79,Default -up,,0,0,0,,هل تعرف كم عدد ساعات اليوم؟
Dialogue: 0,0:03:13.75,0:03:17.41,Default,,0,0,0,,.أصبحت أنت و ميزوهارا-كن تعزفان بانسجام في جزء الكوتو الثاني
Dialogue: 0,0:03:17.41,0:03:20.12,Default,,0,0,0,,!أجل! كان كوتا يبذل جهدًا كبيرًا
Dialogue: 0,0:03:20.12,0:03:23.45,Default,,0,0,0,,.أنت و ميتسو مستواكما جيد
Dialogue: 0,0:03:23.45,0:03:26.29,Default,,0,0,0,,.أداء ميتسو رقيق وجميل
Dialogue: 0,0:03:26.29,0:03:27.66,Default,,0,0,0,,!أجل
Dialogue: 0,0:03:27.66,0:03:32.37,Default,,0,0,0,,.لكن... أداء الكوتو الأول الخاص بنا عادي
Dialogue: 0,0:03:33.20,0:03:35.58,Default,,0,0,0,,.إنه جاد نوعًا ما
Dialogue: 0,0:03:37.54,0:03:39.41,Default,,0,0,0,,!هذا ليس مضحكًا
Dialogue: 0,0:03:39.41,0:03:44.70,Default,,0,0,0,,!تعابير المقطوعة ستختلف اعتمادًا على عزف الكوتو الأول والثاني معًا كما تعلمين
Dialogue: 0,0:03:44.70,0:03:48.41,Default,,0,0,0,,."أنا منزعج من هذا الأمر منذ بعض الوقت... "جاد وممل
Dialogue: 0,0:03:48.97,0:03:51.70,Default,,0,0,0,,!ليس مملاً! إنه رائع
Dialogue: 0,0:03:52.95,0:03:55.70,Default,,0,0,0,,!من الرائع أن يكون جادًا
Dialogue: 0,0:03:58.16,0:04:03.20,Default,,0,0,0,,.لذا قدما أفضل ما تستطيعان، اعزفا الكوتو الأول بأسلوب جاد
Dialogue: 0,0:04:03.20,0:04:06.62,Default,,0,0,0,,.ونحن في الكوتو الثاني سنمنحه الحيوية
Dialogue: 0,0:04:06.62,0:04:08.08,Default,,0,0,0,,...بهذا
Dialogue: 0,0:04:12.66,0:04:15.04,Default,,0,0,0,,!كوراتا! هل تنصت إلي؟
Dialogue: 0,0:04:15.04,0:04:16.62,Default,,0,0,0,,!نعم، أنصت! المعذرة
Dialogue: 0,0:04:17.79,0:04:21.04,Default,,0,0,0,,.ماذا؟ الأستاذة دوجيما، أتيت باكرًا
Dialogue: 0,0:04:21.04,0:04:22.41,Default,,0,0,0,,...أداتشي-كن
Dialogue: 0,0:04:22.41,0:04:24.08,Default,,0,0,0,,هل أنتِ على ما يرام اليوم؟
Dialogue: 0,0:04:25.04,0:04:29.58,Default,,0,0,0,,.أقصد عينيك، أخبرينا إذا تعرضت للغبار ثانية أو حدث أمر ما
Dialogue: 0,0:04:32.87,0:04:35.12,Default,,0,0,0,,.سأكون على ما يرام على الأرجح
Dialogue: 0,0:04:35.12,0:04:36.66,Default,,0,0,0,,.هذا جيد إذن
Dialogue: 0,0:04:40.48,0:04:44.08,Default,,0,0,0,,لم يصل أحد بعد! يا لحسن حظي\N!ستتفرغ الأستاذة لي
Dialogue: 0,0:04:44.08,0:04:46.91,Default,,0,0,0,,!أرجو أن تقدمي لي تدريبًا خاصًا ريثما يصل الآخرون
Dialogue: 0,0:04:50.83,0:04:53.37,Default,,0,0,0,,.كنت تبذل جهدًا كبيرًا يا أداتشي-كن
Dialogue: 0,0:04:53.37,0:04:58.29,Default,,0,0,0,,أحقًا تعتقدين هذا؟\N.لكن تشيكا يبذل جهدًا أكبر
Dialogue: 0,0:04:58.29,0:05:00.54,Default,,0,0,0,,،إنه يعزف أفضل ويمتلك حسًا موسيقيًا أفضل مني أيضًا
Dialogue: 0,0:05:00.54,0:05:02.83,Default,,0,0,0,,.لكنه يتدرب أكثر
Dialogue: 0,0:05:02.83,0:05:07.37,Default,,0,0,0,,.تحدث الأستاذ تاكينامي عن معنى عزفنا ودوره
Dialogue: 0,0:05:07.37,0:05:11.33,Default,,0,0,0,,...أعتقد أن لدى تشيكا ما يشعره بأن هذا الأمر في غاية الأهمية بالنسبة له
Dialogue: 0,0:05:11.33,0:05:15.58,Default,,0,0,0,,...لكن بصراحة، عزفي ليس
Dialogue: 0,0:05:15.58,0:05:19.41,Default,,0,0,0,,.عـ-على العموم، سأبذل ما بوسعي حتى لا أعيق الآخرين
Dialogue: 0,0:05:19.41,0:05:23.66,Default,,0,0,0,,.عزفك ينسجم جيدًا مع الآخرين
Dialogue: 0,0:05:24.50,0:05:30.87,Default,,0,0,0,,.أخبرني الأستاذ تاكينامي عن سبب اختيارك لعزف كوتو السبعة عشر وترًا
Dialogue: 0,0:05:30.87,0:05:34.08,Default,,0,0,0,,مستويات العزف لدى أعضاء نادينا متفاوتة، أليس كذلك؟
Dialogue: 0,0:05:34.08,0:05:38.58,Default,,0,0,0,,.لذا تضطرب الموسيقى تمامًا إذا وقع خطأ ما
Dialogue: 0,0:05:38.58,0:05:42.45,Default,,0,0,0,,.لكن عزف أداتشي ينسجم جيدًا مع عزف الجميع رغم الفروقات بينهم
Dialogue: 0,0:05:42.45,0:05:46.29,Default,,0,0,0,,.إنه يربط أصوات الجميع بلطف
Dialogue: 0,0:05:46.29,0:05:52.83,Default,,0,0,0,,.ولهذا كلفك بذي السبعة عشر وترًا، والذي هو جوهر المقطوعة
Dialogue: 0,0:05:52.83,0:05:56.20,Default,,0,0,0,,.أنا أيضًا أتفق معه
Dialogue: 0,0:05:56.20,0:06:00.08,Default,,0,0,0,,...يربط... أصوات الجميع
Dialogue: 0,0:06:01.79,0:06:04.79,Default,,0,0,0,,...شكرًا جزيلاً
Dialogue: 0,0:06:04.79,0:06:06.25,Default,,0,0,0,,!سأبذل ما بوسعي
Dialogue: 0,0:06:09.27,0:06:11.52,Signs-0,,0,0,0,,{\c&H302416&\frz347\fscx82\fscy95\pos(629.714,201.715)}نادي الكوتو
Dialogue: 0,0:06:10.45,0:06:11.45,Default,,0,0,0,,.ساني
Dialogue: 0,0:06:11.83,0:06:14.04,Default,,0,0,0,,هل غيرت شيئًا في عزفك؟
Dialogue: 0,0:06:14.46,0:06:17.66,Default,,0,0,0,,.هل تعتقد هذا؟ رغم أنني لا أرى اختلافًا
Dialogue: 0,0:06:17.66,0:06:22.25,Default,,0,0,0,,.ربما لأنني عرفت معنى عزفي و دوره
Dialogue: 0,0:06:23.84,0:06:25.79,Default,,0,0,0,,!عرفت؟! ما هو؟
Dialogue: 0,0:06:26.32,0:06:27.29,Default,,0,0,0,,.هذا سر
Dialogue: 0,0:06:27.29,0:06:29.08,Default,,0,0,0,,.من المحرج أن أقول هذا
Dialogue: 0,0:06:29.08,0:06:33.04,Default -up,,0,0,0,,!لا تقل لي هذا سر
Dialogue: 0,0:06:29.95,0:06:33.04,Default,,0,0,0,,ساتوا-سان، هل غيرت عزفك قليلاً؟
Dialogue: 0,0:06:33.04,0:06:37.62,Default,,0,0,0,,.نعم، لطالما كانت سبابتي ضعيفة
Dialogue: 0,0:06:37.62,0:06:40.95,Default,,0,0,0,,،أعتقد أنها تتحسن مؤخرًا
Dialogue: 0,0:06:40.95,0:06:43.00,Default,,0,0,0,,،لكن بعد أن سمعت أداءك
Dialogue: 0,0:06:43.00,0:06:45.66,Default,,0,0,0,,.أدركت أنه ما زال أمامي طريقٌ طويل
Dialogue: 0,0:06:45.66,0:06:48.95,Default,,0,0,0,,.أجد صعوبة في منح كل نغمة الوزن نفسه
Dialogue: 0,0:06:50.08,0:06:52.66,Default,,0,0,0,,.بإمكانك استخدام هذا
Dialogue: 0,0:06:52.66,0:06:56.54,Default,,0,0,0,,.ارتديه أثناء عزفك، أنا أتدرب هكذا غالبًا
Dialogue: 0,0:06:56.54,0:07:00.33,Default,,0,0,0,,.سيتحول انتباهك بالكامل إلى أذنيك وسيشحذ هذا حواسك
Dialogue: 0,0:07:00.33,0:07:03.25,Default,,0,0,0,,.وهذا سيجعل تواصلك مع عزفك أسهل
Dialogue: 0,0:07:03.25,0:07:08.66,Default,,0,0,0,,،بإمكانك الحصول عليه\N.جربيه عندما تتدربين وحدك
Dialogue: 0,0:07:08.66,0:07:11.12,Default,,0,0,0,,.شكرًا جزيلاً
Dialogue: 0,0:07:11.12,0:07:12.29,Default,,0,0,0,,.على الرحب
Dialogue: 0,0:07:21.16,0:07:24.79,Default,,0,0,0,,.يجب أن أسرع في المضي قدمًا أنا أيضًا
Dialogue: 0,0:07:29.39,0:07:31.14,Signs-0,,0,0,0,,{\c&H525042&\fscx82\fscy81\frz1.733\pos(290.667,36)}كودو تشيكا
Dialogue: 0,0:07:29.87,0:07:34.79,Default,,0,0,0,,.يجب أن أسرع لأتمكن من الوقوف إلى جوارها
Dialogue: 0,0:07:34.79,0:07:37.66,Default,,0,0,0,,...يجب أن أسرع... يجب أن أسرع
Dialogue: 0,0:07:40.79,0:07:44.54,Default,,0,0,0,,.بئسًا... أشعر بالدوار
Dialogue: 0,0:07:45.66,0:07:49.50,Default,,0,0,0,,،صباح الخير\N.تمكنت أخيرًا من الوصول قبلك
Dialogue: 0,0:07:49.50,0:07:51.00,Default,,0,0,0,,...ذو الأعين الأربع
Dialogue: 0,0:07:51.00,0:07:54.12,Default,,0,0,0,,هل كنت تتدرب منذ الصباح الباكر كل يوم؟
Dialogue: 0,0:07:54.12,0:07:55.20,Default,,0,0,0,,...ليس تمامًا
Dialogue: 0,0:07:55.20,0:07:58.70,Default,,0,0,0,,.أكون في أفضل أحوالي صباحًا، لذا أستيقظ باكرًا
Dialogue: 0,0:07:58.70,0:08:04.04,Default,,0,0,0,,.لا، لا، كلامك غير مقنع، فأنت تبدو نعسانًا
Dialogue: 0,0:08:04.04,0:08:07.25,Default,,0,0,0,,كودو-كن، ألا تبالغ قليلاً في التدريب مؤخرًا؟
Dialogue: 0,0:08:07.97,0:08:10.33,Default,,0,0,0,,.ما الذي تقوله؟ لا أبالغ أبدًا
Dialogue: 0,0:08:10.33,0:08:12.95,Default,,0,0,0,,.بل على العكس، أنا لا أتدرب بما يكفي
Dialogue: 0,0:08:12.95,0:08:15.75,Default,,0,0,0,,.لا يفصلنا سوى شهر عن البطولة
Dialogue: 0,0:08:17.58,0:08:21.37,Default,,0,0,0,,!هذا... كم كان يقضي من الوقت في التدريب؟
Dialogue: 0,0:08:21.37,0:08:22.66,Default,,0,0,0,,!أنت تبالغ في التدريب
Dialogue: 0,0:08:22.66,0:08:24.54,Default,,0,0,0,,!قلت هذا لا يكفي
Dialogue: 0,0:08:24.54,0:08:28.62,Default,,0,0,0,,!إذا ظللنا على ما نحن فيه لن نصل إلى البطولة الوطنية\N!يجب أن نتدرب أكثر
Dialogue: 0,0:08:28.62,0:08:32.87,Default,,0,0,0,,!أتفهم مشاعرك، لكنك ما زلت في السنة الأولى
Dialogue: 0,0:08:32.87,0:08:35.12,Default,,0,0,0,,.لذا لا حاجة للعجلة
Dialogue: 0,0:08:35.12,0:08:36.79,Default,,0,0,0,,...ما زال لديك الفرصة العام القادم
Dialogue: 0,0:08:36.79,0:08:39.08,Default,,0,0,0,,!لن أتمكن من العزف معكما العام القادم
Dialogue: 0,0:08:42.58,0:08:45.75,Default,,0,0,0,,.العام القادم... سيكون الأوان قد فات
Dialogue: 0,0:08:50.00,0:08:52.41,Default,,0,0,0,,...إذا كنت قد أدركت هذا فابتعد، أنت تعيق
Dialogue: 0,0:08:52.41,0:08:53.75,Default,,0,0,0,,!أنت ممنوع من التدريب
Dialogue: 0,0:08:53.92,0:08:56.08,Default,,0,0,0,,!المبالغة ستكون لها نتائج عكسية
Dialogue: 0,0:08:56.08,0:08:59.12,Default,,0,0,0,,!اصمت! لن أتحسن إذا لم أتدرب أيها الغبي
Dialogue: 0,0:08:59.12,0:09:01.00,Default,,0,0,0,,!أنا أقول لك فكر في ما تفعله
Dialogue: 0,0:09:01.00,0:09:02.95,Default,,0,0,0,,!ماذا قلت يا هذا؟
Dialogue: 0,0:09:02.95,0:09:05.12,Default,,0,0,0,,!قلت لا
Dialogue: 0,0:09:03.50,0:09:05.12,Default -alt,,0,0,0,,!دعني
Dialogue: 0,0:09:07.08,0:09:12.00,Default,,0,0,0,,اللعنة! ما الذي نفعله؟\N.نحن نضيع الكثير من الوقت
Dialogue: 0,0:09:12.00,0:09:14.58,Default,,0,0,0,,لكنه إلهاء جيد، أليس كذلك؟
Dialogue: 0,0:09:15.95,0:09:20.33,Default,,0,0,0,,...كنت أشعر بالفضول تجاه أمر ما
Dialogue: 0,0:09:20.33,0:09:22.16,Default,,0,0,0,,.في عزفك...
