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[Aegisub Project Garbage]
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Audio File: [HorribleSubs] Kono Oto Tomare! - 17 [720p].mkv
Video File: [HorribleSubs] Kono Oto Tomare! - 17 [720p].mkv
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:15.33,0:00:20.87,Default,,0,0,0,,{\pos(640,645)}.كل ما أردته هو أن تعود الأمور إلى ما كانت عليه سابقًا
Dialogue: 0,0:00:22.37,0:00:26.04,Default,,0,0,0,,{\pos(640,645)}،كان أمرًا أقسمت على حمايته بكل ما أملك
Dialogue: 0,0:00:26.04,0:00:32.12,Default,,0,0,0,,{\pos(640,645)}.مهما كانت نظرة الناس نحوي وحتى لو تجنبوني
Dialogue: 0,0:00:27.73,0:00:32.19,Signs-1,,0,0,0,,{\pos(1112,70.667)}مدرسة هوزوكي
Dialogue: 0,0:00:32.50,0:00:35.62,Default,,0,0,0,,{\pos(640,645)}!لا... لا تذهبي إلى هناك يا أمي
Dialogue: 0,0:00:35.62,0:00:37.50,Default,,0,0,0,,{\pos(640,645)}!لا تبعديني عنك
Dialogue: 0,0:00:37.50,0:00:40.00,Default,,0,0,0,,{\pos(640,645)}!لا تعزلي نفسك عني
Dialogue: 0,0:00:40.00,0:00:42.66,Default,,0,0,0,,{\pos(640,645)}!سأبذل جهدي معك
Dialogue: 0,0:00:44.70,0:00:50.91,Default,,0,0,0,,{\pos(640,645)}.وهذا ما حصلت عليه في نهاية المطاف
Dialogue: 0,0:00:50.91,0:00:55.95,Default,,0,0,0,,{\pos(640,645)}.لذا راهنت على عزفي... بكل شيء
Dialogue: 0,0:00:55.95,0:00:57.70,Default,,0,0,0,,{\pos(640,645)}.اعتقدت أنني سأتمكن من استعادته
Dialogue: 0,0:00:57.70,0:01:00.83,Default,,0,0,0,,{\pos(640,645)}.اعتقدت أنني سأتمكن من الوصول إليه إذا حاولت باستماتة
Dialogue: 0,0:01:00.83,0:01:03.62,Default,,0,0,0,,{\pos(640,645)}.وثقت... بعزفي
Dialogue: 0,0:01:07.45,0:01:11.33,Default,,0,0,0,,{\pos(640,645)}.عزفك على الكوتو... كالسلاح بالنسبة لي
Dialogue: 0,0:01:11.33,0:01:13.16,Default,,0,0,0,,{\pos(640,645)}...سلاح
Dialogue: 0,0:01:21.75,0:01:23.91,Default,,0,0,0,,.لم يراودني هذا الحلم منذ فترة
Dialogue: 0,0:01:23.91,0:01:27.41,Default,,0,0,0,,لماذا الآن رغم أنه لم يراودني مؤخرًا؟
Dialogue: 0,0:01:27.41,0:01:31.08,Default,,0,0,0,,.لذا فهي فرصتهما الأخيرة
Dialogue: 0,0:01:31.08,0:01:33.91,Default,,0,0,0,,...أجل، لأن هذا أعاد إلى الذكريات
Dialogue: 0,0:01:33.91,0:01:38.20,Default,,0,0,0,,....لأنني أشعر بالطمأنينة في المكان الذي أنا فيه الآن
Dialogue: 0,0:01:38.20,0:01:42.58,Default,,0,0,0,,.كنت أتجنب التفكير في أن الوقت الذي يجمعني بهم سينتهي يومًا ما
Dialogue: 0,0:01:42.58,0:01:46.37,Default,,0,0,0,,...وإذا حدث ذلك سأعود ثانية
Dialogue: 0,0:01:46.37,0:01:50.54,Default,,0,0,0,,ما زلت أخشى أن أعود وحيدة بعد كل هذا؟\N...يا لي من مثيرة للشفقة
Dialogue: 0,0:01:52.75,0:01:57.16,Default,,0,0,0,,.سأركز الآن على الوصول إلى البطولة الوطنية
Dialogue: 0,0:01:57.16,0:01:59.58,Default,,0,0,0,,...البطولة الوطنية مع الجميع
Dialogue: 0,0:03:29.61,0:03:31.61,Signs-0,,0,0,0,,{\pos(640,152)\c&H302216&}نادي الكوتو
Dialogue: 0,0:03:30.58,0:03:31.54,Default,,0,0,0,,!كوراتا
Dialogue: 0,0:03:30.17,0:03:35.17,ep,,0,0,0,,{\fad(500,500)\pos(1200,625.714)}"الحلقة 17: "لم الشمل
Dialogue: 0,0:03:31.54,0:03:34.37,Default,,0,0,0,,كوروسو-سان، هل أتيت للتدريب؟
Dialogue: 0,0:03:34.37,0:03:36.08,Default,,0,0,0,,.أجل، صحيح
Dialogue: 0,0:03:36.08,0:03:37.50,Default,,0,0,0,,.أنا أيضًا
Dialogue: 0,0:03:40.70,0:03:44.79,Default,,0,0,0,,!ما الذي أفعله؟ ألم أضع لنفسي قوانين يوم أمس؟
Dialogue: 0,0:03:44.79,0:03:46.33,Default,,0,0,0,,!كـ-كوروسو-سان
Dialogue: 0,0:03:46.33,0:03:48.08,Default,,0,0,0,,،لا بأس لو أكننت المشاعر له
Dialogue: 0,0:03:48.08,0:03:50.33,Default,,0,0,0,,.لكن لن أخبره بمشاعري حتى نترك النادي
Dialogue: 0,0:03:50.33,0:03:52.04,Default,,0,0,0,,!لن أسمح له بأن يلحظ مشاعري
Dialogue: 0,0:03:52.04,0:03:54.54,Default,,0,0,0,,!لن أسبب المشاكل للنادي أو لأدائنا
Dialogue: 0,0:03:54.54,0:03:56.79,Default,,0,0,0,,!سألتزم بهذه القوانين الثلاثة
Dialogue: 0,0:03:56.79,0:03:59.83,Default,,0,0,0,,.لكن أريد أن أسأله عن أمر واحد فقط
Dialogue: 0,0:03:59.83,0:04:00.91,Default,,0,0,0,,أخبريني، هل أنتِ بخير؟
Dialogue: 0,0:04:00.91,0:04:05.54,Default,,0,0,0,,!كـ-كوراتا! هل تحب ماشيرو-سينباي؟
Dialogue: 0,0:04:06.43,0:04:07.66,Default,,0,0,0,,!لم هذا السؤال المفاجئ؟
Dialogue: 0,0:04:07.66,0:04:11.58,Default,,0,0,0,,...لـ-لقد صُدم، يبدو أنه حقًا
Dialogue: 0,0:04:11.58,0:04:15.70,Default,,0,0,0,,.نعم... أنا أحبها
Dialogue: 0,0:04:15.70,0:04:17.50,Default,,0,0,0,,...هـ-هكذا إذن
Dialogue: 0,0:04:17.50,0:04:18.91,Default,,0,0,0,,.لا بأس، لا بأس
Dialogue: 0,0:04:18.91,0:04:21.70,Default,,0,0,0,,،كان هذا متوقعًا\N.سأبذل جهدي في أنشطة النادي
Dialogue: 0,0:04:21.70,0:04:24.91,Default,,0,0,0,,.لكنه إعجاب بشخصها
Dialogue: 0,0:04:24.91,0:04:28.70,Default,,0,0,0,,.أعتقد أن ما أكنّه لها أقرب إلى الاحترام منه إلى الحب
Dialogue: 0,0:04:28.70,0:04:30.91,Default,,0,0,0,,لكن لماذا سألتني هذا السؤال؟
Dialogue: 0,0:04:30.91,0:04:32.83,Default,,0,0,0,,.هكذا إذن
Dialogue: 0,0:04:34.16,0:04:36.58,Default,,0,0,0,,ما الحكاية؟
Dialogue: 0,0:04:36.58,0:04:39.50,Default,,0,0,0,,ماذا؟ أتيت أنتِ أيضًا يا هوزوكي-تشان؟
Dialogue: 0,0:04:39.50,0:04:41.79,Default,,0,0,0,,...هيرو-سينباي، تاكيزو-سينباي
Dialogue: 0,0:04:42.74,0:04:45.04,Default,,0,0,0,,!اللعنة! سبقوني
Dialogue: 0,0:04:46.62,0:04:50.54,Default,,0,0,0,,.كنت واثقًا من أنني سأكون أول الواصلين
Dialogue: 0,0:04:50.54,0:04:51.58,Default,,0,0,0,,...مرحبًا
Dialogue: 0,0:04:51.58,0:04:53.29,Default,,0,0,0,,!شعرك مريع
Dialogue: 0,0:04:53.29,0:04:55.58,Default,,0,0,0,,بأي وضعية نمت ليصبح بهذا الشكل؟
Dialogue: 0,0:04:55.58,0:04:58.20,Default,,0,0,0,,.اصمتي! إنها آخر موضة
Dialogue: 0,0:04:58.84,0:05:01.79,Default,,0,0,0,,هلا توقفت عن التفوه بالترهات وباشرت العمل؟
Dialogue: 0,0:05:01.79,0:05:04.00,Default,,0,0,0,,!أنتِ البادئة
Dialogue: 0,0:05:04.00,0:05:05.12,Default,,0,0,0,,!اللعنة
Dialogue: 0,0:05:05.12,0:05:07.04,Default,,0,0,0,,.عدنا إلى حالنا
Dialogue: 0,0:05:07.87,0:05:09.91,Default,,0,0,0,,.يبدو أن الجميع هنا
Dialogue: 0,0:05:09.91,0:05:11.04,Default,,0,0,0,,!سوزوكا-تشان
Dialogue: 0,0:05:11.04,0:05:13.09,Default,,0,0,0,,.حددت مقطوعة التصفيات
Dialogue: 0,0:05:13.09,0:05:14.33,Default,,0,0,0,,.يايغورومو
Dialogue: 0,0:05:15.01,0:05:18.00,Default,,0,0,0,,يايغورومو؟ هل سنعزف مقطوعة كلاسيكية؟
Dialogue: 0,0:05:18.00,0:05:19.41,Default,,0,0,0,,...قد لا تكون مناسبة
Dialogue: 0,0:05:19.41,0:05:22.70,Default,,0,0,0,,.كلاسيكية؟ بدت عصرية بالنسبة لي
Dialogue: 0,0:05:22.70,0:05:24.58,Default,,0,0,0,,.رأيتك تعزفينها هنا
Dialogue: 0,0:05:25.75,0:05:29.25,Default,,0,0,0,,!هذه! أنا أيضًا رأيتها! أقصد سمعتها
Dialogue: 0,0:05:29.83,0:05:31.66,Default,,0,0,0,,!حقًا؟! هل بإمكاننا عزفها؟
Dialogue: 0,0:05:31.66,0:05:33.12,Default,,0,0,0,,!هل تعرفها يا تشيكا؟
Dialogue: 0,0:05:33.12,0:05:36.16,Default,,0,0,0,,هذا مذهل! أي مقطوعة هي؟
Dialogue: 0,0:05:36.16,0:05:39.00,Default,,0,0,0,,.هـ-هذه ليست يايغورومو
Dialogue: 0,0:05:39.00,0:05:41.25,Default,,0,0,0,,.بإمكاننا عزف أي مقطوعة إلا هذه
Dialogue: 0,0:05:41.25,0:05:42.29,Default,,0,0,0,,لماذا؟
Dialogue: 0,0:05:42.29,0:05:43.95,Default,,0,0,0,,.إنها فردية
Dialogue: 0,0:05:43.95,0:05:46.41,Default,,0,0,0,,.سأغيرها لتناسب فرقة
Dialogue: 0,0:05:46.41,0:05:49.87,Default,,0,0,0,,!لكن لا يمكن لهذه المقطوعة أن تصل إلى قلب أحد
Dialogue: 0,0:05:49.87,0:05:54.04,Default,,0,0,0,,!ولن نتمكن بها من الوصول إلى البطولة أيضًا\N!لا ينبغي أن نعزف هذه المقطوعة
Dialogue: 0,0:05:54.04,0:05:58.16,Default,,0,0,0,,هل استمعت إلى أدائك جيدًا ولو لمرة واحدة؟
Dialogue: 0,0:05:59.45,0:06:01.00,Default,,0,0,0,,...لا بأس إذن
Dialogue: 0,0:06:01.00,0:06:04.83,Default,,0,0,0,,.على كل حال، توجهوا إلى غرفة العرض الآن
Dialogue: 0,0:06:04.83,0:06:08.08,Default,,0,0,0,,.وصل ديفيدي المهرجان الموسيقي الأخير
Dialogue: 0,0:06:08.08,0:06:12.20,Default,,0,0,0,,.استمعوا إلى أدائكم وأداء مدرسة هاكوتو التي فازت
Dialogue: 0,0:06:14.87,0:06:17.50,Default,,0,0,0,,.سأبدأ بـ أداء هاكوتو أولاً
Dialogue: 0,0:06:18.93,0:06:20.29,Default,,0,0,0,,ما هذا التشكيل؟
Dialogue: 0,0:06:20.29,0:06:23.41,Default,,0,0,0,,لماذا يجلس وحده في المقدمة؟\N.يبدو وكأنه النجم
Dialogue: 0,0:06:23.41,0:06:26.91,Default,,0,0,0,,.لا، بل هو النجم فعلاً
Dialogue: 0,0:06:26.91,0:06:28.25,Default,,0,0,0,,.ذلك الفتى
Dialogue: 0,0:06:30.45,0:06:32.54,Default,,0,0,0,,ما هذا؟
Dialogue: 0,0:06:32.54,0:06:34.25,Default,,0,0,0,,لماذا...؟
Dialogue: 0,0:06:34.25,0:06:40.04,Default,,0,0,0,,.ليس ملفتًا على الإطلاق، إلا أنه يجذبك إليه بشدة
Dialogue: 0,0:06:40.04,0:06:42.41,Default,,0,0,0,,.هذا هو أداء هاكوتو
Dialogue: 0,0:06:43.50,0:06:45.08,Default,,0,0,0,,مقطوعة كلاسيكية؟
Dialogue: 0,0:06:45.08,0:06:48.83,Default,,0,0,0,,،لا أحب الكلاسيكيات كثيرًا لأنها تشعرني بالنعاس
Dialogue: 0,0:06:48.83,0:06:50.62,Default,,0,0,0,,...لكن هذه المقطوعة
Dialogue: 0,0:06:50.62,0:06:56.91,Default,,0,0,0,,.إنه أبسط أداء سمعته، لكنه ما زال ساحرًا
Dialogue: 0,0:06:56.91,0:06:58.87,Default,,0,0,0,,...وقفاتهم وتوقيتهم
Dialogue: 0,0:06:58.87,0:07:06.41,Default,,0,0,0,,وكأن الأصوات تتراكم بهدوء وباللون الصحيح والوقت المناسب\N.وكأنها حُسبت بدقة
Dialogue: 0,0:07:06.41,0:07:13.37,Default,,0,0,0,,لا تتميز هاكوتو بالعمل الجماعي المثير للإعجاب مثل هيميساكا\N.ولا بالتأثير الهائل الذي لدى ميريو
Dialogue: 0,0:07:13.37,0:07:17.58,Default,,0,0,0,,.لكن أداءهم كان "الأداء المثالي" لهذه المقطوعة
Dialogue: 0,0:07:17.58,0:07:19.00,Default,,0,0,0,,..."الأداء المثالي"
Dialogue: 0,0:07:19.00,0:07:22.62,Default,,0,0,0,,،لا أفضّل وصف الموسيقى بهذه الكلمات\N.لكن أدرك ما تقصده
Dialogue: 0,0:07:22.62,0:07:24.70,Default,,0,0,0,,...إنهم يجعلون العزف الكلاسيكي ساحرًا
Dialogue: 0,0:07:24.70,0:07:25.95,Default,,0,0,0,,...لا بد أنهم يفهمون المقطوعة
Dialogue: 0,0:07:25.95,0:07:28.54,Default,,0,0,0,,.لا، ليست كلاسيكية
Dialogue: 0,0:07:28.54,0:07:30.50,Default,,0,0,0,,.سمعت أن هاكوتو يعزفون مقطوعة أصلية
Dialogue: 0,0:07:30.50,0:07:31.62,Default,,0,0,0,,أصلية؟
Dialogue: 0,0:07:31.62,0:07:36.87,Default,,0,0,0,,فوق هذا، أعتقد أنها أُلفت لتظهر عزف ذلك الفتى الذي في المنتصف\N.بأبهى صورة
Dialogue: 0,0:07:36.87,0:07:39.83,Default,,0,0,0,,.أُلفت بالكامل ليكون هو جوهر المقطوعة
Dialogue: 0,0:07:39.83,0:07:42.70,Default,,0,0,0,,...بنية المقطوعة.... وأصوات الأجزاء الأخرى
Dialogue: 0,0:07:42.70,0:07:49.04,Default,,0,0,0,,.جميعها حسبت ونظمت لتمنح عزفه المزيد من البروز والتألق
Dialogue: 0,0:07:49.04,0:07:53.25,Default,,0,0,0,,.يبدو أن لدى هاكوتو ملحنًا بارعًا
Dialogue: 0,0:07:53.25,0:07:55.16,Default,,0,0,0,,...ملحن
Dialogue: 0,0:07:55.95,0:08:00.62,Default,,0,0,0,,.ومن أجل الوصول إلى البطولة الوطنية يجب أن تتغلبوا عليهم
Dialogue: 0,0:08:03.29,0:08:07.62,Default,,0,0,0,,لكن كان أداؤهم مثاليًا، أليس كذلك؟\Nكيف نستطيع التغلب عليهم؟
Dialogue: 0,0:08:07.62,0:08:09.95,Default,,0,0,0,,.يجب أن تتفوقوا على الأداء المثالي
Dialogue: 0,0:08:10.83,0:08:13.58,Default,,0,0,0,,الأداء المثالي لا يعني بالضرورة أنه الأفضل؟
Dialogue: 0,0:08:14.95,0:08:18.04,Default,,0,0,0,,.التالي هو أداؤكم
Dialogue: 0,0:08:18.04,0:08:21.29,Default,,0,0,0,,.كان أداؤكم خشنًا ويعتمد على الروح فقط
Dialogue: 0,0:08:21.29,0:08:22.95,Default,,0,0,0,,.وأنتم تفتقرون إلى المهارة أيضًا
Dialogue: 0,0:08:22.95,0:08:26.50,Default,,0,0,0,,.لكنكم قادرون على دمج مشاعركم في الموسيقى
Dialogue: 0,0:08:26.50,0:08:28.95,Default,,0,0,0,,.هذا هو سلاحكم الأقوى الآن
Dialogue: 0,0:08:29.02,0:08:34.40,Signs-0,,0,0,0,,{\fad(500,0)\c&H303438&\fscx68\fscy80\pos(641.333,134.667)\frz7.915}منافسة الكوتو الوطنية
Dialogue: 0,0:08:28.95,0:08:34.33,Default,,0,0,0,,.وهذه المقطوعة هي الأقدر على إبراز هذه القوة
Dialogue: 0,0:08:34.33,0:08:36.12,Default,,0,0,0,,،ولأنها في الأصل فردية
Dialogue: 0,0:08:36.12,0:08:42.62,Default,,0,0,0,,سأراعي توازن القوى بينكم، وجودة الصوت أيضًا\N.وأغيرها لتكون الأنسب لكم جميعًا
Dialogue: 0,0:08:42.62,0:08:46.83,Default,,0,0,0,,.أنا أوصي بهذه المقطوعة، والقرار الأخير لكم
Dialogue: 0,0:08:48.04,0:08:50.00,Default,,0,0,0,,القرار الأخير لنا؟
Dialogue: 0,0:08:50.00,0:08:51.66,Default,,0,0,0,,ما العمل؟
Dialogue: 0,0:08:59.50,0:09:03.08,Default,,0,0,0,,لماذا اختار الأستاذ هذه المقطوعة من بين جميع المقطوعات؟
Dialogue: 0,0:09:03.08,0:09:04.12,Default,,0,0,0,,...هذه
Dialogue: 0,0:09:10.62,0:09:11.91,Default,,0,0,0,,...كودو
Dialogue: 0,0:09:11.91,0:09:14.75,Default,,0,0,0,,.سأتناول غدائي اليوم هنا أيضًا
Dialogue: 0,0:09:17.58,0:09:20.16,Default,,0,0,0,,.قلت إنك سمعت هذه المقطوعة من قبل
Dialogue: 0,0:09:20.16,0:09:22.83,Default,,0,0,0,,.أجل، عندما ذهبت إلى منزلك في ذلك اليوم
Dialogue: 0,0:09:22.83,0:09:24.33,Default,,0,0,0,,بلا استئذان؟
Dialogue: 0,0:09:24.33,0:09:27.50,Default,,0,0,0,,.استأذنتك... لكنكِ كنتِ نائمة
Dialogue: 0,0:09:27.50,0:09:30.91,Default,,0,0,0,,،مقارنة بالعزف الذي سمعته أول مرة
Dialogue: 0,0:09:30.91,0:09:34.41,Default,,0,0,0,,.أنا أفضّل عزفها الآن
Dialogue: 0,0:09:38.33,0:09:42.16,Default,,0,0,0,,كيف كان رأيك بعد سماع هذه المقطوعة؟
Dialogue: 0,0:09:43.58,0:09:47.41,Default,,0,0,0,,...كانت مؤلمة، أو جارحة جدًا بالأصح
Dialogue: 0,0:09:47.41,0:09:49.87,Default,,0,0,0,,لا أصدق... لماذا؟
Dialogue: 0,0:09:49.87,0:09:55.33,Default,,0,0,0,,.فأنا أردت فقط... أردت فقط أن أراها تبتسم ثانية
Dialogue: 0,0:09:55.33,0:10:00.08,Default,,0,0,0,,.لأن عزفك كان كما لو أنه يصرخ
Dialogue: 0,0:10:03.62,0:10:05.37,Default,,0,0,0,,مـ-ماذا؟
Dialogue: 0,0:10:05.37,0:10:09.29,Default,,0,0,0,,.طلبت من تاكينامي أن يعطيني الملف الصوتي من الديفيدي
Dialogue: 0,0:10:09.29,0:10:11.83,Default,,0,0,0,,لم تستمعي إليه، أليس كذلك؟
Dialogue: 0,0:10:11.83,0:10:13.87,Default,,0,0,0,,...نعم، لكن
Dialogue: 0,0:10:13.87,0:10:18.29,Default,,0,0,0,,،لا أعلم ما تعنيه هذه المقطوعة بالنسبة لك
Dialogue: 0,0:10:18.29,0:10:21.58,Default,,0,0,0,,.لكن لن تكون مخيفة إذا استمعنا إليها معًا
Dialogue: 0,0:10:21.58,0:10:25.12,Default,,0,0,0,,.الرقم 13، هوزوكي ساتوا
Dialogue: 0,0:10:27.87,0:10:30.41,Default,,0,0,0,,هل كان عزفي هكذا؟
Dialogue: 0,0:10:30.41,0:10:36.50,Default,,0,0,0,,ألم يكن يعبر عزفي في ذلك الوقت سوى عن الألم والمعاناة التي أقاسيها؟
Dialogue: 0,0:10:40.37,0:10:43.12,Default,,0,0,0,,...يا له من عزف مريع
Dialogue: 0,0:10:43.12,0:10:48.79,Default,,0,0,0,,.المشاعر التي أردت أن أعبر عنها ليست في المقطوعة على الإطلاق
Dialogue: 0,0:10:48.79,0:10:50.87,Default,,0,0,0,,.كان من المستحيل أن تصل مشاعري إليها
Dialogue: 0,0:10:52.16,0:10:53.58,Default,,0,0,0,,...هكذا إذن
Dialogue: 0,0:10:54.79,0:10:56.29,Default,,0,0,0,,...هكذا إذن
Dialogue: 0,0:10:58.16,0:10:59.25,Default,,0,0,0,,...هوزوكي
Dialogue: 0,0:10:59.25,0:11:01.12,Default,,0,0,0,,.شكرًا لك يا كودو
Dialogue: 0,0:11:02.79,0:11:04.41,Default,,0,0,0,,.أنا على ما يرام الآن
Dialogue: 0,0:11:07.62,0:11:09.33,Default,,0,0,0,,!يا أستاذ
Dialogue: 0,0:11:12.02,0:11:16.32,Signs-0,,0,0,0,,{\fad(500,0)\c&H303438&\fscx68\fscy80\pos(273.333,277.334)\frz14.21}منافسة الكوتو الوطنية
Dialogue: 0,0:11:11.95,0:11:16.25,Default,,0,0,0,,أحقًا تستطيع هذه المقطوعة أن توصل فريقنا الحالي إلى البطولة؟
Dialogue: 0,0:11:18.50,0:11:20.87,Default,,0,0,0,,.هذا الأمر عائد إليكم
Dialogue: 0,0:11:25.45,0:11:28.54,Default,,0,0,0,,.ستكون هذه المقطوعة هي أساس مقطوعتكم التالية
Dialogue: 0,0:11:28.54,0:11:29.37,Default,,0,0,0,,...أيضًا
Dialogue: 0,0:11:32.45,0:11:38.62,Default,,0,0,0,,.يا إلهي، أنا عاجزة عن التوقف عن البكاء والارتعاش
Dialogue: 0,0:11:38.62,0:11:41.66,Default,,0,0,0,,...أنا أسمعها للمرة الثالثة، لذا لم أتأثر
Dialogue: 0,0:11:41.66,0:11:45.50,Default,,0,0,0,,لكن هل ينبغي أن نقدم أداءً مبكيًا كهذا؟
Dialogue: 0,0:11:45.50,0:11:46.79,Default,,0,0,0,,...لا، في الحقيقة
Dialogue: 0,0:11:46.79,0:11:52.04,Default,,0,0,0,,.في الحقيقة عزفت هذه المقطوعة وأنا أرجو أن تجعل الناس يبتسمون بعد سماعها
Dialogue: 0,0:11:52.04,0:11:53.04,Default,,0,0,0,,...لذا
Dialogue: 0,0:11:54.20,0:11:58.00,Default,,0,0,0,,.لستم بحاجة إلى إجبار أنفسكم على التبسم، المعذرة
Dialogue: 0,0:11:58.00,0:12:01.75,Default,,0,0,0,,.دمجت مشاعر خاطئة في هذه المقطوعة
Dialogue: 0,0:12:01.75,0:12:08.12,Default,,0,0,0,,،بما أننا سنعزفها معًا\N .أرجو أن يكون أداؤنا أكثر إيجابية قدر الإمكان، ليعبر عن هذا النادي
Dialogue: 0,0:12:08.12,0:12:13.37,Default,,0,0,0,,.أجل... لذا لا تعزفوا نفس الأداء الذي سمعتموه الآن
Dialogue: 0,0:12:13.37,0:12:15.25,Default,,0,0,0,,.سأغير محتواه كثيرًا
Dialogue: 0,0:12:15.82,0:12:17.95,Default,,0,0,0,,لماذا أسمعتنا إياه إذن؟
Dialogue: 0,0:12:17.95,0:12:20.75,Default,,0,0,0,,.لقد بلغ تأثيره أعماق قلبي
Dialogue: 0,0:12:20.75,0:12:22.50,Default,,0,0,0,,.كان هذا ضروريًا
Dialogue: 0,0:12:22.50,0:12:24.25,Default,,0,0,0,,...من أجل تقديم أداء إيجابي
Dialogue: 0,0:12:24.25,0:12:29.62,Default,,0,0,0,,بعبارة أخرى، لتتمكنوا من التعبير بشكل جيد عن النور\N.يجب أن تجيدوا التعبير عن الظلام
Dialogue: 0,0:12:29.62,0:12:35.00,Default,,0,0,0,,إذا فعلتم هذا ستتمكنون من تقديم أداء أعمق بكثير\N.خصوصًا في هذه المقطوعة
Dialogue: 0,0:12:35.87,0:12:37.58,Default,,0,0,0,,،على العموم، كتبت هذه المدونة الموسيقية
Dialogue: 0,0:12:37.58,0:12:39.75,Default,,0,0,0,,.لذا انسخها ووزعها على الجميع
Dialogue: 0,0:12:39.75,0:12:41.91,Default,,0,0,0,,.ابدأوا تدريباتكم عليها بعد الدوام المدرسي اليوم
Dialogue: 0,0:12:41.91,0:12:44.54,Default,,0,0,0,,!كتبتها في يوم واحد فقط؟
Dialogue: 0,0:12:44.54,0:12:46.70,Default,,0,0,0,,!سوزوكو-تشان! هل سهرت الليل لكتابتها؟
Dialogue: 0,0:12:46.70,0:12:51.91,Default,,0,0,0,,.لم أفعل، يستحيل أن أتخلى عن نومي من أجلكم
Dialogue: 0,0:12:53.04,0:12:56.08,Default,,0,0,0,,!شـ-شكرًا جزيلاً
Dialogue: 0,0:12:56.08,0:12:59.79,Default,,0,0,0,,.لدي متسع من الوقت قبل لقاء المعلمين
Dialogue: 0,0:12:59.79,0:13:03.25,Default,,0,0,0,,!في يوم واحد فقط؟ إنه مذهل حقًا
Dialogue: 0,0:13:03.32,0:13:05.86,Signs-0,,0,0,0,,{\c&H443E36&\pos(632,269.333)}مكتب الرياضيات
Dialogue: 0,0:13:03.25,0:13:05.79,Default,,0,0,0,,هل أستطيع إلقاء نظرة على المدونة؟
Dialogue: 0,0:13:05.79,0:13:07.16,Default,,0,0,0,,!بالطبع
Dialogue: 0,0:13:18.87,0:13:21.91,Default,,0,0,0,,كيف قُسمت الأجزاء؟ أي جزء سأعزف؟
Dialogue: 0,0:13:22.42,0:13:24.70,Default,,0,0,0,,...دعني أرَ... ستعزف على
Dialogue: 0,0:13:24.02,0:13:25.77,Signs-0,,0,0,0,,{\c&H483A49&\pos(398.667,310.667)\frz335.5}كوتو السبعة عشر وترًا: أداتشي / كودو
Dialogue: 0,0:13:26.00,0:13:28.41,Default,,0,0,0,,!مرحى! ذو السبعة عشر وترًا
Dialogue: 0,0:13:28.41,0:13:29.33,Default,,0,0,0,,!أنا أيضًا
Dialogue: 0,0:13:29.81,0:13:31.58,Default,,0,0,0,,اثنان يعزفان على ذي السبعة عشر وترًا؟
Dialogue: 0,0:13:31.58,0:13:35.41,Default,,0,0,0,,لكن ليس لدينا سوى ذي سبعة عشر وترًا واحد، أليس كذلك؟
Dialogue: 0,0:13:36.45,0:13:40.37,Default,,0,0,0,,.يا إلهي، لا فرق بين الطلاب ومشرفهم
Dialogue: 0,0:13:40.37,0:13:42.79,Default,,0,0,0,,.أنتم لا تخجلون
Dialogue: 0,0:13:42.79,0:13:45.37,Default,,0,0,0,,.ها هو ذو السبعة عشر وترًا الذي أردت استعارته
Dialogue: 0,0:13:45.37,0:13:47.58,Default,,0,0,0,,.المعذرة، قدمت لنا خدمة كبيرة
Dialogue: 0,0:13:47.58,0:13:51.83,Default,,0,0,0,,سوزوكا-تشان، متى طلبت منها إعارتنا إياه؟
Dialogue: 0,0:13:49.88,0:13:51.88,Signs-0,,0,0,0,,{\c&H5D524A&\frz14.23\pos(1028.667,123.667)}العزف المنفرد: هوزوكي ساتوا
Dialogue: 0,0:13:49.88,0:13:51.88,Signs-0,,0,0,0,,{\c&H5D524A&\frz15.57\pos(574.667,403.667)}الكوتو الأول: كوراتا تاكيزو\Nساكاي ميتشيتاكا
Dialogue: 0,0:13:54.04,0:13:56.41,Default,,0,0,0,,.المقدمة تبدأ بعزفي المنفرد
Dialogue: 0,0:14:09.20,0:14:11.70,Default,,0,0,0,,هل هذه... هي المقدمة؟
Dialogue: 0,0:14:12.45,0:14:14.04,Default,,0,0,0,,!رائعة
Dialogue: 0,0:14:14.04,0:14:16.95,Default,,0,0,0,,.إنه نفس اللحن الذي سمعناه صباح اليوم
Dialogue: 0,0:14:16.95,0:14:20.00,Default,,0,0,0,,كيف يجعل بعض التنظيم العزف مختلف إلى هذه الدرجة؟
Dialogue: 0,0:14:25.62,0:14:28.41,Default,,0,0,0,,.تغير عزفها ثانية
Dialogue: 0,0:14:28.41,0:14:33.25,Default,,0,0,0,,.صار أقوى ويتردد صداه أكثر من ذي قبل
Dialogue: 0,0:14:33.25,0:14:36.20,Default,,0,0,0,,ما زال مستواها يتحسن إذن؟
Dialogue: 0,0:14:37.79,0:14:40.12,Default,,0,0,0,,.ساني، علمني على ذي السبعة عشر وترًا
Dialogue: 0,0:14:40.55,0:14:42.25,Default,,0,0,0,,أنا أعلمك؟
Dialogue: 0,0:14:42.25,0:14:44.79,Default,,0,0,0,,.أنت أكثر خبرة مني في ذي السبعة عشر وترًا
Dialogue: 0,0:14:44.79,0:14:45.95,Default,,0,0,0,,.حـ-حسنًا
Dialogue: 0,0:14:45.95,0:14:50.00,Default,,0,0,0,,هوزوكي، نسيت أن أسألك عن هذا من قبل\Nما عنوان هذه المقطوعة؟
Dialogue: 0,0:14:50.49,0:14:52.29,Default,,0,0,0,,.لم أقرر بعد
Dialogue: 0,0:14:52.29,0:14:55.79,Default,,0,0,0,,.لهذا أخطأت في المشاعر التي ينبغي أن تدمجيها معها
Dialogue: 0,0:14:55.79,0:14:59.87,Default,,0,0,0,,.أسرعي في اختيار عنوان، فهي غير مقنعة بلاه
Dialogue: 0,0:14:59.87,0:15:01.54,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:15:01.54,0:15:05.33,Default,,0,0,0,,.ما العمل؟ أنا مريعة في ابتكار العناوين
Dialogue: 0,0:15:06.16,0:15:10.00,Default,,0,0,0,,.اسمع يا تشيكا، هذا هو ذو السبعة عشر وترًا
Dialogue: 0,0:15:10.00,0:15:14.54,Default,,0,0,0,,وكما ترى فإنه من الأفضل الجلوس بالقرب من منتصفه\N.خلافًا للكوتو العادي
Dialogue: 0,0:15:14.54,0:15:16.33,Default,,0,0,0,,.سيتردد الصوت بصورة أفضل على هذا النحو
Dialogue: 0,0:15:17.33,0:15:19.50,Default,,0,0,0,,.والآن تدرب حتى يعتاد جسدك عليه
Dialogue: 0,0:15:19.50,0:15:20.75,Default,,0,0,0,,!مفهوم
Dialogue: 0,0:15:32.04,0:15:33.37,Default,,0,0,0,,!رائع
Dialogue: 0,0:15:33.37,0:15:37.08,Default,,0,0,0,,!الصوت حزين! النغمات العميقة رائعة\N!إنها تصل إلى بطني
Dialogue: 0,0:15:37.08,0:15:40.20,Default,,0,0,0,,كانت تعزف عليه دون أن تواجه أدنى صعوبة إذن؟
Dialogue: 0,0:15:40.20,0:15:44.70,Default,,0,0,0,,!لن أسمح بأن تزيد من تقدمها\N!سألحق بها بالتأكيد
Dialogue: 0,0:15:46.91,0:15:51.00,Default,,0,0,0,,.اسمع، لنذهب إلى منزل الجدة ثانية لنتدرب اعتبارًا من اليوم
Dialogue: 0,0:15:51.86,0:15:56.29,Default,,0,0,0,,.يجب أن تتناوبا في الذهاب للتدرب في منزل نيشينا-سان
Dialogue: 0,0:15:56.92,0:15:58.12,Default,,0,0,0,,!لماذا؟
Dialogue: 0,0:15:58.12,0:16:01.04,Default,,0,0,0,,،لأننا استعرنا ذا السبعة عشر وترًا
Dialogue: 0,0:16:01.04,0:16:05.45,Default,,0,0,0,,.قالت إنها لا تملك سوى ذي سبعة عشر وترًا واحد نستطيع استخدامه
Dialogue: 0,0:16:05.45,0:16:07.41,Default,,0,0,0,,.لذا لن تتمكنا من التدرب سوية
Dialogue: 0,0:16:07.41,0:16:11.04,Default,,0,0,0,,سيتوجب علينا إذن أخذ ذي السبعة عشر وترًا معنا كل يوم، أليس كذلك؟
Dialogue: 0,0:16:11.04,0:16:14.20,Default,,0,0,0,,.لا أستطيع السماح لكما بالتنقل بآلة موسيقية مستعارة
Dialogue: 0,0:16:14.20,0:16:18.00,Default,,0,0,0,,.لذا ركزا وتدربا جيدًا متى ما تيسرت لكما الفرصة
Dialogue: 0,0:16:18.50,0:16:19.79,Default,,0,0,0,,.ما باليد حيلة
Dialogue: 0,0:16:19.79,0:16:22.04,Default,,0,0,0,,،بما أننا لن نتمكن من التدرب معًا في منزل الجدة
Dialogue: 0,0:16:22.04,0:16:24.12,Default,,0,0,0,,.يجب أن نجد الوقت بطريقة أخرى
Dialogue: 0,0:16:24.12,0:16:25.62,Default,,0,0,0,,!سنتهرب من الحصص يا ساني
Dialogue: 0,0:16:25.62,0:16:27.00,Default,,0,0,0,,!لا خيار أمامنا
Dialogue: 0,0:16:27.00,0:16:29.70,Default,,0,0,0,,.أنتما أحمقان بالفعل
Dialogue: 0,0:16:29.70,0:16:33.91,Default,,0,0,0,,المعذرة، أنا مضطرة إلى الذهاب إلى مكان ما اليوم\N.أستأذن بالذهاب
Dialogue: 0,0:16:37.75,0:16:41.45,Default,,0,0,0,,.من النادر ألا تشارك هوزوكي-تشان في تمارين ما بعد النادي
Dialogue: 0,0:16:41.45,0:16:42.58,Default,,0,0,0,,.أجل
Dialogue: 0,0:16:50.54,0:16:52.52,Signs-0,,0,0,0,,{\c&H241009&\move(620.667,248,623.334,85.333,10,1970)}مدرسة هوزوكي
Dialogue: 0,0:16:55.20,0:16:56.45,Default,,0,0,0,,!عجبًا
Dialogue: 0,0:16:56.45,0:17:01.12,Default,,0,0,0,,...يا لها من ضيفة غير معتادة
Dialogue: 0,0:17:01.12,0:17:02.62,Default,,0,0,0,,...دوجيما-سان و
Dialogue: 0,0:17:02.62,0:17:07.70,Default,,0,0,0,,حفيدتي أكيرا، رغم أنكِ قابلتها سابقًا
Dialogue: 0,0:17:07.70,0:17:09.45,Default,,0,0,0,,.المعذرة
Dialogue: 0,0:17:09.45,0:17:11.58,Default,,0,0,0,,ما الذي جاء بك إلى هنا؟
Dialogue: 0,0:17:11.58,0:17:15.29,Default,,0,0,0,,.فقد جلبتِ العار على اسم هوزوكي وطُردتِ
Dialogue: 0,0:17:15.29,0:17:17.79,Default,,0,0,0,,.أتيت للتحدث إلى أمي
Dialogue: 0,0:17:17.79,0:17:21.16,Default,,0,0,0,,ماذا عنكما؟ هل تتدربان في هذا الوقت المتأخر؟
Dialogue: 0,0:17:21.16,0:17:28.29,Default,,0,0,0,,.لا، أنا وأكيرا صرنا متدربتين مقيمتين عند كبيرة المعلمين
Dialogue: 0,0:17:28.29,0:17:30.04,Default,,0,0,0,,متدربتين مقيمتين؟
Dialogue: 0,0:17:30.04,0:17:35.87,Default,,0,0,0,,.لم تخسر زوجها فحسب، بل خسرت وريثتها أيضًا
Dialogue: 0,0:17:35.87,0:17:40.25,Default,,0,0,0,,.ينبغي أن يقف أحدهم إلى جوارها
Dialogue: 0,0:17:40.25,0:17:45.33,Default,,0,0,0,,.سيتوجب عليها أيضًا البحث عن وريث جديد
Dialogue: 0,0:17:46.41,0:17:50.54,Default,,0,0,0,,المهم الآن يا ساتوا-سان\Nأتيت للتحدث إلى كبيرة المعلمين، أليس كذلك؟
Dialogue: 0,0:17:50.54,0:17:52.33,Default,,0,0,0,,هلا تفضلت بالدخول؟
Dialogue: 0,0:17:52.33,0:17:55.20,Default,,0,0,0,,...مهلاً يا أكيرا-سان، إنها
