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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:24:36.03,0:24:38.42,Default,,0,0,0,,{\bord2\fad(0،500)\pos(232,86)}الحلقة القادمة
Dialogue: 0,0:02:26.44,0:02:28.31,Default,,0,0,0,,....ماذا
Dialogue: 0,0:02:37.15,0:02:40.59,Default,,0,0,0,,.لقد رأيتُ هذا في مكان ما من قبل
Dialogue: 0,0:02:42.59,0:02:45.31,Default,,0,0,0,,هل أنا أتجوّل روحيًا مجددًا؟
Dialogue: 0,0:02:45.56,0:02:48.16,Default,,0,0,0,,!يـ يجب أن أعود
Dialogue: 0,0:02:48.16,0:02:50.63,Default,,0,0,0,,لكن في أي اتّجاه أذهب؟
Dialogue: 0,0:02:55.87,0:02:57.60,Default,,0,0,0,,من؟
Dialogue: 0,0:03:06.92,0:03:09.25,Default,,0,0,0,,!انتظر، لا أستطيع سماعك
Dialogue: 0,0:03:12.29,0:03:14.19,Default,,0,0,0,,هل يمكنك سماعي؟
Dialogue: 0,0:03:16.89,0:03:20.76,Default,,0,0,0,,!حسنًا، إذن هذا هو دماغ تارو
Dialogue: 0,0:03:21.13,0:03:23.57,Default,,0,0,0,,.لقد قمنا بالتصوير المقطعي يوم وصوله
Dialogue: 0,0:03:23.57,0:03:29.54,Default,,0,0,0,,لم نجد أي ضرر مع ذلك، لذا لم يكن ضروريًا جدًا
Dialogue: 0,0:03:29.54,0:03:34.61,Default,,0,0,0,,لكن فحص تصوير الرنين المغناطيسي، يُعطي بيانات مُفصّله، أليس كذلك؟
Dialogue: 0,0:03:36.91,0:03:39.41,Default,,0,0,0,,دكتور هيراتا، صحيح؟
Dialogue: 0,0:03:39.41,0:03:45.49,Default,,0,0,0,,أفهم أنّك قطعت كل هذهِ المسافة من جامعة\N في طوكيو من أجل أن تكون مستشار هذا الفتى
Dialogue: 0,0:03:45.49,0:03:48.54,Default,,0,0,0,,.لابدّ من أنّه مريض مهم للغاية
Dialogue: 0,0:03:49.39,0:03:53.76,Default,,0,0,0,,أخبريني، هل اكتشفتِ أي شيء غير طبيعيّ؟
Dialogue: 0,0:03:53.76,0:03:56.33,Default,,0,0,0,,.كما قلت، هو لم يتلقّى أي ضرر من الحادثة
Dialogue: 0,0:03:56.33,0:04:00.05,Default,,0,0,0,,هذا ليس ما قصدتهُ، ماذا عن حالتهُ السابقة؟
Dialogue: 0,0:04:01.64,0:04:03.57,Default,,0,0,0,,ما الذي تُلمّح إليه؟
Dialogue: 0,0:04:03.57,0:04:08.31,Default,,0,0,0,,.هذا الفتى مرّ بتجارب غير طبيعيّة عندما كان طفلًا
Dialogue: 0,0:04:08.31,0:04:10.85,Default,,0,0,0,,  لا أعرف إذا كان ذلك هو السبب
Dialogue: 0,0:04:10.85,0:04:15.42,Default,,0,0,0,,.لكن يبدو بأنّه يمر بتجربة الخروج من الجسد بشكل دوري
Dialogue: 0,0:04:17.49,0:04:18.89,Default,,0,0,0,,  أثناء تدريبي في الخارج
Dialogue: 0,0:04:18.89,0:04:25.26,Default,,0,0,0,,.عملت كمساعدة لدى الدكتور مايلز باسنجر في كندا
Dialogue: 0,0:04:25.26,0:04:29.74,Default,,0,0,0,,حقًا؟ إذن، هل قابلتِ الإله أيضًا؟
Dialogue: 0,0:04:31.83,0:04:34.64,Default,,0,0,0,,.كانت رحلة لا تُصدّق
Dialogue: 0,0:04:57.79,0:04:59.53,Default,,0,0,0,,نعم؟
Dialogue: 0,0:05:05.37,0:05:06.90,Default,,0,0,0,,!أوه، أبي
Dialogue: 0,0:05:09.77,0:05:11.54,Default,,0,0,0,,.تفضّل أغراضك
Dialogue: 0,0:05:11.54,0:05:14.81,Default,,0,0,0,,.شكرًا، هم ربّما سوف يسمحون ليّ بالخروج بعد غد
Dialogue: 0,0:05:18.31,0:05:19.81,Default,,0,0,0,,.جيّد
Dialogue: 0,0:05:20.35,0:05:21.72,Default,,0,0,0,,أين أمّي؟
Dialogue: 0,0:05:21.72,0:05:27.02,Default,,0,0,0,,.أوه، هي لا تشعر بصحّة جيّدة، لذا هي ترتاح
Dialogue: 0,0:05:29.79,0:05:32.33,Default,,0,0,0,,.لا تقلق بشأنها
Dialogue: 0,0:05:34.00,0:05:36.63,Default,,0,0,0,,.أنت حقًا لا يجب أن تقلق
Dialogue: 0,0:05:36.63,0:05:37.97,Default,,0,0,0,,
Dialogue: 0,0:05:37.97,0:05:40.50,Default,,0,0,0,,هل الدكتور هيراتا غادر؟
Dialogue: 0,0:05:40.50,0:05:43.50,Default,,0,0,0,,ماذا؟ مستشاري؟
Dialogue: 0,0:05:43.50,0:05:44.99,Default,,0,0,0,,.هو لم يكن هنا
Dialogue: 0,0:05:45.84,0:05:48.03,Default,,0,0,0,,.سمعتُ بأنّه جاء إلى هنا مبكّرًا
Dialogue: 0,0:06:26.78,0:06:31.03,Default,,0,0,0,,!واو، هذا المكان يشعرك كما لو أننا على الحدود النائية
Dialogue: 0,0:06:35.02,0:06:39.39,Default,,0,0,0,,.أنا في المستشفى، لذا اعتقدتُ بأنني أستطيع النوم قدر ما أشاء
Dialogue: 0,0:06:39.39,0:06:44.47,Default,,0,0,0,,.لكن لسبب ما، لم أستطع القيام بالتجوّل الروحيّ منذ أن جئت إلى هنا
Dialogue: 0,0:06:44.47,0:06:47.70,Default,,0,0,0,,أتسائل لو أنني خضت تجربة قريبة من الموت أخرى؟
Dialogue: 0,0:06:52.54,0:06:54.54,Default,,0,0,0,,من رأيت هناك؟
Dialogue: 0,0:06:55.91,0:06:56.72,Default,,0,0,0,,
Dialogue: 0,0:06:56.72,0:06:58.41,Default,,0,0,0,,!ما ماسايوكي
Dialogue: 0,0:06:58.41,0:06:59.41,Default,,0,0,0,,ما الأمر؟
Dialogue: 0,0:06:59.41,0:07:03.42,Default,,0,0,0,,.تبدو كما لو أنني قبضتُ عليك تقوم بشيء سيئ
Dialogue: 0,0:07:03.42,0:07:04.79,Default,,0,0,0,,.جلبتُ لك شيئًا ما
Dialogue: 0,0:07:04.79,0:07:06.65,Default,,0,0,0,,.توقّعتُ بأنّك تشعر بالملل جدًا هنا
Dialogue: 0,0:07:07.52,0:07:09.03,Default,,0,0,0,,!أوه، شكرًا
Dialogue: 0,0:07:09.59,0:07:12.66,Default,,0,0,0,,.لكنّهم قالوا بأنني سأكون قادرًا على العودة للمنزل خلال يومين
Dialogue: 0,0:07:12.66,0:07:14.53,Default,,0,0,0,,.هذا جيّد
Dialogue: 0,0:07:14.53,0:07:15.56,Default,,0,0,0,,هل ما زال يؤلمك؟
Dialogue: 0,0:07:15.56,0:07:17.80,Default,,0,0,0,,.لا، بعض الشيء فقط
Dialogue: 0,0:07:17.80,0:07:20.07,Default,,0,0,0,,كومادا، مكان مثير، هاه؟
Dialogue: 0,0:07:20.07,0:07:22.29,Default,,0,0,0,,.ربّما سوف أخذ جولة بالقارب في المرّة القادمة
Dialogue: 0,0:07:23.04,0:07:25.94,Default,,0,0,0,,ماسايوكي، هل تجوّلت روحيًا مجددًا؟
Dialogue: 0,0:07:26.81,0:07:31.01,Default,,0,0,0,,.أجل، حدث هذا فجأةً البارحة
Dialogue: 0,0:07:31.01,0:07:35.01,Default,,0,0,0,,.تلك الروح المخيفة طاردتني في الأرجاء
Dialogue: 0,0:07:35.45,0:07:36.95,Default,,0,0,0,,حقًا؟
Dialogue: 0,0:07:38.82,0:07:41.56,Default,,0,0,0,,.آه، أرى بأنّ هناك شخص آخر يزورك
Dialogue: 0,0:07:41.56,0:07:43.06,Default,,0,0,0,,ألست مشهورًا؟
Dialogue: 0,0:07:43.06,0:07:44.69,Default,,0,0,0,,...ليس تمامًا
Dialogue: 0,0:07:44.69,0:07:46.31,Default,,0,0,0,,.مرحبًا، تارو
Dialogue: 0,0:07:46.66,0:07:48.70,Default,,0,0,0,,.سمعت بأنّك وقعت وقعة لا بأس بها
Dialogue: 0,0:07:48.70,0:07:53.77,Default,,0,0,0,,.لكن الدكتورة أوتوري، أعلمتني بأنّه ليس ضررًا خطيرًا
