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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:24:36.03,0:24:38.71,Default,,0,0,0,,{\pos(233,66)\bord2\fad(0,500)}الحلقة القادمة
Dialogue: 0,0:02:32.25,0:02:37.35,Default,,0,0,0,, إذًا المختطف كان يختبئ هنا
Dialogue: 0,0:02:37.35,0:02:39.32,Default,,0,0,0,,....لكن عندما حاصرت الشرطة المكان
Dialogue: 0,0:02:39.32,0:02:43.19,Default,,0,0,0,,!هرب مسرعًا نحو الشارع وصدمتهُ شاحنة، يالهُ من غبيّ
Dialogue: 0,0:02:43.19,0:02:47.23,Default,,0,0,0,,لكن الأطفال المفقودين لم يكونوا هنا، صحيح؟
Dialogue: 0,0:02:47.23,0:02:52.50,شرح,,0,0,0,, لعبة إلكترونية تعد إحدى أكثر الألعاب الترفيهية شعبية في اليابان وتستخدم كثيرًا في القمار
Dialogue: 0,0:02:47.23,0:02:50.50,Default,,0,0,0,,لماذا لم يتم تهديم قاعة الباتشينكو هذه؟
Dialogue: 0,0:02:50.50,0:02:52.33,Default,,0,0,0,,.أعتقد أنّه يوجد نزاع حول ملكيّتها
Dialogue: 0,0:02:52.33,0:02:54.20,Default,,0,0,0,,.أو هذا ما سمعتهُ على كل حال
Dialogue: 0,0:02:55.61,0:02:58.64,Default,,0,0,0,,.انظروا، لا يوجد أشباح هنا
Dialogue: 0,0:02:58.64,0:03:01.48,Default,,0,0,0,,.نحن نضيّع وقتنا
Dialogue: 0,0:03:01.48,0:03:02.91,Default,,0,0,0,,!لنذهب
Dialogue: 0,0:03:02.91,0:03:04.68,Default,,0,0,0,,!أجل، فلنذهب
Dialogue: 0,0:03:04.68,0:03:07.88,Default,,0,0,0,,.بهذهِ السرعة؟ لقد وصلنا للتو
Dialogue: 0,0:03:29.94,0:03:32.51,Default,,0,0,0,,إي - شان، مالذي تنظر إليه؟
Dialogue: 0,0:03:33.51,0:03:35.61,Default,,0,0,0,,.إنّه يحاول إخافتنا مجددًا وحسب
Dialogue: 0,0:03:35.61,0:03:37.75,Default,,0,0,0,,!ليس كذلك
Dialogue: 0,0:03:37.75,0:03:39.53,Default,,0,0,0,,ما ذلك الشيء؟
Dialogue: 0,0:04:22.26,0:04:24.89,Default,,0,0,0,,ما ما كان هذا؟
Dialogue: 0,0:04:35.84,0:04:38.34,Default,,0,0,0,,!ما ماذا يحدث
Dialogue: 0,0:04:38.34,0:04:40.54,Default,,0,0,0,,!ليس مجددًا
Dialogue: 0,0:04:41.61,0:04:43.88,Default,,0,0,0,,!تـ توقّف
Dialogue: 0,0:05:20.78,0:05:23.71,Default,,0,0,0,,.تبدو مثل قصّة أشباح تقليديّة
Dialogue: 0,0:05:23.99,0:05:26.49,Default,,0,0,0,,متى قلت أن هذا حدث؟
Dialogue: 0,0:05:26.49,0:05:28.46,Default,,0,0,0,,.منذ حواليّ أسبوع
Dialogue: 0,0:05:28.46,0:05:31.68,Default,,0,0,0,,.الجميع مذعورون في مدرسة سويتن الثانويّة
Dialogue: 0,0:05:34.86,0:05:36.66,Default,,0,0,0,,!آوي، شينو
Dialogue: 0,0:05:41.54,0:05:43.94,Default,,0,0,0,,.حمقى، واجهوا شخص في عمركم
Dialogue: 0,0:06:39.59,0:06:42.13,Default,,0,0,0,,هل ترتدين هذا كثيرًا؟
Dialogue: 0,0:06:42.13,0:06:44.70,Default,,0,0,0,,.أحيانًا. لا أحبّهُ كثيرًا
Dialogue: 0,0:06:44.70,0:06:46.93,Default,,0,0,0,,.الملابس لا تعني أي شيء
Dialogue: 0,0:06:46.93,0:06:51.05,Default,,0,0,0,,ألم تكونين ترتدين هذا، عندما تم قص شعرنا؟
Dialogue: 0,0:06:51.41,0:06:53.54,Default,,0,0,0,,.ارتديتهُ أوّل أمس أيضًا
Dialogue: 0,0:06:53.54,0:06:57.04,Default,,0,0,0,,.جاء بعض طلّاب مرحلة ثانوية للقيام بالتطهير
Dialogue: 0,0:06:57.04,0:06:59.06,Default,,0,0,0,, تطهير؟
Dialogue: 0,0:07:04.79,0:07:09.32,Default,,0,0,0,,!أقسم، أن في كل جيل، يوجد أولاد يقومون بأعمال غبيّة
Dialogue: 0,0:07:13.20,0:07:19.20,Default,,0,0,0,,  و أيضًا، لم أسمع عن أي أحد تمّ لعنهُ في قاعة باتشينكو الموجودة على الطريق السريع من قبل
Dialogue: 0,0:07:24.64,0:07:27.47,Default,,0,0,0,,!رأوا شبحًا في قاعة باتشينكو؟
Dialogue: 0,0:07:29.74,0:07:32.85,Default,,0,0,0,,...حيث كان المختطف
Dialogue: 0,0:07:38.99,0:07:43.09,Default,,0,0,0,,.أشك في أنّك ستُلعن لرؤية شبح فقط
Dialogue: 0,0:07:43.79,0:07:47.27,Default,,0,0,0,,.الشبح دخل جسدي
Dialogue: 0,0:07:47.66,0:07:53.03,Default,,0,0,0,,.منذ ذلك الحين وأنا أرى أشياء مخيفة وغريبة
Dialogue: 0,0:07:53.03,0:07:55.66,Default,,0,0,0,,هذه لعنة؟ أنا ملعون، صحيح؟
Dialogue: 0,0:07:56.20,0:07:58.66,Default,,0,0,0,,!لا يمكنني تحمّل هذا بعد الآن
Dialogue: 0,0:07:58.66,0:08:01.64,Default,,0,0,0,,لعنة، هاه؟
Dialogue: 0,0:08:01.64,0:08:06.15,Default,,0,0,0,,....سمعتُ بأنّ أشياء مثل هذه تحدث أسفل سد كاميوا، لكن