Dialogue: 0,0:17:55.20,0:17:58.87,Default,,0,0,0,,.ما زالت ابنة كبيرة المعلمين، حتى لو نُبذت
Dialogue: 0,0:17:58.87,0:18:01.04,Default,,0,0,0,,.وأيضًا ما زالت في المرحلة الثانوية
Dialogue: 0,0:18:01.04,0:18:03.50,Default,,0,0,0,,.من المحزن ألا تتمكن من دخول المنزل
Dialogue: 0,0:18:03.50,0:18:07.95,Default,,0,0,0,,.يا إلهي، أنتِ لطيفة حقًا
Dialogue: 0,0:18:07.95,0:18:09.70,Default,,0,0,0,,.لا، الأمر ليس كذلك
Dialogue: 0,0:18:17.46,0:18:18.79,Default,,0,0,0,,.كبيرة المعلمين
Dialogue: 0,0:18:22.70,0:18:24.75,Default,,0,0,0,,.مضى وقت طويل
Dialogue: 0,0:18:24.75,0:18:27.25,Default,,0,0,0,,ما الذي جاء بك إلى هنا؟
Dialogue: 0,0:18:27.25,0:18:28.95,Default,,0,0,0,,.غادري
Dialogue: 0,0:18:28.95,0:18:30.79,Default,,0,0,0,,!انتظري يا أمي
Dialogue: 0,0:18:33.41,0:18:35.95,Default,,0,0,0,,.أتيت لأطلب منك معروفًا
Dialogue: 0,0:18:36.61,0:18:40.08,Default,,0,0,0,,.لا تقولي إنك أتيت راغبة في العودة
Dialogue: 0,0:18:40.08,0:18:42.79,Default,,0,0,0,,كيف تجرؤين على هذا بعد الذي فعلته؟
Dialogue: 0,0:18:42.79,0:18:46.41,Default,,0,0,0,,.انضممت إلى نادي الكوتو في مدرستي الثانوية
Dialogue: 0,0:18:46.41,0:18:50.00,Default,,0,0,0,,.ما زلت أعزف على الكوتو هناك
Dialogue: 0,0:18:50.00,0:18:53.83,Default,,0,0,0,,.لكننا بحاجة إلى ذي السبعة عشر وترًا الآن
Dialogue: 0,0:18:53.83,0:18:56.50,Default,,0,0,0,,هلا أعرتني واحدًا من المدرسة؟
Dialogue: 0,0:18:56.50,0:18:58.54,Default,,0,0,0,,لقد نُبذت من مدرسة هوزوكي
Dialogue: 0,0:18:58.54,0:19:01.16,Default,,0,0,0,,وتعزفين على الكوتو في النادي المدرسي للمرح
Dialogue: 0,0:19:01.16,0:19:03.75,Default,,0,0,0,,والآن تريدين استعارة ذي السبعة عشر وترًا؟
Dialogue: 0,0:19:03.75,0:19:06.91,Default,,0,0,0,,!لم أسمع بأمر مثير للخزي كهذا
Dialogue: 0,0:19:06.91,0:19:09.08,Default,,0,0,0,,.أنا أتحدث إلى أمي
Dialogue: 0,0:19:09.08,0:19:10.00,Default,,0,0,0,,ما...؟
Dialogue: 0,0:19:10.00,0:19:13.95,Default,,0,0,0,,.أذكر أن لديك ذا السبعة عشر وترًا الذي يخصك
Dialogue: 0,0:19:13.95,0:19:17.00,Default,,0,0,0,,.أحتاج إلى آخر
Dialogue: 0,0:19:17.00,0:19:19.95,Default,,0,0,0,,.لا توجد آلات هنا أستطيع إعارتك إياها
Dialogue: 0,0:19:19.95,0:19:21.41,Default,,0,0,0,,.غادري
Dialogue: 0,0:19:21.41,0:19:25.00,Default,,0,0,0,,.لذا فهي فرصتهما الأخيرة
Dialogue: 0,0:19:25.00,0:19:27.58,Default,,0,0,0,,.هذا أمر بديهي، يا لوقاحتك
Dialogue: 0,0:19:27.58,0:19:30.95,Default,,0,0,0,,قبل هذا، أهذا أسلوب تتحدثين به عند طلب معروف؟
Dialogue: 0,0:19:30.95,0:19:33.29,Default,,0,0,0,,...هذا ما يجعل من الإطفال المثيرين للمتاعب
Dialogue: 0,0:19:38.41,0:19:41.08,Default,,0,0,0,,...أرجوكِ
Dialogue: 0,0:19:41.08,0:19:43.62,Default,,0,0,0,,.لا بد أنك فقدت صوابك
Dialogue: 0,0:19:43.62,0:19:46.16,Default,,0,0,0,,...تفعلين هذا من أجل ناد مدرسي
Dialogue: 0,0:19:46.16,0:19:49.41,Default,,0,0,0,,...أخشى أنكِ تدبرين أمرًا ما
Dialogue: 0,0:19:49.41,0:19:53.41,Default,,0,0,0,,.بإمكاني إعارتك ذي السبعة عشر وترًا إذا لم تمانعي
Dialogue: 0,0:19:53.41,0:19:56.29,Default,,0,0,0,,أنتِ موافقة على هذا، أليس كذلك يا كبيرة المعلمين؟
Dialogue: 0,0:19:56.29,0:19:57.50,Default,,0,0,0,,.بما أنها آلتي
Dialogue: 0,0:19:57.50,0:19:59.91,Default,,0,0,0,,.مهلاً يا أكيرا-سان
Dialogue: 0,0:19:59.91,0:20:01.08,Default,,0,0,0,,هل أنتِ واثقة؟
Dialogue: 0,0:20:01.08,0:20:04.58,Default,,0,0,0,,.نعم، لدي واحد غير مستخدم
Dialogue: 0,0:20:04.58,0:20:09.33,Default,,0,0,0,,.وأيضًا... لا أحتمل رؤيتك في هذا الوضع المثير للشفقة
Dialogue: 0,0:20:10.87,0:20:14.04,Default,,0,0,0,,.شكرًا جزيلاً
Dialogue: 0,0:20:14.04,0:20:15.83,Default,,0,0,0,,.لا
Dialogue: 0,0:20:15.83,0:20:22.25,Default,,0,0,0,,.من العار أن تتعرض متدربتي للمتاعب بسبب ابنتي
Dialogue: 0,0:20:22.25,0:20:24.08,Default,,0,0,0,,.خذي ما تريدين
Dialogue: 0,0:20:24.08,0:20:28.41,Default,,0,0,0,,.وفي المقابل لا أريد رؤيتك هنا ثانية
Dialogue: 0,0:20:29.83,0:20:31.87,Default,,0,0,0,,.شكرًا جزيلاً
Dialogue: 0,0:20:36.29,0:20:41.37,Default,,0,0,0,,.بغض النظر عما سمعته، لن أفقد الأمل في أمي
Dialogue: 0,0:20:41.37,0:20:47.16,Default,,0,0,0,,...حتى يصل صوتي الحقيقي إليها، لن أفقده أبدًا
Dialogue: 0,0:20:47.16,0:20:50.45,Default,,0,0,0,,...ما زالت تعزف على الكوتو حتى الآن
Dialogue: 0,0:20:50.45,0:20:55.75,Default,,0,0,0,,يجب أن نحرص على ألا تحصل على أدنى فرصة\N.للعودة إلى هوزوكي
Dialogue: 0,0:20:55.75,0:20:57.95,Default,,0,0,0,,أليس كذلك يا أكيرا-سان؟
Dialogue: 0,0:20:57.95,0:21:00.62,Default,,0,0,0,,.بلى أيتها الجدة
Dialogue: 0,0:21:10.33,0:21:11.45,Default,,0,0,0,,!ذو السبعة عشر وترًا
Dialogue: 0,0:21:11.45,0:21:13.12,Default,,0,0,0,,!مرحى
Dialogue: 0,0:21:13.12,0:21:15.50,Default,,0,0,0,,هوزوكي! من أين حصلتِ عليه؟
Dialogue: 0,0:21:15.50,0:21:17.50,Default,,0,0,0,,.استعرته من أمي
Dialogue: 0,0:21:18.19,0:21:19.37,Default,,0,0,0,,من أمك؟
Dialogue: 0,0:21:19.37,0:21:21.37,Default,,0,0,0,,ألا بأس بهذا يا هوزوكي-سان؟
Dialogue: 0,0:21:21.37,0:21:24.20,Default,,0,0,0,,ألم يكن من الصعوبة استعارته؟
Dialogue: 0,0:21:24.20,0:21:27.83,Default,,0,0,0,,.لم يكن الأمر صعبًا، استعرت آلة فقط
Dialogue: 0,0:21:27.83,0:21:29.87,Default,,0,0,0,,حقًا؟
Dialogue: 0,0:21:29.87,0:21:33.16,Default,,0,0,0,,.المهم الآن، أنتما بحاجة إلى المزيد من التدريب
Dialogue: 0,0:21:33.16,0:21:35.58,Default,,0,0,0,,.لن أسمح لكما بإعاقة الآخرين
Dialogue: 0,0:21:35.58,0:21:38.70,Default,,0,0,0,,.أجل، معك حق، شكرًا يا هوزوكي
Dialogue: 0,0:21:38.70,0:21:45.91,Default,,0,0,0,,لم يكن الأمر صعبًا؟ يستحيل أن يكون هذا صحيحًا\N.فقد نبذت من ذلك المنزل وطردت
Dialogue: 0,0:21:45.91,0:21:47.45,Default,,0,0,0,,!لنتدرب قدر الإمكان
Dialogue: 0,0:21:47.45,0:21:48.29,Default,,0,0,0,,!أجل
Dialogue: 0,0:21:50.30,0:21:54.55,Signs-0,,0,0,0,,{\c&H4B432B&\fscx78\fscy78\move(628,225.333,626.667,236,7,4220)}نادي الكوتو
Dialogue: 0,0:21:50.25,0:21:52.58,Default,,0,0,0,,ما الذي تفعلينه يا هيرو-سينباي؟
Dialogue: 0,0:21:52.58,0:21:54.50,Default,,0,0,0,,!لا شيء! لنتدرب
Dialogue: 0,0:23:24.54,0:23:26.54,Signs-1,,0,0,0,,{\fscx76\fscy95\pos(1063,350)\frz7.718}منافسة الكوتو الوطنية السادسة والثلاثون
Dialogue: 0,0:23:27.04,0:23:30.54,Default,,0,0,0,,...لن أنسى ذلك اليوم
Dialogue: 0,0:23:30.54,0:23:34.62,Default,,0,0,0,,.لن أنسى ذلك الأداء أبدًا
Dialogue: 0,0:23:35.61,0:23:37.11,Signs-0,,0,0,0,,{\c&H211C20&\frz344.2\pos(698.667,30.667)}برنامج
Dialogue: 0,0:23:37.11,0:23:39.57,Signs-0,,0,0,0,,{\fad(250,0)\pos(917.333,217.333)\frz337.3\c&H3F3C3C&}دوجيما أكيرا
Dialogue: 0,0:23:37.11,0:23:39.57,Signs-0,,0,0,0,,{\fad(250,0)\pos(382.333,550.667)\frz335.7\c&H3F3C3C&}هوزوكي ساتوا
Dialogue: 0,0:23:37.87,0:23:39.50,Default,,0,0,0,,...أبدًا
Dialogue: 0,0:23:50.08,0:23:52.45,Default,,0,0,0,,"في الحلقة القادمة، "العزيمة
Dialogue: 0,0:23:51.94,0:23:54.80,next,,0,0,0,,الحلقة 18: العزيمة
Dialogue: 0,0:23:54.48,0:23:56.48,next,,0,0,0,,
Dialogue: 0,0:03:21.88,0:03:27.00,op,,0,0,0,,{\fad(2000,200)}!أوقف هذا الصوت
Dialogue: 0,0:03:21.88,0:03:27.00,op,,0,0,0,,{\fscx61\fscy70\pos(88,724)\fad(2000,200)}عذب الخيال
Dialogue: 0,0:03:21.88,0:03:27.00,op,,0,0,0,,{\fscx61\fscy70\pos(984,66)\fad(2000,200)}https://BabyChanSubs.BlogSpot.ae
Comment: 0,0:02:00.08,0:02:08.20,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k17}O{\k28}wa{\k21}ri {\k42}na{\k22}n{\k41}te {\k22}n{\k37}ai {\k51}bo{\k43}ku{\k39}ta{\k45}chi {\k140}no {\k53}mo{\k42}no{\k24}ga{\k40}ta{\k43}ri {\k55}ga
Comment: 0,0:02:08.20,0:02:20.25,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k40}U{\k45}go{\k45}ki{\k18}da{\k52}shi{\k40}ta {\k44}n {\k336}da {\k43}hi{\k31}bi{\k14}ku {\k488}yo
Comment: 0,0:02:21.03,0:02:23.89,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k16}I{\k19}tsu {\k33}mo {\k29}no {\k36}se{\k30}ka{\k34}i {\k82}ga
Comment: 0,0:02:23.99,0:02:27.98,OP-Romaji,,0,0,0,,{\blur3}{\k16}I{\k21}tsu {\k29}da {\k32}tte {\k31}ka{\k17}wa{\k32}ra{\k44}na{\k42}i {\k54}ma{\k54}ma {\k27}de
Comment: 0,0:02:27.98,0:02:30.31,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ko{\k33}ko {\k17}ni {\k30}wa {\k32}a{\k87}ru
Comment: 0,0:02:31.18,0:02:34.15,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k34}Zu{\k30}tto {\k35}ta{\k23}i{\k35}se{\k40}tsu {\k86}de
Comment: 0,0:02:34.16,0:02:39.30,OP-Romaji,,0,0,0,,{\blur3}{\k21}Da {\k20}ke{\k29}do {\k31}a{\k33}ta{\k16}ri{\k30}ma{\k45}e {\k53}ja {\k47}na{\k44}i {\k37}n {\k30}da {\k78}to
Comment: 0,0:02:39.35,0:02:41.40,OP-Romaji,,0,0,0,,{\blur3}{\k9}{\k16}Wa{\k25}su{\k25}re{\k25}na{\k25}i {\k80}yo
Comment: 0,0:02:41.40,0:02:46.25,OP-Romaji,,0,0,0,,{\blur3}{\k14}{\k19}A{\k10}no {\k27}hi {\k106}ni {\k15}chi{\k50}ka{\k31}tta {\k29}ya{\k25}ku{\k42}so{\k13}ku {\k104}wa
Comment: 0,0:02:46.55,0:02:52.95,OP-Romaji,,0,0,0,,{\blur3}{\k13}{\k15}I{\k15}ma {\k33}mo {\k48}mu{\k21}ne {\k27}no {\k41}o{\k213}ku {\k16}ka{\k16}ka{\k14}e{\k62}ta {\k48}ma{\k58}ma
Comment: 0,0:02:52.95,0:02:56.22,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k22}Hi{\k14}bi{\k22}ku {\k55}shō{\k38}dō {\k28}ni {\k18}mi {\k15}o {\k18}ma{\k24}ka{\k39}se{\k28}te
Comment: 0,0:02:56.22,0:02:58.21,OP-Romaji,,0,0,0,,{\blur3}{\k34}Ka{\k15}na{\k19}de{\k14}ru {\k16}me{\k31}ro{\k70}dī
Comment: 0,0:02:58.21,0:03:03.05,OP-Romaji,,0,0,0,,{\blur3}{\k27}Ki{\k16}mi {\k15}no {\k50}mu{\k27}ne {\k37}no {\k28}na{\k35}ka {\k16}de {\k28}Re{\k34}son{\k154}an{\k17}ce
Comment: 0,0:03:03.15,0:03:06.30,OP-Romaji,,0,0,0,,{\blur3}{\k8}{\k20}Na{\k9}ra{\k30}se {\k35}ze{\k9}n{\k20}shi{\k21}n {\k36}zen{\k22}re{\k8}i {\k23}o{\k23}mo{\k31}i {\k20}o
Comment: 0,0:03:06.30,0:03:08.47,OP-Romaji,,0,0,0,,{\blur3}{\k6}{\k42}So{\k15}ra {\k14}no {\k18}ka{\k14}na{\k30}ta {\k78}e
Comment: 0,0:03:08.47,0:03:13.61,OP-Romaji,,0,0,0,,{\blur3}{\k7}{\k31}Tō{\k14}ku {\k81}tō{\k35}ku {\k27}i{\k35}tsu {\k17}ma{\k30}de {\k27}de{\k210}mo
Comment: 0,0:03:13.61,0:03:15.33,OP-Romaji,,0,0,0,,{\blur3}{\k15}O{\k19}wa{\k14}ri {\k36}na{\k13}n{\k33}te {\k16}na{\k26}i
Comment: 0,0:03:15.33,0:03:19.65,OP-Romaji,,0,0,0,,{\blur3}{\k37}Bo{\k32}ku{\k32}ta{\k31}chi {\k112}no {\k36}mo{\k29}no{\k16}ga{\k30}ta{\k32}ri {\k45}ga
Comment: 0,0:03:19.65,0:03:25.03,OP-Romaji,,0,0,0,,{\blur3}{\k10}{\k26}U{\k34}go{\k32}ki{\k18}da{\k33}shi{\k30}ta{\k27}n {\k328}da
Comment: 0,0:03:25.89,0:03:29.41,OP-Romaji,,0,0,0,,{\blur3}{\k12}{\k38}Hi{\k33}bi{\k17}ku {\k252}yo
Dialogue: 0,0:02:00.08,0:02:08.20,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا اللتي لا نهاية لها
Dialogue: 0,0:02:08.20,0:02:20.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:02:21.03,0:02:23.89,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}عالم عادي
Dialogue: 0,0:02:23.99,0:02:27.98,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه على حاله دائمًا
Dialogue: 0,0:02:27.98,0:02:30.31,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إنه هنا
Dialogue: 0,0:02:31.18,0:02:34.15,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ومهم على الدوام
Dialogue: 0,0:02:34.16,0:02:39.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لكن أليس هذا أمرًا بديهيًا؟
Dialogue: 0,0:02:39.35,0:02:41.40,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}لن أنسى
Dialogue: 0,0:02:41.40,0:02:46.25,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}الوعد الذي قطعته في ذلك اليوم
Dialogue: 0,0:02:46.55,0:02:52.95,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ما زلت أحتفظ به في صدري
Dialogue: 0,0:02:52.95,0:02:56.22,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}اعهد بنفسك إلى النغمات المترددة
Dialogue: 0,0:02:56.22,0:02:58.21,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}إلى لحن يعزف
Dialogue: 0,0:02:58.21,0:03:03.05,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}يتردد صداه في قلبك
Dialogue: 0,0:03:03.15,0:03:06.30,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}دع اللحن يطغى
Dialogue: 0,0:03:06.30,0:03:08.47,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}على جسدك وروحك
Dialogue: 0,0:03:08.47,0:03:13.61,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}ويحلق بك عاليًا
Dialogue: 0,0:03:13.61,0:03:15.33,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بلا توقف
Dialogue: 0,0:03:15.33,0:03:19.65,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}قصتنا
Dialogue: 0,0:03:19.65,0:03:25.03,OP-Arabic,,0,0,0,,{\fad(200,200)\blur3}بدأت تمضي قدمًا
Dialogue: 0,0:03:25.89,0:03:29.41,OP-Arabic,,0,0,0,,{\fad(200,500)\blur3}يتعالى صوتها ويتردد
Dialogue: 1,0:02:00.15,0:02:00.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:02:00.32,0:02:00.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 2] \an5\pos(318.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:00.60,0:02:00.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 3] \an5\pos(355.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:00.81,0:02:01.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 4] \an5\pos(396.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:01.23,0:02:01.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 5] \an5\pos(427.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:01.45,0:02:01.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 6] \an5\pos(455.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:02:01.86,0:02:02.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 7] \an5\pos(491.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:02.08,0:02:02.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 8] \an5\pos(517.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ai
Dialogue: 1,0:02:02.45,0:02:02.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 9] \an5\pos(562,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bo
Dialogue: 1,0:02:02.96,0:02:03.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 10] \an5\pos(603.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:03.39,0:02:03.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 11] \an5\pos(640.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:03.78,0:02:04.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 12] \an5\pos(682.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:04.23,0:02:05.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 13] \an5\pos(737.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:05.63,0:02:06.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 14] \an5\pos(793.22,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:06.16,0:02:06.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 15] \an5\pos(840.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:06.58,0:02:06.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 16] \an5\pos(882.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:06.82,0:02:07.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 17] \an5\pos(919.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:07.22,0:02:07.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 18] \an5\pos(948.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:07.65,0:02:08.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 1 - line fx: 19] \an5\pos(989.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:08.29,0:02:08.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 20] \an5\pos(421.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:02:08.69,0:02:09.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 21] \an5\pos(453.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:02:09.14,0:02:09.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 22] \an5\pos(489.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:02:09.59,0:02:09.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 23] \an5\pos(524.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:09.77,0:02:10.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 24] \an5\pos(570.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:02:10.29,0:02:10.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 25] \an5\pos(612.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:10.69,0:02:11.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 26] \an5\pos(648.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:11.13,0:02:14.49,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 27] \an5\pos(688.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:14.49,0:02:14.92,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 28] \an5\pos(733.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:02:14.92,0:02:15.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 29] \an5\pos(764.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:02:15.23,0:02:15.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 30] \an5\pos(799.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:15.37,0:02:20.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 2 - line fx: 31] \an5\pos(849.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:02:21.10,0:02:21.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 32] \an5\pos(482.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:02:21.26,0:02:21.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 33] \an5\pos(514.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:21.45,0:02:21.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 34] \an5\pos(575.82,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:21.78,0:02:22.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 35] \an5\pos(631.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:22.07,0:02:22.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 36] \an5\pos(681.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:22.43,0:02:22.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 37] \an5\pos(721.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:22.73,0:02:23.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 38] \an5\pos(746.72,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:23.07,0:02:23.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 3 - line fx: 39] \an5\pos(781.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:02:23.99,0:02:24.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 40] \an5\pos(386.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:02:24.15,0:02:24.36,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 41] \an5\pos(417.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:24.36,0:02:24.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 42] \an5\pos(474.06,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:24.65,0:02:24.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 43] \an5\pos(527.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tte
Dialogue: 1,0:02:24.97,0:02:25.28,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 44] \an5\pos(579.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:25.28,0:02:25.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 45] \an5\pos(625.15,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:25.45,0:02:25.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 46] \an5\pos(667.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:02:25.77,0:02:26.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 47] \an5\pos(705.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:26.21,0:02:26.63,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 48] \an5\pos(730.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:26.63,0:02:27.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 49] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:27.17,0:02:27.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 50] \an5\pos(821.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:27.71,0:02:27.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 4 - line fx: 51] \an5\pos(877.35,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:27.98,0:02:28.32,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 52] \an5\pos(538.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ko
Dialogue: 1,0:02:28.32,0:02:28.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 53] \an5\pos(580.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ko
Dialogue: 1,0:02:28.65,0:02:28.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 54] \an5\pos(625.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:28.82,0:02:29.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 55] \an5\pos(674.18,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:29.12,0:02:29.44,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 56] \an5\pos(718.29,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:02:29.44,0:02:30.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 5 - line fx: 57] \an5\pos(745.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:02:31.32,0:02:31.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 58] \an5\pos(518.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Zu
Dialogue: 1,0:02:31.66,0:02:31.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 59] \an5\pos(562.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tto
Dialogue: 1,0:02:31.96,0:02:32.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 60] \an5\pos(611.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:32.31,0:02:32.54,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 61] \an5\pos(633.65,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:32.54,0:02:32.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 62] \an5\pos(658.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:32.89,0:02:33.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 63] \an5\pos(705.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:02:33.29,0:02:34.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 6 - line fx: 64] \an5\pos(761.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:34.16,0:02:34.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 65] \an5\pos(403.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Da
Dialogue: 1,0:02:34.37,0:02:34.57,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 66] \an5\pos(454.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ke
Dialogue: 1,0:02:34.57,0:02:34.86,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 67] \an5\pos(496.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}do
Dialogue: 1,0:02:34.86,0:02:35.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 68] \an5\pos(536.08,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}a
Dialogue: 1,0:02:35.17,0:02:35.50,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 69] \an5\pos(563.21,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:35.50,0:02:35.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 70] \an5\pos(591.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:02:35.66,0:02:35.96,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 71] \an5\pos(629.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:35.96,0:02:36.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 72] \an5\pos(665.51,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:36.41,0:02:36.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 73] \an5\pos(699.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ja
Dialogue: 1,0:02:36.94,0:02:37.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 74] \an5\pos(744.61,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:37.41,0:02:37.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 75] \an5\pos(770.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:37.85,0:02:38.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 76] \an5\pos(794.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:02:38.22,0:02:38.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 77] \an5\pos(834.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:02:38.52,0:02:39.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 7 - line fx: 78] \an5\pos(880.9,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}to
Dialogue: 1,0:02:39.44,0:02:39.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 79] \an5\pos(551.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Wa
Dialogue: 1,0:02:39.60,0:02:39.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 80] \an5\pos(599.53,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}su