Dialogue: 0,0:09:22.16,0:09:23.66,Default,,0,0,0,,!مـ-ما هو؟
Dialogue: 0,0:09:23.66,0:09:27.41,Default,,0,0,0,,...عزفك... يشع أحيانًا
Dialogue: 0,0:09:27.41,0:09:29.08,Default,,0,0,0,,يـ-يشع؟
Dialogue: 0,0:09:29.08,0:09:31.16,Default,,0,0,0,,.نعم، أحيانًا
Dialogue: 0,0:09:31.16,0:09:36.66,Default,,0,0,0,,.يشع لطفًا... ودفئًا
Dialogue: 0,0:09:38.50,0:09:42.41,Default,,0,0,0,,...كنت أتساءل عن مصدر ذلك الصوت الغامض طوال الوقت
Dialogue: 0,0:09:42.41,0:09:44.91,Default,,0,0,0,,.لكن أعتقد أنني أدركت الأمر أخيرًا
Dialogue: 0,0:09:47.20,0:09:51.25,Default,,0,0,0,,.إنه صوت قلبك
Dialogue: 0,0:09:53.91,0:09:56.45,Default,,0,0,0,,.إنها قلب المؤلف
Dialogue: 0,0:09:57.83,0:10:01.83,Default,,0,0,0,,!سحقًا! قلت ما يدور في بالي بلا تفكير
Dialogue: 0,0:10:01.83,0:10:06.41,Default,,0,0,0,,.ما معنى هذا؟ يبدو أنك صدمت رأسك بشيء ما
Dialogue: 0,0:10:06.41,0:10:09.16,Default,,0,0,0,,.ما كان ينبغي أن أقول هذا
Dialogue: 0,0:10:09.16,0:10:11.04,Default,,0,0,0,,.اسمع يا تشيكا
Dialogue: 0,0:10:12.70,0:10:16.58,Default,,0,0,0,,.أتعلم؟ الصوت يلامس قلوب الناس
Dialogue: 0,0:10:16.58,0:10:22.20,Default,,0,0,0,,.والمقطوعة الموسيقية تمثل قلب الشخص الذي ألفها
Dialogue: 0,0:10:22.20,0:10:26.16,Default,,0,0,0,,،لا أعلم ما تعنيه هذه المقطوعة بالنسبة لك
Dialogue: 0,0:10:26.16,0:10:31.66,Default,,0,0,0,,.في الحقيقة عزفت هذه المقطوعة وأنا أرجو أن تجعل الناس يبتسمون بعد سماعها
Dialogue: 0,0:10:31.66,0:10:35.12,Default,,0,0,0,,.تمعنوا الأغنية بكاملها جيدًا، وافهموا تدفقها
Dialogue: 0,0:10:37.33,0:10:42.08,Default,,0,0,0,,،آكيرا-سان\N.لدينا ضيوف، لذا أرجو أن تحضّري لهم الشاي
Dialogue: 0,0:10:42.08,0:10:43.41,Default,,0,0,0,,ضيوف؟
Dialogue: 0,0:10:45.00,0:10:50.70,Default,,0,0,0,,.الأستاذ تاكاغي... والآخرون أيضًا أعضاء بارزون في مدرسة هوزوكي
Dialogue: 0,0:10:50.70,0:10:54.00,Default,,0,0,0,,.أرجو أن تأتي لاحقًا لإلقاء التحية
Dialogue: 0,0:10:54.00,0:10:58.12,Default,,0,0,0,,.حضّري الشاي لكبيرة المعلمين أيضًا
Dialogue: 0,0:10:58.12,0:10:59.25,Default,,0,0,0,,.جدتي
Dialogue: 0,0:10:59.25,0:11:03.54,Default,,0,0,0,,هل بإمكاني... المشاركة في الاجتماع أنا أيضًا؟
Dialogue: 0,0:11:06.54,0:11:09.25,Default,,0,0,0,,.تفضلي، أهلاً بك
Dialogue: 0,0:11:11.20,0:11:13.50,Default,,0,0,0,,...لا تعجبني نظراتها
Dialogue: 0,0:11:13.50,0:11:16.41,Default,,0,0,0,,.لكنها لن تكون قادرة على فعل شيء
Dialogue: 0,0:11:16.41,0:11:19.87,Default,,0,0,0,,.لا بأس، بإمكانها الجلوس والمشاهدة
Dialogue: 0,0:11:19.87,0:11:28.29,Default,,0,0,0,,،بما أن أكيرا-سان تأخرت في إغلاق ذلك النادي\N .سأنهي هذا الأمر إلى الأبد
Dialogue: 0,0:11:28.29,0:11:31.29,Default,,0,0,0,,ما سبب هذا الاجتماع؟
Dialogue: 0,0:11:32.60,0:11:35.60,Signs-0,,0,0,0,,{\fscx70\fscy73\pos(581.333,232)}أريد أن أفعل هذا أنا أيضًأ
Dialogue: 0,0:11:35.91,0:11:41.33,Default,,0,0,0,,.دعوت لهذا الاجتماع للنقاش حول ابنة كبيرة المعلمين
Dialogue: 0,0:11:41.33,0:11:45.95,Default,,0,0,0,,لقد نبذت بعد أن سببت المشاكل للمدرسة سابقًا
Dialogue: 0,0:11:45.95,0:11:50.54,Default,,0,0,0,,.وهي الآن على وشك تعريض المدرسة للخطر ثانية
Dialogue: 0,0:11:51.91,0:11:54.12,Default,,0,0,0,,تعريض المدرسة للخطر؟
Dialogue: 0,0:11:54.12,0:11:58.54,Default,,0,0,0,,.ساتوا-سان تشارك في نادي للكوتو في مدرستها الآن
Dialogue: 0,0:11:58.54,0:12:04.04,Default,,0,0,0,,.لكنه نادٍ بالاسم فقط، فأعضاؤه مجموعة من الجانحين
Dialogue: 0,0:12:06.83,0:12:10.20,Default,,0,0,0,,...المعذرة، لكن هذا مخيب للآمال
Dialogue: 0,0:12:10.20,0:12:12.58,Default,,0,0,0,,...إنه ابن الأستاذ تاكاغي
Dialogue: 0,0:12:12.58,0:12:14.33,Default,,0,0,0,,.كنت أتساءل عن الموضوع
Dialogue: 0,0:12:14.33,0:12:17.66,Default,,0,0,0,,هل الأمر يتعلق بأنشطة نادي الابنة المنبوذة؟
Dialogue: 0,0:12:17.66,0:12:20.45,Default,,0,0,0,,...هذا لا يتطلب منا نحن البالغين أن نجتمع
Dialogue: 0,0:12:20.45,0:12:25.70,Default,,0,0,0,,حتى لو كان أحد أولئك الجانحين قد تعرض للاعتقال من الشرطة؟
Dialogue: 0,0:12:27.12,0:12:29.62,Signs-0,,0,0,0,,{\c&H6553D6&\pos(362.333,332.667)}حليب بنكهة الفراولة
Dialogue: 0,0:12:28.29,0:12:31.75,Default,,0,0,0,,ماذا؟ تشيكا، ألن تذهب لتمارين استراحة الغداء اليوم؟
Dialogue: 0,0:12:31.75,0:12:35.58,Default,,0,0,0,,.منعني ذو الأعين الأربع اللعين من الذهاب حتى تشفى يدي
Dialogue: 0,0:12:35.58,0:12:36.62,Default,,0,0,0,,يدك؟
Dialogue: 0,0:12:37.34,0:12:41.20,Default,,0,0,0,,عدت لممارسة التدريبات كالأحمق ثانية إذن؟\N.استخدم عقلك للتفكير قليلاً
Dialogue: 0,0:12:41.20,0:12:42.50,Default,,0,0,0,,.اصمت
Dialogue: 0,0:12:42.50,0:12:44.54,Default,,0,0,0,,ساتوا-تشان، هل ستذهبين للتدريب الآن؟
Dialogue: 0,0:12:44.54,0:12:45.41,Default,,0,0,0,,.نعم
Dialogue: 0,0:12:46.50,0:12:49.00,Default,,0,0,0,,.أراكِ لاحقًا
Dialogue: 0,0:12:49.00,0:12:49.83,Default,,0,0,0,,...كودو
Dialogue: 0,0:12:49.83,0:12:51.45,Default,,0,0,0,,.أريد أن أتحدث معك
Dialogue: 0,0:12:52.68,0:12:53.70,Default -up,,0,0,0,,!ما الحكاية؟
Dialogue: 0,0:12:53.70,0:12:58.16,Default -up,,0,0,0,,!هل سيعترف لها بحبه؟
Dialogue: 0,0:12:54.25,0:12:58.16,Default,,0,0,0,,!كنت قلقة بشأن ساتوا-سان لذا تحققت من النادي
Dialogue: 0,0:12:58.16,0:13:02.70,Default,,0,0,0,,.سمعت أن عضوًا في النادي يدعى كودو وهو جانح مشهور
Dialogue: 0,0:13:02.70,0:13:07.87,Default,,0,0,0,,.تعرض للاعتقال من الشرطة مرات عديدة بسبب العنف
Dialogue: 0,0:13:07.87,0:13:09.16,Default,,0,0,0,,!عنف؟
Dialogue: 0,0:13:09.16,0:13:13.33,Default,,0,0,0,,.يبدو أن جده كان صانعًا للكوتو
Dialogue: 0,0:13:13.33,0:13:22.37,Default,,0,0,0,,يصعب تصديق هذا\N.لكنه شارك في الهجوم على منزل جده العام الماضي مع أصدقائه الجانحين
Dialogue: 0,0:13:22.37,0:13:24.08,Default,,0,0,0,,!هجوم؟
Dialogue: 0,0:13:24.08,0:13:27.75,Default,,0,0,0,,.هذا ليس مجرد جانح، إنه مجرم
Dialogue: 0,0:13:29.08,0:13:31.50,Default,,0,0,0,,كودو-كن؟
Dialogue: 0,0:13:31.50,0:13:34.70,Default,,0,0,0,,."أنا أريد حقًا معرفة ما تعنيه "تينكيو
Dialogue: 0,0:13:34.70,0:13:36.41,Default,,0,0,0,,ما تعنيه؟
Dialogue: 0,0:13:37.33,0:13:40.54,Default,,0,0,0,,،أريد أن أعرف الوضع الذي كنتِ فيه حينها
Dialogue: 0,0:13:40.54,0:13:45.79,Default,,0,0,0,,.وما كنتِ تفكرين فيه، ولمن ألفتِ هذه المقطوعة
Dialogue: 0,0:13:48.33,0:13:50.83,Default,,0,0,0,,...قال لي جدي
Dialogue: 0,0:13:50.83,0:13:56.16,Default,,0,0,0,,.إن المقطوعة الموسيقية تمثل قلب الشخص الذي ألفها
Dialogue: 0,0:13:58.75,0:14:02.16,Default,,0,0,0,,.لذا لا أريد أن أعزف دون أن أعرف هذه الأمور
Dialogue: 0,0:14:02.16,0:14:07.41,Default,,0,0,0,,في الحقيقة، ولأنني أعزف وأنا أجهل هذه الأمور\N.أشعر بأنني أفتقر إلى شيء ما
Dialogue: 0,0:14:07.41,0:14:10.87,Default,,0,0,0,,.إنها قصة تتعلق بأسرتي
Dialogue: 0,0:14:10.87,0:14:14.04,Default,,0,0,0,,هل سيساعدك هذا في أدائك؟
Dialogue: 0,0:14:14.04,0:14:16.00,Default,,0,0,0,,!سيساعدني كثيرًا
Dialogue: 0,0:14:19.79,0:14:21.54,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:14:21.54,0:14:25.41,Default,,0,0,0,,هل تقولين إن ساتوا ترافق شخصًا خطيرًا كهذا؟
Dialogue: 0,0:14:25.41,0:14:30.33,Default,,0,0,0,,.نعم، لا بد أن ساتوا-سان تكره هوزوكي بعد أن نبذت
Dialogue: 0,0:14:30.33,0:14:33.87,Default,,0,0,0,,...مشاركة ساتوا-سان في نادي الكوتو مع ذلك الفتى
Dialogue: 0,0:14:33.87,0:14:39.75,Default,,0,0,0,,.تجعلني أشك في أنهما يخططان للانتقام
Dialogue: 0,0:14:42.29,0:14:44.08,Default,,0,0,0,,.اعزفي ثانية
Dialogue: 0,0:14:44.08,0:14:46.20,Default,,0,0,0,,.لم نهملها
Dialogue: 0,0:14:46.20,0:14:49.66,Default,,0,0,0,,.انفجرت غضبًا على ذلك المسرح الكبير
Dialogue: 0,0:14:49.66,0:14:53.58,Default,,0,0,0,,.أ-أريد أن أعزف... معك
Dialogue: 0,0:14:53.58,0:14:59.54,Default,,0,0,0,,.ما فعلته ساتوا-سان في المنافسة حط من قدر اسم هوزوكي
Dialogue: 0,0:14:59.54,0:15:04.50,Default,,0,0,0,,.يجب أن نفعل ما نستطيع لكيلا يلحق بسمعة هوزوكي المزيد من الأضرار
Dialogue: 0,0:15:04.50,0:15:09.00,Default,,0,0,0,,...سنطلب من المدرسة إقفال النادي ونجبر ساتوا-سان على الانتقال إلى
Dialogue: 0,0:15:09.00,0:15:10.62,Default,,0,0,0,,...هذا غباء
Dialogue: 0,0:15:13.45,0:15:19.00,Default,,0,0,0,,.ألم تسمعيني؟ قلت هذا غباء
Dialogue: 0,0:15:19.00,0:15:22.04,Default,,0,0,0,,...أكيرا-سان؟ ما الذي
Dialogue: 0,0:15:22.04,0:15:26.25,Default,,0,0,0,,.التزمت الصمت أثناء كلامك، لكن هل قلت انتقام؟ يا للسخف
Dialogue: 0,0:15:26.25,0:15:31.20,Default,,0,0,0,,كيف تقولين كلامًا كهذا رغم أنكِ لا تعرفين شيئًا عن كودو-كن؟
Dialogue: 0,0:15:31.20,0:15:34.62,Default,,0,0,0,,!أنتِ التي تخططين لأمر ما، أليس كذلك يا جدتي؟
Dialogue: 0,0:15:34.62,0:15:40.08,Default,,0,0,0,,كنت تتجسسين على طلاب الثانوية والآن تقولين ما يحلو لك\N!بغض النظر عن مدى صحة ما تقولينه
Dialogue: 0,0:15:40.08,0:15:43.37,Default,,0,0,0,,!أنتِ المخزية هنا يا جدتي
Dialogue: 0,0:15:43.37,0:15:47.12,Default,,0,0,0,,هل تعرفين الطالب المدعو كودو؟
Dialogue: 0,0:15:47.12,0:15:51.79,Default,,0,0,0,,.نعم، أنا أقدم دروسًا لذلك النادي
Dialogue: 0,0:15:51.79,0:15:54.08,Default,,0,0,0,,.اعتقاد أنهم يخططون للانتقام مجرد هراء
Dialogue: 0,0:15:54.08,0:15:55.87,Default,,0,0,0,,...هكذا إذن، ما دام هذا
Dialogue: 0,0:15:55.87,0:16:00.66,Default,,0,0,0,,.أكيرا-سان! ربما تشعرين بالإجهاد
Dialogue: 0,0:16:00.66,0:16:04.95,Default,,0,0,0,,.لا بد أنك لا تدركين ما تقولينه
Dialogue: 0,0:16:04.95,0:16:07.70,Default,,0,0,0,,.لا، أنا أدرك ما أقوله جيدًا
Dialogue: 0,0:16:07.70,0:16:11.50,Default,,0,0,0,,.يجب أن تعيدي التفكير فيما تفعلينه يا جدتي
Dialogue: 0,0:16:12.33,0:16:15.91,Default,,0,0,0,,،صحيح أنني أنا أيضًا ومن خلال المعلومات المسبقة التي أتيحت لي
Dialogue: 0,0:16:15.91,0:16:20.58,Default,,0,0,0,,.اعتقدت أن أولئك الطلاب ليسوا جادين بشأن الكوتو
Dialogue: 0,0:16:20.58,0:16:22.29,Default,,0,0,0,,.لكنني كنت مخطئة
Dialogue: 0,0:16:22.29,0:16:26.33,Default,,0,0,0,,،كودو-كن و ساتوا-سان، وباقي الأعضاء أيضًا بالطبع
Dialogue: 0,0:16:26.33,0:16:29.79,Default,,0,0,0,,.يواجهون الكوتو بشكل جاد
Dialogue: 0,0:16:29.79,0:16:32.50,Default,,0,0,0,,...إنهم يحبون الكوتو بصدق
Dialogue: 0,0:16:32.50,0:16:34.70,Default,,0,0,0,,.ويريدون تحسين مستوياتهم...
Dialogue: 0,0:16:34.70,0:16:39.50,Default,,0,0,0,,!أنتِ الوحيدة العاجزة عن مواجهة الكوتو يا جدتي
Dialogue: 0,0:16:41.08,0:16:47.08,Default,,0,0,0,,،لا يشغل تفكيرك سوى أمور كمنصبك وإشهار المدرسة وإسقاط الآخرين
Dialogue: 0,0:16:47.08,0:16:50.66,Default,,0,0,0,,لماذا لا تتوقفين عن هذا لتواجهي الكوتو؟
Dialogue: 0,0:16:50.66,0:16:55.66,Default,,0,0,0,,أ-أ-أكيرا-سان... مع من تخالين أنكِ تتحدثين؟
Dialogue: 0,0:16:55.66,0:16:57.45,Default,,0,0,0,,...دوجيما-سان
Dialogue: 0,0:16:57.45,0:17:02.12,Default,,0,0,0,,.هذا يكفي، وضعت حفيدتك في موقف صعب
Dialogue: 0,0:17:02.12,0:17:04.00,Default,,0,0,0,,...أستاذ تاكاغي
Dialogue: 0,0:17:04.00,0:17:12.12,Default,,0,0,0,,أكيرا-سان، هل تعتقدين أن الطالب كودو هذا\Nقد يؤذي ساتوا-سان أو مدرسة هوزوكي؟
Dialogue: 0,0:17:12.12,0:17:16.08,Default,,0,0,0,,،لا أعلم ما كان عليه كودو-كن في الماضي
Dialogue: 0,0:17:16.08,0:17:23.33,Default,,0,0,0,,.لكنه في الوقت الحاضر جاد تجاه الكوتو ومخلص حقًا
Dialogue: 0,0:17:25.87,0:17:27.62,Default,,0,0,0,,.هكذا إذن
Dialogue: 0,0:17:27.62,0:17:31.91,Default,,0,0,0,,...ما رأيكم جميعًا؟ لا أعتقد أننا بحاجة إلى القلق حاليًا بشأن
Dialogue: 0,0:17:31.91,0:17:35.04,Default,,0,0,0,,!مهلاً لحظة\N،حتى لو لم يكن يسبب المشاكل الآن
Dialogue: 0,0:17:35.04,0:17:37.79,Default,,0,0,0,,...البشر لا يتغيرون بسهولة
Dialogue: 0,0:17:37.79,0:17:39.83,Default,,0,0,0,,!هذا يكفي
Dialogue: 0,0:17:39.83,0:17:42.75,Default,,0,0,0,,.لا حاجة إلى المزيد من النقاش حول هذا الموضوع
Dialogue: 0,0:17:42.75,0:17:46.41,Default,,0,0,0,,.دوجيما-سان، أرجو أن ترافقي الجميع إلى الخارج
Dialogue: 0,0:17:46.41,0:17:47.29,Default,,0,0,0,,!أنتِ أيضًا يا كبيرة المعلمين؟
Dialogue: 0,0:17:47.29,0:17:48.75,Default,,0,0,0,,...أيضًا
Dialogue: 0,0:17:48.75,0:17:55.58,Default,,0,0,0,,لن أسمح لك بالتحقيق حول ابنتي وأصدقائها\N.وقول ما تريدين، أجد هذا أمرًا مقيتًا
Dialogue: 0,0:17:55.58,0:17:58.66,Default,,0,0,0,,...رغم أنني نبذتها
Dialogue: 0,0:17:58.66,0:18:01.16,Default,,0,0,0,,.إلا أنها ما زالت ابنتي...
