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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:24:36.01,0:24:38.44,Default,,0,0,0,,{\bord2\fad(0،500)\pos(220,82)}الحلقة القادمة
Dialogue: 0,0:02:35.62,0:02:39.51,Default,,0,0,0,,هذهِ الأشجار التي تقفون عليها ذات الأغصان المتداخلة
Dialogue: 0,0:02:39.51,0:02:44.19,Default,,0,0,0,,.قيل بأنّها المكان الذي كان يتواجد فيه التينغو
Dialogue: 0,0:02:44.19,0:02:47.16,Default,,0,0,0,,.في أيّام الماضي، لم نكن نقطع الأشجار مثل الآن
Dialogue: 0,0:02:47.16,0:02:49.33,Default,,0,0,0,,!هل التينغو موجود حقًا؟
Dialogue: 0,0:02:49.33,0:02:51.23,Default,,0,0,0,,!من يعلم
Dialogue: 0,0:02:51.23,0:02:52.83,Default,,0,0,0,,هل أنت بشريّ، سيّدي؟
Dialogue: 0,0:02:53.70,0:02:55.80,Default,,0,0,0,,.لسوء الحظ، نعم
Dialogue: 0,0:02:55.80,0:02:58.31,Default,,0,0,0,,هل تعيشون بالقرب من هنا يا أولاد؟
Dialogue: 0,0:02:58.31,0:03:02.44,Default,,0,0,0,,أجل. أين تعيش سيّدي، هنا في الجبال؟
Dialogue: 0,0:03:02.44,0:03:04.74,Default,,0,0,0,,من يسأل متشرّدًا عن المكان الذي يعيش فيه؟
Dialogue: 0,0:03:05.18,0:03:06.58,Default,,0,0,0,,.لم أحصل على منزل
Dialogue: 0,0:03:06.58,0:03:09.85,Default,,0,0,0,,.كنتُ أجوب جبال اليابان من عقود طويلة
Dialogue: 0,0:03:09.85,0:03:11.92,Default,,0,0,0,,!واو، هذا مذهل
Dialogue: 0,0:03:11.92,0:03:16.86,Default,,0,0,0,,.بالرغم من هذا بقيتُ في جبال كاميوا منذ فترة طويلة
Dialogue: 0,0:03:16.86,0:03:18.66,Default,,0,0,0,,لماذا هذا المكان؟
Dialogue: 0,0:03:18.66,0:03:20.17,Default,,0,0,0,,!لا يوجد شيء هنا
Dialogue: 0,0:03:20.73,0:03:22.93,Default,,0,0,0,,.أنا أيضًا لا أعرف السبب
Dialogue: 0,0:03:22.93,0:03:27.14,Default,,0,0,0,,.يراودني فقط شعور بأن شيء ما قد يحدث هنا أولا
Dialogue: 0,0:03:27.47,0:03:29.34,Default,,0,0,0,,وما هو؟
Dialogue: 0,0:03:29.87,0:03:33.24,Default,,0,0,0,,  إذا بقيتم يا أولاد طويلًا خارج هيئتكم الجسديّة
Dialogue: 0,0:03:33.24,0:03:34.69,Default,,0,0,0,,.سوف تعلقون في هذا الشكل
Dialogue: 0,0:03:34.69,0:03:36.44,Default,,0,0,0,,!آه، أنت تمزح
Dialogue: 0,0:03:36.44,0:03:37.94,Default,,0,0,0,,!عرفتُ أن هذا اللقاء كان سيّئ
Dialogue: 0,0:03:38.61,0:03:41.35,Default,,0,0,0,,!أتمنّى أن تخبرنا المزيد المرّة القادمة، إلى اللقاء
Dialogue: 0,0:03:41.35,0:03:43.48,Default,,0,0,0,,!أسرع، يجب أن نعود بسرعة
Dialogue: 0,0:04:14.25,0:04:17.59,Default,,0,0,0,,.مررتُ بتجربة خروج من جسد أخرى
Dialogue: 0,0:04:17.59,0:04:20.92,Default,,0,0,0,,.قابلنا عجوز في جبال كاميوا
Dialogue: 0,0:04:20.92,0:04:23.59,Default,,0,0,0,,!وتحدثنا معهُ أيضًا
Dialogue: 0,0:04:23.59,0:04:26.99,Default,,0,0,0,,.أرغبُ في التحدث معه مجددًا وأنا مستيقظ
Dialogue: 0,0:04:27.43,0:04:30.33,Default,,0,0,0,,  سيكون من المريع ألا استطيع العودة إلى جسدي
Dialogue: 0,0:04:30.33,0:04:34.37,Default,,0,0,0,,.لكنني بدأتُ أستمتع بالتجوّل الروحيّ
Dialogue: 0,0:04:34.37,0:04:36.57,Default,,0,0,0,,...لو كنت قادر على التحكّم أكثر
Dialogue: 0,0:04:39.37,0:04:42.34,Default,,0,0,0,,....لو كان بإمكاني استكشاف العالم المخفيّ
Dialogue: 0,0:04:49.92,0:04:52.39,Default,,0,0,0,,.ربّما سأرى أختي مجددًا
Dialogue: 0,0:05:46.57,0:05:54.12,Default,,0,0,0,,انتخبوا يازاكي موتوي كعمدة للبلدة\N!صوّتوا لـ يازاكي موتوي
Dialogue: 0,0:05:54.85,0:06:01.66,Default,,0,0,0,,يازاكي موتوي يشكر طلاب السنة الأخيرة \N.في المدرسة الثانوية على عملهم الجاد، شكرًا لكم
Dialogue: 0,0:05:57.02,0:05:58.72,شرح,,0,0,0,,ادعموا يازاكي موتوي
Dialogue: 0,0:06:01.66,0:06:03.62,Default,,0,0,0,,!اخرسي
Dialogue: 0,0:06:11.01,0:06:14.01,شرح,,0,0,0,,!يازاكي موتوي سيجدد بلدتنا