Dialogue: 0,0:08:11.79,0:08:13.65,Default,,0,0,0,,!استدير
Dialogue: 0,0:08:19.69,0:08:22.60,Default,,0,0,0,,مياكو - شان، هل سبق أنّكِ قد تجوّلتِ روحيًا؟
Dialogue: 0,0:08:22.60,0:08:25.13,Default,,0,0,0,,هل ذهبتِ من قبل إلى العالم المخفيّ؟
Dialogue: 0,0:08:27.70,0:08:29.24,Default,,0,0,0,,...هكذا
Dialogue: 0,0:08:29.84,0:08:32.07,Default,,0,0,0,,  في العالم المخفيّ، عالم الأرواح
Dialogue: 0,0:08:32.07,0:08:34.94,Default,,0,0,0,,.يوجد الكثير من الأرواح الغريبة
Dialogue: 0,0:08:34.94,0:08:40.75,Default,,0,0,0,,.أعتقد بأنّها أشباح حيوانات منقرضة
Dialogue: 0,0:08:43.58,0:08:47.59,Default,,0,0,0,,أنا أفكّر في أنني قد أقابل أختي مجددًا
Dialogue: 0,0:08:47.59,0:08:49.59,Default,,0,0,0,,.اذا ذهبتُ إلى عالم الأرواح
Dialogue: 0,0:08:49.59,0:08:53.66,Default,,0,0,0,,.أن تكون قادرًا على رؤية الأشخاص الميّتين ليس بالضرورة شيء جيّد
Dialogue: 0,0:08:54.56,0:08:56.10,Default,,0,0,0,,!لكن
Dialogue: 0,0:08:56.93,0:09:01.80,Default,,0,0,0,,.أنا حقًا لا أعلم أي شيء عن العالم المخفيّ
Dialogue: 0,0:09:06.87,0:09:08.28,Default,,0,0,0,,!آه أجل، شكرًا
Dialogue: 0,0:09:08.28,0:09:10.14,Default,,0,0,0,,!هيّا أبي
Dialogue: 0,0:09:15.12,0:09:16.95,Default,,0,0,0,,قادم مجددًا؟
Dialogue: 0,0:09:18.92,0:09:22.06,Default,,0,0,0,,.دكتور هيراتا، لا تقل ليّ أنّك ثمل في هذا الوقت
Dialogue: 0,0:09:22.06,0:09:25.96,Default,,0,0,0,,.آسف، أعلم بأنّ هذا يبدو بعيد المنال جدًا
Dialogue: 0,0:09:25.96,0:09:31.90,Default,,0,0,0,,.لقد بحثتُ في تقارير حالات اختطاف من أجسام طائرة مجهولة
Dialogue: 0,0:09:31.90,0:09:35.77,Default,,0,0,0,,  إنّها شائعة جدًا في الغرب
Dialogue: 0,0:09:35.77,0:09:39.04,Default,,0,0,0,,.لكن لسبب ما إنّها نادرة جدًا في اليابان
Dialogue: 0,0:09:39.57,0:09:45.18,Default,,0,0,0,,.بطبيعة الحال، سوف أعزي هذا لسبب الفروقات الثقافيّة
Dialogue: 0,0:09:45.81,0:09:48.75,Default,,0,0,0,,لكن في مساء الأمس في سويتن
Dialogue: 0,0:09:48.75,0:09:55.15,Default,,0,0,0,,.شهدتُ نوعًا من حالة التغير المشابهة لحالة الاختطاف من الكائنات الفضائيّة
Dialogue: 0,0:09:55.89,0:09:57.12,Default,,0,0,0,,هل رأيت ضوءً ساطعًا؟
Dialogue: 0,0:09:57.12,0:09:58.79,Default,,0,0,0,,فقدت ذاكرتك؟
Dialogue: 0,0:09:58.79,0:10:02.03,Default,,0,0,0,,أو رأيت رجال صغار رماديين اللون؟
Dialogue: 0,0:10:02.03,0:10:05.33,Default,,0,0,0,,.ثلاثين دقيقة من ذاكرتي فارغة
Dialogue: 0,0:10:05.33,0:10:06.97,Default,,0,0,0,,.رأيتُ ضوء
Dialogue: 0,0:10:06.97,0:10:09.12,Default,,0,0,0,,.لا أتذكّر أي شيء آخر
Dialogue: 0,0:10:09.12,0:10:13.07,Default,,0,0,0,,  أعتذر على الاتصال بكِ فجأةً هكذا
Dialogue: 0,0:10:13.07,0:10:17.04,Default,,0,0,0,,...لكنني تذكّرتُ أن مرشدك في كندا
Dialogue: 0,0:10:17.04,0:10:24.99,Default,,0,0,0,,هذا صحيح، دكتور باسنجر أجرى بحوثات\N.على حالات تعاني من وهم الاختطاف من الكائنات الفضائيّة
Dialogue: 0,0:10:24.99,0:10:29.98,Default,,0,0,0,,والأقطاب الكهربائيّة المتّصلة بالفص الصدغيّ، تنتج لقاءً مع الإله، صحيح؟
Dialogue: 0,0:10:30.32,0:10:35.96,Default,,0,0,0,,هل من الممكن حدوث هذهِ الظواهر في بيئة\Nطبيعية، خارج المختبر؟
Dialogue: 0,0:10:36.36,0:10:41.91,Default,,0,0,0,,  أعتقد بأنّه لم يحدد بعد ما يتحكّم بها
Dialogue: 0,0:10:42.24,0:10:47.07,Default,,0,0,0,,.لكن الدكتور باسنجر يعتقد بأنّ مثل هذهِ الحوادث هي واسعة النطاق
Dialogue: 0,0:10:48.38,0:10:50.24,Default,,0,0,0,,هكذا إذن؟
Dialogue: 0,0:10:50.65,0:10:53.91,Default,,0,0,0,,.مجددًا، أعتذر على إتّصالي في مثل هذا الوقت
Dialogue: 0,0:10:53.91,0:10:58.02,Default,,0,0,0,,.أتمنّى أن تخبريني المزيد عندما يتسنّى لكِ الوقت
Dialogue: 0,0:10:58.02,0:11:01.39,Default,,0,0,0,,.أجل، فهمت، إلى اللقاء
Dialogue: 0,0:11:26.78,0:11:30.02,Default,,0,0,0,,.آوه، لهذا السبب لم تأتي للمدرسة
Dialogue: 0,0:11:30.02,0:11:32.75,Default,,0,0,0,,.لكنني لا أعلم شيئًا بشأن اللعنات
Dialogue: 0,0:11:32.75,0:11:38.84,Default,,0,0,0,,حتّى ولو أن الشبح الذي رأوه كان سوكوا\Nهل حقًا ستكون لديه القدرة على لعن الناس؟
Dialogue: 0,0:11:39.93,0:11:42.72,Default,,0,0,0,,الأشباح هي أرواح أيضًا، صحيح؟
