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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:02:11.05,0:02:15.92,العنوان,,0,0,0,,{\pos(642,510)}الحلم الجميل
Dialogue: 0,0:04:53.66,0:04:58.39,Default,,0,0,0,,.آمم، الثاني من أكتوبر، 5:25 مساءً
Dialogue: 0,0:04:58.39,0:04:59.73,Default,,0,0,0,,.نفس الحلم المعتاد
Dialogue: 0,0:04:59.73,0:05:02.73,Default,,0,0,0,,.مرّةً أخرى، أختي لم تستيقظ
Dialogue: 0,0:05:03.30,0:05:07.47,Default,,0,0,0,,.تركت الغرفة أسرع من المعتاد
Dialogue: 0,0:05:11.41,0:05:12.57,Default,,0,0,0,,!صحيح
Dialogue: 0,0:05:12.57,0:05:15.71,Default,,0,0,0,,.كنتُ أطير في السماء، من مسافة ليست بعيدة من هنا
Dialogue: 0,0:05:16.04,0:05:19.58,Default,,0,0,0,,.كانت هناك فتاة تصعد الدرج في الضريح
Dialogue: 0,0:05:19.98,0:05:21.88,Default,,0,0,0,,...وهي
Dialogue: 0,0:05:21.88,0:05:26.99,Default,,0,0,0,,كانت تنظر إليّ؟
Dialogue: 0,0:05:45.97,0:05:49.82,Default,,0,0,0,,
Dialogue: 0,0:05:45.97,0:05:49.82,Default,,0,0,0,,من الأفضل ألّا تفتعل المشاكل\N!و إلّا قامت إلهة السّاكي بلعنك
Dialogue: 0,0:05:50.61,0:05:53.08,Default,,0,0,0,,!لم أكن أفعل أي شيء
Dialogue: 0,0:05:53.08,0:05:54.83,Default,,0,0,0,,تعملين اليوم أيضًا، كاي - سان؟
Dialogue: 0,0:05:54.83,0:06:00.67,Default,,0,0,0,,!أجل. الرجل العجوز يريد أن يشرب الليلة أيضًا
Dialogue: 0,0:06:01.76,0:06:04.63,شرح,,0,0,0,,.السّاكي : هو شراب ياباني تقليدي شبيه بالخمر
Dialogue: 0,0:06:01.76,0:06:04.63,Default,,0,0,0,,هذا هو ساكي الأرزّ البنّي، صحيح؟
Dialogue: 0,0:06:04.63,0:06:11.90,Default,,0,0,0,,أجل، لقد قال بأنّه يُخفِض ضغط دمهِ\N !إنّه مثل الأدوية المقويّة بالنسبة لهُ
Dialogue: 0,0:06:14.04,0:06:18.60,Default,,0,0,0,,.الرئيس قال بأننا سننتج الكثير منه العام القادم
Dialogue: 0,0:06:18.60,0:06:19.74,Default,,0,0,0,,
Dialogue: 0,0:06:19.74,0:06:23.81,Default,,0,0,0,,.لا أستطيع الانتظار حتّى أقوم بتخمير ساكي العام القادم
Dialogue: 0,0:06:32.65,0:06:35.41,Default,,0,0,0,,كاي - سان، هل تضعين عطرًا؟
Dialogue: 0,0:06:35.69,0:06:38.46,Default,,0,0,0,,...هاه؟ لا
Dialogue: 0,0:06:38.46,0:06:41.56,Default,,0,0,0,,!آوه. ربّما تكون رائحة الشامبو
Dialogue: 0,0:06:41.56,0:06:45.50,شرح,,0,0,0,,.تقصد اختلاط رائحة العطر بالسّاكي
Dialogue: 0,0:06:41.56,0:06:45.50,Default,,0,0,0,,.بالطبع، فأنا حذرة عندما يتعلّق الأمر بتخمير السّاكي
Dialogue: 0,0:06:45.50,0:06:48.00,Default,,0,0,0,,!لديك حاسة شمّ عالية، تارو - كن
Dialogue: 0,0:06:48.00,0:06:51.13,Default,,0,0,0,,.آوه، ليس تمامًا
Dialogue: 0,0:06:51.77,0:06:55.47,Default,,0,0,0,,.لابدّ أنّك ورِثت موهبة العمل
Dialogue: 0,0:07:40.19,0:07:42.06,Default,,0,0,0,,.شكرًا على الطعام
Dialogue: 0,0:07:44.59,0:07:46.99,Default,,0,0,0,,هل حقًا تُحبّ هذا الشيء؟
Dialogue: 0,0:07:46.99,0:07:51.11,Default,,0,0,0,,.أعتقد أنّ مذاقهُ جيّد
Dialogue: 0,0:07:55.10,0:08:01.11,Default,,0,0,0,,كاي - سان قالت بأنّهم سينتجون الكثير\N .من ساكي الأرز البنّي العام القادم
Dialogue: 0,0:08:01.11,0:08:06.54,Default,,0,0,0,, أجل، صانعة الخمر الأفضل، لم تكن\N،متحمّسه للفكرة في بادئ الأمر
Dialogue: 0,0:08:06.54,0:08:10.72,Default,,0,0,0,,لكنّها اقتنعت الآن بسبب جدّها الّذي أصبح أكثر نشاط بسبب هذا الصنف
Dialogue: 0,0:08:13.52,0:08:15.19,Default,,0,0,0,,كيف حال الدراسة؟
Dialogue: 0,0:08:15.19,0:08:16.97,Default,,0,0,0,,.جيّدة
Dialogue: 0,0:08:17.49,0:08:19.16,Default,,0,0,0,,.هذا جيّد
Dialogue: 0,0:08:19.16,0:08:22.56,Default,,0,0,0,,.سمِعتُ أنّه هناك الكثير من الطلّاب الجدد منذ سبتمبر
Dialogue: 0,0:08:22.56,0:08:23.60,Default,,0,0,0,,
Dialogue: 0,0:08:23.60,0:08:25.00,Default,,0,0,0,,
Dialogue: 0,0:08:25.00,0:08:26.73,Default,,0,0,0,,
Dialogue: 0,0:08:27.77,0:08:31.77,Default,,0,0,0,,.لابدّ من أنّ هذا بسبب افتتاح المصنع الجديد في الجّبال
Dialogue: 0,0:08:32.51,0:08:37.70,Default,,0,0,0,,آمم، أبي، هل تريدني أن أتولّى العمل من بعدك؟
Dialogue: 0,0:08:45.95,0:08:48.71,Default,,0,0,0,,.ظننتُ بأنّك تكرهُ السّاكي
Dialogue: 0,0:08:48.96,0:08:54.93,Default,,0,0,0,, هذا فقط لأنني شرِبتُ منه القليل عندما\N.كنتُ صغير ومرضتُ بسبب ذلك
Dialogue: 0,0:08:54.93,0:08:56.80,Default,,0,0,0,,نحنُ لا نعرف إذا ما بقي من الماء هنا
Dialogue: 0,0:08:56.80,0:09:00.07,Default,,0,0,0,,.سيكون صالحًا حتّى الوقت الذي تبلغ فيه
Dialogue: 0,0:09:02.24,0:09:06.94,Default,,0,0,0,,كنتم ستجعلون أختي من تتولّى العمل، صحيح؟
Dialogue: 0,0:09:17.99,0:09:20.59,Default,,0,0,0,,.شكرًا على الطعام
Dialogue: 0,0:10:37.77,0:10:39.27,Default,,0,0,0,,!آوه، لا
Dialogue: 0,0:10:50.21,0:10:52.79,Default,,0,0,0,,...هيّا أرجوك؟ أنا أتوسّلُ إليك