Dialogue: 1,0:02:39.85,0:02:40.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 81] \an5\pos(636.84,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:02:40.10,0:02:40.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 82] \an5\pos(674.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:40.35,0:02:40.60,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 83] \an5\pos(700.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:02:40.60,0:02:41.40,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 8 - line fx: 84] \an5\pos(734.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 1,0:02:41.54,0:02:41.73,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 85] \an5\pos(391.33,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}A
Dialogue: 1,0:02:41.73,0:02:41.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 86] \an5\pos(424.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:41.83,0:02:42.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 87] \an5\pos(469.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}hi
Dialogue: 1,0:02:42.10,0:02:43.16,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 88] \an5\pos(508.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:43.16,0:02:43.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 89] \an5\pos(557.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:02:43.31,0:02:43.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 90] \an5\pos(603.12,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:43.81,0:02:44.12,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 91] \an5\pos(646.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tta
Dialogue: 1,0:02:44.12,0:02:44.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 92] \an5\pos(699.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ya
Dialogue: 1,0:02:44.41,0:02:44.66,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 93] \an5\pos(740.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:44.66,0:02:45.08,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 94] \an5\pos(780.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}so
Dialogue: 1,0:02:45.08,0:02:45.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 95] \an5\pos(821.25,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:45.21,0:02:46.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 9 - line fx: 96] \an5\pos(875.28,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:02:46.68,0:02:46.83,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 97] \an5\pos(344.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}I
Dialogue: 1,0:02:46.83,0:02:46.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 98] \an5\pos(374.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:46.98,0:02:47.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 99] \an5\pos(435.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:02:47.31,0:02:47.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 100] \an5\pos(496.1,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:02:47.79,0:02:48.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 101] \an5\pos(542.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:02:48.00,0:02:48.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 102] \an5\pos(593.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:48.27,0:02:48.68,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 103] \an5\pos(633.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:48.68,0:02:50.81,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 104] \an5\pos(664.46,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:50.81,0:02:50.97,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 105] \an5\pos(713.52,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:50.97,0:02:51.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 106] \an5\pos(753.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:51.13,0:02:51.27,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 107] \an5\pos(784.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:02:51.27,0:02:51.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 108] \an5\pos(811.69,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:02:51.89,0:02:52.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 109] \an5\pos(863.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:52.37,0:02:52.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 10 - line fx: 110] \an5\pos(914.78,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:53.01,0:02:53.23,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 111] \an5\pos(401.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:02:53.23,0:02:53.37,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 112] \an5\pos(433.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:02:53.37,0:02:53.59,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 113] \an5\pos(468.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:02:53.59,0:02:54.14,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 114] \an5\pos(528.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shō
Dialogue: 1,0:02:54.14,0:02:54.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 115] \an5\pos(580.17,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dō
Dialogue: 1,0:02:54.52,0:02:54.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 116] \an5\pos(625.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ni
Dialogue: 1,0:02:54.80,0:02:54.98,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 117] \an5\pos(669.66,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:02:54.98,0:02:55.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 118] \an5\pos(709.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:02:55.13,0:02:55.31,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 119] \an5\pos(754.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:02:55.31,0:02:55.55,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 120] \an5\pos(800.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:02:55.55,0:02:55.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 121] \an5\pos(840.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:02:55.94,0:02:56.22,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 11 - line fx: 122] \an5\pos(877.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:02:56.22,0:02:56.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 123] \an5\pos(518.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ka
Dialogue: 1,0:02:56.56,0:02:56.71,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 124] \an5\pos(560.09,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:02:56.71,0:02:56.90,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 125] \an5\pos(601.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:02:56.90,0:02:57.04,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 126] \an5\pos(639.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ru
Dialogue: 1,0:02:57.04,0:02:57.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 127] \an5\pos(691.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}me
Dialogue: 1,0:02:57.20,0:02:57.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 128] \an5\pos(735.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ro
Dialogue: 1,0:02:57.51,0:02:58.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 12 - line fx: 129] \an5\pos(767.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}dī
Dialogue: 1,0:02:58.21,0:02:58.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 130] \an5\pos(349.03,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Ki
Dialogue: 1,0:02:58.48,0:02:58.64,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 131] \an5\pos(385.26,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mi
Dialogue: 1,0:02:58.64,0:02:58.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 132] \an5\pos(435.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:58.79,0:02:59.29,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 133] \an5\pos(490.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mu
Dialogue: 1,0:02:59.29,0:02:59.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 134] \an5\pos(537.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ne
Dialogue: 1,0:02:59.56,0:02:59.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 135] \an5\pos(588.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:02:59.93,0:03:00.21,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 136] \an5\pos(638.92,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:03:00.21,0:03:00.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 137] \an5\pos(679.8,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:03:00.56,0:03:00.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 138] \an5\pos(729.67,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:03:00.72,0:03:01.00,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 139] \an5\pos(781.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Re
Dialogue: 1,0:03:01.00,0:03:01.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 140] \an5\pos(833.74,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}son
Dialogue: 1,0:03:01.34,0:03:02.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 141] \an5\pos(885.19,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}an
Dialogue: 1,0:03:02.88,0:03:03.05,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 13 - line fx: 142] \an5\pos(926.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ce
Dialogue: 1,0:03:03.23,0:03:03.43,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 143] \an5\pos(415.88,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Na
Dialogue: 1,0:03:03.43,0:03:03.52,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 144] \an5\pos(455.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:03:03.52,0:03:03.82,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 145] \an5\pos(492.5,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}se
Dialogue: 1,0:03:03.82,0:03:04.17,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 146] \an5\pos(540.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ze
Dialogue: 1,0:03:04.17,0:03:04.26,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 147] \an5\pos(570.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:03:04.26,0:03:04.46,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 148] \an5\pos(606.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:03:04.46,0:03:04.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 149] \an5\pos(641.81,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:03:04.67,0:03:05.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 150] \an5\pos(691.02,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}zen
Dialogue: 1,0:03:05.03,0:03:05.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 151] \an5\pos(738.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}re
Dialogue: 1,0:03:05.25,0:03:05.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 152] \an5\pos(760.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:03:05.33,0:03:05.56,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 153] \an5\pos(784.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:03:05.56,0:03:05.79,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 154] \an5\pos(820.98,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:03:05.79,0:03:06.10,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 155] \an5\pos(851.83,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:03:06.10,0:03:06.30,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 14 - line fx: 156] \an5\pos(875.86,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}o
Dialogue: 1,0:03:06.36,0:03:06.78,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 157] \an5\pos(520.56,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}So
Dialogue: 1,0:03:06.78,0:03:06.93,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 158] \an5\pos(559.45,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ra
Dialogue: 1,0:03:06.93,0:03:07.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 159] \an5\pos(606.3,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:03:07.07,0:03:07.25,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 160] \an5\pos(656.16,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ka
Dialogue: 1,0:03:07.25,0:03:07.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 161] \an5\pos(697.05,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:03:07.39,0:03:07.69,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 162] \an5\pos(734.68,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:03:07.69,0:03:08.47,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 15 - line fx: 163] \an5\pos(770.76,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}e
Dialogue: 1,0:03:08.54,0:03:08.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 164] \an5\pos(439.77,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Tō
Dialogue: 1,0:03:08.85,0:03:08.99,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 165] \an5\pos(480.23,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:03:08.99,0:03:09.80,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 166] \an5\pos(526.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tō
Dialogue: 1,0:03:09.80,0:03:10.15,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 167] \an5\pos(563.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:03:10.15,0:03:10.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 168] \an5\pos(597.27,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:03:10.42,0:03:10.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 169] \an5\pos(628.7,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}tsu
Dialogue: 1,0:03:10.77,0:03:10.94,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 170] \an5\pos(689.91,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ma
Dialogue: 1,0:03:10.94,0:03:11.24,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 171] \an5\pos(736.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:03:11.24,0:03:11.51,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 172] \an5\pos(787.43,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}de
Dialogue: 1,0:03:11.51,0:03:13.61,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 16 - line fx: 173] \an5\pos(834.47,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:03:13.61,0:03:13.76,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 174] \an5\pos(520.6,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}O
Dialogue: 1,0:03:13.76,0:03:13.95,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 175] \an5\pos(557.55,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}wa
Dialogue: 1,0:03:13.95,0:03:14.09,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 176] \an5\pos(594.32,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:03:14.09,0:03:14.45,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 177] \an5\pos(635.48,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:03:14.45,0:03:14.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 178] \an5\pos(666.73,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:03:14.58,0:03:14.91,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 179] \an5\pos(694.31,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}te
Dialogue: 1,0:03:14.91,0:03:15.07,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 180] \an5\pos(740.89,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}na
Dialogue: 1,0:03:15.07,0:03:15.33,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 17 - line fx: 181] \an5\pos(766.44,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}i
Dialogue: 1,0:03:15.33,0:03:15.70,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 182] \an5\pos(426.39,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Bo
Dialogue: 1,0:03:15.70,0:03:16.02,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 183] \an5\pos(468.36,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:03:16.02,0:03:16.34,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 184] \an5\pos(505.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:03:16.34,0:03:16.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 185] \an5\pos(547.58,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}chi
Dialogue: 1,0:03:16.65,0:03:17.77,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 186] \an5\pos(602.59,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:03:17.77,0:03:18.13,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 187] \an5\pos(658.38,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}mo
Dialogue: 1,0:03:18.13,0:03:18.42,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 188] \an5\pos(705.42,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}no
Dialogue: 1,0:03:18.42,0:03:18.58,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 189] \an5\pos(747.2,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:03:18.58,0:03:18.88,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 190] \an5\pos(784.87,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:03:18.88,0:03:19.20,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 191] \an5\pos(813.41,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ri
Dialogue: 1,0:03:19.20,0:03:19.65,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 18 - line fx: 192] \an5\pos(854.62,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ga
Dialogue: 1,0:03:19.75,0:03:20.01,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 193] \an5\pos(505.97,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}U
Dialogue: 1,0:03:20.01,0:03:20.35,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 194] \an5\pos(538.54,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}go
Dialogue: 1,0:03:20.35,0:03:20.67,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 195] \an5\pos(574.24,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ki
Dialogue: 1,0:03:20.67,0:03:20.85,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 196] \an5\pos(609.71,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:03:20.85,0:03:21.18,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 197] \an5\pos(655.49,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}shi
Dialogue: 1,0:03:21.18,0:03:21.48,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 198] \an5\pos(697.37,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ta
Dialogue: 1,0:03:21.48,0:03:21.75,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 199] \an5\pos(724.75,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}n
Dialogue: 1,0:03:21.75,0:03:25.03,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 19 - line fx: 200] \an5\pos(764.79,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}da
Dialogue: 1,0:03:26.01,0:03:26.39,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 201] \an5\pos(574.85,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}Hi
Dialogue: 1,0:03:26.39,0:03:26.72,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 202] \an5\pos(606.63,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}bi
Dialogue: 1,0:03:26.72,0:03:26.89,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 203] \an5\pos(642.14,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}ku
Dialogue: 1,0:03:26.89,0:03:29.41,OP-Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Zoom Move Shad I LR [line origin: 20 - line fx: 204] \an5\pos(691.95,47.5)\4c&H000000&\blur3\xshad0\t(\xshad-0)\fscx125\fscy125\t(\fscx100\fscy100)}yo
Dialogue: 0,0:01:59.53,0:02:00.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 1] \an5\move(381.59,47.5,281.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:01:59.58,0:02:00.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 2] \an5\move(408.29,47.5,308.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:01:59.63,0:02:00.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 3] \an5\move(433.4,47.5,333.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.68,0:02:00.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 4] \an5\move(450.52,47.5,350.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:01:59.73,0:02:00.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 5] \an5\move(462.18,47.5,362.18,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:01:59.78,0:02:00.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 6] \an5\move(486.23,47.5,386.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:59.83,0:02:00.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 7] \an5\move(506.98,47.5,406.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:01:59.88,0:02:01.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 8] \an5\move(527.73,47.5,427.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:01:59.93,0:02:01.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 9] \an5\move(544.86,47.5,444.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:01:59.98,0:02:01.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 10] \an5\move(561.94,47.5,461.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:00.03,0:02:01.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 11] \an5\move(591.63,47.5,491.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:00.08,0:02:02.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 12] \an5\move(612.38,47.5,512.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.13,0:02:02.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 13] \an5\move(627.43,47.5,527.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:00.18,0:02:02.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 14] \an5\move(651.52,47.5,551.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:00.23,0:02:02.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 15] \an5\move(672.54,47.5,572.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:00.28,0:02:02.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 16] \an5\move(692.91,47.5,592.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:00.33,0:02:02.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 17] \an5\move(713.08,47.5,613.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:00.38,0:02:03.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 18] \an5\move(730,47.5,630,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:00.43,0:02:03.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 19] \an5\move(746.88,47.5,646.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:00.48,0:02:03.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 20] \an5\move(767.13,47.5,667.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:00.53,0:02:03.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 21] \an5\move(787.62,47.5,687.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:00.58,0:02:03.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 22] \an5\move(802.9,47.5,702.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:00.63,0:02:04.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 23] \an5\move(826.95,47.5,726.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:00.68,0:02:04.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 24] \an5\move(847.93,47.5,747.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:00.73,0:02:05.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 25] \an5\move(882.73,47.5,782.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:00.78,0:02:05.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 26] \an5\move(908.79,47.5,808.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:00.83,0:02:06.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 27] \an5\move(929.77,47.5,829.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:00.88,0:02:06.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 28] \an5\move(950.76,47.5,850.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:00.93,0:02:06.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 29] \an5\move(971.78,47.5,871.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:00.98,0:02:06.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 30] \an5\move(992.57,47.5,892.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:01.03,0:02:06.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 31] \an5\move(1009.45,47.5,909.