1
00:00:01,901 --> 00:00:03,701
PREVIOUSLY ON "MAGIC CITY"..,
2
00:00:03,734 --> 00:00:05,300
I'M LOSING MY MIND HERE.
MARIA'S--
3
00:00:05,334 --> 00:00:07,167
I'VE GOT HALF OF HAVANA
WORKING ON IT.
4
00:00:07,200 --> 00:00:09,000
WE'LL GET HER OUT.
I HOPE.
5
00:00:09,033 --> 00:00:11,133
OTHERWISE, I'M GONNA HAVE
TO FIND SOMEBODY WHO CAN.
6
00:00:13,167 --> 00:00:15,300
SWEETIE, IF I
DIDN'T KNOW ANY BETTER,
7
00:00:15,334 --> 00:00:17,067
I WOULD THINK YOU WERE
FUCKING THE GARDENER.
8
00:00:17,100 --> 00:00:18,567
(moans)
9
00:00:18,601 --> 00:00:19,868
YOU GOT SOMETHING
THAT YOU WANNA TELL ME?
10
00:00:19,901 --> 00:00:21,701
I'M--I'M SORRY,
I-I DON'T KNOW WHAT...
11
00:00:21,734 --> 00:00:23,701
SOME YUTZ
HAS BEEN HITTIN' SUITES
12
00:00:23,734 --> 00:00:25,167
FROM THE FUCKING BALCONIES.
13
00:00:25,200 --> 00:00:28,968
BEN DIAMOND IS BACK IN MIAMI,
PLAYING CARDS AT THE MIRAMAR.
14
00:00:29,000 --> 00:00:31,467
WE WANT BEN DIAMOND,
WE GO THROUGH THE MIRAMAR LOBBY.
15
00:00:31,501 --> 00:00:33,601
100 GRAND?
16
00:00:33,634 --> 00:00:36,601
WORK THAT EVANS CHARM
ON THOSE SHIT-KICKERS.
17
00:00:36,634 --> 00:00:40,567
I WILL NEVER LEND MY NAME
TO YOUR CASINO GAMBLING.
18
00:00:40,601 --> 00:00:42,567
I KNOW THAT YOU DIDN'T HAVE
ANYTHING TO DO WITH MIKE.
(cocks)
19
00:00:42,601 --> 00:00:46,200
YOU LOVED HIM.
I KNOW WHY HE LOVED YOU.
20
00:00:48,234 --> 00:00:51,234
(motor whirring)
21
00:00:55,667 --> 00:00:58,667
**
22
00:02:21,934 --> 00:02:24,934
Captioned by
Closed Captioning Services, Inc.
23
00:02:27,801 --> 00:02:30,801
(seagulls calling,
waves crashing)
24
00:02:56,400 --> 00:02:58,467
(man) A LAWYER WHO GETS OUT
FROM BEHIND HIS DESK
25
00:02:58,501 --> 00:03:00,734
AND GRABS A SIGN AND STANDS
SHOULDER-TO-SHOULDER
26
00:03:00,767 --> 00:03:01,901
WITH THE RANK AND FILE?
27
00:03:01,934 --> 00:03:03,901
MIKE STRAUSS.
28
00:03:03,934 --> 00:03:06,567
AND HOW ABOUT A UNION LAWYER
WHO DOESN'T TAKE THE PAYOFF?
29
00:03:06,601 --> 00:03:07,801
CAN YOU PICTURE THAT?
30
00:03:07,834 --> 00:03:10,734
A LAWYER WHO DOESN'T
HAVE HIS HAND OUT,
31
00:03:10,767 --> 00:03:12,901
WILL NOT SELL OUT HIS BROTHERS.
32
00:03:12,934 --> 00:03:15,767
THAT WAS MIKE STRAUSS.
33
00:03:15,801 --> 00:03:16,767
MIKE WAS A GOOD MAN,
34
00:03:16,801 --> 00:03:19,067
A REAL GOOD MAN
IN A HARD WORLD.
35
00:03:19,100 --> 00:03:22,534
MIKE WAS... HE WAS FAMILY.
36
00:03:22,567 --> 00:03:24,467
HE WILL BE MISSED.
37
00:03:36,667 --> 00:03:38,834
MY BOY... (clears throat)
38
00:03:38,868 --> 00:03:41,634
MY BOY MIKE HAD A HARD HEAD.
39
00:03:41,667 --> 00:03:44,334
STUBBORN AS HELL.
40
00:03:44,367 --> 00:03:48,234
MIKEY NEVER GAVE UP.
(door opens)
41
00:03:48,267 --> 00:03:51,734
(murmuring)
42
00:03:51,767 --> 00:03:54,100
(man) FLORIDA STATE'S ATTORNEY.
43
00:03:54,133 --> 00:03:57,200
(door closes)
WE ARE REMANDING THE BODY
OF MICHAEL ALLAN STRAUSS
44
00:03:57,234 --> 00:04:00,000
TO THE DADE COUNTY CORONER
AS MATERIAL EVIDENCE
45
00:04:00,033 --> 00:04:03,167
IN AN ONGOING
CRIMINAL INVESTIGATION.
46
00:04:03,200 --> 00:04:04,367
NO.
(mourners gasp)
47
00:04:04,400 --> 00:04:06,601
NO. MY SON...
48
00:04:06,634 --> 00:04:07,701
LEAVE HIM ALONE! IKE!
49
00:04:07,734 --> 00:04:09,000
STEVIE, GET AL.
50
00:04:09,033 --> 00:04:12,601
HEY. WE ARE BURYING HIM TODAY.
51
00:04:12,634 --> 00:04:15,000
NO, HE'S RETURNING TO
THE DADE COUNTY CORONER TODAY
52
00:04:15,033 --> 00:04:18,100
FOR FURTHER AUTOPSY TODAY.
YOU DID AN AUTOPSY.
53
00:04:18,133 --> 00:04:20,567
IT'S OVER. YOU HAD HIS BODY
FOR WEEKS.
54
00:04:20,601 --> 00:04:22,300
NEW FORENSIC TESTS
HAVE BEEN ORDERED.
55
00:04:22,334 --> 00:04:25,000
HE'S GOT NO CASE.
HE'S GOT NO SUSPECTS. NOTHING.
56
00:04:25,033 --> 00:04:28,601
THIS IS ALL ABOUT ASS-SAVING.
THIS IS ALL ABOUT JACK KLEIN.
57
00:04:28,634 --> 00:04:31,467
NO, THIS IS
ALL ABOUT THE LAW.
58
00:04:31,501 --> 00:04:32,934
NOW IF YOU'LL EXCUSE ME...
59
00:04:35,133 --> 00:04:38,434
YOU LEAVE HIM ALONE.
NO. FINALLY. LEAVE HIM TO ME.
60
00:04:38,467 --> 00:04:39,934
YOU TELL KLEIN I'M COMING.
61
00:04:39,968 --> 00:04:42,767
(scoffs)
YOUR RIGHT AS A TAXPAYER.
62
00:04:44,300 --> 00:04:46,367
YOU SHOULD LEAVE NOW.
63
00:04:47,767 --> 00:04:50,100
COME ON.
64
00:04:50,133 --> 00:04:52,300
(man) ALL THE WAY DOWN.
65
00:04:57,501 --> 00:04:58,467
HEY!
66
00:04:58,501 --> 00:05:00,834
YOU CAN'T STALL FOREVER!
67
00:05:05,267 --> 00:05:07,067
THEY TEACH YOU THIS SHIT
IN LAW SCHOOL?
68
00:05:07,100 --> 00:05:08,501
GET RASKIN IN MY OFFICE.
69
00:05:08,534 --> 00:05:09,601
UH-HUH.
70
00:05:09,634 --> 00:05:12,767
(murmuring)
71
00:05:12,801 --> 00:05:15,400
(man) GO AHEAD.
72
00:05:15,434 --> 00:05:18,968
NOW KLEIN'S COMING AFTER DAD.
YOU SEE THAT, RIGHT?
73
00:05:19,000 --> 00:05:22,567
I SEE THE D.A. DOING HIS JOB,
TRYING TO SOLVE A MURDER.
74
00:05:22,601 --> 00:05:26,100
WHY WOULD THE FLORIDA
STATE'S ATTORNEY COME AFTER DAD?
75
00:05:26,133 --> 00:05:28,934
(lighter clicks)
UH, FREE SINATRA TICKETS?
76
00:05:28,968 --> 00:05:32,133
(clicking)
77
00:05:34,801 --> 00:05:37,767
**
78
00:05:47,334 --> 00:05:48,701
AND THAT'S THE LAW?
79
00:05:48,734 --> 00:05:50,200
THAT IS THE LAW.
(walnut cracks)
80
00:05:50,234 --> 00:05:53,133
BUT MORE IMPORTANTLY,
HE IS THE LAW.
81
00:05:53,167 --> 00:05:56,100
KLEIN IS THE FLORIDA
STATE'S ATTORNEY, ISAAC.
82
00:05:56,133 --> 00:05:57,801
HE'S A PRINCE OF THE COURT,
83
00:05:57,834 --> 00:06:00,734
NOT SOME GRIFTER TRYING
TO STEAL A HOTEL ASHTRAY.
84
00:06:00,767 --> 00:06:03,200
HE JUST STOLE MIKE STRAUSS
OUT OF FUCKING TEMPLE!
85
00:06:03,234 --> 00:06:05,667
IT WAS WELL WITHIN
THE D.A.'s RIGHTS.
86
00:06:05,701 --> 00:06:07,200
HE HAS AN ONGOING
INVESTIGATION.
(crack)
87
00:06:07,234 --> 00:06:08,601
SID, PUT DOWN
THE FUCKING WALNUTS
88
00:06:08,634 --> 00:06:10,501
AND GET MIKE BACK.
89
00:06:10,534 --> 00:06:12,901
MAKE AN APPEAL, FILE A MOTION,
SOME FUCKING THING!
90
00:06:12,934 --> 00:06:15,901
MY HANDS ARE TIED HERE.
91
00:06:15,934 --> 00:06:17,934
HE CAN KEEP MIKE ON ICE
FOREVER.
92
00:06:17,968 --> 00:06:19,834
IT'S KLEIN'S COURTHOUSE.
93
00:06:19,868 --> 00:06:20,834
I'M GETTING MIKE BACK.
94
00:06:20,868 --> 00:06:22,501
WELL, YOU BETTER
START TUNNELING.
95
00:06:22,534 --> 00:06:25,467
AND AS YOUR ATTORNEY,
I DON'T WANNA HEAR ABOUT THAT.
96
00:06:25,501 --> 00:06:26,701
I'M SORRY.
