[Script Info]
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; http://www.aegisub.org/
Title: 1_7.srt
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Video Aspect Ratio: c1.77778
Video Position: 5967
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Aegisub Scroll Position: 743
Aegisub Active Line: 768

[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:02:11.05,0:02:15.92,العنوان,,0,0,0,,{\pos(624.000000,504.000000)}التعرّض للخوف
Dialogue: 0,0:04:21.36,0:04:23.11,Default,,0,0,0,,!مذهل
Dialogue: 0,0:04:25.53,0:04:28.53,Default,,0,0,0,,!عندما أنظر للأسفل، فإنّني انظر للأسفل حقًا
Dialogue: 0,0:04:30.00,0:04:33.04,Default,,0,0,0,, لأنّ كبسولة العرض المحمولة تحتوي على حساسات دورانيّة، هذا هو السبب
Dialogue: 0,0:04:33.40,0:04:36.67,Default,,0,0,0,,.وأيضًا، ليس له الكثير من البرامج الآن
Dialogue: 0,0:04:37.51,0:04:40.13,Default,,0,0,0,,!هذا الشيء مذهل، يا رجل
Dialogue: 0,0:04:40.78,0:04:42.88,Default,,0,0,0,,هل تلعبُ بهِ كلّ يوم؟
Dialogue: 0,0:04:42.88,0:04:45.55,Default,,0,0,0,,.آمم؟ لا، ليس كثيرًا
Dialogue: 0,0:04:45.55,0:04:49.68,Default,,0,0,0,,....في الواقع، أنا لا استخدمه للعب
Dialogue: 0,0:04:51.29,0:04:52.45,Default,,0,0,0,,.في الواقع، للعلاج
Dialogue: 0,0:04:52.77,0:04:54.92,Default,,0,0,0,,للعلاج؟
Dialogue: 0,0:04:55.56,0:04:56.23,Default,,0,0,0,,هل أنت مريض؟
Dialogue: 0,0:04:56.56,0:05:00.86,Default,,0,0,0,,.لا، كل ما في الأمر أنني أخشى المرتفعات
Dialogue: 0,0:05:00.86,0:05:05.24,Default,,0,0,0,,أنا استخدم هذا العالم الوهمي للعلاج، فهمت؟
Dialogue: 0,0:05:05.83,0:05:08.16,Default,,0,0,0,,وهل هذا يُجدي نفعًا؟
Dialogue: 0,0:05:08.80,0:05:10.71,Default,,0,0,0,,.نعم، هو شرعي كليًا في الحقيقة
Dialogue: 0,0:05:10.71,0:05:14.68,Default,,0,0,0,,الخوف والاضطرابات والوسواس القهري يمكن التغلّب عليها
Dialogue: 0,0:05:14.68,0:05:17.45,Default,,0,0,0,,...بالتعرّض لمصدر
Dialogue: 0,0:05:17.45,0:05:20.13,Default,,0,0,0,,!آوه، صحيح، علاج التعرّض بالخوف
Dialogue: 0,0:05:20.75,0:05:24.51,Default,,0,0,0,,.يبدو أنّك تعرف أكثر منّي عن هذا النوع من الأشياء، تارو
Dialogue: 0,0:05:29.72,0:05:31.72,Default,,0,0,0,,.لقد عاد أبي
Dialogue: 0,0:05:34.93,0:05:39.03,شرح,,0,0,0,,{\pos(608.000000)}تعني : مؤسسة بحث التقنيات الحيوية
Dialogue: 0,0:05:34.93,0:05:39.03,Default,,0,0,0,,والدك يعمل لـ داي نيبون بيو، صحيح؟
Dialogue: 0,0:05:39.03,0:05:43.86,Default,,0,0,0,,.نعم إنّه يعيشُ هنا منذُ ثلاث سنوات
Dialogue: 0,0:05:45.44,0:05:52.51,Default,,0,0,0,,.على الأقل أنا أخاف من المرتفعات فقط\N .لكن، أنت حالتك أسوأ، يا رجل
Dialogue: 0,0:05:53.08,0:05:55.58,Default,,0,0,0,,أنت ما زلت تعاني من صدمة، صحيح؟
Dialogue: 0,0:05:56.38,0:05:58.05,Default,,0,0,0,,هل تحلمُ بها؟
Dialogue: 0,0:05:58.59,0:06:01.66,Default,,0,0,0,,ما زلت تحصل على الاستشارة كل أسبوع، صحيح؟
Dialogue: 0,0:06:02.52,0:06:06.03,Default,,0,0,0,,.لا أعتقد بأنني أحتاجها
Dialogue: 0,0:06:06.51,0:06:09.47,Default,,0,0,0,,لكنّك ما زلت ترى الكوابيس، صحيح؟
Dialogue: 0,0:06:13.87,0:06:17.77,Default,,0,0,0,,.هيه، تارو، يجب أن تقوم بعلاج التعرّض أيضًا
Dialogue: 0,0:06:20.11,0:06:23.64,Default,,0,0,0,,.يجب أن تذهب للمكان الّذي يُعتبر مصدر خوفك
Dialogue: 0,0:06:26.78,0:06:28.65,Default,,0,0,0,,، لقد أمطرت اليوم
Dialogue: 0,0:06:28.65,0:06:33.65,Default,,0,0,0,,لكنني سمِعتُ أنّه لا يزال هناك مدخل\N.إلى قرية كاميوا الصغيرة، تحت أسفل السدّ
