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; http://www.aegisub.org/
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:24:36.03,0:24:38.71,Default,,0,0,0,,{\pos(233,66)\bord2\fad(0,500)}الحلقة القادمة
Dialogue: 0,0:02:18.43,0:02:21.45,Default,,0,0,0,,.نحن لا نخلق الحياة
Dialogue: 0,0:02:21.45,0:02:23.47,Default,,0,0,0,,،على كل حال
Dialogue: 0,0:02:23.47,0:02:26.41,Default,,0,0,0,,على الأقل، المادة يجب أن تمتلك
Dialogue: 0,0:02:26.41,0:02:29.48,Default,,0,0,0,,.غرائز في حفظ النفس
Dialogue: 0,0:02:29.48,0:02:32.41,Default,,0,0,0,,يوجد طريقة واحدة فقط
Dialogue: 0,0:02:32.41,0:02:35.38,Default,,0,0,0,,لحل التناقض بين أهدافنا
Dialogue: 0,0:02:35.38,0:02:38.49,Default,,0,0,0,,.والمحرّمات ضد خلق الحياة
Dialogue: 0,0:02:38.49,0:02:40.39,Default,,0,0,0,,نحن نفعل ذلك
Dialogue: 0,0:02:40.39,0:02:43.39,Default,,0,0,0,,باستخدام الخلايا الآلية كدماغ خارجي
Dialogue: 0,0:02:43.39,0:02:46.39,Default,,0,0,0,,، والسّماح لها باتّخاذ مواقعها
Dialogue: 0,0:02:46.39,0:02:48.31,Default,,0,0,0,,.هذه هي
Dialogue: 0,0:02:48.31,0:02:51.47,Default,,0,0,0,,.إنّها موقع في النّظام البيئي
Dialogue: 0,0:02:51.47,0:02:54.40,Default,,0,0,0,,كل مادة
Dialogue: 0,0:02:54.40,0:02:57.37,Default,,0,0,0,,لها "شبح" شبيه بالعقل البشريّ
Dialogue: 0,0:02:57.37,0:03:00.41,Default,,0,0,0,,.والذي يعمل كبرنامج
Dialogue: 0,0:03:00.41,0:03:02.38,Default,,0,0,0,,،على كل حال
Dialogue: 0,0:03:02.38,0:03:05.45,Default,,0,0,0,,.الذكريات تتشارك نفس المعلومات
Dialogue: 0,0:03:05.45,0:03:07.35,Default,,0,0,0,,هذا يُتيح لنا
Dialogue: 0,0:03:07.35,0:03:10.32,Default,,0,0,0,,.تمييزها عن أشكال الحياة الحيّه
Dialogue: 0,0:03:10.32,0:03:13.32,Default,,0,0,0,,."إلى أن تصبح هذهِ "المنتجات" جاهزةٌ "للشحن
Dialogue: 0,0:03:13.32,0:03:16.39,Default,,0,0,0,,.يجب علينا أن نحافظ على هذا النظام
Dialogue: 0,0:03:16.39,0:03:18.29,Default,,0,0,0,,،على كل حال
Dialogue: 0,0:03:18.29,0:03:29.64,Default,,0,0,0,,وفيما يتعلّق بالظواهر الناشئة عن الأنشطة\N..... السلبيّة للخلايا الآلية، وبصفتي مراقب، أنا
Dialogue: 0,0:03:35.61,0:03:37.41,Default,,0,0,0,,مرحبًا؟
Dialogue: 0,0:03:37.41,0:03:39.94,Default,,0,0,0,,أجل. دكتور كاميغاسوا؟
Dialogue: 0,0:03:40.85,0:03:43.45,Default,,0,0,0,,.على الإطلاق، لحظة واحدة فقط
Dialogue: 0,0:03:50.25,0:03:53.33,Default,,0,0,0,,تقصد مياكو - شان؟
Dialogue: 0,0:03:53.80,0:03:55.23,Default,,0,0,0,,.أجل
Dialogue: 0,0:03:55.23,0:03:57.40,Default,,0,0,0,,.هذا مقلق
Dialogue: 0,0:03:57.93,0:04:01.80,Default,,0,0,0,,آوه، تعني الدكتور هيراتا؟
Dialogue: 0,0:04:01.80,0:04:04.47,Default,,0,0,0,,.أجل، قابلتهُ في المستشفى
Dialogue: 0,0:04:11.81,0:04:13.35,Default,,0,0,0,,هكذا إذن؟
Dialogue: 0,0:04:13.35,0:04:15.92,Default,,0,0,0,,مكتب المدير في المدرسة الإعداديّة؟
Dialogue: 0,0:04:15.92,0:04:16.95,Default,,0,0,0,,.حسنًا
Dialogue: 0,0:04:16.95,0:04:19.07,Default,,0,0,0,,حوالي الرابعة؟
Dialogue: 0,0:04:20.44,0:04:22.36,Default,,0,0,0,,.أجل، لا بأس بهذا
Dialogue: 0,0:04:22.36,0:04:23.83,Default,,0,0,0,,.سأكون هناك
Dialogue: 0,0:04:23.83,0:04:27.32,Default,,0,0,0,,.على الإطلاق، هذا الموضوع يهمّني كثيرًا
Dialogue: 0,0:04:27.32,0:04:29.73,Default,,0,0,0,,.حسنًا، أراك قريبًا
Dialogue: 0,0:04:40.28,0:04:42.26,Default,,0,0,0,,!آه، هنا، هذا هو
Dialogue: 0,0:04:42.26,0:04:43.97,Default,,0,0,0,,{\an8}فهم الكوجيكي\Nمقدّمه في النصوص التاريخيّة
Dialogue: 0,0:04:43.97,0:04:50.68,شرح,,0,0,0,,تعني سجلات الأمور التاريخية هي أقدم الكتب المعروفة في اليابان. كتب الكوجيكي مكتوبة باللغة الصينية، لكنها تحتوي على عدد كبير من الأسماء اليابانية
Dialogue: 0,0:04:43.97,0:04:45.68,Default,,0,0,0,,الكوجيكي؟
Dialogue: 0,0:04:47.38,0:04:48.85,Default,,0,0,0,,.هنا
Dialogue: 0,0:04:48.85,0:04:53.95,Default,,0,0,0,,".بما أنني أوّل من تم سؤاله، سأكون أوّل من يقول اسمه"
Dialogue: 0,0:04:54.39,0:05:01.66,Default,,0,0,0,,"أنا الإله الذي يُعلن كلمة واحدة للخير أو كلمة واحدة للشر
Dialogue: 0,0:05:01.66,0:05:06.66,Default,,0,0,0,,".إله كاتسوراغي العظيم، إله الكلمة الواحدة"
Dialogue: 0,0:05:06.66,0:05:10.08,Default,,0,0,0,,يُعلن تعني يقول، صحيح؟
Dialogue: 0,0:05:10.08,0:05:13.54,Default,,0,0,0,,.مذهل، لا أصدق أنّه باستطاعتك قراءة هذا
Dialogue: 0,0:05:16.31,0:05:18.81,Default,,0,0,0,,إله الكلمة الواحدة؟