Dialogue: 0,0:10:53.05,0:10:59.35,Default,,0,0,0,,دعني أنسخ الواجب المدرسي، حسنًا؟\N !اعمل ليّ معروفًا فأنا جديدٌ هنا
Dialogue: 0,0:10:59.35,0:11:02.66,Default,,0,0,0,,.إنسى هذا، أنا لن أخبر المعلّم
Dialogue: 0,0:11:03.16,0:11:04.64,Default,,0,0,0,,
Dialogue: 0,0:11:16.30,0:11:18.04,Default,,0,0,0,,!تبدو متعبًا
Dialogue: 0,0:11:18.04,0:11:20.94,Default,,0,0,0,,.أجل، لم استطع النوم ليلة البارحة
Dialogue: 0,0:11:20.94,0:11:23.57,Default,,0,0,0,,.هيه، يبدو أنّ أوغامي قرر الظهور
Dialogue: 0,0:11:23.84,0:11:25.91,Default,,0,0,0,,مستحيل! أوغامي من الفصل ب؟
Dialogue: 0,0:11:25.91,0:11:27.05,Default,,0,0,0,,!أجل
Dialogue: 0,0:11:28.32,0:11:32.09,Default,,0,0,0,,.لم يأتِ للمدرسة منّ حواليّ أسبوعين
Dialogue: 0,0:11:36.12,0:11:38.22,Default,,0,0,0,,!هيّا أيّها الفصل، لقد جاء المعلّم
Dialogue: 0,0:11:38.99,0:11:40.97,Default,,0,0,0,,!اجلسوا
Dialogue: 0,0:11:42.36,0:11:46.20,Default,,0,0,0,,!اجــــــلِــــسوا
Dialogue: 0,0:12:09.16,0:12:11.66,Default,,0,0,0,,!تتبّعوا ما أقول في الصفحة 53
Dialogue: 0,0:12:13.06,0:12:14.58,Default,,0,0,0,,.فهمت
Dialogue: 0,0:12:44.33,0:12:46.61,Default,,0,0,0,,ماذا يحدث؟
Dialogue: 0,0:13:14.42,0:13:17.06,Default,,0,0,0,,.إنّه نفس المكان من الأمس
Dialogue: 0,0:13:19.96,0:13:21.52,Default,,0,0,0,,...سيّارة بيضاء
Dialogue: 0,0:13:24.80,0:13:29.07,Default,,0,0,0,,لحظة، هل سبق وكان هناك طريق خلف الضريح هنا؟
Dialogue: 0,0:13:45.22,0:13:46.95,Default,,0,0,0,,!لا
Dialogue: 0,0:14:46.05,0:14:49.15,Default,,0,0,0,,هذا حُلم، أليس كذلك؟
Dialogue: 0,0:14:53.89,0:14:56.79,Default,,0,0,0,,.يراودني حُلم وحسب
Dialogue: 0,0:15:05.63,0:15:07.37,Default,,0,0,0,,!لا
Dialogue: 0,0:15:09.14,0:15:11.34,Default,,0,0,0,,!ليس هذا الحُلم
Dialogue: 0,0:15:24.59,0:15:26.45,Default,,0,0,0,,!طفح الكيل
Dialogue: 0,0:15:31.03,0:15:32.39,Default,,0,0,0,,!توقّفي عن الدردشة، يا هذه
Dialogue: 0,0:15:32.39,0:15:34.46,Default,,0,0,0,,
Dialogue: 0,0:15:34.46,0:15:37.26,Default,,0,0,0,,!هيه، هذا يسمّى اعتداء على الأطفال
Dialogue: 0,0:15:37.26,0:15:40.16,Default,,0,0,0,,!لا حاجة لأن تكون عنيفًا يا رجُلْ
Dialogue: 0,0:15:40.16,0:15:41.34,Default,,0,0,0,,!أجل! أجل
Dialogue: 0,0:15:41.34,0:15:44.67,Default,,0,0,0,,!قلل من العنف، يا قاسٍ
Dialogue: 0,0:15:47.47,0:15:50.96,Default,,0,0,0,,.كوموري، المدير يريد رؤيتك بعد المدرسة
Dialogue: 0,0:15:53.15,0:15:54.97,Default,,0,0,0,,.آوه، حسنًا
Dialogue: 0,0:15:54.97,0:15:58.38,Default,,0,0,0,,!حسنًا، معي الآن نتائج الاختبار
Dialogue: 0,0:16:03.89,0:16:05.53,Default,,0,0,0,,هل أنتِ جادة؟
Dialogue: 0,0:16:05.53,0:16:07.26,Default,,0,0,0,,!كلّيًا
Dialogue: 0,0:16:23.68,0:16:25.41,Default,,0,0,0,,!هيه، أنت
Dialogue: 0,0:16:25.41,0:16:29.52,Default,,0,0,0,,لا يصدف أن تكون كوموري تارو من الفصل أ، صحيح؟
Dialogue: 0,0:16:29.52,0:16:30.34,Default,,0,0,0,,.نعم، إنّه أنا
Dialogue: 0,0:16:30.58,0:16:35.30,Default,,0,0,0,,!حقّا؟ هل أسموّك كوموري تارو
Dialogue: 0,0:16:36.32,0:16:37.30,Default,,0,0,0,,هل تريد شيئًا ما؟
Dialogue: 0,0:16:37.30,0:16:41.53,Default,,0,0,0,,.لا! أنا ناكاجيما ماسايوكي، طالب جديد في الفصل ب
Dialogue: 0,0:16:41.53,0:16:43.00,Default,,0,0,0,,!سررتُ بمعرفتكْ
Dialogue: 0,0:16:43.00,0:16:44.00,Default,,0,0,0,,.أنا أيضًا
Dialogue: 0,0:16:44.00,0:16:47.73,Default,,0,0,0,,!يجب أن تتجوّل معي في بعض الأحيان\N!لديّ الكثير لأحدّثك عنهُ
Dialogue: 0,0:16:48.00,0:16:49.50,Default,,0,0,0,,.أجل، ربّما في وقت لاحق
Dialogue: 0,0:16:49.50,0:16:51.31,Default,,0,0,0,,.إلى اللقاء
Dialogue: 0,0:16:51.31,0:16:53.74,Default,,0,0,0,,!حسنًا، سأعد هذا وعدًا
Dialogue: 0,0:17:01.68,0:17:04.02,Default,,0,0,0,,...المعذرة
Dialogue: 0,0:17:07.55,0:17:11.09,Default,,0,0,0,,.شكرًا لحضورك، تارو
Dialogue: 0,0:17:14.06,0:17:17.77,Default,,0,0,0,,.سينضم إلينا دكتور نفسي جديد هذا الشهر
Dialogue: 0,0:17:17.77,0:17:19.73,Default,,0,0,0,,آوه، حقًا؟
Dialogue: 0,0:17:19.73,0:17:24.20,Default,,0,0,0,,.هذا هو د .هيراتا أتسو، من جامعة طوكيو
Dialogue: 0,0:17:24.20,0:17:28.07,Default,,0,0,0,,.سوف يكون المستشار النفسي بدءً من هذا الشهر
Dialogue: 0,0:17:29.44,0:17:31.27,Default,,0,0,0,,.مسرور لمقابلتكْ
Dialogue: 0,0:17:35.78,0:17:38.22,Default,,0,0,0,,.أتطلّع للعمل معًا
Dialogue: 0,0:17:38.62,0:17:41.16,Default,,0,0,0,,.آوه، أجل
Dialogue: 0,0:17:41.49,0:17:45.69,Default,,0,0,0,,.استشاراتك سوف تكون في هذهِ الغرفة
Dialogue: 0,0:17:45.69,0:17:51.58,Default,,0,0,0,,حسنًا، سوف أتوجّه للمكتب الآن\N .نادني عندما تنتهي
