[Script Info]
; Script generated by Aegisub 3.2.0
; http://www.aegisub.org/
Title: [Erai-raws] English (US)
ScriptType: v4.00+
PlayResX: 1280
PlayResY: 720
Timer: 0.0000
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YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: ../Downloads/[Erai-raws] Tate no Yuusha no Nariagari - 04 [720p][Multiple Subtitle].mkv
Video File: ../Downloads/[Erai-raws] Tate no Yuusha no Nariagari - 04 [720p][Multiple Subtitle].mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.625000
Scroll Position: 511
Active Line: 516
Video Position: 3888

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
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Style: Main,Bahij Hassan,65,&H00FFFFFF,&H00FFFFFF,&H00271F1C,&H00463C3B,-1,0,0,0,100,100,0,0,1,2,1,2,10,10,30,1
Style: Sign,Hacen Tunisia Lt,38,&H00FFFFFF,&H000000FF,&H00000000,&HA0000000,-1,0,0,0,100,100,0,0,1,0,0,5,100,100,27,1
Style: Tate Title,HSN Shahd Regular,50,&H00EFF1F1,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1,0,7,170,60,110,1
Style: Copyright,Midan,35,&H00FFFFFF,&H000000FF,&H32000000,&HB4000000,-1,0,0,0,100,100,0,0,1,1,1,7,30,30,10,1
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Style: Tate OP Translation,ma3ali-aqsa,60,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,105,100,0,0,1,2.5,0,2,10,10,10,1
Style: Tate OP Romaji2,Timeless,35,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,100,100,0,0,1,2.5,0,8,10,10,10,1
Style: Tate OP Romaji3,Timeless,30,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,100,100,0,0,1,2.5,0,7,10,10,10,1
Style: Tate OP Translation2,ma3ali-aqsa,55,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,105,100,0,0,1,2.5,0,3,10,10,10,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:16.11,0:00:19.62,Main,Aul,0,0,0,,{\be1}.أحسنتم العمل يا أبطالنا الأفاضل
Dialogue: 0,0:00:19.62,0:00:21.20,Main,Aul,0,0,0,,{\be1}!سنحتفل الليلة
Dialogue: 0,0:00:21.66,0:00:23.79,Main,Aul,0,0,0,,{\be1}!متّعوا أنفسكم لأقصى حدّ
Dialogue: 0,0:00:23.79,0:00:25.71,Main,All,0,0,0,,{\be1}!مرحى
Dialogue: 0,0:00:26.46,0:00:28.92,Main,Nob1,0,0,0,,{\be1}.كما هو متوقع من الأبطال الأفاضل
Dialogue: 0,0:00:28.92,0:00:30.96,Main,Nob2,0,0,0,,{\be1}.سيعم الأمان بلدنا الآن
Dialogue: 0,0:00:31.88,0:00:33.72,Main,N,0,0,0,,{\be1}.سحقًا لهذه الحفلة
Dialogue: 0,0:00:33.72,0:00:36.97,Main,N,0,0,0,,{\be1}.لم أكُن لآتي لهذا المكان لولا المكافأة
Dialogue: 0,0:00:37.47,0:00:40.93,Main,Nob3,0,0,0,,{\be1}.سمعتُ أنَّ عدد الضحايا كان ضئيلًا هذه المرة
Dialogue: 0,0:00:41.31,0:00:44.10,Main,Nob4,0,0,0,,{\be1}.البركة في أبطالنا الأفاضل
Dialogue: 0,0:00:44.10,0:00:47.65,Main,Cap,0,0,0,,{\be1}صمدتُ في مواجهتي لوحش هائل
Dialogue: 0,0:00:47.65,0:00:50.32,Main,Cap,0,0,0,,{\be1}...وقاتلت بكل فخر بصفتي فارسًا ملكيًا
Dialogue: 0,0:00:49.73,0:00:50.86,Main,N,0,0,0,,{\be1}{\an8}ماذا؟
Dialogue: 0,0:00:50.86,0:00:54.53,Main,Nob5,0,0,0,,{\be1}.تشرفني حقًّا مقابلتك يا بطل الرمح
Dialogue: 0,0:00:54.53,0:00:56.82,Main,Nob6,0,0,0,,{\be1}ألديك حبيبة؟
Dialogue: 0,0:00:58.45,0:01:01.12,Main,Myne,0,0,0,,{\be1}.موتوياسو-ساما متعب من المعركة
Dialogue: 0,0:01:04.00,0:01:05.33,Main,Mot,0,0,0,,{\be1}.أنتِ
Dialogue: 0,0:01:06.12,0:01:07.12,Main,Myne,0,0,0,,{\be1}...موتوياسو-ساما
Dialogue: 0,0:01:13.30,0:01:14.80,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:01:16.34,0:01:18.72,Main,R,0,0,0,,{\be1}ألستَ جائعًا؟
Dialogue: 0,0:01:18.72,0:01:20.26,Main,R,0,0,0,,{\be1}!الطعام مذهل هنا
Dialogue: 0,0:01:21.89,0:01:23.51,Main,N,0,0,0,,{\be1}.كُلي إن أردتِ ذلك
Dialogue: 0,0:01:24.06,0:01:25.73,Main,R,0,0,0,,{\be1}.عليك أن تشاركني
Dialogue: 0,0:01:25.73,0:01:26.60,Main,N,0,0,0,,{\be1}.لا أريد
Dialogue: 0,0:01:35.65,0:01:37.70,Main,N,0,0,0,,{\be1}نقل أشخاص رفقتي آنيًا؟
Dialogue: 0,0:01:39.28,0:01:41.74,Main,N,0,0,0,,{\be1}...حبذا لو لاحظت هذا أبكر
Dialogue: 0,0:01:43.16,0:01:44.37,Main,R,0,0,0,,{\be1}.لنأكل سويًّا
Dialogue: 0,0:01:46.79,0:01:48.75,Main,R,0,0,0,,{\be1}.إليك قطعةً يا ناوفومي-ساما
Dialogue: 0,0:01:48.75,0:01:50.25,Main,N,0,0,0,,{\be1}...لا، أنا
Dialogue: 0,0:01:50.25,0:01:51.88,Main,N,0,0,0,,{\be1}.إنَّها لذيذة للغاية
Dialogue: 0,0:01:54.09,0:01:54.96,Main,N,0,0,0,,{\be1}أليست كذلك؟
Dialogue: 0,0:01:59.43,0:02:00.51,Main,Mot,0,0,0,,{\be1}...ناوفومي
Dialogue: 0,0:02:06.85,0:02:08.31,Main,Mot,0,0,0,,{\be1}.بارزني
Dialogue: 0,0:03:44.82,0:03:49.58,Tate Title,,0,0,0,,{\be1}{\fad(438,596)}تهويدة في الفجر
Dialogue: 0,0:03:46.87,0:03:51.54,Main,Mot,0,0,0,,{\be1}.سمعتُ أنَّ مرافقتك رافتاليا-تشان عبدتك
Dialogue: 0,0:03:53.16,0:03:54.37,Main,N,0,0,0,,{\be1}وماذا لو كانت كذلك؟
Dialogue: 0,0:03:54.37,0:03:55.58,Main,Mot,0,0,0,,{\be1}...أنت
Dialogue: 0,0:03:56.00,0:03:58.00,Main,N,0,0,0,,{\be1}.رافتاليا عبدتي
Dialogue: 0,0:03:58.00,0:03:59.38,Main,N,0,0,0,,{\be1}ماذا في ذلك؟
Dialogue: 0,0:03:59.38,0:04:03.26,Main,Mot,0,0,0,,{\be1}!أنصت! ليس من الصواب استعباد الآخرين
Dialogue: 0,0:04:03.26,0:04:04.83,Main,N,0,0,0,,{\be1}ماذا تقول الآن؟
Dialogue: 0,0:04:04.83,0:04:08.97,Main,N,0,0,0,,{\be1}.العبودية مسموحة في هذا البلد أصلًا
Dialogue: 0,0:04:08.97,0:04:10.85,Main,Mot,0,0,0,,{\be1}!لكنَّنا أبطال
Dialogue: 0,0:04:10.85,0:04:12.98,Main,Mot,0,0,0,,{\be1}!لا يجوز للأبطال استخدام العبيد
Dialogue: 0,0:04:12.98,0:04:15.10,Main,N,0,0,0,,{\be1}.هذا رأيك فقط
Dialogue: 0,0:04:15.10,0:04:16.31,Main,N,0,0,0,,{\be1}.أنا لا أوافقك
Dialogue: 0,0:04:17.90,0:04:19.02,Main,Mot,0,0,0,,{\be1}!قاتلني
Dialogue: 0,0:04:19.73,0:04:22.44,Main,Mot,0,0,0,,{\be1}.ستحرّر رافتاليا-تشان إن انتصرتُ
Dialogue: 0,0:04:23.57,0:04:25.78,Main,N,0,0,0,,{\be1}وماذا إن انتصرت أنا؟
Dialogue: 0,0:04:25.78,0:04:30.70,Main,Mot,0,0,0,,{\be1}.حينها... لك الحرية بمواصلة فعل ما تشاء
Dialogue: 0,0:04:30.70,0:04:32.33,Main,N,0,0,0,,{\be1}.لا تستحق المناقشة حتَّى
Dialogue: 0,0:04:32.33,0:04:33.25,Main,R,0,0,0,,{\be1}ناوفومي-ساما؟
Dialogue: 0,0:04:33.87,0:04:36.29,Main,Its,0,0,0,,{\be1}لديه عبدة كمرافقة؟
Dialogue: 0,0:04:36.29,0:04:38.71,Main,Ren,0,0,0,,{\be1}.أظنُّ أنَّه انحط لأقصى درجة ممكنة
Dialogue: 0,0:04:41.88,0:04:43.67,Main,Aul,0,0,0,,{\be1}.سمعت محادثتكما
Dialogue: 0,0:04:44.88,0:04:49.18,Main,Aul,0,0,0,,{\be1}بطل يستخدم شبه بشرية كعبدةٍ له؟
Dialogue: 0,0:04:49.18,0:04:53.14,Main,Aul,0,0,0,,{\be1}.يبدو أنَّك مجرم فعلًا
Dialogue: 0,0:04:55.31,0:04:58.06,Main,Aul,0,0,0,,{\be1}!أنا أعترف بهذا التحدي
Dialogue: 0,0:05:00.82,0:05:02.65,Main,R,0,0,0,,{\be1}!لا داعي لذلك
Dialogue: 0,0:05:02.65,0:05:05.40,Main,R,0,0,0,,{\be1}.أنا أرافق ناوفومي-ساما بمحض إرادتي
Dialogue: 0,0:05:05.40,0:05:06.85,Main,N,0,0,0,,{\be1}!ما الذي تخططون له؟
Dialogue: 0,0:05:06.85,0:05:08.82,Main,Aul,0,0,0,,{\be1}.فتاة مسكينة
Dialogue: 0,0:05:08.82,0:05:12.33,Main,Aul,0,0,0,,{\be1}.وُضعتِ تحت تأثير لعنة تجبرك على مناصرة سيدك
Dialogue: 0,0:05:14.58,0:05:15.71,Main,Aul,0,0,0,,{\be1}.لا تقلقي
Dialogue: 0,0:05:15.71,0:05:19.33,Main,Aul,0,0,0,,{\be1}.سنحررك من اللعنة حالما يفوز موتوياسو-ساما
Dialogue: 0,0:05:19.33,0:05:20.79,Main,N,0,0,0,,{\be1}!أنتم! كفى
Dialogue: 0,0:05:20.79,0:05:22.13,Main,Kni,0,0,0,,{\be1}!استلّوا سيوفكم
Dialogue: 0,0:05:25.84,0:05:29.64,Main,Aul,0,0,0,,{\be1}.سآخد عبدتك بالقوَّة إن لم تخضع لأمري
Dialogue: 0,0:05:29.64,0:05:32.47,Main,Mot,0,0,0,,{\be1}.لا يعقل أنَّك تفكر بالهروب
Dialogue: 0,0:05:32.47,0:05:34.18,Main,N,0,0,0,,{\be1}!أيُّها الحقير
Dialogue: 0,0:05:35.02,0:05:38.27,Main,N,0,0,0,,{\be1}!إن انتصرت، ستُعيد رافتاليا
Dialogue: 0,0:05:40.23,0:05:43.52,Main,Myne,0,0,0,,{\be1}وكيف ينوي بطل الدرع الانتصار؟
Dialogue: 0,0:05:51.70,0:05:56.37,Main,Min,0,0,0,,{\be1}!ستُقام مبارزة بين بطل الرمح وبطل الدرع الآن
Dialogue: 0,0:05:56.37,0:06:03.25,Main,Min,0,0,0,,{\be1}.ستنتهي هذه المبارزة حالما يُحاصَر أحدهما أو يعترف بالهزيمة
Dialogue: 0,0:06:19.48,0:06:23.90,Main,Min,0,0,0,,{\be1}ستقام هذه المبارزة بحضور الملك ميلرومارك والبابا
Dialogue: 0,0:06:23.90,0:06:27.28,Main,Min,0,0,0,,{\be1}.وبالتالي فهي تعد شرعية ورسمية
Dialogue: 0,0:06:29.15,0:06:30.91,Main,Myne,0,0,0,,{\be1}!موتوياسو-ساما
Dialogue: 0,0:06:30.91,0:06:32.45,Main,Myne,0,0,0,,{\be1}!موفق
Dialogue: 0,0:06:37.41,0:06:42.79,Main,Mot,0,0,0,,{\be1}ثمة حكاية عن تصادم الرمح المطلق والدرع المنيع، صحيح؟
Dialogue: 0,0:06:44.92,0:06:48.30,Main,Mot,0,0,0,,{\be1}.ناوفومي، ترجّل واعترف بالهزيمة
Dialogue: 0,0:06:55.68,0:06:56.14,Main,Min,0,0,0,,{\be1}...إذن
Dialogue: 0,0:06:58.02,0:06:59.14,Main,Min,0,0,0,,{\be1}!ابدآ
Dialogue: 0,0:07:04.52,0:07:05.65,Main,Mot,0,0,0,,{\be1}أوقفته؟
Dialogue: 0,0:07:05.65,0:07:08.57,Main,Mot,0,0,0,,{\be1}.كما هو متوقع من بطل الدرع
Dialogue: 0,0:07:08.57,0:07:10.24,Main,N,0,0,0,,{\be1}.خسرت
Dialogue: 0,0:07:11.24,0:07:14.37,Main,N,0,0,0,,{\be1}،في هذه المعركة بين الرمح المطلق والدرع المنيع
Dialogue: 0,0:07:14.37,0:07:17.95,Main,N,0,0,0,,{\be1}!خسرتَ لحظة عجزك عن اختراق درعي
Dialogue: 0,0:07:27.46,0:07:29.13,Main,Mot,0,0,0,,{\be1}!رمح الفوضى
Dialogue: 0,0:07:41.18,0:07:41.98,Main,Mot,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:07:45.69,0:07:48.48,Main,Myne,0,0,0,,{\be1}...محال أن تؤثر ضربة بالدرع
Dialogue: 0,0:07:49.11,0:07:50.36,Main,Mot,0,0,0,,{\be1}!مؤلم
Dialogue: 0,0:07:50.36,0:07:51.53,Main,Mot,0,0,0,,{\be1}لـ-لماذا؟
Dialogue: 0,0:07:52.07,0:07:54.70,Main,Myne,0,0,0,,{\be1}بالون؟ لِم يوجد هنا؟
Dialogue: 0,0:07:59.54,0:08:02.29,Main,Mot,0,0,0,,{\be1}ما هذه الأفعال؟
Dialogue: 0,0:08:02.29,0:08:06.46,Main,N,0,0,0,,{\be1}.فكرت بالعبث معك إن كنتُ عاجزًا عن الفوز بأيَّة حال
Dialogue: 0,0:08:06.46,0:08:07.42,Main,Mot,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:08:08.63,0:08:11.67,Main,Mot,0,0,0,,{\be1}!قاتلني بعدل وإنصاف
Dialogue: 0,0:08:16.39,0:08:17.64,Main,Mot,0,0,0,,{\be1}!ابتعد عنّي
Dialogue: 0,0:08:17.64,0:08:19.18,Main,N,0,0,0,,{\be1}!درع الضربة الهوائية
Dialogue: 0,0:08:23.39,0:08:25.23,Main,N,0,0,0,,{\be1}!سجن الدّرع
Dialogue: 0,0:08:30.69,0:08:32.61,Main,Mot,0,0,0,,{\be1}!أنت! توقف
Dialogue: 0,0:08:32.61,0:08:33.65,Main,Mot,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:08:33.65,0:08:37.24,Main,Mot,0,0,0,,{\be1}{\an8}!هذا مؤلم! كفى أيُّها المخادع الجبان
Dialogue: 0,0:08:34.11,0:08:35.15,Main,W,0,0,0,,{\be1}.محال
Dialogue: 0,0:08:35.15,0:08:37.24,Main,G,0,0,0,,{\be1}.إن استمر هذا الوضع فقد ينتصر بطل الدرع
Dialogue: 0,0:08:37.57,0:08:39.58,Main,Its,0,0,0,,{\be1}.الأفضلية لناوفومي-سان
Dialogue: 0,0:08:40.28,0:08:41.20,Main,Ren,0,0,0,,{\be1}.أجل
Dialogue: 0,0:08:44.29,0:08:48.13,Main,W,0,0,0,,{\be1}بطل الدرع الوضيع، من يظن نفسه ليفعل هذا بحضرة بطل الرمح؟
Dialogue: 0,0:08:48.13,0:08:51.00,Main,G,0,0,0,,{\be1}ألا تحترم حرمة المبارزة؟
Dialogue: 0,0:08:55.63,0:08:57.80,Main,N,0,0,0,,{\be1}.أسرع واعترف بالهزيمة
Dialogue: 0,0:08:57.80,0:09:00.72,Main,N,0,0,0,,{\be1}أتريد أن تُحرج نفسك أكثر يا محبوب الجماهير؟
Dialogue: 0,0:09:02.43,0:09:04.93,Main,Mot,0,0,0,,{\be1}مـ-من سيستسلم؟
Dialogue: 0,0:09:06.39,0:09:07.65,Main,N,0,0,0,,{\be1}.هكذا إذن
Dialogue: 0,0:09:08.44,0:09:09.27,Main,N,0,0,0,,{\be1}...إذن
Dialogue: 0,0:09:09.27,0:09:13.32,Main,N,0,0,0,,{\be1}هل أركز هجماتي على وجهك ومنفرجك؟
Dialogue: 0,0:09:14.19,0:09:16.40,Main,N,0,0,0,,{\be1}!لأنَّني مخادع
Dialogue: 0,0:09:16.40,0:09:18.45,Main,Mot,0,0,0,,{\be1}!تـ-توقف
Dialogue: 0,0:09:27.96,0:09:29.46,Main,N,0,0,0,,{\be1}سحر؟
Dialogue: 0,0:09:29.46,0:09:31.38,Main,N,0,0,0,,{\be1}!تلك المرأة
Dialogue: 0,0:09:31.38,0:09:33.09,Main,N,0,0,0,,{\be1}!أيتها الساقطة
Dialogue: 0,0:09:45.10,0:09:48.39,Main,Mot,0,0,0,,{\be1}!رمح البرق
Dialogue: 0,0:10:03.74,0:10:06.50,Main,Mot,0,0,0,,{\be1}!النصر لي
Dialogue: 0,0:10:21.26,0:10:22.47,Main,N,0,0,0,,{\be1}.مهلًا
Dialogue: 0,0:10:24.22,0:10:27.27,Main,N,0,0,0,,{\be1}.تدخّل أحدهم في مبارزتنا الفردية
Dialogue: 0,0:10:27.27,0:10:29.02,Main,N,0,0,0,,{\be1}.هذا القتال غير محسوب
Comment: 0,0:10:29.02,0:10:30.19,Main,Mot,0,0,0,,{\be1}Huh?
Dialogue: 0,0:10:30.19,0:10:33.11,Main,N,0,0,0,,{\be1}!رفيقتك أفسدت هذه المبارزة
Dialogue: 0,0:10:34.15,0:10:35.78,Main,Mot,0,0,0,,{\be1}كلام خاسر إذن؟
Dialogue: 0,0:10:35.98,0:10:36.86,Main,N,0,0,0,,{\be1}!كلا
Dialogue: 0,0:10:37.36,0:10:39.28,Main,N,0,0,0,,{\be1}!جميعهم هناك رأوها
Dialogue: 0,0:10:39.99,0:10:43.07,Main,N,0,0,0,,{\be1}رأيتم تلك المرأة ماين تستخدم سحرها، أليس كذلك؟
Dialogue: 0,0:10:43.45,0:10:45.28,Main,N,0,0,0,,{\be1}!رأيتموها حتمًا
Dialogue: 0,0:10:45.28,0:10:48.04,Main,N,0,0,0,,{\be1}...استخدمت سحرها لمساعدته على الانتصار
Dialogue: 0,0:10:51.12,0:10:53.75,Main,N,0,0,0,,{\be1}.محال... لا يعقل أنَّهم لم يروها
Dialogue: 0,0:10:53.75,0:10:57.26,Main,Aul,0,0,0,,{\be1}.لا داعي للاستماع لكلام مجرم
Dialogue: 0,0:10:57.26,0:10:58.46,Main,Aul,0,0,0,,{\be1}،يا بطل الرمح
Dialogue: 0,0:10:58.46,0:11:00.68,Main,Aul,0,0,0,,{\be1}!أنت المنتصر
Dialogue: 0,0:11:01.93,0:11:03.26,Main,Myne,0,0,0,,{\be1}،كما هو متوقع منك
Dialogue: 0,0:11:04.43,0:11:06.26,Main,Myne,0,0,0,,{\be1}.يا موتوياسو-ساما
Comment: 0,0:11:06.26,0:11:07.10,Main,Mot,0,0,0,,{\be1}Aww...
Dialogue: 0,0:11:14.77,0:11:18.53,Main,Myne,0,0,0,,{\be1}.أتفهم شعورك يا حضرة بطل الدّرع
Dialogue: 0,0:11:18.53,0:11:23.24,Main,Myne,0,0,0,,{\be1}.من المؤسف أن تضطر للعودة إلى القتال بمفردك
Dialogue: 0,0:11:29.45,0:11:32.04,Main,Aul,0,0,0,,{\be1}.قدمت أداءً مبهرًا يا موتوياسو-دونو
Dialogue: 0,0:11:33.12,0:11:36.67,Main,Aul,0,0,0,,{\be1}.كما هو متوقع من البطل الذي اختارته ابنتي مالتي
Dialogue: 0,0:11:37.75,0:11:39.09,Main,Malt,0,0,0,,{\be1}.أجل يا أبي
Dialogue: 0,0:11:40.01,0:11:44.26,Main,Mot,0,0,0,,{\be1}.فوجئت عندما سمعت أنَّ ماين أميرة
Dialogue: 0,0:11:44.26,0:11:45.22,Main,Malt,0,0,0,,{\be1}.أجل
Dialogue: 0,0:11:45.22,0:11:48.22,Main,Malt,0,0,0,,{\be1}.أردت القتال لأساهم في سلام العالم
Dialogue: 0,0:11:49.81,0:11:53.73,Main,N,0,0,0,,{\be1}...فهمت، كلُّ ما حدث بسببهم إذن
Dialogue: 0,0:11:54.94,0:11:59.69,Main,N,0,0,0,,{\be1}.الابنة التي احتالت عليَّ لتنال رضا بطلها المفضل
Dialogue: 0,0:12:00.07,0:12:04.74,Main,N,0,0,0,,{\be1}.والوالد الذي حرّف الحقائق من أجل ابنته
Dialogue: 0,0:12:05.20,0:12:08.70,Main,N,0,0,0,,{\be1}!هذه المبارزة كان مخططًا لها أيضًا منذ البداية
Dialogue: 0,0:12:08.70,0:12:12.21,Main,Malt,0,0,0,,{\be1}.أجبر بطل الدرع تلك الفتاة لتكون عبدته
Dialogue: 0,0:12:12.75,0:12:14.83,Main,Malt,0,0,0,,{\be1}.أنقذها من فضلك
Dialogue: 0,0:12:17.92,0:12:22.97,Main,N,0,0,0,,{\be1}أيريدون إسقاطي لهذه الدرجة؟
Dialogue: 0,0:12:25.26,0:12:28.05,Main,N,0,0,0,,{\be1}.أنا لم آتِ لهذا العالم لأنَّني أردت ذلك
Dialogue: 0,0:12:28.85,0:12:30.89,Main,N,0,0,0,,{\be1}!أنتم من استدعيتموني
Dialogue: 0,0:12:30.89,0:12:31.81,Main,N,0,0,0,,{\be1}...ومع ذلك
Dialogue: 0,0:12:32.81,0:12:35.35,Main,N,0,0,0,,{\be1}لِم عليَّ أن أعاني من هذا وحدي؟
Dialogue: 0,0:12:35.77,0:12:41.78,Main,Min,0,0,0,,{\be1}!الفتاة التي استعبدها بطل الدرع أُطلق سراحها بفضل بطل الرمح
Dialogue: 0,0:12:42.74,0:12:46.95,Main,W,0,0,0,,{\be1}.يا ليتنا لم نستدعِ بطل الدرع من البداية
Dialogue: 0,0:12:46.95,0:12:49.87,Main,G,0,0,0,,{\be1}!الثلاثة الآخرون أكثر من كافون
Dialogue: 0,0:12:49.87,0:12:52.41,Main,W,0,0,0,,{\be1}.علينا التخلص من هذا المجرم في الحال
Dialogue: 0,0:12:52.41,0:12:54.29,Main,G,0,0,0,,{\be1}!لا يحتاج هذا البلد للدرع
Dialogue: 0,0:12:54.66,0:12:57.08,Main,G,0,0,0,,{\be1}!أعدموا بطل الدّرع فورًا
Dialogue: 0,0:12:57.46,0:12:58.79,Main,N,0,0,0,,{\be1}لأنَّني الدرع؟
Dialogue: 0,0:12:59.84,0:13:03.01,Main,N,0,0,0,,{\be1}لأنَّني بطل الدرع؟
Dialogue: 0,0:13:03.88,0:13:05.34,Main,N,0,0,0,,{\be1}...سحقًا
Dialogue: 0,0:13:05.34,0:13:08.64,Main,N,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:13:10.51,0:13:12.18,Main,N,0,0,0,,{\be1}...اللعنة
Dialogue: 0,0:13:17.56,0:13:20.73,Main,Malt,0,0,0,,{\be1}.حسنًا، لنحرر الفتاة من لعنتها
Dialogue: 0,0:13:25.61,0:13:26.95,Main,N,0,0,0,,{\be1}رافتاليا؟
Dialogue: 0,0:13:28.70,0:13:30.16,Main,Aul,0,0,0,,{\be1}.ابدأ إذن
Comment: 0,0:13:36.79,0:13:37.62,Main,N,0,0,0,,{\be1}Hey!
Dialogue: 0,0:13:43.10,0:13:45.34,Main,Malt,0,0,0,,{\be1}.أنتِ حرّة الآن
Dialogue: 0,0:13:45.34,0:13:48.34,Main,Malt,0,0,0,,{\be1}.كوني ممتنة للرحمة التي أظهرها لك موتوياسو-ساما
Dialogue: 0,0:13:54.89,0:13:55.98,Main,N,0,0,0,,{\be1}...رافتاليا
Dialogue: 0,0:14:12.66,0:14:14.74,Main,N,0,0,0,,{\be1}!لقد اكتفيت
Dialogue: 0,0:14:23.88,0:14:25.80,Main,N,0,0,0,,{\be1}.هذا جحيم
Dialogue: 0,0:14:27.13,0:14:29.26,Main,N,0,0,0,,{\be1}...الفناء
Dialogue: 0,0:14:32.22,0:14:34.22,Main,N,0,0,0,,{\be1}!لعالم كهذا...