Dialogue: 0,0:05:18.81,0:05:20.55,Default,,0,0,0,,أي نوع من الآلهة هو؟
Dialogue: 0,0:05:20.55,0:05:24.39,Default,,0,0,0,,.لا أعلم، هذا هو الشيء الوحيد الذي تم ذكرهُ في الكوجيكي
Dialogue: 0,0:05:24.39,0:05:27.89,Default,,0,0,0,,إذًا، هذا هو الإله الذي يستحوذ على مياكو - شان؟
Dialogue: 0,0:05:49.44,0:05:51.38,Default,,0,0,0,,!ماكوتو
Dialogue: 0,0:05:51.38,0:05:53.35,Default,,0,0,0,,.يجب أن أتحدّث إليك
Dialogue: 0,0:05:53.72,0:05:55.41,Default,,0,0,0,,.أنا ذاهب للمدرسة
Dialogue: 0,0:06:10.76,0:06:15.60,Default,,0,0,0,,!نوريكو، نوريكو! تعالي إلى هنا رجاءً، نوريكو
Dialogue: 0,0:07:07.66,0:07:09.42,Default,,0,0,0,,!شيهو
Dialogue: 0,0:07:17.93,0:07:19.53,Default,,0,0,0,,ماذا يجب أن نفعل؟
Dialogue: 0,0:07:19.53,0:07:22.04,Default,,0,0,0,, .أجل! عندما نعود لنلعب في المكان الذي اعتدنا عليه
Dialogue: 0,0:07:22.04,0:07:23.80,Default,,0,0,0,,!صحيح
Dialogue: 0,0:07:28.55,0:07:30.65,Default,,0,0,0,,!آوه، ها هي
Dialogue: 0,0:07:30.65,0:07:32.18,Default,,0,0,0,,!مياكو
Dialogue: 0,0:08:12.59,0:08:14.19,Default,,0,0,0,,!هيّا
Dialogue: 0,0:08:14.19,0:08:16.86,Default,,0,0,0,,!قومِ بذلك
Dialogue: 0,0:08:32.77,0:08:34.81,Default,,0,0,0,,ما كان هذا؟
Dialogue: 0,0:08:34.81,0:08:39.85,Default,,0,0,0,,!إحدى فتيات السنة الأولى معجبةٌ بك
Dialogue: 0,0:08:39.85,0:08:40.98,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:08:40.98,0:08:45.52,Default,,0,0,0,,.أعتقد بأن الفتيات يعجبن بالفتيان من طوكيو
Dialogue: 0,0:08:45.52,0:08:47.99,Default,,0,0,0,,.لا علاقة لهذا بالأمر
Dialogue: 0,0:08:47.99,0:08:51.23,Default,,0,0,0,,ماسايوكي، هل كنت تمتلك حبيبة في طوكيو؟
Dialogue: 0,0:08:51.23,0:08:52.84,Default,,0,0,0,,!ولا أقرب لهذا حتّى
Dialogue: 0,0:08:53.63,0:08:55.53,Default,,0,0,0,,ألن يأتي تارو اليوم؟
Dialogue: 0,0:08:55.93,0:08:59.20,Default,,0,0,0,,.لا، هو سيذهب إلى مكتب المدير اليوم
Dialogue: 0,0:09:00.17,0:09:02.00,Default,,0,0,0,,.لقد استمعتٌ للأشرطة التي أعطيتني إيّاها
Dialogue: 0,0:09:02.00,0:09:06.64,Default,,0,0,0,,.أنا وصلت إلى منتصفها فقط، لكنّها مثيره نوعًا ما
Dialogue: 0,0:09:06.64,0:09:11.55,Default,,0,0,0,,.لكن للآسف جلسة اليوم ستكون قصيرة
Dialogue: 0,0:09:12.90,0:09:19.12,Default,,0,0,0,,.بعد وقت قصير، الكاهن من ضريح كاميوا سوف يأتي مع ابنتهِ
Dialogue: 0,0:09:19.55,0:09:20.87,Default,,0,0,0,,مياكو قادمة؟
Dialogue: 0,0:09:21.16,0:09:24.29,Default,,0,0,0,,.تقابلنا سابقًا عن طريق الصدفة
Dialogue: 0,0:09:24.29,0:09:28.04,Default,,0,0,0,,.يبدو أنّه قلق عليها في الآونة الأخيرة
Dialogue: 0,0:09:28.93,0:09:32.00,Default,,0,0,0,,أنت كنت قلق عليها منذ فترة، أليس كذلك؟
Dialogue: 0,0:09:32.00,0:09:33.63,Default,,0,0,0,,.شكرًا لك
Dialogue: 0,0:09:33.63,0:09:35.84,Default,,0,0,0,,.مياكو تحتاج لمساعدتك أكثر مما أحتاجها أنا
Dialogue: 0,0:09:37.77,0:09:40.43,Default,,0,0,0,,كيف حالك في الآونة الأخيرة، كوموري - كن؟
Dialogue: 0,0:09:41.61,0:09:43.14,Default,,0,0,0,,أنا؟
Dialogue: 0,0:09:48.62,0:09:51.59,Default,,0,0,0,,.أجريتُ العديد من الاكتشافات
Dialogue: 0,0:09:52.32,0:09:56.32,Default,,0,0,0,,،لكن مهما بحثتُ في العالم المخفي
Dialogue: 0,0:09:56.32,0:09:58.76,Default,,0,0,0,,.لا أستطيع العثور على أختي
Dialogue: 0,0:10:01.12,0:10:06.97,Default,,0,0,0,,.بالكاد تراودني أحلام عنها مؤخرًا
Dialogue: 0,0:10:06.97,0:10:13.91,Default,,0,0,0,,....أحيانًا، أخشى أن أنساها تمامًا، و أنا
Dialogue: 0,0:10:18.85,0:10:19.95,Default,,0,0,0,,!توقّفوا
Dialogue: 0,0:10:19.95,0:10:21.64,Default,,0,0,0,,من أنتم، أطفال صغار؟
Dialogue: 0,0:10:22.18,0:10:26.92,Default,,0,0,0,,أجل، لكن عندما لا يكون تارو معنا، لا يوجد شيء لنفعلهُ
Dialogue: 0,0:10:28.26,0:10:32.26,Default,,0,0,0,,ألا يبدو هذا كما لو أن روحنا المراهقة ليس لها منفذًا؟
Dialogue: 0,0:10:33.61,0:10:35.03,Default,,0,0,0,,!آوه
Dialogue: 0,0:10:35.03,0:10:36.76,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:10:38.87,0:10:42.64,Default,,0,0,0,,لماذا كوموغاسو - سان ومياكو - شان هنا؟
Dialogue: 0,0:10:51.21,0:10:54.21,Default,,0,0,0,,.إنّها تعمل في مختبر أبي
Dialogue: 0,0:10:54.21,0:10:58.65,Default,,0,0,0,,.شكرًا لأنّكِ تفرّغتِ من أجل أن تحضري
Dialogue: 0,0:10:58.65,0:11:00.82,Default,,0,0,0,,.أعذرني على تأخري
Dialogue: 0,0:11:00.82,0:11:02.29,Default,,0,0,0,,!مرحبًا