Dialogue: 0,0:07:07.62,0:07:09.56,Default,,0,0,0,,.سوف أذهبُ معكْ
Dialogue: 0,0:07:09.56,0:07:12.16,Default,,0,0,0,,.سوف نتفحّص المستشفى في أسفل السدّ
Dialogue: 0,0:07:12.16,0:07:14.83,Default,,0,0,0,,أنت لم تعُد إليها أبدًا، صحيح؟
Dialogue: 0,0:07:25.01,0:07:26.74,Default,,0,0,0,,!مرحبًا بعودتك
Dialogue: 0,0:07:28.18,0:07:29.44,Default,,0,0,0,,.لقد عُدت
Dialogue: 0,0:07:29.44,0:07:31.18,Default,,0,0,0,,هل يمكنك ترتيب هذهِ؟
Dialogue: 0,0:07:31.18,0:07:32.91,Default,,0,0,0,,.بالتأكيد
Dialogue: 0,0:07:37.15,0:07:38.59,Default,,0,0,0,,أمّي؟
Dialogue: 0,0:07:38.59,0:07:39.99,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:07:39.99,0:07:42.10,Default,,0,0,0,,هل تراودكِ الأحلام؟
Dialogue: 0,0:07:42.66,0:07:48.46,Default,,0,0,0,,حسنًا، أنت تعرف عن الدواء الّذي أتناولهُ، صحيح؟\N.يفي بالغرض لدرجة أنني لا أحلمُ بشيء
Dialogue: 0,0:07:50.77,0:07:54.10,Default,,0,0,0,,.لكنني أعتقدُ أنّه من الأفضل أن يحظى المرء بالأحلام
Dialogue: 0,0:08:30.23,0:08:33.74,شرح,,0,0,0,,{\pos(622.000000)}مدرسة بلدية سويتن الابتدائيّة
Dialogue: 0,0:08:36.14,0:08:40.18,Default,,0,0,0,,.هيه، مياكو، لنسأل والدكِ المرّة القادمة
Dialogue: 0,0:08:40.18,0:08:44.92,Default,,0,0,0,,!آه، أبي، مستحيل، أفضّل الموت
Dialogue: 0,0:09:05.87,0:09:07.61,Default,,0,0,0,,مياكو؟
Dialogue: 0,0:09:09.91,0:09:11.08,Default,,0,0,0,,هل هناك خطب؟
Dialogue: 0,0:09:11.08,0:09:13.28,Default,,0,0,0,,.لا، لا شيء
Dialogue: 0,0:09:16.88,0:09:19.89,Default,,0,0,0,,هل أنت تخافُ من أختك؟
Dialogue: 0,0:09:21.06,0:09:23.19,Default,,0,0,0,,.لا أعتقد هذا
Dialogue: 0,0:09:23.19,0:09:25.89,Default,,0,0,0,,.أقصدُ بأنّها أختي
Dialogue: 0,0:09:26.96,0:09:30.73,Default,,0,0,0,,.لا أعرف ما الذي يجعلني أخافُ طوال الوقت
Dialogue: 0,0:09:31.90,0:09:34.83,Default,,0,0,0,,هل تلمّح إلى العلاج بالتعرّض؟
Dialogue: 0,0:09:35.70,0:09:38.47,Default,,0,0,0,,هل يٌشفي الخوف فعلًا؟
Dialogue: 0,0:09:38.84,0:09:42.14,Default,,0,0,0,,.بعض الناس يدّعون ذلك
Dialogue: 0,0:09:42.14,0:09:47.98,Default,,0,0,0,, هناك أناس ينتقدون تنظيم وإعادة معالجة حركة العين أيضًا
Dialogue: 0,0:09:47.98,0:09:53.98,Default,,0,0,0,, وعلاج مجال التفكير، طريقة أخرى أريد اختبارها عليك في وقت ما
Dialogue: 0,0:09:55.22,0:10:00.26,Default,,0,0,0,, لكن في حالتك، لا يمتلك خوفك كيان واضح
Dialogue: 0,0:10:00.26,0:10:04.41,Default,,0,0,0,,.لذا لن يكون من الممكن استخدام العلاج بالتعرّض
Dialogue: 0,0:10:08.94,0:10:14.31,Default,,0,0,0,,أرغب في زيارة منزلك ولقاء والداك الأسبوع المقبل، إن أمكن ذلك؟
Dialogue: 0,0:10:14.31,0:10:16.91,Default,,0,0,0,,.آوه،حسنًا سأخبرهما
Dialogue: 0,0:10:32.89,0:10:35.86,Default,,0,0,0,,هل فكّرت في الأمر؟ آه، ها؟
Dialogue: 0,0:10:38.13,0:10:40.28,Default,,0,0,0,,حقًا، هل وافقت؟
Dialogue: 0,0:10:40.64,0:10:44.64,Default,,0,0,0,,.حسنًا، سوف نتقابل عند ضريح كاميوا الأحد المقبل الساعة 1 مساءً
Dialogue: 0,0:11:29.25,0:11:29.68,شرح,,0,0,0,,!موتوا عليكم اللعنة
Dialogue: 0,0:11:29.68,0:11:30.02,شرح,,0,0,0,,!اللعنة
Dialogue: 0,0:11:30.02,0:11:30.35,شرح,,0,0,0,,{\c&HFF7EFF&}!موتوا
Dialogue: 0,0:11:30.35,0:11:30.66,شرح,,0,0,0,,{\c&H18BCE5&\frx10\fry358\frz2.471\pos(613,29)}!موتوا، أنتم مجرمون
Dialogue: 0,0:11:42.73,0:11:47.37,Default,,0,0,0,,.الشيء الوحيد الذي أخافُ منهُ هو المرتفعات
Dialogue: 0,0:13:01.91,0:13:03.44,Default,,0,0,0,,!هاي