Dialogue: 0,0:07:55.54,0:07:58.84,Default,,0,0,0,,.فحص التصوير المقطعي والتصوير بالرنين المغناطيسيّ كانا طبيعيين
Dialogue: 0,0:07:58.84,0:08:01.18,Default,,0,0,0,,.كنت محظوظًا جدًا
Dialogue: 0,0:08:01.18,0:08:03.71,Default,,0,0,0,,الآن، ما رأيك أن ترى كيف يبدو شكل دماغك؟
Dialogue: 0,0:08:03.71,0:08:04.85,Default,,0,0,0,,!أجل
Dialogue: 0,0:08:04.85,0:08:06.95,Default,,0,0,0,,.تعال إذن، سوف أريك
Dialogue: 0,0:08:06.95,0:08:08.58,Default,,0,0,0,,!أريد أن أراه أيضًا
Dialogue: 0,0:08:08.58,0:08:10.00,Default,,0,0,0,,هل يمكنني؟
Dialogue: 0,0:08:14.47,0:08:17.05,Default,,0,0,0,,!مذهل! إنّه الدماغ الحقيقي
Dialogue: 0,0:08:17.05,0:08:19.63,Default,,0,0,0,,.هذا هو التصوير المقطعي الذي قمنا بهِ قبل يومين
Dialogue: 0,0:08:19.63,0:08:23.52,Default,,0,0,0,,.في الأساس، يعمل بنفس طريقة عمل الأشعة السينية
Dialogue: 0,0:08:24.20,0:08:27.00,Default,,0,0,0,,  شبكت يديك عندما سقطت من أجل حماية رأسك
Dialogue: 0,0:08:27.00,0:08:29.70,Default,,0,0,0,,.لذا لم تتعرّض جمجمتك إلى أي أذى
Dialogue: 0,0:08:30.48,0:08:36.18,Default,,0,0,0,,.كنت ستكون في ورطة حقيقيّة لو تضررت قشرة الفص الجبهي
Dialogue: 0,0:08:36.68,0:08:39.45,Default,,0,0,0,,صدمت رأسك في المنطقة فوق العينين، صحيح؟
Dialogue: 0,0:08:39.98,0:08:44.02,Default,,0,0,0,,.إصابة الأعصاب البصريّة تُسبب هلوسات غريبة
Dialogue: 0,0:08:44.02,0:08:48.09,Default,,0,0,0,,.ويمكن أن تسبب متلازمة شارلز بونيه أيضًا
Dialogue: 0,0:08:48.99,0:08:50.79,Default,,0,0,0,,.أنت حسن الإطّلاع
Dialogue: 0,0:08:50.79,0:08:52.38,Default,,0,0,0,,أي نوع من الهلوسة؟
Dialogue: 0,0:08:52.63,0:08:58.53,Default,,0,0,0,,....وجوه غريبة، أشخاص صغار، مخلوقات غريبة
Dialogue: 0,0:08:58.53,0:09:00.14,Default,,0,0,0,,.إنّها متنوّعة
Dialogue: 0,0:09:00.97,0:09:05.60,Default,,0,0,0,,في الحقيقة، نحن اشتبهنا في أنّ الأشخاص الذين\Nيدّعون بأنّهم قد شاهدوا الأشباح أو المخلوقات الفضائيّة
Dialogue: 0,0:09:05.60,0:09:09.56,Default,,0,0,0,,قد يكونون قد عانوا من ضرر في الدماغ
Dialogue: 0,0:09:09.91,0:09:11.81,Default,,0,0,0,,أو الأرواح؟
Dialogue: 0,0:09:13.78,0:09:15.86,Default,,0,0,0,,.هذا ماسح تصوير مقطعي حاد القطع
Dialogue: 0,0:09:16.95,0:09:18.85,Default,,0,0,0,,.انظروا ما الذي يستطيع فعله
Dialogue: 0,0:09:24.83,0:09:27.16,Default,,0,0,0,,!واو! إنّه ثلاثيّ الأبعاد
Dialogue: 0,0:09:27.16,0:09:30.20,Default,,0,0,0,,.النسيج يمكن أن يكون أفضل
Dialogue: 0,0:09:30.20,0:09:32.30,Default,,0,0,0,,.حسنًا، هذهِ ليست لعبة فيديو
Dialogue: 0,0:09:33.07,0:09:35.20,Default,,0,0,0,,هذهِ منطقة البروكا
Dialogue: 0,0:09:35.20,0:09:38.57,Default,,0,0,0,,.وهذهِ منطقة الفرنيكيه
Dialogue: 0,0:09:38.57,0:09:39.97,Default,,0,0,0,,.إنّهما تتحكّمان في القدرة على الكلام
Dialogue: 0,0:09:42.31,0:09:44.52,Default,,0,0,0,,....هومنكلوس القشرة
Dialogue: 0,0:09:44.78,0:09:47.05,Default,,0,0,0,,.حسنًا، يبدو بأنّك حسن الإطّلاع أيضًا
Dialogue: 0,0:09:47.05,0:09:52.92,Default,,0,0,0,,.صحيح، قدراتنا الحركيّة والإحساسية تتركّز في القشرة المخيّة الحديثة
Dialogue: 0,0:09:53.59,0:09:59.23,Default,,0,0,0,,  وفكرة وجود هومنكلوس في الدماغ أصبحت قديمة
Dialogue: 0,0:09:59.23,0:10:02.74,Default,,0,0,0,,.لكننا ما زلنا نستخدم الرسم البيانيّ، لأنّه سهل الفهم
Dialogue: 0,0:10:04.10,0:10:06.27,Default,,0,0,0,,  بينفيلد، الرجل الذي صنع ذلك الرسم البيانيّ
Dialogue: 0,0:10:06.27,0:10:10.81,Default,,0,0,0,,استخدم الكهرباء من أجل تحفيز الفص الصدغي
Dialogue: 0,0:10:10.81,0:10:13.81,Default,,0,0,0,,واكتشف أنّه بإمكانهُ جعل الأشخاص
Dialogue: 0,0:10:13.81,0:10:19.81,Default,,0,0,0,,.أن يتذكّروا الموسيقى ويستعيدوا بعض الذكريات بوضوح من الماضي
Dialogue: 0,0:10:20.35,0:10:24.95,Default,,0,0,0,,الباحث الوحيد الذي قام بقفزة عظيمة \Nفي هذا المجال هو الدكتور باسنجر
Dialogue: 0,0:10:24.95,0:10:28.26,Default,,0,0,0,,.الذي أرشد الدكتورة أوتوري في كندا
Dialogue: 0,0:10:28.26,0:10:36.94,Default,,0,0,0,,.في بحوثهِ استخدم أقطاب تلصق على الرأس مثل ضماداتك
Dialogue: 0,0:10:36.94,0:10:43.64,Default,,0,0,0,,  لم ينجح في محاكات تجربة الخروج من الجسد فقط لكن نجح في تجربة الاقتراب من الموت أيضًا
Dialogue: 0,0:10:43.64,0:10:51.15,Default,,0,0,0,,، لكنّه صادف مخلوقات مثل الفضائيين والأشباح
Dialogue: 0,0:10:51.15,0:10:53.18,Default,,0,0,0,,.وكذلك الملائكة والآلهة
Dialogue: 0,0:10:54.98,0:10:59.35,Default,,0,0,0,,  بعد فترة فقدتُ اهتمامي بشأن هذهِ الأشياء
Dialogue: 0,0:10:59.35,0:11:03.84,Default,,0,0,0,,.لذا عدتُ لليابان لكي أتابع بحثي الخاص
Dialogue: 0,0:11:04.33,0:11:07.89,Default,,0,0,0,,إذن، أنتِ تعملين في المستشفى لوقت جزئي فقط؟
Dialogue: 0,0:11:08.30,0:11:11.30,Default,,0,0,0,,.أنا أقضي نصف الأسبوع في داي نيبون بايو
Dialogue: 0,0:11:11.30,0:11:12.77,Default,,0,0,0,,ماذا؟ مكان عمل والدي؟
Dialogue: 0,0:11:12.77,0:11:15.87,Default,,0,0,0,,أوه؟ ما هو اسم والدك؟
Dialogue: 0,0:11:15.87,0:11:17.37,Default,,0,0,0,,.ناكاجيما
Dialogue: 0,0:11:17.37,0:11:20.36,Default,,0,0,0,,!ابن الدكتور ناكاجيما؟ عجبًا
Dialogue: 0,0:11:20.71,0:11:22.28,Default,,0,0,0,,هاه؟
Dialogue: 0,0:11:22.28,0:11:25.15,Default,,0,0,0,,أتسائل أين هي ذكرياتي؟
Dialogue: 0,0:11:27.68,0:11:30.20,Default,,0,0,0,,.حسنًا لنلقي نظره على فحص التصوير بالرنين المغناطيسي
Dialogue: 0,0:11:30.82,0:11:33.39,Default,,0,0,0,,.فحص التصوير بالرنين المغناطيسيّ يستخدم التصوير المغناطيسيّ
Dialogue: 0,0:11:33.39,0:11:36.96,Default,,0,0,0,,.واو، هذا أكثر واقعيّة
Dialogue: 0,0:11:36.96,0:11:38.96,Default,,0,0,0,,.كما لو أننا نقوم بتشريح دماغه تقريبًا
Dialogue: 0,0:11:39.99,0:11:43.30,Default,,0,0,0,,.هنا، هذهِ المنطقة الصغيرة هي الحُصين
Dialogue: 0,0:11:43.30,0:11:46.97,Default,,0,0,0,,تبدو مثل حصان البحر أو مثل مخلوق بحري آخر، أليس كذلك؟
Dialogue: 0,0:11:46.97,0:11:52.31,Default,,0,0,0,,.في هذا المكان يتم تخزين ذاكرة المدى القصير
Dialogue: 0,0:11:52.31,0:11:56.78,Default,,0,0,0,,مثل ذاكرة التخزين المؤقّتة على الكمبيوتر، صحيح؟
Dialogue: 0,0:11:56.78,0:11:57.88,Default,,0,0,0,,.صحيح