Dialogue: 0,0:18:05.79,0:18:07.37,Default,,0,0,0,,.كبيرة المعلمين
Dialogue: 0,0:18:07.37,0:18:14.91,Default,,0,0,0,,إنها تشعر بأن للنادي وأصدقائها مكانة تدفعها\Nإلى أن تخر على يديها وركبتيها لتسألني، أليس كذلك؟
Dialogue: 0,0:18:14.91,0:18:16.79,Default,,0,0,0,,.أعتقد هذا
Dialogue: 0,0:18:16.79,0:18:19.37,Default,,0,0,0,,.لا بأس إذن
Dialogue: 0,0:18:19.37,0:18:22.12,Default,,0,0,0,,.ستقام تصفيات البطولة الوطنية الشهر القادم
Dialogue: 0,0:18:22.12,0:18:24.04,Default,,0,0,0,,.ستعزف ساتوا-سان أيضًا
Dialogue: 0,0:18:24.04,0:18:27.70,Default,,0,0,0,,يا كبيرة المعلمين، ماذا لو ذهبت لرؤيتها؟
Dialogue: 0,0:18:27.70,0:18:33.45,Default,,0,0,0,,.لم أعد... أستحق أمرًا كهذا
Dialogue: 0,0:18:37.00,0:18:41.58,Default,,0,0,0,,.أستاذ تاكاغي، أعتذر عما بدر مني أمام الجميع
Dialogue: 0,0:18:41.58,0:18:42.62,Default,,0,0,0,,.لا عليك
Dialogue: 0,0:18:42.62,0:18:48.29,Default,,0,0,0,,.أشعر بالارتياح لأن فتاة شابة بمثل جرأتك تنتمي إلى هوزوكي
Dialogue: 0,0:18:48.29,0:18:51.41,Default,,0,0,0,,.أتوقع لك مستقبلاً باهرًا
Dialogue: 0,0:18:51.41,0:18:53.91,Default,,0,0,0,,.شكرًا جزيلاً
Dialogue: 0,0:18:54.48,0:18:56.16,Default,,0,0,0,,!عن أي جرأة يتحدث؟
Dialogue: 0,0:18:56.16,0:19:00.75,Default,,0,0,0,,،ذلك النادي مليء بمثيري المتاعب\N.أنا واثقة من أنهم سيسببون المشاكل يومًا ما
Dialogue: 0,0:19:00.75,0:19:03.62,Default,,0,0,0,,!لا تأتي إلي باكية إذا حدث هذا
Dialogue: 0,0:19:11.08,0:19:16.79,Default,,0,0,0,,."هذا ما كان عليه الحال حتى اللحظة التي ألفت فيها "تينكيو
Dialogue: 0,0:19:18.45,0:19:20.25,Default,,0,0,0,,.فهمت
Dialogue: 0,0:19:20.25,0:19:22.54,Default,,0,0,0,,.عرفت، شكرًا لك
Dialogue: 0,0:19:25.00,0:19:28.79,Default,,0,0,0,,اسمعي، أليس بإمكانك إخبار الآخرين بما أخبرتني الآن؟
Dialogue: 0,0:19:29.62,0:19:33.75,Default,,0,0,0,,.أشعر بأنني أدركت أخيرًا كيف يجب أن أعزف هذه المقطوعة
Dialogue: 0,0:19:33.75,0:19:36.33,Default,,0,0,0,,...لكن القصة المتعلقة بأسرتي ستكون
Dialogue: 0,0:19:36.33,0:19:40.08,Default,,0,0,0,,،ربما تزعجنا لو كانت قصة أسرة شخص لا نهتم لأمره
Dialogue: 0,0:19:40.08,0:19:42.37,Default,,0,0,0,,.لكن الأمر مختلف معك
Dialogue: 0,0:19:42.37,0:19:43.66,Default,,0,0,0,,مختلف؟
Dialogue: 0,0:19:47.54,0:19:49.62,Default,,0,0,0,,.نحن نهتم لأمرك
Dialogue: 0,0:19:51.58,0:19:55.50,Default,,0,0,0,,.على كل، لستِ مجبرة على هذا
Dialogue: 0,0:19:55.50,0:19:59.37,Default,,0,0,0,,لماذا... يتصرف كودو على هذا النحو؟
Dialogue: 0,0:20:00.29,0:20:02.20,Default,,0,0,0,,...دائمًا
Dialogue: 0,0:20:05.83,0:20:08.12,Default,,0,0,0,,.كودو، سأقدم لك البابليكو
Dialogue: 0,0:20:08.63,0:20:09.79,Default,,0,0,0,,!لماذا؟
Dialogue: 0,0:20:09.79,0:20:11.20,Default,,0,0,0,,.أشعر برغبة في هذا
Dialogue: 0,0:20:11.20,0:20:13.45,Default,,0,0,0,,...يومًا ما
Dialogue: 0,0:20:13.45,0:20:20.70,Default,,0,0,0,,هل سأكون قادرة على منحك الدفء نفسه الذي منحتني إياه؟
Dialogue: 0,0:20:23.54,0:20:25.08,Default,,0,0,0,,...يومًا ما
Dialogue: 0,0:20:25.64,0:20:28.68,Signs-0,,0,0,0,,{\c&H362926&\pos(328,260)}نادي الكوتو
Dialogue: 0,0:20:26.25,0:20:27.62,Default,,0,0,0,,.هنا
Dialogue: 0,0:20:29.04,0:20:33.41,Default,,0,0,0,,...النقاط التي تزداد فيها الحيوية عند تغير الأجزاء
Dialogue: 0,0:20:33.41,0:20:36.50,Default,,0,0,0,,هل بإمكانكم جعل نقاط التبديل هذه أكثر سلاسة؟
Dialogue: 0,0:20:36.50,0:20:37.83,Default,,0,0,0,,أكثر سلاسة؟
Dialogue: 0,0:20:37.83,0:20:40.91,Default,,0,0,0,,.أنعم لدرجة لا يدرك فيها السامع وقت حدوثها
Dialogue: 0,0:20:40.91,0:20:44.66,Default,,0,0,0,,.ومن تلك النقاط ستظهرون ألوان عزفكم تدريجيًا
Dialogue: 0,0:20:44.66,0:20:46.50,Default,,0,0,0,,.اعزفوا كما ترغبون
Dialogue: 0,0:20:46.50,0:20:48.91,Default,,0,0,0,,.لكن احرصوا إلى إبقاء الإيقاع تحت السيطرة
Dialogue: 0,0:20:48.91,0:20:50.41,Default,,0,0,0,,...فهمت
Dialogue: 0,0:20:50.41,0:20:55.50,Default,,0,0,0,,.هذه هي أفضل أجزاء المقطوعة، لذا قدموا أفضل ما تستطيعون في العزف
Dialogue: 0,0:20:55.50,0:20:56.83,Default,,0,0,0,,،وأيضًا يا هوزوكي
Dialogue: 0,0:20:56.83,0:21:02.00,Default,,0,0,0,,أنت تعزفين بلطف في بداية المقطوعة، هل بإمكانك جعل العزف أكثر توترًا؟
Dialogue: 0,0:21:02.00,0:21:03.91,Default,,0,0,0,,أكثر توترًا؟
Dialogue: 0,0:21:03.91,0:21:09.00,Default,,0,0,0,,.ربما تفعلين هذا لا شعوريًا، لكن عزفك لطيف عامة
Dialogue: 0,0:21:09.00,0:21:15.91,Default,,0,0,0,,يبدو أنكِ ترفضين أداءك تمامًا في تلك المنافسة\N.لكن لهذا العزف قوة مذهلة
Dialogue: 0,0:21:15.91,0:21:18.45,Default,,0,0,0,,.لا تحاولي التخلص منها، بل أحسني استخدامها
Dialogue: 0,0:21:18.45,0:21:23.00,Default,,0,0,0,,.إضافة هذا الصوت إلى المقطوعة سيمنحها تألقًا أكبر
Dialogue: 0,0:21:28.08,0:21:29.79,Default,,0,0,0,,.مفهوم
Dialogue: 0,0:21:31.70,0:21:36.62,Default,,0,0,0,,.يبدو أنه سيكون أداءً مذهلاً
Dialogue: 0,0:21:36.62,0:21:42.04,Default,,0,0,0,,.أتساءل متى كانت آخر مرة... شعرت فيها بمثل هذا الحماس
Dialogue: 0,0:21:42.11,0:21:43.61,Signs-0,,0,0,0,,{\c&H7C848D&\frz33.62\fscx208\fscy135\pos(359.666,74.666)}كيشي
Dialogue: 0,0:21:44.62,0:21:46.08,Default,,0,0,0,,...وهكذا
Dialogue: 0,0:21:47.08,0:21:49.91,Default,,0,0,0,,.بعد أن نقلنا مشاعرنا إلى عزفنا...
Dialogue: 0,0:21:57.15,0:21:59.19,Signs-0,,0,0,0,,{\pos(468,436)\c&H60585A&}هوزوكي تشيهارو
Dialogue: 0,0:22:04.04,0:22:06.45,Default,,0,0,0,,...تصفيات البطولة الوطنية
Dialogue: 0,0:22:06.45,0:22:08.75,Default,,0,0,0,,.على وشك أن تبدأ...
Dialogue: 0,0:23:50.04,0:23:52.29,Default,,0,0,0,,."في الحلقة القادمة: "صباح المواجهة
Dialogue: 0,0:23:51.92,0:23:55.08,next,,0,0,0,,{\fscx82\fscy87}الحلقة 22: صباح المواجهة
Dialogue: 0,0:23:54.37,0:23:56.37,next,,0,0,0,,
Dialogue: 0,0:23:58.54,0:24:00.54,next,,0,0,0,,
Dialogue: 0,0:01:36.88,0:01:42.00,op,,0,0,0,,{\fad(2000,200)}!أوقف هذا الصوت
Dialogue: 0,0:01:36.88,0:01:42.00,op,,0,0,0,,{\fscx61\fscy70\pos(88,724)\fad(2000,200)}عذب الخيال
Dialogue: 0,0:01:36.88,0:01:42.00,op,,0,0,0,,{\fad(2000,200)\fscx51\fscy50\pos(1040,50)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:00:15.08,0:00:23.20,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k17}O{\k28}wa{\k21}ri {\k42}na{\k22}n{\k41}te {\k22}n{\k37}ai {\k51}bo{\k43}ku{\k39}ta{\k45}chi {\k140}no {\k53}mo{\k42}no{\k24}ga{\k40}ta{\k43}ri {\k55}ga
Comment: 0,0:00:23.20,0:00:35.25,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k40}U{\k45}go{\k45}ki{\k18}da{\k52}shi{\k40}ta {\k44}n {\k336}da {\k43}hi{\k31}bi{\k14}ku {\k488}yo
Comment: 0,0:00:36.03,0:00:38.89,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k16}I{\k19}tsu {\k33}mo {\k29}no {\k36}se{\k30}ka{\k34}i {\k82}ga
Comment: 0,0:00:38.99,0:00:42.98,OP-Romaji,,0,0,0,,{\blur3}{\k16}I{\k21}tsu {\k29}da {\k32}tte {\k31}ka{\k17}wa{\k32}ra{\k44}na{\k42}i {\k54}ma{\k54}ma {\k27}de
Comment: 0,0:00:42.98,0:00:45.31,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ko{\k33}ko {\k17}ni {\k30}wa {\k32}a{\k87}ru
Comment: 0,0:00:46.18,0:00:49.15,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k34}Zu{\k30}tto {\k35}ta{\k23}i{\k35}se{\k40}tsu {\k86}de
Comment: 0,0:00:49.16,0:00:54.30,OP-Romaji,,0,0,0,,{\blur3}{\k21}Da {\k20}ke{\k29}do {\k31}a{\k33}ta{\k16}ri{\k30}ma{\k45}e {\k53}ja {\k47}na{\k44}i {\k37}n {\k30}da {\k78}to
Comment: 0,0:00:54.35,0:00:56.40,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k16}Wa{\k25}su{\k25}re{\k25}na{\k25}i {\k80}yo
Comment: 0,0:00:56.40,0:01:01.25,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k19}A{\k10}no {\k27}hi {\k106}ni {\k15}chi{\k50}ka{\k31}tta {\k29}ya{\k25}ku{\k42}so{\k13}ku {\k104}wa
Comment: 0,0:01:01.55,0:01:07.95,OP-Romaji,,0,0,0,,{\blur3}{\k13}{\k15}I{\k15}ma {\k33}mo {\k48}mu{\k21}ne {\k27}no {\k41}o{\k213}ku {\k16}ka{\k16}ka{\k14}e{\k62}ta {\k48}ma{\k58}ma
Comment: 0,0:01:07.95,0:01:11.22,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k22}Hi{\k14}bi{\k22}ku {\k55}shō{\k38}dō {\k28}ni {\k18}mi {\k15}o {\k18}ma{\k24}ka{\k39}se{\k28}te
Comment: 0,0:01:11.22,0:01:13.21,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ka{\k15}na{\k19}de{\k14}ru {\k16}me{\k31}ro{\k70}dī
Comment: 0,0:01:13.21,0:01:18.05,OP-Romaji,,0,0,0,,{\blur3}{\k27}Ki{\k16}mi {\k15}no {\k50}mu{\k27}ne {\k37}no {\k28}na{\k35}ka {\k16}de {\k28}Re{\k34}son{\k154}an{\k17}ce
Comment: 0,0:01:18.15,0:01:21.30,OP-Romaji,,0,0,0,,{\blur3}{\k8}{\k20}Na{\k9}ra{\k30}se {\k35}ze{\k9}n{\k20}shi{\k21}n {\k36}zen{\k22}re{\k8}i {\k23}o{\k23}mo{\k31}i {\k20}o
Comment: 0,0:01:21.30,0:01:23.47,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k42}So{\k15}ra {\k14}no {\k18}ka{\k14}na{\k30}ta {\k78}e
Comment: 0,0:01:23.47,0:01:28.61,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k31}Tō{\k14}ku {\k81}tō{\k35}ku {\k27}i{\k35}tsu {\k17}ma{\k30}de {\k27}de{\k210}mo
Comment: 0,0:01:28.61,0:01:30.33,OP-Romaji,,0,0,0,,{\blur3}{\k15}O{\k19}wa{\k14}ri {\k36}na{\k13}n{\k33}te {\k16}na{\k26}i
Comment: 0,0:01:30.33,0:01:34.65,OP-Romaji,,0,0,0,,{\blur3}{\k37}Bo{\k32}ku{\k32}ta{\k31}chi {\k112}no {\k36}mo{\k29}no{\k16}ga{\k30}ta{\k32}ri {\k45}ga
Comment: 0,0:01:34.65,0:01:40.03,OP-Romaji,,0,0,0,,{\blur3}{\k10}{\k26}U{\k34}go{\k32}ki{\k18}da{\k33}shi{\k30}ta{\k27}n {\k328}da
Comment: 0,0:01:40.89,0:01:44.41,OP-Romaji,,0,0,0,,{\blur3}{\k12}{\k38}Hi{\k33}bi{\k17}ku {\k252}yo
Dialogue: 0,0:00:15.08,0:00:23.20,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا التي لا نهاية لها
Dialogue: 0,0:00:23.20,0:00:35.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:00:36.03,0:00:38.89,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}عالم عادي
Dialogue: 0,0:00:38.99,0:00:42.98,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه على حاله دائمًا
Dialogue: 0,0:00:42.98,0:00:45.31,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه هنا
Dialogue: 0,0:00:46.18,0:00:49.15,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ومهم على الدوام
Dialogue: 0,0:00:49.16,0:00:54.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لكن أليس هذا أمرًا بديهيًا؟
Dialogue: 0,0:00:54.35,0:00:56.40,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لن أنسى
Dialogue: 0,0:00:56.40,0:01:01.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}الوعد الذي قطعته في ذلك اليوم
Dialogue: 0,0:01:01.55,0:01:07.95,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ما زلت أحتفظ به في صدري
Dialogue: 0,0:01:07.95,0:01:11.22,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}اعهد بنفسك إلى النغمات المترددة
Dialogue: 0,0:01:11.22,0:01:13.21,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إلى لحن يعزف
Dialogue: 0,0:01:13.21,0:01:18.05,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}يتردد صداه في قلبك
Dialogue: 0,0:01:18.15,0:01:21.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}دع اللحن يطغى
Dialogue: 0,0:01:21.30,0:01:23.47,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}على جسدك وروحك
Dialogue: 0,0:01:23.47,0:01:28.61,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ويحلق بك عاليًا
Dialogue: 0,0:01:28.61,0:01:30.33,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بلا توقف
Dialogue: 0,0:01:30.33,0:01:34.65,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا
Dialogue: 0,0:01:34.65,0:01:40.03,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:01:40.89,0:01:44.41,OP-Arabic,,0,0,0,,{\fad(200,500)\blur3}يتعالى صوتها ويتردد
Dialogue: 1,0:00:15.15,0:00:15.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:00:15.32,0:00:15.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 2] \an5\pos(318.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:00:15.60,0:00:15.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 3] \an5\pos(355.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:00:15.81,0:00:16.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 4] \an5\pos(396.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:00:16.23,0:00:16.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 5] \an5\pos(427.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:16.45,0:00:16.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 6] \an5\pos(455.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:00:16.86,0:00:17.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 7] \an5\pos(491.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:17.08,0:00:17.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 8] \an5\pos(517.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ai
Dialogue: 1,0:00:17.45,0:00:17.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 9] \an5\pos(562,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bo
Dialogue: 1,0:00:17.96,0:00:18.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 10] \an5\pos(603.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:00:18.39,0:00:18.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 11] \an5\pos(640.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:18.78,0:00:19.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 12] \an5\pos(682.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:00:19.23,0:00:20.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 13] \an5\pos(737.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:00:20.63,0:00:21.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 14] \an5\pos(793.22,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:00:21.16,0:00:21.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 15] \an5\pos(840.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:00:21.58,0:00:21.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 16] \an5\pos(882.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:00:21.82,0:00:22.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 17] \an5\pos(919.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:22.22,0:00:22.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 18] \an5\pos(948.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:00:22.65,0:00:23.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 19] \an5\pos(989.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:00:23.29,0:00:23.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 20] \an5\pos(421.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:00:23.69,0:00:24.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 21] \an5\pos(453.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:00:24.14,0:00:24.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 22] \an5\pos(489.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:00:24.59,0:00:24.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 23] \an5\pos(524.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:00:24.77,0:00:25.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 24] \an5\pos(570.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:00:25.29,0:00:25.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 25] \an5\pos(612.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:25.69,0:00:26.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 26] \an5\pos(648.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:26.13,0:00:29.49,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 27] \an5\pos(688.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:00:29.49,0:00:29.92,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 28] \an5\pos(733.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:00:29.92,0:00:30.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 29] \an5\pos(764.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:00:30.23,0:00:30.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 30] \an5\pos(799.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:00:30.37,0:00:35.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 31] \an5\pos(849.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:00:36.10,0:00:36.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 32] \an5\pos(482.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:00:36.26,0:00:36.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 33] \an5\pos(514.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:00:36.45,0:00:36.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 34] \an5\pos(575.82,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:00:36.78,0:00:37.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 35] \an5\pos(631.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:00:37.07,0:00:37.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 36] \an5\pos(681.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:00:37.43,0:00:37.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 37] \an5\pos(721.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:00:37.73,0:00:38.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 38] \an5\pos(746.72,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:00:38.07,0:00:38.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 39] \an5\pos(781.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:00:38.99,0:00:39.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 40] \an5\pos(386.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:00:39.15,0:00:39.36,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 41] \an5\pos(417.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:00:39.36,0:00:39.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 42] \an5\pos(474.06,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:00:39.65,0:00:39.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 43] \an5\pos(527.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tte
Dialogue: 1,0:00:39.97,0:00:40.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 44] \an5\pos(579.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:00:40.28,0:00:40.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 45] \an5\pos(625.15,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:00:40.45,0:00:40.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 46] \an5\pos(667.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:00:40.77,0:00:41.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 47] \an5\pos(705.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:00:41.21,0:00:41.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 48] \an5\pos(730.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:00:41.63,0:00:42.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 49] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:00:42.17,0:00:42.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 50] \an5\pos(821.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:00:42.71,0:00:42.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 51] \an5\pos(877.35,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:00:42.98,0:00:43.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 52] \an5\pos(538.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ko
Dialogue: 1,0:00:43.32,0:00:43.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 53] \an5\pos(580.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ko
Dialogue: 1,0:00:43.65,0:00:43.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 54] \an5\pos(625.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:00:43.82,0:00:44.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 55] \an5\pos(674.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:00:44.12,0:00:44.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 56] \an5\pos(718.29,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:00:44.44,0:00:45.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 57] \an5\pos(745.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:00:46.32,0:00:46.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 58] \an5\pos(518.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Zu
Dialogue: 1,0:00:46.66,0:00:46.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 59] \an5\pos(562.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tto
Dialogue: 1,0:00:46.96,0:00:47.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 60] \an5\pos(611.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:47.31,0:00:47.54,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 61] \an5\pos(633.65,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:00:47.54,0:00:47.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 62] \an5\pos(658.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:00:47.89,0:00:48.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 63] \an5\pos(705.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:00:48.29,0:00:49.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 64] \an5\pos(761.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:00:49.16,0:00:49.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 65] \an5\pos(403.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Da
Dialogue: 1,0:00:49.37,0:00:49.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 66] \an5\pos(454.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ke
Dialogue: 1,0:00:49.57,0:00:49.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 67] \an5\pos(496.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}do
Dialogue: 1,0:00:49.86,0:00:50.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 68] \an5\pos(536.08,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:00:50.17,0:00:50.50,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 69] \an5\pos(563.21,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:50.50,0:00:50.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 70] \an5\pos(591.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:00:50.66,0:00:50.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 71] \an5\pos(629.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:00:50.96,0:00:51.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 72] \an5\pos(665.51,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:00:51.41,0:00:51.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 73] \an5\pos(699.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ja
Dialogue: 1,0:00:51.94,0:00:52.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 74] \an5\pos(744.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:00:52.41,0:00:52.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 75] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:00:52.85,0:00:53.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 76] \an5\pos(794.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:53.22,0:00:53.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 77] \an5\pos(834.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:00:53.52,0:00:54.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 78] \an5\pos(880.9,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}to
Dialogue: 1,0:00:54.44,0:00:54.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 79] \an5\pos(551.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Wa
Dialogue: 1,0:00:54.60,0:00:54.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 80] \an5\pos(599.53,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}su
Dialogue: 1,0:00:54.85,0:00:55.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 81] \an5\pos(636.84,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:00:55.10,0:00:55.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 82] \an5\pos(674.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:00:55.35,0:00:55.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 83] \an5\pos(700.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:00:55.60,0:00:56.40,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 84] \an5\pos(734.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:00:56.54,0:00:56.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 85] \an5\pos(391.33,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}A
Dialogue: 1,0:00:56.73,0:00:56.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 86] \an5\pos(424.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:00:56.83,0:00:57.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 87] \an5\pos(469.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:00:57.10,0:00:58.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 88] \an5\pos(508.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:00:58.16,0:00:58.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 89] \an5\pos(557.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:00:58.31,0:00:58.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 90] \an5\pos(603.12,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:00:58.81,0:00:59.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 91] \an5\pos(646.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tta
Dialogue: 1,0:00:59.12,0:00:59.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 92] \an5\pos(699.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ya
Dialogue: 1,0:00:59.41,0:00:59.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 93] \an5\pos(740.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:00:59.66,0:01:00.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 94] \an5\pos(780.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}so
Dialogue: 1,0:01:00.08,0:01:00.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 95] \an5\pos(821.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:00.21,0:01:01.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 96] \an5\pos(875.28,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:01.68,0:01:01.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 97] \an5\pos(344.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:01.83,0:01:01.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 98] \an5\pos(374.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:01.98,0:01:02.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 99] \an5\pos(435.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:02.31,0:01:02.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 100] \an5\pos(496.1,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:01:02.79,0:01:03.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 101] \an5\pos(542.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:01:03.00,0:01:03.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 102] \an5\pos(593.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:03.27,0:01:03.68,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 103] \an5\pos(633.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:03.68,0:01:05.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 104] \an5\pos(664.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:05.81,0:01:05.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 105] \an5\pos(713.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:05.97,0:01:06.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 106] \an5\pos(753.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:06.13,0:01:06.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 107] \an5\pos(784.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:01:06.27,0:01:06.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 108] \an5\pos(811.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:06.89,0:01:07.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 109] \an5\pos(863.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:07.37,0:01:07.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 110] \an5\pos(914.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:08.01,0:01:08.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 111] \an5\pos(401.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:01:08.23,0:01:08.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 112] \an5\pos(433.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:01:08.37,0:01:08.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 113] \an5\pos(468.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:08.59,0:01:09.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 114] \an5\pos(528.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shō