Dialogue: 0,0:11:43.93,0:11:45.80,Default,,0,0,0,,!لا أعلم
Dialogue: 0,0:11:46.77,0:11:50.71,Default,,0,0,0,,هل تعتقد أنّه بواسطة التجوّل الروحيّ
Dialogue: 0,0:11:50.71,0:11:55.94,Default,,0,0,0,,يمكننا إثبات أنّ سوكوا كان الشخص الذي اختطفني أنا وأختي
Dialogue: 0,0:11:55.94,0:11:58.31,Default,,0,0,0,,وأنّ والد ماكوتو لا علاقة لهُ بالأمر؟
Dialogue: 0,0:11:59.01,0:12:01.82,Default,,0,0,0,,هل أنت واثق أنّه بإمكانك أن تتعامل مع كل هذا؟
Dialogue: 0,0:12:03.08,0:12:06.85,Default,,0,0,0,,.لستُ خائفًا بعد الآن
Dialogue: 0,0:12:06.85,0:12:10.02,Default,,0,0,0,,، إلى جانب ذلك، أعتقد أنّه بواسطة التجوّل الروحيّ وزيارة العالم المخفيّ
Dialogue: 0,0:12:10.02,0:12:13.73,Default,,0,0,0,,.ربّما سيكون بإمكاني رؤية أختي ذات يوم
Dialogue: 0,0:12:13.73,0:12:16.10,Default,,0,0,0,,....آمم، مع هذا
Dialogue: 0,0:12:16.10,0:12:18.13,Default,,0,0,0,,أتساءل ماذا سيقول ماكوتو؟
Dialogue: 0,0:12:52.90,0:12:55.46,Default,,0,0,0,,إذًا أنتما هم "ضيوفي"؟
Dialogue: 0,0:12:59.37,0:13:01.11,Default,,0,0,0,,!أهلاً
Dialogue: 0,0:13:11.95,0:13:13.89,Default,,0,0,0,,.لا بأس بهذا المكان
Dialogue: 0,0:13:13.89,0:13:16.16,Default,,0,0,0,,.المختطف كان سوكوا ياشيو
Dialogue: 0,0:13:16.16,0:13:17.77,Default,,0,0,0,,.كان من وسط هونشو
Dialogue: 0,0:13:18.16,0:13:20.83,Default,,0,0,0,,.هو لم يكن يعرف أي شخص في هذهِ المنطقة
Dialogue: 0,0:13:20.83,0:13:26.13,Default,,0,0,0,,.هو لا يمتلك أي سجل إجراميّ ولا يعرفون ما نوع عملهِ
Dialogue: 0,0:13:29.10,0:13:31.11,Default,,0,0,0,,.كان المختطف الوحيد
Dialogue: 0,0:13:31.11,0:13:34.16,Default,,0,0,0,,.والدك لا علاقة لهُ بالأمر
Dialogue: 0,0:13:34.54,0:13:39.28,Default,,0,0,0,,.والآن هو روح شريرة لديها القدرة على لعن الناس
Dialogue: 0,0:13:39.28,0:13:41.28,Default,,0,0,0,,إذًا، ماذا تقترح؟
Dialogue: 0,0:13:41.28,0:13:42.98,Default,,0,0,0,,اعتقد أننا يجب أن نتجوّل روحيًا
Dialogue: 0,0:13:42.98,0:13:46.45,Default,,0,0,0,,!ونفعل شيئًا لمنعهِ من الخروج من العالم المخفيّ
Dialogue: 0,0:13:47.15,0:13:50.39,Default,,0,0,0,,رأيت؟ تارو يقول كلامًا جنونيًا
Dialogue: 0,0:13:50.39,0:13:51.99,Default,,0,0,0,,أخبرهُ بذلك، حسنًا؟
Dialogue: 0,0:13:51.99,0:13:57.30,Default,,0,0,0,,!إذًا ماذا لو أصبح سوكويا شبحًا أو روحًا شريرة أو أيًا كان؟
Dialogue: 0,0:13:57.30,0:13:59.30,Default,,0,0,0,,!يجب أن نبقى خارج الموضوع
Dialogue: 0,0:13:59.85,0:14:02.30,Default,,0,0,0,,!ماكوتو، أريدك أن تأتي أيضًا الليلة
Dialogue: 0,0:14:02.30,0:14:05.84,Default,,0,0,0,,أخبرهُ رجاءً، ماكوتو؟
Dialogue: 0,0:14:05.84,0:14:09.70,Default,,0,0,0,,نحن لسنا أبطالاً خارقين، هذهِ ليست مشكلتنا
Dialogue: 0,0:14:16.55,0:14:18.28,Default,,0,0,0,,....هيمي - ساما
Dialogue: 0,0:14:19.09,0:14:20.86,Default,,0,0,0,,.أنا مستيقظة
Dialogue: 0,0:14:20.86,0:14:26.86,Default,,0,0,0,,.يبدو أنّ ماكوتو - ساما مهتم بشأن الاختطاف الذي حدث قبل 11 عامًا
Dialogue: 0,0:14:27.86,0:14:33.03,Default,,0,0,0,,.هو وابن الكوموري يحققون في هوية الشخص الذي صدمتهُ الشاحنة
Dialogue: 0,0:14:34.60,0:14:36.56,Default,,0,0,0,,هكذا إذن؟
Dialogue: 0,0:15:06.07,0:15:08.76,Default,,0,0,0,,أتسائل لو أنّهما سيحضران؟
Dialogue: 0,0:15:23.55,0:15:25.59,Default,,0,0,0,,!إنّهما هنا
Dialogue: 0,0:15:32.49,0:15:34.66,Default,,0,0,0,,!لم أكن أريد أن أتي
Dialogue: 0,0:15:35.13,0:15:36.87,Default,,0,0,0,,أآتيت أيضًا، ماكوتو
Dialogue: 0,0:15:37.16,0:15:39.00,Default,,0,0,0,,.رأيتهُ أيضًا
Dialogue: 0,0:15:39.00,0:15:40.53,Default,,0,0,0,, !الشبح؟
Dialogue: 0,0:15:40.53,0:15:42.37,Default,,0,0,0,,!حقًا؟
Dialogue: 0,0:15:43.67,0:15:47.01,Default,,0,0,0,,لكن لماذا يظهر الآن!؟
Dialogue: 0,0:15:47.01,0:15:49.14,Default,,0,0,0,,.مضى 11 عامًا
Dialogue: 0,0:15:49.14,0:15:51.41,Default,,0,0,0,,لماذا لم يظهر قبلًا؟
Dialogue: 0,0:15:51.41,0:15:52.58,Default,,0,0,0,,.لا أعلم
Dialogue: 0,0:15:52.58,0:15:56.48,Default,,0,0,0,,.لكنّك محق، هذا غريب
Dialogue: 0,0:15:56.48,0:15:58.35,Default,,0,0,0,,.لنتفحّص المكان
