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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:14.62,0:00:16.78,Signs-0,,0,0,0,,{\c&H675958&\pos(653.333,234.667)}!تصفيات البطولة الوطنية
Dialogue: 0,0:00:23.16,0:00:28.37,Default,,0,0,0,,.أنا آسفة يا تاكيزو، لم نتمكن من التأهل إلى البطولة الوطنية
Dialogue: 0,0:00:34.20,0:00:36.41,Default,,0,0,0,,.أنا أعلم
Dialogue: 0,0:00:38.50,0:00:40.91,Default,,0,0,0,,...منذ ذلك اليوم
Dialogue: 0,0:00:40.91,0:00:42.87,Default,,0,0,0,,...مضى عام كامل
Dialogue: 0,0:02:14.29,0:02:19.12,ep,,0,0,0,,{\fad(500,500)\fscx98\fscy139}الحلقة 22: صباح المواجهة
Dialogue: 0,0:02:14.29,0:02:15.58,Default,,0,0,0,,!صباح الخير
Dialogue: 0,0:02:16.11,0:02:17.37,Default,,0,0,0,,!صباح الخير
Dialogue: 0,0:02:17.37,0:02:20.12,Default -up,,0,0,0,,.وجبة الإفطار اليوم فاخرة
Dialogue: 0,0:02:20.12,0:02:24.33,Default,,0,0,0,,!لأن اليوم ستقام تصفيات البطولة الوطنية\N!يجب أن تكون على استعداد
Dialogue: 0,0:02:24.33,0:02:26.66,Default,,0,0,0,,.سأذهب لسماع أدائك
Dialogue: 0,0:02:27.50,0:02:29.29,Default,,0,0,0,,ماذا؟ ألا تريد مني الذهاب؟
Dialogue: 0,0:02:29.29,0:02:31.54,Default,,0,0,0,,...لم أقصد هذا، لكن
Dialogue: 0,0:02:31.54,0:02:36.08,Default,,0,0,0,,،أعلم أنك كنت تعمل بجد منذ الصباح الباكر حتى وقت متأخر من الليل
Dialogue: 0,0:02:36.08,0:02:39.75,Default,,0,0,0,,.بالإضافة إلى أنني لم أسمع أداءك من قبل
Dialogue: 0,0:02:39.75,0:02:42.12,Default,,0,0,0,,.سأذهب مع أبيك لتشجيعك
Dialogue: 0,0:02:42.12,0:02:43.37,Default,,0,0,0,,!أبي أيضًا؟
Dialogue: 0,0:02:43.37,0:02:46.33,Default,,0,0,0,,.أنا سعيدة لأن التصفيات في يوم الأحد
Dialogue: 0,0:02:46.33,0:02:49.12,Default,,0,0,0,,.لا خطط لدي اليوم، لكن لن أذهب
Dialogue: 0,0:02:49.12,0:02:50.66,Default,,0,0,0,,!كفى يا تاكيرو
Dialogue: 0,0:02:50.66,0:02:56.04,Default,,0,0,0,,.لكن إذا تمكنتم بطريقة ما من الوصول إلى البطولة الوطنية سأذهب حينها
Dialogue: 0,0:02:57.29,0:02:59.33,Default,,0,0,0,,.شكرًا لك يا تاكيرو
Dialogue: 0,0:03:02.91,0:03:04.62,Default,,0,0,0,,!كوروسو-سان؟
Dialogue: 0,0:03:05.75,0:03:08.50,Default,,0,0,0,,ماذا هناك؟ هل حدث أمرٌ ما؟
Dialogue: 0,0:03:08.50,0:03:11.33,Default,,0,0,0,,يفترض أن نلتقي اليوم عند المحطة القريبة من المسرح، أليس كذلك؟
Dialogue: 0,0:03:11.87,0:03:13.04,Default,,0,0,0,,...في الواقع
Dialogue: 0,0:03:13.04,0:03:17.41,Default,,0,0,0,,إذا لم يكن لديك مانع... هل بالإمكان أن نذهب معًا اليوم؟
Dialogue: 0,0:03:17.41,0:03:22.33,Default,,0,0,0,,.من شدة توتري أخشى أن أخطئ في القطار
Dialogue: 0,0:03:22.33,0:03:23.91,Default,,0,0,0,,.أمهليني قليلاً
Dialogue: 0,0:03:25.79,0:03:26.91,Default,,0,0,0,,.خذيه
Dialogue: 0,0:03:26.91,0:03:28.58,Default,,0,0,0,,!يداكِ
Dialogue: 0,0:03:28.58,0:03:31.25,Default,,0,0,0,,!باردتان للغاية! منذ متى وأنتِ تنتظرين؟
Dialogue: 0,0:03:31.25,0:03:33.79,Default,,0,0,0,,!لـ-لم يطل انتظاري
Dialogue: 0,0:03:33.79,0:03:37.33,Default,,0,0,0,,.ماذا؟ يداك أيضًا باردتان
Dialogue: 0,0:03:39.33,0:03:42.62,Default,,0,0,0,,.في الحقيقة، أنا أيضًا أشعر بالتوتر منذ البارحة
Dialogue: 0,0:03:42.62,0:03:47.79,Default,,0,0,0,,.لذا أشعر بالاطمئنان قليلاً الآن لوجودك
Dialogue: 0,0:03:47.79,0:03:48.95,Default,,0,0,0,,.لنذهب
Dialogue: 0,0:03:50.25,0:03:53.87,Default,,0,0,0,,تشيكا، ألم تنسَ شيئًا؟ هل أخذت معك ريشاتك؟
Dialogue: 0,0:03:53.87,0:03:57.79,Default,,0,0,0,,ومن قد ينسى ريشاته وهو ذاهب للعزف؟
Dialogue: 0,0:03:57.79,0:04:00.00,Default,,0,0,0,,.أكثر مما تعتقد
Dialogue: 0,0:04:00.00,0:04:02.50,Default,,0,0,0,,.صحيح، سآتي مع تاكاوكا-كن لسماع أدائك اليوم
Dialogue: 0,0:04:03.05,0:04:04.87,Default,,0,0,0,,مع تيتسوكي؟ لماذا؟
Dialogue: 0,0:04:04.87,0:04:07.62,Default,,0,0,0,,،لأنني سمعت أنه ذاهب أيضًا
Dialogue: 0,0:04:07.62,0:04:11.50,Default,,0,0,0,,.لذا فكرت في أخذه معي... بالقوة
Dialogue: 0,0:04:11.50,0:04:13.75,Default,,0,0,0,,هل تحاولين قتل تيتسوكي؟
Dialogue: 0,0:04:14.87,0:04:16.45,Default,,0,0,0,,.أنا ذاهب
Dialogue: 0,0:04:16.45,0:04:17.58,Default,,0,0,0,,!تشيكا
Dialogue: 0,0:04:18.79,0:04:21.79,Default,,0,0,0,,!انتزع التذكرة للبطولة الوطنية
Dialogue: 0,0:04:24.83,0:04:27.45,Default,,0,0,0,,!سأفعل بالتأكيد يا غبية
Dialogue: 0,0:04:33.44,0:04:34.95,Signs-0,,0,0,0,,{\fscx83\fscy70\c&H43A3BE&\pos(609.334,461.334)}مجموعة كاو
Dialogue: 0,0:04:38.12,0:04:40.45,Default,,0,0,0,,...الجائزة من نصيب
Dialogue: 0,0:04:40.45,0:04:42.66,Default,,0,0,0,,...من محافظة كاناغاوا...
Dialogue: 0,0:04:42.66,0:04:45.29,Default,,0,0,0,,.ثانوية هاكوتو...
Dialogue: 0,0:04:52.70,0:04:56.29,Default,,0,0,0,,.كازوسا تبدو متوترة على غير العادة
Dialogue: 0,0:04:58.16,0:04:59.58,Default,,0,0,0,,ماذا بك يا نيني؟
Dialogue: 0,0:04:59.58,0:05:02.91,Default,,0,0,0,,!اسمعي! ستحصلين على المركز الأول
Dialogue: 0,0:05:03.83,0:05:05.75,Default,,0,0,0,,!اسأليني لماذا
Dialogue: 0,0:05:05.75,0:05:07.58,Default,,0,0,0,,لـ-لماذا؟
Dialogue: 0,0:05:07.58,0:05:10.45,Default,,0,0,0,,!لأنني سأشجعك
Dialogue: 0,0:05:12.58,0:05:16.00,Default,,0,0,0,,!يا لك من ملاك! شكرًا يا نيني
Dialogue: 0,0:05:17.16,0:05:20.50,Default,,0,0,0,,.يستحيل أن أخسر
Dialogue: 0,0:05:20.50,0:05:23.66,Default,,0,0,0,,!سآخذك إلى البطولة الوطنية بكل تأكيد
Dialogue: 0,0:05:23.66,0:05:29.75,Default,,0,0,0,,أجل يا كازوسا\N.نحن مدرسة هيميساكا لن نخسر ثانية
Dialogue: 0,0:05:31.41,0:05:36.08,Default,,0,0,0,,!هيا يا ميو! وصلت الحافلة إلى المدرسة
Dialogue: 0,0:05:36.08,0:05:37.12,Default,,0,0,0,,...ليس بعد
Dialogue: 0,0:05:38.00,0:05:42.20,Default,,0,0,0,,،هذا ليس كافيًا\N.أحتاج إلى شحن طاقتي
Dialogue: 0,0:05:42.20,0:05:43.87,Default,,0,0,0,,!ميو
Dialogue: 0,0:05:43.87,0:05:48.41,Default,,0,0,0,,!مرحبًا! سوزوموري! كانزاكي\N.وجدتكما! الحمد لله
Dialogue: 0,0:05:48.41,0:05:51.87,Default,,0,0,0,,.يا أستاذ، ميو يقول إنه لن يأتي الآن
Dialogue: 0,0:05:52.60,0:05:54.20,Default,,0,0,0,,لماذا؟
Dialogue: 0,0:05:54.20,0:05:55.95,Default,,0,0,0,,.البناء الضوئي
Dialogue: 0,0:05:55.95,0:06:00.37,Default,,0,0,0,,هكذا إذن، البناء الضوئي؟\N.فكرة جيدة! سأفعل هذا أنا أيضًا
Dialogue: 0,0:06:02.72,0:06:05.41,Default,,0,0,0,,!إنه شعور لطيف يا كانزاكي
Dialogue: 0,0:06:05.41,0:06:08.70,Default,,0,0,0,,.يبدو أنك تحظى بالمتعة اليوم أيضًا
Dialogue: 0,0:06:08.70,0:06:10.70,Default,,0,0,0,,!أجل! أنا مستمتع
Dialogue: 0,0:06:10.70,0:06:13.66,Default,,0,0,0,,!لأنه حان وقت تصفيات البطولة الوطنية أخيرًا
Dialogue: 0,0:06:13.66,0:06:18.54,Default,,0,0,0,,!كنت متحمسًا لها منذ أشهر
Dialogue: 0,0:06:18.54,0:06:20.04,Default,,0,0,0,,.هذا مذهل
Dialogue: 0,0:06:20.04,0:06:25.16,Default,,0,0,0,,.فأنا لم أتمكن من الذهاب إلى المهرجان الموسيقي بسبب الإنفلونزا
Dialogue: 0,0:06:25.16,0:06:26.37,Default,,0,0,0,,حقًا؟
Dialogue: 0,0:06:26.37,0:06:28.62,Default,,0,0,0,,!ألا تذكر؟
Dialogue: 0,0:06:28.62,0:06:30.37,Default,,0,0,0,,...لكن حقًا
Dialogue: 0,0:06:30.37,0:06:35.16,Default,,0,0,0,,.شكرًا لك... فقد تبعتني طول الطريق إلى هنا
Dialogue: 0,0:06:35.16,0:06:38.83,Default,,0,0,0,,.لم أكن أحاول اتباعك
Dialogue: 0,0:06:41.37,0:06:43.16,Default,,0,0,0,,!هكذا إذن
Dialogue: 0,0:06:43.95,0:06:46.25,Default,,0,0,0,,!أشعر بالإحراج... انسَ ما قلته
Dialogue: 0,0:06:46.25,0:06:48.62,Default,,0,0,0,,!يا أستاذ! ميو! سنتأخر
Dialogue: 0,0:06:49.28,0:06:51.08,Default,,0,0,0,,!المعذرة يا سوزوموري
Dialogue: 0,0:06:51.08,0:06:54.08,Default,,0,0,0,,!هيا انهض يا كانزاكي، لنذهب
Dialogue: 0,0:06:57.12,0:07:00.79,Default,,0,0,0,,...اسمع يا ميو... في الحقيقة، الأستاذ
Dialogue: 0,0:07:02.04,0:07:03.79,Default,,0,0,0,,!كانزاكي
Dialogue: 0,0:07:03.79,0:07:07.70,Default,,0,0,0,,!بسرعة وإلا سأضطر إلى حملك إلى الحافلة
Dialogue: 0,0:07:10.00,0:07:13.00,Default,,0,0,0,,.حسنًا، لا بأس، احملني على ظهرك
Dialogue: 0,0:07:14.19,0:07:16.19,Signs-0,,0,0,0,,{\c&H5B696A&\frz352.7\fscx92\fscy100\pos(1093.334,270.666)}محطة ياماوا
Dialogue: 0,0:07:16.41,0:07:20.29,Default,,0,0,0,,اسمعا، نحتاج إلى أخذ نفس عميق\N.سمعت أن الزفير مهم
Dialogue: 0,0:07:26.12,0:07:29.29,Default,,0,0,0,,!لا فائدة! لا أستطيع أن أهدأ، يكاد قلبي أن يخرج من أذني
Dialogue: 0,0:07:29.29,0:07:30.50,Default,,0,0,0,,!اكبحه
Dialogue: 0,0:07:30.50,0:07:32.16,Default,,0,0,0,,!اهدأ، لنجرب الآن العلاج بالضغط
Dialogue: 0,0:07:32.16,0:07:34.95,Default,,0,0,0,,.أخبرتني أمي بأن الضغط على أيدينا يخفف من حدة التوتر
Dialogue: 0,0:07:34.95,0:07:38.70,Default,,0,0,0,,!قرأت في الإنترنت أيضًا أن الإقرار بتوترنا قد يساعد
Dialogue: 0,0:07:38.70,0:07:41.91,Default,,0,0,0,,!حسنًا! لنفعلها معًا! نحن متوترون
Dialogue: 0,0:07:41.91,0:07:43.79,Default,,0,0,0,,ما الذي تفعلونه؟
Dialogue: 0,0:07:44.75,0:07:48.04,Default,,0,0,0,,!تشـ-تشـ-تشـ-تشيكا! هوزوكي-سان\N!لا تخيفانا
Dialogue: 0,0:07:48.04,0:07:50.79,Default,,0,0,0,,لكن ما سبب هذا التوتر؟
Dialogue: 0,0:07:50.79,0:07:53.08,Default,,0,0,0,,.هذه ليست أول منافسة نشارك فيها
Dialogue: 0,0:07:53.08,0:07:56.12,Default,,0,0,0,,!هذا ما يجعلنا أكثر توترًا
Dialogue: 0,0:07:56.12,0:08:00.66,Default,,0,0,0,,...فوق هذا، اليوم كما تعلم
Dialogue: 0,0:08:00.66,0:08:03.45,Default,,0,0,0,,...يجب ألا نخطئ، مهما حصل
Dialogue: 0,0:08:06.16,0:08:09.33,Default,,0,0,0,,.ستخطئون إذا كنتم تفكرون بهذه الطريقة
Dialogue: 0,0:08:10.91,0:08:14.00,Default,,0,0,0,,.ينبغي أن تمنحيهم بعض الأمل
Dialogue: 0,0:08:14.00,0:08:15.95,Default,,0,0,0,,.هذا علاج بالصدمة
Dialogue: 0,0:08:20.41,0:08:24.04,Default,,0,0,0,,هل ستأتي أمك لسماع عزفك اليوم؟
Dialogue: 0,0:08:25.75,0:08:27.33,Default,,0,0,0,,.لن تأتي
Dialogue: 0,0:08:27.33,0:08:30.29,Default,,0,0,0,,،أرسلت لها رسالة وذكرت منافسة اليوم
Dialogue: 0,0:08:30.29,0:08:33.20,Default,,0,0,0,,.لكنها لم ترد ولم تتصل بي
Dialogue: 0,0:08:34.70,0:08:36.04,Default,,0,0,0,,...هكذا إذن
Dialogue: 0,0:08:36.04,0:08:37.70,Default,,0,0,0,,...لكن
Dialogue: 0,0:08:37.70,0:08:42.41,Default,,0,0,0,,...لا حاجة للقلق، فأدائي الحالي، وأدائي معكم جميعًا
Dialogue: 0,0:08:42.41,0:08:45.54,Default,,0,0,0,,.لن تكون هذه الفرصة الأخيرة لسماعه
Dialogue: 0,0:08:48.41,0:08:49.45,Default,,0,0,0,,!هذا صحيح
Dialogue: 0,0:08:49.45,0:08:51.25,Default,,0,0,0,,!صباح الخير يا رفاق
Dialogue: 0,0:08:51.25,0:08:53.20,Default,,0,0,0,,!صباح الخير