Dialogue: 1,0:01:09.14,0:01:09.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 115] \an5\pos(580.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dō
Dialogue: 1,0:01:09.52,0:01:09.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 116] \an5\pos(625.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:01:09.80,0:01:09.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 117] \an5\pos(669.66,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:01:09.98,0:01:10.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 118] \an5\pos(709.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:10.13,0:01:10.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 119] \an5\pos(754.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:10.31,0:01:10.55,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 120] \an5\pos(800.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:10.55,0:01:10.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 121] \an5\pos(840.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:10.94,0:01:11.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 122] \an5\pos(877.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:01:11.22,0:01:11.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 123] \an5\pos(518.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ka
Dialogue: 1,0:01:11.56,0:01:11.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 124] \an5\pos(560.09,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:11.71,0:01:11.90,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 125] \an5\pos(601.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:11.90,0:01:12.04,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 126] \an5\pos(639.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:01:12.04,0:01:12.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 127] \an5\pos(691.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}me
Dialogue: 1,0:01:12.20,0:01:12.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 128] \an5\pos(735.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ro
Dialogue: 1,0:01:12.51,0:01:13.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 129] \an5\pos(767.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dī
Dialogue: 1,0:01:13.21,0:01:13.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 130] \an5\pos(349.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ki
Dialogue: 1,0:01:13.48,0:01:13.64,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 131] \an5\pos(385.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:01:13.64,0:01:13.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 132] \an5\pos(435.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:13.79,0:01:14.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 133] \an5\pos(490.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:01:14.29,0:01:14.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 134] \an5\pos(537.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:01:14.56,0:01:14.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 135] \an5\pos(588.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:14.93,0:01:15.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 136] \an5\pos(638.92,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:15.21,0:01:15.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 137] \an5\pos(679.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:15.56,0:01:15.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 138] \an5\pos(729.67,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:15.72,0:01:16.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 139] \an5\pos(781.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Re
Dialogue: 1,0:01:16.00,0:01:16.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 140] \an5\pos(833.74,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}son
Dialogue: 1,0:01:16.34,0:01:17.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 141] \an5\pos(885.19,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}an
Dialogue: 1,0:01:17.88,0:01:18.05,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 142] \an5\pos(926.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ce
Dialogue: 1,0:01:18.23,0:01:18.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 143] \an5\pos(415.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Na
Dialogue: 1,0:01:18.43,0:01:18.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 144] \an5\pos(455.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:01:18.52,0:01:18.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 145] \an5\pos(492.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:18.82,0:01:19.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 146] \an5\pos(540.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ze
Dialogue: 1,0:01:19.17,0:01:19.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 147] \an5\pos(570.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:19.26,0:01:19.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 148] \an5\pos(606.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:01:19.46,0:01:19.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 149] \an5\pos(641.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:19.67,0:01:20.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 150] \an5\pos(691.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}zen
Dialogue: 1,0:01:20.03,0:01:20.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 151] \an5\pos(738.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:01:20.25,0:01:20.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 152] \an5\pos(760.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:20.33,0:01:20.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 153] \an5\pos(784.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:20.56,0:01:20.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 154] \an5\pos(820.98,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:20.79,0:01:21.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 155] \an5\pos(851.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:21.10,0:01:21.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 156] \an5\pos(875.86,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:21.36,0:01:21.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 157] \an5\pos(520.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}So
Dialogue: 1,0:01:21.78,0:01:21.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 158] \an5\pos(559.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:01:21.93,0:01:22.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 159] \an5\pos(606.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:22.07,0:01:22.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 160] \an5\pos(656.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:22.25,0:01:22.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 161] \an5\pos(697.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:22.39,0:01:22.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 162] \an5\pos(734.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:22.69,0:01:23.47,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 163] \an5\pos(770.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:01:23.54,0:01:23.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 164] \an5\pos(439.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Tō
Dialogue: 1,0:01:23.85,0:01:23.99,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 165] \an5\pos(480.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:23.99,0:01:24.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 166] \an5\pos(526.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tō
Dialogue: 1,0:01:24.80,0:01:25.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 167] \an5\pos(563.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:25.15,0:01:25.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 168] \an5\pos(597.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:25.42,0:01:25.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 169] \an5\pos(628.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:25.77,0:01:25.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 170] \an5\pos(689.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:25.94,0:01:26.24,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 171] \an5\pos(736.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:26.24,0:01:26.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 172] \an5\pos(787.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:26.51,0:01:28.61,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 173] \an5\pos(834.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:28.61,0:01:28.76,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 174] \an5\pos(520.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:01:28.76,0:01:28.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 175] \an5\pos(557.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:28.95,0:01:29.09,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 176] \an5\pos(594.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:29.09,0:01:29.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 177] \an5\pos(635.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:29.45,0:01:29.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 178] \an5\pos(666.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:29.58,0:01:29.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 179] \an5\pos(694.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:01:29.91,0:01:30.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 180] \an5\pos(740.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:30.07,0:01:30.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 181] \an5\pos(766.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:30.33,0:01:30.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 182] \an5\pos(426.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Bo
Dialogue: 1,0:01:30.70,0:01:31.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 183] \an5\pos(468.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:31.02,0:01:31.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 184] \an5\pos(505.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:31.34,0:01:31.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 185] \an5\pos(547.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:01:31.65,0:01:32.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 186] \an5\pos(602.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:32.77,0:01:33.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 187] \an5\pos(658.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:33.13,0:01:33.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 188] \an5\pos(705.42,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:33.42,0:01:33.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 189] \an5\pos(747.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:33.58,0:01:33.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 190] \an5\pos(784.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:33.88,0:01:34.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 191] \an5\pos(813.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:34.20,0:01:34.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 192] \an5\pos(854.62,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:34.75,0:01:35.01,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 193] \an5\pos(505.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:01:35.01,0:01:35.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 194] \an5\pos(538.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:01:35.35,0:01:35.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 195] \an5\pos(574.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:01:35.67,0:01:35.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 196] \an5\pos(609.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:35.85,0:01:36.18,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 197] \an5\pos(655.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:01:36.18,0:01:36.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 198] \an5\pos(697.37,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:36.48,0:01:36.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 199] \an5\pos(724.75,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:36.75,0:01:40.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 200] \an5\pos(764.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:41.01,0:01:41.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 201] \an5\pos(574.85,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:01:41.39,0:01:41.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 202] \an5\pos(606.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:01:41.72,0:01:41.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 203] \an5\pos(642.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:41.89,0:01:44.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 204] \an5\pos(691.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 0,0:00:14.53,0:00:15.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 1] \an5\move(381.59,47.5,281.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:00:14.58,0:00:15.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 2] \an5\move(408.29,47.5,308.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:00:14.63,0:00:15.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 3] \an5\move(433.4,47.5,333.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:14.68,0:00:15.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 4] \an5\move(450.52,47.5,350.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:14.73,0:00:15.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 5] \an5\move(462.18,47.5,362.18,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:14.78,0:00:15.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 6] \an5\move(486.23,47.5,386.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:14.83,0:00:15.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 7] \an5\move(506.98,47.5,406.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:14.88,0:00:16.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 8] \an5\move(527.73,47.5,427.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:14.93,0:00:16.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 9] \an5\move(544.86,47.5,444.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:14.98,0:00:16.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 10] \an5\move(561.94,47.5,461.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:15.03,0:00:16.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 11] \an5\move(591.63,47.5,491.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:15.08,0:00:17.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 12] \an5\move(612.38,47.5,512.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:15.13,0:00:17.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 13] \an5\move(627.43,47.5,527.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:15.18,0:00:17.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 14] \an5\move(651.52,47.5,551.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:00:15.23,0:00:17.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 15] \an5\move(672.54,47.5,572.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:15.28,0:00:17.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 16] \an5\move(692.91,47.5,592.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:15.33,0:00:17.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 17] \an5\move(713.08,47.5,613.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:15.38,0:00:18.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 18] \an5\move(730,47.5,630,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:15.43,0:00:18.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 19] \an5\move(746.88,47.5,646.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:15.48,0:00:18.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 20] \an5\move(767.13,47.5,667.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:00:15.53,0:00:18.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 21] \an5\move(787.62,47.5,687.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:15.58,0:00:18.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 22] \an5\move(802.9,47.5,702.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:15.63,0:00:19.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 23] \an5\move(826.95,47.5,726.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:15.68,0:00:19.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 24] \an5\move(847.93,47.5,747.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:15.73,0:00:20.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 25] \an5\move(882.73,47.5,782.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:00:15.78,0:00:20.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 26] \an5\move(908.79,47.5,808.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:15.83,0:00:21.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 27] \an5\move(929.77,47.5,829.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:15.88,0:00:21.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 28] \an5\move(950.76,47.5,850.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:15.93,0:00:21.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 29] \an5\move(971.78,47.5,871.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:15.98,0:00:21.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 30] \an5\move(992.57,47.5,892.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:16.03,0:00:21.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 31] \an5\move(1009.45,47.5,909.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:16.08,0:00:21.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 32] \an5\move(1026.34,47.5,926.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:16.13,0:00:22.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 33] \an5\move(1043.45,47.5,943.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:16.18,0:00:22.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 34] \an5\move(1055.12,47.5,955.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:16.23,0:00:22.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 35] \an5\move(1079.2,47.5,979.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:16.28,0:00:22.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 36] \an5\move(1099.99,47.5,999.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:22.65,0:00:23.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 37] \an5\move(521.16,47.5,421.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:00:22.70,0:00:23.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 38] \an5\move(543.25,47.5,443.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:22.75,0:00:23.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 39] \an5\move(564.27,47.5,464.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:22.80,0:00:24.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 40] \an5\move(584.64,47.5,484.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:22.85,0:00:24.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 41] \an5\move(599.32,47.5,499.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:22.90,0:00:24.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 42] \an5\move(614.66,47.5,514.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:22.95,0:00:24.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 43] \an5\move(635.45,47.5,535.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:23.00,0:00:24.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 44] \an5\move(655.41,47.5,555.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:23.05,0:00:24.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 45] \an5\move(675.6,47.5,575.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:23.10,0:00:24.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 46] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:23.15,0:00:25.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 47] \an5\move(702.31,47.5,602.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:23.20,0:00:25.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 48] \an5\move(719.2,47.5,619.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:23.25,0:00:25.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 49] \an5\move(748.7,47.5,648.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:23.30,0:00:26.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 50] \an5\move(778.48,47.5,678.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:23.35,0:00:26.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 51] \an5\move(799.27,47.5,699.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:23.40,0:00:29.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 52] \an5\move(828.76,47.5,728.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:23.45,0:00:29.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 53] \an5\move(844.04,47.5,744.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:23.50,0:00:29.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 54] \an5\move(859.38,47.5,759.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:00:23.55,0:00:29.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 55] \an5\move(874.71,47.5,774.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:23.60,0:00:30.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 56] \an5\move(889.39,47.5,789.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:23.65,0:00:30.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 57] \an5\move(909.56,47.5,809.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:23.70,0:00:30.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 58] \an5\move(939.01,47.5,839.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:00:23.75,0:00:30.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 59] \an5\move(959.9,47.5,859.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:35.48,0:00:36.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 60] \an5\move(582.95,47.5,482.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:00:35.53,0:00:36.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 61] \an5\move(594.38,47.5,494.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:35.58,0:00:36.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 62] \an5\move(610.73,47.5,510.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:35.63,0:00:36.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 63] \an5\move(630.73,47.5,530.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:35.68,0:00:36.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 64] \an5\move(665.34,47.5,565.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:00:35.73,0:00:36.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 65] \an5\move(691.39,47.5,591.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:35.78,0:00:36.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 66] \an5\move(721.13,47.5,621.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:35.83,0:00:36.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 67] \an5\move(742.11,47.5,642.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:35.88,0:00:37.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 68] \an5\move(771.05,47.5,671.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:35.93,0:00:37.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 69] \an5\move(791.21,47.5,691.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:35.98,0:00:37.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 70] \an5\move(811.54,47.5,711.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:36.03,0:00:37.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 71] \an5\move(831.67,47.5,731.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:36.08,0:00:37.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 72] \an5\move(846.72,47.5,746.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:36.13,0:00:38.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 73] \an5\move(870.8,47.5,770.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:36.18,0:00:38.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 74] \an5\move(891.59,47.5,791.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:38.44,0:00:38.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 75] \an5\move(486.46,47.5,386.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:00:38.49,0:00:39.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 76] \an5\move(497.89,47.5,397.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:38.54,0:00:39.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 77] \an5\move(514.23,47.5,414.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:38.59,0:00:39.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 78] \an5\move(534.23,47.5,434.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:38.64,0:00:39.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 79] \an5\move(563.81,47.5,463.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:38.69,0:00:39.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 80] \an5\move(584.6,47.5,484.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:38.74,0:00:39.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 81] \an5\move(610.23,47.5,510.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:38.79,0:00:39.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 82] \an5\move(623.5,47.5,523.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:38.84,0:00:39.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 83] \an5\move(640.58,47.5,540.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:38.89,0:00:39.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 84] \an5\move(669.66,47.5,569.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:38.94,0:00:39.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 85] \an5\move(689.79,47.5,589.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:38.99,0:00:40.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 86] \an5\move(714.9,47.5,614.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:00:39.04,0:00:40.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 87] \an5\move(740.01,47.5,640.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:39.09,0:00:40.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 88] \an5\move(757.13,47.5,657.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:39.14,0:00:40.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 89] \an5\move(774.24,47.5,674.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:39.19,0:00:40.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 90] \an5\move(794.99,47.5,694.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:39.24,0:00:40.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 91] \an5\move(815.74,47.5,715.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:39.29,0:00:41.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 92] \an5\move(830.79,47.5,730.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:39.34,0:00:41.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 93] \an5\move(859.91,47.5,759.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:00:39.39,0:00:41.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 94] \an5\move(885.73,47.5,785.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:39.44,0:00:42.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 95] \an5\move(911.55,47.5,811.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:00:39.49,0:00:42.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 96] \an5\move(937.37,47.5,837.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:39.54,0:00:42.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 97] \an5\move(966.91,47.5,866.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:39.59,0:00:42.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 98] \an5\move(987.89,47.5,887.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:42.43,0:00:42.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 99] \an5\move(628.21,47.5,528.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:00:42.48,0:00:42.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 100] \an5\move(649.76,47.5,549.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:42.53,0:00:43.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 101] \an5\move(670.13,47.5,570.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:42.58,0:00:43.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 102] \an5\move(690.49,47.5,590.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:42.63,0:00:43.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 103] \an5\move(720.23,47.5,620.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:42.68,0:00:43.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 104] \an5\move(735.52,47.5,635.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:42.73,0:00:43.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 105] \an5\move(763.93,47.5,663.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:00:42.78,0:00:43.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 106] \an5\move(789.04,47.5,689.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:42.83,0:00:44.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 107] \an5\move(818.29,47.5,718.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:42.88,0:00:44.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 108] \an5\move(835.41,47.5,735.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:42.93,0:00:44.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 109] \an5\move(852.56,47.5,752.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:45.63,0:00:46.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 110] \an5\move(607.76,47.5,507.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}Z