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:01.08,0:02:06.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 32] \an5\move(1026.34,47.5,926.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:01.13,0:02:07.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 33] \an5\move(1043.45,47.5,943.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:01.18,0:02:07.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 34] \an5\move(1055.12,47.5,955.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:01.23,0:02:07.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 35] \an5\move(1079.2,47.5,979.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:01.28,0:02:07.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 1 - line fx: 36] \an5\move(1099.99,47.5,999.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:07.65,0:02:08.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 37] \an5\move(521.16,47.5,421.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:02:07.70,0:02:08.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 38] \an5\move(543.25,47.5,443.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:07.75,0:02:08.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 39] \an5\move(564.27,47.5,464.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:07.80,0:02:09.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 40] \an5\move(584.64,47.5,484.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:07.85,0:02:09.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 41] \an5\move(599.32,47.5,499.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:07.90,0:02:09.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 42] \an5\move(614.66,47.5,514.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:07.95,0:02:09.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 43] \an5\move(635.45,47.5,535.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:08.00,0:02:09.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 44] \an5\move(655.41,47.5,555.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:08.05,0:02:09.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 45] \an5\move(675.6,47.5,575.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:08.10,0:02:09.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 46] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:08.15,0:02:10.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 47] \an5\move(702.31,47.5,602.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:08.20,0:02:10.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 48] \an5\move(719.2,47.5,619.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:08.25,0:02:10.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 49] \an5\move(748.7,47.5,648.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:08.30,0:02:11.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 50] \an5\move(778.48,47.5,678.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:08.35,0:02:11.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 51] \an5\move(799.27,47.5,699.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:08.40,0:02:14.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 52] \an5\move(828.76,47.5,728.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:08.45,0:02:14.49,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 53] \an5\move(844.04,47.5,744.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:08.50,0:02:14.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 54] \an5\move(859.38,47.5,759.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:08.55,0:02:14.92,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 55] \an5\move(874.71,47.5,774.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:08.60,0:02:15.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 56] \an5\move(889.39,47.5,789.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:08.65,0:02:15.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 57] \an5\move(909.56,47.5,809.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:08.70,0:02:15.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 58] \an5\move(939.01,47.5,839.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:08.75,0:02:15.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 2 - line fx: 59] \an5\move(959.9,47.5,859.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:20.48,0:02:21.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 60] \an5\move(582.95,47.5,482.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:02:20.53,0:02:21.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 61] \an5\move(594.38,47.5,494.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:20.58,0:02:21.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 62] \an5\move(610.73,47.5,510.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:20.63,0:02:21.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 63] \an5\move(630.73,47.5,530.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:20.68,0:02:21.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 64] \an5\move(665.34,47.5,565.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:20.73,0:02:21.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 65] \an5\move(691.39,47.5,591.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:20.78,0:02:21.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 66] \an5\move(721.13,47.5,621.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:20.83,0:02:21.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 67] \an5\move(742.11,47.5,642.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:20.88,0:02:22.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 68] \an5\move(771.05,47.5,671.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:20.93,0:02:22.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 69] \an5\move(791.21,47.5,691.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:20.98,0:02:22.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 70] \an5\move(811.54,47.5,711.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:21.03,0:02:22.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 71] \an5\move(831.67,47.5,731.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:21.08,0:02:22.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 72] \an5\move(846.72,47.5,746.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:21.13,0:02:23.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 73] \an5\move(870.8,47.5,770.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:02:21.18,0:02:23.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 3 - line fx: 74] \an5\move(891.59,47.5,791.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:23.44,0:02:23.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 75] \an5\move(486.46,47.5,386.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:02:23.49,0:02:24.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 76] \an5\move(497.89,47.5,397.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:23.54,0:02:24.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 77] \an5\move(514.23,47.5,414.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:23.59,0:02:24.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 78] \an5\move(534.23,47.5,434.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:23.64,0:02:24.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 79] \an5\move(563.81,47.5,463.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:23.69,0:02:24.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 80] \an5\move(584.6,47.5,484.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:23.74,0:02:24.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 81] \an5\move(610.23,47.5,510.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:23.79,0:02:24.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 82] \an5\move(623.5,47.5,523.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:23.84,0:02:24.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 83] \an5\move(640.58,47.5,540.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:23.89,0:02:24.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 84] \an5\move(669.66,47.5,569.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:23.94,0:02:24.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 85] \an5\move(689.79,47.5,589.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:23.99,0:02:25.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 86] \an5\move(714.9,47.5,614.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:24.04,0:02:25.28,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 87] \an5\move(740.01,47.5,640.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.09,0:02:25.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 88] \an5\move(757.13,47.5,657.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:24.14,0:02:25.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 89] \an5\move(774.24,47.5,674.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.19,0:02:25.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 90] \an5\move(794.99,47.5,694.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:24.24,0:02:25.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 91] \an5\move(815.74,47.5,715.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.29,0:02:26.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 92] \an5\move(830.79,47.5,730.79,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:24.34,0:02:26.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 93] \an5\move(859.91,47.5,759.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:24.39,0:02:26.63,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 94] \an5\move(885.73,47.5,785.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.44,0:02:27.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 95] \an5\move(911.55,47.5,811.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:24.49,0:02:27.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 96] \an5\move(937.37,47.5,837.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:24.54,0:02:27.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 97] \an5\move(966.91,47.5,866.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:24.59,0:02:27.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 4 - line fx: 98] \an5\move(987.89,47.5,887.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:27.43,0:02:27.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 99] \an5\move(628.21,47.5,528.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:27.48,0:02:27.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 100] \an5\move(649.76,47.5,549.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:27.53,0:02:28.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 101] \an5\move(670.13,47.5,570.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:27.58,0:02:28.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 102] \an5\move(690.49,47.5,590.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:27.63,0:02:28.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 103] \an5\move(720.23,47.5,620.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:27.68,0:02:28.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 104] \an5\move(735.52,47.5,635.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:27.73,0:02:28.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 105] \an5\move(763.93,47.5,663.93,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:27.78,0:02:28.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 106] \an5\move(789.04,47.5,689.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:27.83,0:02:29.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 107] \an5\move(818.29,47.5,718.29,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:27.88,0:02:29.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 108] \an5\move(835.41,47.5,735.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:27.93,0:02:29.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 5 - line fx: 109] \an5\move(852.56,47.5,752.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:30.63,0:02:31.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 110] \an5\move(607.76,47.5,507.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}Z
Dialogue: 0,0:02:30.68,0:02:31.32,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 111] \an5\move(628.55,47.5,528.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:30.73,0:02:31.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 112] \an5\move(645.47,47.5,545.47,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:30.78,0:02:31.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 113] \an5\move(658.73,47.5,558.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:30.83,0:02:31.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 114] \an5\move(675.85,47.5,575.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:30.88,0:02:31.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 115] \an5\move(701.72,47.5,601.72,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:30.93,0:02:31.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 116] \an5\move(718.6,47.5,618.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:30.98,0:02:32.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 117] \an5\move(733.65,47.5,633.65,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:31.03,0:02:32.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 118] \an5\move(748.16,47.5,648.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:31.08,0:02:32.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 119] \an5\move(768.31,47.5,668.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:31.13,0:02:32.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 120] \an5\move(785.39,47.5,685.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:31.18,0:02:32.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 121] \an5\move(801.73,47.5,701.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:31.23,0:02:32.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 122] \an5\move(821.73,47.5,721.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:31.28,0:02:33.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 123] \an5\move(851.31,47.5,751.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:31.33,0:02:33.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 6 - line fx: 124] \an5\move(872.3,47.5,772.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:33.61,0:02:34.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 125] \an5\move(493.55,47.5,393.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}D
Dialogue: 0,0:02:33.66,0:02:34.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 126] \an5\move(515.38,47.5,415.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:33.71,0:02:34.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 127] \an5\move(544.26,47.5,444.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:33.76,0:02:34.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 128] \an5\move(564.59,47.5,464.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:33.81,0:02:34.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 129] \an5\move(585.57,47.5,485.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:33.86,0:02:34.57,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 130] \an5\move(606.59,47.5,506.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:33.91,0:02:34.86,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 131] \an5\move(636.08,47.5,536.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:33.96,0:02:35.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 132] \an5\move(652.96,47.5,552.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:34.01,0:02:35.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 133] \an5\move(669.84,47.5,569.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.06,0:02:35.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 134] \an5\move(686.96,47.5,586.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:34.11,0:02:35.50,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 135] \an5\move(698.63,47.5,598.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:34.16,0:02:35.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 136] \an5\move(718.99,47.5,618.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:34.21,0:02:35.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 137] \an5\move(744.81,47.5,644.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.26,0:02:35.96,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 138] \an5\move(765.51,47.5,665.51,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:34.31,0:02:36.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 139] \an5\move(789.66,47.5,689.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}j
Dialogue: 0,0:02:34.36,0:02:36.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 140] \an5\move(804.86,47.5,704.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.41,0:02:36.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 141] \an5\move(834.36,47.5,734.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.46,0:02:36.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 142] \an5\move(855.11,47.5,755.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.51,0:02:37.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 143] \an5\move(870.16,47.5,770.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:34.56,0:02:37.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 144] \an5\move(894.2,47.5,794.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:34.61,0:02:38.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 145] \an5\move(923.99,47.5,823.99,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:34.66,0:02:38.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 146] \an5\move(944.78,47.5,844.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:34.71,0:02:38.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 147] \an5\move(970.41,47.5,870.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:34.76,0:02:38.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 7 - line fx: 148] \an5\move(987.53,47.5,887.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:38.80,0:02:39.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 149] \an5\move(641.63,47.5,541.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}W
Dialogue: 0,0:02:38.85,0:02:39.44,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 150] \an5\move(669.28,47.5,569.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:38.90,0:02:39.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 151] \an5\move(689.24,47.5,589.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:38.95,0:02:39.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 152] \an5\move(709.24,47.5,609.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:39.00,0:02:39.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 153] \an5\move(726.4,47.5,626.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:39.05,0:02:39.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 154] \an5\move(743.71,47.5,643.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:39.10,0:02:40.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 155] \an5\move(764.66,47.5,664.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:39.15,0:02:40.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 156] \an5\move(785.41,47.5,685.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:39.20,0:02:40.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 157] \an5\move(800.45,47.5,700.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:39.25,0:02:40.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 158] \an5\move(824.41,47.5,724.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:39.30,0:02:40.60,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 8 - line fx: 159] \an5\move(845.3,47.5,745.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:40.85,0:02:41.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 160] \an5\move(491.33,47.5,391.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}A
Dialogue: 0,0:02:40.90,0:02:41.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 161] \an5\move(513.55,47.5,413.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:40.95,0:02:41.73,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 162] \an5\move(534.53,47.5,434.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:41.00,0:02:41.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 163] \an5\move(564.25,47.5,464.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:41.05,0:02:41.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 164] \an5\move(579.53,47.5,479.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:41.10,0:02:42.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 165] \an5\move(603.58,47.5,503.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:41.15,0:02:42.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 166] \an5\move(618.88,47.5,518.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:41.20,0:02:43.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 167] \an5\move(642.42,47.5,542.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:41.25,0:02:43.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 168] \an5\move(662.91,47.5,562.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:41.30,0:02:43.16,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 169] \an5\move(678.19,47.5,578.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:41.35,0:02:43.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 170] \an5\move(692.87,47.5,592.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:41.40,0:02:43.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 171] \an5\move(713,47.5,613,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:41.45,0:02:43.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 172] \an5\move(729.88,47.5,629.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:41.50,0:02:43.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 173] \an5\move(743.15,47.5,643.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:41.55,0:02:43.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 174] \an5\move(760.03,47.5,660.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:41.60,0:02:44.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 175] \an5\move(789.44,47.5,689.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:02:41.65,0:02:44.12,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 176] \an5\move(810.09,47.5,710.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:41.70,0:02:44.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 177] \an5\move(830.23,47.5,730.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:41.75,0:02:44.41,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 178] \an5\move(850.4,47.5,750.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:41.80,0:02:44.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 179] \an5\move(870.4,47.5,770.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:41.85,0:02:44.66,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 180] \an5\move(890.59,47.5,790.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:41.90,0:02:45.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 181] \an5\move(910.96,47.5,810.96,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:41.95,0:02:45.08,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 182] \an5\move(931.13,47.5,831.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:42.00,0:02:45.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 183] \an5\move(965.03,47.5,865.03,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:02:42.05,0:02:45.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 9 - line fx: 184] \an5\move(990.14,47.5,890.14,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:46.00,0:02:46.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 185] \an5\move(444.2,47.5,344.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}I
