[Script Info]
; Script generated by Aegisub v2.1.6 RELEASE PREVIEW (SVN r2494, amz)
; http://www.aegisub.net
Title: One Outs 10
ScriptType: v4.00+
WrapStyle: 0
PlayResX: 1280
PlayResY: 720
ScaledBorderAndShadow: yes
Video Aspect Ratio: 0
Video Zoom: 6
Video Position: 0
Collisions: Normal
Last Style Storage: ONE OUTS
Original Script: BramjNet.com
Original Translation: anoos
Original Editing: anoos
Script Updated By: anoos

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: preview,Adobe Garamond Pro Bold,64,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,110,120,0,0,1,5,0,1,170,170,200,0
Style: preview1,Adobe Garamond Pro Bold,64,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,110,120,0,0,1,5,0,1,170,170,20,0
Style: New,AF_Aseer,45,&H4B911000,&H00FFFFFF,&H14FFFFFF,&H64B4F1F9,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Default-furigana,Comic Sans MS,23,&H00BBF1DB,&H0000EFAF,&H00206E09,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,0.5,0,8,10,10,10,0
Style: Default,Comic Sans MS,47,&H00BBF1DB,&H0000EFAF,&H00206E09,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,1,0,8,10,10,10,0
Style: 2555,Comic Sans MS,47,&H00BBF1DB,&H0068F4F6,&H0020470D,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,8,10,10,10,0
Style: DOLLARS,DS Dots,150,&H00E1D2C7,&H000000FF,&H6ED8AD97,&H00000000,0,0,0,0,100,150,0,0,1,3,0,2,20,20,15,0
Style: زيادات,MCS CLOCK FAT,45,&H00E8E8E9,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,2,10,10,10,178
Style: كوجيما,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H14000000,&H64D5D5D5,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Owner,AF_Aseer,55,&H4BC8EAFE,&H00FFFFFF,&H14231055,&H64757B78,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Servant,AF_Aseer,55,&H4B8EFFFE,&H00FFFFFF,&H14014702,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مساعد,AF_Aseer,55,&H4BFF8F98,&H00FFFFFF,&H14651706,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مدير الفريق,AF_Aseer,55,&H4BF6ECCF,&H00FFFFFF,&H14BD5708,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: ايديتشي ساتوشي,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H140E2854,&H643B68B9,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: المعلق على المباراة,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H1455140E,&H64A4B93B,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: 2 المعلق على المباراة,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H14045386,&H641C60FA,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مذيعة,AF_Aseer,55,&H4B00CCFF,&H00FFFFFF,&H14740958,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Referee,AF_Aseer,55,&H4B000000,&H00FFFFFF,&H14FFFFFF,&H642C2C2D,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: others7,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H141B1B1B,&H640BFF00,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: BNT,FashionVictim,77,&H00FFFFFF,&H000000FF,&H6E000000,&H00000000,0,0,0,0,100,150,0,0,1,2,0,2,10,10,10,0
Style: توا,AF_Aseer,55,&H4B15E0FF,&H00FFFFFF,&H14000D0F,&H6438CBC6,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Kira,AF_Aseer,55,&H4BFF7B2E,&H00FFFFFF,&H14000000,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: others07,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H141B1B1B,&H640BFF00,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Others1,AF_Aseer,55,&H4BB9B9F2,&H00FFFFFF,&H14000000,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: OTHER7,AF_Aseer,55,&H4BEAF9FC,&H00FFFFFF,&H14605E50,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Credit,Georgia,35,&H9B741607,&H000000FF,&H469090FF,&H32000000,0,0,0,0,100,100,0,0,1,2,0.5,1,5,15,25,204
Style: NEW01,AF_Aseer,55,&H4B91FF94,&H00FFFFFF,&H14000203,&H64969696,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: المدرب شيرووكا,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H140813A0,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مساعد شيرووكا,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H141D660A,&H642D2DAA,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: bugboo's,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H14000000,&H649C2DAA,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: bugboo's2,AF_Aseer,55,&H4BF0EEE5,&H00FFFFFF,&H14B27533,&H64CCCCCC,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: جونسون,AF_Aseer,55,&H4B305882,&H00FFFFFF,&H14FFFFFF,&H640000FF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Defaultk,Comic Sans MS,47,&H00BBF1DB,&H0000EFAF,&H00206E09,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,1,0,8,10,10,10,0

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,code once,math.randomseed(7501)
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,code once,function char_counter(ref) ci[ref] = ci[ref] + 1; return "" end
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,code once,ci = { 0 }; cn = _G.unicode.len(orgline.text_stripped:gsub(" ",""))
Comment: 0,0:00:12.02,0:00:14.02,Defaultk,,0000,0000,0000,template syl noblank,!retime("start2syl",-360+($si-1)*40,0)!{an8\move(!$x+582!,$y,$x,$y,0,500)\fad(500,0)\be1\1c!line.styleref.color2!}
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,template syl noblank,!retime("syl2end",-$sdur,0)!{\an8\pos($scenter,$stop)\1c!line.styleref.color1!\fscx160\fscy130\t(0,$sdur,\1c!line.styleref.color2!\fscx100\fscy100\bord1\move($x,$y,$x,!$y+math.random(-30,360)!,0,400))}
Comment: 0,0:00:12.59,0:00:12.59,Defaultk,,0000,0000,0000,template char,!retime("postline",-220,400)!{\an8\be1\fad(0,510)\bord1\move($x,$y,$x,!$y+math.random(-30,360)!)\t(\fad(0,1600)\1c!line.styleref.color2!)}
Comment: 0,0:00:12.02,0:39:49.70,Defaultk,,0000,0000,0000,template syl,!retime("syl",0,250)!{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move($x,$y,!$x+math.random(-10,20)!,$y)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Comment: 0,0:00:01.03,0:00:04.85,Defaultk,,0000,0000,0000,karaoke,{\be1}{\k23}{\k63}Wan{\k25}ted{\k5} {\k1}{\k20}so{\k26}me{\k36}thing{\k1} {\k0}{\k35}Ican{\k20}’t{\k0} {\k0}{\k70}take{\k57}
Comment: 0,0:00:04.89,0:00:08.50,Defaultk,,0000,0000,0000,karaoke,{\k41}{\k31}I’ll{\k0} {\k0}{\k28}be{\k0} {\k1}{\k19}st{\k29}ron{\k46}ger{\k0} {\k4}{\k22}o{\k18}n{\k23}ce{\k8} {\k3}{\k12}a{\k47}gain{\k29}
Comment: 0,0:00:08.53,0:00:12.86,Defaultk,,0000,0000,0000,karaoke,{\k35}{\k34}Don’t {\k0}{\k0}{\k25}wo{\k29}rry{\k2} {\k3}{\k51}about {\k0}{\k3}{\k52}me{\k6} {\k3}{\k37}tru{\k31}st{\k0} {\k0}{\k64}me{\k58}
Comment: 0,0:00:12.65,0:00:17.65,Defaultk,,0000,0000,0000,karaoke,{\k143}{\k47}Please{\k0} {\k0}{\k20}tru{\k22}st{\k0} {\k0}{\k24}me{\k0} {\k2}{\k116}now{\k126}
Comment: 0,0:00:17.28,0:00:21.16,Defaultk,,0000,0000,0000,karaoke,{\k42}{\k32}Now{\k0} {\k0}{\k25}I{\k5} {\k44}have{\k0} {\k0}{\k22}to{\k0} {\k5}{\k34}see{\k4} {\k3}{\k71}it{\k101}
Comment: 0,0:00:21.16,0:00:23.98,Defaultk,,0000,0000,0000,karaoke,{\k22}{\k62}This{\k2} {\k2}{\k40}for{\k0} {\k0}{\k36}my{\k0} {\k0}{\k87}love{\k31}
Comment: 0,0:00:23.98,0:00:28.19,Defaultk,,0000,0000,0000,karaoke,{\k30}{\k36}O{\k25}pen{\k3} {\k0}{\k44}this{\k0} {\k0}{\k35}heart{\k2} {\k5}{\k44}and{\k0} {\k0}{\k43}my{\k2} {\k3}{\k103}mind{\k46}
Comment: 0,0:00:28.19,0:00:30.19,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k41}Let{\k0} {\k0}{\k40}me{\k0} {\k0}{\k118}believe{\k0}
Comment: 0,0:00:31.49,0:00:36.42,Defaultk,,0000,0000,0000,karaoke,{\k106}{\k38}Now{\k0} {\k0}{\k24}I{\k5} {\k15}{\k43}have{\k0} {\k0}{\k16}to{\k8} {\k20}{\k76}listen{\k1} {\k9}{\k92}again{\k40}
Comment: 0,0:00:36.43,0:00:39.05,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k30}This{\k1} {\k3}{\k28}is{\k0} {\k0}{\k40}for{\k0} {\k5}{\k43}my{\k1} {\k4}{\k77}love{\k28}
Comment: 0,0:00:39.09,0:00:43.48,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k28}Re{\k23}mem{\k23}ber{\k4} {\k1}{\k44}why{\k3} {\k4}{\k36}I’m{\k0} {\k5}{\k34}still{\k3} {\k3}{\k68}In{\k3} {\k3}{\k121}here{\k32}
Comment: 0,0:00:43.99,0:00:47.19,Defaultk,,0000,0000,0000,karaoke,{\k33}{\k33}’cause{\k0} {\k1}{\k26}it{\k14}’s{\k0} {\k3}{\k19}all{\k0} {\k3}{\k14}for{\k0} {\k2}{\k71}you{\k101}
Comment: 0,0:00:49.17,0:00:54.94,Defaultk,,0000,0000,0000,karaoke,{\k138}{\k44}When{\k0} {\k0}{\k20}it{\k18}’s{\k3} {\k3}{\k46}some{\k42}thing{\k3} {\k5}{\k20}I{\k38}can{\k0} {\k0}{\k49}take{\k148}
Dialogue: 0,0:00:53.24,0:00:54.50,2555,,0000,0000,0000,,{\k12\t(100,520,\frz360)\move(1095,64,649,85,0,0)}{\k83}Yeah!{\k71}
Comment: 0,0:00:56.05,0:01:02.23,Defaultk,,0000,0000,0000,karaoke,{\k26}{\k19}I{\k11}’ll {\k1}{\k1}{\k20}be{\k2} {\k0}{\k23}st{\k34}ron{\k36}ger{\k1} {\k4}{\k24}on{\k22}ce{\k3} {\k3}{\k41}a{\k324}gain{\k23}
Comment: 0,0:01:02.23,0:01:05.52,Defaultk,,0000,0000,0000,karaoke,{\k43}{\k23}I{\k1} {\k1}{\k81}need{\k13} {\k3}{\k164}you{\k0}
Comment: 0,0:01:05.59,0:01:09.50,Defaultk,,0000,0000,0000,karaoke,{\k16}{\k19}I{\k23}’ll{\k0} {\k2}{\k40}give{\k0} {\k0}{\k135}you{\k3} {\k4}{\k34}my{\k3} {\k5}{\k107}love{\k0}
Comment: 0,0:01:09.51,0:01:15.00,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k23}You{\k4} {\k0}{\k29}can{\k1} {\k1}{\k106}live{\k2} {\k2}{\k37}your{\k2} {\k1}{\k88}own{\k2} {\k4}{\k72}life{\k3} {\k8}{\k34}for{\k1} {\k0}{\k128}you{\k0}
Comment: 0,0:01:15.00,0:01:17.00,Defaultk,,0000,0000,0000,karaoke,
Dialogue: 0,0:00:01.03,0:00:01.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(392,10,405,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:01.03,0:00:01.51,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(392,10,403,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:00.71,0:00:01.26,Defaultk,,0000,0000,0000,fx,{an8\move(1009,10,427,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Wan
Dialogue: 0,0:00:01.26,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(427,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,630,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(427,10,427,362,0,400))}Wan
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(409,10,409,161)\t(\fad(0,1600)\1c&H0000EFAF&)}W
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(436,10,436,137)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(454,10,454,72)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:01.26,0:00:02.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(427,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Wan
Dialogue: 0,0:00:00.75,0:00:01.89,Defaultk,,0000,0000,0000,fx,{an8\move(1072,10,490,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ted
Dialogue: 0,0:00:01.89,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(490,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(490,10,490,330,0,400))}ted
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(471,10,471,-10)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(488,10,488,201)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(508,10,508,105)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:00:01.89,0:00:02.39,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(490,10,509,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ted
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(540,10,540,330)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:02.14,0:00:02.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(532,10,542,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:02.19,0:00:02.45,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(532,10,543,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:00.87,0:00:02.20,Defaultk,,0000,0000,0000,fx,{an8\move(1131,10,549,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}so
Dialogue: 0,0:00:02.20,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(549,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(549,10,549,132,0,400))}so
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(540,10,540,74)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(558,10,558,200)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:02.20,0:00:02.65,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(549,10,544,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}so
Dialogue: 0,0:00:00.91,0:00:02.40,Defaultk,,0000,0000,0000,fx,{an8\move(1171,10,589,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:02.40,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(589,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,260,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(589,10,589,189,0,400))}me
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(579,10,579,288)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(602,10,602,273)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:02.40,0:00:02.91,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(589,10,601,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:00.95,0:00:02.66,Defaultk,,0000,0000,0000,fx,{an8\move(1234,10,652,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}thing
Dialogue: 0,0:00:02.66,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(652,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(652,10,652,182,0,400))}thing
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(619,10,619,122)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(637,10,637,187)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(652,10,652,242)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,197)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(683,10,683,296)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:02.66,0:00:03.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(652,10,653,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}thing
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(714,10,714,-10)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:03.02,0:00:03.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(706,10,710,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:03.03,0:00:03.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(706,10,696,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:01.07,0:00:03.03,Defaultk,,0000,0000,0000,fx,{an8\move(1324,10,742,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Ican
Dialogue: 0,0:00:03.03,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(742,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,350,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(742,10,742,366,0,400))}Ican
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(716,10,716,38)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(734,10,734,165)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(752,10,752,99)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(770,10,770,51)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:03.03,0:00:03.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(742,10,749,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Ican
Dialogue: 0,0:00:01.11,0:00:03.38,Defaultk,,0000,0000,0000,fx,{an8\move(1372,10,790,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’t
Dialogue: 0,0:00:03.38,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(790,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(790,10,790,146,0,400))}’t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(782,10,782,2)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(794,10,794,102)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:03.38,0:00:03.83,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(790,10,793,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(824,10,824,289)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:03.58,0:00:03.83,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(817,10,827,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:03.58,0:00:03.83,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(817,10,816,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:01.23,0:00:03.58,Defaultk,,0000,0000,0000,fx,{an8\move(1435,10,853,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}take
Dialogue: 0,0:00:03.58,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(853,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,700,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(853,10,853,363,0,400))}take
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(825,10,825,132)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(842,10,842,313)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(860,10,860,12)\t(\fad(0,1600)\1c&H0000EFAF&)}k
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(879,10,879,348)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:03.58,0:00:04.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(853,10,843,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}take
Dialogue: 0,0:00:04.28,0:00:05.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(888,10,889,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.89,0:00:05.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,424,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.89,0:00:05.55,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,437,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.57,0:00:05.30,Defaultk,,0000,0000,0000,fx,{an8\move(1028,10,446,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I’ll
Dialogue: 0,0:00:05.30,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(446,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,310,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(446,10,446,115,0,400))}I’ll
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(433,10,433,8)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(446,10,446,187)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(454,10,454,50)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(464,10,464,305)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:05.30,0:00:05.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(446,10,453,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I’ll
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(490,10,490,63)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:05.61,0:00:05.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,479,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.61,0:00:05.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,484,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.69,0:00:05.61,Defaultk,,0000,0000,0000,fx,{an8\move(1084,10,502,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}be
Dialogue: 0,0:00:05.61,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(502,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(502,10,502,53,0,400))}be
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(493,10,493,28)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,28)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:05.61,0:00:06.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,499,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}be
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,185)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:05.89,0:00:06.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,542,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.89,0:00:06.15,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,530,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.81,0:00:05.90,Defaultk,,0000,0000,0000,fx,{an8\move(1134,10,552,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:05.90,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(552,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(552,10,552,350,0,400))}st
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,200)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(561,10,561,85)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:05.90,0:00:06.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,543,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:04.85,0:00:06.09,Defaultk,,0000,0000,0000,fx,{an8\move(1176,10,594,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ron
Dialogue: 0,0:00:06.09,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(594,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,290,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(594,10,594,356,0,400))}ron
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(577,10,577,114)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(594,10,594,247)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(611,10,611,312)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:06.09,0:00:06.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(594,10,596,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ron
Dialogue: 0,0:00:04.89,0:00:06.38,Defaultk,,0000,0000,0000,fx,{an8\move(1229,10,647,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ger
Dialogue: 0,0:00:06.38,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(647,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,460,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(647,10,647,50,0,400))}ger
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(629,10,629,39)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(647,10,647,362)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,-15)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:06.38,0:00:07.09,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(647,10,656,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ger
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(695,10,695,102)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:06.84,0:00:07.09,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,681,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:06.84,0:00:07.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,692,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.01,0:00:06.88,Defaultk,,0000,0000,0000,fx,{an8\move(1279,10,697,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}o
Dialogue: 0,0:00:06.88,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(697,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(697,10,697,364,0,400))}o
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(697,10,697,248)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:06.88,0:00:07.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(697,10,716,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}o
Dialogue: 0,0:00:05.05,0:00:07.10,Defaultk,,0000,0000,0000,fx,{an8\move(1296,10,714,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}n
Dialogue: 0,0:00:07.10,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(714,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,180,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(714,10,714,53,0,400))}n
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(714,10,714,217)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:07.10,0:00:07.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(714,10,729,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}n
Dialogue: 0,0:00:05.09,0:00:07.28,Defaultk,,0000,0000,0000,fx,{an8\move(1323,10,741,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ce
Dialogue: 0,0:00:07.28,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(741,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(741,10,741,174,0,400))}ce
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(732,10,732,328)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(750,10,750,316)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:07.28,0:00:07.76,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,749,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ce
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(781,10,781,217)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:07.51,0:00:07.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,790,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:07.59,0:00:07.87,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,792,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.21,0:00:07.62,Defaultk,,0000,0000,0000,fx,{an8\move(1365,10,783,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}a
Dialogue: 0,0:00:07.62,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(783,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,120,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(783,10,783,367,0,400))}a
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,203)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:07.62,0:00:07.99,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(783,10,782,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}a
Dialogue: 0,0:00:05.25,0:00:07.74,Defaultk,,0000,0000,0000,fx,{an8\move(1407,10,825,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}gain
Dialogue: 0,0:00:07.74,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(825,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,470,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(825,10,825,67,0,400))}gain
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(802,10,802,233)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(820,10,820,257)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(834,10,834,312)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(848,10,848,365)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:07.74,0:00:08.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(825,10,840,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}gain