Dialogue: 0,0:00:45.68,0:00:46.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 111] \an5\move(628.55,47.5,528.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:45.73,0:00:46.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 112] \an5\move(645.47,47.5,545.47,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:45.78,0:00:46.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 113] \an5\move(658.73,47.5,558.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:45.83,0:00:46.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 114] \an5\move(675.85,47.5,575.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:45.88,0:00:46.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 115] \an5\move(701.72,47.5,601.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:45.93,0:00:46.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 116] \an5\move(718.6,47.5,618.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:45.98,0:00:47.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 117] \an5\move(733.65,47.5,633.65,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:46.03,0:00:47.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 118] \an5\move(748.16,47.5,648.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:46.08,0:00:47.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 119] \an5\move(768.31,47.5,668.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:46.13,0:00:47.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 120] \an5\move(785.39,47.5,685.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:46.18,0:00:47.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 121] \an5\move(801.73,47.5,701.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:46.23,0:00:47.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 122] \an5\move(821.73,47.5,721.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:46.28,0:00:48.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 123] \an5\move(851.31,47.5,751.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:46.33,0:00:48.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 124] \an5\move(872.3,47.5,772.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:48.61,0:00:49.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 125] \an5\move(493.55,47.5,393.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}D
Dialogue: 0,0:00:48.66,0:00:49.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 126] \an5\move(515.38,47.5,415.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:48.71,0:00:49.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 127] \an5\move(544.26,47.5,444.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:48.76,0:00:49.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 128] \an5\move(564.59,47.5,464.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:48.81,0:00:49.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 129] \an5\move(585.57,47.5,485.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:48.86,0:00:49.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 130] \an5\move(606.59,47.5,506.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:48.91,0:00:49.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 131] \an5\move(636.08,47.5,536.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:48.96,0:00:50.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 132] \an5\move(652.96,47.5,552.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:49.01,0:00:50.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 133] \an5\move(669.84,47.5,569.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:49.06,0:00:50.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 134] \an5\move(686.96,47.5,586.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:49.11,0:00:50.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 135] \an5\move(698.63,47.5,598.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:49.16,0:00:50.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 136] \an5\move(718.99,47.5,618.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:00:49.21,0:00:50.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 137] \an5\move(744.81,47.5,644.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:49.26,0:00:50.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 138] \an5\move(765.51,47.5,665.51,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:49.31,0:00:51.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 139] \an5\move(789.66,47.5,689.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}j
Dialogue: 0,0:00:49.36,0:00:51.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 140] \an5\move(804.86,47.5,704.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:49.41,0:00:51.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 141] \an5\move(834.36,47.5,734.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:49.46,0:00:51.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 142] \an5\move(855.11,47.5,755.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:49.51,0:00:52.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 143] \an5\move(870.16,47.5,770.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:49.56,0:00:52.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 144] \an5\move(894.2,47.5,794.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:49.61,0:00:53.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 145] \an5\move(923.99,47.5,823.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:49.66,0:00:53.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 146] \an5\move(944.78,47.5,844.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:49.71,0:00:53.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 147] \an5\move(970.41,47.5,870.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:49.76,0:00:53.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 148] \an5\move(987.53,47.5,887.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:53.80,0:00:54.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 149] \an5\move(641.63,47.5,541.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}W
Dialogue: 0,0:00:53.85,0:00:54.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 150] \an5\move(669.28,47.5,569.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:53.90,0:00:54.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 151] \an5\move(689.24,47.5,589.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:53.95,0:00:54.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 152] \an5\move(709.24,47.5,609.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:54.00,0:00:54.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 153] \an5\move(726.4,47.5,626.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:54.05,0:00:54.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 154] \an5\move(743.71,47.5,643.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:54.10,0:00:55.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 155] \an5\move(764.66,47.5,664.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:54.15,0:00:55.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 156] \an5\move(785.41,47.5,685.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:54.20,0:00:55.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 157] \an5\move(800.45,47.5,700.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:54.25,0:00:55.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 158] \an5\move(824.41,47.5,724.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:00:54.30,0:00:55.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 159] \an5\move(845.3,47.5,745.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:55.85,0:00:56.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 160] \an5\move(491.33,47.5,391.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}A
Dialogue: 0,0:00:55.90,0:00:56.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 161] \an5\move(513.55,47.5,413.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:55.95,0:00:56.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 162] \an5\move(534.53,47.5,434.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:56.00,0:00:56.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 163] \an5\move(564.25,47.5,464.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:56.05,0:00:56.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 164] \an5\move(579.53,47.5,479.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:56.10,0:00:57.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 165] \an5\move(603.58,47.5,503.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:56.15,0:00:57.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 166] \an5\move(618.88,47.5,518.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:56.20,0:00:58.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 167] \an5\move(642.42,47.5,542.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:00:56.25,0:00:58.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 168] \an5\move(662.91,47.5,562.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:56.30,0:00:58.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 169] \an5\move(678.19,47.5,578.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:56.35,0:00:58.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 170] \an5\move(692.87,47.5,592.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:56.40,0:00:58.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 171] \an5\move(713,47.5,613,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:56.45,0:00:58.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 172] \an5\move(729.88,47.5,629.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:56.50,0:00:58.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 173] \an5\move(743.15,47.5,643.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:56.55,0:00:58.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 174] \an5\move(760.03,47.5,660.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:56.60,0:00:59.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 175] \an5\move(789.44,47.5,689.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:00:56.65,0:00:59.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 176] \an5\move(810.09,47.5,710.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:56.70,0:00:59.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 177] \an5\move(830.23,47.5,730.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:56.75,0:00:59.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 178] \an5\move(850.4,47.5,750.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:56.80,0:00:59.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 179] \an5\move(870.4,47.5,770.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:56.85,0:00:59.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 180] \an5\move(890.59,47.5,790.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:56.90,0:01:00.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 181] \an5\move(910.96,47.5,810.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:56.95,0:01:00.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 182] \an5\move(931.13,47.5,831.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:57.00,0:01:00.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 183] \an5\move(965.03,47.5,865.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:00:57.05,0:01:00.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 184] \an5\move(990.14,47.5,890.14,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:01.00,0:01:01.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 185] \an5\move(444.2,47.5,344.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:01.05,0:01:01.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 186] \an5\move(464.56,47.5,364.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:01.10,0:01:01.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 187] \an5\move(490.38,47.5,390.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:01.15,0:01:01.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 188] \an5\move(524.95,47.5,424.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:01.20,0:01:01.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 189] \an5\move(551.01,47.5,451.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:01.25,0:01:02.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 190] \an5\move(585.81,47.5,485.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:01.30,0:01:02.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 191] \an5\move(611.67,47.5,511.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:01.35,0:01:02.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 192] \an5\move(632.46,47.5,532.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:01.40,0:01:02.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 193] \an5\move(653.41,47.5,553.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:01.45,0:01:03.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 194] \an5\move(683.1,47.5,583.1,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:01.50,0:01:03.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 195] \an5\move(704.09,47.5,604.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:01.55,0:01:03.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 196] \an5\move(733.8,47.5,633.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:01.60,0:01:03.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 197] \an5\move(754.17,47.5,654.17,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:01.65,0:01:03.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 198] \an5\move(774.34,47.5,674.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:01.70,0:01:05.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 199] \an5\move(803.27,47.5,703.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:01.75,0:01:05.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 200] \an5\move(823.4,47.5,723.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:01.80,0:01:05.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 201] \an5\move(843.53,47.5,743.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:01.85,0:01:05.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 202] \an5\move(863.66,47.5,763.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:01.90,0:01:06.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 203] \an5\move(884.36,47.5,784.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:01.95,0:01:06.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 204] \an5\move(901.44,47.5,801.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:02.00,0:01:06.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 205] \an5\move(918.32,47.5,818.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:02.05,0:01:06.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 206] \an5\move(952.89,47.5,852.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:02.10,0:01:06.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 207] \an5\move(978.71,47.5,878.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:02.15,0:01:07.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 208] \an5\move(1004.53,47.5,904.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:02.20,0:01:07.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 209] \an5\move(1030.35,47.5,930.35,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:07.40,0:01:08.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 210] \an5\move(496.78,47.5,396.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:01:07.45,0:01:08.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 211] \an5\move(513.23,47.5,413.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:07.50,0:01:08.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 212] \an5\move(528.56,47.5,428.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:07.55,0:01:08.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 213] \an5\move(543.9,47.5,443.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:07.60,0:01:08.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 214] \an5\move(558.58,47.5,458.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:07.65,0:01:08.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 215] \an5\move(578.75,47.5,478.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:07.70,0:01:08.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 216] \an5\move(607.5,47.5,507.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:07.75,0:01:08.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 217] \an5\move(627.7,47.5,527.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:07.80,0:01:08.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 218] \an5\move(648.66,47.5,548.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:07.85,0:01:09.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 219] \an5\move(669.69,47.5,569.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:07.90,0:01:09.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 220] \an5\move(690.71,47.5,590.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:07.95,0:01:09.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 221] \an5\move(720.45,47.5,620.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:08.00,0:01:09.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 222] \an5\move(735.74,47.5,635.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:08.05,0:01:09.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 223] \an5\move(764.86,47.5,664.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:08.10,0:01:09.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 224] \an5\move(785.23,47.5,685.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:08.15,0:01:09.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 225] \an5\move(809.26,47.5,709.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:08.20,0:01:10.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 226] \an5\move(844.06,47.5,744.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:08.25,0:01:10.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 227] \an5\move(869.88,47.5,769.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.30,0:01:10.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 228] \an5\move(890.02,47.5,790.02,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:08.35,0:01:10.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 229] \an5\move(910.15,47.5,810.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.40,0:01:10.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 230] \an5\move(930.11,47.5,830.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:08.45,0:01:10.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 231] \an5\move(950.27,47.5,850.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:08.50,0:01:10.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 232] \an5\move(967.34,47.5,867.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:08.55,0:01:10.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 233] \an5\move(984.42,47.5,884.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:10.67,0:01:11.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 234] \an5\move(607.78,47.5,507.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:01:10.72,0:01:11.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 235] \an5\move(629.09,47.5,529.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:10.77,0:01:11.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 236] \an5\move(649.84,47.5,549.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:10.82,0:01:11.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 237] \an5\move(670.59,47.5,570.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:10.87,0:01:11.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 238] \an5\move(691.38,47.5,591.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:10.92,0:01:11.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 239] \an5\move(712.37,47.5,612.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:10.97,0:01:11.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 240] \an5\move(729.68,47.5,629.68,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:11.02,0:01:11.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 241] \an5\move(746.84,47.5,646.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:11.07,0:01:12.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 242] \an5\move(781.45,47.5,681.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:11.12,0:01:12.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 243] \an5\move(807.46,47.5,707.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:11.17,0:01:12.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 244] \an5\move(824.77,47.5,724.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:11.22,0:01:12.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 245] \an5\move(842.13,47.5,742.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:11.27,0:01:12.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 246] \an5\move(863.15,47.5,763.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:11.32,0:01:12.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 247] \an5\move(878.48,47.5,778.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ī
Dialogue: 0,0:01:12.66,0:01:13.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 248] \an5\move(444.23,47.5,344.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:01:12.71,0:01:13.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 249] \an5\move(460.09,47.5,360.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:12.76,0:01:13.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 250] \an5\move(480.46,47.5,380.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:12.81,0:01:13.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 251] \an5\move(500.83,47.5,400.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:12.86,0:01:13.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 252] \an5\move(524.88,47.5,424.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:12.91,0:01:13.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 253] \an5\move(545.86,47.5,445.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:12.96,0:01:13.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 254] \an5\move(580.66,47.5,480.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:13.01,0:01:13.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 255] \an5\move(606.52,47.5,506.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:13.06,0:01:14.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 256] \an5\move(627.31,47.5,527.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:13.11,0:01:14.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 257] \an5\move(648.26,47.5,548.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:13.16,0:01:14.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 258] \an5\move(677.95,47.5,577.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:13.21,0:01:14.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 259] \an5\move(698.94,47.5,598.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:13.26,0:01:14.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 260] \an5\move(728.67,47.5,628.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:13.31,0:01:14.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 261] \an5\move(749.42,47.5,649.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:13.36,0:01:15.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 262] \an5\move(769.55,47.5,669.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:13.41,0:01:15.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 263] \an5\move(789.69,47.5,689.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:13.46,0:01:15.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 264] \an5\move(819.23,47.5,719.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:13.51,0:01:15.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 265] \an5\move(840.21,47.5,740.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:13.56,0:01:15.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 266] \an5\move(870.78,47.5,770.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}R
Dialogue: 0,0:01:13.61,0:01:15.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 267] \an5\move(892.6,47.5,792.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:13.66,0:01:16.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 268] \an5\move(912.76,47.5,812.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:13.71,0:01:16.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 269] \an5\move(932.95,47.5,832.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:13.76,0:01:16.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 270] \an5\move(953.94,47.5,853.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:13.81,0:01:16.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 271] \an5\move(974.69,47.5,874.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:13.86,0:01:16.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 272] \an5\move(995.44,47.5,895.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:13.91,0:01:17.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 273] \an5\move(1015.94,47.5,915.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:13.96,0:01:17.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 274] \an5\move(1036.38,47.5,936.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:17.60,0:01:18.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 275] \an5\move(505.63,47.5,405.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}N
