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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:05:10.96,0:05:15.85,العنوان,,0,0,0,,{\pos(834,520)}علاج الحقل الفكريّ
Dialogue: 0,0:03:34.24,0:03:37.90,Default,,0,0,0,,!لم أتصوّر أبدًا بأن البئر قد يجف
Dialogue: 0,0:03:38.71,0:03:41.38,Default,,0,0,0,,.بالكاد نحصل على ماء كافٍ الآن
Dialogue: 0,0:03:41.38,0:03:44.87,Default,,0,0,0,, لماذا لا تفكّروا في استخدام مياه الصنابير المصفّاة؟
Dialogue: 0,0:03:45.25,0:03:48.83,Default,,0,0,0,,.مياه الصنابير ليست سيّئة هذه الأيّام
Dialogue: 0,0:03:48.83,0:03:50.79,Default,,0,0,0,,.المعذرة يا رئيس
Dialogue: 0,0:03:51.43,0:03:54.46,Default,,0,0,0,,.أعلم بأنني يجب أن أتّخذ قرار
Dialogue: 0,0:03:56.76,0:03:59.57,Default,,0,0,0,,هل البئر يجف!؟
Dialogue: 0,0:03:59.57,0:04:01.57,Default,,0,0,0,,!صباح الخير، تارو - كن
Dialogue: 0,0:04:02.40,0:04:04.51,Default,,0,0,0,,.أجل، يبدو هذا
Dialogue: 0,0:04:04.84,0:04:06.94,Default,,0,0,0,,لكن لماذا؟
Dialogue: 0,0:04:06.94,0:04:10.81,Default,,0,0,0,, ربّما بسبب التغيّرات الحاصلة في الجبل
Dialogue: 0,0:04:12.98,0:04:15.48,Default,,0,0,0,,منذ أن بُني المصنع؟
Dialogue: 0,0:04:15.48,0:04:18.89,Default,,0,0,0,,.من المحتمل أنّه قد أخلّ عمليّة تدفّق المياه الجوفيّة
Dialogue: 0,0:04:19.82,0:04:21.89,Default,,0,0,0,,.نحن في ورطة
Dialogue: 0,0:04:22.49,0:04:26.63,Default,,0,0,0,,.في مصنع الساكّي، الماء هو شريان الحياة لدينا
Dialogue: 0,0:04:27.40,0:04:28.96,Default,,0,0,0,,كاي - سان؟
Dialogue: 0,0:04:28.96,0:04:29.70,Default,,0,0,0,,أجل؟
Dialogue: 0,0:04:29.96,0:04:31.93,Default,,0,0,0,,هل أنتِ متفرّغة قليلاً؟
Dialogue: 0,0:04:33.70,0:04:37.50,Default,,0,0,0,,.أنا هنا من إدارة العلاقات العامة للمحافظات
Dialogue: 0,0:04:37.50,0:04:40.78,Default,,0,0,0,,.اسمي سوزوكي، سوف أعمل مع بلدة سويتن
Dialogue: 0,0:04:40.78,0:04:43.67,Default,,0,0,0,,.سوف يقوم بزيارات دورية لإجراء المقابلات
Dialogue: 0,0:04:43.67,0:04:46.98,Default,,0,0,0,,.اسمي ياكوشي
Dialogue: 0,0:04:46.98,0:04:51.32,Default,,0,0,0,,.أنا رئيسة التخمير هنا
Dialogue: 0,0:04:51.72,0:04:55.14,Default,,0,0,0,,رئيسة التخمير؟ هذا يعني أنّكِ من يشرف على العمليّة كلّها، صحيح؟
Dialogue: 0,0:04:55.72,0:05:00.69,Default,,0,0,0,,!اعذريني لقول هذا، لكنّكِ صغيرة جدًا
Dialogue: 0,0:05:00.69,0:05:04.30,Default,,0,0,0,,.بالفعل، أنا لستُ خبيرة بعد
Dialogue: 0,0:05:04.30,0:05:10.49,Default,,0,0,0,,.بعد الانتهاء من المدرسة الثانويّة، تدرّبتُ تحت إشراف جدّي
Dialogue: 0,0:05:10.87,0:05:12.54,Default,,0,0,0,,.جدّها كان رئيس التخمير السابق
Dialogue: 0,0:05:12.54,0:05:14.48,Default,,0,0,0,,  لقد بدأ يعاني من مشاكل صحيّة
Dialogue: 0,0:05:14.48,0:05:19.01,Default,,0,0,0,,.لذلك عندما أدرك موهبتها، أصبح يعلّمها عن الخطوات الأساسيّة
Dialogue: 0,0:05:19.01,0:05:20.54,Default,,0,0,0,,
Dialogue: 0,0:05:20.54,0:05:22.71,Default,,0,0,0,,.آوه، ليس تمامًا
Dialogue: 0,0:05:23.96,0:05:25.99,Default,,0,0,0,,.تارو، سوف تتأخّر
Dialogue: 0,0:05:25.99,0:05:29.42,Default,,0,0,0,,.آوه، صحيح، أنا ذاهب
Dialogue: 0,0:05:29.42,0:05:33.35,Default,,0,0,0,,وأفترض أن ابنك سوف يكون المالك في أحد الأيّام؟
Dialogue: 0,0:05:33.35,0:05:36.43,Default,,0,0,0,,.هذا متروك لقراره
Dialogue: 0,0:06:10.00,0:06:11.73,Default,,0,0,0,,.تفضّل
Dialogue: 0,0:06:16.84,0:06:17.97,Default,,0,0,0,,!آهلاً
Dialogue: 0,0:06:17.97,0:06:20.98,Default,,0,0,0,,أولئك الفتيان ضربوك ضربًا مبرحًا، صحيح؟
Dialogue: 0,0:06:20.98,0:06:23.06,Default,,0,0,0,,.آوه، لم يكن بالشيء المهم
Dialogue: 0,0:06:23.91,0:06:26.48,Default,,0,0,0,,ربّما يجب أن تبقى خارج الأمر
Dialogue: 0,0:06:27.08,0:06:30.86,Default,,0,0,0,,.صدّقني، أرغب في هذا
Dialogue: 0,0:06:31.85,0:06:37.69,Default,,0,0,0,,  في السنة الماضية انضممتُ إلى نادي التصوير\N.لفترة قصيرة لكنني تركتهُ بسرعة
Dialogue: 0,0:06:37.69,0:06:40.50,شرح,,0,0,0,,.هي غرفة مظلمة يتم استخراج الصور فيها من فيلم التصوير
Dialogue: 0,0:06:37.69,0:06:40.50,Default,,0,0,0,,.أحد هؤلاء كان يُدخل السجائر إلى غرفة التحميض
Dialogue: 0,0:06:40.93,0:06:43.10,Default,,0,0,0,,هل أخبرت المعلّم؟
Dialogue: 0,0:06:43.10,0:06:47.90,Default,,0,0,0,,.لا، لكنه اعتقد أنني من فعل ذلك
Dialogue: 0,0:06:48.50,0:06:50.93,Default,,0,0,0,,.الأمور دائمًا ما تبدأ من الأشياء الصغيرة مثل هذه
Dialogue: 0,0:06:50.93,0:06:53.80,Default,,0,0,0,,.أنت من النوع الذي يجذب نحوهُ التنمّر
Dialogue: 0,0:06:54.18,0:06:57.51,Default,,0,0,0,,ناكاجيما، هل كان يتم التنمّر عليك في مدرستك في طوكيو؟
Dialogue: 0,0:06:57.51,0:06:59.05,Default,,0,0,0,,هاه؟
Dialogue: 0,0:06:59.78,0:07:01.52,Default,,0,0,0,,!هيه، أنت
Dialogue: 0,0:07:02.02,0:07:04.02,Default,,0,0,0,,!تعال إلى هنا
Dialogue: 0,0:07:16.10,0:07:18.87,Default,,0,0,0,,ماذا يحدث مع ماسايوكي؟
Dialogue: 0,0:07:30.88,0:07:32.61,Default,,0,0,0,,!ماكوتو
Dialogue: 0,0:07:34.45,0:07:37.85,Default,,0,0,0,,سينباي، أنتم تتنمّرون على فتيان السنة الثانية فعلاً، أليس كذلك؟
Dialogue: 0,0:07:37.85,0:07:40.76,Default,,0,0,0,,!ابتسامتك المزيّفة هذه تثير غضبي
Dialogue: 0,0:07:40.76,0:07:43.69,Default,,0,0,0,,لم تتعلّم درسك بعد، يا لعين؟
Dialogue: 0,0:07:44.16,0:07:48.27,Default,,0,0,0,,!قد نغض عن هذا الأمر، إذا أعطيتنا شيء ما
Dialogue: 0,0:07:50.16,0:07:51.95,Default,,0,0,0,,.تحديد السلاح
Dialogue: 0,0:07:59.04,0:08:00.97,Default,,0,0,0,, ما هذا يا أحمق!؟
Dialogue: 0,0:08:08.58,0:08:10.12,Default,,0,0,0,,!ماكوتو
Dialogue: 0,0:08:13.62,0:08:14.99,Default,,0,0,0,,!إنّه ابن الأوغامي
Dialogue: 0,0:08:14.99,0:08:17.86,Default,,0,0,0,,.إنّه كلب مسعور لا تقتربوا منه
Dialogue: 0,0:08:17.86,0:08:19.59,Default,,0,0,0,,!تبًا