97
00:06:26,734 --> 00:06:28,968
MIKE, OLAV HASHALOM,
WAS A GOOD GUY.
98
00:06:29,000 --> 00:06:31,534
HE DESERVES HIS FINAL REST.
99
00:06:31,567 --> 00:06:34,167
GOOD LUCK.
100
00:06:34,200 --> 00:06:37,000
(door opens)
101
00:06:37,033 --> 00:06:38,400
(cap clatters)
102
00:06:38,434 --> 00:06:41,067
(door closes)
103
00:06:41,100 --> 00:06:44,167
I WANT YOU TO CALL
THE KID AT THE "HERALD."
104
00:06:44,200 --> 00:06:46,567
THE AD GUY?
THE PHOTOGRAPHER?
105
00:06:46,601 --> 00:06:47,934
THE WRITER.
106
00:06:52,501 --> 00:06:53,634
HOW'S EVERYTHING, FOLKS?
(woman speaks indistinctly)
107
00:06:53,667 --> 00:06:56,000
HOW'S THE SOUP, JOE?
ENJOY IT.
108
00:06:56,033 --> 00:06:58,167
HOW ARE YOU? GOOD EVENING.
109
00:06:58,200 --> 00:07:01,267
(indistinct conversations)
110
00:07:01,300 --> 00:07:04,734
**
111
00:07:04,767 --> 00:07:05,901
(speaking Spanish)
112
00:07:05,934 --> 00:07:07,100
HEY.
113
00:07:07,133 --> 00:07:09,133
(speaking Spanish)
114
00:07:16,667 --> 00:07:17,834
BUT MARIA'S MY WIFE.
115
00:07:17,868 --> 00:07:19,133
I CAN'T JUST SIT AROUND
AND NOT DO ANYTHING.
116
00:07:19,167 --> 00:07:20,334
BUT SHE'S OKAY?
117
00:07:20,367 --> 00:07:21,334
SO FAR.
118
00:07:21,367 --> 00:07:24,067
YES, FINE.
SAFE W-WITH HER PARENTS.
119
00:07:24,100 --> 00:07:26,467
BUT A LOT OF HER FRIENDS
ARE DISAPPEARING INTO THE MORRO.
120
00:07:26,501 --> 00:07:27,901
I WANT HER HOME.
121
00:07:27,934 --> 00:07:30,334
(sighs)
122
00:07:30,367 --> 00:07:32,968
DON'T WORRY.
I'LL SET UP A MEETING
123
00:07:33,000 --> 00:07:34,367
WITH THESE PEOPLE
AT THE BARBERSHOP.
124
00:07:34,400 --> 00:07:36,167
GRACIAS, BERTO.
125
00:07:36,200 --> 00:07:38,300
NOW GET BACK TO WORK.
126
00:07:40,434 --> 00:07:44,300
PLEASE. YOU HAVE THE BODY
OF AN 11-YEAR-OLD GYMNAST.
127
00:07:44,334 --> 00:07:45,901
A SEXY
11-YEAR-OLD GYMNAST.
128
00:07:45,934 --> 00:07:47,667
THANK YOU, I GUESS.
129
00:07:47,701 --> 00:07:49,100
7 BAM.
130
00:07:49,133 --> 00:07:50,634
OH, NO GUESSING.
131
00:07:50,667 --> 00:07:52,868
YOU ARE SO LUCKY
YOU STILL HAVE YOUR REAL BODY.
132
00:07:52,901 --> 00:07:53,868
(chuckles)
133
00:07:53,901 --> 00:07:56,267
IKE'S GOT
THREE BEAUTIFUL KIDS.
134
00:07:56,300 --> 00:07:59,334
HE'S PROBABLY FINISHED
WITH THE BABY TSURIS.
135
00:07:59,367 --> 00:08:01,901
NO. WE WANT A FAMILY.
OUR OWN FAMILY.
136
00:08:01,934 --> 00:08:03,868
HOW LONG HAS IT BEEN?
137
00:08:03,901 --> 00:08:07,200
HAS WHAT BEEN?
THAT YOU'VE BEEN TRYING?
138
00:08:07,234 --> 00:08:09,234
RACHEL!
WHAT?
139
00:08:09,267 --> 00:08:10,334
OH, THAT'S OKAY.
140
00:08:10,367 --> 00:08:12,534
WE'VE ONLY BEEN MARRIED
FOUR YEARS.
141
00:08:12,567 --> 00:08:15,267
ONLY? I POPPED OUT TWO
BY THEN.
142
00:08:15,300 --> 00:08:17,968
YOU'RE STILL IN
THE SEX FOR FUN PHASE.
143
00:08:18,000 --> 00:08:20,801
AS OPPOSED TO WHAT,
SEX FOR MONEY?
144
00:08:20,834 --> 00:08:22,567
DON'T KNOCK IT.
145
00:08:22,601 --> 00:08:25,400
(whispers indistinctly)
3 FLOWERS.
146
00:08:25,434 --> 00:08:27,467
OH, GREAT.
THANKS, RAY-RAY.
147
00:08:27,501 --> 00:08:30,400
LADIES, LUNCH IS ON ME.
148
00:08:30,434 --> 00:08:32,601
ORDER WHATEVER YOUR
STRETCH MARKS WILL ALLOW.
149
00:08:32,634 --> 00:08:34,667
I'LL BE BACK IN A MINUTE.
150
00:08:38,434 --> 00:08:41,267
GYPSY BITCH.
151
00:08:41,300 --> 00:08:43,767
I'LL JUST HAVE
AN ICED COFFEE.
152
00:08:45,400 --> 00:08:48,400
**
153
00:08:55,767 --> 00:08:57,400
(Florence) YES, I WILL.
154
00:08:57,434 --> 00:09:01,567
ABSOLUTELY, MR. KAYE.
FIRST THING.
155
00:09:01,601 --> 00:09:03,667
MY PLEASURE.
156
00:09:03,701 --> 00:09:05,400
YES, HE WILL BE THRILLED.
157
00:09:05,434 --> 00:09:06,934
(laughs)
158
00:09:06,968 --> 00:09:10,534
OY. DANNY KAYE WANTS IKE TO
INSTALL A FULL CHINESE KITCHEN
159
00:09:10,567 --> 00:09:12,634
WHEN HE PLAYS THE TRITON.
MESHUGGENER.
160
00:09:12,667 --> 00:09:13,767
GREAT. IS HE INSIDE?
161
00:09:13,801 --> 00:09:15,467
MNH-MNH. MEETING DOWNTOWN.
162
00:09:15,501 --> 00:09:16,634
(sighs) DAMN IT.
163
00:09:16,667 --> 00:09:18,100
HE PROMISED HE'D TALK
TO DAVE POWERS--
164
00:09:18,133 --> 00:09:19,267
JACK KENNEDY'S GUY.
165
00:09:19,300 --> 00:09:21,200
HE'S IN ATLANTIS RIGHT NOW.
166
00:09:21,234 --> 00:09:23,734
(telephone rings)
IT'S--IT'S UNBELIEVABLE.
167
00:09:23,767 --> 00:09:25,234
SORRY, HON.
ANYTHING I CAN DO?
168
00:09:25,267 --> 00:09:27,133
(sighs) NO. NO, IT'S OKAY.
169
00:09:27,167 --> 00:09:29,667
I'LL HANDLE IT. THANKS.
170
00:09:31,601 --> 00:09:33,267
IKE EVANS' OFFICE,
CAN I HELP YOU?
171
00:09:33,300 --> 00:09:36,300
(indistinct conversations)
172
00:09:41,067 --> 00:09:43,567
MR. POWERS?
173
00:09:43,601 --> 00:09:45,901
VERA EVANS. IKE'S WIFE.
174
00:09:45,934 --> 00:09:47,200
OF COURSE. MRS. EVANS.
175
00:09:47,234 --> 00:09:49,334
IT'S A PLEASURE
TO FINALLY MEET YOU, MA'AM.
176
00:09:49,367 --> 00:09:51,367
I KNOW THAT YOU
AND THE SENATOR
177
00:09:51,400 --> 00:09:53,234
ARE GOOD FRIENDS
OF THE MIRAMAR PLAYA.
178
00:09:53,267 --> 00:09:57,100
AND, UM, I FINALLY WANTED TO,
YOU KNOW, INTRODUCE MYSELF.
179
00:09:57,133 --> 00:10:00,901
I WONDER, WOULD YOU HAVE
A SECOND TO TALK?
180
00:10:00,934 --> 00:10:03,200
UH, SURE. OF COURSE.
181
00:10:03,234 --> 00:10:04,834
STEVIE, COULD I PLEASE
HAVE A COFFEE?
182
00:10:04,868 --> 00:10:05,868
ABSOLUTELY.
183
00:10:11,267 --> 00:10:13,133
SO THE FAMILY'S UP
IN PALM BEACH?
184
00:10:13,167 --> 00:10:16,734
YEP. FOR A FEW WEEKS.
LOVELY SPOT.
185
00:10:16,767 --> 00:10:18,434
A BIT BORING, THOUGH.
186
00:10:18,467 --> 00:10:19,834
BORING?
187
00:10:19,868 --> 00:10:23,334
WELL, IT SEEMS THE SENATOR
IS WITH US NEARLY EVERY WEEKEND.
188
00:10:23,367 --> 00:10:25,701
WELL, IT IS A BEAUTIFUL SPOT
YOU HAVE HERE, MRS. EVANS.
189
00:10:25,734 --> 00:10:27,534
IKE AND THE SENATOR
ARE FRIENDS,
190
00:10:27,567 --> 00:10:30,400
AND OBVIOUSLY, WHENEVER
MR. SINATRA IS HERE...
191
00:10:30,434 --> 00:10:31,634
THANKS.
192
00:10:31,667 --> 00:10:34,133
YES, MY HUSBAND
HAS BUILT QUITE A PLAYGROUND.
193
00:10:34,167 --> 00:10:38,934
SENATOR KENNEDY HAS ENJOYED SOME
UNFORGETTABLE NIGHTS WITH US.
194
00:10:38,968 --> 00:10:41,067
AH.
195
00:10:41,100 --> 00:10:44,000
MRS. EVANS, IS THERE SOME WAY
I CAN BE OF HELP?
196
00:10:44,033 --> 00:10:46,701
SOMETHING--
SOME CHARITY I COULD BRING
197
00:10:46,734 --> 00:10:48,033
TO SENATOR KENNEDY'S
ATTENTION?
198
00:10:48,067 --> 00:10:50,167
OH, THANK YOU,
199
00:10:50,200 --> 00:10:52,300
BUT I WOULD NEVER WANT TO BE
ONE OF THOSE PEOPLE.
200
00:10:52,334 --> 00:10:54,300
PLEASE. YOU AND IKE ARE FAMILY.