Dialogue: 0,0:02:46.05,0:02:46.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 186] \an5\move(464.56,47.5,364.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:46.10,0:02:46.83,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 187] \an5\move(490.38,47.5,390.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:46.15,0:02:46.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 188] \an5\move(524.95,47.5,424.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:46.20,0:02:46.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 189] \an5\move(551.01,47.5,451.01,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:46.25,0:02:47.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 190] \an5\move(585.81,47.5,485.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:46.30,0:02:47.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 191] \an5\move(611.67,47.5,511.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:46.35,0:02:47.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 192] \an5\move(632.46,47.5,532.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:46.40,0:02:47.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 193] \an5\move(653.41,47.5,553.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:46.45,0:02:48.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 194] \an5\move(683.1,47.5,583.1,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:46.50,0:02:48.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 195] \an5\move(704.09,47.5,604.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:46.55,0:02:48.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 196] \an5\move(733.8,47.5,633.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:46.60,0:02:48.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 197] \an5\move(754.17,47.5,654.17,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:46.65,0:02:48.68,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 198] \an5\move(774.34,47.5,674.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:46.70,0:02:50.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 199] \an5\move(803.27,47.5,703.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:46.75,0:02:50.81,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 200] \an5\move(823.4,47.5,723.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:46.80,0:02:50.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 201] \an5\move(843.53,47.5,743.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:46.85,0:02:50.97,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 202] \an5\move(863.66,47.5,763.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:46.90,0:02:51.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 203] \an5\move(884.36,47.5,784.36,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:46.95,0:02:51.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 204] \an5\move(901.44,47.5,801.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:47.00,0:02:51.27,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 205] \an5\move(918.32,47.5,818.32,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:47.05,0:02:51.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 206] \an5\move(952.89,47.5,852.89,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:47.10,0:02:51.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 207] \an5\move(978.71,47.5,878.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:47.15,0:02:52.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 208] \an5\move(1004.53,47.5,904.53,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:47.20,0:02:52.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 10 - line fx: 209] \an5\move(1030.35,47.5,930.35,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:52.40,0:02:53.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 210] \an5\move(496.78,47.5,396.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:02:52.45,0:02:53.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 211] \an5\move(513.23,47.5,413.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:52.50,0:02:53.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 212] \an5\move(528.56,47.5,428.56,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:02:52.55,0:02:53.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 213] \an5\move(543.9,47.5,443.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:52.60,0:02:53.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 214] \an5\move(558.58,47.5,458.58,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:52.65,0:02:53.37,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 215] \an5\move(578.75,47.5,478.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:52.70,0:02:53.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 216] \an5\move(607.5,47.5,507.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:52.75,0:02:53.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 217] \an5\move(627.7,47.5,527.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:02:52.80,0:02:53.59,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 218] \an5\move(648.66,47.5,548.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:52.85,0:02:54.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 219] \an5\move(669.69,47.5,569.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:52.90,0:02:54.14,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 220] \an5\move(690.71,47.5,590.71,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:02:52.95,0:02:54.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 221] \an5\move(720.45,47.5,620.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:53.00,0:02:54.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 222] \an5\move(735.74,47.5,635.74,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:53.05,0:02:54.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 223] \an5\move(764.86,47.5,664.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:53.10,0:02:54.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 224] \an5\move(785.23,47.5,685.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:53.15,0:02:54.98,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 225] \an5\move(809.26,47.5,709.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:53.20,0:02:55.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 226] \an5\move(844.06,47.5,744.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:53.25,0:02:55.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 227] \an5\move(869.88,47.5,769.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:53.30,0:02:55.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 228] \an5\move(890.02,47.5,790.02,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:53.35,0:02:55.31,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 229] \an5\move(910.15,47.5,810.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:53.40,0:02:55.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 230] \an5\move(930.11,47.5,830.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:53.45,0:02:55.55,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 231] \an5\move(950.27,47.5,850.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:53.50,0:02:55.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 232] \an5\move(967.34,47.5,867.34,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:02:53.55,0:02:55.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 11 - line fx: 233] \an5\move(984.42,47.5,884.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:55.67,0:02:56.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 234] \an5\move(607.78,47.5,507.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:55.72,0:02:56.22,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 235] \an5\move(629.09,47.5,529.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:55.77,0:02:56.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 236] \an5\move(649.84,47.5,549.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:55.82,0:02:56.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 237] \an5\move(670.59,47.5,570.59,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:55.87,0:02:56.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 238] \an5\move(691.38,47.5,591.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:55.92,0:02:56.71,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 239] \an5\move(712.37,47.5,612.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:55.97,0:02:56.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 240] \an5\move(729.68,47.5,629.68,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:56.02,0:02:56.90,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 241] \an5\move(746.84,47.5,646.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:56.07,0:02:57.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 242] \an5\move(781.45,47.5,681.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:56.12,0:02:57.04,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 243] \an5\move(807.46,47.5,707.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:56.17,0:02:57.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 244] \an5\move(824.77,47.5,724.77,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:02:56.22,0:02:57.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 245] \an5\move(842.13,47.5,742.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:56.27,0:02:57.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 246] \an5\move(863.15,47.5,763.15,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:56.32,0:02:57.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 12 - line fx: 247] \an5\move(878.48,47.5,778.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ī
Dialogue: 0,0:02:57.66,0:02:58.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 248] \an5\move(444.23,47.5,344.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}K
Dialogue: 0,0:02:57.71,0:02:58.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 249] \an5\move(460.09,47.5,360.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:57.76,0:02:58.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 250] \an5\move(480.46,47.5,380.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:57.81,0:02:58.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 251] \an5\move(500.83,47.5,400.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:02:57.86,0:02:58.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 252] \an5\move(524.88,47.5,424.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:57.91,0:02:58.64,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 253] \an5\move(545.86,47.5,445.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:57.96,0:02:58.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 254] \an5\move(580.66,47.5,480.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:02:58.01,0:02:58.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 255] \an5\move(606.52,47.5,506.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:02:58.06,0:02:59.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 256] \an5\move(627.31,47.5,527.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:58.11,0:02:59.29,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 257] \an5\move(648.26,47.5,548.26,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:58.16,0:02:59.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 258] \an5\move(677.95,47.5,577.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:58.21,0:02:59.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 259] \an5\move(698.94,47.5,598.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:58.26,0:02:59.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 260] \an5\move(728.67,47.5,628.67,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:58.31,0:02:59.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 261] \an5\move(749.42,47.5,649.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:58.36,0:03:00.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 262] \an5\move(769.55,47.5,669.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:02:58.41,0:03:00.21,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 263] \an5\move(789.69,47.5,689.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:58.46,0:03:00.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 264] \an5\move(819.23,47.5,719.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:02:58.51,0:03:00.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 265] \an5\move(840.21,47.5,740.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:58.56,0:03:00.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 266] \an5\move(870.78,47.5,770.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}R
Dialogue: 0,0:02:58.61,0:03:00.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 267] \an5\move(892.6,47.5,792.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:02:58.66,0:03:01.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 268] \an5\move(912.76,47.5,812.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:02:58.71,0:03:01.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 269] \an5\move(932.95,47.5,832.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:58.76,0:03:01.00,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 270] \an5\move(953.94,47.5,853.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:58.81,0:03:01.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 271] \an5\move(974.69,47.5,874.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:02:58.86,0:03:01.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 272] \an5\move(995.44,47.5,895.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:02:58.91,0:03:02.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 273] \an5\move(1015.94,47.5,915.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:02:58.96,0:03:02.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 13 - line fx: 274] \an5\move(1036.38,47.5,936.38,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:02.60,0:03:03.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 275] \an5\move(505.63,47.5,405.63,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}N
Dialogue: 0,0:03:02.65,0:03:03.23,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 276] \an5\move(527.86,47.5,427.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:02.70,0:03:03.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 277] \an5\move(544.98,47.5,444.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:03:02.75,0:03:03.43,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 278] \an5\move(562.09,47.5,462.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:02.80,0:03:03.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 279] \an5\move(582.05,47.5,482.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:03:02.85,0:03:03.52,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 280] \an5\move(602.21,47.5,502.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:02.90,0:03:03.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 281] \an5\move(630.42,47.5,530.42,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:03:02.95,0:03:03.82,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 282] \an5\move(649.88,47.5,549.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:03.00,0:03:04.17,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 283] \an5\move(670.83,47.5,570.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:03.05,0:03:04.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 284] \an5\move(691.04,47.5,591.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:03:03.10,0:03:04.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 285] \an5\move(711.23,47.5,611.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:03:03.15,0:03:04.26,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 286] \an5\move(726.52,47.5,626.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:03.20,0:03:04.46,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 287] \an5\move(741.81,47.5,641.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:03.25,0:03:04.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 288] \an5\move(770.08,47.5,670.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}z
Dialogue: 0,0:03:03.30,0:03:04.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 289] \an5\move(789.54,47.5,689.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:03.35,0:03:04.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 290] \an5\move(810.48,47.5,710.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:03.40,0:03:05.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 291] \an5\move(827.85,47.5,727.85,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:03:03.45,0:03:05.03,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 292] \an5\move(845.16,47.5,745.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:03.50,0:03:05.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 293] \an5\move(860.41,47.5,760.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:03.55,0:03:05.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 294] \an5\move(884.44,47.5,784.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:03.60,0:03:05.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 295] \an5\move(910.49,47.5,810.49,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:03:03.65,0:03:05.56,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 296] \an5\move(936.55,47.5,836.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:03.70,0:03:05.79,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 297] \an5\move(951.83,47.5,851.83,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:03.75,0:03:06.10,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 14 - line fx: 298] \an5\move(975.86,47.5,875.86,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:05.75,0:03:06.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 299] \an5\move(610.08,47.5,510.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}S
Dialogue: 0,0:03:05.80,0:03:06.36,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 300] \an5\move(631.84,47.5,531.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:05.85,0:03:06.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 301] \an5\move(649.2,47.5,549.2,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:03:05.90,0:03:06.78,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 302] \an5\move(666.31,47.5,566.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:05.95,0:03:06.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 303] \an5\move(695.81,47.5,595.81,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:06.00,0:03:06.93,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 304] \an5\move(716.8,47.5,616.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:06.05,0:03:07.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 305] \an5\move(745.91,47.5,645.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:06.10,0:03:07.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 306] \an5\move(766.05,47.5,666.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:06.15,0:03:07.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 307] \an5\move(786.8,47.5,686.8,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:06.20,0:03:07.25,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 308] \an5\move(807.55,47.5,707.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:06.25,0:03:07.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 309] \an5\move(824.43,47.5,724.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:06.30,0:03:07.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 310] \an5\move(841.31,47.5,741.31,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:06.35,0:03:07.69,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 15 - line fx: 311] \an5\move(870.76,47.5,770.76,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:07.92,0:03:08.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 312] \an5\move(529.28,47.5,429.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}T
Dialogue: 0,0:03:07.97,0:03:08.54,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 313] \an5\move(549.57,47.5,449.57,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:03:08.02,0:03:08.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 314] \an5\move(569.94,47.5,469.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:08.07,0:03:08.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 315] \an5\move(590.11,47.5,490.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:03:08.12,0:03:08.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 316] \an5\move(615.78,47.5,515.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:08.17,0:03:08.99,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 317] \an5\move(632.9,47.5,532.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}ō
Dialogue: 0,0:03:08.22,0:03:09.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 318] \an5\move(653.27,47.5,553.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:08.27,0:03:09.80,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 319] \an5\move(673.44,47.5,573.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:03:08.32,0:03:10.15,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 320] \an5\move(697.27,47.5,597.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:08.37,0:03:10.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 321] \an5\move(708.7,47.5,608.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:08.42,0:03:10.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 322] \an5\move(725.05,47.5,625.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:03:08.47,0:03:10.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 323] \an5\move(745.05,47.5,645.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:03:08.52,0:03:10.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 324] \an5\move(779.66,47.5,679.66,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:03:08.57,0:03:10.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 325] \an5\move(805.48,47.5,705.48,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:08.62,0:03:10.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 326] \an5\move(826.27,47.5,726.27,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:03:08.67,0:03:10.94,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 327] \an5\move(847.25,47.5,747.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:08.72,0:03:11.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 328] \an5\move(876.98,47.5,776.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:03:08.77,0:03:11.24,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 329] \an5\move(897.97,47.5,797.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:08.82,0:03:11.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 330] \an5\move(923.98,47.5,823.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:03:08.87,0:03:11.51,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 16 - line fx: 331] \an5\move(950.04,47.5,850.04,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:13.06,0:03:13.61,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 332] \an5\move(620.6,47.5,520.6,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}O
Dialogue: 0,0:03:13.11,0:03:13.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 333] \an5\move(647.3,47.5,547.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}w