Dialogue: 0,0:16:04.43,0:16:05.53,Default,,0,0,0,,أين رأيتهُ؟
Dialogue: 0,0:16:05.53,0:16:06.56,Default,,0,0,0,,.هنا تمامًا
Dialogue: 0,0:16:06.56,0:16:09.56,Default,,0,0,0,,.حسنًا، أنا حائرٌ قليلاً
Dialogue: 0,0:16:09.56,0:16:14.03,Default,,0,0,0,,نحن الآن في العالم المرئي، صحيح؟ لسنا في العالم المخفيّ
Dialogue: 0,0:16:14.03,0:16:16.07,Default,,0,0,0,,.لستُ متأكّدًا
Dialogue: 0,0:16:16.44,0:16:19.17,Default,,0,0,0,, لكن أعتقد أنّه عندما نتجوّل روحيًا
Dialogue: 0,0:16:19.17,0:16:24.58,Default,,0,0,0,,.نكون في مكان يتداخل فيه العالم المرئي مع المخفيّ
Dialogue: 0,0:16:25.04,0:16:28.98,Default,,0,0,0,,.وأعتقد أنّه هناك بعض التداخلات من العالم المخفيّ أيضًا
Dialogue: 0,0:16:30.18,0:16:31.32,Default,,0,0,0,,
Dialogue: 0,0:16:31.32,0:16:33.05,Default,,0,0,0,,ما ماذا !؟
Dialogue: 0,0:16:45.13,0:16:46.67,Default,,0,0,0,,...هل ذلك
Dialogue: 0,0:16:57.58,0:16:59.45,Default,,0,0,0,,!لابدّ من أنّكم تمزحون
Dialogue: 0,0:17:10.46,0:17:15.01,Default,,0,0,0,,!إنّه الذي قام باختطافي أنا وأختي
Dialogue: 0,0:17:16.10,0:17:17.63,Default,,0,0,0,,!مجددًا؟
Dialogue: 0,0:17:23.24,0:17:25.24,Default,,0,0,0,, ما الذي يفعلهُ بحق الجحيم!؟
Dialogue: 0,0:17:25.24,0:17:27.37,Default,,0,0,0,,لماذا يقوم بنفس الشيء مرارًا وتكرارًا
Dialogue: 0,0:17:27.37,0:17:30.44,Default,,0,0,0,,!لا تقولوا ليّ بأننا سنصبح أشخاصًا أغبياء بعد أن نموت
Dialogue: 0,0:17:31.48,0:17:35.11,Default,,0,0,0,,!هو.... قد أخذ أختي
Dialogue: 0,0:17:42.26,0:17:43.79,Default,,0,0,0,,
Dialogue: 0,0:17:49.56,0:17:51.50,Default,,0,0,0,,تا تارو!؟
Dialogue: 0,0:17:54.50,0:17:58.37,Default,,0,0,0,,!لقد أخذ أختي
Dialogue: 0,0:18:04.08,0:18:07.25,Default,,0,0,0,,!لا تفقد السيطرة على نفسك الآن، تارو
Dialogue: 0,0:18:08.60,0:18:11.09,Default,,0,0,0,,!تبًا، إنّه ينظر إلينا
Dialogue: 0,0:18:11.09,0:18:14.55,Default,,0,0,0,,!آه، لا، سوف يقوم بلعننا
Dialogue: 0,0:18:40.38,0:18:42.34,Default,,0,0,0,,!تارو، اهرب
Dialogue: 0,0:18:51.56,0:18:53.29,Default,,0,0,0,,!تبًا
Dialogue: 0,0:18:57.13,0:18:58.63,Default,,0,0,0,,!ماكوتو
Dialogue: 0,0:18:59.87,0:19:05.20,Default,,0,0,0,,.أعتقد بأنني لم أتغلّب على خوفي تمامًا
Dialogue: 0,0:19:05.20,0:19:07.27,Default,,0,0,0,,ماكوتو، هل أنت بخير!؟
Dialogue: 0,0:19:07.27,0:19:10.58,Default,,0,0,0,,!أجل، هذا لا يؤلم، لكن... تبًا
Dialogue: 0,0:19:12.12,0:19:16.75,Default,,0,0,0,,!أ أ أنا لا لا علاقة ليّ بـ سوكويا
Dialogue: 0,0:19:25.79,0:19:29.36,Default,,0,0,0,,!من الجيّد أنني لا أخاف من المرتفعات بعد الآن
Dialogue: 0,0:19:37.30,0:19:40.71,Default,,0,0,0,,!مستحيل، لابدّ من أنّك تمزح
Dialogue: 0,0:19:45.18,0:19:46.51,Default,,0,0,0,,!ماسايوكي؟
Dialogue: 0,0:19:46.51,0:19:48.62,Default,,0,0,0,,.تبًا، إنّه واحد مؤذي
Dialogue: 0,0:19:59.33,0:20:02.20,Default,,0,0,0,,!تبًا! لا يجب أن أتحمّل هذا وحسب
Dialogue: 0,0:20:02.20,0:20:04.33,Default,,0,0,0,,!لن أسمح لك بلعني
Dialogue: 0,0:20:05.76,0:20:07.80,Default,,0,0,0,,!تحديد السلاح
Dialogue: 0,0:20:09.50,0:20:11.24,Default,,0,0,0,,!تحميل
Dialogue: 0,0:20:31.20,0:20:32.89,Default,,0,0,0,,...واو
Dialogue: 0,0:20:37.43,0:20:39.63,Default,,0,0,0,,!ذلك كان رائعًا
Dialogue: 0,0:20:49.98,0:20:53.41,Default,,0,0,0,,.تبًا، أشعر بالنعاس كثيرًا
Dialogue: 0,0:20:54.41,0:20:56.35,Default,,0,0,0,,!آوي، هوشينو
Dialogue: 0,0:20:57.35,0:21:00.52,Default,,0,0,0,,.نحتاج إلى معروف آخر منك
Dialogue: 0,0:21:10.50,0:21:12.41,Default,,0,0,0,,!انتظروا
Dialogue: 0,0:21:16.44,0:21:18.37,Default,,0,0,0,,هل تريد شيئًا ما؟
Dialogue: 0,0:21:18.67,0:21:23.44,Default,,0,0,0,,.أنا انتقلت من طوكيو للتو، لذا لا أعرف مجرى الأمور هنا جيّدًا
Dialogue: 0,0:21:23.44,0:21:24.71,Default,,0,0,0,,....لكنني كنت أتسائل
Dialogue: 0,0:21:24.71,0:21:29.35,Default,,0,0,0,,هنا في العلن، فتيان السنة الثالثة الأقوياء، لا يتنمّرون على فتيان السنة الثانية الضعفاء، أليس كذلك؟
Dialogue: 0,0:22:09.26,0:22:10.42,Default,,0,0,0,,.آهلاً بعودتك