Dialogue: 0,0:14:41.69,0:14:43.02,Main,R,0,0,0,,{\be1}!أيُّها المخادع
Dialogue: 0,0:14:43.82,0:14:46.73,Main,Malt,0,0,0,,{\be1}مـ-ما الذي فعلتهِ لموتوياسو-ساما؟
Dialogue: 0,0:14:46.73,0:14:50.45,Main,R,0,0,0,,{\be1}!متى طلبت منك إنقاذي؟
Dialogue: 0,0:14:50.45,0:14:54.62,Main,Mot,0,0,0,,{\be1}لـ-لكنَّه كان يسيء معاملتك، صحيح؟
Dialogue: 0,0:14:54.62,0:14:57.54,Main,R,0,0,0,,{\be1}ما الذي تعرفه عن ناوفومي-ساما بحق؟
Dialogue: 0,0:14:58.50,0:15:02.88,Main,R,0,0,0,,{\be1}!لم يسبق أن أرغمني على فعل شيء فوق طاقتي
Dialogue: 0,0:15:03.25,0:15:07.55,Main,R,0,0,0,,{\be1}!لقد استعمل اللعنة فقط عندما كنت أخشى القتال
Dialogue: 0,0:15:08.21,0:15:09.38,Main,Mot,0,0,0,,{\be1}!وهنا المشكل
Dialogue: 0,0:15:10.13,0:15:12.26,Main,Mot,0,0,0,,{\be1}!لا يجب أن يُرغَم أحد على القتال
Dialogue: 0,0:15:12.26,0:15:14.85,Main,R,0,0,0,,{\be1}!لا يستطيع ناوفومي-ساما استخدام أيَّة أسلحة
Dialogue: 0,0:15:14.85,0:15:17.72,Main,R,0,0,0,,{\be1}!لذا على أحدهم القتال من أجله
Dialogue: 0,0:15:17.72,0:15:19.39,Main,Mot,0,0,0,,{\be1}.لا داعي لأن تكوني أنتِ
Dialogue: 0,0:15:19.39,0:15:21.60,Main,Mot,0,0,0,,{\be1}.سيسيء استعمالك إلى أن تنهاري فقط
Dialogue: 0,0:15:22.40,0:15:25.23,Main,R,0,0,0,,{\be1}!ناوفومي-ساما يحميني
Dialogue: 0,0:15:25.23,0:15:27.36,Main,R,0,0,0,,{\be1}!يتركني أرتاح عندما أتعب
Dialogue: 0,0:15:27.36,0:15:30.36,Main,Mot,0,0,0,,{\be1}.لا، ناوفومي ليس كذلك
Dialogue: 0,0:15:30.36,0:15:36.74,Main,R,0,0,0,,{\be1}هل تستطيع مدَّ يد العون إلى عبدة مريضة مهددة بالموت في أيَّة لحظة؟
Dialogue: 0,0:15:37.24,0:15:42.00,Main,R,0,0,0,,{\be1}!أطعمني ناوفومي-ساما كل ما اشتهيت
Dialogue: 0,0:15:42.00,0:15:46.75,Main,R,0,0,0,,{\be1}!أعطاني دواءً قيّمًا لعلاج مرضي
Dialogue: 0,0:15:46.75,0:15:48.46,Main,R,0,0,0,,{\be1}!أتستطيع فعل هذا؟
Dialogue: 0,0:15:49.46,0:15:51.38,Main,Mot,0,0,0,,{\be1}...أ-أستطيع
Dialogue: 0,0:15:51.38,0:15:55.93,Main,R,0,0,0,,{\be1}!إن كان كلامك صحيحًا، فيفترض أنَّ بجانبك عبدة غيري
Dialogue: 0,0:15:57.56,0:15:58.47,Main,Mot,0,0,0,,{\be1}...هذا
Dialogue: 0,0:15:57.89,0:15:59.43,Main,Malt,0,0,0,,{\be1}{\an8}!يكفي
Dialogue: 0,0:15:59.43,0:16:02.31,Main,Malt,0,0,0,,{\be1}كيف تجرؤين يا شبه البشرية الوضيعة؟
Dialogue: 0,0:16:02.31,0:16:03.31,Main,Nob,0,0,0,,{\be1}!انظروا هناك
Dialogue: 0,0:16:03.85,0:16:05.48,Main,Nob,0,0,0,,{\be1}ما الذي يحدث؟
Dialogue: 0,0:16:05.48,0:16:06.65,Main,Nob,0,0,0,,{\be1}خلاف؟
Dialogue: 0,0:16:07.44,0:16:12.36,Main,Its,0,0,0,,{\be1}.ماين-سان، أودُّ سؤالك عن تدخلك غير القانوني في المبارزة
Dialogue: 0,0:16:12.78,0:16:14.28,Main,Malt,0,0,0,,{\be1}ما قصدك؟
Dialogue: 0,0:16:14.28,0:16:15.57,Main,Mot,0,0,0,,{\be1}تدخل غير قانوني؟
Dialogue: 0,0:16:15.57,0:16:19.33,Main,Ren,0,0,0,,{\be1}.أنت الخاسر في تلك المبارزة يا موتوياسو
Dialogue: 0,0:16:19.99,0:16:23.54,Main,Ren,0,0,0,,{\be1}.أطلق "أحدهم" تعويذة سحرية على ناوفومي
Dialogue: 0,0:16:23.54,0:16:26.71,Main,Ren,0,0,0,,{\be1}.كان تمييزه صعبًا لأنَّه سحر الريّاح
Dialogue: 0,0:16:26.71,0:16:27.75,Main,Mot,0,0,0,,{\be1}ماين؟
Dialogue: 0,0:16:27.75,0:16:30.00,Main,Myne,0,0,0,,{\be1}.لا بدَّ أنَّكما تخيلتما ذلك
Dialogue: 0,0:16:30.00,0:16:31.55,Main,Myne,0,0,0,,{\be1}.لم يرَ الجمهور أيّ شيء
Dialogue: 0,0:16:31.55,0:16:33.63,Main,Its,0,0,0,,{\be1}.أخرسهم الملك
Dialogue: 0,0:16:34.13,0:16:36.30,Main,Its,0,0,0,,{\be1}.الأمر واضح من عيون النبلاء
Dialogue: 0,0:16:36.59,0:16:40.52,Main,Ren,0,0,0,,{\be1}.لا أصدّق أنَّ الأسرة الملكية أقدمت بنفسها على إهانة مبارزة مقدّسة
Dialogue: 0,0:16:52.40,0:16:53.90,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:16:54.99,0:16:56.86,Main,N,0,0,0,,{\be1}لِم عدت؟
Dialogue: 0,0:16:57.62,0:16:59.16,Main,N,0,0,0,,{\be1}لتضحكي علي؟
Dialogue: 0,0:17:00.12,0:17:00.83,Main,R,0,0,0,,{\be1}...أنا
Dialogue: 0,0:17:00.83,0:17:02.29,Main,N,0,0,0,,{\be1}.لا حاجة لي بخائنة
Dialogue: 0,0:17:02.83,0:17:04.25,Main,N,0,0,0,,{\be1}.انقلعي
Dialogue: 0,0:17:05.79,0:17:07.42,Main,R,0,0,0,,{\be1}.سمعت الإشاعات
Dialogue: 0,0:17:07.88,0:17:12.38,Main,R,0,0,0,,{\be1}.دعوك بالبطل الفظيع الذي فرض نفسه على رفيقته
Dialogue: 0,0:17:14.47,0:17:17.51,Main,R,0,0,0,,{\be1}...لكنَّني أظن أنَّك لم تفعلهـ
Dialogue: 0,0:17:17.51,0:17:18.89,Main,N,0,0,0,,{\be1}!أنا لم أفعلها
Dialogue: 0,0:17:20.26,0:17:21.18,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:17:21.18,0:17:22.06,Main,N,0,0,0,,{\be1}!لا تقتربي منّي
Dialogue: 0,0:17:23.35,0:17:25.18,Main,R,0,0,0,,{\be1}.أنصت لكلامي من فضلك
Dialogue: 0,0:17:28.27,0:17:29.19,Main,N,0,0,0,,{\be1}!لا تلمسيني
Dialogue: 0,0:17:31.40,0:17:34.82,Main,N,0,0,0,,{\be1}.بفضل المحسن موتوياسو، صِرت حرّة
Dialogue: 0,0:17:34.82,0:17:36.65,Main,N,0,0,0,,{\be1}!لا تهتمي بأمري
Dialogue: 0,0:17:38.45,0:17:42.83,Main,N,0,0,0,,{\be1}أم أنَّه أخبرك بالذهاب للتأمل في وجه الخاسر؟
Dialogue: 0,0:17:43.87,0:17:45.83,Main,N,0,0,0,,{\be1}.دعيني وشأني رجاءً
Dialogue: 0,0:17:54.09,0:17:57.18,Main,R,0,0,0,,{\be1}.أنا أصدّقك يا ناوفومي-ساما
Dialogue: 0,0:17:57.97,0:18:00.89,Main,R,0,0,0,,{\be1}ما الذي عليَّ فعله لكي تصدقني؟
Dialogue: 0,0:18:01.51,0:18:02.76,Main,N,0,0,0,,{\be1}أصدقك"؟"
Dialogue: 0,0:18:03.43,0:18:05.48,Main,N,0,0,0,,{\be1}أنتِ من خنتني؟
Dialogue: 0,0:18:06.23,0:18:09.65,Main,R,0,0,0,,{\be1}!سأكون إلى جانبك دومًا مهما حدث
Dialogue: 0,0:18:09.65,0:18:10.65,Main,N,0,0,0,,{\be1}!أكاذيب
Dialogue: 0,0:18:11.06,0:18:13.44,Main,N,0,0,0,,{\be1}!تقولين هذا لخداعي مجددًّا فقط
Dialogue: 0,0:18:13.86,0:18:14.61,Main,R,0,0,0,,{\be1}...أنا
Dialogue: 0,0:18:14.61,0:18:15.44,Main,N,0,0,0,,{\be1}!اخرسي
Dialogue: 0,0:18:15.90,0:18:18.74,Main,N,0,0,0,,{\be1}تعتزمون تلفيق تهمة جديدة لي، أليس كذلك؟
Dialogue: 0,0:18:19.45,0:18:21.99,Main,N,0,0,0,,{\be1}.كنت الخاسر لحظة قدومي إلى هنا
Dialogue: 0,0:18:22.87,0:18:25.29,Main,N,0,0,0,,{\be1}.مهما بذلت من جهد، لن يقبلني أحد
Dialogue: 0,0:18:25.95,0:18:27.87,Main,N,0,0,0,,{\be1}.لا أحد يصدقني
Dialogue: 0,0:18:28.79,0:18:30.88,Main,N,0,0,0,,{\be1}...بسبب هذا، أنا
Dialogue: 0,0:18:33.21,0:18:34.34,Main,N,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:18:35.80,0:18:40.01,Main,R,0,0,0,,{\be1}.أنقذ هذا الدّرع حياتي مرات عديدة
Dialogue: 0,0:18:42.05,0:18:43.68,Main,R,0,0,0,,{\be1}...وأثناء الموجة أيضًا
Dialogue: 0,0:18:44.35,0:18:46.60,Main,R,0,0,0,,{\be1}،رغم أنَّك لا تستطيع القتال
Dialogue: 0,0:18:46.60,0:18:49.73,Main,R,0,0,0,,{\be1}ألم تحمي القرويين باستخدامه؟
Dialogue: 0,0:18:50.60,0:18:54.48,Main,N,0,0,0,,{\be1}.أنا لم أفعلها بغية حماية القرويين
Dialogue: 0,0:18:54.48,0:18:58.53,Main,R,0,0,0,,{\be1}.ومع ذلك أنقذت أرواحًا عديدة
Dialogue: 0,0:18:58.95,0:19:00.70,Main,N,0,0,0,,{\be1}.أنا لست ذلك النوع من البشر
Dialogue: 0,0:19:00.70,0:19:04.49,Main,N,0,0,0,,{\be1}.لم أعتبرك سوى أداة في البداية أيضًا
Dialogue: 0,0:19:04.49,0:19:07.70,Main,R,0,0,0,,{\be1}.لا، لقد أنقذتني
Dialogue: 0,0:19:07.70,0:19:08.96,Main,N,0,0,0,,{\be1}!كلا
Dialogue: 0,0:19:08.96,0:19:12.08,Main,N,0,0,0,,{\be1}...كنت أفكّر في نفسي لا غير
Dialogue: 0,0:19:22.01,0:19:26.81,Main,R,0,0,0,,{\be1}.أنا أعرفك أفضل من أيّ شخص في هذا العالم
Dialogue: 0,0:19:27.68,0:19:30.10,Main,R,0,0,0,,{\be1}.أعرف مدى طيبتك
Dialogue: 0,0:19:31.39,0:19:35.52,Main,R,0,0,0,,{\be1}،لذا حتَّى وإن تحدث العالم بأسره بالسوء عنك
Dialogue: 0,0:19:35.52,0:19:37.53,Main,R,0,0,0,,{\be1}.سأخبرهم أنَّهم مخطئون
Dialogue: 0,0:19:37.53,0:19:40.78,Main,R,0,0,0,,{\be1}.سأخبرهم مرارًا وتكرارًا أنَّك شخص رائع
Dialogue: 0,0:19:41.53,0:19:44.74,Main,R,0,0,0,,{\be1}،أنت الشخص الذي أنقذ حياتي، أعطاني سيفًا
Dialogue: 0,0:19:44.74,0:19:47.99,Main,R,0,0,0,,{\be1}.وعلَّمني معنى الحياة
Dialogue: 0,0:19:52.29,0:19:53.96,Main,R,0,0,0,,{\be1}.أنا سيفك
Dialogue: 0,0:19:54.79,0:19:59.05,Main,R,0,0,0,,{\be1}.سأتبعك في السراء والضراء
Dialogue: 0,0:19:59.96,0:20:03.93,Main,N,0,0,0,,{\be1}.هذه الكلمات التي لطالما تمنيت سماعها من شخص آخر
Dialogue: 0,0:20:05.76,0:20:08.51,Main,N,0,0,0,,{\be1}...لا، لطالما أخبرتني رافتاليا
Dialogue: 0,0:20:09.18,0:20:11.18,Main,R,0,0,0,,{\be1}!أنا سيفك
Dialogue: 0,0:20:12.73,0:20:15.69,Main,R,0,0,0,,{\be1}.سأرافقك أينما ذهبت
Dialogue: 0,0:20:20.82,0:20:25.37,Main,R,0,0,0,,{\be1}.حتَّى وإن لم تعد قادرًا على الوثوق بأيّ شخص، سأثق بك
Dialogue: 0,0:20:25.37,0:20:27.95,Main,R,0,0,0,,{\be1}.أثق بناوفومي-ساما الذي أنقذني
Dialogue: 0,0:20:27.95,0:20:29.49,Main,R,0,0,0,,{\be1}...لا، أثق
Dialogue: 0,0:20:34.67,0:20:36.50,Main,R,0,0,0,,{\be1}...ببطل الدّرع الفاضل
Dialogue: 0,0:20:42.55,0:20:44.30,Main,N,0,0,0,,{\be1}مـ-من أنت؟
Dialogue: 0,0:20:44.76,0:20:46.51,Main,R,0,0,0,,{\be1}ما الذي تقوله؟
Dialogue: 0,0:20:46.51,0:20:48.81,Main,R,0,0,0,,{\be1}.إنَّها أنا، رافتاليا
Dialogue: 0,0:20:48.81,0:20:52.06,Main,N,0,0,0,,{\be1}.لكن... رافتاليا لا تزال طفلة
Dialogue: 0,0:20:52.06,0:20:53.56,Main,R,0,0,0,,{\be1}...يا إلهي
Dialogue: 0,0:20:53.56,0:20:56.48,Main,R,0,0,0,,{\be1}.أنت تعاملني كطفلة كالعادة
Dialogue: 0,0:20:56.94,0:21:01.90,Main,R,0,0,0,,{\be1}.فعلًا... ما زلتُ طفلة سريعة البكاء ولا يُعتمد عليها
Dialogue: 0,0:21:02.61,0:21:04.82,Main,R,0,0,0,,{\be1}.قد أكون عبئًا عليك أيضًا
Dialogue: 0,0:21:04.82,0:21:08.45,Main,R,0,0,0,,{\be1}.لكن أرجوك دعني أبقى بجانبك
Dialogue: 0,0:21:09.66,0:21:12.79,Main,R,0,0,0,,{\be1}.أنا أحتاجك يا ناوفومي-ساما
Dialogue: 0,0:21:32.90,0:21:34.68,Main,Mot,0,0,0,,{\be1}!أنا لم أخطئ في شيء
Dialogue: 0,0:21:35.15,0:21:38.05,Main,Mot,0,0,0,,{\be1}!الخطأ في امتلاك بطل لعبدة
Dialogue: 0,0:21:38.05,0:21:42.11,Main,Mot,0,0,0,,{\be1}.حتَّى الآن، لربَّما ما زالت رافتاليا-تشان تفعل هذا لأنَّها مغسولة الدّماغ
Dialogue: 0,0:21:42.11,0:21:43.69,Main,Ren,0,0,0,,{\be1}.أشك في ذلك
Dialogue: 0,0:21:44.41,0:21:49.11,Main,Its,0,0,0,,{\be1}.من المذهل مقدرتك على مواصلة قول هذا بعد رؤيتهما هكذا
Dialogue: 0,0:21:54.73,0:21:56.32,Main,R,0,0,0,,{\be1}.لا بدَّ وأنَّ ذلك كان مؤلمًا
Dialogue: 0,0:21:56.71,0:22:00.33,Main,R,0,0,0,,{\be1}.لكن دعني أشاركك ألَمك من الآن فصاعدًا
Dialogue: 0,0:22:17.91,0:22:20.61,Main,R,0,0,0,,{\be1}.صباح الخير يا ناوفومي-ساما
Dialogue: 0,0:22:25.50,0:22:28.61,Main,N,0,0,0,,{\be1}هل أنتِ من أعددت هذه يا رافتاليا؟
Dialogue: 0,0:22:28.61,0:22:29.85,Main,R,0,0,0,,{\be1}!أجل
Dialogue: 0,0:22:29.85,0:22:34.14,Main,R,0,0,0,,{\be1}.رغم أنَّها بقايا من مطبخ القصر وبعض الخبر لا أكثر
Dialogue: 0,0:22:36.37,0:22:38.79,Main,N,0,0,0,,{\be1}أنت رافتاليا، صحيح؟
Dialogue: 0,0:22:39.75,0:22:41.94,Main,N,0,0,0,,{\be1}.لم أعتد بعد
Dialogue: 0,0:22:43.45,0:22:46.61,Main,R,0,0,0,,{\be1}،عندما يرتفع مستوى أشباه البشر في مرحلة الطفولة
Dialogue: 0,0:22:46.61,0:22:49.27,Main,R,0,0,0,,{\be1}.تنمو أجسادهم بالمقابل أيضًا
Dialogue: 0,0:22:50.89,0:22:56.33,Main,R,0,0,0,,{\be1}.يُنظر إلى أشباه البشر كوحوش غير بشرية ولهذا السبب يعانون من العنصرية
Dialogue: 0,0:22:56.98,0:22:57.97,Main,N,0,0,0,,{\be1}.هكذا إذن
Dialogue: 0,0:22:59.15,0:23:01.49,Main,R,0,0,0,,{\be1}!إنَّها شهية باعتبارها بقايا
Dialogue: 0,0:23:10.57,0:23:11.99,Main,R,0,0,0,,{\be1}ناوفومي-ساما؟
Dialogue: 0,0:23:12.32,0:23:14.78,Main,N,0,0,0,,{\be1}!أستطيع تذوقها، إنَّها شهية
Dialogue: 0,0:23:17.80,0:23:21.63,Main,R,0,0,0,,{\be1}.لنأكل الكثير من الطعام الشهي من الآن فصاعدًا
Dialogue: 0,0:23:25.47,0:23:27.03,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:23:27.03,0:23:27.81,Main,N,0,0,0,,{\be1}أجل؟
Dialogue: 0,0:23:28.36,0:23:29.85,Main,R,0,0,0,,{\be1}.لنبذل قصارى جهدنا
Dialogue: 0,0:00:01.01,0:00:09.42,Copyright,,0,0,0,,{\fad(1000,1000)}Fattati :ترجمة وإعداد
Dialogue: 0,0:01:32.07,0:01:35.53,Sign,Sign,0,0,0,,{\blur0.6\fnBahij TheSansArabic Light\t(1981,3441,\alpha&HEE&)\c&HE6E5E9&\fscx88\fscy91\pos(182.133,34.933)\frz358.4\frx2\fry12}ناوفومي إيواتاني
Dialogue: 0,0:01:32.07,0:01:35.53,Sign,Sign,0,0,0,,{\blur0.6\fnBahij TheSansArabic Light\t(1981,3441,\alpha&HEE&)\c&HE6E5E9&\frx2\fry12\fscx90\fscy40\pos(126.819,112.418)\frz0.2213}رافتاليا
Dialogue: 0,0:01:33.57,0:01:35.53,Sign,Sign,0,0,0,,{\alpha&H92&\c&HFDFCFE&\blur0.8\fscx120\fscy110\clip(612.8,171.2,650.2,339.2)\t(0,149,\clip(568,171.2,712,342.4))\t(0,316,\alpha&H00&\fscx125\fscy115)\t(481,1941,\alpha&HEE&\\move(640.47,243.2,640.47,235.2,0,315))}مساعدة
Dialogue: 0,0:01:33.57,0:01:33.61,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H87&\pos(831.36,524)\iclip(681.333,152,1184.667,696)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.61,0:01:33.65,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H74&\pos(766.17,524)\iclip(781.333,152,1002.667,710)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.65,0:01:33.69,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H61&\pos(726.82,524)\iclip(837.333,152,1002.667,684)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.69,0:01:33.73,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H4E&\pos(699.85,524)\iclip(873.333,152,1002.667,690)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.73,0:01:33.78,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H3B&\pos(680.36,524)\iclip(871.333,152,1002.667,698)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.78,0:01:33.82,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H27&\pos(666.04,524)\iclip(859.333,152,1002.667,698)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.82,0:01:33.86,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H14&\pos(655.61,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.86,0:01:33.90,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H00&\pos(648.32,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.90,0:01:33.94,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H00&\pos(643.51,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.94,0:01:33.98,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H00&\pos(640.8,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:33.98,0:01:34.07,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H00&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.07,0:01:34.11,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H07&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.11,0:01:34.15,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H0E&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.15,0:01:34.19,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H15&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.19,0:01:34.23,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H1B&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.23,0:01:34.28,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H22&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.28,0:01:34.32,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H29&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.32,0:01:34.36,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H30&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.36,0:01:34.40,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H36&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.40,0:01:34.44,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H3D&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.44,0:01:34.48,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H44&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.48,0:01:34.53,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H4B&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.53,0:01:34.57,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H52&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.57,0:01:34.61,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H59&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.61,0:01:34.65,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H5F&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.65,0:01:34.69,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H66&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.69,0:01:34.74,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H6D&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.74,0:01:34.78,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H74&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.78,0:01:34.82,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H7A&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.82,0:01:34.86,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H81&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.86,0:01:34.90,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H88&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.90,0:01:34.94,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H8F&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.94,0:01:34.99,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H96&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:34.99,0:01:35.03,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&H9C&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.03,0:01:35.07,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HA3&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.07,0:01:35.11,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HAA&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.11,0:01:35.15,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HB1&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.15,0:01:35.19,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HB8&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.19,0:01:35.24,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HBE&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.24,0:01:35.28,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HC5&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.28,0:01:35.32,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HCC&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.32,0:01:35.36,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HD3&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.36,0:01:35.40,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HDA&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.40,0:01:35.44,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HE0&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.44,0:01:35.49,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HE7&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:35.49,0:01:35.53,Sign,Sign,0,0,0,,{=2}{\blur0.6\alpha&HEE&\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:01:39.07,0:01:43.83,Sign,Sign,0,0,0,,{\blur0.6\fnBahij TheSansArabic Light\c&HFFFFFF&\fscx88\fscy91\pos(182.133,34.933)\frz358.4\frx2\fry12\alpha&H3F&\t(0,1399,\alpha&H00&)\t(4533,4741,\alpha&HFF&)}ناوفومي إيواتاني
Dialogue: 0,0:01:39.07,0:01:43.83,Sign,Sign,0,0,0,,{\blur0.6\fnBahij TheSansArabic Light\c&HFFFFFF&\frx2\fry12\fscx90\fscy40\pos(126.819,112.418)\frz0.2213\alpha&H3F&\t(0,1399,\alpha&H00&)\t(4533,4741,\alpha&HFF&)}رافتاليا
Dialogue: 0,0:01:39.07,0:01:43.83,Sign,Sign,0,0,0,,{\c&HFDFCFE&\fad(1399,223)\blur0.8\fscx125\fscy115)\pos(640.47,235.2)}مساعدة
Dialogue: 0,0:01:39.07,0:01:43.83,Sign,Sign,0,0,0,,{\fad(1399,223)\blur0.6\pos(640,524)}يمكن تسجيل أشخاص أو أشياء ليخول لهم\Nالانتقال آنيًا رفقتك عندما تستدعيك الساعة الرملية
Dialogue: 0,0:06:04.38,0:06:06.05,Sign,Sign,0,0,0,,{\fad(234,1)\c&HFDFCFE&\blur0.8\fscx232\fscy132)\pos(640,222.4)}تنبيه
Dialogue: 0,0:06:04.38,0:06:06.05,Sign,Sign,0,0,0,,{\fad(234,1)\blur0.8\fscx72\fscy62\pos(656.099,450.029)}مساعدة
Dialogue: 0,0:06:04.38,0:06:06.05,Sign,Sign,0,0,0,,{\fad(234,1)\fscx100\fscy100\blur0.6\pos(641.2,534.34)}:انتهاك قاعدة السلاح الأسطوري\Nحمل سلاح غير مخصص لك
Dialogue: 0,0:08:13.34,0:08:14.80,Sign,Sign,0,0,0,,{\fad(447,1)\blur2\bord1\fnChanga Light\\fscx86\fscy90\pos(637.714,597.334)}درع الكلب الأسود ذو الرأسين   مهارة حصرية [عضة الكلب]
Dialogue: 0,0:08:13.34,0:08:14.80,Sign,Sign,0,0,0,,{\fad(447,1)\blur0.5\bord0\fnChanga Light\\fscx86\fscy90\pos(637.714,597.334)\c&HFFFFFF&}درع الكلب الأسود ذو الرأسين   مهارة حصرية [عضة الكلب]
Dialogue: 0,0:13:40.00,0:13:43.09,Sign,Sign,0,0,0,,{\blur0.6\fnBahij TheSansArabic Light\c&H94E1EE&\fscx114\fscy94\frx0\fry0\frz359.5\pos(242.133,51.267)\t(695,3072,\c&H265771&}ناوفومي إيواتاني
Dialogue: 0,0:13:40.00,0:13:42.96,Sign,Sign,0,0,0,,{\blur0.6\fnBahij TheSansArabic Light\c&HFFFFFF&\frx2\fry12\alpha&H00&\t(1404,1529,\alpha&H99&)\t(2822,2822,\alpha&H00&)\t(2864,2947,\alpha&HDD&)\pos(166.819,152.418)\fscx103\fscy68\frz359.6}رافتاليا
Dialogue: 0,0:13:41.75,0:13:41.80,Sign,Sign,0,0,0,,{\fnChanga Light\blur0.5\fscx220\fscy180\pos(852.8,390.4)\c&HFFFFFF&\1a&HE2&\clip(835.2,320,880,470.4)}عقد
Dialogue: 0,0:13:41.80,0:13:43.09,Sign,Sign,0,0,0,,{\fnChanga Light\bord1\blur1\fscx220\fscy180\t(0,271,\fscx250\fscy210)\pos(852.8,390.4)\c&HCACBC2&\1a&H1F&\3c&HCACBC2&}عقد
Dialogue: 0,0:13:41.80,0:13:43.09,Sign,Sign,0,0,0,,{\fnChanga Light\blur0.5\fscx220\fscy180\t(0,271,\fscx250\fscy210)\pos(852.8,390.4)\c&HFFFFFF&\1a&H1F&}عقد
Dialogue: 0,0:13:41.88,0:13:41.92,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(973.57,576)\iclip(873.6,505.6,1148.8,643.2)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:41.88,0:13:41.92,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(973.57,576)\iclip(873.6,505.6,1148.8,643.2)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:41.92,0:13:41.96,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(934.64,576)\iclip(902.4,502.4,1142.4,664)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:41.92,0:13:41.96,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(934.64,576)\iclip(902.4,502.4,1142.4,664)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:41.96,0:13:42.00,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(905.55,576)\iclip(950.4,507.2,1100.8,657.6)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:41.96,0:13:42.00,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(905.55,576)\iclip(950.4,507.2,1100.8,657.6)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.00,0:13:42.05,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(884.08,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.00,0:13:42.05,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(884.08,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.05,0:13:42.09,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(868.79,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.05,0:13:42.09,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(868.79,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.09,0:13:42.13,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(858.69,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.09,0:13:42.13,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(858.69,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.13,0:13:42.17,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(852.95,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.13,0:13:42.17,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(852.95,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.17,0:13:43.09,Sign,Sign,0,0,0,,{=4}{\1a&H00&\blur2\bord0.5\fscx110\fscy110\3c&HCACBC2&\fnChanga Light\3a&H78&\pos(851.2,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:13:42.17,0:13:43.09,Sign,Sign,0,0,0,,{=3}{\1a&H00&\3a&H00&\blur0.5\bord0\fscx110\fscy110\fnChanga Light\c&HFDFCFE&\pos(851.2,576)}أُنهِي عقد العبد مع رافتاليا
Dialogue: 0,0:14:35.85,0:14:36.02,Sign,Sign,0,0,0,,{\blur7\fscx111\fscy87\pos(640,678.4)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:36.02,0:14:36.06,Sign,Sign,0,0,0,,{\blur1\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&HCF&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:36.06,0:14:36.10,Sign,Sign,0,0,0,,{\blur2\fscx111\fscy87\pos(640,678.4)\c&H2F2F34&\1a&H68&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:36.10,0:14:36.14,Sign,Sign,0,0,0,,{\blur1\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&HBF&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:36.35,0:14:36.39,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HA292AB&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:36.39,0:14:36.43,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&H414043&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:36.43,0:14:36.98,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.06,0:14:37.10,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.10,0:14:37.14,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&H414043&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.14,0:14:37.18,Sign,Sign,0,0,0,,{\blur5\c&HFFFFFF&\1a&H00&\fscx127\fscy92\pos(665.6,691.2)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.18,0:14:37.23,Sign,Sign,0,0,0,,{\blur5\c&H414043&\1a&H00&\fscx127\fscy92\pos(665.6,691.2)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.43,0:14:37.48,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.48,0:14:37.52,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&H414043&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.52,0:14:37.56,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.56,0:14:37.60,Sign,Sign,0,0,0,,{\blur0.6\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.60,0:14:37.64,Sign,Sign,0,0,0,,{\blur0.6\bord1\fax0.1\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&\4c&H000000&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.64,0:14:37.77,Sign,Sign,0,0,0,,{\blur0.6\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.77,0:14:37.85,Sign,Sign,0,0,0,,{\blur0.6\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&\b0}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.85,0:14:37.89,Sign,Sign,0,0,0,,{\blur0.6\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&\b1}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.89,0:14:37.94,Sign,Sign,0,0,0,,{\blur0.6\bord1\fscx111\fscy87\pos(640,678.4)\c&H171928&\1a&H00&\b1\3c&HFFFFFF&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.89,0:14:37.94,Sign,Sign,0,0,0,,{\blur0.6\fscx111\fscy87\pos(640,678.4)\c&H171928&\1a&H00&\b1}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.94,0:14:38.02,Sign,Sign,0,0,0,,{\blur0.6\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&\b0}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.94,0:14:37.98,Sign,Sign,0,0,0,,{\blur4\fscx111\fscy87\c&HFFFFFF&\1a&H00&\b0\pos(686.4,691.2)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:37.98,0:14:38.02,Sign,Sign,0,0,0,,{\blur4\fscx111\fscy87\c&H414043&\1a&H00&\b0\pos(686.4,691.2)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.02,0:14:38.06,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.06,0:14:38.10,Sign,Sign,0,0,0,,{\blur1\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.10,0:14:38.14,Sign,Sign,0,0,0,,{\blur1\fscx111\bord2\fscy87\fax0.1\pos(640,678.4)\c&H000000&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.10,0:14:38.14,Sign,Sign,0,0,0,,{\blur1\fscx111\bord0\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.14,0:14:38.35,Sign,Sign,0,0,0,,{\blur1\fscx111\bord0\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.35,0:14:38.44,Sign,Sign,0,0,0,,{\blur1\fscx111\bord0\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&\b0}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.48,0:14:38.52,Sign,Sign,0,0,0,,{\blur5\c&HFFFFFF&\1a&H00&\fscx127\fscy92\pos(665.6,691.2)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.52,0:14:38.64,Sign,Sign,0,0,0,,{\blur5\c&H65676C&\1a&H00&\fscx127\fscy92\pos(665.6,691.2)}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.64,0:14:38.69,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&HFFFFFF&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:38.69,0:14:38.73,Sign,Sign,0,0,0,,{\blur5\fscx111\fscy87\pos(640,678.4)\c&H65676C&\1a&H00&}استوفت متطلبات سلسلة اللعنة
Dialogue: 0,0:14:35.56,0:14:38.73,Sign,Sign,0,0,0,,{\blur0.5\alpha&HD2&\fnHesham Fostat\c&H585455&\pos(640,243.2)\fscx396\fscy297\t(0,899,\alpha&H00&\c&HFFFFFF&)}سلسلة اللعنة
Dialogue: 0,0:23:37.22,0:23:37.27,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(200.5,178.18)}فيلو
Dialogue: 0,0:23:37.27,0:23:37.31,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(453.09,320.18)}فيلو
Dialogue: 0,0:23:37.31,0:23:37.35,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(609.85,408.07)}فيلو
Dialogue: 0,0:23:37.35,0:23:37.39,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(673.02,443.12)}فيلو
Dialogue: 0,0:23:37.39,0:23:37.43,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(658.65,434.63)}فيلو
Dialogue: 0,0:23:37.43,0:23:37.47,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(650.27,429.68)}فيلو
Dialogue: 0,0:23:37.47,0:23:37.52,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(645.21,426.86)}فيلو
Dialogue: 0,0:23:37.52,0:23:37.56,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(642.24,425.22)}فيلو
Dialogue: 0,0:23:37.56,0:23:37.60,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(640.68,424.35)}فيلو
Dialogue: 0,0:23:37.60,0:23:40.98,Sign,,0,0,0,,{=5}{\1a&H00&\fnHSN Shahd Regular\blur0.6\c&HFCFCFC&\fscx192\fscy146\pos(640,424)}فيلو
Dialogue: 0,0:02:32.14,0:02:35.10,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}وجدت نورًا في الفراغ
Dialogue: 0,0:02:35.18,0:02:37.86,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}داخل عالم معلق
Dialogue: 0,0:02:38.00,0:02:43.62,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}تجولت باحثًا عن جواب أؤمن به
Dialogue: 0,0:02:43.68,0:02:45.04,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}النور يهرب من بين أصابعي
Dialogue: 0,0:02:45.04,0:02:46.58,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا وقت لدي حتى للإشاحة بنظري
Dialogue: 0,0:02:46.58,0:02:48.02,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}الجراح التي أصبت بها تمدني بقوة
Dialogue: 0,0:02:48.02,0:02:49.47,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}تقطع الصمت
Dialogue: 0,0:02:49.47,0:02:50.86,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}الكل أموات أم أحياء
Dialogue: 0,0:02:50.95,0:02:52.40,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا أستطيع النجاة بالدفاع وحده
Dialogue: 0,0:02:52.40,0:02:55.23,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا أريد الكذب على نفسي
Dialogue: 0,0:02:55.23,0:02:56.92,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}واصل القتال بثبات
Dialogue: 0,0:02:56.92,0:02:58.20,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لن أخسر وأبكي قطعًا
Dialogue: 0,0:02:58.24,0:02:59.80,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}واصل الارتقاء ليل نهار
Dialogue: 0,0:02:59.80,0:03:00.72,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}حان وقت التغيير
Dialogue: 0,0:03:00.72,0:03:02.76,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}مهما قاله الاخرون
Dialogue: 0,0:03:02.76,0:03:04.41,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}سأجد سبيلي
Dialogue: 0,0:03:04.70,0:03:07.09,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}أجل، لن أهرب بعد الآن
Dialogue: 0,0:03:06.95,0:03:08.05,Tate OP Translation2,,0,0,0,karaoke,{\fad(100,100)\blur2}لن أهرب بعد الآن
Dialogue: 0,0:03:08.05,0:03:10.75,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}والآن محال على أحد أن يوقفني
Dialogue: 0,0:03:10.95,0:03:13.60,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لن أسمح لنفسي بنسيانها
Dialogue: 0,0:03:13.61,0:03:16.64,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لكي أسترجع كل ما فقدت
Dialogue: 0,0:03:16.70,0:03:19.49,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}انتفضت فجأة في هذا العالم
Dialogue: 0,0:03:18.60,0:03:20.21,Tate OP Translation2,,0,0,0,karaoke,{\fad(100,100)\blur2}لن ألتقت خلفي، أجل
Dialogue: 0,0:03:19.65,0:03:22.58,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}مُعيدًا نهاية الرحلة
Dialogue: 0,0:03:22.58,0:03:25.27,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا تدع ذكريات الفشل تعيقك
Dialogue: 0,0:03:25.27,0:03:28.23,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}انقلبت الآن لاستعادة كل شيء
Dialogue: 0,0:03:28.41,0:03:31.30,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}وانتفضت فجأة في هذا العالم
Dialogue: 0,0:03:30.22,0:03:31.72,Tate OP Translation2,,0,0,0,karaoke,{\fad(100,100)\blur2}لن ألتقت خلفي، أجل
Dialogue: 1,0:02:32.14,0:02:32.39,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 1] \an5\pos(421.92,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.03)\t(42,84,\fax0.07\fay0.07)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax-0.08\fay0.08)\t(168,210,\fax-0.05\fay-0.08)\t(210,250,\fax-0.07\fay-0.06)\t(0,80,\xshad3\yshad-2)\t(80,160,\xshad9\yshad1)\t(160,240,\xshad-7\yshad-2)\t(240,250,\xshad-1\yshad14)}hi
Dialogue: 1,0:02:32.39,0:02:32.56,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 2] \an5\pos(450.12,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.06)\t(42,84,\fax-0.07\fay0.07)\t(84,126,\fax-0.07\fay-0.06)\t(126,168,\fax0.08\fay-0.06)\t(168,170,\fax0.06\fay0.05)\t(0,80,\xshad-4\yshad13)\t(80,160,\xshad8\yshad11)\t(160,170,\xshad-13\yshad-5)}ka