Dialogue: 0,0:08:11.69,0:08:12.76,Default,,0,0,0,,ما الأمر؟
Dialogue: 0,0:08:13.02,0:08:17.72,Default,,0,0,0,,.ماكوتو - ساما، من الأفضل أن تبقى بعيدًا عن هذهِ الغرفة
Dialogue: 0,0:08:24.63,0:08:28.50,Default,,0,0,0,,كاباتا - سان، تعرفين عن والدي، صحيح؟
Dialogue: 0,0:08:28.50,0:08:32.17,Default,,0,0,0,,....نعم، في أحد الأيّام عندما ترث
Dialogue: 0,0:08:43.62,0:08:45.92,Default,,0,0,0,,.كانت تبدو سعيدة جدًا
Dialogue: 0,0:08:45.92,0:08:50.19,Default,,0,0,0,,شقيقتها سقطت من الدرج وكسرت رِجلها
Dialogue: 0,0:08:50.19,0:08:52.96,Default,,0,0,0,,.الشكر يعود إلى صلوات جدّتك
Dialogue: 0,0:09:40.01,0:09:42.61,Default,,0,0,0,,اكتشف دكتور الأعصاب وايلدر بينفيلد
Dialogue: 0,0:09:42.61,0:09:45.68,Default,,0,0,0,,وذلك أثناء تحفيز الصدغ الدماغيّ لمريض الصرع
Dialogue: 0,0:09:46.01,0:09:50.82,Default,,0,0,0,,.أن هناك ظاهرة قد تسبب للمريض استعادة بعض الذكريات
Dialogue: 0,0:09:51.89,0:09:57.59,Default,,0,0,0,, العلماء في الماضي افترضوا وجود رجل مصغّر في الدماغ
Dialogue: 0,0:09:57.59,0:10:03.41,Default,,0,0,0,,.يتلقّى تصوّرات حسّية مثل السمع والبصر واللمس
Dialogue: 0,0:10:03.90,0:10:06.90,Default,,0,0,0,,بينفيلد وضع مخططًا لتوضيح المناطق التي تؤثّر عليها التصورات الحسية
Dialogue: 0,0:10:06.90,0:10:10.30,Default,,0,0,0,,.والتي أعتقد بأنّها موجودة على قشرة الدماغ
Dialogue: 0,0:10:20.01,0:10:23.72,Default,,0,0,0,,
Dialogue: 0,0:10:23.72,0:10:28.16,Default,,0,0,0,,.ليعكس القوى النسبيّة لتصوّراتنا الحسّية
Dialogue: 0,0:10:28.16,0:10:31.86,شرح,,0,0,0,,{\pos(568،106)}تعني : الرجل المصغّر
Dialogue: 0,0:10:28.16,0:10:31.86,Default,,0,0,0,,.هذا الشخص الذي بداخل الدماغ يُشار إليه بالـ هومونكلوس
Dialogue: 0,0:10:47.91,0:10:55.05,Default,,0,0,0,,.يازاكي موتوي، صوّتوا لـ يازاكي موتوي\N.يازاكي موتوي خدم سويتن في ثلاث فترات انتخابية
Dialogue: 0,0:10:55.05,0:11:00.55,Default,,0,0,0,,!من فضلكم، دعوه يستمر في عمله الرائع والجاد
Dialogue: 0,0:11:49.84,0:11:52.17,Default,,0,0,0,,.أنا مشوش الذهن بسبب البقاء مستيقظًا طوال الليل
Dialogue: 0,0:12:35.75,0:12:36.08,شرح,,0,0,0,,الجميع يموت ملعونًا
Dialogue: 0,0:12:39.12,0:12:41.12,Default,,0,0,0,,.حان وقت التعرّض
Dialogue: 0,0:12:49.03,0:12:52.47,Default,,0,0,0,,أيّها السيّد؟ أين أنت؟
Dialogue: 0,0:12:56.07,0:13:00.75,Default,,0,0,0,,تبًا، هل يجب أن أعيش في خوف طوال حياتي؟
Dialogue: 0,0:13:03.24,0:13:04.85,Default,,0,0,0,,!صوّتوا لـ يازاكي موتوي
Dialogue: 0,0:13:04.85,0:13:10.38,Default,,0,0,0,,.يازاكي موتوي قام بعملهِ كعمدة لمدّة 3 فترات انتخابية
Dialogue: 0,0:13:10.38,0:13:14.46,Default,,0,0,0,,!ادعموا التقدّم المستمر لـ بلدة سويتن
Dialogue: 0,0:13:14.46,0:13:19.39,Default,,0,0,0,,!صوّتوا لـ يازاكي موتوي
Dialogue: 0,0:13:19.39,0:13:21.61,Default,,0,0,0,,ما خطب هذا الفتى؟
Dialogue: 0,0:14:31.37,0:14:33.05,Default,,0,0,0,,ألم يعودوا بعد؟
Dialogue: 0,0:14:37.40,0:14:39.17,Default,,0,0,0,,الفتى كوموري، ما الأمر؟
Dialogue: 0,0:14:39.17,0:14:41.34,Default,,0,0,0,,.شكرًا على المساعدة في ذلك اليوم
Dialogue: 0,0:14:43.34,0:14:46.98,Default,,0,0,0,,أخبرني، ألم يحدث شيء غريب منذ ذلك الحين؟
Dialogue: 0,0:14:46.98,0:14:48.28,Default,,0,0,0,,.لا - لا
Dialogue: 0,0:14:48.28,0:14:49.35,Default,,0,0,0,,.آوه، جيّد
Dialogue: 0,0:14:49.35,0:14:53.45,Default,,0,0,0,,.ربّما هي مجرّد خرافات، لكنني وجدتُ أنّه من الأفضل فِعل ذلك
Dialogue: 0,0:14:53.45,0:14:55.53,Default,,0,0,0,,.أنا هو الكاهن الأكبر في النهاية
Dialogue: 0,0:15:00.90,0:15:04.23,Default,,0,0,0,,كنت تتجوّل في هذهِ الأنحاء كثيرًا في الآونة الأخيرة، صحيح؟
