»leel911« ÊÚÏíá ÇáÊæÞíÊ
Çíä ÊÑíÏ Çä Êßæä ÈÚÏ 10 ÓäæÇÊ ãä ÇáÃä ¿
ÚÔÑÉ ÓäæÇÊ ãä ÇáÃä Ãíä ÃÑíÏ Ãä Ãßæä¿
ÃÑíÏ Ãä Ãßæä ... ÝÞØ Çä ÇÚíÔ íÇÑÌá ÝÞØ ÇÚíÔ ÈÔßá ãÑíÍ ãÚ ÒæÌÊí , ÊÚÑÝ
åá ÊÚÑÝ ãÇÐÇ ÇÞæá , ÇáãÚíÔå
Ãíä ÃÚÊÞÏ Çä Ãßæä ÈÚÏ ÚÔÑÉ ÇÚæÇã ¿
ÇäÇ áÇ ÇÚÊÞÏ Çääí ÓÃÑì Ðáß , ãä ÑÌá ÊÇÝå Åáì ÑÌá ÍÞíÞí áÇ ÇÚÊÞÏ Çä áí ÍÙÇ ØíÈÇ
æÂãá Ãä íßæä ¡ æáßä ÅÐÇ áã íßä Ýáíßä ÃäÇ ãÓÊÚÏ
¶ Come on, hah, sicker than your average poppa ¶
¶ Twist cabbage off instinct Niggas don't think shit stink ¶
¶ Pink gators my Detroit players ¶
- Puffy! Congratulations! - ¶ Timbs for my hooligans in Brooklyn ¶
¶ Dead right, if they head right Biggie there every night ¶
¶ Poppa been smooth since days of Underoos ¶
áÇ ÇÓÊØíÚ Çä ÇäÊÙÑ ÇáÃáÈæã ÇáÌÏíÏ íÇÑÌá ãÈÑæß
íÇå
íÇÇÇå (ÈíÛ) åíÇ áäÛíÑ ÇáÚÇáã
áäÐåÈ áäÐåÈ , ÇáÌãíÚ
ÇäÊ ÊÍÊÇÌ áÑÌá ÍÞíÞí
äÍä ÚÏäÇ äÍä ÚÏäÇ ÈÏæä Ôß
äÍä Úáì ÇáÞãÉ
ßíÝ ÍÇáß íÇÑÌá ßíÝ ÍÇáß
ÊÈÏæ ÈÎíÑ ÓÃÂÊÊí ááÍÕæá Úáì ÑÞãß
áÇ ÇÚáã ãÇ ÃÎÈÇÑß ÇäÊ ¿
Ýí ÇáÈÏÇíÉ..
íÇ Çááå ÇÚØäí ÍíÇÉ äÙíÝÉ
æáßä ÚäÏãÇ ßÈÑÊ ¡ ÇÏÑßÊ Ãääí áÇ íãßä Ãä ÃÈÞì äÙíÝÇð
ÇÐÇ ßäÊ áØíÝÇð , ÝåÐå ãä ÚÇÏÉ ÇáÃØÝÇá
åá ßÇä ãä ÇáÓåá ÈÇáäÓÈÉ Åáì ÇáÐíä íÑíÏæä Ãä íßæäæÇ ãä ÃÝÑÇÏ ÇáÚÕÇÈÇÊ æÓÝÇÍ ÇáÈäÇÊ Ýí ÒÇæíÉ ÇáãÏÑÓÉ
åá ÊÑíÏ äÔÇåÏ åÐå ÇáãÌáÉ ¿ åíÇ ÈäÇ
Ý Ç È 5 (ÝÑíÏí) ÇÐåÈ åäÇß
(ßæÑÊÓ Èáæ) íÇÕÇÍ Çäå ÇáÃÝÖá ÊÚáã
¶ Clap your hands, everybody lf you got what it takes ¶
¶ 'Cause I'm Kurtis Blow and I want you to know that these are the breaks ¶
¶ Break it up, break it up break it up ¶
åíÇ ÈäÇ åíÇ
åååå , ÇÚÑÝ
åí ÇäÊã åá ÊÑíÏæä ÊæÞíÚ ¿ Óäßæä Úáì ÇáãÌáÇÊ íæãÇ ãÇ
ßÑíÓ ÇáÎÌæá , áÇ íãßä Çä íßæä ÈÃí ãÌáå
Çäå ÈÏíä ááÛÇíÉ æÇÓæÏ æÞÈíÍ
Úáì ÇáÃÞá áÇ íæÌÏ ÞØÇÑ æÞÖÈÇä Úáì Ýãí
ãÇÐÇ ÃÞæá áß¿ ÇäÊ ÏÇÆãÇ ãåÊãÇð
ÏÑÓÊ ÈÌÏíå æÝÚáÊ ãÇÈæÓÚß æÇäÙÑ ãÇáÐí íÍÏË
ãÆÉ Ýí ÇáãÆÉ
ÇäÇ ÝÎæÑÉ Èß (ßÑíÓÈææ) ÇáÕÛíÑ áÇ ÊÞæáí áí Ðáß
Çæå äÓíÊ ÇäÊ ßÈÑÊ ÇáÃä
Çãí ßÇäÊ ãä ÈáÏÉ ÕÛíÑå Ýí ÌÇãÇíßÇ
ÍíË ÊÑß ÇáÃÈæÇÈ ÛíÑ ãÞÝáÉ Ýí Çááíá.
æáßä Ýí ÇáÍí ÇáÐí äÞØä Èå ÇáãÑÉ ÇáæÍíÏå ÇáÊí ÓãÍÊ áí ÈÇáÎÑæÌ
ÚäÏãÇ ßÇäÊ ÊãÔí ãÚí ãä ÇáÈíÊ Åáì ÇáãÏÑÓÉ
ÔÇåÏäÇ Ðáß Ýí 12 æ 13 ãÑÉ ÃáÇ ÊÑíÏ Ãä ÊÑì ÔíÆÇ ãÎÊáÝÇ¿
æßÇä Ðáß Ýí ÈÑæßáíä ÇáÍíÇÉ Ãæ ãæÊ Úáì ÇáÓÑíÑ
ßÇä åäÇß ÝÞØ ÈÚÖ ÇáåÑÇÁ æÇãí áÇ ÊÓÊØíÚ Çä ÊÍãäí ãä
(ÝæáíÊÇ)
Çæå (ßÑíÓÊæÝÑ) ÅáÞ ÇáÊÍíå áæÇáÏß
ÓßÑ¿
ãÆÉ ÏæáÇÑ
åá åÐÇ ßá ãÇíÓÊÍÞå ãäß ¿
ÇäÊ ÍÊì áä ÊÎØØ Çä ÊÚíÔ ãÚå¿
åÐå ÇáÃãæÑ ãÚÞÏÉ ÇáÃãæÑ¿
ÇäÇ ÇÔÚÑ æßÃäå ÇäÇ æÇäÊ ÝÞØ
ßÇä ãä ÇáÓåá Úáíß ÇáßÐÈ ÈÔÃä ÒæÌÊß
æÇáÃä , ÚäÏãÇ ÊÃÊí áØÝáß ÊÞæá ÇáÃãæÑ ãÚÞÏÉ
Åáì ÇááÞÇÁ (ÝæáíÊÇ)
ÇäÊ äÓíÊ ÔíÆÇ¿
What's up, y'all?
This is Super Rocking Mr. Magic holding it down.
This is DJ Marley Marl. - Check it out, y'all.
- It's all the way live.
åæ áä íÚæÏ ËÇäíÇð ¿
áÇ áÇ ÇÚÊÞÏ Ðáß
ÌíÏ. ÃäÇ ÓÚíÏ
Çææå
ÊÚÇá åäÇ
ÓäÕÈÍ Úáì ãÇíÑÇã ÝÞØ ÇäÇ æÇäÊ
¶ You ain't no pops to me ¶
¶ You just some nigga sipping on tea ¶
¶ Moms don't want your money so run and flee ¶
ÇáÝÑÇÑ
¶ Back all hunched over 'cause you gotta admit ¶
¶ I don't need you in my life 'cause you ain't shit ¶¶
ÇáÕÍíÍ Ýí Ðáß ÇáÍíä åäÇß
ÞÑÑÊ Çä ÇáÇ ÇÙá Ðáß ÇáØÝá ÇáÕÛíÑ Ýí ÇáÍí
ßäÊ ÇÚáã Çä ÇáÍíÇÉ áÚÈÉ ÔÇÞÉ
æÇäÇ ÇÚÑÝ Çä (Ïí Ñæß) ßÇä íÚÑÝ ÇáßËíÑ áíÚáãäí ßíÝ ÊáÚÈ
ßíÝ ÍÇáß (Ïí Ñæß)¿ ßíÝ ÍÇáß ÇíåÇ ÇáÝÊì ÇáßÈíÑ¿
æÇÎíÑÇ Çãß ÌÚáÊß ÎÇÑÌ ÇáÈíÊ¿ ÞáÊ áß íÌÈ Çä ÇÃÊí
ÇäÇ áÇ ÇÍÊãá åÐÇ ÅÐÇ ÇäÊ ãÓÊÚÏ áÊÕÈÍ ÚÈÁ ÇáãÓæÄáíå¿
ãÇáÐí ÇÓÊØíÚ ÝÚáå¿
ÊÐßÑ , ÝÞØ ÇÝÚá ãËáí ÊãÇãÇ
¶ Five, six One, one, two, two, three ¶
¶ Four, four, five, six One, two, three, four, five ¶
ÇáåÇÊÝ íÑä
Ðáß ÇááÚíä ÇÏãä ÈÚÏ Çä ÈáÛ ÇáÍÇÏíå
æáßä ÇäÇ ÇÏãäÊ Úáì ÇáãÇá ÈÚÏ Çæá ÈíÚ áí
Ðáß ÇáæÞÊ ßäÊ Ýí ÇáÓÇÈÚÉ ÚÔÑ áã Ãßä ãËá Ãí ØÝá ÚÇÏí
(ßÑíÓÊæÝÑ) áãÇ ÇäÊ ÕÇãÊ åá ÇäÊ äÇÆã
áÇ
(ßÑíÓÊæÝÑ) ãÇÐÇ ÊÝÚá ¿
åá ÊÊáæ ÇáÕáÇÉ
ÇÏÚæ Çááå ßíÝ ÊÊÚáãíä ØÑÞ ÇáÈÇÈ
ÇÑÌæß áÇ ÊÓÎÑ ãä ÕáÇÊß
ÇäÊí áÇ ÊÚÊÞÏí Çä (íåæå) íãÊáß ÍÓ ÇáÝßÇåÉ¿ <íåæå ÇÓã Çááå Ýí ÇáÚÈÑíå ÇáÞÏíãå> ?