Dialogue: 0,0:13:04.78,0:13:06.88,Default,,0,0,0,,.آسف للتأخّر
Dialogue: 0,0:13:07.25,0:13:10.92,Default,,0,0,0,,.لا مشكلة! ما زلنا ننتظر شخص آخر على كلّ حال
Dialogue: 0,0:13:10.92,0:13:13.10,Default,,0,0,0,,شخص آخر! من هو؟
Dialogue: 0,0:13:13.52,0:13:15.39,Default,,0,0,0,,.ها قد وصل
Dialogue: 0,0:13:20.03,0:13:22.33,Default,,0,0,0,,أخبرني، ما هذا؟
Dialogue: 0,0:13:22.33,0:13:24.47,Default,,0,0,0,,ماذا يفعلُ هنا؟
Dialogue: 0,0:13:24.47,0:13:26.97,Default,,0,0,0,,!أنا أيضًا أتسائلُ عن نفس الأمر
Dialogue: 0,0:13:27.40,0:13:31.58,Default,,0,0,0,,.مهلًا، لا بأس، لا داعي لتعقيد الأمور
Dialogue: 0,0:13:32.21,0:13:36.04,Default,,0,0,0,,!سنذهب للاستكشاف! فكلّما زاد العدد، زاد المرح
Dialogue: 0,0:13:37.88,0:13:39.48,Default,,0,0,0,,.أنا لن أذهب
Dialogue: 0,0:13:41.28,0:13:45.39,Default,,0,0,0,,حقًا؟ أنت دائمًا تتظاهر بأنّك شخص قوي\N!لكن يبدو بأنّك جبان بالرغم من كل شيء
Dialogue: 0,0:13:49.06,0:13:50.47,Default,,0,0,0,,!مهلًا
Dialogue: 0,0:13:51.26,0:13:53.23,Default,,0,0,0,,تحتاج إلى موقع بناء مقدّس؟
Dialogue: 0,0:13:53.23,0:13:59.56,Default,,0,0,0,,حسنًا لنرى، يوجد تأخير في الجدول المقرر
Dialogue: 0,0:13:59.93,0:14:02.50,Default,,0,0,0,,.لكننا سنتوصّل إلى حلّ
Dialogue: 0,0:14:02.50,0:14:05.57,Default,,0,0,0,,....هل يمكننا فِعلها؟ دعني أرى
Dialogue: 0,0:14:07.07,0:14:08.31,Default,,0,0,0,,ما كان هذا؟
Dialogue: 0,0:14:17.42,0:14:21.08,Default,,0,0,0,,!أنا لن أندم لو قتلتك
Dialogue: 0,0:14:21.08,0:14:24.19,Default,,0,0,0,,!توقّف! ماسايوكي، لديهِ خوف من المرتفعات
Dialogue: 0,0:14:33.13,0:14:35.87,Default,,0,0,0,,!هذهِ ليست ساحة لعب للأطفال
Dialogue: 0,0:14:43.51,0:14:46.21,Default,,0,0,0,,!أنقذتك فتاة صغيرة
Dialogue: 0,0:14:47.88,0:14:51.42,Default,,0,0,0,,.أريدك أن تذهب للمستشفى في القاع برفقة تارو
Dialogue: 0,0:14:52.89,0:14:55.89,Default,,0,0,0,,.قُلت بأنني لن أذهب
Dialogue: 0,0:14:57.39,0:15:02.26,Default,,0,0,0,,، لكنني اعتقدت أنّك من الأفضل أن ترى موقع الجريمة
Dialogue: 0,0:15:02.26,0:15:04.50,Default,,0,0,0,,!بما أنّ والدك قد يكون متورّط
Dialogue: 0,0:15:13.04,0:15:17.34,Default,,0,0,0,,لو ذهبت، هل سوف تتوقّفون أيّها الفاشلون عن إزعاجي؟
Dialogue: 0,0:15:17.34,0:15:19.08,Default,,0,0,0,,
Dialogue: 0,0:15:20.98,0:15:22.42,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:15:22.42,0:15:24.15,Default,,0,0,0,,.سوف أذهب
Dialogue: 0,0:15:26.02,0:15:29.46,Default,,0,0,0,,!لا أريد معروفًا منك، أيّها الأحمق
Dialogue: 0,0:15:29.46,0:15:35.12,Default,,0,0,0,,يكفي! يكفي! لقد تمّ تسوية الأمر\Nلا تهتم لكلامهُ، حسنًا؟
Dialogue: 0,0:15:46.31,0:15:48.04,Default,,0,0,0,,هل هناك خطب؟
Dialogue: 0,0:15:48.04,0:15:49.44,Default,,0,0,0,,!لا، لا شيء
Dialogue: 0,0:16:00.35,0:16:04.36,Default,,0,0,0,,.أعتقد بأنّها تبعد ساعة ونصف عن هنا
Dialogue: 0,0:16:04.36,0:16:06.02,Default,,0,0,0,,.ليست بهذا البُعد
Dialogue: 0,0:16:06.02,0:16:08.96,Default,,0,0,0,,ماذا؟ هل ذهبت إليها من قبل؟
Dialogue: 0,0:16:12.10,0:16:15.20,Default,,0,0,0,,ماكوتو وتارو، هل سبق و تحدّثتما مع بعض حتّى؟
Dialogue: 0,0:16:15.20,0:16:18.16,Default,,0,0,0,,ليس كثيرًا، صحيح؟
Dialogue: 0,0:16:19.64,0:16:22.18,Default,,0,0,0,,.لكننا نرى بعضنا بين الحين والآخر
Dialogue: 0,0:16:23.14,0:16:24.12,Default,,0,0,0,,خارج المدرسة؟
Dialogue: 0,0:16:26.25,0:16:28.11,شرح,,0,0,0,,.يقصد عائلة كوموري