Dialogue: 0,0:08:31.67,0:08:35.36,Default,,0,0,0,,.حسنًا، أعتقد أنّهم سيتركوننا وشأننا في الوقت الحاليّ
Dialogue: 0,0:08:35.94,0:08:38.25,Default,,0,0,0,,....أتمنّى ذلك
Dialogue: 0,0:08:39.61,0:08:43.08,Default,,0,0,0,,ماسايوكي، لم تستطع استخدام سلاحك من اللعبة؟
Dialogue: 0,0:08:43.68,0:08:46.95,Default,,0,0,0,,.أجل، اعتقد أنّه لا يعمل في العالم الحقيقيّ
Dialogue: 0,0:08:46.95,0:08:47.96,Default,,0,0,0,,عن ماذا تتحدّثان!؟
Dialogue: 0,0:08:47.96,0:08:49.92,Default,,0,0,0,,.آوه، لعبة فيديو وحسب
Dialogue: 0,0:08:50.93,0:08:54.17,Default,,0,0,0,,!أكذب! نحن نتحدّث عن التجوّل الروحيّ
Dialogue: 0,0:08:54.56,0:08:56.56,Default,,0,0,0,, !التجوّل الروحيّ؟
Dialogue: 0,0:09:00.07,0:09:01.07,Default,,0,0,0,,تارو؟
Dialogue: 0,0:09:01.07,0:09:04.17,Default,,0,0,0,,هل تعتقد أن ذلك الشيء في قاعة الباتشينكو قد رحل للأبد؟
Dialogue: 0,0:09:04.87,0:09:06.77,Default,,0,0,0,,!تقصد الشبح؟
Dialogue: 0,0:09:06.77,0:09:08.52,Default,,0,0,0,,!أجل، لقد انتهى أمره
Dialogue: 0,0:09:10.58,0:09:14.75,Default,,0,0,0,,.حسنًا، اعتقد بأنّه لم يعد هناك شيء أخاف منه
Dialogue: 0,0:09:16.25,0:09:17.98,Default,,0,0,0,,...لكن
Dialogue: 0,0:09:21.16,0:09:25.16,Default,,0,0,0,,.كرهتهُ بشدّه، لدرجة أنني تحوّلتُ لذلك الشيء
Dialogue: 0,0:09:34.04,0:09:39.24,Default,,0,0,0,,.العواطف مثل الخوف والكراهية تنشأ في نفس المنطقة بالدماغ
Dialogue: 0,0:09:39.24,0:09:41.01,Default,,0,0,0,,أخبرتك عن هذا من قبل، صحيح؟
Dialogue: 0,0:09:41.01,0:09:43.01,Default,,0,0,0,,.اللوزة الدماغيّة
Dialogue: 0,0:09:43.01,0:09:48.15,Default,,0,0,0,,.كوموري - كن، لقد تغلّبت على قدر كبير من الخوف
Dialogue: 0,0:09:48.15,0:09:52.90,Default,,0,0,0,,.لكن هذا لا يغيّر من حقيقة ما حدث لك قبل 11 عامًا
Dialogue: 0,0:09:53.89,0:09:59.26,Default,,0,0,0,,.أعرف بأنّ كرهي للمختطف الميّت لن يُفيدني بشيء
Dialogue: 0,0:09:59.76,0:10:01.53,Default,,0,0,0,,...لكن مع ذلك
Dialogue: 0,0:10:06.30,0:10:11.74,Default,,0,0,0,,.آ آه، أصبح هذا مثل العادة
Dialogue: 0,0:10:11.74,0:10:16.61,Default,,0,0,0,,يفترض أنّه بالنقر على أماكن معيّنة، مثل الجبهة أو تحت الحلق
Dialogue: 0,0:10:16.61,0:10:19.55,Default,,0,0,0,,.يمكن أن يقلل من حالات الخوف
Dialogue: 0,0:10:20.08,0:10:22.65,Default,,0,0,0,,مثل إعادة تنظيم ومعالجة حركة العين؟
Dialogue: 0,0:10:22.65,0:10:26.02,Default,,0,0,0,,.هذا يسمّى : علاج الحقل الفكريّ
Dialogue: 0,0:10:26.29,0:10:31.93,Default,,0,0,0,,.إنّها مماثلة لفكرة خطوط الطول ونقاط الضغط في الطب الصينيّ
Dialogue: 0,0:10:31.93,0:10:35.96,Default,,0,0,0,,، قام باقتراحها أميركيّ يُدعى روجر جاي كالان
Dialogue: 0,0:10:35.96,0:10:38.70,Default,,0,0,0,,.والذي لديه بعض الأفكار المثيرة
Dialogue: 0,0:10:39.24,0:10:45.07,Default,,0,0,0,,، ويؤكّد أن الخوف النفسيّ لا يكمن في اللوزة الدماغيّة بالدماغ
Dialogue: 0,0:10:45.07,0:10:49.34,Default,,0,0,0,,.لكن في طاقة مجال الفكر من الخارج
Dialogue: 0,0:10:50.18,0:10:56.38,Default,,0,0,0,, بالطبع يختلف هذا من حالة لأخرى، لكن علاج الحقل \N.الفكريّ، يُنتج عادةً نتائج سريعة للغاية
Dialogue: 0,0:10:56.78,0:11:02.36,Default,,0,0,0,,كالاهان يصر على أن هذا يؤكّد بأن الخوف لا ينشأ داخل الدماغ
Dialogue: 0,0:11:03.22,0:11:07.16,Default,,0,0,0,,.الحقل الفكريّ لا يمكن رؤيته
Dialogue: 0,0:11:07.16,0:11:12.87,Default,,0,0,0,,.تعمل بمثابة منصة مجرّدة عن مصدر الخوف النفسيّ
Dialogue: 0,0:11:12.87,0:11:14.30,Default,,0,0,0,,، في حالتك، كوموري - كون
Dialogue: 0,0:11:14.30,0:11:19.28,Default,,0,0,0,,.من المحتمل أن الموقع الفعلي المرتبط بالصدمة شكّل عاملاً إضافيًا
Dialogue: 0,0:11:23.21,0:11:29.12,Default,,0,0,0,,: عالم أحياء إنجليزيّ يُدعى روبرت شيلدريك قال من قبل
Dialogue: 0,0:11:29.12,0:11:31.05,Default,,0,0,0,,".الصور التي في التلفاز لا تنشأ بداخله"
Dialogue: 0,0:11:31.05,0:11:35.12,Default,,0,0,0,,".بل تصدر من محطّة بث"
Dialogue: 0,0:11:35.12,0:11:39.05,Default,,0,0,0,,".بنفس المفهوم، الذكريات لا تنشأ داخل الدماغ"
Dialogue: 0,0:11:40.76,0:11:44.17,Default,,0,0,0,,، أنا لا أؤيّد تمامًا هذا الاعتقاد
Dialogue: 0,0:11:44.17,0:11:47.77,Default,,0,0,0,,.لكنّها طريقة أخرى للنظر في الأشياء
Dialogue: 0,0:11:49.14,0:11:51.14,Default,,0,0,0,,دكتور هيراتا؟
Dialogue: 0,0:11:51.14,0:11:53.73,Default,,0,0,0,,هل حدث لك شيء مخيف؟
Dialogue: 0,0:11:56.06,0:12:08.86,Default,,0,0,0,,شيء مخيف؟
Dialogue: 0,0:12:32.45,0:12:34.27,Default,,0,0,0,,لماذا انتظرت؟
Dialogue: 0,0:12:34.27,0:12:37.52,Default,,0,0,0,,  لا سبب معيّن
Dialogue: 0,0:12:37.52,0:12:41.39,Default,,0,0,0,,  لا سبب لديّ بالتعجّل في العودة للمنزل \N.لا يوجد شيء أفعلهُ سوى لعب ألعاب الفيديو
Dialogue: 0,0:12:44.19,0:12:50.00,Default,,0,0,0,,.هل رأيت وجه ميتشيو عندما ذكرت أمامه التجوّل الروحيّ؟ يالا السخرية
Dialogue: 0,0:12:50.00,0:12:52.77,Default,,0,0,0,,.اعتقد بأن جميع الأشخاص سوف يذعرون عند سماع مثل هذا الشيء
Dialogue: 0,0:12:53.20,0:12:56.47,Default,,0,0,0,,.ربّما يجب أن نحتفظ بهذه الأمور لأنفسنا وحسب
Dialogue: 0,0:12:56.84,0:12:58.51,Default,,0,0,0,,.ربّما كذلك
Dialogue: 0,0:12:58.92,0:13:02.28,Default,,0,0,0,,.لكن لا تقلق، ميتشيو شخص جيّد
Dialogue: 0,0:13:02.28,0:13:06.48,Default,,0,0,0,,.أخبرني الكثير عن هذهِ البلدة
Dialogue: 0,0:13:08.15,0:13:11.89,Default,,0,0,0,,تارو، هل ما زلت مستاءً لأنّك تحوّلت إلى ذلك الشيء؟
Dialogue: 0,0:13:11.89,0:13:13.92,Default,,0,0,0,,...لستُ مستاءً تمامًا
Dialogue: 0,0:13:18.31,0:13:20.86,Default,,0,0,0,,ما زلتُ أتمنّى لو أن هناك شخص يُجيب عن كل أسئلتنا
Dialogue: 0,0:13:20.86,0:13:22.86,Default,,0,0,0,,.بشأن العالم المخفيّ
Dialogue: 0,0:13:32.01,0:13:34.07,Default,,0,0,0,,ربّما يجب أن نذهب إلى ضريح كاميوا؟
Dialogue: 0,0:13:36.38,0:13:38.01,Default,,0,0,0,,ما الأمر؟