íÌÈ Çä íßæä , Ýåæ ãä ÎáÞß
äÍä ÏÇÆãÇ äÓÊãÚ áåÐå ÇáãæÓíÞì ÇáÞÏíãÉ
ÃäÇ ãËá åÐå ÇáãæÓíÞì Çäåã íÞæáæä ÞÕÕ ÌíÏÉ
ÍÞÇ ãÚ ãä ßäÊ ÊÊßáã Úáì ÇáåÇÊÝ ÇááíáÉ ÇáãÇÖíå ¿
(ÌÇä)
ÇáÇãÑ ØÈíÚí ÌÏÇ Çãí¿ íÌÈ Úáì ÇáÃã Ãä ÊÔÚÑ ÈÇáÛíÑÉ ÇáíÓ ßÐáß
ÚäÏãÇ ÊÚáã Çä ÇÈäåÇ íåÊã ÈÃäËì ÇÎÑì
Çææå áíÕÑÎ ÈÕæÊ ÚÇá ÇÐÇ
ÈÇáãäÇÓÈÉ Çãí
ãÇÐÇ¿ ßã íÈáÛ ãÑÊÈ ÚÇãá ÇáÞãÇãå ¿
ÇÚÊÞÏ 28¡000 Ýí ÇáÓäÉ. áãÇÐÇ¿
áÇ ÓÈÈ åá ÊÑíÏ ÇáÊÓÑÚ ÈÇáÚãá áÃäß ÌÚáÊäÇ äÊÃÎÑ Úáì ÇáÏÝÚÉ ÏÑÇÓíÉ¿
åíå (ÝæáíÊÇ) Çäå ÈÑÌ ÇáãÑÇÞÈÉ ÇáÌÏíÏ - ÈÇáØÈÚ -
íÌÈ Çä äÑÇßí äåÇíÉ ÇáÃÓÈæÚ , ÕÍíÍ
¶ "W" for Wallace Rappers are demolished ¶
¶ Wax 'em and buff'em like polish ¶
¶ Don't I look like the illest thing you ever saw ¶
¶ Live with action guaranteed raw ¶
¶ Rappers are demolished ¶
¶ Wax 'em and buff'em like polish ¶
ÓÍÞÇð
Úáíß Ãä ÊÖíÝ -ËÑí ÅßÓ- Åáì ÇáÌÇäÈ ÇáÂÎÑ
ÇáÂä ¡ ÊÍÊÇÌ Çáì Íá ãÔßáÉ : ÅßÓ ãä íÑíÏ Çä íÃÊí æíÝÚá Ðáß¿
ÊÚÇá åäÇ ¡ ÓíÏ æÇáÇÓ
ÓÈÚå ÅßÓ ÊÓÇæí ÇÑÈÚÉ æËãÇäíä
ÅÐÇ ÃËäÊÇ ÚÔÑÉ ÊÓÇæí ÅßÓ
ÚÌÈÇ , ÇÕÈÊ ÇÐßì ããÇ ÊÈÏæ Úáíå
Çæææå (ÓíÏ æíÈÑ)
ÇäÊ ÞáÊ ÈÇáÃãÓ Çääí Ýí ÇáäåÇíÉ ÓÃÕÈÍ ÚÇãá äÙÇÝÉ ¿ åÐå ÕÍíÍ
ÅÐÇ ÇÓÊãÑíÊ ÈÇáÃäÞØÇÚ Úä ÇáÏÑÇÓå åÐÇ åæ ÈÇáÖÈØ ãÇ ÓæÝ ÊÕÈÍ
ÍÞÇð! ÇäÇ ÇßÊÔÝÊ Çä ÇáãÏÑÓíä íÍÕáæä Úáì 24 ÇáÝÇð ÈÇáÓäå
æÚÇãá ÇáäÙÇÝå íÍÕá Úáì 28 ÇáÝÇð ÈÇáÓäå
ÓÃÍÕá Úáì 4 ÇáÇÝ ÒÇÆÏÉ ÇíåÇ ÇáÍãÇÑ
ÍÓäÇð ÇÎÑÌ
åíí , ÇÎÑÌ ãä ÝÕáí
ÔßÑÇ ááãÞÇÈáÉ ÇÎíÑÇ
ÇäÊí ÊÚáãí æáßí Ðáß ãËáí
ÚäÏãÇ ÊÑÇäí Çãí ÚäÏ ÇáåÇÊÝ ÇÚÊÞÏ æßÃäåÇ ÊÑíÏ ÞÊáí
æáßä ÍÞÇ ÇÊãÊÚ ÈÇáãÚÇÔÑÉ
Çãã
ÇäÇ ÍÇãá
ÐåÈÊ Åáì ÇáØÈíÈ æßá ÔíÁ.
ÓäÍÕá Úáì ØÝá
ÇááÚäÉ ÇááÚäÉ¿
åßÐÇ ÝÞØ ÇááÚäå ¿ ßäÊ Ýí ãäÊÕÝ ÇáØÑíÞ Úáì Ããá Çäß ÓÊÕÈÍ ÓÚíÏÇ
áßä ÇÐÇ ßÇä åÐÇ ÓíÚßÑ ÍíÇÊß ÇäÇ ÂÓÝå
ÇäÊÙÑí , ÇäÊÙÑí (ÌÇä) ÇÌáÓí ÍÈíÈÊí
ãÇáÐí ÊÊÍÏËíä Úäå¿ ÇÌáÓí
ãÇÎØÈß¿
ÇÐÇ ÇäÊí ÊÍãáí ØÝáÇ ãäí åÐÇ íÚäí Çäß ÚÇáãí ÈÃßãáå
ÇäÊ áã ÊÌáÓ æÊÞæá Çææå ÇááÚäÉ áÇ , áä ÇÝÚá
ÊÚáãí ÇáÃä ÇäÇ ÍÕáÊ Úáíß ÍÕáÊ Úáí¿
ÈÏæä Ôß
ÊÚÇá åäÇ
Çææå ÇááÚäÉ
ßíÝ ÍÇáß (Ïí Ñæß)¿ ßíÝ ÍÇáß Èäí¿
åá ÇäÊ ÈÎíÑ
äÚã ßá ÔíÆ Úáì ãÇíÑÇã
ÇÐÇ åíÇ áäÍÕá Úáì åÐå ÇáÇãæÇá
ÇäÇ æ (Ïí Ñæß) ßäÇ ãËá ÚãÇá ÇáãÕÇäÚ
æÔÇÑÚ ÝæáÊä ßÇä ÎØ ÇáÊÌãÚ
åÇ äÍä!!
æáßä Èíä ÇáÍíä æÇáÂÎÑ ßÇä íÞæá (Ïí Ñæß) íãßääí ÇáÍÕæá Úáì ßáãÇÊ æÞÇÝíÉ
ÇäÙÑ , ÊÌÇÑÉ ÇáãÎÏÑÇÊ ßÇäÊ ãËá ÒæÌÊí
Ýä ÇáÑÇÈ ßÇä ÝÞØ ãËá ÇáÝÊÇÉ Úáì ÇáÌÇäÈ
ãä ÞÈá ßäÊ ÇÚÑÝ Ðáß ÇááÝÙ íÎÑÌ ãæÌÉ ãåÇÑÇÊí æÇáÞÑÝ
æåÐÇ ÇáØÝá íÏÚì ( ÈÑíãæ ) ØáÈ ãäí ÇáÎÑæÌ
ÇáÌãíÚ ßÇä íÏÇÚÈå æíãÒÍ ãÚå áÃäå áä íÎÓÑ ÇÈÏÇ ÈØæáå
ßÇä ÔíÆ æÇÍÏ Èáì ãÚäì Èíä ÇÕÏÞÇÆß æáßä åÐÇ ßÇä Ýí ÈØæáå ÇÎÑì
ÏæÑß ÇáÃä áÊÊæÞÝ Úä ÇáåÑæÈ -æÏæÑ ãÄÎÑÊß áßí ÊÊæÞÝ Úä ÇáåÑÇÁ-
äÚã , åÐå åæÇ (ßÑíÓ).¿ åíÇ íÇÑÌá,
ÇÎÑÌ ãä åäÇ ÝÃäÊ ÖÎã ÌÏÇ
åÐÇ ãÇ äÑíÏ Çä äÑÇå åäÇ ÓÊÑæäí ÇäÇ æÇáÝÊì ÇáÖÎã
äÍÕá Úáì ØáÈ :Çã Óí: ãä åäÇ ãÇ åÐÇ ØáÈ :Çã Óí:¿
ÊÚÇá íÇÑÌá ÊÚÑÝæä ãä åæ ãáß ÔÇÑÚ ÝæáÊä ÇáíÓ ßÐáß
åíí Ïí Ìí ÔÛá áí ÔíÆÇ áØíÝ íÇÑÌá¿
ÍÓäÇ ÍÓäÇ , ÅÝÚáåÇ
ÓÃÍÕá Úáì ÈÚÖ áÍã ÇáÏÌÇÌ ÇáãÔæí ÚäÏãÇ ÇäÊåí ãä ÇáÝÊì ÇáßÈíÑ
åá ÇäÊ ãÊÃßÏ Çäß áÇ ÊÑíÏ ÈÚÖ ÇááÍã ÇáãÔæí
ÇáÃä ÏÚäí ÇÎÈÑß ÞÕÉ ÕÛíÑå ÈÔÃä Çá Èí Èí ÈÑíííã
ÈÑíã ÑÃÓ ÇÕáÚ ãËá ÓíÏ ßáíä
æÈÑíã ØÇÒÌ ãËá ÑÞÕÉ ÇáÃíÑáäÏííä
æÈÇáÌæÇÑ åäÇ ÇäÇ ÇáãØÑ æÇáãáß
ÈÑíã ÇáÈÏíä ÞÇÏã ãä ãÏíäÉ ßÈíÑå Ýí (ÈÑæßÓ)¿
ÇäÊ áØíÝ Úáì ÇáãÇíß æãÇíßß ãÚÐæÑ
ÔÛá ÇÛäíÊß ÇáÈØíÆå æÇäÇ ÓÃÏÎä ãÄÎÑÊß ÇáÌãíáÉ
ÇÛäíÉ Êßäæ æÓÃÏÎä åÐå ÇáãÄÎÑå
ÇäÊ áÇ ÊÓÊØíÚ Çä ÊÑÇäí Çäå ÇäÊ ãËá ÇáÃÚãì
ÞáÊ áß Èäí áÃäß ãáßí æÇäÇ æÇáÏß áíÓ áÃäåÇ ãÒÍå
íÇÑÌá ÇÌÚá åÐÇ ÇáãÛÝá íÎÑÌ ãä åäÇ áÇ ÊÓÊØíÚ Çä Êßæä ÌÏí íÇÑÌá
ÏÚæäÇ äÝÚá Ðáß æäÓãÚå Úáì ÇáÑÛã ãä ÕÛÑå
åíÇ ãÇÐÇ Êãáß ÇíåÇ ÇáÝÊì ÇáÈÏíä¿
ßä Úáì ÓÑíÑ ÈÑæßáíä ãËá ãÇ äÔÃÊ ÇíåÇ ÇáÑÇÈÑ
ÞÇÝíÊß ÊÈÏæ ãÞÑÝå æÇÏÇÆß íÈÏæ æßÃäå ãÞÈæÖ Úáíå
ÇáßËíÑ íäÊÙÑ ãä ãÌãæÚÉ ÇáÃÎ ÇáßÈíÑ ãä ÔÇÑÚ ÝæáÊä
ÊÓÞØ ÇáÞÇÝíå ãÚ ÝæÒ ÛíÑ ÊÞáíÏí
ÇáÒäæÌ ÊÑíÏ Çä ÊÚÑÝ ßíÝ ÇäÇ ÇÚíÔ ÍíÇå ãÎÊÕÑå¿
ÇÕäÚ ÇáäÞæÏ æÇÏÎä ÇáãíßÑæÝæä ãËá ßæßÇííä ÇáÈíÈÒ