Dialogue: 0,0:22:10.42,0:22:11.79,Default,,0,0,0,,آه؟ ماذا حدث؟
Dialogue: 0,0:22:11.79,0:22:13.53,Default,,0,0,0,,.لا شيء
Dialogue: 0,0:24:37.91,0:24:43.09,Default,,0,0,0,,في 2003 مجموعة مرؤوسة من الدكتور ريتشارد وايزمان\Nمن جامعة هاردوفرتشير
Dialogue: 0,0:24:43.09,0:24:46.48,Default,,0,0,0,,.أجروا تجربة في حفل روك في قاعة موسيقيّة قديمة في لندن
Dialogue: 0,0:24:46.48,0:24:47.99,Default,,0,0,0,,أثناء العرض، قاموا بتعريض الجمهور
Dialogue: 0,0:24:47.99,0:24:51.81,Default,,0,0,0,,.إلى أصوات ذات تردد منخفض تمّ عزفها خلال أنبوبة بطول 7 أمتار
Dialogue: 0,0:24:52.19,0:24:57.46,Default,,0,0,0,,  و اكتشفوا أن 22% من الجمهور قد صرّحوا بأنّهم تعرّضوا لأحاسيس غير طبيعيّة
Dialogue: 0,0:24:57.46,0:24:59.94,Default,,0,0,0,,وايزمان وضع نظريّه على أن تلك الأحاسيس ناتجة عن اللقاء مع الأشباح
Dialogue: 0,0:24:59.94,0:25:03.87,Default,,0,0,0,,.في الواقع مستمدّه من التعرّض لموجات التردد المنخفض
Dialogue: 0,0:02:11.05,0:02:15.94,العنوان,,0,0,0,,{\pos(618,512)}الأشباح الوجوديّة
Comment: 0,0:00:45.74,0:00:50.01,OPR,,0,0,0,karaoke,{\kf75}a{\kf88}nata {\kf34}no {\kf102}kokoro {\kf52}no {\kf76}oku
Comment: 0,0:00:50.01,0:00:54.08,OPR,,0,0,0,karaoke,{\kf96}nemuru {\kf88}nemuru {\kf72}musuu {\kf30}no {\kf121}kioku
Comment: 0,0:00:54.08,0:00:58.31,OPR,,0,0,0,karaoke,{\kf85}saa {\kf70}ima {\kf48}kono {\kf220}shunkan
Comment: 0,0:00:58.31,0:01:00.88,OPR,,0,0,0,karaoke,{\kf102}tobira {\kf40}ga {\kf115}hiraku
Comment: 0,0:01:12.83,0:01:17.07,OPR,,0,0,0,karaoke,{\kf84}Ha{\kf54}tto to {\kf82}maruta {\kf204}mihiraite
Comment: 0,0:01:17.07,0:01:21.24,OPR,,0,0,0,karaoke,{\kf121}ikutsumo {\kf108}TONNERU {\kf15}wo {\kf146}kuguteku {\kf27}yo
Comment: 0,0:01:21.24,0:01:24.96,OPR,,0,0,0,karaoke,{\kf81}a{\kf114}rawareru {\kf88}sono {\kf89}IMEEJI
Comment: 0,0:01:25.25,0:01:29.32,OPR,,0,0,0,karaoke,{\kf72}a{\kf56}nato {\kf34}no {\kf62}iku {\kf40}ga {\kf143}hazudeiku
Comment: 0,0:01:43.63,0:01:51.64,OPR,,0,0,0,karaoke,{\kf200}amai {\kf182}amai {\kf108}yume {\kf84}no {\kf227}mukougawa
Comment: 0,0:01:51.64,0:01:59.35,OPR,,0,0,0,karaoke,{\kf217}agaru {\kf172}agaru {\kf112}omoi {\kf84}ni {\kf116}kokoro {\kf70}wa
Comment: 0,0:01:59.35,0:02:03.61,OPR,,0,0,0,karaoke,{\kf203}myakuutte {\kf143}tomerare{\kf80}nai
Dialogue: 0,0:00:45.74,0:00:50.01,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}\Nفي داخل أعماق قلبك
Dialogue: 0,0:00:50.01,0:00:54.08,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تغفو ذكريات لا تعد ولا تحصى
Dialogue: 0,0:00:54.08,0:00:58.31,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}في الوقت الحاليّ، في هذه اللحظة تمامًا
Dialogue: 0,0:00:58.31,0:01:00.88,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الباب على وشك أن يُفتح
Dialogue: 0,0:01:12.83,0:01:17.07,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}عيناك تفتح فجأةً
Dialogue: 0,0:01:17.07,0:01:21.24,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تجتاز كل الأنفاق
Dialogue: 0,0:01:21.24,0:01:24.96,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}الصّورة التي تظهر أمامك
Dialogue: 0,0:01:25.25,0:01:29.32,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}تقوم بتسريع أنفاسك
Dialogue: 0,0:01:43.63,0:01:51.64,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وراء حلمٌ، حلمٌ جميل
Dialogue: 0,0:01:51.64,0:01:59.35,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}شعورٌ يعلو بداخلك
Dialogue: 0,0:01:59.35,0:02:03.61,OPE,,0,0,0,karaoke,{\t(0000,1000,1,\frx360)}وقلبك لم يتوقّف عن النبض
Dialogue: 0,0:00:45.24,0:00:49.11,OPR,,0,0,0,fx,{\an5\blur3\org(3,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,750,\3c&H00000)\pos(43.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:49.11,0:00:49.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(43.000000,47.000000)}a