Dialogue: 0,0:08:53.20,0:08:54.91,Default,,0,0,0,,هل الجميع هنا؟
Dialogue: 0,0:08:54.91,0:08:56.08,Default,,0,0,0,,!أجل
Dialogue: 0,0:08:56.08,0:08:58.83,Default,,0,0,0,,ستنضم إلينا الأستاذة أكيرا لاحقًا، أليس كذلك؟
Dialogue: 0,0:08:58.83,0:09:00.70,Default,,0,0,0,,.بلى، لنذهب إذن
Dialogue: 0,0:09:00.70,0:09:03.20,Default,,0,0,0,,.سيتطلب الأمر عشر دقائق سيرًا للوصول إلى المسرح
Dialogue: 0,0:09:03.20,0:09:05.95,Default,,0,0,0,,!عـ-عذرًا.... إذا سمحتم
Dialogue: 0,0:09:05.95,0:09:10.12,Default,,0,0,0,,قد لا يكون المكان مناسبًا لتسليمكم هذه\N.لكن سأفعل ما دمت أستطيع
Dialogue: 0,0:09:10.60,0:09:12.00,Default,,0,0,0,,ماذا؟ ماذا؟
Dialogue: 0,0:09:12.79,0:09:15.41,Default,,0,0,0,,.لـ-لا شيء... المعذرة
Dialogue: 0,0:09:15.41,0:09:17.41,Default,,0,0,0,,لمَ هذا التردد؟
Dialogue: 0,0:09:17.41,0:09:17.95,Default,,0,0,0,,!مهلاً
Dialogue: 0,0:09:17.95,0:09:19.41,Default,,0,0,0,,!هل أستطيع فتحه؟ سأفتحه
Dialogue: 0,0:09:19.41,0:09:20.83,Default,,0,0,0,,...مهلاً
Dialogue: 0,0:09:25.87,0:09:27.79,Default,,0,0,0,,هل هذه... تمائم؟
Dialogue: 0,0:09:27.79,0:09:31.16,Default,,0,0,0,,!إنها على هيئة جسور، وعليها أسماؤنا أيضًا
Dialogue: 0,0:09:31.16,0:09:33.79,Default,,0,0,0,,!هل صنعتها من أجلنا يا هوزوكي-تشان؟
Dialogue: 0,0:09:33.79,0:09:39.04,Default,,0,0,0,,.أ-أعتذر لأنها ليست جيدة الصنع... وتبدو رديئة
Dialogue: 0,0:09:39.04,0:09:42.58,Default,,0,0,0,,.أزعجت الجميع بمشاكل أسرتي
Dialogue: 0,0:09:42.58,0:09:46.70,Default,,0,0,0,,.صنعتها وأنا أرجو أن نبذل ما بوسعنا اليوم
Dialogue: 0,0:09:46.70,0:09:48.41,Default,,0,0,0,,...هوزوكي-تشان
Dialogue: 0,0:09:48.41,0:09:51.00,Default,,0,0,0,,!هذا مذهل! أنا سعيدة! شكرًا لك
Dialogue: 0,0:09:51.00,0:09:53.41,Default,,0,0,0,,!إنها مفعمة بالحب
Dialogue: 0,0:09:53.41,0:09:55.95,Default,,0,0,0,,!سنكون على ما يرام اليوم بكل تأكيد
Dialogue: 0,0:09:55.95,0:09:57.41,Default,,0,0,0,,!شكرًا لك
Dialogue: 0,0:09:57.41,0:09:58.87,Default,,0,0,0,,.وهذه لك أيضًا يا أستاذ
Dialogue: 0,0:09:59.32,0:10:01.87,Default,,0,0,0,,.أنا أيضًا؟ شكرًا
Dialogue: 0,0:10:01.87,0:10:05.04,Default,,0,0,0,,هوزوكي-سان، هل وخزت أصابعك بالإبرة؟
Dialogue: 0,0:10:05.04,0:10:08.50,Default,,0,0,0,,...نعم، لكن أطراف أصابعي قاسية الآن
Dialogue: 0,0:10:08.50,0:10:12.00,Default,,0,0,0,,.ماذا؟ تشيكا، يجب أن نذهب وإلا فسنتأخر
Dialogue: 0,0:10:12.00,0:10:14.87,Default,,0,0,0,,.ما قصته؟ حتى إنه لم يشكرها
Dialogue: 0,0:10:14.87,0:10:17.87,Default,,0,0,0,,.كودو، هذا الاتجاه خاطئ
Dialogue: 0,0:10:17.87,0:10:20.58,Default,,0,0,0,,.لا بد أنه في غاية السعادة
Dialogue: 0,0:10:20.58,0:10:22.37,Default,,0,0,0,,.يبدو هذا
Dialogue: 0,0:10:22.37,0:10:26.62,Default,,0,0,0,,.ربما تكون المرة الأولى التي يقدم له فيها أحدهم تميمة
Dialogue: 0,0:10:26.62,0:10:30.29,Default,,0,0,0,,...هذا مذهل، تميمة من أجلي
Dialogue: 0,0:10:30.29,0:10:32.75,Default,,0,0,0,,!لا أريد أن أرى وجهك مجددًا
Dialogue: 0,0:10:32.75,0:10:36.20,Default,,0,0,0,,.بإمكاننا استغلاله إذا ساءت الأمور في القتال
Dialogue: 0,0:10:39.16,0:10:41.16,Default,,0,0,0,,هل نذهب نحن أيضًا؟
Dialogue: 0,0:10:41.16,0:10:42.62,Default,,0,0,0,,...اسمع يا جدي
Dialogue: 0,0:10:42.62,0:10:46.91,Default,,0,0,0,,!نادي الكوتو الذي أسسته رائع حقًا
Dialogue: 0,0:10:46.91,0:10:49.87,Default,,0,0,0,,...كم أتمنى أن تستمر هذه الأيام إلى الأبد
Dialogue: 0,0:10:51.33,0:10:53.25,Default,,0,0,0,,!كوماكي! أسرعي
Dialogue: 0,0:10:52.99,0:10:55.51,Signs-0,,0,0,0,,{\pos(634,212)\c&H7B6556&}أيام الموسيقى التقليدية الشهرية
Dialogue: 0,0:10:53.25,0:10:55.66,Default,,0,0,0,,!سنتوجه إلى المسرح الآن
Dialogue: 0,0:10:55.51,0:10:57.52,Signs-0,,0,0,0,,{\c&H454747&\pos(139.333,98)\frz339.7}الكوتو للمبتدئين
Dialogue: 0,0:10:56.36,0:10:59.41,Default,,0,0,0,,!انتظرني أرجوك يا تسوكاجي-سان
Dialogue: 0,0:10:57.52,0:10:59.49,Signs-0,,0,0,0,,{\frz336.2\pos(435.667,462)\c&H2A3A4D&}الكوتو: تستطيع العزف عليه أنتَ أيضًا
Dialogue: 0,0:10:57.52,0:10:59.49,Signs-0,,0,0,0,,{\pos(406.667,501.333)\frz336\c&H2A3A4D&}تاريخ الموسيقى اليابانية التقليدية
Dialogue: 0,0:11:01.08,0:11:05.87,Default,,0,0,0,,لكن هل أنا أيضًا مضطرة إلى الذهاب اليوم؟
Dialogue: 0,0:11:05.87,0:11:09.75,Default,,0,0,0,,.أنا أغفو في كل مرة أذهب فيها إلى الحفلات الموسيقية
Dialogue: 0,0:11:09.75,0:11:13.33,Default,,0,0,0,,.لذا أعتقد أنه من الأفضل أن تذهب وحدك
Dialogue: 0,0:11:13.33,0:11:14.87,Default,,0,0,0,,!كوماكي
Dialogue: 0,0:11:14.87,0:11:17.12,Default,,0,0,0,,!هل تأخذين عملك على محمل الجد؟
Dialogue: 0,0:11:17.12,0:11:19.66,Default,,0,0,0,,!نحن ننشر مجلة متخصصة في الموسيقى اليابانية التقليدية
Dialogue: 0,0:11:19.66,0:11:23.58,Default,,0,0,0,,!وأنتِ إحدى المحررات، لذا تصرفي على هذا الأساس
Dialogue: 0,0:11:23.58,0:11:25.66,Default,,0,0,0,,.حصلت عليه بالواسطة
Dialogue: 0,0:11:25.66,0:11:28.16,Default,,0,0,0,,.ليس لأنني مهتمة لأمر الموسيقى اليابانية التقليدية
Dialogue: 0,0:11:28.16,0:11:29.95,Default,,0,0,0,,!هذا يكفي
Dialogue: 0,0:11:32.16,0:11:36.16,Default,,0,0,0,,لكن ألا تعتقد أنه يصعب فهم الكوتو؟
Dialogue: 0,0:11:36.16,0:11:39.95,Default,,0,0,0,,.هذا يعني أن العمل يناسبك تمامًا
Dialogue: 0,0:11:41.54,0:11:44.45,Default,,0,0,0,,.إنها تصفيات كاناغاوا للبطولة الوطنية
Dialogue: 0,0:11:44.45,0:11:49.62,Default,,0,0,0,,.الأمر يتجاوز صعوبة الكوتو أو صعوبة الوصول إليه
Dialogue: 0,0:11:49.62,0:11:53.95,Default,,0,0,0,,!اليوم سيتواجه طلاب المدارس الثانوية في المعركة الأولى لهم
Dialogue: 0,0:11:54.69,0:11:57.69,Signs-0,,0,0,0,,{\c&H5E5149&\pos(333,538)}تيتسوكي يؤخذ بالقوة
Dialogue: 0,0:12:00.61,0:12:03.37,Default,,0,0,0,,هؤلاء جميعهم منافسونا، أليس كذلك؟
Dialogue: 0,0:12:03.37,0:12:05.54,Default,,0,0,0,,...يوجد الكثير من الفتيات كما هو متوقع
Dialogue: 0,0:12:05.54,0:12:07.91,Default,,0,0,0,,جميع المدارس الأربع عشرة، أليس كذلك؟
Dialogue: 0,0:12:07.91,0:12:10.37,Default,,0,0,0,,...بلى، والمدرسة التي ستتأهل للبطولة الوطنية
Dialogue: 0,0:12:10.37,0:12:11.79,Default,,0,0,0,,.واحدة...
Dialogue: 0,0:12:11.79,0:12:13.04,Default,,0,0,0,,.أجل
Dialogue: 0,0:12:17.87,0:12:21.29,Default,,0,0,0,,.مضى وقت طويل، سعيد برؤيتك ثانية
Dialogue: 0,0:12:21.29,0:12:22.41,Default,,0,0,0,,!...أنت
Dialogue: 0,0:12:22.41,0:12:24.33,Default,,0,0,0,,ماذا؟ ألا تذكرني؟
Dialogue: 0,0:12:24.33,0:12:27.45,Default,,0,0,0,,.أصبحنا صديقين أنا وأنت في المهرجان الموسيقي
Dialogue: 0,0:12:27.45,0:12:31.00,Default,,0,0,0,,...لا أذكر أنني أصبحت صديقًا لك! لكن
Dialogue: 0,0:12:31.00,0:12:33.45,Default,,0,0,0,,كيف لي أن أنسى...؟
Dialogue: 0,0:12:33.45,0:12:36.12,Default,,0,0,0,,!قلت إن عزفي خشن في ذلك الوقت
Dialogue: 0,0:12:36.12,0:12:39.00,Default,,0,0,0,,!أدركت لاحقًا أنك تقصد أنني مريع يا هذا
Dialogue: 0,0:12:39.00,0:12:39.83,Default,,0,0,0,,.نعم
Dialogue: 0,0:12:39.83,0:12:41.08,Default,,0,0,0,,!لا تقل هذا
Dialogue: 0,0:12:41.08,0:12:44.29,Default,,0,0,0,,!ليكن في علمك! لسنا كما كنا في السابق
Dialogue: 0,0:12:44.29,0:12:46.41,Default,,0,0,0,,!سنفوز اليوم بكل تأكيد
Dialogue: 0,0:12:46.41,0:12:51.25,Default,,0,0,0,,!كانزاكي! تختفي دائمًا بمجرد أن أغفل عنك
Dialogue: 0,0:12:51.25,0:12:53.33,Default,,0,0,0,,...الجميع يبحث عنك
Dialogue: 0,0:12:53.96,0:12:55.70,Default,,0,0,0,,!مدرسة توكيسي الثانوية
Dialogue: 0,0:12:55.70,0:12:57.91,Default,,0,0,0,,وماذا في ذلك؟
Dialogue: 0,0:12:57.91,0:13:02.00,Default,,0,0,0,,لا... المعذرة! هل أنت مشرفهم؟
Dialogue: 0,0:13:02.00,0:13:06.04,Default,,0,0,0,,أنا مشرف نادي هاكوتو\N.ياماموتو تايشين
Dialogue: 0,0:13:06.04,0:13:08.12,Default,,0,0,0,,!سعيد بلقائك
Dialogue: 0,0:13:08.12,0:13:12.25,Default,,0,0,0,,.أهلاً بك، أنا مشرف توكيسي، تاكينامي
Dialogue: 0,0:13:12.25,0:13:16.70,Default,,0,0,0,,،عندما استمعت إلى أداء توكيسي في ديفيدي مهرجان الموسيقى التقليدية
Dialogue: 0,0:13:16.70,0:13:19.66,Default,,0,0,0,,!تأثرت كثيرًا
Dialogue: 0,0:13:19.66,0:13:21.66,Default,,0,0,0,,!أي نوع من التوجيه قدمت لهم؟
Dialogue: 0,0:13:21.66,0:13:24.91,Default,,0,0,0,,.لا أفعل شيئًا، كان ذلك بمجهود طلابي
Dialogue: 0,0:13:25.80,0:13:27.41,Default,,0,0,0,,!يا لها من إجابة رائعة
Dialogue: 0,0:13:27.41,0:13:31.91,Default,,0,0,0,,خلافًا للمهرجان الموسيقي، أداء توكيسي سيكون بعد هاكوتو اليوم، أليس كذلك؟
Dialogue: 0,0:13:31.91,0:13:35.58,Default,,0,0,0,,!سأحرص على العودة بسرعة بعد أدائنا لأستمع إليكم
Dialogue: 0,0:13:35.58,0:13:37.00,Default,,0,0,0,,.شكرًا لك
Dialogue: 0,0:13:37.44,0:13:39.50,Default,,0,0,0,,هل سنعزف بعد هاكوتو؟
Dialogue: 0,0:13:39.50,0:13:40.37,Default,,0,0,0,,.نعم
Dialogue: 0,0:13:41.22,0:13:43.08,Default,,0,0,0,,!ما هذا؟ لم أسمع عن الأمر
Dialogue: 0,0:13:43.08,0:13:45.29,Default,,0,0,0,,!لماذا لم تخبرنا يا سوزوكا-تشان؟
Dialogue: 0,0:13:45.29,0:13:49.75,Default,,0,0,0,,!يا أستاذ، أخبرتنا فقط بأن دورنا سيكون قبل الأخير
Dialogue: 0,0:13:50.28,0:13:52.00,Default,,0,0,0,,وهل يجب علي إخباركم؟
Dialogue: 0,0:13:52.00,0:13:55.08,Default,,0,0,0,,هل سيؤثر الترتيب على أدائكم؟
Dialogue: 0,0:13:55.08,0:13:56.33,Default,,0,0,0,,هل أنتم خائفون؟
Dialogue: 0,0:13:57.06,0:13:59.00,Default,,0,0,0,,.ربما تكونون كذلك
Dialogue: 0,0:13:59.00,0:14:02.54,Default,,0,0,0,,!هذا ليس صحيحًا! الترتيب لا يعني شيئًا
Dialogue: 0,0:14:01.37,0:14:02.54,Default -alt,,0,0,0,,!إنه محق
Dialogue: 0,0:14:02.54,0:14:03.45,Default,,0,0,0,,.لا مشكلة إذن
Dialogue: 0,0:14:03.45,0:14:05.29,Default,,0,0,0,,!هذا صحيح
Dialogue: 0,0:14:03.45,0:14:05.29,Default -alt,,0,0,0,,!أجل
Dialogue: 0,0:14:05.29,0:14:07.83,Default,,0,0,0,,!يا لها من قيادة رائعة
Dialogue: 0,0:14:07.83,0:14:11.20,Default,,0,0,0,,.طلابي أيضًا يقدمون أداءً جيدًا حقًا
Dialogue: 0,0:14:11.20,0:14:13.91,Default,,0,0,0,,.لذا أرجو أن تستمعوا إليه
Dialogue: 0,0:14:15.70,0:14:17.95,Default,,0,0,0,,!يا أستاذ! ميو
Dialogue: 0,0:14:17.95,0:14:20.25,Default,,0,0,0,,.المعذرة، يجب أن نذهب الآن
Dialogue: 0,0:14:20.25,0:14:21.66,Default,,0,0,0,,.بالإذن
Dialogue: 0,0:14:21.66,0:14:23.54,Default,,0,0,0,,!لنذهب يا كانزاكي
Dialogue: 0,0:14:25.95,0:14:27.12,Default,,0,0,0,,...اسمع
Dialogue: 0,0:14:28.91,0:14:31.08,Default,,0,0,0,,...أنا أيضًا لن أخسر
Dialogue: 0,0:14:31.08,0:14:32.54,Default,,0,0,0,,.مهما حصل...