Dialogue: 0,0:17:52.50,0:17:54.27,Default,,0,0,0,,.شكرًا
Dialogue: 0,0:18:01.58,0:18:04.48,Default,,0,0,0,,!كم أن هذا الجزء من الريف جميل
Dialogue: 0,0:18:05.06,0:18:08.06,Default,,0,0,0,,.يمكنك القول بأنّها أجواء يابانيّة تقليديّة
Dialogue: 0,0:18:09.18,0:18:12.02,Default,,0,0,0,,لنتحدّث عن ما أخبرت بهِ الدكتور الأخير، ما رأيك؟
Dialogue: 0,0:18:12.62,0:18:14.98,Default,,0,0,0,,
Dialogue: 0,0:18:15.59,0:18:20.95,Default,,0,0,0,,ما زلت تُعاني من نوبات نوم متقطّعة أثناء النّهار؟
Dialogue: 0,0:18:20.95,0:18:23.95,Default,,0,0,0,,.أجل، أحيانًا
Dialogue: 0,0:18:23.95,0:18:27.10,Default,,0,0,0,,وأنت تحتفظ بسجلّات عن أحلامك، صحيح؟
Dialogue: 0,0:18:27.10,0:18:29.10,Default,,0,0,0,,.أجل، أنا أسجلّها
Dialogue: 0,0:18:29.10,0:18:32.31,Default,,0,0,0,,هل ستسمح ليّ بسماعها في وقتٍ ما؟
Dialogue: 0,0:18:32.31,0:18:34.34,Default,,0,0,0,,...لـ لكنّ
Dialogue: 0,0:18:34.64,0:18:36.84,Default,,0,0,0,,.لا داعي لذلك، إذا لم ترغب
Dialogue: 0,0:18:36.84,0:18:39.59,Default,,0,0,0,,.إنّها غير منظّمة إطلاقًا
Dialogue: 0,0:18:39.59,0:18:41.25,Default,,0,0,0,,، علاوةً على ذلك
Dialogue: 0,0:18:41.25,0:18:47.55,Default,,0,0,0,,هل تواجه أي آلام بسبب الآثار \N للحادثة التي تعرّضت لها منذُ 11 عامًا؟
Dialogue: 0,0:18:47.60,0:18:48.60,أخبار,,0,0,0,,{\an8}...أُختطِف طفلان...
Dialogue: 0,0:18:48.60,0:18:49.58,أخبار,,0,0,0,,{\an8}المختطف يموت في حادث
Dialogue: 0,0:18:49.58,0:18:50.46,أخبار,,0,0,0,,{\an8}!فشل تسليم الفدية مقابل الأطفال المختطفين
Dialogue: 0,0:18:50.46,0:18:51.67,أخبار,,0,0,0,,{\an8}الأطفال ما زالوا مفقودين
Dialogue: 0,0:18:56.61,0:18:58.51,أخبار,,0,0,0,,{\an8}....الأهل يدعوون....
Dialogue: 0,0:18:58.51,0:19:03.47,أخبار,,0,0,0,,{\an8}الأخ الأصغر تارو حيّا معافًا
Dialogue: 0,0:19:30.70,0:19:32.43,Default,,0,0,0,,!هيه
Dialogue: 0,0:19:33.17,0:19:35.50,Default,,0,0,0,,!هيه، أوغامي - كن
Dialogue: 0,0:19:35.50,0:19:37.54,Default,,0,0,0,,!لا أصدّق بأننا تقابلنا
Dialogue: 0,0:19:37.54,0:19:40.71,Default,,0,0,0,,.أنا ناكاجيما ماسايوكي، انتقلت من طوكيو حديثًا
Dialogue: 0,0:19:40.71,0:19:43.24,Default,,0,0,0,,هل ستمانع لو ناديتك بـ ماكوتو؟
Dialogue: 0,0:19:43.81,0:19:46.12,Default,,0,0,0,,هل تعرف بأنّك مزعج؟
Dialogue: 0,0:19:46.81,0:19:48.48,Default,,0,0,0,,.أجل، أسمعُ هذا كثيرًا
Dialogue: 0,0:19:48.48,0:19:51.55,Default,,0,0,0,,.لكن، ماذا يمكنني أن أفعل؟ هذهِ هي طبيعتي
Dialogue: 0,0:19:52.85,0:19:59.04,Default,,0,0,0,,المعذرة، د.هيراتا، هل تمارس العلاج بالتنويم المغناطيسيّ؟
Dialogue: 0,0:19:59.04,0:20:01.86,Default,,0,0,0,,آمم، لماذا تسأل؟
Dialogue: 0,0:20:01.86,0:20:08.70,Default,,0,0,0,, اعتقدت بأنّه لو تمّ تنويمي\N.ربّما سأتذكّر بعض الأشياء التي نسيتُها
Dialogue: 0,0:20:10.20,0:20:12.37,Default,,0,0,0,,هناك أشياء تريد أن تتذكّرها؟
Dialogue: 0,0:20:13.44,0:20:15.10,Default,,0,0,0,,
Dialogue: 0,0:20:15.10,0:20:19.86,Default,,0,0,0,,هناك فراغات في ذاكرتك، صحيح؟
Dialogue: 0,0:20:24.32,0:20:28.32,Default,,0,0,0,,.أنا لستُ مناصرًا كثيرًا للتنويم المغناطيسي
Dialogue: 0,0:20:28.32,0:20:32.89,Default,,0,0,0,,.أحيانًا يجعل النّاس يستحضرون الذكريات الخاطئة
Dialogue: 0,0:20:36.56,0:20:39.47,Default,,0,0,0,,ما هو الشيء الّذي تُريد أن تتذكّرهُ؟
Dialogue: 0,0:20:51.71,0:20:55.38,Default,,0,0,0,,.أنا آتي للمدرسة فقط عندما أريد ذلك
Dialogue: 0,0:20:55.38,0:20:56.48,Default,,0,0,0,,أتركني وشأني
Dialogue: 0,0:20:56.48,0:20:58.32,Default,,0,0,0,,!هيّا، لا تكنْ هكذا
Dialogue: 0,0:20:58.32,0:21:00.92,Default,,0,0,0,,.آه، أردتُ أن أسألك شيئًا
Dialogue: 0,0:21:00.92,0:21:04.89,Default,,0,0,0,,هل تحمل الحقد ضد الفتى تارو من الفصل أ؟
Dialogue: 0,0:21:05.39,0:21:09.11,Default,,0,0,0,,هل هذا بسبب ما حدث لوالدك منذُ 11 عامًا؟
Dialogue: 0,0:21:09.80,0:21:13.37,Default,,0,0,0,,.اهدأ كنتُ أسأل فقط
Dialogue: 0,0:21:20.34,0:21:22.38,Default,,0,0,0,,.لا علاقة لهذا الأمر بيّ
Dialogue: 0,0:22:15.73,0:22:17.27,Default,,0,0,0,,....آمم
Dialogue: 0,0:22:22.60,0:22:24.74,Default,,0,0,0,,...المعذرة
Dialogue: 0,0:22:30.74,0:22:33.58,Default,,0,0,0,,....هيه، انتظري، اليوم صباحًا
Dialogue: 0,0:22:36.78,0:22:40.02,Default,,0,0,0,,!آه، يكفي، يالا أطفال هذا الزمن
Dialogue: 0,0:21:35.75,0:21:38.49,Default,,0,0,0,,
Dialogue: 0,0:24:36.97,0:24:41.61,Default,,0,0,0,,.يمكن للناس تعلّم التحكّم في أحلامهم عن طريق التدريب الصحيح
Dialogue: 0,0:24:41.61,0:24:45.01,Default,,0,0,0,,على أي حال، صرّح فرانشيس كريك أن تفسير الأحلام هو شيء بلا معنى
Dialogue: 0,0:24:45.01,0:24:47.15,Default,,0,0,0,,و أكّد أنّ الأحلام مجرّد كيان