Dialogue: 0,0:11:06.66,0:11:08.93,Default,,0,0,0,,!هيه، مياكو
Dialogue: 0,0:11:11.67,0:11:15.27,Default,,0,0,0,,ربّما راودتها فكرةٌ خاطئة
Dialogue: 0,0:11:31.32,0:11:33.12,Default,,0,0,0,,انتظرتموني؟
Dialogue: 0,0:11:33.12,0:11:34.85,Default,,0,0,0,,!أهلًا
Dialogue: 0,0:11:38.38,0:11:40.93,Default,,0,0,0,,التنويم المغناطيسي، هل أنتِ متأكدة من ذلك؟
Dialogue: 0,0:11:41.30,0:11:46.43,Default,,0,0,0,,.التنويم المغناطيسي مسلّمٌ بهِ كأكثر الوسائل فعاليةً في الاستشارة النفسيّة
Dialogue: 0,0:11:46.87,0:11:52.34,Default,,0,0,0,,.مع هذا، ليست الحقيقة دائمًا تظهر
Dialogue: 0,0:11:52.34,0:11:56.11,Default,,0,0,0,,الدماغ البشري سطحي في اختراع الذكريات
Dialogue: 0,0:11:56.11,0:11:59.86,شرح,,0,0,0,,يقصد بالحياة السابقة أن تموت روح الشخص ثم تولد الروح في جسد جديد و بهذا يمتلك الشخص حياة سابقة
Dialogue: 0,0:11:56.11,0:11:57.86,Default,,0,0,0,,.حتّى من الحيوات السابقة وشبيهاتها
Dialogue: 0,0:11:58.21,0:12:00.08,Default,,0,0,0,,الحيوات السابقة؟
Dialogue: 0,0:12:00.90,0:12:05.92,Default,,0,0,0,,.....أعلم هذا القدر، لكن مع هذا
Dialogue: 0,0:12:05.92,0:12:10.74,Default,,0,0,0,, الدكتور هيراتا لديه السلطة الأكبر في استخدام علاج ما بعد الصدمة في اليابان
Dialogue: 0,0:12:11.16,0:12:13.23,Default,,0,0,0,,حقًا؟
Dialogue: 0,0:12:13.23,0:12:17.36,Default,,0,0,0,,دكتور من طوكيو بهذهِ المكانة، يقطع كل هذه المسافة ليعالجك؟
Dialogue: 0,0:12:17.36,0:12:21.17,Default,,0,0,0,,.ليس كما لو أنني طلبتُ منه ذلك
Dialogue: 0,0:12:21.74,0:12:28.74,Default,,0,0,0,,.هذا صحيح، أفهم أنّه تم إيفادهُ من محافظة التربية والتعليم
Dialogue: 0,0:12:37.22,0:12:38.89,Default,,0,0,0,,ماذا تفعلون؟
Dialogue: 0,0:12:38.89,0:12:40.42,Default,,0,0,0,,!صه
Dialogue: 0,0:12:44.32,0:12:51.66,Default,,0,0,0,,متى كانت أوّل مرّه شعرتِ بأن كيان آخر دخل إلى جسدكِ؟
Dialogue: 0,0:12:52.80,0:12:54.27,Default,,0,0,0,,.لا أتذكّر
Dialogue: 0,0:12:54.27,0:12:57.08,Default,,0,0,0,,.قبل الحضانة على ما أعتقد
Dialogue: 0,0:12:57.37,0:13:01.55,Default,,0,0,0,,هل ضايقكِ هذا؟
Dialogue: 0,0:13:02.04,0:13:04.72,Default,,0,0,0,,.في السّابق، لا
Dialogue: 0,0:13:05.28,0:13:07.35,Default,,0,0,0,,والآن؟
Dialogue: 0,0:13:07.35,0:13:10.80,Default,,0,0,0,,.الأمر يصبح أسوأ من السنة الماضية
Dialogue: 0,0:13:10.80,0:13:13.15,Default,,0,0,0,,السنة الماضية؟
Dialogue: 0,0:13:16.39,0:13:21.16,Default,,0,0,0,,.ما زلتُ لم أفهم لماذا إله الكلمة الواحدة يستحوذ على مياكو - شان
Dialogue: 0,0:13:23.06,0:13:24.93,Default,,0,0,0,,إله الكلمة الواحدة؟
Dialogue: 0,0:13:25.53,0:13:27.43,Default,,0,0,0,,.هو يظهر في الكوجيكي
Dialogue: 0,0:13:27.43,0:13:30.54,Default,,0,0,0,,الإمبراطور يوراكي كان يتنزّه في جبل كاتسوراغي
Dialogue: 0,0:13:30.54,0:13:32.47,Default,,0,0,0,,.عندما مرّ بجانب شخص يرتدي مثلهُ تمامًا
Dialogue: 0,0:13:32.47,0:13:35.11,Default,,0,0,0,,.ذلك كان إله الكلمة الواحدة
Dialogue: 0,0:13:35.11,0:13:42.02,Default,,0,0,0,,.في الكوجيكي، الإمبراطور يورا قدّس إله الكلمة الواحدة، وقدّم لهُ ثيابهُ
Dialogue: 0,0:13:42.02,0:13:50.19,شرح,,0,0,0,,تعني السجلات اليابانية، وهي ثاني أقدم كتب معروفة في التاريخ الياباني بعد الكوجيكي، ويعتبر أكثر تفصيلاً من كتب الكوجيكي
Dialogue: 0,0:13:42.02,0:13:46.19,Default,,0,0,0,,.لكن في نسخة مختلفة من القصّة في نيهون شوكي
Dialogue: 0,0:13:46.19,0:13:51.01,Default,,0,0,0,,.في تلك القصّة، الإمبراطور يورا وإله الكلمة الواحدة ذهبا للصيد معًا
Comment: 0,0:13:51.01,0:13:54.22,شرح,,0,0,0,,،وبناءً على نيهون شيكو لفترة الهيان
Dialogue: 0,0:13:51.01,0:13:54.22,Default,,0,0,0,,،وبناءً على نيهون شيكو لفترة الهيان
Dialogue: 0,0:13:54.22,0:14:00.06,شرح,,0,0,0,,توسا : أحد الأقاليم اليابانية القديمة و تعرف الآن باسم كوتشي و تقع في جزيرة شيكوكو
Dialogue: 0,0:13:54.22,0:14:00.06,Default,,0,0,0,,!الإمبراطور يورا يعلن له أنّه إله وقح ويقوم بنفيهِ إلى توسا
Dialogue: 0,0:14:00.07,0:14:03.87,شرح,,0,0,0,,هي مجموعة أدبيّه من فترة الهايان اليابانيّة و هي أقدم مجموعة للأدب البوذي في اليابان
Dialogue: 0,0:14:00.06,0:14:03.94,Default,,0,0,0,,،وتم ذكر ذلك في نيهون ريوكي
Dialogue: 0,0:14:03.94,0:14:08.34,شرح,,0,0,0,,الزاهد هو الشخص الذي يترك الدنيا و ما فيها و ينقطع للعباده
Dialogue: 0,0:14:03.94,0:14:08.34,Default,,0,0,0,,.تم تنزيل رتبة إله الكلمة الواحدة إلى خادم "إن" الزّاهد