Dialogue: 1,0:02:32.56,0:02:32.75,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 3] \an5\pos(476.2,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.04)\t(42,84,\fax-0.08\fay-0.05)\t(84,126,\fax-0.05\fay-0.03)\t(126,168,\fax0.05\fay-0.06)\t(168,190,\fax0.07\fay0.03)\t(0,80,\xshad4\yshad2)\t(80,160,\xshad-10\yshad-1)\t(160,190,\xshad7\yshad3)}ri
Dialogue: 1,0:02:32.75,0:02:32.90,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 4] \an5\pos(511.27,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.07)\t(42,84,\fax0.06\fay-0.05)\t(84,126,\fax-0.06\fay0.07)\t(126,150,\fax-0.03\fay-0.05)\t(0,80,\xshad12\yshad-10)\t(80,150,\xshad12\yshad11)}mi
Dialogue: 1,0:02:32.90,0:02:33.10,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 5] \an5\pos(547.81,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.08)\t(42,84,\fax-0.04\fay-0.07)\t(84,126,\fax0.05\fay0.04)\t(126,168,\fax-0.07\fay-0.06)\t(168,200,\fax0.04\fay0.05)\t(0,80,\xshad13\yshad8)\t(80,160,\xshad-4\yshad-7)\t(160,200,\xshad4\yshad-2)}tsu
Dialogue: 1,0:02:33.10,0:02:33.30,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 6] \an5\pos(584.02,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.03)\t(42,84,\fax-0.06\fay-0.08)\t(84,126,\fax0.07\fay-0.03)\t(126,168,\fax0.08\fay0.03)\t(168,200,\fax-0.07\fay-0.05)\t(0,80,\xshad-4\yshad1)\t(80,160,\xshad-12\yshad10)\t(160,200,\xshad-14\yshad7)}ke
Dialogue: 1,0:02:33.30,0:02:33.67,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 7] \an5\pos(613.56,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,370,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.05)\t(42,84,\fax-0.03\fay-0.08)\t(84,126,\fax-0.08\fay-0.07)\t(126,168,\fax0.03\fay0.04)\t(168,210,\fax0.08\fay0.03)\t(210,252,\fax-0.05\fay0.04)\t(252,294,\fax0.07\fay-0.06)\t(294,336,\fax0.08\fay0.04)\t(336,370,\fax0.07\fay0.08)\t(0,80,\xshad10\yshad3)\t(80,160,\xshad-14\yshad1)\t(160,240,\xshad12\yshad-8)\t(240,320,\xshad-12\yshad-2)\t(320,370,\xshad-10\yshad3)}ta
Dialogue: 1,0:02:33.70,0:02:33.83,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 8] \an5\pos(653.02,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.04)\t(42,84,\fax0.04\fay0.04)\t(84,126,\fax-0.07\fay0.06)\t(126,130,\fax0.05\fay0.08)\t(0,80,\xshad-6\yshad10)\t(80,130,\xshad13\yshad8)}ku
Dialogue: 1,0:02:33.83,0:02:34.05,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 9] \an5\pos(678.13,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.05)\t(42,84,\fax-0.07\fay0.03)\t(84,126,\fax-0.08\fay0.03)\t(126,168,\fax-0.03\fay0.05)\t(168,210,\fax0.06\fay-0.08)\t(210,220,\fax-0.04\fay-0.06)\t(0,80,\xshad-9\yshad6)\t(80,160,\xshad-3\yshad-5)\t(160,220,\xshad4\yshad-11)}u
Dialogue: 1,0:02:34.05,0:02:34.25,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 10] \an5\pos(702.59,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.04)\t(42,84,\fax-0.07\fay-0.04)\t(84,126,\fax-0.04\fay0.08)\t(126,168,\fax-0.07\fay-0.07)\t(168,200,\fax-0.04\fay-0.08)\t(0,80,\xshad6\yshad7)\t(80,160,\xshad-2\yshad-8)\t(160,200,\xshad-11\yshad-10)}ha
Dialogue: 1,0:02:34.25,0:02:34.41,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 11] \an5\pos(735.53,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.04)\t(42,84,\fax-0.06\fay0.06)\t(84,126,\fax0.07\fay0.08)\t(126,160,\fax-0.06\fay-0.05)\t(0,80,\xshad5\yshad-12)\t(80,160,\xshad-3\yshad-9)}ku
Dialogue: 1,0:02:34.41,0:02:34.52,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 12] \an5\pos(777.95,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,110,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.08)\t(42,84,\fax0.06\fay0.03)\t(84,110,\fax-0.03\fay0.04)\t(0,80,\xshad-3\yshad11)\t(80,110,\xshad11\yshad8)}no
Dialogue: 1,0:02:34.52,0:02:34.76,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 13] \an5\pos(812.16,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.08)\t(42,84,\fax0.06\fay-0.06)\t(84,126,\fax0.05\fay0.04)\t(126,168,\fax-0.05\fay-0.07)\t(168,210,\fax0.04\fay-0.08)\t(210,240,\fax-0.04\fay0.05)\t(0,80,\xshad6\yshad12)\t(80,160,\xshad-8\yshad14)\t(160,240,\xshad-9\yshad-14)}ji
Dialogue: 1,0:02:34.76,0:02:34.94,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 14] \an5\pos(845.38,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.05)\t(42,84,\fax0.06\fay0.07)\t(84,126,\fax-0.08\fay-0.07)\t(126,168,\fax-0.08\fay-0.03)\t(168,180,\fax0.08\fay-0.08)\t(0,80,\xshad-5\yshad12)\t(80,160,\xshad14\yshad6)\t(160,180,\xshad-10\yshad6)}kan
Dialogue: 1,0:02:35.18,0:02:35.32,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 15] \an5\pos(457.77,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,140,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.06)\t(42,84,\fax0.07\fay-0.04)\t(84,126,\fax-0.04\fay-0.03)\t(126,140,\fax-0.05\fay-0.07)\t(0,80,\xshad7\yshad-12)\t(80,140,\xshad11\yshad2)}ma
Dialogue: 1,0:02:35.32,0:02:35.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 16] \an5\pos(494.84,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.08\fay0.03)\t(42,80,\fax-0.04\fay-0.05)\t(\xshad-3\yshad1)}yo
Dialogue: 1,0:02:35.40,0:02:35.52,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 17] \an5\pos(515.03,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.05)\t(42,84,\fax0.04\fay-0.07)\t(84,120,\fax0.03\fay0.08)\t(0,80,\xshad1\yshad-14)\t(80,120,\xshad-12\yshad-5)}i
Dialogue: 1,0:02:35.52,0:02:35.69,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 18] \an5\pos(535.33,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax0.08\fay0.05)\t(84,126,\fax-0.05\fay0.05)\t(126,168,\fax0.08\fay-0.05)\t(168,170,\fax-0.08\fay0.08)\t(0,80,\xshad-9\yshad-9)\t(80,160,\xshad-12\yshad7)\t(160,170,\xshad-10\yshad-8)}ko
Dialogue: 1,0:02:35.69,0:02:35.86,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 19] \an5\pos(560.41,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.07)\t(42,84,\fax0.06\fay-0.08)\t(84,126,\fax-0.03\fay-0.05)\t(126,168,\fax0.03\fay-0.06)\t(168,170,\fax0.03\fay-0.04)\t(0,80,\xshad-6\yshad4)\t(80,160,\xshad10\yshad-1)\t(160,170,\xshad3\yshad-3)}n
Dialogue: 1,0:02:35.86,0:02:36.05,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 20] \an5\pos(585.08,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.03)\t(42,84,\fax-0.04\fay0.04)\t(84,126,\fax-0.08\fay-0.06)\t(126,168,\fax-0.08\fay-0.04)\t(168,190,\fax-0.03\fay0.06)\t(0,80,\xshad2\yshad12)\t(80,160,\xshad10\yshad-14)\t(160,190,\xshad5\yshad2)}da
Dialogue: 1,0:02:36.05,0:02:36.27,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 21] \an5\pos(642.3,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.07)\t(42,84,\fax-0.05\fay0.06)\t(84,126,\fax0.05\fay-0.05)\t(126,168,\fax0.03\fay0.07)\t(168,210,\fax-0.05\fay-0.07)\t(210,220,\fax-0.05\fay0.07)\t(0,80,\xshad-5\yshad-6)\t(80,160,\xshad-4\yshad11)\t(160,220,\xshad6\yshad8)}chuu
Dialogue: 1,0:02:36.27,0:02:36.48,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 22] \an5\pos(689.57,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.07)\t(42,84,\fax0.08\fay0.05)\t(84,126,\fax0.08\fay0.07)\t(126,168,\fax-0.07\fay-0.04)\t(168,210,\fax-0.03\fay0.05)\t(0,80,\xshad12\yshad1)\t(80,160,\xshad-5\yshad11)\t(160,210,\xshad4\yshad-5)}zu
Dialogue: 1,0:02:36.48,0:02:36.68,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 23] \an5\pos(714.76,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.04)\t(42,84,\fax0.07\fay-0.06)\t(84,126,\fax0.04\fay-0.07)\t(126,168,\fax-0.08\fay-0.05)\t(168,200,\fax-0.03\fay0.08)\t(0,80,\xshad-11\yshad-3)\t(80,160,\xshad10\yshad14)\t(160,200,\xshad4\yshad1)}ri
Dialogue: 1,0:02:36.68,0:02:36.97,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 24] \an5\pos(750.21,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,290,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.04)\t(42,84,\fax-0.08\fay-0.08)\t(84,126,\fax-0.05\fay0.08)\t(126,168,\fax-0.06\fay0.06)\t(168,210,\fax0.04\fay-0.08)\t(210,252,\fax-0.08\fay0.05)\t(252,290,\fax-0.06\fay-0.06)\t(0,80,\xshad10\yshad7)\t(80,160,\xshad-14\yshad-3)\t(160,240,\xshad7\yshad9)\t(240,290,\xshad2\yshad14)}no
Dialogue: 1,0:02:36.97,0:02:37.32,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 25] \an5\pos(789.41,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.05)\t(42,84,\fax-0.08\fay0.03)\t(84,126,\fax0.03\fay0.05)\t(126,168,\fax-0.06\fay-0.05)\t(168,210,\fax0.07\fay0.06)\t(210,252,\fax-0.03\fay-0.06)\t(252,294,\fax-0.03\fay-0.07)\t(294,336,\fax0.06\fay0.06)\t(336,350,\fax-0.04\fay-0.03)\t(0,80,\xshad-9\yshad1)\t(80,160,\xshad11\yshad-5)\t(160,240,\xshad-12\yshad4)\t(240,320,\xshad-14\yshad-3)\t(320,350,\xshad9\yshad3)}se
Dialogue: 1,0:02:37.32,0:02:37.57,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 26] \an5\pos(822.83,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.07)\t(42,84,\fax0.05\fay-0.08)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax0.08\fay-0.05)\t(168,210,\fax-0.06\fay0.07)\t(210,250,\fax0.08\fay-0.06)\t(0,80,\xshad-13\yshad-7)\t(80,160,\xshad3\yshad-14)\t(160,240,\xshad9\yshad14)\t(240,250,\xshad-3\yshad10)}kai
Dialogue: 1,0:02:38.00,0:02:38.16,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 27] \an5\pos(413.24,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.04)\t(42,84,\fax-0.07\fay0.07)\t(84,126,\fax0.03\fay0.04)\t(126,160,\fax0.07\fay0.05)\t(0,80,\xshad-3\yshad-14)\t(80,160,\xshad9\yshad-10)}shi
Dialogue: 1,0:02:38.16,0:02:38.24,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 28] \an5\pos(439.69,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.04\fay0.07)\t(42,80,\fax0.07\fay0.04)\t(\xshad7\yshad14)}n
Dialogue: 1,0:02:38.24,0:02:38.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 29] \an5\pos(456.63,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.07)\t(42,84,\fax-0.03\fay0.05)\t(84,126,\fax0.03\fay0.08)\t(126,168,\fax-0.08\fay-0.05)\t(168,210,\fax-0.08\fay-0.03)\t(210,250,\fax0.08\fay0.03)\t(0,80,\xshad-11\yshad-14)\t(80,160,\xshad-13\yshad13)\t(160,240,\xshad-3\yshad2)\t(240,250,\xshad-9\yshad5)}ji
Dialogue: 1,0:02:38.49,0:02:38.65,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 30] \an5\pos(479.25,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.06)\t(42,84,\fax-0.08\fay0.08)\t(84,126,\fax0.06\fay-0.04)\t(126,160,\fax-0.05\fay-0.07)\t(0,80,\xshad12\yshad-3)\t(80,160,\xshad4\yshad4)}ra
Dialogue: 1,0:02:38.65,0:02:38.80,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 31] \an5\pos(506.95,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.07)\t(42,84,\fax-0.03\fay0.06)\t(84,126,\fax0.08\fay-0.04)\t(126,150,\fax0.03\fay-0.07)\t(0,80,\xshad5\yshad-10)\t(80,150,\xshad4\yshad-14)}re
Dialogue: 1,0:02:38.80,0:02:38.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 32] \an5\pos(535.18,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.06)\t(42,84,\fax-0.08\fay-0.07)\t(84,126,\fax0.06\fay-0.04)\t(126,150,\fax0.03\fay0.04)\t(0,80,\xshad5\yshad12)\t(80,150,\xshad7\yshad-4)}ru
Dialogue: 1,0:02:38.95,0:02:39.16,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 33] \an5\pos(575.48,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.04)\t(42,84,\fax-0.04\fay0.06)\t(84,126,\fax-0.05\fay0.04)\t(126,168,\fax0.08\fay-0.07)\t(168,210,\fax-0.03\fay-0.06)\t(0,80,\xshad3\yshad1)\t(80,160,\xshad-6\yshad4)\t(160,210,\xshad-3\yshad-13)}ko
Dialogue: 1,0:02:39.16,0:02:39.28,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 34] \an5\pos(605.84,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.04)\t(42,84,\fax-0.03\fay-0.03)\t(84,120,\fax0.07\fay0.08)\t(0,80,\xshad7\yshad2)\t(80,120,\xshad1\yshad7)}ta
Dialogue: 1,0:02:39.28,0:02:39.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 35] \an5\pos(626.91,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.08)\t(42,84,\fax0.03\fay-0.06)\t(84,126,\fax-0.06\fay-0.03)\t(126,168,\fax-0.05\fay0.07)\t(168,210,\fax-0.07\fay0.07)\t(0,80,\xshad13\yshad9)\t(80,160,\xshad-14\yshad3)\t(160,210,\xshad-9\yshad-9)}e
Dialogue: 1,0:02:39.49,0:02:39.69,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 36] \an5\pos(657.3,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.07)\t(42,84,\fax0.07\fay0.07)\t(84,126,\fax0.04\fay-0.06)\t(126,168,\fax0.07\fay0.07)\t(168,200,\fax0.03\fay-0.04)\t(0,80,\xshad14\yshad14)\t(80,160,\xshad-14\yshad3)\t(160,200,\xshad-8\yshad-12)}sa
Dialogue: 1,0:02:39.69,0:02:39.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 37] \an5\pos(687.11,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.04)\t(42,84,\fax-0.04\fay0.07)\t(84,126,\fax0.07\fay-0.05)\t(126,150,\fax-0.05\fay0.05)\t(0,80,\xshad4\yshad9)\t(80,150,\xshad-2\yshad9)}ga
Dialogue: 1,0:02:39.84,0:02:40.05,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 38] \an5\pos(721.05,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.05)\t(42,84,\fax-0.08\fay-0.04)\t(84,126,\fax-0.08\fay0.05)\t(126,168,\fax0.08\fay-0.08)\t(168,210,\fax0.08\fay-0.03)\t(0,80,\xshad-4\yshad1)\t(80,160,\xshad-13\yshad11)\t(160,210,\xshad-3\yshad8)}shi
Dialogue: 1,0:02:40.05,0:02:40.29,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 39] \an5\pos(760.03,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.03)\t(42,84,\fax-0.08\fay-0.03)\t(84,126,\fax-0.07\fay-0.04)\t(126,168,\fax-0.06\fay0.08)\t(168,210,\fax0.07\fay0.07)\t(210,240,\fax-0.06\fay0.07)\t(0,80,\xshad8\yshad2)\t(80,160,\xshad-11\yshad-3)\t(160,240,\xshad5\yshad-5)}mo
Dialogue: 1,0:02:40.29,0:02:40.52,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 40] \an5\pos(795.03,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,230,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.08)\t(42,84,\fax-0.03\fay0.06)\t(84,126,\fax0.04\fay0.03)\t(126,168,\fax-0.08\fay-0.05)\t(168,210,\fax-0.05\fay0.06)\t(210,230,\fax0.04\fay0.05)\t(0,80,\xshad-8\yshad1)\t(80,160,\xshad4\yshad9)\t(160,230,\xshad-1\yshad7)}to
Dialogue: 1,0:02:40.52,0:02:40.76,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 41] \an5\pos(829.2,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.08)\t(42,84,\fax-0.06\fay-0.05)\t(84,126,\fax-0.03\fay-0.08)\t(126,168,\fax0.05\fay0.07)\t(168,210,\fax-0.08\fay-0.07)\t(210,240,\fax-0.06\fay0.03)\t(0,80,\xshad-9\yshad4)\t(80,160,\xshad10\yshad-6)\t(160,240,\xshad14\yshad-10)}me
Dialogue: 1,0:02:40.76,0:02:41.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 42] \an5\pos(862.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.07)\t(42,84,\fax0.07\fay-0.07)\t(84,126,\fax-0.08\fay-0.06)\t(126,168,\fax0.07\fay-0.03)\t(168,210,\fax0.07\fay0.05)\t(210,252,\fax-0.08\fay0.03)\t(252,294,\fax-0.08\fay0.06)\t(294,336,\fax0.07\fay0.06)\t(336,378,\fax-0.07\fay0.03)\t(378,380,\fax0.06\fay0.07)\t(0,80,\xshad-5\yshad-2)\t(80,160,\xshad10\yshad6)\t(160,240,\xshad-13\yshad-5)\t(240,320,\xshad-12\yshad8)\t(320,380,\xshad11\yshad-9)}te
Dialogue: 1,0:02:41.30,0:02:41.56,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 43] \an5\pos(534.5,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,260,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.08)\t(42,84,\fax0.04\fay-0.04)\t(84,126,\fax-0.04\fay-0.07)\t(126,168,\fax-0.07\fay-0.03)\t(168,210,\fax0.07\fay-0.08)\t(210,252,\fax0.06\fay0.07)\t(252,260,\fax-0.07\fay-0.07)\t(0,80,\xshad-7\yshad10)\t(80,160,\xshad-10\yshad7)\t(160,240,\xshad7\yshad12)\t(240,260,\xshad14\yshad12)}ta
Dialogue: 1,0:02:41.56,0:02:41.86,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 44] \an5\pos(564.45,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,300,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.07)\t(42,84,\fax-0.08\fay-0.05)\t(84,126,\fax-0.06\fay-0.03)\t(126,168,\fax-0.07\fay0.03)\t(168,210,\fax0.07\fay-0.05)\t(210,252,\fax-0.07\fay-0.03)\t(252,294,\fax0.06\fay-0.03)\t(294,300,\fax-0.04\fay0.06)\t(0,80,\xshad-7\yshad-12)\t(80,160,\xshad10\yshad-5)\t(160,240,\xshad13\yshad-3)\t(240,300,\xshad-6\yshad-4)}da
Dialogue: 1,0:02:42.00,0:02:42.48,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 45] \an5\pos(603.7,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,480,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.04)\t(42,84,\fax0.04\fay-0.05)\t(84,126,\fax0.03\fay0.06)\t(126,168,\fax-0.04\fay0.03)\t(168,210,\fax0.07\fay-0.08)\t(210,252,\fax0.03\fay-0.07)\t(252,294,\fax-0.04\fay-0.06)\t(294,336,\fax-0.06\fay0.06)\t(336,378,\fax0.03\fay-0.04)\t(378,420,\fax0.08\fay-0.07)\t(420,462,\fax0.08\fay-0.08)\t(462,480,\fax-0.03\fay-0.05)\t(0,80,\xshad-13\yshad6)\t(80,160,\xshad-14\yshad-6)\t(160,240,\xshad-11\yshad-5)\t(240,320,\xshad9\yshad-13)\t(320,400,\xshad-14\yshad-1)\t(400,480,\xshad-8\yshad3)}sa
Dialogue: 1,0:02:42.48,0:02:42.78,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 46] \an5\pos(638.09,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,300,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.05)\t(42,84,\fax-0.06\fay0.04)\t(84,126,\fax0.05\fay0.08)\t(126,168,\fax0.04\fay0.08)\t(168,210,\fax-0.03\fay-0.07)\t(210,252,\fax-0.08\fay0.08)\t(252,294,\fax-0.06\fay0.03)\t(294,300,\fax-0.04\fay-0.06)\t(0,80,\xshad13\yshad13)\t(80,160,\xshad-3\yshad4)\t(160,240,\xshad-9\yshad-1)\t(240,300,\xshad-11\yshad8)}ma
Dialogue: 1,0:02:42.78,0:02:43.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 47] \an5\pos(675.16,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.03)\t(42,84,\fax-0.07\fay0.04)\t(84,126,\fax0.06\fay-0.04)\t(126,168,\fax0.07\fay0.07)\t(168,210,\fax0.03\fay-0.08)\t(210,252,\fax-0.06\fay-0.05)\t(252,294,\fax-0.05\fay0.04)\t(294,336,\fax-0.06\fay0.04)\t(336,360,\fax0.05\fay0.07)\t(0,80,\xshad-1\yshad9)\t(80,160,\xshad-10\yshad10)\t(160,240,\xshad7\yshad2)\t(240,320,\xshad9\yshad3)\t(320,360,\xshad6\yshad14)}yo
Dialogue: 1,0:02:43.14,0:02:43.42,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 48] \an5\pos(710.9,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.07)\t(42,84,\fax0.04\fay-0.05)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax-0.06\fay-0.07)\t(168,210,\fax-0.05\fay0.04)\t(210,252,\fax0.07\fay-0.07)\t(252,280,\fax-0.03\fay0.06)\t(0,80,\xshad-12\yshad-5)\t(80,160,\xshad-14\yshad-3)\t(160,240,\xshad-13\yshad3)\t(240,280,\xshad4\yshad4)}tte
Dialogue: 1,0:02:43.42,0:02:43.62,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 49] \an5\pos(744.59,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.06)\t(42,84,\fax-0.08\fay0.05)\t(84,126,\fax0.07\fay0.04)\t(126,168,\fax-0.06\fay0.05)\t(168,200,\fax-0.05\fay-0.06)\t(0,80,\xshad5\yshad-8)\t(80,160,\xshad-4\yshad-13)\t(160,200,\xshad4\yshad-5)}ru
Dialogue: 1,0:02:52.40,0:02:52.71,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 50] \an5\pos(456.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.08)\t(42,84,\fax0.05\fay0.08)\t(84,126,\fax0.05\fay-0.07)\t(126,168,\fax0.03\fay-0.06)\t(168,210,\fax-0.07\fay-0.06)\t(210,252,\fax0.05\fay0.05)\t(252,294,\fax-0.08\fay-0.08)\t(294,310,\fax0.05\fay-0.05)\t(0,80,\xshad-1\yshad13)\t(80,160,\xshad-4\yshad-7)\t(160,240,\xshad1\yshad-13)\t(240,310,\xshad12\yshad14)}I
Dialogue: 1,0:02:52.71,0:02:52.97,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 51] \an5\pos(504.9,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,260,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.05)\t(42,84,\fax0.08\fay0.04)\t(84,126,\fax0.06\fay0.06)\t(126,168,\fax-0.07\fay0.03)\t(168,210,\fax0.04\fay-0.04)\t(210,252,\fax0.08\fay-0.05)\t(252,260,\fax0.04\fay0.03)\t(0,80,\xshad2\yshad-9)\t(80,160,\xshad13\yshad-7)\t(160,240,\xshad4\yshad-3)\t(240,260,\xshad-3\yshad-3)}don’t
Dialogue: 1,0:02:52.97,0:02:53.35,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 52] \an5\pos(582.95,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.04)\t(42,84,\fax-0.06\fay-0.08)\t(84,126,\fax-0.08\fay-0.04)\t(126,168,\fax0.05\fay0.04)\t(168,210,\fax-0.03\fay0.05)\t(210,252,\fax-0.08\fay0.04)\t(252,294,\fax-0.04\fay-0.03)\t(294,336,\fax-0.03\fay-0.06)\t(336,378,\fax0.06\fay-0.03)\t(378,380,\fax-0.07\fay0.07)\t(0,80,\xshad-11\yshad2)\t(80,160,\xshad-4\yshad-11)\t(160,240,\xshad14\yshad14)\t(240,320,\xshad8\yshad13)\t(320,380,\xshad-1\yshad11)}want
Dialogue: 1,0:02:53.35,0:02:53.71,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 53] \an5\pos(640.48,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.03)\t(42,84,\fax-0.06\fay0.08)\t(84,126,\fax-0.06\fay-0.04)\t(126,168,\fax0.08\fay-0.03)\t(168,210,\fax0.04\fay0.04)\t(210,252,\fax-0.06\fay-0.05)\t(252,294,\fax-0.03\fay-0.05)\t(294,336,\fax-0.07\fay-0.03)\t(336,360,\fax0.03\fay-0.08)\t(0,80,\xshad3\yshad1)\t(80,160,\xshad3\yshad3)\t(160,240,\xshad-14\yshad1)\t(240,320,\xshad11\yshad-13)\t(320,360,\xshad-11\yshad9)}to
Dialogue: 1,0:02:53.71,0:02:53.89,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 54] \an5\pos(678.17,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.06)\t(42,84,\fax0.06\fay0.07)\t(84,126,\fax0.03\fay-0.08)\t(126,168,\fax0.07\fay-0.04)\t(168,180,\fax0.05\fay0.03)\t(0,80,\xshad8\yshad8)\t(80,160,\xshad-12\yshad-10)\t(160,180,\xshad-12\yshad1)}lie
Dialogue: 1,0:02:54.03,0:02:54.37,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 55] \an5\pos(715.87,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.04)\t(42,84,\fax-0.05\fay-0.04)\t(84,126,\fax-0.05\fay-0.06)\t(126,168,\fax-0.03\fay-0.04)\t(168,210,\fax0.05\fay-0.05)\t(210,252,\fax0.05\fay0.06)\t(252,294,\fax-0.07\fay0.03)\t(294,336,\fax0.05\fay-0.05)\t(336,340,\fax-0.03\fay0.04)\t(0,80,\xshad-3\yshad3)\t(80,160,\xshad-13\yshad-5)\t(160,240,\xshad5\yshad-9)\t(240,320,\xshad6\yshad-12)\t(320,340,\xshad-5\yshad-12)}to
Dialogue: 1,0:02:54.37,0:02:55.23,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 56] \an5\pos(783.57,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,860,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.04)\t(42,84,\fax-0.07\fay0.05)\t(84,126,\fax-0.08\fay-0.08)\t(126,168,\fax-0.03\fay0.06)\t(168,210,\fax-0.07\fay0.08)\t(210,252,\fax-0.08\fay0.06)\t(252,294,\fax-0.04\fay0.06)\t(294,336,\fax0.03\fay0.03)\t(336,378,\fax0.03\fay0.07)\t(378,420,\fax-0.06\fay-0.06)\t(420,462,\fax0.07\fay-0.05)\t(462,504,\fax-0.06\fay0.06)\t(504,546,\fax0.04\fay0.05)\t(546,588,\fax-0.08\fay-0.05)\t(588,630,\fax-0.06\fay0.07)\t(630,672,\fax-0.05\fay-0.05)\t(672,714,\fax-0.08\fay-0.04)\t(714,756,\fax0.07\fay0.03)\t(756,798,\fax0.03\fay-0.06)\t(798,840,\fax-0.07\fay0.04)\t(840,860,\fax0.08\fay-0.04)\t(0,80,\xshad-6\yshad-7)\t(80,160,\xshad-3\yshad8)\t(160,240,\xshad-2\yshad1)\t(240,320,\xshad7\yshad-6)\t(320,400,\xshad13\yshad2)\t(400,480,\xshad1\yshad9)\t(480,560,\xshad-3\yshad-9)\t(560,640,\xshad-7\yshad3)\t(640,720,\xshad-2\yshad6)\t(720,800,\xshad-12\yshad12)\t(800,860,\xshad-8\yshad-2)}myself
Dialogue: 1,0:02:55.23,0:02:55.51,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 57] \an5\pos(486.97,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.03)\t(42,84,\fax0.06\fay-0.06)\t(84,126,\fax-0.05\fay0.08)\t(126,168,\fax0.06\fay0.08)\t(168,210,\fax0.07\fay-0.03)\t(210,252,\fax0.03\fay0.07)\t(252,280,\fax0.06\fay-0.06)\t(0,80,\xshad-2\yshad6)\t(80,160,\xshad-6\yshad14)\t(160,240,\xshad1\yshad-5)\t(240,280,\xshad-5\yshad-8)}Keep
Dialogue: 1,0:02:55.51,0:02:55.86,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 58] \an5\pos(546.78,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.03)\t(42,84,\fax-0.07\fay0.05)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax-0.05\fay-0.04)\t(168,210,\fax0.07\fay-0.06)\t(210,252,\fax-0.06\fay-0.08)\t(252,294,\fax-0.03\fay-0.04)\t(294,336,\fax-0.04\fay0.03)\t(336,350,\fax-0.05\fay0.03)\t(0,80,\xshad-10\yshad-3)\t(80,160,\xshad-4\yshad11)\t(160,240,\xshad11\yshad2)\t(240,320,\xshad2\yshad-14)\t(320,350,\xshad-1\yshad11)}on
Dialogue: 1,0:02:55.86,0:02:55.94,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 59] \an5\pos(594.04,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax-0.04\fay-0.07)\t(42,80,\fax-0.04\fay0.07)\t(\xshad13\yshad8)}the
Dialogue: 1,0:02:55.94,0:02:56.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 60] \an5\pos(660.62,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,460,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.05)\t(42,84,\fax-0.04\fay-0.03)\t(84,126,\fax0.03\fay0.05)\t(126,168,\fax-0.05\fay0.07)\t(168,210,\fax-0.03\fay-0.08)\t(210,252,\fax0.08\fay0.05)\t(252,294,\fax0.06\fay0.04)\t(294,336,\fax-0.06\fay-0.06)\t(336,378,\fax0.03\fay-0.08)\t(378,420,\fax-0.05\fay0.04)\t(420,460,\fax-0.04\fay-0.04)\t(0,80,\xshad-8\yshad14)\t(80,160,\xshad-1\yshad4)\t(160,240,\xshad-9\yshad-3)\t(240,320,\xshad5\yshad-9)\t(320,400,\xshad6\yshad11)\t(400,460,\xshad10\yshad-9)}fight,
Dialogue: 1,0:02:56.40,0:02:56.61,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 61] \an5\pos(729.79,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.06)\t(42,84,\fax0.07\fay0.08)\t(84,126,\fax-0.04\fay0.04)\t(126,168,\fax-0.07\fay0.08)\t(168,210,\fax0.04\fay-0.06)\t(0,80,\xshad3\yshad-9)\t(80,160,\xshad-5\yshad5)\t(160,210,\xshad11\yshad-14)}Get
Dialogue: 1,0:02:56.61,0:02:56.92,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 62] \an5\pos(795.12,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.06)\t(42,84,\fax0.03\fay-0.03)\t(84,126,\fax0.06\fay0.03)\t(126,168,\fax-0.08\fay0.03)\t(168,210,\fax-0.04\fay0.03)\t(210,252,\fax0.03\fay-0.03)\t(252,294,\fax0.05\fay-0.08)\t(294,310,\fax-0.03\fay0.07)\t(0,80,\xshad11\yshad1)\t(80,160,\xshad-10\yshad7)\t(160,240,\xshad-13\yshad-13)\t(240,310,\xshad11\yshad13)}right
Dialogue: 1,0:02:56.92,0:02:57.16,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 63] \an5\pos(512.59,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.07)\t(42,84,\fax0.06\fay-0.06)\t(84,126,\fax0.03\fay0.07)\t(126,168,\fax-0.05\fay0.06)\t(168,210,\fax-0.07\fay-0.08)\t(210,240,\fax0.06\fay-0.05)\t(0,80,\xshad-9\yshad-4)\t(80,160,\xshad10\yshad-5)\t(160,240,\xshad-7\yshad-1)}I’ll
Dialogue: 1,0:02:57.16,0:02:57.51,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 64] \an5\pos(574.92,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.03)\t(42,84,\fax-0.07\fay0.06)\t(84,126,\fax0.06\fay-0.03)\t(126,168,\fax0.05\fay-0.07)\t(168,210,\fax0.08\fay0.07)\t(210,252,\fax0.07\fay0.04)\t(252,294,\fax-0.03\fay-0.04)\t(294,336,\fax0.05\fay-0.05)\t(336,350,\fax0.07\fay0.04)\t(0,80,\xshad12\yshad5)\t(80,160,\xshad-7\yshad-13)\t(160,240,\xshad11\yshad14)\t(240,320,\xshad6\yshad-1)\t(320,350,\xshad-12\yshad-3)}never
Dialogue: 1,0:02:57.51,0:02:57.73,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 65] \an5\pos(647.13,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.04)\t(42,84,\fax0.07\fay-0.05)\t(84,126,\fax0.07\fay0.05)\t(126,168,\fax0.03\fay0.06)\t(168,210,\fax0.05\fay-0.04)\t(210,220,\fax0.06\fay0.04)\t(0,80,\xshad5\yshad-12)\t(80,160,\xshad-7\yshad-3)\t(160,220,\xshad4\yshad-14)}lose
Dialogue: 1,0:02:57.73,0:02:57.86,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 66] \an5\pos(706.2,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.07)\t(42,84,\fax0.04\fay0.05)\t(84,126,\fax0.08\fay-0.05)\t(126,130,\fax0.06\fay0.06)\t(0,80,\xshad10\yshad-7)\t(80,130,\xshad-11\yshad4)}and
Dialogue: 1,0:02:57.86,0:02:58.20,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 67] \an5\pos(761.41,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.04)\t(42,84,\fax-0.05\fay-0.05)\t(84,126,\fax0.05\fay-0.05)\t(126,168,\fax0.03\fay-0.03)\t(168,210,\fax-0.04\fay0.05)\t(210,252,\fax-0.06\fay0.05)\t(252,294,\fax0.04\fay0.07)\t(294,336,\fax0.06\fay-0.03)\t(336,340,\fax0.04\fay-0.08)\t(0,80,\xshad-1\yshad-5)\t(80,160,\xshad-14\yshad12)\t(160,240,\xshad-11\yshad-8)\t(240,320,\xshad4\yshad4)\t(320,340,\xshad6\yshad-10)}cry
Dialogue: 1,0:02:58.24,0:02:58.44,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 68] \an5\pos(494.2,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.07)\t(42,84,\fax0.04\fay0.04)\t(84,126,\fax-0.06\fay-0.05)\t(126,168,\fax-0.05\fay-0.07)\t(168,200,\fax-0.05\fay-0.03)\t(0,80,\xshad10\yshad12)\t(80,160,\xshad-5\yshad-10)\t(160,200,\xshad13\yshad1)}Keep
Dialogue: 1,0:02:58.44,0:02:58.77,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 69] \an5\pos(560.32,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,330,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.03)\t(42,84,\fax0.03\fay-0.05)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax-0.07\fay0.08)\t(168,210,\fax0.03\fay0.03)\t(210,252,\fax0.06\fay0.06)\t(252,294,\fax-0.05\fay-0.08)\t(294,330,\fax-0.04\fay0.04)\t(0,80,\xshad9\yshad9)\t(80,160,\xshad-10\yshad-13)\t(160,240,\xshad-12\yshad-4)\t(240,320,\xshad-14\yshad-1)\t(320,330,\xshad4\yshad-14)}run
Dialogue: 1,0:02:58.77,0:02:58.96,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 70] \an5\pos(609.05,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.04)\t(42,84,\fax-0.03\fay-0.07)\t(84,126,\fax-0.04\fay-0.05)\t(126,168,\fax0.06\fay-0.06)\t(168,190,\fax0.04\fay-0.03)\t(0,80,\xshad-9\yshad10)\t(80,160,\xshad10\yshad6)\t(160,190,\xshad-7\yshad-6)}up
Dialogue: 1,0:02:58.96,0:02:59.35,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 71] \an5\pos(659.52,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,390,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.05)\t(42,84,\fax-0.07\fay-0.03)\t(84,126,\fax0.05\fay0.04)\t(126,168,\fax0.03\fay-0.06)\t(168,210,\fax-0.04\fay0.08)\t(210,252,\fax-0.03\fay0.04)\t(252,294,\fax-0.04\fay-0.05)\t(294,336,\fax0.08\fay-0.05)\t(336,378,\fax-0.05\fay-0.07)\t(378,390,\fax0.05\fay-0.06)\t(0,80,\xshad-4\yshad-8)\t(80,160,\xshad8\yshad-3)\t(160,240,\xshad1\yshad-12)\t(240,320,\xshad-8\yshad-1)\t(320,390,\xshad10\yshad10)}day
Dialogue: 1,0:02:59.35,0:02:59.53,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 72] \an5\pos(717.87,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.04)\t(42,84,\fax0.04\fay0.07)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax-0.05\fay-0.07)\t(168,180,\fax-0.08\fay0.06)\t(0,80,\xshad1\yshad3)\t(80,160,\xshad-1\yshad-1)\t(160,180,\xshad-3\yshad10)}and
Dialogue: 1,0:02:59.53,0:02:59.80,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 73] \an5\pos(785.77,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,270,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.07)\t(42,84,\fax0.05\fay-0.07)\t(84,126,\fax0.05\fay-0.07)\t(126,168,\fax-0.05\fay0.07)\t(168,210,\fax0.04\fay0.04)\t(210,252,\fax-0.08\fay-0.04)\t(252,270,\fax-0.08\fay-0.08)\t(0,80,\xshad9\yshad-11)\t(80,160,\xshad-2\yshad-6)\t(160,240,\xshad-14\yshad9)\t(240,270,\xshad13\yshad8)}night
Dialogue: 1,0:02:59.80,0:03:00.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 16 - line fx: 74] \an5\pos(567.73,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.03)\t(42,84,\fax-0.08\fay-0.06)\t(84,126,\fax0.06\fay0.08)\t(126,168,\fax0.04\fay-0.04)\t(168,210,\fax-0.06\fay0.06)\t(210,252,\fax0.06\fay0.04)\t(252,294,\fax-0.04\fay-0.05)\t(294,336,\fax-0.08\fay0.07)\t(336,340,\fax0.06\fay0.05)\t(0,80,\xshad8\yshad6)\t(80,160,\xshad-14\yshad12)\t(160,240,\xshad6\yshad6)\t(240,320,\xshad4\yshad5)\t(320,340,\xshad9\yshad13)}Time
Dialogue: 1,0:03:00.14,0:03:00.35,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 16 - line fx: 75] \an5\pos(623.91,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.04)\t(42,84,\fax-0.03\fay-0.07)\t(84,126,\fax-0.05\fay0.06)\t(126,168,\fax-0.03\fay0.08)\t(168,210,\fax-0.05\fay-0.07)\t(0,80,\xshad11\yshad12)\t(80,160,\xshad-2\yshad11)\t(160,210,\xshad1\yshad-5)}to
Dialogue: 1,0:03:00.35,0:03:00.72,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 16 - line fx: 76] \an5\pos(696.18,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,370,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.04)\t(42,84,\fax-0.05\fay0.04)\t(84,126,\fax-0.06\fay0.06)\t(126,168,\fax-0.03\fay-0.07)\t(168,210,\fax-0.04\fay-0.03)\t(210,252,\fax-0.07\fay0.08)\t(252,294,\fax0.03\fay0.07)\t(294,336,\fax0.04\fay-0.07)\t(336,370,\fax-0.08\fay0.08)\t(0,80,\xshad-6\yshad-9)\t(80,160,\xshad7\yshad8)\t(160,240,\xshad10\yshad-3)\t(240,320,\xshad12\yshad6)\t(320,370,\xshad-4\yshad-10)}rewrite
Dialogue: 1,0:03:00.72,0:03:01.16,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 77] \an5\pos(470.88,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,440,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.04)\t(42,84,\fax0.05\fay0.03)\t(84,126,\fax-0.07\fay0.06)\t(126,168,\fax-0.05\fay-0.05)\t(168,210,\fax-0.08\fay0.03)\t(210,252,\fax-0.04\fay0.08)\t(252,294,\fax0.05\fay0.04)\t(294,336,\fax0.06\fay-0.06)\t(336,378,\fax-0.08\fay-0.03)\t(378,420,\fax0.08\fay0.03)\t(420,440,\fax0.06\fay-0.04)\t(0,80,\xshad-9\yshad-5)\t(80,160,\xshad-11\yshad13)\t(160,240,\xshad-5\yshad-9)\t(240,320,\xshad-9\yshad-10)\t(320,400,\xshad-9\yshad12)\t(400,440,\xshad7\yshad5)}No