Dialogue: 0,0:11:57.88,0:12:01.11,Default,,0,0,0,,.وإلى جانب الحُصين يوجد اللوزة الدماغيّة
Dialogue: 0,0:12:01.78,0:12:04.15,Default,,0,0,0,,.هذا العضو الصغير الذي يشبه اللوزة
Dialogue: 0,0:12:04.15,0:12:06.41,Default,,0,0,0,,.إنّه يُنتج انفعالاتنا
Dialogue: 0,0:12:06.99,0:12:12.23,Default,,0,0,0,,.بالتحديد يتم تنظيم الشعور بالخوف، الكراهية، والاشمئزاز هنا
Dialogue: 0,0:12:12.23,0:12:14.12,Default,,0,0,0,,...الخوف
Dialogue: 0,0:12:14.83,0:12:18.30,Default,,0,0,0,,.انظروا إلى مدى القرب بين الحُصين واللوزة الدماغية
Dialogue: 0,0:12:18.77,0:12:23.34,Default,,0,0,0,,بمعنى آخر، انفعالاتنا تلعب دورًا في تحديد مدى قوّة
Dialogue: 0,0:12:23.34,0:12:25.63,Default,,0,0,0,,.تسجيل ذكرياتنا
Dialogue: 0,0:12:25.63,0:12:26.87,Default,,0,0,0,,!لقد فهمت
Dialogue: 0,0:12:26.87,0:12:29.84,Default,,0,0,0,,  إذن، عندما يكون علينا أن نتذكّر الصيغ الكيميائيّة وتواريخ المدرسة مثلًا
Dialogue: 0,0:12:29.84,0:12:35.25,Default,,0,0,0,,يجب فقط أن نجد طريقة كي نشمئزّ أو نخاف بها، صحيح؟
Dialogue: 0,0:12:37.02,0:12:40.76,Default,,0,0,0,,  إذا تسبب شيء ما بالأذى للحصين الخاص بك
Dialogue: 0,0:12:40.76,0:12:46.49,Default,,0,0,0,,.يمكن أن تخسر القدرة على تذكّر ما كنت تقوم بفعلهِ قبل خمس دقائق
Dialogue: 0,0:12:48.23,0:12:54.34,Default,,0,0,0,,على العكس، الأضرار التي تصيب المسار العصبي بين اللوزة الدماغية والأعصاب البصريّة
Dialogue: 0,0:12:54.34,0:13:01.41,Default,,0,0,0,,قد تتسبب في توهّمات مثل أن تعتقد بأن والديك قد تم استبدالهما بأشخاص آخرين
Dialogue: 0,0:13:01.41,0:13:07.81,Default,,0,0,0,,.وتسمّى متلازمة كابغراس
Dialogue: 0,0:13:13.29,0:13:21.36,Default,,0,0,0,,  أو في حالات نادرة، أن تعتقد بأنّك ميّت وتستطيع شم رائحة لحمك المتعفّن
Dialogue: 0,0:13:21.36,0:13:25.06,Default,,0,0,0,,.والمعروفة باسم متلازمة كوتار
Dialogue: 0,0:13:25.99,0:13:30.17,Default,,0,0,0,,.الحُصين يحتوي فقط على ذاكرة المدى القصير
Dialogue: 0,0:13:30.17,0:13:34.47,Default,,0,0,0,,.ولابدّ من أنّكم تتساءلون عن المكان الذي تخزن فيه ذاكرة المدى الطويل
Dialogue: 0,0:13:34.94,0:13:37.87,Default,,0,0,0,,.لا يوجد مكان محدد واحد
Dialogue: 0,0:13:38.15,0:13:41.52,Default,,0,0,0,,  حتى باستخدام تصوير الرنين المغناطيسي لا يمكننا رؤية نقاط الاشتباك العصبي
Dialogue: 0,0:13:41.52,0:13:47.56,Default,,0,0,0,,تعلمون بأنّ نقاط الاشتباك العصبي هي صلة الوصل بين الخلايا التي تسمّى الخلايا العصبيّة، صحيح؟
Dialogue: 0,0:13:47.56,0:13:50.19,Default,,0,0,0,,...لنري، أين هي
Dialogue: 0,0:13:50.19,0:13:54.36,Default,,0,0,0,,  إشارة كهربائية تنتقل من خلية عصبية إلى أخرى عن طريق نقاط الاشتباك العصبي لدينا
Dialogue: 0,0:13:54.36,0:13:56.86,Default,,0,0,0,,.هذهِ هي الطريقة التي يعمل بها الدماغ
Dialogue: 0,0:13:56.86,0:13:59.93,Default,,0,0,0,,.هذهِ الإشارات تميل إلى التكرر
Dialogue: 0,0:13:59.93,0:14:04.04,Default,,0,0,0,,.هذهِ تُسمّى بالتقوية طويلة المدى
Dialogue: 0,0:14:04.04,0:14:07.54,Default,,0,0,0,,.نعتقد بأنّ هذهِ المسارات نفسها تشمل ذاكرة طويلة المدى
Dialogue: 0,0:14:07.54,0:14:11.01,Default,,0,0,0,,بمعنى آخر، نحن نعتقد بأنّ الذاكرة نفسها
Dialogue: 0,0:14:11.01,0:14:13.55,Default,,0,0,0,,.مخزّنة في جميع أنحاء الدماغ
Dialogue: 0,0:14:13.55,0:14:16.66,Default,,0,0,0,,.آها، وجدتها، هذهِ هي نقاط الاشتباك العصبي
Dialogue: 0,0:14:39.01,0:14:41.48,تعريف,,0,0,0,,
Dialogue: 0,0:14:39.01,0:14:41.48,شرح,,0,0,0,,{\fscx118\fscy115\pos(756,18)} قسم جراحة  العناية المركّزة
Dialogue: 0,0:14:39.01,0:14:41.48,شرح,,0,0,0,,{\fscx106\fscy106\pos(352,20)} قــــسم الوحــدة البــاطنــيــة
Dialogue: 0,0:14:40.11,0:14:41.98,Default,,0,0,0,,...إذن، أنت تقصد
Dialogue: 0,0:14:41.98,0:14:48.05,Default,,0,0,0,,في ذلك اليوم الذي كدت أن تموت فيه، دخلت في دماغك؟
Dialogue: 0,0:14:48.05,0:14:49.35,Default,,0,0,0,,.لا أعلم
Dialogue: 0,0:14:49.35,0:14:53.52,Default,,0,0,0,,.لا أعلم، لكنّ المكان بدا مثل نقاط الاشتباك العصبي تلك
Dialogue: 0,0:14:54.22,0:14:56.96,Default,,0,0,0,,وقد رأيت شخص ما هناك؟
Dialogue: 0,0:14:56.96,0:14:58.89,Default,,0,0,0,,.أختي، على ما أعتقد
Dialogue: 0,0:14:58.89,0:14:59.99,Default,,0,0,0,,.انتظر لحظة
Dialogue: 0,0:14:59.99,0:15:02.06,Default,,0,0,0,,وفقًا لما قالوه لنا الآن
Dialogue: 0,0:15:02.06,0:15:07.60,Default,,0,0,0,,.كل شيء يحدث لنا يُمكن أن يُفسّر عن طريق أشياء تحدث في أدمغتنا
Dialogue: 0,0:15:08.04,0:15:11.31,Default,,0,0,0,,لكننا تجولنا روحيًا حقًا، أليس كذلك؟
Dialogue: 0,0:15:11.31,0:15:14.72,Default,,0,0,0,,!أقصد بأنّ ذلك العجوز قد رأنا
Dialogue: 0,0:15:15.61,0:15:20.92,Default,,0,0,0,,  إلى جانب ذلك، لو أن هذا حدث في عقلي
Dialogue: 0,0:15:20.92,0:15:23.85,Default,,0,0,0,,إذن هل أنت يا تارو موجود في عقلي فقط؟
Dialogue: 0,0:15:24.22,0:15:26.15,Default,,0,0,0,,!لا تقل هذا
Dialogue: 0,0:15:27.42,0:15:28.56,Default,,0,0,0,,!أنت موجود في رأسي
Dialogue: 0,0:15:28.56,0:15:30.42,Default,,0,0,0,,!أنت الموجود في رأسي ماسايوكي
Dialogue: 0,0:15:30.42,0:15:32.26,Default,,0,0,0,,!لا، أنت هو الذي في رأسي
Dialogue: 0,0:15:32.26,0:15:34.43,Default,,0,0,0,,!أنت هو الذي في رأسي
Dialogue: 0,0:15:37.46,0:15:39.33,Default,,0,0,0,,هيه، أين ماكوتو؟
Dialogue: 0,0:15:40.03,0:15:43.04,Default,,0,0,0,,...أوه، لقد طلبتُ منه أن يأتي
Dialogue: 0,0:15:44.57,0:15:47.24,Default,,0,0,0,,هاه؟ مستشفى كومادا؟
Dialogue: 0,0:15:48.00,0:15:49.68,Default,,0,0,0,,!من المستحيل أن أذهب إلى هناك
Dialogue: 0,0:15:52.51,0:15:54.45,Default,,0,0,0,,.هذا ما قاله
Dialogue: 0,0:15:56.68,0:16:02.14,شرح,,0,0,0,,{\pos(570,22)} يازاكي للإنشاءات
Dialogue: 0,0:16:02.14,0:16:05.10,لافتة,,0,0,0,,
Dialogue: 0,0:16:02.14,0:16:05.10,Default,,0,0,0,,{\pos(652،74)}  يازاكي موتوي
Dialogue: 0,0:16:05.10,0:16:10.86,Default,,0,0,0,,!أوه، لا، لم أحصل على هذا بعد
Dialogue: 0,0:16:10.86,0:16:16.24,Default,,0,0,0,,!أي دعم تستطيع تقديمه سيتم تقديره جدًا
Dialogue: 0,0:16:18.41,0:16:21.08,Default,,0,0,0,,!حسنًا! سوف أتّصل بك قريبًا
Dialogue: 0,0:16:21.08,0:16:22.98,Default,,0,0,0,,!أجل، أجل، إلى اللقاء