Dialogue: 0,0:14:08.34,0:14:16.32,Default,,0,0,0,, لإغضاب سيّدهِ، كذب على المحكمة الإمبراطورية بقولهِ أن "إن" الزاهد  يخطط للتمرّد
Dialogue: 0,0:14:16.32,0:14:20.59,شرح,,0,0,0,,.مجموعة جزر بركانيّة في اليابان
Dialogue: 0,0:14:16.32,0:14:20.29,Default,,0,0,0,,.عندما اكتشف ذلك، تم نفيهُ إلى لازو
Dialogue: 0,0:14:21.56,0:14:26.30,Default,,0,0,0,,إذًا تحديدًا، ماهو إله الكلمة الواحدة؟
Dialogue: 0,0:14:26.86,0:14:30.20,Default,,0,0,0,,.إنّه الإله الذي يجعل ما تقولهُ حقيقةً
Dialogue: 0,0:14:30.20,0:14:33.01,Default,,0,0,0,,.سواء للخير أو للشر
Dialogue: 0,0:14:37.97,0:14:45.98,Default,,0,0,0,, لا استخدم التنويم المغناطيسي كثيرًا، لكنني أرغب في استخدامه عليك ، مياكو - سان
Dialogue: 0,0:14:47.40,0:14:50.52,Default,,0,0,0,,.بالطبع، ارفضي الأمر إذا أردتِ
Dialogue: 0,0:14:50.52,0:14:56.56,Default,,0,0,0,,،لكنني أتوقّع بأنني سأخفف بعضًا من معاناتكِ
Dialogue: 0,0:15:00.03,0:15:02.71,Default,,0,0,0,,كوموغاسو - سان، لماذا تعلم الكثير عن هذه الأشياء؟
Dialogue: 0,0:15:02.71,0:15:04.27,Default,,0,0,0,,ألم تسمع عن ذلك؟
Dialogue: 0,0:15:04.27,0:15:08.42,Default,,0,0,0,,.البروفيسور كوموغاسو هو بروفيسور مساعد في التاريخ الياباني في طوكيو
Dialogue: 0,0:15:10.27,0:15:14.01,Default,,0,0,0,,.إله الكلمة الواحدة شخصيّه غامضة للغاية
Dialogue: 0,0:15:14.01,0:15:19.56,Default,,0,0,0,,.أشتبه في أنّه ظهر أوّل مرّه كإله محلّي قبل إنشاء المحكمة الإمبراطورية
Dialogue: 0,0:15:20.51,0:15:25.92,Default,,0,0,0,,جبل كاتسوراغي موجود في نارا، و هناك ضريح يستخدم لتكريم إله الكلمة الواحدة
Dialogue: 0,0:15:25.92,0:15:29.03,شرح,,0,0,0,,لقب مهين أُطلق على عشائر و قبائل محليّه متمرده لم تظهر ولائها للإمبراطور
Dialogue: 0,0:15:25.92,0:15:29.03,Default,,0,0,0,,.هو أيضًا موطن عناكب التربة الأرضيّة
Dialogue: 0,0:15:29.36,0:15:34.59,Default,,0,0,0,,.العناكب الأرضيّة كانوا ذوي أطراف طويله قاوموا الحكم الإمبراطوري
Dialogue: 0,0:15:35.53,0:15:39.83,Default,,0,0,0,,.كانوا يصطادون الناس الذين أصلهم من كيوشو الشماليّة ، في هذه الأرجاء
Dialogue: 0,0:15:40.07,0:15:43.44,Default,,0,0,0,,.البعض يقولون أنّهم ينحدرون من حياة الرحّالة في البحار
Dialogue: 0,0:15:44.00,0:15:48.68,Default,,0,0,0,,.بكل حال، أنا اهتممتُ بالموضوع، لذا أجريتُ بعض البحوثات
Dialogue: 0,0:15:48.68,0:15:50.26,Default,,0,0,0,,.كان هذا سابقًا في طوكيو
Dialogue: 0,0:15:59.39,0:16:04.14,Default,,0,0,0,,.دراستي في طوكيو أظهرت ليّ بعض المواد عن إله الكلمة الواحدة
Dialogue: 0,0:16:04.96,0:16:08.26,Default,,0,0,0,,،لم أرى مياكو تقرأ بحوثي من قبل
Dialogue: 0,0:16:08.26,0:16:11.40,Default,,0,0,0,,.لكن من المحتمل أنّها كانت معرّضة لها
Dialogue: 0,0:16:12.07,0:16:15.78,Default,,0,0,0,,إذًا أنت تقصد بأن مياكو ترسم هذه الذكريات؟
Dialogue: 0,0:16:16.04,0:16:21.01,Default,,0,0,0,,.من غير المعقول أن يكون إله الكلمة الواحدة موجود حقًا ويستحوذ على مياكو
Dialogue: 0,0:16:21.01,0:16:22.98,Default,,0,0,0,,.أعلم هذا القدر
Dialogue: 0,0:16:22.98,0:16:24.48,Default,,0,0,0,,....لكن
Dialogue: 0,0:16:41.33,0:16:44.23,Default,,0,0,0,,!مياكو هي ميزوكا
Dialogue: 0,0:16:44.23,0:16:46.30,Default,,0,0,0,,تارو، ما الخطب؟
Dialogue: 0,0:16:46.30,0:16:47.77,Default,,0,0,0,,...لا..لا شيء
Dialogue: 0,0:16:47.77,0:16:53.21,Default,,0,0,0,,.لا تقلق يا بروفيسور، لو حدث أي شيء سوف أنقلها للمستشفى
Dialogue: 0,0:16:53.21,0:16:56.01,Default,,0,0,0,,.آه، شكرًا
Dialogue: 0,0:16:56.01,0:17:00.35,Default,,0,0,0,,.في مثل هذا الوقت من المرهق أن تكون أبًا عازب
Dialogue: 0,0:17:00.35,0:17:02.33,Default,,0,0,0,,!مثير للشفقة، أعلم
Dialogue: 0,0:17:08.62,0:17:12.76,Default,,0,0,0,,.كلمة واحدة للخير، أو كلمة واحدة للشر
Dialogue: 0,0:17:12.76,0:17:17.22,Default,,0,0,0,,.أنا إله الكلمة الواحدة
Dialogue: 0,0:17:17.22,0:17:20.73,Default,,0,0,0,,وإذا طلبتُ منك شيئًا، هل ستقوم بهِ؟
Dialogue: 0,0:17:23.64,0:17:26.14,Default,,0,0,0,,.أريدك أن تخبرني شيئًا
Dialogue: 0,0:17:26.14,0:17:29.90,Default,,0,0,0,,هل يوجد شيء ما هنا في بلدة سويتن؟
Dialogue: 0,0:17:30.71,0:17:33.28,Default,,0,0,0,,.الكثير من الأشياء الغامضة تحدث هنا
Dialogue: 0,0:17:33.28,0:17:37.22,Default,,0,0,0,,.أنا أشتبه بأن هناك شيء سيظهر
Dialogue: 0,0:17:37.22,0:17:41.41,Default,,0,0,0,,.لا أتكلّم فقط عن كوموري تارو وأصدقائهِ، أو أنت
Dialogue: 0,0:17:41.41,0:17:46.33,Default,,0,0,0,,.عندما أكون هنا، أرى أشياء غريبة