Dialogue: 0,0:15:04.23,0:15:08.24,Default,,0,0,0,,.في الماضي، الجبال كانت تُعتبر مسكن أرواح أسلافنا
Dialogue: 0,0:15:08.24,0:15:11.14,Default,,0,0,0,,.الناس لا يأتون هنا من أجل المرح
Dialogue: 0,0:15:11.14,0:15:14.24,Default,,0,0,0,,.ليس من أجل المرح، أنا هنا من أجل البحث عن شخص ما
Dialogue: 0,0:15:14.24,0:15:15.24,Default,,0,0,0,,آوه؟
Dialogue: 0,0:15:15.24,0:15:18.52,Default,,0,0,0,,.رجل مسن يتجوّل في جبال اليابان
Dialogue: 0,0:15:18.52,0:15:20.31,Default,,0,0,0,,...أ أنت تقصد
Dialogue: 0,0:15:20.31,0:15:21.98,Default,,0,0,0,,هل قابلت هذا المسن؟
Dialogue: 0,0:15:21.98,0:15:24.35,Default,,0,0,0,,.أعتقد هذا
Dialogue: 0,0:15:24.35,0:15:28.19,Default,,0,0,0,,!هو هنا في جبل كاميوا؟
Dialogue: 0,0:15:28.19,0:15:29.39,Default,,0,0,0,,المعذرة ـ سيّدي؟
Dialogue: 0,0:15:29.39,0:15:30.39,Default,,0,0,0,,آه؟
Dialogue: 0,0:15:30.39,0:15:31.93,Default,,0,0,0,,....ابنتك
Dialogue: 0,0:15:31.93,0:15:34.36,Default,,0,0,0,,.مياكو؟ ذهبت للتسوّق
Dialogue: 0,0:15:34.36,0:15:38.63,Default,,0,0,0,,...في الواقع، ربّما الجبال كانت موقع طقوس دينيّة
Dialogue: 0,0:15:50.95,0:15:54.01,Default,,0,0,0,,.آه، كنتُ على وشك النوم مجددًا
Dialogue: 0,0:16:07.46,0:16:08.94,Default,,0,0,0,,.من الأفضل أن أرتاح قليلًا
Dialogue: 0,0:16:54.14,0:16:56.24,Default,,0,0,0,,أين هو؟
Dialogue: 0,0:16:59.75,0:17:01.71,Default,,0,0,0,,ما ذلك؟
Dialogue: 0,0:17:14.34,0:17:16.53,Default,,0,0,0,,ما هذا؟
Dialogue: 0,0:17:16.53,0:17:19.34,Default,,0,0,0,,ماذا سيحدث لو ذهبت للداخل؟
Dialogue: 0,0:17:32.71,0:17:37.18,Default,,0,0,0,,إذا دخلت، هل سأكون قادرًا على العودة؟
Dialogue: 0,0:17:44.46,0:17:46.43,Default,,0,0,0,,!آوه، لقد عادت
Dialogue: 0,0:18:05.65,0:18:07.75,Default,,0,0,0,,!آوه، لقد عُدتِ
Dialogue: 0,0:18:15.79,0:18:17.19,Default,,0,0,0,,!هيه
Dialogue: 0,0:18:17.19,0:18:18.53,Default,,0,0,0,,...الآن، رأيتِ
Dialogue: 0,0:18:18.53,0:18:20.63,Default,,0,0,0,,!احذر
Dialogue: 0,0:18:20.63,0:18:22.82,Default,,0,0,0,,...هذا
Dialogue: 0,0:18:26.30,0:18:28.45,Default,,0,0,0,,...هذا سيّئ
Dialogue: 0,0:18:41.78,0:18:43.65,Default,,0,0,0,,!استدعي سيّارة إسعاف
Dialogue: 0,0:18:45.45,0:18:49.16,Default,,0,0,0,,هل تسمعني؟ هل أنت بخير؟
Dialogue: 0,0:18:58.87,0:19:02.57,Default,,0,0,0,,استعاد وعيهُ، أين المستشفى في بلدة سويتن؟
Dialogue: 0,0:19:02.57,0:19:06.53,Default,,0,0,0,,لا توجد واحدة؟ إذن كومادا؟
Dialogue: 0,0:19:06.81,0:19:08.88,Default,,0,0,0,,!نقل طارئ إلى مستشفى كومادا العام
Dialogue: 0,0:19:08.88,0:19:10.79,Default,,0,0,0,,!عُلم
Dialogue: 0,0:19:51.92,0:19:54.71,Default,,0,0,0,,.اثبت قليلًا رجاءً
Dialogue: 0,0:19:55.42,0:19:57.62,Default,,0,0,0,,.المريض هو ذكر في الرابعة عشر
Dialogue: 0,0:19:57.62,0:19:59.63,Default,,0,0,0,,.أُصيب بكدمات جرّاء وقوعهُ على درج حجري
Dialogue: 0,0:19:59.63,0:20:03.40,Default,,0,0,0,,.ضغط الدم 80\120، مستوى الغيبوبة 12
Dialogue: 0,0:20:16.88,0:20:19.38,Default,,0,0,0,,.أنا فقط أحتاج لـ سحب القليل من الدم
Dialogue: 0,0:20:25.22,0:20:28.46,Default,,0,0,0,,.اعطيه 10 سم مكعب من دورميكومو و 4 سم مكعب من الماسكولاكس
Dialogue: 0,0:20:28.46,0:20:29.72,Default,,0,0,0,,.ونحتاج إلى فحص الأشعة المقطعيّة
Dialogue: 0,0:20:29.72,0:20:31.46,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:20:34.50,0:20:36.93,Default,,0,0,0,,يبدو بأنّك استيقظت
Dialogue: 0,0:20:36.93,0:20:38.77,Default,,0,0,0,,هل لا يزال رأسك يؤلمك؟
Dialogue: 0,0:20:38.77,0:20:41.44,Default,,0,0,0,,.بعض الشيء. لكنني بخير
Dialogue: 0,0:20:41.44,0:20:42.64,Default,,0,0,0,,.آسف
Dialogue: 0,0:20:42.64,0:20:44.71,Default,,0,0,0,,.لا داع للاعتذار