201
00:10:54,334 --> 00:10:59,000
WELL, ACTUALLY,
THERE IS SOMETHING.
202
00:10:59,033 --> 00:11:01,200
MRS. KENNEDY, JACQUELINE,
203
00:11:01,234 --> 00:11:03,567
HAS AGREED TO CO-HOST
A B'NAI B'RITH LUNCHEON
204
00:11:03,601 --> 00:11:04,801
WITH ME NEXT MONTH.
205
00:11:04,834 --> 00:11:06,801
THE INVITATIONS WENT OUT
WITH BOTH OF OUR NAMES,
206
00:11:06,834 --> 00:11:09,734
AND, UM, A COUPLE OF WEEKS AGO,
SHE CANCELLED.
207
00:11:09,767 --> 00:11:12,534
A SCHEDULE CONFLICT.
208
00:11:12,567 --> 00:11:14,734
PRETTY EMBARRASSING,
AS YOU CAN IMAGINE.
209
00:11:14,767 --> 00:11:17,567
I'VE TRIED TO REACH
HER SOCIAL SECRETARY...
210
00:11:17,601 --> 00:11:20,367
MY PRIVATE NUMBER.
211
00:11:20,400 --> 00:11:21,767
(clicks)
212
00:11:21,801 --> 00:11:24,801
LET ME KNOW WHEN AND WHERE
THE EVENT IS,
213
00:11:24,834 --> 00:11:26,634
AND I WILL PERSONALLY
DO MY BEST
214
00:11:26,667 --> 00:11:28,934
TO SEE THAT
MRS. KENNEDY ATTENDS.
215
00:11:28,968 --> 00:11:31,567
REALLY? THAT WOULD
BE WONDERFUL...
216
00:11:31,601 --> 00:11:33,067
FOR OUR ORGANIZATION.
217
00:11:33,100 --> 00:11:37,367
MRS. EVANS, YOU WOULD HAVE MADE
A GREAT POLITICIAN'S WIFE.
218
00:11:38,667 --> 00:11:40,334
OR POLITICIAN.
219
00:11:40,367 --> 00:11:43,200
PLEASE GIVE YOUR HUSBAND
MY BEST.
220
00:11:45,501 --> 00:11:46,834
(exhales deeply)
221
00:11:48,801 --> 00:11:50,801
(cup clatters)
(sighs)
222
00:11:52,734 --> 00:11:54,033
AS YOU KNOW, GOVERNOR,
223
00:11:54,067 --> 00:11:56,467
THE BOYS & GIRLS CLUBS
OF AMERICA
224
00:11:56,501 --> 00:11:58,300
HAS SPECIAL MEANING FOR ME,
225
00:11:58,334 --> 00:12:01,501
PRIMARILY BECAUSE--
IS IT "HAS" OR "HAVE"?
226
00:12:01,534 --> 00:12:04,767
APRIL, YOU JUST
CLEAN IT UP, OKAY?
227
00:12:04,801 --> 00:12:06,501
WHAT?
IKE EVANS IS DOWNSTAIRS.
228
00:12:06,534 --> 00:12:08,067
HE'S HERE? NOW?
229
00:12:08,100 --> 00:12:09,868
I PRACTICALLY SPILLED COFFEE ON
HIM IN THE LOBBY.
230
00:12:09,901 --> 00:12:11,667
HE'S ON HIS WAY UP WITH SOME
YOUNG HOTSHOT LAWYER.
231
00:12:11,701 --> 00:12:13,067
WELL, THIS SHOULD BE FUN.
232
00:12:13,100 --> 00:12:14,367
YOU WANT ME TO CALL
A TROOPER, OR...
233
00:12:14,400 --> 00:12:15,968
PLEASE. I PUT
"TRIGGER" MIKE COPPOLA
234
00:12:16,000 --> 00:12:17,534
AND HALF THE PURPLE GANG
IN PRISON.
235
00:12:17,567 --> 00:12:19,667
YOU THINK I'M AFRAID
OF A CRANKY HOTEL OWNER?
236
00:12:23,434 --> 00:12:24,834
I WANT MIKE STRAUSS' BODY.
237
00:12:24,868 --> 00:12:25,901
HAVE WE MET?
238
00:12:25,934 --> 00:12:28,167
YOU KNOW THAT'S NOT
GONNA WORK.
239
00:12:28,200 --> 00:12:29,434
WHAT WON'T WORK?
240
00:12:29,467 --> 00:12:30,501
KEEPING MIKE HERE.
241
00:12:30,534 --> 00:12:33,267
IT'S NOT GONNA
FORCE ANYBODY TO TALK.
242
00:12:33,300 --> 00:12:35,934
IT'S NOT GONNA DO ANYTHING
EXCEPT DESTROY A GOOD WOMAN
243
00:12:35,968 --> 00:12:37,767
AND A 9-YEAR-OLD BOY.
244
00:12:37,801 --> 00:12:39,701
HERE'S WHAT I SUGGEST
YOU DO.
245
00:12:39,734 --> 00:12:41,167
YOU TAKE YOUR ATTORNEY,
246
00:12:41,200 --> 00:12:44,434
AND YOUR SUDDEN AND TOUCHING
CONCERN FOR WIDOWS AND ORPHANS,
247
00:12:44,467 --> 00:12:47,234
GO BACK TO THAT RIDICULOUS
WEDDING CAKE YOU CALL A HOTEL,
248
00:12:47,267 --> 00:12:49,868
AND PUT ON A SHOW
OR SOMETHING.
249
00:12:49,901 --> 00:12:53,567
LET THE GROWNUPS
HANDLE THE REST.
250
00:12:53,601 --> 00:12:55,067
HE'S NOT AN ATTORNEY.
251
00:12:55,100 --> 00:12:59,734
HE'S THE CRIME WRITER
FOR THE "HERALD."
252
00:12:59,767 --> 00:13:01,601
BILL PATRICK.
253
00:13:01,634 --> 00:13:03,267
WE'VE ACTUALLY MET.
254
00:13:03,300 --> 00:13:05,033
I'D LOVE TO GET
AN OFFICIAL REBUTTAL
255
00:13:05,067 --> 00:13:07,267
TO MR. EVANS' ALLEGATIONS.
256
00:13:09,300 --> 00:13:11,734
WELL, I'M GONNA
LEAVE YOU KIDS TO IT.
257
00:13:11,767 --> 00:13:13,801
MR. D.A., A PLEASURE.
258
00:13:13,834 --> 00:13:16,067
BILL, BE SURE TO ASK
THE JUNIOR CRIME FIGHTER HERE
259
00:13:16,100 --> 00:13:17,300
WHAT MORE HE CAN WRING
260
00:13:17,334 --> 00:13:21,334
OUT OF A TWICE-AUTOPSIED,
3-WEEK-OLD CORPSE.
261
00:13:21,367 --> 00:13:23,734
AND ASK MR. EVANS
ONE QUESTION
262
00:13:23,767 --> 00:13:25,234
FOR THE PEOPLE
OF THE STATE OF FLORIDA.
263
00:13:25,267 --> 00:13:26,734
WHICH IS?
264
00:13:26,767 --> 00:13:27,934
WHO HAD MOTIVE?
265
00:13:27,968 --> 00:13:30,701
WHO BENEFITTED
FROM MIKE STRAUSS' DEATH?
266
00:13:38,334 --> 00:13:40,234
THAT'S TWO QUESTIONS.
267
00:13:51,234 --> 00:13:54,234
(indistinct conversations)
268
00:14:02,334 --> 00:14:04,067
VICTOR LAZARO.
269
00:14:05,067 --> 00:14:08,067
(man speaking Spanish on radio)
270
00:14:14,400 --> 00:14:15,801
(door locks)
271
00:14:15,834 --> 00:14:16,801
(speaking Spanish)
272
00:14:16,834 --> 00:14:17,834
(speaking Spanish)
273
00:14:26,400 --> 00:14:29,067
(liquid pours)
274
00:14:29,100 --> 00:14:30,601
BUENAS TARDES.
275
00:14:33,367 --> 00:14:35,033
I'M TONY.
276
00:14:35,067 --> 00:14:36,200
HI, TONY.
277
00:14:36,234 --> 00:14:38,434
(speaks Spanish)
278
00:14:38,467 --> 00:14:39,601
SALUD.
279
00:14:39,634 --> 00:14:42,000
(clink)
SALUD.
280
00:14:42,033 --> 00:14:44,467
MARIA'S STILL IN CUBA.
281
00:14:44,501 --> 00:14:45,801
THESE ARE BAD TIMES.
282
00:14:45,834 --> 00:14:47,567
SI.
283
00:14:47,601 --> 00:14:49,834
(speaks Spanish)
284
00:14:49,868 --> 00:14:52,634
MY BOSS, MY FRIEND,
IKE EVANS,
285
00:14:52,667 --> 00:14:57,400
HAS BEEN TRYING TO GET HER OUT,
BUT I NEED HELP.
286
00:14:57,434 --> 00:15:01,601
PIERCE FULLER.
287
00:15:01,634 --> 00:15:02,968
DOUBLE CHEK CORPORATION.
288
00:15:03,000 --> 00:15:05,667
WE'RE AN INVESTMENT FIRM
INTERESTED IN A FREE CUBA.
289
00:15:05,701 --> 00:15:07,868
(speaks Spanish)
290
00:15:08,968 --> 00:15:10,834
YOU WORK AT MIRAMAR PLAYA?
291
00:15:10,868 --> 00:15:12,634
GENERAL MANAGER.
292
00:15:12,667 --> 00:15:15,801
VIC, NO FAMILY SHOULD
BE BROKEN UP LIKE THIS.
293
00:15:15,834 --> 00:15:18,501
I CAN'T IMAGINE IT.
YOU HAVE A DAUGHTER, RIGHT?
294
00:15:18,534 --> 00:15:19,868
THAT'S RIGHT.
295
00:15:19,901 --> 00:15:21,133
SO DO I.
296
00:15:21,167 --> 00:15:25,501
THIS IS, UM...
IT'S UNACCEPTABLE.
297
00:15:25,534 --> 00:15:28,033
TELL ME, HAS MARIA APPLIED
FOR AN EXIT PERMIT?
298
00:15:28,067 --> 00:15:30,100
SHE FILLED OUT ONE
LAST WEEK.
299
00:15:30,133 --> 00:15:31,234
DOES SHE HAVE ANY SPECIAL
TECHNICAL SKILLS
300
00:15:31,267 --> 00:15:33,033
THE CUBAN GOVERNMENT
WOULD VALUE?
301
00:15:33,067 --> 00:15:34,968
SHE'S A HOUSEWIFE.