Dialogue: 0,0:01:17.65,0:01:18.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 276] \an5\move(527.86,47.5,427.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:17.70,0:01:18.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 277] \an5\move(544.98,47.5,444.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:17.75,0:01:18.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 278] \an5\move(562.09,47.5,462.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:17.80,0:01:18.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 279] \an5\move(582.05,47.5,482.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:17.85,0:01:18.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 280] \an5\move(602.21,47.5,502.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:17.90,0:01:18.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 281] \an5\move(630.42,47.5,530.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:01:17.95,0:01:18.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 282] \an5\move(649.88,47.5,549.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:18.00,0:01:19.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 283] \an5\move(670.83,47.5,570.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:18.05,0:01:19.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 284] \an5\move(691.04,47.5,591.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:18.10,0:01:19.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 285] \an5\move(711.23,47.5,611.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:18.15,0:01:19.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 286] \an5\move(726.52,47.5,626.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:18.20,0:01:19.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 287] \an5\move(741.81,47.5,641.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:18.25,0:01:19.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 288] \an5\move(770.08,47.5,670.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:01:18.30,0:01:19.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 289] \an5\move(789.54,47.5,689.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:18.35,0:01:19.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 290] \an5\move(810.48,47.5,710.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:18.40,0:01:20.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 291] \an5\move(827.85,47.5,727.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:18.45,0:01:20.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 292] \an5\move(845.16,47.5,745.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:18.50,0:01:20.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 293] \an5\move(860.41,47.5,760.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:18.55,0:01:20.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 294] \an5\move(884.44,47.5,784.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:18.60,0:01:20.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 295] \an5\move(910.49,47.5,810.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:18.65,0:01:20.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 296] \an5\move(936.55,47.5,836.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:18.70,0:01:20.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 297] \an5\move(951.83,47.5,851.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:18.75,0:01:21.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 298] \an5\move(975.86,47.5,875.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:20.75,0:01:21.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 299] \an5\move(610.08,47.5,510.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}S
Dialogue: 0,0:01:20.80,0:01:21.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 300] \an5\move(631.84,47.5,531.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:20.85,0:01:21.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 301] \an5\move(649.2,47.5,549.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:20.90,0:01:21.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 302] \an5\move(666.31,47.5,566.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:20.95,0:01:21.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 303] \an5\move(695.81,47.5,595.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:21.00,0:01:21.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 304] \an5\move(716.8,47.5,616.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:21.05,0:01:22.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 305] \an5\move(745.91,47.5,645.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:21.10,0:01:22.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 306] \an5\move(766.05,47.5,666.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:21.15,0:01:22.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 307] \an5\move(786.8,47.5,686.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:21.20,0:01:22.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 308] \an5\move(807.55,47.5,707.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:21.25,0:01:22.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 309] \an5\move(824.43,47.5,724.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:21.30,0:01:22.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 310] \an5\move(841.31,47.5,741.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:21.35,0:01:22.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 311] \an5\move(870.76,47.5,770.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:22.92,0:01:23.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 312] \an5\move(529.28,47.5,429.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}T
Dialogue: 0,0:01:22.97,0:01:23.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 313] \an5\move(549.57,47.5,449.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:23.02,0:01:23.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 314] \an5\move(569.94,47.5,469.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:23.07,0:01:23.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 315] \an5\move(590.11,47.5,490.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:23.12,0:01:23.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 316] \an5\move(615.78,47.5,515.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:23.17,0:01:23.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 317] \an5\move(632.9,47.5,532.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:23.22,0:01:24.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 318] \an5\move(653.27,47.5,553.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:23.27,0:01:24.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 319] \an5\move(673.44,47.5,573.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:23.32,0:01:25.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 320] \an5\move(697.27,47.5,597.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:23.37,0:01:25.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 321] \an5\move(708.7,47.5,608.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:23.42,0:01:25.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 322] \an5\move(725.05,47.5,625.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:23.47,0:01:25.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 323] \an5\move(745.05,47.5,645.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:23.52,0:01:25.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 324] \an5\move(779.66,47.5,679.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:23.57,0:01:25.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 325] \an5\move(805.48,47.5,705.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:23.62,0:01:25.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 326] \an5\move(826.27,47.5,726.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:23.67,0:01:25.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 327] \an5\move(847.25,47.5,747.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:23.72,0:01:26.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 328] \an5\move(876.98,47.5,776.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:23.77,0:01:26.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 329] \an5\move(897.97,47.5,797.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:23.82,0:01:26.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 330] \an5\move(923.98,47.5,823.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:23.87,0:01:26.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 331] \an5\move(950.04,47.5,850.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:28.06,0:01:28.61,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 332] \an5\move(620.6,47.5,520.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:01:28.11,0:01:28.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 333] \an5\move(647.3,47.5,547.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:28.16,0:01:28.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 334] \an5\move(672.41,47.5,572.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:28.21,0:01:28.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 335] \an5\move(689.52,47.5,589.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:28.26,0:01:28.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 336] \an5\move(701.19,47.5,601.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:28.31,0:01:29.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 337] \an5\move(725.23,47.5,625.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:28.36,0:01:29.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 338] \an5\move(745.98,47.5,645.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:28.41,0:01:29.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 339] \an5\move(766.73,47.5,666.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:28.46,0:01:29.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 340] \an5\move(783.87,47.5,683.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:28.51,0:01:29.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 341] \an5\move(800.95,47.5,700.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:28.56,0:01:29.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 342] \an5\move(830.64,47.5,730.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:28.61,0:01:29.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 343] \an5\move(851.39,47.5,751.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:28.66,0:01:30.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 344] \an5\move(866.44,47.5,766.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:29.78,0:01:30.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 345] \an5\move(515.91,47.5,415.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}B
Dialogue: 0,0:01:29.83,0:01:30.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 346] \an5\move(537.7,47.5,437.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:29.88,0:01:30.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 347] \an5\move(558.07,47.5,458.07,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:29.93,0:01:30.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 348] \an5\move(578.24,47.5,478.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:29.98,0:01:31.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 349] \an5\move(595.16,47.5,495.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:30.03,0:01:31.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 350] \an5\move(612.05,47.5,512.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.08,0:01:31.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 351] \an5\move(632.3,47.5,532.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:30.13,0:01:31.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 352] \an5\move(652.78,47.5,552.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:30.18,0:01:31.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 353] \an5\move(668.06,47.5,568.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:30.23,0:01:31.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 354] \an5\move(692.11,47.5,592.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:30.28,0:01:31.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 355] \an5\move(713.09,47.5,613.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:30.33,0:01:32.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 356] \an5\move(747.9,47.5,647.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:30.38,0:01:32.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 357] \an5\move(773.95,47.5,673.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:30.43,0:01:33.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 358] \an5\move(794.94,47.5,694.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:30.48,0:01:33.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 359] \an5\move(815.92,47.5,715.92,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:30.53,0:01:33.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 360] \an5\move(836.95,47.5,736.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:30.58,0:01:33.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 361] \an5\move(857.73,47.5,757.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.63,0:01:33.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 362] \an5\move(874.62,47.5,774.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:30.68,0:01:33.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 363] \an5\move(891.5,47.5,791.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.73,0:01:33.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 364] \an5\move(908.62,47.5,808.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:30.78,0:01:33.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 365] \an5\move(920.28,47.5,820.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:30.83,0:01:34.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 366] \an5\move(944.37,47.5,844.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:30.88,0:01:34.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 367] \an5\move(965.16,47.5,865.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:34.10,0:01:34.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 368] \an5\move(605.97,47.5,505.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:01:34.15,0:01:35.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 369] \an5\move(628.05,47.5,528.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:34.20,0:01:35.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 370] \an5\move(649.08,47.5,549.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:34.25,0:01:35.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 371] \an5\move(669.45,47.5,569.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:34.30,0:01:35.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 372] \an5\move(684.13,47.5,584.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:34.35,0:01:35.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 373] \an5\move(699.46,47.5,599.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:34.40,0:01:35.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 374] \an5\move(720.25,47.5,620.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:34.45,0:01:35.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 375] \an5\move(740.21,47.5,640.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:34.50,0:01:35.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 376] \an5\move(760.41,47.5,660.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:34.55,0:01:35.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 377] \an5\move(775.69,47.5,675.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:34.60,0:01:36.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 378] \an5\move(787.12,47.5,687.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:34.65,0:01:36.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 379] \an5\move(804,47.5,704,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:34.70,0:01:36.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 380] \an5\move(824.75,47.5,724.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:34.75,0:01:36.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 381] \an5\move(854.54,47.5,754.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:34.80,0:01:36.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 382] \an5\move(875.33,47.5,775.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:40.34,0:01:41.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 383] \an5\move(674.43,47.5,574.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:01:40.39,0:01:41.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 384] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:40.44,0:01:41.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 385] \an5\move(706.21,47.5,606.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:40.49,0:01:41.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 386] \an5\move(721.55,47.5,621.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:40.54,0:01:41.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 387] \an5\move(736.23,47.5,636.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:40.59,0:01:41.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 388] \an5\move(756.4,47.5,656.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:40.64,0:01:41.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 389] \an5\move(785.84,47.5,685.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:01:40.69,0:01:41.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 390] \an5\move(806.73,47.5,706.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:15.32,0:00:22.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\t(6273.42,6713.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:00:15.60,0:00:22.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 2] \an5\pos(308.29,47.5)\t(6043.42,6483.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:00:15.60,0:00:22.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 3] \an5\pos(333.4,47.5)\t(6093.42,6533.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:15.81,0:00:22.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 4] \an5\pos(350.52,47.5)\t(5933.42,6373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:15.81,0:00:22.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 5] \an5\pos(362.18,47.5)\t(5983.42,6423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:16.23,0:00:22.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 6] \an5\pos(386.23,47.5)\t(5613.42,6053.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:16.23,0:00:22.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 7] \an5\pos(406.98,47.5)\t(5663.42,6103.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:16.45,0:00:22.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 8] \an5\pos(427.73,47.5)\t(5493.42,5933.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:16.86,0:00:22.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 9] \an5\pos(444.86,47.5)\t(5133.42,5573.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:16.86,0:00:22.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 10] \an5\pos(461.94,47.5)\t(5183.42,5623.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:17.08,0:00:22.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 11] \an5\pos(491.63,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:17.45,0:00:22.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 12] \an5\pos(512.38,47.5)\t(4693.42,5133.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:17.45,0:00:22.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 13] \an5\pos(527.43,47.5)\t(4743.42,5183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:17.96,0:00:22.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 14] \an5\pos(551.52,47.5)\t(4283.42,4723.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:00:17.96,0:00:22.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 15] \an5\pos(572.54,47.5)\t(4333.42,4773.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:18.39,0:00:22.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 16] \an5\pos(592.91,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:18.39,0:00:22.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 17] \an5\pos(613.08,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:18.78,0:00:22.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 18] \an5\pos(630,47.5)\t(3663.42,4103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:18.78,0:00:22.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 19] \an5\pos(646.88,47.5)\t(3713.42,4153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:19.23,0:00:22.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 20] \an5\pos(667.13,47.5)\t(3313.42,3753.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:00:19.23,0:00:23.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 21] \an5\pos(687.62,47.5)\t(3363.42,3803.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:19.23,0:00:23.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 22] \an5\pos(702.9,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:20.63,0:00:23.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 23] \an5\pos(726.95,47.5)\t(2063.42,2503.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:20.63,0:00:23.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 24] \an5\pos(747.93,47.5)\t(2113.42,2553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:21.16,0:00:23.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 25] \an5\pos(782.73,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:00:21.16,0:00:23.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 26] \an5\pos(808.79,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:21.58,0:00:23.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 27] \an5\pos(829.77,47.5)\t(1313.42,1753.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:21.58,0:00:23.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 28] \an5\pos(850.76,47.5)\t(1363.42,1803.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:21.82,0:00:23.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 29] \an5\pos(871.78,47.5)\t(1173.42,1613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:21.82,0:00:23.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 30] \an5\pos(892.57,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:22.22,0:00:23.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 31] \an5\pos(909.45,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:22.22,0:00:23.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 32] \an5\pos(926.34,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:22.65,0:00:23.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 33] \an5\pos(943.45,47.5)\t(543.42,983.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:22.65,0:00:23.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 34] \an5\pos(955.12,47.5)\t(593.42,1033.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:23.20,0:00:23.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 35] \an5\pos(979.2,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:23.20,0:00:23.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 36] \an5\pos(999.99,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:23.69,0:00:34.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 37] \an5\pos(421.16,47.5)\t(10603.42,11043.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:00:24.14,0:00:34.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 38] \an5\pos(443.25,47.5)\t(10203.42,10643.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:24.14,0:00:34.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 39] \an5\pos(464.27,47.5)\t(10253.42,10693.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:24.59,0:00:34.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 40] \an5\pos(484.64,47.5)\t(9853.42,10293.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:24.59,0:00:34.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 41] \an5\pos(499.32,47.5)\t(9903.42,10343.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:24.77,0:00:34.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 42] \an5\pos(514.66,47.5)\t(9773.42,10213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:24.77,0:00:35.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 43] \an5\pos(535.45,47.5)\t(9823.42,10263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:25.29,0:00:35.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 44] \an5\pos(555.41,47.5)\t(9353.42,9793.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:25.29,0:00:35.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 45] \an5\pos(575.6,47.5)\t(9403.42,9843.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:25.29,0:00:35.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 46] \an5\pos(590.88,47.5)\t(9453.42,9893.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:25.69,0:00:35.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 47] \an5\pos(602.31,47.5)\t(9103.42,9543.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:25.69,0:00:35.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 48] \an5\pos(619.2,47.5)\t(9153.42,9593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:26.13,0:00:35.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 49] \an5\pos(648.7,47.5)\t(8763.42,9203.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:29.49,0:00:35.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 50] \an5\pos(678.48,47.5)\t(5453.42,5893.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:29.49,0:00:35.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 51] \an5\pos(699.27,47.5)\t(5503.42,5943.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:29.92,0:00:35.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 52] \an5\pos(728.76,47.5)\t(5123.42,5563.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:29.92,0:00:35.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 53] \an5\pos(744.04,47.5)\t(5173.42,5613.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:30.23,0:00:35.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 54] \an5\pos(759.38,47.5)\t(4913.42,5353.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:00:30.23,0:00:35.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 55] \an5\pos(774.71,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:30.37,0:00:35.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 56] \an5\pos(789.39,47.5)\t(4873.42,5313.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:30.37,0:00:35.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 57] \an5\pos(809.56,47.5)\t(4923.42,5363.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:35.25,0:00:35.