Dialogue: 0,0:14:44.95,0:14:46.33,Default,,0,0,0,,هل ستأتي راكضة؟
Dialogue: 0,0:14:46.33,0:14:48.16,Default,,0,0,0,,!ساتوا-تشان
Dialogue: 0,0:14:53.08,0:14:57.04,Default,,0,0,0,,.الجميع جادون في رغبتهم في الوصول إلى البطولة الوطنية
Dialogue: 0,0:14:57.11,0:14:59.11,Signs-0,,0,0,0,,{\c&H1F1E1A&\pos(640,106.667)}مدخل الخدمات
Dialogue: 0,0:14:59.91,0:15:01.50,Default,,0,0,0,,!شكرًا جزيلاً
Dialogue: 0,0:15:01.50,0:15:02.75,Default,,0,0,0,,.اسمعي أيتها الجدة
Dialogue: 0,0:15:02.75,0:15:05.41,Default,,0,0,0,,ستظلين لتستمعي إلى أدائنا اليوم، أليس كذلك؟
Dialogue: 0,0:15:05.41,0:15:07.83,Default,,0,0,0,,.لدي عمل يجب أن أؤديه
Dialogue: 0,0:15:08.48,0:15:09.87,Default,,0,0,0,,...هكذا إذن
Dialogue: 0,0:15:09.87,0:15:13.66,Default,,0,0,0,,.لكن سأنهي العمل بسرعة لأعود
Dialogue: 0,0:15:13.66,0:15:18.08,Default,,0,0,0,,.فأنتم الآن بمنزلة أحفادي
Dialogue: 0,0:15:18.08,0:15:21.25,Default,,0,0,0,,،تشيكا، أسرع\N.المدرسة التالية ستصل قريبًا
Dialogue: 0,0:15:21.25,0:15:22.83,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:15:26.54,0:15:32.04,Default,,0,0,0,,،ما زلت أشعر بالحزن الشديد لأنني لستُ قادرًا على إسماع جدي عزفي
Dialogue: 0,0:15:32.04,0:15:34.45,Default,,0,0,0,,.لكنني سعيد بوجودك
Dialogue: 0,0:15:40.33,0:15:44.29,Default,,0,0,0,,.سنأخذك معنا إلى البطولة الوطنية أيتها الجدة
Dialogue: 0,0:15:46.08,0:15:48.33,Default,,0,0,0,,!تشيكا
Dialogue: 0,0:15:48.33,0:15:52.20,Default,,0,0,0,,.أنا واثقة من أنكم ستكونون على ما يرام
Dialogue: 0,0:15:52.20,0:15:54.66,Default,,0,0,0,,.اعزفوا بكل ما أوتيتم
Dialogue: 0,0:16:00.69,0:16:02.57,Signs-0,,0,0,0,,{\c&H3A3D3E&\pos(543.333,186.667)}غرفة الضبط
Dialogue: 0,0:16:05.95,0:16:07.95,Default,,0,0,0,,.كازوسا
Dialogue: 0,0:16:07.95,0:16:09.62,Default,,0,0,0,,!هوزومي-سينباي
Dialogue: 0,0:16:09.62,0:16:11.54,Default,,0,0,0,,هل أنتِ على ما يرام؟
Dialogue: 0,0:16:11.54,0:16:13.33,Default,,0,0,0,,هل تحتاجين إلى المساعدة؟
Dialogue: 0,0:16:13.80,0:16:17.41,Default,,0,0,0,,.لا، أنا على ما يرام، شكرًا جزيلاً
Dialogue: 0,0:16:17.41,0:16:22.75,Default,,0,0,0,,.لكن أشعر بالمزيد من القلق لأن ترتيب مدرستنا في العزف هو الثالث
Dialogue: 0,0:16:22.75,0:16:25.33,Default,,0,0,0,,.هكذا إذن، هذا صحيح
Dialogue: 0,0:16:25.33,0:16:28.79,Default,,0,0,0,,،عندما تعزفون لن يكون بمقدورنا نحن أعضاء الدعم سوى تشجيعكم
Dialogue: 0,0:16:28.79,0:16:31.83,Default,,0,0,0,,!لكن سنوصل إليكم قوانا الروحية
Dialogue: 0,0:16:40.37,0:16:43.08,Default,,0,0,0,,.أخبريني إذا احتجت شيئًا
Dialogue: 0,0:16:43.08,0:16:45.50,Default,,0,0,0,,!هوزومي-سينباي
Dialogue: 0,0:16:45.50,0:16:48.83,Default,,0,0,0,,!لنحرص على أن نعزف معًا في البطولة الوطنية
Dialogue: 0,0:16:50.33,0:16:51.70,Default,,0,0,0,,!بالتأكيد
Dialogue: 0,0:17:00.64,0:17:02.70,Default,,0,0,0,,!لم ندخل قاعة منذ وقت طويل
Dialogue: 0,0:17:02.70,0:17:05.12,Default,,0,0,0,,.هذا المكان أصغر من الذي أقيم فيه المهرجان الموسيقي
Dialogue: 0,0:17:05.12,0:17:08.12,Default,,0,0,0,,.والمدارس المشاركة هنا نصف العدد تقريبًا
Dialogue: 0,0:17:09.25,0:17:10.83,Default,,0,0,0,,.لقد بدأوا
Dialogue: 0,0:17:13.25,0:17:15.00,Default,,0,0,0,,سنبدأ الآن
Dialogue: 0,0:17:15.00,0:17:22.66,Default,,0,0,0,,تصفيات محافظة كاناغاو الثانية والثلاثين لمنافسة\N.ثانويات اليابان الموسيقية
Dialogue: 0,0:17:24.03,0:17:27.33,Default,,0,0,0,,!جميعهم طلاب ثانوية! في ريعان شبابهم
Dialogue: 0,0:17:27.33,0:17:32.08,Default,,0,0,0,,.لكن الفتيان عددهم قليل، هذا مؤسف
Dialogue: 0,0:17:32.08,0:17:35.08,Default,,0,0,0,,مدرسة واحدة ستصل إلى البطولة الوطنية، أليس كذلك؟
Dialogue: 0,0:17:35.08,0:17:37.87,Default,,0,0,0,,...ترى أي مدرسة سأشجع
Dialogue: 0,0:17:37.87,0:17:40.58,Default,,0,0,0,,تسوكاجي-سان، أي مدرسة ستفوز في اعتقادك؟
Dialogue: 0,0:17:40.58,0:17:42.33,Default,,0,0,0,,.لا تبسطي الأمر
Dialogue: 0,0:17:42.33,0:17:46.87,Default,,0,0,0,,.أود أن أقول إن المدرسة التي بذلت المجهود الأكبر ستفوز
Dialogue: 0,0:17:46.87,0:17:54.75,Default,,0,0,0,,لكن حتى لو عملوا بجد، هناك دائمًا من يقع في الأخطاء\N.بسبب التوتر والضغط أثناء المنافسة
Dialogue: 0,0:17:54.75,0:17:57.83,Default,,0,0,0,,.والتأثير على الحكام أيضًا عامل مهم
Dialogue: 0,0:17:59.00,0:18:02.04,Default -up,,0,0,0,,.هذا أمر محتوم، فالحكام بشر أيضًا
Dialogue: 0,0:18:01.02,0:18:04.31,Signs-70,,0,0,0,,{\c&H000000&\3c&HFAFAFA&\clip(946.667,461.333,1174.667,574.667)\pos(1064,458.667)}عازفة كوتو\Nميدورياما هيسوكو
Dialogue: 0,0:18:01.35,0:18:04.31,Signs-70,,0,0,0,,{\c&H000000&\3c&HFAFAFA&\clip(673.333,520,902.667,648)\pos(789.334,532)}عازف كوتو\Nماتسوناغا سو
Dialogue: 0,0:18:01.73,0:18:04.31,Signs-70,,0,0,0,,{\c&H000000&\3c&HFAFAFA&\clip(342.667,454.667,580,586.667)\pos(459.999,465.333)}عازف شاكوهاتشي\Nوادا يوشيهارو
Dialogue: 0,0:18:02.10,0:18:04.31,Signs-70,,0,0,0,,{\c&H000000&\3c&HFAFAFA&\clip(56,526.667,285.333,646.667)\fscx61\fscy76\pos(168,546.667)}رئيس جامعة إيتشي للموسيقى\Nأساهينا كاي
Dialogue: 0,0:18:02.04,0:18:04.25,Default,,0,0,0,,{\an8}...الحكام اليوم هم
Dialogue: 0,0:18:04.58,0:18:06.91,Default,,0,0,0,,.يوجد شخص حاد المزاج
Dialogue: 0,0:18:06.91,0:18:11.79,Default,,0,0,0,,.لكن كالعادة، من المنطقي اعتقاد أن هيميساكا ستحصل على المركز الأول
Dialogue: 0,0:18:11.79,0:18:15.62,Default,,0,0,0,,...لكن في مهرجان كانتو للموسيقى اليابانية التقليدية الذي لم أحضره
Dialogue: 0,0:18:15.62,0:18:20.37,Default,,0,0,0,,.يراودني الفضول بشأن هاكوتو التي تغلبت على هيميساكا وحصلت على المركز الأول
Dialogue: 0,0:18:20.37,0:18:22.62,Default,,0,0,0,,...ديفيدي المهرجان الموسيقي
Dialogue: 0,0:18:22.62,0:18:25.91,Default,,0,0,0,,!أتلفته كوماكي قبل أن أشاهده، كان هذا مؤلمًا
Dialogue: 0,0:18:26.07,0:18:28.07,Signs-0,,0,0,0,,{\c&H3C2932&\fscx52\fscy70\pos(519.667,569)\frz356.3}مدرسة هوزوكي
Dialogue: 0,0:18:28.25,0:18:31.04,Default,,0,0,0,,.تطلّب مني الدرس وقتًا أطول مما توقعت
Dialogue: 0,0:18:31.04,0:18:33.25,Default,,0,0,0,,.يجب أن أسرع إلى المسرح
Dialogue: 0,0:18:37.20,0:18:41.54,Default,,0,0,0,,ما زالت غاضبة مني إذن؟\N.هذا ليس غريبًا
Dialogue: 0,0:18:46.15,0:18:47.90,Signs-0,,0,0,0,,{\pos(576,254)\c&H6F6464&\frz17.62}هوزوكي ساتوا
Dialogue: 0,0:18:48.54,0:18:51.04,Default,,0,0,0,,.يا كبيرة المعلمين، أستأذن
Dialogue: 0,0:18:52.29,0:18:53.45,Default,,0,0,0,,ماذا هناك؟
Dialogue: 0,0:18:53.45,0:18:57.50,Default,,0,0,0,,.أنا متوجهة الآن إلى مسرح تصفيات البطولة الوطنية
Dialogue: 0,0:18:57.50,0:19:01.45,Default,,0,0,0,,.أخبرتك سابقًا بأن ساتوا-سان ستعزف هناك أيضًا
Dialogue: 0,0:19:01.45,0:19:03.83,Default,,0,0,0,,...سأذهب بسيارتي إلى هناك، إذا أردتِ
Dialogue: 0,0:19:03.83,0:19:07.75,Default,,0,0,0,,.ولماذا أذهب؟ تلك الفتاة نُبذت
Dialogue: 0,0:19:07.75,0:19:11.95,Default,,0,0,0,,.أنا كبيرة المعلمين، سيبدو الأمر غريبًا إذا ذهبت للاستماع إلى أدائها
Dialogue: 0,0:19:11.95,0:19:13.83,Default,,0,0,0,,...ليس غريبًا
Dialogue: 0,0:19:13.83,0:19:17.45,Default,,0,0,0,,.لأنك أمها قبل أن تكوني معلمتها...
Dialogue: 0,0:19:17.45,0:19:21.33,Default,,0,0,0,,وهل تعتقدين أنه يحق لي أن أقول إنني أمها؟
Dialogue: 0,0:19:21.33,0:19:23.62,Default,,0,0,0,,،كان لدي ما أعانيه من مشاكل
Dialogue: 0,0:19:23.62,0:19:26.04,Default,,0,0,0,,.لذا تجاهلت مشاعرها
Dialogue: 0,0:19:26.04,0:19:32.20,Default,,0,0,0,,.رمقتها بنظرات الاحتقار والرفض التام لصرخة قلبها
Dialogue: 0,0:19:32.20,0:19:35.83,Default,,0,0,0,,...لم أعد أمتلك الحق في أن أعتبر نفسي أمها، فضلاً عن ذهابي لسماع
Dialogue: 0,0:19:35.83,0:19:37.54,Default,,0,0,0,,.يا كبيرة المعلمين
Dialogue: 0,0:19:37.54,0:19:39.25,Default,,0,0,0,,!أعتذر إليك
Dialogue: 0,0:19:39.98,0:19:40.66,Default,,0,0,0,,...مهلاً
Dialogue: 0,0:19:40.66,0:19:42.20,Default,,0,0,0,,أكيرا-سان، ما الذي تفعلينه؟
Dialogue: 0,0:19:42.20,0:19:46.87,Default,,0,0,0,,!المعذرة! لا وقت لدي لذا سآخذك بالقوة
Dialogue: 0,0:19:46.87,0:19:50.04,Default,,0,0,0,,.أعلم أن هذا الأمر لا يعنيني وأنني أتصرف بأنانية
Dialogue: 0,0:19:50.04,0:19:52.54,Default,,0,0,0,,!لكنني... سئمت حقًا
Dialogue: 0,0:19:52.54,0:19:54.83,Default,,0,0,0,,.أغلال المدرسة، ومعاناة الماضي
Dialogue: 0,0:19:54.83,0:19:59.87,Default,,0,0,0,,!سئمت الرضوخ لها ومشاهدة الآخرين يرضخون لها
Dialogue: 0,0:19:59.87,0:20:01.75,Default,,0,0,0,,ما هذه الضجة؟
Dialogue: 0,0:20:01.75,0:20:05.33,Default,,0,0,0,,ماذا؟ أكيرا-سان، ما الذي تفعلينه هذه المرة؟
Dialogue: 0,0:20:04.66,0:20:07.29,Default -alt,,0,0,0,,.في الوقت المناسب، تعالي معنا يا جدتي
Dialogue: 0,0:20:08.12,0:20:11.00,Default,,0,0,0,,!يجب أن تسمعي أداءهم أنتِ أيضًا
Dialogue: 0,0:20:12.12,0:20:16.04,Default,,0,0,0,,!أ-أكيرا-سان! هذه فظاظة
Dialogue: 0,0:20:16.04,0:20:19.70,Default,,0,0,0,,!حصلت على رخصة القيادة مؤخرًا، تمسكا جيدًا
Dialogue: 0,0:20:22.27,0:20:24.77,Signs-0,,0,0,0,,{\pos(837,592)\c&H1F1E1E&}البرنامج
Dialogue: 0,0:20:22.87,0:20:24.70,Default,,0,0,0,,كاتا... كاتا...؟
Dialogue: 0,0:20:25.25,0:20:27.75,Default,,0,0,0,,ما الذي تقصده بـ كاتا كاتا يا كودو-كن؟
Dialogue: 0,0:20:27.75,0:20:30.87,Default,,0,0,0,,.لا أستطيع قراءة اسم المقطوعة التي ستعزفها هاكوتو
Dialogue: 0,0:20:30.94,0:20:33.94,Signs-0,,0,0,0,,{\c&H080305&\frz9.484\pos(817.333,366)}كاتاكاغو
Dialogue: 0,0:20:31.20,0:20:34.08,Default,,0,0,0,,معك حق، ماذا تكون؟ كاتاغاشي؟
Dialogue: 0,0:20:34.08,0:20:39.08,Default,,0,0,0,,،كاتاكاغو، إنه اسم زهرة\N.الاسم القديم لـ كاتاكوري إذا لم أكن مخطئًا
Dialogue: 0,0:20:39.08,0:20:41.87,Default,,0,0,0,,.حتى الاسم يبدو صعبًا
Dialogue: 0,0:20:41.87,0:20:44.16,Default,,0,0,0,,هل هي مقطوعة أصلية في اعتقادك؟
Dialogue: 0,0:20:44.16,0:20:48.33,Default,,0,0,0,,.على الأرجح، ألفها نفس الملحن
Dialogue: 0,0:20:48.33,0:20:49.16,Default,,0,0,0,,...دعني أرَ
Dialogue: 0,0:20:49.23,0:20:52.23,Signs-0,,0,0,0,,{\pos(708,421.333)\frz7.339\c&H0B0B09&}ألحان توجو ميابي
Dialogue: 0,0:20:49.16,0:20:52.50,Default,,0,0,0,,.ألحان توجو ميابي
Dialogue: 0,0:20:52.50,0:20:54.37,Default,,0,0,0,,هل تعرفه يا أستاذ؟
Dialogue: 0,0:20:54.37,0:20:58.54,Default,,0,0,0,,.لا، تحققت من الأمر ولم أجد شيئًا
Dialogue: 0,0:20:58.54,0:21:02.79,Default,,0,0,0,,.يبدو أن لدى هاكوتو ملحنًا بارعًا
Dialogue: 0,0:21:03.58,0:21:05.58,Default,,0,0,0,,هوزوكي، لمَ أنتِ صامتة؟
Dialogue: 0,0:21:05.58,0:21:07.50,Default,,0,0,0,,...هيميساكا
Dialogue: 0,0:21:07.50,0:21:09.04,Default,,0,0,0,,هيميساكا؟
Dialogue: 0,0:21:09.04,0:21:11.95,Default,,0,0,0,,.أعتقد أنهن سيعزفن مقطوعة مذهلة أخرى
Dialogue: 0,0:21:12.87,0:21:15.25,Default,,0,0,0,,.جميعكن، حان الوقت
Dialogue: 0,0:21:15.25,0:21:16.50,Default,,0,0,0,,.يا رئيسة النادي
Dialogue: 0,0:21:16.50,0:21:18.29,Default,,0,0,0,,.نعم
Dialogue: 0,0:21:18.29,0:21:20.70,Default,,0,0,0,,.يا جماعة، وصلنا إلى التصفيات أخيرًا
Dialogue: 0,0:21:20.70,0:21:24.33,Default,,0,0,0,,.مررنا بالكثير من الصعاب للوصول إلى هنا
Dialogue: 0,0:21:24.33,0:21:30.12,Default,,0,0,0,,سعينا وكافحنا أكثر من أي وقت مضى\N.وربما كان المزاج سيئًا في الكثير من الأحيان
Dialogue: 0,0:21:30.12,0:21:32.58,Default,,0,0,0,,.بالإضافة إلى أن بعض الأعضاء لن يتمكنّ من العزف اليوم
Dialogue: 0,0:21:32.58,0:21:37.25,Default,,0,0,0,,.لكنهن ساعدن أعضاء العزف كثيرًا كأعضاء داعمات
Dialogue: 0,0:21:37.25,0:21:41.20,Default,,0,0,0,,.تطلب وصولنا إلى هنا جهودنا جميعًا
Dialogue: 0,0:21:41.20,0:21:44.25,Default,,0,0,0,,...بصفتي رئيسة النادي، أقول وبكل ثقة
Dialogue: 0,0:21:44.25,0:21:47.79,Default,,0,0,0,,.إننا تدربنا أكثر من أي مدرسة أخرى...