Dialogue: 0,0:16:23.64,0:16:25.08,Default,,0,0,0,,من أنت؟
Dialogue: 0,0:16:25.08,0:16:26.79,Default,,0,0,0,,!لا يمكنك التسلل إلى هنا وحسب
Dialogue: 0,0:16:28.02,0:16:31.62,Default,,0,0,0,,.إذن أنت هو الرجل الذي خلف السد و داي نيبون بايو
Dialogue: 0,0:16:31.62,0:16:33.76,Default,,0,0,0,,ما التالي في قائمتك؟
Dialogue: 0,0:16:34.12,0:16:37.49,Default,,0,0,0,,ماذا تعلم عنها؟ من أنت يا هذا؟
Dialogue: 0,0:16:38.09,0:16:43.22,Default,,0,0,0,,.ليس كما لو أنني أهتم لما يحدث لهذهِ البلدة المنعزلة القذرة
Dialogue: 0,0:16:43.50,0:16:48.10,Default,,0,0,0,,لكن عندما أفكّر بك وأنت تملأ جيوبك، أنزعج كثيرًا
Dialogue: 0,0:16:49.17,0:16:52.41,Default,,0,0,0,,!انصرف، أيّها الفتى، لقد اكتفيتُ من تفاهاتك
Dialogue: 0,0:16:53.34,0:16:55.95,Default,,0,0,0,,.أخبرني عن والدي
Dialogue: 0,0:16:56.24,0:16:58.05,Default,,0,0,0,,والدك؟
Dialogue: 0,0:16:58.05,0:17:01.41,Default,,0,0,0,,!من هو؟ من هو الأحمق الذي أنجبك؟
Dialogue: 0,0:17:01.72,0:17:03.45,Default,,0,0,0,,.أوغامي
Dialogue: 0,0:17:04.02,0:17:09.52,Default,,0,0,0,,كنت مقرّبًا من أبي وأمي، صحيح؟
Dialogue: 0,0:17:09.52,0:17:12.09,Default,,0,0,0,,وكوماغاسو من ضريح كاميوا؟
Dialogue: 0,0:17:14.33,0:17:17.70,Default,,0,0,0,,أنت ابن أوغامي؟
Dialogue: 0,0:17:17.70,0:17:21.30,Default,,0,0,0,,.بالكاد أتذكّر والدي
Dialogue: 0,0:17:21.30,0:17:24.54,Default,,0,0,0,,!لكن عدم معرفتي للحقيقة يقودني للجنون
Dialogue: 0,0:17:24.54,0:17:28.06,Default,,0,0,0,,.أنت حقًا تبدو مثل أوغامي
Dialogue: 0,0:17:28.34,0:17:31.55,Default,,0,0,0,,لماذا قتل والدي نفسهُ؟
Dialogue: 0,0:17:31.55,0:17:37.28,Default,,0,0,0,,.لن أعرف الحقيقة أبدًا من جدّتي
Dialogue: 0,0:17:37.28,0:17:40.66,Default,,0,0,0,,!تصوّرتُ بأنّك تعرفها
Dialogue: 0,0:17:45.69,0:17:50.12,Default,,0,0,0,,!لا أعلم! لا أعلم لما مات والدك
Dialogue: 0,0:17:50.40,0:17:55.17,Default,,0,0,0,,!لقد كنا متفرّقين في ذلك الوقت
Dialogue: 0,0:17:56.57,0:17:58.27,Default,,0,0,0,,هكذا إذن؟
Dialogue: 0,0:17:58.27,0:18:00.57,Default,,0,0,0,,.يمكنني القول بأنّك تُخفي شيئًا
Dialogue: 0,0:18:00.57,0:18:03.18,Default,,0,0,0,,.حسنًا، هذا كل شيء لليوم
Dialogue: 0,0:18:13.06,0:18:14.65,Default,,0,0,0,,!إلى اللقاء
Dialogue: 0,0:18:17.52,0:18:18.53,Default,,0,0,0,,!تارو - كون
Dialogue: 0,0:18:18.53,0:18:20.03,Default,,0,0,0,,!كاي - سان
Dialogue: 0,0:18:24.73,0:18:26.70,Default,,0,0,0,,هل أنت في حال جيّدة هذهِ الأيام؟
Dialogue: 0,0:18:26.70,0:18:29.57,Default,,0,0,0,,.أجل، سوف أعود للمنزل بعد غد
Dialogue: 0,0:18:29.57,0:18:32.24,Default,,0,0,0,,!آسف لأنّكِ قطعتِ كل هذهِ المسافة
Dialogue: 0,0:18:32.24,0:18:35.48,Default,,0,0,0,,.على الإطلاق، عائلتي تعيش في كومادا
Dialogue: 0,0:18:35.48,0:18:37.61,Default,,0,0,0,,.أوه، هذا صحيح
Dialogue: 0,0:18:37.61,0:18:42.85,Default,,0,0,0,,.لكن أنا مرتاحة للغاية لأنّ الإصابة لم تكن خطيرة
Dialogue: 0,0:18:43.35,0:18:44.79,Default,,0,0,0,,هل أمّي بخير؟
Dialogue: 0,0:18:44.79,0:18:48.45,Default,,0,0,0,,إنّها متعبة قليلاً فقط، لا تقلق، حسنًا؟
Dialogue: 0,0:19:01.67,0:19:05.51,Default,,0,0,0,,أتسائل لو أنني فقدتُ القدرة على التجوّل الروحيّ؟
Dialogue: 0,0:19:22.82,0:19:24.56,Default,,0,0,0,,!تبًا
Dialogue: 0,0:19:49.68,0:19:52.49,Default,,0,0,0,,هل تعرف امرأة تسمّى الدكتورة أوتوري؟
Dialogue: 0,0:19:52.49,0:19:54.42,Default,,0,0,0,,إنّها تعمل في مختبري، لماذا؟
Dialogue: 0,0:19:54.42,0:19:57.19,Default,,0,0,0,,.قابلتها اليوم في مستشفى كومادا
Dialogue: 0,0:19:57.76,0:19:59.63,Default,,0,0,0,,هكذا إذن؟
Dialogue: 0,0:20:02.66,0:20:05.77,Default,,0,0,0,,  إذا كنت راضيًا على مستواك الدراسي هنا
Dialogue: 0,0:20:05.77,0:20:08.70,Default,,0,0,0,,.فسوف تندم على هذا طول حياتك، كما تعلم
Dialogue: 0,0:20:08.70,0:20:10.39,Default,,0,0,0,,هل هذا كل ما تستطيع قولهُ؟
Dialogue: 0,0:20:11.24,0:20:12.27,Default,,0,0,0,,ماذا؟
Dialogue: 0,0:20:12.27,0:20:15.44,Default,,0,0,0,,.لا شيء. أنت فقط في رأسي
Dialogue: 0,0:20:19.35,0:20:21.61,Default,,0,0,0,,!تبًا! تبًا! تبًا
Dialogue: 0,0:20:21.61,0:20:28.92,Default,,0,0,0,,!تبًا! تبًا
Dialogue: 0,0:20:29.72,0:20:31.89,Default,,0,0,0,,!تبًا! تبًا! تبًا
Dialogue: 0,0:20:31.89,0:20:33.86,Default,,0,0,0,,!تبًا! تبًا
Dialogue: 0,0:20:56.88,0:20:59.36,Default,,0,0,0,,هل هذا مجرّد حلم؟
Dialogue: 0,0:21:05.99,0:21:07.76,Default,,0,0,0,,من هناك؟
Dialogue: 0,0:21:07.76,0:21:09.50,Default,,0,0,0,,أختي؟
Dialogue: 0,0:21:12.77,0:21:15.30,Default,,0,0,0,,!ماذا؟ لا استطيع سماعك
Dialogue: 0,0:21:15.30,0:21:17.97,Default,,0,0,0,,هل تريد أن ترى أختك؟
Dialogue: 0,0:21:17.97,0:21:21.04,Default,,0,0,0,,!أجل! أريد أن أسألها عن شيء ما
Dialogue: 0,0:21:21.54,0:21:24.51,Default,,0,0,0,,.أختك ميّتة
Dialogue: 0,0:21:24.51,0:21:30.01,Default,,0,0,0,,أعلم هذا، لكن في العالم المخفي\N!قد أستطيع رؤية الأموات
Dialogue: 0,0:21:30.48,0:21:32.35,Default,,0,0,0,,هل أنا مخطئ؟
Dialogue: 0,0:21:33.29,0:21:34.43,Default,,0,0,0,,!ا انتظري
Dialogue: 0,0:24:37.40,0:24:42.95,Default,,0,0,0,,في عام 1923 على حسب أقوال مدام سوزي في فرنسا أن هناك منظّمة سريّة
Dialogue: 0,0:24:42.95,0:24:46.58,Default,,0,0,0,,.كانت تحجز عدد كبير من الأطفال
Dialogue: 0,0:24:46.58,0:24:48.65,Default,,0,0,0,,و قالت بأنّ هناك عدد من الأشخاص
Dialogue: 0,0:24:48.65,0:24:51.81,Default,,0,0,0,,.من ضمنهم زوجها والشرطة قد تم استبدالهم بأشخاص آخرين
Dialogue: 0,0:24:52.46,0:24:57.53,Default,,0,0,0,,منذ ذلك الحين، متلازمة عدم التعرّف الوهميّة
Dialogue: 0,0:24:57.53,0:24:59.50,Default,,0,0,0,, "أصبحت تعرف بمتلازمة "الوهم الزوجي
Dialogue: 0,0:24:59.50,0:25:03.10,Default,,0,0,0,,.أو متلازمة كابغراس نسبةً للدكتور الذي وثّق الحالة
Dialogue: 0,0:02:11.05,0:02:15.94,العنوان,,0,0,0,,{\pos(636,520)} التقوية على المدى الطويل
