[Script Info]
; Script generated by Aegisub 3.2.2
; http://www.aegisub.org/
Title: [Erai-raws] English (US)
ScriptType: v4.00+
PlayResX: 1280
PlayResY: 720
Timer: 0.0000
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YCbCr Matrix: TV.601

[Aegisub Project Garbage]
Last Style Storage: Default
Audio File: ../Downloads/[Erai-raws] Tate no Yuusha no Nariagari - 03 [720p][Multiple Subtitle].mkv
Video File: ../Downloads/[Erai-raws] Tate no Yuusha no Nariagari - 03 [720p][Multiple Subtitle].mkv
Video AR Mode: 4
Video AR Value: 1.777778
Video Zoom Percent: 0.625000
Scroll Position: 235
Active Line: 236
Video Position: 340

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Arial,40,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,4,4,2,20,20,20,1
Style: Main,Bahij Hassan,65,&H00FFFFFF,&H00FFFFFF,&H00271F1C,&H00463C3B,-1,0,0,0,100,100,0,0,1,2,1,2,10,10,30,1
Style: top,Trebuchet MS,48,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,4,2,8,20,20,36,0
Style: notes,Bahij Hassan,45,&H00FFFFFF,&H00FFFFFF,&H00271F1C,&H00463C3B,-1,0,0,0,100,100,0,0,1,2,1,8,10,10,30,1
Style: Sign,Hacen Tunisia Lt,38,&H00FFFFFF,&H000000FF,&H00000000,&HA0000000,-1,0,0,0,100,100,0,0,1,0,0,5,100,100,27,1
Style: Tate Title,HSN Shahd Regular,50,&H00EFF1F1,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,1,0,7,170,60,110,1
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Style: Tate OP Translation,ma3ali-aqsa,60,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,105,100,0,0,1,2.5,0,2,10,10,10,1
Style: Tate OP Romaji2,Timeless,35,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,100,100,0,0,1,2.5,0,8,10,10,10,1
Style: Tate OP Romaji3,Timeless,30,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,100,100,0,0,1,2.5,0,7,10,10,10,1
Style: Tate OP Translation2,ma3ali-aqsa,55,&H001B0092,&H000000FF,&H00FFFFFF,&H0000003F,-1,0,0,0,105,100,0,0,1,2.5,0,3,10,10,10,1
Style: Copyright,Midan,35,&H00FFFFFF,&H000000FF,&H32000000,&HB4000000,-1,0,0,0,100,100,0,0,1,1,1,7,30,30,10,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.17,0:00:04.48,Main,R,0,0,0,,{\be1}!مهلًا
Dialogue: 0,0:00:04.87,0:00:07.33,Main,N,0,0,0,,{\be1}،مضى أسبوع منذ المعركة في منجم الفحم
Dialogue: 0,0:00:07.03,0:00:08.20,Main,R,0,0,0,,{\be1}{\an8}!انتظر
Dialogue: 0,0:00:13.42,0:00:18.51,Main,N,0,0,0,,{\be1}.واكتسب درعي مهارات وقدرات عديدة لدرجة أنَّني لم أعُد قادرًا على عدّها
Dialogue: 0,0:00:18.51,0:00:22.27,Main,N,0,0,0,,{\be1}.لكنَّني أهملت دفاعي وأُصبت رغم ذلك
Dialogue: 0,0:00:26.11,0:00:27.38,Main,R,0,0,0,,{\be1}!ناوفومي-ساما
Dialogue: 0,0:00:28.97,0:00:30.43,Main,N,0,0,0,,{\be1}!سجن الدرع
Dialogue: 0,0:00:40.04,0:00:42.11,Main,N,0,0,0,,{\be1}.اقتربت الموجة
Dialogue: 0,0:00:42.79,0:00:45.52,Main,N,0,0,0,,{\be1}.حان وقت تغيير معداتنا
Dialogue: 0,0:00:45.52,0:00:46.92,Main,R,0,0,0,,{\be1}!ناوفومي-ساما
Dialogue: 0,0:00:47.44,0:00:48.94,Main,R,0,0,0,,{\be1}!فعلتها
Dialogue: 0,0:02:21.53,0:02:25.79,Tate Title,Title,0,0,0,,{\be1}{\fad(438,596)}موجة الكارثة
Dialogue: 0,0:02:21.54,0:02:24.51,Main,Erh,0,0,0,,{\be1}!بالكاد تعرفت عليك
Dialogue: 0,0:02:27.08,0:02:29.57,Main,Erh,0,0,0,,{\be1}.صِرت آنسة جميلة حقًا
Dialogue: 0,0:02:31.12,0:02:32.87,Main,Erh,0,0,0,,{\be1}.لم أرك منذ مدة
Dialogue: 0,0:02:32.87,0:02:34.08,Main,Erh,0,0,0,,{\be1}ما الذي كنتِ تفعلينه؟
Dialogue: 0,0:02:34.08,0:02:36.89,Main,R,0,0,0,,{\be1}.طلبت من صاحب النزل أن يعلمني آداب المائدة
Dialogue: 0,0:02:37.41,0:02:40.52,Main,R,0,0,0,,{\be1}.أريد تناول طعامي بشكل لائق كما يفعل ناوفومي-ساما
Dialogue: 0,0:02:40.52,0:02:41.84,Main,Erh,0,0,0,,{\be1}حقًّا؟
Dialogue: 0,0:02:42.17,0:02:43.67,Main,Erh,0,0,0,,{\be1}.صِرت كبيرة
Dialogue: 0,0:02:43.67,0:02:45.59,Main,Erh,0,0,0,,{\be1}.لم تعودي كالصغيرة التي زارتني من قبل
Dialogue: 0,0:02:47.94,0:02:49.05,Main,N,0,0,0,,{\be1}حقًّا؟
Comment: 0,0:02:50.54,0:02:51.85,Main,Erh,0,0,0,,{\be1}Huh?
Dialogue: 0,0:02:52.60,0:02:55.02,Main,Erh,0,0,0,,{\be1}.يصعب إرضاؤك يا فتى
Dialogue: 0,0:02:55.37,0:02:57.45,Main,N,0,0,0,,{\be1}.أنا مصدوم أيضًا في الواقع
Dialogue: 0,0:02:57.89,0:03:00.23,Main,N,0,0,0,,{\be1}.هذا البلد يعج باللوليكونز
Dialogue: 0,0:02:57.89,0:03:00.23,notes,N,0,0,0,,{\be1}عاشقوا الفتيات الصغيرات
Dialogue: 0,0:03:01.97,0:03:03.98,Main,G,0,0,0,,{\be1}.أنت ظريفة يا آنسة
Dialogue: 0,0:03:03.98,0:03:05.77,Main,G,0,0,0,,{\be1}.إليك واحدة أخرى على حسابي
Dialogue: 0,0:03:05.77,0:03:08.96,Main,N,0,0,0,,{\be1}...أتفهم شعورهم في اعتبار الفتيات الصغيرات ظريفات ولكن
Dialogue: 0,0:03:09.90,0:03:11.64,Main,G,0,0,0,,{\be1}.خدي هذه أيضًا
Comment: 0,0:03:11.64,0:03:13.15,Main,R,0,0,0,,{\be1}Uh...
Dialogue: 0,0:03:13.94,0:03:15.86,Main,N,0,0,0,,{\be1}.أنتم تتمادون
Dialogue: 0,0:03:17.21,0:03:18.92,Main,Erh,0,0,0,,{\be1}.يا فتى
Dialogue: 0,0:03:18.92,0:03:21.76,Main,Erh,0,0,0,,{\be1}ألا تفهم ماهية أشباه البشر؟
Dialogue: 0,0:03:21.76,0:03:22.75,Main,R,0,0,0,,{\be1}!يا عم
Dialogue: 0,0:03:22.75,0:03:24.18,Main,R,0,0,0,,{\be1}!انس الأمر
Dialogue: 0,0:03:24.18,0:03:27.06,Main,R,0,0,0,,{\be1}!أتينا اليوم لشراء درع لناوفومي-ساما
Dialogue: 0,0:03:27.08,0:03:29.39,Main,R,0,0,0,,{\be1}أمِن توصيات؟
Dialogue: 0,0:03:29.95,0:03:31.73,Main,N,0,0,0,,{\be1}عمَّ تتحدثين؟
Dialogue: 0,0:03:31.73,0:03:33.46,Main,N,0,0,0,,{\be1}...أتينا لشراء معداتك
Dialogue: 0,0:03:33.46,0:03:34.89,Main,R,0,0,0,,{\be1}،أقدّر اقتراحك الطيب
Dialogue: 0,0:03:34.89,0:03:37.52,Main,R,0,0,0,,{\be1}!لكن أرجو أن تفكر في نفسك أولًا
Dialogue: 0,0:03:37.52,0:03:40.74,Main,R,0,0,0,,{\be1}هل نسيت كيف أُصبت في السهول؟
Dialogue: 0,0:03:40.74,0:03:43.22,Main,N,0,0,0,,{\be1}...لا، الأهم من ذلك، أنت تحتاجين سلاحًا
Dialogue: 0,0:03:43.22,0:03:44.25,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:03:44.25,0:03:47.04,Main,R,0,0,0,,{\be1}،يفضل أن تتوقف عن العبث
Dialogue: 0,0:03:48.13,0:03:49.99,Main,R,0,0,0,,{\be1}.وإلَّا لقيت مصرعك
Dialogue: 0,0:03:52.34,0:03:55.46,Main,R,0,0,0,,{\be1}!يبدو هذا السيف حادًّا يا عم
Dialogue: 0,0:03:55.46,0:03:56.96,Main,Erh,0,0,0,,{\be1}.إنَّه سيف من حديد سحري
Dialogue: 0,0:03:56.96,0:03:58.59,Main,Erh,0,0,0,,{\be1}أتريدين تجربته؟
Dialogue: 0,0:03:58.59,0:04:00.41,Main,R,0,0,0,,{\be1}هلَّا منحتنا تخفيضًا؟
Dialogue: 0,0:04:00.41,0:04:03.60,Main,Erh,0,0,0,,{\be1}.لا أمانع إن كان طلبك يا آنسة
Dialogue: 0,0:04:04.39,0:04:05.90,Main,R,0,0,0,,{\be1}!شكرًا جزيلًا
Dialogue: 0,0:04:05.90,0:04:08.71,Main,R,0,0,0,,{\be1}عفوًا، هلَّا أريتنا درعًا ما أيضًا؟
Dialogue: 0,0:04:08.71,0:04:10.01,Main,Erh,0,0,0,,{\be1}.بالطبع
Dialogue: 0,0:04:10.64,0:04:12.85,Main,N,0,0,0,,{\be1}...صارت واثقة بنفسها
Dialogue: 0,0:04:12.85,0:04:15.16,Main,N,0,0,0,,{\be1}...أم أنَّها فظة لا أكثر
Dialogue: 0,0:04:16.01,0:04:18.88,Main,R,0,0,0,,{\be1}.ميزانيتنا تقدّر بحوالي 180 فضية من فضلك
Dialogue: 0,0:04:19.27,0:04:20.11,Main,Erh,0,0,0,,{\be1}...في هذه الحالة
Dialogue: 0,0:04:22.04,0:04:23.82,Main,Erh,0,0,0,,{\be1}ما رأيكما بهذا؟
Dialogue: 0,0:04:24.52,0:04:26.85,Main,N,0,0,0,,{\be1}...لا أظنّه يلائمني
Comment: 0,0:04:27.26,0:04:28.50,Main,R,0,0,0,,{\be1}Hmm...
Dialogue: 0,0:04:28.50,0:04:32.28,Main,R,0,0,0,,{\be1}.فعلًا، ستختفي كلُّ صفات ناوفومي-ساما الفردية
Dialogue: 0,0:04:32.28,0:04:36.41,Main,Erh,0,0,0,,{\be1}.إذن، أستطيع صنع شيء حسب الطلب
Dialogue: 0,0:04:36.41,0:04:37.86,Main,R,0,0,0,,{\be1}!حسب الطلب؟
Dialogue: 0,0:04:37.86,0:04:38.59,Main,Erh,0,0,0,,{\be1}.أجل
Dialogue: 0,0:04:38.59,0:04:41.87,Main,Erh,0,0,0,,{\be1}...إن لم تمانعا في استخدامي للمواد التي أملكها حاليًا، أستطيع إنهاءه غدًا
Dialogue: 0,0:04:41.87,0:04:43.83,Main,R,0,0,0,,{\be1}!افعل من فضلك
Dialogue: 0,0:04:45.21,0:04:48.12,Main,R,0,0,0,,{\be1}.أكرمنا بمنحنا خصمًا على هذا السيف
Dialogue: 0,0:04:48.47,0:04:49.25,Main,N,0,0,0,,{\be1}.أجل
Dialogue: 0,0:04:49.84,0:04:53.47,Main,R,0,0,0,,{\be1}.إنَّ صاحب المحل شخص طيب حقًّا
Dialogue: 0,0:04:54.07,0:04:55.44,Main,N,0,0,0,,{\be1}...من يدري
Dialogue: 0,0:04:56.72,0:04:59.00,Main,R,0,0,0,,{\be1}!هذا لم يصدر مني
Dialogue: 0,0:04:59.00,0:05:00.15,Main,N,0,0,0,,{\be1}.إنَّه منّي
Dialogue: 0,0:05:00.60,0:05:01.91,Main,G,0,0,0,,{\be1}طلبكما؟
Dialogue: 0,0:05:02.30,0:05:04.69,Main,N,0,0,0,,{\be1}،إليَّ بأرخص وجباتك
Dialogue: 0,0:05:04.69,0:05:06.42,Main,N,0,0,0,,{\be1}.وهي أعطِها وجبة الأطفال
Dialogue: 0,0:05:07.20,0:05:10.30,Main,R,0,0,0,,{\be1}!ناوفومي-ساما! لم أعُد طفلة
Dialogue: 0,0:05:10.39,0:05:12.67,Main,R,0,0,0,,{\be1}!أعطني أرخص وجباتك أيضًا
Dialogue: 0,0:05:13.01,0:05:14.79,Main,G,0,0,0,,{\be1}.حـ-حاضر
Dialogue: 0,0:05:14.79,0:05:17.43,Main,N,0,0,0,,{\be1}.لا داعي لترغمي نفسك على التصرف كبالغة
Dialogue: 0,0:05:18.04,0:05:19.62,Main,R,0,0,0,,{\be1}!أنا لا أرغم نفسي
Dialogue: 0,0:05:22.13,0:05:24.63,Main,N,0,0,0,,{\be1}ألا يجعلني هذا أبدو كشرير بوضوح؟
Dialogue: 0,0:05:25.20,0:05:26.30,Main,R,0,0,0,,{\be1}...رائع للغاية
Dialogue: 0,0:05:26.74,0:05:29.00,Main,R,0,0,0,,{\be1}!إنَّه يناسبك تمامًا! تبدو رائعًا
Dialogue: 0,0:05:29.00,0:05:31.84,Main,Erh,0,0,0,,{\be1}{\an8}!أسميه الدرع البربري
Dialogue: 0,0:05:31.84,0:05:33.55,Main,Erh,0,0,0,,{\be1}{\an8}.إنَّه يلائمك
Dialogue: 0,0:05:33.55,0:05:34.93,Main,Erh,0,0,0,,{\be1}{\an8}.تبدو كقاطع طرق
Dialogue: 0,0:05:35.40,0:05:37.47,Main,N,0,0,0,,{\be1}{\an8}.يفترض أنَّني بطل لعلمك
Dialogue: 0,0:05:37.47,0:05:38.99,Main,R,0,0,0,,{\be1}!تبدو فخمًا
Dialogue: 0,0:05:38.99,0:05:41.02,Main,N,0,0,0,,{\be1}.لقد تكبّدت عناء صنعه من أجلي
Dialogue: 0,0:05:41.02,0:05:42.99,Main,N,0,0,0,,{\be1}.من المُسيء ألَّا أرتديه
Dialogue: 0,0:05:55.70,0:05:58.94,Main,R,0,0,0,,{\be1}.يعمُّ التوتر المدينة بأسرها
Dialogue: 0,0:05:59.34,0:06:01.17,Main,N,0,0,0,,{\be1}.بسبب اقتراب الموجة
Dialogue: 0,0:06:01.17,0:06:04.61,Main,N,0,0,0,,{\be1}،لو كنتُ أعلم متى وأين ستقع على الأقل
Dialogue: 0,0:06:04.61,0:06:06.39,Main,N,0,0,0,,{\be1}.لأتيت بخطة
Dialogue: 0,0:06:06.39,0:06:09.84,Main,Erh,0,0,0,,{\be1}ماذا؟ ألم يخبركما أحد؟
Dialogue: 0,0:06:12.56,0:06:15.19,Main,Erh,0,0,0,,{\be1}داخل الكنيسة التي يمكنك رؤيتها من ساحة المدينة
Dialogue: 0,0:06:15.19,0:06:17.08,Main,Erh,0,0,0,,{\be1}.ثمة ساعة رملية ضخمة
Dialogue: 0,0:06:17.69,0:06:21.66,Main,Erh,0,0,0,,{\be1}عندما يسقط الرمل كاملًا، الأبطال ورفاقهم
Dialogue: 0,0:06:21.66,0:06:24.41,Main,Erh,0,0,0,,{\be1}.يُرسلون إلى مكان وقوع الموجة حسب ما سمعت
Dialogue: 0,0:06:28.12,0:06:29.38,Main,W,0,0,0,,{\be1}.من هنا
Dialogue: 0,0:06:36.10,0:06:40.34,Main,N,0,0,0,,{\be1}أهذه هي ساعة التنين الرملية التي تحدث عنها الملك؟
Dialogue: 0,0:06:48.97,0:06:52.65,Main,N,0,0,0,,{\be1}أتظهر الوقت المتبقي على وصول الموجة؟
Dialogue: 0,0:06:52.65,0:06:54.87,Main,Mot,0,0,0,,{\be1}أهذا ناوفومي الواقف هناك؟
Comment: 0,0:06:58.73,0:06:59.86,Main,Mot,0,0,0,,{\be1}Dude, come on.
Dialogue: 0,0:07:00.34,0:07:03.31,Main,Mot,0,0,0,,{\be1}أما زلت تقاتل بمعدات رديئة كهذه؟
Dialogue: 0,0:07:04.65,0:07:07.44,Main,R,0,0,0,,{\be1}من هؤلاء يا ناوفومي-ساما؟
Dialogue: 0,0:07:11.60,0:07:14.82,Main,Myne,0,0,0,,{\be1}!مهلًا! موتوياسو-ساما يتحدث معك
Dialogue: 0,0:07:19.69,0:07:20.89,Main,Mot,0,0,0,,{\be1}.سررت بلقائك
Dialogue: 0,0:07:21.57,0:07:25.11,Main,Mot,0,0,0,,{\be1}.أنا بطل الرمح، كيتامورا موتوياسو
Dialogue: 0,0:07:25.11,0:07:27.09,Main,R,0,0,0,,{\be1}أ-أنت بطل؟
Dialogue: 0,0:07:27.09,0:07:28.48,Main,Mot,0,0,0,,{\be1}!ظريفة للغاية
Dialogue: 0,0:07:28.92,0:07:32.15,Main,Myne,0,0,0,,{\be1}موتوياسو-ساما، لِم تمدح شبه بشرية وضيعة؟
Dialogue: 0,0:07:32.91,0:07:36.14,Main,Mot,0,0,0,,{\be1}.فتاة بظرافتك لا يناسبها السيف
Dialogue: 0,0:07:36.14,0:07:38.01,Main,Mot,0,0,0,,{\be1}.أنا سأحميك
Dialogue: 0,0:07:42.78,0:07:43.91,Main,R,0,0,0,,{\be1}!أنا آسفة
Dialogue: 0,0:07:43.91,0:07:46.81,Main,R,0,0,0,,{\be1}!أقسمت على القتال رفقة ناوفومي-ساما
Dialogue: 0,0:07:46.81,0:07:48.14,Main,Mot,0,0,0,,{\be1}رفقة ناوفومي؟
Dialogue: 0,0:07:48.52,0:07:49.80,Main,Mot,0,0,0,,{\be1}.إيّاك
Dialogue: 0,0:07:49.80,0:07:52.10,Main,Mot,0,0,0,,{\be1}...إن بقيتِ جنبه، ستتعرضين لخطر
Dialogue: 0,0:07:53.82,0:07:54.74,Main,Mot,0,0,0,,{\be1}ماذا؟
Dialogue: 0,0:07:54.74,0:07:56.67,Main,Mot,0,0,0,,{\be1}ألست محقًا؟
Dialogue: 0,0:08:00.09,0:08:01.22,Main,N,0,0,0,,{\be1}!هيَّا بنا
Dialogue: 0,0:08:02.55,0:08:06.61,Main,Mot,0,0,0,,{\be1}.ليس وكأنَّك لم تسمعي بالإشاعات التي تتداول عنه
Dialogue: 0,0:08:08.92,0:08:10.05,Main,R,0,0,0,,{\be1}إشاعات؟
Dialogue: 0,0:08:15.15,0:08:16.81,Main,Its,0,0,0,,{\be1}.أراك أثناء الموجة
Dialogue: 0,0:08:16.81,0:08:18.81,Main,Ren,0,0,0,,{\be1}.لا تُعقنا
Dialogue: 0,0:08:32.29,0:08:33.57,Main,R,0,0,0,,{\be1}...عـ-عفوًا
Dialogue: 0,0:08:34.04,0:08:34.74,Main,N,0,0,0,,{\be1}ماذا؟
Dialogue: 0,0:08:35.24,0:08:38.49,Main,R,0,0,0,,{\be1}أحدث شيء بينك وبين بقية الأبطال؟
Dialogue: 0,0:08:39.41,0:08:41.46,Main,N,0,0,0,,{\be1}.هذا ليس من شأنك
Dialogue: 0,0:08:42.38,0:08:43.75,Main,R,0,0,0,,{\be1}،ناوفومي-ساما
Dialogue: 0,0:08:44.53,0:08:45.58,Main,R,0,0,0,,{\be1}...أنا
Dialogue: 0,0:08:49.95,0:08:51.59,Main,R,0,0,0,,{\be1}.سأنام قبلك
Dialogue: 0,0:08:52.62,0:08:53.97,Main,R,0,0,0,,{\be1}.تصبح على خير
Dialogue: 0,0:08:57.40,0:09:00.43,Main,N,0,0,0,,{\be1}،حتَّى وإن قلت الحقيقة
Dialogue: 0,0:09:01.11,0:09:03.15,Main,N,0,0,0,,{\be1}.لا أحد يصدّقني على كل حال
Dialogue: 0,0:09:15.24,0:09:16.86,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:09:17.36,0:09:18.38,Main,N,0,0,0,,{\be1}ما الأمر؟
Dialogue: 0,0:09:22.73,0:09:26.54,Main,R,0,0,0,,{\be1}...حسنًا، أنا
Dialogue: 0,0:09:27.69,0:09:32.42,Main,R,0,0,0,,{\be1}.أنا ممتنة لأنَّني قابلتك يا ناوفومي-ساما
Dialogue: 0,0:09:33.24,0:09:38.94,Main,R,0,0,0,,{\be1}.عالجتَ مرضي وأطعمتني وجبات دافئة
Dialogue: 0,0:09:40.09,0:09:43.71,Main,R,0,0,0,,{\be1}.علمتني كيف أعيش
Dialogue: 0,0:09:44.33,0:09:46.31,Main,N,0,0,0,,{\be1}.لن يعود والداك
Dialogue: 0,0:09:46.31,0:09:51.04,Main,N,0,0,0,,{\be1}.لكن يمكننا إنقاذ بقية الأطفال المقدر لهم أن يمروا بنفس معاناتك
Dialogue: 0,0:09:56.26,0:10:00.66,Main,R,0,0,0,,{\be1}...ومنحتني سببًا للقتال
Dialogue: 0,0:10:01.21,0:10:03.46,Main,R,0,0,0,,{\be1}.سببًا لقتال الموجات
Dialogue: 0,0:10:06.45,0:10:08.49,Main,R,0,0,0,,{\be1}!أنا سيفك
Dialogue: 0,0:10:10.83,0:10:13.91,Main,R,0,0,0,,{\be1}.سأرافقك أينما ذهبت
Dialogue: 0,0:10:16.26,0:10:17.17,Main,N,0,0,0,,{\be1}حقًّا؟
Dialogue: 0,0:10:44.22,0:10:45.27,Main,N,0,0,0,,{\be1}أين نحن؟
Dialogue: 0,0:10:48.17,0:10:49.24,Main,N,0,0,0,,{\be1}.هذه هي
Dialogue: 0,0:10:53.67,0:10:55.41,Main,N,0,0,0,,{\be1}.موجة الكارثة
Dialogue: 0,0:11:12.78,0:11:15.42,Main,N,0,0,0,,{\be1}!أولئك... رافتاليا، هيَّا بنا
Dialogue: 0,0:11:15.42,0:11:16.94,Main,R,0,0,0,,{\be1}!أنظر هناك يا ناوفومي-ساما
Dialogue: 0,0:11:16.94,0:11:18.43,Main,R,0,0,0,,{\be1}!إنَّها قرية العود
Dialogue: 0,0:11:19.55,0:11:21.16,Main,N,0,0,0,,{\be1}هل أخلى القروييون؟
Dialogue: 0,0:11:25.20,0:11:26.41,Main,N,0,0,0,,{\be1}قنبلة مضيئة؟
Dialogue: 0,0:11:27.21,0:11:30.33,Main,N,0,0,0,,{\be1}يظنون أنَّ عملهم انتهى ما إن أبلغُوا الفرسان بمكان تواجدهم؟
Dialogue: 0,0:11:31.41,0:11:34.94,Main,N,0,0,0,,{\be1}،القصر ليس بعيدًا لكن ريثما يصل الفرسان إلى هنا
Dialogue: 0,0:11:34.94,0:11:36.46,Main,N,0,0,0,,{\be1}!ستُباد القرية
Dialogue: 0,0:11:38.17,0:11:39.12,Main,N,0,0,0,,{\be1}!هيَّا بنا
Dialogue: 0,0:11:39.87,0:11:41.02,Main,N,0,0,0,,{\be1}!إلى قرية العود
Dialogue: 0,0:11:41.02,0:11:41.63,Main,R,0,0,0,,{\be1}!حاضر
Dialogue: 0,0:11:53.63,0:11:54.56,Main,R,0,0,0,,{\be1}أأنت بخير؟
Dialogue: 0,0:11:56.17,0:11:58.95,Main,N,0,0,0,,{\be1}.رافتاليا، اذهبي لمساعدة القرويين على الإخلاء
Dialogue: 0,0:11:59.87,0:12:01.13,Main,R,0,0,0,,{\be1}وماذا عنك يا ناوفومي-ساما؟
Dialogue: 0,0:12:01.61,0:12:02.91,Main,N,0,0,0,,{\be1}...أنا
Dialogue: 0,0:12:03.40,0:12:04.99,Main,N,0,0,0,,{\be1}.سأجذب انتباه العدو
Dialogue: 0,0:12:15.99,0:12:17.29,Main,V,0,0,0,,{\be1}!إنَّه أحد الأبطال
Dialogue: 0,0:12:17.91,0:12:20.32,Main,V,0,0,0,,{\be1}!أتى بطل الدرع من أجلنا
Dialogue: 0,0:12:22.14,0:12:23.54,Main,N,0,0,0,,{\be1}!أنصتوا
Dialogue: 0,0:12:23.54,0:12:25.12,Main,N,0,0,0,,{\be1}!بينما أشغلهم
Dialogue: 0,0:12:25.12,0:12:26.51,Main,N,0,0,0,,{\be1}!أسرعوا بالإخلاء من هنا
Dialogue: 0,0:12:29.98,0:12:31.43,Main,V,0,0,0,,{\be1}{\an8}!ا-النجدة
Dialogue: 0,0:12:30.45,0:12:31.94,Main,N,0,0,0,,{\be1}!درع الضربة الهوائية
Dialogue: 0,0:12:34.01,0:12:34.98,Main,N,0,0,0,,{\be1}!اهرب حالًا
Dialogue: 0,0:12:34.98,0:12:36.61,Main,G,0,0,0,,{\be1}!أمّي
Dialogue: 0,0:12:37.10,0:12:38.35,Main,N,0,0,0,,{\be1}!سجن الدّرع
Dialogue: 0,0:12:37.52,0:12:38.73,Main,,0,0,0,,{\be1}{\an8}!أمّي
Dialogue: 0,0:12:43.54,0:12:44.52,Main,N,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:12:56.33,0:12:58.12,Main,N,0,0,0,,{\be1}!من هنا يا معشر الزومبي
Dialogue: 0,0:12:58.72,0:13:00.67,Main,N,0,0,0,,{\be1}!واكبوني إن استطعتم
Dialogue: 0,0:13:04.33,0:13:06.92,Main,N,0,0,0,,{\be1}لِم أجازف بحياتي للدفاع عن غرباء؟
Dialogue: 0,0:13:10.32,0:13:12.03,Main,N,0,0,0,,{\be1}.يا لي من أحمق
Dialogue: 0,0:13:13.14,0:13:15.73,Main,R,0,0,0,,{\be1}!من هنا يا ناس
Dialogue: 0,0:13:16.59,0:13:17.71,Main,R,0,0,0,,{\be1}!بسرعة
Dialogue: 0,0:13:31.10,0:13:34.01,Main,N,0,0,0,,{\be1}.هذا العدد كثير عليَّ
Dialogue: 0,0:13:34.43,0:13:36.54,Main,N,0,0,0,,{\be1}كيف أستطيع تقليل أضرار القرية؟
Dialogue: 0,0:13:40.38,0:13:42.10,Main,N,0,0,0,,{\be1}!درع الضربة الهوائية
Dialogue: 0,0:13:45.71,0:13:47.00,Main,G,0,0,0,,{\be1}!ا-ابتعدوا
Dialogue: 0,0:13:47.00,0:13:48.32,Main,G,0,0,0,,{\be1}!سحقًا! ابتعدوا
Dialogue: 0,0:13:52.05,0:13:55.02,Main,G,0,0,0,,{\be1}!توقفوا... توقفوا
Dialogue: 0,0:14:00.42,0:14:01.31,Main,N,0,0,0,,{\be1}!سحقًا
Dialogue: 0,0:14:01.31,0:14:03.51,Main,N,0,0,0,,{\be1}.لا تظهر أيَّة علامات على خمودها
Dialogue: 0,0:14:03.51,0:14:05.27,Main,N,0,0,0,,{\be1}ما الذي يفعله أولئك الأشخاص؟
Dialogue: 0,0:14:05.27,0:14:06.65,Main,N,0,0,0,,{\be1}...أسرعوا و
Dialogue: 0,0:14:53.82,0:14:55.22,Main,N,0,0,0,,{\be1}هل نلت منهم؟
Dialogue: 0,0:14:55.22,0:14:56.91,Main,V,0,0,0,,{\be1}!حضرة البطل
Dialogue: 0,0:14:57.45,0:14:59.41,Main,N,0,0,0,,{\be1}أنت، لِم عدت؟
Dialogue: 0,0:14:59.92,0:15:04.12,Main,V,0,0,0,,{\be1}.غيّرنا رأينا بعد أن رأينا بسالتك
Dialogue: 0,0:15:04.12,0:15:06.91,Main,V,0,0,0,,{\be1}.هذه القرية قريتنا
Dialogue: 0,0:15:07.33,0:15:09.42,Main,V,0,0,0,,{\be1}.لا يمكننا الهروب والتخلي عنها
Dialogue: 0,0:15:10.40,0:15:12.22,Main,V,0,0,0,,{\be1}.سنقاتل معك أيضًا
Dialogue: 0,0:15:12.68,0:15:13.60,Main,N,0,0,0,,{\be1}.فهمت
Dialogue: 0,0:15:13.91,0:15:17.21,Main,N,0,0,0,,{\be1}.ساعدوني في قمع العدو إلى حين انتهاء الإخلاء
Dialogue: 0,0:15:24.26,0:15:25.82,Main,V,0,0,0,,{\be1}!اهلك يا وحش
Dialogue: 0,0:15:30.78,0:15:33.60,Main,N,0,0,0,,{\be1}!محال عليكم التعامل مع هذا! تراجعُوا
Dialogue: 0,0:15:34.17,0:15:35.48,Main,V,0,0,0,,{\be1}...لكن
Dialogue: 0,0:15:35.48,0:15:37.29,Main,N,0,0,0,,{\be1}!فكّروا في عائلاتكم
Dialogue: 0,0:15:37.29,0:15:39.48,Main,N,0,0,0,,{\be1}!لا تموتوا هنا عبثًا
Dialogue: 0,0:15:39.48,0:15:41.20,Main,R,0,0,0,,{\be1}!ناوفومي-ساما
Dialogue: 0,0:15:41.67,0:15:42.37,Main,N,0,0,0,,{\be1}!رافتاليا
Dialogue: 0,0:15:43.83,0:15:45.00,Main,N,0,0,0,,{\be1}!تولي أمره
Dialogue: 0,0:15:51.44,0:15:52.92,Main,N,0,0,0,,{\be1}.أحسنت صنعًا
Dialogue: 0,0:15:52.92,0:15:54.79,Main,V,0,0,0,,{\be1}.مـ-مذهل
Dialogue: 0,0:15:55.73,0:15:57.89,Main,R,0,0,0,,{\be1}.اتركوا هذا المكان لنا. أسرعوا بالإخلاء
Dialogue: 0,0:15:57.89,0:15:58.97,Main,V,0,0,0,,{\be1}.مفهوم
Dialogue: 0,0:15:59.54,0:16:00.93,Main,V,0,0,0,,{\be1}.رافقتكما السلامة
Dialogue: 0,0:16:03.38,0:16:04.55,Main,N,0,0,0,,{\be1}...حسنًا
Dialogue: 0,0:16:06.18,0:16:08.19,Main,N,0,0,0,,{\be1}.أعداد العدو لا تنخفض
Dialogue: 0,0:16:08.19,0:16:09.29,Main,N,0,0,0,,{\be1}ما العمل؟
Dialogue: 0,0:16:14.09,0:16:15.02,Main,N,0,0,0,,{\be1}ما هذا؟
Dialogue: 0,0:16:17.34,0:16:18.28,Main,N,0,0,0,,{\be1}!رافتاليا
Dialogue: 0,0:16:34.76,0:16:36.77,Main,Cap,0,0,0,,{\be1}.قتلناهم حرقًا دفعة واحدة
Dialogue: 0,0:16:40.41,0:16:41.97,Main,Cap,0,0,0,,{\be1}بطل الدّرع؟
Dialogue: 0,0:16:41.97,0:16:43.62,Main,Cap,0,0,0,,{\be1}.يا لصلابتك
Dialogue: 0,0:16:44.21,0:16:47.43,Main,N,0,0,0,,{\be1}بئسًا. لم يهتموا بوجودنا هنا؟
Dialogue: 0,0:16:53.46,0:16:55.15,Main,R,0,0,0,,{\be1}هل فعلتم هذا وأنتم تعلمون بوجود ناوفومي-ساما هنا؟
Dialogue: 0,0:16:55.15,0:16:57.20,Main,R,0,0,0,,{\be1}!لن أغفر لكم اعتمادًا على إجابتكم
Dialogue: 0,0:16:57.71,0:16:58.61,Main,Cap,0,0,0,,{\be1}.استلّوا سيوفكم
Dialogue: 0,0:17:00.23,0:17:02.32,Main,Cap,0,0,0,,{\be1}هل أنت رفيقة بطل الدرع؟
Dialogue: 0,0:17:02.66,0:17:04.37,Main,R,0,0,0,,{\be1}.أنا سيف ناوفومي-ساما
Dialogue: 0,0:17:04.37,0:17:06.08,Main,R,0,0,0,,{\be1}.لا أسمح بالتقليل من احترامه أمامي
Dialogue: 0,0:17:06.08,0:17:10.51,Main,Cap,0,0,0,,{\be1}أتنوين معارضة الفرسان الملكيين يا شبيهة البشر الوضيعة؟
Dialogue: 0,0:17:10.98,0:17:14.37,Main,R,0,0,0,,{\be1}أيُّ فارسٍ هذا من يُهمل الناس المفروض عليه حمايتهم؟
Dialogue: 0,0:17:14.37,0:17:16.69,Main,N,0,0,0,,{\be1}.لا عليك يا رافتاليا
Dialogue: 0,0:17:17.17,0:17:18.12,Main,R,0,0,0,,{\be1}...لكن
Dialogue: 0,0:17:18.12,0:17:19.01,Main,N,0,0,0,,{\be1}.توقفي
Dialogue: 0,0:17:19.01,0:17:20.71,Main,Cap,0,0,0,,{\be1}.صحيح
Dialogue: 0,0:17:20.71,0:17:22.48,Main,Cap,0,0,0,,{\be1}،إن أحسنتما التصرف
Dialogue: 0,0:17:22.48,0:17:24.76,Main,Cap,0,0,0,,{\be1}.لن نضطر لارتكاب أيَّة أخطاء
Dialogue: 0,0:17:25.73,0:17:26.97,Main,N,0,0,0,,{\be1}.صحيح
Dialogue: 0,0:17:27.62,0:17:32.13,Main,N,0,0,0,,{\be1}.أستطيع التوقف ومشاهدتكم تصيرون طعامًا للوحوش
Dialogue: 0,0:17:32.69,0:17:34.65,Main,N,0,0,0,,{\be1}!لا يبدو هذا سيئًا
Dialogue: 0,0:17:36.65,0:17:39.62,Main,Cap,0,0,0,,{\be1}...لـ-لا تهلعوا! حافظوا على التشكيلة
Dialogue: 0,0:17:41.19,0:17:43.77,Main,N,0,0,0,,{\be1}أتريد أن تلقى ميتة مشرفة في المعركة؟
Dialogue: 0,0:17:43.77,0:17:44.70,Main,N,0,0,0,,{\be1}!رافتاليا
Dialogue: 0,0:17:44.70,0:17:45.56,Main,R,0,0,0,,{\be1}!حاضرة
Dialogue: 0,0:17:51.16,0:17:53.51,Main,N,0,0,0,,{\be1}!أنصتوا! سنوفر لكم وقتًا
Dialogue: 0,0:17:53.86,0:17:55.48,Main,N,0,0,0,,{\be1}!استغلوه في تنظيم تشكيلتكم
Dialogue: 0,0:17:56.61,0:17:59.22,Main,N,0,0,0,,{\be1}.هيَّا بنا يا رافتاليا
Dialogue: 0,0:17:59.22,0:18:00.01,Main,R,0,0,0,,{\be1}!حاضرة
Dialogue: 0,0:18:14.90,0:18:16.57,Main,Cap,0,0,0,,{\be1}.دعُوا الدّرع يتكفل بهذا
Dialogue: 0,0:18:16.57,0:18:19.18,Main,Cap,0,0,0,,{\be1}!سنتوجه إلى حيث يوجد الأبطال الثلاثة
Dialogue: 0,0:18:23.28,0:18:24.50,Main,N,0,0,0,,{\be1}!الآن
Dialogue: 0,0:18:27.33,0:18:30.34,Main,Vice,0,0,0,,{\be1}!ادعمُوا بطل الدرع\N!تشكيلة الكتيبة
Dialogue: 0,0:18:32.65,0:18:34.35,Main,All,0,0,0,,{\be1}!تشكيلة الكتيبة
Dialogue: 0,0:18:34.35,0:18:35.25,Main,Vice,0,0,0,,{\be1}!هجوم
Dialogue: 0,0:18:37.94,0:18:40.60,Main,R,0,0,0,,{\be1}...ناوفومي-ساما. إنَّ الفرسان
Dialogue: 0,0:18:41.63,0:18:43.33,Main,Cap,0,0,0,,{\be1}.سحقًا. هيَّا بنا
Dialogue: 0,0:18:47.10,0:18:48.65,Main,Its,0,0,0,,{\be1}!سهم الريح
Dialogue: 0,0:18:49.29,0:18:50.43,Main,Ren,0,0,0,,{\be1}!السيف القرمزي
Dialogue: 0,0:18:52.27,0:18:53.60,Main,Mot,0,0,0,,{\be1}!سأنهي الأمر
Dialogue: 0,0:18:54.54,0:18:55.56,Main,Mot,0,0,0,,{\be1}!تلقى هذا
Dialogue: 0,0:18:55.56,0:18:58.81,Main,Mot,0,0,0,,{\be1}!رمح البرق
Dialogue: 0,0:19:01.71,0:19:04.59,Main,R,0,0,0,,{\be1}...ناوفومي-ساما... إنَّ السماء
Dialogue: 0,0:19:11.01,0:19:13.09,Main,Mot,0,0,0,,{\be1}.هذا كل ما في الأمر
Dialogue: 0,0:19:13.09,0:19:15.38,Main,Ren,0,0,0,,{\be1}.كان هذا الزعيم سهلًا للغاية
Dialogue: 0,0:19:15.38,0:19:18.54,Main,Its,0,0,0,,{\be1}.أجل. ستكون الموجة التالية سهلة أيضًا على الأرجح
Dialogue: 0,0:19:19.30,0:19:21.26,Main,Mot,0,0,0,,{\be1}بالمناسبة، أين ناوفومي؟
Dialogue: 0,0:19:21.26,0:19:23.37,Main,Myne,0,0,0,,{\be1}.من الجيد أنَّه لم يكن هنا
Dialogue: 0,0:19:23.37,0:19:25.62,Main,Myne,0,0,0,,{\be1}.كان ليُعيقنا فقط
Dialogue: 0,0:19:26.31,0:19:27.59,Main,Mot,0,0,0,,{\be1}!صحيح
Dialogue: 0,0:19:27.59,0:19:29.22,Main,Cap,0,0,0,,{\be1}!أيُّها الأبطال
Dialogue: 0,0:19:32.26,0:19:33.47,Main,Cap,0,0,0,,{\be1}!أحسنتم صنعًا
Dialogue: 0,0:19:33.47,0:19:35.19,Main,Ren,0,0,0,,{\be1}الفرسان؟
Dialogue: 0,0:19:35.19,0:19:37.41,Main,Mot,0,0,0,,{\be1}.فات الآوان على قدومكم
Dialogue: 0,0:19:37.41,0:19:39.07,Main,Its,0,0,0,,{\be1}.صحيح
Dialogue: 0,0:19:39.07,0:19:41.91,Main,Cap,0,0,0,,{\be1}.مهلًا، لا تقولوا هذا
Dialogue: 0,0:19:42.48,0:19:44.91,Main,Cap,0,0,0,,{\be1}.جهّز صاحب السمو مكافآت لكم
Dialogue: 0,0:19:44.91,0:19:47.26,Main,Cap,0,0,0,,{\be1}.هيّا، لنذهب إليه
Dialogue: 0,0:20:13.87,0:20:15.31,Main,R,0,0,0,,{\be1}...ناوفومي-ساما
Dialogue: 0,0:20:17.07,0:20:20.19,Main,R,0,0,0,,{\be1}.قتلت كلُّ الوحوش المتبقية في القرية
Dialogue: 0,0:20:21.23,0:20:22.37,Main,N,0,0,0,,{\be1}.هكذا إذن
Dialogue: 0,0:20:23.44,0:20:24.76,Main,R,0,0,0,,{\be1}...هل
Dialogue: 0,0:20:25.98,0:20:27.39,Main,R,0,0,0,,{\be1}انتصرنا؟...
Dialogue: 0,0:20:29.66,0:20:30.97,Main,V,0,0,0,,{\be1}...حضرة البطل
Dialogue: 0,0:20:33.66,0:20:35.46,Main,V,0,0,0,,{\be1}.شكرًا جزيلًا
Dialogue: 0,0:20:36.53,0:20:41.29,Main,V,0,0,0,,{\be1}.لم نكُن لننجو لولاك
Dialogue: 0,0:20:43.43,0:20:45.33,Main,N,0,0,0,,{\be1}.اشكروا حظكم بدلًا مني
Dialogue: 0,0:20:45.75,0:20:46.76,Main,V,0,0,0,,{\be1}.لا
Dialogue: 0,0:20:47.25,0:20:51.84,Main,V,0,0,0,,{\be1}.وجودك هنا هو ما ساعدنا على النجاة
Dialogue: 0,0:20:52.48,0:20:55.23,Main,V,0,0,0,,{\be1}.لن ننسى فضلك مدى الحياة
Dialogue: 0,0:20:55.23,0:20:56.61,Main,N,0,0,0,,{\be1}.افعلوا ما يحلو لكم
Dialogue: 0,0:21:05.75,0:21:07.78,Main,R,0,0,0,,{\be1}.بدوا ممتنين حقًّا
Dialogue: 0,0:21:09.57,0:21:10.73,Main,N,0,0,0,,{\be1}.صحيح
Dialogue: 0,0:21:13.34,0:21:19.27,Main,R,0,0,0,,{\be1}قلّلنا عدد الأشخاص الذين كانُوا ليمروا من نفس معاناتي، صحيح؟
Dialogue: 0,0:21:20.97,0:21:21.70,Main,N,0,0,0,,{\be1}.أجل
Dialogue: 0,0:21:22.50,0:21:23.65,Main,R,0,0,0,,{\be1}...أنا
Dialogue: 0,0:21:25.76,0:21:27.65,Main,N,0,0,0,,{\be1}.أحسنتِ صنعًا
Dialogue: 0,0:21:28.44,0:21:31.71,Main,R,0,0,0,,{\be1}.قتلت العديد من الوحوش
Dialogue: 0,0:21:32.88,0:21:33.63,Main,N,0,0,0,,{\be1}.أجل
Dialogue: 0,0:00:13.99,0:00:19.95,Sign,,0,0,0,,{=3}{\fscx56\fscy62\blur0.6\pos(230.958,48.432)}شجرة المهارات
Dialogue: 0,0:00:13.99,0:00:19.95,Sign,,0,0,0,,{=3}{\fscx56\fscy62\blur0.6\pos(355.085,49.778)}إضافة الإتقان
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx56\fscy71\pos(370.14,310.8)}الهجوم
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx53.09\fscy67.31\pos(384.2,313.48)}الهجوم
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx51.66\fscy65.5\pos(391.23,314.8)}الهجوم
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.84\fscy64.45\pos(395.15,315.21)}الهجوم
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.38\fscy63.87\pos(397.33,315.49)}الهجوم
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.11\fscy63.54\pos(398.54,315.58)}الهجوم
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.96\fscy63.34\pos(399.2,315.56)}الهجوم
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,315.46)}الهجوم
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=3}{\1a&H16&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,315.46)}الهجوم
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=3}{\1a&H43&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,315.46)}الهجوم
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=3}{\1a&H6F&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,315.46)}الهجوم
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=3}{\1a&H9B&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,315.46)}الهجوم
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=3}{\1a&HC8&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,315.46)}الهجوم
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx56\fscy71\pos(370.14,349.8)}السحر
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx53.09\fscy67.31\pos(384.2,350.45)}السحر
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx51.66\fscy65.5\pos(391.23,350.77)}السحر
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.84\fscy64.45\pos(395.15,350.61)}السحر
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.38\fscy63.87\pos(397.33,350.58)}السحر
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.11\fscy63.54\pos(398.54,350.48)}السحر
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.96\fscy63.34\pos(399.2,350.36)}السحر
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,350.21)}السحر
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=3}{\1a&H16&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,350.21)}السحر
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=3}{\1a&H43&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,350.21)}السحر
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=3}{\1a&H6F&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,350.21)}السحر
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=3}{\1a&H9B&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,350.21)}السحر
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=3}{\1a&HC8&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,350.21)}السحر
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx56\fscy71\pos(370.14,386.8)}الدفاع الجسدي
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx53.09\fscy67.31\pos(384.2,385.53)}الدفاع الجسدي
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx51.66\fscy65.5\pos(391.23,384.91)}الدفاع الجسدي
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.84\fscy64.45\pos(395.15,384.2)}الدفاع الجسدي
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.38\fscy63.87\pos(397.33,383.86)}الدفاع الجسدي
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.11\fscy63.54\pos(398.54,383.59)}الدفاع الجسدي
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.96\fscy63.34\pos(399.2,383.37)}الدفاع الجسدي
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,383.18)}الدفاع الجسدي
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=3}{\1a&H16&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,383.18)}الدفاع الجسدي
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=3}{\1a&H43&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,383.18)}الدفاع الجسدي
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=3}{\1a&H6F&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,383.18)}الدفاع الجسدي
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=3}{\1a&H9B&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,383.18)}الدفاع الجسدي
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=3}{\1a&HC8&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,383.18)}الدفاع الجسدي
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx56\fscy71\pos(370.14,429.8)}الدفاع السحري
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx53.09\fscy67.31\pos(384.2,426.3)}الدفاع السحري
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx51.66\fscy65.5\pos(391.23,424.57)}الدفاع السحري
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.84\fscy64.45\pos(395.15,423.23)}الدفاع السحري
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.38\fscy63.87\pos(397.33,422.55)}الدفاع السحري
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.11\fscy63.54\pos(398.54,422.07)}الدفاع السحري
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.96\fscy63.34\pos(399.2,421.73)}الدفاع السحري
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,421.5)}الدفاع السحري
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=3}{\1a&H16&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,421.5)}الدفاع السحري
