[Script Info]
; Script generated by Aegisub v2.1.6 RELEASE PREVIEW (SVN r2494, amz)
; http://www.aegisub.net
Title: ONE OUTS 12
ScriptType: v4.00+
WrapStyle: 0
PlayResX: 1280
PlayResY: 720
ScaledBorderAndShadow: yes
Video Aspect Ratio: 0
Video Zoom: 4
Video Position: 2657
Last Style Storage: White Album
Video File: [B2E].One_Outs.12.x264.[6B3E9E13].mkv
Original Translation: anoos
Original Editing: anoos
Script Updated By: www.bramjnet.com
Collisions: Normal
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,AF_Aseer,55,&H4B911000,&H00FFFFFF,&H14FFFFFF,&H64B4F1F9,-1,0,0,0,100,100,0,0,1,1.8,0.5,2,15,15,25,178
Style: TypeSet,Trebuchet MS,44,&H00FFFFFF,&H00FFFFFF,&H00000000,&H00000000,-1,0,0,0,100,100,0,0,1,3,1,2,20,20,20,1
Style: Credits,Trebuchet MS,25,&H00F6F6F6,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,1,2,10,10,10,0
Style: Title,@Kozuka Mincho Pro B,66,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100,100,8,0,1,6,0,2,10,10,10,0
Style: Crowd,Optima LT Std Macron,40,&H00FFFFFF,&H00FFFFFF,&H007D7D7D,&H00000000,-1,0,0,0,100,100,0,0,1,3,1,2,10,10,0,0
Style: preview,Adobe Garamond Pro Bold,64,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,110,120,0,0,1,5,0,1,170,170,200,0
Style: preview1,Adobe Garamond Pro Bold,64,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,110,120,0,0,1,5,0,1,170,170,80,0
Style: New,AF_Aseer,55,&H4B911000,&H00FFFFFF,&H14FFFFFF,&H64B4F1F9,-1,0,0,0,100,100,0,0,1,1.8,0.5,2,15,15,25,178
Style: TimelineBlue,WST_Ital,60,&H00DD3D29,&H00DD3D29,&H00DD3D29,&H00DD3D29,0,0,0,0,100,100,0,0,3,2,2,1,10,10,10,0
Style: TimelineOrange,WST_Ital,60,&H00006ADD,&H00006ADD,&H00006ADD,&H00006ADD,0,0,0,0,100,100,0,0,3,2,2,1,10,10,10,0
Style: TimelineRed,WST_Ital,60,&H004604DB,&H004604DB,&H004604DB,&H004604DB,0,0,0,0,100,100,0,0,3,2,2,1,10,10,10,0
Style: Timeline,Optima LT Std Macron,32,&H00000000,&H00000000,&H00FFFFFF,&H00FFFFFF,0,0,0,0,100,100,0,0,1,0,0,1,10,10,10,1
Style: Default-furigana,Comic Sans MS,23,&H00BBF1DB,&H0000EFAF,&H00206E09,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,0.5,0,8,10,10,10,0
Style: 2555,Comic Sans MS,47,&H00BBF1DB,&H0068F4F6,&H0020470D,&H00000000,-1,0,0,0,100,100,0,0,1,0,0,8,10,10,10,0
Style: DOLLARS,DS Dots,150,&H00E1D2C7,&H000000FF,&H6ED8AD97,&H00000000,0,0,0,0,100,150,0,0,1,3,0,2,20,20,15,0
Style: زيادات,MCS CLOCK FAT,45,&H00E8E8E9,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,2,10,10,10,178
Style: كوجيما,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H14000000,&H64D5D5D5,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Owner,AF_Aseer,55,&H4BC8EAFE,&H00FFFFFF,&H14231055,&H64757B78,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Servant,AF_Aseer,55,&H4B8EFFFE,&H00FFFFFF,&H14014702,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مساعد,AF_Aseer,55,&H4BFF8F98,&H00FFFFFF,&H14651706,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مدير الفريق,AF_Aseer,55,&H4BF6ECCF,&H00FFFFFF,&H14BD5708,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: ايديتشي ساتوشي,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H140E2854,&H643B68B9,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: المعلق على المباراة,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H1455140E,&H64A4B93B,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: 2 المعلق على المباراة,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H14045386,&H641C60FA,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مذيعة,AF_Aseer,55,&H4B00CCFF,&H00FFFFFF,&H14740958,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Referee,AF_Aseer,55,&H4B000000,&H00FFFFFF,&H14FFFFFF,&H642C2C2D,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: others7,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H141B1B1B,&H640BFF00,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: BNT,FashionVictim,77,&H00FFFFFF,&H000000FF,&H6E000000,&H00000000,0,0,0,0,100,150,0,0,1,2,0,2,10,10,10,0
Style: توا,AF_Aseer,55,&H4B15E0FF,&H00FFFFFF,&H14000D0F,&H6438CBC6,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Kira,AF_Aseer,55,&H4BFF7B2E,&H00FFFFFF,&H14000000,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: others07,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H141B1B1B,&H640BFF00,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Others1,AF_Aseer,55,&H4BB9B9F2,&H00FFFFFF,&H14000000,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: OTHER7,AF_Aseer,55,&H4BEAF9FC,&H00FFFFFF,&H14000008,&H64838383,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Credit,Georgia,35,&H9B741607,&H000000FF,&H469090FF,&H32000000,0,0,0,0,100,100,0,0,1,2,0.5,1,5,15,25,204
Style: NEW01,AF_Aseer,55,&H4B91FF94,&H00FFFFFF,&H14000203,&H64969696,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: المدرب شيرووكا,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H144A0783,&H64FFFFFF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: مساعد شيرووكا,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H141D660A,&H642D2DAA,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: bugboo's,AF_Aseer,55,&H4BFFFFFF,&H00FFFFFF,&H14000000,&H649C2DAA,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: bugboo's2,AF_Aseer,55,&H4BF0EEE5,&H00FFFFFF,&H14B27533,&H64CCCCCC,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: جونسون,AF_Aseer,55,&H4B305882,&H00FFFFFF,&H14FFFFFF,&H640000FF,-1,0,0,0,100,100,0,0,1,2,0.5,2,15,15,25,178
Style: Defaultk,Comic Sans MS,47,&H00BBF1DB,&H0000EFAF,&H00206E09,&H00FFFFFF,-1,0,0,0,100,100,0,0,1,1,0,8,10,10,10,0
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,code once,math.randomseed(7501)
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,code once,function char_counter(ref) ci[ref] = ci[ref] + 1; return "" end
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,code once,ci = { 0 }; cn = _G.unicode.len(orgline.text_stripped:gsub(" ",""))
Comment: 0,0:00:12.02,0:00:14.02,Defaultk,,0000,0000,0000,template syl noblank,!retime("start2syl",-360+($si-1)*40,0)!{an8\move(!$x+582!,$y,$x,$y,0,500)\fad(500,0)\be1\1c!line.styleref.color2!}
Comment: 0,0:00:12.02,0:00:12.02,Defaultk,,0000,0000,0000,template syl noblank,!retime("syl2end",-$sdur,0)!{\an8\pos($scenter,$stop)\1c!line.styleref.color1!\fscx160\fscy130\t(0,$sdur,\1c!line.styleref.color2!\fscx100\fscy100\bord1\move($x,$y,$x,!$y+math.random(-30,360)!,0,400))}
Comment: 0,0:00:12.59,0:00:12.59,Defaultk,,0000,0000,0000,template char,!retime("postline",-220,400)!{\an8\be1\fad(0,510)\bord1\move($x,$y,$x,!$y+math.random(-30,360)!)\t(\fad(0,1600)\1c!line.styleref.color2!)}
Comment: 0,0:00:12.02,0:39:49.70,Defaultk,,0000,0000,0000,template syl,!retime("syl",0,250)!{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move($x,$y,!$x+math.random(-10,20)!,$y)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Comment: 0,0:00:01.03,0:00:04.85,Defaultk,,0000,0000,0000,karaoke,{\be1}{\k23}{\k63}Wan{\k25}ted{\k5} {\k1}{\k20}so{\k26}me{\k36}thing{\k1} {\k0}{\k35}Ican{\k20}’t{\k0} {\k0}{\k70}take{\k57}
Comment: 0,0:00:04.89,0:00:08.50,Defaultk,,0000,0000,0000,karaoke,{\k41}{\k31}I’ll{\k0} {\k0}{\k28}be{\k0} {\k1}{\k19}st{\k29}ron{\k46}ger{\k0} {\k4}{\k22}o{\k18}n{\k23}ce{\k8} {\k3}{\k12}a{\k47}gain{\k29}
Comment: 0,0:00:08.53,0:00:12.86,Defaultk,,0000,0000,0000,karaoke,{\k35}{\k34}Don’t {\k0}{\k0}{\k25}wo{\k29}rry{\k2} {\k3}{\k51}about {\k0}{\k3}{\k52}me{\k6} {\k3}{\k37}tru{\k31}st{\k0} {\k0}{\k64}me{\k58}
Comment: 0,0:00:12.65,0:00:17.65,Defaultk,,0000,0000,0000,karaoke,{\k143}{\k47}Please{\k0} {\k0}{\k20}tru{\k22}st{\k0} {\k0}{\k24}me{\k0} {\k2}{\k116}now{\k126}
Comment: 0,0:00:17.28,0:00:21.16,Defaultk,,0000,0000,0000,karaoke,{\k42}{\k32}Now{\k0} {\k0}{\k25}I{\k5} {\k44}have{\k0} {\k0}{\k22}to{\k0} {\k5}{\k34}see{\k4} {\k3}{\k71}it{\k101}
Comment: 0,0:00:21.16,0:00:23.98,Defaultk,,0000,0000,0000,karaoke,{\k22}{\k62}This{\k2} {\k2}{\k40}for{\k0} {\k0}{\k36}my{\k0} {\k0}{\k87}love{\k31}
Comment: 0,0:00:23.98,0:00:28.19,Defaultk,,0000,0000,0000,karaoke,{\k30}{\k36}O{\k25}pen{\k3} {\k0}{\k44}this{\k0} {\k0}{\k35}heart{\k2} {\k5}{\k44}and{\k0} {\k0}{\k43}my{\k2} {\k3}{\k103}mind{\k46}
Comment: 0,0:00:28.19,0:00:30.19,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k41}Let{\k0} {\k0}{\k40}me{\k0} {\k0}{\k118}believe{\k0}
Comment: 0,0:00:31.49,0:00:36.42,Defaultk,,0000,0000,0000,karaoke,{\k106}{\k38}Now{\k0} {\k0}{\k24}I{\k5} {\k15}{\k43}have{\k0} {\k0}{\k16}to{\k8} {\k20}{\k76}listen{\k1} {\k9}{\k92}again{\k40}
Comment: 0,0:00:36.43,0:00:39.05,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k30}This{\k1} {\k3}{\k28}is{\k0} {\k0}{\k40}for{\k0} {\k5}{\k43}my{\k1} {\k4}{\k77}love{\k28}
Comment: 0,0:00:39.09,0:00:43.48,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k28}Re{\k23}mem{\k23}ber{\k4} {\k1}{\k44}why{\k3} {\k4}{\k36}I’m{\k0} {\k5}{\k34}still{\k3} {\k3}{\k68}In{\k3} {\k3}{\k121}here{\k32}
Comment: 0,0:00:43.99,0:00:47.19,Defaultk,,0000,0000,0000,karaoke,{\k33}{\k33}’cause{\k0} {\k1}{\k26}it{\k14}’s{\k0} {\k3}{\k19}all{\k0} {\k3}{\k14}for{\k0} {\k2}{\k71}you{\k101}
Comment: 0,0:00:49.17,0:00:54.94,Defaultk,,0000,0000,0000,karaoke,{\k138}{\k44}When{\k0} {\k0}{\k20}it{\k18}’s{\k3} {\k3}{\k46}some{\k42}thing{\k3} {\k5}{\k20}I{\k38}can{\k0} {\k0}{\k49}take{\k148}
Dialogue: 0,0:00:53.24,0:00:54.50,2555,,0000,0000,0000,,{\k12\t(100,520,\frz360)\move(1095,64,649,85,0,0)}{\k83}Yeah!{\k71}
Comment: 0,0:00:56.05,0:01:02.23,Defaultk,,0000,0000,0000,karaoke,{\k26}{\k19}I{\k11}’ll {\k1}{\k1}{\k20}be{\k2} {\k0}{\k23}st{\k34}ron{\k36}ger{\k1} {\k4}{\k24}on{\k22}ce{\k3} {\k3}{\k41}a{\k324}gain{\k23}
Comment: 0,0:01:02.23,0:01:05.52,Defaultk,,0000,0000,0000,karaoke,{\k43}{\k23}I{\k1} {\k1}{\k81}need{\k13} {\k3}{\k164}you{\k0}
Comment: 0,0:01:05.59,0:01:09.50,Defaultk,,0000,0000,0000,karaoke,{\k16}{\k19}I{\k23}’ll{\k0} {\k2}{\k40}give{\k0} {\k0}{\k135}you{\k3} {\k4}{\k34}my{\k3} {\k5}{\k107}love{\k0}
Comment: 0,0:01:09.51,0:01:15.00,Defaultk,,0000,0000,0000,karaoke,{\k1}{\k23}You{\k4} {\k0}{\k29}can{\k1} {\k1}{\k106}live{\k2} {\k2}{\k37}your{\k2} {\k1}{\k88}own{\k2} {\k4}{\k72}life{\k3} {\k8}{\k34}for{\k1} {\k0}{\k128}you{\k0}
Comment: 0,0:01:15.00,0:01:17.00,Defaultk,,0000,0000,0000,karaoke,
Dialogue: 0,0:00:01.03,0:00:01.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(392,10,405,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:01.03,0:00:01.51,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(392,10,403,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:00.71,0:00:01.26,Defaultk,,0000,0000,0000,fx,{an8\move(1009,10,427,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Wan
Dialogue: 0,0:00:01.26,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(427,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,630,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(427,10,427,362,0,400))}Wan
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(409,10,409,161)\t(\fad(0,1600)\1c&H0000EFAF&)}W
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(436,10,436,137)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(454,10,454,72)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:01.26,0:00:02.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(427,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Wan
Dialogue: 0,0:00:00.75,0:00:01.89,Defaultk,,0000,0000,0000,fx,{an8\move(1072,10,490,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ted
Dialogue: 0,0:00:01.89,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(490,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(490,10,490,330,0,400))}ted
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(471,10,471,-10)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(488,10,488,201)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(508,10,508,105)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:00:01.89,0:00:02.39,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(490,10,509,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ted
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(540,10,540,330)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:02.14,0:00:02.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(532,10,542,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:02.19,0:00:02.45,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(532,10,543,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:00.87,0:00:02.20,Defaultk,,0000,0000,0000,fx,{an8\move(1131,10,549,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}so
Dialogue: 0,0:00:02.20,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(549,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(549,10,549,132,0,400))}so
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(540,10,540,74)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(558,10,558,200)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:02.20,0:00:02.65,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(549,10,544,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}so
Dialogue: 0,0:00:00.91,0:00:02.40,Defaultk,,0000,0000,0000,fx,{an8\move(1171,10,589,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:02.40,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(589,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,260,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(589,10,589,189,0,400))}me
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(579,10,579,288)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(602,10,602,273)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:02.40,0:00:02.91,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(589,10,601,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:00.95,0:00:02.66,Defaultk,,0000,0000,0000,fx,{an8\move(1234,10,652,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}thing
Dialogue: 0,0:00:02.66,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(652,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(652,10,652,182,0,400))}thing
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(619,10,619,122)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(637,10,637,187)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(652,10,652,242)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,197)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(683,10,683,296)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:02.66,0:00:03.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(652,10,653,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}thing
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(714,10,714,-10)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:03.02,0:00:03.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(706,10,710,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:03.03,0:00:03.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(706,10,696,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:01.07,0:00:03.03,Defaultk,,0000,0000,0000,fx,{an8\move(1324,10,742,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Ican
Dialogue: 0,0:00:03.03,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(742,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,350,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(742,10,742,366,0,400))}Ican
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(716,10,716,38)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(734,10,734,165)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(752,10,752,99)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(770,10,770,51)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:03.03,0:00:03.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(742,10,749,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Ican
Dialogue: 0,0:00:01.11,0:00:03.38,Defaultk,,0000,0000,0000,fx,{an8\move(1372,10,790,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’t
Dialogue: 0,0:00:03.38,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(790,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(790,10,790,146,0,400))}’t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(782,10,782,2)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(794,10,794,102)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:03.38,0:00:03.83,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(790,10,793,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(824,10,824,289)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:03.58,0:00:03.83,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(817,10,827,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:03.58,0:00:03.83,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(817,10,816,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:01.23,0:00:03.58,Defaultk,,0000,0000,0000,fx,{an8\move(1435,10,853,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}take
Dialogue: 0,0:00:03.58,0:00:04.85,Defaultk,,0000,0000,0000,fx,{\an8\pos(853,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,700,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(853,10,853,363,0,400))}take
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(825,10,825,132)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(842,10,842,313)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(860,10,860,12)\t(\fad(0,1600)\1c&H0000EFAF&)}k
Dialogue: 0,0:00:04.63,0:00:05.25,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(879,10,879,348)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:03.58,0:00:04.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(853,10,843,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}take
Dialogue: 0,0:00:04.28,0:00:05.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(888,10,889,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.89,0:00:05.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,424,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.89,0:00:05.55,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,437,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.57,0:00:05.30,Defaultk,,0000,0000,0000,fx,{an8\move(1028,10,446,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I’ll
Dialogue: 0,0:00:05.30,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(446,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,310,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(446,10,446,115,0,400))}I’ll
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(433,10,433,8)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(446,10,446,187)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(454,10,454,50)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(464,10,464,305)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:05.30,0:00:05.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(446,10,453,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I’ll
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(490,10,490,63)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:05.61,0:00:05.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,479,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.61,0:00:05.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,484,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.69,0:00:05.61,Defaultk,,0000,0000,0000,fx,{an8\move(1084,10,502,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}be
Dialogue: 0,0:00:05.61,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(502,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(502,10,502,53,0,400))}be
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(493,10,493,28)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,28)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:05.61,0:00:06.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,499,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}be
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,185)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:05.89,0:00:06.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,542,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.89,0:00:06.15,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,530,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:04.81,0:00:05.90,Defaultk,,0000,0000,0000,fx,{an8\move(1134,10,552,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:05.90,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(552,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(552,10,552,350,0,400))}st
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,200)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(561,10,561,85)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:05.90,0:00:06.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,543,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:04.85,0:00:06.09,Defaultk,,0000,0000,0000,fx,{an8\move(1176,10,594,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ron
Dialogue: 0,0:00:06.09,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(594,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,290,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(594,10,594,356,0,400))}ron
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(577,10,577,114)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(594,10,594,247)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(611,10,611,312)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:06.09,0:00:06.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(594,10,596,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ron
Dialogue: 0,0:00:04.89,0:00:06.38,Defaultk,,0000,0000,0000,fx,{an8\move(1229,10,647,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ger
Dialogue: 0,0:00:06.38,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(647,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,460,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(647,10,647,50,0,400))}ger
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(629,10,629,39)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(647,10,647,362)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,-15)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:06.38,0:00:07.09,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(647,10,656,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ger
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(695,10,695,102)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:06.84,0:00:07.09,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,681,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:06.84,0:00:07.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,692,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.01,0:00:06.88,Defaultk,,0000,0000,0000,fx,{an8\move(1279,10,697,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}o
Dialogue: 0,0:00:06.88,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(697,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(697,10,697,364,0,400))}o
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(697,10,697,248)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:06.88,0:00:07.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(697,10,716,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}o
Dialogue: 0,0:00:05.05,0:00:07.10,Defaultk,,0000,0000,0000,fx,{an8\move(1296,10,714,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}n
Dialogue: 0,0:00:07.10,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(714,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,180,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(714,10,714,53,0,400))}n
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(714,10,714,217)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:07.10,0:00:07.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(714,10,729,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}n
Dialogue: 0,0:00:05.09,0:00:07.28,Defaultk,,0000,0000,0000,fx,{an8\move(1323,10,741,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ce
Dialogue: 0,0:00:07.28,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(741,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(741,10,741,174,0,400))}ce