Dialogue: 0,0:24:47.15,0:24:52.09,Default,,0,0,0,,للتخلّص من الأشياء التّافهة المتراكمة في الدّماغ ولا داعٍ لها
Dialogue: 0,0:24:52.09,0:24:53.92,Default,,0,0,0,, على حسب أقوال كريك
Dialogue: 0,0:24:53.92,0:24:57.89,Default,,0,0,0,,الوعي الإنساني مجرّد 40 هيرتز من ردود الفعل العاطفيّة في الدّماغ
Dialogue: 0,0:24:58.96,0:25:03.50,Default,,0,0,0,,: الأحلام هي شكلها وعالمها هو
Dialogue: 0,0:25:03.50,0:25:05.16,Default,,0,0,0,,.العالم المخفيّ
Dialogue: 0,0:24:36.02,0:24:38.76,Default,,0,0,0,,{\bord2\fad(0،500)\pos(216,82)}الحلقة القادمة
Comment: 0,0:00:45.77,0:00:50.04,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.04,0:00:54.11,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.11,0:00:58.34,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.34,0:01:00.91,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.86,0:01:17.10,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.10,0:01:21.27,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.27,0:01:24.99,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.28,0:01:29.35,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.66,0:01:51.67,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.67,0:01:59.38,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.38,0:02:03.64,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.77,0:00:50.04,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.04,0:00:54.11,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.11,0:00:58.34,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.34,0:01:00.91,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.86,0:01:17.10,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.10,0:01:21.27,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.27,0:01:24.99,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.28,0:01:29.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.66,0:01:51.67,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.67,0:01:59.38,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.38,0:02:03.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن السباق والتدفّق
Dialogue: 0,0:00:45.27,0:00:49.14,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,750,\3c&H00000)\pos(43,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:00:49.14,0:00:49.64,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43,47)}a
Dialogue: 0,0:00:45.29,0:00:49.16,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}n
Dialogue: 0,0:00:45.32,0:00:49.19,OPR,,0,0,0,fx,{\an5\blur3\org(57,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(97,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:00:45.34,0:00:49.21,OPR,,0,0,0,fx,{\an5\blur3\org(77,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(117,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}t
Dialogue: 0,0:00:45.37,0:00:49.24,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(137,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:00:45.39,0:00:49.26,OPR,,0,0,0,fx,{\an5\blur3\org(118,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(158,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}
Dialogue: 0,0:00:49.16,0:00:49.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70,47)}n
Dialogue: 0,0:00:49.19,0:00:49.69,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97,47)}a
Dialogue: 0,0:00:49.21,0:00:49.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117,47)}t
Dialogue: 0,0:00:49.24,0:00:49.74,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137,47)}a
Dialogue: 0,0:00:49.26,0:00:49.76,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158,47)}
Dialogue: 0,0:00:45.42,0:00:49.29,OPR,,0,0,0,fx,{\an5\blur3\org(138,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(178,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}n
Dialogue: 0,0:00:45.44,0:00:49.31,OPR,,0,0,0,fx,{\an5\blur3\org(165,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(205,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:00:45.47,0:00:49.34,OPR,,0,0,0,fx,{\an5\blur3\org(185,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(225,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}
Dialogue: 0,0:00:49.29,0:00:49.79,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(178,47)}n
Dialogue: 0,0:00:49.31,0:00:49.81,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(205,47)}o