302
00:15:35,000 --> 00:15:37,000
ANY TIES TO BATISTA
OR HIS FAMILY?
303
00:15:37,033 --> 00:15:38,834
NO.
304
00:15:38,868 --> 00:15:40,634
YES.
305
00:15:40,667 --> 00:15:42,467
HER FATHER CUT
THE MAN'S HAIR.
306
00:15:42,501 --> 00:15:45,267
HE WAS BATISTA'S
PERSONAL BARBER?
307
00:15:45,300 --> 00:15:48,434
ONLY LUIS FOR 30 YEARS.
308
00:15:50,868 --> 00:15:53,133
CASTRO IS HOLDING
ANYONE CLOSE TO BATISTA
309
00:15:53,167 --> 00:15:55,334
UNDER "CRIMES AGAINST
THE REVOLUTION."
310
00:15:55,367 --> 00:15:57,968
IT'S, OKAY, VIC.
MAYBE WE CAN HELP.
311
00:15:58,000 --> 00:15:59,501
LET ME GET INTO THIS
FOR YOU.
312
00:16:02,067 --> 00:16:04,133
REALLY?
313
00:16:04,167 --> 00:16:06,634
I CAN PAY. IF YOU NEED MONEY,
I HAVE SOME...
314
00:16:06,667 --> 00:16:08,267
ALBERTO HAS
ALL YOUR INFORMATION, RIGHT?
315
00:16:08,300 --> 00:16:09,868
YES, OF COURSE.
316
00:16:09,901 --> 00:16:11,734
WE'RE GONNA NEED
YOUR WIFE'S FAMILY'S ADDRESS
317
00:16:11,767 --> 00:16:13,534
IN EL VEDADO, HUH?
318
00:16:15,467 --> 00:16:16,667
TRANQUILO, AMIGO.
319
00:16:16,701 --> 00:16:19,534
YOUR MARIA WILL
BE HOME AND SAFE SOON.
320
00:16:19,567 --> 00:16:20,968
YOU'LL SEE.
321
00:16:25,501 --> 00:16:27,434
THAT'S IT? WE'RE DONE?
322
00:16:27,467 --> 00:16:29,067
WE'RE DONE.
323
00:16:32,200 --> 00:16:33,601
THANK YOU.
324
00:16:33,634 --> 00:16:36,234
(laughs) IT'S A FAIRY TALE.
SO WHAT?
325
00:16:36,267 --> 00:16:38,534
IT'S SUPPOSED TO BE
INCREDIBLE.
326
00:16:38,567 --> 00:16:41,434
NO. "HOUSE ON HAUNTED HILL"
IS SUPPOSED TO BE INCREDIBLE.
327
00:16:41,467 --> 00:16:43,200
"SLEEPING BEAUTY" ACTUALLY HAS
THE WORD "SLEEPING" IN IT.
328
00:16:43,234 --> 00:16:44,701
THAT'S NOT A GOOD SIGN.
329
00:16:44,734 --> 00:16:46,968
WELL, I SAW THE POSTER, AND...
330
00:16:47,000 --> 00:16:48,501
YOU KIND OF LOOK
LIKE PRINCE CHARMING.
331
00:16:48,534 --> 00:16:49,801
DON'T TRY TO BUTTER ME UP.
332
00:16:49,834 --> 00:16:52,334
HOW MUCH LIKE PRINCE CHARMING?
333
00:16:53,534 --> 00:16:56,534
SIT DOWN AND SHUT UP.
334
00:16:56,567 --> 00:16:59,434
I'LL BE A SECOND,
AND THEN WE CAN GO.
335
00:17:05,234 --> 00:17:06,467
(locker door closes)
336
00:17:06,501 --> 00:17:07,601
GREAT.
337
00:17:07,634 --> 00:17:10,033
CHOICE BETWEEN A CARTOON
AND A REAL MOVIE,
338
00:17:10,067 --> 00:17:12,434
AND MY GIRL
WANTS TO SEE THE CARTOON.
339
00:17:14,501 --> 00:17:15,934
SO I'M YOUR GIRL?
340
00:17:18,000 --> 00:17:19,267
YOU KNOW WHAT I MEAN.
341
00:17:32,133 --> 00:17:33,701
NO.
342
00:17:33,734 --> 00:17:35,234
EXPLAIN IT TO ME.
343
00:17:46,801 --> 00:17:51,334
WHAT ARE YOU DOING HERE?
MERCEDES!
344
00:17:51,367 --> 00:17:52,501
(chuckles)
345
00:17:52,534 --> 00:17:53,834
SORRY. I-I DIDN'T HEAR YOU.
WHAT--
346
00:17:53,868 --> 00:17:56,567
(gasps) PAPI.
347
00:17:56,601 --> 00:17:58,100
WHAT THE HELL'S GOING ON?
348
00:17:58,133 --> 00:18:00,501
I--
THIS BOY'S
WATCHING YOU CHANGE?
349
00:18:00,534 --> 00:18:01,968
"THIS BOY"? IT'S JUST DANNY.
350
00:18:02,000 --> 00:18:03,400
VICTOR, CAN I PLEASE
EXPLAIN?
351
00:18:03,434 --> 00:18:05,901
NO. SHE EXPLAINS.
YOU STAY QUIET.
352
00:18:05,934 --> 00:18:07,300
(speaking Spanish)
CALLATE.
353
00:18:08,901 --> 00:18:10,100
WE WERE JUST GOING
TO THE MOVIE, ALL RIGHT?
354
00:18:10,133 --> 00:18:13,400
I WAS JUST TAKING OFF
MY UNIFORM!
355
00:18:13,434 --> 00:18:14,767
I THINK YOU SHOULD LEAVE US.
356
00:18:14,801 --> 00:18:15,934
OKAY. YEAH. I'LL--
357
00:18:15,968 --> 00:18:17,033
NO, DANNY--
358
00:18:17,067 --> 00:18:18,701
MERCY, I'LL CALL YOU LATER.
359
00:18:18,734 --> 00:18:19,734
PLEASE!
360
00:18:19,767 --> 00:18:21,734
IT'S BETTER. IT'S FINE.
361
00:18:21,767 --> 00:18:23,133
SEE YOU LATER, VICTOR.
362
00:18:23,167 --> 00:18:25,901
(door opens)
363
00:18:25,934 --> 00:18:27,067
(door closes)
364
00:18:27,100 --> 00:18:28,234
(scoffs)
365
00:18:28,267 --> 00:18:29,501
LISTEN.
366
00:18:29,534 --> 00:18:32,067
I HAVE GOOD NEWS.
367
00:18:32,100 --> 00:18:33,601
MERCEDES!
368
00:18:36,267 --> 00:18:37,868
(seagulls calling)
369
00:18:37,901 --> 00:18:39,133
(reel ratchets)
370
00:18:39,167 --> 00:18:41,667
(Al whistles) NICE.
371
00:18:41,701 --> 00:18:44,868
WHO TOOK CARE OF THAT THING?
372
00:18:44,901 --> 00:18:46,601
THE FAGALA DID IT HIMSELF.
373
00:18:46,634 --> 00:18:47,767
A MITZVAH.
374
00:18:47,801 --> 00:18:49,400
AND THE OTHER THING?
375
00:18:49,434 --> 00:18:50,567
THE WHORE. SHE'S GONE?
376
00:18:50,601 --> 00:18:51,601
ANYTIME NOW.
377
00:18:51,634 --> 00:18:53,567
NOT YOU TWO. NOBODY LOCAL.
378
00:18:53,601 --> 00:18:55,701
IZZY SENT SOMEBODY
FROM GOLDEN VALLEY.
379
00:18:55,734 --> 00:18:59,400
I DON'T WANT
SOME SLOPPY POLACK WITH A BAT.
380
00:18:59,434 --> 00:19:00,901
NO. JIMMY SHOES.
381
00:19:00,934 --> 00:19:03,234
YOU KNOW SHOES.
HE'S THE BEST.
382
00:19:03,267 --> 00:19:04,467
WE'RE GOOD.
383
00:19:04,501 --> 00:19:08,033
YEAH, SO, UH, GOOD LUCK
ON THEM SNAPPERS.
384
00:19:08,067 --> 00:19:11,067
HEY, DANDY, COME HERE.
385
00:19:11,100 --> 00:19:13,133
MY SHRIMP STRIKES OUT,
386
00:19:13,167 --> 00:19:15,267
I'M GONNA PUT A HOOK
THROUGH YOUR BELLY
387
00:19:15,300 --> 00:19:17,801
AND SEE WHAT YOU CATCH ME.
388
00:19:17,834 --> 00:19:20,868
(chuckling)
389
00:19:28,434 --> 00:19:31,200
OKAY. FINE. GO.
390
00:19:31,234 --> 00:19:33,667
WELL...
391
00:19:33,701 --> 00:19:35,634
YOUR INDEX FINGER'S
LONGER THAN NORMAL.
392
00:19:35,667 --> 00:19:38,534
MEANS I'M HUNG?
393
00:19:38,567 --> 00:19:40,033
NICE.
394
00:19:40,067 --> 00:19:42,467
IT MEANS YOU'RE A LEADER.
395
00:19:42,501 --> 00:19:43,968
I DO LIKE TO BE ON TOP.
396
00:19:44,000 --> 00:19:45,968
MM.
397
00:19:46,033 --> 00:19:48,801
YOU ARE ARTISTIC,
398
00:19:48,834 --> 00:19:51,601
BUT RECKLESS AND WILD.
399
00:19:51,634 --> 00:19:55,300
YOU CAN TELL ALL THAT
FROM MY FINGER?
400
00:19:55,334 --> 00:19:57,300
NO.
401
00:19:57,334 --> 00:20:00,300
THAT'S JUST WHAT I KNOW.
402
00:20:08,000 --> 00:20:10,000
WHAT?
(mutters)
403
00:20:14,968 --> 00:20:16,667
YOUR FATE LINE.
404
00:20:24,634 --> 00:20:27,100
YOU GOING ON VACATION?
405
00:20:27,133 --> 00:20:30,767
WHAT ARE YOU DOING, STEVIE?
HMM?
406
00:20:30,801 --> 00:20:32,868
WHAT DO YOU WANT FROM ME?
407
00:20:35,634 --> 00:20:38,567
NOTHING.
408
00:20:38,601 --> 00:20:41,267
OH, NOW, THAT'S A LIE.
409
00:20:41,300 --> 00:20:45,367
DON'T YOU HAVE A CLIENT
COMING IN AT 6:00?
410
00:20:45,400 --> 00:20:48,067
I'LL LET MYRNNA HAVE HIM.
411
00:20:49,634 --> 00:20:54,667
I FEEL A...