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(732,10,732,328)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(750,10,750,316)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:07.28,0:00:07.76,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,749,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ce
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(781,10,781,217)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:07.51,0:00:07.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,790,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:07.59,0:00:07.87,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,792,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:05.21,0:00:07.62,Defaultk,,0000,0000,0000,fx,{an8\move(1365,10,783,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}a
Dialogue: 0,0:00:07.62,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(783,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,120,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(783,10,783,367,0,400))}a
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,203)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:07.62,0:00:07.99,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(783,10,782,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}a
Dialogue: 0,0:00:05.25,0:00:07.74,Defaultk,,0000,0000,0000,fx,{an8\move(1407,10,825,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}gain
Dialogue: 0,0:00:07.74,0:00:08.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(825,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,470,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(825,10,825,67,0,400))}gain
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(802,10,802,233)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(820,10,820,257)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(834,10,834,312)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:08.28,0:00:08.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(848,10,848,365)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:07.74,0:00:08.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(825,10,840,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}gain
Dialogue: 0,0:00:08.21,0:00:08.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(856,10,860,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.53,0:00:08.78,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(385,10,380,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.53,0:00:09.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(385,10,382,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.21,0:00:08.88,Defaultk,,0000,0000,0000,fx,{an8\move(1009,10,427,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Don’t
Dialogue: 0,0:00:08.88,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(427,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(427,10,427,342,0,400))}Don’t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(397,10,397,3)\t(\fad(0,1600)\1c&H0000EFAF&)}D
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(418,10,418,134)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(436,10,436,32)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(448,10,448,99)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(460,10,460,75)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(476,10,476,274)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:08.88,0:00:09.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(427,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Don’t
Dialogue: 0,0:00:09.22,0:00:09.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:09.22,0:00:09.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,477,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.33,0:00:09.22,Defaultk,,0000,0000,0000,fx,{an8\move(1085,10,503,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}wo
Dialogue: 0,0:00:09.22,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(503,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(503,10,503,86,0,400))}wo
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(494,10,494,47)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(515,10,515,214)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:09.22,0:00:09.72,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(503,10,519,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}wo
Dialogue: 0,0:00:08.37,0:00:09.47,Defaultk,,0000,0000,0000,fx,{an8\move(1131,10,549,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}rry
Dialogue: 0,0:00:09.47,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(549,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,290,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(549,10,549,97,0,400))}rry
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(532,10,532,179)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(548,10,548,65)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(565,10,565,159)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:09.47,0:00:10.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(549,10,540,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}rry
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(597,10,597,259)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:09.76,0:00:10.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(589,10,580,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:09.78,0:00:10.06,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(589,10,599,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.49,0:00:09.81,Defaultk,,0000,0000,0000,fx,{an8\move(1216,10,634,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}about
Dialogue: 0,0:00:09.81,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(634,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,510,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(634,10,634,149,0,400))}about
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(599,10,599,224)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(618,10,618,346)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(637,10,637,74)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(655,10,655,125)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(671,10,671,11)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(686,10,686,172)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:09.81,0:00:10.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(634,10,644,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}about
Dialogue: 0,0:00:10.32,0:00:10.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,699,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:10.32,0:00:10.60,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,684,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.61,0:00:10.35,Defaultk,,0000,0000,0000,fx,{an8\move(1298,10,716,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:10.35,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(716,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,520,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(716,10,716,309,0,400))}me
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(707,10,707,28)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(729,10,729,215)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:10.35,0:00:11.12,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(716,10,731,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(761,10,761,245)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:10.87,0:00:11.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(753,10,752,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:10.93,0:00:11.21,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(753,10,746,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.73,0:00:10.96,Defaultk,,0000,0000,0000,fx,{an8\move(1360,10,778,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}tru
Dialogue: 0,0:00:10.96,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(778,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,370,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(778,10,778,311,0,400))}tru
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(761,10,761,38)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(777,10,777,49)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(794,10,794,90)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:10.96,0:00:11.58,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(778,10,797,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}tru
Dialogue: 0,0:00:08.77,0:00:11.33,Defaultk,,0000,0000,0000,fx,{an8\move(1401,10,819,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:11.33,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(819,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,310,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(819,10,819,279,0,400))}st
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(811,10,811,343)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(827,10,827,326)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:11.33,0:00:11.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(819,10,825,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(857,10,857,-1)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:11.64,0:00:11.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(850,10,861,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:11.64,0:00:11.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(850,10,869,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:08.89,0:00:11.64,Defaultk,,0000,0000,0000,fx,{an8\move(1455,10,873,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:11.64,0:00:12.86,Defaultk,,0000,0000,0000,fx,{\an8\pos(873,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,640,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(873,10,873,213,0,400))}me
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(863,10,863,358)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:12.64,0:00:13.26,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(886,10,886,299)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:11.64,0:00:12.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(873,10,869,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:12.28,0:00:13.11,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(895,10,893,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.65,0:00:12.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(475,10,493,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.65,0:00:14.33,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(475,10,482,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.33,0:00:14.08,Defaultk,,0000,0000,0000,fx,{an8\move(1107,10,525,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Please
Dialogue: 0,0:00:14.08,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(525,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,470,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(525,10,525,365,0,400))}Please
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(484,10,484,181)\t(\fad(0,1600)\1c&H0000EFAF&)}P
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(498,10,498,106)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,329)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(531,10,531,28)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(548,10,548,98)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,221)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:14.08,0:00:14.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(525,10,523,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Please
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(597,10,597,212)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:14.55,0:00:14.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(590,10,583,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:14.55,0:00:14.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(590,10,598,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.45,0:00:14.55,Defaultk,,0000,0000,0000,fx,{an8\move(1197,10,615,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}tru
Dialogue: 0,0:00:14.55,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(615,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(615,10,615,-3,0,400))}tru
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(598,10,598,161)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(614,10,614,287)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(631,10,631,-20)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:14.55,0:00:15.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(615,10,620,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}tru
Dialogue: 0,0:00:12.49,0:00:14.75,Defaultk,,0000,0000,0000,fx,{an8\move(1238,10,656,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:14.75,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(656,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(656,10,656,345,0,400))}st
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(648,10,648,-1)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(664,10,664,95)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:14.75,0:00:15.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(656,10,647,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(694,10,694,356)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:14.97,0:00:15.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(687,10,683,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:14.97,0:00:15.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(687,10,691,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.61,0:00:14.97,Defaultk,,0000,0000,0000,fx,{an8\move(1291,10,709,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:14.97,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(709,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(709,10,709,173,0,400))}me
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(700,10,700,110)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(722,10,722,224)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:14.97,0:00:15.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(709,10,723,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(754,10,754,49)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:15.21,0:00:15.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(746,10,753,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:15.21,0:00:15.48,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(746,10,752,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:12.73,0:00:15.23,Defaultk,,0000,0000,0000,fx,{an8\move(1357,10,775,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}now
Dialogue: 0,0:00:15.23,0:00:17.65,Defaultk,,0000,0000,0000,fx,{\an8\pos(775,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1160,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(775,10,775,225,0,400))}now
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(755,10,755,279)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(773,10,773,243)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:17.43,0:00:18.05,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(793,10,793,206)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:15.23,0:00:16.64,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(775,10,785,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}now
Dialogue: 0,0:00:16.39,0:00:17.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(805,10,805,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.28,0:00:17.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,485,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.28,0:00:17.95,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:16.96,0:00:17.70,Defaultk,,0000,0000,0000,fx,{an8\move(1083,10,501,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Now
Dialogue: 0,0:00:17.70,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(501,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,320,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(501,10,501,77,0,400))}Now
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(481,10,481,269)\t(\fad(0,1600)\1c&H0000EFAF&)}N
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(503,10,503,320)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(524,10,524,253)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:17.70,0:00:18.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(501,10,491,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Now
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(557,10,557,331)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.02,0:00:18.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(550,10,564,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:18.02,0:00:18.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(550,10,567,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.08,0:00:18.02,Defaultk,,0000,0000,0000,fx,{an8\move(1141,10,559,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:18.02,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(559,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(559,10,559,18,0,400))}I
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(559,10,559,304)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:18.02,0:00:18.52,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(559,10,563,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(590,10,590,351)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.27,0:00:18.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(583,10,602,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.16,0:00:18.32,Defaultk,,0000,0000,0000,fx,{an8\move(1201,10,619,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}have
Dialogue: 0,0:00:18.32,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(619,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(619,10,619,53,0,400))}have
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(592,10,592,324)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(612,10,612,279)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(629,10,629,9)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(647,10,647,52)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:18.32,0:00:19.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(619,10,622,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}have
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(678,10,678,86)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.76,0:00:19.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(671,10,673,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:18.76,0:00:19.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(671,10,676,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.28,0:00:18.76,Defaultk,,0000,0000,0000,fx,{an8\move(1270,10,688,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}to
Dialogue: 0,0:00:18.76,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(688,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(688,10,688,192,0,400))}to
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(679,10,679,266)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(696,10,696,143)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:18.76,0:00:19.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,680,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}to
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(726,10,726,354)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:18.98,0:00:19.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(719,10,739,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:18.98,0:00:19.28,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(719,10,730,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.40,0:00:19.03,Defaultk,,0000,0000,0000,fx,{an8\move(1328,10,746,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}see
Dialogue: 0,0:00:19.03,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(746,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(746,10,746,275,0,400))}see
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(727,10,727,269)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(745,10,745,126)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(764,10,764,-11)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:19.03,0:00:19.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(746,10,765,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}see
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(795,10,795,155)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:19.37,0:00:19.66,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(788,10,802,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:19.41,0:00:19.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(788,10,796,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:17.52,0:00:19.44,Defaultk,,0000,0000,0000,fx,{an8\move(1382,10,800,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}it
Dialogue: 0,0:00:19.44,0:00:21.16,Defaultk,,0000,0000,0000,fx,{\an8\pos(800,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,710,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(800,10,800,351,0,400))}it
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(793,10,793,13)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:20.94,0:00:21.56,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,149)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:19.44,0:00:20.40,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(800,10,818,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}it
Dialogue: 0,0:00:20.15,0:00:21.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(813,10,832,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.16,0:00:21.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(505,10,516,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.16,0:00:21.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(505,10,512,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:20.84,0:00:21.38,Defaultk,,0000,0000,0000,fx,{an8\move(1121,10,539,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}This
Dialogue: 0,0:00:21.38,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(539,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,620,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(539,10,539,82,0,400))}This
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(516,10,516,352)\t(\fad(0,1600)\1c&H0000EFAF&)}T
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(538,10,538,-13)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(552,10,552,96)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(565,10,565,304)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:21.38,0:00:22.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(539,10,536,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}This
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(595,10,595,7)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:22.00,0:00:22.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,590,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:22.02,0:00:22.29,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,588,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:20.96,0:00:22.04,Defaultk,,0000,0000,0000,fx,{an8\move(1196,10,614,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:00:22.04,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(614,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(614,10,614,39,0,400))}for
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(597,10,597,23)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(614,10,614,12)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(631,10,631,330)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:22.04,0:00:22.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(614,10,633,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(661,10,661,324)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:22.44,0:00:22.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(654,10,669,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:22.44,0:00:22.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(654,10,654,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.08,0:00:22.44,Defaultk,,0000,0000,0000,fx,{an8\move(1258,10,676,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:00:22.44,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(676,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(676,10,676,222,0,400))}my