Dialogue: 0,0:00:45.26,0:00:49.13,OPR,,0,0,0,fx,{\an5\blur3\org(30,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(70.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.29,0:00:49.16,OPR,,0,0,0,fx,{\an5\blur3\org(57,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(97.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.31,0:00:49.18,OPR,,0,0,0,fx,{\an5\blur3\org(77,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(117.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}t
Dialogue: 0,0:00:45.34,0:00:49.21,OPR,,0,0,0,fx,{\an5\blur3\org(97,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(137.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:00:45.36,0:00:49.23,OPR,,0,0,0,fx,{\an5\blur3\org(118,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,880,\3c&H00000)\pos(158.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.13,0:00:49.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(70.000000,47.000000)}n
Dialogue: 0,0:00:49.16,0:00:49.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(97.000000,47.000000)}a
Dialogue: 0,0:00:49.18,0:00:49.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(117.000000,47.000000)}t
Dialogue: 0,0:00:49.21,0:00:49.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(137.000000,47.000000)}a
Dialogue: 0,0:00:49.23,0:00:49.73,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(158.000000,47.000000)}
Dialogue: 0,0:00:45.39,0:00:49.26,OPR,,0,0,0,fx,{\an5\blur3\org(138,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(178.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:00:45.41,0:00:49.28,OPR,,0,0,0,fx,{\an5\blur3\org(165,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(205.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.44,0:00:49.31,OPR,,0,0,0,fx,{\an5\blur3\org(185,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,340,\3c&H00000)\pos(225.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.26,0:00:49.76,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(178.000000,47.000000)}n
Dialogue: 0,0:00:49.28,0:00:49.78,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(205.000000,47.000000)}o
Dialogue: 0,0:00:49.31,0:00:49.81,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(225.000000,47.000000)}
Dialogue: 0,0:00:45.46,0:00:49.33,OPR,,0,0,0,fx,{\an5\blur3\org(204,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(244.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.49,0:00:49.36,OPR,,0,0,0,fx,{\an5\blur3\org(229,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(269.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.51,0:00:49.38,OPR,,0,0,0,fx,{\an5\blur3\org(255,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(295.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}k
Dialogue: 0,0:00:45.54,0:00:49.41,OPR,,0,0,0,fx,{\an5\blur3\org(280,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(320.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.56,0:00:49.43,OPR,,0,0,0,fx,{\an5\blur3\org(302,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(342.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:00:45.59,0:00:49.46,OPR,,0,0,0,fx,{\an5\blur3\org(323,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(363.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}o
Dialogue: 0,0:00:45.61,0:00:49.48,OPR,,0,0,0,fx,{\an5\blur3\org(343,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1020,\3c&H00000)\pos(383.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}
Dialogue: 0,0:00:49.33,0:00:49.83,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(244.000000,47.000000)}k
Dialogue: 0,0:00:49.36,0:00:49.86,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(269.000000,47.000000)}o
Dialogue: 0,0:00:49.38,0:00:49.88,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(295.000000,47.000000)}k
Dialogue: 0,0:00:49.41,0:00:49.91,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(320.000000,47.000000)}o