Dialogue: 0,0:20:44.71,0:20:45.97,Default,,0,0,0,,هل جهاز فحص الأشعة المقطعيّة جاهز؟
Dialogue: 0,0:20:45.97,0:20:47.71,Default,,0,0,0,,.أجل
Dialogue: 0,0:20:57.28,0:20:59.55,Default,,0,0,0,,.سوف أعطيك بعض الدواء
Dialogue: 0,0:20:59.55,0:21:05.36,Default,,0,0,0,,.ربّما ستشعر بالدفء، لكن هذا طبيعيّ، لا يوجد شيء لكي تقلق منه
Dialogue: 0,0:21:10.43,0:21:13.50,Default,,0,0,0,,!شكرًا جزيلًا على مساعدتكِ
Dialogue: 0,0:21:13.50,0:21:15.20,Default,,0,0,0,,.لا تقلقِ، سوف يكون بخير
Dialogue: 0,0:21:27.88,0:21:30.48,Default,,0,0,0,,.لقد أزعجناكما كثيرًا
Dialogue: 0,0:21:30.48,0:21:31.89,Default,,0,0,0,,.أنا آسفة جدًا
Dialogue: 0,0:21:31.89,0:21:34.29,Default,,0,0,0,,.لا بأس على الإطلاق
Dialogue: 0,0:21:34.29,0:21:37.76,Default,,0,0,0,,كيف يمكننا أن نشكرك يومًا؟
Dialogue: 0,0:21:37.76,0:21:41.96,Default,,0,0,0,,.لا بأس، لا حاجة لذكر هذا
Dialogue: 0,0:21:42.50,0:21:44.30,Default,,0,0,0,,لماذا لا تجلسين قليلًا؟
Dialogue: 0,0:21:45.70,0:21:47.43,Default,,0,0,0,,!تارو
Dialogue: 0,0:21:48.97,0:21:51.57,Default,,0,0,0,,.إنّه بخير، لا يبدو بأنّه قد صدم رأسهُ مباشرةً
Dialogue: 0,0:21:51.57,0:21:52.87,Default,,0,0,0,,.إنه فتى محظوظ
Dialogue: 0,0:21:52.87,0:21:57.16,Default,,0,0,0,,.آوه، جيّد، أنا سعيد لأنّكِ تعملين هنا
Dialogue: 0,0:21:57.81,0:21:59.58,Default,,0,0,0,,سعيد"؟"
Dialogue: 0,0:21:59.58,0:22:02.35,Default,,0,0,0,,هل هذهِ الشابة هي من ذكرتها من قبل؟
Dialogue: 0,0:22:03.62,0:22:07.05,Default,,0,0,0,,.أجل! هذهِ هي ابنتي مياكو
Dialogue: 0,0:22:09.99,0:22:13.73,Default,,0,0,0,,.مياكو، هذهِ هي الطبيبة أوتوري ريكا
Dialogue: 0,0:22:13.73,0:22:18.46,Default,,0,0,0,,.كانت تحضر الدروس التي كنتُ أقدّمها في جامعة طوكيو
Dialogue: 0,0:22:18.97,0:22:24.34,Default,,0,0,0,,.والآن هي دكتورة أعصاب مشهورة، وصدف أنّها هنا في كومادا
Dialogue: 0,0:22:24.34,0:22:26.32,Default,,0,0,0,,!يالا الحظ
Dialogue: 0,0:22:27.87,0:22:29.74,Default,,0,0,0,,!أنا ذاهبة للمنزل
Dialogue: 0,0:22:32.78,0:22:34.61,Default,,0,0,0,,آه، مياكو؟
Dialogue: 0,0:22:34.61,0:22:37.35,Default,,0,0,0,,!اعتني بهِ، شكرًا لكِ
Dialogue: 0,0:24:37.96,0:24:41.66,Default,,0,0,0,,باحث كندي يُسمّي وايلدر بينفيلد
Dialogue: 0,0:24:41.67,0:24:44.87,Default,,0,0,0,,نجح في عرض الإحساس في تجربة الخروج من الجسد
Dialogue: 0,0:24:44.87,0:24:49.57,Default,,0,0,0,,  من خلال تحفيز القشرة المخيّة الحديثة من مرضاه باستخدام الأقطاب الكهربائيّة
Dialogue: 0,0:24:50.14,0:24:55.48,Default,,0,0,0,,  على الرغم من إحراز بينفيلد لتقدّم ملحوظ بشأن تحديد وظائف الدماغ
Dialogue: 0,0:24:55.48,0:24:58.71,Default,,0,0,0,, لكنّه لم يتخلّى أبدًا عن اعتقاده في الثنائيّة الديكارتيّة
Dialogue: 0,0:24:59.02,0:25:03.49,Default,,0,0,0,,.والتي تنص على أن العقل البشري موجود بشكل منفصل عن الدماغ
Dialogue: 0,0:02:11.05,0:02:16.04,العنوان,,0,0,0,,{\pos(652,504)} الرجل المصغّر في الدماغ
Comment: 0,0:00:45.74,0:00:50.01,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.01,0:00:54.08,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.08,0:00:58.31,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.31,0:01:00.88,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.83,0:01:17.07,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.07,0:01:21.24,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.24,0:01:24.96,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.25,0:01:29.32,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.63,0:01:51.64,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.64,0:01:59.35,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