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(667,10,667,170)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(689,10,689,127)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:22.44,0:00:23.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(676,10,681,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(721,10,721,165)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:22.80,0:00:23.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(713,10,730,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:22.80,0:00:23.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(713,10,733,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:21.20,0:00:22.80,Defaultk,,0000,0000,0000,fx,{an8\move(1326,10,744,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}love
Dialogue: 0,0:00:22.80,0:00:23.98,Defaultk,,0000,0000,0000,fx,{\an8\pos(744,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,870,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(744,10,744,342,0,400))}love
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(718,10,718,346)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(731,10,731,127)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(748,10,748,201)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:23.76,0:00:24.38,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(766,10,766,65)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:22.80,0:00:23.92,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(744,10,760,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}love
Dialogue: 0,0:00:23.67,0:00:24.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(775,10,793,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.98,0:00:24.23,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(400,10,395,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.98,0:00:24.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(400,10,407,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.66,0:00:24.28,Defaultk,,0000,0000,0000,fx,{an8\move(996,10,414,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}O
Dialogue: 0,0:00:24.28,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(414,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(414,10,414,227,0,400))}O
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(414,10,414,289)\t(\fad(0,1600)\1c&H0000EFAF&)}O
Dialogue: 0,0:00:24.28,0:00:24.89,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(414,10,429,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}O
Dialogue: 0,0:00:23.70,0:00:24.64,Defaultk,,0000,0000,0000,fx,{an8\move(1037,10,455,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}pen
Dialogue: 0,0:00:24.64,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(455,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,250,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(455,10,455,340,0,400))}pen
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(436,10,436,113)\t(\fad(0,1600)\1c&H0000EFAF&)}p
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(455,10,455,189)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(473,10,473,114)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:24.64,0:00:25.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(455,10,446,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}pen
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(504,10,504,77)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:24.89,0:00:25.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(497,10,497,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.92,0:00:25.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(497,10,508,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.82,0:00:24.92,Defaultk,,0000,0000,0000,fx,{an8\move(1109,10,527,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}this
Dialogue: 0,0:00:24.92,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(527,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(527,10,527,356,0,400))}this
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(504,10,504,319)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(522,10,522,-10)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(537,10,537,213)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(550,10,550,85)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:24.92,0:00:25.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(527,10,518,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}this
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(580,10,580,12)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:25.36,0:00:25.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(572,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:25.36,0:00:25.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(572,10,578,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:23.94,0:00:25.36,Defaultk,,0000,0000,0000,fx,{an8\move(1199,10,617,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}heart
Dialogue: 0,0:00:25.36,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(617,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,350,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(617,10,617,-13,0,400))}heart
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(582,10,582,89)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(601,10,601,85)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(620,10,620,73)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(638,10,638,81)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(654,10,654,262)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:25.36,0:00:25.96,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(617,10,618,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}heart
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(683,10,683,-6)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:25.71,0:00:25.98,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(676,10,686,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:25.73,0:00:26.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(676,10,695,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.06,0:00:25.78,Defaultk,,0000,0000,0000,fx,{an8\move(1286,10,704,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}and
Dialogue: 0,0:00:25.78,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(704,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(704,10,704,193,0,400))}and
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(686,10,686,356)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(704,10,704,42)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(722,10,722,229)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:00:25.78,0:00:26.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(704,10,702,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}and
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(754,10,754,307)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:26.22,0:00:26.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(747,10,744,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:26.22,0:00:26.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(747,10,758,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.18,0:00:26.22,Defaultk,,0000,0000,0000,fx,{an8\move(1351,10,769,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:00:26.22,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(769,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,430,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(769,10,769,271,0,400))}my
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(760,10,760,239)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,174)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:26.22,0:00:26.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(769,10,767,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(814,10,814,217)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:26.65,0:00:26.92,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(806,10,820,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:26.67,0:00:26.95,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(806,10,814,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:24.30,0:00:26.70,Defaultk,,0000,0000,0000,fx,{an8\move(1425,10,843,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}mind
Dialogue: 0,0:00:26.70,0:00:28.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(843,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1030,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(843,10,843,176,0,400))}mind
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(820,10,820,77)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(837,10,837,-9)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(851,10,851,276)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:27.97,0:00:28.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(870,10,870,170)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:00:26.70,0:00:27.98,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(843,10,853,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}mind
Dialogue: 0,0:00:27.73,0:00:28.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(880,10,876,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.19,0:00:28.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(520,10,524,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.19,0:00:28.45,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(520,10,517,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:27.87,0:00:28.20,Defaultk,,0000,0000,0000,fx,{an8\move(1129,10,547,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Let
Dialogue: 0,0:00:28.20,0:00:30.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(547,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,410,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(547,10,547,-14,0,400))}Let
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(530,10,530,218)\t(\fad(0,1600)\1c&H0000EFAF&)}L
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(548,10,548,358)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,63)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:28.20,0:00:28.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(547,10,561,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Let
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(596,10,596,250)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:28.61,0:00:28.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,599,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.61,0:00:28.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(588,10,584,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:27.99,0:00:28.61,Defaultk,,0000,0000,0000,fx,{an8\move(1193,10,611,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}me
Dialogue: 0,0:00:28.61,0:00:30.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(611,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(611,10,611,276,0,400))}me
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(601,10,601,112)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(624,10,624,29)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:28.61,0:00:29.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(611,10,602,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}me
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(655,10,655,159)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:29.01,0:00:29.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(648,10,648,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:29.01,0:00:29.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(648,10,666,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:28.11,0:00:29.01,Defaultk,,0000,0000,0000,fx,{an8\move(1286,10,704,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}believe
Dialogue: 0,0:00:29.01,0:00:30.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(704,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1180,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(704,10,704,341,0,400))}believe
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(658,10,658,262)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(677,10,677,48)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(691,10,691,89)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(701,10,701,-9)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(715,10,715,266)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(733,10,733,316)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:29.97,0:00:30.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(750,10,750,362)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:29.01,0:00:30.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(704,10,723,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}believe
Dialogue: 0,0:00:30.19,0:00:30.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(760,10,752,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.49,0:00:31.74,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(422,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.49,0:00:32.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(422,10,418,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.17,0:00:32.55,Defaultk,,0000,0000,0000,fx,{an8\move(1038,10,456,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Now
Dialogue: 0,0:00:32.55,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(456,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,380,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(456,10,456,249,0,400))}Now
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(435,10,435,213)\t(\fad(0,1600)\1c&H0000EFAF&)}N
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(458,10,458,357)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(478,10,478,313)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:32.55,0:00:33.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(456,10,474,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Now
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,-7)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:32.93,0:00:33.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(504,10,521,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:32.93,0:00:33.18,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(504,10,517,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.29,0:00:32.93,Defaultk,,0000,0000,0000,fx,{an8\move(1096,10,514,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:32.93,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(514,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(514,10,514,361,0,400))}I
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(514,10,514,277)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:32.93,0:00:33.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(514,10,528,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(545,10,545,132)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:33.17,0:00:33.47,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(537,10,545,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:33.22,0:00:33.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(537,10,537,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.41,0:00:33.37,Defaultk,,0000,0000,0000,fx,{an8\move(1156,10,574,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}have
Dialogue: 0,0:00:33.37,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(574,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,430,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(574,10,574,120,0,400))}have
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(547,10,547,285)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,169)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(584,10,584,30)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(602,10,602,163)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:33.37,0:00:34.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(574,10,579,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}have
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(633,10,633,37)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:33.80,0:00:34.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(626,10,640,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:33.80,0:00:34.05,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(626,10,625,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.53,0:00:33.80,Defaultk,,0000,0000,0000,fx,{an8\move(1224,10,642,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}to
Dialogue: 0,0:00:33.80,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(642,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,160,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(642,10,642,228,0,400))}to
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(634,10,634,277)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(650,10,650,337)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:33.80,0:00:34.21,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(642,10,659,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}to
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(681,10,681,0)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:33.96,0:00:34.29,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,680,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:34.04,0:00:34.49,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,690,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.65,0:00:34.24,Defaultk,,0000,0000,0000,fx,{an8\move(1300,10,718,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}listen
Dialogue: 0,0:00:34.24,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(718,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,760,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(718,10,718,320,0,400))}listen
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(678,10,678,168)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(688,10,688,257)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(701,10,701,116)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(717,10,717,170)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(734,10,734,121)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(752,10,752,363)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:34.24,0:00:35.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(718,10,724,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}listen
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,252)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:35.00,0:00:35.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(776,10,767,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:35.01,0:00:35.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(776,10,770,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:31.77,0:00:35.10,Defaultk,,0000,0000,0000,fx,{an8\move(1399,10,817,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}again
Dialogue: 0,0:00:35.10,0:00:36.42,Defaultk,,0000,0000,0000,fx,{\an8\pos(817,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,920,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(817,10,817,-7,0,400))}again
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(785,10,785,57)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(804,10,804,111)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(822,10,822,180)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(836,10,836,83)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:36.20,0:00:36.82,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(850,10,850,166)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:35.10,0:00:36.27,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(817,10,807,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}again
Dialogue: 0,0:00:36.02,0:00:36.67,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(858,10,864,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.43,0:00:36.68,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(484,10,502,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.43,0:00:36.69,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(484,10,491,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.11,0:00:36.44,Defaultk,,0000,0000,0000,fx,{an8\move(1101,10,519,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}This
Dialogue: 0,0:00:36.44,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(519,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,300,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(519,10,519,68,0,400))}This
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(496,10,496,294)\t(\fad(0,1600)\1c&H0000EFAF&)}T
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(518,10,518,298)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(532,10,532,209)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(545,10,545,79)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:36.44,0:00:36.99,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(519,10,528,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}This
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(575,10,575,329)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:36.74,0:00:37.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(568,10,586,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.75,0:00:37.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(568,10,588,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.23,0:00:36.78,Defaultk,,0000,0000,0000,fx,{an8\move(1163,10,581,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}is
Dialogue: 0,0:00:36.78,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(581,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(581,10,581,368,0,400))}is
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(573,10,573,248)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(585,10,585,314)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:36.78,0:00:37.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(581,10,579,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}is
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(616,10,616,214)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:37.06,0:00:37.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(608,10,598,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:37.06,0:00:37.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(608,10,620,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.35,0:00:37.06,Defaultk,,0000,0000,0000,fx,{an8\move(1216,10,634,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:00:37.06,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(634,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(634,10,634,114,0,400))}for
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(617,10,617,238)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(634,10,634,31)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(651,10,651,156)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:37.06,0:00:37.71,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(634,10,648,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(681,10,681,350)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:37.46,0:00:37.71,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,673,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:37.46,0:00:37.76,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,666,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.47,0:00:37.51,Defaultk,,0000,0000,0000,fx,{an8\move(1278,10,696,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:00:37.51,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(696,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,430,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(696,10,696,99,0,400))}my