Dialogue: 0,0:00:08.21,0:00:08.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(856,10,860,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.53,0:00:08.78,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(385,10,380,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.53,0:00:09.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(385,10,382,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.21,0:00:08.88,Defaultk,,0000,0000,0000,fx,{an8\move(1009,10,427,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Don’t
Dialogue: 0,0:00:08.88,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(427,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(427,10,427,342,0,400))}Don’t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(397,10,397,3)\t(\fad(0,1600)\1c&H0000EFAF&)}D
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(418,10,418,134)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(436,10,436,32)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(448,10,448,99)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(460,10,460,75)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(476,10,476,274)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:08.88,0:00:09.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(427,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Don’t
Dialogue: 0,0:00:09.22,0:00:09.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:09.22,0:00:09.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,477,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.33,0:00:09.22,Defaultk,,0000,0000,0000,fx,{an8\move(1085,10,503,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}wo
Dialogue: 0,0:00:09.22,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(503,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(503,10,503,86,0,400))}wo
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(494,10,494,47)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(515,10,515,214)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:09.22,0:00:09.72,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(503,10,519,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}wo
Dialogue: 0,0:00:08.37,0:00:09.47,Defaultk,,0000,0000,0000,fx,{an8\move(1131,10,549,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}rry
Dialogue: 0,0:00:09.47,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(549,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,290,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(549,10,549,97,0,400))}rry
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(532,10,532,179)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(548,10,548,65)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(565,10,565,159)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:09.47,0:00:10.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(549,10,540,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}rry
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(597,10,597,259)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:09.76,0:00:10.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(589,10,580,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:09.78,0:00:10.06,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(589,10,599,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.49,0:00:09.81,Defaultk,,0000,0000,0000,fx,{an8\move(1216,10,634,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}about
Dialogue: 0,0:00:09.81,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(634,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,510,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(634,10,634,149,0,400))}about
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(599,10,599,224)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(618,10,618,346)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(637,10,637,74)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(655,10,655,125)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(671,10,671,11)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(686,10,686,172)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:09.81,0:00:10.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(634,10,644,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}about
Dialogue: 0,0:00:10.32,0:00:10.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,699,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:10.32,0:00:10.60,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,684,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.61,0:00:10.35,Defaultk,,0000,0000,0000,fx,{an8\move(1298,10,716,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:10.35,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(716,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,520,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(716,10,716,309,0,400))}me
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(707,10,707,28)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(729,10,729,215)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:10.35,0:00:11.12,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(716,10,731,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(761,10,761,245)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:10.87,0:00:11.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(753,10,752,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:10.93,0:00:11.21,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(753,10,746,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.73,0:00:10.96,Defaultk,,0000,0000,0000,fx,{an8\move(1360,10,778,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}tru
Dialogue: 0,0:00:10.96,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(778,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,370,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(778,10,778,311,0,400))}tru
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(761,10,761,38)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(777,10,777,49)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(794,10,794,90)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:10.96,0:00:11.58,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(778,10,797,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}tru
Dialogue: 0,0:00:08.77,0:00:11.33,Defaultk,,0000,0000,0000,fx,{an8\move(1401,10,819,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:11.33,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(819,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,310,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(819,10,819,279,0,400))}st
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(811,10,811,343)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(827,10,827,326)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:11.33,0:00:11.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(819,10,825,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(857,10,857,-1)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:11.64,0:00:11.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(850,10,861,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:11.64,0:00:11.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(850,10,869,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.89,0:00:11.64,Defaultk,,0000,0000,0000,fx,{an8\move(1455,10,873,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:11.64,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(873,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,640,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(873,10,873,213,0,400))}me
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(863,10,863,358)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(886,10,886,299)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:11.64,0:00:12.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(873,10,869,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:12.28,0:00:13.11,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(895,10,893,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.65,0:00:12.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(475,10,493,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.65,0:00:14.33,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(475,10,482,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.33,0:00:14.08,Defaultk,,0000,0000,0000,fx,{an8\move(1107,10,525,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Please
Dialogue: 0,0:00:14.08,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(525,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,470,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(525,10,525,365,0,400))}Please
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(484,10,484,181)\t(\fad(0,1600)\1c&H0000EFAF&)}P
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(498,10,498,106)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,329)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(531,10,531,28)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(548,10,548,98)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,221)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:14.08,0:00:14.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(525,10,523,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Please
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(597,10,597,212)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:14.55,0:00:14.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(590,10,583,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:14.55,0:00:14.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(590,10,598,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.45,0:00:14.55,Defaultk,,0000,0000,0000,fx,{an8\move(1197,10,615,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}tru
Dialogue: 0,0:00:14.55,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(615,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(615,10,615,-3,0,400))}tru
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(598,10,598,161)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(614,10,614,287)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(631,10,631,-20)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:14.55,0:00:15.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(615,10,620,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}tru
Dialogue: 0,0:00:12.49,0:00:14.75,Defaultk,,0000,0000,0000,fx,{an8\move(1238,10,656,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:14.75,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(656,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(656,10,656,345,0,400))}st
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(648,10,648,-1)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(664,10,664,95)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:14.75,0:00:15.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(656,10,647,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(694,10,694,356)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:14.97,0:00:15.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(687,10,683,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:14.97,0:00:15.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(687,10,691,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.61,0:00:14.97,Defaultk,,0000,0000,0000,fx,{an8\move(1291,10,709,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:14.97,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(709,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(709,10,709,173,0,400))}me
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(700,10,700,110)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(722,10,722,224)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:14.97,0:00:15.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(709,10,723,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(754,10,754,49)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:15.21,0:00:15.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(746,10,753,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:15.21,0:00:15.48,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(746,10,752,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.73,0:00:15.23,Defaultk,,0000,0000,0000,fx,{an8\move(1357,10,775,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}now
Dialogue: 0,0:00:15.23,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(775,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1160,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(775,10,775,225,0,400))}now
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(755,10,755,279)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(773,10,773,243)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(793,10,793,206)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:15.23,0:00:16.64,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(775,10,785,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}now
Dialogue: 0,0:00:16.39,0:00:17.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(805,10,805,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.28,0:00:17.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,485,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.28,0:00:17.95,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:16.96,0:00:17.70,Defaultk,,0000,0000,0000,fx,{an8\move(1083,10,501,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Now
Dialogue: 0,0:00:17.70,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(501,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,320,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(501,10,501,77,0,400))}Now
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(481,10,481,269)\t(\fad(0,1600)\1c&H0000EFAF&)}N
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(503,10,503,320)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(524,10,524,253)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:17.70,0:00:18.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(501,10,491,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Now
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(557,10,557,331)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.02,0:00:18.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(550,10,564,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:18.02,0:00:18.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(550,10,567,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.08,0:00:18.02,Defaultk,,0000,0000,0000,fx,{an8\move(1141,10,559,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:18.02,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(559,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(559,10,559,18,0,400))}I
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(559,10,559,304)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:18.02,0:00:18.52,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(559,10,563,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(590,10,590,351)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.27,0:00:18.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(583,10,602,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.16,0:00:18.32,Defaultk,,0000,0000,0000,fx,{an8\move(1201,10,619,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}have
Dialogue: 0,0:00:18.32,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(619,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(619,10,619,53,0,400))}have
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(592,10,592,324)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(612,10,612,279)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(629,10,629,9)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(647,10,647,52)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:18.32,0:00:19.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(619,10,622,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}have
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(678,10,678,86)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.76,0:00:19.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(671,10,673,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:18.76,0:00:19.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(671,10,676,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.28,0:00:18.76,Defaultk,,0000,0000,0000,fx,{an8\move(1270,10,688,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}to
Dialogue: 0,0:00:18.76,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(688,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(688,10,688,192,0,400))}to
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(679,10,679,266)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(696,10,696,143)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:18.76,0:00:19.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,680,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}to
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(726,10,726,354)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.98,0:00:19.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(719,10,739,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:18.98,0:00:19.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(719,10,730,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.40,0:00:19.03,Defaultk,,0000,0000,0000,fx,{an8\move(1328,10,746,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}see
Dialogue: 0,0:00:19.03,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(746,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(746,10,746,275,0,400))}see
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(727,10,727,269)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(745,10,745,126)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(764,10,764,-11)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:19.03,0:00:19.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(746,10,765,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}see
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(795,10,795,155)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:19.37,0:00:19.66,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(788,10,802,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:19.41,0:00:19.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(788,10,796,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.52,0:00:19.44,Defaultk,,0000,0000,0000,fx,{an8\move(1382,10,800,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}it
Dialogue: 0,0:00:19.44,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(800,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,710,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(800,10,800,351,0,400))}it
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(793,10,793,13)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,149)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:19.44,0:00:20.40,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(800,10,818,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}it
Dialogue: 0,0:00:20.15,0:00:21.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(813,10,832,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.16,0:00:21.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(505,10,516,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.16,0:00:21.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(505,10,512,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:20.84,0:00:21.38,Defaultk,,0000,0000,0000,fx,{an8\move(1121,10,539,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}This
Dialogue: 0,0:00:21.38,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(539,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,620,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(539,10,539,82,0,400))}This
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(516,10,516,352)\t(\fad(0,1600)\1c&H0000EFAF&)}T
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(538,10,538,-13)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(552,10,552,96)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(565,10,565,304)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:21.38,0:00:22.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(539,10,536,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}This
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(595,10,595,7)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:22.00,0:00:22.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,590,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:22.02,0:00:22.29,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,588,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:20.96,0:00:22.04,Defaultk,,0000,0000,0000,fx,{an8\move(1196,10,614,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:00:22.04,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(614,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(614,10,614,39,0,400))}for
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(597,10,597,23)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(614,10,614,12)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(631,10,631,330)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:22.04,0:00:22.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(614,10,633,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(661,10,661,324)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:22.44,0:00:22.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(654,10,669,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:22.44,0:00:22.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(654,10,654,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.08,0:00:22.44,Defaultk,,0000,0000,0000,fx,{an8\move(1258,10,676,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:00:22.44,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(676,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(676,10,676,222,0,400))}my
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(667,10,667,170)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(689,10,689,127)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:22.44,0:00:23.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(676,10,681,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(721,10,721,165)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:22.80,0:00:23.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(713,10,730,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:22.80,0:00:23.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(713,10,733,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.20,0:00:22.80,Defaultk,,0000,0000,0000,fx,{an8\move(1326,10,744,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}love
Dialogue: 0,0:00:22.80,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(744,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,870,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(744,10,744,342,0,400))}love
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(718,10,718,346)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(731,10,731,127)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(748,10,748,201)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(766,10,766,65)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:22.80,0:00:23.92,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(744,10,760,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}love
Dialogue: 0,0:00:23.67,0:00:24.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(775,10,793,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.98,0:00:24.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(400,10,395,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.98,0:00:24.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(400,10,407,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.66,0:00:24.28,Defaultk,,0000,0000,0000,fx,{an8\move(996,10,414,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}O
Dialogue: 0,0:00:24.28,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(414,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(414,10,414,227,0,400))}O
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(414,10,414,289)\t(\fad(0,1600)\1c&H0000EFAF&)}O
Dialogue: 0,0:00:24.28,0:00:24.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(414,10,429,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}O
Dialogue: 0,0:00:23.70,0:00:24.64,Defaultk,,0000,0000,0000,fx,{an8\move(1037,10,455,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}pen
Dialogue: 0,0:00:24.64,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(455,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(455,10,455,340,0,400))}pen
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(436,10,436,113)\t(\fad(0,1600)\1c&H0000EFAF&)}p
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(455,10,455,189)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(473,10,473,114)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:24.64,0:00:25.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(455,10,446,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}pen