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=3}{\1a&H43&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,421.5)}الدفاع السحري
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=3}{\1a&H6F&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,421.5)}الدفاع السحري
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=3}{\1a&H9B&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,421.5)}الدفاع السحري
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=3}{\1a&HC8&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,421.5)}الدفاع السحري
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx56\fscy71\pos(370.14,468.8)}المهارة
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx53.09\fscy67.31\pos(384.2,463.27)}المهارة
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx51.66\fscy65.5\pos(391.23,460.55)}المهارة
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.84\fscy64.45\pos(395.15,458.64)}المهارة
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.38\fscy63.87\pos(397.33,457.63)}المهارة
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx50.11\fscy63.54\pos(398.54,456.97)}المهارة
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.96\fscy63.34\pos(399.2,456.53)}المهارة
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=3}{\1a&H00&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,456.25)}المهارة
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=3}{\1a&H16&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,456.25)}المهارة
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=3}{\1a&H43&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,456.25)}المهارة
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=3}{\1a&H6F&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,456.25)}المهارة
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=3}{\1a&H9B&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,456.25)}المهارة
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=3}{\1a&HC8&\an1\blur0.6\fscx49.9\fscy63.27\pos(399.45,456.25)}المهارة
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx51\fscy71\alpha&H00&\pos(570.93,265.13)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx48.35\fscy67.31\alpha&H00&\pos(574.56,270.18)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx47.05\fscy65.5\alpha&H00&\pos(576.46,272.67)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx46.3\fscy64.45\alpha&H00&\pos(577.42,273.75)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.88\fscy63.87\alpha&H00&\pos(577.96,274.41)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.64\fscy63.54\alpha&H00&\pos(578.23,274.71)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.5\fscy63.34\alpha&H00&\pos(578.34,274.82)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H00&\pos(578.37,274.77)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H16&\pos(578.37,274.77)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H43&\pos(578.37,274.77)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H6F&\pos(578.37,274.77)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H9B&\pos(578.37,274.77)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=6}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&HC8&\pos(578.37,274.77)}النار\N\Nالماء\N\Nالجليد\N\Nالرياح\N\Nالأرض
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx51\fscy71\alpha&H00&\pos(677.53,265.53)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx48.35\fscy67.31\alpha&H00&\pos(675.63,270.56)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx47.05\fscy65.5\alpha&H00&\pos(674.8,273.04)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx46.3\fscy64.45\alpha&H00&\pos(674.19,274.12)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.88\fscy63.87\alpha&H00&\pos(673.86,274.77)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.64\fscy63.54\alpha&H00&\pos(673.62,275.07)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.5\fscy63.34\alpha&H00&\pos(673.44,275.18)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H00&\pos(673.36,275.13)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H16&\pos(673.36,275.13)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H43&\pos(673.36,275.13)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H6F&\pos(673.36,275.13)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&H9B&\pos(673.36,275.13)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=5}{\an8\blur0.6\fscx45.44\fscy63.27\alpha&HC8&\pos(673.36,275.13)}البرق\N\Nالضوء\N\Nالظلام
Dialogue: 0,0:00:00.01,0:00:08.42,Copyright,,0,0,0,,{\fad(1000,1000)}Fattati :ترجمة وإعداد
Dialogue: 0,0:00:13.99,0:00:14.16,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx106\fscy106\pos(473.87,179.87)}درع إبرة الحيوان
Dialogue: 0,0:00:14.16,0:00:14.20,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx100.4\fscy100.4\pos(482.62,189.38)}درع إبرة الحيوان
Dialogue: 0,0:00:14.20,0:00:14.24,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx97.59\fscy97.59\pos(487.02,194.04)}درع إبرة الحيوان
Dialogue: 0,0:00:14.24,0:00:14.28,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx95.98\fscy95.98\pos(489.78,196.38)}درع إبرة الحيوان
Dialogue: 0,0:00:14.28,0:00:14.32,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx95.02\fscy95.02\pos(491.48,197.7)}درع إبرة الحيوان
Dialogue: 0,0:00:14.32,0:00:14.36,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx94.47\fscy94.47\pos(492.56,198.36)}درع إبرة الحيوان
Dialogue: 0,0:00:14.36,0:00:14.41,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx94.12\fscy94.12\pos(493.28,198.66)}درع إبرة الحيوان
Dialogue: 0,0:00:14.41,0:00:14.45,Sign,,0,0,0,,{=3}{\1a&H00&\blur0.6\fnHSN Naskh\fscx93.95\fscy93.95\pos(493.78,198.66)}درع إبرة الحيوان
Dialogue: 0,0:00:14.45,0:00:14.49,Sign,,0,0,0,,{=3}{\1a&H16&\blur0.6\fnHSN Naskh\fscx93.95\fscy93.95\pos(493.78,198.66)}درع إبرة الحيوان
Dialogue: 0,0:00:14.49,0:00:14.53,Sign,,0,0,0,,{=3}{\1a&H43&\blur0.6\fnHSN Naskh\fscx93.95\fscy93.95\pos(493.78,198.66)}درع إبرة الحيوان
Dialogue: 0,0:00:14.53,0:00:14.57,Sign,,0,0,0,,{=3}{\1a&H6F&\blur0.6\fnHSN Naskh\fscx93.95\fscy93.95\pos(493.78,198.66)}درع إبرة الحيوان
Dialogue: 0,0:00:14.57,0:00:14.61,Sign,,0,0,0,,{=3}{\1a&H9B&\blur0.6\fnHSN Naskh\fscx93.95\fscy93.95\pos(493.78,198.66)}درع إبرة الحيوان
Dialogue: 0,0:00:14.61,0:00:14.66,Sign,,0,0,0,,{=3}{\1a&HC8&\blur0.6\fnHSN Naskh\fscx93.95\fscy93.95\pos(493.78,198.66)}درع إبرة الحيوان
Dialogue: 0,0:05:29.01,0:05:37.48,Sign,Sign,0,0,0,,{\blur0.5\fnae_AlYermook\pos(641.6,600)\fscx90\fscy90}درع بربري
Dialogue: 0,0:09:07.82,0:09:10.90,Sign,Sign,0,0,0,,{\blur0.5\fad(103,1)\fnae_AlYermook\fscx77\fscy77\pos(640,600)}يوم موجة الكارثة
Dialogue: 0,0:09:07.82,0:09:10.90,Sign,Sign,0,0,0,,{\blur0.5\fad(103,1)\fnae_AlYermook\fscx77\fscy77\pos(640,600)}يوم موجة الكارثة
Dialogue: 0,0:23:36.22,0:23:36.27,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(200.43,185.33)\fscx178.66\fscy159.48}تهويدة في الفجر
Dialogue: 0,0:23:36.27,0:23:36.31,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(453.12,326.14)\fscx177.43\fscy158.39}تهويدة في الفجر
Dialogue: 0,0:23:36.31,0:23:36.35,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(609.93,413.65)\fscx176.96\fscy157.96}تهويدة في الفجر
Dialogue: 0,0:23:36.35,0:23:36.39,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(673.12,448.9)\fscx176.89\fscy157.9}تهويدة في الفجر
Dialogue: 0,0:23:36.39,0:23:36.43,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(658.68,440.7)\fscx176.89\fscy157.9}تهويدة في الفجر
Dialogue: 0,0:23:36.43,0:23:36.47,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(650.26,436.04)\fscx176.96\fscy157.97}تهويدة في الفجر
Dialogue: 0,0:23:36.47,0:23:36.52,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(645.2,433.21)\fscx176.91\fscy157.92}تهويدة في الفجر
Dialogue: 0,0:23:36.52,0:23:36.56,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(642.23,431.59)\fscx176.95\fscy157.95}تهويدة في الفجر
Dialogue: 0,0:23:36.56,0:23:36.60,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(640.66,430.73)\fscx176.97\fscy157.97}تهويدة في الفجر
Dialogue: 0,0:23:36.60,0:23:39.98,Sign,,0,0,0,,{=4}{\1a&H00&\fnHSN Shahd Regular\blur0.5\c&HFCFCFC&\pos(640,430.4)\fscx177\fscy158}تهويدة في الفجر
Dialogue: 0,0:01:09.12,0:01:12.08,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}وجدت نورًا في الفراغ
Dialogue: 0,0:01:12.16,0:01:14.84,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}داخل عالم معلق
Dialogue: 0,0:01:14.98,0:01:20.60,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}تجولت باحثًا عن جواب أؤمن به
Dialogue: 0,0:01:20.66,0:01:22.02,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}النور يهرب من بين أصابعي
Dialogue: 0,0:01:22.02,0:01:23.56,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا وقت لدي حتى للإشاحة بنظري
Dialogue: 0,0:01:23.56,0:01:25.00,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}الجراح التي أصبت بها تمدني بقوة
Dialogue: 0,0:01:25.00,0:01:26.45,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}تقطع الصمت
Dialogue: 0,0:01:26.45,0:01:27.84,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}الكل أموات أم أحياء
Dialogue: 0,0:01:27.93,0:01:29.38,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا أستطيع النجاة بالدفاع وحده
Dialogue: 0,0:01:29.38,0:01:32.21,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا أريد الكذب على نفسي
Dialogue: 0,0:01:32.21,0:01:33.90,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}واصل القتال بثبات
Dialogue: 0,0:01:33.90,0:01:35.18,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لن أخسر وأبكي قطعًا
Dialogue: 0,0:01:35.22,0:01:36.78,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}واصل الارتقاء ليل نهار
Dialogue: 0,0:01:36.78,0:01:37.70,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}حان وقت التغيير
Dialogue: 0,0:01:37.70,0:01:39.74,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}مهما قاله الاخرون
Dialogue: 0,0:01:39.74,0:01:41.39,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}سأجد سبيلي
Dialogue: 0,0:01:41.68,0:01:44.07,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}أجل، لن أهرب بعد الآن
Dialogue: 0,0:01:43.93,0:01:45.03,Tate OP Translation2,,0,0,0,karaoke,{\fad(100,100)\blur2}لن أهرب بعد الآن
Dialogue: 0,0:01:45.03,0:01:47.73,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}والآن محال على أحد أن يوقفني
Dialogue: 0,0:01:47.93,0:01:50.58,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لن أسمح لنفسي بنسيانها
Dialogue: 0,0:01:50.59,0:01:53.62,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لكي أسترجع كل ما فقدت
Dialogue: 0,0:01:53.68,0:01:56.47,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}انتفضت فجأة في هذا العالم
Dialogue: 0,0:01:55.58,0:01:57.19,Tate OP Translation2,,0,0,0,karaoke,{\fad(100,100)\blur2}لن ألتقت خلفي، أجل
Dialogue: 0,0:01:56.63,0:01:59.56,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}مُعيدًا نهاية الرحلة
Dialogue: 0,0:01:59.56,0:02:02.25,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}لا تدع ذكريات الفشل تعيقك
Dialogue: 0,0:02:02.25,0:02:05.21,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}انقلبت الآن لاستعادة كل شيء
Dialogue: 0,0:02:05.39,0:02:08.28,Tate OP Translation,,0,0,0,karaoke,{\fad(100,100)\blur2}وانتفضت فجأة في هذا العالم
Dialogue: 0,0:02:07.20,0:02:08.70,Tate OP Translation2,,0,0,0,karaoke,{\fad(100,100)\blur2}لن ألتقت خلفي، أجل
Dialogue: 0,0:01:19.85,0:01:20.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 1] \an5\pos(19.37,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}Y
Dialogue: 0,0:01:19.87,0:01:20.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 2] \an5\pos(35.09,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:19.89,0:01:20.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 3] \an5\pos(48.13,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:19.91,0:01:20.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 5 - line fx: 4] \an5\pos(61.97,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:43.47,0:01:43.93,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 5] \an5\pos(18.99,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:01:43.49,0:01:43.93,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 6] \an5\pos(34.34,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:43.51,0:01:43.93,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 7] \an5\pos(47.85,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:01:43.53,0:01:43.93,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 8] \an5\pos(61.36,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:43.55,0:01:43.93,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 9] \an5\pos(73.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:43.59,0:01:44.29,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 10] \an5\pos(93.05,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:43.61,0:01:44.29,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 11] \an5\pos(107.04,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:43.65,0:01:44.55,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 12] \an5\pos(128.51,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:43.67,0:01:44.55,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 13] \an5\pos(145.81,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:43.69,0:01:44.55,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 14] \an5\pos(163.12,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:43.71,0:01:44.55,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 20 - line fx: 15] \an5\pos(176.97,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:55.12,0:01:55.58,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 16] \an5\pos(14.03,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:01:55.16,0:01:55.76,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 17] \an5\pos(33.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:55.18,0:01:55.76,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 18] \an5\pos(47.43,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:55.20,0:01:55.76,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 19] \an5\pos(61.67,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:55.22,0:01:55.76,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 20] \an5\pos(71.98,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:01:55.24,0:01:55.76,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 21] \an5\pos(80.14,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:55.28,0:01:55.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 22] \an5\pos(95.94,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:55.30,0:01:55.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 23] \an5\pos(106.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:55.32,0:01:55.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 24] \an5\pos(120.21,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:55.34,0:01:55.95,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 25] \an5\pos(134.54,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:55.38,0:01:56.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 26] \an5\pos(156.73,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:01:55.40,0:01:56.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 27] \an5\pos(170.63,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:55.42,0:01:56.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 28] \an5\pos(183.24,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:01:55.44,0:01:56.31,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 29] \an5\pos(196.43,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:55.48,0:01:56.65,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 30] \an5\pos(218.58,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:55.50,0:01:56.65,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 31] \an5\pos(232.11,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:55.52,0:01:56.65,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 32] \an5\pos(245.15,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:55.54,0:01:56.65,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 26 - line fx: 33] \an5\pos(258.98,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:06.74,0:02:07.20,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 34] \an5\pos(14.03,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:02:06.78,0:02:07.46,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 35] \an5\pos(33.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:06.80,0:02:07.46,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 36] \an5\pos(47.43,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:06.82,0:02:07.46,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 37] \an5\pos(61.67,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:06.84,0:02:07.46,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 38] \an5\pos(71.98,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:02:06.86,0:02:07.46,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 39] \an5\pos(80.14,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:06.90,0:02:07.83,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 40] \an5\pos(95.94,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:06.92,0:02:07.83,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 41] \an5\pos(106.07,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:06.94,0:02:07.83,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 42] \an5\pos(120.21,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:06.96,0:02:07.83,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 43] \an5\pos(134.54,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:07.00,0:02:07.96,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 44] \an5\pos(156.73,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:02:07.02,0:02:07.96,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 45] \an5\pos(170.63,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:07.04,0:02:07.96,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 46] \an5\pos(183.24,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:02:07.06,0:02:07.96,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 47] \an5\pos(196.43,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:07.10,0:02:08.30,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 48] \an5\pos(218.58,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:07.12,0:02:08.30,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 49] \an5\pos(232.11,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:07.14,0:02:08.30,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 50] \an5\pos(245.15,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:07.16,0:02:08.30,Tate OP Romaji3,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 31 - line fx: 51] \an5\pos(258.98,25)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:20.20,0:01:20.66,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 1] \an5\pos(464.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:20.22,0:01:20.66,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 2] \an5\pos(480.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:20.24,0:01:20.80,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 3] \an5\pos(495.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:20.26,0:01:20.80,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 4] \an5\pos(509.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:20.30,0:01:20.91,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 5] \an5\pos(535.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:20.32,0:01:20.91,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 6] \an5\pos(552.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:20.36,0:01:20.98,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 7] \an5\pos(575.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:20.38,0:01:20.98,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 8] \an5\pos(590.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:20.40,0:01:21.16,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 9] \an5\pos(606.81,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:20.42,0:01:21.16,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 10] \an5\pos(618.86,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:20.44,0:01:21.28,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 11] \an5\pos(635.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:20.46,0:01:21.28,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 12] \an5\pos(655.53,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:20.50,0:01:21.38,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 13] \an5\pos(680.71,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:20.52,0:01:21.38,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 14] \an5\pos(692.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:20.54,0:01:21.49,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 15] \an5\pos(704.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:20.56,0:01:21.49,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 16] \an5\pos(719.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:20.58,0:01:21.59,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 17] \an5\pos(733.46,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:20.60,0:01:21.59,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 18] \an5\pos(748.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:20.64,0:01:21.76,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 19] \an5\pos(768.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:20.66,0:01:21.76,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 20] \an5\pos(776.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:20.68,0:01:21.76,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 21] \an5\pos(787.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:20.70,0:01:21.76,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 22] \an5\pos(804.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:20.72,0:01:21.76,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 6 - line fx: 23] \an5\pos(818.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:21.56,0:01:22.02,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 24] \an5\pos(464.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:21.58,0:01:22.02,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 25] \an5\pos(480.78,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:21.60,0:01:22.14,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 26] \an5\pos(495.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:21.62,0:01:22.14,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 27] \an5\pos(509.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:21.64,0:01:22.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 28] \an5\pos(530.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:21.66,0:01:22.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 29] \an5\pos(546.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:21.70,0:01:22.43,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 30] \an5\pos(565.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:21.72,0:01:22.43,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 31] \an5\pos(579.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:21.74,0:01:22.43,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 32] \an5\pos(591.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:21.76,0:01:22.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 33] \an5\pos(601.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:21.78,0:01:22.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 34] \an5\pos(614.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:21.80,0:01:22.77,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 35] \an5\pos(628.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:21.82,0:01:22.77,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 36] \an5\pos(642.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:21.86,0:01:22.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 37] \an5\pos(668.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:21.88,0:01:22.87,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 38] \an5\pos(680.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:21.90,0:01:23.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 39] \an5\pos(696.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:21.92,0:01:23.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 40] \an5\pos(717.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:21.96,0:01:23.15,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 41] \an5\pos(746.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:21.98,0:01:23.15,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 42] \an5\pos(767.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:22.02,0:01:23.32,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 43] \an5\pos(793.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:22.04,0:01:23.32,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 44] \an5\pos(809.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:22.06,0:01:23.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 7 - line fx: 45] \an5\pos(820.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:23.10,0:01:23.56,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 46] \an5\pos(459.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:23.12,0:01:23.69,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 47] \an5\pos(476.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:23.14,0:01:23.69,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 48] \an5\pos(492.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:23.16,0:01:23.84,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 49] \an5\pos(505.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:23.18,0:01:23.84,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 50] \an5\pos(519.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:23.22,0:01:23.95,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 51] \an5\pos(544.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:23.24,0:01:23.95,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 52] \an5\pos(556.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:23.26,0:01:24.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 53] \an5\pos(567.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}z
Dialogue: 0,0:01:23.28,0:01:24.04,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 54] \an5\pos(582.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:23.30,0:01:24.13,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 55] \an5\pos(599.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:23.32,0:01:24.13,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 56] \an5\pos(615.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:23.36,0:01:24.23,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 57] \an5\pos(639.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:23.38,0:01:24.32,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 58] \an5\pos(653.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:23.40,0:01:24.32,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 59] \an5\pos(667.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:23.44,0:01:24.41,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 60] \an5\pos(691.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:23.46,0:01:24.41,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 61] \an5\pos(705.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:23.48,0:01:24.58,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 62] \an5\pos(720.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:23.52,0:01:24.68,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 63] \an5\pos(745.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:23.54,0:01:24.68,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 64] \an5\pos(761.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:23.56,0:01:24.81,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 65] \an5\pos(775.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:23.58,0:01:24.81,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 66] \an5\pos(788.4,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:23.62,0:01:24.91,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 67] \an5\pos(813.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:23.64,0:01:24.91,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 8 - line fx: 68] \an5\pos(825.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:24.54,0:01:25.00,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 69] \an5\pos(525.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:24.56,0:01:25.00,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 70] \an5\pos(539.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:24.58,0:01:25.18,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 71] \an5\pos(550.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:24.60,0:01:25.27,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 72] \an5\pos(558.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:01:24.62,0:01:25.27,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 73] \an5\pos(571.4,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:24.64,0:01:25.38,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 74] \an5\pos(587.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:24.66,0:01:25.38,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 75] \an5\pos(604.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:24.70,0:01:25.59,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 76] \an5\pos(630.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:24.72,0:01:25.59,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 77] \an5\pos(642.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:24.74,0:01:25.71,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 78] \an5\pos(652.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:24.76,0:01:25.71,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 79] \an5\pos(661.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:24.78,0:01:25.84,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 80] \an5\pos(671.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:24.80,0:01:25.84,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 81] \an5\pos(685.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:24.82,0:01:25.95,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 82] \an5\pos(696.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:24.84,0:01:26.02,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 83] \an5\pos(706.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:24.86,0:01:26.02,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 84] \an5\pos(719.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:24.88,0:01:26.13,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 85] \an5\pos(735.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:24.90,0:01:26.13,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 9 - line fx: 86] \an5\pos(752.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:25.99,0:01:26.45,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 87] \an5\pos(413.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:26.01,0:01:26.45,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 88] \an5\pos(429.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:26.03,0:01:26.58,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 89] \an5\pos(443.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:26.05,0:01:26.58,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 90] \an5\pos(457.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:26.09,0:01:26.72,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 91] \an5\pos(486.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:26.11,0:01:26.72,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 92] \an5\pos(507.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:26.15,0:01:26.84,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 93] \an5\pos(532.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:26.17,0:01:26.84,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 94] \an5\pos(549.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:26.19,0:01:26.99,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 95] \an5\pos(563.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:26.21,0:01:26.99,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 96] \an5\pos(576.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:26.25,0:01:27.12,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 97] \an5\pos(605.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:26.27,0:01:27.12,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 98] \an5\pos(626.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:26.31,0:01:27.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 99] \an5\pos(654.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}D