Dialogue: 0,0:17:52.73,0:17:57.17,Default,,0,0,0,,.يوجد هنا آلهة أكثر من اللازم
Dialogue: 0,0:17:58.57,0:18:00.44,Default,,0,0,0,,ماذا يعني هذا؟
Dialogue: 0,0:18:23.30,0:18:24.30,Default,,0,0,0,,!مياكو
Dialogue: 0,0:18:24.30,0:18:25.70,Default,,0,0,0,,!انتظر، بروفيسور
Dialogue: 0,0:18:25.70,0:18:28.12,Default,,0,0,0,,.لو أنّه لا يُخرجها من حالة التنويم بشكل ملائم، فستكون هذه مشكلة
Dialogue: 0,0:18:28.12,0:18:29.34,Default,,0,0,0,,...لكن
Dialogue: 0,0:18:29.34,0:18:31.46,Default,,0,0,0,,.ثِق بالدكتور هيراتا
Dialogue: 0,0:18:48.35,0:18:52.53,Default,,0,0,0,,،مهما كانت الأشياء المريعة التي رأيتها
Dialogue: 0,0:18:52.53,0:18:56.66,Default,,0,0,0,,.عندما تستيقظين لن تتذكّري عنها شيء
Dialogue: 0,0:18:57.16,0:18:59.67,Default,,0,0,0,,لا تخافي، حسنًا؟
Dialogue: 0,0:19:08.51,0:19:10.41,Default,,0,0,0,,أنتِ بخير الآن؟
Dialogue: 0,0:19:10.41,0:19:12.21,Default,,0,0,0,,.أنا بخير
Dialogue: 0,0:19:12.21,0:19:14.38,Default,,0,0,0,,.لقد نِمتُ وحسب
Dialogue: 0,0:19:14.38,0:19:16.48,Default,,0,0,0,,.آوه، صحيح
Dialogue: 0,0:19:16.48,0:19:21.39,Default,,0,0,0,,....جعلتني أقلق هناك... أقصد
Dialogue: 0,0:19:29.80,0:19:32.47,Default,,0,0,0,,.جلبتُ بعض الشّاي من غرفة الموظّفين
Dialogue: 0,0:19:32.47,0:19:34.98,Default,,0,0,0,,.شكرًا لكِ جزيلًا
Dialogue: 0,0:19:40.91,0:19:43.99,Default,,0,0,0,,.أخشى أنني خرجتُ عن أهليّتي مجددًا
Dialogue: 0,0:19:44.24,0:19:48.99,Default,,0,0,0,,.أعتقد أنّه من الجيّد أنّك جئت إلى هنا، دكتور هيراتا
Dialogue: 0,0:19:49.75,0:19:52.65,Default,,0,0,0,,من المحتمل أنّكِ كنتِ تتساءلين، ألستِ كذلك؟
Dialogue: 0,0:19:53.75,0:19:59.42,Default,,0,0,0,,لماذا أقطع كل هذه المسافة من طوكيو مرّتين في الشهر لأقابل كوموري - كن وحسب
Dialogue: 0,0:20:11.31,0:20:13.21,Default,,0,0,0,,.إنّها هي
Dialogue: 0,0:20:16.78,0:20:18.64,Default,,0,0,0,,من هذه؟
Dialogue: 0,0:20:20.38,0:20:23.32,Default,,0,0,0,,أليست هذه هي الخادمة في منزلكم، ماكوتو؟
Dialogue: 0,0:20:24.72,0:20:26.59,Default,,0,0,0,,ماذا تفعلين هنا؟
Dialogue: 0,0:20:27.24,0:20:28.89,Default,,0,0,0,,....الأوغامي
Dialogue: 0,0:20:28.89,0:20:31.20,Default,,0,0,0,,المعذرة، هل يمكنني مساعدتك؟
Dialogue: 0,0:20:36.23,0:20:37.73,Default,,0,0,0,,!ماذا تفعلين؟ اتركيها
Dialogue: 0,0:20:37.73,0:20:39.47,Default,,0,0,0,,المعذرة، سيّدتي؟
Dialogue: 0,0:20:39.47,0:20:43.77,Default,,0,0,0,,!أنا سانيوا وأنتِ هي الكاهنة التالية التي سأخدمها
Dialogue: 0,0:20:45.76,0:20:46.94,Default,,0,0,0,,!لا ، انتظري
Dialogue: 0,0:20:46.94,0:20:48.88,Default,,0,0,0,,!قلتُ، اتركيها
Dialogue: 0,0:20:48.88,0:20:51.68,Default,,0,0,0,,!هيمي - ساما تريد أن يحصل هذا
Dialogue: 0,0:20:51.68,0:20:53.52,Default,,0,0,0,,!تلك الشمطاء الوقحة
Dialogue: 0,0:20:53.52,0:20:55.65,Default,,0,0,0,,!تبًا
Dialogue: 0,0:20:55.65,0:20:56.92,Default,,0,0,0,,!توقّفي
Dialogue: 0,0:20:56.92,0:20:58.89,Default,,0,0,0,,!مياكو ابنة كاهن
Dialogue: 0,0:20:58.89,0:21:00.75,Default,,0,0,0,,!هذا سخيف
Dialogue: 0,0:21:03.52,0:21:05.53,Default,,0,0,0,,...كلمة واحدة
Dialogue: 0,0:21:05.53,0:21:08.03,Default,,0,0,0,,!هذا يكفي
Dialogue: 0,0:21:10.93,0:21:13.30,Default,,0,0,0,,.كلمة واحدة للخير، أو كلمة واحدة للشر
Dialogue: 0,0:21:13.30,0:21:14.90,Default,,0,0,0,,!أيّتها الساحرة العجوز
Dialogue: 0,0:21:14.90,0:21:17.77,Default,,0,0,0,,!أتمنّى لو أنّكِ ميّتة
Dialogue: 0,0:21:31.59,0:21:32.55,Default,,0,0,0,,مياكو، ما الخطب؟
Dialogue: 0,0:21:32.55,0:21:34.65,Default,,0,0,0,,!تحدّثي إليّ مياكو
Dialogue: 0,0:22:33.48,0:22:37.12,Default,,0,0,0,,هل هم خائفون من أن يتم لعنهم إذا لم يأتوا للجنازة؟
Dialogue: 0,0:22:37.65,0:22:39.99,Default,,0,0,0,,لماذا يوجد الكثير من النّاس هنا؟
Dialogue: 0,0:22:41.86,0:22:44.04,Default,,0,0,0,,أين رأيتُ هؤلاء من قبل؟
Dialogue: 0,0:22:47.43,0:22:49.06,Default,,0,0,0,,.لابدّ من أن هذا الحفيد
Dialogue: 0,0:22:49.06,0:22:51.63,Default,,0,0,0,,أتسائل عن قصّتهِ؟
Dialogue: 0,0:24:37.87,0:24:39.11,Default,,0,0,0,,....تهدئة الروح
Dialogue: 0,0:24:39.11,0:24:43.81,Default,,0,0,0,,.المصطلح يشير إلى راحة الموتى، لكن له معنًا آخر
Dialogue: 0,0:24:43.81,0:24:46.45,Default,,0,0,0,,.أرواح الأحياء غير مستقرّه
Dialogue: 0,0:24:46.45,0:24:50.09,Default,,0,0,0,,.إلّا إذا كانت مقيّدةٌ بالجسد، بعض الأرواح تهرب أحيانًا
Dialogue: 0,0:24:50.09,0:24:51.82,Default,,0,0,0,,،في أوائل فترة الميجي