Dialogue: 0,0:03:13.16,0:03:13.76,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 334] \an5\move(672.41,47.5,572.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:13.21,0:03:13.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 335] \an5\move(689.52,47.5,589.52,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:03:13.26,0:03:13.95,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 336] \an5\move(701.19,47.5,601.19,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:13.31,0:03:14.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 337] \an5\move(725.23,47.5,625.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:13.36,0:03:14.09,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 338] \an5\move(745.98,47.5,645.98,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:13.41,0:03:14.45,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 339] \an5\move(766.73,47.5,666.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:13.46,0:03:14.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 340] \an5\move(783.87,47.5,683.87,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:13.51,0:03:14.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 341] \an5\move(800.95,47.5,700.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}e
Dialogue: 0,0:03:13.56,0:03:14.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 342] \an5\move(830.64,47.5,730.64,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:13.61,0:03:14.91,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 343] \an5\move(851.39,47.5,751.39,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:13.66,0:03:15.07,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 17 - line fx: 344] \an5\move(866.44,47.5,766.44,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:14.78,0:03:15.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 345] \an5\move(515.91,47.5,415.91,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}B
Dialogue: 0,0:03:14.83,0:03:15.33,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 346] \an5\move(537.7,47.5,437.7,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:14.88,0:03:15.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 347] \an5\move(558.07,47.5,458.07,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:14.93,0:03:15.70,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 348] \an5\move(578.24,47.5,478.24,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:03:14.98,0:03:16.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 349] \an5\move(595.16,47.5,495.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:15.03,0:03:16.02,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 350] \an5\move(612.05,47.5,512.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:15.08,0:03:16.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 351] \an5\move(632.3,47.5,532.3,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}c
Dialogue: 0,0:03:15.13,0:03:16.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 352] \an5\move(652.78,47.5,552.78,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:03:15.18,0:03:16.34,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 353] \an5\move(668.06,47.5,568.06,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:15.23,0:03:16.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 354] \an5\move(692.11,47.5,592.11,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:15.28,0:03:16.65,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 355] \an5\move(713.09,47.5,613.09,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:15.33,0:03:17.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 356] \an5\move(747.9,47.5,647.9,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}m
Dialogue: 0,0:03:15.38,0:03:17.77,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 357] \an5\move(773.95,47.5,673.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:15.43,0:03:18.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 358] \an5\move(794.94,47.5,694.94,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:15.48,0:03:18.13,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 359] \an5\move(815.92,47.5,715.92,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:15.53,0:03:18.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 360] \an5\move(836.95,47.5,736.95,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:03:15.58,0:03:18.42,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 361] \an5\move(857.73,47.5,757.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:15.63,0:03:18.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 362] \an5\move(874.62,47.5,774.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:15.68,0:03:18.58,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 363] \an5\move(891.5,47.5,791.5,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:15.73,0:03:18.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 364] \an5\move(908.62,47.5,808.62,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}r
Dialogue: 0,0:03:15.78,0:03:18.88,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 365] \an5\move(920.28,47.5,820.28,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:15.83,0:03:19.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 366] \an5\move(944.37,47.5,844.37,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:03:15.88,0:03:19.20,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 18 - line fx: 367] \an5\move(965.16,47.5,865.16,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:19.10,0:03:19.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 368] \an5\move(605.97,47.5,505.97,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}U
Dialogue: 0,0:03:19.15,0:03:20.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 369] \an5\move(628.05,47.5,528.05,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}g
Dialogue: 0,0:03:19.20,0:03:20.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 370] \an5\move(649.08,47.5,549.08,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:03:19.25,0:03:20.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 371] \an5\move(669.45,47.5,569.45,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:19.30,0:03:20.35,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 372] \an5\move(684.13,47.5,584.13,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:19.35,0:03:20.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 373] \an5\move(699.46,47.5,599.46,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:03:19.40,0:03:20.67,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 374] \an5\move(720.25,47.5,620.25,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:19.45,0:03:20.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 375] \an5\move(740.21,47.5,640.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}s
Dialogue: 0,0:03:19.50,0:03:20.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 376] \an5\move(760.41,47.5,660.41,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}h
Dialogue: 0,0:03:19.55,0:03:20.85,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 377] \an5\move(775.69,47.5,675.69,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:19.60,0:03:21.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 378] \an5\move(787.12,47.5,687.12,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}t
Dialogue: 0,0:03:19.65,0:03:21.18,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 379] \an5\move(804,47.5,704,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:19.70,0:03:21.48,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 380] \an5\move(824.75,47.5,724.75,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}n
Dialogue: 0,0:03:19.75,0:03:21.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 381] \an5\move(854.54,47.5,754.54,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}d
Dialogue: 0,0:03:19.80,0:03:21.75,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 19 - line fx: 382] \an5\move(875.33,47.5,775.33,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}a
Dialogue: 0,0:03:25.34,0:03:26.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 383] \an5\move(674.43,47.5,574.43,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}H
Dialogue: 0,0:03:25.39,0:03:26.01,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 384] \an5\move(690.88,47.5,590.88,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:25.44,0:03:26.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 385] \an5\move(706.21,47.5,606.21,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}b
Dialogue: 0,0:03:25.49,0:03:26.39,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 386] \an5\move(721.55,47.5,621.55,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}i
Dialogue: 0,0:03:25.54,0:03:26.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 387] \an5\move(736.23,47.5,636.23,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}k
Dialogue: 0,0:03:25.59,0:03:26.72,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 388] \an5\move(756.4,47.5,656.4,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}u
Dialogue: 0,0:03:25.64,0:03:26.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 389] \an5\move(785.84,47.5,685.84,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}y
Dialogue: 0,0:03:25.69,0:03:26.89,OP-Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char II move [line origin: 20 - line fx: 390] \an5\move(806.73,47.5,706.73,47.5,0,400)\frx180\t(0,440,0.8,\frx0)\blur3\fad(200,0)}o
Dialogue: 0,0:02:00.32,0:02:07.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 1] \an5\pos(281.59,47.5)\t(6273.42,6713.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:02:00.60,0:02:07.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 2] \an5\pos(308.29,47.5)\t(6043.42,6483.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:00.60,0:02:07.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 3] \an5\pos(333.4,47.5)\t(6093.42,6533.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:00.81,0:02:07.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 4] \an5\pos(350.52,47.5)\t(5933.42,6373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:00.81,0:02:07.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 5] \an5\pos(362.18,47.5)\t(5983.42,6423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:01.23,0:02:07.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 6] \an5\pos(386.23,47.5)\t(5613.42,6053.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:01.23,0:02:07.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 7] \an5\pos(406.98,47.5)\t(5663.42,6103.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:01.45,0:02:07.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 8] \an5\pos(427.73,47.5)\t(5493.42,5933.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:01.86,0:02:07.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 9] \an5\pos(444.86,47.5)\t(5133.42,5573.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:01.86,0:02:07.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 10] \an5\pos(461.94,47.5)\t(5183.42,5623.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:02.08,0:02:07.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 11] \an5\pos(491.63,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:02.45,0:02:07.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 12] \an5\pos(512.38,47.5)\t(4693.42,5133.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:02.45,0:02:07.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 13] \an5\pos(527.43,47.5)\t(4743.42,5183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:02.96,0:02:07.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 14] \an5\pos(551.52,47.5)\t(4283.42,4723.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:02.96,0:02:07.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 15] \an5\pos(572.54,47.5)\t(4333.42,4773.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:03.39,0:02:07.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 16] \an5\pos(592.91,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:03.39,0:02:07.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 17] \an5\pos(613.08,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:03.78,0:02:07.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 18] \an5\pos(630,47.5)\t(3663.42,4103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:03.78,0:02:07.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 19] \an5\pos(646.88,47.5)\t(3713.42,4153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:04.23,0:02:07.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 20] \an5\pos(667.13,47.5)\t(3313.42,3753.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:04.23,0:02:08.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 21] \an5\pos(687.62,47.5)\t(3363.42,3803.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:04.23,0:02:08.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 22] \an5\pos(702.9,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:05.63,0:02:08.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 23] \an5\pos(726.95,47.5)\t(2063.42,2503.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:05.63,0:02:08.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 24] \an5\pos(747.93,47.5)\t(2113.42,2553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:06.16,0:02:08.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 25] \an5\pos(782.73,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:06.16,0:02:08.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 26] \an5\pos(808.79,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:06.58,0:02:08.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 27] \an5\pos(829.77,47.5)\t(1313.42,1753.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:06.58,0:02:08.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 28] \an5\pos(850.76,47.5)\t(1363.42,1803.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:06.82,0:02:08.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 29] \an5\pos(871.78,47.5)\t(1173.42,1613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:06.82,0:02:08.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 30] \an5\pos(892.57,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:07.22,0:02:08.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 31] \an5\pos(909.45,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:07.22,0:02:08.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 32] \an5\pos(926.34,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:07.65,0:02:08.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 33] \an5\pos(943.45,47.5)\t(543.42,983.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:07.65,0:02:08.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 34] \an5\pos(955.12,47.5)\t(593.42,1033.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:08.20,0:02:08.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 35] \an5\pos(979.2,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:08.20,0:02:08.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 1 - line fx: 36] \an5\pos(999.99,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:08.69,0:02:19.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 37] \an5\pos(421.16,47.5)\t(10603.42,11043.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:02:09.14,0:02:19.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 38] \an5\pos(443.25,47.5)\t(10203.42,10643.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:09.14,0:02:19.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 39] \an5\pos(464.27,47.5)\t(10253.42,10693.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:09.59,0:02:19.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 40] \an5\pos(484.64,47.5)\t(9853.42,10293.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:09.59,0:02:19.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 41] \an5\pos(499.32,47.5)\t(9903.42,10343.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:09.77,0:02:19.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 42] \an5\pos(514.66,47.5)\t(9773.42,10213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:09.77,0:02:20.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 43] \an5\pos(535.45,47.5)\t(9823.42,10263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:10.29,0:02:20.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 44] \an5\pos(555.41,47.5)\t(9353.42,9793.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:10.29,0:02:20.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 45] \an5\pos(575.6,47.5)\t(9403.42,9843.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:10.29,0:02:20.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 46] \an5\pos(590.88,47.5)\t(9453.42,9893.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:10.69,0:02:20.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 47] \an5\pos(602.31,47.5)\t(9103.42,9543.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:10.69,0:02:20.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 48] \an5\pos(619.2,47.5)\t(9153.42,9593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:11.13,0:02:20.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 49] \an5\pos(648.7,47.5)\t(8763.42,9203.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:14.49,0:02:20.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 50] \an5\pos(678.48,47.5)\t(5453.42,5893.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:14.49,0:02:20.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 51] \an5\pos(699.27,47.5)\t(5503.42,5943.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:14.92,0:02:20.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 52] \an5\pos(728.76,47.5)\t(5123.42,5563.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:14.92,0:02:20.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 53] \an5\pos(744.04,47.5)\t(5173.42,5613.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:15.23,0:02:20.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 54] \an5\pos(759.38,47.5)\t(4913.42,5353.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:15.23,0:02:20.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 55] \an5\pos(774.71,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:15.37,0:02:20.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 56] \an5\pos(789.39,47.5)\t(4873.42,5313.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:15.37,0:02:20.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 57] \an5\pos(809.56,47.5)\t(4923.42,5363.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:20.25,0:02:20.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 58] \an5\pos(839.01,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:20.25,0:02:20.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 2 - line fx: 59] \an5\pos(859.9,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:21.26,0:02:23.77,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 60] \an5\pos(482.95,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:02:21.45,0:02:23.82,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 61] \an5\pos(494.38,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:21.45,0:02:23.87,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 62] \an5\pos(510.73,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:21.45,0:02:23.92,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 63] \an5\pos(530.73,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:21.78,0:02:23.97,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 64] \an5\pos(565.34,47.5)\t(1753.42,2193.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:21.78,0:02:24.02,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 65] \an5\pos(591.39,47.5)\t(1803.42,2243.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:22.07,0:02:24.07,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 66] \an5\pos(621.13,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:22.07,0:02:24.12,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 67] \an5\pos(642.11,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:22.43,0:02:24.17,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 68] \an5\pos(671.05,47.5)\t(1303.42,1743.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:22.43,0:02:24.22,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 69] \an5\pos(691.21,47.5)\t(1353.42,1793.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:22.73,0:02:24.27,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 70] \an5\pos(711.54,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:22.73,0:02:24.32,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 71] \an5\pos(731.67,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:23.07,0:02:24.37,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 72] \an5\pos(746.72,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:23.89,0:02:24.42,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 73] \an5\pos(770.8,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:02:23.89,0:02:24.47,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 3 - line fx: 74] \an5\pos(791.59,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:24.15,0:02:27.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 75] \an5\pos(386.46,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:02:24.36,0:02:27.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 76] \an5\pos(397.89,47.5)\t(2663.42,3103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:24.36,0:02:27.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 77] \an5\pos(414.23,47.5)\t(2713.42,3153.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:24.36,0:02:27.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 78] \an5\pos(434.23,47.5)\t(2763.42,3203.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:24.65,0:02:27.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 79] \an5\pos(463.81,47.5)\t(2523.42,2963.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:24.65,0:02:27.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 80] \an5\pos(484.6,47.5)\t(2573.42,3013.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:24.97,0:02:27.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 81] \an5\pos(510.23,47.5)\t(2303.42,2743.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:24.97,0:02:27.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 82] \an5\pos(523.5,47.5)\t(2353.42,2793.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:24.97,0:02:27.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 83] \an5\pos(540.58,47.5)\t(2403.42,2843.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:25.28,0:02:27.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 84] \an5\pos(569.66,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:25.28,0:02:27.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 85] \an5\pos(589.79,47.5)\t(2193.42,2633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:25.45,0:02:27.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 86] \an5\pos(614.9,47.5)\t(2073.42,2513.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:25.45,0:02:28.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 87] \an5\pos(640.01,47.5)\t(2123.42,2563.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:25.77,0:02:28.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 88] \an5\pos(657.13,47.5)\t(1853.42,2293.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:25.77,0:02:28.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 89] \an5\pos(674.24,47.5)\t(1903.42,2343.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:26.21,0:02:28.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 90] \an5\pos(694.99,47.5)\t(1513.42,1953.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:26.21,0:02:28.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 91] \an5\pos(715.74,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:26.63,0:02:28.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 92] \an5\pos(730.79,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:27.17,0:02:28.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 93] \an5\pos(759.91,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:27.17,0:02:28.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 94] \an5\pos(785.73,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:27.71,0:02:28.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 95] \an5\pos(811.55,47.5)\t(263.42,703.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:27.71,0:02:28.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 96] \an5\pos(837.37,47.5)\t(313.42,753.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:27.98,0:02:28.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 97] \an5\pos(866.91,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:27.98,0:02:28.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 4 - line fx: 98] \an5\pos(887.89,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:28.32,0:02:30.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 99] \an5\pos(528.21,47.5)\t(1633.42,2073.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:28.32,0:02:30.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 100] \an5\pos(549.76,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:28.65,0:02:30.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 101] \an5\pos(570.13,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:28.65,0:02:30.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 102] \an5\pos(590.49,47.5)\t(1453.42,1893.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:28.82,0:02:30.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 103] \an5\pos(620.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:28.82,0:02:30.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 104] \an5\pos(635.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:29.12,0:02:30.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 105] \an5\pos(663.93,47.5)\t(1133.42,1573.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:29.12,0:02:30.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 106] \an5\pos(689.04,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:29.44,0:02:30.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 107] \an5\pos(718.29,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:30.31,0:02:30.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 108] \an5\pos(735.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:30.31,0:02:30.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 5 - line fx: 109] \an5\pos(752.56,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:31.66,0:02:34.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 110] \an5\pos(507.76,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}Z