Dialogue: 0,0:16:26.25,0:16:28.11,Default,,0,0,0,,.عائلتي هي جزء من الكوموري
Dialogue: 0,0:16:28.48,0:16:30.35,Default,,0,0,0,,.نحنُ أقارب
Dialogue: 0,0:16:32.25,0:16:33.99,Default,,0,0,0,,!حقًا
Dialogue: 0,0:17:06.19,0:17:09.58,Default,,0,0,0,,آه! هل تريدون أخذ قسط من الراحة؟
Dialogue: 0,0:17:25.33,0:17:26.31,Default,,0,0,0,,هل تريد؟
Dialogue: 0,0:17:26.31,0:17:28.14,Default,,0,0,0,,!شكرًا
Dialogue: 0,0:17:31.05,0:17:33.48,Default,,0,0,0,,كيف حال أمّك، تارو؟
Dialogue: 0,0:17:37.45,0:17:40.32,Default,,0,0,0,,.بخير، ما زالت متماسكة، على ما أعتقد
Dialogue: 0,0:17:42.29,0:17:44.16,Default,,0,0,0,,ماذا عن جدّتك؟
Dialogue: 0,0:17:44.16,0:17:46.76,Default,,0,0,0,,.لا أعرف، لا أراها أبدًا
Dialogue: 0,0:17:46.76,0:17:48.73,Default,,0,0,0,,بالرغم من أنّكما تعيشان معًا؟
Dialogue: 0,0:17:50.33,0:17:53.80,Default,,0,0,0,,.حسنًا، بالرغم من أنّ هذا غريب، إلّا أنه معقول قليلًا
Dialogue: 0,0:17:53.80,0:17:57.14,Default,,0,0,0,,.أقصد، بأنّكم قريبان
Dialogue: 0,0:17:57.14,0:17:59.84,Default,,0,0,0,,.!أنا سعيد لأننا نحن الثلاثة جئنا معًا
Dialogue: 0,0:18:00.51,0:18:04.34,Default,,0,0,0,,.أجل. كما لو أنّك تهتم لمن جاء معك، أنت تريد من يرافقك فقط
Dialogue: 0,0:18:04.34,0:18:06.71,Default,,0,0,0,,صحيح، ما هو السبب بالمناسبة؟
Dialogue: 0,0:18:06.71,0:18:11.45,Default,,0,0,0,,.حسنًا، في الواقع هناك سبب جعلني أريد أن نكون نحن الثلاثة
Dialogue: 0,0:18:13.62,0:18:17.69,Default,,0,0,0,,لقد عرفتُ المزيد من الأشياء \N .عن المستشفى الموجودة تحت السدّ
Dialogue: 0,0:18:17.69,0:18:21.66,Default,,0,0,0,,.وبغض النظر عن عمليّة الاختطاف، كان هناك دائمًا إشاعات عن هذا المكان
Dialogue: 0,0:18:22.16,0:18:24.63,Default,,0,0,0,,.تقصد اللعنة؟ يالا التفاهة
Dialogue: 0,0:18:24.63,0:18:26.60,Default,,0,0,0,,لعنة؟ أي لعنة؟
Dialogue: 0,0:18:27.77,0:18:30.74,Default,,0,0,0,, تمّ بناء السدّ منذ 30 سنة
Dialogue: 0,0:18:30.74,0:18:35.11,Default,,0,0,0,,.لكن المستشفى تصبح فارغة لمدة ثلث سنة بسبب الجفاف
Dialogue: 0,0:18:35.11,0:18:40.21,Default,,0,0,0,,المراهقين كانوا مذهولين دائمًا منها\Nوذهبوا من أجل إثبات شجاعتهم وأشياء أخرى
Dialogue: 0,0:18:42.45,0:18:47.59,Default,,0,0,0,, بعد عام من بناء السدّ\N.ثلاث مراهقين ذهبوا إليها بشجاعة
Dialogue: 0,0:18:47.59,0:18:51.72,Default,,0,0,0,,عندما دخلوا المستشفى
Dialogue: 0,0:18:52.23,0:18:55.19,Default,,0,0,0,,.وجدوا غرفة سرّية تحت الأرض
Dialogue: 0,0:18:57.70,0:19:01.20,Default,,0,0,0,, كانت نوعًا من السجون
Dialogue: 0,0:19:01.20,0:19:04.67,Default,,0,0,0,,.شخص واحد من طلاب الثانوية دخل إليها
Dialogue: 0,0:19:04.67,0:19:09.18,Default,,0,0,0,,.وبناءً على القصّة، شاهد شيء في تلك الغرفة
Dialogue: 0,0:19:12.38,0:19:14.78,Default,,0,0,0,,.المراهقين الثلاثة هربوا من المستشفى
Dialogue: 0,0:19:14.78,0:19:18.75,Default,,0,0,0,,لكن الشخص الّذي دخل إلى الغرفة السرّية
Dialogue: 0,0:19:18.75,0:19:20.49,Default,,0,0,0,,.مات
Dialogue: 0,0:19:22.16,0:19:24.93,Default,,0,0,0,,.لم اسمع هذهِ القصّة من قبل
Dialogue: 0,0:19:25.36,0:19:29.18,Default,,0,0,0,,لماذا سيرغب أي شخص بالسماع عن هذهِ التفاهات؟
Dialogue: 0,0:19:34.20,0:19:37.17,Default,,0,0,0,,.آه، وصلنا للقمّة أخيرًا
Dialogue: 0,0:19:46.68,0:19:49.62,Default,,0,0,0,,.إذن، هذهِ هي صخرة السلحفاة
Dialogue: 0,0:19:49.62,0:19:52.32,Default,,0,0,0,,...وهذا يعني
Dialogue: 0,0:20:14.61,0:20:16.78,Default,,0,0,0,,.يمكنني رؤية شركة والدي أيضًا