Dialogue: 0,0:00:49.43,0:00:49.93,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(342.000000,47.000000)}r
Dialogue: 0,0:00:49.46,0:00:49.96,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(363.000000,47.000000)}o
Dialogue: 0,0:00:49.48,0:00:49.98,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(383.000000,47.000000)}
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Dialogue: 0,0:01:20.59,0:01:21.09,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(285.000000,47.000000)}O
Dialogue: 0,0:01:20.61,0:01:21.11,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(321.000000,47.000000)}N
Dialogue: 0,0:01:20.64,0:01:21.14,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(356.000000,47.000000)}N
Dialogue: 0,0:01:20.66,0:01:21.16,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(390.000000,47.000000)}E
Dialogue: 0,0:01:20.69,0:01:21.19,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(423.000000,47.000000)}R
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Dialogue: 0,0:01:59.15,0:02:03.01,OPR,,0,0,0,fx,{\an5\blur3\org(287,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(327.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}m
Dialogue: 0,0:01:59.17,0:02:03.03,OPR,,0,0,0,fx,{\an5\blur3\org(320,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(360.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:01:59.20,0:02:03.06,OPR,,0,0,0,fx,{\an5\blur3\org(342,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(382.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.22,0:02:03.08,OPR,,0,0,0,fx,{\an5\blur3\org(363,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(403.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.25,0:02:03.11,OPR,,0,0,0,fx,{\an5\blur3\org(385,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(425.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}r
Dialogue: 0,0:01:59.27,0:02:03.13,OPR,,0,0,0,fx,{\an5\blur3\org(406,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,1430,\3c&H00000)\pos(446.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}e
Dialogue: 0,0:02:02.96,0:02:03.46,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(273.000000,47.000000)}t
Dialogue: 0,0:02:02.98,0:02:03.48,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(293.000000,47.000000)}o
Dialogue: 0,0:02:03.01,0:02:03.51,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(327.000000,47.000000)}m
Dialogue: 0,0:02:03.03,0:02:03.53,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(360.000000,47.000000)}e
Dialogue: 0,0:02:03.06,0:02:03.56,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(382.000000,47.000000)}r
Dialogue: 0,0:02:03.08,0:02:03.58,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(403.000000,47.000000)}a
Dialogue: 0,0:02:03.11,0:02:03.61,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(425.000000,47.000000)}r
Dialogue: 0,0:02:03.13,0:02:03.63,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(446.000000,47.000000)}e
Dialogue: 0,0:01:59.30,0:02:03.16,OPR,,0,0,0,fx,{\an5\blur3\org(433,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(473.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}n
Dialogue: 0,0:01:59.32,0:02:03.18,OPR,,0,0,0,fx,{\an5\blur3\org(460,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(500.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}a
Dialogue: 0,0:01:59.35,0:02:03.21,OPR,,0,0,0,fx,{\an5\blur3\org(479,67)\frz180\frx360\fry90\fad(100,0)\t(0,200,\3c&H0000FF&)\t(300,800,\3c&H00000)\pos(519.000000,47.000000)\t(0,800,\fry0\frz0\frx0)\t(0,900,\fscx100.000000\fscy100.000000)}i
Dialogue: 0,0:02:03.16,0:02:03.66,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(473.000000,47.000000)}n
Dialogue: 0,0:02:03.18,0:02:03.68,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(500.000000,47.000000)}a