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(687,10,687,359)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(710,10,710,304)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:37.51,0:00:38.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(696,10,714,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(741,10,741,148)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:37.94,0:00:38.20,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,745,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:37.95,0:00:38.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,734,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:36.59,0:00:37.99,Defaultk,,0000,0000,0000,fx,{an8\move(1347,10,765,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}love
Dialogue: 0,0:00:37.99,0:00:39.05,Defaultk,,0000,0000,0000,fx,{\an8\pos(765,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,770,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(765,10,765,65,0,400))}love
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(738,10,738,187)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(752,10,752,324)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(769,10,769,42)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:00:38.83,0:00:39.45,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(786,10,786,99)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:37.99,0:00:39.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(765,10,770,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}love
Dialogue: 0,0:00:38.76,0:00:39.29,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(796,10,811,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.09,0:00:39.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(379,10,378,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.09,0:00:39.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(379,10,376,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:38.77,0:00:39.10,Defaultk,,0000,0000,0000,fx,{an8\move(981,10,399,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}Re
Dialogue: 0,0:00:39.10,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(399,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(399,10,399,40,0,400))}Re
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(389,10,389,185)\t(\fad(0,1600)\1c&H0000EFAF&)}R
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(410,10,410,25)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:39.10,0:00:39.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(399,10,402,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}Re
Dialogue: 0,0:00:38.81,0:00:39.38,Defaultk,,0000,0000,0000,fx,{an8\move(1037,10,455,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}mem
Dialogue: 0,0:00:39.38,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(455,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(455,10,455,-10,0,400))}mem
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(432,10,432,153)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(455,10,455,201)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(477,10,477,358)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:39.38,0:00:39.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(455,10,454,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}mem
Dialogue: 0,0:00:38.85,0:00:39.61,Defaultk,,0000,0000,0000,fx,{an8\move(1100,10,518,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ber
Dialogue: 0,0:00:39.61,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(518,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(518,10,518,251,0,400))}ber
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(500,10,500,309)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(520,10,520,113)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(537,10,537,252)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:39.61,0:00:40.09,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(518,10,525,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ber
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(567,10,567,62)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:39.84,0:00:40.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(560,10,578,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.88,0:00:40.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(560,10,556,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:38.97,0:00:39.89,Defaultk,,0000,0000,0000,fx,{an8\move(1172,10,590,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}why
Dialogue: 0,0:00:39.89,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(590,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(590,10,590,158,0,400))}why
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(571,10,571,291)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(593,10,593,251)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(612,10,612,58)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:39.89,0:00:40.58,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(590,10,601,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}why
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(643,10,643,355)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:40.33,0:00:40.61,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(636,10,636,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:40.36,0:00:40.65,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(636,10,656,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.09,0:00:40.40,Defaultk,,0000,0000,0000,fx,{an8\move(1244,10,662,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I’m
Dialogue: 0,0:00:40.40,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(662,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(662,10,662,323,0,400))}I’m
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(645,10,645,187)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(658,10,658,193)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(675,10,675,115)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:40.40,0:00:41.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(662,10,670,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I’m
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(710,10,710,270)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:40.76,0:00:41.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(703,10,706,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:40.76,0:00:41.06,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(703,10,693,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.21,0:00:40.81,Defaultk,,0000,0000,0000,fx,{an8\move(1315,10,733,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}still
Dialogue: 0,0:00:40.81,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(733,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(733,10,733,335,0,400))}still
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(711,10,711,17)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(727,10,727,-4)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(740,10,740,269)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(749,10,749,119)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(758,10,758,348)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:40.81,0:00:41.40,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,744,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}still
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(785,10,785,327)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:41.15,0:00:41.43,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(777,10,778,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:41.18,0:00:41.46,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(777,10,769,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.33,0:00:41.21,Defaultk,,0000,0000,0000,fx,{an8\move(1377,10,795,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}In
Dialogue: 0,0:00:41.21,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(795,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,680,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(795,10,795,111,0,400))}In
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(787,10,787,20)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,75)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:41.21,0:00:42.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(795,10,791,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}In
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(835,10,835,134)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:41.89,0:00:42.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(828,10,821,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:41.92,0:00:42.20,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(828,10,818,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:39.45,0:00:41.95,Defaultk,,0000,0000,0000,fx,{an8\move(1447,10,865,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}here
Dialogue: 0,0:00:41.95,0:00:43.48,Defaultk,,0000,0000,0000,fx,{\an8\pos(865,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1210,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(865,10,865,105,0,400))}here
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(838,10,838,214)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(857,10,857,65)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(875,10,875,-11)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:43.26,0:00:43.88,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(892,10,892,-12)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:41.95,0:00:43.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(865,10,857,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}here
Dialogue: 0,0:00:43.16,0:00:43.73,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(901,10,901,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.99,0:00:44.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.99,0:00:44.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(467,10,458,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.67,0:00:44.32,Defaultk,,0000,0000,0000,fx,{an8\move(1097,10,515,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’cause
Dialogue: 0,0:00:44.32,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(515,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,330,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(515,10,515,47,0,400))}’cause
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(471,10,471,170)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(483,10,483,60)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(501,10,501,227)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(519,10,519,128)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(536,10,536,67)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(554,10,554,154)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:44.32,0:00:44.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(515,10,535,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’cause
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(585,10,585,305)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:44.65,0:00:44.90,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(578,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:44.65,0:00:44.91,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(578,10,582,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.79,0:00:44.66,Defaultk,,0000,0000,0000,fx,{an8\move(1173,10,591,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}it
Dialogue: 0,0:00:44.66,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(591,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,260,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(591,10,591,348,0,400))}it
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(583,10,583,277)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(595,10,595,341)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:44.66,0:00:45.17,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(591,10,594,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}it
Dialogue: 0,0:00:43.83,0:00:44.92,Defaultk,,0000,0000,0000,fx,{an8\move(1197,10,615,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’s
Dialogue: 0,0:00:44.92,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(615,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,140,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(615,10,615,260,0,400))}’s
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(607,10,607,54)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(619,10,619,369)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:44.92,0:00:45.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(615,10,613,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’s
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(649,10,649,280)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:45.06,0:00:45.31,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(642,10,648,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:45.06,0:00:45.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(642,10,640,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:43.95,0:00:45.09,Defaultk,,0000,0000,0000,fx,{an8\move(1242,10,660,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}all
Dialogue: 0,0:00:45.09,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(660,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(660,10,660,47,0,400))}all
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(651,10,651,353)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,59)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(674,10,674,-17)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:00:45.09,0:00:45.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(660,10,662,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}all
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(701,10,701,303)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:45.28,0:00:45.53,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,712,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:45.28,0:00:45.56,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(694,10,699,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:44.07,0:00:45.31,Defaultk,,0000,0000,0000,fx,{an8\move(1301,10,719,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:00:45.31,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(719,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,140,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(719,10,719,112,0,400))}for
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(702,10,702,87)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(720,10,720,303)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(737,10,737,69)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:45.31,0:00:45.70,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(719,10,737,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(767,10,767,117)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:45.45,0:00:45.70,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(759,10,755,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:45.45,0:00:45.72,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(759,10,767,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:44.19,0:00:45.47,Defaultk,,0000,0000,0000,fx,{an8\move(1368,10,786,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:00:45.47,0:00:47.19,Defaultk,,0000,0000,0000,fx,{\an8\pos(786,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,710,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(786,10,786,356,0,400))}you
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(769,10,769,193)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(787,10,787,285)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:46.97,0:00:47.59,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,196)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:00:45.47,0:00:46.43,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(786,10,776,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:00:46.18,0:00:47.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(813,10,811,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.17,0:00:49.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(389,10,386,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.17,0:00:50.80,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(389,10,390,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:48.85,0:00:50.55,Defaultk,,0000,0000,0000,fx,{an8\move(1016,10,434,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}When
Dialogue: 0,0:00:50.55,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(434,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,440,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(434,10,434,103,0,400))}When
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(406,10,406,353)\t(\fad(0,1600)\1c&H0000EFAF&)}W
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(434,10,434,152)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(453,10,453,-13)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(471,10,471,358)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:50.55,0:00:51.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(434,10,429,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}When
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(502,10,502,223)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:50.99,0:00:51.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(495,10,486,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:50.99,0:00:51.24,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(495,10,486,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:48.97,0:00:50.99,Defaultk,,0000,0000,0000,fx,{an8\move(1089,10,507,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}it
Dialogue: 0,0:00:50.99,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(507,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(507,10,507,241,0,400))}it
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(499,10,499,318)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,275)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:50.99,0:00:51.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(507,10,514,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}it
Dialogue: 0,0:00:49.01,0:00:51.19,Defaultk,,0000,0000,0000,fx,{an8\move(1114,10,532,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’s
Dialogue: 0,0:00:51.19,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(532,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,180,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(532,10,532,197,0,400))}’s
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(524,10,524,197)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(536,10,536,166)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:51.19,0:00:51.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(532,10,536,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’s
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(566,10,566,29)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:51.37,0:00:51.65,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(559,10,578,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:51.40,0:00:51.68,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(559,10,566,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.13,0:00:51.43,Defaultk,,0000,0000,0000,fx,{an8\move(1180,10,598,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}some
Dialogue: 0,0:00:51.43,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(598,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,460,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(598,10,598,23,0,400))}some
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(567,10,567,48)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(584,10,584,131)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(606,10,606,16)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(628,10,628,300)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:51.43,0:00:52.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(598,10,617,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}some
Dialogue: 0,0:00:49.17,0:00:51.89,Defaultk,,0000,0000,0000,fx,{an8\move(1260,10,678,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}thing
Dialogue: 0,0:00:51.89,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(678,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,420,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(678,10,678,225,0,400))}thing
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(646,10,646,-11)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(663,10,663,26)\t(\fad(0,1600)\1c&H0000EFAF&)}h
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(678,10,678,216)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(691,10,691,171)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(709,10,709,127)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:00:51.89,0:00:52.56,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(678,10,693,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}thing
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(740,10,740,154)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:52.31,0:00:52.59,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,735,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:52.34,0:00:52.64,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(733,10,737,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.29,0:00:52.39,Defaultk,,0000,0000,0000,fx,{an8\move(1324,10,742,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:52.39,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(742,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(742,10,742,238,0,400))}I
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(742,10,742,232)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:52.39,0:00:52.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(742,10,739,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:49.33,0:00:52.59,Defaultk,,0000,0000,0000,fx,{an8\move(1360,10,778,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}can
Dialogue: 0,0:00:52.59,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(778,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,380,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(778,10,778,364,0,400))}can
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(760,10,760,96)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(778,10,778,305)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(796,10,796,261)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:52.59,0:00:53.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(778,10,777,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}can
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(827,10,827,37)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:52.97,0:00:53.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(819,10,817,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:52.97,0:00:53.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(819,10,809,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:49.45,0:00:52.97,Defaultk,,0000,0000,0000,fx,{an8\move(1437,10,855,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}take
Dialogue: 0,0:00:52.97,0:00:54.94,Defaultk,,0000,0000,0000,fx,{\an8\pos(855,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,490,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(855,10,855,175,0,400))}take
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(827,10,827,326)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(845,10,845,355)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(863,10,863,256)\t(\fad(0,1600)\1c&H0000EFAF&)}k