COLD COMING ON.
412
00:21:00,534 --> 00:21:03,501
SEE?
413
00:21:03,534 --> 00:21:05,701
(whispers) I'M FEVERISH.
414
00:21:09,734 --> 00:21:13,334
YOU KNOW WHAT
THIS IS, RIGHT?
415
00:21:13,367 --> 00:21:14,834
WHAT IT WOULD BE?
416
00:21:14,868 --> 00:21:17,767
(scoffs) ARE YOU GONNA
WORRY IT TO DEATH, STEVIE?
417
00:21:19,400 --> 00:21:22,200
OR ARE YOU FINALLY
GONNA FUCK ME?
418
00:21:28,534 --> 00:21:30,100
CUDA.
419
00:21:32,601 --> 00:21:36,701
I'M TAKING MISS SILVER
TO SEE THE DOCTOR.
420
00:21:36,734 --> 00:21:41,300
CALL MYRNNA. TELL HER TAKE
JUDY'S 6:00, HUH?
421
00:21:41,334 --> 00:21:42,501
FEEL BETTER, JUDE.
422
00:21:42,534 --> 00:21:44,267
OH, I WILL.
423
00:21:44,300 --> 00:21:47,300
(indistinct conversations)
424
00:21:55,734 --> 00:21:57,567
(knocks on door)
425
00:21:58,901 --> 00:22:00,067
IG.
426
00:22:00,100 --> 00:22:01,234
MR. IKE.
427
00:22:01,267 --> 00:22:02,901
GOOD TO SEE YOU. BEL?
428
00:22:02,934 --> 00:22:04,634
BACK HERE.
(telephone rings)
429
00:22:04,667 --> 00:22:06,133
(male announcer
speaking indistinctly on radio)
430
00:22:06,167 --> 00:22:09,100
NO, I'M NOT GONNA
FUCKIN' DESCRIBE THE...
431
00:22:09,133 --> 00:22:11,100
JESUS, OKAY.
432
00:22:11,133 --> 00:22:13,400
TWO SPICS IN HELMETS THROW
A FUCKING ROCK AT EACH OTHER
433
00:22:13,434 --> 00:22:15,300
AND YOU BET
ON WHO CATCHES IT.
434
00:22:15,334 --> 00:22:17,234
(lowered voice) HICKS.
435
00:22:17,267 --> 00:22:20,567
(normal voice) GREAT.
YOU ARE NOW A JAI ALAI FAN.
436
00:22:20,601 --> 00:22:22,834
YOU LOOKING FOR
A PEIGNOIR FOR VEE?
437
00:22:22,868 --> 00:22:26,601
IS THE WHINER
STILL IN YOUR BIG GAME?
438
00:22:26,634 --> 00:22:29,234
YEAH. FUCKFACE COMPLAINS
EVEN WHEN HE WINS.
439
00:22:29,267 --> 00:22:31,400
HE'S IN TONIGHT. WHY?
440
00:22:31,434 --> 00:22:33,434
HE'S STILL THE GOVERNOR'S
CHIEF OF STAFF, RIGHT?
441
00:22:33,467 --> 00:22:35,434
HE'S WAY UP
THE BIG GUY'S ASS.
442
00:22:37,367 --> 00:22:39,501
I WANT HIM TO LOSE.
443
00:22:39,534 --> 00:22:40,801
HOW BIG?
444
00:22:40,834 --> 00:22:41,901
BIG.
445
00:22:41,934 --> 00:22:44,067
(chuckles) MY PLEASURE.
446
00:22:44,100 --> 00:22:45,801
THANKS, BEL.
447
00:22:45,834 --> 00:22:49,133
YOU SURE ABOUT THAT NIGHTIE?
HUH?
448
00:22:49,167 --> 00:22:50,968
WE GOT SOME VERY CHIC SHIT,
449
00:22:51,000 --> 00:22:53,601
JUST IN FROM PARIS, FRANCE.
450
00:22:53,634 --> 00:22:57,534
(indistinct conversations)
451
00:22:57,567 --> 00:22:58,667
NO.
452
00:22:58,701 --> 00:23:00,167
I'D DEFINITELY LOSE THE WIG.
453
00:23:01,234 --> 00:23:03,334
YOU LOSE YOUR WIG.
454
00:23:03,367 --> 00:23:05,834
FUCK YOU. THIS IS REAL.
455
00:23:05,868 --> 00:23:07,267
IT'S THE BITCH'S TRADEMARK.
456
00:23:07,300 --> 00:23:09,934
YOU BUY JUDI SILVER,
YOU GET THE PLATINUM.
457
00:23:12,000 --> 00:23:14,701
JUDI? EXCUSE ME.
458
00:23:14,734 --> 00:23:16,033
JUDI SILVER?
459
00:23:16,067 --> 00:23:18,033
THAT'S ME, HANDSOME.
OH.
460
00:23:18,067 --> 00:23:21,534
MISS SILVER? SIR?
A DRINK?
461
00:23:21,567 --> 00:23:22,901
WHATEVER YOU'D LIKE,
SWEETIE.
462
00:23:22,934 --> 00:23:25,701
NO, I, UH, THINK--
WELL, MAYBE. I MEAN...
463
00:23:25,734 --> 00:23:27,300
DO YOU HAVE A CAR, LOVER?
464
00:23:27,334 --> 00:23:31,634
A RENTAL. YES,
IT'S A MERCURY CRUISER.
465
00:23:31,667 --> 00:23:33,467
I HAD YOU PEGGED
AS A MERCURY MAN
466
00:23:33,501 --> 00:23:34,767
THE SECOND I SAW YOU.
467
00:23:34,801 --> 00:23:37,000
REALLY? (chuckles)
468
00:23:37,033 --> 00:23:41,067
ACTUALLY, I DRIVE A, UH,
A CHEVY BEL AIR BACK HOME,
469
00:23:41,100 --> 00:23:43,601
BUT, UH...
AND WHERE'S HOME, SUGE?
470
00:23:43,634 --> 00:23:45,601
(breathing heavily)
471
00:23:45,634 --> 00:23:47,267
(whispering)
WHERE ARE YOU, LOVER?
472
00:23:47,300 --> 00:23:50,634
(breathing heavily)
473
00:23:50,667 --> 00:23:53,434
I'M HERE. RIGHT HERE.
474
00:23:53,467 --> 00:23:56,634
YOU'RE WITH HER.
475
00:24:01,968 --> 00:24:03,868
IT'S OKAY, BABY.
476
00:24:03,901 --> 00:24:05,868
YOU THINK ABOUT HER,
477
00:24:05,901 --> 00:24:07,601
BUT YOU FUCK ME.
478
00:24:07,634 --> 00:24:11,100
(panting)
479
00:24:36,200 --> 00:24:39,200
WHAT?
480
00:24:39,234 --> 00:24:41,534
DANGEROUS.
481
00:24:41,567 --> 00:24:46,567
IF I'M DANGEROUS,
WHAT'S BEN DIAMOND?
482
00:24:46,601 --> 00:24:48,501
GOD.
483
00:24:48,534 --> 00:24:49,567
OH.
484
00:24:49,601 --> 00:24:53,167
I'VE NEVER FUCKED
A GOD BEFORE.
485
00:24:53,200 --> 00:24:56,033
NOT A GOD.
486
00:24:56,067 --> 00:24:59,801
RIGHT. GOD.
487
00:25:37,501 --> 00:25:38,734
WHAT'S THIS?
488
00:25:38,767 --> 00:25:42,367
YOUR HUMAN SACRIFICE.
489
00:25:42,400 --> 00:25:45,067
RIP MY HEART OUT AND EAT IT.
490
00:25:45,100 --> 00:25:46,701
I AM YOURS.
491
00:26:26,200 --> 00:26:30,701
MAYBE I SHOULD SLEEP
DOWNSTAIRS TONIGHT.
492
00:26:30,734 --> 00:26:32,434
WOULD YOU LIKE THAT?
493
00:26:35,200 --> 00:26:36,534
YES.
494
00:26:38,467 --> 00:26:39,834
I WOULD.
495
00:27:26,767 --> 00:27:27,934
(switch clicks)
496
00:28:37,100 --> 00:28:40,133
(breathing heavily)
497
00:29:06,767 --> 00:29:09,767
(grunting)
498
00:29:44,000 --> 00:29:45,133
AND HE WAS NAKED?
499
00:29:45,167 --> 00:29:48,801
STARK NAKED.
JUST LYING THERE ON THE BED.
500
00:29:48,834 --> 00:29:51,000
OH, YEAH, WITH A FEW
$20 BILLS ON TOP OF HIM.
501
00:29:51,033 --> 00:29:52,567
WHAT DID LUCY DO?
502
00:29:52,601 --> 00:29:54,801
SHE JUST CONTINUED VACUUMING.
503
00:29:54,834 --> 00:29:56,934
I MEAN, YOU GOTTA
FINISH YOUR SHIFT, RIGHT?
504
00:29:56,968 --> 00:29:58,133
(both laugh)
505
00:30:18,801 --> 00:30:19,767
(keys jingle)
506
00:30:19,801 --> 00:30:20,868
YOU CLEAN STEVIE'S ROOM?
507
00:30:20,901 --> 00:30:24,667
I THOUGHT THAT WAS
MILDRED'S JOB.
508
00:30:24,701 --> 00:30:27,534
I CLEAN YOUR ROOM, TOO.
509
00:30:27,567 --> 00:30:29,534
YOU BETTER HIDE THOSE
DIRTY MAGAZINES SOMEWHERE ELSE.
510
00:30:33,434 --> 00:30:35,400
STEVIE? YOU DECENT?
(knocks on door)
511
00:30:35,434 --> 00:30:37,767
JUST IN CASE
HE'S LYING NAKED.
512
00:30:39,667 --> 00:30:42,567
(lock turns)
513
00:30:42,601 --> 00:30:43,601
UHH!
514
00:30:44,801 --> 00:30:46,300
OH, MY GOD. DANNY!
515
00:30:46,334 --> 00:30:48,667
DANNY! SOMEBODY PLEASE HELP!
516
00:30:48,701 --> 00:30:50,200
SOMEBODY HELP!
517
00:30:50,234 --> 00:30:52,234
HELP!
518
00:30:52,267 --> 00:30:54,067
DANNY! DANNY, DANNY, WAKE UP!
519
00:30:54,100 --> 00:30:55,567
WAKE UP!
520
00:30:59,033 --> 00:31:01,567
WE USED TO GO
TO CRANDON PARK
521
00:31:01,601 --> 00:31:04,434
BEFORE YOU GUYS WERE BORN.
522
00:31:04,467 --> 00:31:08,000
CAPE FLORIDA.