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 58] \an5\pos(839.01,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:00:35.25,0:00:35.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 59] \an5\pos(859.9,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:36.26,0:00:38.77,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 60] \an5\pos(482.95,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:00:36.45,0:00:38.82,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 61] \an5\pos(494.38,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:36.45,0:00:38.87,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 62] \an5\pos(510.73,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:36.45,0:00:38.92,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 63] \an5\pos(530.73,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:36.78,0:00:38.97,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 64] \an5\pos(565.34,47.5)\t(1753.42,2193.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:00:36.78,0:00:39.02,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 65] \an5\pos(591.39,47.5)\t(1803.42,2243.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:37.07,0:00:39.07,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 66] \an5\pos(621.13,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:37.07,0:00:39.12,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 67] \an5\pos(642.11,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:37.43,0:00:39.17,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 68] \an5\pos(671.05,47.5)\t(1303.42,1743.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:37.43,0:00:39.22,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 69] \an5\pos(691.21,47.5)\t(1353.42,1793.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:37.73,0:00:39.27,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 70] \an5\pos(711.54,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:37.73,0:00:39.32,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 71] \an5\pos(731.67,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:38.07,0:00:39.37,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 72] \an5\pos(746.72,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:38.89,0:00:39.42,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 73] \an5\pos(770.8,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:38.89,0:00:39.47,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 74] \an5\pos(791.59,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:39.15,0:00:42.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 75] \an5\pos(386.46,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:00:39.36,0:00:42.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 76] \an5\pos(397.89,47.5)\t(2663.42,3103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:39.36,0:00:42.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 77] \an5\pos(414.23,47.5)\t(2713.42,3153.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:39.36,0:00:42.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 78] \an5\pos(434.23,47.5)\t(2763.42,3203.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:39.65,0:00:42.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 79] \an5\pos(463.81,47.5)\t(2523.42,2963.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:39.65,0:00:42.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 80] \an5\pos(484.6,47.5)\t(2573.42,3013.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:39.97,0:00:42.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 81] \an5\pos(510.23,47.5)\t(2303.42,2743.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:39.97,0:00:42.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 82] \an5\pos(523.5,47.5)\t(2353.42,2793.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:39.97,0:00:42.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 83] \an5\pos(540.58,47.5)\t(2403.42,2843.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:40.28,0:00:42.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 84] \an5\pos(569.66,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:40.28,0:00:42.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 85] \an5\pos(589.79,47.5)\t(2193.42,2633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:40.45,0:00:42.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 86] \an5\pos(614.9,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:00:40.45,0:00:43.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 87] \an5\pos(640.01,47.5)\t(2123.42,2563.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:40.77,0:00:43.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 88] \an5\pos(657.13,47.5)\t(1853.42,2293.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:40.77,0:00:43.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 89] \an5\pos(674.24,47.5)\t(1903.42,2343.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:41.21,0:00:43.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 90] \an5\pos(694.99,47.5)\t(1513.42,1953.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:41.21,0:00:43.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 91] \an5\pos(715.74,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:41.63,0:00:43.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 92] \an5\pos(730.79,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:42.17,0:00:43.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 93] \an5\pos(759.91,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:00:42.17,0:00:43.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 94] \an5\pos(785.73,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:42.71,0:00:43.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 95] \an5\pos(811.55,47.5)\t(263.42,703.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:00:42.71,0:00:43.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 96] \an5\pos(837.37,47.5)\t(313.42,753.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:42.98,0:00:43.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 97] \an5\pos(866.91,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:42.98,0:00:43.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 98] \an5\pos(887.89,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:43.32,0:00:45.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 99] \an5\pos(528.21,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:00:43.32,0:00:45.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 100] \an5\pos(549.76,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:43.65,0:00:45.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 101] \an5\pos(570.13,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:43.65,0:00:45.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 102] \an5\pos(590.49,47.5)\t(1453.42,1893.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:43.82,0:00:45.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 103] \an5\pos(620.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:43.82,0:00:45.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 104] \an5\pos(635.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:44.12,0:00:45.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 105] \an5\pos(663.93,47.5)\t(1133.42,1573.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:00:44.12,0:00:45.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 106] \an5\pos(689.04,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:44.44,0:00:45.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 107] \an5\pos(718.29,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:45.31,0:00:45.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 108] \an5\pos(735.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:45.31,0:00:45.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 109] \an5\pos(752.56,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:46.66,0:00:49.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 110] \an5\pos(507.76,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}Z
Dialogue: 0,0:00:46.66,0:00:49.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 111] \an5\pos(528.55,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:46.96,0:00:49.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 112] \an5\pos(545.47,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:46.96,0:00:49.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 113] \an5\pos(558.73,47.5)\t(1783.42,2223.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:46.96,0:00:49.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 114] \an5\pos(575.85,47.5)\t(1833.42,2273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:47.31,0:00:49.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 115] \an5\pos(601.72,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:47.31,0:00:49.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 116] \an5\pos(618.6,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:47.54,0:00:49.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 117] \an5\pos(633.65,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:47.89,0:00:49.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 118] \an5\pos(648.16,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:47.89,0:00:49.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 119] \an5\pos(668.31,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:48.29,0:00:49.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 120] \an5\pos(685.39,47.5)\t(803.42,1243.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:48.29,0:00:49.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 121] \an5\pos(701.73,47.5)\t(853.42,1293.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:48.29,0:00:49.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 122] \an5\pos(721.73,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:49.15,0:00:49.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 123] \an5\pos(751.31,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:49.15,0:00:49.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 124] \an5\pos(772.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:49.37,0:00:53.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 125] \an5\pos(393.55,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}D
Dialogue: 0,0:00:49.37,0:00:53.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 126] \an5\pos(415.38,47.5)\t(3973.42,4413.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:49.57,0:00:53.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 127] \an5\pos(444.26,47.5)\t(3823.42,4263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:49.57,0:00:53.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 128] \an5\pos(464.59,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:49.86,0:00:53.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 129] \an5\pos(485.57,47.5)\t(3633.42,4073.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:49.86,0:00:53.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 130] \an5\pos(506.59,47.5)\t(3683.42,4123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:50.17,0:00:54.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 131] \an5\pos(536.08,47.5)\t(3423.42,3863.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:50.50,0:00:54.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 132] \an5\pos(552.96,47.5)\t(3143.42,3583.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:50.50,0:00:54.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 133] \an5\pos(569.84,47.5)\t(3193.42,3633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:50.66,0:00:54.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 134] \an5\pos(586.96,47.5)\t(3083.42,3523.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:50.66,0:00:54.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 135] \an5\pos(598.63,47.5)\t(3133.42,3573.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:50.96,0:00:54.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 136] \an5\pos(618.99,47.5)\t(2883.42,3323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:00:50.96,0:00:54.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 137] \an5\pos(644.81,47.5)\t(2933.42,3373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:51.41,0:00:54.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 138] \an5\pos(665.51,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:51.94,0:00:54.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 139] \an5\pos(689.66,47.5)\t(2053.42,2493.42,0.8,\fr-180)\blur3\fad(0,200)}j
Dialogue: 0,0:00:51.94,0:00:54.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 140] \an5\pos(704.86,47.5)\t(2103.42,2543.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:52.41,0:00:54.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 141] \an5\pos(734.36,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:52.41,0:00:54.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 142] \an5\pos(755.11,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:52.85,0:00:54.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 143] \an5\pos(770.16,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:53.22,0:00:54.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 144] \an5\pos(794.2,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:53.52,0:00:54.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 145] \an5\pos(823.99,47.5)\t(773.42,1213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:53.52,0:00:54.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 146] \an5\pos(844.78,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:54.30,0:00:54.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 147] \an5\pos(870.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:54.30,0:00:54.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 148] \an5\pos(887.53,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:54.60,0:00:56.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 149] \an5\pos(541.63,47.5)\t(1443.42,1883.42,0.8,\fr-180)\blur3\fad(0,200)}W
Dialogue: 0,0:00:54.60,0:00:56.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 150] \an5\pos(569.28,47.5)\t(1493.42,1933.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:54.85,0:00:56.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 151] \an5\pos(589.24,47.5)\t(1293.42,1733.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:54.85,0:00:56.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 152] \an5\pos(609.24,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:55.10,0:00:56.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 153] \an5\pos(626.4,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:55.10,0:00:56.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 154] \an5\pos(643.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:55.35,0:00:56.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 155] \an5\pos(664.66,47.5)\t(993.42,1433.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:55.35,0:00:56.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 156] \an5\pos(685.41,47.5)\t(1043.42,1483.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:55.60,0:00:56.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 157] \an5\pos(700.45,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:56.40,0:00:56.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 158] \an5\pos(724.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:00:56.40,0:00:56.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 159] \an5\pos(745.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:56.73,0:01:00.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 160] \an5\pos(391.33,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}A
Dialogue: 0,0:00:56.83,0:01:00.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 161] \an5\pos(413.55,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:56.83,0:01:00.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 162] \an5\pos(434.53,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:57.10,0:01:00.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 163] \an5\pos(464.25,47.5)\t(3243.42,3683.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:57.10,0:01:00.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 164] \an5\pos(479.53,47.5)\t(3293.42,3733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:58.16,0:01:00.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 165] \an5\pos(503.58,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:58.16,0:01:00.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 166] \an5\pos(518.88,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:58.31,0:01:00.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 167] \an5\pos(542.42,47.5)\t(2233.42,2673.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:00:58.31,0:01:01.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 168] \an5\pos(562.91,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:58.31,0:01:01.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 169] \an5\pos(578.19,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:58.81,0:01:01.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 170] \an5\pos(592.87,47.5)\t(1883.42,2323.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:58.81,0:01:01.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 171] \an5\pos(613,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:59.12,0:01:01.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 172] \an5\pos(629.88,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:59.12,0:01:01.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 173] \an5\pos(643.15,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:59.12,0:01:01.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 174] \an5\pos(660.03,47.5)\t(1773.42,2213.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:59.41,0:01:01.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 175] \an5\pos(689.44,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:00:59.41,0:01:01.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 176] \an5\pos(710.09,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:59.66,0:01:01.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 177] \an5\pos(730.23,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:59.66,0:01:01.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 178] \an5\pos(750.4,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:00.08,0:01:01.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 179] \an5\pos(770.4,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:00.08,0:01:01.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 180] \an5\pos(790.59,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:00.21,0:01:01.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 181] \an5\pos(810.96,47.5)\t(1033.42,1473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:00.21,0:01:01.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 182] \an5\pos(831.13,47.5)\t(1083.42,1523.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:01.25,0:01:01.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 183] \an5\pos(865.03,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:01.25,0:01:01.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 184] \an5\pos(890.14,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:01.83,0:01:07.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 185] \an5\pos(344.2,47.5)\t(5063.42,5503.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:01.98,0:01:07.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 186] \an5\pos(364.56,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:01.98,0:01:07.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 187] \an5\pos(390.38,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:02.31,0:01:07.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 188] \an5\pos(424.95,47.5)\t(4733.42,5173.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:02.31,0:01:07.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 189] \an5\pos(451.01,47.5)\t(4783.42,5223.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:02.79,0:01:07.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 190] \an5\pos(485.81,47.5)\t(4353.42,4793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:02.79,0:01:07.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 191] \an5\pos(511.67,47.5)\t(4403.42,4843.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:03.00,0:01:07.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 192] \an5\pos(532.46,47.5)\t(4243.42,4683.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:03.00,0:01:07.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 193] \an5\pos(553.41,47.5)\t(4293.42,4733.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:03.27,0:01:07.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 194] \an5\pos(583.1,47.5)\t(4073.42,4513.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:03.27,0:01:07.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 195] \an5\pos(604.09,47.5)\t(4123.42,4563.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:03.68,0:01:07.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 196] \an5\pos(633.8,47.5)\t(3763.42,4203.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:05.81,0:01:07.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 197] \an5\pos(654.17,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:05.81,0:01:07.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 198] \an5\pos(674.34,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:05.97,0:01:08.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 199] \an5\pos(703.27,47.5)\t(1623.42,2063.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:05.97,0:01:08.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 200] \an5\pos(723.4,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:06.13,0:01:08.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 201] \an5\pos(743.53,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:06.13,0:01:08.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 202] \an5\pos(763.66,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:06.27,0:01:08.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 203] \an5\pos(784.36,47.5)\t(1523.42,1963.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:06.89,0:01:08.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 204] \an5\pos(801.44,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:06.89,0:01:08.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 205] \an5\pos(818.32,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:07.37,0:01:08.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 206] \an5\pos(852.89,47.5)\t(573.42,1013.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:07.37,0:01:08.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 207] \an5\pos(878.71,47.5)\t(623.42,1063.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:07.95,0:01:08.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 208] \an5\pos(904.53,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:07.95,0:01:08.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 209] \an5\pos(930.35,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:08.23,0:01:10.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 210] \an5\pos(396.78,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:01:08.23,0:01:10.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 211] \an5\pos(413.23,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:08.37,0:01:10.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 212] \an5\pos(428.56,47.5)\t(1943.42,2383.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:08.37,0:01:10.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 213] \an5\pos(443.9,47.5)\t(1993.42,2433.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:08.59,0:01:10.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 214] \an5\pos(458.58,47.5)\t(1823.42,2263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:08.59,0:01:10.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 215] \an5\pos(478.75,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:09.14,0:01:10.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 216] \an5\pos(507.5,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:09.14,0:01:11.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 217] \an5\pos(527.7,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:09.14,0:01:11.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 218] \an5\pos(548.66,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:09.52,0:01:11.10,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 219] \an5\pos(569.69,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:09.52,0:01:11.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 220] \an5\pos(590.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:09.80,0:01:11.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 221] \an5\pos(620.45,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:09.80,0:01:11.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 222] \an5\pos(635.74,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:09.98,0:01:11.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 223] \an5\pos(664.86,47.5)\t(883.42,1323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:09.98,0:01:11.35,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 224] \an5\pos(685.23,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:10.13,0:01:11.40,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 225] \an5\pos(709.26,47.5)\t(833.42,1273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:10.31,0:01:11.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 226] \an5\pos(744.06,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:10.31,0:01:11.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 227] \an5\pos(769.88,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:10.55,0:01:11.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 228] \an5\pos(790.02,47.5)\t(563.42,1003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:10.55,0:01:11.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 229] \an5\pos(810.15,47.5)\t(613.42,1053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:10.94,0:01:11.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 230] \an5\pos(830.11,47.5)\t(273.42,713.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:10.94,0:01:11.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 231] \an5\pos(850.27,47.5)\t(323.42,763.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:11.22,0:01:11.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 232] \an5\pos(867.34,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:11.22,0:01:11.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 233] \an5\pos(884.42,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:11.56,0:01:13.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 234] \an5\pos(507.78,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:01:11.56,0:01:13.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 235] \an5\pos(529.09,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:11.71,0:01:13.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 236] \an5\pos(549.84,47.5)\t(1093.42,1533.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:11.71,0:01:13.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 237] \an5\pos(570.59,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:11.90,0:01:13.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 238] \an5\pos(591.38,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:11.90,0:01:13.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 239] \an5\pos(612.37,47.5)\t(1053.42,1493.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:12.04,0:01:13.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 240] \an5\pos(629.68,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:12.04,0:01:13.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 241] \an5\pos(646.84,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:12.20,0:01:13.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 242] \an5\pos(681.45,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:12.20,0:01:13.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 243] \an5\pos(707.46,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:12.51,0:01:13.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 244] \an5\pos(724.77,47.5)\t(693.42,1133.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:12.51,0:01:13.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 245] \an5\pos(742.13,47.5)\t(743.42,1183.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:13.21,0:01:13.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 246] \an5\pos(763.15,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:13.21,0:01:13.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 247] \an5\pos(778.48,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}ī