Dialogue: 0,0:24:51.82,0:24:56.13,Default,,0,0,0,,هوندا شيكاتسو استخدم تهدئة الروح وتقنيه تتضمن توجيه الأرواح
Dialogue: 0,0:24:56.13,0:24:59.94,Default,,0,0,0,,.كأساس لمنهجة الشنتونيّه
Dialogue: 0,0:02:11.17,0:02:15.73,العنوان,,0,0,0,,{\pos(636,512)}مصفوفة النّشوء
Dialogue: 0,0:24:59.94,0:25:03.57,Default,,0,0,0,,.عملهُ أثّر لاحقًا على شخصيات مثل دوغيشي أونيسبرا
Comment: 0,0:00:45.74,0:00:50.01,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.01,0:00:54.08,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.08,0:00:58.31,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.31,0:01:00.88,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.83,0:01:17.07,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.07,0:01:21.24,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.24,0:01:24.96,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.25,0:01:29.32,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.63,0:01:51.64,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.64,0:01:59.35,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.35,0:02:03.61,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.74,0:00:50.01,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.01,0:00:54.08,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.08,0:00:58.31,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.31,0:01:00.88,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.83,0:01:17.07,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.07,0:01:21.24,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.24,0:01:24.96,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.25,0:01:29.32,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.63,0:01:51.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.64,0:01:59.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.35,0:02:03.61,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن النبض
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Dialogue: 0,0:00:45.26,0:00:49.13,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
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Dialogue: 0,0:01:24.46,0:01:24.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(413.000000,47.000000)}M
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Dialogue: 0,0:01:58.95,0:01:59.45,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(485.000000,47.000000)}k
Dialogue: 0,0:01:58.97,0:01:59.47,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(511.000000,47.000000)}o
Dialogue: 0,0:01:59.00,0:01:59.50,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(536.000000,47.000000)}k
Dialogue: 0,0:01:59.02,0:01:59.52,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(562.000000,47.000000)}o
Dialogue: 0,0:01:59.05,0:01:59.55,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(583.000000,47.000000)}r
Dialogue: 0,0:01:59.07,0:01:59.57,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(605.000000,47.000000)}o
Dialogue: 0,0:01:59.10,0:01:59.60,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(625.000000,47.000000)}
Dialogue: 0,0:01:51.81,0:01:59.12,OPR,,0,0,0,fx,{\an5\blur3\org(609,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(649.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}w
Dialogue: 0,0:01:51.84,0:01:59.15,OPR,,0,0,0,fx,{\an5\blur3\org(640,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(680.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.12,0:01:59.62,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(649.000000,47.000000)}w
Dialogue: 0,0:01:59.15,0:01:59.65,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(680.000000,47.000000)}a
Dialogue: 0,0:01:58.85,0:02:02.71,OPR,,0,0,0,fx,{\an5\blur3\org(10,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(50.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:58.87,0:02:02.73,OPR,,0,0,0,fx,{\an5\blur3\org(42,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(82.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}y