Comment: 0,0:00:45.74,0:00:50.01,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.01,0:00:54.08,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.08,0:00:58.31,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.31,0:01:00.88,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.83,0:01:17.07,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.07,0:01:21.24,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.24,0:01:24.96,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.25,0:01:29.32,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.63,0:01:51.64,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.64,0:01:59.35,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.35,0:02:03.61,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.74,0:00:50.01,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.01,0:00:54.08,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.08,0:00:58.31,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.31,0:01:00.88,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.83,0:01:17.07,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.07,0:01:21.24,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.24,0:01:24.96,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.25,0:01:29.32,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.63,0:01:51.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.64,0:01:59.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.35,0:02:03.61,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن النبض
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Dialogue: 0,0:00:49.11,0:00:49.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}a
Dialogue: 0,0:00:45.26,0:00:49.13,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.29,0:00:49.16,OPR,,0,0,0,fx,{\an5\blur3\org(57,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(97.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.31,0:00:49.18,OPR,,0,0,0,fx,{\an5\blur3\org(77,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(117.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:00:45.34,0:00:49.21,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.36,0:00:49.23,OPR,,0,0,0,fx,{\an5\blur3\org(118,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(158.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.13,0:00:49.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}n
Dialogue: 0,0:00:49.16,0:00:49.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97.000000,47.000000)}a
Dialogue: 0,0:00:49.18,0:00:49.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117.000000,47.000000)}t
Dialogue: 0,0:00:49.21,0:00:49.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}a
Dialogue: 0,0:00:49.23,0:00:49.73,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158.000000,47.000000)}
Dialogue: 0,0:00:45.39,0:00:49.26,OPR,,0,0,0,fx,{\an5\blur3\org(138,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(178.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.41,0:00:49.28,OPR,,0,0,0,fx,{\an5\blur3\org(165,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(205.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.44,0:00:49.31,OPR,,0,0,0,fx,{\an5\blur3\org(185,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(225.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.26,0:00:49.76,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(178.000000,47.000000)}n
Dialogue: 0,0:00:49.28,0:00:49.78,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(205.000000,47.000000)}o
Dialogue: 0,0:00:49.31,0:00:49.81,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225.000000,47.000000)}
Dialogue: 0,0:00:45.46,0:00:49.33,OPR,,0,0,0,fx,{\an5\blur3\org(204,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(244.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.49,0:00:49.36,OPR,,0,0,0,fx,{\an5\blur3\org(229,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(269.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.51,0:00:49.38,OPR,,0,0,0,fx,{\an5\blur3\org(255,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(295.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.54,0:00:49.41,OPR,,0,0,0,fx,{\an5\blur3\org(280,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(320.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.56,0:00:49.43,OPR,,0,0,0,fx,{\an5\blur3\org(302,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(342.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:45.59,0:00:49.46,OPR,,0,0,0,fx,{\an5\blur3\org(323,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(363.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.61,0:00:49.48,OPR,,0,0,0,fx,{\an5\blur3\org(343,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(383.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.33,0:00:49.83,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(244.000000,47.000000)}k
Dialogue: 0,0:00:49.36,0:00:49.86,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(269.000000,47.000000)}o
Dialogue: 0,0:00:49.38,0:00:49.88,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(295.000000,47.000000)}k
Dialogue: 0,0:00:49.41,0:00:49.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(320.000000,47.000000)}o
Dialogue: 0,0:00:49.43,0:00:49.93,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(342.000000,47.000000)}r
Dialogue: 0,0:00:49.46,0:00:49.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(363.000000,47.000000)}o
Dialogue: 0,0:00:49.48,0:00:49.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(383.000000,47.000000)}
Dialogue: 0,0:00:45.64,0:00:49.51,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.66,0:00:49.53,OPR,,0,0,0,fx,{\an5\blur3\org(390,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(430.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.69,0:00:49.56,OPR,,0,0,0,fx,{\an5\blur3\org(410,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,520,\3c&H00000)\pos(450.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.51,0:00:50.01,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}n