Dialogue: 0,0:21:21.78,0:21:26.58,Default,,0,0,0,,لماذا وافقتُ على المجيء هنا؟
Dialogue: 0,0:21:28.72,0:21:32.35,Default,,0,0,0,,حسنا؟ ماذا الآن؟ سندخل، صحيح؟
Dialogue: 0,0:21:32.92,0:21:34.18,Default,,0,0,0,,تارو؟
Dialogue: 0,0:21:34.49,0:21:38.73,Default,,0,0,0,,!بالطبع أنا خائف من هذا المكان
Dialogue: 0,0:21:38.73,0:21:40.83,Default,,0,0,0,,!أختي ماتت هنا
Dialogue: 0,0:21:42.83,0:21:45.73,Default,,0,0,0,,.لقد أختِطفت وسٌجنت هنا
Dialogue: 0,0:21:46.57,0:21:49.40,Default,,0,0,0,, والحقائق غير واضحة
Dialogue: 0,0:21:49.40,0:21:53.71,Default,,0,0,0,,.لكن معنا هنا شخص، قتل والدهُ نفسهُ، بعد الحادثة بأسبوع
Dialogue: 0,0:21:53.71,0:21:56.70,Default,,0,0,0,,.أنتما الاثنان هنا معًا
Dialogue: 0,0:21:56.70,0:21:59.45,Default,,0,0,0,,.ما زلت لا أرى الفائدة من جمعنا هنا معًا
Dialogue: 0,0:21:59.45,0:22:04.72,Default,,0,0,0,,لكن حسنًا، أنا وتارو لدينا أسبابنا، لكن لماذا جئت إلى هنا؟
Dialogue: 0,0:22:05.72,0:22:10.26,Default,,0,0,0,,لقد قلت سابقًا بأنّك لن تندم لو قتلتني، صحيح؟
Dialogue: 0,0:22:11.33,0:22:13.97,Default,,0,0,0,,.حسنًا، أنا قتلتُ شخص من قبل
Dialogue: 0,0:22:18.33,0:22:23.04,Default,,0,0,0,,.نحن الثلاثة لا علاقة لنا ببعضنا، ولدينا قصص مختلفة
Dialogue: 0,0:22:23.04,0:22:27.44,Default,,0,0,0,,.لكننا نحملُ شيء لا يمكن أن يتغيّر أبدًا
Dialogue: 0,0:22:28.84,0:22:33.91,Default,,0,0,0,,قد أكون أطلب الكثير بقولي لهذا، أرغب في أن نصبح أصدقاء
Dialogue: 0,0:22:33.91,0:22:36.82,Default,,0,0,0,,.لكن أردتُ أن نأتي إلى هنا معًا على كل حال
Dialogue: 0,0:22:36.82,0:22:41.96,Default,,0,0,0,,.بالمجيء هنا معًا، ربّما سيتغيّر شيء لنا
Dialogue: 0,0:22:45.79,0:22:48.36,Default,,0,0,0,,!هذا لا يغيّر أي شيء
Dialogue: 0,0:24:38.14,0:24:41.03,Default,,0,0,0,,بعض الأحيان، الناس تواجههم مخاوف من أشياء
Dialogue: 0,0:24:41.03,0:24:43.91,Default,,0,0,0,,.لا تُخيف الناس الآخرون على الإطلاق
Dialogue: 0,0:24:44.62,0:24:48.42,Default,,0,0,0,, لماذا تمّ تصميم أدمغتنا لتشمل ردود الفِعل هذهِ
Dialogue: 0,0:24:48.42,0:24:51.42,Default,,0,0,0,,الخارجة عن سيطرتنا تمامًا؟
Dialogue: 0,0:24:52.12,0:24:56.49,Default,,0,0,0,,أي نوع من غريزة البقاء على قيد الحياة مُنفّذة من قِبل
Dialogue: 0,0:24:56.49,0:25:02.23,Default,,0,0,0,, الذين يعانون الخوف المزمن من الأمور التي هي في الواقع غير ضارة؟
Dialogue: 0,0:24:36.02,0:24:38.76,Default,,0,0,0,,{\bord2\fad(0،500)\pos(216,82)}الحلقة القادمة
Comment: 0,0:00:45.77,0:00:50.04,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.04,0:00:54.11,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.11,0:00:58.34,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.34,0:01:00.91,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.86,0:01:17.10,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.10,0:01:21.27,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.27,0:01:24.99,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.28,0:01:29.35,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.66,0:01:51.67,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.67,0:01:59.38,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.38,0:02:03.64,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.77,0:00:50.04,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.04,0:00:54.11,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.11,0:00:58.34,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.34,0:01:00.91,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.86,0:01:17.10,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.10,0:01:21.27,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.27,0:01:24.99,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.28,0:01:29.