Dialogue: 0,0:13:38.01,0:13:40.13,Default,,0,0,0,,هل للأمر علاقة بذلك الكاهن؟
Dialogue: 0,0:13:40.98,0:13:43.17,Default,,0,0,0,,.لا، الأمر ليس هكذا
Dialogue: 0,0:13:43.52,0:13:47.09,Default,,0,0,0,,.أنت محق، هو قد يعرف شيئًا
Dialogue: 0,0:13:59.50,0:14:01.15,Default,,0,0,0,,!المعذرة
Dialogue: 0,0:14:03.27,0:14:09.34,Default,,0,0,0,,.للعلم، لا يعني كوني كاهنًا أنني نفسانيّ
Dialogue: 0,0:14:10.04,0:14:12.85,Default,,0,0,0,,.أنا لستُ جدّة أوغامي
Dialogue: 0,0:14:13.41,0:14:15.38,Default,,0,0,0,,.جئنا للمكان الخاطئ
Dialogue: 0,0:14:15.38,0:14:19.49,Default,,0,0,0,,  قبل حصولي على هذا المنصب \N.كنت بروفيسوراً مساعداً في جامعة في طوكيو
Dialogue: 0,0:14:19.49,0:14:21.54,شرح,,0,0,0,,علم يختص بدراسة الإنسان
Dialogue: 0,0:14:19.49,0:14:21.54,Default,,0,0,0,,.درّستُ الأنثروبولوجيا
Dialogue: 0,0:14:21.96,0:14:26.49,Default,,0,0,0,,.لذا أمتلك القليل من المعرفة الأكاديميّة
Dialogue: 0,0:14:26.49,0:14:29.13,Default,,0,0,0,,!لكن التجوّل الروحيّ؟
Dialogue: 0,0:14:29.13,0:14:33.30,Default,,0,0,0,,.لا أعرف الكثير عن تجارب الخروج من الجسد
Dialogue: 0,0:14:33.30,0:14:35.57,Default,,0,0,0,,ما هو العالم المخفيّ؟
Dialogue: 0,0:14:35.57,0:14:38.89,Default,,0,0,0,,!هل هي الجنّة أو الجحيم أو شيء من هذا القبيل؟
Dialogue: 0,0:14:39.17,0:14:45.08,شرح,,0,0,0,,.الحياة بعد الموت
Dialogue: 0,0:14:39.17,0:14:45.08,Default,,0,0,0,,." في مجال عملي، نُشير إلى مثل هذه الأماكن بـ " الآخرة
Dialogue: 0,0:14:45.08,0:14:49.32,Default,,0,0,0,,.لكن هذا لهُ علاقة بالعالم العاديّ : العالم المرئيّ
Dialogue: 0,0:14:49.32,0:14:54.32,شرح,,0,0,0,,مبهم : غير مفهوم
Dialogue: 0,0:14:49.32,0:14:54.32,Default,,0,0,0,,.العالم المخفيّ هو العكس، هو العالم المبهم
Dialogue: 0,0:14:54.32,0:15:00.59,Default,,0,0,0,,.هذا هو،  مصطلح عام لا نفهمه نحن البشر الأحياء
Dialogue: 0,0:15:22.22,0:15:25.12,Default,,0,0,0,,.على سبيل المثال، جبل كاميوا
Dialogue: 0,0:15:25.12,0:15:28.22,Default,,0,0,0,,.بالنسبة لأسلافنا كان هو العالم المخفيّ
Dialogue: 0,0:15:29.19,0:15:32.66,Default,,0,0,0,,.إنّه ملك للإله، ولا يطأ البشر فيه موضع قدم
Dialogue: 0,0:15:33.36,0:15:34.78,Default,,0,0,0,,
Dialogue: 0,0:15:35.10,0:15:41.17,Default,,0,0,0,,." لكن الآن قد بُني فيه ما يسمّي " المصنع الحيوي
Dialogue: 0,0:15:41.17,0:15:43.50,Default,,0,0,0,,.الجبل لم يعد يحوي أي غموض
Dialogue: 0,0:15:43.50,0:15:47.14,Default,,0,0,0,,.صحيح، إن بئرنا بدأ في الجفاف
Dialogue: 0,0:15:47.14,0:15:50.98,Default,,0,0,0,,.اعتقد أن هذا بسبب ذلك المصنع
Dialogue: 0,0:15:50.98,0:15:52.08,Default,,0,0,0,,حقًا؟
Dialogue: 0,0:15:52.08,0:15:54.65,Default,,0,0,0,,.هذا محتمل
Dialogue: 0,0:15:54.65,0:16:01.22,Default,,0,0,0,,.لكن الحضارة الإنسانيّة لا تزدهر إلّا بدمار الطبيعة
Dialogue: 0,0:16:01.22,0:16:05.98,شرح,,0,0,0,,ازدياد درجة الحرارة السطحية المتوسطة في العالم وتعرف بالاحتباس الحراريّ
Dialogue: 0,0:16:05.98,0:16:07.98,شرح,,0,0,0,,حرقه يساهم في الاحترار العالميّ
Dialogue: 0,0:16:01.22,0:16:03.98,Default,,0,0,0,,هذا صحيح، مثل الاحترار العالميّ، صحيح؟
Dialogue: 0,0:16:04.22,0:16:09.00,Default,,0,0,0,,.لا يمكننا العيش من دون حرق الوقود الأحفوريّ
Dialogue: 0,0:16:09.00,0:16:10.48,Default,,0,0,0,,!لحظة فقط
Dialogue: 0,0:16:10.48,0:16:13.57,Default,,0,0,0,,.المناخ العالميّ يتغيّر
Dialogue: 0,0:16:14.03,0:16:19.34,Default,,0,0,0,,لكن لم يكن هناك أي أدلة علميّة قاطعة تثبت
Dialogue: 0,0:16:19.34,0:16:23.54,Default,,0,0,0,,.إن ثاني أكسيد الكربون الناتج عن استهلاك الوقود الأحفوري هو السبب
Dialogue: 0,0:16:23.54,0:16:25.75,Default,,0,0,0,,حقًا؟ هل هذا صحيح؟
Dialogue: 0,0:16:26.98,0:16:31.80,Default,,0,0,0,,.نظريّة ثاني أكسيد الكربون كلّها، اشتهرت بسبب مؤيّدي الطاقة النووية
Dialogue: 0,0:16:31.80,0:16:33.59,Default,,0,0,0,,الطاقة النوويّة؟
Dialogue: 0,0:16:33.59,0:16:37.12,Default,,0,0,0,,.حسنًا هي لا تُنتج ثاني أكسيد الكربون
Dialogue: 0,0:16:37.12,0:16:39.56,Default,,0,0,0,,.صحيح، لكنّها تنتج أشياء أخرى
Dialogue: 0,0:16:39.56,0:16:43.46,Default,,0,0,0,,لذا لا بأس بأن تدمّر المخلوقات البشريّة الطبيعة بالقدر الذي تريده؟
Dialogue: 0,0:16:43.46,0:16:45.27,Default,,0,0,0,,!لا أفهم هذا
Dialogue: 0,0:16:45.27,0:16:48.30,Default,,0,0,0,,.صحيح، المسألة تتعلّق بالفهم
Dialogue: 0,0:16:48.30,0:16:51.74,Default,,0,0,0,,، عندما نفكّر بالطبيعة، نفكّر فقط في المساحات الخضراء القريبة من بيوتنا
Dialogue: 0,0:16:51.74,0:16:56.07,Default,,0,0,0,,.لا في الغابات العذارى والسهول التي لم تمسها يد الإنسان
Dialogue: 0,0:16:57.01,0:17:02.35,Default,,0,0,0,,.قبل أن تصبح طوكيو مكانًا للعيش، كانت مجرّد مساحة خضراء، كما تعلمان
Dialogue: 0,0:17:02.35,0:17:06.50,Default,,0,0,0,,.لم تكن فائضة بالتنوّع البيئيّ
Dialogue: 0,0:17:07.42,0:17:09.52,Default,,0,0,0,,.البشر زرعوا الأرض
Dialogue: 0,0:17:09.52,0:17:13.19,Default,,0,0,0,,، منتجات فضلاتنا أثرت التربة بالمواد العضويّة
Dialogue: 0,0:17:13.19,0:17:17.46,Default,,0,0,0,,.أنشأت عادة غذّت كثير من أنواع الحشرات والحيوانات والنظم البيئيّة
Dialogue: 0,0:17:26.77,0:17:29.15,Default,,0,0,0,,...آه، ياه، المعذرة
Dialogue: 0,0:17:32.38,0:17:34.32,Default,,0,0,0,,.نحن هنا مجددًا
Dialogue: 0,0:17:40.22,0:17:43.95,Default,,0,0,0,,!ماذا؟ تارو - كن، لون وجهك يتحول للورديّ
Dialogue: 0,0:17:47.09,0:17:52.00,Default,,0,0,0,,!أنت فتىً شقيّ، هي ما زالت في الابتدائيّة، يا رجل
Dialogue: 0,0:17:52.00,0:17:54.30,Default,,0,0,0,,!لا، غير صحيح، غير صحيح
Dialogue: 0,0:17:54.30,0:17:56.01,Default,,0,0,0,,!اوووووه، تارو
Dialogue: 0,0:18:13.15,0:18:15.15,Default,,0,0,0,,.ادخل
Dialogue: 0,0:18:17.59,0:18:23.07,Default,,0,0,0,,.لا يمكنك دخول غرفة الزراعة، لكن لا بأس بدخول غرفة التخمير