Dialogue: 0,0:21:47.79,0:21:50.62,Default,,0,0,0,,!سنفوز اليوم بمجهود الجميع هنا
Dialogue: 0,0:21:50.62,0:21:52.62,Default,,0,0,0,,!شكلن دائرة
Dialogue: 0,0:21:52.62,0:21:55.04,Default,,0,0,0,,!نحن كفرد واحد
Dialogue: 0,0:21:55.04,0:21:58.08,Default,,0,0,0,,!نحن أبطال كاناغاوا
Dialogue: 0,0:21:58.08,0:21:59.54,Default,,0,0,0,,!لنذهب
Dialogue: 0,0:23:50.08,0:23:52.66,Default,,0,0,0,,في الحلقة القادمة: عزيمة الأبطال
Dialogue: 0,0:23:52.04,0:23:55.28,next,,0,0,0,,الحلقة 23: عزيمة الأبطال
Dialogue: 0,0:23:55.28,0:23:57.28,next,,0,0,0,,
Dialogue: 0,0:23:57.28,0:23:59.28,next,,0,0,0,,
Dialogue: 0,0:23:59.28,0:24:01.28,next,,0,0,0,,
Dialogue: 0,0:23:58.54,0:24:00.54,next,,0,0,0,,
Dialogue: 0,0:02:05.88,0:02:11.00,op,,0,0,0,,{\fad(2000,200)}!أوقف هذا الصوت
Dialogue: 0,0:02:05.88,0:02:11.00,op,,0,0,0,,{\fscx61\fscy70\pos(88,724)\fad(2000,200)}عذب الخيال
Dialogue: 0,0:02:05.88,0:02:11.00,op,,0,0,0,,{\fad(2000,200)\fscx51\fscy50\pos(1040,50)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:00:44.08,0:00:52.20,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k17}O{\k28}wa{\k21}ri {\k42}na{\k22}n{\k41}te {\k22}n{\k37}ai {\k51}bo{\k43}ku{\k39}ta{\k45}chi {\k140}no {\k53}mo{\k42}no{\k24}ga{\k40}ta{\k43}ri {\k55}ga
Comment: 0,0:00:52.20,0:01:04.25,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k40}U{\k45}go{\k45}ki{\k18}da{\k52}shi{\k40}ta {\k44}n {\k336}da {\k43}hi{\k31}bi{\k14}ku {\k488}yo
Comment: 0,0:01:05.03,0:01:07.89,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k16}I{\k19}tsu {\k33}mo {\k29}no {\k36}se{\k30}ka{\k34}i {\k82}ga
Comment: 0,0:01:07.99,0:01:11.98,OP-Romaji,,0,0,0,,{\blur3}{\k16}I{\k21}tsu {\k29}da {\k32}tte {\k31}ka{\k17}wa{\k32}ra{\k44}na{\k42}i {\k54}ma{\k54}ma {\k27}de
Comment: 0,0:01:11.98,0:01:14.31,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ko{\k33}ko {\k17}ni {\k30}wa {\k32}a{\k87}ru
Comment: 0,0:01:15.18,0:01:18.15,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k34}Zu{\k30}tto {\k35}ta{\k23}i{\k35}se{\k40}tsu {\k86}de
Comment: 0,0:01:18.16,0:01:23.30,OP-Romaji,,0,0,0,,{\blur3}{\k21}Da {\k20}ke{\k29}do {\k31}a{\k33}ta{\k16}ri{\k30}ma{\k45}e {\k53}ja {\k47}na{\k44}i {\k37}n {\k30}da {\k78}to
Comment: 0,0:01:23.35,0:01:25.40,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k16}Wa{\k25}su{\k25}re{\k25}na{\k25}i {\k80}yo
Comment: 0,0:01:25.40,0:01:30.25,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k19}A{\k10}no {\k27}hi {\k106}ni {\k15}chi{\k50}ka{\k31}tta {\k29}ya{\k25}ku{\k42}so{\k13}ku {\k104}wa
Comment: 0,0:01:30.55,0:01:36.95,OP-Romaji,,0,0,0,,{\blur3}{\k13}{\k15}I{\k15}ma {\k33}mo {\k48}mu{\k21}ne {\k27}no {\k41}o{\k213}ku {\k16}ka{\k16}ka{\k14}e{\k62}ta {\k48}ma{\k58}ma
Comment: 0,0:01:36.95,0:01:40.22,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k22}Hi{\k14}bi{\k22}ku {\k55}shō{\k38}dō {\k28}ni {\k18}mi {\k15}o {\k18}ma{\k24}ka{\k39}se{\k28}te
Comment: 0,0:01:40.22,0:01:42.21,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ka{\k15}na{\k19}de{\k14}ru {\k16}me{\k31}ro{\k70}dī
Comment: 0,0:01:42.21,0:01:47.05,OP-Romaji,,0,0,0,,{\blur3}{\k27}Ki{\k16}mi {\k15}no {\k50}mu{\k27}ne {\k37}no {\k28}na{\k35}ka {\k16}de {\k28}Re{\k34}son{\k154}an{\k17}ce
Comment: 0,0:01:47.15,0:01:50.30,OP-Romaji,,0,0,0,,{\blur3}{\k8}{\k20}Na{\k9}ra{\k30}se {\k35}ze{\k9}n{\k20}shi{\k21}n {\k36}zen{\k22}re{\k8}i {\k23}o{\k23}mo{\k31}i {\k20}o
Comment: 0,0:01:50.30,0:01:52.47,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k42}So{\k15}ra {\k14}no {\k18}ka{\k14}na{\k30}ta {\k78}e
Comment: 0,0:01:52.47,0:01:57.61,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k31}Tō{\k14}ku {\k81}tō{\k35}ku {\k27}i{\k35}tsu {\k17}ma{\k30}de {\k27}de{\k210}mo
Comment: 0,0:01:57.61,0:01:59.33,OP-Romaji,,0,0,0,,{\blur3}{\k15}O{\k19}wa{\k14}ri {\k36}na{\k13}n{\k33}te {\k16}na{\k26}i
Comment: 0,0:01:59.33,0:02:03.65,OP-Romaji,,0,0,0,,{\blur3}{\k37}Bo{\k32}ku{\k32}ta{\k31}chi {\k112}no {\k36}mo{\k29}no{\k16}ga{\k30}ta{\k32}ri {\k45}ga
Comment: 0,0:02:03.65,0:02:09.03,OP-Romaji,,0,0,0,,{\blur3}{\k10}{\k26}U{\k34}go{\k32}ki{\k18}da{\k33}shi{\k30}ta{\k27}n {\k328}da
Comment: 0,0:02:09.89,0:02:13.41,OP-Romaji,,0,0,0,,{\blur3}{\k12}{\k38}Hi{\k33}bi{\k17}ku {\k252}yo
Dialogue: 0,0:00:44.08,0:00:52.20,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا التي لا نهاية لها
Dialogue: 0,0:00:52.20,0:01:04.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:01:05.03,0:01:07.89,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}عالم عادي
Dialogue: 0,0:01:07.99,0:01:11.98,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه على حاله دائمًا
Dialogue: 0,0:01:11.98,0:01:14.31,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه هنا
Dialogue: 0,0:01:15.18,0:01:18.15,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ومهم على الدوام
Dialogue: 0,0:01:18.16,0:01:23.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لكن أليس هذا أمرًا بديهيًا؟
Dialogue: 0,0:01:23.35,0:01:25.40,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لن أنسى
Dialogue: 0,0:01:25.40,0:01:30.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}الوعد الذي قطعته في ذلك اليوم
Dialogue: 0,0:01:30.55,0:01:36.95,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ما زلت أحتفظ به في صدري
Dialogue: 0,0:01:36.95,0:01:40.22,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}اعهد بنفسك إلى النغمات المترددة
Dialogue: 0,0:01:40.22,0:01:42.21,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إلى لحن يعزف
Dialogue: 0,0:01:42.21,0:01:47.05,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}يتردد صداه في قلبك
Dialogue: 0,0:01:47.15,0:01:50.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}دع اللحن يطغى
Dialogue: 0,0:01:50.30,0:01:52.47,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}على جسدك وروحك
Dialogue: 0,0:01:52.47,0:01:57.61,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ويحلق بك عاليًا
Dialogue: 0,0:01:57.61,0:01:59.33,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بلا توقف
Dialogue: 0,0:01:59.33,0:02:03.65,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا
Dialogue: 0,0:02:03.65,0:02:09.03,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:02:09.89,0:02:13.41,OP-Arabic,,0,0,0,,{\fad(200,500)\blur3}يتعالى صوتها ويتردد
Dialogue: 1,0:00:44.15,0:00:44.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:00:44.32,0:00:44.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 2] \an5\pos(318.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:00:44.60,0:00:44.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 3] \an5\pos(355.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:00:44.81,0:00:45.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 4] \an5\pos(396.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:00:45.23,0:00:45.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 5] \an5\pos(427.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:45.45,0:00:45.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 6] \an5\pos(455.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:00:45.86,0:00:46.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 7] \an5\pos(491.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:46.08,0:00:46.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 8] \an5\pos(517.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ai
Dialogue: 1,0:00:46.45,0:00:46.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 9] \an5\pos(562,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bo
Dialogue: 1,0:00:46.96,0:00:47.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 10] \an5\pos(603.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:00:47.39,0:00:47.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 11] \an5\pos(640.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:47.78,0:00:48.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 12] \an5\pos(682.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:00:48.23,0:00:49.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 13] \an5\pos(737.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:00:49.63,0:00:50.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 14] \an5\pos(793.22,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:00:50.16,0:00:50.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 15] \an5\pos(840.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:00:50.58,0:00:50.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 16] \an5\pos(882.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:00:50.82,0:00:51.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 17] \an5\pos(919.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:51.22,0:00:51.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 18] \an5\pos(948.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:00:51.65,0:00:52.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 19] \an5\pos(989.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:00:52.29,0:00:52.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 20] \an5\pos(421.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:00:52.69,0:00:53.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 21] \an5\pos(453.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:00:53.14,0:00:53.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 22] \an5\pos(489.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:00:53.59,0:00:53.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 23] \an5\pos(524.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:00:53.77,0:00:54.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 24] \an5\pos(570.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:00:54.29,0:00:54.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 25] \an5\pos(612.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:00:54.69,0:00:55.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 26] \an5\pos(648.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:00:55.13,0:00:58.49,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 27] \an5\pos(688.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:00:58.49,0:00:58.92,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 28] \an5\pos(733.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:00:58.92,0:00:59.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 29] \an5\pos(764.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:00:59.23,0:00:59.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 30] \an5\pos(799.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:00:59.37,0:01:04.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 31] \an5\pos(849.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:01:05.10,0:01:05.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 32] \an5\pos(482.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:05.26,0:01:05.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 33] \an5\pos(514.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:05.45,0:01:05.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 34] \an5\pos(575.82,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:05.78,0:01:06.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 35] \an5\pos(631.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:06.07,0:01:06.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 36] \an5\pos(681.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:06.43,0:01:06.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 37] \an5\pos(721.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:06.73,0:01:07.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 38] \an5\pos(746.72,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:07.07,0:01:07.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 39] \an5\pos(781.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:01:07.99,0:01:08.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 40] \an5\pos(386.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:08.15,0:01:08.36,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 41] \an5\pos(417.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:08.36,0:01:08.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 42] \an5\pos(474.06,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:08.65,0:01:08.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 43] \an5\pos(527.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tte
Dialogue: 1,0:01:08.97,0:01:09.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 44] \an5\pos(579.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:09.28,0:01:09.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 45] \an5\pos(625.15,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:09.45,0:01:09.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 46] \an5\pos(667.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:01:09.77,0:01:10.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 47] \an5\pos(705.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:10.21,0:01:10.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 48] \an5\pos(730.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:10.63,0:01:11.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 49] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:11.17,0:01:11.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 50] \an5\pos(821.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:11.71,0:01:11.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 51] \an5\pos(877.35,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:11.98,0:01:12.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 52] \an5\pos(538.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ko
Dialogue: 1,0:01:12.32,0:01:12.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 53] \an5\pos(580.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ko
Dialogue: 1,0:01:12.65,0:01:12.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 54] \an5\pos(625.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:01:12.82,0:01:13.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 55] \an5\pos(674.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:13.12,0:01:13.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 56] \an5\pos(718.29,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:01:13.44,0:01:14.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 57] \an5\pos(745.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:01:15.32,0:01:15.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 58] \an5\pos(518.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Zu
Dialogue: 1,0:01:15.66,0:01:15.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 59] \an5\pos(562.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tto
Dialogue: 1,0:01:15.96,0:01:16.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 60] \an5\pos(611.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:16.31,0:01:16.54,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 61] \an5\pos(633.65,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:16.54,0:01:16.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 62] \an5\pos(658.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:16.89,0:01:17.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 63] \an5\pos(705.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:17.29,0:01:18.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 64] \an5\pos(761.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:18.16,0:01:18.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 65] \an5\pos(403.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Da
Dialogue: 1,0:01:18.37,0:01:18.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 66] \an5\pos(454.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ke
Dialogue: 1,0:01:18.57,0:01:18.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 67] \an5\pos(496.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}do
Dialogue: 1,0:01:18.86,0:01:19.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 68] \an5\pos(536.08,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:01:19.17,0:01:19.50,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 69] \an5\pos(563.21,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:19.50,0:01:19.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 70] \an5\pos(591.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:19.66,0:01:19.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 71] \an5\pos(629.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:19.96,0:01:20.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 72] \an5\pos(665.51,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:01:20.41,0:01:20.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 73] \an5\pos(699.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ja
Dialogue: 1,0:01:20.94,0:01:21.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 74] \an5\pos(744.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:21.41,0:01:21.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 75] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:21.85,0:01:22.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 76] \an5\pos(794.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:22.22,0:01:22.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 77] \an5\pos(834.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:01:22.52,0:01:23.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 78] \an5\pos(880.9,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}to
Dialogue: 1,0:01:23.44,0:01:23.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 79] \an5\pos(551.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Wa
Dialogue: 1,0:01:23.60,0:01:23.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 80] \an5\pos(599.53,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}su
Dialogue: 1,0:01:23.85,0:01:24.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 81] \an5\pos(636.84,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:01:24.10,0:01:24.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 82] \an5\pos(674.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:24.35,0:01:24.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 83] \an5\pos(700.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:24.60,0:01:25.40,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 84] \an5\pos(734.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:01:25.54,0:01:25.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 85] \an5\pos(391.33,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}A
Dialogue: 1,0:01:25.73,0:01:25.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 86] \an5\pos(424.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:25.83,0:01:26.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 87] \an5\pos(469.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:01:26.10,0:01:27.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 88] \an5\pos(508.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:01:27.16,0:01:27.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 89] \an5\pos(557.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:01:27.31,0:01:27.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 90] \an5\pos(603.12,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:27.81,0:01:28.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 91] \an5\pos(646.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tta
Dialogue: 1,0:01:28.12,0:01:28.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 92] \an5\pos(699.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ya
Dialogue: 1,0:01:28.41,0:01:28.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 93] \an5\pos(740.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:28.66,0:01:29.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 94] \an5\pos(780.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}so
Dialogue: 1,0:01:29.08,0:01:29.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 95] \an5\pos(821.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:29.21,0:01:30.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 96] \an5\pos(875.28,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:30.68,0:01:30.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 97] \an5\pos(344.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:01:30.83,0:01:30.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 98] \an5\pos(374.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:30.98,0:01:31.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 99] \an5\pos(435.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:31.31,0:01:31.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 100] \an5\pos(496.1,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:01:31.79,0:01:32.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 101] \an5\pos(542.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:01:32.00,0:01:32.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 102] \an5\pos(593.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:32.27,0:01:32.68,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 103] \an5\pos(633.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:32.68,0:01:34.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 104] \an5\pos(664.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:34.81,0:01:34.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 105] \an5\pos(713.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:34.97,0:01:35.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 106] \an5\pos(753.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:35.13,0:01:35.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 107] \an5\pos(784.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:01:35.27,0:01:35.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 108] \an5\pos(811.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:35.89,0:01:36.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 109] \an5\pos(863.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:36.37,0:01:36.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 110] \an5\pos(914.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:37.01,0:01:37.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 111] \an5\pos(401.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:01:37.23,0:01:37.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 112] \an5\pos(433.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:01:37.37,0:01:37.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 113] \an5\pos(468.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:37.59,0:01:38.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 114] \an5\pos(528.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shō
Dialogue: 1,0:01:38.14,0:01:38.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 115] \an5\pos(580.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dō
Dialogue: 1,0:01:38.52,0:01:38.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 116] \an5\pos(625.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:01:38.80,0:01:38.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 117] \an5\pos(669.66,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:01:38.98,0:01:39.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 118] \an5\pos(709.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:39.13,0:01:39.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 119] \an5\pos(754.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:39.31,0:01:39.55,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 120] \an5\pos(800.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:39.55,0:01:39.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 121] \an5\pos(840.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:39.94,0:01:40.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 122] \an5\pos(877.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:01:40.22,0:01:40.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 123] \an5\pos(518.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ka
Dialogue: 1,0:01:40.56,0:01:40.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 124] \an5\pos(560.09,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:40.71,0:01:40.90,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 125] \an5\pos(601.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:40.90,0:01:41.04,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 126] \an5\pos(639.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:01:41.04,0:01:41.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 127] \an5\pos(691.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}me
Dialogue: 1,0:01:41.20,0:01:41.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 128] \an5\pos(735.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ro
Dialogue: 1,0:01:41.51,0:01:42.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 129] \an5\pos(767.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dī
Dialogue: 1,0:01:42.21,0:01:42.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 130] \an5\pos(349.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ki
Dialogue: 1,0:01:42.48,0:01:42.64,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 131] \an5\pos(385.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:01:42.64,0:01:42.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 132] \an5\pos(435.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:42.79,0:01:43.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 133] \an5\pos(490.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:01:43.29,0:01:43.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 134] \an5\pos(537.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:01:43.56,0:01:43.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 135] \an5\pos(588.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:43.93,0:01:44.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 136] \an5\pos(638.92,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:44.21,0:01:44.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 137] \an5\pos(679.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:44.56,0:01:44.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 138] \an5\pos(729.67,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:44.72,0:01:45.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 139] \an5\pos(781.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Re
Dialogue: 1,0:01:45.00,0:01:45.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 140] \an5\pos(833.74,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}son
Dialogue: 1,0:01:45.34,0:01:46.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 141] \an5\pos(885.19,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}an
Dialogue: 1,0:01:46.88,0:01:47.05,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 142] \an5\pos(926.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ce
Dialogue: 1,0:01:47.23,0:01:47.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 143] \an5\pos(415.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Na
Dialogue: 1,0:01:47.43,0:01:47.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 144] \an5\pos(455.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:01:47.52,0:01:47.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 145] \an5\pos(492.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:01:47.82,0:01:48.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 146] \an5\pos(540.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ze
Dialogue: 1,0:01:48.17,0:01:48.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 147] \an5\pos(570.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:48.26,0:01:48.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 148] \an5\pos(606.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:01:48.46,0:01:48.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 149] \an5\pos(641.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:48.67,0:01:49.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 150] \an5\pos(691.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}zen
Dialogue: 1,0:01:49.03,0:01:49.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 151] \an5\pos(738.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:01:49.25,0:01:49.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 152] \an5\pos(760.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:49.33,0:01:49.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 153] \an5\pos(784.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:49.56,0:01:49.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 154] \an5\pos(820.98,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:49.79,0:01:50.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 155] \an5\pos(851.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:50.10,0:01:50.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 156] \an5\pos(875.86,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:01:50.36,0:01:50.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 157] \an5\pos(520.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}So
Dialogue: 1,0:01:50.78,0:01:50.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 158] \an5\pos(559.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:01:50.93,0:01:51.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 159] \an5\pos(606.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:01:51.07,0:01:51.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 160] \an5\pos(656.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:01:51.25,0:01:51.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 161] \an5\pos(697.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:51.39,0:01:51.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 162] \an5\pos(734.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:01:51.69,0:01:52.47,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 163] \an5\pos(770.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:01:52.54,0:01:52.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 164] \an5\pos(439.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Tō
Dialogue: 1,0:01:52.85,0:01:52.99,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 165] \an5\pos(480.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:52.99,0:01:53.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 166] \an5\pos(526.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tō
Dialogue: 1,0:01:53.80,0:01:54.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 167] \an5\pos(563.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:01:54.15,0:01:54.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 168] \an5\pos(597.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:54.42,0:01:54.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 169] \an5\pos(628.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:01:54.77,0:01:54.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 170] \an5\pos(689.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:01:54.94,0:01:55.24,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 171] \an5\pos(736.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:55.24,0:01:55.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 172] \an5\pos(787.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:01:55.51,0:01:57.61,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 173] \an5\pos(834.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:01:57.61,0:01:57.76,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 174] \an5\pos(520.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:01:57.76,0:01:57.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 175] \an5\pos(557.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:01:57.95,0:01:58.09,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 176] \an5\pos(594.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:01:58.09,0:01:58.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 177] \an5\pos(635.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:58.45,0:01:58.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 178] \an5\pos(666.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:01:58.58,0:01:58.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 179] \an5\pos(694.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:01:58.91,0:01:59.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 180] \an5\pos(740.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:01:59.07,0:01:59.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 181] \an5\pos(766.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:01:59.33,0:01:59.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 182] \an5\pos(426.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Bo