523
00:31:08,033 --> 00:31:10,734
SHE LIKED ME
TO READ HER POETRY.
524
00:31:10,767 --> 00:31:12,000
YOU BELIEVE THAT?
525
00:31:13,234 --> 00:31:16,334
SHE'D LIE IN MY LAP
WITH HER EYES CLOSED,
526
00:31:16,367 --> 00:31:18,434
AND I'D READ TO HER.
527
00:31:18,467 --> 00:31:21,567
THE SOUND OF THE WAVES...
528
00:31:21,601 --> 00:31:24,467
SOMETIMES A LION
WOULD ROAR FROM THE ZOO.
529
00:31:27,467 --> 00:31:29,634
WE COULD HAVE BEEN ANYWHERE.
530
00:31:34,834 --> 00:31:37,834
SHE LOOKED JUST LIKE HER BOY.
531
00:31:37,868 --> 00:31:39,901
(whispers) JUST LIKE HIM.
532
00:31:42,801 --> 00:31:44,133
(sighs)
533
00:31:44,167 --> 00:31:46,567
I'M SORRY. YOU WILL HAVE
TO LEAVE NOW.
534
00:31:46,601 --> 00:31:47,868
I DON'T THINK SO.
535
00:31:47,901 --> 00:31:50,100
HE'S GOING TO BE FINE.
HE JUST NEEDS HIS SLEEP.
536
00:31:50,133 --> 00:31:52,534
TELL DR. BOBBY THAT I'M STAYING.
537
00:31:52,567 --> 00:31:54,968
IT'LL BE OKAY. I'M GONNA BE HERE
WHEN MY SON WAKES UP.
538
00:31:55,000 --> 00:31:57,100
I'M SORRY, SIR, BUT HOSPITAL
REGULATIONS FORBID ANYONE FROM--
539
00:31:57,133 --> 00:31:59,200
I'M NOT LEAVING MY SON.
540
00:32:06,367 --> 00:32:10,200
YOU SHOULD GO CHECK
ON VIC AND MERCEDES.
541
00:32:10,234 --> 00:32:12,601
AND IF VEE'S STILL
IN THE WAITING ROOM,
542
00:32:12,634 --> 00:32:13,934
WHY DON'T YOU TELL HER
TO GO HOME?
543
00:32:13,968 --> 00:32:16,534
I'M GONNA STAY HERE.
SHE SHOULD GO CHECK ON LO.
544
00:32:16,567 --> 00:32:19,100
LO WILL BE UPSET.
545
00:32:19,133 --> 00:32:20,133
OKAY.
546
00:32:21,167 --> 00:32:23,734
YOU SHOULD GO HOME, TOO.
547
00:32:23,767 --> 00:32:25,334
ONE OF US NEEDS
TO BE AT THE HOTEL.
548
00:32:25,367 --> 00:32:28,200
THERE'S TOO MUCH GOING ON.
549
00:32:28,234 --> 00:32:31,901
I'LL SEND CUDA WITH SOME
COFFEE AND SANDWICHES.
550
00:32:35,400 --> 00:32:38,300
(whispers)
HE'S GONNA BE OKAY, RIGHT?
551
00:32:38,334 --> 00:32:40,300
HE'S OKAY.
552
00:32:40,334 --> 00:32:41,334
I KNOW.
553
00:32:44,200 --> 00:32:45,534
I CAN'T BELIEVE THIS.
554
00:32:45,567 --> 00:32:47,901
IN MY OWN PLACE.
555
00:32:47,934 --> 00:32:50,467
THAT POOR BOY.
556
00:32:50,501 --> 00:32:52,601
I'LL NEVER FORGIVE MYSELF.
557
00:32:52,634 --> 00:32:54,400
(woman over P.A.)
DR. COHEN TO X-RAY.
558
00:32:54,434 --> 00:32:56,601
DR. COHEN TO X-RAY.
559
00:32:58,868 --> 00:33:00,434
TELL ME.
560
00:33:00,467 --> 00:33:02,100
HE'S GOOD. HE'S GOOD.
561
00:33:02,133 --> 00:33:04,200
(sighs)
HE'S SLEEPING. NO SURGERY.
562
00:33:04,234 --> 00:33:05,701
HE'S GONNA BE OKAY.
563
00:33:05,734 --> 00:33:07,701
OH, THANK GOD.
564
00:33:07,734 --> 00:33:09,767
IT'S OKAY. IT'S OKAY.
565
00:33:09,801 --> 00:33:11,601
HE'S GONNA BE FINE.
YOU KIDDIN'?
566
00:33:11,634 --> 00:33:13,868
HE'LL BE DINING OUT
ON THIS FOREVER.
567
00:33:13,901 --> 00:33:15,868
LUCKY. SO LUCKY.
568
00:33:18,400 --> 00:33:19,434
IKE'S STAYING HERE.
569
00:33:19,467 --> 00:33:20,767
OF COURSE.
570
00:33:20,801 --> 00:33:24,200
THINKS MAYBE YOU SHOULD
GO HOME AND BE WITH LO.
571
00:33:24,234 --> 00:33:27,100
RIGHT.
572
00:33:27,133 --> 00:33:29,734
STEVIE, IS HE REALLY OKAY?
573
00:33:29,767 --> 00:33:31,667
VIC'S RIGHT. WE'RE LUCKY.
574
00:33:31,701 --> 00:33:34,000
HE'S SUCH A SWEET BOY.
575
00:33:34,033 --> 00:33:35,534
HE IS.
576
00:33:35,567 --> 00:33:38,534
I'M GONNA GO SAY GOOD NIGHT.
577
00:33:38,567 --> 00:33:41,067
UM, WILL YOU GIVE ME
A RIDE HOME AFTER?
578
00:33:41,100 --> 00:33:42,067
YEAH, SURE, I'LL BE HERE.
579
00:33:42,100 --> 00:33:43,100
OKAY.
580
00:33:55,033 --> 00:33:57,834
...I'VE NEVER SEEN ANYBODY
YELL AT ANYBODY,
581
00:33:57,868 --> 00:34:01,901
AND THERE I WAS.
582
00:34:01,934 --> 00:34:04,167
SHE, UH, SHE WOULDN'T TAKE
ANY DRUGS,
583
00:34:04,200 --> 00:34:07,767
WANTED TO DO
EVERYTHING NATURAL.
584
00:34:07,801 --> 00:34:09,667
NOW IF YOU KNEW
YOUR MOTHER VERY WELL,
585
00:34:09,701 --> 00:34:10,968
YOU WOULD KNOW THAT
TO BE THE CASE.
586
00:34:11,000 --> 00:34:15,033
AND WE SAT THERE
AND WE--WE SANG.
587
00:34:15,067 --> 00:34:17,033
I DON'T REMEMBER
THE SONG ANYMORE.
588
00:34:30,968 --> 00:34:32,267
MRS. EVANS.
589
00:34:32,300 --> 00:34:33,567
(Stevie sighs)
590
00:34:33,601 --> 00:34:36,601
(engine rumbling)
591
00:34:39,367 --> 00:34:41,033
(car door closes)
592
00:34:41,067 --> 00:34:42,734
HOW 'BOUT A DRINK?
593
00:34:42,767 --> 00:34:44,100
I'D LOVE ONE.
594
00:34:44,133 --> 00:34:47,167
**
595
00:34:54,300 --> 00:34:56,801
I THOUGHT YOU WERE
AFTER HIS MONEY.
596
00:35:02,300 --> 00:35:07,133
HE GOES TO CUBA
FOR A WEEKEND.
597
00:35:07,167 --> 00:35:08,767
HE COMES BACK
TWO WEEKS LATER
598
00:35:08,801 --> 00:35:10,267
WITH A DANCER
FROM THE TROPICANA,
599
00:35:10,300 --> 00:35:13,167
AND I'M SUPPOSED TO WHAT...
600
00:35:13,200 --> 00:35:14,634
TRUST THAT?
601
00:35:16,267 --> 00:35:18,200
TRUST YOU?
602
00:35:22,968 --> 00:35:24,701
AND...
603
00:35:26,367 --> 00:35:27,501
AND?
604
00:35:27,534 --> 00:35:28,667
AND...
605
00:35:28,701 --> 00:35:33,033
YOU'RE... YOU.
606
00:35:33,067 --> 00:35:37,367
BEAUTIFUL. CRAZY BEAUTIFUL.
PRETTY MUCH MY AGE.
607
00:35:37,400 --> 00:35:40,567
OLDER.
NOT OLDER ENOUGH.
608
00:35:43,200 --> 00:35:47,701
I MEAN...
YOU'RE HIS WIFE, RIGHT?
609
00:35:49,501 --> 00:35:50,834
YOU'RE MY FATHER'S WIFE.
610
00:35:50,868 --> 00:35:53,968
BUT...
611
00:35:54,033 --> 00:35:55,167
BUT...
612
00:35:55,200 --> 00:35:56,701
BUT I'M ME.
613
00:36:03,968 --> 00:36:06,400
LOOK, I LOVE MY FATHER.
614
00:36:06,434 --> 00:36:07,901
AND SO DO I.
615
00:36:10,734 --> 00:36:12,501
I BELIEVE THAT.
616
00:36:18,033 --> 00:36:22,767
IT FEELS... IT SEEMS LIKE
WE HAVE ALL THIS TIME
617
00:36:22,801 --> 00:36:27,267
TO JUST, YOU KNOW,
LEAD THESE LIVES,
618
00:36:27,300 --> 00:36:29,400
THESE DAYS
JUST STRETCHING OUT,
619
00:36:29,434 --> 00:36:33,701
BUT I SWEAR TO YOU, STEVIE,
WE DON'T.
620
00:36:33,734 --> 00:36:36,367
(whispers) WE DON'T.
621
00:36:36,400 --> 00:36:39,934
(normal voice) WE HAVE TO TRY
AND SPEAK THE WORDS.
622
00:36:39,968 --> 00:36:41,701
WE HAVE TO TRY
EVEN IF IT'S HARD.
623
00:36:41,734 --> 00:36:44,734
MAYBE... ESPECIALLY
IF IT'S HARD.
624
00:36:44,767 --> 00:36:48,534
TRY WITH THE PEOPLE
WE LOVE,
625
00:36:48,567 --> 00:36:50,467
WITH OUR FAMILY.
626
00:36:54,400 --> 00:36:56,767
'CAUSE IT'S ALL... (sighs)
627
00:36:56,801 --> 00:36:59,033
IT...
628
00:36:59,067 --> 00:37:00,234
(whispers) IT GOES.
629
00:37:00,267 --> 00:37:03,534
(ice cubes clinking)
630
00:37:03,567 --> 00:37:05,667
WHAT?