Dialogue: 1,0:03:01.16,0:03:01.52,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 78] \an5\pos(544.45,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.07)\t(42,84,\fax0.05\fay0.03)\t(84,126,\fax-0.04\fay0.03)\t(126,168,\fax-0.04\fay0.04)\t(168,210,\fax0.08\fay0.05)\t(210,252,\fax-0.06\fay0.07)\t(252,294,\fax0.08\fay0.04)\t(294,336,\fax-0.08\fay0.03)\t(336,360,\fax-0.05\fay-0.04)\t(0,80,\xshad-9\yshad8)\t(80,160,\xshad6\yshad13)\t(160,240,\xshad-10\yshad13)\t(240,320,\xshad-3\yshad-9)\t(320,360,\xshad-5\yshad6)}matter
Dialogue: 1,0:03:01.52,0:03:01.89,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 79] \an5\pos(633.67,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,370,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.08)\t(42,84,\fax0.04\fay-0.05)\t(84,126,\fax-0.07\fay-0.04)\t(126,168,\fax-0.07\fay0.03)\t(168,210,\fax0.06\fay-0.08)\t(210,252,\fax-0.08\fay-0.04)\t(252,294,\fax0.06\fay0.04)\t(294,336,\fax-0.08\fay-0.03)\t(336,370,\fax-0.08\fay-0.03)\t(0,80,\xshad6\yshad12)\t(80,160,\xshad10\yshad-8)\t(160,240,\xshad9\yshad3)\t(240,320,\xshad-14\yshad6)\t(320,370,\xshad5\yshad10)}what
Dialogue: 1,0:03:01.89,0:03:02.33,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 80] \an5\pos(725.65,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,440,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.05)\t(42,84,\fax-0.03\fay0.03)\t(84,126,\fax-0.03\fay-0.06)\t(126,168,\fax0.08\fay-0.08)\t(168,210,\fax0.04\fay0.08)\t(210,252,\fax0.06\fay0.06)\t(252,294,\fax0.04\fay-0.05)\t(294,336,\fax-0.04\fay0.05)\t(336,378,\fax-0.08\fay-0.03)\t(378,420,\fax0.04\fay0.05)\t(420,440,\fax0.04\fay-0.06)\t(0,80,\xshad9\yshad1)\t(80,160,\xshad-10\yshad-1)\t(160,240,\xshad-14\yshad4)\t(240,320,\xshad1\yshad8)\t(320,400,\xshad-3\yshad6)\t(400,440,\xshad12\yshad-1)}anyone
Dialogue: 1,0:03:02.33,0:03:02.76,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 81] \an5\pos(805.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,430,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.04)\t(42,84,\fax-0.03\fay-0.06)\t(84,126,\fax-0.06\fay-0.04)\t(126,168,\fax0.03\fay0.08)\t(168,210,\fax0.05\fay0.03)\t(210,252,\fax-0.04\fay-0.07)\t(252,294,\fax-0.08\fay-0.05)\t(294,336,\fax0.08\fay0.07)\t(336,378,\fax-0.07\fay-0.04)\t(378,420,\fax0.04\fay0.07)\t(420,430,\fax0.06\fay-0.05)\t(0,80,\xshad6\yshad8)\t(80,160,\xshad1\yshad11)\t(160,240,\xshad-4\yshad-9)\t(240,320,\xshad-2\yshad12)\t(320,400,\xshad-4\yshad1)\t(400,430,\xshad-9\yshad-10)}say
Dialogue: 1,0:03:02.76,0:03:03.08,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 82] \an5\pos(550.04,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,320,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.03)\t(42,84,\fax0.04\fay0.03)\t(84,126,\fax-0.04\fay0.06)\t(126,168,\fax0.04\fay-0.08)\t(168,210,\fax0.04\fay-0.05)\t(210,252,\fax-0.04\fay0.08)\t(252,294,\fax-0.04\fay-0.08)\t(294,320,\fax-0.03\fay0.07)\t(0,80,\xshad8\yshad11)\t(80,160,\xshad11\yshad13)\t(160,240,\xshad-8\yshad-5)\t(240,320,\xshad-6\yshad14)}I
Dialogue: 1,0:03:03.08,0:03:03.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 83] \an5\pos(590.63,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,500,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.06)\t(42,84,\fax0.06\fay0.08)\t(84,126,\fax-0.05\fay0.07)\t(126,168,\fax-0.05\fay-0.07)\t(168,210,\fax-0.07\fay-0.03)\t(210,252,\fax-0.03\fay-0.04)\t(252,294,\fax-0.03\fay0.08)\t(294,336,\fax-0.05\fay-0.07)\t(336,378,\fax0.06\fay0.03)\t(378,420,\fax-0.06\fay0.06)\t(420,462,\fax-0.03\fay0.03)\t(462,500,\fax-0.06\fay-0.04)\t(0,80,\xshad-8\yshad-6)\t(80,160,\xshad-14\yshad-10)\t(160,240,\xshad-5\yshad13)\t(240,320,\xshad8\yshad-12)\t(320,400,\xshad-13\yshad2)\t(400,480,\xshad-12\yshad-5)\t(480,500,\xshad-3\yshad2)}find
Dialogue: 1,0:03:03.58,0:03:03.89,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 84] \an5\pos(647.52,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.03)\t(42,84,\fax-0.03\fay-0.04)\t(84,126,\fax0.03\fay-0.05)\t(126,168,\fax0.07\fay0.04)\t(168,210,\fax-0.06\fay0.06)\t(210,252,\fax0.08\fay0.04)\t(252,294,\fax-0.07\fay0.03)\t(294,310,\fax-0.06\fay0.06)\t(0,80,\xshad14\yshad-9)\t(80,160,\xshad-11\yshad-2)\t(160,240,\xshad-1\yshad-11)\t(240,310,\xshad-9\yshad-5)}my
Dialogue: 1,0:03:03.89,0:03:04.41,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 85] \an5\pos(706.11,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,520,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.04)\t(42,84,\fax0.05\fay-0.04)\t(84,126,\fax-0.03\fay0.07)\t(126,168,\fax-0.06\fay-0.04)\t(168,210,\fax0.04\fay0.07)\t(210,252,\fax0.06\fay0.08)\t(252,294,\fax-0.06\fay-0.03)\t(294,336,\fax0.07\fay-0.06)\t(336,378,\fax0.06\fay-0.07)\t(378,420,\fax0.03\fay0.07)\t(420,462,\fax0.04\fay0.07)\t(462,504,\fax-0.04\fay-0.03)\t(504,520,\fax-0.03\fay-0.06)\t(0,80,\xshad-13\yshad9)\t(80,160,\xshad5\yshad-9)\t(160,240,\xshad14\yshad8)\t(240,320,\xshad-4\yshad-14)\t(320,400,\xshad3\yshad11)\t(400,480,\xshad11\yshad5)\t(480,520,\xshad-4\yshad9)}way
Dialogue: 1,0:03:04.70,0:03:05.51,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 86] \an5\pos(536.02,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,810,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.08)\t(42,84,\fax-0.08\fay0.07)\t(84,126,\fax-0.07\fay-0.08)\t(126,168,\fax0.05\fay-0.04)\t(168,210,\fax0.08\fay0.06)\t(210,252,\fax-0.04\fay0.03)\t(252,294,\fax-0.06\fay0.06)\t(294,336,\fax-0.07\fay-0.08)\t(336,378,\fax0.08\fay0.08)\t(378,420,\fax0.05\fay0.06)\t(420,462,\fax0.07\fay-0.04)\t(462,504,\fax0.08\fay-0.06)\t(504,546,\fax0.08\fay-0.08)\t(546,588,\fax-0.04\fay0.03)\t(588,630,\fax0.03\fay0.08)\t(630,672,\fax0.03\fay-0.07)\t(672,714,\fax0.06\fay0.06)\t(714,756,\fax-0.08\fay-0.05)\t(756,798,\fax0.06\fay0.04)\t(798,810,\fax-0.04\fay-0.03)\t(0,80,\xshad8\yshad11)\t(80,160,\xshad13\yshad12)\t(160,240,\xshad2\yshad-13)\t(240,320,\xshad-8\yshad7)\t(320,400,\xshad-5\yshad-7)\t(400,480,\xshad13\yshad12)\t(480,560,\xshad-9\yshad14)\t(560,640,\xshad13\yshad-3)\t(640,720,\xshad9\yshad7)\t(720,800,\xshad5\yshad-5)\t(800,810,\xshad1\yshad12)}Yeah
Dialogue: 1,0:03:05.51,0:03:05.86,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 87] \an5\pos(617.32,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.07)\t(42,84,\fax0.04\fay-0.05)\t(84,126,\fax0.07\fay-0.07)\t(126,168,\fax-0.05\fay0.03)\t(168,210,\fax-0.04\fay-0.07)\t(210,252,\fax0.05\fay-0.08)\t(252,294,\fax-0.07\fay0.04)\t(294,336,\fax0.06\fay-0.05)\t(336,350,\fax0.06\fay-0.04)\t(0,80,\xshad-14\yshad-3)\t(80,160,\xshad-7\yshad13)\t(160,240,\xshad-12\yshad6)\t(240,320,\xshad9\yshad7)\t(320,350,\xshad6\yshad-6)}never
Dialogue: 1,0:03:05.86,0:03:06.06,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 88] \an5\pos(680.45,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.08)\t(42,84,\fax-0.06\fay0.06)\t(84,126,\fax0.04\fay-0.04)\t(126,168,\fax-0.08\fay-0.07)\t(168,200,\fax-0.06\fay-0.08)\t(0,80,\xshad-14\yshad-13)\t(80,160,\xshad12\yshad-4)\t(160,200,\xshad1\yshad1)}go
Dialogue: 1,0:03:06.06,0:03:07.09,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 89] \an5\pos(742.13,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,1030,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.06)\t(42,84,\fax0.05\fay-0.06)\t(84,126,\fax-0.05\fay-0.07)\t(126,168,\fax0.04\fay-0.08)\t(168,210,\fax0.08\fay0.03)\t(210,252,\fax-0.04\fay0.06)\t(252,294,\fax0.08\fay-0.06)\t(294,336,\fax0.07\fay-0.04)\t(336,378,\fax0.07\fay0.07)\t(378,420,\fax-0.07\fay-0.06)\t(420,462,\fax-0.07\fay0.03)\t(462,504,\fax-0.06\fay0.04)\t(504,546,\fax0.05\fay-0.05)\t(546,588,\fax-0.06\fay-0.08)\t(588,630,\fax0.08\fay0.08)\t(630,672,\fax-0.05\fay0.03)\t(672,714,\fax0.08\fay-0.06)\t(714,756,\fax0.05\fay0.03)\t(756,798,\fax-0.06\fay0.04)\t(798,840,\fax-0.03\fay-0.05)\t(840,882,\fax-0.04\fay-0.03)\t(882,924,\fax0.08\fay-0.07)\t(924,966,\fax-0.03\fay0.08)\t(966,1008,\fax-0.08\fay0.05)\t(1008,1030,\fax-0.06\fay0.05)\t(0,80,\xshad10\yshad14)\t(80,160,\xshad-5\yshad-10)\t(160,240,\xshad8\yshad6)\t(240,320,\xshad8\yshad-10)\t(320,400,\xshad-6\yshad14)\t(400,480,\xshad14\yshad-3)\t(480,560,\xshad4\yshad-3)\t(560,640,\xshad-14\yshad-4)\t(640,720,\xshad6\yshad-12)\t(720,800,\xshad11\yshad8)\t(800,880,\xshad-11\yshad4)\t(880,960,\xshad10\yshad-3)\t(960,1030,\xshad5\yshad-14)}away
Dialogue: 1,0:03:08.05,0:03:08.43,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 90] \an5\pos(437.2,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.05)\t(42,84,\fax-0.05\fay0.04)\t(84,126,\fax0.04\fay-0.05)\t(126,168,\fax0.05\fay0.03)\t(168,210,\fax0.07\fay-0.04)\t(210,252,\fax-0.08\fay-0.07)\t(252,294,\fax0.07\fay-0.07)\t(294,336,\fax0.04\fay-0.03)\t(336,378,\fax0.06\fay-0.08)\t(378,380,\fax-0.07\fay0.05)\t(0,80,\xshad-12\yshad-3)\t(80,160,\xshad13\yshad-13)\t(160,240,\xshad7\yshad-11)\t(240,320,\xshad11\yshad-12)\t(320,380,\xshad10\yshad-7)}Now,
Dialogue: 1,0:03:08.43,0:03:08.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 91] \an5\pos(531.18,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,520,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.08)\t(42,84,\fax0.05\fay-0.07)\t(84,126,\fax0.08\fay0.08)\t(126,168,\fax-0.06\fay0.04)\t(168,210,\fax-0.07\fay0.04)\t(210,252,\fax-0.08\fay-0.03)\t(252,294,\fax0.08\fay0.03)\t(294,336,\fax0.04\fay-0.03)\t(336,378,\fax0.07\fay-0.04)\t(378,420,\fax0.04\fay-0.05)\t(420,462,\fax0.06\fay-0.05)\t(462,504,\fax-0.08\fay-0.03)\t(504,520,\fax0.05\fay0.03)\t(0,80,\xshad-7\yshad12)\t(80,160,\xshad9\yshad4)\t(160,240,\xshad13\yshad6)\t(240,320,\xshad7\yshad-5)\t(320,400,\xshad12\yshad-10)\t(400,480,\xshad-1\yshad3)\t(480,520,\xshad-5\yshad12)}nobody
Dialogue: 1,0:03:08.95,0:03:09.20,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 92] \an5\pos(621.98,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.05)\t(42,84,\fax-0.06\fay-0.07)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax-0.05\fay-0.08)\t(168,210,\fax-0.05\fay-0.08)\t(210,250,\fax0.04\fay0.08)\t(0,80,\xshad12\yshad5)\t(80,160,\xshad5\yshad-10)\t(160,240,\xshad-4\yshad-4)\t(240,250,\xshad14\yshad-8)}can't
Dialogue: 1,0:03:09.20,0:03:09.68,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 93] \an5\pos(691.34,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,480,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.08)\t(42,84,\fax0.04\fay0.06)\t(84,126,\fax0.06\fay0.04)\t(126,168,\fax0.08\fay0.03)\t(168,210,\fax0.06\fay-0.07)\t(210,252,\fax0.05\fay0.06)\t(252,294,\fax0.03\fay-0.08)\t(294,336,\fax0.03\fay0.03)\t(336,378,\fax-0.04\fay-0.03)\t(378,420,\fax-0.05\fay-0.04)\t(420,462,\fax0.03\fay-0.06)\t(462,480,\fax-0.08\fay0.05)\t(0,80,\xshad4\yshad-13)\t(80,160,\xshad-2\yshad10)\t(160,240,\xshad-14\yshad-6)\t(240,320,\xshad-7\yshad-12)\t(320,400,\xshad7\yshad-12)\t(400,480,\xshad6\yshad4)}stop
Dialogue: 1,0:03:09.68,0:03:10.06,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 94] \an5\pos(749.15,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.06)\t(42,84,\fax0.05\fay-0.04)\t(84,126,\fax0.08\fay0.03)\t(126,168,\fax0.05\fay0.06)\t(168,210,\fax-0.06\fay0.03)\t(210,252,\fax0.03\fay-0.05)\t(252,294,\fax-0.03\fay-0.05)\t(294,336,\fax0.06\fay-0.07)\t(336,378,\fax-0.07\fay0.07)\t(378,380,\fax0.07\fay-0.07)\t(0,80,\xshad-10\yshad10)\t(80,160,\xshad-11\yshad11)\t(160,240,\xshad7\yshad-14)\t(240,320,\xshad-10\yshad5)\t(320,380,\xshad-3\yshad-12)}me
Dialogue: 1,0:03:10.06,0:03:10.42,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 95] \an5\pos(794.85,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.06)\t(42,84,\fax0.04\fay-0.06)\t(84,126,\fax0.05\fay-0.04)\t(126,168,\fax0.07\fay0.07)\t(168,210,\fax0.05\fay-0.06)\t(210,252,\fax0.05\fay-0.04)\t(252,294,\fax0.04\fay-0.07)\t(294,336,\fax-0.04\fay-0.06)\t(336,360,\fax-0.07\fay-0.06)\t(0,80,\xshad14\yshad-12)\t(80,160,\xshad13\yshad-9)\t(160,240,\xshad-1\yshad-3)\t(240,320,\xshad3\yshad-5)\t(320,360,\xshad-2\yshad12)}no
Dialogue: 1,0:03:10.42,0:03:10.75,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 96] \an5\pos(849.04,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,330,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.06)\t(42,84,\fax-0.08\fay-0.05)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax-0.05\fay0.07)\t(168,210,\fax-0.08\fay0.08)\t(210,252,\fax-0.03\fay-0.04)\t(252,294,\fax-0.04\fay0.04)\t(294,330,\fax-0.06\fay0.04)\t(0,80,\xshad9\yshad-8)\t(80,160,\xshad13\yshad-7)\t(160,240,\xshad-2\yshad-9)\t(240,320,\xshad-3\yshad-2)\t(320,330,\xshad-9\yshad13)}way
Dialogue: 1,0:03:10.95,0:03:11.12,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 97] \an5\pos(420.64,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.04)\t(42,84,\fax-0.08\fay-0.06)\t(84,126,\fax-0.04\fay0.05)\t(126,168,\fax-0.03\fay-0.04)\t(168,170,\fax0.08\fay0.06)\t(0,80,\xshad3\yshad-11)\t(80,160,\xshad-7\yshad14)\t(160,170,\xshad8\yshad-3)}wa
Dialogue: 1,0:03:11.12,0:03:11.32,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 98] \an5\pos(455.3,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.06)\t(42,84,\fax0.03\fay0.03)\t(84,126,\fax0.08\fay0.07)\t(126,168,\fax0.08\fay0.05)\t(168,200,\fax0.07\fay-0.07)\t(0,80,\xshad13\yshad-5)\t(80,160,\xshad-10\yshad7)\t(160,200,\xshad1\yshad8)}su
Dialogue: 1,0:03:11.32,0:03:11.50,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 99] \an5\pos(483.43,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.06)\t(42,84,\fax-0.07\fay-0.03)\t(84,126,\fax0.04\fay0.03)\t(126,168,\fax0.08\fay-0.04)\t(168,180,\fax-0.05\fay-0.04)\t(0,80,\xshad-12\yshad10)\t(80,160,\xshad-5\yshad-11)\t(160,180,\xshad3\yshad-4)}re
Dialogue: 1,0:03:11.50,0:03:11.63,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 100] \an5\pos(510.37,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.06)\t(42,84,\fax0.06\fay-0.07)\t(84,126,\fax-0.07\fay-0.07)\t(126,130,\fax0.05\fay-0.03)\t(0,80,\xshad-7\yshad3)\t(80,130,\xshad-13\yshad6)}te
Dialogue: 1,0:03:11.63,0:03:11.85,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 101] \an5\pos(550.73,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.08)\t(42,84,\fax0.07\fay-0.07)\t(84,126,\fax-0.06\fay0.05)\t(126,168,\fax-0.04\fay-0.07)\t(168,210,\fax-0.04\fay0.08)\t(210,220,\fax0.03\fay-0.04)\t(0,80,\xshad-11\yshad-2)\t(80,160,\xshad-12\yshad-3)\t(160,220,\xshad3\yshad8)}shi
Dialogue: 1,0:03:11.85,0:03:11.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 102] \an5\pos(589.26,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax-0.06\fay-0.05)\t(42,80,\fax-0.05\fay0.05)\t(\xshad1\yshad-9)}ma
Dialogue: 1,0:03:11.93,0:03:12.06,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 103] \an5\pos(618.02,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.08)\t(42,84,\fax0.06\fay-0.08)\t(84,126,\fax0.07\fay-0.03)\t(126,130,\fax-0.08\fay-0.03)\t(0,80,\xshad-13\yshad-1)\t(80,130,\xshad14\yshad-9)}u
Dialogue: 1,0:03:12.06,0:03:12.22,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 104] \an5\pos(652.08,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.05)\t(42,84,\fax0.07\fay0.05)\t(84,126,\fax0.08\fay0.05)\t(126,160,\fax-0.05\fay-0.06)\t(0,80,\xshad7\yshad13)\t(80,160,\xshad6\yshad7)}ko
Dialogue: 1,0:03:12.22,0:03:12.43,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 105] \an5\pos(682.9,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.06)\t(42,84,\fax-0.04\fay-0.03)\t(84,126,\fax0.06\fay-0.04)\t(126,168,\fax-0.04\fay-0.03)\t(168,210,\fax-0.06\fay-0.08)\t(0,80,\xshad-3\yshad9)\t(80,160,\xshad-3\yshad2)\t(160,210,\xshad11\yshad-7)}to
Dialogue: 1,0:03:12.43,0:03:12.60,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 106] \an5\pos(722.63,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.04)\t(42,84,\fax-0.03\fay-0.05)\t(84,126,\fax0.06\fay0.07)\t(126,168,\fax-0.04\fay-0.03)\t(168,170,\fax-0.08\fay0.04)\t(0,80,\xshad8\yshad-7)\t(80,160,\xshad6\yshad14)\t(160,170,\xshad14\yshad3)}no
Dialogue: 1,0:03:12.60,0:03:12.78,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 107] \an5\pos(764.43,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.06)\t(42,84,\fax-0.03\fay-0.03)\t(84,126,\fax-0.04\fay0.07)\t(126,168,\fax0.08\fay-0.08)\t(168,180,\fax0.05\fay0.07)\t(0,80,\xshad-7\yshad7)\t(80,160,\xshad6\yshad4)\t(160,180,\xshad-5\yshad-7)}na
Dialogue: 1,0:03:12.78,0:03:12.96,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 108] \an5\pos(784.17,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.07)\t(42,84,\fax0.07\fay-0.05)\t(84,126,\fax-0.04\fay-0.07)\t(126,168,\fax0.04\fay-0.08)\t(168,180,\fax0.03\fay-0.08)\t(0,80,\xshad-2\yshad-14)\t(80,160,\xshad10\yshad-14)\t(160,180,\xshad7\yshad-1)}i
Dialogue: 1,0:03:12.96,0:03:13.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 109] \an5\pos(813.38,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.07)\t(42,84,\fax-0.05\fay0.05)\t(84,126,\fax-0.03\fay0.05)\t(126,168,\fax-0.03\fay-0.08)\t(168,180,\fax-0.04\fay-0.06)\t(0,80,\xshad-5\yshad-6)\t(80,160,\xshad-4\yshad8)\t(160,180,\xshad8\yshad-13)}yo
Dialogue: 1,0:03:13.14,0:03:13.32,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 110] \an5\pos(838.32,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.03)\t(42,84,\fax-0.03\fay0.05)\t(84,126,\fax0.04\fay-0.06)\t(126,168,\fax0.06\fay-0.04)\t(168,180,\fax-0.04\fay0.03)\t(0,80,\xshad5\yshad-6)\t(80,160,\xshad12\yshad11)\t(160,180,\xshad-10\yshad-9)}u
Dialogue: 1,0:03:13.32,0:03:13.60,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 111] \an5\pos(867.6,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.07)\t(42,84,\fax0.05\fay-0.06)\t(84,126,\fax-0.06\fay-0.04)\t(126,168,\fax0.03\fay-0.03)\t(168,210,\fax-0.03\fay0.04)\t(210,252,\fax0.06\fay-0.03)\t(252,280,\fax-0.04\fay-0.05)\t(0,80,\xshad-4\yshad5)\t(80,160,\xshad1\yshad-7)\t(160,240,\xshad-4\yshad-4)\t(240,280,\xshad8\yshad2)}ni
Dialogue: 1,0:03:13.61,0:03:13.69,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 112] \an5\pos(381.82,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.05\fay0.04)\t(42,80,\fax0.06\fay-0.06)\t(\xshad4\yshad-2)}na
Dialogue: 1,0:03:13.69,0:03:13.80,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 113] \an5\pos(414.77,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,110,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.08)\t(42,84,\fax-0.08\fay0.07)\t(84,110,\fax0.08\fay-0.07)\t(0,80,\xshad10\yshad-4)\t(80,110,\xshad4\yshad10)}ku
Dialogue: 1,0:03:13.80,0:03:14.05,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 114] \an5\pos(450.41,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.06)\t(42,84,\fax0.04\fay0.08)\t(84,126,\fax0.03\fay-0.07)\t(126,168,\fax-0.03\fay0.04)\t(168,210,\fax0.08\fay0.03)\t(210,250,\fax-0.05\fay0.07)\t(0,80,\xshad11\yshad12)\t(80,160,\xshad12\yshad4)\t(160,240,\xshad-6\yshad-10)\t(240,250,\xshad-4\yshad11)}chi
Dialogue: 1,0:03:14.05,0:03:14.24,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 115] \an5\pos(482.9,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.03)\t(42,84,\fax0.03\fay0.08)\t(84,126,\fax0.08\fay0.05)\t(126,168,\fax0.08\fay-0.08)\t(168,190,\fax0.08\fay-0.08)\t(0,80,\xshad-9\yshad-8)\t(80,160,\xshad-6\yshad14)\t(160,190,\xshad2\yshad7)}ta
Dialogue: 1,0:03:14.24,0:03:14.56,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 116] \an5\pos(526.46,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,320,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.06)\t(42,84,\fax-0.07\fay-0.04)\t(84,126,\fax0.07\fay-0.07)\t(126,168,\fax-0.06\fay0.04)\t(168,210,\fax0.04\fay0.07)\t(210,252,\fax-0.08\fay0.07)\t(252,294,\fax0.07\fay0.05)\t(294,320,\fax0.06\fay-0.08)\t(0,80,\xshad6\yshad-12)\t(80,160,\xshad5\yshad10)\t(160,240,\xshad6\yshad-14)\t(240,320,\xshad-13\yshad-14)}mo
Dialogue: 1,0:03:14.56,0:03:14.67,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 117] \an5\pos(563.98,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,110,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.06)\t(42,84,\fax-0.06\fay-0.03)\t(84,110,\fax0.07\fay-0.05)\t(0,80,\xshad8\yshad-11)\t(80,110,\xshad3\yshad5)}no
Dialogue: 1,0:03:14.67,0:03:14.83,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 118] \an5\pos(604.08,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.06)\t(42,84,\fax-0.06\fay0.04)\t(84,126,\fax0.07\fay0.08)\t(126,160,\fax0.05\fay0.03)\t(0,80,\xshad-12\yshad12)\t(80,160,\xshad6\yshad13)}su
Dialogue: 1,0:03:14.83,0:03:14.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 119] \an5\pos(634.4,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.04)\t(42,84,\fax-0.04\fay-0.06)\t(84,120,\fax0.04\fay-0.03)\t(0,80,\xshad14\yshad-11)\t(80,120,\xshad5\yshad-5)}be
Dialogue: 1,0:03:14.95,0:03:15.29,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 120] \an5\pos(663.52,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.08)\t(42,84,\fax-0.04\fay-0.04)\t(84,126,\fax-0.07\fay0.04)\t(126,168,\fax0.08\fay0.03)\t(168,210,\fax0.07\fay-0.03)\t(210,252,\fax0.08\fay0.07)\t(252,294,\fax0.06\fay-0.08)\t(294,336,\fax-0.03\fay-0.07)\t(336,340,\fax-0.04\fay0.03)\t(0,80,\xshad5\yshad8)\t(80,160,\xshad-10\yshad-10)\t(160,240,\xshad-1\yshad13)\t(240,320,\xshad7\yshad-8)\t(320,340,\xshad-7\yshad-11)}te
Dialogue: 1,0:03:15.29,0:03:15.50,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 121] \an5\pos(699.91,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.06)\t(42,84,\fax-0.05\fay-0.04)\t(84,126,\fax-0.06\fay0.04)\t(126,168,\fax0.03\fay0.08)\t(168,210,\fax-0.05\fay0.06)\t(0,80,\xshad11\yshad6)\t(80,160,\xshad-8\yshad-1)\t(160,210,\xshad-7\yshad-2)}to
Dialogue: 1,0:03:15.50,0:03:15.70,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 122] \an5\pos(723.84,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.03)\t(42,84,\fax-0.08\fay-0.04)\t(84,126,\fax-0.06\fay0.08)\t(126,168,\fax-0.04\fay0.03)\t(168,200,\fax0.05\fay0.08)\t(0,80,\xshad9\yshad4)\t(80,160,\xshad-6\yshad13)\t(160,200,\xshad14\yshad4)}ri
Dialogue: 1,0:03:15.70,0:03:15.97,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 123] \an5\pos(754.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,270,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.03)\t(42,84,\fax-0.03\fay-0.03)\t(84,126,\fax-0.04\fay-0.06)\t(126,168,\fax0.03\fay0.03)\t(168,210,\fax-0.04\fay0.04)\t(210,252,\fax-0.05\fay-0.06)\t(252,270,\fax0.07\fay-0.06)\t(0,80,\xshad13\yshad-13)\t(80,160,\xshad-10\yshad-3)\t(160,240,\xshad11\yshad-9)\t(240,270,\xshad2\yshad14)}mo
Dialogue: 1,0:03:15.97,0:03:16.10,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 124] \an5\pos(792.2,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.06)\t(42,84,\fax0.07\fay-0.06)\t(84,126,\fax0.07\fay0.05)\t(126,130,\fax-0.03\fay-0.08)\t(0,80,\xshad-1\yshad-2)\t(80,130,\xshad14\yshad3)}do
Dialogue: 1,0:03:16.10,0:03:16.22,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 125] \an5\pos(823.42,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.04)\t(42,84,\fax-0.04\fay-0.08)\t(84,120,\fax0.06\fay-0.06)\t(0,80,\xshad6\yshad5)\t(80,120,\xshad4\yshad-5)}su
Dialogue: 1,0:03:16.22,0:03:16.42,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 126] \an5\pos(860.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.07)\t(42,84,\fax-0.08\fay-0.03)\t(84,126,\fax-0.05\fay0.04)\t(126,168,\fax0.08\fay0.04)\t(168,200,\fax-0.06\fay0.05)\t(0,80,\xshad-11\yshad8)\t(80,160,\xshad-10\yshad6)\t(160,200,\xshad12\yshad-1)}ta
Dialogue: 1,0:03:16.42,0:03:16.64,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 127] \an5\pos(894.27,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax0.05\fay0.08)\t(84,126,\fax0.03\fay0.04)\t(126,168,\fax0.06\fay0.08)\t(168,210,\fax0.07\fay0.06)\t(210,220,\fax0.07\fay0.05)\t(0,80,\xshad5\yshad11)\t(80,160,\xshad2\yshad3)\t(160,220,\xshad7\yshad-12)}me
Dialogue: 1,0:03:16.70,0:03:17.10,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 128] \an5\pos(487.93,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,400,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.08)\t(42,84,\fax-0.07\fay-0.08)\t(84,126,\fax-0.04\fay0.06)\t(126,168,\fax-0.04\fay0.08)\t(168,210,\fax-0.06\fay-0.04)\t(210,252,\fax-0.07\fay0.06)\t(252,294,\fax-0.07\fay0.06)\t(294,336,\fax0.05\fay-0.07)\t(336,378,\fax-0.03\fay0.08)\t(378,400,\fax0.08\fay-0.07)\t(0,80,\xshad7\yshad4)\t(80,160,\xshad3\yshad12)\t(160,240,\xshad4\yshad5)\t(240,320,\xshad-7\yshad-13)\t(320,400,\xshad5\yshad2)}Rise
Dialogue: 1,0:03:17.10,0:03:17.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 129] \an5\pos(583.38,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,830,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.04)\t(42,84,\fax0.08\fay0.05)\t(84,126,\fax0.04\fay0.07)\t(126,168,\fax-0.04\fay0.08)\t(168,210,\fax0.06\fay-0.06)\t(210,252,\fax-0.08\fay0.07)\t(252,294,\fax0.07\fay0.05)\t(294,336,\fax-0.05\fay0.08)\t(336,378,\fax-0.04\fay-0.06)\t(378,420,\fax0.04\fay-0.06)\t(420,462,\fax0.05\fay0.04)\t(462,504,\fax0.03\fay-0.06)\t(504,546,\fax0.03\fay-0.06)\t(546,588,\fax0.08\fay0.05)\t(588,630,\fax-0.04\fay-0.05)\t(630,672,\fax-0.05\fay-0.08)\t(672,714,\fax0.08\fay0.07)\t(714,756,\fax0.05\fay0.03)\t(756,798,\fax-0.04\fay0.05)\t(798,830,\fax0.06\fay-0.05)\t(0,80,\xshad-12\yshad-3)\t(80,160,\xshad9\yshad3)\t(160,240,\xshad-12\yshad8)\t(240,320,\xshad-14\yshad-14)\t(320,400,\xshad1\yshad1)\t(400,480,\xshad12\yshad2)\t(480,560,\xshad-4\yshad8)\t(560,640,\xshad-10\yshad-8)\t(640,720,\xshad-6\yshad1)\t(720,800,\xshad6\yshad-1)\t(800,830,\xshad3\yshad-13)}suddenly
Dialogue: 1,0:03:17.93,0:03:18.06,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 130] \an5\pos(663.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.04)\t(42,84,\fax0.07\fay-0.07)\t(84,126,\fax-0.06\fay0.06)\t(126,130,\fax-0.07\fay-0.05)\t(0,80,\xshad-7\yshad-6)\t(80,130,\xshad3\yshad-11)}in
Dialogue: 1,0:03:18.06,0:03:18.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 131] \an5\pos(708.44,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.05)\t(42,84,\fax-0.06\fay0.04)\t(84,126,\fax0.03\fay0.03)\t(126,168,\fax-0.03\fay-0.07)\t(168,210,\fax0.08\fay0.08)\t(210,252,\fax-0.08\fay-0.07)\t(252,294,\fax-0.06\fay0.06)\t(294,336,\fax0.04\fay-0.06)\t(336,340,\fax0.04\fay0.05)\t(0,80,\xshad-4\yshad-11)\t(80,160,\xshad7\yshad2)\t(160,240,\xshad2\yshad3)\t(240,320,\xshad-13\yshad6)\t(320,340,\xshad-6\yshad-3)}this
Dialogue: 1,0:03:18.40,0:03:19.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 132] \an5\pos(780.34,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,1090,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.04)\t(42,84,\fax-0.04\fay0.04)\t(84,126,\fax0.07\fay0.08)\t(126,168,\fax0.07\fay0.04)\t(168,210,\fax-0.04\fay-0.04)\t(210,252,\fax0.06\fay0.04)\t(252,294,\fax-0.03\fay-0.03)\t(294,336,\fax-0.08\fay0.03)\t(336,378,\fax-0.03\fay0.07)\t(378,420,\fax-0.08\fay0.06)\t(420,462,\fax-0.03\fay-0.06)\t(462,504,\fax-0.05\fay0.08)\t(504,546,\fax0.03\fay0.08)\t(546,588,\fax0.04\fay0.04)\t(588,630,\fax-0.04\fay-0.07)\t(630,672,\fax-0.06\fay-0.06)\t(672,714,\fax-0.03\fay-0.08)\t(714,756,\fax0.05\fay-0.07)\t(756,798,\fax0.07\fay-0.05)\t(798,840,\fax-0.07\fay0.05)\t(840,882,\fax0.08\fay0.05)\t(882,924,\fax-0.04\fay-0.04)\t(924,966,\fax0.03\fay-0.07)\t(966,1008,\fax-0.04\fay-0.08)\t(1008,1050,\fax0.06\fay0.05)\t(1050,1090,\fax0.05\fay0.08)\t(0,80,\xshad2\yshad8)\t(80,160,\xshad-5\yshad4)\t(160,240,\xshad-13\yshad-6)\t(240,320,\xshad6\yshad13)\t(320,400,\xshad1\yshad-9)\t(400,480,\xshad14\yshad-11)\t(480,560,\xshad-11\yshad-6)\t(560,640,\xshad6\yshad6)\t(640,720,\xshad-2\yshad11)\t(720,800,\xshad3\yshad10)\t(800,880,\xshad12\yshad-11)\t(880,960,\xshad-10\yshad-6)\t(960,1040,\xshad8\yshad-7)\t(1040,1090,\xshad11\yshad2)}world
Dialogue: 1,0:03:19.65,0:03:20.06,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 133] \an5\pos(506.8,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,410,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.07)\t(42,84,\fax-0.06\fay-0.05)\t(84,126,\fax-0.06\fay0.06)\t(126,168,\fax0.05\fay-0.03)\t(168,210,\fax-0.05\fay-0.07)\t(210,252,\fax0.07\fay-0.06)\t(252,294,\fax0.05\fay0.04)\t(294,336,\fax0.04\fay-0.05)\t(336,378,\fax0.03\fay-0.06)\t(378,410,\fax-0.06\fay-0.04)\t(0,80,\xshad11\yshad-6)\t(80,160,\xshad-12\yshad-11)\t(160,240,\xshad-4\yshad11)\t(240,320,\xshad-8\yshad-9)\t(320,400,\xshad9\yshad13)\t(400,410,\xshad13\yshad-2)}ku
Dialogue: 1,0:03:20.06,0:03:20.24,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 134] \an5\pos(533.41,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.03)\t(42,84,\fax0.05\fay0.03)\t(84,126,\fax0.07\fay0.07)\t(126,168,\fax0.05\fay0.03)\t(168,180,\fax-0.07\fay-0.06)\t(0,80,\xshad2\yshad-3)\t(80,160,\xshad5\yshad1)\t(160,180,\xshad-11\yshad9)}ri
Dialogue: 1,0:03:20.24,0:03:20.42,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 135] \an5\pos(559.5,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.04)\t(42,84,\fax-0.06\fay-0.03)\t(84,126,\fax0.04\fay0.08)\t(126,168,\fax0.05\fay-0.03)\t(168,180,\fax0.03\fay-0.06)\t(0,80,\xshad13\yshad-10)\t(80,160,\xshad-14\yshad11)\t(160,180,\xshad-10\yshad11)}ka
Dialogue: 1,0:03:20.42,0:03:20.55,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 136] \an5\pos(583.19,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.03)\t(42,84,\fax-0.04\fay-0.04)\t(84,126,\fax0.05\fay-0.07)\t(126,130,\fax-0.05\fay0.08)\t(0,80,\xshad-4\yshad-8)\t(80,130,\xshad-8\yshad1)}e
Dialogue: 1,0:03:20.55,0:03:20.96,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 137] \an5\pos(605.08,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,410,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.04)\t(42,84,\fax-0.07\fay0.05)\t(84,126,\fax-0.05\fay-0.07)\t(126,168,\fax0.05\fay0.08)\t(168,210,\fax0.04\fay0.04)\t(210,252,\fax-0.06\fay0.03)\t(252,294,\fax0.07\fay-0.06)\t(294,336,\fax0.08\fay-0.08)\t(336,378,\fax0.03\fay-0.03)\t(378,410,\fax-0.05\fay0.07)\t(0,80,\xshad-13\yshad-2)\t(80,160,\xshad9\yshad13)\t(160,240,\xshad-14\yshad-8)\t(240,320,\xshad-1\yshad-5)\t(320,400,\xshad-9\yshad-13)\t(400,410,\xshad-4\yshad13)}su
Dialogue: 1,0:03:20.96,0:03:21.15,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 138] \an5\pos(642.21,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.08)\t(42,84,\fax0.07\fay-0.03)\t(84,126,\fax0.06\fay-0.03)\t(126,168,\fax-0.05\fay0.03)\t(168,190,\fax-0.07\fay-0.07)\t(0,80,\xshad-9\yshad4)\t(80,160,\xshad7\yshad10)\t(160,190,\xshad4\yshad-10)}ta
Dialogue: 1,0:03:21.15,0:03:21.33,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 139] \an5\pos(667.87,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.04)\t(42,84,\fax-0.05\fay-0.07)\t(84,126,\fax0.06\fay-0.05)\t(126,168,\fax-0.08\fay0.06)\t(168,180,\fax-0.06\fay-0.05)\t(0,80,\xshad8\yshad1)\t(80,160,\xshad6\yshad14)\t(160,180,\xshad13\yshad12)}bi
Dialogue: 1,0:03:21.33,0:03:21.65,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 140] \an5\pos(705.51,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,320,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.04)\t(42,84,\fax0.05\fay0.05)\t(84,126,\fax-0.08\fay-0.08)\t(126,168,\fax-0.07\fay0.04)\t(168,210,\fax0.03\fay0.04)\t(210,252,\fax0.07\fay0.05)\t(252,294,\fax-0.06\fay0.05)\t(294,320,\fax-0.04\fay-0.05)\t(0,80,\xshad-3\yshad2)\t(80,160,\xshad6\yshad11)\t(160,240,\xshad10\yshad9)\t(240,320,\xshad10\yshad-4)}no
Dialogue: 1,0:03:21.65,0:03:22.05,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 141] \an5\pos(747.29,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,400,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.05)\t(42,84,\fax-0.08\fay-0.08)\t(84,126,\fax-0.06\fay-0.05)\t(126,168,\fax-0.07\fay0.06)\t(168,210,\fax-0.04\fay0.06)\t(210,252,\fax0.05\fay0.06)\t(252,294,\fax-0.04\fay-0.06)\t(294,336,\fax0.03\fay-0.03)\t(336,378,\fax-0.05\fay0.07)\t(378,400,\fax0.06\fay0.05)\t(0,80,\xshad-6\yshad-6)\t(80,160,\xshad8\yshad7)\t(160,240,\xshad-6\yshad-8)\t(240,320,\xshad3\yshad10)\t(320,400,\xshad-6\yshad12)}ha
Dialogue: 1,0:03:22.05,0:03:22.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 26 - line fx: 142] \an5\pos(776.71,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,530,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.06)\t(42,84,\fax0.03\fay0.08)\t(84,126,\fax0.05\fay-0.05)\t(126,168,\fax-0.03\fay-0.05)\t(168,210,\fax0.08\fay0.06)\t(210,252,\fax-0.06\fay0.05)\t(252,294,\fax-0.04\fay0.07)\t(294,336,\fax0.03\fay-0.04)\t(336,378,\fax-0.05\fay0.03)\t(378,420,\fax-0.04\fay0.04)\t(420,462,\fax0.05\fay0.03)\t(462,504,\fax0.06\fay0.05)\t(504,530,\fax0.07\fay0.08)\t(0,80,\xshad7\yshad13)\t(80,160,\xshad1\yshad8)\t(160,240,\xshad7\yshad-3)\t(240,320,\xshad5\yshad9)\t(320,400,\xshad9\yshad-2)\t(400,480,\xshad-13\yshad-12)\t(480,530,\xshad12\yshad11)}te