Dialogue: 0,0:18:25.33,0:18:27.04,Default,,0,0,0,,!مذهل
Dialogue: 0,0:18:27.53,0:18:32.37,Default,,0,0,0,,.أحب مشاهدة نمو فطر الخميرة
Dialogue: 0,0:18:32.81,0:18:35.24,Default,,0,0,0,,، لا يمكنك مشاهدتها
Dialogue: 0,0:18:35.24,0:18:38.11,Default,,0,0,0,,.لكن ملايين الكائنات الدقيقة تولد باستمرار
Dialogue: 0,0:18:38.11,0:18:39.38,Default,,0,0,0,,.يمكنني الشعور بقوّتها
Dialogue: 0,0:18:39.38,0:18:43.85,Default,,0,0,0,,.عندما أفكّر في الأمر هكذا، اعتقد بأنّه مقرف
Dialogue: 0,0:18:43.85,0:18:46.15,Default,,0,0,0,,ما الذي تفكّر فيه؟
Dialogue: 0,0:18:46.89,0:18:51.29,Default,,0,0,0,,.ملايين الكائنات الدقيقة تولد باستمرار في العالم المرئيّ
Dialogue: 0,0:18:52.79,0:18:57.61,Default,,0,0,0,,.وفي نفس الوقت، ملايين الكائنات الدقيقة تموت
Dialogue: 0,0:18:59.23,0:19:03.20,Default,,0,0,0,,.تارو - كن، ربّما من غير المقدّر لك أن تتولّى مصنع التخمير هذا
Dialogue: 0,0:19:03.20,0:19:04.67,Default,,0,0,0,,هاه؟ لماذا؟
Dialogue: 0,0:19:04.67,0:19:08.12,Default,,0,0,0,,.لا سبب، خطر ليّ هذا فقط، هذا فقط
Dialogue: 0,0:19:08.12,0:19:11.18,Default,,0,0,0,,.كارثة لنسب غير مسبوقة...
Dialogue: 0,0:19:11.18,0:19:13.78,Default,,0,0,0,,.السلطات تدعو للمساعدة من كافة دول العالم
Dialogue: 0,0:19:14.35,0:19:17.55,Default,,0,0,0,,.التالي، أنماط طقس غير اعتياديّة تستمر في جميع أنحاء العالم
Dialogue: 0,0:19:17.55,0:19:23.16,Default,,0,0,0,,....على الساحل الغربيّ للولايات المتّحدة، تستمر حرائق الغابات
Dialogue: 0,0:19:56.19,0:19:57.72,Default,,0,0,0,,
Dialogue: 0,0:20:04.36,0:20:07.68,Default,,0,0,0,,!لاشيء يضاهي تناول الشراب أثناء تحديق القمر
Dialogue: 0,0:20:11.18,0:20:17.54,Default,,0,0,0,,.واحد، اثنان، ثلاثة، أربعة
Dialogue: 0,0:20:22.65,0:20:24.69,Default,,0,0,0,,!إنّه أنت
Dialogue: 0,0:20:24.69,0:20:27.62,Default,,0,0,0,,آه، هل هذهِ من أجلي؟
Dialogue: 0,0:20:27.62,0:20:29.20,Default,,0,0,0,,...آوه؟ آه
Dialogue: 0,0:20:29.56,0:20:33.53,Default,,0,0,0,,.سمعتُ بأنّك تتجوّل في جبال اليابان
Dialogue: 0,0:20:33.53,0:20:37.92,Default,,0,0,0,,.نعم، لقد ولدت في مدينة الميناء شيبا بالرغم من ذلك
Dialogue: 0,0:20:38.27,0:20:40.90,Default,,0,0,0,,.آه، مجرّد متشرّد في النهاية
Dialogue: 0,0:20:40.90,0:20:45.57,Default,,0,0,0,,.راقب كلامك، أفضّل استخدام مصطلح رحّال، مثلي
Dialogue: 0,0:20:45.57,0:20:48.34,Default,,0,0,0,,.اقترب وأدفئ نفسك، سوف تصاب بالبرد
Dialogue: 0,0:21:00.72,0:21:05.43,Default,,0,0,0,,.ها، أتمنّى لو أنني عرفت أنني استطيع فعل هذا
Dialogue: 0,0:21:05.43,0:21:08.33,Default,,0,0,0,,.إذًا هكذا يعمل العالم المخفيّ
Dialogue: 0,0:21:08.70,0:21:11.96,Default,,0,0,0,,أتسائل لو أنّ أبي فعل هذا أيضًا؟
Dialogue: 0,0:21:18.67,0:21:22.31,Default,,0,0,0,,.أنا لستُ الوحيد الذي يزور هذا الجبل
Dialogue: 0,0:21:22.31,0:21:24.51,Default,,0,0,0,,آوه؟ من يفعل هذا كذلك؟
Dialogue: 0,0:21:24.51,0:21:27.98,Default,,0,0,0,,.شخص آخر مثلي، وشخص آخر ليس مثلي
Dialogue: 0,0:21:27.98,0:21:32.95,Default,,0,0,0,,، على كل حال الأشخاص الذين يعلمون بأن هناك شيء سيحدث في الأرجاء
Dialogue: 0,0:21:32.95,0:21:37.56,Default,,0,0,0,,.على هذا الجبل، في هذه البلدة، في هذه المنطقة
Dialogue: 0,0:21:38.46,0:21:40.76,Default,,0,0,0,,!ما الذي سيحدث
Dialogue: 0,0:21:40.76,0:21:41.96,Default,,0,0,0,,.لا أعلم
Dialogue: 0,0:21:41.96,0:21:45.97,Default,,0,0,0,,أنت كاهن، لما لا تخبرني عن الأعاجيب في هذا المكان؟
Dialogue: 0,0:21:46.67,0:21:51.62,Default,,0,0,0,,.آمم. لا يوجد فعلاً شيء مميّز بشأن هذا المكان
Dialogue: 0,0:21:52.01,0:21:56.41,Default,,0,0,0,,.هذه مجرّد قرية جبليّة يابانيّة تقليديّة
Dialogue: 0,0:22:03.58,0:22:05.38,Default,,0,0,0,,آه؟ هذا أنت تارو؟
Dialogue: 0,0:22:05.82,0:22:08.72,Default,,0,0,0,,!تحوّل مجددًا
Dialogue: 0,0:22:08.72,0:22:11.39,Default,,0,0,0,,.وأنا الذي اعتقدتُ بأنّه كان خائفًا
Dialogue: 0,0:22:12.66,0:22:18.43,Default,,0,0,0,,هيه، إيشي أنت بخير الآن \N.لقد قام ذلك الكاهن بتطهيرنا جميعًا
Dialogue: 0,0:22:16.10,0:22:18.43,Default,,0,0,0,,
Dialogue: 0,0:22:18.43,0:22:20.10,Default,,0,0,0,,اللعنة اختفت، صحيح؟
Dialogue: 0,0:22:20.10,0:22:23.74,Default,,0,0,0,,.من الأفضل هذا! لأنّه قد قام بقص شعري
Dialogue: 0,0:22:23.74,0:22:26.51,Default,,0,0,0,,!تلك التفاهة غير مضحكة
Dialogue: 0,0:22:34.32,0:22:36.99,Default,,0,0,0,,!هاه؟ هل هو يراني؟
Dialogue: 0,0:22:40.39,0:22:41.42,Default,,0,0,0,,!أهلاً
Dialogue: 0,0:22:43.50,0:22:46.79,Default,,0,0,0,,ما الخطب، إي - شان، هل رأيت شيء ما؟
Dialogue: 0,0:22:47.75,0:22:49.80,Default,,0,0,0,,!لا يوجد شيء هنا يا رجل
Dialogue: 0,0:22:50.22,0:22:52.37,Default,,0,0,0,,!إي - شان؟! إي - شان؟
Dialogue: 0,0:23:00.97,0:23:02.71,Default,,0,0,0,,!تلقّى ذلك
Dialogue: 0,0:24:37.87,0:24:42.88,Default,,0,0,0,,، إذا كان هناك جزء من الأرض يجري خلاله وخلال تربته الخصبة نهر
Dialogue: 0,0:24:42.88,0:24:46.89,Default,,0,0,0,,.فذلك الموقع " يوفّر " بيئة جيّدة للسكن البشريّ
Dialogue: 0,0:24:47.45,0:24:49.02,Default,,0,0,0,,مصطلح الموفّر
Dialogue: 0,0:24:49.02,0:24:52.62,Default,,0,0,0,,يستخدم لوصف خدمة المصالح الذاتيّة ونشر الاستفادة
Dialogue: 0,0:24:52.62,0:24:57.19,Default,,0,0,0,,.من الصفات البديهيّة لمكان أو شيء ما
Dialogue: 0,0:24:57.19,0:25:02.00,Default,,0,0,0,,في هذه الحالة، أي نوع من المزايا قد وفّرها لنا العالم الحديث؟
Dialogue: 0,0:24:36.03,0:24:38.71,Default,,0,0,0,,{\pos(233,66)\bord2\fad(0,500)}الحلقة القادمة