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(504,10,504,77)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:24.89,0:00:25.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(497,10,497,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.92,0:00:25.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(497,10,508,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.82,0:00:24.92,Defaultk,,0000,0000,0000,fx,{an8\move(1109,10,527,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}this
Dialogue: 0,0:00:24.92,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(527,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(527,10,527,356,0,400))}this
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(504,10,504,319)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(522,10,522,-10)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(537,10,537,213)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(550,10,550,85)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:24.92,0:00:25.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(527,10,518,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}this
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(580,10,580,12)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:25.36,0:00:25.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(572,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:25.36,0:00:25.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(572,10,578,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.94,0:00:25.36,Defaultk,,0000,0000,0000,fx,{an8\move(1199,10,617,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}heart
Dialogue: 0,0:00:25.36,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(617,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,350,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(617,10,617,-13,0,400))}heart
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(582,10,582,89)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(601,10,601,85)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(620,10,620,73)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(638,10,638,81)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(654,10,654,262)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:25.36,0:00:25.96,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(617,10,618,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}heart
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(683,10,683,-6)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:25.71,0:00:25.98,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(676,10,686,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:25.73,0:00:26.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(676,10,695,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.06,0:00:25.78,Defaultk,,0000,0000,0000,fx,{an8\move(1286,10,704,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}and
Dialogue: 0,0:00:25.78,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(704,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(704,10,704,193,0,400))}and
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(686,10,686,356)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(704,10,704,42)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(722,10,722,229)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:00:25.78,0:00:26.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(704,10,702,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}and
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(754,10,754,307)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:26.22,0:00:26.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(747,10,744,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:26.22,0:00:26.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(747,10,758,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.18,0:00:26.22,Defaultk,,0000,0000,0000,fx,{an8\move(1351,10,769,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:00:26.22,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(769,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,430,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(769,10,769,271,0,400))}my
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(760,10,760,239)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,174)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:26.22,0:00:26.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(769,10,767,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(814,10,814,217)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:26.65,0:00:26.92,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(806,10,820,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:26.67,0:00:26.95,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(806,10,814,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.30,0:00:26.70,Defaultk,,0000,0000,0000,fx,{an8\move(1425,10,843,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}mind
Dialogue: 0,0:00:26.70,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(843,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1030,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(843,10,843,176,0,400))}mind
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(820,10,820,77)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(837,10,837,-9)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(851,10,851,276)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(870,10,870,170)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:00:26.70,0:00:27.98,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(843,10,853,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}mind
Dialogue: 0,0:00:27.73,0:00:28.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(880,10,876,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.19,0:00:28.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(520,10,524,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.19,0:00:28.45,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(520,10,517,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:27.87,0:00:28.20,Defaultk,,0000,0000,0000,fx,{an8\move(1129,10,547,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Let
Dialogue: 0,0:00:28.20,0:00:30.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(547,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,410,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(547,10,547,-14,0,400))}Let
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(530,10,530,218)\t(\fad(0,1600)\1c&H0000EFAF&)}L
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(548,10,548,358)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,63)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:28.20,0:00:28.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(547,10,561,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Let
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(596,10,596,250)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:28.61,0:00:28.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,599,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.61,0:00:28.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,584,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:27.99,0:00:28.61,Defaultk,,0000,0000,0000,fx,{an8\move(1193,10,611,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:28.61,0:00:30.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(611,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(611,10,611,276,0,400))}me
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(601,10,601,112)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(624,10,624,29)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:28.61,0:00:29.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(611,10,602,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(655,10,655,159)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:29.01,0:00:29.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(648,10,648,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:29.01,0:00:29.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(648,10,666,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.11,0:00:29.01,Defaultk,,0000,0000,0000,fx,{an8\move(1286,10,704,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}believe
Dialogue: 0,0:00:29.01,0:00:30.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(704,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1180,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(704,10,704,341,0,400))}believe
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(658,10,658,262)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(677,10,677,48)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(691,10,691,89)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(701,10,701,-9)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(715,10,715,266)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(733,10,733,316)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(750,10,750,362)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.01,0:00:30.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(704,10,723,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}believe
Dialogue: 0,0:00:30.19,0:00:30.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(760,10,752,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.49,0:00:31.74,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(422,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.49,0:00:32.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(422,10,418,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.17,0:00:32.55,Defaultk,,0000,0000,0000,fx,{an8\move(1038,10,456,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Now
Dialogue: 0,0:00:32.55,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(456,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,380,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(456,10,456,249,0,400))}Now
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(435,10,435,213)\t(\fad(0,1600)\1c&H0000EFAF&)}N
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(458,10,458,357)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(478,10,478,313)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:32.55,0:00:33.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(456,10,474,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Now
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,-7)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:32.93,0:00:33.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(504,10,521,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:32.93,0:00:33.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(504,10,517,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.29,0:00:32.93,Defaultk,,0000,0000,0000,fx,{an8\move(1096,10,514,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:32.93,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(514,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(514,10,514,361,0,400))}I
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(514,10,514,277)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:32.93,0:00:33.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(514,10,528,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(545,10,545,132)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:33.17,0:00:33.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(537,10,545,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:33.22,0:00:33.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(537,10,537,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.41,0:00:33.37,Defaultk,,0000,0000,0000,fx,{an8\move(1156,10,574,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}have
Dialogue: 0,0:00:33.37,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(574,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,430,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(574,10,574,120,0,400))}have
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(547,10,547,285)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,169)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(584,10,584,30)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(602,10,602,163)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:33.37,0:00:34.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(574,10,579,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}have
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(633,10,633,37)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:33.80,0:00:34.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(626,10,640,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:33.80,0:00:34.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(626,10,625,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.53,0:00:33.80,Defaultk,,0000,0000,0000,fx,{an8\move(1224,10,642,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}to
Dialogue: 0,0:00:33.80,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(642,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,160,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(642,10,642,228,0,400))}to
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(634,10,634,277)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(650,10,650,337)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:33.80,0:00:34.21,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(642,10,659,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}to
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(681,10,681,0)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:33.96,0:00:34.29,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,680,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:34.04,0:00:34.49,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,690,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.65,0:00:34.24,Defaultk,,0000,0000,0000,fx,{an8\move(1300,10,718,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}listen
Dialogue: 0,0:00:34.24,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(718,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,760,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(718,10,718,320,0,400))}listen
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(678,10,678,168)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(688,10,688,257)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(701,10,701,116)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(717,10,717,170)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(734,10,734,121)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(752,10,752,363)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:34.24,0:00:35.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(718,10,724,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}listen
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,252)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:35.00,0:00:35.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(776,10,767,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:35.01,0:00:35.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(776,10,770,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.77,0:00:35.10,Defaultk,,0000,0000,0000,fx,{an8\move(1399,10,817,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}again
Dialogue: 0,0:00:35.10,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(817,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,920,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(817,10,817,-7,0,400))}again
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(785,10,785,57)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(804,10,804,111)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(822,10,822,180)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(836,10,836,83)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(850,10,850,166)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:35.10,0:00:36.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(817,10,807,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}again
Dialogue: 0,0:00:36.02,0:00:36.67,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(858,10,864,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.43,0:00:36.68,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(484,10,502,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.43,0:00:36.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(484,10,491,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.11,0:00:36.44,Defaultk,,0000,0000,0000,fx,{an8\move(1101,10,519,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}This
Dialogue: 0,0:00:36.44,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(519,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,300,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(519,10,519,68,0,400))}This
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(496,10,496,294)\t(\fad(0,1600)\1c&H0000EFAF&)}T
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(518,10,518,298)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(532,10,532,209)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(545,10,545,79)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:36.44,0:00:36.99,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(519,10,528,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}This
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(575,10,575,329)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:36.74,0:00:37.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(568,10,586,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.75,0:00:37.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(568,10,588,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.23,0:00:36.78,Defaultk,,0000,0000,0000,fx,{an8\move(1163,10,581,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}is
Dialogue: 0,0:00:36.78,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(581,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(581,10,581,368,0,400))}is
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(573,10,573,248)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(585,10,585,314)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:36.78,0:00:37.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(581,10,579,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}is
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(616,10,616,214)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:37.06,0:00:37.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(608,10,598,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:37.06,0:00:37.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(608,10,620,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.35,0:00:37.06,Defaultk,,0000,0000,0000,fx,{an8\move(1216,10,634,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:00:37.06,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(634,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(634,10,634,114,0,400))}for
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(617,10,617,238)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(634,10,634,31)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(651,10,651,156)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:37.06,0:00:37.71,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(634,10,648,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(681,10,681,350)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:37.46,0:00:37.71,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,673,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:37.46,0:00:37.76,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,666,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.47,0:00:37.51,Defaultk,,0000,0000,0000,fx,{an8\move(1278,10,696,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:00:37.51,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(696,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,430,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(696,10,696,99,0,400))}my
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(687,10,687,359)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(710,10,710,304)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:37.51,0:00:38.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(696,10,714,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(741,10,741,148)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:37.94,0:00:38.20,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,745,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:37.95,0:00:38.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,734,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.59,0:00:37.99,Defaultk,,0000,0000,0000,fx,{an8\move(1347,10,765,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}love
Dialogue: 0,0:00:37.99,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(765,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,770,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(765,10,765,65,0,400))}love
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(738,10,738,187)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(752,10,752,324)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(769,10,769,42)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(786,10,786,99)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:37.99,0:00:39.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(765,10,770,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}love
Dialogue: 0,0:00:38.76,0:00:39.29,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(796,10,811,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.09,0:00:39.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(379,10,378,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.09,0:00:39.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(379,10,376,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:38.77,0:00:39.10,Defaultk,,0000,0000,0000,fx,{an8\move(981,10,399,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Re
Dialogue: 0,0:00:39.10,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(399,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(399,10,399,40,0,400))}Re
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(389,10,389,185)\t(\fad(0,1600)\1c&H0000EFAF&)}R
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(410,10,410,25)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:39.10,0:00:39.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(399,10,402,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Re
Dialogue: 0,0:00:38.81,0:00:39.38,Defaultk,,0000,0000,0000,fx,{an8\move(1037,10,455,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}mem
Dialogue: 0,0:00:39.38,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(455,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(455,10,455,-10,0,400))}mem
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(432,10,432,153)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(455,10,455,201)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(477,10,477,358)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:39.38,0:00:39.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(455,10,454,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}mem
Dialogue: 0,0:00:38.85,0:00:39.61,Defaultk,,0000,0000,0000,fx,{an8\move(1100,10,518,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ber
Dialogue: 0,0:00:39.61,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(518,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(518,10,518,251,0,400))}ber
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(500,10,500,309)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(520,10,520,113)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(537,10,537,252)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:39.61,0:00:40.09,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(518,10,525,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ber
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(567,10,567,62)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:39.84,0:00:40.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(560,10,578,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.88,0:00:40.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(560,10,556,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:38.97,0:00:39.89,Defaultk,,0000,0000,0000,fx,{an8\move(1172,10,590,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}why
Dialogue: 0,0:00:39.89,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(590,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(590,10,590,158,0,400))}why
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(571,10,571,291)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(593,10,593,251)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(612,10,612,58)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:39.89,0:00:40.58,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(590,10,601,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}why