Dialogue: 0,0:01:26.33,0:01:27.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 100] \an5\pos(673.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}E
Dialogue: 0,0:01:26.35,0:01:27.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 101] \an5\pos(694.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}A
Dialogue: 0,0:01:26.37,0:01:27.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 102] \an5\pos(715.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:01:26.41,0:01:27.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 103] \an5\pos(745.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}O
Dialogue: 0,0:01:26.43,0:01:27.34,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 104] \an5\pos(767.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:01:26.47,0:01:27.52,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 105] \an5\pos(797.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}A
Dialogue: 0,0:01:26.49,0:01:27.52,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 106] \an5\pos(817.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}L
Dialogue: 0,0:01:26.51,0:01:27.52,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 107] \an5\pos(831.11,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:01:26.53,0:01:27.52,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 108] \an5\pos(846.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}V
Dialogue: 0,0:01:26.55,0:01:27.52,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 10 - line fx: 109] \an5\pos(866.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}E
Dialogue: 0,0:01:27.47,0:01:27.93,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 110] \an5\pos(425.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:27.49,0:01:27.93,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 111] \an5\pos(445.72,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:27.51,0:01:28.07,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 112] \an5\pos(466.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:27.53,0:01:28.07,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 113] \an5\pos(487.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:27.55,0:01:28.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 114] \an5\pos(501.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:27.57,0:01:28.20,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 115] \an5\pos(516.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:27.61,0:01:28.30,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 116] \an5\pos(541.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:27.63,0:01:28.30,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 117] \an5\pos(558.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:27.65,0:01:28.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 118] \an5\pos(574.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:27.67,0:01:28.40,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 119] \an5\pos(590.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:27.71,0:01:28.56,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 120] \an5\pos(611.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:01:27.73,0:01:28.56,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 121] \an5\pos(624.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:27.77,0:01:28.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 122] \an5\pos(651.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}C
Dialogue: 0,0:01:27.79,0:01:28.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 123] \an5\pos(672.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}A
Dialogue: 0,0:01:27.81,0:01:28.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 124] \an5\pos(694.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:01:27.83,0:01:28.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 125] \an5\pos(708.35,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:01:27.85,0:01:28.65,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 126] \an5\pos(721.43,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}T
Dialogue: 0,0:01:27.89,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 127] \an5\pos(747.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}S
Dialogue: 0,0:01:27.91,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 128] \an5\pos(765.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}U
Dialogue: 0,0:01:27.93,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 129] \an5\pos(786.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:01:27.95,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 130] \an5\pos(807.43,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}V
Dialogue: 0,0:01:27.97,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 131] \an5\pos(823.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:01:27.99,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 132] \an5\pos(838.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}V
Dialogue: 0,0:01:28.01,0:01:28.85,Tate OP Romaji2,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 11 - line fx: 133] \an5\pos(858.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}E
Dialogue: 1,0:01:20.66,0:01:20.80,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 1] \1c&H2E00DB&\an7\q2\pos(-9.998,-25.94)\fscx455.78\fscy63.88\t(0,62.57,\fscx457.78\fscy69.88)\t(62.57,125.14,\fscx463.78\fscy51.88)\t(125.1,140,\fscx455.78\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.72)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(472.398,27.5)\frz-25\t(\fr0)}yo
Dialogue: 1,0:01:20.80,0:01:20.91,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 2] \1c&H2E00DB&\an7\q2\pos(-9.998,0)\fscx489.02\fscy37.94\t(0,62.57,\fscx501.02\fscy45.94)\t(62.6,110,\fscx489.02\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.11)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(503.578,27.5)\frz25\t(\fr0)}ru
Dialogue: 1,0:01:20.91,0:01:20.98,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 3] \1c&H2E00DB&\an7\q2\pos(-10.003,0)\fscx527.15\fscy37.94\t(0,62.57,\fscx520.15\fscy42.94)\t(62.6,70,\fscx527.15\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.31)\t(62.6,70,\fscx88.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(543.773,27.5)\frz-25\t(\fr0)}no
Dialogue: 1,0:01:20.98,0:01:21.16,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 4] \1c&H2E00DB&\an7\q2\pos(-9.995,0)\fscx569.41\fscy37.94\t(0,62.57,\fscx568.41\fscy40.94)\t(62.57,125.14,\fscx559.41\fscy48.94)\t(125.1,180,\fscx569.41\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx30.87)\t(62.57,125.14,\fscx0)\t(125.1,180,\fscx12.3)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(583.875,27.5)\frz25\t(\fr0)}su
Dialogue: 1,0:01:21.16,0:01:21.28,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 5] \1c&H2E00DB&\an7\q2\pos(-10.001,0)\fscx598.34\fscy37.94\t(0,62.57,\fscx590.34\fscy46.94)\t(62.6,120,\fscx598.34\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.21)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(610.391,27.5)\frz-25\t(\fr0)}ki
Dialogue: 1,0:01:21.28,0:01:21.38,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 6] \1c&H2E00DB&\an7\q2\pos(-10.003,-30.94)\fscx622.43\fscy68.88\t(0,62.57,\fscx614.43\fscy61.88)\t(62.6,100,\fscx622.43\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx24.7)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(642.883,27.5)\frz25\t(\fr0)}ma
Dialogue: 1,0:01:21.38,0:01:21.49,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 7] \1c&H2E00DB&\an7\q2\pos(-9.999,0)\fscx672.34\fscy37.94\t(0,62.57,\fscx683.34\fscy47.94)\t(62.6,110,\fscx672.34\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.39)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(684.289,27.5)\frz-25\t(\fr0)}ni
Dialogue: 1,0:01:21.49,0:01:21.59,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 8] \1c&H2E00DB&\an7\q2\pos(-9.997,-25.94)\fscx696.24\fscy63.88\t(0,62.57,\fscx692.24\fscy51.88)\t(62.6,100,\fscx696.24\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.2)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(711.727,27.5)\frz25\t(\fr0)}ge
Dialogue: 1,0:01:21.59,0:01:21.76,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 9] \1c&H2E00DB&\an7\q2\pos(-10.001,-28.94)\fscx727.22\fscy66.88\t(0,62.57,\fscx715.22\fscy57.88)\t(62.57,125.14,\fscx737.22\fscy70.88)\t(125.1,170,\fscx727.22\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx23.32)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(741.781,27.5)\frz-25\t(\fr0)}ru
Dialogue: 1,0:01:21.76,0:01:22.02,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 6 - line fx: 10] \1c&H2E00DB&\an7\q2\pos(-9.999,0)\fscx765.36\fscy37.94\t(0,62.57,\fscx755.36\fscy48.94)\t(62.57,125.14,\fscx767.36\fscy41.94)\t(125.14,187.71,\fscx769.36\fscy41.94)\t(187.71,250.28,\fscx765.36\fscy40.94)\t(250.3,260,\fscx765.36\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.85)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx35.93)\t(187.71,250.28,\fscx0)\t(250.3,260,\fscx84.505)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(794.789,27.5)\frz25\t(\fr0)}light
Dialogue: 1,0:01:22.02,0:01:22.14,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 11] \1c&H2E00DB&\an7\q2\pos(-10.004,0)\fscx455.79\fscy37.94\t(0,62.57,\fscx447.79\fscy38.94)\t(62.6,120,\fscx455.79\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.85)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(472.414,27.5)\frz25\t(\fr0)}yo
Dialogue: 1,0:01:22.14,0:01:22.34,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 12] \1c&H2E00DB&\an7\q2\pos(-10,-25.94)\fscx489.03\fscy63.88\t(0,62.57,\fscx480.03\fscy52.88)\t(62.57,125.14,\fscx481.03\fscy56.88)\t(125.14,187.71,\fscx495.03\fscy51.88)\t(187.7,200,\fscx489.03\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx26.15)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx38.14)\t(187.7,200,\fscx80.351)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(503.43,27.5)\frz-25\t(\fr0)}so
Dialogue: 1,0:01:22.34,0:01:22.43,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 13] \1c&H2E00DB&\an7\q2\pos(-10.005,-30.94)\fscx517.82\fscy68.88\t(0,62.57,\fscx510.82\fscy61.88)\t(62.6,90,\fscx517.82\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.19)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(534.055,27.5)\frz25\t(\fr0)}mi
Dialogue: 1,0:01:22.43,0:01:22.65,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 14] \1c&H2E00DB&\an7\q2\pos(-9.995,-30.94)\fscx559.3\fscy68.88\t(0,62.57,\fscx565.3\fscy61.88)\t(62.57,125.14,\fscx551.3\fscy79.88)\t(125.14,187.71,\fscx551.3\fscy72.88)\t(187.7,220,\fscx559.3\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx25.32)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx20.77)\t(187.7,220,\fscx48.403)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(577.375,27.5)\frz-25\t(\fr0)}shi
Dialogue: 1,0:01:22.65,0:01:22.77,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 15] \1c&H2E00DB&\an7\q2\pos(-9.997,-34.94)\fscx595.46\fscy72.88\t(0,62.57,\fscx597.46\fscy69.88)\t(62.6,120,\fscx595.46\fscy72.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(608.727,27.5)\frz25\t(\fr0)}te
Dialogue: 1,0:01:22.77,0:01:22.87,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 16] \1c&H2E00DB&\an7\q2\pos(-10.003,0)\fscx622\fscy37.94\t(0,62.57,\fscx625\fscy37.94)\t(62.6,100,\fscx622\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx20.12)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(636.563,27.5)\frz-25\t(\fr0)}ru
Dialogue: 1,0:01:22.87,0:01:23.04,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 17] \1c&H2E00DB&\an7\q2\pos(-10,-31.94)\fscx660.14\fscy69.88\t(0,62.57,\fscx662.14\fscy65.88)\t(62.57,125.14,\fscx669.14\fscy63.88)\t(125.1,170,\fscx660.14\fscy69.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx20.9)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(672.07,27.5)\frz25\t(\fr0)}hi
Dialogue: 1,0:01:23.04,0:01:23.15,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 18] \1c&H2E00DB&\an7\q2\pos(-9.995,0)\fscx684\fscy37.94\t(0,62.57,\fscx688\fscy37.94)\t(62.6,110,\fscx684\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.55)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(704.445,27.5)\frz-25\t(\fr0)}ma
Dialogue: 1,0:01:23.15,0:01:23.32,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 19] \1c&H2E00DB&\an7\q2\pos(-10.005,-27.94)\fscx733.9\fscy65.88\t(0,62.57,\fscx736.9\fscy75.88)\t(62.57,125.14,\fscx734.9\fscy55.88)\t(125.1,170,\fscx733.9\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.3)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(754.805,27.5)\frz25\t(\fr0)}mo
Dialogue: 1,0:01:23.32,0:01:23.40,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 20] \1c&H2E00DB&\an7\q2\pos(-10.003,-32.94)\fscx784.72\fscy70.88\t(0,62.57,\fscx777.72\fscy65.88)\t(62.6,80,\fscx784.72\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.32)\t(62.6,80,\fscx72.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(800.883,27.5)\frz-25\t(\fr0)}na
Dialogue: 1,0:01:23.40,0:01:23.56,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 7 - line fx: 21] \1c&H2E00DB&\an7\q2\pos(-9.995,-27.94)\fscx817.05\fscy65.88\t(0,62.57,\fscx821.05\fscy55.88)\t(62.57,125.14,\fscx821.05\fscy70.88)\t(125.1,160,\fscx817.05\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx21.48)\t(62.57,125.14,\fscx0)\t(125.1,160,\fscx44.249)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(820.625,27.5)\frz25\t(\fr0)}i
Dialogue: 1,0:01:23.56,0:01:23.69,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 22] \1c&H2E00DB&\an7\q2\pos(-10.004,-28.94)\fscx451.27\fscy66.88\t(0,62.57,\fscx456.27\fscy57.88)\t(62.57,125.14,\fscx459.27\fscy58.88)\t(125.1,130,\fscx451.27\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.77)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(459.594,27.5)\frz-25\t(\fr0)}u
Dialogue: 1,0:01:23.69,0:01:23.84,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 23] \1c&H2E00DB&\an7\q2\pos(-10.005,0)\fscx467.91\fscy37.94\t(0,62.57,\fscx466.91\fscy46.94)\t(62.57,125.14,\fscx463.91\fscy35.94)\t(125.1,150,\fscx467.91\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx25.91)\t(62.57,125.14,\fscx0)\t(125.1,150,\fscx60.224)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(483.805,27.5)\frz25\t(\fr0)}ke
Dialogue: 1,0:01:23.84,0:01:23.95,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 24] \1c&H2E00DB&\an7\q2\pos(-10.004,0)\fscx499.69\fscy37.94\t(0,62.57,\fscx488.69\fscy39.94)\t(62.6,110,\fscx499.69\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.97)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(513.344,27.5)\frz-25\t(\fr0)}ta
Dialogue: 1,0:01:23.95,0:01:24.04,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 25] \1c&H2E00DB&\an7\q2\pos(-10.005,0)\fscx536\fscy37.94\t(0,62.57,\fscx529\fscy44.94)\t(62.6,90,\fscx536\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.3)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(548.055,27.5)\frz25\t(\fr0)}ki
Dialogue: 1,0:01:24.04,0:01:24.13,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 26] \1c&H2E00DB&\an7\q2\pos(-9.999,-31.94)\fscx560.1\fscy69.88\t(0,62.57,\fscx551.1\fscy63.88)\t(62.6,90,\fscx560.1\fscy69.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.89)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(575.469,27.5)\frz-25\t(\fr0)}zu
Dialogue: 1,0:01:24.13,0:01:24.23,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 27] \1c&H2E00DB&\an7\q2\pos(-10,-30.94)\fscx590.84\fscy68.88\t(0,62.57,\fscx584.84\fscy61.88)\t(62.6,100,\fscx590.84\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx39.52)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(607,27.5)\frz25\t(\fr0)}na
Dialogue: 1,0:01:24.23,0:01:24.32,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 28] \1c&H2E00DB&\an7\q2\pos(-9.997,0)\fscx632.18\fscy37.94\t(0,62.57,\fscx623.18\fscy40.94)\t(62.6,90,\fscx632.18\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.45)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(639.977,27.5)\frz-25\t(\fr0)}a
Dialogue: 1,0:01:24.32,0:01:24.41,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 29] \1c&H2E00DB&\an7\q2\pos(-9.995,0)\fscx647.78\fscy37.94\t(0,62.57,\fscx647.78\fscy35.94)\t(62.6,90,\fscx647.78\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.53)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(661.875,27.5)\frz25\t(\fr0)}to
Dialogue: 1,0:01:24.41,0:01:24.58,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 30] \1c&H2E00DB&\an7\q2\pos(-9.997,-34.94)\fscx684.99\fscy72.88\t(0,62.57,\fscx683.99\fscy80.88)\t(62.57,125.14,\fscx687.99\fscy69.88)\t(125.1,170,\fscx684.99\fscy72.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx22.81)\t(62.57,125.14,\fscx0)\t(125.1,170,\fscx28.275)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(698.938,27.5)\frz-25\t(\fr0)}sa
Dialogue: 1,0:01:24.58,0:01:24.68,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 31] \1c&H2E00DB&\an7\q2\pos(-10.005,0)\fscx712.88\fscy37.94\t(0,62.57,\fscx718.88\fscy47.94)\t(62.6,100,\fscx712.88\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx37.01)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(720.305,27.5)\frz25\t(\fr0)}e
Dialogue: 1,0:01:24.68,0:01:24.81,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 32] \1c&H2E00DB&\an7\q2\pos(-9.998,0)\fscx736.74\fscy37.94\t(0,62.57,\fscx740.74\fscy44.94)\t(62.57,125.14,\fscx726.74\fscy37.94)\t(125.1,130,\fscx736.74\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.36)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(753.008,27.5)\frz-25\t(\fr0)}ka
Dialogue: 1,0:01:24.81,0:01:24.91,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 33] \1c&H2E00DB&\an7\q2\pos(-9.997,0)\fscx769.28\fscy37.94\t(0,62.57,\fscx768.28\fscy46.94)\t(62.6,100,\fscx769.28\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx33.17)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(782.547,27.5)\frz25\t(\fr0)}te
Dialogue: 1,0:01:24.91,0:01:25.00,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 8 - line fx: 34] \1c&H2E00DB&\an7\q2\pos(-10.001,0)\fscx804.83\fscy37.94\t(0,62.57,\fscx810.83\fscy37.94)\t(62.6,90,\fscx804.83\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.83)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(816.781,27.5)\frz-25\t(\fr0)}ni
Dialogue: 1,0:01:25.00,0:01:25.18,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 35] \1c&H2E00DB&\an7\q2\pos(-9.995,0)\fscx519.31\fscy37.94\t(0,62.57,\fscx508.31\fscy45.94)\t(62.57,125.14,\fscx527.31\fscy48.94)\t(125.1,180,\fscx519.31\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx24.63)\t(62.57,125.14,\fscx0)\t(125.1,180,\fscx12.3)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(532.875,27.5)\frz25\t(\fr0)}se
Dialogue: 1,0:01:25.18,0:01:25.27,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 36] \1c&H2E00DB&\an7\q2\pos(-10.003,0)\fscx546.44\fscy37.94\t(0,62.57,\fscx557.44\fscy40.94)\t(62.6,90,\fscx546.44\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.55)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(550.023,27.5)\frz-25\t(\fr0)}i
Dialogue: 1,0:01:25.27,0:01:25.38,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 37] \1c&H2E00DB&\an7\q2\pos(-9.998,-27.94)\fscx553.6\fscy65.88\t(0,62.57,\fscx547.6\fscy55.88)\t(62.6,110,\fscx553.6\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx37.2)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(566.398,27.5)\frz25\t(\fr0)}ja
Dialogue: 1,0:01:25.38,0:01:25.59,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 38] \1c&H2E00DB&\an7\q2\pos(-10.004,-30.94)\fscx579.19\fscy68.88\t(0,62.57,\fscx583.19\fscy61.88)\t(62.57,125.14,\fscx586.19\fscy74.88)\t(125.14,187.71,\fscx589.19\fscy69.88)\t(187.7,210,\fscx579.19\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx33.18)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx23.15)\t(187.7,210,\fscx64.377)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(595.984,27.5)\frz-25\t(\fr0)}ku
Dialogue: 1,0:01:25.59,0:01:25.71,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 39] \1c&H2E00DB&\an7\q2\pos(-9.996,0)\fscx621.79\fscy37.94\t(0,62.57,\fscx609.79\fscy38.94)\t(62.6,120,\fscx621.79\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx34.01)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(633.836,27.5)\frz25\t(\fr0)}ki
Dialogue: 1,0:01:25.71,0:01:25.84,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 40] \1c&H2E00DB&\an7\q2\pos(-10.003,0)\fscx645.88\fscy37.94\t(0,62.57,\fscx637.88\fscy44.94)\t(62.57,125.14,\fscx651.88\fscy37.94)\t(125.1,130,\fscx645.88\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx22.05)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(655.703,27.5)\frz-25\t(\fr0)}ri
Dialogue: 1,0:01:25.84,0:01:25.95,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 41] \1c&H2E00DB&\an7\q2\pos(-9.999,-25.94)\fscx665.52\fscy63.88\t(0,62.57,\fscx659.52\fscy51.88)\t(62.6,110,\fscx665.52\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.05)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(679.469,27.5)\frz25\t(\fr0)}sa
Dialogue: 1,0:01:25.95,0:01:26.02,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 42] \1c&H2E00DB&\an7\q2\pos(-10.002,-30.94)\fscx693.41\fscy68.88\t(0,62.57,\fscx701.41\fscy61.88)\t(62.6,70,\fscx693.41\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx30.67)\t(62.6,70,\fscx88.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(696.992,27.5)\frz-25\t(\fr0)}i
Dialogue: 1,0:01:26.02,0:01:26.13,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 43] \1c&H2E00DB&\an7\q2\pos(-10.004,-25.94)\fscx700.57\fscy63.88\t(0,62.57,\fscx692.57\fscy51.88)\t(62.6,110,\fscx700.57\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx27.26)\t(62.6,110,\fscx24.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(713.844,27.5)\frz25\t(\fr0)}te
Dialogue: 1,0:01:26.13,0:01:26.45,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 9 - line fx: 44] \1c&H2E00DB&\an7\q2\pos(-9.996,-32.94)\fscx727.12\fscy70.88\t(0,62.57,\fscx733.12\fscy81.88)\t(62.57,125.14,\fscx715.12\fscy77.88)\t(125.14,187.71,\fscx731.12\fscy65.88)\t(187.71,250.28,\fscx726.12\fscy76.88)\t(250.28,312.85,\fscx725.12\fscy78.88)\t(312.9,320,\fscx727.12\fscy70.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx25.85)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx32.58)\t(187.71,250.28,\fscx0)\t(250.28,312.85,\fscx36.06)\t(312.9,320,\fscx88.64)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(743.906,27.5)\frz-25\t(\fr0)}ku
Dialogue: 1,0:01:26.45,0:01:26.58,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 45] \1c&H2E00DB&\an7\q2\pos(-9.995,-29.94)\fscx404.58\fscy67.88\t(0,62.57,\fscx403.58\fscy63.88)\t(62.57,125.14,\fscx394.58\fscy59.88)\t(125.1,130,\fscx404.58\fscy67.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx25.91)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(420.875,27.5)\frz-25\t(\fr0)}da
Dialogue: 1,0:01:26.58,0:01:26.72,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 46] \1c&H2E00DB&\an7\q2\pos(-9.996,-28.94)\fscx437.18\fscy66.88\t(0,62.57,\fscx448.18\fscy57.88)\t(62.57,125.14,\fscx428.18\fscy58.88)\t(125.1,140,\fscx437.18\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx21.24)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(450.836,27.5)\frz25\t(\fr0)}re
Dialogue: 1,0:01:26.72,0:01:26.84,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 47] \1c&H2E00DB&\an7\q2\pos(-10.004,-28.94)\fscx473.51\fscy66.88\t(0,62.57,\fscx468.51\fscy57.88)\t(62.6,120,\fscx473.51\fscy66.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.97)\t(62.6,120,\fscx8.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(494.414,27.5)\frz-25\t(\fr0)}mo
Dialogue: 1,0:01:26.84,0:01:26.99,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 48] \1c&H2E00DB&\an7\q2\pos(-10.004,0)\fscx524.32\fscy37.94\t(0,62.57,\fscx521.32\fscy45.94)\t(62.57,125.14,\fscx534.32\fscy43.94)\t(125.1,150,\fscx524.32\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx36.4)\t(62.57,125.14,\fscx0)\t(125.1,150,\fscx60.224)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(540.594,27.5)\frz25\t(\fr0)}ka
Dialogue: 1,0:01:26.99,0:01:27.12,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 49] \1c&H2E00DB&\an7\q2\pos(-10.003,-34.94)\fscx556.86\fscy72.88\t(0,62.57,\fscx563.86\fscy80.88)\t(62.57,125.14,\fscx549.86\fscy69.88)\t(125.1,130,\fscx556.86\fscy72.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.71)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(570.523,27.5)\frz-25\t(\fr0)}re
Dialogue: 1,0:01:27.12,0:01:27.20,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 50] \1c&H2E00DB&\an7\q2\pos(-10.002,-27.94)\fscx593.2\fscy65.88\t(0,62.57,\fscx603.2\fscy55.88)\t(62.6,80,\fscx593.2\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.97)\t(62.6,80,\fscx72.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(614.102,27.5)\frz25\t(\fr0)}mo
Dialogue: 1,0:01:27.20,0:01:27.34,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 51] \1c&H2E00DB&\an7\q2\pos(-10.005,0)\fscx644.01\fscy37.94\t(0,62.57,\fscx637.01\fscy46.94)\t(62.57,125.14,\fscx639.01\fscy43.94)\t(125.1,140,\fscx644.01\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx25.09)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(684.805,27.5)\frz-25\t(\fr0)}DEAR
Dialogue: 1,0:01:27.34,0:01:27.52,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 52] \1c&H2E00DB&\an7\q2\pos(-9.996,0)\fscx734.61\fscy37.94\t(0,62.57,\fscx722.61\fscy38.94)\t(62.57,125.14,\fscx732.61\fscy36.94)\t(125.1,180,\fscx734.61\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.1)\t(62.57,125.14,\fscx0)\t(125.1,180,\fscx12.3)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(755.906,27.5)\frz25\t(\fr0)}OR
Dialogue: 1,0:01:27.52,0:01:27.84,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 10 - line fx: 53] \1c&H2E00DB&\an7\q2\pos(-10,-30.94)\fscx786.22\fscy68.88\t(0,62.57,\fscx784.22\fscy72.88)\t(62.57,125.14,\fscx776.22\fscy62.88)\t(125.14,187.71,\fscx798.22\fscy67.88)\t(187.71,250.28,\fscx783.22\fscy61.88)\t(250.28,312.85,\fscx794.22\fscy69.88)\t(312.9,320,\fscx786.22\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx29.56)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx35.52)\t(187.71,250.28,\fscx0)\t(250.28,312.85,\fscx27.73)\t(312.9,320,\fscx88.64)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(830.82,27.5)\frz-25\t(\fr0)}ALIVE
Dialogue: 1,0:01:27.93,0:01:28.07,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 54] \1c&H2E00DB&\an7\q2\pos(-10,0)\fscx412.62\fscy37.94\t(0,62.57,\fscx412.62\fscy36.94)\t(62.57,125.14,\fscx422.62\fscy39.94)\t(125.1,140,\fscx412.62\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx32.56)\t(62.57,125.14,\fscx0)\t(125.1,140,\fscx76.198)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(433.07,27.5)\frz25\t(\fr0)}ma
Dialogue: 1,0:01:28.07,0:01:28.20,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 55] \1c&H2E00DB&\an7\q2\pos(-10.004,-30.94)\fscx453.51\fscy68.88\t(0,62.57,\fscx455.51\fscy61.88)\t(62.57,125.14,\fscx448.51\fscy77.88)\t(125.1,130,\fscx453.51\fscy68.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx37.88)\t(62.57,125.14,\fscx0)\t(125.1,130,\fscx92.173)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(474.414,27.5)\frz-25\t(\fr0)}mo
Dialogue: 1,0:01:28.20,0:01:28.30,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 56] \1c&H2E00DB&\an7\q2\pos(-9.995,0)\fscx495.32\fscy37.94\t(0,62.57,\fscx502.32\fscy45.94)\t(62.6,100,\fscx495.32\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx28.78)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(509.875,27.5)\frz25\t(\fr0)}ru
Dialogue: 1,0:01:28.30,0:01:28.40,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 57] \1c&H2E00DB&\an7\q2\pos(-10,-27.94)\fscx533.45\fscy65.88\t(0,62.57,\fscx521.45\fscy55.88)\t(62.6,100,\fscx533.45\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx38.04)\t(62.6,100,\fscx40.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(549.75,27.5)\frz-25\t(\fr0)}da
Dialogue: 1,0:01:28.40,0:01:28.56,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 58] \1c&H2E00DB&\an7\q2\pos(-9.997,0)\fscx566.05\fscy37.94\t(0,62.57,\fscx566.05\fscy48.94)\t(62.57,125.14,\fscx558.05\fscy47.94)\t(125.1,160,\fscx566.05\fscy37.94)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.46)\t(62.57,125.14,\fscx0)\t(125.1,160,\fscx44.249)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(581.938,27.5)\frz25\t(\fr0)}ke