Dialogue: 1,0:03:22.58,0:03:22.83,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 143] \an5\pos(454.85,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.07)\t(42,84,\fax0.04\fay0.03)\t(84,126,\fax-0.05\fay0.04)\t(126,168,\fax-0.06\fay-0.07)\t(168,210,\fax0.08\fay-0.03)\t(210,250,\fax-0.05\fay0.03)\t(0,80,\xshad7\yshad-3)\t(80,160,\xshad1\yshad12)\t(160,240,\xshad14\yshad-14)\t(240,250,\xshad5\yshad12)}no
Dialogue: 1,0:03:22.83,0:03:22.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 144] \an5\pos(479.79,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.05)\t(42,84,\fax0.04\fay0.08)\t(84,120,\fax0.07\fay0.06)\t(0,80,\xshad2\yshad-3)\t(80,120,\xshad14\yshad12)}u
Dialogue: 1,0:03:22.95,0:03:23.15,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 145] \an5\pos(497.93,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.05)\t(42,84,\fax0.04\fay0.05)\t(84,126,\fax-0.08\fay-0.07)\t(126,168,\fax-0.06\fay0.08)\t(168,200,\fax-0.08\fay0.03)\t(0,80,\xshad3\yshad2)\t(80,160,\xshad8\yshad6)\t(160,200,\xshad-3\yshad13)}ri
Dialogue: 1,0:03:23.15,0:03:23.34,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 146] \an5\pos(528.71,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.07)\t(42,84,\fax0.05\fay-0.08)\t(84,126,\fax-0.05\fay-0.07)\t(126,168,\fax0.06\fay0.03)\t(168,190,\fax0.04\fay-0.03)\t(0,80,\xshad-12\yshad7)\t(80,160,\xshad-1\yshad5)\t(160,190,\xshad-2\yshad-4)}ni
Dialogue: 1,0:03:23.34,0:03:23.53,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 147] \an5\pos(566.29,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.05)\t(42,84,\fax0.08\fay-0.04)\t(84,126,\fax-0.03\fay-0.06)\t(126,168,\fax0.04\fay-0.03)\t(168,190,\fax0.03\fay0.08)\t(0,80,\xshad4\yshad-9)\t(80,160,\xshad-3\yshad12)\t(160,190,\xshad-6\yshad-7)}no
Dialogue: 1,0:03:23.53,0:03:23.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 148] \an5\pos(599.63,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.06)\t(42,84,\fax0.08\fay0.05)\t(84,126,\fax0.08\fay-0.03)\t(126,168,\fax0.05\fay-0.06)\t(168,210,\fax-0.08\fay0.07)\t(210,252,\fax-0.05\fay0.06)\t(252,294,\fax0.08\fay-0.04)\t(294,310,\fax0.03\fay-0.07)\t(0,80,\xshad10\yshad7)\t(80,160,\xshad-3\yshad-5)\t(160,240,\xshad-9\yshad-14)\t(240,310,\xshad-6\yshad-8)}ko
Dialogue: 1,0:03:23.84,0:03:23.96,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 149] \an5\pos(635.84,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.07)\t(42,84,\fax-0.08\fay-0.03)\t(84,120,\fax0.03\fay0.04)\t(0,80,\xshad-1\yshad13)\t(80,120,\xshad4\yshad-1)}tta
Dialogue: 1,0:03:23.96,0:03:24.24,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 150] \an5\pos(682.44,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.05)\t(42,84,\fax-0.08\fay0.03)\t(84,126,\fax-0.08\fay-0.04)\t(126,168,\fax-0.04\fay-0.04)\t(168,210,\fax0.04\fay-0.04)\t(210,252,\fax-0.07\fay0.05)\t(252,280,\fax0.08\fay-0.06)\t(0,80,\xshad-4\yshad-13)\t(80,160,\xshad-9\yshad9)\t(160,240,\xshad-3\yshad-12)\t(240,280,\xshad6\yshad10)}shi
Dialogue: 1,0:03:24.24,0:03:24.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 151] \an5\pos(725.25,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.03)\t(42,84,\fax-0.08\fay0.07)\t(84,126,\fax-0.07\fay0.04)\t(126,160,\fax-0.06\fay0.04)\t(0,80,\xshad12\yshad9)\t(80,160,\xshad-8\yshad6)}ppa
Dialogue: 1,0:03:24.40,0:03:24.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 152] \an5\pos(753.56,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.03)\t(42,84,\fax0.06\fay-0.07)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax0.05\fay-0.04)\t(168,180,\fax0.06\fay0.04)\t(0,80,\xshad9\yshad2)\t(80,160,\xshad1\yshad5)\t(160,180,\xshad14\yshad-7)}i
Dialogue: 1,0:03:24.58,0:03:24.76,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 153] \an5\pos(782.32,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.05)\t(42,84,\fax-0.03\fay-0.06)\t(84,126,\fax-0.07\fay0.07)\t(126,168,\fax-0.05\fay0.07)\t(168,180,\fax-0.08\fay-0.04)\t(0,80,\xshad-9\yshad7)\t(80,160,\xshad12\yshad1)\t(160,180,\xshad3\yshad9)}na
Dialogue: 1,0:03:24.76,0:03:24.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 154] \an5\pos(806.85,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.05)\t(42,84,\fax0.06\fay0.07)\t(84,126,\fax0.05\fay0.06)\t(126,168,\fax0.04\fay0.06)\t(168,170,\fax-0.04\fay0.03)\t(0,80,\xshad-5\yshad-9)\t(80,160,\xshad3\yshad14)\t(160,170,\xshad14\yshad7)}n
Dialogue: 1,0:03:24.93,0:03:25.27,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 155] \an5\pos(828.49,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.04)\t(42,84,\fax0.04\fay0.06)\t(84,126,\fax-0.03\fay0.08)\t(126,168,\fax-0.03\fay0.06)\t(168,210,\fax0.04\fay0.06)\t(210,252,\fax-0.08\fay0.05)\t(252,294,\fax-0.04\fay-0.03)\t(294,336,\fax0.07\fay0.04)\t(336,340,\fax-0.07\fay0.04)\t(0,80,\xshad-6\yshad9)\t(80,160,\xshad6\yshad-12)\t(160,240,\xshad11\yshad10)\t(240,320,\xshad3\yshad11)\t(320,340,\xshad-7\yshad9)}te
Dialogue: 1,0:03:25.27,0:03:25.60,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 156] \an5\pos(454.46,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,330,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.08)\t(42,84,\fax-0.03\fay-0.04)\t(84,126,\fax0.05\fay-0.04)\t(126,168,\fax0.04\fay-0.07)\t(168,210,\fax0.07\fay-0.05)\t(210,252,\fax-0.07\fay0.03)\t(252,294,\fax-0.05\fay0.07)\t(294,330,\fax-0.06\fay0.03)\t(0,80,\xshad-9\yshad1)\t(80,160,\xshad-13\yshad6)\t(160,240,\xshad10\yshad-5)\t(240,320,\xshad-9\yshad13)\t(320,330,\xshad-14\yshad-7)}zen
Dialogue: 1,0:03:25.60,0:03:25.79,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 157] \an5\pos(494.05,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.03)\t(42,84,\fax0.05\fay-0.06)\t(84,126,\fax-0.03\fay0.03)\t(126,168,\fax0.06\fay0.07)\t(168,190,\fax0.07\fay-0.03)\t(0,80,\xshad-5\yshad9)\t(80,160,\xshad-1\yshad6)\t(160,190,\xshad-13\yshad-12)}bu
Dialogue: 1,0:03:25.79,0:03:26.15,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 158] \an5\pos(533.91,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.05)\t(42,84,\fax0.06\fay0.03)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax-0.06\fay-0.04)\t(168,210,\fax-0.04\fay-0.08)\t(210,252,\fax0.03\fay0.03)\t(252,294,\fax-0.05\fay0.07)\t(294,336,\fax0.07\fay-0.04)\t(336,360,\fax0.04\fay-0.07)\t(0,80,\xshad-2\yshad-3)\t(80,160,\xshad11\yshad3)\t(160,240,\xshad-11\yshad-8)\t(240,320,\xshad-2\yshad-1)\t(320,360,\xshad10\yshad-6)}to
Dialogue: 1,0:03:26.15,0:03:26.31,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 159] \an5\pos(557.84,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.03)\t(42,84,\fax0.05\fay-0.05)\t(84,126,\fax-0.07\fay0.07)\t(126,160,\fax-0.05\fay-0.07)\t(0,80,\xshad7\yshad-6)\t(80,160,\xshad7\yshad-7)}ri
Dialogue: 1,0:03:26.31,0:03:26.45,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 160] \an5\pos(583.92,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,140,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.07)\t(42,84,\fax-0.05\fay0.04)\t(84,126,\fax-0.07\fay-0.05)\t(126,140,\fax-0.07\fay-0.05)\t(0,80,\xshad10\yshad-7)\t(80,140,\xshad12\yshad11)}ka
Dialogue: 1,0:03:26.45,0:03:26.51,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 161] \an5\pos(607.61,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(0,42,\fax0.04\fay0.06)\t(42,60,\fax0.08\fay-0.08)\t(\xshad9\yshad4)}e
Dialogue: 1,0:03:26.51,0:03:26.87,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 162] \an5\pos(628.6,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.05)\t(42,84,\fax-0.04\fay-0.04)\t(84,126,\fax-0.07\fay0.03)\t(126,168,\fax0.05\fay0.05)\t(168,210,\fax-0.05\fay-0.08)\t(210,252,\fax-0.07\fay-0.06)\t(252,294,\fax-0.07\fay-0.08)\t(294,336,\fax-0.03\fay-0.05)\t(336,360,\fax-0.04\fay-0.08)\t(0,80,\xshad-10\yshad-13)\t(80,160,\xshad-6\yshad-6)\t(160,240,\xshad9\yshad13)\t(240,320,\xshad3\yshad-7)\t(320,360,\xshad8\yshad-12)}se
Dialogue: 1,0:03:26.87,0:03:27.09,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 163] \an5\pos(654.77,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.05)\t(42,84,\fax0.04\fay0.07)\t(84,126,\fax-0.08\fay-0.03)\t(126,168,\fax-0.08\fay0.08)\t(168,210,\fax-0.05\fay0.07)\t(210,220,\fax0.04\fay0.06)\t(0,80,\xshad-7\yshad-4)\t(80,160,\xshad6\yshad14)\t(160,220,\xshad-2\yshad-2)}i
Dialogue: 1,0:03:27.09,0:03:27.25,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 164] \an5\pos(678.79,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.08)\t(42,84,\fax0.06\fay-0.07)\t(84,126,\fax0.07\fay0.07)\t(126,160,\fax0.06\fay0.04)\t(0,80,\xshad-6\yshad1)\t(80,160,\xshad9\yshad2)}ma
Dialogue: 1,0:03:27.25,0:03:27.60,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 165] \an5\pos(740.59,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.05)\t(42,84,\fax-0.08\fay0.08)\t(84,126,\fax0.03\fay-0.05)\t(126,168,\fax-0.07\fay0.03)\t(168,210,\fax0.06\fay0.06)\t(210,252,\fax-0.06\fay0.07)\t(252,294,\fax-0.07\fay0.05)\t(294,336,\fax-0.06\fay-0.03)\t(336,350,\fax0.04\fay-0.04)\t(0,80,\xshad-1\yshad3)\t(80,160,\xshad-7\yshad-2)\t(160,240,\xshad-6\yshad-3)\t(240,320,\xshad7\yshad-9)\t(320,350,\xshad2\yshad-3)}Turn
Dialogue: 1,0:03:27.60,0:03:28.23,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 166] \an5\pos(815.16,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,630,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.03)\t(42,84,\fax0.07\fay-0.07)\t(84,126,\fax-0.03\fay0.05)\t(126,168,\fax-0.07\fay0.05)\t(168,210,\fax0.08\fay-0.08)\t(210,252,\fax-0.03\fay-0.05)\t(252,294,\fax0.08\fay0.04)\t(294,336,\fax-0.08\fay-0.06)\t(336,378,\fax0.06\fay-0.04)\t(378,420,\fax0.08\fay0.08)\t(420,462,\fax0.05\fay-0.06)\t(462,504,\fax0.07\fay0.08)\t(504,546,\fax0.03\fay-0.07)\t(546,588,\fax-0.06\fay0.05)\t(588,630,\fax-0.06\fay0.07)\t(0,80,\xshad-5\yshad12)\t(80,160,\xshad-9\yshad3)\t(160,240,\xshad-12\yshad2)\t(240,320,\xshad2\yshad-2)\t(320,400,\xshad1\yshad5)\t(400,480,\xshad11\yshad4)\t(480,560,\xshad-5\yshad12)\t(560,630,\xshad9\yshad2)}Over
Dialogue: 1,0:03:28.41,0:03:28.72,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 167] \an5\pos(487.93,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.08)\t(42,84,\fax-0.08\fay0.04)\t(84,126,\fax0.08\fay0.08)\t(126,168,\fax-0.08\fay-0.08)\t(168,210,\fax-0.05\fay-0.04)\t(210,252,\fax-0.06\fay-0.06)\t(252,294,\fax-0.08\fay-0.04)\t(294,310,\fax-0.04\fay-0.07)\t(0,80,\xshad12\yshad-10)\t(80,160,\xshad12\yshad-13)\t(160,240,\xshad5\yshad-11)\t(240,310,\xshad-9\yshad-7)}Rise
Dialogue: 1,0:03:28.72,0:03:29.57,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 168] \an5\pos(583.38,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,850,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.08)\t(42,84,\fax-0.05\fay0.04)\t(84,126,\fax-0.05\fay-0.03)\t(126,168,\fax-0.08\fay0.03)\t(168,210,\fax-0.07\fay-0.04)\t(210,252,\fax-0.04\fay-0.07)\t(252,294,\fax-0.06\fay0.03)\t(294,336,\fax-0.07\fay-0.05)\t(336,378,\fax-0.07\fay0.03)\t(378,420,\fax0.06\fay-0.04)\t(420,462,\fax-0.04\fay0.04)\t(462,504,\fax-0.05\fay-0.05)\t(504,546,\fax-0.04\fay0.04)\t(546,588,\fax0.07\fay-0.08)\t(588,630,\fax-0.06\fay0.03)\t(630,672,\fax-0.05\fay-0.04)\t(672,714,\fax0.05\fay0.05)\t(714,756,\fax-0.06\fay-0.07)\t(756,798,\fax0.07\fay-0.03)\t(798,840,\fax-0.08\fay-0.07)\t(840,850,\fax-0.05\fay-0.08)\t(0,80,\xshad11\yshad6)\t(80,160,\xshad-12\yshad14)\t(160,240,\xshad12\yshad11)\t(240,320,\xshad6\yshad-10)\t(320,400,\xshad14\yshad12)\t(400,480,\xshad2\yshad-4)\t(480,560,\xshad13\yshad-4)\t(560,640,\xshad1\yshad-1)\t(640,720,\xshad8\yshad-10)\t(720,800,\xshad-1\yshad-11)\t(800,850,\xshad2\yshad-1)}suddenly
Dialogue: 1,0:03:29.57,0:03:29.69,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 169] \an5\pos(663.55,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.05)\t(42,84,\fax-0.07\fay-0.04)\t(84,120,\fax0.08\fay-0.07)\t(0,80,\xshad4\yshad-11)\t(80,120,\xshad-5\yshad10)}in
Dialogue: 1,0:03:29.69,0:03:30.04,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 170] \an5\pos(708.44,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.06)\t(42,84,\fax0.06\fay-0.03)\t(84,126,\fax-0.04\fay0.07)\t(126,168,\fax-0.08\fay0.03)\t(168,210,\fax-0.07\fay0.07)\t(210,252,\fax0.07\fay-0.04)\t(252,294,\fax-0.08\fay-0.04)\t(294,336,\fax-0.08\fay-0.06)\t(336,350,\fax0.04\fay-0.05)\t(0,80,\xshad5\yshad14)\t(80,160,\xshad7\yshad-5)\t(160,240,\xshad7\yshad-12)\t(240,320,\xshad-10\yshad12)\t(320,350,\xshad-8\yshad-9)}this
Dialogue: 1,0:03:30.04,0:03:31.30,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 171] \an5\pos(780.34,27.5)\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,1260,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.07)\t(42,84,\fax0.05\fay-0.06)\t(84,126,\fax0.06\fay0.04)\t(126,168,\fax0.04\fay-0.03)\t(168,210,\fax-0.03\fay0.06)\t(210,252,\fax-0.05\fay0.03)\t(252,294,\fax0.04\fay-0.05)\t(294,336,\fax0.07\fay0.05)\t(336,378,\fax-0.07\fay0.04)\t(378,420,\fax-0.07\fay-0.06)\t(420,462,\fax0.04\fay0.04)\t(462,504,\fax0.04\fay-0.08)\t(504,546,\fax0.03\fay0.07)\t(546,588,\fax0.05\fay-0.07)\t(588,630,\fax0.08\fay-0.08)\t(630,672,\fax-0.08\fay0.04)\t(672,714,\fax0.03\fay-0.06)\t(714,756,\fax0.04\fay-0.06)\t(756,798,\fax0.08\fay-0.06)\t(798,840,\fax-0.04\fay-0.08)\t(840,882,\fax0.03\fay0.07)\t(882,924,\fax-0.07\fay0.06)\t(924,966,\fax0.03\fay-0.06)\t(966,1008,\fax0.03\fay-0.07)\t(1008,1050,\fax-0.04\fay0.06)\t(1050,1092,\fax-0.06\fay0.03)\t(1092,1134,\fax-0.03\fay-0.08)\t(1134,1176,\fax-0.08\fay-0.06)\t(1176,1218,\fax0.04\fay-0.08)\t(1218,1260,\fax0.04\fay-0.05)\t(0,80,\xshad9\yshad-3)\t(80,160,\xshad5\yshad4)\t(160,240,\xshad-3\yshad-9)\t(240,320,\xshad5\yshad3)\t(320,400,\xshad-12\yshad4)\t(400,480,\xshad11\yshad-5)\t(480,560,\xshad-7\yshad14)\t(560,640,\xshad-3\yshad-8)\t(640,720,\xshad4\yshad-1)\t(720,800,\xshad-14\yshad14)\t(800,880,\xshad1\yshad-2)\t(880,960,\xshad-7\yshad-12)\t(960,1040,\xshad14\yshad-12)\t(1040,1120,\xshad13\yshad-13)\t(1120,1200,\xshad11\yshad2)\t(1200,1260,\xshad-14\yshad-9)}world
Dialogue: 0,0:02:31.68,0:02:32.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 1] \an5\pos(418.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:31.70,0:02:32.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 2] \an5\pos(430.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:31.72,0:02:32.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 3] \an5\pos(442.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:31.74,0:02:32.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 4] \an5\pos(458.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:31.76,0:02:32.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 5] \an5\pos(472.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:31.78,0:02:32.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 6] \an5\pos(482.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:31.82,0:02:32.75,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 7] \an5\pos(507.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:31.84,0:02:32.75,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 8] \an5\pos(523.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:31.86,0:02:32.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 9] \an5\pos(533.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:31.88,0:02:32.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 10] \an5\pos(545.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:31.90,0:02:32.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 11] \an5\pos(559.81,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:31.92,0:02:33.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 12] \an5\pos(576.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:31.94,0:02:33.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 13] \an5\pos(592.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:31.96,0:02:33.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 14] \an5\pos(605.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:31.98,0:02:33.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 15] \an5\pos(619.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:32.02,0:02:33.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 16] \an5\pos(644.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:32.04,0:02:33.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 17] \an5\pos(661.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:32.06,0:02:33.83,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 18] \an5\pos(678.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:32.08,0:02:34.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 19] \an5\pos(694.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:32.10,0:02:34.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 20] \an5\pos(710.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:32.12,0:02:34.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 21] \an5\pos(727.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:32.14,0:02:34.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 22] \an5\pos(744,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:32.18,0:02:34.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 23] \an5\pos(769.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:32.20,0:02:34.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 24] \an5\pos(786.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:32.24,0:02:34.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 25] \an5\pos(808.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:02:32.26,0:02:34.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 26] \an5\pos(817.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:32.28,0:02:34.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 27] \an5\pos(829.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:32.30,0:02:34.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 28] \an5\pos(845.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:32.32,0:02:34.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 29] \an5\pos(861.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:34.72,0:02:35.18,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 30] \an5\pos(449.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:34.74,0:02:35.18,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 31] \an5\pos(470.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:34.76,0:02:35.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 32] \an5\pos(486.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:34.78,0:02:35.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 33] \an5\pos(503.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:34.80,0:02:35.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 34] \an5\pos(515.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:34.82,0:02:35.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 35] \an5\pos(527.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:34.84,0:02:35.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 36] \an5\pos(543.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:34.86,0:02:35.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 37] \an5\pos(560.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:34.88,0:02:35.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 38] \an5\pos(577.28,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:34.90,0:02:35.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 39] \an5\pos(593.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:34.94,0:02:36.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 40] \an5\pos(617.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:02:34.96,0:02:36.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 41] \an5\pos(632.57,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:34.98,0:02:36.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 42] \an5\pos(649.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:35.00,0:02:36.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 43] \an5\pos(665.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:35.02,0:02:36.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 44] \an5\pos(681.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}z
Dialogue: 0,0:02:35.04,0:02:36.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 45] \an5\pos(696.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:35.06,0:02:36.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 46] \an5\pos(711.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:35.08,0:02:36.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 47] \an5\pos(721,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:35.12,0:02:36.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 48] \an5\pos(741.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:35.14,0:02:36.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 49] \an5\pos(758.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:35.18,0:02:36.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 50] \an5\pos(781.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:35.20,0:02:36.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 51] \an5\pos(795.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:35.22,0:02:37.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 52] \an5\pos(811.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:35.24,0:02:37.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 53] \an5\pos(827.72,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:35.26,0:02:37.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 54] \an5\pos(839.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:37.54,0:02:38.00,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 55] \an5\pos(405.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:37.56,0:02:38.00,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 56] \an5\pos(420.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:37.58,0:02:38.00,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 57] \an5\pos(432.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:37.60,0:02:38.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 58] \an5\pos(444.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:37.62,0:02:38.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 59] \an5\pos(457.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:02:37.64,0:02:38.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 60] \an5\pos(466.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:37.66,0:02:38.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 61] \an5\pos(475.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:37.68,0:02:38.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 62] \an5\pos(490,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:37.70,0:02:38.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 63] \an5\pos(504.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:37.72,0:02:38.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 64] \an5\pos(517.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:37.74,0:02:38.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 65] \an5\pos(531.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:37.76,0:02:38.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 66] \an5\pos(545.93,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:37.80,0:02:38.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 67] \an5\pos(571.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:37.82,0:02:38.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 68] \an5\pos(588.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:37.84,0:02:39.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 69] \an5\pos(602.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:37.86,0:02:39.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 70] \an5\pos(616.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:37.88,0:02:39.28,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 71] \an5\pos(631.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:37.92,0:02:39.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 72] \an5\pos(654.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:37.94,0:02:39.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 73] \an5\pos(667.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:37.96,0:02:39.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 74] \an5\pos(683.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:02:37.98,0:02:39.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 75] \an5\pos(699.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:38.00,0:02:39.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 76] \an5\pos(713.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:38.02,0:02:39.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 77] \an5\pos(728.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:38.04,0:02:39.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 78] \an5\pos(740.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:38.06,0:02:40.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 79] \an5\pos(756.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:38.08,0:02:40.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 80] \an5\pos(777.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:38.10,0:02:40.29,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 81] \an5\pos(791.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:38.12,0:02:40.29,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 82] \an5\pos(805.39,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:38.14,0:02:40.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 83] \an5\pos(826.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:38.16,0:02:40.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 84] \an5\pos(846.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:38.18,0:02:40.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 85] \an5\pos(859.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:38.20,0:02:40.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 86] \an5\pos(872.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:40.84,0:02:41.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 87] \an5\pos(526.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:40.86,0:02:41.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 88] \an5\pos(540.35,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:40.88,0:02:41.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 89] \an5\pos(556.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:40.90,0:02:41.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 90] \an5\pos(572.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:40.94,0:02:42.00,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 91] \an5\pos(595.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:40.96,0:02:42.00,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 92] \an5\pos(609.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:40.98,0:02:42.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 93] \an5\pos(630.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:41.00,0:02:42.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 94] \an5\pos(650.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:41.02,0:02:42.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 95] \an5\pos(666.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:41.04,0:02:42.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 96] \an5\pos(683.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:41.06,0:02:43.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 97] \an5\pos(697.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:41.08,0:02:43.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 98] \an5\pos(709.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:41.10,0:02:43.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 99] \an5\pos(722.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:41.12,0:02:43.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 100] \an5\pos(736.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:41.14,0:02:43.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 101] \an5\pos(750.83,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:51.94,0:02:52.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 102] \an5\pos(456.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:02:51.98,0:02:52.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 103] \an5\pos(478.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:52.00,0:02:52.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 104] \an5\pos(495.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:52.02,0:02:52.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 105] \an5\pos(512.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:52.04,0:02:52.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 106] \an5\pos(524.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:02:52.06,0:02:52.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 107] \an5\pos(533.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:52.10,0:02:52.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 108] \an5\pos(560.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:02:52.12,0:02:52.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 109] \an5\pos(581.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:52.14,0:02:52.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 110] \an5\pos(597.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:52.16,0:02:52.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 111] \an5\pos(611.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:52.20,0:02:53.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 112] \an5\pos(632.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:52.22,0:02:53.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 113] \an5\pos(646.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:52.26,0:02:53.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 114] \an5\pos(667.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:52.28,0:02:53.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 115] \an5\pos(674.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:52.30,0:02:53.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 116] \an5\pos(685.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:52.34,0:02:54.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 117] \an5\pos(707.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:52.36,0:02:54.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 118] \an5\pos(721.72,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:52.40,0:02:54.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 119] \an5\pos(751.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:52.42,0:02:54.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 120] \an5\pos(772.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:52.44,0:02:54.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 121] \an5\pos(787.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:52.46,0:02:54.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 122] \an5\pos(800.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:52.48,0:02:54.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 123] \an5\pos(811.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:52.50,0:02:54.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 124] \an5\pos(821.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}f
Dialogue: 0,0:02:54.77,0:02:55.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 125] \an5\pos(463.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}K