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.66,0:01:51.67,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.67,0:01:59.38,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.38,0:02:03.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن السباق والتدفّق
Dialogue: 0,0:00:45.27,0:00:49.14,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,750,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:49.14,0:00:49.64,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}a
Dialogue: 0,0:00:45.29,0:00:49.16,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.32,0:00:49.19,OPR,,0,0,0,fx,{\an5\blur3\org(57,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(97.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.34,0:00:49.21,OPR,,0,0,0,fx,{\an5\blur3\org(77,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(117.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:00:45.37,0:00:49.24,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.39,0:00:49.26,OPR,,0,0,0,fx,{\an5\blur3\org(118,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(158.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.16,0:00:49.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}n
Dialogue: 0,0:00:49.19,0:00:49.69,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97.000000,47.000000)}a
Dialogue: 0,0:00:49.21,0:00:49.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117.000000,47.000000)}t
Dialogue: 0,0:00:49.24,0:00:49.74,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}a
Dialogue: 0,0:00:49.26,0:00:49.76,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158.000000,47.000000)}
Dialogue: 0,0:00:45.42,0:00:49.29,OPR,,0,0,0,fx,{\an5\blur3\org(138,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(178.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.44,0:00:49.31,OPR,,0,0,0,fx,{\an5\blur3\org(165,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(205.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.47,0:00:49.34,OPR,,0,0,0,fx,{\an5\blur3\org(185,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(225.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.29,0:00:49.79,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(178.000000,47.000000)}n
Dialogue: 0,0:00:49.31,0:00:49.81,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(205.000000,47.000000)}o
Dialogue: 0,0:00:49.34,0:00:49.84,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225.000000,47.000000)}