Dialogue: 0,0:01:58.90,0:02:02.76,OPR,,0,0,0,fx,{\an5\blur3\org(68,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(108.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:58.92,0:02:02.78,OPR,,0,0,0,fx,{\an5\blur3\org(93,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(133.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:01:58.95,0:02:02.81,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(159.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:01:58.97,0:02:02.83,OPR,,0,0,0,fx,{\an5\blur3\org(146,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(186.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:01:59.00,0:02:02.86,OPR,,0,0,0,fx,{\an5\blur3\org(166,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(206.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.02,0:02:02.88,OPR,,0,0,0,fx,{\an5\blur3\org(179,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(219.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.05,0:02:02.91,OPR,,0,0,0,fx,{\an5\blur3\org(200,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(240.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.07,0:02:02.93,OPR,,0,0,0,fx,{\an5\blur3\org(220,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(260.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:02:02.71,0:02:03.21,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(50.000000,47.000000)}m
Dialogue: 0,0:02:02.73,0:02:03.23,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(82.000000,47.000000)}y
Dialogue: 0,0:02:02.76,0:02:03.26,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(108.000000,47.000000)}a
Dialogue: 0,0:02:02.78,0:02:03.28,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(133.000000,47.000000)}k
Dialogue: 0,0:02:02.81,0:02:03.31,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(159.000000,47.000000)}u
Dialogue: 0,0:02:02.83,0:02:03.33,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(186.000000,47.000000)}u
Dialogue: 0,0:02:02.86,0:02:03.36,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(206.000000,47.000000)}t
Dialogue: 0,0:02:02.88,0:02:03.38,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(219.000000,47.000000)}t
Dialogue: 0,0:02:02.91,0:02:03.41,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(240.000000,47.000000)}e
Dialogue: 0,0:02:02.93,0:02:03.43,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(260.000000,47.000000)}
Dialogue: 0,0:01:59.10,0:02:02.96,OPR,,0,0,0,fx,{\an5\blur3\org(233,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(273.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.12,0:02:02.98,OPR,,0,0,0,fx,{\an5\blur3\org(253,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(293.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:59.15,0:02:03.01,OPR,,0,0,0,fx,{\an5\blur3\org(287,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(327.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:59.17,0:02:03.03,OPR,,0,0,0,fx,{\an5\blur3\org(320,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(360.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.20,0:02:03.06,OPR,,0,0,0,fx,{\an5\blur3\org(342,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(382.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.22,0:02:03.08,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.25,0:02:03.11,OPR,,0,0,0,fx,{\an5\blur3\org(385,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(425.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.27,0:02:03.13,OPR,,0,0,0,fx,{\an5\blur3\org(406,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(446.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:02:02.96,0:02:03.46,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(273.000000,47.000000)}t
Dialogue: 0,0:02:02.98,0:02:03.48,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(293.000000,47.000000)}o
Dialogue: 0,0:02:03.01,0:02:03.51,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(327.000000,47.000000)}m
Dialogue: 0,0:02:03.03,0:02:03.53,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(360.000000,47.000000)}e
Dialogue: 0,0:02:03.06,0:02:03.56,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(382.000000,47.000000)}r