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(643,10,643,355)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:40.33,0:00:40.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(636,10,636,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:40.36,0:00:40.65,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(636,10,656,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.09,0:00:40.40,Defaultk,,0000,0000,0000,fx,{an8\move(1244,10,662,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I’m
Dialogue: 0,0:00:40.40,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(662,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(662,10,662,323,0,400))}I’m
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(645,10,645,187)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(658,10,658,193)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(675,10,675,115)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:40.40,0:00:41.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(662,10,670,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I’m
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(710,10,710,270)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:40.76,0:00:41.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(703,10,706,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:40.76,0:00:41.06,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(703,10,693,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.21,0:00:40.81,Defaultk,,0000,0000,0000,fx,{an8\move(1315,10,733,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}still
Dialogue: 0,0:00:40.81,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(733,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(733,10,733,335,0,400))}still
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(711,10,711,17)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(727,10,727,-4)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(740,10,740,269)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(749,10,749,119)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(758,10,758,348)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:40.81,0:00:41.40,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,744,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}still
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(785,10,785,327)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:41.15,0:00:41.43,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(777,10,778,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:41.18,0:00:41.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(777,10,769,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.33,0:00:41.21,Defaultk,,0000,0000,0000,fx,{an8\move(1377,10,795,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}In
Dialogue: 0,0:00:41.21,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(795,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,680,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(795,10,795,111,0,400))}In
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(787,10,787,20)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,75)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:41.21,0:00:42.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(795,10,791,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}In
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(835,10,835,134)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:41.89,0:00:42.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(828,10,821,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:41.92,0:00:42.20,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(828,10,818,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.45,0:00:41.95,Defaultk,,0000,0000,0000,fx,{an8\move(1447,10,865,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}here
Dialogue: 0,0:00:41.95,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(865,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1210,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(865,10,865,105,0,400))}here
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(838,10,838,214)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(857,10,857,65)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(875,10,875,-11)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(892,10,892,-12)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:41.95,0:00:43.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(865,10,857,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}here
Dialogue: 0,0:00:43.16,0:00:43.73,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(901,10,901,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.99,0:00:44.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.99,0:00:44.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,458,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.67,0:00:44.32,Defaultk,,0000,0000,0000,fx,{an8\move(1097,10,515,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’cause
Dialogue: 0,0:00:44.32,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(515,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,330,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(515,10,515,47,0,400))}’cause
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(471,10,471,170)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(483,10,483,60)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(501,10,501,227)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(519,10,519,128)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(536,10,536,67)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(554,10,554,154)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:44.32,0:00:44.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(515,10,535,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’cause
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(585,10,585,305)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:44.65,0:00:44.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(578,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:44.65,0:00:44.91,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(578,10,582,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.79,0:00:44.66,Defaultk,,0000,0000,0000,fx,{an8\move(1173,10,591,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}it
Dialogue: 0,0:00:44.66,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(591,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,260,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(591,10,591,348,0,400))}it
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(583,10,583,277)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(595,10,595,341)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:44.66,0:00:45.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(591,10,594,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}it
Dialogue: 0,0:00:43.83,0:00:44.92,Defaultk,,0000,0000,0000,fx,{an8\move(1197,10,615,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’s
Dialogue: 0,0:00:44.92,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(615,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,140,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(615,10,615,260,0,400))}’s
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(607,10,607,54)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(619,10,619,369)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:44.92,0:00:45.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(615,10,613,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’s
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(649,10,649,280)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:45.06,0:00:45.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(642,10,648,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:45.06,0:00:45.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(642,10,640,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.95,0:00:45.09,Defaultk,,0000,0000,0000,fx,{an8\move(1242,10,660,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}all
Dialogue: 0,0:00:45.09,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(660,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(660,10,660,47,0,400))}all
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(651,10,651,353)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,59)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(674,10,674,-17)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:45.09,0:00:45.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(660,10,662,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}all
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(701,10,701,303)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:45.28,0:00:45.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,712,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:45.28,0:00:45.56,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,699,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:44.07,0:00:45.31,Defaultk,,0000,0000,0000,fx,{an8\move(1301,10,719,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:00:45.31,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(719,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,140,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(719,10,719,112,0,400))}for
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(702,10,702,87)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(720,10,720,303)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(737,10,737,69)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:45.31,0:00:45.70,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(719,10,737,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(767,10,767,117)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:45.45,0:00:45.70,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(759,10,755,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:45.45,0:00:45.72,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(759,10,767,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:44.19,0:00:45.47,Defaultk,,0000,0000,0000,fx,{an8\move(1368,10,786,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:00:45.47,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(786,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,710,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(786,10,786,356,0,400))}you
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(769,10,769,193)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(787,10,787,285)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,196)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:45.47,0:00:46.43,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(786,10,776,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:00:46.18,0:00:47.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(813,10,811,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.17,0:00:49.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(389,10,386,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.17,0:00:50.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(389,10,390,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:48.85,0:00:50.55,Defaultk,,0000,0000,0000,fx,{an8\move(1016,10,434,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}When
Dialogue: 0,0:00:50.55,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(434,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(434,10,434,103,0,400))}When
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(406,10,406,353)\t(\fad(0,1600)\1c&H0000EFAF&)}W
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(434,10,434,152)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(453,10,453,-13)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(471,10,471,358)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:50.55,0:00:51.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(434,10,429,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}When
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(502,10,502,223)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:50.99,0:00:51.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(495,10,486,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:50.99,0:00:51.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(495,10,486,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:48.97,0:00:50.99,Defaultk,,0000,0000,0000,fx,{an8\move(1089,10,507,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}it
Dialogue: 0,0:00:50.99,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(507,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(507,10,507,241,0,400))}it
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(499,10,499,318)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,275)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:50.99,0:00:51.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(507,10,514,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}it
Dialogue: 0,0:00:49.01,0:00:51.19,Defaultk,,0000,0000,0000,fx,{an8\move(1114,10,532,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’s
Dialogue: 0,0:00:51.19,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(532,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,180,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(532,10,532,197,0,400))}’s
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(524,10,524,197)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(536,10,536,166)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:51.19,0:00:51.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(532,10,536,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’s
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,29)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:51.37,0:00:51.65,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(559,10,578,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:51.40,0:00:51.68,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(559,10,566,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.13,0:00:51.43,Defaultk,,0000,0000,0000,fx,{an8\move(1180,10,598,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}some
Dialogue: 0,0:00:51.43,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(598,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,460,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(598,10,598,23,0,400))}some
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(567,10,567,48)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(584,10,584,131)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(606,10,606,16)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(628,10,628,300)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:51.43,0:00:52.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(598,10,617,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}some
Dialogue: 0,0:00:49.17,0:00:51.89,Defaultk,,0000,0000,0000,fx,{an8\move(1260,10,678,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}thing
Dialogue: 0,0:00:51.89,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(678,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,420,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(678,10,678,225,0,400))}thing
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(646,10,646,-11)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(663,10,663,26)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(678,10,678,216)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(691,10,691,171)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(709,10,709,127)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:51.89,0:00:52.56,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(678,10,693,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}thing
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(740,10,740,154)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:52.31,0:00:52.59,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,735,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:52.34,0:00:52.64,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,737,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.29,0:00:52.39,Defaultk,,0000,0000,0000,fx,{an8\move(1324,10,742,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:52.39,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(742,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(742,10,742,238,0,400))}I
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(742,10,742,232)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:52.39,0:00:52.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(742,10,739,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:49.33,0:00:52.59,Defaultk,,0000,0000,0000,fx,{an8\move(1360,10,778,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}can
Dialogue: 0,0:00:52.59,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(778,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,380,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(778,10,778,364,0,400))}can
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(760,10,760,96)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(778,10,778,305)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(796,10,796,261)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:52.59,0:00:53.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(778,10,777,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}can
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(827,10,827,37)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:52.97,0:00:53.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(819,10,817,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:52.97,0:00:53.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(819,10,809,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.45,0:00:52.97,Defaultk,,0000,0000,0000,fx,{an8\move(1437,10,855,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}take
Dialogue: 0,0:00:52.97,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(855,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,490,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(855,10,855,175,0,400))}take
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(827,10,827,326)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(845,10,845,355)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(863,10,863,256)\t(\fad(0,1600)\1c&H0000EFAF&)}k
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(882,10,882,9)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:52.97,0:00:53.71,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(855,10,848,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}take
Dialogue: 0,0:00:53.46,0:00:55.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(891,10,889,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.05,0:00:56.30,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,432,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.05,0:00:56.56,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:55.73,0:00:56.31,Defaultk,,0000,0000,0000,fx,{an8\move(1015,10,433,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:56.31,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(433,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(433,10,433,335,0,400))}I
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(433,10,433,275)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:56.31,0:00:56.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(433,10,450,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:55.77,0:00:56.50,Defaultk,,0000,0000,0000,fx,{an8\move(1037,10,455,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’ll
Dialogue: 0,0:00:56.50,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(455,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,110,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(455,10,455,64,0,400))}’ll
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(446,10,446,8)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(454,10,454,144)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(464,10,464,55)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(475,10,475,60)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:56.50,0:00:56.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(455,10,456,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’ll
Dialogue: 0,0:00:56.61,0:00:56.87,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,480,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.62,0:00:56.88,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,478,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:55.89,0:00:56.63,Defaultk,,0000,0000,0000,fx,{an8\move(1084,10,502,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}be
Dialogue: 0,0:00:56.63,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(502,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(502,10,502,110,0,400))}be
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(493,10,493,263)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,111)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:56.63,0:00:57.08,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,498,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}be
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,285)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:56.83,0:00:57.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,527,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.85,0:00:57.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,532,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.01,0:00:56.85,Defaultk,,0000,0000,0000,fx,{an8\move(1134,10,552,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:56.85,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(552,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(552,10,552,246,0,400))}st
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,41)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(561,10,561,357)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:56.85,0:00:57.33,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:56.05,0:00:57.08,Defaultk,,0000,0000,0000,fx,{an8\move(1176,10,594,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ron
Dialogue: 0,0:00:57.08,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(594,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(594,10,594,227,0,400))}ron
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(577,10,577,343)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(594,10,594,266)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(611,10,611,186)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:57.08,0:00:57.67,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(594,10,587,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ron
Dialogue: 0,0:00:56.09,0:00:57.42,Defaultk,,0000,0000,0000,fx,{an8\move(1229,10,647,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ger
Dialogue: 0,0:00:57.42,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(647,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(647,10,647,18,0,400))}ger
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(629,10,629,88)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(647,10,647,275)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,297)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:57.42,0:00:58.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(647,10,639,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ger
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(695,10,695,236)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:57.78,0:00:58.04,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,707,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:57.79,0:00:58.08,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,706,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.21,0:00:57.83,Defaultk,,0000,0000,0000,fx,{an8\move(1287,10,705,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}on
Dialogue: 0,0:00:57.83,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(705,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(705,10,705,156,0,400))}on
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(697,10,697,34)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(714,10,714,49)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:57.83,0:00:58.32,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(705,10,703,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}on
Dialogue: 0,0:00:56.25,0:00:58.07,Defaultk,,0000,0000,0000,fx,{an8\move(1323,10,741,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ce
Dialogue: 0,0:00:58.07,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(741,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(741,10,741,98,0,400))}ce
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(732,10,732,323)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(750,10,750,296)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:58.07,0:00:58.54,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,750,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ce
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(781,10,781,57)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:58.29,0:00:58.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,781,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:58.32,0:00:58.60,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,772,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.37,0:00:58.35,Defaultk,,0000,0000,0000,fx,{an8\move(1365,10,783,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}a