Dialogue: 1,0:01:28.56,0:01:28.65,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 59] \1c&H2E00DB&\an7\q2\pos(-10.001,-25.94)\fscx606.84\fscy63.88\t(0,62.57,\fscx601.84\fscy51.88)\t(62.6,90,\fscx606.84\fscy63.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx31.4)\t(62.6,90,\fscx56.16)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(619.641,27.5)\frz-25\t(\fr0)}ja
Dialogue: 1,0:01:28.65,0:01:28.85,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 60] \1c&H2E00DB&\an7\q2\pos(-9.998,-27.94)\fscx641.45\fscy65.88\t(0,62.57,\fscx648.45\fscy59.88)\t(62.57,125.14,\fscx633.45\fscy69.88)\t(125.14,187.71,\fscx653.45\fscy55.88)\t(187.7,200,\fscx641.45\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx23.09)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx22.18)\t(187.7,200,\fscx80.351)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(686.148,27.5)\frz25\t(\fr0)}CAN’T
Dialogue: 1,0:01:28.85,0:01:29.38,Tate OP Romaji2,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Crazy Move III [line origin: 11 - line fx: 61] \1c&H2E00DB&\an7\q2\pos(-9.997,-27.94)\fscx739.86\fscy65.88\t(0,62.57,\fscx736.86\fscy77.88)\t(62.57,125.14,\fscx738.86\fscy59.88)\t(125.14,187.71,\fscx728.86\fscy69.88)\t(187.71,250.28,\fscx730.86\fscy55.88)\t(250.28,312.85,\fscx744.86\fscy69.88)\t(312.85,375.42,\fscx727.86\fscy56.88)\t(375.42,437.99,\fscx733.86\fscy65.88)\t(437.99,500.56,\fscx737.86\fscy64.88)\t(500.6,530,\fscx739.86\fscy65.88)\p1}m 0 0 m 100 100 {\p0\r\fscx0\fscy0\t(0,62.57,\fscx35.68)\t(62.57,125.14,\fscx0)\t(125.14,187.71,\fscx34.46)\t(187.71,250.28,\fscx0)\t(250.28,312.85,\fscx23.39)\t(312.85,375.42,\fscx0)\t(375.42,437.99,\fscx36.59)\t(437.99,500.56,\fscx0)\t(500.6,530,\fscx52.96)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\org(803.617,27.5)\frz-25\t(\fr0)}SURVIVE
Dialogue: 1,0:01:20.31,0:01:20.65,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 5 - line fx: 1] \1c&H2E00DB&\an7\q2\pos(-0.002,0)\fscx10\fscy33.94\t(0,150.16,\fscx10\fscy58.94)\t(150.16,300.32,\fscx10\fscy63.94)\t(300.3,340,\fscx10\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(39.563,25)\t(0,83.42,\frz1.28)\t(83.42,166.84,\frz15.16)\t(166.84,250.26,\frz16.11)\t(250.26,333.68,\frz-29.14)\t(333.7,340,\frz0.16)}Yeah
Dialogue: 1,0:01:43.93,0:01:44.29,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 20 - line fx: 2] \1c&H2E00DB&\an7\q2\pos(-0.001,-4.94)\fscx10\fscy38.88\t(0,150.16,\fscx10\fscy51.88)\t(150.16,300.32,\fscx10\fscy9.88)\t(300.3,360,\fscx10\fscy38.88)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(44.211,25)\t(0,83.42,\frz-5.47)\t(83.42,166.84,\frz29.42)\t(166.84,250.26,\frz25.27)\t(250.26,333.68,\frz-4.41)\t(333.7,360,\frz14.18)}Never
Dialogue: 1,0:01:44.29,0:01:44.55,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 20 - line fx: 3] \1c&H2E00DB&\an7\q2\pos(0.005,-16.94)\fscx86.15\fscy50.88\t(0,150.16,\fscx86.15\fscy33.88)\t(150.2,260,\fscx86.15\fscy50.88)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(100.125,25)\t(0,83.42,\frz-4.17)\t(83.42,166.84,\frz-13.19)\t(166.84,250.26,\frz-15.16)\t(250.3,260,\frz1.67)}go
Dialogue: 1,0:01:44.55,0:01:45.03,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 20 - line fx: 4] \1c&H2E00DB&\an7\q2\pos(-0.004,0)\fscx121.82\fscy33.94\t(0,150.16,\fscx121.82\fscy38.94)\t(150.16,300.32,\fscx121.82\fscy57.94)\t(300.32,450.48,\fscx121.82\fscy46.94)\t(450.5,480,\fscx121.82\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(152.984,25)\t(0,83.42,\frz11.27)\t(83.42,166.84,\frz-7.71)\t(166.84,250.26,\frz4.95)\t(250.26,333.68,\frz2.05)\t(333.68,417.1,\frz28.53)\t(417.1,480,\frz0.03)}away
Dialogue: 1,0:01:55.58,0:01:55.76,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 26 - line fx: 5] \1c&H2E00DB&\an7\q2\pos(-0.001,-25.94)\fscx10\fscy59.88\t(0,150.16,\fscx10\fscy51.88)\t(150.2,180,\fscx10\fscy59.88)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(14.031,25)\t(0,83.42,\frz2.14)\t(83.42,166.84,\frz-9.52)\t(166.8,180,\frz14.64)}I
Dialogue: 1,0:01:55.76,0:01:55.95,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 26 - line fx: 6] \1c&H2E00DB&\an7\q2\pos(0.001,0)\fscx25.78\fscy33.94\t(0,150.16,\fscx25.78\fscy43.94)\t(150.2,190,\fscx25.78\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(55.469,25)\t(0,83.42,\frz-0.52)\t(83.42,166.84,\frz3.91)\t(166.8,190,\frz-26.24)}don’t
Dialogue: 1,0:01:55.95,0:01:56.31,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 26 - line fx: 7] \1c&H2E00DB&\an7\q2\pos(0.004,0)\fscx92.88\fscy33.94\t(0,150.16,\fscx92.88\fscy33.94)\t(150.16,300.32,\fscx92.88\fscy43.94)\t(300.3,360,\fscx92.88\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(117.336,25)\t(0,83.42,\frz29.9)\t(83.42,166.84,\frz-6.2)\t(166.84,250.26,\frz-14.27)\t(250.26,333.68,\frz10.7)\t(333.7,360,\frz7.96)}look
Dialogue: 1,0:01:56.31,0:01:56.65,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 26 - line fx: 8] \1c&H2E00DB&\an7\q2\pos(-0.002,0)\fscx149.51\fscy33.94\t(0,150.16,\fscx149.51\fscy38.94)\t(150.16,300.32,\fscx149.51\fscy33.94)\t(300.3,340,\fscx149.51\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(176.602,25)\t(0,83.42,\frz16.31)\t(83.42,166.84,\frz-21.52)\t(166.84,250.26,\frz14.79)\t(250.26,333.68,\frz24.16)\t(333.7,340,\frz19.71)}back
Dialogue: 1,0:01:56.65,0:01:57.19,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 26 - line fx: 9] \1c&H2E00DB&\an7\q2\pos(-0.003,-8.94)\fscx211.4\fscy42.88\t(0,150.16,\fscx211.4\fscy68.88)\t(150.16,300.32,\fscx211.4\fscy17.88)\t(300.32,450.48,\fscx211.4\fscy32.88)\t(450.5,540,\fscx211.4\fscy42.88)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(238.773,25)\t(0,83.42,\frz17.89)\t(83.42,166.84,\frz-11.65)\t(166.84,250.26,\frz15.83)\t(250.26,333.68,\frz-11.41)\t(333.68,417.1,\frz-28.38)\t(417.1,500.52,\frz-12.17)\t(500.5,540,\frz-0.67)}yeah
Dialogue: 1,0:02:07.20,0:02:07.46,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 31 - line fx: 10] \1c&H2E00DB&\an7\q2\pos(-0.001,0)\fscx10\fscy33.94\t(0,150.16,\fscx10\fscy39.94)\t(150.2,260,\fscx10\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(14.031,25)\t(0,83.42,\frz18.92)\t(83.42,166.84,\frz-5.81)\t(166.84,250.26,\frz-7.42)\t(250.3,260,\frz6.13)}I
Dialogue: 1,0:02:07.46,0:02:07.83,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 31 - line fx: 11] \1c&H2E00DB&\an7\q2\pos(0.001,-22.94)\fscx25.78\fscy56.88\t(0,150.16,\fscx25.78\fscy45.88)\t(150.16,300.32,\fscx25.78\fscy52.88)\t(300.3,370,\fscx25.78\fscy56.88)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(55.469,25)\t(0,83.42,\frz26.06)\t(83.42,166.84,\frz-7.76)\t(166.84,250.26,\frz4.53)\t(250.26,333.68,\frz19.29)\t(333.7,370,\frz23.24)}don’t
Dialogue: 1,0:02:07.83,0:02:07.96,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 31 - line fx: 12] \1c&H2E00DB&\an7\q2\pos(0.004,0)\fscx92.88\fscy33.94\t(\fscx92.88\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(117.336,25)\t(0,83.42,\frz28.81)\t(83.4,130,\frz-28.43)}look
Dialogue: 1,0:02:07.96,0:02:08.30,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 31 - line fx: 13] \1c&H2E00DB&\an7\q2\pos(-0.002,0)\fscx149.51\fscy33.94\t(0,150.16,\fscx149.51\fscy47.94)\t(150.16,300.32,\fscx149.51\fscy53.94)\t(300.3,340,\fscx149.51\fscy33.94)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(176.602,25)\t(0,83.42,\frz4.3)\t(83.42,166.84,\frz22.64)\t(166.84,250.26,\frz17.49)\t(250.26,333.68,\frz-25.73)\t(333.7,340,\frz0.43)}back
Dialogue: 1,0:02:08.30,0:02:08.70,Tate OP Romaji3,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Jump Crazy I [line origin: 31 - line fx: 14] \1c&H2E00DB&\an7\q2\pos(-0.003,-22.94)\fscx211.4\fscy56.88\t(0,150.16,\fscx211.4\fscy64.88)\t(150.16,300.32,\fscx211.4\fscy45.88)\t(300.3,400,\fscx211.4\fscy56.88)\p1}m 0 0 m 100 100 {\p0\r\1c&H2E00DB&\fscx130\fscy130\t(\fscx100\fscy100)\org(238.773,25)\t(0,83.42,\frz28.76)\t(83.42,166.84,\frz27.71)\t(166.84,250.26,\frz-5.54)\t(250.26,333.68,\frz-20.17)\t(333.7,400,\frz-10.27)}yeah
Dialogue: 1,0:01:09.12,0:01:09.37,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 1] \an5\pos(421.92,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.07)\t(42,84,\fax0.04\fay0.08)\t(84,126,\fax0.08\fay-0.08)\t(126,168,\fax-0.05\fay0.08)\t(168,210,\fax0.08\fay-0.07)\t(210,250,\fax-0.08\fay0.07)\t(0,80,\xshad12\yshad14)\t(80,160,\xshad10\yshad-8)\t(160,240,\xshad12\yshad-3)\t(240,250,\xshad-10\yshad-9)}hi
Dialogue: 1,0:01:09.37,0:01:09.54,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 2] \an5\pos(450.12,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.06)\t(42,84,\fax-0.07\fay0.06)\t(84,126,\fax0.06\fay-0.08)\t(126,168,\fax0.05\fay0.08)\t(168,170,\fax-0.05\fay0.06)\t(0,80,\xshad6\yshad13)\t(80,160,\xshad-13\yshad-14)\t(160,170,\xshad7\yshad-1)}ka
Dialogue: 1,0:01:09.54,0:01:09.73,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 3] \an5\pos(476.2,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.08)\t(42,84,\fax-0.06\fay-0.06)\t(84,126,\fax-0.06\fay-0.05)\t(126,168,\fax0.06\fay0.08)\t(168,190,\fax-0.04\fay0.06)\t(0,80,\xshad-2\yshad-3)\t(80,160,\xshad-5\yshad10)\t(160,190,\xshad11\yshad-3)}ri
Dialogue: 1,0:01:09.73,0:01:09.88,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 4] \an5\pos(511.27,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.07)\t(42,84,\fax-0.06\fay0.06)\t(84,126,\fax0.05\fay-0.07)\t(126,150,\fax-0.08\fay0.07)\t(0,80,\xshad-3\yshad6)\t(80,150,\xshad-13\yshad5)}mi
Dialogue: 1,0:01:09.88,0:01:10.08,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 5] \an5\pos(547.81,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax-0.07\fay0.07)\t(84,126,\fax0.07\fay-0.07)\t(126,168,\fax-0.05\fay0.03)\t(168,200,\fax-0.05\fay0.03)\t(0,80,\xshad-11\yshad-1)\t(80,160,\xshad-12\yshad-7)\t(160,200,\xshad-8\yshad-3)}tsu
Dialogue: 1,0:01:10.08,0:01:10.28,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 6] \an5\pos(584.02,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.05)\t(42,84,\fax-0.04\fay0.03)\t(84,126,\fax-0.03\fay-0.07)\t(126,168,\fax0.05\fay-0.07)\t(168,200,\fax-0.04\fay-0.04)\t(0,80,\xshad12\yshad5)\t(80,160,\xshad-5\yshad-13)\t(160,200,\xshad10\yshad5)}ke
Dialogue: 1,0:01:10.28,0:01:10.65,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 7] \an5\pos(613.56,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,370,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.03)\t(42,84,\fax-0.07\fay-0.06)\t(84,126,\fax0.03\fay-0.05)\t(126,168,\fax0.06\fay0.05)\t(168,210,\fax0.07\fay0.03)\t(210,252,\fax0.03\fay0.05)\t(252,294,\fax-0.03\fay-0.07)\t(294,336,\fax-0.06\fay-0.08)\t(336,370,\fax-0.03\fay-0.05)\t(0,80,\xshad3\yshad-3)\t(80,160,\xshad11\yshad10)\t(160,240,\xshad10\yshad11)\t(240,320,\xshad-9\yshad8)\t(320,370,\xshad10\yshad-5)}ta
Dialogue: 1,0:01:10.68,0:01:10.81,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 8] \an5\pos(653.02,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.06)\t(42,84,\fax-0.06\fay0.07)\t(84,126,\fax0.06\fay0.05)\t(126,130,\fax-0.03\fay0.07)\t(0,80,\xshad-7\yshad-13)\t(80,130,\xshad1\yshad1)}ku
Dialogue: 1,0:01:10.81,0:01:11.03,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 9] \an5\pos(678.13,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.08)\t(42,84,\fax0.06\fay0.06)\t(84,126,\fax0.05\fay-0.05)\t(126,168,\fax-0.07\fay-0.06)\t(168,210,\fax0.08\fay0.08)\t(210,220,\fax-0.04\fay-0.04)\t(0,80,\xshad-11\yshad14)\t(80,160,\xshad6\yshad1)\t(160,220,\xshad-4\yshad12)}u
Dialogue: 1,0:01:11.03,0:01:11.23,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 10] \an5\pos(702.59,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.07)\t(42,84,\fax-0.08\fay0.03)\t(84,126,\fax0.03\fay0.06)\t(126,168,\fax0.03\fay-0.03)\t(168,200,\fax0.04\fay-0.05)\t(0,80,\xshad-2\yshad9)\t(80,160,\xshad-10\yshad9)\t(160,200,\xshad-9\yshad7)}ha
Dialogue: 1,0:01:11.23,0:01:11.39,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 11] \an5\pos(735.53,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.03)\t(42,84,\fax0.07\fay-0.08)\t(84,126,\fax-0.08\fay-0.08)\t(126,160,\fax-0.06\fay0.06)\t(0,80,\xshad5\yshad13)\t(80,160,\xshad-2\yshad-11)}ku
Dialogue: 1,0:01:11.39,0:01:11.50,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 12] \an5\pos(777.95,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,110,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.07)\t(42,84,\fax0.06\fay-0.05)\t(84,110,\fax0.07\fay-0.08)\t(0,80,\xshad4\yshad8)\t(80,110,\xshad14\yshad-5)}no
Dialogue: 1,0:01:11.50,0:01:11.74,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 13] \an5\pos(812.16,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.06)\t(42,84,\fax0.06\fay0.08)\t(84,126,\fax-0.04\fay0.07)\t(126,168,\fax-0.07\fay-0.08)\t(168,210,\fax-0.04\fay0.07)\t(210,240,\fax0.08\fay-0.06)\t(0,80,\xshad1\yshad9)\t(80,160,\xshad-2\yshad-8)\t(160,240,\xshad8\yshad5)}ji
Dialogue: 1,0:01:11.74,0:01:11.92,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 1 - line fx: 14] \an5\pos(845.38,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.03)\t(42,84,\fax0.03\fay0.03)\t(84,126,\fax0.06\fay0.05)\t(126,168,\fax0.08\fay0.03)\t(168,180,\fax0.05\fay-0.03)\t(0,80,\xshad5\yshad-14)\t(80,160,\xshad8\yshad-13)\t(160,180,\xshad-6\yshad-8)}kan
Dialogue: 1,0:01:12.16,0:01:12.30,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 15] \an5\pos(457.77,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,140,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.03)\t(42,84,\fax-0.05\fay0.03)\t(84,126,\fax0.08\fay0.04)\t(126,140,\fax-0.04\fay0.03)\t(0,80,\xshad-3\yshad-5)\t(80,140,\xshad14\yshad10)}ma
Dialogue: 1,0:01:12.30,0:01:12.38,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 16] \an5\pos(494.84,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.04\fay0.08)\t(42,80,\fax-0.04\fay-0.05)\t(\xshad13\yshad-9)}yo
Dialogue: 1,0:01:12.38,0:01:12.50,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 17] \an5\pos(515.03,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.08)\t(42,84,\fax-0.06\fay-0.08)\t(84,120,\fax-0.05\fay-0.05)\t(0,80,\xshad-5\yshad8)\t(80,120,\xshad-5\yshad14)}i
Dialogue: 1,0:01:12.50,0:01:12.67,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 18] \an5\pos(535.33,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.03)\t(42,84,\fax0.03\fay0.07)\t(84,126,\fax-0.03\fay-0.05)\t(126,168,\fax-0.03\fay0.05)\t(168,170,\fax0.03\fay0.06)\t(0,80,\xshad-11\yshad5)\t(80,160,\xshad-1\yshad-3)\t(160,170,\xshad14\yshad-7)}ko
Dialogue: 1,0:01:12.67,0:01:12.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 19] \an5\pos(560.41,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.05)\t(42,84,\fax-0.07\fay-0.04)\t(84,126,\fax0.06\fay0.08)\t(126,168,\fax0.03\fay0.06)\t(168,170,\fax0.05\fay0.04)\t(0,80,\xshad-1\yshad-3)\t(80,160,\xshad-9\yshad-11)\t(160,170,\xshad-5\yshad14)}n
Dialogue: 1,0:01:12.84,0:01:13.03,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 20] \an5\pos(585.08,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.06)\t(42,84,\fax0.06\fay0.08)\t(84,126,\fax-0.05\fay-0.05)\t(126,168,\fax0.07\fay-0.04)\t(168,190,\fax-0.07\fay0.03)\t(0,80,\xshad9\yshad5)\t(80,160,\xshad4\yshad-2)\t(160,190,\xshad8\yshad14)}da
Dialogue: 1,0:01:13.03,0:01:13.25,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 21] \an5\pos(642.3,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.03)\t(42,84,\fax0.05\fay0.08)\t(84,126,\fax0.03\fay0.07)\t(126,168,\fax-0.06\fay0.08)\t(168,210,\fax0.04\fay-0.07)\t(210,220,\fax-0.03\fay-0.05)\t(0,80,\xshad12\yshad-5)\t(80,160,\xshad-6\yshad10)\t(160,220,\xshad12\yshad-8)}chuu
Dialogue: 1,0:01:13.25,0:01:13.46,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 22] \an5\pos(689.57,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.06)\t(42,84,\fax0.07\fay-0.04)\t(84,126,\fax0.06\fay-0.03)\t(126,168,\fax0.07\fay-0.06)\t(168,210,\fax0.03\fay0.06)\t(0,80,\xshad7\yshad-9)\t(80,160,\xshad12\yshad12)\t(160,210,\xshad-10\yshad-13)}zu
Dialogue: 1,0:01:13.46,0:01:13.66,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 23] \an5\pos(714.76,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.07)\t(42,84,\fax0.07\fay0.04)\t(84,126,\fax0.06\fay0.03)\t(126,168,\fax0.08\fay-0.05)\t(168,200,\fax0.04\fay-0.06)\t(0,80,\xshad5\yshad-10)\t(80,160,\xshad-10\yshad1)\t(160,200,\xshad-13\yshad-6)}ri
Dialogue: 1,0:01:13.66,0:01:13.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 24] \an5\pos(750.21,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,290,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.07)\t(42,84,\fax0.08\fay0.03)\t(84,126,\fax-0.04\fay-0.08)\t(126,168,\fax0.07\fay0.08)\t(168,210,\fax-0.03\fay-0.08)\t(210,252,\fax0.07\fay0.04)\t(252,290,\fax0.05\fay0.04)\t(0,80,\xshad-11\yshad-10)\t(80,160,\xshad-1\yshad14)\t(160,240,\xshad-8\yshad-1)\t(240,290,\xshad12\yshad-6)}no
Dialogue: 1,0:01:13.95,0:01:14.30,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 25] \an5\pos(789.41,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.06)\t(42,84,\fax0.07\fay0.07)\t(84,126,\fax0.04\fay0.04)\t(126,168,\fax0.05\fay-0.07)\t(168,210,\fax-0.05\fay-0.03)\t(210,252,\fax0.06\fay-0.08)\t(252,294,\fax-0.08\fay0.06)\t(294,336,\fax-0.07\fay-0.07)\t(336,350,\fax-0.07\fay0.05)\t(0,80,\xshad-6\yshad11)\t(80,160,\xshad-2\yshad-4)\t(160,240,\xshad1\yshad-7)\t(240,320,\xshad-13\yshad7)\t(320,350,\xshad-12\yshad-8)}se
Dialogue: 1,0:01:14.30,0:01:14.55,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 2 - line fx: 26] \an5\pos(822.83,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.06)\t(42,84,\fax0.07\fay-0.05)\t(84,126,\fax0.05\fay0.03)\t(126,168,\fax0.05\fay-0.07)\t(168,210,\fax-0.07\fay0.05)\t(210,250,\fax-0.03\fay-0.04)\t(0,80,\xshad-11\yshad11)\t(80,160,\xshad-12\yshad-14)\t(160,240,\xshad-14\yshad14)\t(240,250,\xshad-7\yshad-5)}kai
Dialogue: 1,0:01:14.98,0:01:15.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 27] \an5\pos(417.75,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.06)\t(42,84,\fax-0.04\fay0.07)\t(84,126,\fax0.08\fay-0.06)\t(126,160,\fax-0.08\fay0.07)\t(0,80,\xshad12\yshad7)\t(80,160,\xshad9\yshad-13)}shi
Dialogue: 1,0:01:15.14,0:01:15.22,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 28] \an5\pos(444.2,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.04\fay0.04)\t(42,80,\fax0.08\fay0.03)\t(\xshad-14\yshad14)}n
Dialogue: 1,0:01:15.22,0:01:15.47,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 29] \an5\pos(461.14,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.03)\t(42,84,\fax-0.08\fay0.06)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax0.03\fay0.03)\t(168,210,\fax-0.06\fay0.05)\t(210,250,\fax-0.03\fay-0.04)\t(0,80,\xshad7\yshad9)\t(80,160,\xshad-11\yshad4)\t(160,240,\xshad-6\yshad11)\t(240,250,\xshad10\yshad10)}ji
Dialogue: 1,0:01:15.47,0:01:15.63,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 30] \an5\pos(483.76,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.06)\t(42,84,\fax-0.04\fay0.06)\t(84,126,\fax-0.03\fay-0.07)\t(126,160,\fax0.07\fay-0.06)\t(0,80,\xshad-13\yshad-7)\t(80,160,\xshad-10\yshad9)}ra
Dialogue: 1,0:01:15.63,0:01:15.78,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 31] \an5\pos(511.46,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.05)\t(42,84,\fax0.06\fay-0.06)\t(84,126,\fax-0.07\fay-0.04)\t(126,150,\fax0.04\fay0.08)\t(0,80,\xshad12\yshad-4)\t(80,150,\xshad4\yshad1)}re
Dialogue: 1,0:01:15.78,0:01:15.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 32] \an5\pos(539.69,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.08)\t(42,84,\fax0.06\fay-0.07)\t(84,126,\fax0.04\fay-0.03)\t(126,150,\fax-0.08\fay0.05)\t(0,80,\xshad-7\yshad-3)\t(80,150,\xshad-14\yshad1)}ru
Dialogue: 1,0:01:15.93,0:01:16.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 33] \an5\pos(579.98,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.07)\t(42,84,\fax-0.04\fay0.07)\t(84,126,\fax-0.06\fay-0.06)\t(126,168,\fax0.04\fay0.06)\t(168,210,\fax-0.08\fay0.08)\t(0,80,\xshad10\yshad10)\t(80,160,\xshad12\yshad-3)\t(160,210,\xshad-6\yshad14)}ko
Dialogue: 1,0:01:16.14,0:01:16.26,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 34] \an5\pos(610.35,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.04)\t(42,84,\fax-0.08\fay0.03)\t(84,120,\fax-0.03\fay0.07)\t(0,80,\xshad-8\yshad-7)\t(80,120,\xshad1\yshad8)}ta
Dialogue: 1,0:01:16.26,0:01:16.47,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 35] \an5\pos(631.42,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.07)\t(42,84,\fax-0.03\fay-0.07)\t(84,126,\fax-0.06\fay0.07)\t(126,168,\fax-0.05\fay0.06)\t(168,210,\fax-0.07\fay0.08)\t(0,80,\xshad12\yshad-2)\t(80,160,\xshad-14\yshad14)\t(160,210,\xshad-11\yshad-14)}e
Dialogue: 1,0:01:16.47,0:01:16.67,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 36] \an5\pos(661.8,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.04)\t(42,84,\fax-0.05\fay0.08)\t(84,126,\fax0.05\fay-0.04)\t(126,168,\fax0.07\fay-0.06)\t(168,200,\fax0.06\fay0.03)\t(0,80,\xshad7\yshad9)\t(80,160,\xshad9\yshad12)\t(160,200,\xshad-4\yshad-7)}sa
Dialogue: 1,0:01:16.67,0:01:16.82,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 37] \an5\pos(691.62,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,150,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.08)\t(42,84,\fax-0.03\fay0.03)\t(84,126,\fax0.06\fay0.08)\t(126,150,\fax-0.05\fay0.08)\t(0,80,\xshad-2\yshad10)\t(80,150,\xshad-2\yshad7)}ga
Dialogue: 1,0:01:16.82,0:01:17.03,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 38] \an5\pos(725.56,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.05)\t(42,84,\fax-0.05\fay-0.08)\t(84,126,\fax-0.05\fay0.05)\t(126,168,\fax-0.08\fay-0.05)\t(168,210,\fax0.05\fay0.06)\t(0,80,\xshad-9\yshad-6)\t(80,160,\xshad-1\yshad9)\t(160,210,\xshad5\yshad-12)}shi
Dialogue: 1,0:01:17.03,0:01:17.27,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 39] \an5\pos(764.54,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.05)\t(42,84,\fax-0.03\fay-0.06)\t(84,126,\fax-0.05\fay0.05)\t(126,168,\fax0.07\fay-0.06)\t(168,210,\fax0.05\fay-0.08)\t(210,240,\fax-0.07\fay-0.07)\t(0,80,\xshad14\yshad-1)\t(80,160,\xshad1\yshad5)\t(160,240,\xshad-1\yshad-12)}mo
Dialogue: 1,0:01:17.27,0:01:17.50,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 40] \an5\pos(799.54,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,230,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.03)\t(42,84,\fax-0.04\fay-0.07)\t(84,126,\fax0.05\fay0.03)\t(126,168,\fax0.05\fay0.05)\t(168,210,\fax-0.07\fay-0.03)\t(210,230,\fax0.04\fay-0.03)\t(0,80,\xshad-10\yshad-13)\t(80,160,\xshad10\yshad-13)\t(160,230,\xshad-13\yshad9)}to
Dialogue: 1,0:01:17.50,0:01:17.74,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 41] \an5\pos(833.71,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.07)\t(42,84,\fax0.04\fay0.04)\t(84,126,\fax0.03\fay-0.06)\t(126,168,\fax-0.07\fay-0.08)\t(168,210,\fax-0.05\fay-0.06)\t(210,240,\fax0.08\fay-0.05)\t(0,80,\xshad-7\yshad1)\t(80,160,\xshad-4\yshad-7)\t(160,240,\xshad-14\yshad-1)}me
Dialogue: 1,0:01:17.74,0:01:18.12,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 3 - line fx: 42] \an5\pos(867.05,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.06)\t(42,84,\fax-0.08\fay0.08)\t(84,126,\fax0.04\fay-0.06)\t(126,168,\fax-0.05\fay0.05)\t(168,210,\fax0.08\fay-0.06)\t(210,252,\fax-0.07\fay0.06)\t(252,294,\fax0.03\fay-0.07)\t(294,336,\fax0.04\fay0.07)\t(336,378,\fax-0.04\fay0.03)\t(378,380,\fax-0.03\fay-0.06)\t(0,80,\xshad-3\yshad6)\t(80,160,\xshad-5\yshad-2)\t(160,240,\xshad9\yshad-13)\t(240,320,\xshad7\yshad-12)\t(320,380,\xshad7\yshad-8)}te
Dialogue: 1,0:01:18.28,0:01:18.54,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 43] \an5\pos(534.5,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,260,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.05)\t(42,84,\fax-0.03\fay0.08)\t(84,126,\fax-0.06\fay-0.05)\t(126,168,\fax-0.03\fay0.04)\t(168,210,\fax-0.04\fay0.05)\t(210,252,\fax-0.07\fay0.07)\t(252,260,\fax0.04\fay0.08)\t(0,80,\xshad-4\yshad-7)\t(80,160,\xshad-7\yshad-2)\t(160,240,\xshad13\yshad2)\t(240,260,\xshad-7\yshad14)}ta
Dialogue: 1,0:01:18.54,0:01:18.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 44] \an5\pos(564.45,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,300,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.07)\t(42,84,\fax-0.04\fay-0.08)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax-0.07\fay0.03)\t(168,210,\fax-0.05\fay0.03)\t(210,252,\fax-0.08\fay0.06)\t(252,294,\fax-0.07\fay0.03)\t(294,300,\fax-0.07\fay-0.06)\t(0,80,\xshad-7\yshad3)\t(80,160,\xshad-4\yshad11)\t(160,240,\xshad-7\yshad5)\t(240,300,\xshad-8\yshad7)}da
Dialogue: 1,0:01:18.98,0:01:19.46,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 45] \an5\pos(603.7,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,480,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.05)\t(42,84,\fax0.04\fay0.06)\t(84,126,\fax0.07\fay0.05)\t(126,168,\fax0.04\fay0.05)\t(168,210,\fax0.07\fay0.04)\t(210,252,\fax-0.07\fay-0.04)\t(252,294,\fax0.04\fay0.05)\t(294,336,\fax0.03\fay-0.03)\t(336,378,\fax0.07\fay-0.05)\t(378,420,\fax0.03\fay0.05)\t(420,462,\fax-0.03\fay0.08)\t(462,480,\fax-0.03\fay0.08)\t(0,80,\xshad-8\yshad-4)\t(80,160,\xshad5\yshad11)\t(160,240,\xshad2\yshad-3)\t(240,320,\xshad6\yshad-3)\t(320,400,\xshad-2\yshad-9)\t(400,480,\xshad11\yshad7)}sa
Dialogue: 1,0:01:19.46,0:01:19.76,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 46] \an5\pos(638.09,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,300,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.06)\t(42,84,\fax0.07\fay0.08)\t(84,126,\fax0.03\fay-0.07)\t(126,168,\fax0.05\fay-0.05)\t(168,210,\fax-0.05\fay0.08)\t(210,252,\fax0.07\fay0.07)\t(252,294,\fax0.07\fay0.08)\t(294,300,\fax0.07\fay0.07)\t(0,80,\xshad-6\yshad-1)\t(80,160,\xshad-14\yshad5)\t(160,240,\xshad-10\yshad-11)\t(240,300,\xshad4\yshad11)}ma
Dialogue: 1,0:01:19.76,0:01:20.12,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 47] \an5\pos(675.16,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.05)\t(42,84,\fax-0.08\fay-0.05)\t(84,126,\fax-0.08\fay0.08)\t(126,168,\fax-0.04\fay0.08)\t(168,210,\fax-0.07\fay0.04)\t(210,252,\fax-0.04\fay-0.03)\t(252,294,\fax0.03\fay0.07)\t(294,336,\fax-0.03\fay0.05)\t(336,360,\fax-0.07\fay-0.07)\t(0,80,\xshad13\yshad-1)\t(80,160,\xshad6\yshad-5)\t(160,240,\xshad-5\yshad-13)\t(240,320,\xshad14\yshad-8)\t(320,360,\xshad-3\yshad12)}yo
Dialogue: 1,0:01:20.12,0:01:20.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 48] \an5\pos(710.9,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.03)\t(42,84,\fax-0.06\fay-0.06)\t(84,126,\fax0.03\fay-0.03)\t(126,168,\fax-0.07\fay0.08)\t(168,210,\fax0.05\fay-0.03)\t(210,252,\fax-0.08\fay0.05)\t(252,280,\fax0.05\fay0.06)\t(0,80,\xshad10\yshad-4)\t(80,160,\xshad8\yshad-10)\t(160,240,\xshad12\yshad-1)\t(240,280,\xshad1\yshad-12)}tte
Dialogue: 1,0:01:20.40,0:01:20.60,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 4 - line fx: 49] \an5\pos(744.59,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.03)\t(42,84,\fax0.06\fay0.04)\t(84,126,\fax-0.05\fay0.07)\t(126,168,\fax0.04\fay0.04)\t(168,200,\fax-0.08\fay0.04)\t(0,80,\xshad8\yshad-6)\t(80,160,\xshad9\yshad11)\t(160,200,\xshad7\yshad-4)}ru
Dialogue: 1,0:01:29.38,0:01:29.69,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 50] \an5\pos(456.55,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.08)\t(42,84,\fax-0.05\fay-0.04)\t(84,126,\fax0.04\fay0.03)\t(126,168,\fax-0.03\fay-0.06)\t(168,210,\fax0.06\fay0.07)\t(210,252,\fax0.06\fay0.07)\t(252,294,\fax0.04\fay-0.06)\t(294,310,\fax0.08\fay0.05)\t(0,80,\xshad-10\yshad-10)\t(80,160,\xshad-14\yshad-2)\t(160,240,\xshad-3\yshad-11)\t(240,310,\xshad-12\yshad12)}I
Dialogue: 1,0:01:29.69,0:01:29.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 51] \an5\pos(504.9,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,260,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.08)\t(42,84,\fax0.08\fay0.06)\t(84,126,\fax-0.08\fay0.07)\t(126,168,\fax0.08\fay-0.05)\t(168,210,\fax-0.06\fay0.06)\t(210,252,\fax-0.07\fay-0.03)\t(252,260,\fax-0.03\fay-0.05)\t(0,80,\xshad-3\yshad7)\t(80,160,\xshad-13\yshad7)\t(160,240,\xshad8\yshad-9)\t(240,260,\xshad1\yshad-2)}don’t
Dialogue: 1,0:01:29.95,0:01:30.33,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 52] \an5\pos(582.95,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.08)\t(42,84,\fax-0.04\fay0.03)\t(84,126,\fax0.05\fay-0.03)\t(126,168,\fax-0.03\fay0.07)\t(168,210,\fax0.03\fay0.06)\t(210,252,\fax-0.05\fay-0.04)\t(252,294,\fax-0.08\fay0.07)\t(294,336,\fax-0.06\fay0.06)\t(336,378,\fax-0.07\fay-0.08)\t(378,380,\fax-0.04\fay-0.08)\t(0,80,\xshad11\yshad-2)\t(80,160,\xshad-1\yshad-5)\t(160,240,\xshad3\yshad3)\t(240,320,\xshad2\yshad11)\t(320,380,\xshad1\yshad-4)}want
Dialogue: 1,0:01:30.33,0:01:30.69,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 53] \an5\pos(640.48,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.03)\t(42,84,\fax0.08\fay0.03)\t(84,126,\fax-0.08\fay0.07)\t(126,168,\fax0.05\fay-0.05)\t(168,210,\fax0.03\fay-0.03)\t(210,252,\fax-0.06\fay0.04)\t(252,294,\fax0.07\fay-0.04)\t(294,336,\fax-0.04\fay0.03)\t(336,360,\fax0.05\fay0.05)\t(0,80,\xshad8\yshad7)\t(80,160,\xshad5\yshad-9)\t(160,240,\xshad-8\yshad-8)\t(240,320,\xshad-11\yshad-6)\t(320,360,\xshad13\yshad-6)}to
Dialogue: 1,0:01:30.69,0:01:30.87,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 54] \an5\pos(678.17,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.03)\t(42,84,\fax0.03\fay-0.07)\t(84,126,\fax0.06\fay-0.03)\t(126,168,\fax0.04\fay-0.08)\t(168,180,\fax-0.08\fay-0.07)\t(0,80,\xshad3\yshad11)\t(80,160,\xshad4\yshad6)\t(160,180,\xshad3\yshad-7)}lie
Dialogue: 1,0:01:31.01,0:01:31.35,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 55] \an5\pos(715.87,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.04)\t(42,84,\fax-0.06\fay-0.07)\t(84,126,\fax-0.06\fay0.07)\t(126,168,\fax-0.08\fay-0.03)\t(168,210,\fax0.06\fay0.05)\t(210,252,\fax-0.04\fay0.04)\t(252,294,\fax-0.07\fay-0.04)\t(294,336,\fax0.07\fay0.05)\t(336,340,\fax0.04\fay-0.03)\t(0,80,\xshad-14\yshad-9)\t(80,160,\xshad-2\yshad-11)\t(160,240,\xshad-10\yshad-11)\t(240,320,\xshad-12\yshad-14)\t(320,340,\xshad-13\yshad-2)}to
Dialogue: 1,0:01:31.35,0:01:32.21,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 12 - line fx: 56] \an5\pos(783.57,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,860,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.07)\t(42,84,\fax-0.06\fay-0.03)\t(84,126,\fax0.05\fay0.08)\t(126,168,\fax-0.06\fay0.05)\t(168,210,\fax0.05\fay0.04)\t(210,252,\fax-0.07\fay0.07)\t(252,294,\fax-0.03\fay0.06)\t(294,336,\fax0.05\fay-0.03)\t(336,378,\fax0.06\fay-0.04)\t(378,420,\fax0.03\fay0.05)\t(420,462,\fax-0.08\fay0.07)\t(462,504,\fax-0.07\fay0.04)\t(504,546,\fax-0.08\fay0.08)\t(546,588,\fax0.05\fay-0.07)\t(588,630,\fax0.03\fay0.04)\t(630,672,\fax0.04\fay-0.03)\t(672,714,\fax-0.08\fay-0.03)\t(714,756,\fax0.08\fay-0.03)\t(756,798,\fax-0.07\fay-0.03)\t(798,840,\fax-0.03\fay-0.05)\t(840,860,\fax0.07\fay0.07)\t(0,80,\xshad11\yshad-4)\t(80,160,\xshad2\yshad9)\t(160,240,\xshad-7\yshad-11)\t(240,320,\xshad-5\yshad-4)\t(320,400,\xshad-9\yshad-8)\t(400,480,\xshad8\yshad12)\t(480,560,\xshad-2\yshad-1)\t(560,640,\xshad-14\yshad5)\t(640,720,\xshad1\yshad-2)\t(720,800,\xshad13\yshad-9)\t(800,860,\xshad-7\yshad-8)}myself