631
00:37:06,734 --> 00:37:08,534
SPOKEN LIKE A MOM.
632
00:37:08,567 --> 00:37:10,801
OH, GOD. I'M SORRY.
MM.
633
00:37:10,834 --> 00:37:13,601
NO, NO, NO.
634
00:37:27,467 --> 00:37:28,934
MOLLY?
635
00:37:31,000 --> 00:37:33,100
IT'S--IT'S ME.
636
00:37:35,501 --> 00:37:38,033
(sighs) MEG, I'M SORRY. I, UM...
637
00:37:38,067 --> 00:37:40,234
I THOUGHT...
638
00:37:41,701 --> 00:37:42,868
HI.
639
00:37:48,300 --> 00:37:50,267
IKE...
640
00:37:50,300 --> 00:37:52,400
HE LOOKS JUST LIKE HER.
641
00:37:54,667 --> 00:37:56,400
LIKE YOU BOTH.
642
00:37:59,801 --> 00:38:01,934
IS HE OKAY?
643
00:38:01,968 --> 00:38:03,067
YEAH.
644
00:38:03,100 --> 00:38:05,667
HE'S GOT A HARD HEAD,
JUST LIKE HIS POP.
645
00:38:05,701 --> 00:38:08,033
(laughs)
646
00:38:10,501 --> 00:38:11,834
I'M GLAD YOU CAME.
647
00:38:13,968 --> 00:38:15,300
FAMILY.
648
00:38:32,267 --> 00:38:34,701
**
649
00:38:34,734 --> 00:38:36,567
(man) MMM.
650
00:38:36,601 --> 00:38:38,167
OHH.
651
00:38:38,200 --> 00:38:39,334
OH!
652
00:38:39,367 --> 00:38:44,133
(breathing heavily)
OH. OH. OH.
653
00:38:44,167 --> 00:38:46,534
YEAH. YEAH.
654
00:38:46,567 --> 00:38:48,300
OH. OH!
655
00:38:48,334 --> 00:38:49,667
AH!
656
00:38:49,701 --> 00:38:50,834
(gunshot)
657
00:38:50,868 --> 00:38:54,033
(dog barking in distance)
658
00:38:54,067 --> 00:38:57,033
(gasping)
659
00:38:58,501 --> 00:39:00,634
(crying)
660
00:39:00,667 --> 00:39:02,801
AAH!
(gunshot)
661
00:39:02,834 --> 00:39:03,901
**
662
00:39:03,934 --> 00:39:06,000
(gun cocks)
663
00:39:06,033 --> 00:39:09,000
(dog barking in distance)
664
00:39:09,033 --> 00:39:14,067
**
665
00:39:16,667 --> 00:39:18,534
YEAH. ABSOLUTELY.
HE SWUNG WITH HIS RIGHT.
666
00:39:18,567 --> 00:39:21,200
SO WE GOT
A RIGHT-HANDED SPIDER MONKEY
667
00:39:21,234 --> 00:39:23,033
THAT CAN CLIMB
A 15-STORY BUILDING
668
00:39:23,067 --> 00:39:24,467
AND JUMP OUT THE WINDOW.
669
00:39:24,501 --> 00:39:27,467
IS HE HITTING ANYONE ELSE?
FONTAINEBLEAU?
670
00:39:27,501 --> 00:39:28,567
JUST YOU.
671
00:39:28,601 --> 00:39:30,300
LOVELY.
672
00:39:30,334 --> 00:39:33,067
MAYBE HE'S SOMEBODY WE KNOW.
KNOWS THE HOTEL.
673
00:39:33,100 --> 00:39:35,367
WE'LL PULL ALL YOUR EMPLOYMENT
RECORDS FOR THE LAST YEAR OR SO.
674
00:39:35,400 --> 00:39:37,701
HOW YOU FEELING, KID?
675
00:39:37,734 --> 00:39:39,434
LIKE I STAYED UP
DRINKING WITH HIM.
676
00:39:39,467 --> 00:39:40,934
YOU LOOK WORSE.
677
00:39:40,968 --> 00:39:43,100
THANKS.
(Stevie chuckles)
678
00:39:43,133 --> 00:39:44,267
YOU SEEN MERCY?
679
00:39:44,300 --> 00:39:46,200
SHE STAYED IN THE WAITING ROOM
ALL NIGHT.
680
00:39:46,234 --> 00:39:49,000
VICTOR MADE HER GO HOME
WHEN THE SUN CAME UP.
681
00:39:49,033 --> 00:39:51,901
SEE? ALWAYS A SILVER LINING.
682
00:39:53,934 --> 00:39:55,901
CAN I TALK TO YOU
FOR A SECOND, POP?
683
00:39:55,934 --> 00:39:57,300
YEAH.
684
00:39:57,334 --> 00:39:59,567
NO NIGHT CLUBBING FOR YOU.
685
00:39:59,601 --> 00:40:01,100
BE RIGHT BACK.
686
00:40:10,601 --> 00:40:12,701
MYRNNA AND SOME JOHN
FROM ST. AUGUSTINE
687
00:40:12,734 --> 00:40:14,968
GOT SHOT LAST NIGHT.
688
00:40:15,000 --> 00:40:16,467
JESUS. DEAD?
689
00:40:16,501 --> 00:40:17,534
YEAH.
690
00:40:17,567 --> 00:40:21,968
PRO HIT. TWICE TO HER HEAD.
NOT A TRACE.
691
00:40:22,000 --> 00:40:23,133
WHO WOULD WANT MYRNNA DEAD?
692
00:40:23,167 --> 00:40:25,734
THEY THOUGHT
SHE WAS JUDI SILVER.
693
00:40:25,767 --> 00:40:29,701
SEE, MYRNNA TOOK
JUDI'S DATE...
694
00:40:29,734 --> 00:40:32,634
MYRNNA WAS WEARING A WIG--
A PLATINUM WIG, LIKE JUDI.
695
00:40:32,667 --> 00:40:34,968
THE SHOOTER THOUGHT
SHE WAS JUDI.
696
00:40:37,400 --> 00:40:39,834
(whispers) DAD,
WHAT THE FUCK'S GOING ON?
697
00:40:39,868 --> 00:40:41,534
I MEAN, WE SET JUDI UP
WITH MIKE--
698
00:40:41,567 --> 00:40:43,133
I DID. I PUT HER
IN THAT ROOM.
699
00:40:43,167 --> 00:40:44,434
NOW MIKE'S DEAD,
AND POOR MYRNNA--
700
00:40:44,467 --> 00:40:46,701
STAY WITH DANNY, ALL RIGHT?
701
00:40:46,734 --> 00:40:48,234
CLEAR EVERYBODY OUT
IN TEN--
702
00:40:48,267 --> 00:40:49,667
YOUR BROTHER NEEDS HIS REST--
703
00:40:49,701 --> 00:40:50,968
AND THEN YOU MEET ME
AT THE HOTEL.
704
00:40:51,000 --> 00:40:52,567
DOES JUDI...
SHOULD I CALL--
705
00:40:52,601 --> 00:40:53,567
NO.
706
00:40:53,601 --> 00:40:56,133
YOU DON'T DO ANYTHING.
707
00:41:04,767 --> 00:41:06,901
(indistinct conversations)
708
00:41:06,934 --> 00:41:08,067
(man) IKE?
709
00:41:08,100 --> 00:41:10,234
THEY TORCHED ME, IKE.
I'M A DEAD MAN.
710
00:41:10,267 --> 00:41:11,501
NOT NOW, WHINER.
711
00:41:11,534 --> 00:41:12,801
I'M DOWN 20 LARGE.
712
00:41:12,834 --> 00:41:14,100
I GOT--I GOT CARDS YOU WOULDN'T
WIPE YOUR ASS WITH
713
00:41:14,133 --> 00:41:15,334
FOR NINE FUCKING HOURS!
714
00:41:15,367 --> 00:41:18,234
I LOST 30 STRAIGHT HANDS!
WHAT'S THAT?
715
00:41:19,934 --> 00:41:21,334
YOU CALLING
BEL'S GAME FIXED?
716
00:41:21,367 --> 00:41:23,901
NO. NO! JESUS, IKE.
717
00:41:23,934 --> 00:41:25,234
I DON'T HAVE
THAT KIND OF MONEY!
718
00:41:25,267 --> 00:41:27,567
I'M A CIVIL SERVANT.
WITH TWO BROKEN LEGS.
719
00:41:27,601 --> 00:41:29,567
JESUS, IKE. PLEASE!
YOU CAN TALK TO HIM!
720
00:41:29,601 --> 00:41:32,868
OR YOU--YOU COULD
BUY ME SOME TIME!
721
00:41:32,901 --> 00:41:35,934
I'M YOUR SERVANT, IKIE.
722
00:41:35,968 --> 00:41:37,300
CAN YOU GET YOUR GUY
TO GET KLEIN
723
00:41:37,334 --> 00:41:38,801
TO RELEASE
MIKE STRAUSS' BODY?
724
00:41:38,834 --> 00:41:40,234
THE GOVERNOR?
725
00:41:40,267 --> 00:41:43,567
ONLY IF I ASK.
AND YOU'LL GET ME A MONTH?
726
00:41:43,601 --> 00:41:44,667
TWO WEEKS?!
727
00:41:44,701 --> 00:41:47,934
JESUS! TWO FUCKING WEEKS!
728
00:41:47,968 --> 00:41:48,934
NO.
729
00:41:48,968 --> 00:41:50,334
OKAY. OKAY.
730
00:41:50,367 --> 00:41:53,934
ALL RIGHT. RIGHT NOW!
I'LL CALL HIM RIGHT NOW!
731
00:41:53,968 --> 00:41:55,300
AND--AND--AND YOU'LL...
732
00:41:55,334 --> 00:41:57,200
AS SOON AS I HAVE MIKE.
733
00:41:57,234 --> 00:41:58,501
BUT WHINER, YOU LISTEN--
734
00:41:58,534 --> 00:41:59,534
NO, NO, NO, NO!
735
00:41:59,567 --> 00:42:01,033
NO. I-I QUIT. I'M DONE,
ALL RIGHT?
736
00:42:01,067 --> 00:42:02,801
YOU WON'T SEE ME
AT THE GAME ANYMORE.
737
00:42:02,834 --> 00:42:04,367
I LOVE YOU, ISAAC!
738
00:42:11,367 --> 00:42:12,400
THANK YOU.
739
00:42:12,434 --> 00:42:14,067
THAT LITTLE PRICK
WAS CRYING SO HARD,
740
00:42:14,100 --> 00:42:16,334
HE BLEW SNOT
ALL OVER THE CARDS.