Comment: 0,0:00:45.74,0:00:50.01,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.01,0:00:54.08,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.08,0:00:58.31,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.31,0:01:00.88,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.83,0:01:17.07,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.07,0:01:21.24,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.24,0:01:24.96,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.25,0:01:29.32,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.63,0:01:51.64,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.64,0:01:59.35,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.35,0:02:03.61,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.74,0:00:50.01,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.01,0:00:54.08,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.08,0:00:58.31,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.31,0:01:00.88,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.83,0:01:17.07,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.07,0:01:21.24,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.24,0:01:24.96,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.25,0:01:29.32,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.63,0:01:51.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.64,0:01:59.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.35,0:02:03.61,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن النبض
Dialogue: 0,0:00:45.24,0:00:49.11,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,750,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:49.11,0:00:49.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}a
Dialogue: 0,0:00:45.26,0:00:49.13,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.29,0:00:49.16,OPR,,0,0,0,fx,{\an5\blur3\org(57,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(97.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.31,0:00:49.18,OPR,,0,0,0,fx,{\an5\blur3\org(77,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(117.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:00:45.34,0:00:49.21,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.36,0:00:49.23,OPR,,0,0,0,fx,{\an5\blur3\org(118,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(158.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.13,0:00:49.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}n
Dialogue: 0,0:00:49.16,0:00:49.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97.000000,47.000000)}a
Dialogue: 0,0:00:49.18,0:00:49.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117.000000,47.000000)}t
Dialogue: 0,0:00:49.21,0:00:49.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}a
Dialogue: 0,0:00:49.23,0:00:49.73,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158.000000,47.000000)}
Dialogue: 0,0:00:45.39,0:00:49.26,OPR,,0,0,0,fx,{\an5\blur3\org(138,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(178.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.41,0:00:49.28,OPR,,0,0,0,fx,{\an5\blur3\org(165,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(205.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.44,0:00:49.31,OPR,,0,0,0,fx,{\an5\blur3\org(185,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(225.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.26,0:00:49.76,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(178.000000,47.000000)}n
Dialogue: 0,0:00:49.28,0:00:49.78,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(205.000000,47.000000)}o
Dialogue: 0,0:00:49.31,0:00:49.81,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225.000000,47.000000)}
Dialogue: 0,0:00:45.46,0:00:49.33,OPR,,0,0,0,fx,{\an5\blur3\org(204,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(244.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.49,0:00:49.36,OPR,,0,0,0,fx,{\an5\blur3\org(229,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(269.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.51,0:00:49.38,OPR,,0,0,0,fx,{\an5\blur3\org(255,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(295.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.54,0:00:49.41,OPR,,0,0,0,fx,{\an5\blur3\org(280,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(320.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.56,0:00:49.43,OPR,,0,0,0,fx,{\an5\blur3\org(302,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(342.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:45.59,0:00:49.46,OPR,,0,0,0,fx,{\an5\blur3\org(323,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(363.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.61,0:00:49.48,OPR,,0,0,0,fx,{\an5\blur3\org(343,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(383.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.33,0:00:49.83,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(244.000000,47.000000)}k
Dialogue: 0,0:00:49.36,0:00:49.86,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(269.000000,47.000000)}o
Dialogue: 0,0:00:49.38,0:00:49.88,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(295.000000,47.000000)}k
Dialogue: 0,0:00:49.41,0:00:49.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(320.000000,47.000000)}o
Dialogue: 0,0:00:49.43,0:00:49.93,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(342.000000,47.000000)}r
Dialogue: 0,0:00:49.46,0:00:49.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(363.000000,47.000000)}o
Dialogue: 0,0:00:49.48,0:00:49.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(383.000000,47.000000)}