Dialogue: 1,0:01:59.70,0:02:00.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 183] \an5\pos(468.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:00.02,0:02:00.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 184] \an5\pos(505.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:00.34,0:02:00.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 185] \an5\pos(547.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:00.65,0:02:01.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 186] \an5\pos(602.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:01.77,0:02:02.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 187] \an5\pos(658.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:02.13,0:02:02.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 188] \an5\pos(705.42,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:02.42,0:02:02.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 189] \an5\pos(747.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:02.58,0:02:02.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 190] \an5\pos(784.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:02.88,0:02:03.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 191] \an5\pos(813.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:03.20,0:02:03.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 192] \an5\pos(854.62,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:03.75,0:02:04.01,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 193] \an5\pos(505.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:02:04.01,0:02:04.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 194] \an5\pos(538.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:02:04.35,0:02:04.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 195] \an5\pos(574.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:02:04.67,0:02:04.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 196] \an5\pos(609.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:04.85,0:02:05.18,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 197] \an5\pos(655.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:02:05.18,0:02:05.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 198] \an5\pos(697.37,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:05.48,0:02:05.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 199] \an5\pos(724.75,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:05.75,0:02:09.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 200] \an5\pos(764.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:10.01,0:02:10.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 201] \an5\pos(574.85,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:02:10.39,0:02:10.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 202] \an5\pos(606.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:02:10.72,0:02:10.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 203] \an5\pos(642.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:10.89,0:02:13.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 204] \an5\pos(691.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 0,0:00:43.53,0:00:44.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 1] \an5\move(381.59,47.5,281.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:00:43.58,0:00:44.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 2] \an5\move(408.29,47.5,308.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:00:43.63,0:00:44.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 3] \an5\move(433.4,47.5,333.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:43.68,0:00:44.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 4] \an5\move(450.52,47.5,350.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:43.73,0:00:44.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 5] \an5\move(462.18,47.5,362.18,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:43.78,0:00:44.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 6] \an5\move(486.23,47.5,386.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:43.83,0:00:44.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 7] \an5\move(506.98,47.5,406.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:43.88,0:00:45.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 8] \an5\move(527.73,47.5,427.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:43.93,0:00:45.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 9] \an5\move(544.86,47.5,444.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:43.98,0:00:45.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 10] \an5\move(561.94,47.5,461.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:00:44.03,0:00:45.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 11] \an5\move(591.63,47.5,491.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:44.08,0:00:46.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 12] \an5\move(612.38,47.5,512.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:44.13,0:00:46.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 13] \an5\move(627.43,47.5,527.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:44.18,0:00:46.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 14] \an5\move(651.52,47.5,551.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:00:44.23,0:00:46.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 15] \an5\move(672.54,47.5,572.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:44.28,0:00:46.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 16] \an5\move(692.91,47.5,592.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:44.33,0:00:46.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 17] \an5\move(713.08,47.5,613.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:44.38,0:00:47.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 18] \an5\move(730,47.5,630,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:44.43,0:00:47.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 19] \an5\move(746.88,47.5,646.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:44.48,0:00:47.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 20] \an5\move(767.13,47.5,667.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:00:44.53,0:00:47.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 21] \an5\move(787.62,47.5,687.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:44.58,0:00:47.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 22] \an5\move(802.9,47.5,702.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:44.63,0:00:48.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 23] \an5\move(826.95,47.5,726.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:44.68,0:00:48.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 24] \an5\move(847.93,47.5,747.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:44.73,0:00:49.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 25] \an5\move(882.73,47.5,782.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:00:44.78,0:00:49.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 26] \an5\move(908.79,47.5,808.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:44.83,0:00:50.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 27] \an5\move(929.77,47.5,829.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:44.88,0:00:50.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 28] \an5\move(950.76,47.5,850.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:44.93,0:00:50.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 29] \an5\move(971.78,47.5,871.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:44.98,0:00:50.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 30] \an5\move(992.57,47.5,892.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:45.03,0:00:50.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 31] \an5\move(1009.45,47.5,909.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:45.08,0:00:50.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 32] \an5\move(1026.34,47.5,926.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:45.13,0:00:51.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 33] \an5\move(1043.45,47.5,943.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:00:45.18,0:00:51.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 34] \an5\move(1055.12,47.5,955.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:45.23,0:00:51.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 35] \an5\move(1079.2,47.5,979.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:45.28,0:00:51.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 36] \an5\move(1099.99,47.5,999.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:51.65,0:00:52.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 37] \an5\move(521.16,47.5,421.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:00:51.70,0:00:52.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 38] \an5\move(543.25,47.5,443.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:00:51.75,0:00:52.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 39] \an5\move(564.27,47.5,464.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:51.80,0:00:53.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 40] \an5\move(584.64,47.5,484.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:51.85,0:00:53.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 41] \an5\move(599.32,47.5,499.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:51.90,0:00:53.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 42] \an5\move(614.66,47.5,514.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:51.95,0:00:53.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 43] \an5\move(635.45,47.5,535.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:52.00,0:00:53.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 44] \an5\move(655.41,47.5,555.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:00:52.05,0:00:53.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 45] \an5\move(675.6,47.5,575.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:52.10,0:00:53.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 46] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:52.15,0:00:54.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 47] \an5\move(702.31,47.5,602.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:00:52.20,0:00:54.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 48] \an5\move(719.2,47.5,619.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:52.25,0:00:54.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 49] \an5\move(748.7,47.5,648.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:00:52.30,0:00:55.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 50] \an5\move(778.48,47.5,678.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:00:52.35,0:00:55.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 51] \an5\move(799.27,47.5,699.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:00:52.40,0:00:58.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 52] \an5\move(828.76,47.5,728.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:00:52.45,0:00:58.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 53] \an5\move(844.04,47.5,744.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:52.50,0:00:58.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 54] \an5\move(859.38,47.5,759.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:00:52.55,0:00:58.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 55] \an5\move(874.71,47.5,774.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:00:52.60,0:00:59.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 56] \an5\move(889.39,47.5,789.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:00:52.65,0:00:59.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 57] \an5\move(909.56,47.5,809.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:00:52.70,0:00:59.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 58] \an5\move(939.01,47.5,839.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:00:52.75,0:00:59.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 59] \an5\move(959.9,47.5,859.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:04.48,0:01:05.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 60] \an5\move(582.95,47.5,482.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:04.53,0:01:05.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 61] \an5\move(594.38,47.5,494.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:04.58,0:01:05.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 62] \an5\move(610.73,47.5,510.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:04.63,0:01:05.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 63] \an5\move(630.73,47.5,530.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:04.68,0:01:05.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 64] \an5\move(665.34,47.5,565.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:04.73,0:01:05.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 65] \an5\move(691.39,47.5,591.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:04.78,0:01:05.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 66] \an5\move(721.13,47.5,621.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:04.83,0:01:05.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 67] \an5\move(742.11,47.5,642.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:04.88,0:01:06.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 68] \an5\move(771.05,47.5,671.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:04.93,0:01:06.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 69] \an5\move(791.21,47.5,691.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:04.98,0:01:06.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 70] \an5\move(811.54,47.5,711.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:05.03,0:01:06.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 71] \an5\move(831.67,47.5,731.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:05.08,0:01:06.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 72] \an5\move(846.72,47.5,746.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:05.13,0:01:07.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 73] \an5\move(870.8,47.5,770.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:05.18,0:01:07.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 74] \an5\move(891.59,47.5,791.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:07.44,0:01:07.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 75] \an5\move(486.46,47.5,386.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:07.49,0:01:08.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 76] \an5\move(497.89,47.5,397.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:07.54,0:01:08.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 77] \an5\move(514.23,47.5,414.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:07.59,0:01:08.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 78] \an5\move(534.23,47.5,434.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:07.64,0:01:08.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 79] \an5\move(563.81,47.5,463.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:07.69,0:01:08.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 80] \an5\move(584.6,47.5,484.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:07.74,0:01:08.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 81] \an5\move(610.23,47.5,510.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:07.79,0:01:08.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 82] \an5\move(623.5,47.5,523.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:07.84,0:01:08.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 83] \an5\move(640.58,47.5,540.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:07.89,0:01:08.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 84] \an5\move(669.66,47.5,569.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:07.94,0:01:08.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 85] \an5\move(689.79,47.5,589.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:07.99,0:01:09.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 86] \an5\move(714.9,47.5,614.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:08.04,0:01:09.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 87] \an5\move(740.01,47.5,640.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.09,0:01:09.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 88] \an5\move(757.13,47.5,657.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:08.14,0:01:09.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 89] \an5\move(774.24,47.5,674.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.19,0:01:09.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 90] \an5\move(794.99,47.5,694.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:08.24,0:01:09.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 91] \an5\move(815.74,47.5,715.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.29,0:01:10.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 92] \an5\move(830.79,47.5,730.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:08.34,0:01:10.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 93] \an5\move(859.91,47.5,759.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:08.39,0:01:10.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 94] \an5\move(885.73,47.5,785.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.44,0:01:11.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 95] \an5\move(911.55,47.5,811.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:08.49,0:01:11.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 96] \an5\move(937.37,47.5,837.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:08.54,0:01:11.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 97] \an5\move(966.91,47.5,866.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:08.59,0:01:11.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 98] \an5\move(987.89,47.5,887.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:11.43,0:01:11.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 99] \an5\move(628.21,47.5,528.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:01:11.48,0:01:11.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 100] \an5\move(649.76,47.5,549.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:11.53,0:01:12.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 101] \an5\move(670.13,47.5,570.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:11.58,0:01:12.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 102] \an5\move(690.49,47.5,590.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:11.63,0:01:12.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 103] \an5\move(720.23,47.5,620.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:11.68,0:01:12.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 104] \an5\move(735.52,47.5,635.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:11.73,0:01:12.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 105] \an5\move(763.93,47.5,663.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:11.78,0:01:12.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 106] \an5\move(789.04,47.5,689.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:11.83,0:01:13.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 107] \an5\move(818.29,47.5,718.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:11.88,0:01:13.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 108] \an5\move(835.41,47.5,735.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:11.93,0:01:13.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 109] \an5\move(852.56,47.5,752.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:14.63,0:01:15.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 110] \an5\move(607.76,47.5,507.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}Z
Dialogue: 0,0:01:14.68,0:01:15.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 111] \an5\move(628.55,47.5,528.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:14.73,0:01:15.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 112] \an5\move(645.47,47.5,545.47,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:14.78,0:01:15.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 113] \an5\move(658.73,47.5,558.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:14.83,0:01:15.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 114] \an5\move(675.85,47.5,575.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:14.88,0:01:15.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 115] \an5\move(701.72,47.5,601.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:14.93,0:01:15.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 116] \an5\move(718.6,47.5,618.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:14.98,0:01:16.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 117] \an5\move(733.65,47.5,633.65,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:15.03,0:01:16.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 118] \an5\move(748.16,47.5,648.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:15.08,0:01:16.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 119] \an5\move(768.31,47.5,668.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:15.13,0:01:16.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 120] \an5\move(785.39,47.5,685.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:15.18,0:01:16.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 121] \an5\move(801.73,47.5,701.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:15.23,0:01:16.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 122] \an5\move(821.73,47.5,721.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:15.28,0:01:17.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 123] \an5\move(851.31,47.5,751.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:15.33,0:01:17.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 124] \an5\move(872.3,47.5,772.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:17.61,0:01:18.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 125] \an5\move(493.55,47.5,393.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}D
Dialogue: 0,0:01:17.66,0:01:18.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 126] \an5\move(515.38,47.5,415.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:17.71,0:01:18.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 127] \an5\move(544.26,47.5,444.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:17.76,0:01:18.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 128] \an5\move(564.59,47.5,464.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:17.81,0:01:18.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 129] \an5\move(585.57,47.5,485.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:17.86,0:01:18.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 130] \an5\move(606.59,47.5,506.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:17.91,0:01:18.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 131] \an5\move(636.08,47.5,536.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:17.96,0:01:19.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 132] \an5\move(652.96,47.5,552.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:18.01,0:01:19.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 133] \an5\move(669.84,47.5,569.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:18.06,0:01:19.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 134] \an5\move(686.96,47.5,586.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:18.11,0:01:19.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 135] \an5\move(698.63,47.5,598.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:18.16,0:01:19.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 136] \an5\move(718.99,47.5,618.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:18.21,0:01:19.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 137] \an5\move(744.81,47.5,644.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:18.26,0:01:19.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 138] \an5\move(765.51,47.5,665.51,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:18.31,0:01:20.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 139] \an5\move(789.66,47.5,689.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}j
Dialogue: 0,0:01:18.36,0:01:20.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 140] \an5\move(804.86,47.5,704.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:18.41,0:01:20.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 141] \an5\move(834.36,47.5,734.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:18.46,0:01:20.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 142] \an5\move(855.11,47.5,755.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:18.51,0:01:21.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 143] \an5\move(870.16,47.5,770.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:18.56,0:01:21.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 144] \an5\move(894.2,47.5,794.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:18.61,0:01:22.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 145] \an5\move(923.99,47.5,823.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:18.66,0:01:22.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 146] \an5\move(944.78,47.5,844.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:18.71,0:01:22.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 147] \an5\move(970.41,47.5,870.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:18.76,0:01:22.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 148] \an5\move(987.53,47.5,887.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:22.80,0:01:23.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 149] \an5\move(641.63,47.5,541.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}W
Dialogue: 0,0:01:22.85,0:01:23.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 150] \an5\move(669.28,47.5,569.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:22.90,0:01:23.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 151] \an5\move(689.24,47.5,589.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:22.95,0:01:23.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 152] \an5\move(709.24,47.5,609.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:23.00,0:01:23.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 153] \an5\move(726.4,47.5,626.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:23.05,0:01:23.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 154] \an5\move(743.71,47.5,643.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:23.10,0:01:24.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 155] \an5\move(764.66,47.5,664.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:23.15,0:01:24.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 156] \an5\move(785.41,47.5,685.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:23.20,0:01:24.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 157] \an5\move(800.45,47.5,700.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:23.25,0:01:24.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 158] \an5\move(824.41,47.5,724.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:01:23.30,0:01:24.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 159] \an5\move(845.3,47.5,745.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:24.85,0:01:25.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 160] \an5\move(491.33,47.5,391.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}A