Dialogue: 0,0:02:03.21,0:02:03.71,OPR,,0,0,0,fx,{\fad(0,200)\an5\blur3\pos(519.000000,47.000000)}i
Comment: 0,0:23:06.51,0:23:10.38,EDR,,0,0,0,karaoke,{\kf37}yor{\kf25}u {\kf28}no {\kf198}sukima
Comment: 0,0:23:10.38,0:23:14.45,EDR,,0,0,0,karaoke,{\kf133}yakusoku {\kf88}no {\kf42}oka {\kf141}de
Comment: 0,0:23:14.45,0:23:23.40,EDR,,0,0,0,karaoke,{\kf128}tsukiakari {\kf64}ni {\kf174}shitataru {\kf170}hanabira {\kf36}ni {\kf98}KISS {\kf119}o
Comment: 0,0:23:23.40,0:23:27.00,EDR,,0,0,0,karaoke,{\kf95}fushigi {\kf68}no {\kf154}kuni
Comment: 0,0:23:27.00,0:23:31.41,EDR,,0,0,0,karaoke,{\kf116}izanau {\kf109}sono {\kf131}kagi　
Comment: 0,0:23:31.41,0:23:35.58,EDR,,0,0,0,karaoke,{\kf92}nigitta {\kf118}mama {\kf26}de {\kf114}shoujo {\kf54}wa
Comment: 0,0:23:35.58,0:23:40.08,EDR,,0,0,0,karaoke,{\kf112}otona {\kf32}ni {\kf281}narenai
Comment: 0,0:23:40.08,0:23:47.55,EDR,,0,0,0,karaoke,{\kf220}kowagaru {\kf105}koto {\kf97}nado {\kf104}nani {\kf70}mo {\kf101}nai
Comment: 0,0:23:47.55,0:23:55.83,EDR,,0,0,0,karaoke,{\kf172}anata {\kf46}wa {\kf160}kesshite {\kf152}hitori {\kf110}ja {\kf94}nai {\kf88}no
Comment: 0,0:23:55.83,0:23:59.67,EDR,,0,0,0,karaoke,{\kf69}Call {\kf39}my {\kf96}name, {\kf70}dear {\kf38}my {\kf73}friend
Comment: 0,0:23:59.67,0:24:04.97,EDR,,0,0,0,karaoke,{\kf92}sugu {\kf188}soba {\kf70}ni {\kf150}yukuwa
Comment: 0,0:24:04.97,0:24:12.75,EDR,,0,0,0,karaoke,{\kf52}doko {\kf74}ni {\kf266}itatte {\kf354}tsunagatteiru
Comment: 0,0:24:12.75,0:24:16.48,EDR,,0,0,0,karaoke,{\kf68}Call {\kf41}my {\kf82}name, {\kf77}call {\kf42}my {\kf44}name
Comment: 0,0:24:16.48,0:24:21.86,EDR,,0,0,0,karaoke,{\kf110}sugu {\kf208}daite {\kf214}ageru
Comment: 0,0:24:21.86,0:24:27.99,EDR,,0,0,0,karaoke,{\kf45}ude {\kf60}no {\kf76}naka {\kf28}de {\kf210}nemutte
Comment: 0,0:24:27.99,0:24:32.87,EDR,,0,0,0,karaoke,{\kf98}mou {\kf180}nakanai {\kf253}de
Dialogue: 0,0:23:06.51,0:23:10.38,EDARABIC,,0,0,0,karaoke,{\fad(500,500)}شق في الليل
Dialogue: 0,0:23:10.38,0:23:14.45,EDARABIC,,0,0,0,karaoke,على التل حيث تعهّدنا أن نلتقي{\fad(500,500)}
Dialogue: 0,0:23:14.45,0:23:23.40,EDARABIC,,0,0,0,karaoke,نقبّل بتلات الزهور التي تتساقط في ضوء القمر{\fad(500,500)}
Dialogue: 0,0:23:23.40,0:23:27.00,EDARABIC,,0,0,0,karaoke,أرض غامضة{\fad(500,500)}
Dialogue: 0,0:23:27.00,0:23:31.41,EDARABIC,,0,0,0,karaoke,و المفتاح الذي يغريك بعيدًا{\fad(500,500)}
Dialogue: 0,0:23:31.41,0:23:35.58,EDARABIC,,0,0,0,karaoke,لكن إلى أن تقومي بتركهِ، أيتها الفتاة الصغيرة{\fad(500,500)}
Dialogue: 0,0:23:35.58,0:23:40.08,EDARABIC,,0,0,0,karaoke,أنتِ سوف تظلين طفلة{\fad(500,500)}
Dialogue: 0,0:23:40.08,0:23:47.55,EDARABIC,,0,0,0,karaoke,لا يوجد شيء للخوف منه{\fad(500,500)}
Dialogue: 0,0:23:47.55,0:23:55.83,EDARABIC,,0,0,0,karaoke,لن تكوني وحيدة أبدًا{\fad(500,500)}
Dialogue: 0,0:23:55.83,0:23:59.67,EDARABIC,,0,0,0,karaoke,نادي اسمي، صديقتي العزيزة{\fad(500,500)}
Dialogue: 0,0:23:59.67,0:24:04.97,EDARABIC,,0,0,0,karaoke,سأكون فورًا هناك إلى جانبك{\fad(500,500)}
Dialogue: 0,0:24:04.97,0:24:12.75,EDARABIC,,0,0,0,karaoke,نحن متّصلان، دائمًا وأبدًا{\fad(500,500)}
Dialogue: 0,0:24:12.75,0:24:16.48,EDARABIC,,0,0,0,karaoke,نادي اسمي، نادي اسمي{\fad(500,500)}
Dialogue: 0,0:24:16.48,0:24:21.86,EDARABIC,,0,0,0,karaoke,سوف أحيطك بذراعيّ{\fad(500,500)}
Dialogue: 0,0:24:21.86,0:24:27.99,EDARABIC,,0,0,0,karaoke,نامي في حضني{\fad(500,500)}
Dialogue: 0,0:24:27.99,0:24:32.87,EDARABIC,,0,0,0,karaoke,{\pos(64,620)}و لا تبكي بعد الآن{\fad(500,500)}
Dialogue: 0,0:22:13.12,0:22:15.12,Default,,0,0,0,,
Dialogue: 0,0:22:11.05,0:22:13.05,Default,,0,0,0,,
Dialogue: 0,0:22:16.78,0:22:18.78,Default,,0,0,0,,
Dialogue: 0,0:23:36.82,0:23:38.82,Default,,0,0,0,,
Dialogue: 0,0:22:03.11,0:22:05.11,Default,,0,0,0,,
Dialogue: 0,0:23:33.11,0:23:35.11,Default,,0,0,0,,
Dialogue: 0,0:22:03.88,0:22:05.88,Default,,0,0,0,,