Dialogue: 0,0:00:49.53,0:00:50.03,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(430.000000,47.000000)}o
Dialogue: 0,0:00:49.56,0:00:50.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(450.000000,47.000000)}
Dialogue: 0,0:00:45.71,0:00:49.58,OPR,,0,0,0,fx,{\an5\blur3\org(431,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(471.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.74,0:00:49.61,OPR,,0,0,0,fx,{\an5\blur3\org(456,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(496.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.76,0:00:49.63,OPR,,0,0,0,fx,{\an5\blur3\org(482,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,760,\3c&H00000)\pos(522.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.58,0:00:50.08,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(471.000000,47.000000)}o
Dialogue: 0,0:00:49.61,0:00:50.11,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(496.000000,47.000000)}k
Dialogue: 0,0:00:49.63,0:00:50.13,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(522.000000,47.000000)}u
Dialogue: 0,0:00:49.51,0:00:53.18,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:49.53,0:00:53.20,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:00:49.56,0:00:53.23,OPR,,0,0,0,fx,{\an5\blur3\org(64,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(104.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:00:49.58,0:00:53.25,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.61,0:00:53.28,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(159.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:49.63,0:00:53.30,OPR,,0,0,0,fx,{\an5\blur3\org(140,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(180.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.66,0:00:53.33,OPR,,0,0,0,fx,{\an5\blur3\org(161,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,960,\3c&H00000)\pos(201.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:53.18,0:00:53.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}n
Dialogue: 0,0:00:53.20,0:00:53.70,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}e
Dialogue: 0,0:00:53.23,0:00:53.73,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(104.000000,47.000000)}m
Dialogue: 0,0:00:53.25,0:00:53.75,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}u
Dialogue: 0,0:00:53.28,0:00:53.78,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(159.000000,47.000000)}r
Dialogue: 0,0:00:53.30,0:00:53.80,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(180.000000,47.000000)}u
Dialogue: 0,0:00:53.33,0:00:53.83,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(201.000000,47.000000)}
Dialogue: 0,0:00:49.68,0:00:53.35,OPR,,0,0,0,fx,{\an5\blur3\org(181,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(221.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:49.71,0:00:53.38,OPR,,0,0,0,fx,{\an5\blur3\org(208,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(248.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:00:49.73,0:00:53.40,OPR,,0,0,0,fx,{\an5\blur3\org(241,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(281.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:00:49.76,0:00:53.43,OPR,,0,0,0,fx,{\an5\blur3\org(275,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(315.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:00:49.78,0:00:53.45,OPR,,0,0,0,fx,{\an5\blur3\org(296,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(336.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:49.81,0:00:53.48,OPR,,0,0,0,fx,{\an5\blur3\org(318,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(358.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
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Dialogue: 0,0:01:24.43,0:01:24.93,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(386.000000,47.000000)}I
Dialogue: 0,0:01:24.46,0:01:24.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(413.000000,47.000000)}M
Dialogue: 0,0:01:24.48,0:01:24.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(449.000000,47.000000)}E
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Dialogue: 0,0:01:24.53,0:01:25.03,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(509.000000,47.000000)}J
Dialogue: 0,0:01:24.56,0:01:25.06,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(528.000000,47.000000)}I
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Dialogue: 0,0:01:25.00,0:01:28.67,OPR,,0,0,0,fx,{\an5\blur3\org(214,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,620,\3c&H00000)\pos(254.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
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Dialogue: 0,0:01:28.67,0:01:29.17,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(254.000000,47.000000)}k
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Dialogue: 0,0:01:50.76,0:01:51.26,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(77.000000,47.000000)}m
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Dialogue: 0,0:01:51.61,0:01:58.92,OPR,,0,0,0,fx,{\an5\blur3\org(427,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,840,\3c&H00000)\pos(467.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:01:58.87,0:01:59.37,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(436.000000,47.000000)}n
Dialogue: 0,0:01:58.90,0:01:59.40,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(454.000000,47.000000)}i