Dialogue: 0,0:02:54.79,0:02:55.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 126] \an5\pos(481.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:54.81,0:02:55.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 127] \an5\pos(496.79,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:54.83,0:02:55.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 128] \an5\pos(512.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:02:54.87,0:02:55.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 129] \an5\pos(538.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:54.89,0:02:55.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 130] \an5\pos(555.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:54.93,0:02:55.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 131] \an5\pos(578.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:54.95,0:02:55.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 132] \an5\pos(592.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:54.97,0:02:55.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 133] \an5\pos(608.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:55.01,0:02:55.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 134] \an5\pos(631.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}f
Dialogue: 0,0:02:55.03,0:02:55.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 135] \an5\pos(641.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:55.05,0:02:55.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 136] \an5\pos(652.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:02:55.07,0:02:55.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 137] \an5\pos(669.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:55.09,0:02:55.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 138] \an5\pos(683.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:55.11,0:02:55.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 139] \an5\pos(692.89,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)},
Dialogue: 0,0:02:55.15,0:02:56.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 140] \an5\pos(716.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}G
Dialogue: 0,0:02:55.17,0:02:56.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 141] \an5\pos(734.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:55.19,0:02:56.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 142] \an5\pos(748.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:55.23,0:02:56.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 143] \an5\pos(769.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:55.25,0:02:56.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 144] \an5\pos(779.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:55.27,0:02:56.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 145] \an5\pos(790.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:02:55.29,0:02:56.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 146] \an5\pos(807.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:55.31,0:02:56.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 147] \an5\pos(821.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:56.46,0:02:56.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 148] \an5\pos(501.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:02:56.48,0:02:56.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 149] \an5\pos(510.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:02:56.50,0:02:56.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 150] \an5\pos(517.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:56.52,0:02:56.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 151] \an5\pos(524.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:56.56,0:02:57.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 152] \an5\pos(545.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:56.58,0:02:57.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 153] \an5\pos(561.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:56.60,0:02:57.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 154] \an5\pos(577.05,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:02:56.62,0:02:57.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 155] \an5\pos(592.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:56.64,0:02:57.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 156] \an5\pos(606.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:56.68,0:02:57.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 157] \an5\pos(625.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:56.70,0:02:57.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 158] \an5\pos(637.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:56.72,0:02:57.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 159] \an5\pos(651.53,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:56.74,0:02:57.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 160] \an5\pos(665.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:56.78,0:02:57.73,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 161] \an5\pos(689.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:56.80,0:02:57.73,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 162] \an5\pos(705.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:56.82,0:02:57.73,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 163] \an5\pos(722.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:56.86,0:02:57.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 164] \an5\pos(746.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:02:56.88,0:02:57.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 165] \an5\pos(759.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:56.90,0:02:57.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 166] \an5\pos(774.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:57.78,0:02:58.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 167] \an5\pos(470.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}K
Dialogue: 0,0:02:57.80,0:02:58.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 168] \an5\pos(489.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:57.82,0:02:58.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 169] \an5\pos(504.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:57.84,0:02:58.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 170] \an5\pos(519.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:02:57.88,0:02:58.44,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 171] \an5\pos(543.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:57.90,0:02:58.44,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 172] \an5\pos(558.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:57.92,0:02:58.44,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 173] \an5\pos(574.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:57.96,0:02:58.77,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 174] \an5\pos(600.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:57.98,0:02:58.77,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 175] \an5\pos(617.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:02:58.02,0:02:58.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 176] \an5\pos(643.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:58.04,0:02:58.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 177] \an5\pos(659.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:58.06,0:02:58.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 178] \an5\pos(675.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:58.10,0:02:59.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 179] \an5\pos(701,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:58.12,0:02:59.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 180] \an5\pos(717.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:58.14,0:02:59.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 181] \an5\pos(734.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:58.18,0:02:59.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 182] \an5\pos(759.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:58.20,0:02:59.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 183] \an5\pos(771.86,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:58.22,0:02:59.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 184] \an5\pos(783.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:02:58.24,0:02:59.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 185] \an5\pos(799.93,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:58.26,0:02:59.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 186] \an5\pos(814.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:59.34,0:02:59.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 187] \an5\pos(544.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}T
Dialogue: 0,0:02:59.36,0:02:59.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 188] \an5\pos(557.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:59.38,0:02:59.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 189] \an5\pos(573.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:59.40,0:02:59.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 190] \an5\pos(593.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:59.44,0:03:00.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 191] \an5\pos(615.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:59.46,0:03:00.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 192] \an5\pos(629.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:59.50,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 193] \an5\pos(653.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:59.52,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 194] \an5\pos(666.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:59.54,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 195] \an5\pos(686.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:02:59.56,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 196] \an5\pos(705.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:59.58,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 197] \an5\pos(715.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:59.60,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 198] \an5\pos(724.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:59.62,0:03:00.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 199] \an5\pos(737.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:00.26,0:03:00.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 200] \an5\pos(462.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:03:00.28,0:03:00.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 201] \an5\pos(481.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:00.32,0:03:01.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 202] \an5\pos(511.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:00.34,0:03:01.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 203] \an5\pos(531.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:00.36,0:03:01.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 204] \an5\pos(545.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:00.38,0:03:01.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 205] \an5\pos(557.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:00.40,0:03:01.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 206] \an5\pos(570.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:00.42,0:03:01.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 207] \an5\pos(584.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:00.46,0:03:01.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 208] \an5\pos(611.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:00.48,0:03:01.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 209] \an5\pos(632.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:00.50,0:03:01.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 210] \an5\pos(648.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:00.52,0:03:01.52,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 211] \an5\pos(662.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:00.56,0:03:01.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 212] \an5\pos(684.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:00.58,0:03:01.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 213] \an5\pos(701.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:00.60,0:03:01.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 214] \an5\pos(717.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:00.62,0:03:01.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 215] \an5\pos(734.39,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:00.64,0:03:01.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 216] \an5\pos(751.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:00.66,0:03:01.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 217] \an5\pos(766.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:00.70,0:03:02.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 218] \an5\pos(789.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:00.72,0:03:02.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 219] \an5\pos(803.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:00.74,0:03:02.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 220] \an5\pos(819.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:02.30,0:03:02.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 221] \an5\pos(550.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:03:02.34,0:03:03.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 222] \an5\pos(570.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}f
Dialogue: 0,0:03:02.36,0:03:03.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 223] \an5\pos(580.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:02.38,0:03:03.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 224] \an5\pos(592.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:02.40,0:03:03.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 225] \an5\pos(608.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:02.44,0:03:03.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 226] \an5\pos(639.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:02.46,0:03:03.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 227] \an5\pos(660.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:02.50,0:03:03.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 228] \an5\pos(689.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:02.52,0:03:03.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 229] \an5\pos(710.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:02.54,0:03:03.89,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 230] \an5\pos(726.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:04.24,0:03:04.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 231] \an5\pos(512.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}Y
Dialogue: 0,0:03:04.26,0:03:04.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 232] \an5\pos(530.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:04.28,0:03:04.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 233] \an5\pos(546.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:04.30,0:03:04.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 234] \an5\pos(562.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:04.34,0:03:05.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 235] \an5\pos(587.9,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:04.36,0:03:05.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 236] \an5\pos(603.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:04.38,0:03:05.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 237] \an5\pos(619.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:03:04.40,0:03:05.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 238] \an5\pos(635.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:04.42,0:03:05.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 239] \an5\pos(648.87,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:04.46,0:03:05.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 240] \an5\pos(672.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:03:04.48,0:03:05.86,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 241] \an5\pos(688.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:04.52,0:03:06.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 242] \an5\pos(713.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:04.54,0:03:06.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 243] \an5\pos(733.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:04.56,0:03:06.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 244] \an5\pos(753.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:04.58,0:03:06.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 245] \an5\pos(770.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:07.59,0:03:08.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 246] \an5\pos(412.9,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:03:07.61,0:03:08.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 247] \an5\pos(431.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:07.63,0:03:08.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 248] \an5\pos(452.28,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:07.65,0:03:08.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 249] \an5\pos(468.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)},
Dialogue: 0,0:03:07.69,0:03:08.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 250] \an5\pos(489.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:07.71,0:03:08.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 251] \an5\pos(506,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:07.73,0:03:08.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 252] \an5\pos(522.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:03:07.75,0:03:08.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 253] \an5\pos(539.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:07.77,0:03:08.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 254] \an5\pos(556.11,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:07.79,0:03:08.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 255] \an5\pos(572.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:07.83,0:03:08.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 256] \an5\pos(597.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:03:07.85,0:03:08.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 257] \an5\pos(611.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:07.87,0:03:08.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 258] \an5\pos(628.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:07.89,0:03:08.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 259] \an5\pos(639.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}'
Dialogue: 0,0:03:07.91,0:03:08.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 260] \an5\pos(647.76,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:07.95,0:03:09.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 261] \an5\pos(668.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:07.97,0:03:09.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 262] \an5\pos(680.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:07.99,0:03:09.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 263] \an5\pos(694.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:08.01,0:03:09.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 264] \an5\pos(711.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:03:08.05,0:03:09.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 265] \an5\pos(741.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:08.07,0:03:09.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 266] \an5\pos(761.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:08.11,0:03:10.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 267] \an5\pos(786.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:08.13,0:03:10.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 268] \an5\pos(803.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:08.17,0:03:10.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 269] \an5\pos(832.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:08.19,0:03:10.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 270] \an5\pos(853.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:08.21,0:03:10.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 271] \an5\pos(869.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:10.49,0:03:10.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 272] \an5\pos(412.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:10.51,0:03:10.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 273] \an5\pos(433.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:10.53,0:03:11.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 274] \an5\pos(446.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:10.55,0:03:11.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 275] \an5\pos(461.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:10.57,0:03:11.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 276] \an5\pos(476.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:10.59,0:03:11.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 277] \an5\pos(489.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:10.61,0:03:11.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 278] \an5\pos(502.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:10.63,0:03:11.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 279] \an5\pos(516.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:10.67,0:03:11.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 280] \an5\pos(538.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:10.69,0:03:11.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 281] \an5\pos(553.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:10.71,0:03:11.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 282] \an5\pos(565.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:10.73,0:03:11.85,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 283] \an5\pos(581.46,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:10.75,0:03:11.85,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 284] \an5\pos(601.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:10.77,0:03:11.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 285] \an5\pos(618.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:10.81,0:03:12.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 286] \an5\pos(643.83,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:10.83,0:03:12.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 287] \an5\pos(660.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:10.85,0:03:12.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 288] \an5\pos(674.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:10.87,0:03:12.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 289] \an5\pos(688.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:10.91,0:03:12.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 290] \an5\pos(714.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:10.93,0:03:12.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 291] \an5\pos(731,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:10.97,0:03:12.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 292] \an5\pos(756.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:10.99,0:03:12.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 293] \an5\pos(772.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:11.01,0:03:12.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 294] \an5\pos(784.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:11.05,0:03:12.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 295] \an5\pos(805.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:11.07,0:03:12.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 296] \an5\pos(821.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:11.09,0:03:13.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 297] \an5\pos(838.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:11.13,0:03:13.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 298] \an5\pos(864.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:11.15,0:03:13.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 299] \an5\pos(875.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:13.15,0:03:13.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 300] \an5\pos(374.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:13.17,0:03:13.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 301] \an5\pos(390.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:13.19,0:03:13.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 302] \an5\pos(406.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:13.21,0:03:13.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 303] \an5\pos(423.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:13.23,0:03:13.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 304] \an5\pos(438.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:03:13.25,0:03:13.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 305] \an5\pos(453.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:13.27,0:03:13.80,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 306] \an5\pos(465.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:13.29,0:03:14.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 307] \an5\pos(475.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:13.31,0:03:14.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 308] \an5\pos(488.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:13.35,0:03:14.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 309] \an5\pos(518.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:13.37,0:03:14.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 310] \an5\pos(539.11,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:13.39,0:03:14.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 311] \an5\pos(555.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:13.41,0:03:14.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 312] \an5\pos(572.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:13.45,0:03:14.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 313] \an5\pos(595.76,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:13.47,0:03:14.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 314] \an5\pos(610.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:13.49,0:03:14.83,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 315] \an5\pos(626.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:03:13.51,0:03:14.83,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 316] \an5\pos(642.83,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:13.53,0:03:14.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 317] \an5\pos(656.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:13.55,0:03:14.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 318] \an5\pos(669.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:13.59,0:03:15.29,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 319] \an5\pos(691.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:13.61,0:03:15.29,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 320] \an5\pos(705.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:13.63,0:03:15.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 321] \an5\pos(720.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:13.65,0:03:15.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 322] \an5\pos(730.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:13.67,0:03:15.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 323] \an5\pos(746.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:13.69,0:03:15.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 324] \an5\pos(767.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:13.71,0:03:15.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 325] \an5\pos(783.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:13.73,0:03:15.97,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 326] \an5\pos(800.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:13.75,0:03:16.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 327] \an5\pos(815.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:13.77,0:03:16.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 328] \an5\pos(829.57,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:13.81,0:03:16.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 329] \an5\pos(852.76,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:13.83,0:03:16.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 330] \an5\pos(866.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:13.85,0:03:16.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 331] \an5\pos(886.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:13.87,0:03:16.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 332] \an5\pos(906.92,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:16.24,0:03:16.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 333] \an5\pos(470.78,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:03:16.26,0:03:16.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 334] \an5\pos(484.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:16.28,0:03:16.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 335] \an5\pos(494.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:16.30,0:03:16.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 336] \an5\pos(507.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:16.34,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 337] \an5\pos(530.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:16.36,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 338] \an5\pos(544.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:16.38,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 339] \an5\pos(561.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:16.40,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 340] \an5\pos(578.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:16.42,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 341] \an5\pos(594.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:16.44,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 342] \an5\pos(610.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:16.46,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 343] \an5\pos(622.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:03:16.48,0:03:17.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 344] \an5\pos(634.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:16.52,0:03:17.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 345] \an5\pos(655.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:16.54,0:03:17.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 346] \an5\pos(667.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:16.58,0:03:18.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 347] \an5\pos(690.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:16.60,0:03:18.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 348] \an5\pos(704.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:16.62,0:03:18.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 349] \an5\pos(716.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:16.64,0:03:18.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 350] \an5\pos(726.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:16.68,0:03:18.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 351] \an5\pos(753.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:16.70,0:03:18.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 352] \an5\pos(774.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:16.72,0:03:18.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 353] \an5\pos(788.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:16.74,0:03:18.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 354] \an5\pos(798.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:03:16.76,0:03:18.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 355] \an5\pos(810.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:19.19,0:03:19.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 356] \an5\pos(498.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:19.21,0:03:19.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 357] \an5\pos(515.