Dialogue: 0,0:00:45.49,0:00:49.36,OPR,,0,0,0,fx,{\an5\blur3\org(204,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(244.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.52,0:00:49.39,OPR,,0,0,0,fx,{\an5\blur3\org(229,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(269.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.54,0:00:49.41,OPR,,0,0,0,fx,{\an5\blur3\org(255,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(295.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.57,0:00:49.44,OPR,,0,0,0,fx,{\an5\blur3\org(280,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(320.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.59,0:00:49.46,OPR,,0,0,0,fx,{\an5\blur3\org(302,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(342.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:45.62,0:00:49.49,OPR,,0,0,0,fx,{\an5\blur3\org(323,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(363.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.64,0:00:49.51,OPR,,0,0,0,fx,{\an5\blur3\org(343,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(383.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.36,0:00:49.86,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(244.000000,47.000000)}k
Dialogue: 0,0:00:49.39,0:00:49.89,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(269.000000,47.000000)}o
Dialogue: 0,0:00:49.41,0:00:49.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(295.000000,47.000000)}k
Dialogue: 0,0:00:49.44,0:00:49.94,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(320.000000,47.000000)}o
Dialogue: 0,0:00:49.46,0:00:49.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(342.000000,47.000000)}r
Dialogue: 0,0:00:49.49,0:00:49.99,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(363.000000,47.000000)}o
Dialogue: 0,0:00:49.51,0:00:50.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(383.000000,47.000000)}
Dialogue: 0,0:00:45.67,0:00:49.54,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.69,0:00:49.56,OPR,,0,0,0,fx,{\an5\blur3\org(390,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(430.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.72,0:00:49.59,OPR,,0,0,0,fx,{\an5\blur3\org(410,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(450.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.54,0:00:50.04,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}n
Dialogue: 0,0:00:49.56,0:00:50.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(430.000000,47.000000)}o
Dialogue: 0,0:00:49.59,0:00:50.09,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(450.000000,47.000000)}
Dialogue: 0,0:00:45.74,0:00:49.61,OPR,,0,0,0,fx,{\an5\blur3\org(431,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(471.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
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Dialogue: 0,0:02:03.09,0:02:03.59,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(382.000000,47.000000)}r
Dialogue: 0,0:02:03.11,0:02:03.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}a
Dialogue: 0,0:02:03.14,0:02:03.64,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(425.000000,47.000000)}r
Dialogue: 0,0:02:03.16,0:02:03.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(446.000000,47.000000)}e
Dialogue: 0,0:01:59.33,0:02:03.19,OPR,,0,0,0,fx,{\an5\blur3\org(433,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(473.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:01:59.35,0:02:03.21,OPR,,0,0,0,fx,{\an5\blur3\org(460,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(500.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.38,0:02:03.24,OPR,,0,0,0,fx,{\an5\blur3\org(479,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(519.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}i