Dialogue: 0,0:00:58.35,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(783,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,410,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(783,10,783,248,0,400))}a
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,96)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:58.35,0:00:59.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(783,10,802,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}a
Dialogue: 0,0:00:56.41,0:00:58.76,Defaultk,,0000,0000,0000,fx,{an8\move(1407,10,825,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}gain
Dialogue: 0,0:00:58.76,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(825,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,3240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(825,10,825,-11,0,400))}gain
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(802,10,802,156)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(820,10,820,160)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(834,10,834,288)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(848,10,848,201)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:58.76,0:01:02.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(825,10,844,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}gain
Dialogue: 0,0:01:02.00,0:01:02.48,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(856,10,854,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.23,0:01:02.48,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,564,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.23,0:01:02.91,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:01.91,0:01:02.66,Defaultk,,0000,0000,0000,fx,{an8\move(1143,10,561,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:01:02.66,0:01:05.52,Defaultk,,0000,0000,0000,fx,{\an8\pos(561,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(561,10,561,354,0,400))}I
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(561,10,561,199)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:01:02.66,0:01:03.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(561,10,553,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(592,10,592,212)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:02.89,0:01:03.15,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(585,10,585,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.90,0:01:03.16,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(585,10,584,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.03,0:01:02.91,Defaultk,,0000,0000,0000,fx,{an8\move(1204,10,622,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}need
Dialogue: 0,0:01:02.91,0:01:05.52,Defaultk,,0000,0000,0000,fx,{\an8\pos(622,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,810,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(622,10,622,-16,0,400))}need
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(594,10,594,349)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(612,10,612,273)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(631,10,631,259)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(650,10,650,220)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:01:02.91,0:01:03.97,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(622,10,618,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}need
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(682,10,682,352)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:03.72,0:01:04.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,672,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:03.85,0:01:04.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,689,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.15,0:01:03.88,Defaultk,,0000,0000,0000,fx,{an8\move(1283,10,701,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:01:03.88,0:01:05.52,Defaultk,,0000,0000,0000,fx,{\an8\pos(701,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1640,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(701,10,701,-20,0,400))}you
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(684,10,684,139)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(702,10,702,115)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(720,10,720,219)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:03.88,0:01:05.77,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(701,10,704,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:01:05.52,0:01:05.77,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(728,10,720,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.59,0:01:05.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(477,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.59,0:01:06.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(477,10,476,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.27,0:01:05.75,Defaultk,,0000,0000,0000,fx,{an8\move(1068,10,486,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:01:05.75,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(486,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(486,10,486,303,0,400))}I
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(486,10,486,178)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:01:05.75,0:01:06.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(486,10,476,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:01:05.31,0:01:05.94,Defaultk,,0000,0000,0000,fx,{an8\move(1090,10,508,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’ll
Dialogue: 0,0:01:05.94,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(508,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(508,10,508,151,0,400))}’ll
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(499,10,499,298)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(507,10,507,293)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(517,10,517,69)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:05.94,0:01:06.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(508,10,499,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’ll
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(543,10,543,338)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:06.17,0:01:06.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,549,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:06.17,0:01:06.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,527,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.43,0:01:06.19,Defaultk,,0000,0000,0000,fx,{an8\move(1149,10,567,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}give
Dialogue: 0,0:01:06.19,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(567,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(567,10,567,344,0,400))}give
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(545,10,545,250)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(558,10,558,257)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(571,10,571,0)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(589,10,589,161)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:06.19,0:01:06.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(567,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}give
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(620,10,620,89)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:06.59,0:01:06.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(613,10,622,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:06.59,0:01:06.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(613,10,628,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.55,0:01:06.59,Defaultk,,0000,0000,0000,fx,{an8\move(1222,10,640,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:01:06.59,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(640,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1350,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(640,10,640,288,0,400))}you
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(622,10,622,265)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(641,10,641,309)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(658,10,658,55)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:06.59,0:01:08.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(640,10,632,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(689,10,689,365)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:07.94,0:01:08.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(682,10,693,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:07.97,0:01:08.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(682,10,682,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.67,0:01:08.01,Defaultk,,0000,0000,0000,fx,{an8\move(1286,10,704,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:01:08.01,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(704,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(704,10,704,221,0,400))}my
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(695,10,695,13)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(717,10,717,241)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:08.01,0:01:08.60,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(704,10,719,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(748,10,748,226)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:08.35,0:01:08.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,734,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:08.38,0:01:08.68,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,741,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.79,0:01:08.43,Defaultk,,0000,0000,0000,fx,{an8\move(1354,10,772,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}love
Dialogue: 0,0:01:08.43,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(772,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1070,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(772,10,772,277,0,400))}love
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(746,10,746,151)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(759,10,759,125)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(776,10,776,215)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(794,10,794,185)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:08.43,0:01:09.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(772,10,770,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}love
Dialogue: 0,0:01:09.50,0:01:09.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(803,10,819,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.51,0:01:09.76,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(363,10,379,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.51,0:01:09.77,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(363,10,363,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.19,0:01:09.52,Defaultk,,0000,0000,0000,fx,{an8\move(973,10,391,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}You
Dialogue: 0,0:01:09.52,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(391,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(391,10,391,314,0,400))}You
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(373,10,373,282)\t(\fad(0,1600)\1c&H0000EFAF&)}Y
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(393,10,393,13)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(410,10,410,-9)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:09.52,0:01:10.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(391,10,406,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}You
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(441,10,441,42)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:09.75,0:01:10.04,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(434,10,440,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.79,0:01:10.04,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(434,10,429,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.31,0:01:09.79,Defaultk,,0000,0000,0000,fx,{an8\move(1043,10,461,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}can
Dialogue: 0,0:01:09.79,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(461,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,290,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(461,10,461,0,0,400))}can
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(443,10,443,130)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(461,10,461,349)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(479,10,479,181)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:01:09.79,0:01:10.33,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(461,10,474,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}can
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(510,10,510,203)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:10.08,0:01:10.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,518,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:10.09,0:01:10.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,499,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.43,0:01:10.10,Defaultk,,0000,0000,0000,fx,{an8\move(1111,10,529,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}live
Dialogue: 0,0:01:10.10,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(529,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1060,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(529,10,529,221,0,400))}live
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(507,10,507,243)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(516,10,516,-15)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(529,10,529,278)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(547,10,547,304)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:10.10,0:01:11.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(529,10,528,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}live
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(578,10,578,170)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:11.16,0:01:11.43,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(571,10,580,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:11.18,0:01:11.45,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(571,10,562,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.55,0:01:11.20,Defaultk,,0000,0000,0000,fx,{an8\move(1188,10,606,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}your
Dialogue: 0,0:01:11.20,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(606,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,370,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(606,10,606,5,0,400))}your
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(580,10,580,131)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(598,10,598,137)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(616,10,616,157)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(633,10,633,124)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:01:11.20,0:01:11.82,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(606,10,622,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}your
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(663,10,663,294)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:11.57,0:01:11.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(655,10,669,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:11.59,0:01:11.85,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(655,10,664,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.67,0:01:11.60,Defaultk,,0000,0000,0000,fx,{an8\move(1267,10,685,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}own
Dialogue: 0,0:01:11.60,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(685,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,880,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(685,10,685,98,0,400))}own
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(664,10,664,80)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(685,10,685,192)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(705,10,705,299)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:01:11.60,0:01:12.73,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(685,10,685,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}own
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(736,10,736,-20)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:12.48,0:01:12.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(729,10,721,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:12.50,0:01:12.79,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(729,10,749,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.79,0:01:12.54,Defaultk,,0000,0000,0000,fx,{an8\move(1338,10,756,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}life
Dialogue: 0,0:01:12.54,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(756,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,720,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(756,10,756,229,0,400))}life
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(733,10,733,308)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(743,10,743,9)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(756,10,756,45)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(774,10,774,-5)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:12.54,0:01:13.51,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(756,10,772,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}life
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,16)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:13.26,0:01:13.54,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(798,10,791,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:13.29,0:01:13.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(798,10,789,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.91,0:01:13.37,Defaultk,,0000,0000,0000,fx,{an8\move(1405,10,823,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:01:13.37,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(823,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(823,10,823,360,0,400))}for
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(806,10,806,73)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(824,10,824,339)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(841,10,841,89)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:01:13.37,0:01:13.96,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(823,10,843,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(871,10,871,37)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:13.71,0:01:13.97,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(864,10,872,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:13.72,0:01:13.97,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(864,10,876,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:10.03,0:01:13.72,Defaultk,,0000,0000,0000,fx,{an8\move(1473,10,891,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:01:13.72,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(891,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(891,10,891,180,0,400))}you
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(873,10,873,69)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(891,10,891,52)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(909,10,909,230)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:13.72,0:01:15.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(891,10,908,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:01:15.00,0:01:15.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(917,10,911,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:15.00,0:01:15.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(640,10,651,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)}{\pos(55,52)\b1\blur7}{\b1}BramjNet{\b0} Team
Dialogue: 0,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)}{\pos(55,89)}Translate By:  {\b1}anoos{\b0}
Dialogue: 0,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)}{\pos(55,127)}typesetting   :  {\b1}anoos{\b0}
Dialogue: 3,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)\pos(55,170)}{\pos(55,164)}Encoding By: {\b1}moaid500{\b0}
Dialogue: 3,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)\pos(55,250)}{\pos(55,204)}Uploaded By: {\b1}r007{\b0}
Dialogue: 3,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)\pos(55,210)}{\pos(55,204)}Karaoke By: {\b1}Ahmed{\b0}
Dialogue: 4,0:01:15.01,0:01:20.01,BNT,,0000,0000,0000,,{\fad(300,300)\fscx162.5\fscy136.25\pos(396,666)}{\fscx143.75\fscy165\pos(1073,716)}www.bramjnet.com
Dialogue: 0,0:01:22.39,0:01:26.31,زيادات,,0000,0000,0000,,{\fad(300,0)\fscx208.75\fscy182.5\pos(636,256)}الحلقة
Dialogue: 0,0:01:22.39,0:01:26.31,زيادات,,0000,0000,0000,,{\fad(300,0)\fscx167.5\fscy200\pos(640,552)}الستراتيجي ضد المقامر
Dialogue: 0,0:01:25.81,0:01:29.01,مساعد,,0000,0000,0000,,الراتب السنوي المؤقت لـ توكيتشي  زاد عن 2.1 بليون ين
Dialogue: 0,0:01:29.30,0:01:31.93,مساعد,,0000,0000,0000,,وهذه القيمة من المال ليست بالقليلة
Dialogue: 0,0:01:32.57,0:01:35.77,مساعد,,0000,0000,0000,,ماذا سنفعل الان؟ هل نتفاوض على عقد جديد مع توكيتشي؟
Dialogue: 0,0:01:35.77,0:01:39.03,مساعد,,0000,0000,0000,,على سبيل المثال , نغير العقد ونجعله لعدة سنوات مع راتب سنوي قدره 5 مليون ين
Dialogue: 0,0:01:39.42,0:01:42.16,مساعد,,0000,0000,0000,,وبهذه الطريقة , خسارتنا ستكون قليلة
Dialogue: 0,0:01:43.22,0:01:46.60,Owner,,0000,0000,0000,,هل هذا يعني بأنه علي ان اعترف بالهزيمة؟
Dialogue: 0,0:01:47.50,0:01:49.55,مساعد,,0000,0000,0000,,لا . المسألة الان ليست مسألة فوز أو خسارة
Dialogue: 0,0:01:49.55,0:01:53.08,مساعد,,0000,0000,0000,,لكن بدلا من ذلك , موهبة توكيتشي تجاوزت توقعاتنا
Dialogue: 0,0:01:54.15,0:01:57.36,Owner,,0000,0000,0000,,هذا صحيح بأنه موهوب جداً
Dialogue: 0,0:01:58.03,0:01:59.28,Owner,,0000,0000,0000,,وانا اعترف بهذا ايضاً
Dialogue: 0,0:02:00.04,0:02:01.53,Owner,,0000,0000,0000,,لكنه غير كامل
Dialogue: 0,0:02:02.94,0:02:04.75,Owner,,0000,0000,0000,,ولازالت لدية عيوب
Dialogue: 0,0:02:06.34,0:02:08.09,مدير الفريق,,0000,0000,0000,,وهذا سيكون جيداً
Dialogue: 0,0:02:08.52,0:02:16.36,مدير الفريق,,0000,0000,0000,,هذا ماكان ينقصني .. لقد ازعجتني وسائل الاعلام لانني جعلت مبتدأً يلعب ثلاث مبارايات متتالية
Dialogue: 0,0:02:16.86,0:02:19.62,Owner,,0000,0000,0000,,انا من سيحدد متى سيرمي توكيتشي مرة اخرى
Dialogue: 0,0:02:20.08,0:02:21.71,Owner,,0000,0000,0000,,أبقي هاتفك المحمول معك طوال الوقت
Dialogue: 0,0:02:25.85,0:02:27.88,مدير الفريق,,0000,0000,0000,,هلوو؟ هلوو؟ هلوو؟
Dialogue: 0,0:02:28.60,0:02:31.43,New,,0000,0000,0000,,مدير فريق لايكونس..ميهارا يوزابيرو
Dialogue: 0,0:02:32.91,0:02:35.89,New,,0000,0000,0000,,هو فقط الكلب المطيع لـ سايكاوا المالك للفريق
Dialogue: 0,0:02:42.54,0:02:43.24,كوجيما,,0000,0000,0000,,أين  توكيتشي؟
Dialogue: 0,0:02:43.24,0:02:45.16,Others1,,0000,0000,0000,,ربما هو يلعب لعبة باتشينكو مرة اخرى
Dialogue: 0,0:02:45.16,0:02:48.27,OTHER7,,0000,0000,0000,,ولابأس بذلك لان منافسنا التالي هو فريق باغبوز
Dialogue: 0,0:02:48.27,0:02:53.01,Others1,,0000,0000,0000,,فبكل الاحوال فريق باغبوز هو الفريق الوحيد الذي نستطيع مواجهته من دون الحاجه لـ توكيتشي
Dialogue: 0,0:02:53.01,0:02:54.46,OTHER7,,0000,0000,0000,,هذا صحيح
Dialogue: 0,0:02:58.15,0:02:59.94,كوجيما,,0000,0000,0000,,لاتقلل من قدر فريق باغبوز
Dialogue: 0,0:03:00.47,0:03:04.29,كوجيما,,0000,0000,0000,,ذلك صحيح بأنهم قد عانوا مثلنا حتى وصلوا لهذا التصنيف ,
Dialogue: 0,0:03:05.27,0:03:06.47,كوجيما,,0000,0000,0000,,لكنهم مختلفون هذه السنه
Dialogue: 0,0:03:06.96,0:03:09.13,كوجيما,,0000,0000,0000,,انهم الان بقيادة المدرب شيرووكا الان
Dialogue: 0,0:03:09.98,0:03:16.14,New,,0000,0000,0000,,شيرووكا كاتسيرو , من خلال  اسلوبه في التقنيات في الادارة فهو يلقب بالـ ستراتيجي
Dialogue: 0,0:03:16.80,0:03:21.04,New,,0000,0000,0000,,لقد قاد الكثير من الفرق الضعيفة الى الفوز في البطولة
Dialogue: 0,0:03:21.29,0:03:24.24,New,,0000,0000,0000,,في بداية هذا الموسم اصبح مديراً لفريق الباغبوز
Dialogue: 0,0:03:25.06,0:03:29.38,كوجيما,,0000,0000,0000,,هذه السنة انتقل فريق باغبوز الى المركز الثالث في الترتيب العام
Dialogue: 0,0:03:29.68,0:03:32.35,كوجيما,,0000,0000,0000,,وقد انتصروا في المبارتين امام فريق الصقور في اليومين الماضية
Dialogue: 0,0:03:33.90,0:03:36.25,كوجيما,,0000,0000,0000,,وهذا هو تسجيل الفيديو لمباراتهم مع الصقور
Dialogue: 0,0:03:36.94,0:03:40.66,كوجيما,,0000,0000,0000,,خلال هجوم الباغبوز في الجولة الثامنة ,كان لديهم لاعبان في الخارج ولاعبان على القاعدة الاولى والثانية
Dialogue: 0,0:03:41.37,0:03:46.97,كوجيما,,0000,0000,0000,,وهنا حدث مع العداء على القاعدة الاولى الذي كان متقدما بشكل ملحوظ ان يسقط فجأةً
Dialogue: 0,0:03:47.29,0:03:49.40,كوجيما,,0000,0000,0000,,بالطبع فالعداء تعثر بين القاعدة الاولى والثانية
Dialogue: 0,0:03:49.62,0:03:51.50,كوجيما,,0000,0000,0000,,الكل اعتقد بأن الامر انتهى
Dialogue: 0,0:03:51.75,0:03:54.45,كوجيما,,0000,0000,0000,,لكن بنفس اللحظه عندما تم رمي الكرة للقاعدة الثانية...
Dialogue: 0,0:03:54.45,0:03:55.50,others07,,0000,0000,0000,,{\i1}وصل للقاعدة الرئيسية
Dialogue: 0,0:03:56.35,0:04:00.62,كوجيما,,0000,0000,0000,,لكن العداء على القاعدة الثالثة وبصورة مفاجئة  وسريعة وصل الى القاعدة الرئيسية
Dialogue: 0,0:04:01.54,0:04:03.61,كوجيما,,0000,0000,0000,,هل هذا يعني,..