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:19.23,0:03:20.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 358] \an5\pos(529.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:19.25,0:03:20.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 359] \an5\pos(539.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:19.27,0:03:20.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 360] \an5\pos(551.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:19.29,0:03:20.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 361] \an5\pos(567.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:19.31,0:03:20.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 362] \an5\pos(583.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:19.33,0:03:20.55,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 363] \an5\pos(596.76,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:19.35,0:03:20.55,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 364] \an5\pos(611.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:19.39,0:03:20.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 365] \an5\pos(634.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:19.41,0:03:20.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 366] \an5\pos(648.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:19.43,0:03:21.15,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 367] \an5\pos(664.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:03:19.45,0:03:21.15,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 368] \an5\pos(676.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:19.49,0:03:21.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 369] \an5\pos(697.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:19.51,0:03:21.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 370] \an5\pos(713.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:19.55,0:03:21.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 371] \an5\pos(739.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:19.57,0:03:21.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 372] \an5\pos(755.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:19.59,0:03:22.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 373] \an5\pos(769.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:19.61,0:03:22.05,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 374] \an5\pos(782.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:22.12,0:03:22.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 375] \an5\pos(446.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:22.14,0:03:22.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 376] \an5\pos(463.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:22.16,0:03:22.83,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 377] \an5\pos(479.79,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:22.18,0:03:22.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 378] \an5\pos(494.35,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:22.20,0:03:22.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 379] \an5\pos(504.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:22.24,0:03:23.15,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 380] \an5\pos(525.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:22.26,0:03:23.15,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 381] \an5\pos(537.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:22.30,0:03:23.34,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 382] \an5\pos(558.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:22.32,0:03:23.34,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 383] \an5\pos(574.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:22.34,0:03:23.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 384] \an5\pos(591.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:22.36,0:03:23.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 385] \an5\pos(608.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:22.38,0:03:23.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 386] \an5\pos(622.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:22.40,0:03:23.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 387] \an5\pos(633.9,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:22.42,0:03:23.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 388] \an5\pos(647.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:22.46,0:03:23.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 389] \an5\pos(670.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:22.48,0:03:23.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 390] \an5\pos(685.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:22.50,0:03:23.96,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 391] \an5\pos(696.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:22.52,0:03:24.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 392] \an5\pos(708.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:03:22.54,0:03:24.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 393] \an5\pos(725.92,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:03:22.56,0:03:24.24,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 394] \an5\pos(742.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:22.58,0:03:24.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 395] \an5\pos(753.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:22.62,0:03:24.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 396] \an5\pos(774.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:22.64,0:03:24.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 397] \an5\pos(790.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:22.66,0:03:24.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 398] \an5\pos(806.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:22.68,0:03:24.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 399] \an5\pos(821.07,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:22.70,0:03:24.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 400] \an5\pos(834.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:24.81,0:03:25.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 401] \an5\pos(438.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}z
Dialogue: 0,0:03:24.83,0:03:25.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 402] \an5\pos(453.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:24.85,0:03:25.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 403] \an5\pos(468.93,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:24.87,0:03:25.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 404] \an5\pos(485.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:03:24.89,0:03:25.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 405] \an5\pos(502.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:24.93,0:03:25.79,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 406] \an5\pos(525.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:24.95,0:03:25.79,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 407] \an5\pos(539.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:24.97,0:03:26.15,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 408] \an5\pos(554.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:24.99,0:03:26.15,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 409] \an5\pos(564.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:25.01,0:03:26.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 410] \an5\pos(576.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:25.03,0:03:26.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 411] \an5\pos(592.39,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:25.05,0:03:26.45,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 412] \an5\pos(607.61,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:25.07,0:03:26.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 413] \an5\pos(621.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:25.09,0:03:26.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 414] \an5\pos(634.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:25.13,0:03:26.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 415] \an5\pos(654.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:25.15,0:03:27.09,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 416] \an5\pos(670.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:03:25.17,0:03:27.09,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 417] \an5\pos(691.44,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:25.21,0:03:27.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 418] \an5\pos(717.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}T
Dialogue: 0,0:03:25.23,0:03:27.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 419] \an5\pos(735.4,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:25.25,0:03:27.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 420] \an5\pos(749.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:25.27,0:03:27.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 421] \an5\pos(764.57,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:25.31,0:03:27.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 422] \an5\pos(793.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}O
Dialogue: 0,0:03:25.33,0:03:27.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 423] \an5\pos(812.71,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:03:25.35,0:03:27.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 424] \an5\pos(828.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:25.37,0:03:27.60,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 425] \an5\pos(842.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:27.95,0:03:28.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 426] \an5\pos(470.78,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:03:27.97,0:03:28.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 427] \an5\pos(484.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:27.99,0:03:28.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 428] \an5\pos(494.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:28.01,0:03:28.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 429] \an5\pos(507.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:28.05,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 430] \an5\pos(530.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:28.07,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 431] \an5\pos(544.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:03:28.09,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 432] \an5\pos(561.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:28.11,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 433] \an5\pos(578.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:28.13,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 434] \an5\pos(594.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:28.15,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 435] \an5\pos(610.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:28.17,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 436] \an5\pos(622.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:03:28.19,0:03:28.72,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 437] \an5\pos(634.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:28.23,0:03:29.57,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 438] \an5\pos(655.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:28.25,0:03:29.57,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 439] \an5\pos(667.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:28.29,0:03:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 440] \an5\pos(690.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:28.31,0:03:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 441] \an5\pos(704.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:28.33,0:03:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 442] \an5\pos(716.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:03:28.35,0:03:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 443] \an5\pos(726.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:03:28.39,0:03:30.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 444] \an5\pos(753.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:28.41,0:03:30.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 445] \an5\pos(774.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:28.43,0:03:30.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 446] \an5\pos(788.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:28.45,0:03:30.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 447] \an5\pos(798.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:03:28.47,0:03:30.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 448] \an5\pos(810.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 1,0:02:43.68,0:02:43.82,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 1] \an7\q2\pos(-10.003,-28.94)\fscx458.33\fscy66.88\t(0,62.57,\fscx467.33\fscy57.88)\t(62.57,125.14,\fscx468.33\fscy58.88)\t(125.1,140,\fscx458.33\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx23.49)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\org(474.953,27.5)\frz-25\t(\fr0)}yo
Dialogue: 1,0:02:43.82,0:02:43.93,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 2] \an7\q2\pos(-9.998,-30.94)\fscx491.57\fscy68.88\t(0,62.57,\fscx491.57\fscy61.88)\t(62.6,110,\fscx491.57\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx37.18)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(503.578,27.5)\frz25\t(\fr0)}bi
Dialogue: 1,0:02:43.93,0:02:44.00,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 3] \an7\q2\pos(-9.999,-32.94)\fscx524.6\fscy70.88\t(0,62.57,\fscx515.6\fscy65.88)\t(62.6,70,\fscx524.6\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx26.07)\t(62.6,70,\fscx88.16)\p1}m 0 0 m 100 100 {\p0\r\org(541.219,27.5)\frz-25\t(\fr0)}no
Dialogue: 1,0:02:44.00,0:02:44.18,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 4] \an7\q2\pos(-10,0)\fscx566.85\fscy37.94\t(0,62.57,\fscx578.85\fscy41.94)\t(62.57,125.14,\fscx556.85\fscy46.94)\t(125.1,180,\fscx566.85\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx20.44)\t(62.57,125.14,\fscx0)\t(125.1,180,\fscx12.3)\p1}m 0 0 m 100 100 {\p0\r\org(581.32,27.5)\frz25\t(\fr0)}su
Dialogue: 1,0:02:44.18,0:02:44.30,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 5] \an7\q2\pos(-9.996,-33.94)\fscx595.79\fscy71.88\t(0,62.57,\fscx594.79\fscy67.88)\t(62.6,120,\fscx595.79\fscy71.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx20.72)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\org(607.836,27.5)\frz-25\t(\fr0)}ki
Dialogue: 1,0:02:44.30,0:02:44.40,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 6] \an7\q2\pos(-9.998,-30.94)\fscx619.88\fscy68.88\t(0,62.57,\fscx621.88\fscy61.88)\t(62.6,100,\fscx619.88\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx24.3)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(640.328,27.5)\frz25\t(\fr0)}ma
Dialogue: 1,0:02:44.40,0:02:44.51,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 7] \an7\q2\pos(-10.004,-32.94)\fscx669.78\fscy70.88\t(0,62.57,\fscx671.78\fscy65.88)\t(62.6,110,\fscx669.78\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx30.25)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(681.734,27.5)\frz-25\t(\fr0)}ni
Dialogue: 1,0:02:44.51,0:02:44.61,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 8] \an7\q2\pos(-10.002,0)\fscx693.68\fscy37.94\t(0,62.57,\fscx693.68\fscy49.94)\t(62.6,100,\fscx693.68\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx21.88)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(709.172,27.5)\frz25\t(\fr0)}ge
Dialogue: 1,0:02:44.61,0:02:44.78,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 9] \an7\q2\pos(-9.997,-27.94)\fscx724.67\fscy65.88\t(0,62.57,\fscx720.67\fscy70.88)\t(62.57,125.14,\fscx721.67\fscy55.88)\t(125.1,170,\fscx724.67\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx37.23)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\org(739.227,27.5)\frz-25\t(\fr0)}ru
Dialogue: 1,0:02:44.78,0:02:45.04,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 10] \an7\q2\pos(-10.004,0)\fscx762.8\fscy37.94\t(0,62.57,\fscx761.8\fscy35.94)\t(62.57,125.14,\fscx764.8\fscy37.94)\t(125.14,187.71,\fscx763.8\fscy41.94)\t(187.71,250.28,\fscx763.8\fscy45.94)\t(250.3,260,\fscx762.8\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx26.52)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx24.73)\t(187.71,250.28,\fscx0)\t(250.3,260,\fscx84.505)\p1}m 0 0 m 100 100 {\p0\r\org(792.234,27.5)\frz25\t(\fr0)}light
Dialogue: 1,0:02:45.04,0:02:45.16,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 11] \an7\q2\pos(-10.004,0)\fscx455.79\fscy37.94\t(0,62.57,\fscx454.79\fscy49.94)\t(62.6,120,\fscx455.79\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.47)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\org(472.414,27.5)\frz25\t(\fr0)}yo
Dialogue: 1,0:02:45.16,0:02:45.36,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 12] \an7\q2\pos(-10,-27.94)\fscx489.03\fscy65.88\t(0,62.57,\fscx480.03\fscy62.88)\t(62.57,125.14,\fscx494.03\fscy74.88)\t(125.14,187.71,\fscx497.03\fscy55.88)\t(187.7,200,\fscx489.03\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.79)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx33.22)\t(187.7,200,\fscx80.351)\p1}m 0 0 m 100 100 {\p0\r\org(503.43,27.5)\frz-25\t(\fr0)}so
Dialogue: 1,0:02:45.36,0:02:45.45,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 13] \an7\q2\pos(-10.005,0)\fscx517.82\fscy37.94\t(0,62.57,\fscx521.82\fscy37.94)\t(62.6,90,\fscx517.82\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx23.94)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(534.055,27.5)\frz25\t(\fr0)}mi
Dialogue: 1,0:02:45.45,0:02:45.67,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 14] \an7\q2\pos(-9.995,0)\fscx559.3\fscy37.94\t(0,62.57,\fscx555.3\fscy43.94)\t(62.57,125.14,\fscx547.3\fscy36.94)\t(125.14,187.71,\fscx567.3\fscy47.94)\t(187.7,220,\fscx559.3\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.56)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx29)\t(187.7,220,\fscx48.403)\p1}m 0 0 m 100 100 {\p0\r\org(577.375,27.5)\frz-25\t(\fr0)}shi
Dialogue: 1,0:02:45.67,0:02:45.79,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 15] \an7\q2\pos(-9.997,0)\fscx595.46\fscy37.94\t(0,62.57,\fscx593.46\fscy41.94)\t(62.6,120,\fscx595.46\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.18)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\org(608.727,27.5)\frz25\t(\fr0)}te
Dialogue: 1,0:02:45.79,0:02:45.89,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 16] \an7\q2\pos(-10.003,0)\fscx622\fscy37.94\t(0,62.57,\fscx621\fscy39.94)\t(62.6,100,\fscx622\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.76)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(636.563,27.5)\frz-25\t(\fr0)}ru
Dialogue: 1,0:02:45.89,0:02:46.06,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 17] \an7\q2\pos(-10,-27.94)\fscx660.14\fscy65.88\t(0,62.57,\fscx669.14\fscy71.88)\t(62.57,125.14,\fscx672.14\fscy55.88)\t(125.1,170,\fscx660.14\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.74)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\org(672.07,27.5)\frz25\t(\fr0)}hi
Dialogue: 1,0:02:46.06,0:02:46.17,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 18] \an7\q2\pos(-9.995,-30.94)\fscx684\fscy68.88\t(0,62.57,\fscx692\fscy61.88)\t(62.6,110,\fscx684\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx26.32)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(704.445,27.5)\frz-25\t(\fr0)}ma
Dialogue: 1,0:02:46.17,0:02:46.34,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 19] \an7\q2\pos(-10.005,0)\fscx733.9\fscy37.94\t(0,62.57,\fscx726.9\fscy35.94)\t(62.57,125.14,\fscx742.9\fscy37.94)\t(125.1,170,\fscx733.9\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx22.09)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\org(754.805,27.5)\frz25\t(\fr0)}mo
Dialogue: 1,0:02:46.34,0:02:46.42,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 20] \an7\q2\pos(-10.003,-30.94)\fscx784.72\fscy68.88\t(0,62.57,\fscx782.72\fscy61.88)\t(62.6,80,\fscx784.72\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx20.73)\t(62.6,80,\fscx72.16)\p1}m 0 0 m 100 100 {\p0\r\org(800.883,27.5)\frz-25\t(\fr0)}na
Dialogue: 1,0:02:46.42,0:02:46.58,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 21] \an7\q2\pos(-9.995,-25.94)\fscx817.05\fscy63.88\t(0,62.57,\fscx818.05\fscy72.88)\t(62.57,125.14,\fscx814.05\fscy51.88)\t(125.1,160,\fscx817.05\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.66)\t(62.57,125.14,\fscx0)\t(125.1,160,\fscx44.249)\p1}m 0 0 m 100 100 {\p0\r\org(820.625,27.5)\frz25\t(\fr0)}i
Dialogue: 1,0:02:46.58,0:02:46.71,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 22] \an7\q2\pos(-10.004,-28.94)\fscx451.27\fscy66.88\t(0,62.57,\fscx455.27\fscy59.88)\t(62.57,125.14,\fscx448.27\fscy57.88)\t(125.1,130,\fscx451.27\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx22.3)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\org(459.594,27.5)\frz-25\t(\fr0)}u
Dialogue: 1,0:02:46.71,0:02:46.86,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 23] \an7\q2\pos(-10.005,0)\fscx467.91\fscy37.94\t(0,62.57,\fscx462.91\fscy37.94)\t(62.57,125.14,\fscx469.91\fscy48.94)\t(125.1,150,\fscx467.91\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx37.72)\t(62.57,125.14,\fscx0)\t(125.1,150,\fscx60.224)\p1}m 0 0 m 100 100 {\p0\r\org(483.805,27.5)\frz25\t(\fr0)}ke
Dialogue: 1,0:02:46.86,0:02:46.97,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 24] \an7\q2\pos(-10.004,0)\fscx499.69\fscy37.94\t(0,62.57,\fscx488.69\fscy38.94)\t(62.6,110,\fscx499.69\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.34)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(513.344,27.5)\frz-25\t(\fr0)}ta
Dialogue: 1,0:02:46.97,0:02:47.06,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 25] \an7\q2\pos(-10.005,0)\fscx536\fscy37.94\t(0,62.57,\fscx532\fscy46.94)\t(62.6,90,\fscx536\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx23.63)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(548.055,27.5)\frz25\t(\fr0)}ki
Dialogue: 1,0:02:47.06,0:02:47.15,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 26] \an7\q2\pos(-9.999,-32.94)\fscx560.1\fscy70.88\t(0,62.57,\fscx567.1\fscy65.88)\t(62.6,90,\fscx560.1\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx39.3)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(575.469,27.5)\frz-25\t(\fr0)}zu
Dialogue: 1,0:02:47.15,0:02:47.25,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 27] \an7\q2\pos(-10,-29.94)\fscx590.84\fscy67.88\t(0,62.57,\fscx578.84\fscy59.88)\t(62.6,100,\fscx590.84\fscy67.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx22.07)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(607,27.5)\frz25\t(\fr0)}na
Dialogue: 1,0:02:47.25,0:02:47.34,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 28] \an7\q2\pos(-9.997,0)\fscx632.18\fscy37.94\t(0,62.57,\fscx635.18\fscy42.94)\t(62.6,90,\fscx632.18\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.42)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(639.977,27.5)\frz-25\t(\fr0)}a
Dialogue: 1,0:02:47.34,0:02:47.43,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 29] \an7\q2\pos(-9.995,0)\fscx647.78\fscy37.94\t(0,62.57,\fscx650.78\fscy40.94)\t(62.6,90,\fscx647.78\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx26.66)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(661.875,27.5)\frz25\t(\fr0)}to
Dialogue: 1,0:02:47.43,0:02:47.60,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 30] \an7\q2\pos(-9.997,-28.94)\fscx684.99\fscy66.88\t(0,62.57,\fscx687.99\fscy74.88)\t(62.57,125.14,\fscx695.99\fscy57.88)\t(125.1,170,\fscx684.99\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.58)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\org(698.938,27.5)\frz-25\t(\fr0)}sa
Dialogue: 1,0:02:47.60,0:02:47.70,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 31] \an7\q2\pos(-10.005,-32.94)\fscx712.88\fscy70.88\t(0,62.57,\fscx712.88\fscy65.88)\t(62.6,100,\fscx712.88\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.2)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(720.305,27.5)\frz25\t(\fr0)}e
Dialogue: 1,0:02:47.70,0:02:47.83,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 32] \an7\q2\pos(-9.998,-30.94)\fscx736.74\fscy68.88\t(0,62.57,\fscx742.74\fscy61.88)\t(62.57,125.14,\fscx724.74\fscy73.88)\t(125.1,130,\fscx736.74\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.26)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\org(753.008,27.5)\frz-25\t(\fr0)}ka
Dialogue: 1,0:02:47.83,0:02:47.93,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 33] \an7\q2\pos(-9.997,-30.94)\fscx769.28\fscy68.88\t(0,62.57,\fscx760.28\fscy61.88)\t(62.6,100,\fscx769.28\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx33.74)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(782.547,27.5)\frz25\t(\fr0)}te
Dialogue: 1,0:02:47.93,0:02:48.02,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 34] \an7\q2\pos(-10.001,-34.94)\fscx804.83\fscy72.88\t(0,62.57,\fscx811.83\fscy69.88)\t(62.6,90,\fscx804.83\fscy72.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.27)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(816.781,27.5)\frz-25\t(\fr0)}ni
Dialogue: 1,0:02:48.02,0:02:48.20,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 35] \an7\q2\pos(-9.995,-32.94)\fscx519.31\fscy70.88\t(0,62.57,\fscx511.31\fscy72.88)\t(62.57,125.14,\fscx522.31\fscy65.88)\t(125.1,180,\fscx519.31\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.17)\t(62.57,125.14,\fscx0)\t(125.1,180,\fscx12.3)\p1}m 0 0 m 100 100 {\p0\r\org(532.875,27.5)\frz25\t(\fr0)}se
Dialogue: 1,0:02:48.20,0:02:48.29,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 36] \an7\q2\pos(-10.003,0)\fscx546.44\fscy37.94\t(0,62.57,\fscx534.44\fscy38.94)\t(62.6,90,\fscx546.44\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx21.84)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(550.023,27.5)\frz-25\t(\fr0)}i
Dialogue: 1,0:02:48.29,0:02:48.40,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 37] \an7\q2\pos(-9.998,-29.94)\fscx553.6\fscy67.88\t(0,62.57,\fscx562.6\fscy59.88)\t(62.6,110,\fscx553.6\fscy67.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.6)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(566.398,27.5)\frz25\t(\fr0)}ja
Dialogue: 1,0:02:48.40,0:02:48.61,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 38] \an7\q2\pos(-10.004,-33.94)\fscx579.19\fscy71.88\t(0,62.57,\fscx579.19\fscy67.88)\t(62.57,125.14,\fscx582.19\fscy75.88)\t(125.14,187.71,\fscx578.19\fscy68.88)\t(187.7,210,\fscx579.19\fscy71.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.53)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx35.09)\t(187.7,210,\fscx64.377)\p1}m 0 0 m 100 100 {\p0\r\org(595.984,27.5)\frz-25\t(\fr0)}ku
Dialogue: 1,0:02:48.61,0:02:48.73,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 39] \an7\q2\pos(-9.996,0)\fscx621.79\fscy37.94\t(0,62.57,\fscx628.79\fscy46.94)\t(62.6,120,\fscx621.79\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.1)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\org(633.836,27.5)\frz25\t(\fr0)}ki
Dialogue: 1,0:02:48.73,0:02:48.86,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 40] \an7\q2\pos(-10.003,-29.94)\fscx645.88\fscy67.88\t(0,62.57,\fscx635.88\fscy59.88)\t(62.57,125.14,\fscx644.88\fscy64.88)\t(125.1,130,\fscx645.88\fscy67.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.29)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\org(655.703,27.5)\frz-25\t(\fr0)}ri
Dialogue: 1,0:02:48.86,0:02:48.97,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 41] \an7\q2\pos(-9.999,-25.94)\fscx665.52\fscy63.88\t(0,62.57,\fscx668.52\fscy51.88)\t(62.6,110,\fscx665.52\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.51)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(679.469,27.5)\frz25\t(\fr0)}sa
Dialogue: 1,0:02:48.97,0:02:49.04,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 42] \an7\q2\pos(-10.002,-30.94)\fscx693.41\fscy68.88\t(0,62.57,\fscx701.41\fscy61.88)\t(62.6,70,\fscx693.41\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.92)\t(62.6,70,\fscx88.16)\p1}m 0 0 m 100 100 {\p0\r\org(696.992,27.5)\frz-25\t(\fr0)}i
Dialogue: 1,0:02:49.04,0:02:49.15,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 43] \an7\q2\pos(-10.004,0)\fscx700.57\fscy37.94\t(0,62.57,\fscx689.57\fscy39.94)\t(62.6,110,\fscx700.57\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.14)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\org(713.844,27.5)\frz25\t(\fr0)}te
Dialogue: 1,0:02:49.15,0:02:49.47,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 44] \an7\q2\pos(-9.996,-25.94)\fscx727.12\fscy63.88\t(0,62.57,\fscx733.12\fscy75.88)\t(62.57,125.14,\fscx719.12\fscy66.88)\t(125.14,187.71,\fscx731.12\fscy69.88)\t(187.71,250.28,\fscx734.12\fscy67.88)\t(250.28,312.85,\fscx723.12\fscy51.88)\t(312.9,320,\fscx727.12\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.64)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx35.81)\t(187.71,250.28,\fscx0)\t(250.28,312.85,\fscx24.12)\t(312.9,320,\fscx88.64)\p1}m 0 0 m 100 100 {\p0\r\org(743.906,27.5)\frz-25\t(\fr0)}ku
Dialogue: 1,0:02:49.47,0:02:49.60,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 45] \an7\q2\pos(-9.995,-33.94)\fscx404.58\fscy71.88\t(0,62.57,\fscx402.58\fscy67.88)\t(62.57,125.14,\fscx414.58\fscy71.88)\t(125.1,130,\fscx404.58\fscy71.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.01)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\org(420.875,27.5)\frz-25\t(\fr0)}da
Dialogue: 1,0:02:49.60,0:02:49.74,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 46] \an7\q2\pos(-9.996,0)\fscx437.18\fscy37.94\t(0,62.57,\fscx437.18\fscy48.94)\t(62.57,125.14,\fscx444.18\fscy39.94)\t(125.1,140,\fscx437.18\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx33.44)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\org(450.836,27.5)\frz25\t(\fr0)}re
Dialogue: 1,0:02:49.74,0:02:49.86,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 47] \an7\q2\pos(-10.004,0)\fscx473.51\fscy37.94\t(0,62.57,\fscx481.51\fscy35.94)\t(62.6,120,\fscx473.51\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx39.77)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\org(494.414,27.5)\frz-25\t(\fr0)}mo
Dialogue: 1,0:02:49.86,0:02:50.01,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 48] \an7\q2\pos(-10.004,0)\fscx524.32\fscy37.94\t(0,62.57,\fscx512.32\fscy42.94)\t(62.57,125.14,\fscx514.32\fscy48.94)\t(125.1,150,\fscx524.32\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.96)\t(62.57,125.14,\fscx0)\t(125.1,150,\fscx60.224)\p1}m 0 0 m 100 100 {\p0\r\org(540.594,27.5)\frz25\t(\fr0)}ka
Dialogue: 1,0:02:50.01,0:02:50.14,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 49] \an7\q2\pos(-10.003,-25.94)\fscx556.86\fscy63.88\t(0,62.57,\fscx544.86\fscy60.88)\t(62.57,125.14,\fscx560.86\fscy51.88)\t(125.1,130,\fscx556.86\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx39.98)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\org(570.523,27.5)\frz-25\t(\fr0)}re
Dialogue: 1,0:02:50.14,0:02:50.22,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 50] \an7\q2\pos(-10.002,0)\fscx593.2\fscy37.94\t(0,62.57,\fscx597.2\fscy43.94)\t(62.6,80,\fscx593.2\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.74)\t(62.6,80,\fscx72.16)\p1}m 0 0 m 100 100 {\p0\r\org(614.102,27.5)\frz25\t(\fr0)}mo
Dialogue: 1,0:02:50.22,0:02:50.36,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 51] \an7\q2\pos(-10.005,-27.94)\fscx644.01\fscy65.88\t(0,62.57,\fscx652.01\fscy55.88)\t(62.57,125.14,\fscx640.01\fscy72.88)\t(125.1,140,\fscx644.01\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx20.6)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\org(684.805,27.5)\frz-25\t(\fr0)}DEAR
Dialogue: 1,0:02:50.36,0:02:50.54,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 52] \an7\q2\pos(-9.996,-33.94)\fscx734.61\fscy71.88\t(0,62.57,\fscx722.61\fscy74.88)\t(62.57,125.14,\fscx738.61\fscy67.88)\t(125.1,180,\fscx734.61\fscy71.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.3)\t(62.57,125.14,\fscx0)\t(125.1,180,\fscx12.3)\p1}m 0 0 m 100 100 {\p0\r\org(755.906,27.5)\frz25\t(\fr0)}OR