Dialogue: 0,0:00:49.34,0:00:49.84,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225,47)}
Dialogue: 0,0:00:45.49,0:00:49.36,OPR,,0,0,0,fx,{\an5\blur3\org(204,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(244,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}k
Dialogue: 0,0:00:45.52,0:00:49.39,OPR,,0,0,0,fx,{\an5\blur3\org(229,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(269,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:00:45.54,0:00:49.41,OPR,,0,0,0,fx,{\an5\blur3\org(255,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(295,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}k
Dialogue: 0,0:00:45.57,0:00:49.44,OPR,,0,0,0,fx,{\an5\blur3\org(280,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(320,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:00:45.59,0:00:49.46,OPR,,0,0,0,fx,{\an5\blur3\org(302,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(342,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}r
Dialogue: 0,0:00:45.62,0:00:49.49,OPR,,0,0,0,fx,{\an5\blur3\org(323,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(363,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:00:45.64,0:00:49.51,OPR,,0,0,0,fx,{\an5\blur3\org(343,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(383,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}
Dialogue: 0,0:00:49.36,0:00:49.86,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(244,47)}k
Dialogue: 0,0:00:49.39,0:00:49.89,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(269,47)}o
Dialogue: 0,0:00:49.41,0:00:49.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(295,47)}k
Dialogue: 0,0:00:49.44,0:00:49.94,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(320,47)}o
Dialogue: 0,0:00:49.46,0:00:49.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(342,47)}r
Dialogue: 0,0:00:49.49,0:00:49.99,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(363,47)}o
Dialogue: 0,0:00:49.51,0:00:50.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(383,47)}
Dialogue: 0,0:00:45.67,0:00:49.54,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(403,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}n
Dialogue: 0,0:00:45.69,0:00:49.56,OPR,,0,0,0,fx,{\an5\blur3\org(390,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(430,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:00:45.72,0:00:49.59,OPR,,0,0,0,fx,{\an5\blur3\org(410,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(450,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}
Dialogue: 0,0:00:49.54,0:00:50.04,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403,47)}n
Dialogue: 0,0:00:49.56,0:00:50.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(430,47)}o
Dialogue: 0,0:00:49.59,0:00:50.09,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(450,47)}
Dialogue: 0,0:00:45.74,0:00:49.61,OPR,,0,0,0,fx,{\an5\blur3\org(431,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(471,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:00:45.77,0:00:49.64,OPR,,0,0,0,fx,{\an5\blur3\org(456,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(496,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}k
Dialogue: 0,0:00:45.79,0:00:49.66,OPR,,0,0,0,fx,{\an5\blur3\org(482,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(522,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}u
Dialogue: 0,0:00:49.61,0:00:50.11,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(471,47)}o
Dialogue: 0,0:00:49.64,0:00:50.14,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(496,47)}k
Dialogue: 0,0:00:49.66,0:00:50.16,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(522,47)}u
Dialogue: 0,0:00:49.54,0:00:53.21,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(43,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}n
Dialogue: 0,0:00:49.56,0:00:53.23,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(70,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}e
Dialogue: 0,0:00:49.59,0:00:53.26,OPR,,0,0,0,fx,{\an5\blur3\org(64,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(104,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}m
Dialogue: 0,0:00:49.61,0:00:53.28,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(137,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}u