Dialogue: 0,0:02:31.66,0:02:34.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 111] \an5\pos(528.55,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:31.96,0:02:34.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 112] \an5\pos(545.47,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:31.96,0:02:34.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 113] \an5\pos(558.73,47.5)\t(1783.42,2223.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:31.96,0:02:34.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 114] \an5\pos(575.85,47.5)\t(1833.42,2273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:32.31,0:02:34.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 115] \an5\pos(601.72,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:32.31,0:02:34.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 116] \an5\pos(618.6,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:32.54,0:02:34.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 117] \an5\pos(633.65,47.5)\t(1403.42,1843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:32.89,0:02:34.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 118] \an5\pos(648.16,47.5)\t(1103.42,1543.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:32.89,0:02:34.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 119] \an5\pos(668.31,47.5)\t(1153.42,1593.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:33.29,0:02:34.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 120] \an5\pos(685.39,47.5)\t(803.42,1243.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:33.29,0:02:34.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 121] \an5\pos(701.73,47.5)\t(853.42,1293.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:33.29,0:02:34.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 122] \an5\pos(721.73,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:34.15,0:02:34.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 123] \an5\pos(751.31,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:34.15,0:02:34.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 6 - line fx: 124] \an5\pos(772.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:34.37,0:02:38.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 125] \an5\pos(393.55,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}D
Dialogue: 0,0:02:34.37,0:02:38.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 126] \an5\pos(415.38,47.5)\t(3973.42,4413.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:34.57,0:02:38.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 127] \an5\pos(444.26,47.5)\t(3823.42,4263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:34.57,0:02:38.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 128] \an5\pos(464.59,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:34.86,0:02:38.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 129] \an5\pos(485.57,47.5)\t(3633.42,4073.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:34.86,0:02:38.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 130] \an5\pos(506.59,47.5)\t(3683.42,4123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:35.17,0:02:39.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 131] \an5\pos(536.08,47.5)\t(3423.42,3863.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:35.50,0:02:39.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 132] \an5\pos(552.96,47.5)\t(3143.42,3583.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:35.50,0:02:39.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 133] \an5\pos(569.84,47.5)\t(3193.42,3633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:35.66,0:02:39.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 134] \an5\pos(586.96,47.5)\t(3083.42,3523.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:35.66,0:02:39.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 135] \an5\pos(598.63,47.5)\t(3133.42,3573.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:35.96,0:02:39.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 136] \an5\pos(618.99,47.5)\t(2883.42,3323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:35.96,0:02:39.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 137] \an5\pos(644.81,47.5)\t(2933.42,3373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:36.41,0:02:39.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 138] \an5\pos(665.51,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:36.94,0:02:39.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 139] \an5\pos(689.66,47.5)\t(2053.42,2493.42,0.8,\fr-180)\blur3\fad(0,200)}j
Dialogue: 0,0:02:36.94,0:02:39.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 140] \an5\pos(704.86,47.5)\t(2103.42,2543.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:37.41,0:02:39.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 141] \an5\pos(734.36,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:37.41,0:02:39.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 142] \an5\pos(755.11,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:37.85,0:02:39.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 143] \an5\pos(770.16,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:38.22,0:02:39.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 144] \an5\pos(794.2,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:38.52,0:02:39.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 145] \an5\pos(823.99,47.5)\t(773.42,1213.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:38.52,0:02:39.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 146] \an5\pos(844.78,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:39.30,0:02:39.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 147] \an5\pos(870.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:39.30,0:02:39.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 7 - line fx: 148] \an5\pos(887.53,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:39.60,0:02:41.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 149] \an5\pos(541.63,47.5)\t(1443.42,1883.42,0.8,\fr-180)\blur3\fad(0,200)}W
Dialogue: 0,0:02:39.60,0:02:41.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 150] \an5\pos(569.28,47.5)\t(1493.42,1933.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:39.85,0:02:41.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 151] \an5\pos(589.24,47.5)\t(1293.42,1733.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:39.85,0:02:41.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 152] \an5\pos(609.24,47.5)\t(1343.42,1783.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:40.10,0:02:41.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 153] \an5\pos(626.4,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:40.10,0:02:41.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 154] \an5\pos(643.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:40.35,0:02:41.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 155] \an5\pos(664.66,47.5)\t(993.42,1433.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:40.35,0:02:41.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 156] \an5\pos(685.41,47.5)\t(1043.42,1483.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:40.60,0:02:41.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 157] \an5\pos(700.45,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:41.40,0:02:41.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 158] \an5\pos(724.41,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:41.40,0:02:41.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 8 - line fx: 159] \an5\pos(745.3,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:41.73,0:02:45.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 160] \an5\pos(391.33,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}A
Dialogue: 0,0:02:41.83,0:02:45.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 161] \an5\pos(413.55,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:41.83,0:02:45.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 162] \an5\pos(434.53,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:42.10,0:02:45.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 163] \an5\pos(464.25,47.5)\t(3243.42,3683.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:42.10,0:02:45.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 164] \an5\pos(479.53,47.5)\t(3293.42,3733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:43.16,0:02:45.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 165] \an5\pos(503.58,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:43.16,0:02:45.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 166] \an5\pos(518.88,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:43.31,0:02:45.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 167] \an5\pos(542.42,47.5)\t(2233.42,2673.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:02:43.31,0:02:46.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 168] \an5\pos(562.91,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:43.31,0:02:46.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 169] \an5\pos(578.19,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:43.81,0:02:46.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 170] \an5\pos(592.87,47.5)\t(1883.42,2323.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:43.81,0:02:46.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 171] \an5\pos(613,47.5)\t(1933.42,2373.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:44.12,0:02:46.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 172] \an5\pos(629.88,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:44.12,0:02:46.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 173] \an5\pos(643.15,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:44.12,0:02:46.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 174] \an5\pos(660.03,47.5)\t(1773.42,2213.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:44.41,0:02:46.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 175] \an5\pos(689.44,47.5)\t(1533.42,1973.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:02:44.41,0:02:46.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 176] \an5\pos(710.09,47.5)\t(1583.42,2023.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:44.66,0:02:46.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 177] \an5\pos(730.23,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:44.66,0:02:46.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 178] \an5\pos(750.4,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:45.08,0:02:46.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 179] \an5\pos(770.4,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:45.08,0:02:46.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 180] \an5\pos(790.59,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:45.21,0:02:46.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 181] \an5\pos(810.96,47.5)\t(1033.42,1473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:45.21,0:02:46.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 182] \an5\pos(831.13,47.5)\t(1083.42,1523.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:46.25,0:02:46.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 183] \an5\pos(865.03,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:02:46.25,0:02:46.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 9 - line fx: 184] \an5\pos(890.14,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:46.83,0:02:52.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 185] \an5\pos(344.2,47.5)\t(5063.42,5503.42,0.8,\fr-180)\blur3\fad(0,200)}I
Dialogue: 0,0:02:46.98,0:02:52.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 186] \an5\pos(364.56,47.5)\t(4963.42,5403.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:46.98,0:02:52.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 187] \an5\pos(390.38,47.5)\t(5013.42,5453.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:47.31,0:02:52.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 188] \an5\pos(424.95,47.5)\t(4733.42,5173.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:47.31,0:02:52.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 189] \an5\pos(451.01,47.5)\t(4783.42,5223.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:47.79,0:02:52.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 190] \an5\pos(485.81,47.5)\t(4353.42,4793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:47.79,0:02:52.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 191] \an5\pos(511.67,47.5)\t(4403.42,4843.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:48.00,0:02:52.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 192] \an5\pos(532.46,47.5)\t(4243.42,4683.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:48.00,0:02:52.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 193] \an5\pos(553.41,47.5)\t(4293.42,4733.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:48.27,0:02:52.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 194] \an5\pos(583.1,47.5)\t(4073.42,4513.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:48.27,0:02:52.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 195] \an5\pos(604.09,47.5)\t(4123.42,4563.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:48.68,0:02:52.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 196] \an5\pos(633.8,47.5)\t(3763.42,4203.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:50.81,0:02:52.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 197] \an5\pos(654.17,47.5)\t(1683.42,2123.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:50.81,0:02:52.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 198] \an5\pos(674.34,47.5)\t(1733.42,2173.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:50.97,0:02:53.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 199] \an5\pos(703.27,47.5)\t(1623.42,2063.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:50.97,0:02:53.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 200] \an5\pos(723.4,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:51.13,0:02:53.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 201] \an5\pos(743.53,47.5)\t(1563.42,2003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:51.13,0:02:53.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 202] \an5\pos(763.66,47.5)\t(1613.42,2053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:51.27,0:02:53.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 203] \an5\pos(784.36,47.5)\t(1523.42,1963.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:51.89,0:02:53.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 204] \an5\pos(801.44,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:51.89,0:02:53.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 205] \an5\pos(818.32,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:52.37,0:02:53.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 206] \an5\pos(852.89,47.5)\t(573.42,1013.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:52.37,0:02:53.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 207] \an5\pos(878.71,47.5)\t(623.42,1063.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:52.95,0:02:53.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 208] \an5\pos(904.53,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:52.95,0:02:53.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 10 - line fx: 209] \an5\pos(930.35,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:53.23,0:02:55.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 210] \an5\pos(396.78,47.5)\t(1983.42,2423.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:02:53.23,0:02:55.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 211] \an5\pos(413.23,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:53.37,0:02:55.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 212] \an5\pos(428.56,47.5)\t(1943.42,2383.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:02:53.37,0:02:55.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 213] \an5\pos(443.9,47.5)\t(1993.42,2433.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:53.59,0:02:55.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 214] \an5\pos(458.58,47.5)\t(1823.42,2263.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:53.59,0:02:55.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 215] \an5\pos(478.75,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:54.14,0:02:55.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 216] \an5\pos(507.5,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:54.14,0:02:56.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 217] \an5\pos(527.7,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:02:54.14,0:02:56.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 218] \an5\pos(548.66,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:54.52,0:02:56.10,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 219] \an5\pos(569.69,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:54.52,0:02:56.15,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 220] \an5\pos(590.71,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:02:54.80,0:02:56.20,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 221] \an5\pos(620.45,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:54.80,0:02:56.25,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 222] \an5\pos(635.74,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:54.98,0:02:56.30,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 223] \an5\pos(664.86,47.5)\t(883.42,1323.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:54.98,0:02:56.35,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 224] \an5\pos(685.23,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:55.13,0:02:56.40,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 225] \an5\pos(709.26,47.5)\t(833.42,1273.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:55.31,0:02:56.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 226] \an5\pos(744.06,47.5)\t(703.42,1143.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:55.31,0:02:56.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 227] \an5\pos(769.88,47.5)\t(753.42,1193.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:55.55,0:02:56.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 228] \an5\pos(790.02,47.5)\t(563.42,1003.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:02:55.55,0:02:56.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 229] \an5\pos(810.15,47.5)\t(613.42,1053.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:55.94,0:02:56.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 230] \an5\pos(830.11,47.5)\t(273.42,713.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:02:55.94,0:02:56.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 231] \an5\pos(850.27,47.5)\t(323.42,763.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:56.22,0:02:56.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 232] \an5\pos(867.34,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:02:56.22,0:02:56.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 11 - line fx: 233] \an5\pos(884.42,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:56.56,0:02:58.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 234] \an5\pos(507.78,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:56.56,0:02:58.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 235] \an5\pos(529.09,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:56.71,0:02:58.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 236] \an5\pos(549.84,47.5)\t(1093.42,1533.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:56.71,0:02:58.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 237] \an5\pos(570.59,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:02:56.90,0:02:58.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 238] \an5\pos(591.38,47.5)\t(1003.42,1443.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:56.90,0:02:58.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 239] \an5\pos(612.37,47.5)\t(1053.42,1493.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:57.04,0:02:58.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 240] \an5\pos(629.68,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:57.04,0:02:58.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 241] \an5\pos(646.84,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:57.20,0:02:58.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 242] \an5\pos(681.45,47.5)\t(903.42,1343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:57.20,0:02:58.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 243] \an5\pos(707.46,47.5)\t(953.42,1393.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:57.51,0:02:58.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 244] \an5\pos(724.77,47.5)\t(693.42,1133.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:02:57.51,0:02:58.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 245] \an5\pos(742.13,47.5)\t(743.42,1183.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:58.21,0:02:58.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 246] \an5\pos(763.15,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:02:58.21,0:02:58.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 12 - line fx: 247] \an5\pos(778.48,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}ī
Dialogue: 0,0:02:58.48,0:03:02.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 248] \an5\pos(344.23,47.5)\t(3413.42,3853.42,0.8,\fr-180)\blur3\fad(0,200)}K