Dialogue: 1,0:02:50.54,0:02:50.86,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 53] \an7\q2\pos(-10,-27.94)\fscx786.22\fscy65.88\t(0,62.57,\fscx782.22\fscy64.88)\t(62.57,125.14,\fscx792.22\fscy55.88)\t(125.14,187.71,\fscx789.22\fscy77.88)\t(187.71,250.28,\fscx798.22\fscy66.88)\t(250.28,312.85,\fscx783.22\fscy59.88)\t(312.9,320,\fscx786.22\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx26.81)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx33.26)\t(187.71,250.28,\fscx0)\t(250.28,312.85,\fscx29.75)\t(312.9,320,\fscx88.64)\p1}m 0 0 m 100 100 {\p0\r\org(830.82,27.5)\frz-25\t(\fr0)}ALIVE
Dialogue: 1,0:02:50.95,0:02:51.09,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 54] \an7\q2\pos(-10,-34.94)\fscx412.62\fscy72.88\t(0,62.57,\fscx410.62\fscy77.88)\t(62.57,125.14,\fscx417.62\fscy69.88)\t(125.1,140,\fscx412.62\fscy72.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.33)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\org(433.07,27.5)\frz25\t(\fr0)}ma
Dialogue: 1,0:02:51.09,0:02:51.22,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 55] \an7\q2\pos(-10.004,-31.94)\fscx453.51\fscy69.88\t(0,62.57,\fscx443.51\fscy75.88)\t(62.57,125.14,\fscx448.51\fscy63.88)\t(125.1,130,\fscx453.51\fscy69.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.41)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\org(474.414,27.5)\frz-25\t(\fr0)}mo
Dialogue: 1,0:02:51.22,0:02:51.32,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 56] \an7\q2\pos(-9.995,0)\fscx495.32\fscy37.94\t(0,62.57,\fscx487.32\fscy44.94)\t(62.6,100,\fscx495.32\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx25.64)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(509.875,27.5)\frz25\t(\fr0)}ru
Dialogue: 1,0:02:51.32,0:02:51.42,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 57] \an7\q2\pos(-10,0)\fscx533.45\fscy37.94\t(0,62.57,\fscx533.45\fscy37.94)\t(62.6,100,\fscx533.45\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.33)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\org(549.75,27.5)\frz-25\t(\fr0)}da
Dialogue: 1,0:02:51.42,0:02:51.58,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 58] \an7\q2\pos(-9.997,-32.94)\fscx566.05\fscy70.88\t(0,62.57,\fscx576.05\fscy65.88)\t(62.57,125.14,\fscx565.05\fscy76.88)\t(125.1,160,\fscx566.05\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.37)\t(62.57,125.14,\fscx0)\t(125.1,160,\fscx44.249)\p1}m 0 0 m 100 100 {\p0\r\org(581.938,27.5)\frz25\t(\fr0)}ke
Dialogue: 1,0:02:51.58,0:02:51.67,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 59] \an7\q2\pos(-10.001,0)\fscx606.84\fscy37.94\t(0,62.57,\fscx599.84\fscy37.94)\t(62.6,90,\fscx606.84\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.69)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\org(619.641,27.5)\frz-25\t(\fr0)}ja
Dialogue: 1,0:02:51.67,0:02:51.87,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 60] \an7\q2\pos(-9.998,-34.94)\fscx641.45\fscy72.88\t(0,62.57,\fscx635.45\fscy73.88)\t(62.57,125.14,\fscx632.45\fscy72.88)\t(125.14,187.71,\fscx644.45\fscy69.88)\t(187.7,200,\fscx641.45\fscy72.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.68)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx27.59)\t(187.7,200,\fscx80.351)\p1}m 0 0 m 100 100 {\p0\r\org(686.148,27.5)\frz25\t(\fr0)}CAN’T
Dialogue: 1,0:02:51.87,0:02:52.40,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 61] \an7\q2\pos(-9.997,-28.94)\fscx739.86\fscy66.88\t(0,62.57,\fscx734.86\fscy74.88)\t(62.57,125.14,\fscx740.86\fscy58.88)\t(125.14,187.71,\fscx751.86\fscy71.88)\t(187.71,250.28,\fscx727.86\fscy57.88)\t(250.28,312.85,\fscx741.86\fscy62.88)\t(312.85,375.42,\fscx743.86\fscy57.88)\t(375.42,437.99,\fscx741.86\fscy62.88)\t(437.99,500.56,\fscx748.86\fscy77.88)\t(500.6,530,\fscx739.86\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx24.64)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx33.64)\t(187.71,250.28,\fscx0)\t(250.28,312.85,\fscx39.66)\t(312.85,375.42,\fscx0)\t(375.42,437.99,\fscx25.37)\t(437.99,500.56,\fscx0)\t(500.6,530,\fscx52.96)\p1}m 0 0 m 100 100 {\p0\r\org(803.617,27.5)\frz-25\t(\fr0)}SURVIVE
Dialogue: 0,0:02:43.22,0:02:43.68,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 1] \an5\pos(466.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:43.24,0:02:43.68,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 2] \an5\pos(483.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:43.26,0:02:43.82,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 3] \an5\pos(500,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:02:43.28,0:02:43.82,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 4] \an5\pos(512.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:43.32,0:02:43.93,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 5] \an5\pos(532.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:43.34,0:02:43.93,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 6] \an5\pos(549.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:43.38,0:02:44.00,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 7] \an5\pos(573,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:43.40,0:02:44.00,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 8] \an5\pos(587.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:43.42,0:02:44.18,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 9] \an5\pos(604.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:43.44,0:02:44.18,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 10] \an5\pos(616.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:43.46,0:02:44.30,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 11] \an5\pos(632.53,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:43.48,0:02:44.30,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 12] \an5\pos(652.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:43.52,0:02:44.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 13] \an5\pos(678.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:43.54,0:02:44.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 14] \an5\pos(690.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:43.56,0:02:44.51,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 15] \an5\pos(701.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:02:43.58,0:02:44.51,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 16] \an5\pos(717.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:43.60,0:02:44.61,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 17] \an5\pos(730.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:43.62,0:02:44.61,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 18] \an5\pos(745.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:43.66,0:02:44.78,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 19] \an5\pos(766.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:43.68,0:02:44.78,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 20] \an5\pos(773.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:43.70,0:02:44.78,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 21] \an5\pos(785.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:02:43.72,0:02:44.78,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 22] \an5\pos(801.61,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:43.74,0:02:44.78,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 23] \an5\pos(815.81,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:44.58,0:02:45.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 24] \an5\pos(464.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:44.60,0:02:45.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 25] \an5\pos(480.78,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:44.62,0:02:45.16,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 26] \an5\pos(495.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:44.64,0:02:45.16,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 27] \an5\pos(509.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:44.66,0:02:45.36,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 28] \an5\pos(530.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:44.68,0:02:45.36,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 29] \an5\pos(546.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:44.72,0:02:45.45,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 30] \an5\pos(565.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:44.74,0:02:45.45,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 31] \an5\pos(579.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:44.76,0:02:45.45,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 32] \an5\pos(591.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:44.78,0:02:45.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 33] \an5\pos(601.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:44.80,0:02:45.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 34] \an5\pos(614.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:44.82,0:02:45.79,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 35] \an5\pos(628.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:44.84,0:02:45.79,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 36] \an5\pos(642.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:44.88,0:02:45.89,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 37] \an5\pos(668.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:44.90,0:02:45.89,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 38] \an5\pos(680.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:44.92,0:02:46.06,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 39] \an5\pos(696.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:44.94,0:02:46.06,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 40] \an5\pos(717.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:44.98,0:02:46.17,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 41] \an5\pos(746.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:45.00,0:02:46.17,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 42] \an5\pos(767.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:45.04,0:02:46.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 43] \an5\pos(793.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:45.06,0:02:46.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 44] \an5\pos(809.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:45.08,0:02:46.42,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 45] \an5\pos(820.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:46.12,0:02:46.58,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 46] \an5\pos(459.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:46.14,0:02:46.71,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 47] \an5\pos(476.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:46.16,0:02:46.71,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 48] \an5\pos(492.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:46.18,0:02:46.86,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 49] \an5\pos(505.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:46.20,0:02:46.86,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 50] \an5\pos(519.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:46.24,0:02:46.97,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 51] \an5\pos(544.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:46.26,0:02:46.97,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 52] \an5\pos(556.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:46.28,0:02:47.06,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 53] \an5\pos(567.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}z
Dialogue: 0,0:02:46.30,0:02:47.06,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 54] \an5\pos(582.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:46.32,0:02:47.15,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 55] \an5\pos(599.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:46.34,0:02:47.15,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 56] \an5\pos(615.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:46.38,0:02:47.25,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 57] \an5\pos(639.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:46.40,0:02:47.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 58] \an5\pos(653.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:46.42,0:02:47.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 59] \an5\pos(667.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:46.46,0:02:47.43,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 60] \an5\pos(691.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:46.48,0:02:47.43,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 61] \an5\pos(705.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:46.50,0:02:47.60,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 62] \an5\pos(720.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:46.54,0:02:47.70,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 63] \an5\pos(745.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:46.56,0:02:47.70,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 64] \an5\pos(761.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:46.58,0:02:47.83,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 65] \an5\pos(775.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:46.60,0:02:47.83,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 66] \an5\pos(788.4,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:46.64,0:02:47.93,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 67] \an5\pos(813.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:46.66,0:02:47.93,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 68] \an5\pos(825.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:47.56,0:02:48.02,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 69] \an5\pos(525.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:47.58,0:02:48.02,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 70] \an5\pos(539.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:47.60,0:02:48.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 71] \an5\pos(550.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:47.62,0:02:48.29,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 72] \an5\pos(558.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:02:47.64,0:02:48.29,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 73] \an5\pos(571.4,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:47.66,0:02:48.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 74] \an5\pos(587.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:47.68,0:02:48.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 75] \an5\pos(604.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:47.72,0:02:48.61,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 76] \an5\pos(630.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:47.74,0:02:48.61,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 77] \an5\pos(642.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:47.76,0:02:48.73,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 78] \an5\pos(652.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:47.78,0:02:48.73,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 79] \an5\pos(661.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:47.80,0:02:48.86,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 80] \an5\pos(671.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:47.82,0:02:48.86,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 81] \an5\pos(685.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:47.84,0:02:48.97,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 82] \an5\pos(696.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:47.86,0:02:49.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 83] \an5\pos(706.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:47.88,0:02:49.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 84] \an5\pos(719.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:47.90,0:02:49.15,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 85] \an5\pos(735.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:47.92,0:02:49.15,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 86] \an5\pos(752.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:49.01,0:02:49.47,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 87] \an5\pos(413.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:49.03,0:02:49.47,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 88] \an5\pos(429.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:49.05,0:02:49.60,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 89] \an5\pos(443.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:49.07,0:02:49.60,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 90] \an5\pos(457.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:49.11,0:02:49.74,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 91] \an5\pos(486.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:49.13,0:02:49.74,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 92] \an5\pos(507.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:49.17,0:02:49.86,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 93] \an5\pos(532.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:49.19,0:02:49.86,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 94] \an5\pos(549.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:49.21,0:02:50.01,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 95] \an5\pos(563.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:49.23,0:02:50.01,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 96] \an5\pos(576.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:49.27,0:02:50.14,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 97] \an5\pos(605.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:49.29,0:02:50.14,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 98] \an5\pos(626.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:49.33,0:02:50.22,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 99] \an5\pos(654.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}D
Dialogue: 0,0:02:49.35,0:02:50.22,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 100] \an5\pos(673.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}E
Dialogue: 0,0:02:49.37,0:02:50.22,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 101] \an5\pos(694.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}A
Dialogue: 0,0:02:49.39,0:02:50.22,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 102] \an5\pos(715.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:02:49.43,0:02:50.36,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 103] \an5\pos(745.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}O
Dialogue: 0,0:02:49.45,0:02:50.36,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 104] \an5\pos(767.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:02:49.49,0:02:50.54,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 105] \an5\pos(797.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}A
Dialogue: 0,0:02:49.51,0:02:50.54,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 106] \an5\pos(817.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}L
Dialogue: 0,0:02:49.53,0:02:50.54,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 107] \an5\pos(831.11,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:02:49.55,0:02:50.54,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 108] \an5\pos(846.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}V
Dialogue: 0,0:02:49.57,0:02:50.54,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 109] \an5\pos(866.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}E
Dialogue: 0,0:02:50.49,0:02:50.95,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 110] \an5\pos(425.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:50.51,0:02:50.95,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 111] \an5\pos(445.72,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:50.53,0:02:51.09,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 112] \an5\pos(466.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:50.55,0:02:51.09,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 113] \an5\pos(487.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:50.57,0:02:51.22,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 114] \an5\pos(501.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:50.59,0:02:51.22,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 115] \an5\pos(516.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:50.63,0:02:51.32,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 116] \an5\pos(541.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:50.65,0:02:51.32,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 117] \an5\pos(558.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:50.67,0:02:51.42,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 118] \an5\pos(574.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:50.69,0:02:51.42,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 119] \an5\pos(590.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:50.73,0:02:51.58,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 120] \an5\pos(611.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:02:50.75,0:02:51.58,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 121] \an5\pos(624.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:50.79,0:02:51.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 122] \an5\pos(651.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}C
Dialogue: 0,0:02:50.81,0:02:51.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 123] \an5\pos(672.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}A
Dialogue: 0,0:02:50.83,0:02:51.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 124] \an5\pos(694.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:02:50.85,0:02:51.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 125] \an5\pos(708.35,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:02:50.87,0:02:51.67,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 126] \an5\pos(721.43,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}T
Dialogue: 0,0:02:50.91,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 127] \an5\pos(747.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}S
Dialogue: 0,0:02:50.93,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 128] \an5\pos(765.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}U
Dialogue: 0,0:02:50.95,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 129] \an5\pos(786.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:02:50.97,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 130] \an5\pos(807.43,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}V
Dialogue: 0,0:02:50.99,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 131] \an5\pos(823.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:02:51.01,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 132] \an5\pos(838.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}V
Dialogue: 0,0:02:51.03,0:02:51.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 133] \an5\pos(858.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}E
Dialogue: 1,0:02:43.33,0:02:43.67,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 5 - line fx: 1] \an7\q2\pos(-0.002,-25.94)\fscx10\fscy59.88\t(0,150.16,\fscx10\fscy82.88)\t(150.16,300.32,\fscx10\fscy51.88)\t(300.3,340,\fscx10\fscy59.88)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(39.563,25)\t(0,83.42,\frz-10.47)\t(83.42,166.84,\frz-8.67)\t(166.84,250.26,\frz-14.23)\t(250.26,333.68,\frz-27.41)\t(333.7,340,\frz-19.01)}Yeah
Dialogue: 1,0:03:06.95,0:03:07.31,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 20 - line fx: 2] \an7\q2\pos(-0.001,-17.94)\fscx10\fscy51.88\t(0,150.16,\fscx10\fscy66.88)\t(150.16,300.32,\fscx10\fscy35.88)\t(300.3,360,\fscx10\fscy51.88)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(44.211,25)\t(0,83.42,\frz9.62)\t(83.42,166.84,\frz10.91)\t(166.84,250.26,\frz7.73)\t(250.26,333.68,\frz25.48)\t(333.7,360,\frz26.7)}Never
Dialogue: 1,0:03:07.31,0:03:07.57,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 20 - line fx: 3] \an7\q2\pos(0.005,0)\fscx86.15\fscy33.94\t(0,150.16,\fscx86.15\fscy44.94)\t(150.2,260,\fscx86.15\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(100.125,25)\t(0,83.42,\frz-28.69)\t(83.42,166.84,\frz-14.27)\t(166.84,250.26,\frz15.04)\t(250.3,260,\frz-21.71)}go
Dialogue: 1,0:03:07.57,0:03:08.05,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 20 - line fx: 4] \an7\q2\pos(-0.004,-12.94)\fscx121.82\fscy46.88\t(0,150.16,\fscx121.82\fscy26.88)\t(150.16,300.32,\fscx121.82\fscy74.88)\t(300.32,450.48,\fscx121.82\fscy25.88)\t(450.5,480,\fscx121.82\fscy46.88)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(152.984,25)\t(0,83.42,\frz27.54)\t(83.42,166.84,\frz-23.21)\t(166.84,250.26,\frz16.44)\t(250.26,333.68,\frz-25.77)\t(333.68,417.1,\frz-2.91)\t(417.1,480,\frz-28.65)}away
Dialogue: 1,0:03:18.60,0:03:18.78,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 25 - line fx: 5] \an7\q2\pos(-0.001,-10.94)\fscx10\fscy44.88\t(0,150.16,\fscx10\fscy21.88)\t(150.2,180,\fscx10\fscy44.88)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(14.031,25)\t(0,83.42,\frz3.15)\t(83.42,166.84,\frz-4.55)\t(166.8,180,\frz-17.05)}I
Dialogue: 1,0:03:18.78,0:03:18.97,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 25 - line fx: 6] \an7\q2\pos(0.001,0)\fscx25.78\fscy33.94\t(0,150.16,\fscx25.78\fscy31.94)\t(150.2,190,\fscx25.78\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(55.469,25)\t(0,83.42,\frz-22.35)\t(83.42,166.84,\frz24.04)\t(166.8,190,\frz27.87)}don’t
Dialogue: 1,0:03:18.97,0:03:19.33,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 25 - line fx: 7] \an7\q2\pos(0.004,0)\fscx92.88\fscy33.94\t(0,150.16,\fscx92.88\fscy52.94)\t(150.16,300.32,\fscx92.88\fscy45.94)\t(300.3,360,\fscx92.88\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(117.336,25)\t(0,83.42,\frz27.75)\t(83.42,166.84,\frz25.16)\t(166.84,250.26,\frz-28.86)\t(250.26,333.68,\frz-1.82)\t(333.7,360,\frz2.18)}look
Dialogue: 1,0:03:19.33,0:03:19.67,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 25 - line fx: 8] \an7\q2\pos(-0.002,-27.94)\fscx149.51\fscy61.88\t(0,150.16,\fscx149.51\fscy55.88)\t(150.16,300.32,\fscx149.51\fscy57.88)\t(300.3,340,\fscx149.51\fscy61.88)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(176.602,25)\t(0,83.42,\frz25.47)\t(83.42,166.84,\frz23.04)\t(166.84,250.26,\frz18.73)\t(250.26,333.68,\frz12.06)\t(333.7,340,\frz5.3)}back
Dialogue: 1,0:03:19.67,0:03:20.21,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 25 - line fx: 9] \an7\q2\pos(-0.003,-18.94)\fscx211.4\fscy52.88\t(0,150.16,\fscx211.4\fscy37.88)\t(150.16,300.32,\fscx211.4\fscy79.88)\t(300.32,450.48,\fscx211.4\fscy63.88)\t(450.5,540,\fscx211.4\fscy52.88)\p1}m 0 0 m 100 100 {\p0\r\fscx130\fscy130\t(\fscx100\fscy100)\org(238.773,25)\t(0,83.42,\frz17.01)\t(83.42,166.84,\frz27.45)\t(166.84,250.26,\frz21.6)\t(250.26,333.68,\frz4.43)\t(333.68,417.1,\frz1.27)\t(417.1,500.52,\frz-26.01)\t(500.5,540,\frz1.93)}yeah
Dialogue: 0,0:02:42.87,0:02:43.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 1] \an5\pos(19.37,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}Y
Dialogue: 0,0:02:42.89,0:02:43.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 2] \an5\pos(35.09,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:42.91,0:02:43.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 3] \an5\pos(48.13,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:42.93,0:02:43.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 4] \an5\pos(61.97,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:03:06.49,0:03:06.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 5] \an5\pos(18.99,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:03:06.51,0:03:06.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 6] \an5\pos(34.34,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:06.53,0:03:06.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 7] \an5\pos(47.85,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:03:06.55,0:03:06.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 8] \an5\pos(61.36,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:06.57,0:03:06.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 9] \an5\pos(73.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:03:06.61,0:03:07.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 10] \an5\pos(93.05,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:03:06.63,0:03:07.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 11] \an5\pos(107.04,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:06.67,0:03:07.57,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 12] \an5\pos(128.51,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:06.69,0:03:07.57,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 13] \an5\pos(145.81,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:03:06.71,0:03:07.57,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 14] \an5\pos(163.12,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:06.73,0:03:07.57,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 15] \an5\pos(176.97,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:18.14,0:03:18.60,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 16] \an5\pos(14.03,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:03:18.18,0:03:18.78,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 17] \an5\pos(33.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:03:18.20,0:03:18.78,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 18] \an5\pos(47.43,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:18.22,0:03:18.78,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 19] \an5\pos(61.67,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:03:18.24,0:03:18.78,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 20] \an5\pos(71.98,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:03:18.26,0:03:18.78,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 21] \an5\pos(80.14,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:03:18.30,0:03:18.97,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 22] \an5\pos(95.94,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:03:18.32,0:03:18.97,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 23] \an5\pos(106.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:18.34,0:03:18.97,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 24] \an5\pos(120.21,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:03:18.36,0:03:18.97,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 25] \an5\pos(134.54,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:18.40,0:03:19.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 26] \an5\pos(156.73,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:03:18.42,0:03:19.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 27] \an5\pos(170.63,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:18.44,0:03:19.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 28] \an5\pos(183.24,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:03:18.46,0:03:19.33,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 29] \an5\pos(196.43,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:03:18.50,0:03:19.67,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 30] \an5\pos(218.58,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:03:18.52,0:03:19.67,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 31] \an5\pos(232.11,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:03:18.54,0:03:19.67,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 32] \an5\pos(245.15,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:03:18.56,0:03:19.67,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 33] \an5\pos(258.98,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:23:40.98,0:23:42.98,Sign,,0,0,0,,