Dialogue: 0,0:01:13.48,0:01:17.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 248] \an5\pos(344.23,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:01:13.48,0:01:17.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 249] \an5\pos(360.09,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:13.64,0:01:17.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 250] \an5\pos(380.46,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:13.64,0:01:17.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 251] \an5\pos(400.83,47.5)\t(3403.42,3843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:13.79,0:01:17.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 252] \an5\pos(424.88,47.5)\t(3303.42,3743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:13.79,0:01:17.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 253] \an5\pos(445.86,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:14.29,0:01:17.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 254] \an5\pos(480.66,47.5)\t(2903.42,3343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:14.29,0:01:17.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 255] \an5\pos(506.52,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:14.56,0:01:17.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 256] \an5\pos(527.31,47.5)\t(2733.42,3173.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:14.56,0:01:17.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 257] \an5\pos(548.26,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:14.93,0:01:17.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 258] \an5\pos(577.95,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:14.93,0:01:17.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 259] \an5\pos(598.94,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:15.21,0:01:17.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 260] \an5\pos(628.67,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:15.21,0:01:17.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 261] \an5\pos(649.42,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:15.56,0:01:18.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 262] \an5\pos(669.55,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:15.56,0:01:18.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 263] \an5\pos(689.69,47.5)\t(2083.42,2523.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:15.72,0:01:18.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 264] \an5\pos(719.23,47.5)\t(1973.42,2413.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:15.72,0:01:18.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 265] \an5\pos(740.21,47.5)\t(2023.42,2463.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:16.00,0:01:18.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 266] \an5\pos(770.78,47.5)\t(1793.42,2233.42,0.8,\fr-180)\blur3\fad(0,200)}R
Dialogue: 0,0:01:16.00,0:01:18.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 267] \an5\pos(792.6,47.5)\t(1843.42,2283.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:16.34,0:01:18.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 268] \an5\pos(812.76,47.5)\t(1553.42,1993.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:16.34,0:01:18.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 269] \an5\pos(832.95,47.5)\t(1603.42,2043.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:16.34,0:01:18.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 270] \an5\pos(853.94,47.5)\t(1653.42,2093.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:17.88,0:01:18.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 271] \an5\pos(874.69,47.5)\t(163.42,603.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:17.88,0:01:18.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 272] \an5\pos(895.44,47.5)\t(213.42,653.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:18.05,0:01:18.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 273] \an5\pos(915.94,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:01:18.05,0:01:18.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 274] \an5\pos(936.38,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:18.43,0:01:20.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 275] \an5\pos(405.63,47.5)\t(1863.42,2303.42,0.8,\fr-180)\blur3\fad(0,200)}N
Dialogue: 0,0:01:18.43,0:01:20.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 276] \an5\pos(427.86,47.5)\t(1913.42,2353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:18.52,0:01:20.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 277] \an5\pos(444.98,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:18.52,0:01:20.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 278] \an5\pos(462.09,47.5)\t(1923.42,2363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:18.82,0:01:20.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 279] \an5\pos(482.05,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:18.82,0:01:20.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 280] \an5\pos(502.21,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:19.17,0:01:21.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 281] \an5\pos(530.42,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:01:19.17,0:01:21.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 282] \an5\pos(549.88,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:19.26,0:01:21.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 283] \an5\pos(570.83,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:19.46,0:01:21.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 284] \an5\pos(591.04,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:19.46,0:01:21.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 285] \an5\pos(611.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:19.46,0:01:21.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 286] \an5\pos(626.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:19.67,0:01:21.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 287] \an5\pos(641.81,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:20.03,0:01:21.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 288] \an5\pos(670.08,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:01:20.03,0:01:21.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 289] \an5\pos(689.54,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:20.03,0:01:21.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 290] \an5\pos(710.48,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:20.25,0:01:21.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 291] \an5\pos(727.85,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:20.25,0:01:21.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 292] \an5\pos(745.16,47.5)\t(893.42,1333.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:20.33,0:01:21.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 293] \an5\pos(760.41,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:20.56,0:01:21.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 294] \an5\pos(784.44,47.5)\t(683.42,1123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:20.79,0:01:21.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 295] \an5\pos(810.49,47.5)\t(503.42,943.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:20.79,0:01:21.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 296] \an5\pos(836.55,47.5)\t(553.42,993.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:21.10,0:01:21.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 297] \an5\pos(851.83,47.5)\t(293.42,733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:21.30,0:01:21.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 298] \an5\pos(875.86,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:21.78,0:01:23.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 299] \an5\pos(510.08,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}S
Dialogue: 0,0:01:21.78,0:01:23.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 300] \an5\pos(531.84,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:21.93,0:01:23.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 301] \an5\pos(549.2,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:21.93,0:01:23.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 302] \an5\pos(566.31,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:22.07,0:01:23.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 303] \an5\pos(595.81,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:22.07,0:01:23.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 304] \an5\pos(616.8,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:22.25,0:01:23.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 305] \an5\pos(645.91,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:22.25,0:01:23.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 306] \an5\pos(666.05,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:22.39,0:01:23.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 307] \an5\pos(686.8,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:22.39,0:01:23.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 308] \an5\pos(707.55,47.5)\t(1073.42,1513.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:22.69,0:01:23.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 309] \an5\pos(724.43,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:22.69,0:01:24.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 310] \an5\pos(741.31,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:23.47,0:01:24.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 311] \an5\pos(770.76,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:23.85,0:01:28.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 312] \an5\pos(429.28,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}T
Dialogue: 0,0:01:23.85,0:01:28.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 313] \an5\pos(449.57,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:23.99,0:01:28.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 314] \an5\pos(469.94,47.5)\t(3913.42,4353.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:23.99,0:01:28.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 315] \an5\pos(490.11,47.5)\t(3963.42,4403.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:24.80,0:01:28.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 316] \an5\pos(515.78,47.5)\t(3203.42,3643.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:24.80,0:01:28.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 317] \an5\pos(532.9,47.5)\t(3253.42,3693.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:25.15,0:01:28.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 318] \an5\pos(553.27,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:25.15,0:01:28.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 319] \an5\pos(573.44,47.5)\t(3003.42,3443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:25.42,0:01:28.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 320] \an5\pos(597.27,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:25.77,0:01:28.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 321] \an5\pos(608.7,47.5)\t(2483.42,2923.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:25.77,0:01:28.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 322] \an5\pos(625.05,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:25.77,0:01:28.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 323] \an5\pos(645.05,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:25.94,0:01:28.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 324] \an5\pos(679.66,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:25.94,0:01:28.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 325] \an5\pos(705.48,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:26.24,0:01:28.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 326] \an5\pos(726.27,47.5)\t(2263.42,2703.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:26.24,0:01:28.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 327] \an5\pos(747.25,47.5)\t(2313.42,2753.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:26.51,0:01:29.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 328] \an5\pos(776.98,47.5)\t(2093.42,2533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:26.51,0:01:29.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 329] \an5\pos(797.97,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:28.61,0:01:29.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 330] \an5\pos(823.98,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:28.61,0:01:29.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 331] \an5\pos(850.04,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:28.76,0:01:30.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 332] \an5\pos(520.6,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:01:28.95,0:01:30.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 333] \an5\pos(547.3,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:28.95,0:01:30.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 334] \an5\pos(572.41,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:29.09,0:01:30.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 335] \an5\pos(589.52,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:29.09,0:01:30.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 336] \an5\pos(601.19,47.5)\t(983.42,1423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:29.45,0:01:30.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 337] \an5\pos(625.23,47.5)\t(673.42,1113.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:29.45,0:01:30.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 338] \an5\pos(645.98,47.5)\t(723.42,1163.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:29.58,0:01:30.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 339] \an5\pos(666.73,47.5)\t(643.42,1083.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:29.91,0:01:30.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 340] \an5\pos(683.87,47.5)\t(363.42,803.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:29.91,0:01:30.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 341] \an5\pos(700.95,47.5)\t(413.42,853.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:30.07,0:01:30.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 342] \an5\pos(730.64,47.5)\t(303.42,743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:30.07,0:01:30.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 343] \an5\pos(751.39,47.5)\t(353.42,793.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:30.33,0:01:30.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 344] \an5\pos(766.44,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:30.70,0:01:34.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 345] \an5\pos(415.91,47.5)\t(2993.42,3433.42,0.8,\fr-180)\blur3\fad(0,200)}B
Dialogue: 0,0:01:30.70,0:01:34.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 346] \an5\pos(437.7,47.5)\t(3043.42,3483.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:31.02,0:01:34.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 347] \an5\pos(458.07,47.5)\t(2773.42,3213.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:31.02,0:01:34.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 348] \an5\pos(478.24,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:31.34,0:01:34.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 349] \an5\pos(495.16,47.5)\t(2553.42,2993.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:31.34,0:01:34.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 350] \an5\pos(512.05,47.5)\t(2603.42,3043.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:31.65,0:01:34.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 351] \an5\pos(532.3,47.5)\t(2343.42,2783.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:01:31.65,0:01:34.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 352] \an5\pos(552.78,47.5)\t(2393.42,2833.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:31.65,0:01:34.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 353] \an5\pos(568.06,47.5)\t(2443.42,2883.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:32.77,0:01:34.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 354] \an5\pos(592.11,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:32.77,0:01:34.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 355] \an5\pos(613.09,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:33.13,0:01:34.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 356] \an5\pos(647.9,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:33.13,0:01:34.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 357] \an5\pos(673.95,47.5)\t(1163.42,1603.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:33.42,0:01:34.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 358] \an5\pos(694.94,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:33.42,0:01:34.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 359] \an5\pos(715.92,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:33.58,0:01:34.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 360] \an5\pos(736.95,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:33.58,0:01:34.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 361] \an5\pos(757.73,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:33.88,0:01:34.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 362] \an5\pos(774.62,47.5)\t(663.42,1103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:33.88,0:01:35.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 363] \an5\pos(791.5,47.5)\t(713.42,1153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:34.20,0:01:35.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 364] \an5\pos(808.62,47.5)\t(443.42,883.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:34.20,0:01:35.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 365] \an5\pos(820.28,47.5)\t(493.42,933.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:34.65,0:01:35.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 366] \an5\pos(844.37,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:34.65,0:01:35.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 367] \an5\pos(865.16,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:35.01,0:01:39.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 368] \an5\pos(505.97,47.5)\t(4463.42,4903.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:01:35.35,0:01:39.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 369] \an5\pos(528.05,47.5)\t(4173.42,4613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:35.35,0:01:40.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 370] \an5\pos(549.08,47.5)\t(4223.42,4663.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:35.67,0:01:40.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 371] \an5\pos(569.45,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:35.67,0:01:40.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 372] \an5\pos(584.13,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:35.85,0:01:40.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 373] \an5\pos(599.46,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:35.85,0:01:40.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 374] \an5\pos(620.25,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:36.18,0:01:40.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 375] \an5\pos(640.21,47.5)\t(3643.42,4083.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:36.18,0:01:40.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 376] \an5\pos(660.41,47.5)\t(3693.42,4133.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:36.18,0:01:40.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 377] \an5\pos(675.69,47.5)\t(3743.42,4183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:36.48,0:01:40.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 378] \an5\pos(687.12,47.5)\t(3493.42,3933.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:36.48,0:01:40.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 379] \an5\pos(704,47.5)\t(3543.42,3983.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:36.75,0:01:40.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 380] \an5\pos(724.75,47.5)\t(3323.42,3763.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:40.03,0:01:40.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 381] \an5\pos(754.54,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:40.03,0:01:40.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 382] \an5\pos(775.33,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:41.39,0:01:44.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 383] \an5\pos(574.43,47.5)\t(2813.42,3253.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:01:41.39,0:01:44.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 384] \an5\pos(590.88,47.5)\t(2863.42,3303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:41.72,0:01:44.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 385] \an5\pos(606.21,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:41.72,0:01:44.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 386] \an5\pos(621.55,47.5)\t(2633.42,3073.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:41.89,0:01:44.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 387] \an5\pos(636.23,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:41.89,0:01:44.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 388] \an5\pos(656.4,47.5)\t(2563.42,3003.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:44.41,0:01:44.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 389] \an5\pos(685.84,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:01:44.41,0:01:44.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 390] \an5\pos(706.73,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:23:56.48,0:23:58.48,next,,0,0,0,,
Dialogue: 0,0:22:09.52,0:22:16.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}شكرًا لكم على طيب المتابعة
Dialogue: 0,0:22:16.50,0:22:23.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}عذب الخيال
Dialogue: 0,0:22:16.50,0:22:23.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(1081,116.8)}Twitter: @athbulkhayual
Dialogue: 0,0:22:16.50,0:22:23.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(241.4,717.8)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:22:24.15,0:22:27.53,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k43}De{\k41}a{\k25}tta {\k45}ko{\k23}ro {\k21}wa {\k40}da{\k26}re{\k21}ni{\k46}mo
Comment: 0,0:22:27.62,0:22:31.87,ED-Romaji,,0,0,0,,{\blur3}{\k13}{\2c&H606CEB&\t(783,1283,\2c&HC3A7EF&\t(3536,4036,\2c&HE3AE58&))}{\k26}Yo{\k41}so{\k23}ku {\k18}fu{\k44}ka{\k23}no{\k20}u{\k44}na {\k26}te{\k21}n{\k67}ka{\k59}i
Comment: 0,0:22:32.70,0:22:36.88,ED-Romaji,,0,0,0,,{\blur3}{\k11}{\k46}Uso {\k17}mi{\k29}ta{\k14}i{\k19}da {\k116}ne{\k68} {\k98}Yeah
Comment: 0,0:22:38.22,0:22:41.71,ED-Romaji,,0,0,0,,{\blur3}{\k12}{\k34}Guu{\k33}ze{\k21}n {\k22}ba{\k49}ka{\k32}ri {\k48}ja{\k21}na{\k28}ku{\k49}te
Comment: 0,0:22:41.71,0:22:44.65,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k9}Hi{\k29}to{\k15}tus {\k31}ta{\k30}shi{\k44}ka{\k46}na {\k44}no {\k39}wa
Comment: 0,0:22:44.65,0:22:50.55,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k85}Bo{\k26}ku{\k153}ra {\k22}o{\k22}to {\k21}ni {\k14}a{\k55}tsu{\k45}ma{\k140}tta
Comment: 0,0:22:50.90,0:22:57.42,ED-Romaji 3,,0,0,0,,{\blur3}{\k11}{\k43}So{\k54}re{\k54}zo{\k80}re {\k196}no {\k53}ka{\k52}ra{\k53}a {\k56}de
Comment: 0,0:22:57.42,0:22:58.75,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k27}Hi{\k17}bi{\k25}ki {\k25}a{\k17}e{\k15}be
Comment: 0,0:22:58.75,0:23:05.03,ED-Romaji,,0,0,0,,{\blur3}{\k8}{\k177}Ki{\k89}tto {\k21}ni{\k25}ji {\k20}ni {\k20}mu{\k180}kou {\k88}e
Comment: 0,0:23:05.03,0:23:09.40,ED-Romaji,,0,0,0,,{\blur3}{\k22}ki{\k22}mi {\k22}ga {\k23}i{\k85}re{\k89}ba {\k46}e{\k10}ga{\k10}i{\k28}te{\k16}ta {\k22}yu{\k42}me
Comment: 0,0:23:09.40,0:23:12.90,ED-Romaji,,0,0,0,,{\blur3}{\k32}Ta{\k14}shi{\k25}ka{\k30}na {\k11}mi{\k11}ra{\k8}i {\k45}ni {\k46}ka{\k44}wa{\k45}tte {\k39}ku
Comment: 0,0:23:12.90,0:23:19.12,ED-Romaji,,0,0,0,,{\blur3}{\k158}I{\k24}tsu{\k87}ka {\k25}ma{\k17}na{\k26}tsu {\k10}no {\k15}hi{\k175}ka{\k85}ri
Comment: 0,0:23:19.12,0:23:24.84,ED-Romaji,,0,0,0,,{\blur3}{\k13}Ka{\k32}sa{\k23}na{\k21}ri{\k88}a{\k89}tte {\k42}ka{\k47}na{\k46}de{\k40}ru {\k131}no
Comment: 0,0:23:24.84,0:23:27.17,ED-Romaji,,0,0,0,,{\blur3}{\k47}Kii{\k47}te {\k41}i{\k98}te
Comment: 0,0:23:27.17,0:23:30.30,ED-Romaji,,0,0,0,,{\blur3}{\k58}Play {\k19}the {\k236}music
Dialogue: 0,0:22:24.15,0:22:27.53,ED-Arabic,,0,0,0,,{\blur3}عندما التقينا
Dialogue: 0,0:22:27.62,0:22:31.87,ED-Arabic,,0,0,0,,{\blur3}كان الأمر غير متوقع
Dialogue: 0,0:22:32.70,0:22:36.88,ED-Arabic,,0,0,0,,{\blur3}كان يبدو وكأنه كذبة، أجل
Dialogue: 0,0:22:38.22,0:22:41.71,ED-Arabic,,0,0,0,,{\blur3}لم تكن مجرد مصادفة
Dialogue: 0,0:22:41.71,0:22:44.65,ED-Arabic,,0,0,0,,{\blur3}الأمر المؤكد هو
Dialogue: 0,0:22:44.65,0:22:50.55,ED-Arabic,,0,0,0,,{\blur3}أن الموسيقى جمعتنا
Dialogue: 0,0:22:50.90,0:22:57.42,ED-Arabic,,0,0,0,,{\blur3}يتردد صدى موسيقانا معًا
Dialogue: 0,0:22:57.42,0:22:58.75,ED-Arabic,,0,0,0,,{\blur3}حاملاً معه ألواننا
Dialogue: 0,0:22:58.75,0:23:05.03,ED-Arabic,,0,0,0,,{\blur3}لننطلق ونتجاوز الطيف
Dialogue: 0,0:23:05.03,0:23:09.40,ED-Arabic,,0,0,0,,{\blur3}إذا كنت معي فإن الحلم الذي طالما حلمت به
Dialogue: 0,0:23:09.40,0:23:12.90,ED-Arabic,,0,0,0,,{\blur3}سيتحقق في الغد بكل تأكيد
Dialogue: 0,0:23:12.90,0:23:19.12,ED-Arabic,,0,0,0,,{\blur3}يومًا ما ستتداخل الألوان السبعة ببعضها
Dialogue: 0,0:23:19.12,0:23:24.84,ED-Arabic,,0,0,0,,{\blur3}وتنسجم معًا
Dialogue: 0,0:23:24.84,0:23:27.17,ED-Arabic,,0,0,0,,{\blur3}لذا أرجوك اسمعي
Dialogue: 0,0:23:27.17,0:23:30.30,ED-Arabic,,0,0,0,,{\blur3}اعزفي الموسيقى
Dialogue: 0,0:23:58.48,0:24:00.48,next,,0,0,0,,
Dialogue: 0,0:23:56.37,0:23:58.37,next,,0,0,0,,