ÇÕäÚ ÛäíãÉ ãËá ØÑÞ ÇáÌäæÏ ÇáÃÚÊíÇÏíÉ
Çäå ÓÑ ÇáãíßÑæÝæä æÃäÇ ÃÝÖá ãäÇÝÓ
ÇáãÌæåÑÇÊ æÇáãáÇÈÓ ßá Ðáß åæ ßá ÔíÆ
ÇäåÇ ÎØæÉ ÊÃÊí áí Ðáß ÍíË ÊäÇæá Ýí ÇáÎÑíÝ
(ÈíÛ) ãËá ÈáÏ ÇáÞÊá
áã íÓãÚ áí ãä ÞÈá æáßä ÇáÈÞÇÁ ÞÑíÈÇ ãä ÇáÃáÛÇã Úáì ÊíäÇ ÊíÑäÑ
ßáãÉ ááÃã æÇäÇ ÃÚáÇåÇ
ÇäÇ ÇÍÈß áÃäß ÇááØÝ ÚÇåÑÉ
åÑÇÁ ãÌäæä ÑÈãÇ íÌÚá ÞÖíÈí íÍßäí
ÊÏÝÞ ÇßËÑ ãÑæäÉ ããÇ ßÇä áí áæËÑ íÌÈ Úáíß Çä ÊÊÎÐ (ÈíÛ) ÑÆíÓ ÇáÌäæÏ
ãËá ÇáÃíÓ ßÑíã ÇäÇ ÓæÝ ÇÛÑÝß æÞÏ ÝÚáÊ Ðáß ÝÚáÇ ÇáÃä
ÇáÚíÔ ãÚ ÇáÃËÇÑå ãÖãæäÉ ÇáÎÇã
áÌãíÚ ÒäæÌß ÇáÊÇÝåíä
ÇäÊ ÝÚáÇ ßäÊ ÑÇÆÚ. äÚã Ðáß ãÇßäÊ ÇÊÍÏË Úäå íÇÑÌá
áÞÏ ÍØãÊå íÇÑÌá
åíí (ÈÑíãæ) ãä åÐÇ ÈÍÞ ÇáÍÌíã¿
ßíÝ ÍÇáß Çãí¿
ÇäÇ ßäÊ Ýí ÔÇÑÚ (ÝæáÊä) ÇÓÌá æÇäÊåíÊ "ÝãÇ ÇáÐí íÌÚá Óáíã ÓÚíÏ"
ÃÔÊÑíÊ áß ÇááÈæã ãä ÇÓÎÝ ÈáÏ áÇ íãßä Ãä ÊÌÏíå
Ýí ÃÎÑ ÔåÑ ÇäÊ ÊÛíÈÊ 20 íæãÇð ãä ÇáãÏÑÓå¿
ÍÓäÇ ÇäÙÑí ÇäÇ ÍÇæáÊ Çãí
ÇäÇ ÊÛíÈÊ ÇíÇã Þáíáå áßääí ÊÑÇÌÚÊ ËáÇËÉ ÇÓÇÈíÚ Úáì ÇáÊæÇáí
ÍíË Çäå ÃÊì ËáÇËÉ ÇÔÎÇÕ Ýí ÕÝí Úä íæã ÇáãåäÉ
Ýäí ßãÈíæÊÑ ÕÇÍÈ ãÊÌÑ ØÈíÈ
æÇáßá íäÙÑ æßÃä ÇáÝÞÑ ßÓÑ ÇáÒäæÌ - åí ÇäÊÈå ãä ÇáÝÇÙß -
áÇ ÇÓÊØíÚ Çä ÇÔÇåÏ äÝÓí æÇäÇ ÐÇåÈ Åááì ÇáãÏÑÓå æíäÊåí Èí ÇáãØÇÝ ãËáåã
áÃä áÏí ÇáÃä ÇãæÑ Úáí ÝÚáåÇ
ãÇÐÇ ÊÞÕÏ ÈÍÞ ÇáÌÍíã¿
(ÌÇä) ÍÇãá æÇäÇ ÓÃÕÈÍ ÇÈÇð
ÇÑÌæß ÇÎÈÑäí Çäß áíÓ Ðáß ÇáÛÈí
æáãÇÐÇ ÊÞæáíä ÔíÆÇ ãËá åÐÇ¿
áÃäß ãÇÒáÊ ØÝáÇ áÚíä
ÇÐÇ áãÇÐÇ ÊÚÊÞÏ Çääí ÇÊíÊ Åáì ÇáæáÇíÇÊ ÇáãÊÍÏÉ¿
áßí ÇÓÊØíÚ Çä ÇäÝÞ Úáíß ÇÑÚÇß æÇØÚãß
ÊäÙíÝ ÇáÈØÇØÓ ÇáÊí ÊÃßá ãäåÇ æÇáåÑÇÁ ÇáãÊæÇÌÏ ÊÍÊ ÓÑíÑß¿
ãÇÐÇ¿ -ÇäÊ áÇ ÊÓÊØíÚ Çä ÊåÊã ÈäÝÓß-
ßíÝ áß Çä ÊåÊã ÈÍÈíÈÊß -ãÇÐÇ ÝÚáÊí ÈåÇ-
Çíä ÇááæÍÉ¿ ÇáÞíÊ ÈåÇ Ýí ÓáÉ ÇáãåãáÇÊ ÇäåÇ ãËíÑÉ ááÇÔãÆÒÇÒ
Çäå Úãáí
ãÇáÐí ÊÝÚáå¿ -åÐå áÓíÊ ÈØÇØÓ áÚíäå ,ÍÓäÇ-
ÇäÙÑ Ãáí ÞáÊ áß ÇäÙÑ áí
åá ÊÞæá áí ãÇ ßäÊ ÃÚÊÞÏ Ãä ÊÎÈÑäí¿
Èäí , ÓíäÊåí Èß ÇáãØÇÝ ãËá ÇáãÊÔÑÏæä ÇáÐíä áÇ ÞíãÉ áåã æÊÔäÞ
Çáã ÊÑì Ðáß¿ - ÇáãÊÔÑÏæä áÇ íãáßæä ÓáÇÓá æáÇ ÇáãÇá æáÇ ÇáÃæáÇÏ æáßä ÇäÇ ÑÌá-
åá ÊÚÊÞÏ Ðáß ÓíÕäÚ ãäß ÑÌáÇð¿
ÇÎÑÌ
Çãí -ÇÎÑÌ-
ãÇáÐí íÍÏË¿
áã Çßä ÇáÑÌá ÇáÐí ÊÑíÏå æÇáÏáÊå Çä íÕÈÍ ÔíÆÇ ãÇ
ÇÐÇ ÇááÚäå , ÇäÇ ÓÃÕÈÍ ÇáÑÌá ÇáÐí ÇäÇ ÇÑíÏå
ÚäÏãÇ ÇãæÊ ÇááÚäå ÇÑíÏ Çä ÇÐåÈ Åáì ÇáÌÍíã
áÃäí ÞØÚå ãä ÇáåÑÇÁ áíÓ ãä ÇáÕÚÈ Çä ÇÞæá
áÇ íæÌÏ ÔÚæÑ ÇäÊí ÐÇåÈ Åáì ÇáÌäå ÇáÃãæÑ ÇáØíÈå ÊáÈÓ ÇÈíÖ
ÇÍÈ ÇáÊíãÈÓ ÇáÃÓæÏ æÇáÑÈØÇÊ ÇáÓæÏÇÁ
Çááå Óíãáßäí æíÍßã Úáí ÇáÍßã ÇáÞÇÓ
áÇ ÇäÇã ßá íæã -ßíÝ ÍÇáß-
ßíÝ ÍÇáß íÇÑÌá¿ åíí ßíÝ ÍÇáß (ßÑíÓ)¿
ÇÎÈÑÊß íÇ (áíá Óí)¿ áÇ íæÌÏ áß ãßÇä ÈåÐå ÇáÒÇæíÉ
íÇÕÇÍ ÇäÇ ÝÞØ ãÍÈØ åÐÇ ßá Ôí
íÇ (Ïí)¿ íÇ (Ïí) ÊÚÇá åäÇ
ÓÍÞÇð -ÊÚÇá åäÇ íÇÑÌá ÊÚÇá åäÇ-
åá åÐÇ ÇáãßÇä íÈÏæ ãËá ÝÕá (áÇãíÒ)¿ åí (ÓÇäÏí) ÇÐåÈí Åáì ÇáÌæÇÑ
ÊÚÇá åäÇ -ÓÃÐåÈ ÇäÇ-
¶ For give me for my disrespect For give me for my lies ¶
ÔßÑÇ áß ÇíåÇ ÇáÑÌá ÇáÃÓæÏ
íÇ (Ïí)¿
ÇááÚäå Úáíß íÇÑÌá
ÇäÇ ÇíÖÇ ÇÍÈß íÇ (ÓÇäÏí)¿
åíí åá ÇäÊ ÊÈíÚ ÇáãÎÏÑ ÇíÖÇ ááÍæÇãá¿
ÇááÚäå Úáì ÇáÚÇåÑÉ ÇáÍÇãá ÃäÇ áÇ ÇááÚÈ åÐå ÇáãÈÇÑÇÉ æíßæä åäÇß ÚÇãá ÇÌÊãÇÚí
áÞÏ ãááÊ ãä åÐÇ áÐáß ÞÑÑÊ Çä ÇäÊÞá áãÑÍáÉ ÇÚáì Ýí áÚÈÊí
¶ I feel like death is fuckin' callin'me ¶
- ¶ Nah, you wouldn't understand ¶ - ¶ Nig ga, talk to me, please ¶
¶ You see, it's kinda like the crack did to Pookie in New Jack ¶¶
ÇäÇ Çãáß ÇÑÈÚÉ ÔÈÇÈ ÎÇÑÌ ÇáÔæÇÑÚ
ÇäÙÑ Çáíß íÇÑÌá áÞÏ ßÈÑÊ ÇááÚäå
ÇÎÑÓ æÃÐåÈ Åáì ÇáÎÇÑÌ ÇíåÇ ÇááÚíä¿
áã Çßä ãåÏÏ ãËá ÑÌÇáí æáã ÇÚÈË ÇÈÏÇ ãÚ ÇÍÏÇ
ÝÞÏ ßäÊ ãÔÛæáÇ ÌÏÇ ÈÚÏ ÇáäÞæÏ
áßä ßäÊ ÇÊÍÑß ÈÓÑÚå ßÈíÑå ÌÏÇ
áÏíß ãßÇáãÉ ãä
(ßÑíÓÊæÝÑ æÇáÇÓ)
æåæ ÓÌíä Ýí ÓÌä ãÞÇØÚÉ æíß
Çãí
ÇááÚäå Úáíß (ßÑíÓÊæÝÑ)¿
áÞÏ ÇÎÝÞÊ ÇÍÊÇÌ áãÓÇÚÏÊß
áÇ, ÇäÊ ãä æÖÚ äÝÓå Ýí åÐÇ ÇáãÃÒÞ æÇäÊ ãä ÓíÎÑÌ äÝÓå ãäå
ÇäÇ áÇ ÃÓÊØíÚ Ãä ÃØáÈ ãäß Ãä ÊÕáí ãä ÃÌáí¿
áä ÇÊæÞÝ ÇÈÏÇ æÇäÇ ÇÕáí ãä ÇÌáß
æáßä Úáíß ÇáÊæÞÝ Úä ÅÖÇÚÉ ÇáæÞÊ ãÚ Çááå æÕáí ãä ÃÌá äÝÓß
ÇÛáÞ ÚíäÇß(ßÑíÓÊæÝÑ)¿
äÚã ¡ Úáì ÇáÑÛã ãä Çä ÇãÔí ØÑíÞ æÇÏí ÙáÇá ÇáãæÊ
æáÇ ÇÎÝ ãä ÇáÔÑ ÇáÝä ãÚí.