Dialogue: 0,0:04:03.61,0:04:05.11,كوجيما,,0000,0000,0000,,نعم... لقد كان فخاً
Dialogue: 0,0:04:05.45,0:04:10.05,كوجيما,,0000,0000,0000,,بأتباع تعليمات المدرب شيرووكا, اللاعب سقط متعمداً لتشتيت نظر المدافعين
Dialogue: 0,0:04:10.85,0:04:17.93,كوجيما,,0000,0000,0000,,ولقد قال ذات مرة للصحافة بأن اسهل طرق التسجيل هي عندما يكون اللاعبون على القاعدة الاولى والثالثة
Dialogue: 0,0:04:18.20,0:04:21.42,ايديتشي ساتوشي,,0000,0000,0000,,لكن هذا النوع من الخدع يحدث طوال الوقت
Dialogue: 0,0:04:22.13,0:04:23.19,كوجيما,,0000,0000,0000,,هذا صحيح
Dialogue: 0,0:04:23.37,0:04:30.03,كوجيما,,0000,0000,0000,,وهذه ليست المشكلة انما مقدرته في تدريب اللاعبين في مدة قصيرة من الوقت
Dialogue: 0,0:04:30.60,0:04:32.05,كوجيما,,0000,0000,0000,,وحتى وإن كان فريقاً ضعيفاً
Dialogue: 0,0:04:32.05,0:04:34.27,كوجيما,,0000,0000,0000,,مع مدرب متميز يديرهم
Dialogue: 0,0:04:34.27,0:04:36.67,كوجيما,,0000,0000,0000,,فأن قدراتهم زادت بمعدل ضعفين أو ثلاث اضعاف
Dialogue: 0,0:04:37.36,0:04:40.91,كوجيما,,0000,0000,0000,,ولن يكون سهلا علينا مواجهة ستراتيجة هذا الرجل
Dialogue: 0,0:04:44.54,0:04:51.30,New,,0000,0000,0000,,الرماة لهذه المبارة هم : كاجيوارا لفريق لايكونس , و كاتسوراجي لفريق باغبوز
Dialogue: 0,0:04:56.25,0:05:02.02,New,,0000,0000,0000,,لقد اصبح فريق لايكونس قلقاً بشأن كل تحركات وتصرفات المدرب شيروكا
Dialogue: 0,0:05:05.30,0:05:10.13,New,,0000,0000,0000,,في الجولة الثانية استطاع الضارب الرابع لفريق باغبوز تسودا ان يحرز نقطة فردية
Dialogue: 0,0:05:11.86,0:05:13.16,New,,0000,0000,0000,,لكن في الجولة الثالثة
Dialogue: 0,0:05:13.71,0:05:17.64,New,,0000,0000,0000,,وبضربة غير متوقعة من كوجيما استطاع فريق لايكونس التعادل
Dialogue: 0,0:05:18.20,0:05:21.14,New,,0000,0000,0000,,وبعد ذلك , الرماة من الفريقان رموا الكرات جيداً
Dialogue: 0,0:05:26.04,0:05:28.58,المعلق على المباراة,,0000,0000,0000,,انها ضربة , الى خارج الملعب
Dialogue: 0,0:05:29.44,0:05:31.30,المعلق على المباراة,,0000,0000,0000,,لديهم خروج واحد ولاعبان على القاعدة الاولى والثالثة
Dialogue: 0,0:05:32.11,0:05:34.74,المعلق على المباراة,,0000,0000,0000,,في نهاية الجولة الخامسة ,, فريق الباغبوز لديهم فرصة للتقدم
Dialogue: 0,0:05:36.62,0:05:39.66,المعلق على المباراة,,0000,0000,0000,,مدير لايكونس ميهارا غادر مكانه
Dialogue: 0,0:05:42.41,0:05:45.85,مذيعة,,0000,0000,0000,,اعلان لتبديل الرامي لفريق لايكونس
Dialogue: 0,0:05:46.08,0:05:51.81,مذيعة,,0000,0000,0000,,الرامي كاجي وارا يستبدل بـ توكيتشي الذي يحمل الرقم 77
Dialogue: 0,0:05:53.74,0:05:56.95,المعلق على المباراة,,0000,0000,0000,,انه توكيتشي يا للمفاجأة
Dialogue: 0,0:05:57.29,0:06:02.30,المعلق على المباراة,,0000,0000,0000,,المدرب ميهارا يبدل كاجيوارا الذي مازال محافظاً على طاقته في منتصف الجولة الخامسة
Dialogue: 0,0:06:04.93,0:06:06.88,Servant,,0000,0000,0000,,ايها المالك لما وضعت توكيتشي في المباراة؟
Dialogue: 0,0:06:07.95,0:06:12.93,Owner,,0000,0000,0000,,مع انه لم يسمح بأحراز نقاط مؤخراً .. الا انه سمح بحدوث العديد من الضربات
Dialogue: 0,0:06:12.96,0:06:15.68,مساعد,,0000,0000,0000,,لقد سمح ل25 تقطة بالتسجيل من خلاله في الموسم
Dialogue: 0,0:06:15.68,0:06:18.10,مساعد,,0000,0000,0000,,لكنه سمح بذلك متعمداً وبمبارتان
Dialogue: 0,0:06:18.38,0:06:20.44,Owner,,0000,0000,0000,,هناك فرصة كبيرة  لجعله يخسر
Dialogue: 0,0:06:22.07,0:06:27.30,Owner,,0000,0000,0000,,اذا لم يتخلى عن النقاط بملىء ارادته فسنجعل هذا الامر ممكناً
Dialogue: 0,0:06:28.81,0:06:32.25,مساعد,,0000,0000,0000,,الشرط الثاني في عقد الخاسر واحد ينص على ان
Dialogue: 0,0:06:32.45,0:06:38.12,مساعد,,0000,0000,0000,,بخصوص النقاط..فيجب على النقاط كلها ان تسجل خلال وجود توكيتشي
Dialogue: 0,0:06:38.12,0:06:42.69,مساعد,,0000,0000,0000,,وهذا يعني , كلما يكون هناك لاعب على القاعدة الثالثة , سنضعه كبديل للرامي الاصلي
Dialogue: 0,0:06:42.79,0:06:45.00,مساعد,,0000,0000,0000,,سيتنازل عن دورة مباشرةً عند صد الكرة
Dialogue: 0,0:06:46.07,0:06:51.08,مساعد,,0000,0000,0000,,وهذا ما سيضع توكيتشي بموقف حيث ان صد الكرة ليس خياراً وارداً
Dialogue: 0,0:06:51.99,0:06:55.12,Owner,,0000,0000,0000,,لايمكننا جعله يرمي الكرات بصورة عشوائية بعد الان
Dialogue: 0,0:06:55.48,0:06:59.28,Owner,,0000,0000,0000,,منذ الان سيكون دائما رامي بديل
Dialogue: 0,0:06:59.28,0:07:04.32,Owner,,0000,0000,0000,,وفقط عندما يكون هناك لاعباً على القاعدة الثالثة
Dialogue: 0,0:07:05.59,0:07:09.67,Owner,,0000,0000,0000,,المواجهة مع المدرب شيرووكا الملقب بساحر القاعدة الاولى والثالثة
Dialogue: 0,0:07:09.92,0:07:15.34,Owner,,0000,0000,0000,,هل بأمكان توكيتشي التصدي للاعب الثالث ومنعه من الوصول للقاعدة الرئيسية والتصدي للاعب القاعدة الاولى بنفس الوقت؟
Dialogue: 0,0:07:20.27,0:07:24.13,المدرب شيرووكا,,0000,0000,0000,,لم اتوقع بأنني سأواجه توكيتشي في المباريات الثلاث القادمة
Dialogue: 0,0:07:24.46,0:07:27.07,المدرب شيرووكا,,0000,0000,0000,,والفارق هو مجرد نقطة الان
Dialogue: 0,0:07:27.66,0:07:28.63,مساعد شيرووكا,,0000,0000,0000,,ماذا يجب ان نفعل؟
Dialogue: 0,0:07:28.88,0:07:32.53,المدرب شيرووكا,,0000,0000,0000,,هو الان في اللعبة .. لنراقبه فقط
Dialogue: 0,0:07:36.82,0:07:41.50,كوجيما,,0000,0000,0000,,{\i1}عندما تكون هناك كرة متوجهة لخارج الملعب فليس هناك شك بأنها ستكون طبيعية
Dialogue: 0,0:07:42.66,0:07:46.97,كوجيما,,0000,0000,0000,,{\i1}لكن المنافس هو المدرب شيرووكا الذي ليس بالامكان معرفة مالذي سيفعله
Dialogue: 0,0:07:48.88,0:07:50.76,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}افضل ستراتيجية الان هي اللعبة المزدوجة
Dialogue: 0,0:07:50.78,0:07:53.45,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}لنرمي الكرة منخفضة لكي لايستطيع المنافس ضربها
Dialogue: 0,0:07:56.99,0:07:57.99,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}ماتلك الاشارة؟
Dialogue: 0,0:08:02.13,0:08:03.93,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}لقد فهمتها.. انها لعبة مزدوجة
Dialogue: 0,0:08:04.54,0:08:05.99,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}!انت تتمنى ذلك
Dialogue: 0,0:08:05.99,0:08:08.37,ايديتشي ساتوشي,,0000,0000,0000,,هيا لنبذل كل مافي وسعنا
Dialogue: 0,0:08:08.66,0:08:10.27,مساعد شيرووكا,,0000,0000,0000,,يبدوا عليه انه في اعلى طاقاته
Dialogue: 0,0:08:11.45,0:08:12.81,المدرب شيرووكا,,0000,0000,0000,,هذا ليس الامر
Dialogue: 0,0:08:13.20,0:08:17.02,المدرب شيرووكا,,0000,0000,0000,,لقد كان هذا تحذيراً للدفاع على اللعبة المزدوجة
Dialogue: 0,0:08:18.82,0:08:21.60,المدرب شيرووكا,,0000,0000,0000,,اول مقطع صوتي في هتافه يبدوا كانه يقول .. الثالثة
Dialogue: 0,0:08:21.93,0:08:26.64,المدرب شيرووكا,,0000,0000,0000,,التظاهر بتوخي الحذر من العداء على القاعدة الاولى ,, لكنه في الواقع انذار للجميع لتطويق العداء على القاعدة الثالثة
Dialogue: 0,0:08:26.68,0:08:29.63,مساعد شيرووكا,,0000,0000,0000,,متى تعلمت اشارات فريق لايكونس يا مدرب؟
Dialogue: 0,0:08:30.60,0:08:35.11,المدرب شيرووكا,,0000,0000,0000,,اشاراتهم بسيطة جداً ولقد حفظتها عند مشاهدة مقاطع الفيديو الليلة الماضية
Dialogue: 0,0:08:35.43,0:08:38.56,المدرب شيرووكا,,0000,0000,0000,,لكنهم حذرين اكثر مما توقعت
Dialogue: 0,0:08:39.12,0:08:40.12,المدرب شيرووكا,,0000,0000,0000,,حسناً اذن
Dialogue: 0,0:08:48.60,0:08:51.05,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}ماذا؟ مالذي يخططون له الان؟
Dialogue: 0,0:08:51.73,0:08:53.56,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}هذه قد تكون اشارة لضغط اللعب؟
Dialogue: 0,0:08:55.03,0:08:56.55,ايديتشي ساتوشي,,0000,0000,0000,,حسناً.. هيا بنا
Dialogue: 0,0:08:57.34,0:08:59.02,المدرب شيرووكا,,0000,0000,0000,,هذا كان تحذيراً لضغط اللعب
Dialogue: 0,0:08:59.02,0:09:00.66,المدرب شيرووكا,,0000,0000,0000,,اذن فلنغير الستراتيجه مرة اخرى
Dialogue: 0,0:09:01.86,0:09:03.80,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}إشارة اخرى؟
Dialogue: 0,0:09:04.28,0:09:05.33,ايديتشي ساتوشي,,0000,0000,0000,,وقــت مستقطع
Dialogue: 0,0:09:08.34,0:09:11.53,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}ماهو؟ مالذي سيفعلونه الان؟
Dialogue: 0,0:09:11.92,0:09:13.08,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}ليس لدي ادنى فكرة
Dialogue: 0,0:09:15.52,0:09:17.59,توا,,0000,0000,0000,,ماهو الشيء الذي انت غارق في التفكير فيه؟
Dialogue: 0,0:09:17.93,0:09:19.40,ايديتشي ساتوشي,,0000,0000,0000,,مــ ماذا.؟
Dialogue: 0,0:09:19.96,0:09:23.27,توا,,0000,0000,0000,,اذن .. كيف تريد تخطي هذا الامر؟
Dialogue: 0,0:09:23.53,0:09:25.77,ايديتشي ساتوشي,,0000,0000,0000,,مع لعبة مزدوجة بالطبع
Dialogue: 0,0:09:26.22,0:09:28.38,توا,,0000,0000,0000,,ولهذا انت مشوش جداً
Dialogue: 0,0:09:29.57,0:09:31.05,توا,,0000,0000,0000,,مع خروج واحد ولاعبان على القاعدة الاولى والثالثة
Dialogue: 0,0:09:31.52,0:09:34.34,توا,,0000,0000,0000,,فاللعب المناسب هنا هو ليس المزدوج
Dialogue: 0,0:09:35.76,0:09:36.72,توا,,0000,0000,0000,,انه خروج مباشر
Dialogue: 0,0:09:38.07,0:09:40.00,توا,,0000,0000,0000,,بغض النظر عن اي ستراتيجية سيتستخدمها المنافس
Dialogue: 0,0:09:40.30,0:09:42.47,توا,,0000,0000,0000,,فهي غير نافعه اذا لم يتم صد الكرة