Dialogue: 0,0:02:58.48,0:03:02.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 249] \an5\pos(360.09,47.5)\t(3463.42,3903.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:58.64,0:03:02.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 250] \an5\pos(380.46,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:58.64,0:03:02.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 251] \an5\pos(400.83,47.5)\t(3403.42,3843.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:02:58.79,0:03:02.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 252] \an5\pos(424.88,47.5)\t(3303.42,3743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:58.79,0:03:02.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 253] \an5\pos(445.86,47.5)\t(3353.42,3793.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:02:59.29,0:03:02.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 254] \an5\pos(480.66,47.5)\t(2903.42,3343.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:02:59.29,0:03:02.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 255] \an5\pos(506.52,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:02:59.56,0:03:02.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 256] \an5\pos(527.31,47.5)\t(2733.42,3173.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:59.56,0:03:02.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 257] \an5\pos(548.26,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:02:59.93,0:03:02.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 258] \an5\pos(577.95,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:02:59.93,0:03:02.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 259] \an5\pos(598.94,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:00.21,0:03:02.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 260] \an5\pos(628.67,47.5)\t(2283.42,2723.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:00.21,0:03:02.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 261] \an5\pos(649.42,47.5)\t(2333.42,2773.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:00.56,0:03:03.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 262] \an5\pos(669.55,47.5)\t(2033.42,2473.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:00.56,0:03:03.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 263] \an5\pos(689.69,47.5)\t(2083.42,2523.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:00.72,0:03:03.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 264] \an5\pos(719.23,47.5)\t(1973.42,2413.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:03:00.72,0:03:03.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 265] \an5\pos(740.21,47.5)\t(2023.42,2463.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:01.00,0:03:03.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 266] \an5\pos(770.78,47.5)\t(1793.42,2233.42,0.8,\fr-180)\blur3\fad(0,200)}R
Dialogue: 0,0:03:01.00,0:03:03.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 267] \an5\pos(792.6,47.5)\t(1843.42,2283.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:01.34,0:03:03.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 268] \an5\pos(812.76,47.5)\t(1553.42,1993.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:03:01.34,0:03:03.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 269] \an5\pos(832.95,47.5)\t(1603.42,2043.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:01.34,0:03:03.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 270] \an5\pos(853.94,47.5)\t(1653.42,2093.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:02.88,0:03:03.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 271] \an5\pos(874.69,47.5)\t(163.42,603.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:02.88,0:03:03.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 272] \an5\pos(895.44,47.5)\t(213.42,653.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:03.05,0:03:03.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 273] \an5\pos(915.94,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:03:03.05,0:03:03.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 13 - line fx: 274] \an5\pos(936.38,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:03.43,0:03:05.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 275] \an5\pos(405.63,47.5)\t(1863.42,2303.42,0.8,\fr-180)\blur3\fad(0,200)}N
Dialogue: 0,0:03:03.43,0:03:05.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 276] \an5\pos(427.86,47.5)\t(1913.42,2353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:03.52,0:03:05.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 277] \an5\pos(444.98,47.5)\t(1873.42,2313.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:03:03.52,0:03:05.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 278] \an5\pos(462.09,47.5)\t(1923.42,2363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:03.82,0:03:05.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 279] \an5\pos(482.05,47.5)\t(1673.42,2113.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:03:03.82,0:03:05.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 280] \an5\pos(502.21,47.5)\t(1723.42,2163.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:04.17,0:03:06.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 281] \an5\pos(530.42,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:03:04.17,0:03:06.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 282] \an5\pos(549.88,47.5)\t(1473.42,1913.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:04.26,0:03:06.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 283] \an5\pos(570.83,47.5)\t(1433.42,1873.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:04.46,0:03:06.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 284] \an5\pos(591.04,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:03:04.46,0:03:06.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 285] \an5\pos(611.23,47.5)\t(1333.42,1773.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:03:04.46,0:03:06.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 286] \an5\pos(626.52,47.5)\t(1383.42,1823.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:04.67,0:03:06.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 287] \an5\pos(641.81,47.5)\t(1223.42,1663.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:05.03,0:03:06.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 288] \an5\pos(670.08,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}z
Dialogue: 0,0:03:05.03,0:03:06.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 289] \an5\pos(689.54,47.5)\t(963.42,1403.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:05.03,0:03:06.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 290] \an5\pos(710.48,47.5)\t(1013.42,1453.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:05.25,0:03:06.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 291] \an5\pos(727.85,47.5)\t(843.42,1283.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:03:05.25,0:03:06.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 292] \an5\pos(745.16,47.5)\t(893.42,1333.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:05.33,0:03:06.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 293] \an5\pos(760.41,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:05.56,0:03:06.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 294] \an5\pos(784.44,47.5)\t(683.42,1123.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:05.79,0:03:06.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 295] \an5\pos(810.49,47.5)\t(503.42,943.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:03:05.79,0:03:06.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 296] \an5\pos(836.55,47.5)\t(553.42,993.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:06.10,0:03:06.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 297] \an5\pos(851.83,47.5)\t(293.42,733.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:06.30,0:03:06.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 14 - line fx: 298] \an5\pos(875.86,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:06.78,0:03:08.45,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 299] \an5\pos(510.08,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}S
Dialogue: 0,0:03:06.78,0:03:08.50,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 300] \an5\pos(531.84,47.5)\t(1283.42,1723.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:06.93,0:03:08.55,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 301] \an5\pos(549.2,47.5)\t(1183.42,1623.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:03:06.93,0:03:08.60,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 302] \an5\pos(566.31,47.5)\t(1233.42,1673.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:07.07,0:03:08.65,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 303] \an5\pos(595.81,47.5)\t(1143.42,1583.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:07.07,0:03:08.70,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 304] \an5\pos(616.8,47.5)\t(1193.42,1633.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:07.25,0:03:08.75,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 305] \an5\pos(645.91,47.5)\t(1063.42,1503.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:07.25,0:03:08.80,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 306] \an5\pos(666.05,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:07.39,0:03:08.85,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 307] \an5\pos(686.8,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:07.39,0:03:08.90,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 308] \an5\pos(707.55,47.5)\t(1073.42,1513.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:07.69,0:03:08.95,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 309] \an5\pos(724.43,47.5)\t(823.42,1263.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:07.69,0:03:09.00,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 310] \an5\pos(741.31,47.5)\t(873.42,1313.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:08.47,0:03:09.05,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 15 - line fx: 311] \an5\pos(770.76,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:08.85,0:03:13.24,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 312] \an5\pos(429.28,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}T
Dialogue: 0,0:03:08.85,0:03:13.29,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 313] \an5\pos(449.57,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:03:08.99,0:03:13.34,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 314] \an5\pos(469.94,47.5)\t(3913.42,4353.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:08.99,0:03:13.39,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 315] \an5\pos(490.11,47.5)\t(3963.42,4403.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:09.80,0:03:13.44,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 316] \an5\pos(515.78,47.5)\t(3203.42,3643.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:09.80,0:03:13.49,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 317] \an5\pos(532.9,47.5)\t(3253.42,3693.42,0.8,\fr-180)\blur3\fad(0,200)}ō
Dialogue: 0,0:03:10.15,0:03:13.54,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 318] \an5\pos(553.27,47.5)\t(2953.42,3393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:10.15,0:03:13.59,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 319] \an5\pos(573.44,47.5)\t(3003.42,3443.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:10.42,0:03:13.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 320] \an5\pos(597.27,47.5)\t(2783.42,3223.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:10.77,0:03:13.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 321] \an5\pos(608.7,47.5)\t(2483.42,2923.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:10.77,0:03:13.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 322] \an5\pos(625.05,47.5)\t(2533.42,2973.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:03:10.77,0:03:13.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 323] \an5\pos(645.05,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:10.94,0:03:13.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 324] \an5\pos(679.66,47.5)\t(2463.42,2903.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:03:10.94,0:03:13.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 325] \an5\pos(705.48,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:11.24,0:03:13.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 326] \an5\pos(726.27,47.5)\t(2263.42,2703.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:03:11.24,0:03:13.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 327] \an5\pos(747.25,47.5)\t(2313.42,2753.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:11.51,0:03:14.04,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 328] \an5\pos(776.98,47.5)\t(2093.42,2533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:03:11.51,0:03:14.09,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 329] \an5\pos(797.97,47.5)\t(2143.42,2583.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:13.61,0:03:14.14,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 330] \an5\pos(823.98,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:03:13.61,0:03:14.19,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 16 - line fx: 331] \an5\pos(850.04,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:13.76,0:03:15.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 332] \an5\pos(520.6,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}O
Dialogue: 0,0:03:13.95,0:03:15.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 333] \an5\pos(547.3,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}w
Dialogue: 0,0:03:13.95,0:03:15.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 334] \an5\pos(572.41,47.5)\t(1023.42,1463.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:14.09,0:03:15.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 335] \an5\pos(589.52,47.5)\t(933.42,1373.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:03:14.09,0:03:15.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 336] \an5\pos(601.19,47.5)\t(983.42,1423.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:14.45,0:03:15.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 337] \an5\pos(625.23,47.5)\t(673.42,1113.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:14.45,0:03:15.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 338] \an5\pos(645.98,47.5)\t(723.42,1163.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:14.58,0:03:15.66,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 339] \an5\pos(666.73,47.5)\t(643.42,1083.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:14.91,0:03:15.71,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 340] \an5\pos(683.87,47.5)\t(363.42,803.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:14.91,0:03:15.76,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 341] \an5\pos(700.95,47.5)\t(413.42,853.42,0.8,\fr-180)\blur3\fad(0,200)}e
Dialogue: 0,0:03:15.07,0:03:15.81,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 342] \an5\pos(730.64,47.5)\t(303.42,743.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:15.07,0:03:15.86,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 343] \an5\pos(751.39,47.5)\t(353.42,793.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:15.33,0:03:15.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 17 - line fx: 344] \an5\pos(766.44,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:15.70,0:03:19.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 345] \an5\pos(415.91,47.5)\t(2993.42,3433.42,0.8,\fr-180)\blur3\fad(0,200)}B
Dialogue: 0,0:03:15.70,0:03:19.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 346] \an5\pos(437.7,47.5)\t(3043.42,3483.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:16.02,0:03:19.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 347] \an5\pos(458.07,47.5)\t(2773.42,3213.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:16.02,0:03:19.28,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 348] \an5\pos(478.24,47.5)\t(2823.42,3263.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:16.34,0:03:19.33,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 349] \an5\pos(495.16,47.5)\t(2553.42,2993.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:16.34,0:03:19.38,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 350] \an5\pos(512.05,47.5)\t(2603.42,3043.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:16.65,0:03:19.43,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 351] \an5\pos(532.3,47.5)\t(2343.42,2783.42,0.8,\fr-180)\blur3\fad(0,200)}c
Dialogue: 0,0:03:16.65,0:03:19.48,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 352] \an5\pos(552.78,47.5)\t(2393.42,2833.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:03:16.65,0:03:19.53,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 353] \an5\pos(568.06,47.5)\t(2443.42,2883.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:17.77,0:03:19.58,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 354] \an5\pos(592.11,47.5)\t(1373.42,1813.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:17.77,0:03:19.63,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 355] \an5\pos(613.09,47.5)\t(1423.42,1863.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:18.13,0:03:19.68,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 356] \an5\pos(647.9,47.5)\t(1113.42,1553.42,0.8,\fr-180)\blur3\fad(0,200)}m
Dialogue: 0,0:03:18.13,0:03:19.73,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 357] \an5\pos(673.95,47.5)\t(1163.42,1603.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:18.42,0:03:19.78,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 358] \an5\pos(694.94,47.5)\t(923.42,1363.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:18.42,0:03:19.83,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 359] \an5\pos(715.92,47.5)\t(973.42,1413.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:18.58,0:03:19.88,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 360] \an5\pos(736.95,47.5)\t(863.42,1303.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:03:18.58,0:03:19.93,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 361] \an5\pos(757.73,47.5)\t(913.42,1353.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:18.88,0:03:19.98,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 362] \an5\pos(774.62,47.5)\t(663.42,1103.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:18.88,0:03:20.03,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 363] \an5\pos(791.5,47.5)\t(713.42,1153.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:19.20,0:03:20.08,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 364] \an5\pos(808.62,47.5)\t(443.42,883.42,0.8,\fr-180)\blur3\fad(0,200)}r
Dialogue: 0,0:03:19.20,0:03:20.13,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 365] \an5\pos(820.28,47.5)\t(493.42,933.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:19.65,0:03:20.18,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 366] \an5\pos(844.37,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:03:19.65,0:03:20.23,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 18 - line fx: 367] \an5\pos(865.16,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:20.01,0:03:24.91,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 368] \an5\pos(505.97,47.5)\t(4463.42,4903.42,0.8,\fr-180)\blur3\fad(0,200)}U
Dialogue: 0,0:03:20.35,0:03:24.96,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 369] \an5\pos(528.05,47.5)\t(4173.42,4613.42,0.8,\fr-180)\blur3\fad(0,200)}g
Dialogue: 0,0:03:20.35,0:03:25.01,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 370] \an5\pos(549.08,47.5)\t(4223.42,4663.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:03:20.67,0:03:25.06,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 371] \an5\pos(569.45,47.5)\t(3953.42,4393.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:20.67,0:03:25.11,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 372] \an5\pos(584.13,47.5)\t(4003.42,4443.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:20.85,0:03:25.16,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 373] \an5\pos(599.46,47.5)\t(3873.42,4313.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:03:20.85,0:03:25.21,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 374] \an5\pos(620.25,47.5)\t(3923.42,4363.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:21.18,0:03:25.26,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 375] \an5\pos(640.21,47.5)\t(3643.42,4083.42,0.8,\fr-180)\blur3\fad(0,200)}s
Dialogue: 0,0:03:21.18,0:03:25.31,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 376] \an5\pos(660.41,47.5)\t(3693.42,4133.42,0.8,\fr-180)\blur3\fad(0,200)}h
Dialogue: 0,0:03:21.18,0:03:25.36,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 377] \an5\pos(675.69,47.5)\t(3743.42,4183.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:21.48,0:03:25.41,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 378] \an5\pos(687.12,47.5)\t(3493.42,3933.42,0.8,\fr-180)\blur3\fad(0,200)}t
Dialogue: 0,0:03:21.48,0:03:25.46,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 379] \an5\pos(704,47.5)\t(3543.42,3983.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:21.75,0:03:25.51,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 380] \an5\pos(724.75,47.5)\t(3323.42,3763.42,0.8,\fr-180)\blur3\fad(0,200)}n
Dialogue: 0,0:03:25.03,0:03:25.56,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 381] \an5\pos(754.54,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}d
Dialogue: 0,0:03:25.03,0:03:25.61,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 19 - line fx: 382] \an5\pos(775.33,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}a
Dialogue: 0,0:03:26.39,0:03:29.64,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 383] \an5\pos(574.43,47.5)\t(2813.42,3253.42,0.8,\fr-180)\blur3\fad(0,200)}H
Dialogue: 0,0:03:26.39,0:03:29.69,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 384] \an5\pos(590.88,47.5)\t(2863.42,3303.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:26.72,0:03:29.74,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 385] \an5\pos(606.21,47.5)\t(2583.42,3023.42,0.8,\fr-180)\blur3\fad(0,200)}b
Dialogue: 0,0:03:26.72,0:03:29.79,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 386] \an5\pos(621.55,47.5)\t(2633.42,3073.42,0.8,\fr-180)\blur3\fad(0,200)}i
Dialogue: 0,0:03:26.89,0:03:29.84,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 387] \an5\pos(636.23,47.5)\t(2513.42,2953.42,0.8,\fr-180)\blur3\fad(0,200)}k
Dialogue: 0,0:03:26.89,0:03:29.89,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 388] \an5\pos(656.4,47.5)\t(2563.42,3003.42,0.8,\fr-180)\blur3\fad(0,200)}u
Dialogue: 0,0:03:29.41,0:03:29.94,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 389] \an5\pos(685.84,47.5)\t(93.42,533.42,0.8,\fr-180)\blur3\fad(0,200)}y
Dialogue: 0,0:03:29.41,0:03:29.99,OP-Romaji,lead-out,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Screw Char V frz [line origin: 20 - line fx: 390] \an5\pos(706.73,47.5)\t(143.42,583.42,0.8,\fr-180)\blur3\fad(0,200)}o
Dialogue: 0,0:23:56.48,0:23:58.48,next,,0,0,0,,
Dialogue: 0,0:21:54.52,0:22:01.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}شكرًا لكم على طيب المتابعة
Dialogue: 0,0:22:01.50,0:22:08.70,Default -alt,,0,0,0,,{\pos(1080,65.8)\fad(250,250)}عذب الخيال
Dialogue: 0,0:22:01.50,0:22:08.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(1081,116.8)}Twitter: @athbulkhayual
Dialogue: 0,0:22:01.50,0:22:08.70,Default -alt,,0,0,0,,{\fad(250,250)\pos(241.4,717.8)}https://BabyChanSubs.BlogSpot.ae
Dialogue: 0,0:23:58.48,0:24:00.48,next,,0,0,0,,