Dialogue: 0,0:02:03.19,0:02:03.69,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(473.000000,47.000000)}n
Dialogue: 0,0:02:03.21,0:02:03.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(500.000000,47.000000)}a
Dialogue: 0,0:02:03.24,0:02:03.74,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519.000000,47.000000)}i
Dialogue: 0,0:22:02.25,0:22:04.25,Default,,0,0,0,,
Dialogue: 0,0:22:04.25,0:22:06.25,Default,,0,0,0,,
Dialogue: 0,0:22:06.25,0:22:08.25,Default,,0,0,0,,
Dialogue: 0,0:22:08.25,0:22:10.25,Default,,0,0,0,,
Comment: 0,0:23:05.71,0:23:09.58,EDR,,0,0,0,karaoke,{\kf37}yor{\kf25}u {\kf28}no {\kf198}sukima
Comment: 0,0:23:09.58,0:23:13.65,EDR,,0,0,0,karaoke,{\kf133}yakusoku {\kf88}no {\kf42}oka {\kf141}de
Comment: 0,0:23:13.65,0:23:22.60,EDR,,0,0,0,karaoke,{\kf128}tsukiakari {\kf64}ni {\kf174}shitataru {\kf170}hanabira {\kf36}ni {\kf98}KISS {\kf119}o
Comment: 0,0:23:22.60,0:23:26.20,EDR,,0,0,0,karaoke,{\kf95}fushigi {\kf68}no {\kf154}kuni
Comment: 0,0:23:26.20,0:23:30.61,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:30.61,0:23:34.78,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:34.78,0:23:39.28,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:39.28,0:23:46.75,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:46.75,0:23:55.03,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.03,0:23:58.87,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:58.87,0:24:04.17,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.17,0:24:11.95,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:11.95,0:24:15.68,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:15.68,0:24:21.06,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.06,0:24:27.19,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.19,0:24:32.07,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:05.71,0:23:09.58,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:09.58,0:23:13.65,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:13.65,0:23:22.60,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:22.60,0:23:26.20,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:26.20,0:23:30.61,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:30.61,0:23:34.78,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:34.78,0:23:39.28,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:39.28,0:23:46.75,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:46.75,0:23:55.03,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.03,0:23:58.87,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:58.87,0:24:04.17,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.17,0:24:11.95,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:11.95,0:24:15.68,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:15.68,0:24:21.06,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.06,0:24:27.19,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.19,0:24:32.07,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Dialogue: 0,0:22:12.32,0:22:14.32,Default,,0,0,0,,
Dialogue: 0,0:22:10.25,0:22:12.25,Default,,0,0,0,,