Dialogue: 0,0:09:43.51,0:09:45.40,توا,,0000,0000,0000,,فلا تجعل الامر بذلك التعقيد
Dialogue: 0,0:09:45.96,0:09:48.20,توا,,0000,0000,0000,,اخرج المنافس وانهي الجولة بسرعة
Dialogue: 0,0:09:48.82,0:09:50.83,bugboo's2,,0000,0000,0000,,ماذا قلت؟ خروج مباشر؟
Dialogue: 0,0:09:50.83,0:09:53.42,المعلق على المباراة,,0000,0000,0000,,اخراج اللاعب؟ مارأيك يا اموتو - سان ؟
Dialogue: 0,0:09:53.42,0:09:57.47,2 المعلق على المباراة,,0000,0000,0000,,التقليل من اهمية المنافس .. انهم فعلاً يزعجونهم
Dialogue: 0,0:10:02.89,0:10:05.54,المعلق على المباراة,,0000,0000,0000,,الان .. مع ماقاله توكيتشي وهو اخراج اللاعب
Dialogue: 0,0:10:06.38,0:10:08.11,المعلق على المباراة,,0000,0000,0000,,الرمية الثالثة المرتقبة
Dialogue: 0,0:10:08.94,0:10:10.49,bugboo's2,,0000,0000,0000,,{\i1}اخراجي من الجولة؟
Dialogue: 0,0:10:11.53,0:10:12.61,bugboo's2,,0000,0000,0000,,{\i1}وكأنني سأدعك تفعل ذلك
Dialogue: 0,0:10:14.50,0:10:17.94,Referee,,0000,0000,0000,,رمية مباشرة .. الضارب للخارج
Dialogue: 0,0:10:20.19,0:10:22.39,Referee,,0000,0000,0000,,رمية مباشرة .. الضارب للخارج
Dialogue: 0,0:10:24.36,0:10:26.03,المعلق على المباراة,,0000,0000,0000,,رميتان مباشرتان متتاليتان
Dialogue: 0,0:10:26.03,0:10:29.61,المعلق على المباراة,,0000,0000,0000,,كما خطط توكيتشي .. استطاع تخطي  الامر بخروج مباشر
Dialogue: 0,0:10:30.84,0:10:33.13,مساعد شيرووكا,,0000,0000,0000,,ذلك الرجل اكثر مقدرةً مما توقعت
Dialogue: 0,0:10:33.67,0:10:36.03,مساعد شيرووكا,,0000,0000,0000,,لقد اخرجهما كما قال سابقاً
Dialogue: 0,0:10:36.21,0:10:40.20,المدرب شيرووكا,,0000,0000,0000,,ذلك مدهش حقاً.. لكنه ليس الشي الذي امدحه عليه
Dialogue: 0,0:10:40.56,0:10:42.35,مساعد شيرووكا,,0000,0000,0000,,اذن ماللذي تقصده؟
Dialogue: 0,0:10:42.35,0:10:50.56,المدرب شيرووكا,,0000,0000,0000,,انه الوحيد الذي ادرك انني استخدم اشارات مزيفة لخداع صفوف الضاربين
Dialogue: 0,0:10:51.00,0:10:52.90,المدرب شيرووكا,,0000,0000,0000,,انه مقامر افضل من الاشاعات نفسها
Dialogue: 0,0:10:53.16,0:10:59.15,المدرب شيرووكا,,0000,0000,0000,,لقد عمل عملاً جيداً اليوم . لكنني اريد مواجهته مرة اخرى غداً
Dialogue: 0,0:11:00.32,0:11:03.18,مساعد,,0000,0000,0000,,يبدو بأن المدرب شيرووكا ليس لدية تحركات اخرى
Dialogue: 0,0:11:03.48,0:11:05.55,Owner,,0000,0000,0000,,لن يستسلم هكذا
Dialogue: 0,0:11:05.65,0:11:08.55,Owner,,0000,0000,0000,,سيأتي بخطة اخرى ضد توكيتشي بالتأكيد
Dialogue: 0,0:11:08.96,0:11:11.43,مساعد,,0000,0000,0000,,ستراتيجياته ضد توكيتشي في مباراة الغد ستستحق المشاهدة
Dialogue: 0,0:11:12.27,0:11:13.61,Owner,,0000,0000,0000,,مباراة الغد؟
Dialogue: 0,0:11:13.97,0:11:16.96,Owner,,0000,0000,0000,,ما الذي تتكلم عنه؟ توكيتشي لن يكمل الان
Dialogue: 0,0:11:17.48,0:11:20.82,مساعد,,0000,0000,0000,,لكنه اذا بقي يرمي لن يكون هناك عدائين على القواعد في الجولة القادمة
Dialogue: 0,0:11:20.82,0:11:22.49,مساعد,,0000,0000,0000,,وهذا الامر مشابه لما سبق
Dialogue: 0,0:11:22.83,0:11:25.14,Owner,,0000,0000,0000,,انا لم اقل بأنه سيستمر بالرمي
Dialogue: 0,0:11:26.05,0:11:27.92,Owner,,0000,0000,0000,,لكن ليس بأمكانه الاستمرار الان
Dialogue: 0,0:11:28.36,0:11:29.68,Servant,,0000,0000,0000,,{\i1}ماذا الان؟
Dialogue: 0,0:11:30.74,0:11:33.76,New,,0000,0000,0000,,في بداية الجولة السادسة بقيت نتيجة فريق لايكونس كما هي
Dialogue: 0,0:11:34.44,0:11:35.10,New,,0000,0000,0000,,.... و
Dialogue: 0,0:11:36.32,0:11:39.99,المعلق على المباراة,,0000,0000,0000,,ونيشوكا على منطقة الرمي لفريق لايكونس هذه الجولة
Dialogue: 0,0:11:40.47,0:11:42.28,المدرب شيرووكا,,0000,0000,0000,,كما هو متوقع ... لقد استبدلوا توكيتشي
Dialogue: 0,0:11:42.28,0:11:46.08,مذيعة,,0000,0000,0000,,اعلان لتبديل لاعب فريق لايكونس
Dialogue: 0,0:11:46.97,0:11:53.34,مذيعة,,0000,0000,0000,,المدافع الاول نيشيمورا يستبدل بـ توكيتشي الذي يحمل الرقم 77
Dialogue: 0,0:11:54.00,0:11:55.40,ايديتشي ساتوشي,,0000,0000,0000,,مــ ماذا؟
Dialogue: 0,0:12:03.36,0:12:04.19,2 المعلق على المباراة,,0000,0000,0000,,ياللمفاجأة
Dialogue: 0,0:12:04.47,0:12:08.28,2 المعلق على المباراة,,0000,0000,0000,,انهم يستخدمون توكيتشي في الدفاع عن القاعدة الاولى
Dialogue: 0,0:12:08.96,0:12:12.08,المعلق على المباراة,,0000,0000,0000,,اسلوب المدرب ميهارا صعب الفهم
Dialogue: 0,0:12:12.08,0:12:14.89,2 المعلق على المباراة,,0000,0000,0000,,يبدوا بأن توكيتشي عديم الخبرة كمدافع
Dialogue: 0,0:12:15.23,0:12:16.82,2 المعلق على المباراة,,0000,0000,0000,,هل سيكون على مايرام؟
Dialogue: 0,0:12:18.31,0:12:20.94,المدرب شيرووكا,,0000,0000,0000,,لا يمكنني فهم المدرب ميهارا
Dialogue: 0,0:12:22.01,0:12:24.35,مدير الفريق,,0000,0000,0000,,{\i1}ستضايقني وسائل الاعلام مرة اخرى
Dialogue: 0,0:12:25.06,0:12:29.80,Owner,,0000,0000,0000,,في المباراة .. ما ان يتم استبدال الرامي فأنه لايمكنه العودة الى منطقة الرمي مرة اخرى
Dialogue: 0,0:12:29.85,0:12:35.29,Owner,,0000,0000,0000,,لكن اذا وضعناه في موقع اخر فبأمكان توكيتشي العودة لاحقاً الى منطقة الرمي
Dialogue: 0,0:12:35.73,0:12:39.20,Owner,,0000,0000,0000,,كلما يكون هناك لاعب على القاعدة الثالثة سأضع توكيتشي في منطقة الرمي
Dialogue: 0,0:12:41.07,0:12:45.69,Owner,,0000,0000,0000,,وهذه هي الخطة الممتازة لجعل توكيتشي الرامي البديل
Dialogue: 0,0:12:48.59,0:12:49.82,المعلق على المباراة,,0000,0000,0000,,انها كرة ارضية
Dialogue: 0,0:12:50.21,0:12:51.56,المعلق على المباراة,,0000,0000,0000,,لم يتمكن توكيتشي من امساكها
Dialogue: 0,0:12:52.04,0:12:53.47,المعلق على المباراة,,0000,0000,0000,,انها ضربه لخارج الملعب
Dialogue: 0,0:12:54.35,0:12:56.82,المعلق على المباراة,,0000,0000,0000,,فريق باغبوز ليس لديهم خروج ولديهم لاعب على القاعدة
Dialogue: 0,0:12:57.66,0:12:59.11,المعلق على المباراة,,0000,0000,0000,,الضارب السادس هو مياكاوا
Dialogue: 0,0:12:59.88,0:13:02.62,المعلق على المباراة,,0000,0000,0000,,المدافعون مستعدون لمواجهة الكرة وهاهم يأخذون مواقعهم
Dialogue: 0,0:13:04.17,0:13:07.21,المعلق على المباراة,,0000,0000,0000,,توكيتشي لايعلم اين سيقف
Dialogue: 0,0:13:07.89,0:13:11.39,OTHER7,,0000,0000,0000,,لابأس انت على الطريق.. فقط عد الى القاعدة
Dialogue: 0,0:13:11.46,0:13:15.05,المعلق على المباراة,,0000,0000,0000,,وكأننا نشاهد مباراة بيسبول للهواة
Dialogue: 0,0:13:16.72,0:13:19.12,المعلق على المباراة,,0000,0000,0000,,انها ضربة .. ضربة لوسط الملعب
Dialogue: 0,0:13:20.30,0:13:21.89,المعلق على المباراة,,0000,0000,0000,,لا خروج واللاعبين على الاولى والثانية
Dialogue: 0,0:13:22.25,0:13:24.57,المعلق على المباراة,,0000,0000,0000,,فريق باغبوز لديهم فرصة اخرى لتسجيل هدف
Dialogue: 0,0:13:25.33,0:13:30.03,المدرب شيرووكا,,0000,0000,0000,,ماذا عن دفاعه؟ يبدوا بأنه لايملك أي خبرة في لعب البيسبول
Dialogue: 0,0:13:31.09,0:13:37.12,مساعد شيرووكا,,0000,0000,0000,,لعبة الخاسر الواحد التي لعبها توكيتشي هي لعبة شخص ضد شخص أي انها بين الرامي والضارب
Dialogue: 0,0:13:37.35,0:13:42.56,المدرب شيرووكا,,0000,0000,0000,,لا اتعجب ذلك .. في اخر ضربة لم يكن لديه اي رد فعل تجاه الكرة
Dialogue: 0,0:13:43.31,0:13:46.10,المدرب شيرووكا,,0000,0000,0000,,عيب توكيتشي اكبر مما تصورت
Dialogue: 0,0:13:47.05,0:13:50.00,المعلق على المباراة,,0000,0000,0000,,يتحضر نيشوكا للرمي
Dialogue: 0,0:13:50.00,0:13:51.97,المعلق على المباراة,,0000,0000,0000,,انه يرمي كرة لمضايقة من على القاعدة الاولى
Dialogue: 0,0:13:53.53,0:13:55.37,المعلق على المباراة,,0000,0000,0000,,توكيتشي يسقط الكرة
Dialogue: 0,0:13:55.86,0:13:56.54,ايديتشي ساتوشي,,0000,0000,0000,,مستحيل
Dialogue: 0,0:13:57.63,0:13:59.69,المعلق على المباراة,,0000,0000,0000,,كانوا محظوظين بأن اللاعب لم يتقدم من على القاعدة
Dialogue: 0,0:13:59.90,0:14:03.09,المعلق على المباراة,,0000,0000,0000,,لكنه لايزال وضعاً خطراً حيث لايوجد خروج واللاعبون على القاعدة الاولى والثانية
Dialogue: 0,0:14:04.39,0:14:10.81,Owner,,0000,0000,0000,,انظر لحالة .. انه لايساوي فلساً واحداً  كمدافع
Dialogue: 0,0:14:10.87,0:14:12.28,Servant,,0000,0000,0000,,تـ توكيتشي
Dialogue: 0,0:14:13.07,0:14:16.83,Owner,,0000,0000,0000,,وضعه في الدفاع قد أحدث نتيجة غير متوقعه
Dialogue: 0,0:14:17.67,0:14:23.42,Owner,,0000,0000,0000,,هذا النوع من الدفاع الميت لن يجلب سوى المتاعب لزملائه في الفريق وسيزيد من فرصته للعودة الى رمي الكرات
Dialogue: 0,0:14:24.00,0:14:28.03,Owner,,0000,0000,0000,,وستكون نسبة تسجيل النقاط للفريق المنافس اكثر من السابق
Dialogue: 0,0:14:30.32,0:14:34.33,المدرب شيرووكا,,0000,0000,0000,,ما ان يتقدم العداء للقاعدة الثالثة حتى يضعوا توكيتشي على منطقة الرمي مرة اخرى
Dialogue: 0,0:14:35.42,0:14:38.25,مساعد شيرووكا,,0000,0000,0000,,لا بد وان هذا هو السبب لوضع توكيتشي على القاعدة الاولى
Dialogue: 0,0:14:38.52,0:14:40.70,مساعد شيرووكا,,0000,0000,0000,,اذن هل سنضحي بهذه الجولة؟
Dialogue: 0,0:14:41.87,0:14:49.50,المدرب شيرووكا,,0000,0000,0000,,بما ان الفريق المنافس لديهم عيب كبير في الدفاع فسأستغل هذا الوضع
Dialogue: 0,0:14:50.26,0:14:52.23,المدرب شيرووكا,,0000,0000,0000,, لاداعي للتضحية بها
Dialogue: 0,0:14:53.68,0:14:55.23,bugboo's,,0000,0000,0000,,{\i1}استخدام ضربة قصيرة المدى ارضية؟
Dialogue: 0,0:14:57.67,0:14:59.42,bugboo's,,0000,0000,0000,,{\i1}اذن فالكرة ستتدحرج الى....