Dialogue: 0,0:02:03.08,0:02:03.58,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}a
Dialogue: 0,0:02:03.11,0:02:03.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(425.000000,47.000000)}r
Dialogue: 0,0:02:03.13,0:02:03.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(446.000000,47.000000)}e
Dialogue: 0,0:01:59.30,0:02:03.16,OPR,,0,0,0,fx,{\an5\blur3\org(433,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(473.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:01:59.32,0:02:03.18,OPR,,0,0,0,fx,{\an5\blur3\org(460,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(500.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.35,0:02:03.21,OPR,,0,0,0,fx,{\an5\blur3\org(479,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(519.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}i
Dialogue: 0,0:02:03.16,0:02:03.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(473.000000,47.000000)}n
Dialogue: 0,0:02:03.18,0:02:03.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(500.000000,47.000000)}a
Dialogue: 0,0:02:03.21,0:02:03.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519.000000,47.000000)}i
Comment: 0,0:23:06.51,0:23:10.38,EDR,,0,0,0,karaoke,{\kf37}yor{\kf25}u {\kf28}no {\kf198}sukima
Comment: 0,0:23:10.38,0:23:14.45,EDR,,0,0,0,karaoke,{\kf133}yakusoku {\kf88}no {\kf42}oka {\kf141}de
Comment: 0,0:23:14.45,0:23:23.40,EDR,,0,0,0,karaoke,{\kf128}tsukiakari {\kf64}ni {\kf174}shitataru {\kf170}hanabira {\kf36}ni {\kf98}KISS {\kf119}o
Comment: 0,0:23:23.40,0:23:27.00,EDR,,0,0,0,karaoke,{\kf95}fushigi {\kf68}no {\kf154}kuni
Comment: 0,0:23:27.00,0:23:31.41,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:31.41,0:23:35.58,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:35.58,0:23:40.08,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:40.08,0:23:47.55,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:47.55,0:23:55.83,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.83,0:23:59.67,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:59.67,0:24:04.97,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.97,0:24:12.75,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:12.75,0:24:16.48,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:16.48,0:24:21.86,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.86,0:24:27.99,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.99,0:24:32.87,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:06.51,0:23:10.38,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:10.38,0:23:14.45,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:14.45,0:23:23.40,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:23.40,0:23:27.00,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:27.00,0:23:31.41,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:31.41,0:23:35.58,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:35.58,0:23:40.08,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:40.08,0:23:47.55,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:47.55,0:23:55.83,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.83,0:23:59.67,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:59.67,0:24:04.97,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.97,0:24:12.75,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:12.75,0:24:16.48,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:16.48,0:24:21.86,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.86,0:24:27.99,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.99,0:24:32.87,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Dialogue: 0,0:22:13.12,0:22:15.12,Default,,0,0,0,,
Dialogue: 0,0:22:11.05,0:22:13.05,Default,,0,0,0,,
Dialogue: 0,0:22:16.78,0:22:18.78,Default,,0,0,0,,
Dialogue: 0,0:23:36.82,0:23:38.82,Default,,0,0,0,,
Dialogue: 0,0:22:03.11,0:22:05.11,Default,,0,0,0,,
Dialogue: 0,0:23:33.11,0:23:35.11,Default,,0,0,0,,
Dialogue: 0,0:22:03.88,0:22:05.88,Default,,0,0,0,,
Dialogue: 0,0:22:02.01,0:22:04.01,Default,,0,0,0,,
Dialogue: 0,0:22:03.11,0:22:05.11,Default,,0,0,0,,
Dialogue: 0,0:22:03.11,0:22:05.11,Default,,0,0,0,,
Dialogue: 0,0:25:03.57,0:25:05.57,Default,,0,0,0,,