ÚÞæÈÊß æÓãæß ÑÇÍÊí
ÍÕäí ãä ÞÈá æÌæÏ ÃáÛÇã ÇáÇÚÏÇÁ.
ßÃÓ ÇÍÊíÇÌÇÊí ÇäÊåì
æãä ÇáãÄßÏ Ãä ÇáÎíÑ æÇáÑÍãÉ ÓíÊÇÈÚ ßá ÃíÇã ÍíÇÊí
Úáíß ÈäÝÓß Ýí åÐå ÇáÝæÖì áß ÈäÝÓß
Åä åÐå åí ÇáãÑÉ ÇáÇæáì Ýí ÍíÇÊí Çä ÇÝßÑ
ÅÐÇ ßäÊ ãíÊÇ ÓæÝ ÊÐåÈ ãÔÇßáí ÇááÚíäå
ÈÏÃÊ ßÊÇÈå ÇáÃÈíÇÊ áÃääí ÔÚÑÊ ÈÇáãáá ÕÑÇÍÉ
Ëã ÈÚÏ Ðáß ÈÏÃ ÇáÃÍÈÇØ ÏÇÎá ÇáÃÈíÇÊ æåÐå ÇáÃÈíÇÊ ÊÍßí ÞÕÊí
¶ The 23 rd Psal m was what my moms had to offer ¶
¶ No collection plate to make hard time feel softer ¶
¶ I know how it feels to wake up fucked up ¶
¶ Pockets broke as hell Another rock to sell ¶
¶ I got P-A -l-D That's why my moms hates me ¶
¶ She was forced to kick me out, no doubt ¶
¶ Then I figured out nicks went for 20 down south ¶
(ßÑíÓÊæÝÑ) ÇäåÇ ÝÊÇÉ
¶ I know how it feels to wake up fucked up ¶
¶ Pockets broke as hell Another rock to sell ¶
¶ Baby on the way Mad bills to pay ¶¶
ãÑÍÈÇ Èß Ýí ÇáæØä
Çíä åíÇ¿ -Çæå ÍÓäÇ ÍÓäÇ-
ÇÓãÍæÇ áí Ãä ÃÛÊäã Ðáß. ÃÚØäí Ðáß
(ÊíÇäÇ) Þæáí ãÑÍÈÇ áæÇáÏß -ÏÚíäí ÇÑì-
ÊÚÇáí
åäÇ
áÇ,áÇ,áÂ, åßÐÇ
Çãã
ãÇÎØÈß Çãí¿ ÅäåÇ áíÓÊ ÞÈíÍÉ
(ßÑíÓ)
Çãã
åíí ãÇÐÇ Èß (ßÑíÓ)
ÇäÊ ÓÊÕÈÍ ÇÈÇð ÚÙíãÇð
ÈÏæä Ôß , ÈÏæä Ôß. Çãí
ÇäÊ ßíÝ ÍÇáß¿
ÇäÙÑ ãä ÇáÐí ÚÇÏ íÇÑÌá¿
Çææå , ÇááÚäå Çäå (ßÑíÓ) íÇÕÇÍ ßíÝ ÍÇáß (ßÑíÓ)¿
ãÇáÐí ÊÝÚáå ÈÇáÃÓÝá íÇÑÌá¿ - ÇäÇ ãÍÈØ ÇäÇ ãÍÈØ-
ããÊáßÇÊ ÇáÒäæÌ ÈÇáÃÓÝá åäÇ íÇÑÌá
ÇäÊ ÊÚÑÝ Çäå ÇáÝäÇä ÇáÂä ¡ ÃáíÓ ßÐáß¿ ÍÞÇ! åá ÃäÊ ÇáÝäÇä¿
äÚã ÇäÊ Úáì ãÇÐÇ ÍÕáÊ ¡ æÕÈí Ãæ ÝÊÇÉ¿
ÝÊÇÉ ÕÛíÑå æÇæ , ÇÔßÑ Çááå ÇäåÇ ãËá æÇáÏÊåÇ
ÇäÊ ÊÚÑÝ ÓíÏ(Óí) ÇáíÓ ßÐáß ßíÝ ÍÇáß íÇÕÇÍ , ßíÝ ÊÈÏæ
ãåáÇ (ÈíÛ) ÇÊãäì æÇä ÊÊÐßÑ ßíÝ ÊÏÎä åÐÇ ÇáÔíÆ
åÐå ãÇ ÃÞæã Èå íÇ ÑÌá ÇÌÚáå ÎÇÑÌ íÏÇß
áÐáß ÇÒÏÇÏ ÇáäÇÓ
- ÇÚØäí åÐÇ ÇáåÑÇÁ - - åí ÇáÃä ÇäÊ ÈÇáÎÇÑÌ ãÇáÐí ÓÊÝÚáå¿-
ÇãÊáÇß ÝÊÇÉ íÌÚáäí ÇÑíÏ Çä Çßæä ãÎÊáÝÇð äæÚÇ ãÇ
ÍÕáÊ Úáì ÇáÞáíá ÝáÏí ÃäÇ Þáíá ãä ÇáÏÚã ÊÚáãæä ãÇ ÃÞæáå¿
æáßä áÚÏã Êãßäí ãä ÊÞÏíã ÇáÏÚã áåÐÇ ÔÚÑÊ ÈäæÚ ÂÎÑ ãä ÇáÓÌä
ÇäÇ æ (Ïí Ñæß) ÓäÓÊãÑ ãËá ãÇ äÝÚá ÏÇÆãÇ -ÇááÚäÉ íÇÑÌá-
ÊÚÇá
åíÇ ÈäÇ æÇÍÏ ÇËäíä äÚããã
¶ The microphone murderer mass mayhem maker ¶
¶ B.I.G. Is on the mike Call the undertaker ¶
¶ Make an appointment and schedule an interview ¶
¶ Because you know what big man's about to do ¶
¶ 50 Grandon the Technic with the right beat ¶
- ¶ Brothers wanna hear the words ¶ - ÇäÊÙÑ ÇäÊÙÑ -
ãÇáÐí ÞáÊå Ýí ÇáÈÏÇíå ãä ÇÈíÇÊß (ÈíÛ)¿
(ÈíÛí ÓãÇáÒ)¿ (ÈíÛí ÓãÇáÒ) åÇå¿
- áäÝÚáåÇ ãÑå ÇÎÑì íÇ ÑÌá- -íÇÈäí ßáãÇÊß ÑÇÆÚå-
-ÝÚáÇ ÍÞíÞí- - áßä ÇäÊ ÇÐÇ ÇäÊ ÊÑíÏ
Çä ÊØÑÍ åÐÇ åßÐÇ ÓäÓÌá åÐå ÇáåÑÇÁ
íÇÑÌá áÇ ÊÑÝÚäí ááÃÚáì - ÇäÇ ÝÞØ ÇÞæáåÇ -
ÇäÇ ÇÚÑÝ ÇíåÇ ÇááÚíä ãä íÚÑÝ ÇíåÇ ÇááÚíä
ÅÐÇ ÖÚ ÇáÔÑíØ íÇÑÌá - ÍÓäÇ -
áäÝÚáåÇ ÇÐÇ åíÇ ÈäÇ ãä ÞãÉ (ÈíÛí ÓãÇáÒ)¿
¶ A whole lot of niggas want Big to do a demo tape ¶
¶ Yo, 50, what's this ¶
¶ Uh, the microphone murderer mass mayhem maker ¶
¶ B.I.G. 's on the mike Call the undertaker ¶
¶ Make an appointment and schedule an interview ¶
¶ Because you know what big man's about to do ¶
¶ 50 Grand on the Technics with the right beat¶
¶ Brothers wanna hear the word the big man speak ¶
¶ The microphone a-ripping The burner got the clip in ¶
¶ Slamming MC's like Scottie Pippen ¶
¶ Sipping on old gold cold 'cause the rhymes were sold ¶
¶ Puffing on dime bags and l've been told ¶
¶ My words are harder than a brick Chinese arithmetic ¶
¶ A thick stick in my dick ¶
- ¶ Makes me sick when you pick¶ - That's it, right there.
¶ Your weak rap rhymes, G I'm kicking and pumping It's tic-tac time, see ¶
¶ The B.I.G. Moves swifter than a ninja ¶
¶ Even on stickups I'm the masked avenger ¶
¶ Keep my eyes open and the case is closed ¶
¶ No eye witnesses No names are exposed ¶
¶ It's the heavy set one with the big gun and the sweet tongue, taking down everyone ¶
¶ Coop like Michael Jackson Kicks like Bo Jackson ¶
¶ Fuck like Freddy Jackson No need for action ¶
¶ My crew, ooh No fronting, no faking moves ¶
¶ Hot into fucking and even when we stick a move ¶¶
ÍÕá Úáì ãÚÌÈíä ãËá (Åá Åá)¿
äÚã ¡ ÃßÈÑ ÞáíáÇ ãä Ðáß
ãÇÐÇ ãËá ÎØæÑÉ (Ïí)¿
æåæ ÇÎØÑ ÞáíáÇ ãä Ðáß.