.35,0:02:03.61,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.74,0:00:50.01,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.01,0:00:54.08,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.08,0:00:58.31,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.31,0:01:00.88,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.83,0:01:17.07,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.07,0:01:21.24,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.24,0:01:24.96,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.25,0:01:29.32,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.63,0:01:51.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.64,0:01:59.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.35,0:02:03.61,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن النبض
Dialogue: 0,0:00:45.24,0:00:49.11,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,750,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:49.11,0:00:49.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}a
Dialogue: 0,0:00:45.26,0:00:49.13,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.29,0:00:49.16,OPR,,0,0,0,fx,{\an5\blur3\org(57,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(97.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.31,0:00:49.18,OPR,,0,0,0,fx,{\an5\blur3\org(77,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(117.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:00:45.34,0:00:49.21,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.36,0:00:49.23,OPR,,0,0,0,fx,{\an5\blur3\org(118,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(158.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.13,0:00:49.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}n
Dialogue: 0,0:00:49.16,0:00:49.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97.000000,47.000000)}a
Dialogue: 0,0:00:49.18,0:00:49.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117.000000,47.000000)}t
Dialogue: 0,0:00:49.21,0:00:49.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}a
Dialogue: 0,0:00:49.23,0:00:49.73,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158.000000,47.000000)}
Dialogue: 0,0:00:45.39,0:00:49.26,OPR,,0,0,0,fx,{\an5\blur3\org(138,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(178.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.41,0:00:49.28,OPR,,0,0,0,fx,{\an5\blur3\org(165,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(205.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.44,0:00:49.31,OPR,,0,0,0,fx,{\an5\blur3\org(185,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(225.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.26,0:00:49.76,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(178.000000,47.000000)}n
Dialogue: 0,0:00:49.28,0:00:49.78,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(205.000000,47.000000)}o
Dialogue: 0,0:00:49.31,0:00:49.81,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225.000000,47.000000)}