Dialogue: 0,0:00:49.64,0:00:53.31,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(159,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}r
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Dialogue: 0,0:01:24.39,0:01:24.89,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(325,47)}n
Dialogue: 0,0:01:24.41,0:01:24.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(352,47)}o
Dialogue: 0,0:01:24.44,0:01:24.94,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(372,47)}
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Dialogue: 0,0:01:24.49,0:01:24.99,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(413,47)}M
Dialogue: 0,0:01:24.51,0:01:25.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(449,47)}E
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Dialogue: 0,0:01:24.56,0:01:25.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(509,47)}J
Dialogue: 0,0:01:24.59,0:01:25.09,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(528,47)}I
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Dialogue: 0,0:01:28.50,0:01:29.00,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97,47)}a
Dialogue: 0,0:01:28.52,0:01:29.02,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117,47)}t
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Dialogue: 0,0:01:28.57,0:01:29.07,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158,47)}
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Dialogue: 0,0:01:28.65,0:01:29.15,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225,47)}
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Dialogue: 0,0:01:28.70,0:01:29.20,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(254,47)}k
Dialogue: 0,0:01:28.72,0:01:29.22,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(280,47)}u
Dialogue: 0,0:01:28.75,0:01:29.25,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(300,47)}
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Dialogue: 0,0:01:28.80,0:01:29.30,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(347,47)}a
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Dialogue: 0,0:01:28.87,0:01:29.37,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(414,47)}a
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Dialogue: 0,0:01:28.95,0:01:29.45,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(492,47)}d
Dialogue: 0,0:01:28.97,0:01:29.47,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519,47)}e
Dialogue: 0,0:01:29.00,0:01:29.50,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(538,47)}i
Dialogue: 0,0:01:29.02,0:01:29.52,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(555,47)}k
Dialogue: 0,0:01:29.05,0:01:29.55,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(581,47)}u
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Dialogue: 0,0:01:50.79,0:01:51.29,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(77,47)}m
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Dialogue: 0,0:01:50.87,0:01:51.37,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(141,47)}
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Dialogue: 0,0:01:58.98,0:01:59.48,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(485,47)}k
Dialogue: 0,0:01:59.00,0:01:59.50,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(511,47)}o
Dialogue: 0,0:01:59.03,0:01:59.53,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(536,47)}k
Dialogue: 0,0:01:59.05,0:01:59.55,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(562,47)}o
Dialogue: 0,0:01:59.08,0:01:59.58,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(583,47)}r
Dialogue: 0,0:01:59.10,0:01:59.60,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(605,47)}o
Dialogue: 0,0:01:59.13,0:01:59.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(625,47)}
Dialogue: 0,0:01:51.84,0:01:59.15,OPR,,0,0,0,fx,{\an5\blur3\org(609,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(649,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}w
Dialogue: 0,0:01:51.87,0:01:59.18,OPR,,0,0,0,fx,{\an5\blur3\org(640,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(680,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:01:59.15,0:01:59.65,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(649,47)}w
Dialogue: 0,0:01:59.18,0:01:59.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(680,47)}a