Dialogue: 0,0:01:58.92,0:01:59.42,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(467.000000,47.000000)}
Dialogue: 0,0:01:51.64,0:01:58.95,OPR,,0,0,0,fx,{\an5\blur3\org(445,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(485.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:01:51.66,0:01:58.97,OPR,,0,0,0,fx,{\an5\blur3\org(471,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(511.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:51.69,0:01:59.00,OPR,,0,0,0,fx,{\an5\blur3\org(496,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(536.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:01:51.71,0:01:59.02,OPR,,0,0,0,fx,{\an5\blur3\org(522,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(562.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:51.74,0:01:59.05,OPR,,0,0,0,fx,{\an5\blur3\org(543,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(583.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:51.76,0:01:59.07,OPR,,0,0,0,fx,{\an5\blur3\org(565,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(605.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:51.79,0:01:59.10,OPR,,0,0,0,fx,{\an5\blur3\org(585,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1160,\3c&H00000)\pos(625.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:01:58.95,0:01:59.45,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(485.000000,47.000000)}k
Dialogue: 0,0:01:58.97,0:01:59.47,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(511.000000,47.000000)}o
Dialogue: 0,0:01:59.00,0:01:59.50,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(536.000000,47.000000)}k
Dialogue: 0,0:01:59.02,0:01:59.52,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(562.000000,47.000000)}o
Dialogue: 0,0:01:59.05,0:01:59.55,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(583.000000,47.000000)}r
Dialogue: 0,0:01:59.07,0:01:59.57,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(605.000000,47.000000)}o
Dialogue: 0,0:01:59.10,0:01:59.60,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(625.000000,47.000000)}
Dialogue: 0,0:01:51.81,0:01:59.12,OPR,,0,0,0,fx,{\an5\blur3\org(609,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(649.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}w
Dialogue: 0,0:01:51.84,0:01:59.15,OPR,,0,0,0,fx,{\an5\blur3\org(640,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,700,\3c&H00000)\pos(680.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.12,0:01:59.62,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(649.000000,47.000000)}w
Dialogue: 0,0:01:59.15,0:01:59.65,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(680.000000,47.000000)}a
Dialogue: 0,0:01:58.85,0:02:02.71,OPR,,0,0,0,fx,{\an5\blur3\org(10,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(50.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:58.87,0:02:02.73,OPR,,0,0,0,fx,{\an5\blur3\org(42,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(82.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}y
Dialogue: 0,0:01:58.90,0:02:02.76,OPR,,0,0,0,fx,{\an5\blur3\org(68,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(108.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:58.92,0:02:02.78,OPR,,0,0,0,fx,{\an5\blur3\org(93,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(133.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:01:58.95,0:02:02.81,OPR,,0,0,0,fx,{\an5\blur3\org(119,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(159.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:01:58.97,0:02:02.83,OPR,,0,0,0,fx,{\an5\blur3\org(146,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(186.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}u
Dialogue: 0,0:01:59.00,0:02:02.86,OPR,,0,0,0,fx,{\an5\blur3\org(166,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(206.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.02,0:02:02.88,OPR,,0,0,0,fx,{\an5\blur3\org(179,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(219.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.05,0:02:02.91,OPR,,0,0,0,fx,{\an5\blur3\org(200,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(240.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.07,0:02:02.93,OPR,,0,0,0,fx,{\an5\blur3\org(220,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,2030,\3c&H00000)\pos(260.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:02:02.71,0:02:03.21,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(50.000000,47.000000)}m
Dialogue: 0,0:02:02.73,0:02:03.23,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(82.000000,47.000000)}y
Dialogue: 0,0:02:02.76,0:02:03.26,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(108.000000,47.000000)}a
Dialogue: 0,0:02:02.78,0:02:03.28,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(133.000000,47.000000)}k
Dialogue: 0,0:02:02.81,0:02:03.31,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(159.000000,47.000000)}u
Dialogue: 0,0:02:02.83,0:02:03.33,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(186.000000,47.000000)}u
Dialogue: 0,0:02:02.86,0:02:03.36,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(206.000000,47.000000)}t
Dialogue: 0,0:02:02.88,0:02:03.38,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(219.000000,47.000000)}t
Dialogue: 0,0:02:02.91,0:02:03.41,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(240.000000,47.000000)}e
Dialogue: 0,0:02:02.93,0:02:03.43,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(260.000000,47.000000)}