Dialogue: 0,0:00:54.72,0:00:55.34,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(882,10,882,9)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:52.97,0:00:53.71,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(855,10,848,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}take
Dialogue: 0,0:00:53.46,0:00:55.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(891,10,889,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.05,0:00:56.30,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,432,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.05,0:00:56.56,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(424,10,439,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:55.73,0:00:56.31,Defaultk,,0000,0000,0000,fx,{an8\move(1015,10,433,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:00:56.31,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(433,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(433,10,433,335,0,400))}I
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(433,10,433,275)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:00:56.31,0:00:56.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(433,10,450,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:00:55.77,0:00:56.50,Defaultk,,0000,0000,0000,fx,{an8\move(1037,10,455,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’ll
Dialogue: 0,0:00:56.50,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(455,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,110,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(455,10,455,64,0,400))}’ll
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(446,10,446,8)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(454,10,454,144)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(464,10,464,55)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(475,10,475,60)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:56.50,0:00:56.86,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(455,10,456,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’ll
Dialogue: 0,0:00:56.61,0:00:56.87,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,480,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.62,0:00:56.88,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(483,10,478,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:55.89,0:00:56.63,Defaultk,,0000,0000,0000,fx,{an8\move(1084,10,502,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}be
Dialogue: 0,0:00:56.63,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(502,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,200,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(502,10,502,110,0,400))}be
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(493,10,493,263)\t(\fad(0,1600)\1c&H0000EFAF&)}b
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(512,10,512,111)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:56.63,0:00:57.08,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,498,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}be
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,285)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:56.83,0:00:57.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,527,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.85,0:00:57.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,532,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.01,0:00:56.85,Defaultk,,0000,0000,0000,fx,{an8\move(1134,10,552,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}st
Dialogue: 0,0:00:56.85,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(552,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(552,10,552,246,0,400))}st
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(544,10,544,41)\t(\fad(0,1600)\1c&H0000EFAF&)}s
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(561,10,561,357)\t(\fad(0,1600)\1c&H0000EFAF&)}t
Dialogue: 0,0:00:56.85,0:00:57.33,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}st
Dialogue: 0,0:00:56.05,0:00:57.08,Defaultk,,0000,0000,0000,fx,{an8\move(1176,10,594,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ron
Dialogue: 0,0:00:57.08,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(594,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(594,10,594,227,0,400))}ron
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(577,10,577,343)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(594,10,594,266)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(611,10,611,186)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:57.08,0:00:57.67,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(594,10,587,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ron
Dialogue: 0,0:00:56.09,0:00:57.42,Defaultk,,0000,0000,0000,fx,{an8\move(1229,10,647,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ger
Dialogue: 0,0:00:57.42,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(647,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,360,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(647,10,647,18,0,400))}ger
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(629,10,629,88)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(647,10,647,275)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(665,10,665,297)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:00:57.42,0:00:58.03,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(647,10,639,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ger
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(695,10,695,236)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:57.78,0:00:58.04,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,707,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:57.79,0:00:58.08,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(688,10,706,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.21,0:00:57.83,Defaultk,,0000,0000,0000,fx,{an8\move(1287,10,705,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}on
Dialogue: 0,0:00:57.83,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(705,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(705,10,705,156,0,400))}on
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(697,10,697,34)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(714,10,714,49)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:57.83,0:00:58.32,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(705,10,703,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}on
Dialogue: 0,0:00:56.25,0:00:58.07,Defaultk,,0000,0000,0000,fx,{an8\move(1323,10,741,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}ce
Dialogue: 0,0:00:58.07,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(741,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,220,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(741,10,741,98,0,400))}ce
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(732,10,732,323)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(750,10,750,296)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:00:58.07,0:00:58.54,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,750,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}ce
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(781,10,781,57)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:00:58.29,0:00:58.57,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,781,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:58.32,0:00:58.60,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(774,10,772,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:00:56.37,0:00:58.35,Defaultk,,0000,0000,0000,fx,{an8\move(1365,10,783,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}a
Dialogue: 0,0:00:58.35,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(783,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,410,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(783,10,783,248,0,400))}a
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(783,10,783,96)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:00:58.35,0:00:59.01,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(783,10,802,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}a
Dialogue: 0,0:00:56.41,0:00:58.76,Defaultk,,0000,0000,0000,fx,{an8\move(1407,10,825,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}gain
Dialogue: 0,0:00:58.76,0:01:02.23,Defaultk,,0000,0000,0000,fx,{\an8\pos(825,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,3240,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(825,10,825,-11,0,400))}gain
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(802,10,802,156)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(820,10,820,160)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(834,10,834,288)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:02.01,0:01:02.63,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(848,10,848,201)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:00:58.76,0:01:02.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(825,10,844,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}gain
Dialogue: 0,0:01:02.00,0:01:02.48,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(856,10,854,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.23,0:01:02.48,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,564,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.23,0:01:02.91,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(552,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:01.91,0:01:02.66,Defaultk,,0000,0000,0000,fx,{an8\move(1143,10,561,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:01:02.66,0:01:05.52,Defaultk,,0000,0000,0000,fx,{\an8\pos(561,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(561,10,561,354,0,400))}I
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(561,10,561,199)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:01:02.66,0:01:03.14,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(561,10,553,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(592,10,592,212)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:02.89,0:01:03.15,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(585,10,585,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.90,0:01:03.16,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(585,10,584,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.03,0:01:02.91,Defaultk,,0000,0000,0000,fx,{an8\move(1204,10,622,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}need
Dialogue: 0,0:01:02.91,0:01:05.52,Defaultk,,0000,0000,0000,fx,{\an8\pos(622,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,810,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(622,10,622,-16,0,400))}need
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(594,10,594,349)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(612,10,612,273)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(631,10,631,259)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(650,10,650,220)\t(\fad(0,1600)\1c&H0000EFAF&)}d
Dialogue: 0,0:01:02.91,0:01:03.97,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(622,10,618,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}need
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(682,10,682,352)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:03.72,0:01:04.10,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,672,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:03.85,0:01:04.13,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(674,10,689,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:02.15,0:01:03.88,Defaultk,,0000,0000,0000,fx,{an8\move(1283,10,701,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:01:03.88,0:01:05.52,Defaultk,,0000,0000,0000,fx,{\an8\pos(701,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1640,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(701,10,701,-20,0,400))}you
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(684,10,684,139)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(702,10,702,115)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:05.30,0:01:05.92,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(720,10,720,219)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:03.88,0:01:05.77,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(701,10,704,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:01:05.52,0:01:05.77,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(728,10,720,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.59,0:01:05.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(477,10,483,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.59,0:01:06.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(477,10,476,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.27,0:01:05.75,Defaultk,,0000,0000,0000,fx,{an8\move(1068,10,486,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}I
Dialogue: 0,0:01:05.75,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(486,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,190,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(486,10,486,303,0,400))}I
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(486,10,486,178)\t(\fad(0,1600)\1c&H0000EFAF&)}I
Dialogue: 0,0:01:05.75,0:01:06.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(486,10,476,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}I
Dialogue: 0,0:01:05.31,0:01:05.94,Defaultk,,0000,0000,0000,fx,{an8\move(1090,10,508,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}’ll
Dialogue: 0,0:01:05.94,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(508,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(508,10,508,151,0,400))}’ll
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(499,10,499,298)\t(\fad(0,1600)\1c&H0000EFAF&)}’
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(507,10,507,293)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(517,10,517,69)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:05.94,0:01:06.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(508,10,499,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}’ll
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(543,10,543,338)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:06.17,0:01:06.42,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,549,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:06.17,0:01:06.44,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(536,10,527,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.43,0:01:06.19,Defaultk,,0000,0000,0000,fx,{an8\move(1149,10,567,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}give
Dialogue: 0,0:01:06.19,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(567,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,400,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(567,10,567,344,0,400))}give
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(545,10,545,250)\t(\fad(0,1600)\1c&H0000EFAF&)}g
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(558,10,558,257)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(571,10,571,0)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(589,10,589,161)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:06.19,0:01:06.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(567,10,572,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}give
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(620,10,620,89)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:06.59,0:01:06.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(613,10,622,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:06.59,0:01:06.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(613,10,628,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.55,0:01:06.59,Defaultk,,0000,0000,0000,fx,{an8\move(1222,10,640,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:01:06.59,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(640,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1350,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(640,10,640,288,0,400))}you
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(622,10,622,265)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(641,10,641,309)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(658,10,658,55)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:06.59,0:01:08.19,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(640,10,632,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(689,10,689,365)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:07.94,0:01:08.22,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(682,10,693,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:07.97,0:01:08.26,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(682,10,682,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.67,0:01:08.01,Defaultk,,0000,0000,0000,fx,{an8\move(1286,10,704,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}my
Dialogue: 0,0:01:08.01,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(704,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(704,10,704,221,0,400))}my
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(695,10,695,13)\t(\fad(0,1600)\1c&H0000EFAF&)}m
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(717,10,717,241)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:08.01,0:01:08.60,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(704,10,719,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}my
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(748,10,748,226)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:08.35,0:01:08.63,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,734,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:08.38,0:01:08.68,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(741,10,741,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:05.79,0:01:08.43,Defaultk,,0000,0000,0000,fx,{an8\move(1354,10,772,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}love
Dialogue: 0,0:01:08.43,0:01:09.50,Defaultk,,0000,0000,0000,fx,{\an8\pos(772,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1070,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(772,10,772,277,0,400))}love
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(746,10,746,151)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(759,10,759,125)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(776,10,776,215)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:01:09.28,0:01:09.90,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(794,10,794,185)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:08.43,0:01:09.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(772,10,770,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}love
Dialogue: 0,0:01:09.50,0:01:09.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(803,10,819,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.51,0:01:09.76,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(363,10,379,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.51,0:01:09.77,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(363,10,363,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.19,0:01:09.52,Defaultk,,0000,0000,0000,fx,{an8\move(973,10,391,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}You
Dialogue: 0,0:01:09.52,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(391,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,230,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(391,10,391,314,0,400))}You
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(373,10,373,282)\t(\fad(0,1600)\1c&H0000EFAF&)}Y
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(393,10,393,13)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(410,10,410,-9)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:09.52,0:01:10.00,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(391,10,406,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}You
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(441,10,441,42)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:09.75,0:01:10.04,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(434,10,440,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.79,0:01:10.04,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(434,10,429,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.31,0:01:09.79,Defaultk,,0000,0000,0000,fx,{an8\move(1043,10,461,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}can
Dialogue: 0,0:01:09.79,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(461,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,290,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(461,10,461,0,0,400))}can
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(443,10,443,130)\t(\fad(0,1600)\1c&H0000EFAF&)}c
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(461,10,461,349)\t(\fad(0,1600)\1c&H0000EFAF&)}a
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(479,10,479,181)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:01:09.79,0:01:10.33,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(461,10,474,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}can
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(510,10,510,203)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:10.08,0:01:10.34,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,518,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:10.09,0:01:10.35,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(502,10,499,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.43,0:01:10.10,Defaultk,,0000,0000,0000,fx,{an8\move(1111,10,529,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}live
Dialogue: 0,0:01:10.10,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(529,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1060,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(529,10,529,221,0,400))}live
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(507,10,507,243)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(516,10,516,-15)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(529,10,529,278)\t(\fad(0,1600)\1c&H0000EFAF&)}v
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(547,10,547,304)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:10.10,0:01:11.41,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(529,10,528,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}live
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(578,10,578,170)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:11.16,0:01:11.43,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(571,10,580,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:11.18,0:01:11.45,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(571,10,562,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.55,0:01:11.20,Defaultk,,0000,0000,0000,fx,{an8\move(1188,10,606,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}your
Dialogue: 0,0:01:11.20,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(606,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,370,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(606,10,606,5,0,400))}your
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(580,10,580,131)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(598,10,598,137)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(616,10,616,157)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(633,10,633,124)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:01:11.20,0:01:11.82,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(606,10,622,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}your
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(663,10,663,294)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:11.57,0:01:11.84,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(655,10,669,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:11.59,0:01:11.85,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(655,10,664,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.67,0:01:11.60,Defaultk,,0000,0000,0000,fx,{an8\move(1267,10,685,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}own