Dialogue: 0,0:01:58.88,0:02:02.74,OPR,,0,0,0,fx,{\an5\blur3\org(10,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(50,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}m
Dialogue: 0,0:01:58.90,0:02:02.76,OPR,,0,0,0,fx,{\an5\blur3\org(42,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(82,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}y
Dialogue: 0,0:01:58.93,0:02:02.79,OPR,,0,0,0,fx,{\an5\blur3\org(68,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(108,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:01:58.95,0:02:02.81,OPR,,0,0,0,fx,{\an5\blur3\org(93,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(133,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}k
Dialogue: 0,0:01:58.98,0:02:02.84,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(159,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}u
Dialogue: 0,0:01:59.00,0:02:02.86,OPR,,0,0,0,fx,{\an5\blur3\org(146,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(186,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}u
Dialogue: 0,0:01:59.03,0:02:02.89,OPR,,0,0,0,fx,{\an5\blur3\org(166,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(206,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}t
Dialogue: 0,0:01:59.05,0:02:02.91,OPR,,0,0,0,fx,{\an5\blur3\org(179,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(219,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}t
Dialogue: 0,0:01:59.08,0:02:02.94,OPR,,0,0,0,fx,{\an5\blur3\org(200,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(240,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}e
Dialogue: 0,0:01:59.10,0:02:02.96,OPR,,0,0,0,fx,{\an5\blur3\org(220,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(260,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}
Dialogue: 0,0:02:02.74,0:02:03.24,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(50,47)}m
Dialogue: 0,0:02:02.76,0:02:03.26,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(82,47)}y
Dialogue: 0,0:02:02.79,0:02:03.29,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(108,47)}a
Dialogue: 0,0:02:02.81,0:02:03.31,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(133,47)}k
Dialogue: 0,0:02:02.84,0:02:03.34,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(159,47)}u
Dialogue: 0,0:02:02.86,0:02:03.36,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(186,47)}u
Dialogue: 0,0:02:02.89,0:02:03.39,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(206,47)}t
Dialogue: 0,0:02:02.91,0:02:03.41,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(219,47)}t
Dialogue: 0,0:02:02.94,0:02:03.44,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(240,47)}e
Dialogue: 0,0:02:02.96,0:02:03.46,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(260,47)}
Dialogue: 0,0:01:59.13,0:02:02.99,OPR,,0,0,0,fx,{\an5\blur3\org(233,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(273,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}t
Dialogue: 0,0:01:59.15,0:02:03.01,OPR,,0,0,0,fx,{\an5\blur3\org(253,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(293,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}o
Dialogue: 0,0:01:59.18,0:02:03.04,OPR,,0,0,0,fx,{\an5\blur3\org(287,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(327,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}m
Dialogue: 0,0:01:59.20,0:02:03.06,OPR,,0,0,0,fx,{\an5\blur3\org(320,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(360,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}e
Dialogue: 0,0:01:59.23,0:02:03.09,OPR,,0,0,0,fx,{\an5\blur3\org(342,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(382,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}r
Dialogue: 0,0:01:59.25,0:02:03.11,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(403,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:01:59.28,0:02:03.14,OPR,,0,0,0,fx,{\an5\blur3\org(385,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(425,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}r
Dialogue: 0,0:01:59.30,0:02:03.16,OPR,,0,0,0,fx,{\an5\blur3\org(406,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(446,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}e
Dialogue: 0,0:02:02.99,0:02:03.49,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(273,47)}t
Dialogue: 0,0:02:03.01,0:02:03.51,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(293,47)}o