Dialogue: 0,0:00:45.64,0:00:49.51,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.66,0:00:49.53,OPR,,0,0,0,fx,{\an5\blur3\org(390,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(430.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.69,0:00:49.56,OPR,,0,0,0,fx,{\an5\blur3\org(410,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(450.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.51,0:00:50.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}n
Dialogue: 0,0:00:49.53,0:00:50.03,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(430.000000,47.000000)}o
Dialogue: 0,0:00:49.56,0:00:50.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(450.000000,47.000000)}
Dialogue: 0,0:00:45.71,0:00:49.58,OPR,,0,0,0,fx,{\an5\blur3\org(431,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(471.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.74,0:00:49.61,OPR,,0,0,0,fx,{\an5\blur3\org(456,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(496.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.76,0:00:49.63,OPR,,0,0,0,fx,{\an5\blur3\org(482,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(522.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.58,0:00:50.08,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(471.000000,47.000000)}o
Dialogue: 0,0:00:49.61,0:00:50.11,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(496.000000,47.000000)}k
Dialogue: 0,0:00:49.63,0:00:50.13,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(522.000000,47.000000)}u
Dialogue: 0,0:00:49.51,0:00:53.18,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:49.53,0:00:53.20,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:00:49.56,0:00:53.23,OPR,,0,0,0,fx,{\an5\blur3\org(64,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(104.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:00:49.58,0:00:53.25,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.61,0:00:53.28,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(159.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:49.63,0:00:53.30,OPR,,0,0,0,fx,{\an5\blur3\org(140,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(180.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.66,0:00:53.33,OPR,,0,0,0,fx,{\an5\blur3\org(161,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(201.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:53.18,0:00:53.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}n
Dialogue: 0,0:00:53.20,0:00:53.70,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}e
Dialogue: 0,0:00:53.23,0:00:53.73,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(104.000000,47.000000)}m
Dialogue: 0,0:00:53.25,0:00:53.75,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}u
Dialogue: 0,0:00:53.28,0:00:53.78,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(159.000000,47.000000)}r
Dialogue: 0,0:00:53.30,0:00:53.80,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(180.000000,47.000000)}u
Dialogue: 0,0:00:53.33,0:00:53.83,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(201.000000,47.000000)}
Dialogue: 0,0:00:49.68,0:00:53.35,OPR,,0,0,0,fx,{\an5\blur3\org(181,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(221.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:49.71,0:00:53.38,OPR,,0,0,0,fx,{\an5\blur3\org(208,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(248.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:00:49.73,0:00:53.40,OPR,,0,0,0,fx,{\an5\blur3\org(241,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(281.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:00:49.76,0:00:53.43,OPR,,0,0,0,fx,{\an5\blur3\org(275,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(315.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.78,0:00:53.45,OPR,,0,0,0,fx,{\an5\blur3\org(296,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(336.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:49.81,0:00:53.48,OPR,,0,0,0,fx,{\an5\blur3\org(318,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(358.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.83,0:00:53.50,OPR,,0,0,0,fx,{\an5\blur3\org(338,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(378.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:53.35,0:00:53.85,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(221.000000,47.000000)}n
Dialogue: 0,0:00:53.38,0:00:53.88,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(248.000000,47.000000)}e
Dialogue: 0,0:00:53.40,0:00:53.90,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(281.000000,47.000000)}m
Dialogue: 0,0:00:53.43,0:00:53.93,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(315.000000,47.000000)}u
Dialogue: 0,0:00:53.45,0:00:53.95,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(336.000000,47.000000)}r
Dialogue: 0,0:00:53.48,0:00:53.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(358.000000,47.000000)}u
Dialogue: 0,0:00:53.50,0:00:54.00,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(378.000000,47.000000)}
Dialogue: 0,0:00:49.86,0:00:53.53,OPR,,0,0,0,fx,{\an5\blur3\org(365,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,720,\3c&H00000)\pos(405.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:00:49.88,0:00:53.55,OPR,,0,0,0,fx,{\an5\blur3\org(398,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,720,\3c&H00000)\pos(438.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