Dialogue: 0,0:01:11.60,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(685,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,880,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(685,10,685,98,0,400))}own
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(664,10,664,80)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(685,10,685,192)\t(\fad(0,1600)\1c&H0000EFAF&)}w
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(705,10,705,299)\t(\fad(0,1600)\1c&H0000EFAF&)}n
Dialogue: 0,0:01:11.60,0:01:12.73,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(685,10,685,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}own
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(736,10,736,-20)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:12.48,0:01:12.75,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(729,10,721,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:12.50,0:01:12.79,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(729,10,749,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.79,0:01:12.54,Defaultk,,0000,0000,0000,fx,{an8\move(1338,10,756,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}life
Dialogue: 0,0:01:12.54,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(756,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,720,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(756,10,756,229,0,400))}life
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(733,10,733,308)\t(\fad(0,1600)\1c&H0000EFAF&)}l
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(743,10,743,9)\t(\fad(0,1600)\1c&H0000EFAF&)}i
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(756,10,756,45)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(774,10,774,-5)\t(\fad(0,1600)\1c&H0000EFAF&)}e
Dialogue: 0,0:01:12.54,0:01:13.51,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(756,10,772,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}life
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(805,10,805,16)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:13.26,0:01:13.54,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(798,10,791,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:13.29,0:01:13.62,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(798,10,789,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:09.91,0:01:13.37,Defaultk,,0000,0000,0000,fx,{an8\move(1405,10,823,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}for
Dialogue: 0,0:01:13.37,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(823,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,340,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(823,10,823,360,0,400))}for
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(806,10,806,73)\t(\fad(0,1600)\1c&H0000EFAF&)}f
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(824,10,824,339)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(841,10,841,89)\t(\fad(0,1600)\1c&H0000EFAF&)}r
Dialogue: 0,0:01:13.37,0:01:13.96,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(823,10,843,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}for
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(871,10,871,37)\t(\fad(0,1600)\1c&H0000EFAF&)}
Dialogue: 0,0:01:13.71,0:01:13.97,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(864,10,872,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:13.72,0:01:13.97,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(864,10,876,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:10.03,0:01:13.72,Defaultk,,0000,0000,0000,fx,{an8\move(1473,10,891,10,0,500)\fad(500,0)\be1\1c&H0000EFAF&}you
Dialogue: 0,0:01:13.72,0:01:15.00,Defaultk,,0000,0000,0000,fx,{\an8\pos(891,10)\1c&H00BBF1DB&\fscx160\fscy130\t(0,1280,\1c&H0000EFAF&\fscx100\fscy100\bord1\move(891,10,891,180,0,400))}you
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(873,10,873,69)\t(\fad(0,1600)\1c&H0000EFAF&)}y
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(891,10,891,52)\t(\fad(0,1600)\1c&H0000EFAF&)}o
Dialogue: 0,0:01:14.78,0:01:15.40,Defaultk,,0000,0000,0000,fx,{\an8\be1\fad(0,510)\bord1\move(909,10,909,230)\t(\fad(0,1600)\1c&H0000EFAF&)}u
Dialogue: 0,0:01:13.72,0:01:15.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(891,10,908,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}you
Dialogue: 0,0:01:15.00,0:01:15.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(917,10,911,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:15.00,0:01:15.25,Defaultk,,0000,0000,0000,fx,{\fade(0,300,0,0,0,0,0)\be1\an8\fscx100\blur5\1&HFF&\fscy100\move(640,10,651,10)\bord0\t(\fscx140\fscy130\bord0\blur1\1&HFF&)}
Dialogue: 0,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)}{\pos(55,52)\b1\blur7}{\b1}BramjNet{\b0} Team
Dialogue: 0,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)}{\pos(55,89)}Translate By:  {\b1}anoos{\b0}
Dialogue: 0,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)}{\pos(55,127)}Styles by   :  {\b1}anoos{\b0}
Dialogue: 3,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)\pos(55,170)}{\pos(55,164)}Producer: {\b1}maxs32{\b0}
Comment: 3,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)\pos(55,250)}{\pos(55,204)}Uploaded By: {\b1}r007{\b0}
Dialogue: 3,0:01:15.01,0:01:20.01,Credit,,0000,0000,0000,,{\fad(300,300)\pos(55,210)}{\pos(55,204)}Karaoke By: {\b1}Ahmed{\b0}
Dialogue: 4,0:01:15.01,0:01:20.01,BNT,,0000,0000,0000,,{\fad(300,300)\fscx162.5\fscy136.25\pos(396,666)}{\fscx143.75\fscy165\pos(1073,716)}www.bramjnet.com
Dialogue: 0,0:01:20.43,0:01:23.85,زيادات,,0000,0000,0000,,{\fad(300,0)\fscx140\fscy128.75\pos(640,252)}الحلقة
Dialogue: 0,0:01:20.43,0:01:23.85,زيادات,,0000,0000,0000,,{\fad(300,0)\pos(650,522)\fscx145\fscy136.25}اسلوب الرمي المنيع
Dialogue: 0,0:01:24.41,0:01:26.84,New,,0000,0000,0000,,في المباراة الثانية امام فريق باغبوز
Dialogue: 0,0:01:27.14,0:01:30.74,New,,0000,0000,0000,,سمح توكيتشي توا لجونسون بسرقة القاعدة الرئيسية
Dialogue: 0,0:01:30.74,0:01:33.17,New,,0000,0000,0000,,وتنازل عن اول نقطة له كلاعب محترف
Dialogue: 0,0:01:35.71,0:01:38.11,New,,0000,0000,0000,,ثم تم وضع جونسون كمدافع للجهة اليسرى من الملعب
Dialogue: 0,0:01:38.50,0:01:40.35,New,,0000,0000,0000,,بأستخدام سرعته الخارقة
Dialogue: 0,0:01:40.60,0:01:42.86,New,,0000,0000,0000,,اظهر مستوى رائع في اللعب
Dialogue: 0,0:01:44.53,0:01:46.02,المعلق على المباراة,,0000,0000,0000,,يالها من خسارة
Dialogue: 0,0:01:46.02,0:01:48.62,المعلق على المباراة,,0000,0000,0000,,مجرد بضع سنتمترات وكان سيمسكها, لكنه اصطدم بالجدار بدلا عن ذلك
Dialogue: 0,0:01:48.98,0:01:50.78,المعلق على المباراة,,0000,0000,0000,,لم يمسكها, لذا فهي لاتحتسب
Dialogue: 0,0:01:50.78,0:01:55.34,المعلق على المباراة,,0000,0000,0000,,ومع ذلك , جماهير الملعب يهتفون لـجونسون للعبه الرائع في الدفاع
Dialogue: 0,0:01:55.34,0:01:57.13,مدير الفريق,,0000,0000,0000,,لقد كان الامر وشيكاً
Dialogue: 0,0:01:57.53,0:01:59.31,كوجيما,,0000,0000,0000,,لماذا ضربتها ياتوكيتشي؟
Dialogue: 0,0:01:59.31,0:02:01.07,ايديتشي ساتوشي,,0000,0000,0000,,لقد قلنا لك الا تضربها
Dialogue: 0,0:02:01.07,0:02:02.79,المعلق على المباراة,,0000,0000,0000,,كم هو مرعب هذا المدعو جونسون؟
Dialogue: 0,0:02:04.79,0:02:07.15,توا,,0000,0000,0000,,{\i1}اضحك كما تشاء
Dialogue: 0,0:02:07.15,0:02:12.90,توا,,0000,0000,0000,,{\i1}لقد اكتشفت الان عيباً في دفاعك هذا
Dialogue: 0,0:02:13.53,0:02:15.15,New,,0000,0000,0000,,والرمية الثانية
Dialogue: 0,0:02:16.94,0:02:17.51,المعلق على المباراة,,0000,0000,0000,,انها ضربة
Dialogue: 0,0:02:18.27,0:02:21.54,المعلق على المباراة,,0000,0000,0000,,انها كرة اخرى تتجه نحو الجهة غير المحسوبة
Dialogue: 0,0:02:22.76,0:02:24.05,مدير الفريق,,0000,0000,0000,,ذلك الاحمق
Dialogue: 0,0:02:24.05,0:02:27.04,المعلق على المباراة,,0000,0000,0000,,المدافع الايسر جونسون يركض نحو الكرة مع سرعة خارقة
Dialogue: 0,0:02:30.60,0:02:32.10,المعلق على المباراة,,0000,0000,0000,,لقد امسكها هذه المرة
Dialogue: 0,0:02:32.10,0:02:34.06,المعلق على المباراة,,0000,0000,0000,,دفاع جونسون خارق
Dialogue: 0,0:02:34.38,0:02:37.42,المعلق على المباراة,,0000,0000,0000,,لقد امسك كرة توكيتشي البسيطة غير الحسوبة
Dialogue: 0,0:02:38.98,0:02:39.74,توا,,0000,0000,0000,,{\i1}كما اعتقدت تماماً
Dialogue: 0,0:02:41.39,0:02:44.65,مدير الفريق,,0000,0000,0000,,لم حركت المضرب ياتوكيتشي؟
Dialogue: 0,0:02:44.65,0:02:46.60,توا,,0000,0000,0000,,لاتكن غاضبا هكذا
Dialogue: 0,0:02:47.20,0:02:49.18,توا,,0000,0000,0000,,فهي لم تكن لعبة مزدوجة
Dialogue: 0,0:02:49.18,0:02:51.43,توا,,0000,0000,0000,,وكنت سأخرج لو انني بقيت واقفاً هناك
Dialogue: 0,0:02:51.43,0:02:52.51,توا,,0000,0000,0000,,لن يفرق شيئاً
Dialogue: 0,0:02:52.90,0:02:54.32,مدير الفريق,,0000,0000,0000,,كيف لم يفرق شيئاً؟
Dialogue: 0,0:02:54.32,0:02:57.55,مدير الفريق,,0000,0000,0000,,رميات نينوميا غير مستقرة هذه الجولة
Dialogue: 0,0:02:57.55,0:03:00.12,مدير الفريق,,0000,0000,0000,,كان من الممكن لك ان تمشي الى القاعدة
Dialogue: 0,0:03:00.12,0:03:02.28,توا,,0000,0000,0000,,توقف عن الهراء ايها الاحمق
Dialogue: 0,0:03:02.68,0:03:03.42,مدير الفريق,,0000,0000,0000,,احمق؟
Dialogue: 0,0:03:03.42,0:03:06.77,توا,,0000,0000,0000,,ايديتشي , اريد ان العب لعبة امساك الكرة , لذا ساعدني
Dialogue: 0,0:03:07.81,0:03:09.13,كوجيما,,0000,0000,0000,,{\i1}هذا غريب
Dialogue: 0,0:03:09.13,0:03:10.79,كوجيما,,0000,0000,0000,,{\i1}توكيتشي يريد امساك الكرة؟
Dialogue: 0,0:03:12.65,0:03:15.79,توا,,0000,0000,0000,,انت هو الضارب التالي,أليس كذلك؟ تعال الى هنا للحظة
Dialogue: 0,0:03:22.49,0:03:24.04,Referee,,0000,0000,0000,,انها ضربة ,  محتسبة , الضارب الى الخارج
Dialogue: 0,0:03:24.89,0:03:28.82,المعلق على المباراة,,0000,0000,0000,,رامي فريق باغبوز , نينوميا, كان في موقف حيث ليس هناك خروج وهناك لاعبان على الاولى والثانية
Dialogue: 0,0:03:28.82,0:03:30.35,المعلق على المباراة,,0000,0000,0000,,لكن الان اصبح هناك لاعبان في الخارج
Dialogue: 0,0:03:30.97,0:03:32.82,المعلق على المباراة,,0000,0000,0000,,الضارب التالي هو توميوكا
Dialogue: 0,0:03:33.77,0:03:36.90,ايديتشي ساتوشي,,0000,0000,0000,,ماذا قلت لتوميوكا ياتوكيتشي؟
Dialogue: 0,0:03:37.68,0:03:39.07,توا,,0000,0000,0000,,من يعلم
Dialogue: 0,0:03:44.24,0:03:46.07,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}ذلك الشاب يتصرف بغرابه
Dialogue: 0,0:03:55.39,0:03:57.34,المعلق على المباراة,,0000,0000,0000,,رمية نينوميا الثانية
Dialogue: 0,0:03:57.95,0:03:58.66,المعلق على المباراة,,0000,0000,0000,,لقد رُميت
Dialogue: 0,0:03:59.38,0:03:59.89,المعلق على المباراة,,0000,0000,0000,,انها ضربة
Dialogue: 0,0:04:00.51,0:04:02.89,المعلق على المباراة,,0000,0000,0000,,الكرة مرة اخرى تتجه نحو الجهة اليسرى للملعب حيث يقف جونسون
Dialogue: 0,0:04:03.55,0:04:06.47,المعلق على المباراة,,0000,0000,0000,,لكن هذه الضربة ليست بالقوية
Dialogue: 0,0:04:07.13,0:04:10.75,مدير الفريق,,0000,0000,0000,,ايها الاحمق لمَ ضربت الكرة بأتجاه جونسون ايضاً؟
Dialogue: 0,0:04:10.75,0:04:14.13,Others1,,0000,0000,0000,,{\i1}فعلت هذا بسبب توكيتشي لانه قال لي اضربها نحو الجهة اليسرى غير المحسوبة
Dialogue: 0,0:04:14.13,0:04:16.93,Others1,,0000,0000,0000,,{\i1}والا فأنه سيعلن عن اسراري
Dialogue: 0,0:04:17.57,0:04:19.19,المعلق على المباراة,,0000,0000,0000,,المدافع الايسر جونسون يركض
Dialogue: 0,0:04:19.19,0:04:22.64,المعلق على المباراة,,0000,0000,0000,,يبدو بأنه سيمسكها بسهولة عند نقطة وقوعها
Dialogue: 0,0:04:24.05,0:04:24.66,توا,,0000,0000,0000,,انتبه
Dialogue: 0,0:04:31.38,0:04:32.64,جونسون,,0000,0000,0000,,اوه ,, لا
Dialogue: 0,0:04:33.85,0:04:37.34,المعلق على المباراة,,0000,0000,0000,,لم يتمكن جونسون من امساك هذه الكرة العادية
Dialogue: 0,0:04:37.34,0:04:39.16,المعلق على المباراة,,0000,0000,0000,,الكرة تدحرجت نحو الجدار
Dialogue: 0,0:04:39.17,0:04:40.92,ايديتشي ساتوشي,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:04:41.34,0:04:43.19,المعلق على المباراة,,0000,0000,0000,,العداء على القاعدة الثانية ,وصل للقاعدة الرئيسية
Dialogue: 0,0:04:43.19,0:04:45.89,المعلق على المباراة,,0000,0000,0000,,وكذلك بالنسبة للعداء على القاعدة الاولى
Dialogue: 0,0:04:45.89,0:04:47.93,المعلق على المباراة,,0000,0000,0000,,فريق لايكونس حصل على الصدارة في مجموع النقاط
Dialogue: 0,0:04:49.08,0:04:50.30,ايديتشي ساتوشي,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:04:51.27,0:04:52.53,OTHER7,,0000,0000,0000,,ماذا حدث الان؟
Dialogue: 0,0:04:52.53,0:04:54.35,others07,,0000,0000,0000,,هل ارتعب من صوت توكيتشي؟
Dialogue: 0,0:04:54.35,0:04:56.99,Kira,,0000,0000,0000,,من الطبيعي ان تتوقف عندما ترتعب من شيء
Dialogue: 0,0:04:56.99,0:04:58.93,bugboo's,,0000,0000,0000,,لكنه استمر بالركض وتعدى منطقة سقوط الكرة
Dialogue: 0,0:05:00.06,0:05:02.70,OTHER7,,0000,0000,0000,,مالذي حدث الان ياتوكيتشي؟
Dialogue: 0,0:05:02.70,0:05:05.81,OTHER7,,0000,0000,0000,,لماذا لم يستطع امساك تلك الكرة السهله؟
Dialogue: 0,0:05:07.06,0:05:09.31,توا,,0000,0000,0000,,ذلك بسبب انه لايحرك نظره
Dialogue: 0,0:05:11.73,0:05:14.81,توا,,0000,0000,0000,,لقد كنت اراقب مكان دفاعه
Dialogue: 0,0:05:15.31,0:05:16.87,توا,,0000,0000,0000,,وبطريقة امساكه للكرة ,
Dialogue: 0,0:05:16.87,0:05:19.15,توا,,0000,0000,0000,,من الواضح انه كان يتدرب على دفاعه
Dialogue: 0,0:05:19.87,0:05:20.86,توا,,0000,0000,0000,,, ولهذا
Dialogue: 0,0:05:21.69,0:05:24.97,توا,,0000,0000,0000,,فلقد كان يرجع الى الوراء في الدفاع متعمداً
Dialogue: 0,0:05:25.83,0:05:29.97,توا,,0000,0000,0000,,وهذا العمل لكي يغطي على نقاط ضعفه في الدفاع
Dialogue: 0,0:05:30.30,0:05:33.06,توا,,0000,0000,0000,,وبالطبع لم اكن اعلم ماهي نقاط ضعفه
Dialogue: 0,0:05:33.73,0:05:36.47,توا,,0000,0000,0000,,لكن الكرة غير المحسوبه قبل قليل كشفت ذلك
Dialogue: 0,0:05:36.98,0:05:41.10,توا,,0000,0000,0000,,والكرة الاخرى السابقة كانت ضربة عادية
Dialogue: 0,0:05:41.63,0:05:42.40,توا,,0000,0000,0000,,....لكن
Dialogue: 0,0:05:44.33,0:05:46.22,توا,,0000,0000,0000,,لقد اصطدم بالجدار مجددا
Dialogue: 0,0:05:46.67,0:05:47.70,كوجيما,,0000,0000,0000,,فهمت
Dialogue: 0,0:05:48.60,0:05:50.53,كوجيما,,0000,0000,0000,,عندما تقترب كرة طائرة من الخلف أو من الجانب
Dialogue: 0,0:05:51.24,0:05:53.62,كوجيما,,0000,0000,0000,,فالمدافع سيزيل نظره عن الكرة
Dialogue: 0,0:05:53.62,0:05:55.83,كوجيما,,0000,0000,0000,,ويركض بأقصى سرعته نحو مكان هبوطها
Dialogue: 0,0:05:55.83,0:05:58.92,كوجيما,,0000,0000,0000,,وعند اقترابه من منطقة الهبوط فسينظر نحو الكرة ثم يمسكها
Dialogue: 0,0:05:59.87,0:06:04.02,كوجيما,,0000,0000,0000,,اذا كانت الكرة المضروبة طائرة وتتجه نحو الجدار
Dialogue: 0,0:06:04.58,0:06:06.53,كوجيما,,0000,0000,0000,,المدافع سيزيل نظره عن الكرة
Dialogue: 0,0:06:06.53,0:06:10.01,كوجيما,,0000,0000,0000,,ويقدر المسافة بينه وبين الجدار ويقف ويمسك الكرة
Dialogue: 0,0:06:10.45,0:06:13.44,توا,,0000,0000,0000,,كنت اراقب تحركاته
Dialogue: 0,0:06:13.44,0:06:18.07,توا,,0000,0000,0000,,عندما يدافع ذلك الشاب , فهو لايزيل نظره عن الكرة ابداً
Dialogue: 0,0:06:18.44,0:06:21.26,OTHER7,,0000,0000,0000,,ولهذا فلقد كان سيصطدم بالجدار
Dialogue: 0,0:06:21.26,0:06:23.56,كوجيما,,0000,0000,0000,,وهذا هو السبب الذي يجعله يدافع  في الجهه البعيدة
Dialogue: 0,0:06:23.56,0:06:27.53,كوجيما,,0000,0000,0000,,مادام المجال وراءه ضيقاً, فلاحاجه له بأن يزيل نظرة
Dialogue: 0,0:06:28.73,0:06:34.32,توا,,0000,0000,0000,,ولهذا فلقد طلبت من توميوكا بأن يضرب الكرة بأتجاه الجهة اليسرى غير المحسوبة
Dialogue: 0,0:06:34.32,0:06:39.58,توا,,0000,0000,0000,,وعندما كنت اتظاهر بأنني كنت ألعب , انتظرته ان يصل الى المنطقة غير الحسوبة
Dialogue: 0,0:06:41.07,0:06:43.79,توا,,0000,0000,0000,,كان يجدر بجونسون امساك تلك الكرة بسهولة
Dialogue: 0,0:06:44.23,0:06:48.62,توا,,0000,0000,0000,,لكن لسوء الحظ , لقد اصطدم بالجدار مرتين
Dialogue: 0,0:06:49.76,0:06:54.15,توا,,0000,0000,0000,,لذا , كان حذراً من الجدار لاارادياً
Dialogue: 0,0:06:54.15,0:06:55.63,توا,,0000,0000,0000,,ولقد لاحظت هذا
Dialogue: 0,0:06:57.11,0:06:57.64,توا,,0000,0000,0000,,{\i1}انتبه
Dialogue: 0,0:06:58.84,0:07:02.09,توا,,0000,0000,0000,,من الطبيعي انه نظر نحو الجدار عند سماع صوتي
Dialogue: 0,0:07:02.88,0:07:03.49,توا,,0000,0000,0000,,... وهذا يعني
Dialogue: 0,0:07:04.28,0:07:05.64,توا,,0000,0000,0000,,انه ازال نظره عن الكرة
Dialogue: 0,0:07:07.11,0:07:08.89,توا,,0000,0000,0000,,والنتيجه واضحة
Dialogue: 0,0:07:12.12,0:07:13.18,المعلق على المباراة,,0000,0000,0000,,تم اخراجه
Dialogue: 0,0:07:13.18,0:07:14.95,المعلق على المباراة,,0000,0000,0000,,لقد تم ترك اللاعب على الثانية
Dialogue: 0,0:07:14.95,0:07:18.62,المعلق على المباراة,,0000,0000,0000,,لكن فريق لايكونس استعاد الصدارة وبجدارة
Dialogue: 0,0:07:18.62,0:07:20.02,المعلق على المباراة,,0000,0000,0000,,النتيجة الان هي 2-1
Dialogue: 0,0:07:21.97,0:07:24.03,المدرب شيرووكا,,0000,0000,0000,,المبارة ابتدأت الان
Dialogue: 0,0:07:24.86,0:07:29.55,المدرب شيرووكا,,0000,0000,0000,,في الجولات الثلاث الباقية, جونسون عليه ان يحمل المضرب مرتين على الاقل
Dialogue: 0,0:07:30.79,0:07:35.54,المعلق على المباراة,,0000,0000,0000,,فريق الباغبوز , الذي تنازل عن الصدارة , سيبدأ هجومه في نهاية الجولة السابعه مع حامل المضرب جونسون
Dialogue: 0,0:07:36.64,0:07:39.06,المعلق على المباراة,,0000,0000,0000,,وهذه هي المرة الاولى لجونسون كضارب محترف
Dialogue: 0,0:07:39.40,0:07:41.69,المعلق على المباراة,,0000,0000,0000,,مانوع الضربة التي ستكون؟
Dialogue: 0,0:07:42.75,0:07:44.28,المعلق على المباراة,,0000,0000,0000,,الرامي هو هاسيغاوا
Dialogue: 0,0:07:44.28,0:07:45.31,المعلق على المباراة,,0000,0000,0000,,... الرمية الاولى
Dialogue: 0,0:07:46.17,0:07:47.02,المعلق على المباراة,,0000,0000,0000,,قد انطلقت
Dialogue: 0,0:07:47.02,0:07:48.56,المعلق على المباراة,,0000,0000,0000,,انه يتهيئ لكرة ارضية
Dialogue: 0,0:07:48.56,0:07:49.32,Referee,,0000,0000,0000,,غير محتسبة
Dialogue: 0,0:07:49.90,0:07:52.32,المعلق على المباراة,,0000,0000,0000,,لكن لاعبي لايكونس وقفوا لها
Dialogue: 0,0:07:52.65,0:07:55.31,المعلق على المباراة,,0000,0000,0000,,يالها من وقفة لضربة ارضيه ياكاواتو - سان؟
Dialogue: 0,0:07:55.31,0:07:57.48,2 المعلق على المباراة,,0000,0000,0000,,كان من المرجح ان تنجح
Dialogue: 0,0:07:57.48,0:07:59.59,2 المعلق على المباراة,,0000,0000,0000,,لانه يركض بسرعة جداً
Dialogue: 0,0:07:59.59,0:08:02.32,2 المعلق على المباراة,,0000,0000,0000,,فقط اضربها ارضية وستكون بأمان
Dialogue: 0,0:08:02.82,0:08:03.47,توا,,0000,0000,0000,,وقت مستقطع
Dialogue: 0,0:08:05.10,0:08:08.21,المعلق على المباراة,,0000,0000,0000,,لقد تجمع مدافعو لايكونس على منطقة الرامي
Dialogue: 0,0:08:09.18,0:08:10.83,المعلق على المباراة,,0000,0000,0000,,يناقشون ماسيفعلونه بشأن الضربة الارضية
Dialogue: 0,0:08:12.49,0:08:14.85,OTHER7,,0000,0000,0000,,هل انت متأكد من ان هذا سينجح؟
Dialogue: 0,0:08:15.60,0:08:17.96,توا,,0000,0000,0000,,انت تتكلم بصوتٍ عالٍ
Dialogue: 0,0:08:20.11,0:08:23.99,المدرب شيرووكا,,0000,0000,0000,,لقد تدرب جونسون وبصورة مستمرة على الضربة الارضية
Dialogue: 0,0:08:24.37,0:08:27.28,المدرب شيرووكا,,0000,0000,0000,,هو الافضل حالياً من غيره في الضربات الارضية
Dialogue: 0,0:08:27.95,0:08:31.00,المدرب شيرووكا,,0000,0000,0000,,من المستحيل ايقافة من الوصول الى القاعدة الاولى
Dialogue: 0,0:08:31.55,0:08:33.74,المعلق على المباراة,,0000,0000,0000,,مدافعوا لايكونس عادوا الى مواقعهم
Dialogue: 0,0:08:34.23,0:08:35.83,المعلق على المباراة,,0000,0000,0000,,حسناً اذن , اللعبة تستمر
Dialogue: 0,0:08:36.64,0:08:37.48,المعلق على المباراة,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:08:37.48,0:08:40.24,المعلق على المباراة,,0000,0000,0000,,مدافعا القاعدا الاولى والثالثة متقدمان
Dialogue: 0,0:08:40.77,0:08:43.00,المعلق على المباراة,,0000,0000,0000,,يبدوا بأنها خطة لتصدي الكرة الارضية
Dialogue: 0,0:08:46.07,0:08:47.71,المعلق على المباراة,,0000,0000,0000,,الرمية الثانية
Dialogue: 0,0:08:47.71,0:08:48.75,المعلق على المباراة,,0000,0000,0000,,قد رُميت
Dialogue: 0,0:08:49.36,0:08:50.56,المعلق على المباراة,,0000,0000,0000,,وكما هو متوقع , انها كرة ارضية
Dialogue: 0,0:08:50.56,0:08:53.48,المعلق على المباراة,,0000,0000,0000,,الكرة تتدحرج نحو مدافع الثالثة
Dialogue: 0,0:08:54.78,0:08:56.41,المعلق على المباراة,,0000,0000,0000,,وجونسون سريعُ جداً
Dialogue: 0,0:08:56.41,0:08:57.38,others07,,0000,0000,0000,,مستحـيل
Dialogue: 0,0:08:58.90,0:08:59.60,Referee,,0000,0000,0000,,اّمن
Dialogue: 0,0:09:00.02,0:09:00.77,المعلق على المباراة,,0000,0000,0000,,وصل بأمان
Dialogue: 0,0:09:01.45,0:09:03.76,المعلق على المباراة,,0000,0000,0000,,سرعة جونسون مرعبة
Dialogue: 0,0:09:04.59,0:09:07.27,المعلق على المباراة,,0000,0000,0000,,لقد وصل للقاعدة الاولى بسهولة
Dialogue: 0,0:09:07.70,0:09:09.35,مدير الفريق,,0000,0000,0000,,هل انت جاد؟
Dialogue: 0,0:09:09.35,0:09:10.46,مدير الفريق,,0000,0000,0000,,هذا سيء
Dialogue: 0,0:09:10.46,0:09:12.78,مدير الفريق,,0000,0000,0000,,حتى مدافع القاعدة الثالثة سيكون بخطر مع تلك السرعه
Dialogue: 0,0:09:13.96,0:09:16.15,New,,0000,0000,0000,,تنبأوه اصبح حقيقة
Dialogue: 0,0:09:17.03,0:09:18.81,المعلق على المباراة,,0000,0000,0000,,جونسون يركض
Dialogue: 0,0:09:20.36,0:09:21.53,المعلق على المباراة,,0000,0000,0000,,وصل بأمان وبسهولة
Dialogue: 0,0:09:22.55,0:09:25.43,المعلق على المباراة,,0000,0000,0000,,ماسك الكرة ايديتشي لم يستطع رمي الكرة الى القاعدة الثانية
Dialogue: 0,0:09:29.03,0:09:30.78,المعلق على المباراة,,0000,0000,0000,,الرمية الثالثة
Dialogue: 0,0:09:31.39,0:09:32.04,المعلق على المباراة,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:09:32.71,0:09:34.21,المعلق على المباراة,,0000,0000,0000,,جونسون يسرق الثالثة
Dialogue: 0,0:09:34.21,0:09:35.29,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}لابد وانك تمزح
Dialogue: 0,0:09:37.80,0:09:38.88,Referee,,0000,0000,0000,,وصل بأمان
Dialogue: 0,0:09:38.88,0:09:40.06,المعلق على المباراة,,0000,0000,0000,,لقد سرقها بنجاح
Dialogue: 0,0:09:40.67,0:09:43.02,المعلق على المباراة,,0000,0000,0000,,وبلمح البصر وصل جونسون للقاعدة الثالثة
Dialogue: 0,0:09:43.43,0:09:46.27,المعلق على المباراة,,0000,0000,0000,,فريق لايكونس في خطر ,
Dialogue: 0,0:09:46.80,0:09:49.69,المعلق على المباراة,,0000,0000,0000,,المدرب ميهارا يخرج من دكة الاحتياط
Dialogue: 0,0:09:50.20,0:09:51.86,مدير الفريق,,0000,0000,0000,,نبدل الرامي بتوكيتشي
Dialogue: 0,0:09:52.98,0:09:53.81,المعلق على المباراة,,0000,0000,0000,,انه توكيتشي
Dialogue: 0,0:09:54.18,0:09:56.33,المعلق على المباراة,,0000,0000,0000,,توكيتشي المتحضر يخرج الى منطقة الرمي
Dialogue: 0,0:09:57.04,0:10:01.49,المعلق على المباراة,,0000,0000,0000,,توكيتشي واجه نفس الوضع في الجولة الرابعه , لكن جونسون سرقة القاعدة الرئيسية بنجاح
Dialogue: 0,0:10:01.96,0:10:04.01,المعلق على المباراة,,0000,0000,0000,,لقد خسر أول نقطة له كلاعب محترف
Dialogue: 0,0:10:04.01,0:10:06.08,2 المعلق على المباراة,,0000,0000,0000,,من المؤكد بأننا سنشاهد محاولة سرقة اخرى
Dialogue: 0,0:10:07.03,0:10:09.43,المعلق على المباراة,,0000,0000,0000,,كيف سيتعامل توكيتشي مع هذا الامر؟
Dialogue: 0,0:10:10.12,0:10:10.97,المعلق على المباراة,,0000,0000,0000,,ماهذا؟
Dialogue: 0,0:10:10.97,0:10:14.63,المعلق على المباراة,,0000,0000,0000,,مدافع  القاعدة للايكونس يتحرك في الدفاع
Dialogue: 0,0:10:17.21,0:10:18.31,المعلق على المباراة,,0000,0000,0000,,مـ ماذا؟
Dialogue: 0,0:10:18.77,0:10:21.62,المعلق على المباراة,,0000,0000,0000,,جونسون رأى ذلك ورجع الى القاعدة الثالثة
Dialogue: 0,0:10:22.09,0:10:23.83,المعلق على المباراة,,0000,0000,0000,,لقد قلل الفارق
Dialogue: 0,0:10:25.13,0:10:27.48,مدير الفريق,,0000,0000,0000,,انظر , انه كما قال توكيتشي
Dialogue: 0,0:10:29.15,0:10:32.01,المدرب شيرووكا,,0000,0000,0000,,{\i1}هل وجدَ طريقة لمنع جونسون من سرقة القاعدة الرئيسية
Dialogue: 0,0:10:32.47,0:10:33.70,المدرب شيرووكا,,0000,0000,0000,,{\i1}كما هو متوقع من توكيتشي
Dialogue: 0,0:10:34.31,0:10:39.98,المدرب شيرووكا,,0000,0000,0000,,{\i1}من المؤسف ان تقنياتك تستطيع فقط منع جونسون من سرقة القاعدة
Dialogue: 0,0:10:41.36,0:10:45.91,المدرب شيرووكا,,0000,0000,0000,,{\i1}وهذه التقنية فيها خلل كبير.{\i0}
Dialogue: 0,0:10:47.29,0:10:50.58,المعلق على المباراة,,0000,0000,0000,,ليس هنالك خروج وهناك لاعب على الثالثة النتيجه هي 2-1
Dialogue: 0,0:10:50.58,0:10:52.13,المعلق على المباراة,,0000,0000,0000,,توكيتشي في موقعه
Dialogue: 0,0:10:53.00,0:10:53.94,المعلق على المباراة,,0000,0000,0000,,وها هو يرمي الكرة
Dialogue: 0,0:10:54.77,0:10:56.23,المعلق على المباراة,,0000,0000,0000,,الكرة خارجة عن منطقة الهدف
Dialogue: 0,0:10:57.12,0:10:58.71,المعلق على المباراة,,0000,0000,0000,,وجونسون لم يتحرك على الاطلاق
Dialogue: 0,0:11:00.74,0:11:03.71,مدير الفريق,,0000,0000,0000,,أرنا مافي استطاعتك لسرقة القاعدة
Dialogue: 0,0:11:04.48,0:11:08.22,المعلق على المباراة,,0000,0000,0000,,النتيجه الان 3-1 للكرات والضارب يتهيء للعب لعبة مشددة
Dialogue: 0,0:11:08.76,0:11:12.12,مدير الفريق,,0000,0000,0000,,جونسون الذي لايركض ليس مخيفاً ابداً
Dialogue: 0,0:11:14.13,0:11:16.14,مدير الفريق,,0000,0000,0000,,لكن .. هل يمكن ان ...