Dialogue: 0,0:02:03.04,0:02:03.54,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(327,47)}m
Dialogue: 0,0:02:03.06,0:02:03.56,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(360,47)}e
Dialogue: 0,0:02:03.09,0:02:03.59,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(382,47)}r
Dialogue: 0,0:02:03.11,0:02:03.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403,47)}a
Dialogue: 0,0:02:03.14,0:02:03.64,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(425,47)}r
Dialogue: 0,0:02:03.16,0:02:03.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(446,47)}e
Dialogue: 0,0:01:59.33,0:02:03.19,OPR,,0,0,0,fx,{\an5\blur3\org(433,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(473,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}n
Dialogue: 0,0:01:59.35,0:02:03.21,OPR,,0,0,0,fx,{\an5\blur3\org(460,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(500,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}a
Dialogue: 0,0:01:59.38,0:02:03.24,OPR,,0,0,0,fx,{\an5\blur3\org(479,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(519,47)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100\fscy100)}i
Dialogue: 0,0:02:03.19,0:02:03.69,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(473,47)}n
Dialogue: 0,0:02:03.21,0:02:03.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(500,47)}a
Dialogue: 0,0:02:03.24,0:02:03.74,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519,47)}i
Comment: 0,0:22:04.89,0:22:06.89,Default,,0,0,0,,
Comment: 0,0:22:06.89,0:22:08.89,Default,,0,0,0,,
Comment: 0,0:22:08.89,0:22:10.89,Default,,0,0,0,,
Comment: 0,0:22:10.89,0:22:12.89,Default,,0,0,0,,
Comment: 0,0:22:12.89,0:22:14.89,Default,,0,0,0,,
Comment: 0,0:22:14.89,0:22:16.89,Default,,0,0,0,,
Comment: 0,0:22:16.89,0:22:18.89,Default,,0,0,0,,
Comment: 0,0:22:18.89,0:22:20.89,Default,,0,0,0,,
Comment: 0,0:23:06.51,0:23:10.38,EDR,,0,0,0,karaoke,{\kf37}yor{\kf25}u {\kf28}no {\kf198}sukima
Comment: 0,0:23:10.38,0:23:14.45,EDR,,0,0,0,karaoke,{\kf133}yakusoku {\kf88}no {\kf42}oka {\kf141}de
Comment: 0,0:23:14.45,0:23:23.40,EDR,,0,0,0,karaoke,{\kf128}tsukiakari {\kf64}ni {\kf174}shitataru {\kf170}hanabira {\kf36}ni {\kf98}KISS {\kf119}o
Comment: 0,0:23:23.40,0:23:27.00,EDR,,0,0,0,karaoke,{\kf95}fushigi {\kf68}no {\kf154}kuni
Comment: 0,0:23:27.00,0:23:31.41,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:31.41,0:23:35.58,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:35.58,0:23:40.08,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:40.08,0:23:47.55,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:47.55,0:23:55.83,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.83,0:23:59.67,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:59.67,0:24:04.97,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.97,0:24:12.75,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:12.75,0:24:16.48,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:16.48,0:24:21.86,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.86,0:24:27.99,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.99,0:24:32.87,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:06.51,0:23:10.38,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:10.38,0:23:14.45,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:14.45,0:23:23.40,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:23.40,0:23:27.00,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:27.00,0:23:31.41,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:31.41,0:23:35.58,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:35.58,0:23:40.08,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:40.08,0:23:47.55,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:47.55,0:23:55.83,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.83,0:23:59.67,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:59.67,0:24:04.97,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.97,0:24:12.75,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:12.75,0:24:16.48,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:16.48,0:24:21.86,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.86,0:24:27.99,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.99,0:24:32.87,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Comment: 0,0:22:20.89,0:22:22.89,Default,,0,0,0,,