Dialogue: 1,0:01:32.21,0:01:32.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 57] \an5\pos(486.97,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.07)\t(42,84,\fax0.07\fay0.04)\t(84,126,\fax-0.05\fay-0.06)\t(126,168,\fax0.07\fay-0.07)\t(168,210,\fax0.03\fay0.06)\t(210,252,\fax0.05\fay0.03)\t(252,280,\fax-0.06\fay-0.04)\t(0,80,\xshad-9\yshad12)\t(80,160,\xshad13\yshad9)\t(160,240,\xshad8\yshad-13)\t(240,280,\xshad-5\yshad12)}Keep
Dialogue: 1,0:01:32.49,0:01:32.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 58] \an5\pos(546.78,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.05)\t(42,84,\fax0.04\fay0.06)\t(84,126,\fax0.03\fay-0.04)\t(126,168,\fax0.06\fay0.08)\t(168,210,\fax-0.08\fay0.04)\t(210,252,\fax-0.05\fay-0.06)\t(252,294,\fax0.07\fay0.03)\t(294,336,\fax-0.06\fay0.06)\t(336,350,\fax0.03\fay0.07)\t(0,80,\xshad-2\yshad-5)\t(80,160,\xshad7\yshad10)\t(160,240,\xshad-8\yshad7)\t(240,320,\xshad-12\yshad-5)\t(320,350,\xshad-13\yshad11)}on
Dialogue: 1,0:01:32.84,0:01:32.92,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 59] \an5\pos(594.04,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.05\fay-0.03)\t(42,80,\fax-0.08\fay0.05)\t(\xshad-7\yshad-1)}the
Dialogue: 1,0:01:32.92,0:01:33.38,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 60] \an5\pos(660.62,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,460,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.05)\t(42,84,\fax0.07\fay-0.04)\t(84,126,\fax0.05\fay0.07)\t(126,168,\fax0.08\fay0.03)\t(168,210,\fax-0.03\fay0.07)\t(210,252,\fax0.03\fay0.08)\t(252,294,\fax0.08\fay-0.03)\t(294,336,\fax0.07\fay0.04)\t(336,378,\fax-0.08\fay0.07)\t(378,420,\fax0.07\fay-0.03)\t(420,460,\fax-0.07\fay0.08)\t(0,80,\xshad-7\yshad13)\t(80,160,\xshad5\yshad-12)\t(160,240,\xshad8\yshad-14)\t(240,320,\xshad11\yshad4)\t(320,400,\xshad-5\yshad11)\t(400,460,\xshad-7\yshad7)}fight,
Dialogue: 1,0:01:33.38,0:01:33.59,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 61] \an5\pos(729.79,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.03)\t(42,84,\fax0.06\fay-0.03)\t(84,126,\fax0.03\fay-0.03)\t(126,168,\fax-0.07\fay-0.08)\t(168,210,\fax0.08\fay0.03)\t(0,80,\xshad-12\yshad6)\t(80,160,\xshad3\yshad13)\t(160,210,\xshad14\yshad7)}Get
Dialogue: 1,0:01:33.59,0:01:33.90,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 13 - line fx: 62] \an5\pos(795.12,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax0.08\fay0.06)\t(84,126,\fax-0.06\fay-0.06)\t(126,168,\fax-0.04\fay-0.03)\t(168,210,\fax-0.04\fay0.05)\t(210,252,\fax0.08\fay0.06)\t(252,294,\fax0.06\fay0.03)\t(294,310,\fax-0.07\fay-0.07)\t(0,80,\xshad-7\yshad-13)\t(80,160,\xshad12\yshad-11)\t(160,240,\xshad1\yshad1)\t(240,310,\xshad-1\yshad-2)}right
Dialogue: 1,0:01:33.90,0:01:34.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 63] \an5\pos(512.59,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,240,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.03)\t(42,84,\fax-0.06\fay0.03)\t(84,126,\fax-0.08\fay0.06)\t(126,168,\fax-0.06\fay0.03)\t(168,210,\fax0.05\fay-0.05)\t(210,240,\fax-0.08\fay-0.04)\t(0,80,\xshad-8\yshad-2)\t(80,160,\xshad12\yshad-6)\t(160,240,\xshad-13\yshad6)}I’ll
Dialogue: 1,0:01:34.14,0:01:34.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 64] \an5\pos(574.92,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.08)\t(42,84,\fax0.04\fay0.04)\t(84,126,\fax-0.08\fay0.07)\t(126,168,\fax0.06\fay0.04)\t(168,210,\fax0.06\fay-0.05)\t(210,252,\fax0.08\fay0.06)\t(252,294,\fax-0.04\fay0.05)\t(294,336,\fax0.04\fay0.07)\t(336,350,\fax0.06\fay0.08)\t(0,80,\xshad-3\yshad-2)\t(80,160,\xshad9\yshad-10)\t(160,240,\xshad10\yshad7)\t(240,320,\xshad5\yshad-12)\t(320,350,\xshad-7\yshad1)}never
Dialogue: 1,0:01:34.49,0:01:34.71,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 65] \an5\pos(647.13,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.04)\t(42,84,\fax0.04\fay-0.07)\t(84,126,\fax0.05\fay-0.08)\t(126,168,\fax0.04\fay-0.08)\t(168,210,\fax0.04\fay0.06)\t(210,220,\fax-0.06\fay0.04)\t(0,80,\xshad3\yshad-13)\t(80,160,\xshad9\yshad4)\t(160,220,\xshad-8\yshad-4)}lose
Dialogue: 1,0:01:34.71,0:01:34.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 66] \an5\pos(706.2,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.04)\t(42,84,\fax0.05\fay-0.05)\t(84,126,\fax-0.04\fay-0.05)\t(126,130,\fax0.05\fay-0.04)\t(0,80,\xshad13\yshad-6)\t(80,130,\xshad1\yshad7)}and
Dialogue: 1,0:01:34.84,0:01:35.18,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 14 - line fx: 67] \an5\pos(761.41,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.04)\t(42,84,\fax-0.03\fay-0.07)\t(84,126,\fax0.04\fay-0.03)\t(126,168,\fax0.05\fay-0.06)\t(168,210,\fax0.08\fay0.06)\t(210,252,\fax0.08\fay0.05)\t(252,294,\fax-0.06\fay-0.08)\t(294,336,\fax0.06\fay0.05)\t(336,340,\fax-0.03\fay-0.03)\t(0,80,\xshad-11\yshad-14)\t(80,160,\xshad-14\yshad-6)\t(160,240,\xshad-8\yshad4)\t(240,320,\xshad-5\yshad-1)\t(320,340,\xshad-12\yshad-10)}cry
Dialogue: 1,0:01:35.22,0:01:35.42,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 68] \an5\pos(494.2,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.06)\t(42,84,\fax0.04\fay0.07)\t(84,126,\fax0.07\fay0.03)\t(126,168,\fax-0.05\fay-0.03)\t(168,200,\fax0.06\fay0.06)\t(0,80,\xshad11\yshad12)\t(80,160,\xshad-3\yshad5)\t(160,200,\xshad-9\yshad-11)}Keep
Dialogue: 1,0:01:35.42,0:01:35.75,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 69] \an5\pos(560.32,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,330,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.05)\t(42,84,\fax-0.08\fay0.08)\t(84,126,\fax0.03\fay0.03)\t(126,168,\fax-0.07\fay0.05)\t(168,210,\fax0.04\fay0.07)\t(210,252,\fax0.03\fay0.03)\t(252,294,\fax0.05\fay-0.06)\t(294,330,\fax0.03\fay-0.08)\t(0,80,\xshad-2\yshad-7)\t(80,160,\xshad-4\yshad-11)\t(160,240,\xshad9\yshad1)\t(240,320,\xshad8\yshad-3)\t(320,330,\xshad6\yshad-2)}run
Dialogue: 1,0:01:35.75,0:01:35.94,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 70] \an5\pos(609.05,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.08)\t(42,84,\fax-0.07\fay-0.08)\t(84,126,\fax0.07\fay-0.06)\t(126,168,\fax-0.06\fay0.06)\t(168,190,\fax0.08\fay-0.05)\t(0,80,\xshad-11\yshad-14)\t(80,160,\xshad-9\yshad-9)\t(160,190,\xshad2\yshad-2)}up
Dialogue: 1,0:01:35.94,0:01:36.33,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 71] \an5\pos(659.52,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,390,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.07)\t(42,84,\fax-0.06\fay0.06)\t(84,126,\fax-0.06\fay0.07)\t(126,168,\fax0.08\fay-0.06)\t(168,210,\fax0.03\fay0.08)\t(210,252,\fax-0.06\fay0.07)\t(252,294,\fax0.05\fay-0.05)\t(294,336,\fax0.05\fay-0.05)\t(336,378,\fax0.04\fay0.04)\t(378,390,\fax-0.04\fay-0.07)\t(0,80,\xshad9\yshad2)\t(80,160,\xshad4\yshad7)\t(160,240,\xshad11\yshad-10)\t(240,320,\xshad-9\yshad-4)\t(320,390,\xshad5\yshad-9)}day
Dialogue: 1,0:01:36.33,0:01:36.51,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 72] \an5\pos(717.87,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.03)\t(42,84,\fax-0.03\fay-0.04)\t(84,126,\fax-0.06\fay-0.05)\t(126,168,\fax-0.08\fay0.03)\t(168,180,\fax0.07\fay0.08)\t(0,80,\xshad10\yshad-13)\t(80,160,\xshad14\yshad-9)\t(160,180,\xshad13\yshad-9)}and
Dialogue: 1,0:01:36.51,0:01:36.78,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 15 - line fx: 73] \an5\pos(785.77,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,270,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.04)\t(42,84,\fax-0.08\fay-0.07)\t(84,126,\fax-0.07\fay0.07)\t(126,168,\fax0.04\fay-0.07)\t(168,210,\fax-0.04\fay-0.06)\t(210,252,\fax0.06\fay-0.08)\t(252,270,\fax-0.08\fay0.06)\t(0,80,\xshad-7\yshad12)\t(80,160,\xshad13\yshad3)\t(160,240,\xshad2\yshad-7)\t(240,270,\xshad-12\yshad-1)}night
Dialogue: 1,0:01:36.78,0:01:37.12,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 16 - line fx: 74] \an5\pos(567.73,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.08)\t(42,84,\fax-0.06\fay0.07)\t(84,126,\fax-0.06\fay-0.07)\t(126,168,\fax0.07\fay-0.04)\t(168,210,\fax0.06\fay0.06)\t(210,252,\fax0.08\fay0.07)\t(252,294,\fax-0.03\fay-0.03)\t(294,336,\fax-0.03\fay0.08)\t(336,340,\fax-0.03\fay0.06)\t(0,80,\xshad-7\yshad10)\t(80,160,\xshad-2\yshad-7)\t(160,240,\xshad13\yshad4)\t(240,320,\xshad2\yshad14)\t(320,340,\xshad-10\yshad6)}Time
Dialogue: 1,0:01:37.12,0:01:37.33,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 16 - line fx: 75] \an5\pos(623.91,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.05)\t(42,84,\fax-0.03\fay-0.08)\t(84,126,\fax-0.04\fay-0.04)\t(126,168,\fax-0.03\fay0.06)\t(168,210,\fax0.06\fay-0.04)\t(0,80,\xshad-2\yshad9)\t(80,160,\xshad-7\yshad-12)\t(160,210,\xshad8\yshad3)}to
Dialogue: 1,0:01:37.33,0:01:37.70,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 16 - line fx: 76] \an5\pos(696.18,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,370,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.06)\t(42,84,\fax0.07\fay-0.03)\t(84,126,\fax0.04\fay0.06)\t(126,168,\fax-0.06\fay0.05)\t(168,210,\fax-0.03\fay-0.03)\t(210,252,\fax-0.03\fay-0.04)\t(252,294,\fax-0.04\fay-0.03)\t(294,336,\fax-0.03\fay-0.03)\t(336,370,\fax-0.08\fay-0.04)\t(0,80,\xshad9\yshad1)\t(80,160,\xshad8\yshad4)\t(160,240,\xshad-8\yshad-10)\t(240,320,\xshad-12\yshad4)\t(320,370,\xshad11\yshad3)}rewrite
Dialogue: 1,0:01:37.70,0:01:38.14,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 77] \an5\pos(470.88,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,440,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.05)\t(42,84,\fax0.06\fay0.08)\t(84,126,\fax-0.04\fay0.03)\t(126,168,\fax0.05\fay0.06)\t(168,210,\fax0.03\fay0.07)\t(210,252,\fax-0.06\fay0.08)\t(252,294,\fax-0.06\fay-0.05)\t(294,336,\fax-0.05\fay0.08)\t(336,378,\fax-0.03\fay0.03)\t(378,420,\fax0.07\fay-0.07)\t(420,440,\fax-0.08\fay0.04)\t(0,80,\xshad-5\yshad-3)\t(80,160,\xshad3\yshad-12)\t(160,240,\xshad2\yshad9)\t(240,320,\xshad9\yshad4)\t(320,400,\xshad-14\yshad11)\t(400,440,\xshad6\yshad1)}No
Dialogue: 1,0:01:38.14,0:01:38.50,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 78] \an5\pos(544.45,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.05)\t(42,84,\fax-0.08\fay0.04)\t(84,126,\fax0.03\fay-0.05)\t(126,168,\fax-0.05\fay0.08)\t(168,210,\fax-0.05\fay0.05)\t(210,252,\fax0.04\fay0.07)\t(252,294,\fax0.05\fay0.03)\t(294,336,\fax0.08\fay-0.07)\t(336,360,\fax-0.05\fay0.08)\t(0,80,\xshad-5\yshad-5)\t(80,160,\xshad-12\yshad14)\t(160,240,\xshad4\yshad12)\t(240,320,\xshad-5\yshad2)\t(320,360,\xshad-8\yshad-14)}matter
Dialogue: 1,0:01:38.50,0:01:38.87,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 79] \an5\pos(633.67,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,370,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.03)\t(42,84,\fax-0.06\fay-0.03)\t(84,126,\fax-0.07\fay0.06)\t(126,168,\fax0.04\fay-0.08)\t(168,210,\fax0.07\fay-0.06)\t(210,252,\fax0.05\fay0.04)\t(252,294,\fax0.04\fay-0.04)\t(294,336,\fax-0.08\fay-0.04)\t(336,370,\fax-0.08\fay-0.07)\t(0,80,\xshad-5\yshad-4)\t(80,160,\xshad-13\yshad-12)\t(160,240,\xshad-4\yshad6)\t(240,320,\xshad-3\yshad8)\t(320,370,\xshad5\yshad-11)}what
Dialogue: 1,0:01:38.87,0:01:39.31,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 80] \an5\pos(725.65,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,440,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.03)\t(42,84,\fax-0.06\fay0.04)\t(84,126,\fax0.05\fay-0.08)\t(126,168,\fax-0.07\fay0.06)\t(168,210,\fax-0.08\fay-0.03)\t(210,252,\fax-0.06\fay-0.04)\t(252,294,\fax0.05\fay0.06)\t(294,336,\fax0.08\fay0.03)\t(336,378,\fax-0.05\fay-0.07)\t(378,420,\fax-0.07\fay0.07)\t(420,440,\fax-0.08\fay0.05)\t(0,80,\xshad-1\yshad14)\t(80,160,\xshad-1\yshad11)\t(160,240,\xshad-14\yshad2)\t(240,320,\xshad4\yshad-3)\t(320,400,\xshad-1\yshad-14)\t(400,440,\xshad10\yshad4)}anyone
Dialogue: 1,0:01:39.31,0:01:39.74,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 17 - line fx: 81] \an5\pos(805.55,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,430,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.05)\t(42,84,\fax0.07\fay0.07)\t(84,126,\fax-0.04\fay-0.07)\t(126,168,\fax-0.07\fay0.06)\t(168,210,\fax0.04\fay0.07)\t(210,252,\fax0.07\fay0.07)\t(252,294,\fax0.07\fay-0.07)\t(294,336,\fax0.08\fay-0.08)\t(336,378,\fax0.08\fay-0.08)\t(378,420,\fax-0.03\fay-0.03)\t(420,430,\fax-0.08\fay-0.05)\t(0,80,\xshad-10\yshad-9)\t(80,160,\xshad10\yshad5)\t(160,240,\xshad1\yshad-8)\t(240,320,\xshad4\yshad14)\t(320,400,\xshad11\yshad3)\t(400,430,\xshad-8\yshad12)}say
Dialogue: 1,0:01:39.74,0:01:40.06,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 82] \an5\pos(550.04,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,320,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.08)\t(42,84,\fax-0.04\fay0.03)\t(84,126,\fax-0.05\fay-0.07)\t(126,168,\fax0.04\fay0.08)\t(168,210,\fax-0.08\fay-0.04)\t(210,252,\fax0.05\fay-0.03)\t(252,294,\fax0.07\fay0.03)\t(294,320,\fax-0.05\fay0.06)\t(0,80,\xshad-12\yshad-13)\t(80,160,\xshad-12\yshad7)\t(160,240,\xshad14\yshad-9)\t(240,320,\xshad13\yshad-14)}I
Dialogue: 1,0:01:40.06,0:01:40.56,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 83] \an5\pos(590.63,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,500,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.05)\t(42,84,\fax0.04\fay0.03)\t(84,126,\fax-0.03\fay-0.08)\t(126,168,\fax0.05\fay-0.06)\t(168,210,\fax0.03\fay0.05)\t(210,252,\fax0.07\fay0.07)\t(252,294,\fax0.05\fay0.06)\t(294,336,\fax0.06\fay-0.05)\t(336,378,\fax-0.07\fay-0.04)\t(378,420,\fax-0.08\fay-0.07)\t(420,462,\fax0.05\fay-0.04)\t(462,500,\fax-0.08\fay0.08)\t(0,80,\xshad-2\yshad7)\t(80,160,\xshad2\yshad-2)\t(160,240,\xshad-1\yshad6)\t(240,320,\xshad11\yshad-10)\t(320,400,\xshad10\yshad1)\t(400,480,\xshad-7\yshad-10)\t(480,500,\xshad-3\yshad-10)}find
Dialogue: 1,0:01:40.56,0:01:40.87,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 84] \an5\pos(647.52,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax-0.08\fay-0.07)\t(84,126,\fax0.08\fay-0.06)\t(126,168,\fax-0.04\fay-0.07)\t(168,210,\fax-0.04\fay0.03)\t(210,252,\fax0.08\fay0.06)\t(252,294,\fax-0.03\fay0.06)\t(294,310,\fax-0.03\fay0.06)\t(0,80,\xshad4\yshad-7)\t(80,160,\xshad-8\yshad1)\t(160,240,\xshad4\yshad4)\t(240,310,\xshad-9\yshad4)}my
Dialogue: 1,0:01:40.87,0:01:41.39,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 18 - line fx: 85] \an5\pos(706.11,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,520,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.07)\t(42,84,\fax-0.08\fay-0.06)\t(84,126,\fax0.07\fay-0.06)\t(126,168,\fax-0.05\fay-0.05)\t(168,210,\fax0.07\fay0.05)\t(210,252,\fax-0.03\fay-0.05)\t(252,294,\fax-0.06\fay0.07)\t(294,336,\fax-0.05\fay-0.08)\t(336,378,\fax0.04\fay0.07)\t(378,420,\fax-0.07\fay-0.05)\t(420,462,\fax0.06\fay0.08)\t(462,504,\fax0.08\fay0.05)\t(504,520,\fax-0.05\fay-0.06)\t(0,80,\xshad3\yshad6)\t(80,160,\xshad8\yshad7)\t(160,240,\xshad-3\yshad10)\t(240,320,\xshad3\yshad5)\t(320,400,\xshad-6\yshad-5)\t(400,480,\xshad-5\yshad12)\t(480,520,\xshad10\yshad-3)}way
Dialogue: 1,0:01:41.68,0:01:42.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 86] \an5\pos(536.02,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,810,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.06)\t(42,84,\fax0.08\fay-0.06)\t(84,126,\fax-0.07\fay0.03)\t(126,168,\fax-0.08\fay-0.04)\t(168,210,\fax0.03\fay0.05)\t(210,252,\fax0.07\fay0.05)\t(252,294,\fax-0.07\fay0.05)\t(294,336,\fax0.07\fay0.04)\t(336,378,\fax0.04\fay0.05)\t(378,420,\fax-0.07\fay0.07)\t(420,462,\fax-0.05\fay-0.05)\t(462,504,\fax-0.03\fay0.04)\t(504,546,\fax0.03\fay-0.06)\t(546,588,\fax0.07\fay-0.07)\t(588,630,\fax-0.06\fay-0.06)\t(630,672,\fax-0.04\fay0.06)\t(672,714,\fax-0.05\fay0.04)\t(714,756,\fax0.08\fay-0.04)\t(756,798,\fax-0.06\fay-0.04)\t(798,810,\fax0.08\fay0.05)\t(0,80,\xshad-5\yshad-8)\t(80,160,\xshad-7\yshad-7)\t(160,240,\xshad1\yshad-10)\t(240,320,\xshad-3\yshad7)\t(320,400,\xshad3\yshad-3)\t(400,480,\xshad-3\yshad5)\t(480,560,\xshad-4\yshad-10)\t(560,640,\xshad-2\yshad-9)\t(640,720,\xshad-1\yshad6)\t(720,800,\xshad-11\yshad-1)\t(800,810,\xshad-8\yshad-7)}Yeah
Dialogue: 1,0:01:42.49,0:01:42.84,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 87] \an5\pos(617.32,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.04)\t(42,84,\fax-0.05\fay-0.03)\t(84,126,\fax-0.05\fay0.08)\t(126,168,\fax0.04\fay-0.03)\t(168,210,\fax0.07\fay-0.05)\t(210,252,\fax-0.04\fay0.04)\t(252,294,\fax-0.08\fay-0.06)\t(294,336,\fax-0.03\fay0.05)\t(336,350,\fax0.07\fay0.05)\t(0,80,\xshad10\yshad13)\t(80,160,\xshad-4\yshad8)\t(160,240,\xshad-3\yshad9)\t(240,320,\xshad-9\yshad-8)\t(320,350,\xshad5\yshad-3)}never
Dialogue: 1,0:01:42.84,0:01:43.04,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 88] \an5\pos(680.45,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.07)\t(42,84,\fax-0.05\fay-0.03)\t(84,126,\fax0.05\fay-0.03)\t(126,168,\fax0.05\fay0.07)\t(168,200,\fax0.05\fay0.05)\t(0,80,\xshad1\yshad-1)\t(80,160,\xshad11\yshad-1)\t(160,200,\xshad-5\yshad6)}go
Dialogue: 1,0:01:43.04,0:01:44.07,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 19 - line fx: 89] \an5\pos(742.13,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,1030,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.03)\t(42,84,\fax0.04\fay-0.05)\t(84,126,\fax0.06\fay0.06)\t(126,168,\fax0.06\fay0.07)\t(168,210,\fax0.06\fay-0.06)\t(210,252,\fax-0.08\fay-0.03)\t(252,294,\fax0.06\fay-0.08)\t(294,336,\fax0.06\fay0.03)\t(336,378,\fax-0.05\fay-0.03)\t(378,420,\fax0.06\fay0.08)\t(420,462,\fax0.07\fay0.05)\t(462,504,\fax-0.07\fay-0.06)\t(504,546,\fax-0.05\fay-0.08)\t(546,588,\fax-0.08\fay0.08)\t(588,630,\fax0.08\fay0.07)\t(630,672,\fax-0.06\fay-0.08)\t(672,714,\fax0.03\fay0.03)\t(714,756,\fax-0.06\fay-0.04)\t(756,798,\fax0.07\fay0.06)\t(798,840,\fax0.08\fay0.08)\t(840,882,\fax0.04\fay-0.07)\t(882,924,\fax0.07\fay0.08)\t(924,966,\fax0.07\fay0.06)\t(966,1008,\fax-0.04\fay-0.04)\t(1008,1030,\fax-0.07\fay-0.07)\t(0,80,\xshad-11\yshad14)\t(80,160,\xshad-6\yshad-11)\t(160,240,\xshad-2\yshad-5)\t(240,320,\xshad14\yshad13)\t(320,400,\xshad11\yshad-12)\t(400,480,\xshad6\yshad-9)\t(480,560,\xshad9\yshad8)\t(560,640,\xshad3\yshad-12)\t(640,720,\xshad13\yshad-8)\t(720,800,\xshad-13\yshad2)\t(800,880,\xshad7\yshad-14)\t(880,960,\xshad4\yshad-14)\t(960,1030,\xshad3\yshad-10)}away
Dialogue: 1,0:01:45.03,0:01:45.41,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 90] \an5\pos(437.2,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.05)\t(42,84,\fax-0.07\fay-0.03)\t(84,126,\fax-0.08\fay-0.07)\t(126,168,\fax0.03\fay0.06)\t(168,210,\fax-0.07\fay0.08)\t(210,252,\fax0.05\fay-0.03)\t(252,294,\fax-0.03\fay0.04)\t(294,336,\fax-0.04\fay-0.07)\t(336,378,\fax-0.07\fay0.06)\t(378,380,\fax0.04\fay0.07)\t(0,80,\xshad-5\yshad3)\t(80,160,\xshad6\yshad-11)\t(160,240,\xshad9\yshad1)\t(240,320,\xshad-4\yshad-10)\t(320,380,\xshad-10\yshad-7)}Now,
Dialogue: 1,0:01:45.41,0:01:45.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 91] \an5\pos(531.18,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,520,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.06)\t(42,84,\fax-0.07\fay0.03)\t(84,126,\fax-0.06\fay-0.06)\t(126,168,\fax0.05\fay0.05)\t(168,210,\fax-0.04\fay0.04)\t(210,252,\fax-0.03\fay-0.06)\t(252,294,\fax-0.03\fay0.08)\t(294,336,\fax-0.04\fay-0.05)\t(336,378,\fax0.08\fay0.07)\t(378,420,\fax0.07\fay-0.03)\t(420,462,\fax-0.07\fay0.06)\t(462,504,\fax-0.05\fay0.04)\t(504,520,\fax0.05\fay0.04)\t(0,80,\xshad-6\yshad-7)\t(80,160,\xshad-14\yshad-10)\t(160,240,\xshad7\yshad13)\t(240,320,\xshad6\yshad11)\t(320,400,\xshad2\yshad5)\t(400,480,\xshad10\yshad-1)\t(480,520,\xshad-5\yshad12)}nobody
Dialogue: 1,0:01:45.93,0:01:46.18,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 92] \an5\pos(621.98,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.05)\t(42,84,\fax-0.03\fay-0.05)\t(84,126,\fax-0.07\fay-0.03)\t(126,168,\fax0.08\fay-0.05)\t(168,210,\fax0.08\fay-0.06)\t(210,250,\fax-0.06\fay0.08)\t(0,80,\xshad9\yshad9)\t(80,160,\xshad-13\yshad14)\t(160,240,\xshad-13\yshad-13)\t(240,250,\xshad6\yshad3)}can't
Dialogue: 1,0:01:46.18,0:01:46.66,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 93] \an5\pos(691.34,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,480,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.04)\t(42,84,\fax-0.03\fay0.08)\t(84,126,\fax0.04\fay0.08)\t(126,168,\fax0.04\fay-0.06)\t(168,210,\fax0.04\fay-0.04)\t(210,252,\fax-0.04\fay-0.03)\t(252,294,\fax-0.07\fay0.03)\t(294,336,\fax-0.06\fay0.08)\t(336,378,\fax0.07\fay0.06)\t(378,420,\fax-0.03\fay0.07)\t(420,462,\fax0.07\fay-0.03)\t(462,480,\fax0.05\fay0.03)\t(0,80,\xshad5\yshad-3)\t(80,160,\xshad9\yshad-10)\t(160,240,\xshad13\yshad10)\t(240,320,\xshad-14\yshad-8)\t(320,400,\xshad-3\yshad2)\t(400,480,\xshad-13\yshad14)}stop
Dialogue: 1,0:01:46.66,0:01:47.04,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 94] \an5\pos(749.15,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,380,\fscx100\fscy100)\t(0,42,\fax0.08\fay-0.05)\t(42,84,\fax0.05\fay0.03)\t(84,126,\fax-0.04\fay-0.08)\t(126,168,\fax-0.08\fay-0.06)\t(168,210,\fax0.05\fay-0.04)\t(210,252,\fax-0.05\fay0.07)\t(252,294,\fax-0.03\fay0.06)\t(294,336,\fax-0.08\fay-0.06)\t(336,378,\fax0.07\fay-0.04)\t(378,380,\fax-0.08\fay-0.05)\t(0,80,\xshad-3\yshad2)\t(80,160,\xshad-1\yshad9)\t(160,240,\xshad-13\yshad7)\t(240,320,\xshad6\yshad9)\t(320,380,\xshad2\yshad6)}me
Dialogue: 1,0:01:47.04,0:01:47.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 95] \an5\pos(794.85,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.03)\t(42,84,\fax0.07\fay0.04)\t(84,126,\fax-0.04\fay0.03)\t(126,168,\fax-0.04\fay-0.05)\t(168,210,\fax0.04\fay-0.05)\t(210,252,\fax0.08\fay-0.06)\t(252,294,\fax0.08\fay0.03)\t(294,336,\fax-0.06\fay-0.07)\t(336,360,\fax0.07\fay0.08)\t(0,80,\xshad13\yshad-8)\t(80,160,\xshad-14\yshad14)\t(160,240,\xshad-10\yshad-3)\t(240,320,\xshad13\yshad-4)\t(320,360,\xshad3\yshad7)}no
Dialogue: 1,0:01:47.40,0:01:47.73,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 21 - line fx: 96] \an5\pos(849.04,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,330,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.08)\t(42,84,\fax0.03\fay-0.07)\t(84,126,\fax-0.05\fay0.03)\t(126,168,\fax-0.06\fay-0.04)\t(168,210,\fax-0.05\fay-0.05)\t(210,252,\fax0.05\fay-0.06)\t(252,294,\fax-0.04\fay0.06)\t(294,330,\fax-0.08\fay-0.04)\t(0,80,\xshad12\yshad-9)\t(80,160,\xshad-2\yshad-7)\t(160,240,\xshad12\yshad2)\t(240,320,\xshad5\yshad11)\t(320,330,\xshad-10\yshad12)}way
Dialogue: 1,0:01:47.93,0:01:48.10,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 97] \an5\pos(420.64,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.07)\t(42,84,\fax-0.03\fay0.05)\t(84,126,\fax0.04\fay0.05)\t(126,168,\fax0.07\fay-0.07)\t(168,170,\fax0.06\fay-0.05)\t(0,80,\xshad10\yshad-3)\t(80,160,\xshad10\yshad8)\t(160,170,\xshad12\yshad1)}wa
Dialogue: 1,0:01:48.10,0:01:48.30,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 98] \an5\pos(455.3,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.08)\t(42,84,\fax0.04\fay0.04)\t(84,126,\fax-0.07\fay-0.07)\t(126,168,\fax-0.08\fay-0.04)\t(168,200,\fax0.05\fay0.05)\t(0,80,\xshad14\yshad-3)\t(80,160,\xshad-1\yshad-12)\t(160,200,\xshad5\yshad-1)}su
Dialogue: 1,0:01:48.30,0:01:48.48,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 99] \an5\pos(483.43,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.04)\t(42,84,\fax-0.07\fay-0.08)\t(84,126,\fax-0.07\fay-0.03)\t(126,168,\fax0.04\fay0.07)\t(168,180,\fax-0.04\fay0.08)\t(0,80,\xshad7\yshad-3)\t(80,160,\xshad-14\yshad8)\t(160,180,\xshad5\yshad-2)}re
Dialogue: 1,0:01:48.48,0:01:48.61,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 100] \an5\pos(510.37,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.06)\t(42,84,\fax-0.06\fay0.04)\t(84,126,\fax-0.03\fay-0.07)\t(126,130,\fax0.05\fay0.08)\t(0,80,\xshad-6\yshad9)\t(80,130,\xshad-6\yshad11)}te
Dialogue: 1,0:01:48.61,0:01:48.83,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 101] \an5\pos(550.73,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.05)\t(42,84,\fax0.03\fay-0.05)\t(84,126,\fax0.06\fay0.04)\t(126,168,\fax0.08\fay-0.08)\t(168,210,\fax-0.03\fay0.03)\t(210,220,\fax-0.06\fay0.05)\t(0,80,\xshad-1\yshad-6)\t(80,160,\xshad2\yshad-10)\t(160,220,\xshad-3\yshad-8)}shi
Dialogue: 1,0:01:48.83,0:01:48.91,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 102] \an5\pos(589.26,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.08\fay0.03)\t(42,80,\fax0.08\fay0.05)\t(\xshad4\yshad1)}ma
Dialogue: 1,0:01:48.91,0:01:49.04,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 103] \an5\pos(618.02,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.03)\t(42,84,\fax-0.07\fay0.08)\t(84,126,\fax0.05\fay0.07)\t(126,130,\fax-0.03\fay0.07)\t(0,80,\xshad-2\yshad1)\t(80,130,\xshad-13\yshad13)}u
Dialogue: 1,0:01:49.04,0:01:49.20,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 104] \an5\pos(652.08,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax-0.04\fay-0.04)\t(84,126,\fax-0.05\fay-0.04)\t(126,160,\fax0.03\fay0.08)\t(0,80,\xshad-1\yshad3)\t(80,160,\xshad4\yshad10)}ko
Dialogue: 1,0:01:49.20,0:01:49.41,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 105] \an5\pos(682.9,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.06)\t(42,84,\fax-0.07\fay0.04)\t(84,126,\fax0.08\fay-0.06)\t(126,168,\fax0.08\fay-0.04)\t(168,210,\fax-0.08\fay-0.03)\t(0,80,\xshad6\yshad13)\t(80,160,\xshad1\yshad-11)\t(160,210,\xshad12\yshad9)}to
Dialogue: 1,0:01:49.41,0:01:49.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 106] \an5\pos(722.63,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax-0.05\fay-0.03)\t(42,84,\fax-0.04\fay-0.05)\t(84,126,\fax-0.04\fay0.06)\t(126,168,\fax0.08\fay0.04)\t(168,170,\fax-0.07\fay-0.07)\t(0,80,\xshad-9\yshad-13)\t(80,160,\xshad14\yshad10)\t(160,170,\xshad-14\yshad6)}no
Dialogue: 1,0:01:49.58,0:01:49.76,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 107] \an5\pos(764.43,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.06\fay0.04)\t(42,84,\fax-0.05\fay0.06)\t(84,126,\fax-0.04\fay0.08)\t(126,168,\fax-0.03\fay-0.08)\t(168,180,\fax-0.04\fay-0.03)\t(0,80,\xshad12\yshad3)\t(80,160,\xshad-7\yshad-6)\t(160,180,\xshad4\yshad4)}na
Dialogue: 1,0:01:49.76,0:01:49.94,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 108] \an5\pos(784.17,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.03)\t(42,84,\fax-0.05\fay-0.06)\t(84,126,\fax0.03\fay0.05)\t(126,168,\fax0.07\fay-0.03)\t(168,180,\fax-0.06\fay0.04)\t(0,80,\xshad5\yshad-14)\t(80,160,\xshad9\yshad2)\t(160,180,\xshad-1\yshad-5)}i
Dialogue: 1,0:01:49.94,0:01:50.12,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 109] \an5\pos(813.38,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.08)\t(42,84,\fax-0.07\fay-0.04)\t(84,126,\fax-0.08\fay0.03)\t(126,168,\fax-0.06\fay0.08)\t(168,180,\fax-0.08\fay0.07)\t(0,80,\xshad5\yshad-9)\t(80,160,\xshad5\yshad-3)\t(160,180,\xshad-8\yshad-14)}yo
Dialogue: 1,0:01:50.12,0:01:50.30,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 110] \an5\pos(838.32,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.04)\t(42,84,\fax0.07\fay-0.07)\t(84,126,\fax0.04\fay-0.05)\t(126,168,\fax0.08\fay0.04)\t(168,180,\fax0.07\fay0.05)\t(0,80,\xshad-12\yshad14)\t(80,160,\xshad4\yshad3)\t(160,180,\xshad-6\yshad9)}u
Dialogue: 1,0:01:50.30,0:01:50.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 22 - line fx: 111] \an5\pos(867.6,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.04)\t(42,84,\fax0.03\fay-0.08)\t(84,126,\fax-0.08\fay0.03)\t(126,168,\fax0.05\fay-0.07)\t(168,210,\fax-0.07\fay-0.06)\t(210,252,\fax0.07\fay-0.05)\t(252,280,\fax0.03\fay0.06)\t(0,80,\xshad-5\yshad9)\t(80,160,\xshad-9\yshad-2)\t(160,240,\xshad-2\yshad-3)\t(240,280,\xshad-2\yshad-9)}ni
Dialogue: 1,0:01:50.59,0:01:50.67,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 112] \an5\pos(500.59,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(\fscx160\fscy160)\t(0,42,\fax0.03\fay-0.05)\t(42,80,\fax-0.06\fay0.03)\t(\xshad-6\yshad-6)}na
Dialogue: 1,0:01:50.67,0:01:50.78,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 113] \an5\pos(533.55,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,110,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.03)\t(42,84,\fax0.06\fay0.04)\t(84,110,\fax-0.08\fay0.06)\t(0,80,\xshad9\yshad-3)\t(80,110,\xshad11\yshad5)}ku
Dialogue: 1,0:01:50.78,0:01:51.03,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 114] \an5\pos(569.18,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.04)\t(42,84,\fax-0.07\fay-0.06)\t(84,126,\fax-0.06\fay-0.06)\t(126,168,\fax-0.05\fay-0.03)\t(168,210,\fax0.06\fay0.07)\t(210,250,\fax0.03\fay0.04)\t(0,80,\xshad13\yshad5)\t(80,160,\xshad11\yshad3)\t(160,240,\xshad2\yshad-10)\t(240,250,\xshad-11\yshad-13)}chi
Dialogue: 1,0:01:51.03,0:01:51.22,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 115] \an5\pos(601.67,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax-0.07\fay-0.07)\t(84,126,\fax-0.07\fay-0.06)\t(126,168,\fax-0.08\fay-0.05)\t(168,190,\fax-0.04\fay-0.04)\t(0,80,\xshad4\yshad1)\t(80,160,\xshad-9\yshad8)\t(160,190,\xshad11\yshad9)}ta
Dialogue: 1,0:01:51.22,0:01:51.54,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 116] \an5\pos(645.23,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,320,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.04)\t(42,84,\fax-0.08\fay-0.04)\t(84,126,\fax-0.06\fay0.03)\t(126,168,\fax0.04\fay0.03)\t(168,210,\fax-0.05\fay0.03)\t(210,252,\fax0.04\fay0.05)\t(252,294,\fax-0.03\fay0.04)\t(294,320,\fax-0.05\fay0.07)\t(0,80,\xshad10\yshad-6)\t(80,160,\xshad14\yshad-12)\t(160,240,\xshad-7\yshad5)\t(240,320,\xshad3\yshad-6)}mo
Dialogue: 1,0:01:51.54,0:01:51.65,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 117] \an5\pos(682.75,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,110,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.03)\t(42,84,\fax0.04\fay-0.04)\t(84,110,\fax0.08\fay0.05)\t(0,80,\xshad-6\yshad1)\t(80,110,\xshad-7\yshad-13)}no
Dialogue: 1,0:01:51.65,0:01:51.81,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 118] \an5\pos(722.85,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.06)\t(42,84,\fax0.05\fay0.05)\t(84,126,\fax0.07\fay0.04)\t(126,160,\fax0.05\fay-0.07)\t(0,80,\xshad1\yshad-6)\t(80,160,\xshad13\yshad-9)}su