741
00:42:17,901 --> 00:42:21,133
(sighs)
742
00:42:21,167 --> 00:42:24,033
BEN, WE NEED TO TALK.
743
00:42:24,067 --> 00:42:27,300
YEAH. SURE. SIT DOWN.
744
00:42:28,801 --> 00:42:30,467
I GOTTA GET SOME SUN.
745
00:42:30,501 --> 00:42:32,434
STUCK IN THAT HOLE
THE WHOLE NIGHT.
746
00:42:34,467 --> 00:42:38,033
DID I EVER TELL YOU THAT I GREW
UP IN AN ORPHAN HOME IN PHILLY?
747
00:42:38,067 --> 00:42:40,767
WAS A DARK, COLD,
AND MEAN PLACE.
748
00:42:40,801 --> 00:42:42,734
ORTHODOX, TOO.
749
00:42:44,234 --> 00:42:46,033
I NEVER GOT
TO SEE THE SUN.
750
00:42:46,067 --> 00:42:47,434
NOT EVEN IN THE SUMMER.
751
00:42:47,467 --> 00:42:51,234
IT WAS LIKE A...
LIKE A JEWISH DUNGEON.
752
00:42:53,467 --> 00:42:55,234
YOU KILLED
THE WRONG GIRL LAST NIGHT.
753
00:42:55,267 --> 00:42:58,267
KILLED?
754
00:42:58,300 --> 00:42:59,367
I WAS PLAYING CARDS.
755
00:42:59,400 --> 00:43:01,167
YOUR SHOOTER THOUGHT
IT WAS JUDI SILVER
756
00:43:01,200 --> 00:43:03,100
BECAUSE SHE WAS WEARING
JUDI'S WIG.
757
00:43:03,133 --> 00:43:04,534
YOU KILLED THE WRONG WHORE.
758
00:43:04,567 --> 00:43:06,067
THAT'S WHY GOD MADE
EXTRA BULLETS.
759
00:43:06,100 --> 00:43:08,868
JUDI CAN'T HURT YOU.
SHE DOESN'T KNOW ANYTHING.
760
00:43:08,901 --> 00:43:10,934
DON'T DO THIS, IKE.
761
00:43:10,968 --> 00:43:13,367
IT DEMEANS BOTH OF US.
762
00:43:13,400 --> 00:43:14,367
YOU KNOW HOW THIS WORKS.
763
00:43:14,400 --> 00:43:16,534
I CAN'T LET YOU KILL HER.
764
00:43:16,567 --> 00:43:17,734
I WON'T.
765
00:43:19,634 --> 00:43:20,667
YOU WON'T?
766
00:43:20,701 --> 00:43:22,100
SHE DIDN'T SEE ANYTHING.
767
00:43:22,133 --> 00:43:24,634
THE D.A. DISAGREES.
HE PULLED HER IN.
768
00:43:24,667 --> 00:43:26,300
HE'S FISHING, BEN.
769
00:43:26,334 --> 00:43:27,968
SHE GAVE NOTHING TO KLEIN.
770
00:43:28,000 --> 00:43:29,734
I WILL VOUCH FOR HER.
I WILL.
771
00:43:29,767 --> 00:43:31,968
OH, YOU'LL VOUCH FOR HER?
LIKE I GIVE A SHIT?
772
00:43:32,000 --> 00:43:34,601
AGAIN, YOU COME TO ME
FOR A FAVOR,
773
00:43:34,634 --> 00:43:38,701
AND AGAIN, YOU OFFER ME
NOTHING IN EXCHANGE.
774
00:43:38,734 --> 00:43:40,934
NOW WHAT'S MY--
WHAT'S MY INCENTIVE?
775
00:43:48,234 --> 00:43:49,400
HOW MUCH?
776
00:43:53,734 --> 00:43:57,667
A PIECE
OF YOUR ARCADE RENTALS.
777
00:43:57,701 --> 00:43:59,534
EVERY SHOP?
778
00:44:05,100 --> 00:44:06,400
10% OF MY CUT.
779
00:44:06,434 --> 00:44:10,601
IF I WASN'T SO COMFY,
I'D--I'D SLAP YOU.
780
00:44:10,634 --> 00:44:12,801
13%.
15.
781
00:44:12,834 --> 00:44:16,801
15% OF EVERY SHOP
YOU'VE GOT.
782
00:44:22,868 --> 00:44:24,167
AND THE GIRL LIVES?
783
00:44:24,200 --> 00:44:27,434
SHE'S A HOOKER.
IT'S A DANGEROUS PROFESSION.
784
00:44:27,467 --> 00:44:31,133
SOME JOHN COULD COME AT HER
WITH A BROKEN COKE BOTTLE.
785
00:44:34,167 --> 00:44:38,033
BUT THE BITCH WILL NOT DIE
BY MY HAND.
786
00:44:41,367 --> 00:44:42,868
OKAY.
787
00:44:45,667 --> 00:44:51,334
AND GOD ASKED ABRAHAM
TO SACRIFICE HIS SON
788
00:44:51,367 --> 00:44:53,868
TO PROVE HIS DEVOTION
TO THE LORD.
789
00:44:53,901 --> 00:44:58,033
ABRAHAM TIES
THE YOUNG LITTLE BOY
790
00:44:58,067 --> 00:44:59,534
TO AN ALTAR,
791
00:44:59,567 --> 00:45:03,734
DRAWS HIS KNIFE
TO SLAUGHTER THE CHILD,
792
00:45:03,767 --> 00:45:05,634
AND AN ANGEL APPEARS
793
00:45:05,667 --> 00:45:07,734
AND SAYS,
"JUST KIDDING, ABE.
794
00:45:07,767 --> 00:45:12,234
IT WAS A TEST,
AND YOU PASSED."
795
00:45:12,267 --> 00:45:15,234
DO YOU KNOW WHO ABRAHAM'S
POOR LITTLE BOY WAS?
796
00:45:19,100 --> 00:45:20,067
ISAAC.
797
00:45:20,100 --> 00:45:23,734
THE FIRST LITTLE ISAAC.
798
00:45:26,667 --> 00:45:29,501
I WONDER IF YOU'LL GET
A HEAVENLY PASS THIS TIME, TOO.
799
00:45:29,534 --> 00:45:31,901
IT ENDS NOW, BEN.
800
00:45:31,934 --> 00:45:34,234
NOBODY ELSE DIES.
801
00:45:34,267 --> 00:45:35,367
(exhales)
802
00:45:35,400 --> 00:45:39,067
COULD YOU HAVE SOMEONE
SEND ME OVER A SELTZER?
803
00:45:45,801 --> 00:45:46,968
AHH.
804
00:45:52,901 --> 00:45:54,934
SO YOU WANT ME
TO CALL SHOES OR WHAT?
805
00:45:57,033 --> 00:45:59,067
YOU'RE BLOCKING MY SUN.
806
00:46:17,100 --> 00:46:20,667
(man) * WELL, YOU KNOW
I CAN BE FOUND *
807
00:46:25,567 --> 00:46:29,534
* I'M SITTING' HOME ALL ALONE
808
00:46:33,300 --> 00:46:37,634
* IF YOU CAN'T COME AROUND
809
00:46:42,334 --> 00:46:45,133
* AT LEAST ON THE TELEPHONE
810
00:46:49,601 --> 00:46:52,100
* DON'T BE CRUEL
811
00:46:55,400 --> 00:46:57,067
(Rabbi) "AND HE IS MERCIFUL..."
812
00:46:57,100 --> 00:46:58,501
* TO A HEART THAT'S CRUEL
"ATONES FOR HIS SIN,
813
00:46:58,534 --> 00:47:00,901
"AND DOES NOT DESTROY,
814
00:47:00,934 --> 00:47:03,734
"FREQUENTLY TURNS AWAY
HIS ANGER,
815
00:47:03,767 --> 00:47:06,901
"AND DOES NOT AROUSE
ALL HIS WRATH.
816
00:47:06,934 --> 00:47:11,934
YOUR TRANSGRESSION WILL DEPART
AND YOUR SIN WILL BE ATONED."
817
00:47:14,667 --> 00:47:17,033
"THERE SHALL
NO EVIL BEFALL THEE,
818
00:47:17,067 --> 00:47:20,634
"NEITHER SHALL ANY PLAGUE
COME NIGH THY TENT,
819
00:47:20,667 --> 00:47:23,601
"FOR HE WILL GIVE HIS ANGELS
CHARGE OVER THEE
820
00:47:23,634 --> 00:47:26,000
"TO KEEP THEE IN ALL THY WAYS.
821
00:47:26,033 --> 00:47:31,334
"THOU SHALT TREAD
UPON THE LION AND THE ASP.
822
00:47:31,367 --> 00:47:35,400
"THE YOUNG LION AND THE SERPENT
SHALL THOU TRAMPLE UNDER FEET.
823
00:47:35,434 --> 00:47:40,033
"I WILL BE WITH HIM
IN TROUBLE,
824
00:47:40,067 --> 00:47:43,467
"I WILL RESCUE HIM
AND BRING HIM TO HONOR.
825
00:47:43,501 --> 00:47:46,634
WITH LONG LIFE
WILL I SATISFY HIM..."
826
00:47:46,667 --> 00:47:48,634
* TO A HEART THAT'S TRUE
827
00:47:48,667 --> 00:47:54,767
"AND MAKE HIM
TO BEHOLD MY SALVATION."
828
00:47:54,801 --> 00:47:58,968
* DON'T WANT NO OTHER LOVE
829
00:48:01,767 --> 00:48:03,267
* BABY
830
00:48:03,300 --> 00:48:07,100
* IT'S JUST YOU
I'M THINKIN' OF *
831
00:48:12,701 --> 00:48:15,634
* DON'T BE CRUEL
832
00:48:20,367 --> 00:48:23,400
* TO A HEART THAT'S TRUE
833
00:48:28,868 --> 00:48:31,801
* DON'T BE CRUEL
834
00:48:36,434 --> 00:48:39,701
* TO A HEART THAT'S TRUE
835
00:48:45,868 --> 00:48:49,934
* WELL, LET'S WALK UP
TO THE PREACHER *
836
00:48:59,801 --> 00:49:03,901
* AND LET US SAY "I DO"
837
00:49:08,467 --> 00:49:12,000
* THEN YOU'LL KNOW
YOU'LL HAVE ME *
838
00:49:16,067 --> 00:49:19,968
* AND I'LL KNOW I'LL HAVE YOU,
TOO *
839
00:49:23,400 --> 00:49:26,501
* DON'T BE CRUEL
840
00:49:30,868 --> 00:49:34,067
* TO A HEART THAT'S TRUE
841
00:49:39,834 --> 00:49:43,868
* WHY SHOULD WE BE APART?