ÇÐÇ ãËá (æíÓáí ÓäÇíÈÓ)¿ - æáÇ ÇíÖÇ (æíÓáí)¿-
ÍÓäÇð -ÇÍÖÑå åäÇ ÇÍÖÑå åäÇ-
äÚã , ÇÍÖÑå åäÇ ãä ÝÖáß
åÐå åæÇ (ÈíÛí ÓãÂáÒ)¿ ÇäÊ ÊÚÑÝ ÓíÏ (Óíí) æ Çãã
æ (Ïí Ñæß) ßíÝ ÍÇáß¿ -(Ïí Ñæß)-
Çæå ÇÌáÓ
ÇÐÇ æáÏí ÞÇá Çäß ÓÊäÊÌ ÇáÔÑíØ
ÇäÇ ÇÚÑÝ ãÇÐÇ ÝÚáÊ ÈÜ (ÌæÏÓí) æ ( ãÇÑíÛí)¿
æÇäÇ Çãáß ÇÈíÇÊ ááÃíÇã ÊÚÑÝ ãÇáÐí ÇÞæáå¿
ãÇäæÚ ÇáÞÕå ÇáÊí ÊÍÇæá Çä ÊÞæáåÇ¿
ÇÚÊÞÏ Çääí ÇÍÇæá Çä ÇÎÈÑß ÈÔÃä ÞÕÉ ãÚÏá ÇáÒäæÌ Ýí ÈÑæáßíä ÊÚÑÝ ãÇÐÇ ÇÞÕÏ¿
ÇáÒäÌí íãáß ãÙåÑ ÊÇÝå ÎÇÑÌ Úä åÐå ÇáÍíÇå -ãÇÒáÊ ÊåÇÌã-
ÇäÊ áÇ ÊÍÕá ÚáíåÇ ãáÊæíÉ ÇäÇ áÓÊ ÝÑÏ ãä ÚÕÇÈå ÇÕäÚ ÇáãÇá
Úãáí åæ Úä ÇáÔæÇÑÚ æáßä Úãáí áíÓ Ýí ÇáÔæÇÑÚ
æÃäÇ áÇ íãßääí ÇáÃÚÊãÇÏ Úáì Ãí ÔíÁ Íæá ÝäÇä íãßä Ãä íÏÎá Ýí Ãí áÍÙÉ ÇáÓÌä
ÇäÊ ÊÞæá Ðáß ¡ ÅÐÇ ÍÕáÊ Úáì ÇãæÇá ÍÞíÞíÉ Úä ØÑíÞí ÇáãÞÈá ÃäÇ ÎÇÑÌ ÇááÚÈÉ¿
áÇ ÊáÇÍÞ ÇáãÇá áÇÍÞ ÇáÍáã
ßãÇ ÈÏÃÊ áÜ(ÇäÏÑí åÇÑáíÒ) ßãÓÇÚÏ ÇáÃä ÇááÚäå ÇäÇ ÈÇáÞÑÈ ãä åäÇ Çãáß åÐÇ ÇáãßÇä Úáì ÇáÊæÇáí
íÇÑÌá ÇäÇ ÌÇÆÚ ÇäÊ ÊÓÊØíÚ Çä ÊáÞí Èí Ýí ÇáÛÇÈå æÇäÇ ÓÃÚæÏ æãÚí
æãÚí ãÚØÝ ÝÑæ ÇáÔäÔíáÉ æÞÈÚÉ ÇáÝåÏ æ 10 ãáÇííä Ìäíå ÇÈÔÚ ãä ÇÛÊíÇá ÇáÒäæÌ
ãÚ ßá ÇÍÊÑÇãí (ÈÝ)¿ ÇáÃÍáÇã áÇ ÊÏÝÚ ÝæÇÊíÑäÇ
åæ ÝÚáåÇ B E - S T Y L E - F O R U M
íÇ(ÈÂÝí) ÇäÇ áÇ ÇÚÑÝ ÈÔÃä ÝÑæ ÇáÔäÔíáÉ
æáßä ÅÐÇ Ñãì Èí Åáì ÇáÛÇÈÉ ÓÂÎÐ ãäåÇ ÇáÑÞÕ ÇááÚíä
ÑÈãÇ Ýí ÇáÃíÏí ÇáÕÍíÍÉ íãßä Ãä Çßæä Ãæá ãä ÇáÚÙãÇÁ
Çãã
ßã ÚãÑß¿ -ÊÓÚÉ ÚÔÑ-
ãä ÇáÃä ÇäÊ ÚãÑß æÇÍÏ æÚÔÑíä ÇäÇ ÓæÝ ÇÌÚáß ãáíæäíÑ
äÓÊØíÚ Çä äÛíÑ ÇáÚÇáã (ÈíÛí ÓãÇáÒ)¿ äÍä äÓÊØíÚ ÊÛííÑ åÐå ÇááÚÈå
ÞÇáåÇ ÇáÓÇÍá ÇáÛÑÈí íãáßæä (ÓäæÈ) æ (ÏÑí) æ ( ßíæÈ)¿
ÇáÓÇÍá ÇáÔÑÞí íäÊÙÑ ÔÎÕ ãáìÁ ÈÐáß ÇáÝÑÇÛ
ÇáÞÑÇÑ áß
ÊÓÊØíÚ Çä Êßæä ÇáÝäÇä ÇáæÍíÏ ãä - ÈÑæßáíä
Çæ ÊÓÊØíÚ Çä Êßæä ãÈÊÏÃ ÇáÑÇÈ Úä ãÊæÓØ ÇáÒäæÌ ãä - ÈÑæßáíä ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá
ÝáÏíß ÇáÎíÇÑ æÃæÏ ãÚÑÝÊå ãÇåæÇ ÇáÔæÇÑÚ Ãæ ÇáÇÓÊæÏíæ¿
ÇÐÇ ÇäÊ ãÚäÇ¿
ßíÝ ÍÇáß (ÈíÛ ãÇãÇ)¿
ãÇÐÇ ÞáÊ áí¿
(ÈíÛ ãÇãÇ)
ÇäÊ ÊÈÏíä áÚíäå ÌíÏå ßíÝ ÍÇá Úãáß Çáíæã¿
ßá íæã ÊÓÃáäí ßíÝ ÍÇáß , ãÇ åÐÇ¿
åÐÇ áÃääí ÇåÊã ÊÚÑÝíä ãÇÐÇ ÇÞæá¿ ÍÞÇ ¿ ÍÓäÇð
ãåãÇ ÊÞæá (ÈíÛ ÈæÈÇ)¿
ÇäÊ Êãáßíä áÓÇäÇ ÞÐÑ¿
åá ÊÑíÏ Çä ÊÝÚá ÔíÆ ÈÐáß ÇÐÇ ¿
ÃäÇ áÇ ÃÚÊÞÏ Ðáß.
ÇäÊÙÑí
ÊÑÛÈíä Ýí ÇáÍÕæá Úáì ÔíÁ ááØÚÇã¿
ÓÍÞÇð Çææå ÇÑÛÈ Ýí Ðáß
Çææå ÓÍÞÇ æÇÎíÑÇ æÕá (ÈÝ) åÇå¿
æÇäÇ åäÇ ÇäÊÙÑ ãÄÎÑÇÊßã
ßíÝ ÍÇáß íÇÑÌá¿
ßíÝ ÍÇáß (ÈíÛ)¿ -ßíÝ ÍÇáß¿-
ÞÇá (ÇäÏÑí) åäÇß ÇÓÏÇ æÇÍÏ ÝÞØ íãßä Ãä íßæä Ýí ÇáÃÏÛÇá
ãÇáÐí ÊÊÍÏË Úäå¿
ÇäÇ ÛÖÈÊ íÇ (ÈíÛ)¿
æãÇÐÇ ÈÔÃä ÇÊÝÇÞäÇ¿
ÇäÊ ÝÚáÇ ßäÊ ÊãÊáßäí
ÝÞØ ÊÚáã ßÇä ßá åÐÇ åÑÇÁ
ÇáÔíÁ ÇáæÍíÏ ÇáÐí ÍÕáÊ ÚÑæÖ ÈÚÖ ÇáßáíÇÊ.
ßÇä ßá ÔíÆ ÍÞíÞí ÞÈá Çä ÇÍÕá Úáíå ÈÏÞíÞÉ
íÇ (ÈíÛ)¿
æÇáÏí ãÇÊ ÌæÚÇð Úáì ÇáØÑÞ ÚäÏãÇ ßÇä ÚãÑí ÚÇãíä ÝÞØ
áíÓ áå ãÓÊÞÈá åäÇ
áãÌÑÏ ÃääÇ æÕáäÇ åäÇ ¡ áÇ ÊÚäí ÃääÇ áÇ äÓÊØíÚ Ãä äÚæÏ
ãÇÐÇ áÇ ÊÍÈØ ÇáÒäÌí ÇÌÚáå ÑÌáÇ
ÙääÊ Çääí ÍÕáÊ Úáì ÇÊÝÇÞ ÊÓÌíá æÇáÃä ÇäÇ ÍÊì áÇ ÇÓÊØíÚ Çä ÇÔÊÑí ÍÝÇÙÇÊ (ÊíÇäÇ)¿
ÇÍÈØÊ Úáì ãÏÇÑ ÇáÓÇÚÉ
ÃÙä Ãäß ÞáÊ áÜ(ÈÝ) ÓÊÊæÞÝ Úä ÇáÃÍÊíÇá íÇÑÌá ÙääÊ Ðáß
- Çææå ÇááÚäÉ - -ÓÍÞÇ-
åí ÇÑã åÐÇ ÇÑã åÐÇ
áÞÏ ÍÕáäÇ Úáì æÇÍÏÇð ÂÎÑ æåæ íÊæÌå Çáì ÇáÞÏíÓ ãÑÞÓ
áÇ íæÌÏ ãßÇä áÊÐåÈ
áäÝÚáåÇ ÈÇáØÑíÞå ÇáÓåáÉ åÇÇå¿
ÇÑäí íÏÇß ÊÚÇá ÇÑäí íÏÇß
ÇÑíäí íÏÇß æÓÃÖÚå ÌÇäÈÇð
åá ÊÚÑÝ ÚäÏãÇ ßäÊ ØÝáÇð
ßÇä áÏíß ãØæÇÉ ¡ äÍÇÓ ßäÊ ÓíÆÇ íÇ ÕÇÍ
ÇáÇä ÇÑì Çá 13 ãä ÇáÚãÑ íÊØáÚ Çáì ÊÈÇÏá ÇØáÇÞ ÇáäÇÑ æÞÊá ßÈÇÑ ÇáÒäæÌ
Úáì ÇáÒÇæíÉ áíÊãßäæÇ ãä ÈÏÁ ÊÔÛíá ÃäÝÓåã
ÇäÇ ÇÚäí ãÇ åÐÇ ÇáåÑÇÁ ÇáÚÇáã ãÞÈá Úáì
ÊÇÌÑ ãÎÏÑÇÊ ÚäÏãÇ áÇ íÓÊØíÚ ÇáÓíÑ Ýí ÇáÔæÇÑÚ áíáÇ¿
ÃÎÈÑäí (ßÑíÓ) ãÇáÐí æÖÚÊå ÇæáÇ¿
ÌæÇÑÈß , ãÚØÝß , ÑÈÇØß
áã ÇÑì åÐÇ ÇáãÓÏÓ ãä ÞÈá
- ÇÐÇ åÐÇ íÌÈ Çä íßæä ÎÇÕ Èß - - áÇ -
ÍÓäÇð ¡ æÇÍÏ ãäßã ÓíÐåÈ Ýí ÞÖíÉ ÇäÎÝÇÖ ÛíÑ ÔÑÚí áäÞá ÓáÇÍ
åæ æÇÍÏ ãäßã æÅáÇ Ãäå áÇ ÊæÌÏ Çí æÓíáÉ ÇÎÑì
ÇäÊã ÇáÃËäíä áã ÊÎÑÌæ ãä åäÇ
ÓÃÚØíßã ÏÞíÞÉ æÇÍÏÇ
-Çäå ÝÞØ íÍÇæá Çä íÝÒÚäÇ- -åí äÍä áÚÈäÇ ÕÝÞå ÕÚÈå ãÚå æÇáÓáÇÍ Úáíå ÛÈÇÑ æÐåÈÊ ÇáÈÕãÇÊ-
ÓäÞæã ÈÚÈæÑ åÐÇ ÇáÌÓÑ ÚäÏãÇ äÐåÈ åäÇß áÇ , ÈÚÏ Ðáß Óíßæä ÞÏ ÝÇÊ ÇáÃæÇä
ÇäÙÑ ÇäÊ Úáíß ãÓÄæáíå æÚÇÆáå æÇäÊ ÊÈÍË ÚäåÇ Ýí 5 Çæ 6 ÓäæÇÊ , ÍÓäÇð
æÇäÇ ÅÐÇ ÇÚÊÑÝÊ ÈÇáÊåã ÇáãäÓæÈÉ ÇáíäÇ ¡ ÓÃÍÕá Úáì ËáÇË ÓäæÇÊ
- áÇ (Ïí Ñæß) Çäå ÓáÇÍí æÇÛÑÇÖí -áÇ íÇÑÌá åÐÇ åÑÇÁ-
ÇäÙÑ åÐå ÇáãæÓíÞì ÇááÚíäå ÍÕáÊ ÚáíåÇ æÇÓÊÎÏãÊåÇ
ÇäåÇ áÇ ÊÃÊí ßá íæã
ÚäÏãÇ íÕÈÍ ãËáß ÚáíäÇ ÌãíÚÇ Ãä äÌÚá ãäå
-ãÇÐÇ áæ áã ÇÝÚáåÇ¿- -ÇÓãÚ-
ÇäÇ ÇÎÈÑÊß ßíÝ ÊÏÎá áÚÈÉ ÇáãÎÏÑÇÊ
ÇáÃä ÇäÇ ÇÎÈÑß ßíÝ ÊÎÑÌ
ÇäÊ áÇ Êãáß ÇÊÝÇÞ ÊÓÌíá¿ ÇÐÇ ÇÎÑÌ æÓÊÍÕá Úáì æÇÍÏÇð
æáßä áÇ ÊÚæÏ áåÐÇ ãÑå ÇÎÑì
áíÓ ÚäÏãÇ ÊÍÕá Úáì ãåÇÑÇÊ æÊÝÚá Ðáß
æáíÓ ÚäÏãÇ ÇÛÊäã åÐÇ ãä ãÄÎÑÊß
ÇÐÇ ÇäÊ ÓæÝ ÊÝÚáåÇ
ÇÐÇ¿