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Dialogue: 0,0:01:24.46,0:01:24.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(413.000000,47.000000)}M
Dialogue: 0,0:01:24.48,0:01:24.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(449.000000,47.000000)}E
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Dialogue: 0,0:01:24.53,0:01:25.03,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(509.000000,47.000000)}J
Dialogue: 0,0:01:24.56,0:01:25.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(528.000000,47.000000)}I
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Dialogue: 0,0:01:51.76,0:01:59.07,OPR,,0,0,0,fx,{\an5\blur3\org(565,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(605.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:51.79,0:01:59.10,OPR,,0,0,0,fx,{\an5\blur3\org(585,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(625.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:01:58.95,0:01:59.45,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(485.000000,47.000000)}k
Dialogue: 0,0:01:58.97,0:01:59.47,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(511.000000,47.000000)}o
Dialogue: 0,0:01:59.00,0:01:59.50,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(536.000000,47.000000)}k
Dialogue: 0,0:01:59.02,0:01:59.52,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(562.000000,47.000000)}o
Dialogue: 0,0:01:59.05,0:01:59.55,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(583.000000,47.000000)}r
Dialogue: 0,0:01:59.07,0:01:59.57,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(605.000000,47.000000)}o
Dialogue: 0,0:01:59.10,0:01:59.60,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(625.000000,47.000000)}
Dialogue: 0,0:01:51.81,0:01:59.12,OPR,,0,0,0,fx,{\an5\blur3\org(609,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(649.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}w
Dialogue: 0,0:01:51.84,0:01:59.15,OPR,,0,0,0,fx,{\an5\blur3\org(640,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(680.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.12,0:01:59.62,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(649.000000,47.000000)}w
Dialogue: 0,0:01:59.15,0:01:59.65,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(680.000000,47.000000)}a
Dialogue: 0,0:01:58.85,0:02:02.71,OPR,,0,0,0,fx,{\an5\blur3\org(10,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(50.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:58.87,0:02:02.73,OPR,,0,0,0,fx,{\an5\blur3\org(42,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(82.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}y
Dialogue: 0,0:01:58.90,0:02:02.76,OPR,,0,0,0,fx,{\an5\blur3\org(68,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(108.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:58.92,0:02:02.78,OPR,,0,0,0,fx,{\an5\blur3\org(93,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(133.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:01:58.95,0:02:02.81,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(159.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:01:58.97,0:02:02.83,OPR,,0,0,0,fx,{\an5\blur3\org(146,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(186.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:01:59.00,0:02:02.86,OPR,,0,0,0,fx,{\an5\blur3\org(166,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(206.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.02,0:02:02.88,OPR,,0,0,0,fx,{\an5\blur3\org(179,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(219.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.05,0:02:02.91,OPR,,0,0,0,fx,{\an5\blur3\org(200,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(240.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.07,0:02:02.93,OPR,,0,0,0,fx,{\an5\blur3\org(220,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(260.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:02:02.71,0:02:03.21,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(50.000000,47.000000)}m
Dialogue: 0,0:02:02.73,0:02:03.23,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(82.000000,47.000000)}y
Dialogue: 0,0:02:02.76,0:02:03.26,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(108.000000,47.000000)}a
Dialogue: 0,0:02:02.78,0:02:03.28,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(133.000000,47.000000)}k
Dialogue: 0,0:02:02.81,0:02:03.31,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(159.000000,47.000000)}u
Dialogue: 0,0:02:02.83,0:02:03.33,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(186.000000,47.000000)}u
Dialogue: 0,0:02:02.86,0:02:03.36,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(206.000000,47.000000)}t
Dialogue: 0,0:02:02.88,0:02:03.38,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(219.000000,47.000000)}t
Dialogue: 0,0:02:02.91,0:02:03.41,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(240.000000,47.000000)}e
Dialogue: 0,0:02:02.93,0:02:03.43,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(260.000000,47.000000)}