Dialogue: 0,0:11:16.14,0:11:18.46,مدير الفريق,,0000,0000,0000,,هذا سيء
Dialogue: 0,0:11:20.04,0:11:20.93,Referee,,0000,0000,0000,,كرة غير محتسبة
Dialogue: 0,0:11:20.93,0:11:22.15,Referee,,0000,0000,0000,,الرابعه
Dialogue: 0,0:11:23.13,0:11:24.67,المعلق على المباراة,,0000,0000,0000,,الطريقة لن تعمل
Dialogue: 0,0:11:24.67,0:11:28.16,المعلق على المباراة,,0000,0000,0000,,توكيتشي قلق بشأن اللعب المشددة وهو لايريد ان يواجه الضارب
Dialogue: 0,0:11:29.32,0:11:29.95,Referee,,0000,0000,0000,,الكرة الرابعه
Dialogue: 0,0:11:31.09,0:11:32.77,المعلق على المباراة,,0000,0000,0000,,وهاهو اللاعب يمشي للقاعدة
Dialogue: 0,0:11:32.77,0:11:33.77,المعلق على المباراة,,0000,0000,0000,,واخيراً امتلأت القواعد
Dialogue: 0,0:11:34.68,0:11:37.95,المعلق على المباراة,,0000,0000,0000,,الضارب التالي ميناموتو المحترف بالكرات الارضية
Dialogue: 0,0:11:38.50,0:11:40.25,المعلق على المباراة,,0000,0000,0000,,ماذا ستفعل الان ياتوكيتشي؟
Dialogue: 0,0:11:41.91,0:11:43.51,مدير الفريق,,0000,0000,0000,,هذا هو الاسوء
Dialogue: 0,0:11:43.99,0:11:47.03,المعلق على المباراة,,0000,0000,0000,,مدافعي لايكونس الذين ذاق بهم الامر يجتمعون حول منطقة الرمي
Dialogue: 0,0:11:47.03,0:11:48.29,ايديتشي ساتوشي,,0000,0000,0000,,لاتهرب بعيداً ايها الاحمق
Dialogue: 0,0:11:48.29,0:11:50.22,OTHER7,,0000,0000,0000,,ليس هناك مهرب الان
Dialogue: 0,0:11:50.22,0:11:52.76,others07,,0000,0000,0000,,لم يبقى سوى المواجهة , لنربح هذه المباراة
Dialogue: 0,0:11:53.95,0:11:55.85,المعلق على المباراة,,0000,0000,0000,,انهم يتجادلون
Dialogue: 0,0:11:55.85,0:11:57.60,المعلق على المباراة,,0000,0000,0000,,من الواضح جداً بأنهم يتجادلون
Dialogue: 0,0:11:58.77,0:12:01.21,المدرب شيرووكا,,0000,0000,0000,,مالذي ستفعله الان ياتوكيتشي؟
Dialogue: 0,0:12:01.21,0:12:04.24,المدرب شيرووكا,,0000,0000,0000,,اذا استمريت بالهرب فستجعل الضارب يمشي للقاعدة
Dialogue: 0,0:12:04.24,0:12:08.18,المدرب شيرووكا,,0000,0000,0000,,وحتى لو واجهت الضارب , ميناموتو سيستخدم نمط اللعب المشدد
Dialogue: 0,0:12:08.18,0:12:10.55,المدرب شيرووكا,,0000,0000,0000,,في الحالتين سيكون هذا هو انتصاري
Dialogue: 0,0:12:11.83,0:12:14.62,المعلق على المباراة,,0000,0000,0000,,يعود اللاعبيون الى مواقع دفاعهم
Dialogue: 0,0:12:15.41,0:12:17.28,المعلق على المباراة,,0000,0000,0000,,مدافع القاعدة الاولى والثالثة يتقدمان للداخل
Dialogue: 0,0:12:18.01,0:12:21.79,المعلق على المباراة,,0000,0000,0000,,هل سيفوز توكيتشي؟ أم جونسون السريع؟
Dialogue: 0,0:12:22.72,0:12:24.79,المعلق على المباراة,,0000,0000,0000,,وهاهي الرمية الاولى
Dialogue: 0,0:12:29.08,0:12:29.81,جونسون,,0000,0000,0000,,لماذا؟
Dialogue: 0,0:12:35.62,0:12:36.55,OTHER7,,0000,0000,0000,,ايها الحكم
Dialogue: 0,0:12:38.30,0:12:39.30,Referee,,0000,0000,0000,,اخرج
Dialogue: 0,0:12:39.64,0:12:41.47,المعلق على المباراة,,0000,0000,0000,,انها كرة مخفية
Dialogue: 0,0:12:41.47,0:12:42.73,المدرب شيرووكا,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:12:42.73,0:12:43.16,المعلق على المباراة,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:12:43.16,0:12:45.72,المعلق على المباراة,,0000,0000,0000,,انها صدمة لجونسون
Dialogue: 0,0:12:46.55,0:12:48.02,المعلق على المباراة,,0000,0000,0000,,الكرة لم تكن في يد توكيتشي
Dialogue: 0,0:12:48.02,0:12:51.58,المعلق على المباراة,,0000,0000,0000,,بل كانت في يد مدافع التوقف السريع , إيماي , الذي كان يغطي القاعدة الثالثة
Dialogue: 0,0:12:53.27,0:12:54.34,المدرب شيرووكا,,0000,0000,0000,,مــ متى؟
Dialogue: 0,0:12:55.16,0:12:57.31,مساعد شيرووكا,,0000,0000,0000,,هل كان ذلك التجمع قبل قليل.....
Dialogue: 0,0:12:57.31,0:12:59.87,مساعد شيرووكا,,0000,0000,0000,,هو لاعطاء الكرة لـ إيماي؟
Dialogue: 0,0:13:02.27,0:13:06.50,مساعد شيرووكا,,0000,0000,0000,,هذا يعني ان كل الجدال كان تمثيلاً
Dialogue: 0,0:13:06.50,0:13:07.08,المدرب شيرووكا,,0000,0000,0000,,لايمكن ان يحدث هذا
Dialogue: 0,0:13:07.61,0:13:11.10,المدرب شيرووكا,,0000,0000,0000,,وحتى لو كان تمثيلاً فلابد وانهم خططوا لذلك قبل الان
Dialogue: 0,0:13:12.89,0:13:15.60,المدرب شيرووكا,,0000,0000,0000,,{\i1}لقد جمع توكيتشي المدافعين قبل ذلك ايضاً
Dialogue: 0,0:13:16.08,0:13:18.40,OTHER7,,0000,0000,0000,,{\i1}هل انت واثق بأن الامر سينجح؟
Dialogue: 0,0:13:19.19,0:13:21.47,توا,,0000,0000,0000,,{\i1}انت تتكلم بصوتٍ عالٍ
Dialogue: 0,0:13:22.01,0:13:25.74,المدرب شيرووكا,,0000,0000,0000,,{\i1}لقد اعتقدت بأنها تحضيرات لكيفية منع كرة جونسون الارضية
Dialogue: 0,0:13:26.73,0:13:27.82,المدرب شيرووكا,,0000,0000,0000,,{\i1}لكنها لم تكن كذلك
Dialogue: 0,0:13:28.08,0:13:29.18,المدرب شيرووكا,,0000,0000,0000,,{\i1}... في ذلك الوقت
Dialogue: 0,0:13:30.12,0:13:34.97,المدرب شيرووكا,,0000,0000,0000,,{\i1}توكيتشي خطط للأمر لكي يصل جونسون للقاعدة الثالثة وخطط لأخفاء الكرة
Dialogue: 0,0:13:34.97,0:13:37.74,المدرب شيرووكا,,0000,0000,0000,,{\i1}وكل شيء بعد ذلك كان كله من خطة توكيتشي
Dialogue: 0,0:13:38.00,0:13:40.92,المدرب شيرووكا,,0000,0000,0000,,{\i1}لقد جعل الامر يبدوا وبأنه محاصر
Dialogue: 0,0:13:40.92,0:13:42.38,المدرب شيرووكا,,0000,0000,0000,,{\i1}وهذا كله كان تمثيلا
Dialogue: 0,0:13:42.73,0:13:45.11,المدرب شيرووكا,,0000,0000,0000,,{\i1}وقد نصب فخه خلال هذا الوقت
Dialogue: 0,0:13:45.11,0:13:47.72,المدرب شيرووكا,,0000,0000,0000,,{\i1}وفي النهاية, نحن المعنيين في الامر
Dialogue: 0,0:13:48.83,0:13:52.46,المدرب شيرووكا,,0000,0000,0000,,{\i1}هذه كلها كانت من خدعه
Dialogue: 0,0:13:54.43,0:13:56.65,المعلق على المباراة,,0000,0000,0000,,وفي نهاية الجولة بقت النتيجه كما هي
Dialogue: 0,0:13:58.37,0:14:01.14,المعلق على المباراة,,0000,0000,0000,,لقد اخفقوا في الحصول على نقطة عندما كانت القواعد مملوءة ولم يكن لديهم خروجاً
Dialogue: 0,0:14:01.14,0:14:02.98,المعلق على المباراة,,0000,0000,0000,,لايكونس لازال في المقدمة بفارق نقطة
Dialogue: 0,0:14:03.73,0:14:05.16,توا,,0000,0000,0000,,يا شيرووكا
Dialogue: 0,0:14:06.21,0:14:08.49,توا,,0000,0000,0000,,عندما يؤمن شخصٌ ما بأنه سوف يفوز
Dialogue: 0,0:14:09.04,0:14:10.99,توا,,0000,0000,0000,,فأنه دائما ما يظهر نقاط ضعفه
Dialogue: 0,0:14:11.78,0:14:13.77,توا,,0000,0000,0000,,انت تفكر بنفسك بتكبر ياشيرووكا
Dialogue: 0,0:14:13.77,0:14:15.48,توا,,0000,0000,0000,,هذه ليست هزيمة جونسون
Dialogue: 0,0:14:16.09,0:14:17.53,توا,,0000,0000,0000,,انها هي هزيمتك انت
Dialogue: 0,0:14:20.07,0:14:23.48,المعلق على المباراة,,0000,0000,0000,,مع انهم واجهوا أزمة, حيث لم يكن هناك خروج للفريق المنافس وجونسون على القاعدة الثالثة
Dialogue: 0,0:14:23.48,0:14:27.81,المعلق على المباراة,,0000,0000,0000,,لقد اكمل لايكونس هذه الجولة من دون خسارة نقطة بفضل خطة توكيتشي الذكية
Dialogue: 0,0:14:28.40,0:14:29.88,المدرب شيرووكا,,0000,0000,0000,,لكن النصر
Dialogue: 0,0:14:30.45,0:14:32.95,المدرب شيرووكا,,0000,0000,0000,,النصر لم يحدد بعد
Dialogue: 0,0:14:32.95,0:14:37.13,المدرب شيرووكا,,0000,0000,0000,,جونسون لازال عليه ان يحمل المضرب في الجولة التاسعة
Dialogue: 0,0:14:37.43,0:14:40.18,New,,0000,0000,0000,,والمباراة مرة اخرى تحتاج الى تسوية
Dialogue: 0,0:14:40.18,0:14:45.54,New,,0000,0000,0000,,في الجولة الثامنة, اصبح لدى الباغبوز عداء على القاعدة نتيجةً لضربه للكرة , لكنه لم يستطع احراز دورة كاملة
Dialogue: 0,0:14:45.54,0:14:50.56,New,,0000,0000,0000,,من الجهة الاخرى , لايكونس لم يعتمد على نقطة ضعف جونسون في الدفاع ولم يحرز نقطة اخرى
Dialogue: 0,0:14:51.10,0:14:54.19,New,,0000,0000,0000,,لقد وصلوا الى الجولة الاخيرة مع نتيجة 2-1
Dialogue: 0,0:14:54.78,0:14:56.73,New,,0000,0000,0000,,الضارب الذي سيبدأ الجولة هو
Dialogue: 0,0:14:57.67,0:15:00.41,المعلق على المباراة,,0000,0000,0000,,جونسون , يقف على منطقة الضارب
Dialogue: 0,0:15:01.18,0:15:04.84,المعلق على المباراة,,0000,0000,0000,,وبما ان هذه هي الجولة الاخيرة , فريق باغبوز عليهم بذل طاقتهم
Dialogue: 0,0:15:06.05,0:15:07.74,Owner,,0000,0000,0000,,توكيتشي غير محظوظ
Dialogue: 0,0:15:07.74,0:15:11.43,Owner,,0000,0000,0000,,لازال امامه ان يواجه هذا الاعب مرة اخرى
Dialogue: 0,0:15:11.86,0:15:14.93,Owner,,0000,0000,0000,,الفارق بنقطة واحدة ليس فرقاً كبيراً
Dialogue: 0,0:15:15.51,0:15:17.90,المعلق على المباراة,,0000,0000,0000,,الرامي كوموري في مكانه
Dialogue: 0,0:15:17.93,0:15:18.67,المعلق على المباراة,,0000,0000,0000,,.. الرمية الاولى
Dialogue: 0,0:15:19.19,0:15:19.97,المعلق على المباراة,,0000,0000,0000,,قد رُميت
Dialogue: 0,0:15:20.61,0:15:21.07,ايديتشي ساتوشي,,0000,0000,0000,,الثالثة
Dialogue: 0,0:15:19.98,0:15:21.67,المعلق على المباراة,,0000,0000,0000,,جونسون يضربها ارضية
Dialogue: 0,0:15:22.63,0:15:25.94,المعلق على المباراة,,0000,0000,0000,,مدافع الثالثة المتقدم يمسكها ويرميها الى القاعدة الاولى
Dialogue: 0,0:15:26.73,0:15:27.95,Referee,,0000,0000,0000,,وصل بأمان
Dialogue: 0,0:15:28.81,0:15:31.70,المعلق على المباراة,,0000,0000,0000,,جونسون السريع يصل بأمن للقاعدة الاولى وبسهولة
Dialogue: 0,0:15:31.98,0:15:32.74,مساعد شيرووكا,,0000,0000,0000,,اجل
Dialogue: 0,0:15:32.74,0:15:34.20,المعلق على المباراة,,0000,0000,0000,,لايمكن ايقافه حتى لو رأيته
Dialogue: 0,0:15:34.72,0:15:36.51,المعلق على المباراة,,0000,0000,0000,,كم هو مرعب هذا المدعو جونسون
Dialogue: 0,0:15:40.91,0:15:41.91,المعلق على المباراة,,0000,0000,0000,,جونسون يركض
Dialogue: 0,0:15:43.95,0:15:45.01,Referee,,0000,0000,0000,,وصل بأمان
Dialogue: 0,0:15:45.13,0:15:47.21,المعلق على المباراة,,0000,0000,0000,,يصل بنجاح
Dialogue: 0,0:15:50.87,0:15:55.18,Owner,,0000,0000,0000,,مقارنةً بالضاربين , سرعة الركض لازالت مستمرة
Dialogue: 0,0:15:55.85,0:15:57.00,المعلق على المباراة,,0000,0000,0000,,اّمن
Dialogue: 0,0:15:57.00,0:15:59.44,المعلق على المباراة,,0000,0000,0000,,سرق جونسون القاعدة الثالثة ايضاً
Dialogue: 0,0:15:59.44,0:16:01.21,المعلق على المباراة,,0000,0000,0000,,فريق لايكونس لاحول له ولاقوة
Dialogue: 0,0:16:01.21,0:16:02.89,المعلق على المباراة,,0000,0000,0000,,قد اصبح هناك لاعباً على القاعدة الثالثة وليس هناك خروج
Dialogue: 0,0:16:02.89,0:16:04.69,المعلق على المباراة,,0000,0000,0000,,فريق لايكونس في خطر محدق
Dialogue: 0,0:16:06.40,0:16:10.58,Owner,,0000,0000,0000,,هذا مثير للاهتمام, يبدو ان توكيتشي عليه ان يفعل شيئأ ما في هذه الجولة ايضاً
Dialogue: 0,0:16:11.20,0:16:13.07,مدير الفريق,,0000,0000,0000,,نبدل الرامي بتوكيتشي
Dialogue: 0,0:16:13.86,0:16:15.79,المعلق على المباراة,,0000,0000,0000,,لقد ابدلوا الرامي بتوكيتشي
Dialogue: 0,0:16:15.79,0:16:18.08,المعلق على المباراة,,0000,0000,0000,,انها المواجهة الثالثة مع جونسون في هذه المباراة
Dialogue: 0,0:16:18.83,0:16:23.13,المعلق على المباراة,,0000,0000,0000,,المفاجىء في الامر انه حدث ثلاث مرات وليس هناك خروج ولاعب على الثالثة