Dialogue: 0,0:15:00.01,0:15:02.52,المعلق على المباراة,,0000,0000,0000,,الان ... نيشوكا في موقعه
Dialogue: 0,0:15:02.95,0:15:03.73,المعلق على المباراة,,0000,0000,0000,,لقد رمُيت
Dialogue: 0,0:15:04.04,0:15:05.56,المعلق على المباراة,,0000,0000,0000,,كيتانو يتحضر لضربة قصيرة البعد ارضية
Dialogue: 0,0:15:08.17,0:15:10.25,المعلق على المباراة,,0000,0000,0000,,تمر الكرة من تحت قدم نيشوكا
Dialogue: 0,0:15:10.25,0:15:11.02,مساعد شيرووكا,,0000,0000,0000,,اجل
Dialogue: 0,0:15:11.61,0:15:14.08,ايديتشي ساتوشي,,0000,0000,0000,,هذا اسوء, كرة قصيرة البعد ارضية
Dialogue: 0,0:15:14.33,0:15:15.64,المدرب شيرووكا,,0000,0000,0000,,انها ممتازة
Dialogue: 0,0:15:16.74,0:15:21.37,المدرب شيرووكا,,0000,0000,0000,,لقد استغل وضع نيشوكا.... وجعل الكرة تمر من تحت قدمية
Dialogue: 0,0:15:21.37,0:15:25.18,المدرب شيرووكا,,0000,0000,0000,,وهذا يؤدي الى ارسال الكرة الى المدافع المبتدىء توكيتشي
Dialogue: 0,0:15:26.01,0:15:28.38,المدرب شيرووكا,,0000,0000,0000,,وهذا سيجعل العداء يصل بأمان وكذلك الضارب ايضاً
Dialogue: 0,0:15:29.81,0:15:31.15,المعلق على المباراة,,0000,0000,0000,,... توكيتشي
Dialogue: 0,0:15:33.74,0:15:35.59,المعلق على المباراة,,0000,0000,0000,,وبسرعة يرمي توكيتشي الكرة للقاعدة الثانية
Dialogue: 0,0:15:35.91,0:15:36.75,Referee,,0000,0000,0000,,للخارج
Dialogue: 0,0:15:36.84,0:15:38.54,المعلق على المباراة,,0000,0000,0000,,هذه الكرة ايضاً رُميت للقاعدة الاولى
Dialogue: 0,0:15:39.24,0:15:39.88,Referee,,0000,0000,0000,,اخرج
Dialogue: 0,0:15:40.12,0:15:44.59,المعلق على المباراة,,0000,0000,0000,,لقد فشلت خطة الضربة الارضية...  ياللحظ السيء ... انها لعبة مزدوجة
Dialogue: 0,0:15:45.60,0:15:46.21,ايديتشي ساتوشي,,0000,0000,0000,,مستحيل
Dialogue: 0,0:15:48.92,0:15:52.21,المعلق على المباراة,,0000,0000,0000,,ومع هذا فريق باغبوز لديهم خروجان ولاعب على القاعدة الثالثة
Dialogue: 0,0:15:52.54,0:15:56.08,2 المعلق على المباراة,,0000,0000,0000,,لقد كان من الجيد ان توكيتشي يدافع  عن تلك المنطقة
Dialogue: 0,0:15:57.74,0:16:00.03,Owner,,0000,0000,0000,,ياله من رجل محظوظ
Dialogue: 0,0:16:00.29,0:16:03.78,مساعد,,0000,0000,0000,,هناك عداء على القاعدة الثالثة .. هل نضع توكيتشي على منطقة الرمي الان؟
Dialogue: 0,0:16:03.97,0:16:07.59,Owner,,0000,0000,0000,,نضعه الا اذا كان الضارب الاول .. والان انه الضارب الثامن من صف الضاربين
Dialogue: 0,0:16:08.32,0:16:10.41,Owner,,0000,0000,0000,,لننتظر ونرى
Dialogue: 0,0:16:11.45,0:16:13.90,مساعد شيرووكا,,0000,0000,0000,,يبدوا بأن توكيتشي لن يستخدم للرمي
Dialogue: 0,0:16:14.78,0:16:18.04,المدرب شيرووكا,,0000,0000,0000,,يالها من خسارة .. لقد اردت ان يضعوا توكيتشي كــ رامي
Dialogue: 0,0:16:18.26,0:16:20.53,مساعد شيرووكا,,0000,0000,0000,,لكننا كنا غير محظوظين هناك
Dialogue: 0,0:16:20.62,0:16:25.00,مساعد شيرووكا,,0000,0000,0000,,الضربة الارضية قد أفشلها بواسطة دفاعه العشوائي
Dialogue: 0,0:16:26.07,0:16:34.39,المدرب شيرووكا,,0000,0000,0000,,انت تظن بأن تلك الخطة كانت غير محظوظه وعشوائية وقد تدحرجت مباشرةً الى توكيتشي؟
Dialogue: 0,0:16:34.82,0:16:36.72,مساعد شيرووكا,,0000,0000,0000,,لكن.. تلك هي المسألة
Dialogue: 0,0:16:37.10,0:16:38.78,المدرب شيرووكا,,0000,0000,0000,,أنت مخطىء تماماً
Dialogue: 0,0:16:39.80,0:16:42.36,المدرب شيرووكا,,0000,0000,0000,,الكرة لم تتدحرج الى مكان وقوف توكيتشي
Dialogue: 0,0:16:43.40,0:16:45.97,المدرب شيرووكا,,0000,0000,0000,,بل ان توكيتشي هو الذي تقدم نحو اتجاه الكرة
Dialogue: 0,0:16:47.53,0:16:49.62,المدرب شيرووكا,,0000,0000,0000,,ولولا تحركه لكان مستحيلاً عليهم اخراج العداء من على القاعدة الثانية
Dialogue: 0,0:16:50.93,0:16:51.81,المدرب شيرووكا,,0000,0000,0000,,فكر بها جيداً
Dialogue: 0,0:16:52.11,0:16:57.89,المدرب شيرووكا,,0000,0000,0000,,لو ان صاحب اليد اليمنى توكيتشي تقدم نحو الكرة من القاعدة الاولى لكان عليه الاستدارة ورمي الكرة وستكون هذه العملية بطيئة
Dialogue: 0,0:16:59.22,0:17:03.65,المدرب شيرووكا,,0000,0000,0000,,لكن توكيتشي تحرك متعمداً الى ما وراء الرامي
Dialogue: 0,0:17:04.19,0:17:07.14,المدرب شيرووكا,,0000,0000,0000,,من الواضح انه رأى الى اين ستتجه الكرة
Dialogue: 0,0:17:07.88,0:17:11.15,المدرب شيرووكا,,0000,0000,0000,,لا .. بل يمكننا القول بأنه جعلنا نضرب الكرة بهذه الصورة
Dialogue: 0,0:17:12.57,0:17:14.93,المدرب شيرووكا,,0000,0000,0000,,بالتظاهر بأنه لايعرف كيفية الدفاع
Dialogue: 0,0:17:16.20,0:17:18.56,مساعد شيرووكا,,0000,0000,0000,,اذن انه كله تمثيل؟
Dialogue: 0,0:17:19.17,0:17:22.45,المدرب شيرووكا,,0000,0000,0000,,لقد عاش على سمعته بأنه الرجل الذي لم يهزم في لعبة خاسر واحد
Dialogue: 0,0:17:22.96,0:17:27.21,المدرب شيرووكا,,0000,0000,0000,,ويبدوا بأنه افضل في التقنيات وقراءة العقول
Dialogue: 0,0:17:27.81,0:17:29.47,مساعد شيرووكا,,0000,0000,0000,,ياله من شاب
Dialogue: 0,0:17:29.93,0:17:33.95,المدرب شيرووكا,,0000,0000,0000,,لكن في عالم البيسبول الاحترافي . التقنيات ليست كل شيء
Dialogue: 0,0:17:34.79,0:17:38.57,المدرب شيرووكا,,0000,0000,0000,,التقنيات هي النصف.. والنصف الاخر هو
Dialogue: 0,0:17:40.07,0:17:40.95,المدرب شيرووكا,,0000,0000,0000,,القوة ... قوة التحمل
Dialogue: 0,0:17:42.08,0:17:46.86,المدرب شيرووكا,,0000,0000,0000,,مع انه جيد لكن سرعة كرته لاتصل سوى الى 128 ك\س
Dialogue: 0,0:17:47.52,0:17:48.86,المدرب شيرووكا,,0000,0000,0000,,اسوء من لاعب بيسبول في الثانوية العامة
Dialogue: 0,0:17:49.47,0:17:52.87,المدرب شيرووكا,,0000,0000,0000,,نقص القوة لدية ستكون عيبه القاتل
Dialogue: 0,0:17:53.44,0:17:57.25,المدرب شيرووكا,,0000,0000,0000,,التقنيات لاتكاد تنفع مع نقص قوة التحمل
Dialogue: 0,0:17:58.02,0:18:00.85,المدرب شيرووكا,,0000,0000,0000,,وسيعلم هذا مع انتهاء الثلاث مباريات القادمة
Dialogue: 0,0:18:01.71,0:18:04.82,مساعد شيرووكا,,0000,0000,0000,,في كلمات اخرى...انه من الممكن هزيمة توكيتشي؟
Dialogue: 0,0:18:07.02,0:18:08.26,المدرب شيرووكا,,0000,0000,0000,,بالتأكيد
Dialogue: 0,0:18:10.14,0:18:14.57,المدرب شيرووكا,,0000,0000,0000,,من المؤسف اننا لم نستطع جعل توكيتشي يعود الى منطقة الرامي
Dialogue: 0,0:18:15.46,0:18:17.14,المدرب شيرووكا,,0000,0000,0000,,لكنها فرصة جيدة لأظهار مدى قوتنا
Dialogue: 0,0:18:17.73,0:18:18.32,المدرب شيرووكا,,0000,0000,0000,,جونسون
Dialogue: 0,0:18:19.05,0:18:22.07,المدرب شيرووكا,,0000,0000,0000,, دع ذلك الشاب يرى معنى القوة
Dialogue: 0,0:18:23.68,0:18:24.85,جونسون,,0000,0000,0000,,حسنا ايها الرئيس
Dialogue: 0,0:18:26.35,0:18:29.34,المعلق على المباراة,,0000,0000,0000,,مدرب فريق باغبوز .. شيرووكا يخرج
Dialogue: 0,0:18:29.66,0:18:30.65,المعلق على المباراة,,0000,0000,0000,,سيستخدم ضارب بديل؟
Dialogue: 0,0:18:31.61,0:18:34.73,مذيعة,,0000,0000,0000,,اعلان لتبديل لاعب في فريق باغبوز
Dialogue: 0,0:18:35.73,0:18:42.65,مذيعة,,0000,0000,0000,,لاعب القاعدة الثالثة اساكورا يستبدل بـ جونسون الذي يحمل الرقم 99
Dialogue: 0,0:18:44.46,0:18:45.57,المعلق على المباراة,,0000,0000,0000,,انه العداء البديل
Dialogue: 0,0:18:46.32,0:18:50.98,المعلق على المباراة,,0000,0000,0000,,الاجنبي جونسون . الذي وصل يوم أمس سيكون العداء البديل
Dialogue: 0,0:18:51.83,0:18:53.86,المعلق على المباراة,,0000,0000,0000,,ماذا يحدث يا اموتو سان؟
Dialogue: 0,0:18:54.20,0:18:56.52,2 المعلق على المباراة,,0000,0000,0000,,من يعلم ... ليس لدي ادنى فكرة
Dialogue: 0,0:18:56.94,0:19:02.81,2 المعلق على المباراة,,0000,0000,0000,,بما انها المباراة الاولى له هنا . ربما تكون هذه خطة لجعله يتأقلم مع الوضع  في ملعب اليابان
Dialogue: 0,0:19:03.52,0:19:04.99,Kira,,0000,0000,0000,,من هذا؟
Dialogue: 0,0:19:05.76,0:19:08.87,others07,,0000,0000,0000,,هناك وشم على وجهه ... ياللجاذبية
Dialogue: 0,0:19:11.60,0:19:15.26,others07,,0000,0000,0000,,ماذا به هذا الشاب؟؟ انه لايبدو كلاعب بيسبول محترف ابداً
Dialogue: 0,0:19:15.55,0:19:18.59,كوجيما,,0000,0000,0000,,{\i1}ماللذي تخطط له ايه المدرب شيرووكا
Dialogue: 0,0:19:19.63,0:19:25.48,كوجيما,,0000,0000,0000,,{\i1}المدرب شيرووكا ليس ساذجاً ليضع لاعباً جديداً عندما يكون اللعب متأزماً
Dialogue: 0,0:19:27.64,0:19:30.06,كوجيما,,0000,0000,0000,,{\i1}من هو هذا الشاب ياترى؟
Dialogue: 0,0:19:30.51,0:19:31.49,Others1,,0000,0000,0000,,ماذا يجب ان نفعل ؟
Dialogue: 0,0:19:31.98,0:19:32.76,ايديتشي ساتوشي,,0000,0000,0000,,لاتقلق بشأنه
Dialogue: 0,0:19:33.12,0:19:36.15,ايديتشي ساتوشي,,0000,0000,0000,,الان لدى الفريق خروجان لذا لن تكون هناك كرات مضحى بها ولا لعب مشدود
Dialogue: 0,0:19:36.15,0:19:37.54,Others1,,0000,0000,0000,,أركز على الضارب
Dialogue: 0,0:19:37.79,0:19:39.47,ايديتشي ساتوشي,,0000,0000,0000,,اجل.. افعل مافي وسعك
Dialogue: 0,0:19:40.08,0:19:41.66,المعلق على المباراة,,0000,0000,0000,,حسناً.. فلنكمل المباراة
Dialogue: 0,0:19:42.44,0:19:44.27,المعلق على المباراة,,0000,0000,0000,,المباراة اصبحت مشدودة .. لاعب ضد لاعب
Dialogue: 0,0:19:44.93,0:19:46.36,المعلق على المباراة,,0000,0000,0000,,لاعبان خارج الجولة وعداء على القاعدة الثالثة
Dialogue: 0,0:19:47.97,0:19:49.62,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}لاتبدوا عليه الراحة
Dialogue: 0,0:19:49.84,0:19:51.75,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}وهو لم يستلم اي اشارة من المدرب
Dialogue: 0,0:19:52.90,0:19:55.49,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}يبدوا بأنه لاتوجد اي افخاخ ... أذن
Dialogue: 0,0:19:56.77,0:19:58.62,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}يجب التركيز على الضارب
Dialogue: 0,0:19:59.53,0:20:03.02,المعلق على المباراة,,0000,0000,0000,,الضارب نيشوكا في مكانه
Dialogue: 0,0:20:03.51,0:20:04.49,المعلق على المباراة,,0000,0000,0000,,الرمية الاولى
Dialogue: 0,0:20:07.57,0:20:08.86,مدير الفريق,,0000,0000,0000,,{\i1}مستحيل
Dialogue: 0,0:20:08.86,0:20:11.69,المعلق على المباراة,,0000,0000,0000,,انه يركض جونسون يحاول الوصول الى القاعدة الرئيسية
Dialogue: 0,0:20:11.69,0:20:12.78,others07,,0000,0000,0000,,{\i1}انت تتمنى
Dialogue: 0,0:20:13.24,0:20:13.96,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}لااا
Dialogue: 0,0:20:14.51,0:20:15.89,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}هذا الشاب سريع جدا
Dialogue: 0,0:20:21.67,0:20:23.57,Referee,,0000,0000,0000,,اّمن
Dialogue: 0,0:20:23.93,0:20:26.63,المعلق على المباراة,,0000,0000,0000,,وصل بأمان .. لقد تم سرقة القاعدة الرئيسية
Dialogue: 0,0:20:26.95,0:20:29.06,المعلق على المباراة,,0000,0000,0000,,لقد احرز فريق باغبوز نقطة للتقدم على منافسه
Dialogue: 0,0:20:30.01,0:20:31.05,others07,,0000,0000,0000,,سرق القاعدة الرئيسية؟
Dialogue: 0,0:20:31.55,0:20:32.77,others07,,0000,0000,0000,,لابد وانك تمزح
Dialogue: 0,0:20:34.27,0:20:36.85,المعلق على المباراة,,0000,0000,0000,,انها صدمة
Dialogue: 0,0:20:37.12,0:20:39.34,المعلق على المباراة,,0000,0000,0000,,يالها من سرعة غير معقولة
Dialogue: 0,0:20:42.45,0:20:48.23,المعلق على المباراة,,0000,0000,0000,,السلاح السري الغير متوقع من المدرب شيرووكا هو رجل مع سرعة خيالية في الركض
Dialogue: 0,0:20:54.87,0:20:58.90,New,,0000,0000,0000,,هذه النقطة حددت نهاية هذه المباراة
Dialogue: 0,0:20:59.29,0:21:02.01,New,,0000,0000,0000,,فريق لايكونس خسر مقابل 2-1
Dialogue: 0,0:21:05.59,0:21:10.74,New,,0000,0000,0000,,الرجل الستراتيجي المدرب شيرووكا ومع عداءه السريع جداً , جونسون
Dialogue: 0,0:21:12.84,0:21:16.45,New,,0000,0000,0000,,هما العائقان الجديدان أما م توكيتشي توا
Dialogue: 0,0:21:20.26,0:21:28.26,زيادات,,0000,0000,0000,,{\pos(1092,79)}{\fad(500,500)}للمزيد من الحلقات
Dialogue: 0,0:21:20.26,0:21:28.26,BNT,,0000,0000,0000,,{\fscx112.5\fscy128.75\pos(1033,132)}{\fad(500,500)}www.bramjnet.com
Dialogue: 0,0:22:30.91,0:22:39.58,زيادات,,0000,0000,0000,,{\fad(300,300)\pos(1032,560)}الحلقة القادمة
Dialogue: 0,0:22:30.91,0:22:39.58,زيادات,,0000,0000,0000,,{\fad(300,300)\pos(984,688)}أسرع رجل في العالم
Dialogue: 0,0:22:40.13,0:22:42.13,New,,0000,0000,0000,,


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