Dialogue: 0,0:00:45.46,0:00:49.33,OPR,,0,0,0,fx,{\an5\blur3\org(204,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(244.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.49,0:00:49.36,OPR,,0,0,0,fx,{\an5\blur3\org(229,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(269.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.51,0:00:49.38,OPR,,0,0,0,fx,{\an5\blur3\org(255,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(295.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.54,0:00:49.41,OPR,,0,0,0,fx,{\an5\blur3\org(280,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(320.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.56,0:00:49.43,OPR,,0,0,0,fx,{\an5\blur3\org(302,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(342.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:45.59,0:00:49.46,OPR,,0,0,0,fx,{\an5\blur3\org(323,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(363.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.61,0:00:49.48,OPR,,0,0,0,fx,{\an5\blur3\org(343,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(383.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.33,0:00:49.83,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(244.000000,47.000000)}k
Dialogue: 0,0:00:49.36,0:00:49.86,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(269.000000,47.000000)}o
Dialogue: 0,0:00:49.38,0:00:49.88,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(295.000000,47.000000)}k
Dialogue: 0,0:00:49.41,0:00:49.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(320.000000,47.000000)}o
Dialogue: 0,0:00:49.43,0:00:49.93,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(342.000000,47.000000)}r
Dialogue: 0,0:00:49.46,0:00:49.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(363.000000,47.000000)}o
Dialogue: 0,0:00:49.48,0:00:49.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(383.000000,47.000000)}
Dialogue: 0,0:00:45.64,0:00:49.51,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.66,0:00:49.53,OPR,,0,0,0,fx,{\an5\blur3\org(390,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(430.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.69,0:00:49.56,OPR,,0,0,0,fx,{\an5\blur3\org(410,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(450.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.51,0:00:50.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}n
Dialogue: 0,0:00:49.53,0:00:50.03,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(430.000000,47.000000)}o
Dialogue: 0,0:00:49.56,0:00:50.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(450.000000,47.000000)}
Dialogue: 0,0:00:45.71,0:00:49.58,OPR,,0,0,0,fx,{\an5\blur3\org(431,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(471.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.74,0:00:49.61,OPR,,0,0,0,fx,{\an5\blur3\org(456,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(496.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.76,0:00:49.63,OPR,,0,0,0,fx,{\an5\blur3\org(482,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(522.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.58,0:00:50.08,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(471.000000,47.000000)}o
Dialogue: 0,0:00:49.61,0:00:50.11,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(496.000000,47.000000)}k
Dialogue: 0,0:00:49.63,0:00:50.13,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(522.000000,47.000000)}u