Dialogue: 1,0:01:51.81,0:01:51.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 119] \an5\pos(753.17,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.03)\t(42,84,\fax0.06\fay-0.03)\t(84,120,\fax-0.06\fay-0.08)\t(0,80,\xshad-11\yshad4)\t(80,120,\xshad5\yshad-14)}be
Dialogue: 1,0:01:51.93,0:01:52.27,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 23 - line fx: 120] \an5\pos(782.3,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.08)\t(42,84,\fax-0.06\fay-0.05)\t(84,126,\fax-0.06\fay0.08)\t(126,168,\fax0.06\fay0.07)\t(168,210,\fax-0.06\fay0.05)\t(210,252,\fax0.06\fay0.04)\t(252,294,\fax-0.05\fay-0.06)\t(294,336,\fax0.08\fay0.03)\t(336,340,\fax-0.08\fay0.08)\t(0,80,\xshad-6\yshad14)\t(80,160,\xshad9\yshad4)\t(160,240,\xshad-12\yshad-2)\t(240,320,\xshad-11\yshad-8)\t(320,340,\xshad-12\yshad-1)}te
Dialogue: 1,0:01:52.27,0:01:52.48,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 121] \an5\pos(539.84,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,210,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.08)\t(42,84,\fax0.07\fay-0.03)\t(84,126,\fax0.06\fay-0.08)\t(126,168,\fax0.03\fay-0.05)\t(168,210,\fax-0.07\fay0.06)\t(0,80,\xshad-3\yshad-4)\t(80,160,\xshad9\yshad11)\t(160,210,\xshad10\yshad3)}to
Dialogue: 1,0:01:52.48,0:01:52.68,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 122] \an5\pos(563.76,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.03)\t(42,84,\fax-0.07\fay-0.08)\t(84,126,\fax-0.04\fay-0.05)\t(126,168,\fax0.06\fay-0.03)\t(168,200,\fax-0.05\fay-0.07)\t(0,80,\xshad-3\yshad13)\t(80,160,\xshad5\yshad13)\t(160,200,\xshad9\yshad1)}ri
Dialogue: 1,0:01:52.68,0:01:52.95,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 123] \an5\pos(594.48,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,270,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.06)\t(42,84,\fax-0.03\fay0.04)\t(84,126,\fax0.04\fay-0.04)\t(126,168,\fax0.06\fay-0.04)\t(168,210,\fax0.07\fay0.07)\t(210,252,\fax-0.04\fay0.03)\t(252,270,\fax0.07\fay-0.08)\t(0,80,\xshad-11\yshad-5)\t(80,160,\xshad-10\yshad14)\t(160,240,\xshad7\yshad3)\t(240,270,\xshad12\yshad11)}mo
Dialogue: 1,0:01:52.95,0:01:53.08,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 124] \an5\pos(632.13,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.04)\t(42,84,\fax-0.05\fay-0.05)\t(84,126,\fax0.07\fay0.05)\t(126,130,\fax-0.08\fay0.06)\t(0,80,\xshad11\yshad7)\t(80,130,\xshad6\yshad9)}do
Dialogue: 1,0:01:53.08,0:01:53.20,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 125] \an5\pos(663.34,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.03)\t(42,84,\fax0.04\fay0.08)\t(84,120,\fax-0.04\fay0.04)\t(0,80,\xshad11\yshad-4)\t(80,120,\xshad-4\yshad-2)}su
Dialogue: 1,0:01:53.20,0:01:53.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 126] \an5\pos(700.48,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.07)\t(42,84,\fax0.03\fay0.04)\t(84,126,\fax0.06\fay0.04)\t(126,168,\fax0.08\fay-0.05)\t(168,200,\fax0.03\fay0.06)\t(0,80,\xshad14\yshad-9)\t(80,160,\xshad-11\yshad-10)\t(160,200,\xshad-13\yshad-4)}ta
Dialogue: 1,0:01:53.40,0:01:53.62,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 24 - line fx: 127] \an5\pos(734.2,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax0.05\fay0.03)\t(42,84,\fax-0.07\fay-0.04)\t(84,126,\fax-0.07\fay0.08)\t(126,168,\fax-0.04\fay0.05)\t(168,210,\fax-0.07\fay0.08)\t(210,220,\fax0.04\fay0.04)\t(0,80,\xshad14\yshad-11)\t(80,160,\xshad5\yshad11)\t(160,220,\xshad-11\yshad4)}me
Dialogue: 1,0:01:53.68,0:01:54.08,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 25 - line fx: 128] \an5\pos(487.93,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,400,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.03)\t(42,84,\fax-0.08\fay-0.06)\t(84,126,\fax-0.06\fay-0.05)\t(126,168,\fax-0.07\fay-0.03)\t(168,210,\fax-0.08\fay-0.07)\t(210,252,\fax0.08\fay0.08)\t(252,294,\fax0.06\fay-0.04)\t(294,336,\fax-0.08\fay-0.05)\t(336,378,\fax-0.03\fay0.03)\t(378,400,\fax-0.04\fay-0.05)\t(0,80,\xshad10\yshad14)\t(80,160,\xshad12\yshad5)\t(160,240,\xshad-9\yshad6)\t(240,320,\xshad-5\yshad3)\t(320,400,\xshad-3\yshad-1)}Rise
Dialogue: 1,0:01:54.08,0:01:54.91,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 25 - line fx: 129] \an5\pos(583.38,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,830,\fscx100\fscy100)\t(0,42,\fax0.07\fay-0.08)\t(42,84,\fax0.06\fay0.08)\t(84,126,\fax0.05\fay0.06)\t(126,168,\fax0.06\fay0.08)\t(168,210,\fax-0.07\fay0.05)\t(210,252,\fax-0.05\fay-0.03)\t(252,294,\fax0.07\fay0.03)\t(294,336,\fax-0.07\fay0.03)\t(336,378,\fax0.05\fay-0.03)\t(378,420,\fax0.06\fay-0.05)\t(420,462,\fax0.04\fay-0.08)\t(462,504,\fax0.07\fay0.04)\t(504,546,\fax0.06\fay0.04)\t(546,588,\fax0.05\fay0.03)\t(588,630,\fax-0.07\fay0.03)\t(630,672,\fax0.03\fay0.03)\t(672,714,\fax0.04\fay-0.08)\t(714,756,\fax-0.03\fay0.05)\t(756,798,\fax0.07\fay-0.08)\t(798,830,\fax0.08\fay-0.04)\t(0,80,\xshad7\yshad-1)\t(80,160,\xshad10\yshad-4)\t(160,240,\xshad1\yshad-8)\t(240,320,\xshad11\yshad-8)\t(320,400,\xshad3\yshad13)\t(400,480,\xshad-9\yshad1)\t(480,560,\xshad-7\yshad10)\t(560,640,\xshad10\yshad-9)\t(640,720,\xshad-5\yshad11)\t(720,800,\xshad-10\yshad2)\t(800,830,\xshad-6\yshad12)}suddenly
Dialogue: 1,0:01:54.91,0:01:55.04,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 25 - line fx: 130] \an5\pos(663.55,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.05)\t(42,84,\fax-0.04\fay-0.03)\t(84,126,\fax-0.07\fay-0.03)\t(126,130,\fax0.05\fay0.08)\t(0,80,\xshad-8\yshad-6)\t(80,130,\xshad-8\yshad7)}in
Dialogue: 1,0:01:55.04,0:01:55.38,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 25 - line fx: 131] \an5\pos(708.44,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.07)\t(42,84,\fax-0.04\fay0.06)\t(84,126,\fax0.04\fay0.03)\t(126,168,\fax-0.07\fay-0.06)\t(168,210,\fax-0.06\fay-0.03)\t(210,252,\fax-0.03\fay-0.07)\t(252,294,\fax0.08\fay0.04)\t(294,336,\fax-0.06\fay-0.05)\t(336,340,\fax0.08\fay0.03)\t(0,80,\xshad1\yshad-8)\t(80,160,\xshad9\yshad8)\t(160,240,\xshad7\yshad2)\t(240,320,\xshad10\yshad6)\t(320,340,\xshad12\yshad12)}this
Dialogue: 1,0:01:55.38,0:01:56.47,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 25 - line fx: 132] \an5\pos(780.34,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,1090,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.07)\t(42,84,\fax0.08\fay-0.08)\t(84,126,\fax0.05\fay-0.04)\t(126,168,\fax-0.04\fay0.08)\t(168,210,\fax0.06\fay0.06)\t(210,252,\fax0.06\fay-0.08)\t(252,294,\fax-0.06\fay0.07)\t(294,336,\fax0.07\fay-0.08)\t(336,378,\fax-0.07\fay0.07)\t(378,420,\fax0.07\fay-0.07)\t(420,462,\fax0.07\fay-0.03)\t(462,504,\fax-0.03\fay-0.06)\t(504,546,\fax0.04\fay0.07)\t(546,588,\fax-0.07\fay-0.06)\t(588,630,\fax-0.04\fay0.04)\t(630,672,\fax0.05\fay-0.06)\t(672,714,\fax-0.06\fay0.08)\t(714,756,\fax-0.03\fay-0.07)\t(756,798,\fax0.05\fay0.03)\t(798,840,\fax-0.04\fay0.04)\t(840,882,\fax-0.03\fay-0.06)\t(882,924,\fax-0.04\fay-0.05)\t(924,966,\fax-0.07\fay-0.03)\t(966,1008,\fax0.03\fay-0.07)\t(1008,1050,\fax0.08\fay0.07)\t(1050,1090,\fax-0.07\fay0.07)\t(0,80,\xshad-14\yshad-4)\t(80,160,\xshad-2\yshad-1)\t(160,240,\xshad-13\yshad-2)\t(240,320,\xshad-3\yshad9)\t(320,400,\xshad14\yshad-13)\t(400,480,\xshad2\yshad5)\t(480,560,\xshad6\yshad2)\t(560,640,\xshad4\yshad-6)\t(640,720,\xshad-14\yshad-9)\t(720,800,\xshad-11\yshad-8)\t(800,880,\xshad-10\yshad-12)\t(880,960,\xshad11\yshad1)\t(960,1040,\xshad-4\yshad-11)\t(1040,1090,\xshad2\yshad10)}world
Dialogue: 1,0:01:56.63,0:01:57.04,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 133] \an5\pos(506.8,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,410,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.06)\t(42,84,\fax-0.08\fay-0.07)\t(84,126,\fax0.08\fay0.03)\t(126,168,\fax-0.06\fay0.08)\t(168,210,\fax0.05\fay-0.03)\t(210,252,\fax0.08\fay0.04)\t(252,294,\fax0.08\fay-0.07)\t(294,336,\fax-0.03\fay0.07)\t(336,378,\fax-0.06\fay0.05)\t(378,410,\fax0.06\fay-0.07)\t(0,80,\xshad-4\yshad10)\t(80,160,\xshad-12\yshad9)\t(160,240,\xshad-4\yshad-7)\t(240,320,\xshad9\yshad8)\t(320,400,\xshad-6\yshad8)\t(400,410,\xshad3\yshad1)}ku
Dialogue: 1,0:01:57.04,0:01:57.22,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 134] \an5\pos(533.41,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.07)\t(42,84,\fax-0.03\fay-0.03)\t(84,126,\fax-0.03\fay0.07)\t(126,168,\fax0.05\fay-0.03)\t(168,180,\fax0.04\fay0.08)\t(0,80,\xshad11\yshad-1)\t(80,160,\xshad-11\yshad-14)\t(160,180,\xshad-10\yshad-7)}ri
Dialogue: 1,0:01:57.22,0:01:57.40,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 135] \an5\pos(559.5,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.05)\t(42,84,\fax-0.06\fay-0.03)\t(84,126,\fax0.05\fay0.08)\t(126,168,\fax0.08\fay-0.06)\t(168,180,\fax0.03\fay-0.05)\t(0,80,\xshad-13\yshad-3)\t(80,160,\xshad-4\yshad-11)\t(160,180,\xshad-12\yshad-11)}ka
Dialogue: 1,0:01:57.40,0:01:57.53,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 136] \an5\pos(583.19,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,130,\fscx100\fscy100)\t(0,42,\fax-0.04\fay0.07)\t(42,84,\fax0.06\fay-0.07)\t(84,126,\fax-0.07\fay-0.06)\t(126,130,\fax0.05\fay0.06)\t(0,80,\xshad10\yshad-4)\t(80,130,\xshad13\yshad9)}e
Dialogue: 1,0:01:57.53,0:01:57.94,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 137] \an5\pos(605.08,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,410,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.05)\t(42,84,\fax-0.04\fay0.04)\t(84,126,\fax0.05\fay-0.07)\t(126,168,\fax0.04\fay0.05)\t(168,210,\fax0.08\fay-0.04)\t(210,252,\fax0.06\fay-0.03)\t(252,294,\fax-0.07\fay0.05)\t(294,336,\fax0.03\fay0.07)\t(336,378,\fax0.08\fay-0.03)\t(378,410,\fax-0.06\fay-0.04)\t(0,80,\xshad-10\yshad-3)\t(80,160,\xshad13\yshad5)\t(160,240,\xshad13\yshad7)\t(240,320,\xshad-10\yshad-12)\t(320,400,\xshad10\yshad-5)\t(400,410,\xshad-7\yshad5)}su
Dialogue: 1,0:01:57.94,0:01:58.13,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 138] \an5\pos(642.21,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.06)\t(42,84,\fax0.03\fay-0.07)\t(84,126,\fax0.07\fay-0.05)\t(126,168,\fax-0.05\fay-0.06)\t(168,190,\fax-0.03\fay-0.08)\t(0,80,\xshad-6\yshad6)\t(80,160,\xshad12\yshad-14)\t(160,190,\xshad13\yshad-11)}ta
Dialogue: 1,0:01:58.13,0:01:58.31,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 139] \an5\pos(667.87,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.05)\t(42,84,\fax-0.04\fay0.08)\t(84,126,\fax0.03\fay-0.06)\t(126,168,\fax0.03\fay-0.06)\t(168,180,\fax0.04\fay-0.08)\t(0,80,\xshad-4\yshad3)\t(80,160,\xshad-6\yshad-2)\t(160,180,\xshad-4\yshad-13)}bi
Dialogue: 1,0:01:58.31,0:01:58.63,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 140] \an5\pos(705.51,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,320,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.06)\t(42,84,\fax-0.08\fay-0.07)\t(84,126,\fax-0.06\fay0.08)\t(126,168,\fax-0.05\fay0.07)\t(168,210,\fax0.07\fay-0.03)\t(210,252,\fax-0.03\fay0.05)\t(252,294,\fax-0.03\fay-0.05)\t(294,320,\fax0.07\fay0.04)\t(0,80,\xshad4\yshad-13)\t(80,160,\xshad10\yshad7)\t(160,240,\xshad9\yshad3)\t(240,320,\xshad14\yshad-14)}no
Dialogue: 1,0:01:58.63,0:01:59.03,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 141] \an5\pos(747.29,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,400,\fscx100\fscy100)\t(0,42,\fax0.05\fay-0.08)\t(42,84,\fax-0.03\fay0.05)\t(84,126,\fax-0.03\fay-0.07)\t(126,168,\fax-0.08\fay0.03)\t(168,210,\fax0.06\fay-0.05)\t(210,252,\fax0.04\fay0.06)\t(252,294,\fax-0.03\fay0.03)\t(294,336,\fax0.04\fay0.06)\t(336,378,\fax0.07\fay0.08)\t(378,400,\fax-0.03\fay-0.08)\t(0,80,\xshad-6\yshad3)\t(80,160,\xshad8\yshad-1)\t(160,240,\xshad4\yshad-1)\t(240,320,\xshad8\yshad-1)\t(320,400,\xshad3\yshad4)}ha
Dialogue: 1,0:01:59.03,0:01:59.56,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 27 - line fx: 142] \an5\pos(776.71,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,530,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.07)\t(42,84,\fax-0.07\fay0.07)\t(84,126,\fax0.03\fay0.04)\t(126,168,\fax-0.03\fay-0.06)\t(168,210,\fax-0.08\fay0.08)\t(210,252,\fax0.06\fay0.07)\t(252,294,\fax0.06\fay-0.03)\t(294,336,\fax0.07\fay0.06)\t(336,378,\fax0.07\fay-0.05)\t(378,420,\fax0.07\fay0.08)\t(420,462,\fax0.04\fay-0.05)\t(462,504,\fax-0.03\fay-0.06)\t(504,530,\fax0.04\fay-0.06)\t(0,80,\xshad-7\yshad-4)\t(80,160,\xshad-5\yshad9)\t(160,240,\xshad-4\yshad11)\t(240,320,\xshad-6\yshad-1)\t(320,400,\xshad6\yshad13)\t(400,480,\xshad13\yshad2)\t(480,530,\xshad5\yshad-9)}te
Dialogue: 1,0:01:59.56,0:01:59.81,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 143] \an5\pos(454.85,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,250,\fscx100\fscy100)\t(0,42,\fax0.06\fay-0.03)\t(42,84,\fax-0.06\fay-0.03)\t(84,126,\fax0.06\fay-0.06)\t(126,168,\fax-0.08\fay0.05)\t(168,210,\fax-0.07\fay-0.08)\t(210,250,\fax0.03\fay0.07)\t(0,80,\xshad-2\yshad-7)\t(80,160,\xshad8\yshad-9)\t(160,240,\xshad2\yshad4)\t(240,250,\xshad1\yshad-2)}no
Dialogue: 1,0:01:59.81,0:01:59.93,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 144] \an5\pos(479.79,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.06)\t(42,84,\fax-0.08\fay-0.05)\t(84,120,\fax0.08\fay-0.05)\t(0,80,\xshad-9\yshad-11)\t(80,120,\xshad-13\yshad10)}u
Dialogue: 1,0:01:59.93,0:02:00.13,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 145] \an5\pos(497.93,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,200,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.08)\t(42,84,\fax-0.07\fay-0.07)\t(84,126,\fax-0.04\fay0.04)\t(126,168,\fax0.07\fay0.06)\t(168,200,\fax-0.08\fay-0.05)\t(0,80,\xshad11\yshad11)\t(80,160,\xshad11\yshad6)\t(160,200,\xshad-14\yshad-8)}ri
Dialogue: 1,0:02:00.13,0:02:00.32,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 146] \an5\pos(528.71,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax0.03\fay-0.07)\t(42,84,\fax-0.03\fay-0.04)\t(84,126,\fax-0.04\fay-0.08)\t(126,168,\fax0.03\fay-0.03)\t(168,190,\fax0.07\fay-0.07)\t(0,80,\xshad-11\yshad-9)\t(80,160,\xshad9\yshad8)\t(160,190,\xshad-6\yshad8)}ni
Dialogue: 1,0:02:00.32,0:02:00.51,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 147] \an5\pos(566.29,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.07\fay0.07)\t(42,84,\fax0.05\fay0.06)\t(84,126,\fax0.07\fay0.06)\t(126,168,\fax0.05\fay-0.04)\t(168,190,\fax0.06\fay0.07)\t(0,80,\xshad3\yshad14)\t(80,160,\xshad-10\yshad12)\t(160,190,\xshad10\yshad-7)}no
Dialogue: 1,0:02:00.51,0:02:00.82,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 148] \an5\pos(599.63,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax0.03\fay0.06)\t(42,84,\fax0.05\fay-0.03)\t(84,126,\fax-0.05\fay0.06)\t(126,168,\fax0.03\fay0.08)\t(168,210,\fax-0.04\fay-0.04)\t(210,252,\fax0.08\fay-0.05)\t(252,294,\fax0.08\fay-0.05)\t(294,310,\fax-0.03\fay0.05)\t(0,80,\xshad3\yshad13)\t(80,160,\xshad-12\yshad-7)\t(160,240,\xshad2\yshad5)\t(240,310,\xshad-4\yshad1)}ko
Dialogue: 1,0:02:00.82,0:02:00.94,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 149] \an5\pos(635.84,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax0.06\fay0.07)\t(42,84,\fax0.07\fay-0.08)\t(84,120,\fax0.05\fay-0.08)\t(0,80,\xshad2\yshad-13)\t(80,120,\xshad3\yshad14)}tta
Dialogue: 1,0:02:00.94,0:02:01.22,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 150] \an5\pos(682.44,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,280,\fscx100\fscy100)\t(0,42,\fax-0.06\fay-0.05)\t(42,84,\fax-0.03\fay0.06)\t(84,126,\fax0.03\fay-0.07)\t(126,168,\fax0.03\fay-0.07)\t(168,210,\fax0.04\fay-0.08)\t(210,252,\fax-0.06\fay-0.04)\t(252,280,\fax-0.03\fay0.07)\t(0,80,\xshad-1\yshad-13)\t(80,160,\xshad-9\yshad-8)\t(160,240,\xshad3\yshad-13)\t(240,280,\xshad10\yshad-2)}shi
Dialogue: 1,0:02:01.22,0:02:01.38,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 151] \an5\pos(725.25,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.06)\t(42,84,\fax-0.05\fay0.08)\t(84,126,\fax-0.08\fay-0.05)\t(126,160,\fax0.03\fay0.07)\t(0,80,\xshad-10\yshad-4)\t(80,160,\xshad3\yshad-3)}ppa
Dialogue: 1,0:02:01.38,0:02:01.56,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 152] \an5\pos(753.56,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.04)\t(42,84,\fax0.05\fay-0.03)\t(84,126,\fax-0.07\fay-0.07)\t(126,168,\fax-0.05\fay-0.08)\t(168,180,\fax0.06\fay-0.07)\t(0,80,\xshad1\yshad3)\t(80,160,\xshad-1\yshad-8)\t(160,180,\xshad-14\yshad-10)}i
Dialogue: 1,0:02:01.56,0:02:01.74,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 153] \an5\pos(782.32,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,180,\fscx100\fscy100)\t(0,42,\fax-0.03\fay-0.06)\t(42,84,\fax0.06\fay-0.06)\t(84,126,\fax-0.03\fay-0.05)\t(126,168,\fax0.03\fay0.08)\t(168,180,\fax0.04\fay0.08)\t(0,80,\xshad-11\yshad-14)\t(80,160,\xshad8\yshad-9)\t(160,180,\xshad-8\yshad10)}na
Dialogue: 1,0:02:01.74,0:02:01.91,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 154] \an5\pos(806.85,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,170,\fscx100\fscy100)\t(0,42,\fax-0.07\fay-0.07)\t(42,84,\fax0.07\fay-0.08)\t(84,126,\fax0.04\fay0.08)\t(126,168,\fax0.04\fay-0.06)\t(168,170,\fax-0.06\fay0.06)\t(0,80,\xshad5\yshad10)\t(80,160,\xshad-6\yshad4)\t(160,170,\xshad11\yshad7)}n
Dialogue: 1,0:02:01.91,0:02:02.25,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 28 - line fx: 155] \an5\pos(828.49,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,340,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.06)\t(42,84,\fax0.06\fay0.08)\t(84,126,\fax-0.03\fay-0.07)\t(126,168,\fax-0.03\fay0.06)\t(168,210,\fax-0.08\fay0.03)\t(210,252,\fax0.05\fay0.03)\t(252,294,\fax-0.05\fay0.05)\t(294,336,\fax-0.07\fay-0.04)\t(336,340,\fax0.05\fay-0.04)\t(0,80,\xshad-10\yshad4)\t(80,160,\xshad-9\yshad-12)\t(160,240,\xshad-10\yshad-7)\t(240,320,\xshad-5\yshad8)\t(320,340,\xshad-3\yshad1)}te
Dialogue: 1,0:02:02.25,0:02:02.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 156] \an5\pos(454.46,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,330,\fscx100\fscy100)\t(0,42,\fax0.08\fay0.05)\t(42,84,\fax0.05\fay-0.05)\t(84,126,\fax-0.08\fay-0.05)\t(126,168,\fax-0.06\fay0.06)\t(168,210,\fax0.06\fay-0.07)\t(210,252,\fax-0.06\fay-0.04)\t(252,294,\fax0.08\fay0.04)\t(294,330,\fax-0.08\fay-0.04)\t(0,80,\xshad2\yshad-3)\t(80,160,\xshad-2\yshad-3)\t(160,240,\xshad-5\yshad-14)\t(240,320,\xshad12\yshad4)\t(320,330,\xshad4\yshad1)}zen
Dialogue: 1,0:02:02.58,0:02:02.77,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 157] \an5\pos(494.05,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,190,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.05)\t(42,84,\fax-0.08\fay0.08)\t(84,126,\fax0.04\fay0.08)\t(126,168,\fax0.05\fay-0.03)\t(168,190,\fax-0.05\fay0.05)\t(0,80,\xshad2\yshad-2)\t(80,160,\xshad-4\yshad6)\t(160,190,\xshad13\yshad-2)}bu
Dialogue: 1,0:02:02.77,0:02:03.13,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 158] \an5\pos(533.91,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.08\fay-0.05)\t(42,84,\fax0.06\fay0.03)\t(84,126,\fax-0.06\fay0.04)\t(126,168,\fax-0.08\fay-0.06)\t(168,210,\fax-0.04\fay-0.05)\t(210,252,\fax-0.04\fay-0.05)\t(252,294,\fax0.07\fay0.04)\t(294,336,\fax0.05\fay-0.03)\t(336,360,\fax0.07\fay0.08)\t(0,80,\xshad13\yshad7)\t(80,160,\xshad3\yshad-14)\t(160,240,\xshad-8\yshad8)\t(240,320,\xshad-8\yshad7)\t(320,360,\xshad8\yshad2)}to
Dialogue: 1,0:02:03.13,0:02:03.29,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 159] \an5\pos(557.84,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax0.07\fay0.03)\t(42,84,\fax-0.07\fay-0.05)\t(84,126,\fax-0.03\fay0.06)\t(126,160,\fax0.06\fay-0.03)\t(0,80,\xshad14\yshad-2)\t(80,160,\xshad-1\yshad-1)}ri
Dialogue: 1,0:02:03.29,0:02:03.43,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 160] \an5\pos(583.92,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,140,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.07)\t(42,84,\fax-0.05\fay-0.05)\t(84,126,\fax-0.07\fay-0.05)\t(126,140,\fax0.04\fay-0.03)\t(0,80,\xshad13\yshad-7)\t(80,140,\xshad-6\yshad13)}ka
Dialogue: 1,0:02:03.43,0:02:03.49,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 161] \an5\pos(607.61,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(0,42,\fax0.04\fay0.06)\t(42,60,\fax-0.06\fay-0.05)\t(\xshad-3\yshad11)}e
Dialogue: 1,0:02:03.49,0:02:03.85,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 162] \an5\pos(628.6,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,360,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.08)\t(42,84,\fax0.06\fay-0.04)\t(84,126,\fax-0.08\fay0.06)\t(126,168,\fax-0.03\fay-0.07)\t(168,210,\fax-0.08\fay-0.08)\t(210,252,\fax0.05\fay0.03)\t(252,294,\fax-0.08\fay0.04)\t(294,336,\fax-0.04\fay0.03)\t(336,360,\fax0.04\fay-0.06)\t(0,80,\xshad-6\yshad8)\t(80,160,\xshad-7\yshad-9)\t(160,240,\xshad1\yshad9)\t(240,320,\xshad9\yshad-10)\t(320,360,\xshad4\yshad-2)}se
Dialogue: 1,0:02:03.85,0:02:04.07,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 163] \an5\pos(654.77,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,220,\fscx100\fscy100)\t(0,42,\fax-0.04\fay-0.06)\t(42,84,\fax-0.07\fay-0.06)\t(84,126,\fax-0.08\fay0.05)\t(126,168,\fax0.06\fay-0.06)\t(168,210,\fax-0.04\fay0.05)\t(210,220,\fax-0.03\fay0.05)\t(0,80,\xshad5\yshad-6)\t(80,160,\xshad2\yshad3)\t(160,220,\xshad-11\yshad12)}i
Dialogue: 1,0:02:04.07,0:02:04.23,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 164] \an5\pos(678.79,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,160,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.03)\t(42,84,\fax-0.08\fay0.08)\t(84,126,\fax-0.07\fay-0.06)\t(126,160,\fax0.06\fay0.07)\t(0,80,\xshad-7\yshad-9)\t(80,160,\xshad-3\yshad9)}ma
Dialogue: 1,0:02:04.23,0:02:04.58,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 165] \an5\pos(740.59,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.07)\t(42,84,\fax-0.06\fay-0.07)\t(84,126,\fax-0.03\fay0.05)\t(126,168,\fax0.05\fay-0.08)\t(168,210,\fax0.06\fay0.07)\t(210,252,\fax0.03\fay-0.06)\t(252,294,\fax0.05\fay0.06)\t(294,336,\fax0.05\fay0.07)\t(336,350,\fax-0.08\fay0.06)\t(0,80,\xshad-12\yshad9)\t(80,160,\xshad-2\yshad-3)\t(160,240,\xshad12\yshad10)\t(240,320,\xshad13\yshad11)\t(320,350,\xshad-7\yshad-7)}Turn
Dialogue: 1,0:02:04.58,0:02:05.21,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 29 - line fx: 166] \an5\pos(815.16,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,630,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.05)\t(42,84,\fax-0.04\fay0.05)\t(84,126,\fax-0.04\fay-0.08)\t(126,168,\fax-0.04\fay0.07)\t(168,210,\fax-0.07\fay0.04)\t(210,252,\fax-0.06\fay-0.06)\t(252,294,\fax0.07\fay0.06)\t(294,336,\fax0.07\fay-0.05)\t(336,378,\fax-0.04\fay0.05)\t(378,420,\fax-0.07\fay-0.07)\t(420,462,\fax0.06\fay-0.05)\t(462,504,\fax-0.06\fay-0.07)\t(504,546,\fax-0.06\fay-0.05)\t(546,588,\fax0.08\fay-0.06)\t(588,630,\fax0.07\fay0.06)\t(0,80,\xshad5\yshad9)\t(80,160,\xshad10\yshad-11)\t(160,240,\xshad-12\yshad1)\t(240,320,\xshad-2\yshad12)\t(320,400,\xshad11\yshad13)\t(400,480,\xshad6\yshad-5)\t(480,560,\xshad4\yshad4)\t(560,630,\xshad-6\yshad9)}Over
Dialogue: 1,0:02:05.39,0:02:05.70,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 30 - line fx: 167] \an5\pos(487.93,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,310,\fscx100\fscy100)\t(0,42,\fax-0.05\fay0.08)\t(42,84,\fax-0.05\fay0.06)\t(84,126,\fax-0.04\fay0.05)\t(126,168,\fax0.06\fay-0.07)\t(168,210,\fax-0.04\fay-0.08)\t(210,252,\fax0.03\fay-0.07)\t(252,294,\fax-0.04\fay-0.06)\t(294,310,\fax-0.06\fay0.03)\t(0,80,\xshad-13\yshad1)\t(80,160,\xshad12\yshad-1)\t(160,240,\xshad-3\yshad-3)\t(240,310,\xshad-10\yshad-6)}Rise
Dialogue: 1,0:02:05.70,0:02:06.55,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 30 - line fx: 168] \an5\pos(583.38,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,850,\fscx100\fscy100)\t(0,42,\fax-0.08\fay0.03)\t(42,84,\fax0.03\fay0.06)\t(84,126,\fax-0.07\fay0.06)\t(126,168,\fax0.08\fay0.04)\t(168,210,\fax-0.03\fay-0.03)\t(210,252,\fax0.08\fay0.04)\t(252,294,\fax-0.07\fay0.03)\t(294,336,\fax0.06\fay0.07)\t(336,378,\fax0.08\fay0.04)\t(378,420,\fax0.04\fay-0.05)\t(420,462,\fax-0.05\fay-0.05)\t(462,504,\fax0.07\fay-0.07)\t(504,546,\fax-0.07\fay0.03)\t(546,588,\fax-0.03\fay-0.06)\t(588,630,\fax-0.08\fay-0.06)\t(630,672,\fax0.08\fay-0.07)\t(672,714,\fax-0.07\fay0.04)\t(714,756,\fax0.08\fay0.05)\t(756,798,\fax0.06\fay-0.05)\t(798,840,\fax0.04\fay-0.03)\t(840,850,\fax-0.03\fay-0.04)\t(0,80,\xshad-8\yshad-4)\t(80,160,\xshad-12\yshad14)\t(160,240,\xshad11\yshad13)\t(240,320,\xshad-11\yshad-1)\t(320,400,\xshad-13\yshad-11)\t(400,480,\xshad-7\yshad13)\t(480,560,\xshad-10\yshad-2)\t(560,640,\xshad10\yshad-10)\t(640,720,\xshad9\yshad-5)\t(720,800,\xshad8\yshad-8)\t(800,850,\xshad-7\yshad-10)}suddenly
Dialogue: 1,0:02:06.55,0:02:06.67,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 30 - line fx: 169] \an5\pos(663.55,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,120,\fscx100\fscy100)\t(0,42,\fax-0.03\fay0.04)\t(42,84,\fax0.04\fay0.05)\t(84,120,\fax-0.05\fay-0.07)\t(0,80,\xshad1\yshad-6)\t(80,120,\xshad9\yshad-11)}in
Dialogue: 1,0:02:06.67,0:02:07.02,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 30 - line fx: 170] \an5\pos(708.44,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,350,\fscx100\fscy100)\t(0,42,\fax0.04\fay-0.07)\t(42,84,\fax-0.07\fay0.08)\t(84,126,\fax0.08\fay-0.03)\t(126,168,\fax-0.03\fay-0.03)\t(168,210,\fax0.03\fay0.03)\t(210,252,\fax0.06\fay0.04)\t(252,294,\fax-0.07\fay-0.03)\t(294,336,\fax-0.06\fay-0.07)\t(336,350,\fax-0.07\fay0.07)\t(0,80,\xshad13\yshad-9)\t(80,160,\xshad-5\yshad6)\t(160,240,\xshad4\yshad-5)\t(240,320,\xshad-4\yshad2)\t(320,350,\xshad11\yshad-3)}this
Dialogue: 1,0:02:07.02,0:02:08.28,Tate OP Romaji,hi-light,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: tags functions Demo I [line origin: 30 - line fx: 171] \an5\pos(780.34,27.5)\1c&H2E00DB&\4c&HEBB35F&\4a&HA0&\blur2\t(0,80,\fscx160\fscy160)\t(80,1260,\fscx100\fscy100)\t(0,42,\fax0.04\fay0.04)\t(42,84,\fax-0.05\fay0.05)\t(84,126,\fax-0.04\fay0.03)\t(126,168,\fax0.05\fay-0.03)\t(168,210,\fax0.06\fay-0.03)\t(210,252,\fax0.07\fay-0.04)\t(252,294,\fax0.06\fay0.08)\t(294,336,\fax-0.04\fay-0.04)\t(336,378,\fax0.06\fay0.05)\t(378,420,\fax0.06\fay-0.03)\t(420,462,\fax-0.06\fay-0.05)\t(462,504,\fax0.07\fay0.06)\t(504,546,\fax0.03\fay-0.04)\t(546,588,\fax-0.03\fay-0.08)\t(588,630,\fax-0.07\fay-0.03)\t(630,672,\fax0.08\fay0.08)\t(672,714,\fax-0.05\fay-0.03)\t(714,756,\fax-0.07\fay-0.05)\t(756,798,\fax0.05\fay0.05)\t(798,840,\fax0.07\fay0.06)\t(840,882,\fax-0.05\fay-0.03)\t(882,924,\fax-0.05\fay0.03)\t(924,966,\fax0.04\fay-0.04)\t(966,1008,\fax-0.03\fay0.05)\t(1008,1050,\fax0.05\fay0.04)\t(1050,1092,\fax-0.08\fay0.06)\t(1092,1134,\fax-0.03\fay-0.07)\t(1134,1176,\fax0.07\fay-0.06)\t(1176,1218,\fax0.05\fay-0.03)\t(1218,1260,\fax0.03\fay-0.07)\t(0,80,\xshad-7\yshad14)\t(80,160,\xshad-13\yshad5)\t(160,240,\xshad9\yshad9)\t(240,320,\xshad-2\yshad-4)\t(320,400,\xshad-10\yshad7)\t(400,480,\xshad5\yshad-13)\t(480,560,\xshad5\yshad-12)\t(560,640,\xshad4\yshad8)\t(640,720,\xshad4\yshad12)\t(720,800,\xshad2\yshad10)\t(800,880,\xshad5\yshad-7)\t(880,960,\xshad-3\yshad-11)\t(960,1040,\xshad-10\yshad6)\t(1040,1120,\xshad8\yshad10)\t(1120,1200,\xshad-7\yshad10)\t(1200,1260,\xshad8\yshad-6)}world
Dialogue: 0,0:01:08.66,0:01:09.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 1] \an5\pos(418.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:08.68,0:01:09.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 2] \an5\pos(430.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:08.70,0:01:09.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 3] \an5\pos(442.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:08.72,0:01:09.37,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 4] \an5\pos(458.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:08.74,0:01:09.54,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 5] \an5\pos(472.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:08.76,0:01:09.54,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 6] \an5\pos(482.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:08.80,0:01:09.73,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 7] \an5\pos(507.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:08.82,0:01:09.73,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 8] \an5\pos(523.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:08.84,0:01:09.88,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 9] \an5\pos(533.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:08.86,0:01:09.88,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 10] \an5\pos(545.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:08.88,0:01:09.88,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 11] \an5\pos(559.81,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:08.90,0:01:10.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 12] \an5\pos(576.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:08.92,0:01:10.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 13] \an5\pos(592.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:08.94,0:01:10.28,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 14] \an5\pos(605.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:08.96,0:01:10.28,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 15] \an5\pos(619.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:09.00,0:01:10.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 16] \an5\pos(644.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:09.02,0:01:10.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 17] \an5\pos(661.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:09.04,0:01:10.81,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 18] \an5\pos(678.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:09.06,0:01:11.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 19] \an5\pos(694.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:09.08,0:01:11.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 20] \an5\pos(710.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:09.10,0:01:11.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 21] \an5\pos(727.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:09.12,0:01:11.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 22] \an5\pos(744,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:09.16,0:01:11.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 23] \an5\pos(769.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:09.18,0:01:11.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 24] \an5\pos(786.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:09.22,0:01:11.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 25] \an5\pos(808.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:01:09.24,0:01:11.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 26] \an5\pos(817.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:09.26,0:01:11.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 27] \an5\pos(829.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:09.28,0:01:11.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 28] \an5\pos(845.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:09.30,0:01:11.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 1 - line fx: 29] \an5\pos(861.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:11.70,0:01:12.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 30] \an5\pos(449.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:11.72,0:01:12.16,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 31] \an5\pos(470.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:11.74,0:01:12.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 32] \an5\pos(486.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:11.76,0:01:12.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 33] \an5\pos(503.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:11.78,0:01:12.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 34] \an5\pos(515.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:11.80,0:01:12.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 35] \an5\pos(527.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:11.82,0:01:12.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 36] \an5\pos(543.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:11.84,0:01:12.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 37] \an5\pos(560.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:11.86,0:01:12.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 38] \an5\pos(577.28,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:11.88,0:01:12.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 39] \an5\pos(593.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:11.92,0:01:13.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 40] \an5\pos(617.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:01:11.94,0:01:13.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 41] \an5\pos(632.57,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:11.96,0:01:13.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 42] \an5\pos(649.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:11.98,0:01:13.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 43] \an5\pos(665.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:12.00,0:01:13.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 44] \an5\pos(681.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}z