Dialogue: 0,0:01:59.10,0:02:02.96,OPR,,0,0,0,fx,{\an5\blur3\org(233,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(273.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:01:59.12,0:02:02.98,OPR,,0,0,0,fx,{\an5\blur3\org(253,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(293.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:01:59.15,0:02:03.01,OPR,,0,0,0,fx,{\an5\blur3\org(287,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(327.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:59.17,0:02:03.03,OPR,,0,0,0,fx,{\an5\blur3\org(320,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(360.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.20,0:02:03.06,OPR,,0,0,0,fx,{\an5\blur3\org(342,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(382.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.22,0:02:03.08,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.25,0:02:03.11,OPR,,0,0,0,fx,{\an5\blur3\org(385,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(425.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.27,0:02:03.13,OPR,,0,0,0,fx,{\an5\blur3\org(406,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(446.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:02:02.96,0:02:03.46,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(273.000000,47.000000)}t
Dialogue: 0,0:02:02.98,0:02:03.48,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(293.000000,47.000000)}o
Dialogue: 0,0:02:03.01,0:02:03.51,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(327.000000,47.000000)}m
Dialogue: 0,0:02:03.03,0:02:03.53,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(360.000000,47.000000)}e
Dialogue: 0,0:02:03.06,0:02:03.56,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(382.000000,47.000000)}r
Dialogue: 0,0:02:03.08,0:02:03.58,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}a
Dialogue: 0,0:02:03.11,0:02:03.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(425.000000,47.000000)}r
Dialogue: 0,0:02:03.13,0:02:03.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(446.000000,47.000000)}e
Dialogue: 0,0:01:59.30,0:02:03.16,OPR,,0,0,0,fx,{\an5\blur3\org(433,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(473.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:01:59.32,0:02:03.18,OPR,,0,0,0,fx,{\an5\blur3\org(460,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(500.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.35,0:02:03.21,OPR,,0,0,0,fx,{\an5\blur3\org(479,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(519.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}i
Dialogue: 0,0:02:03.16,0:02:03.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(473.000000,47.000000)}n
Dialogue: 0,0:02:03.18,0:02:03.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(500.000000,47.000000)}a
Dialogue: 0,0:02:03.21,0:02:03.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519.000000,47.000000)}i
Dialogue: 0,0:22:08.48,0:22:10.48,Default,,0,0,0,,
Dialogue: 0,0:22:10.48,0:22:12.48,Default,,0,0,0,,
Dialogue: 0,0:22:12.48,0:22:14.48,Default,,0,0,0,,
Dialogue: 0,0:22:14.48,0:22:16.48,Default,,0,0,0,,
Comment: 0,0:23:06.51,0:23:10.38,EDR,,0,0,0,karaoke,{\kf37}yor{\kf25}u {\kf28}no {\kf198}sukima
Comment: 0,0:23:10.38,0:23:14.45,EDR,,0,0,0,karaoke,{\kf133}yakusoku {\kf88}no {\kf42}oka {\kf141}de
Comment: 0,0:23:14.45,0:23:23.40,EDR,,0,0,0,karaoke,{\kf128}tsukiakari {\kf64}ni {\kf174}shitataru {\kf170}hanabira {\kf36}ni {\kf98}KISS {\kf119}o
Comment: 0,0:23:23.40,0:23:27.00,EDR,,0,0,0,karaoke,{\kf95}fushigi {\kf68}no {\kf154}kuni
Comment: 0,0:23:27.00,0:23:31.41,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:31.41,0:23:35.58,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:35.58,0:23:40.08,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:40.08,0:23:47.55,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:47.55,0:23:55.83,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.83,0:23:59.67,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:59.67,0:24:04.97,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.97,0:24:12.75,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:12.75,0:24:16.48,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:16.48,0:24:21.86,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.86,0:24:27.99,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.99,0:24:32.87,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:06.51,0:23:10.38,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:10.38,0:23:14.45,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:14.45,0:23:23.40,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:23.40,0:23:27.00,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:27.00,0:23:31.41,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:31.41,0:23:35.58,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:35.58,0:23:40.08,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:40.08,0:23:47.55,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:47.55,0:23:55.83,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.83,0:23:59.67,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:59.67,0:24:04.97,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.97,0:24:12.75,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:12.75,0:24:16.48,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:16.48,0:24:21.86,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.86,0:24:27.99,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.99,0:24:32.87,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Dialogue: 0,0:22:13.12,0:22:15.12,Default,,0,0,0,,
Dialogue: 0,0:22:11.05,0:22:13.05,Default,,0,0,0,,
Dialogue: 0,0:22:16.78,0:22:18.78,Default,,0,0,0,,
Dialogue: 0,0:23:36.82,0:23:38.82,Default,,0,0,0,,
Dialogue: 0,0:22:03.11,0:22:05.11,Default,,0,0,0,,