ÇäÇ ÇáÞíÊå ÇæáÇð íÇ ÃÈä ÇáÚÇåÑÉ
ÍÓäÇð
åí ÇÐåÈ ÇãÖí ÎÇÑÌÇð
(ÈíÛ) ãÇáÐí íÍÏË åá ÇäÊ ÈÎíÑ¿
ÇäÙÑ (ãÇÑß) ÇäÇ ÇÑíÏ Çä Çßæä ÔíÆÇ ÍÞíÞíÇð ãä åÐÇ ÇáåÑÇÁ
ÇäåÇ ÍíÇÊí åá ÊÔÚÑ Èí ¿ áÏí ØÝáå
ÇäÇ ÇÔÚÑ æßÃääí ÚÇáÞ ÈÇáØíä
ÇÎÈÑ (ÈÝ) ÇäÇ åäÇ æÇáÇÍÞ ÇáÍáã
ãåãÇ íßä åæ íÑíÏäí ÇÝÚáå ÓÃÝÚáå áßä ÇÑíÏ åÐå ÇáÃÒãÇÊ ÊÐåÈ ÇáÃä
ÓÃÎÈÑß (ÈÝ) ÓÃÎÈÑå ÇäÙÑ , ÇäÇ ÇÝåãß
Óíßæä (ÈÝ) ãÚß ÇáÃä
¶ This is going out to all the pimps and macks ¶
¶ Y'all know the flavor, Brooklyn style You know how we do ¶
¶ Is it true All I wanna do is screw ¶
¶ Drink brew with the crew on the avenue ¶
¶ Ooh, I flip skins like Mary Lou ¶
¶ So what you gonna do when she'll come for you, boo ¶
¶ I got girls that look like Toni Braxton ¶
¶ And give me the skins without aksin' ¶
¶ When I'm relaxin' on my back and you know what time it is, oh ¶
¶ But if it's red, man I'll leave you alone ¶
¶ She can call me on my cellular phone ¶
¶ And I'll mess around and pickyou up take you to the crib, stick you up ¶
¶ And put my Silk CD and lick you, ooh ¶
- äÚã (ÈíÛ) ÇäÊ ãÓÊÚÏ - - ¶ Hit the twat till your pops call the cops ¶
¶ And when I make bail, out of jail I'm-a wail on that tail ¶
¶ Because sex never fails This is going out to the pimps and macks ¶
¶ This is forthe macks anddons ¶¶
ßíÝ ÍÇáßã ÌÇãÚÉ (åæÇÑÏ)¿ ßíÝ ÍÇáß
åá ÇäÊã ãÓÊÚÏæä ááÝäÇä ÇáÊÇáí¿
ÍÓäÇð íÃÊí áßã ÇáÃä (ÈíÛ ÓãÇáÒ)¿
æÇíÖÇ íÚÑÝ ÈÃÓã ÓíÆ ÇáÓãÚå (È.í.Ì)¿
- ãä åæÇ åÐÇ ¿ - - åí ßíÝ ÍÇáß æÈãÇÐÇ ÊÔÚÑ (ÈíÛ)¿
ÈÏáÇð ãä Çááåæ ÇÍÊÇÌ Åáì ÍãÇÓ ÇáÃä ÍÓäÇð
- åá ÊÝßÑ ÍÞÇð - æÇáÃä ãÚßã ÓíÆ ÇáÓãÚå (È.í.Û)¿
-åíííí ÇäÊãããããããã- -äÚããã-
Çä (ÈÝ) ÕäÚ ÇÓãÇð áäÝÓå ÚäÏãÇ ÐåÈ áÜ (åæÇÑÏ)¿
æáßä ÇÓãí áÇ íÚäí ÔíÆÇ ááÌãåæÑ
-åíí ÇäÊãããã- -äÚããã-
åíí (åæÇÑÏ) ÇäÇ ÚÏÊ
åíÇ ÇÐåÈ ÇíåÇ ÇáÖÎã
ÃÑÏÊ Ãä ÇÝÚá Ðáß ÌíÏÇ
ÔÚÑÊ ÈÃääí ãÏíä áåÇ áÜ ( Ïí Ñæß)¿ ÔÚÑä ÈÃääí ãÏíä áåÇ ÈäÝÓí
ãÑÍÈÇ áÜ(È.í.Û)¿
- ÇÎÑÌ ãä åäÇ Çíå ÇááÚíä- - ÇÎÑÌ ÇíåÇ ÇáÈÏíä -
ÍÓäÇð¿
Çíä ÇáÒäæÌ ÐåÈæÇ¿
áÇ ÊÊæÞÝ äÍä áÇ äÑíÏ Çä äÊæÞÝ åíÇ ÈäÇ åíÇ
ÊæÞÝ
¶ I was a terror since the public school era ¶
¶ Bathroom passes cuttin' classes, squeezing asses ¶
¶ Smoking blunts was a daily routine since 13 A chubby nigga on the scene ¶
¶ I used to have the tre-deuce and the deuce-deuce in my bubblegoose ¶
¶ Now I got the MAC in my knapsack Lounging black ¶
¶ Smoking sacks up in acts with sidekicks ¶
¶ With my side kicks rocking fly kicks ¶
¶ Honeys wanna chat but all we wanna know ¶
¶ Is where the party at And can I bring my gat ¶
- ¶ It don't take nothing ¶ ßíÝ ÍÇáß(ÊæÈÇß)¿
åí ( ÝíäÓ) ßíÝ ÍÇáß ÌíÏ Çä ÇÑÇß
¶ Dumping out, just me and my crew 'Cause all we gonna do is ¶
¶ Bullshit and party and bullshit and party ¶
¶ And bullshit and party ¶
- ¶ And bullshit and party and bullshit ¶ - ÇáÝíÑÓ ÇáÊÇáí -
¶ Honeys in the back looking righteous ¶
¶ In a tight dress I think I might just ¶
¶ Hit 'em with a little Biggie 101 how I tote guns ¶
ßíÝ ÍÇáß ( ÊæÈÇß)¿ - ÇåáÇ íÇÑÌá -
åá ÓÊÐåÈ Åáì ÇáãÓÑÍ Çááíáå¿ áÇ íÇÑÌá ÇäÊ ÊÚÑÝ ÇäÇ åäÇ ÝÞØ ááåæ æÇáÊÑÝíå
¶ Smoking, drinking Got the hooker thinkin' ¶
¶ If money smell bad then that nigga Biggie stinking ¶
¶ Niggas start to loke out A kid got choked out¶
¶ Blows were thrown and a fucking fight broke out ¶
íÇÇÇÇÇå
¶ Can't we just all get along So I can put hickeys on your chest like Little Shawn ¶
¶ Get you pissy drunk off of Dom Perignon And it's on ¶
¶ And I'm gone That's that party ¶
¶ And bullshit and party and bullshit and party ¶
¶ And bullshit andparty and bullshit andparty ¶¶
ÍÓäÇð ÑÃíÊ (ÊæÈÇß) ãÇíÞÇÑÈ Çá 20 ãÑå ãä ÎÇÑÌ ÇáãÓÑÍ
æÇáÃä åÇ ÃäÇ åäÇ ÇÓáß äÝÓ ÇáØÑíÞ æäÝÓ ÇáÍÝáå ãÚå
Çäå Ìäæä ÇáÃäÇË ßÇäÊ ÌÇåÒÉ áÎáÚ ÇáãáÇÈÓ ãä ÇÌáå ÈÃÔÇÑå
åí íÇÑÌá æßá ÇáÑÝÇÞ ßÇäÊ ÊÍÊÑãå
ßíÝ ÍÇáß¿ ÚäÏãÇ ÊÈÏÃ ¡ åÐÇ ÇÝÖá æÞÊ
áÃäå ÞÑíÈÇ ÓÊßæä Úáì ÇáÞãå ÈÇáÃÚáì åÐÇ ÚäÏãÇ ÊÈÏÃ
ßäÊ ÃÍÓÈ Ãä åÐå ßÇäÊ ÈÏÇíÉ ÌíÏÉ
Ëã ÈÚÏ Ðáß ÇÕÈÍ ãËá (ÊæÈÇß)¿ íÌÈ Çä íÍÏË åÐÇ ÇáåÑÇÁ
ÇáÞÇß ÞÑíÈÇ (ÈíÛ)¿
åá ÊÑíä ßá åÐå ÇáÝÊíÇÊ åäÇ¿
Çí æÇÍÏå¿
ÇáÊí åäÇß
¶ Before I flip a script you know I must keep you dozing ¶
¶ I nto the stage of the Buckshot Shorty Son, pass the boom ¶
That's my joint. ¶ Never, ever, ever get played Kill that ¶
¶ Bust a mad cap in your back 'cause I'm all that ¶
¶ Straight from Crooklyn Better known as Brooklyn Elude the hook and ¶