Dialogue: 0,0:01:12.02,0:01:13.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 45] \an5\pos(696.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:12.04,0:01:13.46,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 46] \an5\pos(711.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:12.06,0:01:13.46,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 47] \an5\pos(721,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:12.10,0:01:13.66,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 48] \an5\pos(741.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:12.12,0:01:13.66,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 49] \an5\pos(758.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:12.16,0:01:13.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 50] \an5\pos(781.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:12.18,0:01:13.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 51] \an5\pos(795.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:12.20,0:01:14.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 52] \an5\pos(811.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:12.22,0:01:14.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 53] \an5\pos(827.72,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:12.24,0:01:14.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 2 - line fx: 54] \an5\pos(839.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:14.52,0:01:14.98,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 55] \an5\pos(405.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:14.54,0:01:14.98,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 56] \an5\pos(420.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:14.56,0:01:14.98,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 57] \an5\pos(432.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:14.58,0:01:15.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 58] \an5\pos(444.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:14.60,0:01:15.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 59] \an5\pos(457.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}j
Dialogue: 0,0:01:14.62,0:01:15.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 60] \an5\pos(466.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:14.64,0:01:15.47,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 61] \an5\pos(475.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:14.66,0:01:15.47,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 62] \an5\pos(490,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:14.68,0:01:15.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 63] \an5\pos(504.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:14.70,0:01:15.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 64] \an5\pos(517.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:14.72,0:01:15.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 65] \an5\pos(531.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:14.74,0:01:15.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 66] \an5\pos(545.93,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:14.78,0:01:15.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 67] \an5\pos(571.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:14.80,0:01:15.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 68] \an5\pos(588.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:14.82,0:01:16.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 69] \an5\pos(602.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:14.84,0:01:16.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 70] \an5\pos(616.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:14.86,0:01:16.26,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 71] \an5\pos(631.42,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:14.90,0:01:16.47,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 72] \an5\pos(654.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:14.92,0:01:16.47,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 73] \an5\pos(667.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:14.94,0:01:16.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 74] \an5\pos(683.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:14.96,0:01:16.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 75] \an5\pos(699.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:14.98,0:01:16.82,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 76] \an5\pos(713.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:15.00,0:01:16.82,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 77] \an5\pos(728.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:15.02,0:01:16.82,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 78] \an5\pos(740.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:15.04,0:01:17.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 79] \an5\pos(756.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:15.06,0:01:17.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 80] \an5\pos(777.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:15.08,0:01:17.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 81] \an5\pos(791.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:15.10,0:01:17.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 82] \an5\pos(805.39,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:15.12,0:01:17.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 83] \an5\pos(826.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:15.14,0:01:17.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 84] \an5\pos(846.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:15.16,0:01:17.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 85] \an5\pos(859.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:15.18,0:01:17.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 3 - line fx: 86] \an5\pos(872.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:17.82,0:01:18.28,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 87] \an5\pos(526.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:17.84,0:01:18.28,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 88] \an5\pos(540.35,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:17.86,0:01:18.54,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 89] \an5\pos(556.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:17.88,0:01:18.54,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 90] \an5\pos(572.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:17.92,0:01:18.98,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 91] \an5\pos(595.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:17.94,0:01:18.98,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 92] \an5\pos(609.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:17.96,0:01:19.46,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 93] \an5\pos(630.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:17.98,0:01:19.46,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 94] \an5\pos(650.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:18.00,0:01:19.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 95] \an5\pos(666.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:18.02,0:01:19.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 96] \an5\pos(683.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:18.04,0:01:20.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 97] \an5\pos(697.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:18.06,0:01:20.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 98] \an5\pos(709.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:18.08,0:01:20.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 99] \an5\pos(722.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:18.10,0:01:20.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 100] \an5\pos(736.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:18.12,0:01:20.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 4 - line fx: 101] \an5\pos(750.83,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:28.92,0:01:29.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 102] \an5\pos(456.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:01:28.96,0:01:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 103] \an5\pos(478.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:28.98,0:01:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 104] \an5\pos(495.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:29.00,0:01:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 105] \an5\pos(512.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:29.02,0:01:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 106] \an5\pos(524.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:01:29.04,0:01:29.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 107] \an5\pos(533.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:29.08,0:01:29.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 108] \an5\pos(560.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:29.10,0:01:29.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 109] \an5\pos(581.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:29.12,0:01:29.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 110] \an5\pos(597.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:29.14,0:01:29.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 111] \an5\pos(611.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:29.18,0:01:30.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 112] \an5\pos(632.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:29.20,0:01:30.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 113] \an5\pos(646.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:29.24,0:01:30.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 114] \an5\pos(667.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:29.26,0:01:30.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 115] \an5\pos(674.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:29.28,0:01:30.69,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 116] \an5\pos(685.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:29.32,0:01:31.01,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 117] \an5\pos(707.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:29.34,0:01:31.01,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 118] \an5\pos(721.72,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:29.38,0:01:31.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 119] \an5\pos(751.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:29.40,0:01:31.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 120] \an5\pos(772.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:29.42,0:01:31.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 121] \an5\pos(787.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:29.44,0:01:31.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 122] \an5\pos(800.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:29.46,0:01:31.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 123] \an5\pos(811.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:29.48,0:01:31.35,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 12 - line fx: 124] \an5\pos(821.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}f
Dialogue: 0,0:01:31.75,0:01:32.21,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 125] \an5\pos(463.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}K
Dialogue: 0,0:01:31.77,0:01:32.21,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 126] \an5\pos(481.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:31.79,0:01:32.21,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 127] \an5\pos(496.79,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:31.81,0:01:32.21,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 128] \an5\pos(512.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:01:31.85,0:01:32.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 129] \an5\pos(538.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:31.87,0:01:32.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 130] \an5\pos(555.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:31.91,0:01:32.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 131] \an5\pos(578.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:31.93,0:01:32.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 132] \an5\pos(592.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:31.95,0:01:32.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 133] \an5\pos(608.24,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:31.99,0:01:32.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 134] \an5\pos(631.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}f
Dialogue: 0,0:01:32.01,0:01:32.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 135] \an5\pos(641.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:32.03,0:01:32.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 136] \an5\pos(652.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:32.05,0:01:32.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 137] \an5\pos(669.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:32.07,0:01:32.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 138] \an5\pos(683.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:32.09,0:01:32.92,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 139] \an5\pos(692.89,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)},
Dialogue: 0,0:01:32.13,0:01:33.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 140] \an5\pos(716.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}G
Dialogue: 0,0:01:32.15,0:01:33.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 141] \an5\pos(734.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:32.17,0:01:33.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 142] \an5\pos(748.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:32.21,0:01:33.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 143] \an5\pos(769.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:32.23,0:01:33.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 144] \an5\pos(779.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:32.25,0:01:33.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 145] \an5\pos(790.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:32.27,0:01:33.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 146] \an5\pos(807.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:32.29,0:01:33.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 13 - line fx: 147] \an5\pos(821.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:33.44,0:01:33.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 148] \an5\pos(501.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:01:33.46,0:01:33.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 149] \an5\pos(510.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}’
Dialogue: 0,0:01:33.48,0:01:33.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 150] \an5\pos(517.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:33.50,0:01:33.90,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 151] \an5\pos(524.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:33.54,0:01:34.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 152] \an5\pos(545.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:33.56,0:01:34.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 153] \an5\pos(561.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:33.58,0:01:34.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 154] \an5\pos(577.05,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:01:33.60,0:01:34.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 155] \an5\pos(592.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:33.62,0:01:34.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 156] \an5\pos(606.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:33.66,0:01:34.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 157] \an5\pos(625.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:33.68,0:01:34.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 158] \an5\pos(637.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:33.70,0:01:34.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 159] \an5\pos(651.53,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:33.72,0:01:34.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 160] \an5\pos(665.1,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:33.76,0:01:34.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 161] \an5\pos(689.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:33.78,0:01:34.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 162] \an5\pos(705.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:33.80,0:01:34.71,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 163] \an5\pos(722.37,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:33.84,0:01:34.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 164] \an5\pos(746.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:01:33.86,0:01:34.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 165] \an5\pos(759.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:33.88,0:01:34.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 14 - line fx: 166] \an5\pos(774.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:34.76,0:01:35.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 167] \an5\pos(470.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}K
Dialogue: 0,0:01:34.78,0:01:35.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 168] \an5\pos(489.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:34.80,0:01:35.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 169] \an5\pos(504.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:34.82,0:01:35.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 170] \an5\pos(519.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:01:34.86,0:01:35.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 171] \an5\pos(543.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:34.88,0:01:35.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 172] \an5\pos(558.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:34.90,0:01:35.42,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 173] \an5\pos(574.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:34.94,0:01:35.75,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 174] \an5\pos(600.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:34.96,0:01:35.75,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 175] \an5\pos(617.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:01:35.00,0:01:35.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 176] \an5\pos(643.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:35.02,0:01:35.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 177] \an5\pos(659.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:35.04,0:01:35.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 178] \an5\pos(675.82,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:35.08,0:01:36.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 179] \an5\pos(701,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:35.10,0:01:36.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 180] \an5\pos(717.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:35.12,0:01:36.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 181] \an5\pos(734.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:35.16,0:01:36.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 182] \an5\pos(759.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:35.18,0:01:36.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 183] \an5\pos(771.86,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:35.20,0:01:36.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 184] \an5\pos(783.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:35.22,0:01:36.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 185] \an5\pos(799.93,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:35.24,0:01:36.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 15 - line fx: 186] \an5\pos(814.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:36.32,0:01:36.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 187] \an5\pos(544.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}T
Dialogue: 0,0:01:36.34,0:01:36.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 188] \an5\pos(557.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:36.36,0:01:36.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 189] \an5\pos(573.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:36.38,0:01:36.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 190] \an5\pos(593.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:36.42,0:01:37.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 191] \an5\pos(615.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:36.44,0:01:37.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 192] \an5\pos(629.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:36.48,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 193] \an5\pos(653.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:36.50,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 194] \an5\pos(666.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:36.52,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 195] \an5\pos(686.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:36.54,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 196] \an5\pos(705.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:36.56,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 197] \an5\pos(715.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:36.58,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 198] \an5\pos(724.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:36.60,0:01:37.33,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 16 - line fx: 199] \an5\pos(737.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:37.24,0:01:37.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 200] \an5\pos(462.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:01:37.26,0:01:37.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 201] \an5\pos(481.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:37.30,0:01:38.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 202] \an5\pos(511.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:37.32,0:01:38.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 203] \an5\pos(531.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:37.34,0:01:38.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 204] \an5\pos(545.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:37.36,0:01:38.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 205] \an5\pos(557.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:37.38,0:01:38.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 206] \an5\pos(570.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:37.40,0:01:38.14,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 207] \an5\pos(584.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:37.44,0:01:38.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 208] \an5\pos(611.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:37.46,0:01:38.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 209] \an5\pos(632.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:37.48,0:01:38.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 210] \an5\pos(648.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:37.50,0:01:38.50,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 211] \an5\pos(662.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:37.54,0:01:38.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 212] \an5\pos(684.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:37.56,0:01:38.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 213] \an5\pos(701.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:37.58,0:01:38.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 214] \an5\pos(717.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:37.60,0:01:38.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 215] \an5\pos(734.39,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:37.62,0:01:38.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 216] \an5\pos(751.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:37.64,0:01:38.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 217] \an5\pos(766.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:37.68,0:01:39.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 218] \an5\pos(789.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:37.70,0:01:39.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 219] \an5\pos(803.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:37.72,0:01:39.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 17 - line fx: 220] \an5\pos(819.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:39.28,0:01:39.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 221] \an5\pos(550.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}I
Dialogue: 0,0:01:39.32,0:01:40.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 222] \an5\pos(570.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}f
Dialogue: 0,0:01:39.34,0:01:40.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 223] \an5\pos(580.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:39.36,0:01:40.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 224] \an5\pos(592.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:39.38,0:01:40.06,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 225] \an5\pos(608.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:39.42,0:01:40.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 226] \an5\pos(639.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:39.44,0:01:40.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 227] \an5\pos(660.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:39.48,0:01:40.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 228] \an5\pos(689.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:39.50,0:01:40.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 229] \an5\pos(710.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:39.52,0:01:40.87,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 18 - line fx: 230] \an5\pos(726.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:41.22,0:01:41.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 231] \an5\pos(512.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}Y
Dialogue: 0,0:01:41.24,0:01:41.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 232] \an5\pos(530.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:41.26,0:01:41.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 233] \an5\pos(546.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:41.28,0:01:41.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 234] \an5\pos(562.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:41.32,0:01:42.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 235] \an5\pos(587.9,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:41.34,0:01:42.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 236] \an5\pos(603.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:41.36,0:01:42.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 237] \an5\pos(619.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:01:41.38,0:01:42.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 238] \an5\pos(635.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:41.40,0:01:42.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 239] \an5\pos(648.87,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:41.44,0:01:42.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 240] \an5\pos(672.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}g