Dialogue: 0,0:00:49.51,0:00:53.18,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:49.53,0:00:53.20,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:00:49.56,0:00:53.23,OPR,,0,0,0,fx,{\an5\blur3\org(64,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(104.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:00:49.58,0:00:53.25,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.61,0:00:53.28,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(159.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:49.63,0:00:53.30,OPR,,0,0,0,fx,{\an5\blur3\org(140,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(180.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.66,0:00:53.33,OPR,,0,0,0,fx,{\an5\blur3\org(161,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(201.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:53.18,0:00:53.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}n
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Dialogue: 0,0:01:24.46,0:01:24.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(413.000000,47.000000)}M
Dialogue: 0,0:01:24.48,0:01:24.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(449.000000,47.000000)}E
Dialogue: 0,0:01:24.51,0:01:25.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(481.000000,47.000000)}E
Dialogue: 0,0:01:24.53,0:01:25.03,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(509.000000,47.000000)}J
Dialogue: 0,0:01:24.56,0:01:25.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(528.000000,47.000000)}I
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Comment: 0,0:23:27.00,0:23:31.41,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:31.41,0:23:35.58,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:35.58,0:23:40.08,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:40.08,0:23:47.55,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:47.55,0:23:55.83,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.83,0:23:59.67,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:59.67,0:24:04.97,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.97,0:24:12.75,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:12.75,0:24:16.48,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:16.48,0:24:21.86,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.86,0:24:27.99,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.99,0:24:32.87,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:06.51,0:23:10.38,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:10.38,0:23:14.45,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:14.45,0:23:23.40,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:23.40,0:23:27.00,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:27.00,0:23:31.41,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:31.41,0:23:35.58,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:35.58,0:23:40.08,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:40.08,0:23:47.55,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:47.55,0:23:55.83,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.83,0:23:59.67,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:59.67,0:24:04.97,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.97,0:24:12.75,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:12.75,0:24:16.48,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:16.48,0:24:21.86,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.86,0:24:27.99,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.99,0:24:32.87,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Dialogue: 0,0:22:13.12,0:22:15.12,Default,,0,0,0,,
Dialogue: 0,0:22:11.05,0:22:13.05,Default,,0,0,0,,
Dialogue: 0,0:22:16.78,0:22:18.78,Default,,0,0,0,,
Dialogue: 0,0:23:36.82,0:23:38.82,Default,,0,0,0,,
Dialogue: 0,0:22:03.52,0:22:05.52,Default,,0,0,0,,