Dialogue: 0,0:16:23.77,0:16:26.08,المعلق على المباراة,,0000,0000,0000,,مدافع الثالثة , فوجيتا , يتقدم الى الداخل
Dialogue: 0,0:16:26.08,0:16:29.57,المعلق على المباراة,,0000,0000,0000,,الاولوية لديهم هي منع جونسون من سرقة القاعدة الرئيسية
Dialogue: 0,0:16:29.57,0:16:31.08,المعلق على المباراة,,0000,0000,0000,,أليس هذا صحيحاً يا كاواتو-سان؟
Dialogue: 0,0:16:31.08,0:16:36.53,2 المعلق على المباراة,,0000,0000,0000,,بعد سماع نظرية المدرب شيرووكا حول سرقة جونسون للقاعدة الرئيسية بنسبة نجاح 100
Dialogue: 0,0:16:36.53,0:16:38.46,2 المعلق على المباراة,,0000,0000,0000,,لذا عليهم ان يواجهوا الضارب بدلا من ذلك
Dialogue: 0,0:16:38.46,0:16:43.11,المعلق على المباراة,,0000,0000,0000,,النظرية التي اعلن عنها المدرب شيرووكا بعد لعبة الأمس
Dialogue: 0,0:16:43.93,0:16:48.10,المعلق على المباراة,,0000,0000,0000,,جونسون يحتاج الى 2.6 من الثواني للوصول الى القاعدة الرئيسية
Dialogue: 0,0:16:48.50,0:16:54.10,المعلق على المباراة,,0000,0000,0000,,ومن الجهة الاخرى , الكرة تستغرق 1.94 ثانية للوصول الى المتلقي منذ ان يبدأ توكيتشي برمي الكرة
Dialogue: 0,0:16:54.73,0:16:57.70,المعلق على المباراة,,0000,0000,0000,,لكن هذا فقط اذا ترك الضارب الكرة تمر من امامه
Dialogue: 0,0:16:57.70,0:16:59.24,المعلق على المباراة,,0000,0000,0000,,وفي الواقع ,,سيتم استخدام ضربة الكرة الارضية
Dialogue: 0,0:16:59.24,0:17:02.63,المعلق على المباراة,,0000,0000,0000,,الكرة يجب ان ترمى بعيدا عن المضرب لكي تمنع تلك السرقة
Dialogue: 0,0:17:03.34,0:17:08.62,المعلق على المباراة,,0000,0000,0000,,وفي هذه الحالة فالمتلقي ايديتشي سيحتاج الى 0.69 من الثانية لكي يلمس العداء
Dialogue: 0,0:17:09.20,0:17:11.67,المعلق على المباراة,,0000,0000,0000,,والمجموع يصبح 2.63
Dialogue: 0,0:17:11.92,0:17:14.88,TimelineBlue,,0000,0000,0000,,{\pos(298,248)}QQQQQQQQQQQQQQQQQQQ
Dialogue: 0,0:17:11.92,0:17:14.88,TimelineRed,,0000,0000,0000,,{\pos(493,488)}iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
Dialogue: 0,0:17:11.92,0:17:14.88,TimelineOrange,,0000,0000,0000,,{\pos(187,488)}iiiiiiiiiiiiiiiiiiiiiiiii
Dialogue: 0,0:17:11.96,0:17:14.88,Timeline,,0000,0000,0000,,{\fad(300,0)\pos(233,492)}امساك ايديتشي للكرة \N ثم يقوم بلمس العداء
Dialogue: 0,0:17:11.96,0:17:14.88,Timeline,,0000,0000,0000,,{\fad(300,0)\pos(640,476)}رمية توكيتشي
Dialogue: 0,0:17:11.96,0:17:14.88,Timeline,,0000,0000,0000,,{\fad(300,0)\pos(427,236)}الوقت الذي يحتاجه جونسون للركض نحو القاعدة
Dialogue: 0,0:17:11.67,0:17:14.88,المعلق على المباراة,,0000,0000,0000,,انه اكثر من الوقت الذي يستغرقه جونسون 2.6
Dialogue: 0,0:17:15.64,0:17:18.59,المعلق على المباراة,,0000,0000,0000,,وهذا يعني ان توكيتشي لن يواجه جونسون
Dialogue: 0,0:17:18.59,0:17:21.32,المعلق على المباراة,,0000,0000,0000,,بل اختار ان يواجه الضارب
Dialogue: 0,0:17:21.34,0:17:25.56,المعلق على المباراة,,0000,0000,0000,,لكن الضارب التالي هو كوهيناتا وهو جيد في الكرات الارضية , أليس هذا صحيحاً ياكاواتو سان؟
Dialogue: 0,0:17:25.56,0:17:28.39,2 المعلق على المباراة,,0000,0000,0000,,لايوجد خروج لذا من المحتمل عدم ضرب الكرة ارضية
Dialogue: 0,0:17:29.17,0:17:31.09,المعلق على المباراة,,0000,0000,0000,,وكرة طائرة خارج الملعب ستكون جيدة ايضاً
Dialogue: 0,0:17:31.09,0:17:34.82,2 المعلق على المباراة,,0000,0000,0000,,اسوء احتمال هو ان يدع الضارب يمشي للقاعدة , كي كي يتجنب الموقف
Dialogue: 0,0:17:34.82,0:17:37.40,2 المعلق على المباراة,,0000,0000,0000,,مهما كان الامر فتكويتشي في موقف حرج
Dialogue: 0,0:17:38.30,0:17:40.13,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}لابأس
Dialogue: 0,0:17:40.29,0:17:41.91,ايديتشي ساتوشي,,0000,0000,0000,,{\i1}يجب ان ننتهز الفرص
Dialogue: 0,0:17:42.50,0:17:43.09,كوجيما,,0000,0000,0000,,{\i1}هذا صحيح
Dialogue: 0,0:17:43.59,0:17:46.17,كوجيما,,0000,0000,0000,,{\i1}هنا سوف نتواجه مع الضارب
Dialogue: 0,0:17:48.54,0:17:51.67,جونسون,,0000,0000,0000,,ها انت تهرب مني ياتوكيتشي توا
Dialogue: 0,0:17:54.56,0:17:56.15,Others1,,0000,0000,0000,,يبدوا بأن ذلك الشاب قال شيئاً
Dialogue: 0,0:17:56.31,0:17:58.00,Servant,,0000,0000,0000,,ماذا؟ ماذا قال؟
Dialogue: 0,0:17:58.49,0:18:02.18,جونسون,,0000,0000,0000,,سمعت بأنك افضل مقامر,, لكنك لست سوى جبان
Dialogue: 0,0:18:04.39,0:18:05.74,المعلق على المباراة,,0000,0000,0000,,ماذا يحدث هنا؟
Dialogue: 0,0:18:05.74,0:18:08.73,المعلق على المباراة,,0000,0000,0000,,يبدوا بأن جونسون يحاول ان يسخر من توكيتشي
Dialogue: 0,0:18:08.73,0:18:10.22,2 المعلق على المباراة,,0000,0000,0000,,انه بلافائدة
Dialogue: 0,0:18:10.22,0:18:13.19,2 المعلق على المباراة,,0000,0000,0000,,توكيتشي الداهيه لن يقع لمثل هذا الامر
Dialogue: 0,0:18:14.00,0:18:14.87,توا,,0000,0000,0000,,جبان؟
Dialogue: 0,0:18:16.16,0:18:20.21,توا,,0000,0000,0000,,فلنتواجه اذن , ياصاحب الوجه المغطى بالوشم
Dialogue: 0,0:18:20.69,0:18:22.01,توا,,0000,0000,0000,,ارجع للخلف يافوجيتا
Dialogue: 0,0:18:24.21,0:18:27.86,المعلق على المباراة,,0000,0000,0000,,توكيتشي يقول لفوجيتا بأن يتحرك الى الخلف
Dialogue: 0,0:18:27.86,0:18:29.54,المعلق على المباراة,,0000,0000,0000,,هل سيواجه سرعة جونسون؟
Dialogue: 0,0:18:31.92,0:18:33.13,جونسون,,0000,0000,0000,,هذا افضل
Dialogue: 0,0:18:34.73,0:18:36.05,Owner,,0000,0000,0000,,ذلك الاحمق
Dialogue: 0,0:18:36.05,0:18:38.22,Owner,,0000,0000,0000,,هل هو ينسحب بسبب عدم وجود فرصة للربح؟
Dialogue: 0,0:18:38.75,0:18:41.05,Owner,,0000,0000,0000,,اجل, سأربح هذه الجولة بالتأكيد
Dialogue: 0,0:18:41.05,0:18:43.64,Owner,,0000,0000,0000,,وبلمح البصر سأرجع المليونا ين
Dialogue: 0,0:18:44.38,0:18:45.30,Servant,,0000,0000,0000,,توكيتشي
Dialogue: 0,0:18:46.91,0:18:49.37,ايديتشي ساتوشي,,0000,0000,0000,,ماذا تفعل ياتوكيتشي؟
Dialogue: 0,0:18:49.37,0:18:51.24,ايديتشي ساتوشي,,0000,0000,0000,,تستجيب لاستفزازه؟
Dialogue: 0,0:18:51.24,0:18:52.97,توا,,0000,0000,0000,,انا لا استجيب على استفزازه لي
Dialogue: 0,0:18:53.77,0:18:57.48,توا,,0000,0000,0000,,انه محق, اذا بقينا نهرب من الواقع , فلن يتغير شيء
Dialogue: 0,0:18:58.35,0:19:01.49,توا,,0000,0000,0000,,علينا ان نواجه سرعته عاجلاً أم اّجلا
Dialogue: 0,0:19:02.32,0:19:03.74,توا,,0000,0000,0000,,وذلك الوقت هو الان
Dialogue: 0,0:19:05.72,0:19:07.25,المعلق على المباراة,,0000,0000,0000,,حسناً اذن , المباراة تستكمل
Dialogue: 0,0:19:08.01,0:19:09.60,المعلق على المباراة,,0000,0000,0000,,وبسبب قرار توكيتشي
Dialogue: 0,0:19:09.60,0:19:11.87,المعلق على المباراة,,0000,0000,0000,,عليهم مواجهة سرعة جونسون
Dialogue: 0,0:19:12.50,0:19:16.01,المعلق على المباراة,,0000,0000,0000,,وبالطبع ان جونسون لديه فارق في المقدمة
Dialogue: 0,0:19:16.62,0:19:19.01,المعلق على المباراة,,0000,0000,0000,,الضارب , كوهيناتا يتحضر لضرب كرة ارضية
Dialogue: 0,0:19:19.93,0:19:21.66,المعلق على المباراة,,0000,0000,0000,,انه وقت المعركة
Dialogue: 0,0:19:22.66,0:19:24.02,المعلق على المباراة,,0000,0000,0000,,توكيتشي يرفع قدمه
Dialogue: 0,0:19:26.53,0:19:27.28,مساعد شيرووكا,,0000,0000,0000,,اجل, لقد حصلنا عليها
Dialogue: 0,0:19:27.79,0:19:29.57,مساعد شيرووكا,,0000,0000,0000,,جونسون يستطيع الوصول للرئيسية مع الكرة الارضية
Dialogue: 0,0:19:29.57,0:19:31.84,مساعد شيرووكا,,0000,0000,0000,,حتى لو ان الكرة اخطأت , فأن ايديتشي لن يستطيع لمس جونسون في الوقت المناسب
Dialogue: 0,0:19:33.80,0:19:38.93,توا,,0000,0000,0000,,نظريتك ياشيرووكا فيها عيوب
Dialogue: 0,0:19:39.64,0:19:40.54,المعلق على المباراة,,0000,0000,0000,,انها مرمية
Dialogue: 0,0:19:42.50,0:19:44.24,المعلق على المباراة,,0000,0000,0000,,الكرة رُميت بأتجاه كاحل الضارب
Dialogue: 0,0:19:44.99,0:19:45.62,جونسون,,0000,0000,0000,,ماذا؟
Dialogue: 0,0:19:45.62,0:19:46.77,المدرب شيرووكا,,0000,0000,0000,,اللعين
Dialogue: 0,0:19:50.20,0:19:51.23,Referee,,0000,0000,0000,,أخرج
Dialogue: 0,0:19:51.91,0:19:53.64,المعلق على المباراة,,0000,0000,0000,,لقد خرج جونسون من الجولة
Dialogue: 0,0:19:54.01,0:19:56.79,المعلق على المباراة,,0000,0000,0000,,انها المرة الاولى التي لايستطيع فيها جونسون سرقة القاعدة
Dialogue: 0,0:19:57.36,0:20:00.80,المعلق على المباراة,,0000,0000,0000,,وكما هو متوقع, الرجل الذي اوقف جونسون هو توكيتشي توا
Dialogue: 0,0:20:02.37,0:20:07.68,المدرب شيرووكا,,0000,0000,0000,,{\i1}غير معقول لقد استخدم ذلك الموقع المخبأ
Dialogue: 0,0:20:09.04,0:20:11.68,New,,0000,0000,0000,,وبقيت النتيجه كما هي
Dialogue: 0,0:20:12.02,0:20:15.36,New,,0000,0000,0000,,ولا يستطيع فريق باغبوز التعويض عن النقاط الان
Dialogue: 0,0:20:16.09,0:20:19.19,New,,0000,0000,0000,,وفي النهاية , فاز فريق لايكونس في المباراة
Dialogue: 0,0:20:19.77,0:20:21.39,Servant,,0000,0000,0000,,{\i1}ذلك رائع ياتوكيتشي
Dialogue: 0,0:20:23.92,0:20:27.50,Owner,,0000,0000,0000,,يمكنني ارجاع 600 مليون ين فقط
Dialogue: 0,0:20:27.91,0:20:31.29,Owner,,0000,0000,0000,,وهذا يعني انه بقي 1.04 بليون ين
Dialogue: 0,0:20:32.67,0:20:33.66,others07,,0000,0000,0000,,هذا جيد
Dialogue: 0,0:20:36.50,0:20:39.31,ايديتشي ساتوشي,,0000,0000,0000,,كما هو متوقع منك, كان امراً مثيرا
Dialogue: 0,0:20:39.31,0:20:42.96,ايديتشي ساتوشي,,0000,0000,0000,,لم اكن اتوقع بأنك سترمي كرة بأتجاه كاحل الضارب
Dialogue: 0,0:20:43.70,0:20:47.45,ايديتشي ساتوشي,,0000,0000,0000,,لقد وجدت العيب في نظرية شيرووكا الكاملة
Dialogue: 0,0:20:47.45,0:20:48.69,ايديتشي ساتوشي,,0000,0000,0000,,وهذا عيب مميت بالنسبة لهم
Dialogue: 0,0:20:49.34,0:20:51.76,ايديتشي ساتوشي,,0000,0000,0000,,وبالتأكيد ان جونسون لن يركض غداً
Dialogue: 0,0:20:53.24,0:20:54.35,توا,,0000,0000,0000,,انت ساذج حقاً
Dialogue: 0,0:20:56.09,0:20:58.14,توا,,0000,0000,0000,,حتى وإن نظرية شيرووكا فيها عيوب
Dialogue: 0,0:20:58.66,0:21:01.02,توا,,0000,0000,0000,,فأن رميتي بأتجاه الكاحل ايضا فيها عيوب
Dialogue: 0,0:21:02.41,0:21:04.66,توا,,0000,0000,0000,,ولابد وان شيرووكا قد لاحظها
Dialogue: 0,0:21:05.18,0:21:06.81,ايديتشي ساتوشي,,0000,0000,0000,,ماهي تلك العيوب؟
Dialogue: 0,0:21:06.81,0:21:07.58,توا,,0000,0000,0000,,احمق
Dialogue: 0,0:21:08.79,0:21:11.08,توا,,0000,0000,0000,,انت هو المتلقي, فكر بها بنفسك
Dialogue: 0,0:21:13.64,0:21:15.01,توا,,0000,0000,0000,,لاترتاح الان
Dialogue: 0,0:21:15.54,0:21:17.59,توا,,0000,0000,0000,,فــغداً ستكون المباراة الحقيقية
Dialogue: 0,0:21:20.26,0:21:28.26,زيادات,,0000,0000,0000,,{\pos(1092,79)}{\fad(500,500)}للمزيد من الحلقات
Dialogue: 0,0:21:20.26,0:21:28.26,BNT,,0000,0000,0000,,{\fscx112.5\fscy128.75\pos(1033,132)}{\fad(500,500)}www.bramjnet.com
Dialogue: 0,0:22:30.91,0:22:39.58,زيادات,,0000,0000,0000,,{\fad(300,300)\pos(1032,560)}الحلقة القادمة
Dialogue: 0,0:22:30.91,0:22:39.58,زيادات,,0000,0000,0000,,{\fad(300,300)\pos(984,688)}الاقدام المختومة
Dialogue: 0,0:22:39.54,0:22:41.54,Default,,0000,0000,0000,,