Dialogue: 0,0:01:24.90,0:01:25.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 161] \an5\move(513.55,47.5,413.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:24.95,0:01:25.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 162] \an5\move(534.53,47.5,434.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:25.00,0:01:25.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 163] \an5\move(564.25,47.5,464.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:25.05,0:01:25.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 164] \an5\move(579.53,47.5,479.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:25.10,0:01:26.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 165] \an5\move(603.58,47.5,503.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:25.15,0:01:26.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 166] \an5\move(618.88,47.5,518.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:25.20,0:01:27.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 167] \an5\move(642.42,47.5,542.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:25.25,0:01:27.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 168] \an5\move(662.91,47.5,562.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:25.30,0:01:27.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 169] \an5\move(678.19,47.5,578.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:25.35,0:01:27.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 170] \an5\move(692.87,47.5,592.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:25.40,0:01:27.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 171] \an5\move(713,47.5,613,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:25.45,0:01:27.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 172] \an5\move(729.88,47.5,629.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:25.50,0:01:27.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 173] \an5\move(743.15,47.5,643.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:25.55,0:01:27.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 174] \an5\move(760.03,47.5,660.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:25.60,0:01:28.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 175] \an5\move(789.44,47.5,689.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:01:25.65,0:01:28.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 176] \an5\move(810.09,47.5,710.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:25.70,0:01:28.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 177] \an5\move(830.23,47.5,730.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:25.75,0:01:28.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 178] \an5\move(850.4,47.5,750.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:25.80,0:01:28.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 179] \an5\move(870.4,47.5,770.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:25.85,0:01:28.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 180] \an5\move(890.59,47.5,790.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:25.90,0:01:29.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 181] \an5\move(910.96,47.5,810.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:25.95,0:01:29.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 182] \an5\move(931.13,47.5,831.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:26.00,0:01:29.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 183] \an5\move(965.03,47.5,865.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:26.05,0:01:29.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 184] \an5\move(990.14,47.5,890.14,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.00,0:01:30.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 185] \an5\move(444.2,47.5,344.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:01:30.05,0:01:30.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 186] \an5\move(464.56,47.5,364.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:30.10,0:01:30.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 187] \an5\move(490.38,47.5,390.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.15,0:01:30.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 188] \an5\move(524.95,47.5,424.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:30.20,0:01:30.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 189] \an5\move(551.01,47.5,451.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:30.25,0:01:31.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 190] \an5\move(585.81,47.5,485.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:30.30,0:01:31.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 191] \an5\move(611.67,47.5,511.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:30.35,0:01:31.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 192] \an5\move(632.46,47.5,532.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:30.40,0:01:31.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 193] \an5\move(653.41,47.5,553.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:30.45,0:01:32.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 194] \an5\move(683.1,47.5,583.1,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:30.50,0:01:32.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 195] \an5\move(704.09,47.5,604.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:30.55,0:01:32.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 196] \an5\move(733.8,47.5,633.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:30.60,0:01:32.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 197] \an5\move(754.17,47.5,654.17,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:30.65,0:01:32.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 198] \an5\move(774.34,47.5,674.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:30.70,0:01:34.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 199] \an5\move(803.27,47.5,703.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:30.75,0:01:34.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 200] \an5\move(823.4,47.5,723.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.80,0:01:34.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 201] \an5\move(843.53,47.5,743.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:30.85,0:01:34.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 202] \an5\move(863.66,47.5,763.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:30.90,0:01:35.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 203] \an5\move(884.36,47.5,784.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:30.95,0:01:35.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 204] \an5\move(901.44,47.5,801.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:31.00,0:01:35.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 205] \an5\move(918.32,47.5,818.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:31.05,0:01:35.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 206] \an5\move(952.89,47.5,852.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:31.10,0:01:35.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 207] \an5\move(978.71,47.5,878.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:31.15,0:01:36.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 208] \an5\move(1004.53,47.5,904.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:31.20,0:01:36.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 209] \an5\move(1030.35,47.5,930.35,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:36.40,0:01:37.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 210] \an5\move(496.78,47.5,396.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:01:36.45,0:01:37.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 211] \an5\move(513.23,47.5,413.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:36.50,0:01:37.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 212] \an5\move(528.56,47.5,428.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:01:36.55,0:01:37.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 213] \an5\move(543.9,47.5,443.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:36.60,0:01:37.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 214] \an5\move(558.58,47.5,458.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:36.65,0:01:37.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 215] \an5\move(578.75,47.5,478.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:36.70,0:01:37.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 216] \an5\move(607.5,47.5,507.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:36.75,0:01:37.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 217] \an5\move(627.7,47.5,527.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:36.80,0:01:37.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 218] \an5\move(648.66,47.5,548.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:36.85,0:01:38.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 219] \an5\move(669.69,47.5,569.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:36.90,0:01:38.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 220] \an5\move(690.71,47.5,590.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:36.95,0:01:38.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 221] \an5\move(720.45,47.5,620.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:37.00,0:01:38.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 222] \an5\move(735.74,47.5,635.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:37.05,0:01:38.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 223] \an5\move(764.86,47.5,664.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:37.10,0:01:38.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 224] \an5\move(785.23,47.5,685.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:37.15,0:01:38.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 225] \an5\move(809.26,47.5,709.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:37.20,0:01:39.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 226] \an5\move(844.06,47.5,744.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:37.25,0:01:39.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 227] \an5\move(869.88,47.5,769.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:37.30,0:01:39.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 228] \an5\move(890.02,47.5,790.02,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:37.35,0:01:39.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 229] \an5\move(910.15,47.5,810.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:37.40,0:01:39.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 230] \an5\move(930.11,47.5,830.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:37.45,0:01:39.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 231] \an5\move(950.27,47.5,850.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:37.50,0:01:39.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 232] \an5\move(967.34,47.5,867.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:37.55,0:01:39.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 233] \an5\move(984.42,47.5,884.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:39.67,0:01:40.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 234] \an5\move(607.78,47.5,507.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:01:39.72,0:01:40.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 235] \an5\move(629.09,47.5,529.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:39.77,0:01:40.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 236] \an5\move(649.84,47.5,549.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:39.82,0:01:40.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 237] \an5\move(670.59,47.5,570.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:39.87,0:01:40.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 238] \an5\move(691.38,47.5,591.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:39.92,0:01:40.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 239] \an5\move(712.37,47.5,612.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:39.97,0:01:40.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 240] \an5\move(729.68,47.5,629.68,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:40.02,0:01:40.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 241] \an5\move(746.84,47.5,646.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:40.07,0:01:41.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 242] \an5\move(781.45,47.5,681.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:40.12,0:01:41.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 243] \an5\move(807.46,47.5,707.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:40.17,0:01:41.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 244] \an5\move(824.77,47.5,724.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:40.22,0:01:41.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 245] \an5\move(842.13,47.5,742.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:40.27,0:01:41.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 246] \an5\move(863.15,47.5,763.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:40.32,0:01:41.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 247] \an5\move(878.48,47.5,778.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ī
Dialogue: 0,0:01:41.66,0:01:42.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 248] \an5\move(444.23,47.5,344.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:01:41.71,0:01:42.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 249] \an5\move(460.09,47.5,360.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:41.76,0:01:42.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 250] \an5\move(480.46,47.5,380.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:41.81,0:01:42.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 251] \an5\move(500.83,47.5,400.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:41.86,0:01:42.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 252] \an5\move(524.88,47.5,424.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:41.91,0:01:42.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 253] \an5\move(545.86,47.5,445.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:41.96,0:01:42.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 254] \an5\move(580.66,47.5,480.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:42.01,0:01:42.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 255] \an5\move(606.52,47.5,506.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:42.06,0:01:43.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 256] \an5\move(627.31,47.5,527.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:42.11,0:01:43.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 257] \an5\move(648.26,47.5,548.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:42.16,0:01:43.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 258] \an5\move(677.95,47.5,577.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:42.21,0:01:43.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 259] \an5\move(698.94,47.5,598.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:42.26,0:01:43.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 260] \an5\move(728.67,47.5,628.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:42.31,0:01:43.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 261] \an5\move(749.42,47.5,649.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:42.36,0:01:44.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 262] \an5\move(769.55,47.5,669.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:42.41,0:01:44.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 263] \an5\move(789.69,47.5,689.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:42.46,0:01:44.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 264] \an5\move(819.23,47.5,719.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:42.51,0:01:44.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 265] \an5\move(840.21,47.5,740.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:42.56,0:01:44.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 266] \an5\move(870.78,47.5,770.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}R
Dialogue: 0,0:01:42.61,0:01:44.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 267] \an5\move(892.6,47.5,792.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:42.66,0:01:45.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 268] \an5\move(912.76,47.5,812.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:42.71,0:01:45.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 269] \an5\move(932.95,47.5,832.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:42.76,0:01:45.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 270] \an5\move(953.94,47.5,853.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:42.81,0:01:45.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 271] \an5\move(974.69,47.5,874.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:42.86,0:01:45.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 272] \an5\move(995.44,47.5,895.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:42.91,0:01:46.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 273] \an5\move(1015.94,47.5,915.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:42.96,0:01:46.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 274] \an5\move(1036.38,47.5,936.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:46.60,0:01:47.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 275] \an5\move(505.63,47.5,405.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}N
Dialogue: 0,0:01:46.65,0:01:47.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 276] \an5\move(527.86,47.5,427.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:46.70,0:01:47.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 277] \an5\move(544.98,47.5,444.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:46.75,0:01:47.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 278] \an5\move(562.09,47.5,462.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:46.80,0:01:47.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 279] \an5\move(582.05,47.5,482.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:46.85,0:01:47.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 280] \an5\move(602.21,47.5,502.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:46.90,0:01:47.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 281] \an5\move(630.42,47.5,530.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:01:46.95,0:01:47.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 282] \an5\move(649.88,47.5,549.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:47.00,0:01:48.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 283] \an5\move(670.83,47.5,570.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:47.05,0:01:48.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 284] \an5\move(691.04,47.5,591.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:47.10,0:01:48.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 285] \an5\move(711.23,47.5,611.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:47.15,0:01:48.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 286] \an5\move(726.52,47.5,626.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:47.20,0:01:48.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 287] \an5\move(741.81,47.5,641.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:47.25,0:01:48.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 288] \an5\move(770.08,47.5,670.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:01:47.30,0:01:48.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 289] \an5\move(789.54,47.5,689.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:47.35,0:01:48.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 290] \an5\move(810.48,47.5,710.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:47.40,0:01:49.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 291] \an5\move(827.85,47.5,727.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:47.45,0:01:49.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 292] \an5\move(845.16,47.5,745.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:47.50,0:01:49.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 293] \an5\move(860.41,47.5,760.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:47.55,0:01:49.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 294] \an5\move(884.44,47.5,784.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:47.60,0:01:49.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 295] \an5\move(910.49,47.5,810.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:47.65,0:01:49.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 296] \an5\move(936.55,47.5,836.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:47.70,0:01:49.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 297] \an5\move(951.83,47.5,851.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:47.75,0:01:50.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 298] \an5\move(975.86,47.5,875.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:49.75,0:01:50.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 299] \an5\move(610.08,47.5,510.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}S
Dialogue: 0,0:01:49.80,0:01:50.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 300] \an5\move(631.84,47.5,531.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:49.85,0:01:50.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 301] \an5\move(649.2,47.5,549.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:49.90,0:01:50.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 302] \an5\move(666.31,47.5,566.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:49.95,0:01:50.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 303] \an5\move(695.81,47.5,595.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:50.00,0:01:50.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 304] \an5\move(716.8,47.5,616.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:50.05,0:01:51.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 305] \an5\move(745.91,47.5,645.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:50.10,0:01:51.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 306] \an5\move(766.05,47.5,666.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:50.15,0:01:51.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 307] \an5\move(786.8,47.5,686.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:50.20,0:01:51.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 308] \an5\move(807.55,47.5,707.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:50.25,0:01:51.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 309] \an5\move(824.43,47.5,724.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:50.30,0:01:51.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 310] \an5\move(841.31,47.5,741.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:50.35,0:01:51.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 311] \an5\move(870.76,47.5,770.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:51.92,0:01:52.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 312] \an5\move(529.28,47.5,429.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}T
Dialogue: 0,0:01:51.97,0:01:52.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 313] \an5\move(549.57,47.5,449.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:52.02,0:01:52.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 314] \an5\move(569.94,47.5,469.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:52.07,0:01:52.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 315] \an5\move(590.11,47.5,490.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:52.12,0:01:52.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 316] \an5\move(615.78,47.5,515.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:52.17,0:01:52.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 317] \an5\move(632.9,47.5,532.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:01:52.22,0:01:53.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 318] \an5\move(653.27,47.5,553.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:52.27,0:01:53.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 319] \an5\move(673.44,47.5,573.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:52.32,0:01:54.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 320] \an5\move(697.27,47.5,597.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:52.37,0:01:54.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 321] \an5\move(708.7,47.5,608.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:52.42,0:01:54.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 322] \an5\move(725.05,47.5,625.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:01:52.47,0:01:54.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 323] \an5\move(745.05,47.5,645.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:52.52,0:01:54.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 324] \an5\move(779.66,47.5,679.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:52.57,0:01:54.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 325] \an5\move(805.48,47.5,705.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:52.62,0:01:54.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 326] \an5\move(826.27,47.5,726.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:52.67,0:01:54.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 327] \an5\move(847.25,47.5,747.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:52.72,0:01:55.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 328] \an5\move(876.98,47.5,776.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:01:52.77,0:01:55.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 329] \an5\move(897.97,47.5,797.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:52.82,0:01:55.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 330] \an5\move(923.98,47.5,823.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:52.87,0:01:55.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 331] \an5\move(950.04,47.5,850.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:57.06,0:01:57.61,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 332] \an5\move(620.6,47.5,520.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:01:57.11,0:01:57.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 333] \an5\move(647.3,47.5,547.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:57.16,0:01:57.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 334] \an5\move(672.41,47.5,572.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:57.21,0:01:57.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 335] \an5\move(689.52,47.5,589.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:57.26,0:01:57.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 336] \an5\move(701.19,47.5,601.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:57.31,0:01:58.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 337] \an5\move(725.23,47.5,625.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:57.36,0:01:58.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 338] \an5\move(745.98,47.5,645.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:57.41,0:01:58.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 339] \an5\move(766.73,47.5,666.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:57.46,0:01:58.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 340] \an5\move(783.87,47.5,683.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:57.51,0:01:58.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 341] \an5\move(800.95,47.5,700.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:01:57.56,0:01:58.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 342] \an5\move(830.64,47.5,730.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:57.61,0:01:58.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 343] \an5\move(851.39,47.5,751.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:57.66,0:01:59.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 344] \an5\move(866.44,47.5,766.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:58.78,0:01:59.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 345] \an5\move(515.91,47.5,415.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}B
Dialogue: 0,0:01:58.83,0:01:59.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 346] \an5\move(537.7,47.5,437.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:58.88,0:01:59.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 347] \an5\move(558.07,47.5,458.07,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:01:58.93,0:01:59.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 348] \an5\move(578.24,47.5,478.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:01:58.98,0:02:00.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 349] \an5\move(595.16,47.5,495.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:59.03,0:02:00.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 350] \an5\move(612.05,47.5,512.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.08,0:02:00.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 351] \an5\move(632.3,47.5,532.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:01:59.13,0:02:00.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 352] \an5\move(652.78,47.5,552.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:01:59.18,0:02:00.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 353] \an5\move(668.06,47.5,568.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:59.23,0:02:00.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 354] \an5\move(692.11,47.5,592.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:59.28,0:02:00.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 355] \an5\move(713.09,47.5,613.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:59.33,0:02:01.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 356] \an5\move(747.9,47.5,647.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:01:59.38,0:02:01.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 357] \an5\move(773.95,47.5,673.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:59.43,0:02:02.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 358] \an5\move(794.94,47.5,694.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:59.48,0:02:02.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 359] \an5\move(815.92,47.5,715.92,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:01:59.53,0:02:02.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 360] \an5\move(836.95,47.5,736.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:59.58,0:02:02.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 361] \an5\move(857.73,47.5,757.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.63,0:02:02.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 362] \an5\move(874.62,47.5,774.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:59.68,0:02:02.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 363] \an5\move(891.5,47.5,791.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.73,0:02:02.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 364] \an5\move(908.62,47.5,808.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:59.78,0:02:02.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 365] \an5\move(920.28,47.5,820.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:59.83,0:02:03.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 366] \an5\move(944.37,47.5,844.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:01:59.88,0:02:03.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 367] \an5\move(965.16,47.5,865.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:03.10,0:02:03.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 368] \an5\move(605.97,47.5,505.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:02:03.15,0:02:04.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 369] \an5\move(628.05,47.5,528.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:03.20,0:02:04.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 370] \an5\move(649.08,47.5,549.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:03.25,0:02:04.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 371] \an5\move(669.45,47.5,569.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:03.30,0:02:04.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 372] \an5\move(684.13,47.5,584.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:03.35,0:02:04.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 373] \an5\move(699.46,47.5,599.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:03.40,0:02:04.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 374] \an5\move(720.25,47.5,620.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:03.45,0:02:04.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 375] \an5\move(740.21,47.5,640.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:03.50,0:02:04.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 376] \an5\move(760.41,47.5,660.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:03.55,0:02:04.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 377] \an5\move(775.69,47.5,675.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:03.60,0:02:05.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 378] \an5\move(787.12,47.5,687.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:03.65,0:02:05.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 379] \an5\move(804,47.5,704,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:03.70,0:02:05.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 380] \an5\move(824.75,47.5,724.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:03.75,0:02:05.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 381] \an5\move(854.54,47.5,754.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:03.80,0:02:05.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 382] \an5\move(875.33,47.5,775.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:09.34,0:02:10.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 383] \an5\move(674.43,47.5,574.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:02:09.39,0:02:10.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 384] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:09.44,0:02:10.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 385] \an5\move(706.21,47.5,606.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:09.49,0:02:10.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 386] \an5\move(721.55,47.5,621.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:09.54,0:02:10.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 387] \an5\move(736.23,47.5,636.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:09.59,0:02:10.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 388] \an5\move(756.4,47.5,656.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:09.64,0:02:10.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 389] \an5\move(785.84,47.5,685.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:09.69,0:02:10.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 390] \an5\move(806.73,47.5,706.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:00:44.32,0:00:51.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\t(6273.42,6713.