ÕæÊß ÌíÏÇ - ¶ The whole beat's took in ¶
ÇÓÊãÑí áãÇÐÇ¿ ÍÊì ÊÊãßä ãä ÇáÖÍß¿
ÇäÇ áÇ ÇÖÍß Úáíß
Úáì ÇáÃÞá áíÓ ÇãÇã æÌåß
¶ My mental is criminal Felony thought subliminal ¶
¶ Sinful quick to trigger pull ¶
¶ Grab a pocketful of duckets So what ¶
¶ Fuck it Don't give a damn Niggas know who I'am ¶
¶ See, a bitch like me come and do you in your sleep ¶
¶ You wake up, shook up Running scared in the streets ¶
¶ Known around town as the bitch who gets down ¶
¶ Till they put me in a cell or they put me in the ground ¶¶
åÐÇ ÃäíÞ æáßä¿
ÇáÑÌÇá íÑíÏæä ÇáÇÓÊãÇÚ Åáì ÈÚÖ ÌäÓ æåæ íÎÑÌ ãä Ýã ÝÊÇÉ
æáíÓ ÊÝÇåÇÊ ÇáÚÕÇÈÇÊ
¶ Your whole world changed when you ¶ ÇäÊÙÑ ÇäÊÙÑ
ÇÓÊÑÎí ÊãÇãÇð
åíÇ ÈäÇ
¶ Your whole world changed when you heard me rap ¶
¶ Hand on your dick while my ass you smack¶
¶Wanna take off my panties and put it in the hole ¶
¶ But this ain't cheap, nigga Gots to pay a toll ¶
¶ Give a nigga head and no, I never bite ¶
¶ Sexy-ass lyrics you know you kind of like ¶
¶ Mike in my hand You better understand ¶
¶ Lil' Kim be the baddest bitch in Brooklyn ¶¶
ÇááÚäå ÇíÊåÇ ÇáÕÛíÑå ÃÍÈÈÊ Ðáß B E - S T Y L E - F O R U M
äÚããã
æãÇÐÇ ÊÍÈ ÇíÖÇ¿ ÇäÇ ÇÍÈ ÚäÏãÇ ÊÞæáí áí (ÈíÛ ÈæÈÇ)¿ ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá
- äÇ áÇ ÇÚÑÝ ãÇáÐí ÊÝÚáå¿- -ÇäÇ ÇÕÈÍ ÑÌáÇð-
ÇäÊ ÊÃÊí Åáì åäÇ ßá ÓÇÚÇÊ Çááíá
Çä (ÌÇä) ÞÇáÊáí - ÇäÇ æ (ÌÇä) ÊÝÑÞäÇ -
ÇäÊ ÇíÖÇ ÇÎÝÞÊ ãÚ ÇÈäÊß¿ ßäÊ ãÔÛæáÇ ÌÏÇ áßí áÇ ÊÐåÈ áÑÄíÊåÇ
ÇäÇ áÇ ÇÊÏáá ÇäÇ ÇÚãá ÈÌÏ
æÇäÇ ÈÏÃÊ ÇáÓÄÇá ÇæáÇ ãÇåí ÍÞíÞÉ åÐå ÇáãåäÉ¿
ßá åÐÇ Úä ØÑíÞ (ÈÝ)¿
æãÇ äæÚ ÇáÑÌá ÇáãÛÝá ÇáÐí íØáÞ Úáì äÝÓå (ÈÂÝí)¿
Çäå ÓÎíÝ ÊãÇãÇ
Çä (ÈÂÝí) áÇ íãáß áäÝÓå ãåäÉ -ÇáÃãÑ áíÓ ßÐáß-
ÇÐÇ ÇáÃãÑ ãËá ãÇÐÇ ãËá ãÇÐÇ ¿ -ÈÍÞ ÇáãÓíÍ-
-ãËá ãÇÐÇ åÇå¿- - ÚÐÑÇ ÓíÏÊí (æÇáÇÓ)¿-
ÇäÇ ÇÓÊØíÚ Çä ÇÔÑÍ áß áãÇÐÇ íÊÃÎÑ (ßÑíÓ)¿
ÍÓäÇð ÇÑÌæß ÇÑíÏ ÇÓãÚ åÐÇ
ÍÓäÇð ÓíÏÊí
ÇÈäß íãáß ÔíÆ ããíÒÇð
æÇÍíÇäÇð åæ ÝÚáÇ íÊÃÎÑ Çááíá æíÚãá ÔÇÞÇð æáßä ÇÚÊÞÏ Çä åÐÇ ÇáÚãá ÓíÚæÖßã ÌãíÚÇ
ÇáÂä ¡ Ýí ÇááÍÙÉ ÇáÊí ÃÑÇå ÊÌäÈ ÇáÚãá æÓÃßæä Ãæá ãä íÚáãß
ÇäÇ ßäÊ ÇÊßáã ãÚ (ãÇÑß) áíÕÈÍ ãÏíÑí ÇáÎÇÕ
ÌíÏ
æÅÐÇ ßäÊ ÊØáÈæÇ ãäí ÇÞÏã áßã ÚÞÏ ãÓÄæáíÉ ãÊÓÇæíÉ (ãÇÑß)¿ ÕÏÞæäí ¡ ÓæÝ ÇæÇÝÞ
äÚã ÓíÏÊí
- ÇÑíÏ (ßÑíÓ) Úáì ÇäÝÑÇÏ - - äÚã ÓíÏÊí -
ÇáØÈíÈ æÌÏ æÑã Ýí ÕÏÑí
ãÇÐÇ¿
ÚãáíÉ ÇáÌÑÇÍÉ ÇáÃÓÈæÚ ÇáãÞÈá æÓíÍÊÇÌæÇ Çä íÚãáæ ÈÞæÉ ÅÐÇ ÇãÊáß ÝÑÕå
ÇÐÇ¿¿
ãÇÐÇ íÚäí åÐÇ¿ ÃÑíÏ Ãä Ãßæä ãÚß (ßÑíÓÊæÝÑ)¿
-áÇ íÇÇãí ÇäÇ áÇ ÇÑíÏ Çä ÇÓãÚ ßá åÐÇ- -áÇ ÃÓãÚ-
- ÇÑíÏß Çä ÊÚÑÝ ÎØÈÇ ãÇ íÇ (ßÑíÓÊæÝÑ) ÇÑÌæß¿ - -ÇäÇ áÇ ÇÑíÏ Çä ÇÓãÚ åÐÇ íÇ Ããí-
ÃÓãÚ ÇäÊ, ÍÕáÊ Úáì åÐå ÇáÝßÑå ãä ÑÃÓí
ßäÊ ÇÝßÑ ÈåÇ ØæÇá Çááíá ÇäÇ áÇ ÇÓÊØíííÚ Çæææå
ÇäÙÑ , ÇäÙÑ , ÇäÊ ßäÊ ÇÝßÑ ÈÔÃä ÇÈä Úãí (æÂíä)¿ Çäå Ðßí ÌÏÇ
ÙááÊ ÇÝßÑ Ýí ÊÞÏíãå áãÓÇÚÏÊí ãÚ ÇáÅÏÇÑÉ.
ÇÚÊÞÏ Çäß íÌÈ Çä ÊÏÝÚå (ÈíÛ)¿
ÇäÊ
(ÈíÛ) (ÈíÛ) åá ÊÑíÏ ÇáÊÍÏË ÈåÐÇ ÇáÔÃä¿
-ÈÔÃä ãÇÐÇ¿- ÇÞÕÏ ßá ãÇ ÊäÕÊ ÇäÊ (ÈíÛ)¿
íÌÈ Çä ÊÞæá ÓÍÞÇð ááÃíÇã ÇáãÇÖíå íÇ ÑÌá
Ããí ÚäÏåÇ ÓÑØÇä åá ÇáßáÇã ÓíÚÇáÌ åÐÇ¿
ÓÍÞÇð
áÇ ÇÚÊÞÏ áÇ
ßÇä ÚãÑí 15 ÚäÏãÇ ÝÞÏÊ Çãí ÈÓÈÈ ÇáÓÑØÇä
ßíÝ ÊÚÇãáÊ ãÚ Ðáß¿
ÃäÇ áÇ ÃÔÚÑ ÈÇáÍÏíË.
ÇäÙÑ (ÈíÛ) ÇäÇ ÇÚáã Çäß ÊãÑ ÈæÞÊ ÚÕíÈ ÇáÃä
áßä íÌÈ Çä Êßæä ÌäÏí áÃÌá æÇáÏÊß
ÇäÊ ÓÊßæä åäÇß æÊÏÚãåÇ íÇÑÌá
ÇäÇ ÓÃÏÚí Ýí ÕáÇÊí áæÇáÏÊß (ÈíÛ)¿
ÇÍÏßã ÞÖì Úáí
ÑÈãÇ ÈÚÖßã Ýí åÐå ÇáÛÑÝå ÇáÃä
-æáßä ãÇíßÓÑ ÇáÒäÌí åæ ãÇíÕäÚå- -äÚã-
-Åáì ÊÓÌíáÇÊ (ÈÇÏ Èæí)¿- -Åáì (ÈÇÏ Èæí)¿-
åí (ÈÝ) åá ÊÓãÍ áí Çä ÇÍÏËß áÏÞíÞÉ
äÚã , ÇäÇ ÇÑíÏ Çä ÇÊÍÏË ãÚß
-ÇäÊ ßíÝ ÍÇá æÇáÏÊß¿- -ÈÏÃÊ ÊÓÊÚíÏ ÞæÇåÇ-
ÅäåÇ ÚÇÏÊ ááÊæ ãä ÇáãÓÊÔÝì ÇäÙÑ (ÈÝ) íÇÑÌá åÐÇ ( ÈÇÏ Èæí ) ÊÇÝå ÍÞÇ¿
ÏÚäí ÇÑíß ÔíÆÇ ãÇ
ÇäÇ åäÇ áÊæáí åÐÇ Åáì (ßáíÝ ÏíÝíÒ)¿
(ÈíÛ) Úáì ÇáÌÇäÈ ÇáÃæá (ÈíÛí ÓãÇáÒ) ÇáÌÇäÈ ÇáËÇäí (ßÑíÛ ãÇß)¿
(È.í.Û. ãÇß) åá ÇáÜ (È.í.Û. ãÇß) íÔÚÑ Èí¿
ãÇÐÇ íÝÊÑÖ Çä íÞæá ÈÍÞ ÇáÌÍíã¿ ÝÞØ ÇÝÊÍåÇ
ãÑÍÈÇ Èß Ýí (ÈÇÏ Èæí)¿
- ¶ Love got to do ¶ - ¶ When I'm rippin' all through your whole crew ¶
¶ Strapped like bam boo but I don't sling guns ¶
¶ I got bags of funk and it's sellin' by the tons ¶
¶ Niggas wanna know how I live the mack life ¶
¶ Making money smoking mikes like crack pipes ¶
¶ It's type simple and plain to maintain ¶
¶ Add a little funk to the brain The funk, baby ¶
- ¶ I live for the funk ¶ - ¶ The funk, baby ¶
¶ I live for the funk, I'll die for the funk I'll die for the funk ¶
- ¶ I live for the funk, I'll die for the funk ¶ - Fuck around and be hard-core.