Dialogue: 0,0:01:41.46,0:01:42.84,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 241] \an5\pos(688.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:41.50,0:01:43.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 242] \an5\pos(713.58,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:41.52,0:01:43.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 243] \an5\pos(733.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:41.54,0:01:43.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 244] \an5\pos(753.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:41.56,0:01:43.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 19 - line fx: 245] \an5\pos(770.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:44.57,0:01:45.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 246] \an5\pos(412.9,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}N
Dialogue: 0,0:01:44.59,0:01:45.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 247] \an5\pos(431.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:44.61,0:01:45.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 248] \an5\pos(452.28,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:44.63,0:01:45.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 249] \an5\pos(468.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)},
Dialogue: 0,0:01:44.67,0:01:45.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 250] \an5\pos(489.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:44.69,0:01:45.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 251] \an5\pos(506,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:44.71,0:01:45.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 252] \an5\pos(522.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:01:44.73,0:01:45.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 253] \an5\pos(539.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:44.75,0:01:45.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 254] \an5\pos(556.11,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:44.77,0:01:45.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 255] \an5\pos(572.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:44.81,0:01:45.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 256] \an5\pos(597.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:01:44.83,0:01:45.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 257] \an5\pos(611.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:44.85,0:01:45.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 258] \an5\pos(628.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:44.87,0:01:45.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 259] \an5\pos(639.21,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}'
Dialogue: 0,0:01:44.89,0:01:45.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 260] \an5\pos(647.76,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:44.93,0:01:46.18,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 261] \an5\pos(668.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:44.95,0:01:46.18,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 262] \an5\pos(680.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:44.97,0:01:46.18,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 263] \an5\pos(694.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:44.99,0:01:46.18,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 264] \an5\pos(711.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:01:45.03,0:01:46.66,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 265] \an5\pos(741.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:45.05,0:01:46.66,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 266] \an5\pos(761.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:45.09,0:01:47.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 267] \an5\pos(786.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:45.11,0:01:47.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 268] \an5\pos(803.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:45.15,0:01:47.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 269] \an5\pos(832.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:45.17,0:01:47.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 270] \an5\pos(853.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:45.19,0:01:47.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 21 - line fx: 271] \an5\pos(869.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:47.47,0:01:47.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 272] \an5\pos(412.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:47.49,0:01:47.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 273] \an5\pos(433.03,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:47.51,0:01:48.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 274] \an5\pos(446.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:47.53,0:01:48.10,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 275] \an5\pos(461.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:47.55,0:01:48.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 276] \an5\pos(476.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:47.57,0:01:48.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 277] \an5\pos(489.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:47.59,0:01:48.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 278] \an5\pos(502.95,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:47.61,0:01:48.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 279] \an5\pos(516.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:47.65,0:01:48.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 280] \an5\pos(538.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:47.67,0:01:48.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 281] \an5\pos(553.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:47.69,0:01:48.61,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 282] \an5\pos(565.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:47.71,0:01:48.83,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 283] \an5\pos(581.46,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:47.73,0:01:48.83,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 284] \an5\pos(601.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:47.75,0:01:48.91,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 285] \an5\pos(618.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:47.79,0:01:49.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 286] \an5\pos(643.83,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:47.81,0:01:49.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 287] \an5\pos(660.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:47.83,0:01:49.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 288] \an5\pos(674.65,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:47.85,0:01:49.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 289] \an5\pos(688.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:47.89,0:01:49.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 290] \an5\pos(714.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:47.91,0:01:49.41,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 291] \an5\pos(731,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:47.95,0:01:49.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 292] \an5\pos(756.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:47.97,0:01:49.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 293] \an5\pos(772.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:47.99,0:01:49.76,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 294] \an5\pos(784.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:48.03,0:01:49.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 295] \an5\pos(805.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:48.05,0:01:49.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 296] \an5\pos(821.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:48.07,0:01:50.12,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 297] \an5\pos(838.32,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:48.11,0:01:50.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 298] \an5\pos(864.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:48.13,0:01:50.30,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 22 - line fx: 299] \an5\pos(875.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:50.13,0:01:50.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 300] \an5\pos(492.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:50.15,0:01:50.59,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 301] \an5\pos(508.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:50.17,0:01:50.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 302] \an5\pos(525.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:50.19,0:01:50.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 303] \an5\pos(542.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:50.21,0:01:50.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 304] \an5\pos(557.25,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}c
Dialogue: 0,0:01:50.23,0:01:50.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 305] \an5\pos(572.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:50.25,0:01:50.78,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 306] \an5\pos(584.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:50.27,0:01:51.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 307] \an5\pos(593.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:50.29,0:01:51.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 308] \an5\pos(607.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:50.33,0:01:51.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 309] \an5\pos(636.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:50.35,0:01:51.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 310] \an5\pos(657.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:50.37,0:01:51.54,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 311] \an5\pos(674.5,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:50.39,0:01:51.54,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 312] \an5\pos(691.12,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:50.43,0:01:51.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 313] \an5\pos(714.53,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:50.45,0:01:51.65,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 314] \an5\pos(729,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:50.47,0:01:51.81,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 315] \an5\pos(745.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:01:50.49,0:01:51.81,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 316] \an5\pos(761.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:50.51,0:01:51.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 317] \an5\pos(774.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:50.53,0:01:51.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 23 - line fx: 318] \an5\pos(788.15,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:51.81,0:01:52.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 319] \an5\pos(531.59,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:51.83,0:01:52.27,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 320] \an5\pos(545.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:51.85,0:01:52.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 321] \an5\pos(560.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:51.87,0:01:52.48,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 322] \an5\pos(570,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:51.89,0:01:52.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 323] \an5\pos(586.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:51.91,0:01:52.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 324] \an5\pos(607.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:51.93,0:01:52.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 325] \an5\pos(623.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:51.95,0:01:52.95,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 326] \an5\pos(640.63,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:51.97,0:01:53.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 327] \an5\pos(655.02,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:51.99,0:01:53.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 328] \an5\pos(669.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:52.03,0:01:53.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 329] \an5\pos(692.68,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:52.05,0:01:53.20,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 330] \an5\pos(706.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:52.07,0:01:53.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 331] \an5\pos(726.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:01:52.09,0:01:53.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 24 - line fx: 332] \an5\pos(746.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:53.22,0:01:53.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 333] \an5\pos(470.78,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:01:53.24,0:01:53.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 334] \an5\pos(484.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:53.26,0:01:53.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 335] \an5\pos(494.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:53.28,0:01:53.68,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 336] \an5\pos(507.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:53.32,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 337] \an5\pos(530.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:53.34,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 338] \an5\pos(544.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:53.36,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 339] \an5\pos(561.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:53.38,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 340] \an5\pos(578.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:53.40,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 341] \an5\pos(594.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:53.42,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 342] \an5\pos(610.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:53.44,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 343] \an5\pos(622.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:53.46,0:01:54.08,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 344] \an5\pos(634.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:01:53.50,0:01:54.91,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 345] \an5\pos(655.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:53.52,0:01:54.91,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 346] \an5\pos(667.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:53.56,0:01:55.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 347] \an5\pos(690.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:53.58,0:01:55.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 348] \an5\pos(704.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:53.60,0:01:55.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 349] \an5\pos(716.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:53.62,0:01:55.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 350] \an5\pos(726.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:53.66,0:01:55.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 351] \an5\pos(753.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:01:53.68,0:01:55.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 352] \an5\pos(774.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:53.70,0:01:55.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 353] \an5\pos(788.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:53.72,0:01:55.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 354] \an5\pos(798.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:01:53.74,0:01:55.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 25 - line fx: 355] \an5\pos(810.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:01:56.17,0:01:56.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 356] \an5\pos(498.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:56.19,0:01:56.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 357] \an5\pos(515.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:56.21,0:01:57.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 358] \an5\pos(529.84,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:56.23,0:01:57.04,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 359] \an5\pos(539.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:56.25,0:01:57.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 360] \an5\pos(551.7,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:56.27,0:01:57.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 361] \an5\pos(567.97,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:56.29,0:01:57.40,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 362] \an5\pos(583.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:56.31,0:01:57.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 363] \an5\pos(596.76,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:56.33,0:01:57.53,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 364] \an5\pos(611.23,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:56.37,0:01:57.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 365] \an5\pos(634.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:56.39,0:01:57.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 366] \an5\pos(648.06,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:56.41,0:01:58.13,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 367] \an5\pos(664.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:01:56.43,0:01:58.13,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 368] \an5\pos(676.3,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:56.47,0:01:58.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 369] \an5\pos(697.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:56.49,0:01:58.31,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 370] \an5\pos(713.88,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:56.53,0:01:58.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 371] \an5\pos(739.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:56.55,0:01:58.63,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 372] \an5\pos(755.64,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:56.57,0:01:59.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 373] \an5\pos(769.29,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:56.59,0:01:59.03,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 27 - line fx: 374] \an5\pos(782.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:01:59.10,0:01:59.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 375] \an5\pos(446.6,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:59.12,0:01:59.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 376] \an5\pos(463.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:59.14,0:01:59.81,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 377] \an5\pos(479.79,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:01:59.16,0:01:59.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 378] \an5\pos(494.35,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:01:59.18,0:01:59.93,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 379] \an5\pos(504.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:59.22,0:02:00.13,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 380] \an5\pos(525.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:59.24,0:02:00.13,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 381] \an5\pos(537.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:59.28,0:02:00.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 382] \an5\pos(558.04,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:59.30,0:02:00.32,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 383] \an5\pos(574.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:59.32,0:02:00.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 384] \an5\pos(591.38,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:01:59.34,0:02:00.51,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 385] \an5\pos(608.09,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:01:59.36,0:02:00.82,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 386] \an5\pos(622.2,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:59.38,0:02:00.82,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 387] \an5\pos(633.9,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:59.40,0:02:00.82,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 388] \an5\pos(647.55,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:59.44,0:02:00.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 389] \an5\pos(670.51,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:01:59.46,0:02:00.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 390] \an5\pos(685.01,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:01:59.48,0:02:00.94,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 391] \an5\pos(696.94,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:59.50,0:02:01.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 392] \an5\pos(708.98,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:01:59.52,0:02:01.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 393] \an5\pos(725.92,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}p
Dialogue: 0,0:01:59.54,0:02:01.22,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 394] \an5\pos(742.19,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:59.56,0:02:01.38,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 395] \an5\pos(753.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:01:59.60,0:02:01.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 396] \an5\pos(774.52,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:59.62,0:02:01.56,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 397] \an5\pos(790.69,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:01:59.64,0:02:01.74,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 398] \an5\pos(806.85,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:01:59.66,0:02:01.91,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 399] \an5\pos(821.07,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:01:59.68,0:02:01.91,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 28 - line fx: 400] \an5\pos(834.34,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:01.79,0:02:02.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 401] \an5\pos(438.67,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}z
Dialogue: 0,0:02:01.81,0:02:02.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 402] \an5\pos(453.14,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:01.83,0:02:02.25,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 403] \an5\pos(468.93,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:01.85,0:02:02.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 404] \an5\pos(485.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}b
Dialogue: 0,0:02:01.87,0:02:02.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 405] \an5\pos(502.48,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:01.91,0:02:02.77,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 406] \an5\pos(525.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:01.93,0:02:02.77,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 407] \an5\pos(539.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:01.95,0:02:03.13,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 408] \an5\pos(554.26,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:01.97,0:02:03.13,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 409] \an5\pos(564.08,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:01.99,0:02:03.29,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 410] \an5\pos(576.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}k
Dialogue: 0,0:02:02.01,0:02:03.29,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 411] \an5\pos(592.39,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:02.03,0:02:03.43,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 412] \an5\pos(607.61,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:02.05,0:02:03.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 413] \an5\pos(621.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:02.07,0:02:03.49,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 414] \an5\pos(634.75,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:02.11,0:02:03.85,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 415] \an5\pos(654.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:02.13,0:02:04.07,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 416] \an5\pos(670.99,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}m
Dialogue: 0,0:02:02.15,0:02:04.07,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 417] \an5\pos(691.44,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}a
Dialogue: 0,0:02:02.19,0:02:04.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 418] \an5\pos(717.66,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}T
Dialogue: 0,0:02:02.21,0:02:04.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 419] \an5\pos(735.4,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:02.23,0:02:04.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 420] \an5\pos(749.96,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:02.25,0:02:04.23,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 421] \an5\pos(764.57,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:02.29,0:02:04.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 422] \an5\pos(793.16,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}O
Dialogue: 0,0:02:02.31,0:02:04.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 423] \an5\pos(812.71,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}v
Dialogue: 0,0:02:02.33,0:02:04.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 424] \an5\pos(828.47,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:02.35,0:02:04.58,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 29 - line fx: 425] \an5\pos(842.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:04.93,0:02:05.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 426] \an5\pos(470.78,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}R
Dialogue: 0,0:02:04.95,0:02:05.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 427] \an5\pos(484.45,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:04.97,0:02:05.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 428] \an5\pos(494.17,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:04.99,0:02:05.39,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 429] \an5\pos(507.74,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:05.03,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 430] \an5\pos(530.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:05.05,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 431] \an5\pos(544.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}u
Dialogue: 0,0:02:05.07,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 432] \an5\pos(561.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:05.09,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 433] \an5\pos(578.62,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:02:05.11,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 434] \an5\pos(594.54,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}e
Dialogue: 0,0:02:05.13,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 435] \an5\pos(610.33,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:05.15,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 436] \an5\pos(622.27,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:05.17,0:02:05.70,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 437] \an5\pos(634.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}y
Dialogue: 0,0:02:05.21,0:02:06.55,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 438] \an5\pos(655.18,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:05.23,0:02:06.55,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 439] \an5\pos(667.13,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}n
Dialogue: 0,0:02:05.27,0:02:06.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 440] \an5\pos(690.36,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}t
Dialogue: 0,0:02:05.29,0:02:06.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 441] \an5\pos(704.56,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}h
Dialogue: 0,0:02:05.31,0:02:06.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 442] \an5\pos(716.49,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}i
Dialogue: 0,0:02:05.33,0:02:06.67,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 443] \an5\pos(726.22,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}s
Dialogue: 0,0:02:05.37,0:02:07.02,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 444] \an5\pos(753.77,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}w
Dialogue: 0,0:02:05.39,0:02:07.02,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 445] \an5\pos(774.41,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}o
Dialogue: 0,0:02:05.41,0:02:07.02,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 446] \an5\pos(788.91,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}r
Dialogue: 0,0:02:05.43,0:02:07.02,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 447] \an5\pos(798.73,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}l
Dialogue: 0,0:02:05.45,0:02:07.02,Tate OP Romaji,lead-in,0,0,0,Effector [fx],{Kara Effector 3.5 aratani: Made In Abyss ED 1 [line origin: 30 - line fx: 448] \an5\pos(810.8,27.5)\blur1.2\fscx0\fscy0\t(0,125.13,\fscx130\fscy130)\t(125.13,250.26,\fscx100\fscy100)\fad(120,0)}d
Dialogue: 0,0:21:33.63,0:21:35.63,Main,,0,0,0,,