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:00:44.60,0:00:51.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 2] \an5\pos(308.29,47.5)\t(6043.42,6483.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:00:44.60,0:00:51.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 3] \an5\pos(333.4,47.5)\t(6093.42,6533.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:44.81,0:00:51.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 4] \an5\pos(350.52,47.5)\t(5933.42,6373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:44.81,0:00:51.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 5] \an5\pos(362.18,47.5)\t(5983.42,6423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:45.23,0:00:51.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 6] \an5\pos(386.23,47.5)\t(5613.42,6053.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:45.23,0:00:51.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 7] \an5\pos(406.98,47.5)\t(5663.42,6103.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:45.45,0:00:51.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 8] \an5\pos(427.73,47.5)\t(5493.42,5933.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:45.86,0:00:51.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 9] \an5\pos(444.86,47.5)\t(5133.42,5573.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:45.86,0:00:51.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 10] \an5\pos(461.94,47.5)\t(5183.42,5623.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:00:46.08,0:00:51.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 11] \an5\pos(491.63,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:46.45,0:00:51.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 12] \an5\pos(512.38,47.5)\t(4693.42,5133.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:46.45,0:00:51.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 13] \an5\pos(527.43,47.5)\t(4743.42,5183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:46.96,0:00:51.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 14] \an5\pos(551.52,47.5)\t(4283.42,4723.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:00:46.96,0:00:51.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 15] \an5\pos(572.54,47.5)\t(4333.42,4773.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:47.39,0:00:51.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 16] \an5\pos(592.91,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:47.39,0:00:51.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 17] \an5\pos(613.08,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:00:47.78,0:00:51.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 18] \an5\pos(630,47.5)\t(3663.42,4103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:47.78,0:00:51.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 19] \an5\pos(646.88,47.5)\t(3713.42,4153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:48.23,0:00:51.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 20] \an5\pos(667.13,47.5)\t(3313.42,3753.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:00:48.23,0:00:52.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 21] \an5\pos(687.62,47.5)\t(3363.42,3803.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:48.23,0:00:52.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 22] \an5\pos(702.9,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:49.63,0:00:52.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 23] \an5\pos(726.95,47.5)\t(2063.42,2503.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:49.63,0:00:52.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 24] \an5\pos(747.93,47.5)\t(2113.42,2553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:50.16,0:00:52.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 25] \an5\pos(782.73,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:00:50.16,0:00:52.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 26] \an5\pos(808.79,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:50.58,0:00:52.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 27] \an5\pos(829.77,47.5)\t(1313.42,1753.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:50.58,0:00:52.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 28] \an5\pos(850.76,47.5)\t(1363.42,1803.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:50.82,0:00:52.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 29] \an5\pos(871.78,47.5)\t(1173.42,1613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:50.82,0:00:52.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 30] \an5\pos(892.57,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:51.22,0:00:52.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 31] \an5\pos(909.45,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:51.22,0:00:52.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 32] \an5\pos(926.34,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:51.65,0:00:52.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 33] \an5\pos(943.45,47.5)\t(543.42,983.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:00:51.65,0:00:52.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 34] \an5\pos(955.12,47.5)\t(593.42,1033.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:52.20,0:00:52.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 35] \an5\pos(979.2,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:52.20,0:00:52.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 36] \an5\pos(999.99,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:52.69,0:01:03.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 37] \an5\pos(421.16,47.5)\t(10603.42,11043.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:00:53.14,0:01:03.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 38] \an5\pos(443.25,47.5)\t(10203.42,10643.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:00:53.14,0:01:03.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 39] \an5\pos(464.27,47.5)\t(10253.42,10693.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:00:53.59,0:01:03.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 40] \an5\pos(484.64,47.5)\t(9853.42,10293.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:53.59,0:01:03.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 41] \an5\pos(499.32,47.5)\t(9903.42,10343.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:53.77,0:01:03.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 42] \an5\pos(514.66,47.5)\t(9773.42,10213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:53.77,0:01:04.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 43] \an5\pos(535.45,47.5)\t(9823.42,10263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:54.29,0:01:04.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 44] \an5\pos(555.41,47.5)\t(9353.42,9793.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:00:54.29,0:01:04.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 45] \an5\pos(575.6,47.5)\t(9403.42,9843.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:54.29,0:01:04.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 46] \an5\pos(590.88,47.5)\t(9453.42,9893.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:54.69,0:01:04.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 47] \an5\pos(602.31,47.5)\t(9103.42,9543.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:00:54.69,0:01:04.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 48] \an5\pos(619.2,47.5)\t(9153.42,9593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:55.13,0:01:04.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 49] \an5\pos(648.7,47.5)\t(8763.42,9203.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:00:58.49,0:01:04.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 50] \an5\pos(678.48,47.5)\t(5453.42,5893.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:00:58.49,0:01:04.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 51] \an5\pos(699.27,47.5)\t(5503.42,5943.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:00:58.92,0:01:04.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 52] \an5\pos(728.76,47.5)\t(5123.42,5563.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:00:58.92,0:01:04.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 53] \an5\pos(744.04,47.5)\t(5173.42,5613.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:59.23,0:01:04.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 54] \an5\pos(759.38,47.5)\t(4913.42,5353.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:00:59.23,0:01:04.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 55] \an5\pos(774.71,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:00:59.37,0:01:04.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 56] \an5\pos(789.39,47.5)\t(4873.42,5313.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:00:59.37,0:01:04.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 57] \an5\pos(809.56,47.5)\t(4923.42,5363.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:04.25,0:01:04.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 58] \an5\pos(839.01,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:01:04.25,0:01:04.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 59] \an5\pos(859.9,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:05.26,0:01:07.77,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 60] \an5\pos(482.95,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:05.45,0:01:07.82,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 61] \an5\pos(494.38,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:05.45,0:01:07.87,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 62] \an5\pos(510.73,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:05.45,0:01:07.92,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 63] \an5\pos(530.73,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:05.78,0:01:07.97,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 64] \an5\pos(565.34,47.5)\t(1753.42,2193.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:05.78,0:01:08.02,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 65] \an5\pos(591.39,47.5)\t(1803.42,2243.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:06.07,0:01:08.07,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 66] \an5\pos(621.13,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:06.07,0:01:08.12,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 67] \an5\pos(642.11,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:06.43,0:01:08.17,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 68] \an5\pos(671.05,47.5)\t(1303.42,1743.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:06.43,0:01:08.22,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 69] \an5\pos(691.21,47.5)\t(1353.42,1793.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:06.73,0:01:08.27,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 70] \an5\pos(711.54,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:06.73,0:01:08.32,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 71] \an5\pos(731.67,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:07.07,0:01:08.37,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 72] \an5\pos(746.72,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:07.89,0:01:08.42,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 73] \an5\pos(770.8,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:01:07.89,0:01:08.47,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 74] \an5\pos(791.59,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:08.15,0:01:11.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 75] \an5\pos(386.46,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:08.36,0:01:11.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 76] \an5\pos(397.89,47.5)\t(2663.42,3103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:08.36,0:01:11.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 77] \an5\pos(414.23,47.5)\t(2713.42,3153.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:08.36,0:01:11.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 78] \an5\pos(434.23,47.5)\t(2763.42,3203.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:08.65,0:01:11.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 79] \an5\pos(463.81,47.5)\t(2523.42,2963.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:08.65,0:01:11.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 80] \an5\pos(484.6,47.5)\t(2573.42,3013.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:08.97,0:01:11.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 81] \an5\pos(510.23,47.5)\t(2303.42,2743.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:08.97,0:01:11.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 82] \an5\pos(523.5,47.5)\t(2353.42,2793.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:08.97,0:01:11.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 83] \an5\pos(540.58,47.5)\t(2403.42,2843.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:09.28,0:01:11.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 84] \an5\pos(569.66,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:09.28,0:01:11.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 85] \an5\pos(589.79,47.5)\t(2193.42,2633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:09.45,0:01:11.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 86] \an5\pos(614.9,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:09.45,0:01:12.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 87] \an5\pos(640.01,47.5)\t(2123.42,2563.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:09.77,0:01:12.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 88] \an5\pos(657.13,47.5)\t(1853.42,2293.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:09.77,0:01:12.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 89] \an5\pos(674.24,47.5)\t(1903.42,2343.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:10.21,0:01:12.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 90] \an5\pos(694.99,47.5)\t(1513.42,1953.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:10.21,0:01:12.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 91] \an5\pos(715.74,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:10.63,0:01:12.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 92] \an5\pos(730.79,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:11.17,0:01:12.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 93] \an5\pos(759.91,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:11.17,0:01:12.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 94] \an5\pos(785.73,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:11.71,0:01:12.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 95] \an5\pos(811.55,47.5)\t(263.42,703.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:11.71,0:01:12.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 96] \an5\pos(837.37,47.5)\t(313.42,753.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:11.98,0:01:12.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 97] \an5\pos(866.91,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:11.98,0:01:12.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 98] \an5\pos(887.89,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:12.32,0:01:14.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 99] \an5\pos(528.21,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:01:12.32,0:01:14.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 100] \an5\pos(549.76,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:12.65,0:01:14.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 101] \an5\pos(570.13,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:12.65,0:01:14.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 102] \an5\pos(590.49,47.5)\t(1453.42,1893.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:12.82,0:01:14.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 103] \an5\pos(620.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:12.82,0:01:14.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 104] \an5\pos(635.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:13.12,0:01:14.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 105] \an5\pos(663.93,47.5)\t(1133.42,1573.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:13.12,0:01:14.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 106] \an5\pos(689.04,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:13.44,0:01:14.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 107] \an5\pos(718.29,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:14.31,0:01:14.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 108] \an5\pos(735.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:14.31,0:01:14.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 109] \an5\pos(752.56,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:15.66,0:01:18.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 110] \an5\pos(507.76,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}Z
Dialogue: 0,0:01:15.66,0:01:18.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 111] \an5\pos(528.55,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:15.96,0:01:18.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 112] \an5\pos(545.47,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:15.96,0:01:18.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 113] \an5\pos(558.73,47.5)\t(1783.42,2223.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:15.96,0:01:18.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 114] \an5\pos(575.85,47.5)\t(1833.42,2273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:16.31,0:01:18.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 115] \an5\pos(601.72,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:16.31,0:01:18.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 116] \an5\pos(618.6,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:16.54,0:01:18.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 117] \an5\pos(633.65,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:16.89,0:01:18.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 118] \an5\pos(648.16,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:16.89,0:01:18.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 119] \an5\pos(668.31,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:17.29,0:01:18.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 120] \an5\pos(685.39,47.5)\t(803.42,1243.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:17.29,0:01:18.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 121] \an5\pos(701.73,47.5)\t(853.42,1293.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:17.29,0:01:18.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 122] \an5\pos(721.73,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:18.15,0:01:18.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 123] \an5\pos(751.31,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:18.15,0:01:18.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 124] \an5\pos(772.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:18.37,0:01:22.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 125] \an5\pos(393.55,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}D
Dialogue: 0,0:01:18.37,0:01:22.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 126] \an5\pos(415.38,47.5)\t(3973.42,4413.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:18.57,0:01:22.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 127] \an5\pos(444.26,47.5)\t(3823.42,4263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:18.57,0:01:22.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 128] \an5\pos(464.59,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:18.86,0:01:22.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 129] \an5\pos(485.57,47.5)\t(3633.42,4073.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:18.86,0:01:22.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 130] \an5\pos(506.59,47.5)\t(3683.42,4123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:19.17,0:01:23.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 131] \an5\pos(536.08,47.5)\t(3423.42,3863.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:19.50,0:01:23.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 132] \an5\pos(552.96,47.5)\t(3143.42,3583.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:19.50,0:01:23.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 133] \an5\pos(569.84,47.5)\t(3193.42,3633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:19.66,0:01:23.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 134] \an5\pos(586.96,47.5)\t(3083.42,3523.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:19.66,0:01:23.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 135] \an5\pos(598.63,47.5)\t(3133.42,3573.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:19.96,0:01:23.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 136] \an5\pos(618.99,47.5)\t(2883.42,3323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:19.96,0:01:23.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 137] \an5\pos(644.81,47.5)\t(2933.42,3373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:20.41,0:01:23.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 138] \an5\pos(665.51,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:20.94,0:01:23.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 139] \an5\pos(689.66,47.5)\t(2053.42,2493.42,0.8,\fr-180)\blur3\fad(0,200)}j
Dialogue: 0,0:01:20.94,0:01:23.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 140] \an5\pos(704.86,47.5)\t(2103.42,2543.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:21.41,0:01:23.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 141] \an5\pos(734.36,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:21.41,0:01:23.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 142] \an5\pos(755.11,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:21.85,0:01:23.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 143] \an5\pos(770.16,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:22.22,0:01:23.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 144] \an5\pos(794.2,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:22.52,0:01:23.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 145] \an5\pos(823.99,47.5)\t(773.42,1213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:22.52,0:01:23.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 146] \an5\pos(844.78,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:23.30,0:01:23.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 147] \an5\pos(870.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:23.30,0:01:23.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 148] \an5\pos(887.53,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:23.60,0:01:25.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 149] \an5\pos(541.63,47.5)\t(1443.42,1883.42,0.8,\fr-180)\blur3\fad(0,200)}W
Dialogue: 0,0:01:23.60,0:01:25.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 150] \an5\pos(569.28,47.5)\t(1493.42,1933.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:23.85,0:01:25.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 151] \an5\pos(589.24,47.5)\t(1293.42,1733.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:23.85,0:01:25.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 152] \an5\pos(609.24,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:24.10,0:01:25.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 153] \an5\pos(626.4,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:24.10,0:01:25.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 154] \an5\pos(643.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:24.35,0:01:25.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 155] \an5\pos(664.66,47.5)\t(993.42,1433.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:24.35,0:01:25.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 156] \an5\pos(685.41,47.5)\t(1043.42,1483.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:24.60,0:01:25.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 157] \an5\pos(700.45,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:25.40,0:01:25.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 158] \an5\pos(724.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:01:25.40,0:01:25.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 159] \an5\pos(745.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:25.73,0:01:29.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 160] \an5\pos(391.33,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}A
Dialogue: 0,0:01:25.83,0:01:29.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 161] \an5\pos(413.55,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:25.83,0:01:29.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 162] \an5\pos(434.53,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:26.10,0:01:29.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 163] \an5\pos(464.25,47.5)\t(3243.42,3683.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:26.10,0:01:29.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 164] \an5\pos(479.53,47.5)\t(3293.42,3733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:27.16,0:01:29.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 165] \an5\pos(503.58,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:27.16,0:01:29.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 166] \an5\pos(518.88,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:27.31,0:01:29.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 167] \an5\pos(542.42,47.5)\t(2233.42,2673.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:01:27.31,0:01:30.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 168] \an5\pos(562.91,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:27.31,0:01:30.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 169] \an5\pos(578.19,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:27.81,0:01:30.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 170] \an5\pos(592.87,47.5)\t(1883.42,2323.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:27.81,0:01:30.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 171] \an5\pos(613,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:28.12,0:01:30.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 172] \an5\pos(629.88,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:28.12,0:01:30.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 173] \an5\pos(643.15,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:28.12,0:01:30.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 174] \an5\pos(660.03,47.5)\t(1773.42,2213.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:28.41,0:01:30.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 175] \an5\pos(689.44,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:01:28.41,0:01:30.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 176] \an5\pos(710.09,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:28.66,0:01:30.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 177] \an5\pos(730.23,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:28.66,0:01:30.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 178] \an5\pos(750.4,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:29.08,0:01:30.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 179] \an5\pos(770.4,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:29.08,0:01:30.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 180] \an5\pos(790.59,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:29.21,0:01:30.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 181] \an5\pos(810.96,47.5)\t(1033.42,1473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:29.21,0:01:30.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 182] \an5\pos(831.13,47.5)\t(1083.42,1523.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:30.25,0:01:30.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 183] \an5\pos(865.03,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:30.25,0:01:30.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 184] \an5\pos(890.14,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:30.83,0:01:36.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 185] \an5\pos(344.2,47.5)\t(5063.42,5503.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:01:30.98,0:01:36.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 186] \an5\pos(364.56,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:30.98,0:01:36.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 187] \an5\pos(390.38,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:31.31,0:01:36.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 188] \an5\pos(424.95,47.5)\t(4733.42,5173.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:31.31,0:01:36.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 189] \an5\pos(451.01,47.5)\t(4783.42,5223.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:31.79,0:01:36.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 190] \an5\pos(485.81,47.5)\t(4353.42,4793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:31.79,0:01:36.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 191] \an5\pos(511.67,47.5)\t(4403.42,4843.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:32.00,0:01:36.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 192] \an5\pos(532.46,47.5)\t(4243.42,4683.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:32.00,0:01:36.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 193] \an5\pos(553.41,47.5)\t(4293.42,4733.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:32.27,0:01:36.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 194] \an5\pos(583.1,47.5)\t(4073.42,4513.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:32.27,0:01:36.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 195] \an5\pos(604.09,47.5)\t(4123.42,4563.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:32.68,0:01:36.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 196] \an5\pos(633.8,47.5)\t(3763.42,4203.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:34.81,0:01:36.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 197] \an5\pos(654.17,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:34.81,0:01:36.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 198] \an5\pos(674.34,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:34.97,0:01:37.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 199] \an5\pos(703.27,47.5)\t(1623.42,2063.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:34.97,0:01:37.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 200] \an5\pos(723.4,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:35.13,0:01:37.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 201] \an5\pos(743.53,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:35.13,0:01:37.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 202] \an5\pos(763.66,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:35.27,0:01:37.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 203] \an5\pos(784.36,47.5)\t(1523.42,1963.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:35.89,0:01:37.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 204] \an5\pos(801.44,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:35.89,0:01:37.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 205] \an5\pos(818.32,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:36.37,0:01:37.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 206] \an5\pos(852.89,47.5)\t(573.42,1013.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:36.37,0:01:37.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 207] \an5\pos(878.71,47.5)\t(623.42,1063.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:36.95,0:01:37.