Dialogue: 0,0:01:59.10,0:02:02.96,OPR,,0,0,0,fx,{\an5\blur3\org(233,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(273.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.12,0:02:02.98,OPR,,0,0,0,fx,{\an5\blur3\org(253,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(293.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:59.15,0:02:03.01,OPR,,0,0,0,fx,{\an5\blur3\org(287,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(327.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:59.17,0:02:03.03,OPR,,0,0,0,fx,{\an5\blur3\org(320,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(360.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.20,0:02:03.06,OPR,,0,0,0,fx,{\an5\blur3\org(342,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(382.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.22,0:02:03.08,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.25,0:02:03.11,OPR,,0,0,0,fx,{\an5\blur3\org(385,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(425.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.27,0:02:03.13,OPR,,0,0,0,fx,{\an5\blur3\org(406,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(446.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:02:02.96,0:02:03.46,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(273.000000,47.000000)}t
Dialogue: 0,0:02:02.98,0:02:03.48,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(293.000000,47.000000)}o
Dialogue: 0,0:02:03.01,0:02:03.51,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(327.000000,47.000000)}m
Dialogue: 0,0:02:03.03,0:02:03.53,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(360.000000,47.000000)}e
Dialogue: 0,0:02:03.06,0:02:03.56,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(382.000000,47.000000)}r
Dialogue: 0,0:02:03.08,0:02:03.58,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}a
Dialogue: 0,0:02:03.11,0:02:03.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(425.000000,47.000000)}r
Dialogue: 0,0:02:03.13,0:02:03.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(446.000000,47.000000)}e
Dialogue: 0,0:01:59.30,0:02:03.16,OPR,,0,0,0,fx,{\an5\blur3\org(433,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(473.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:01:59.32,0:02:03.18,OPR,,0,0,0,fx,{\an5\blur3\org(460,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(500.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.35,0:02:03.21,OPR,,0,0,0,fx,{\an5\blur3\org(479,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(519.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}i
Dialogue: 0,0:02:03.16,0:02:03.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(473.000000,47.000000)}n
Dialogue: 0,0:02:03.18,0:02:03.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(500.000000,47.000000)}a
Dialogue: 0,0:02:03.21,0:02:03.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519.000000,47.000000)}i
Comment: 0,0:23:06.51,0:23:10.38,EDR,,0,0,0,karaoke,{\kf37}yor{\kf25}u {\kf28}no {\kf198}sukima
Comment: 0,0:23:10.38,0:23:14.45,EDR,,0,0,0,karaoke,{\kf133}yakusoku {\kf88}no {\kf42}oka {\kf141}de
Comment: 0,0:23:14.45,0:23:23.40,EDR,,0,0,0,karaoke,{\kf128}tsukiakari {\kf64}ni {\kf174}shitataru {\kf170}hanabira {\kf36}ni {\kf98}KISS {\kf119}o
Comment: 0,0:23:23.40,0:23:27.00,EDR,,0,0,0,karaoke,{\kf95}fushigi {\kf68}no {\kf154}kuni
Comment: 0,0:23:27.00,0:23:31.41,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:31.41,0:23:35.58,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:35.58,0:23:40.08,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:40.08,0:23:47.55,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:47.55,0:23:55.83,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.83,0:23:59.67,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:59.67,0:24:04.97,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.97,0:24:12.75,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:12.75,0:24:16.48,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:16.48,0:24:21.86,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.86,0:24:27.99,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.99,0:24:32.87,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:06.51,0:23:10.38,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:10.38,0:23:14.45,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:14.45,0:23:23.40,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:23.40,0:23:27.00,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:27.00,0:23:31.41,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:31.41,0:23:35.58,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:35.58,0:23:40.08,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:40.08,0:23:47.55,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:47.55,0:23:55.83,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.83,0:23:59.67,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:59.67,0:24:04.97,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.97,0:24:12.75,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:12.75,0:24:16.48,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:16.48,0:24:21.86,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.86,0:24:27.99,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.99,0:24:32.87,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Dialogue: 0,0:22:13.12,0:22:15.12,Default,,0,0,0,,
Dialogue: 0,0:22:11.05,0:22:13.05,Default,,0,0,0,,
Dialogue: 0,0:22:16.78,0:22:18.78,Default,,0,0,0,,
Dialogue: 0,0:23:36.82,0:23:38.82,Default,,0,0,0,,
Dialogue: 0,0:22:03.11,0:22:05.11,Default,,0,0,0,,
Dialogue: 0,0:23:33.11,0:23:35.11,Default,,0,0,0,,
Dialogue: 0,0:22:03.88,0:22:05.88,Default,,0,0,0,,
Dialogue: 0,0:22:02.01,0:22:04.01,Default,,0,0,0,,