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 208] \an5\pos(904.53,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:36.95,0:01:37.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 209] \an5\pos(930.35,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:37.23,0:01:39.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 210] \an5\pos(396.78,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:01:37.23,0:01:39.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 211] \an5\pos(413.23,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:37.37,0:01:39.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 212] \an5\pos(428.56,47.5)\t(1943.42,2383.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:01:37.37,0:01:39.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 213] \an5\pos(443.9,47.5)\t(1993.42,2433.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:37.59,0:01:39.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 214] \an5\pos(458.58,47.5)\t(1823.42,2263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:37.59,0:01:39.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 215] \an5\pos(478.75,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:38.14,0:01:39.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 216] \an5\pos(507.5,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:38.14,0:01:40.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 217] \an5\pos(527.7,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:38.14,0:01:40.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 218] \an5\pos(548.66,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:38.52,0:01:40.10,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 219] \an5\pos(569.69,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:38.52,0:01:40.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 220] \an5\pos(590.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:38.80,0:01:40.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 221] \an5\pos(620.45,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:38.80,0:01:40.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 222] \an5\pos(635.74,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:38.98,0:01:40.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 223] \an5\pos(664.86,47.5)\t(883.42,1323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:38.98,0:01:40.35,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 224] \an5\pos(685.23,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:39.13,0:01:40.40,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 225] \an5\pos(709.26,47.5)\t(833.42,1273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:39.31,0:01:40.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 226] \an5\pos(744.06,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:39.31,0:01:40.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 227] \an5\pos(769.88,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:39.55,0:01:40.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 228] \an5\pos(790.02,47.5)\t(563.42,1003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:39.55,0:01:40.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 229] \an5\pos(810.15,47.5)\t(613.42,1053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:39.94,0:01:40.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 230] \an5\pos(830.11,47.5)\t(273.42,713.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:39.94,0:01:40.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 231] \an5\pos(850.27,47.5)\t(323.42,763.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:40.22,0:01:40.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 232] \an5\pos(867.34,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:40.22,0:01:40.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 233] \an5\pos(884.42,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:40.56,0:01:42.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 234] \an5\pos(507.78,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:01:40.56,0:01:42.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 235] \an5\pos(529.09,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:40.71,0:01:42.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 236] \an5\pos(549.84,47.5)\t(1093.42,1533.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:40.71,0:01:42.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 237] \an5\pos(570.59,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:40.90,0:01:42.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 238] \an5\pos(591.38,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:40.90,0:01:42.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 239] \an5\pos(612.37,47.5)\t(1053.42,1493.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:41.04,0:01:42.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 240] \an5\pos(629.68,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:41.04,0:01:42.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 241] \an5\pos(646.84,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:41.20,0:01:42.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 242] \an5\pos(681.45,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:41.20,0:01:42.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 243] \an5\pos(707.46,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:41.51,0:01:42.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 244] \an5\pos(724.77,47.5)\t(693.42,1133.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:41.51,0:01:42.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 245] \an5\pos(742.13,47.5)\t(743.42,1183.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:42.21,0:01:42.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 246] \an5\pos(763.15,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:42.21,0:01:42.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 247] \an5\pos(778.48,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}ī
Dialogue: 0,0:01:42.48,0:01:46.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 248] \an5\pos(344.23,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:01:42.48,0:01:46.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 249] \an5\pos(360.09,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:42.64,0:01:46.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 250] \an5\pos(380.46,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:42.64,0:01:46.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 251] \an5\pos(400.83,47.5)\t(3403.42,3843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:42.79,0:01:46.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 252] \an5\pos(424.88,47.5)\t(3303.42,3743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:42.79,0:01:46.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 253] \an5\pos(445.86,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:43.29,0:01:46.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 254] \an5\pos(480.66,47.5)\t(2903.42,3343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:43.29,0:01:46.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 255] \an5\pos(506.52,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:43.56,0:01:46.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 256] \an5\pos(527.31,47.5)\t(2733.42,3173.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:43.56,0:01:46.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 257] \an5\pos(548.26,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:43.93,0:01:46.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 258] \an5\pos(577.95,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:43.93,0:01:46.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 259] \an5\pos(598.94,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:44.21,0:01:46.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 260] \an5\pos(628.67,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:44.21,0:01:46.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 261] \an5\pos(649.42,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:44.56,0:01:47.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 262] \an5\pos(669.55,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:44.56,0:01:47.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 263] \an5\pos(689.69,47.5)\t(2083.42,2523.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:44.72,0:01:47.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 264] \an5\pos(719.23,47.5)\t(1973.42,2413.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:44.72,0:01:47.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 265] \an5\pos(740.21,47.5)\t(2023.42,2463.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:45.00,0:01:47.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 266] \an5\pos(770.78,47.5)\t(1793.42,2233.42,0.8,\fr-180)\blur3\fad(0,200)}R
Dialogue: 0,0:01:45.00,0:01:47.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 267] \an5\pos(792.6,47.5)\t(1843.42,2283.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:45.34,0:01:47.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 268] \an5\pos(812.76,47.5)\t(1553.42,1993.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:45.34,0:01:47.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 269] \an5\pos(832.95,47.5)\t(1603.42,2043.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:45.34,0:01:47.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 270] \an5\pos(853.94,47.5)\t(1653.42,2093.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:46.88,0:01:47.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 271] \an5\pos(874.69,47.5)\t(163.42,603.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:46.88,0:01:47.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 272] \an5\pos(895.44,47.5)\t(213.42,653.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:47.05,0:01:47.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 273] \an5\pos(915.94,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:01:47.05,0:01:47.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 274] \an5\pos(936.38,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:47.43,0:01:49.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 275] \an5\pos(405.63,47.5)\t(1863.42,2303.42,0.8,\fr-180)\blur3\fad(0,200)}N
Dialogue: 0,0:01:47.43,0:01:49.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 276] \an5\pos(427.86,47.5)\t(1913.42,2353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:47.52,0:01:49.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 277] \an5\pos(444.98,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:47.52,0:01:49.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 278] \an5\pos(462.09,47.5)\t(1923.42,2363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:47.82,0:01:49.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 279] \an5\pos(482.05,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:47.82,0:01:49.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 280] \an5\pos(502.21,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:48.17,0:01:50.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 281] \an5\pos(530.42,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:01:48.17,0:01:50.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 282] \an5\pos(549.88,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:48.26,0:01:50.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 283] \an5\pos(570.83,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:48.46,0:01:50.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 284] \an5\pos(591.04,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:48.46,0:01:50.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 285] \an5\pos(611.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:01:48.46,0:01:50.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 286] \an5\pos(626.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:48.67,0:01:50.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 287] \an5\pos(641.81,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:49.03,0:01:50.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 288] \an5\pos(670.08,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:01:49.03,0:01:50.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 289] \an5\pos(689.54,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:49.03,0:01:50.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 290] \an5\pos(710.48,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:49.25,0:01:50.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 291] \an5\pos(727.85,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:49.25,0:01:50.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 292] \an5\pos(745.16,47.5)\t(893.42,1333.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:49.33,0:01:50.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 293] \an5\pos(760.41,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:49.56,0:01:50.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 294] \an5\pos(784.44,47.5)\t(683.42,1123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:49.79,0:01:50.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 295] \an5\pos(810.49,47.5)\t(503.42,943.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:49.79,0:01:50.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 296] \an5\pos(836.55,47.5)\t(553.42,993.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:50.10,0:01:50.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 297] \an5\pos(851.83,47.5)\t(293.42,733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:50.30,0:01:50.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 298] \an5\pos(875.86,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:50.78,0:01:52.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 299] \an5\pos(510.08,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}S
Dialogue: 0,0:01:50.78,0:01:52.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 300] \an5\pos(531.84,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:50.93,0:01:52.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 301] \an5\pos(549.2,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:50.93,0:01:52.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 302] \an5\pos(566.31,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:51.07,0:01:52.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 303] \an5\pos(595.81,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:51.07,0:01:52.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 304] \an5\pos(616.8,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:51.25,0:01:52.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 305] \an5\pos(645.91,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:51.25,0:01:52.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 306] \an5\pos(666.05,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:51.39,0:01:52.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 307] \an5\pos(686.8,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:51.39,0:01:52.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 308] \an5\pos(707.55,47.5)\t(1073.42,1513.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:51.69,0:01:52.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 309] \an5\pos(724.43,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:51.69,0:01:53.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 310] \an5\pos(741.31,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:52.47,0:01:53.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 311] \an5\pos(770.76,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:52.85,0:01:57.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 312] \an5\pos(429.28,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}T
Dialogue: 0,0:01:52.85,0:01:57.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 313] \an5\pos(449.57,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:52.99,0:01:57.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 314] \an5\pos(469.94,47.5)\t(3913.42,4353.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:52.99,0:01:57.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 315] \an5\pos(490.11,47.5)\t(3963.42,4403.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:53.80,0:01:57.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 316] \an5\pos(515.78,47.5)\t(3203.42,3643.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:53.80,0:01:57.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 317] \an5\pos(532.9,47.5)\t(3253.42,3693.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:01:54.15,0:01:57.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 318] \an5\pos(553.27,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:01:54.15,0:01:57.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 319] \an5\pos(573.44,47.5)\t(3003.42,3443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:54.42,0:01:57.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 320] \an5\pos(597.27,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:54.77,0:01:57.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 321] \an5\pos(608.7,47.5)\t(2483.42,2923.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:54.77,0:01:57.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 322] \an5\pos(625.05,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:01:54.77,0:01:57.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 323] \an5\pos(645.05,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:01:54.94,0:01:57.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 324] \an5\pos(679.66,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:54.94,0:01:57.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 325] \an5\pos(705.48,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:55.24,0:01:57.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 326] \an5\pos(726.27,47.5)\t(2263.42,2703.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:55.24,0:01:57.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 327] \an5\pos(747.25,47.5)\t(2313.42,2753.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:55.51,0:01:58.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 328] \an5\pos(776.98,47.5)\t(2093.42,2533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:01:55.51,0:01:58.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 329] \an5\pos(797.97,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:57.61,0:01:58.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 330] \an5\pos(823.98,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:01:57.61,0:01:58.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 331] \an5\pos(850.04,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:01:57.76,0:01:59.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 332] \an5\pos(520.6,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:01:57.95,0:01:59.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 333] \an5\pos(547.3,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:01:57.95,0:01:59.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 334] \an5\pos(572.41,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:58.09,0:01:59.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 335] \an5\pos(589.52,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:01:58.09,0:01:59.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 336] \an5\pos(601.19,47.5)\t(983.42,1423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:58.45,0:01:59.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 337] \an5\pos(625.23,47.5)\t(673.42,1113.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:58.45,0:01:59.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 338] \an5\pos(645.98,47.5)\t(723.42,1163.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:58.58,0:01:59.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 339] \an5\pos(666.73,47.5)\t(643.42,1083.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:58.91,0:01:59.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 340] \an5\pos(683.87,47.5)\t(363.42,803.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:01:58.91,0:01:59.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 341] \an5\pos(700.95,47.5)\t(413.42,853.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:01:59.07,0:01:59.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 342] \an5\pos(730.64,47.5)\t(303.42,743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:01:59.07,0:01:59.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 343] \an5\pos(751.39,47.5)\t(353.42,793.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:01:59.33,0:01:59.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 344] \an5\pos(766.44,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:01:59.70,0:02:03.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 345] \an5\pos(415.91,47.5)\t(2993.42,3433.42,0.8,\fr-180)\blur3\fad(0,200)}B
Dialogue: 0,0:01:59.70,0:02:03.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 346] \an5\pos(437.7,47.5)\t(3043.42,3483.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:00.02,0:02:03.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 347] \an5\pos(458.07,47.5)\t(2773.42,3213.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:00.02,0:02:03.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 348] \an5\pos(478.24,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:00.34,0:02:03.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 349] \an5\pos(495.16,47.5)\t(2553.42,2993.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:00.34,0:02:03.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 350] \an5\pos(512.05,47.5)\t(2603.42,3043.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:00.65,0:02:03.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 351] \an5\pos(532.3,47.5)\t(2343.42,2783.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:00.65,0:02:03.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 352] \an5\pos(552.78,47.5)\t(2393.42,2833.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:00.65,0:02:03.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 353] \an5\pos(568.06,47.5)\t(2443.42,2883.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:01.77,0:02:03.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 354] \an5\pos(592.11,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:01.77,0:02:03.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 355] \an5\pos(613.09,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:02.13,0:02:03.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 356] \an5\pos(647.9,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:02.13,0:02:03.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 357] \an5\pos(673.95,47.5)\t(1163.42,1603.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:02.42,0:02:03.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 358] \an5\pos(694.94,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:02.42,0:02:03.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 359] \an5\pos(715.92,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:02.58,0:02:03.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 360] \an5\pos(736.95,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:02.58,0:02:03.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 361] \an5\pos(757.73,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:02.88,0:02:03.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 362] \an5\pos(774.62,47.5)\t(663.42,1103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:02.88,0:02:04.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 363] \an5\pos(791.5,47.5)\t(713.42,1153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:03.20,0:02:04.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 364] \an5\pos(808.62,47.5)\t(443.42,883.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:03.20,0:02:04.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 365] \an5\pos(820.28,47.5)\t(493.42,933.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:03.65,0:02:04.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 366] \an5\pos(844.37,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:03.65,0:02:04.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 367] \an5\pos(865.16,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:04.01,0:02:08.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 368] \an5\pos(505.97,47.5)\t(4463.42,4903.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:02:04.35,0:02:08.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 369] \an5\pos(528.05,47.5)\t(4173.42,4613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:04.35,0:02:09.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 370] \an5\pos(549.08,47.5)\t(4223.42,4663.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:04.67,0:02:09.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 371] \an5\pos(569.45,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:04.67,0:02:09.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 372] \an5\pos(584.13,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:04.85,0:02:09.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 373] \an5\pos(599.46,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:04.85,0:02:09.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 374] \an5\pos(620.25,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:05.18,0:02:09.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 375] \an5\pos(640.21,47.5)\t(3643.42,4083.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:05.18,0:02:09.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 376] \an5\pos(660.41,47.5)\t(3693.42,4133.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:05.18,0:02:09.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 377] \an5\pos(675.69,47.5)\t(3743.42,4183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:05.48,0:02:09.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 378] \an5\pos(687.12,47.5)\t(3493.42,3933.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:05.48,0:02:09.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 379] \an5\pos(704,47.5)\t(3543.42,3983.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:05.75,0:02:09.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 380] \an5\pos(724.75,47.5)\t(3323.42,3763.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:09.03,0:02:09.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 381] \an5\pos(754.54,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:09.03,0:02:09.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 382] \an5\pos(775.33,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:10.39,0:02:13.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 383] \an5\pos(574.43,47.5)\t(2813.42,3253.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:02:10.39,0:02:13.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 384] \an5\pos(590.88,47.5)\t(2863.42,3303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:10.72,0:02:13.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 385] \an5\pos(606.21,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:10.72,0:02:13.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 386] \an5\pos(621.55,47.5)\t(2633.42,3073.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:10.89,0:02:13.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 387] \an5\pos(636.23,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:10.89,0:02:13.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 388] \an5\pos(656.4,47.5)\t(2563.42,3003.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:13.41,0:02:13.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 389] \an5\pos(685.84,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:13.41,0:02:13.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 390] \an5\pos(706.73,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:23:56.48,0:23:58.48,next,,0,0,0,,
Dialogue: 0,0:22:09.52,0:22:16.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}شكرًا لكم على طيب المتابعة
Dialogue: 0,0:22:16.50,0:22:23.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}عذب الخيال
Dialogue: 0,0:22:16.50,0:22:23.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(1081,116.8)}Twitter: @athbulkhayual
Dialogue: 0,0:22:16.50,0:22:23.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(241.4,717.8)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:22:24.15,0:22:27.53,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k43}De{\k41}a{\k25}tta {\k45}ko{\k23}ro {\k21}wa {\k40}da{\k26}re{\k21}ni{\k46}mo
Comment: 0,0:22:27.62,0:22:31.87,ED-Romaji,,0,0,0,,{\blur3}{\k13}{\2c&H606CEB&\t(783,1283,\2c&HC3A7EF&\t(3536,4036,\2c&HE3AE58&))}{\k26}Yo{\k41}so{\k23}ku {\k18}fu{\k44}ka{\k23}no{\k20}u{\k44}na {\k26}te{\k21}n{\k67}ka{\k59}i
Comment: 0,0:22:32.70,0:22:36.88,ED-Romaji,,0,0,0,,{\blur3}{\k11}{\k46}Uso {\k17}mi{\k29}ta{\k14}i{\k19}da {\k116}ne{\k68} {\k98}Yeah
Comment: 0,0:22:38.22,0:22:41.71,ED-Romaji,,0,0,0,,{\blur3}{\k12}{\k34}Guu{\k33}ze{\k21}n {\k22}ba{\k49}ka{\k32}ri {\k48}ja{\k21}na{\k28}ku{\k49}te
Comment: 0,0:22:41.71,0:22:44.65,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k9}Hi{\k29}to{\k15}tus {\k31}ta{\k30}shi{\k44}ka{\k46}na {\k44}no {\k39}wa
Comment: 0,0:22:44.65,0:22:50.55,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k85}Bo{\k26}ku{\k153}ra {\k22}o{\k22}to {\k21}ni {\k14}a{\k55}tsu{\k45}ma{\k140}tta
Comment: 0,0:22:50.90,0:22:57.42,ED-Romaji 3,,0,0,0,,{\blur3}{\k11}{\k43}So{\k54}re{\k54}zo{\k80}re {\k196}no {\k53}ka{\k52}ra{\k53}a {\k56}de
Comment: 0,0:22:57.42,0:22:58.75,ED-Romaji,,0,0,0,,{\blur3}{\k7}{\k27}Hi{\k17}bi{\k25}ki {\k25}a{\k17}e{\k15}be
Comment: 0,0:22:58.75,0:23:05.03,ED-Romaji,,0,0,0,,{\blur3}{\k8}{\k177}Ki{\k89}tto {\k21}ni{\k25}ji {\k20}ni {\k20}mu{\k180}kou {\k88}e
Comment: 0,0:23:05.03,0:23:09.40,ED-Romaji,,0,0,0,,{\blur3}{\k22}ki{\k22}mi {\k22}ga {\k23}i{\k85}re{\k89}ba {\k46}e{\k10}ga{\k10}i{\k28}te{\k16}ta {\k22}yu{\k42}me
Comment: 0,0:23:09.40,0:23:12.90,ED-Romaji,,0,0,0,,{\blur3}{\k32}Ta{\k14}shi{\k25}ka{\k30}na {\k11}mi{\k11}ra{\k8}i {\k45}ni {\k46}ka{\k44}wa{\k45}tte {\k39}ku
Comment: 0,0:23:12.90,0:23:19.12,ED-Romaji,,0,0,0,,{\blur3}{\k158}I{\k24}tsu{\k87}ka {\k25}ma{\k17}na{\k26}tsu {\k10}no {\k15}hi{\k175}ka{\k85}ri
Comment: 0,0:23:19.12,0:23:24.84,ED-Romaji,,0,0,0,,{\blur3}{\k13}Ka{\k32}sa{\k23}na{\k21}ri{\k88}a{\k89}tte {\k42}ka{\k47}na{\k46}de{\k40}ru {\k131}no
Comment: 0,0:23:24.84,0:23:27.17,ED-Romaji,,0,0,0,,{\blur3}{\k47}Kii{\k47}te {\k41}i{\k98}te
Comment: 0,0:23:27.17,0:23:30.30,ED-Romaji,,0,0,0,,{\blur3}{\k58}Play {\k19}the {\k236}music
Dialogue: 0,0:22:24.15,0:22:27.53,ED-Arabic,,0,0,0,,{\blur3}عندما التقينا
Dialogue: 0,0:22:27.62,0:22:31.87,ED-Arabic,,0,0,0,,{\blur3}كان الأمر غير متوقع
Dialogue: 0,0:22:32.70,0:22:36.88,ED-Arabic,,0,0,0,,{\blur3}كان يبدو وكأنه كذبة، أجل
Dialogue: 0,0:22:38.22,0:22:41.71,ED-Arabic,,0,0,0,,{\blur3}لم تكن مجرد مصادفة
Dialogue: 0,0:22:41.71,0:22:44.65,ED-Arabic,,0,0,0,,{\blur3}الأمر المؤكد هو
Dialogue: 0,0:22:44.65,0:22:50.55,ED-Arabic,,0,0,0,,{\blur3}أن الموسيقى جمعتنا
Dialogue: 0,0:22:50.90,0:22:57.42,ED-Arabic,,0,0,0,,{\blur3}يتردد صدى موسيقانا معًا
Dialogue: 0,0:22:57.42,0:22:58.75,ED-Arabic,,0,0,0,,{\blur3}حاملاً معه ألواننا
Dialogue: 0,0:22:58.75,0:23:05.03,ED-Arabic,,0,0,0,,{\blur3}لننطلق ونتجاوز الطيف
Dialogue: 0,0:23:05.03,0:23:09.40,ED-Arabic,,0,0,0,,{\blur3}إذا كنت معي فإن الحلم الذي طالما حلمت به
Dialogue: 0,0:23:09.40,0:23:12.90,ED-Arabic,,0,0,0,,{\blur3}سيتحقق في الغد بكل تأكيد
Dialogue: 0,0:23:12.90,0:23:19.12,ED-Arabic,,0,0,0,,{\blur3}يومًا ما ستتداخل الألوان السبعة ببعضها
Dialogue: 0,0:23:19.12,0:23:24.84,ED-Arabic,,0,0,0,,{\blur3}وتنسجم معًا
Dialogue: 0,0:23:24.84,0:23:27.17,ED-Arabic,,0,0,0,,{\blur3}لذا أرجوك اسمعي
Dialogue: 0,0:23:27.17,0:23:30.30,ED-Arabic,,0,0,0,,{\blur3}اعزفي الموسيقى
Dialogue: 0,0:23:58.48,0:24:00.48,next,,0,0,0,,
Dialogue: 0,0:24:01.28,0:24:03.28,next,,0,0,0,,