¶ I live for the funk I'll die for the funk ¶¶
ÇäåÇ ÑÇÆÚå , ÑÇÆÚå ÇÚÌÈÊäí
-åÐå íÌÈ Çä Êßæä Çæá ÃÛÇäíí ÇáãäÝÑÏå- -ÇÑíÏß Çä ÊÓãÚ ÔíÆ ãÇ-
¶ Juicy fruit ¶
¶ Juicy ¶
- ¶ Yeah ¶ - ¶ Juicy fruit ¶
- ¶ Candy rain Comin'down ¶ ÇäÙÑ ãÇ ÃÞæá¿
ÇäÇ ÇÍÇæá Çä ÇÌÏ ááÒäæÌ ÇåÊãÇã æãÞÇÚÏ åÐå ÇáÃÛäíÉ ÓÊÕÈÍ ãËá ÇáãæÓíÞì ÇáÑæÍíå
ÇÐÇ ÇäÇ ÈÕÞÊ åÐÇ ÇáåÑÇÁ ÓÃÌÚá ÇáÒäæÌ ÊÖÍß Úáí ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá
ÇÐÇ ÈÕÞÊ åÐÇ ÇáåÑÇÁ ÓÊÚÌá ÇáÒäæÌ ÊÖÍß Úáíß Ýí ßá ãßÇä (ÈíÛ)¿
æãÇáÐí ÊÑíÏå ãäí ÇíÖÇ¿ Çä ÇÑÞÕ ãËá ( Åã Óí åÂãÑ)¿
ÇäÙÑ ÇäÊ ÇÚØÊíäí åÐÇ ÇáÔÇÑÚ ÇáãáÚæä ãä ÇáÌÇäÈ (Èí)¿ B E - S T Y L E - F O R U M
æáßä ÇÐÇ ÇäÊ áÇ Êãáß ÔíÆÇ ÝÃÓÊØíÚ Çä ÇÐíÚåÇ Úáì ÇáÑÇíæ
áä íÓãÚ áß ÇÍÏÇ ÔíÆÇ Çæ ÍÊì íÔÊÑí ÇááÈæã áß ÈÚÏ Ðáß
Úáíß ÝÞØ Çä ÊßÓÑ ÇáãíßÓ ÊíÈ ááÑÇÈÑ ÇËÞ Èí (ÈíÛ)¿
ÇäÊ , (ÈÝ) ÍÕáÊ Úáì åÐå ÇáäÞØå
æåæÇ íÍÑÞ ÇáßËíÑ ãä ÇáãÇá Ýí ÇáÇÓÊæÏíæ
åÄáÇÁ ÇáÒäæÌ íÈÏæä ãËá (Ñíß ÌíãÓ)¿
ÇäÊ -ÇÍÊÇÌ ÈÚÖ ÇáæÞÊ ÝÞØ íÇÑÌá-
áÞÏ ÍÕáÊ Úáì ãÇ ÍÕáÊ Úáíå
ÚÏ åäÇ ãÑå ÇÎÑì ÎáÇá ÓÇÚå Çæ ÓÇÚÊíä íÌÈ Çä íßæä åäÇß ÔíÁ ÌÇåÒÇ ¡ ÍÓäÇð (ÈÝ)¿
-ÍÓäÇð- -ßá íæã-
ÇäÊ (ÓíÒ)¿
ÇäÇ ÇÍÊÇÌ áÈíÈÓí æÈÚÖ ÇáÍÔíÔ
-ÍÓäÇð íÇÑÌá- -æÇáßËíÑ ãä ÇáãÒÒ ÇÎÈÑåã ÇääÇ ÓäÞíã ÍÝáÉ-
- æÇáæÞÊ ¿ ÓÃÚæÏ ÇáÃä - - ÏÚäí ÇÓãÚ åÐå ãÑå ÇÎÑì-
- ¶ Juicy fruit ¶ - ¶ Juicy ¶
ßíÝ ÍÇáß ¿ åÐå 500
ÇááÚÈå ÇäÊåÊ íÇÑÌá ÇáÃä ÇäÊ ÎÇÓÑ
åí ÇäÊ (ÈíÛ)¿ æÇáÏÊß Úáì ÇáåÇÊÝ
áíÓ ÇáÃä íÇÑÌá
ÍÓäÇð íÇÑÌá áÇ Úáíß
¶ You're my sugar thing My chocolate star ¶
ÇäÙÑ (ÈíÛ) ÍÊì ÇáÃä åá ßÊÈÊ ÈÚÖ ÇáßáãÇÊ ¿
ÇÑíÏ Çä ÇÌÏ ÈÚÖ ÇáÃËÇÑå
¶ But you're the only one ¶
¶ That gives me good and plenty ¶
Yeah?
åá ÇäÊ ÌÇåÒ ááÐåÇÈ Åáì ÇáÃÓÊÏíæ (ÈíÛ)¿ Åä (ÈÂÝí) Ýí ÇáØÑíÞ ÇáíäÇ
åíÇ ÇÓÊíÞÙ ÇäÊ äÍä áÇ äÏÝÚ áß áÊäÇã åßÐÇ
¶ Live from Bedford-Stuywesant the livest one ¶
¶ Representing B.K. To the fullest Gats I pull it ¶
¶ Bastards ducking when Big be buckin' ¶
¶ Chicken heads be cluckin' in my bathroom fuckin' ¶
¶ It ain't nothing ¶¶
åí ÇäÊ , ÇÎÈÑäí ÍíäãÇ ÊßÝ Úä ÇááÚÈ ¿
ÅÍÑÞ ÇááÍä B E - S T Y L E - F O R U M
¶ Uh ¶
¶ It was all a dream I used to read Word Up magazine ¶
¶ Salt-N-Pepa and Heavy D up in the limousine ¶
¶ Hanging pictures on my wall ¶
¶ Every Saturday, Rap Attack Mr. Magic, Marley Marl ¶
¶ I let my tape rock till my tape popped ¶
¶ Smoking weed and bam boo sipping on Private Stock ¶
¶ Way back, when I had the red and black lumberjack with the hat to match ¶
¶ Remember Rappin' Duke Duh-ha, duh-ha ¶
¶ You never thought that hip-hop would take it this far ¶
¶ Now I'm in the lime light 'cause I rhyme tight ¶
-åÐÇ åæÇ ÇáãÇá íÇÑÌá- -åÐå ØáÞÇÊ äíÑÇä ØáÞÇÊ äíÑÇä-
¶ Born sinner The opposite of a winner ¶
åá åæÇ ãä íßÊÈ åÐÇ¿ áÇ ÃÚÑÝ
ÇÞÕÏ , ÇÚÊÞÏ
ÇÎÈÑß ÇáÍÞíÞå ÇäÇ ãÎÏÑ ÊãÇãÇ ÇáÃä
¶ I'm blowin' up like you thought I would ¶
- ¶ Call the crib Same numbers, same hood ¶ äÚãã (ÈíÛ)¿
¶ It's all good Uh ¶
¶ And if you don't know now you know, nigga ¶
åÐå ÇáåÑÇÁ ÝÞØ ááãÑÍ æíÚØí áÜ (ÈÂÝí) ÔåÑÉ æáãÚÇä
ØÑíÞåã ßáå ÃÝÎÇÎ æáßä æÇÝÞÊ áÃÕá áåÏÝ ÇáÛäÇÁ
Åäå íÚÊÈÑ åÐå ÇáÃÛäíÉ ãä 100 Ýí ÇáãÆÉ Çáì 200 Ýí ÇáãÆÉ
Çäåã ÈÏÃæ íÞæáæä ÇääÇ äÓÊÚíÏ ÇäÞáÇÈ ÇáÝÇäß Åáì ÇáåíÈ åæÈ
ßá ãÇ ÃÚÑÝå Çääí ßäÊ ÇÝÚá ãÇ ÃÝÚáå ÏÇÆãÇð
ÊÓÌíáÇÊ (ÈÇÏ Èæí) ÊÊßáã Úä áÚÈÉ ÇáÑÇÈ
ãÚ (ßÑíÛ ãÇß) ÍÑÞ ÍÊì ÇáÎÑÇÆØ
æÇáÃä ÇáÌãíÚ ãÊÍãÓ ÈÜÃááÈæã (ãÓÊÚÏ ááãæÊ)¿ ááÝäÇä ÓíÆ ÇáÓãÚå (È.í.Û)¿
¶ Just like uniblab robotic kickin' flab ¶
¶ My flavor be the badder chitter-chatter Madder than the Mad Hatter ¶
¶ I bet you my shit come out fatter Got the data ¶
ÇÐÇ åã áã íÓãÚæÇ ãä ÞÈá Úä (ÈÝ ÏÇÏí) æ (ÈíÛí ÓãÇáÒ)
ÇááÚäå , ÇáÃä íÚÑÝæäÇ ÊãÇãÇð
¶ The king is what I mean I mean ¶
ßíÝ ÍÇáß¿
åÇ åæÇ ÑÌáí åäÇ
(ÈÇÏ Èæí!)
¶ I bet your mama miss you and I bet the MAC take off like an M.X. Missile ¶
¶ No more of your whining on the charts climbing ¶
¶ As I make the funk kickin' out more harder than a diamond ¶
¶ And if you didn't know who's rhyming ¶
äÚã , äÚã , äÚã . ßíÝ ÍÇá ÇáÌãíÚ ÈãÇÐÇ ÊÔÚÑæä¿
ÇÑíÏ Çä ÇÔßÑ ÌãíÚ ÇáÍÖæÑ
ÈãÓÇÚÏÊäÇ æÇáÃÍÊÝÇá ãÚäÇ ÈÃááÈæã (ãÓÊÚÏ ááãæÊ)¿ ÔßÑÇ áß
ÇáåíÈ åæÈ áä íßæä åæÇ äÝÓå ÇáÊÞáíÏí
áÃä åÐÇ ÇáÑÌá ÇáÐí åäÇ (ÈíÛí ÓãÇáÒ)
ÓíÆ ÇáÓãÚå (È.í.Û)¿ -åá ÊÑíÏ Çä ÊÞæá ÔíÆ ãÇ-
ÈÑæßáíä áÞÏ ÝÚáäÇåÇ
ÎÐ ÇáÊÇÌ. ÎÐ ÇáÊÇÌ. Ãäß ãáß ÈÑæßáíä
¶ Biggie Biggie Biggie Smalls is the illest¶
¶ Yeah Biggie Biggie Biggie Smalls is the illest ¶
¶ Live from Bedford-Stuywesant The livest one ¶
- ¶ Representing B.K. To the fullest, gats I pull it ¶ - It's a hot party.
¶ Bastards ducking when Big be buckin'¶
¶ Chickenheads be cluckin' in my bathroom fuckin'¶
¶ It ain't nothing They know Big be handlin'¶
¶ With the MAC in the Ack doorpanelin'¶
¶ Bandagin' MCs oxygen they can't breathe ¶
¶ Mad tricks up the sleeve Wear boxers so my dick can breathe ¶¶
-ßíÝ ÍÇáß íÇÕÇÍ¿- -ßíÝ ÍÇáß¿-
ÍÓäÇð ÓæÝ ÇÚæÏ ÇáÃä æÇäÊ áÇ ÊÌÚá ÇÍÏ íÐåÈ Åáì Çí ãßÇä
-ßíÝ ÍÇáß íÇÑÌá¿- -ÊåÇäíäÇ-
áÞÏ ÝÚáäÇåÇ
-áÞÏ ßäÊ áÇãÚÇð íÇÑÌá ãÈÑæß- - ÊÚÇá ÇÍÕá Úáì ÒÌÇÌÉ íÇÑÌá-
ÈáÇ Ôß , ßíÝ ÍÇáß¿ -ßíÝ áß Çä ÊÚÑÝ åÄáÇÁ-
Çæå Çäåã ÝÞØ íÓÇÚÏæäí Úáì Úãá ÇáÝíáã ÇáÌÏíÏ
Çãã ÑÇÞÈ ÇáÔÑßÉ íÇÑÌá Çäåã íãáßæä ÇáÑÇÈ
ÇÐÇ , íÇÒäÌí ÇäÊ Êãáß ÇáÑÇÈ ãÇåÐÇ ÇáåÑÇÁ ÇáÐí ÊÞæáå
ÇááÚäå , ÇäÇ ÔÑíÑ
åí (ÊæÈÇß) (ÈíÛ) ¿
åá ÇÓÊØíÚ Çä ÇÍÕá Úáì ßáãÉ ááßÇãíÑÇ¿
íÇÑÌá ÓÍÞÇð áß æááßÇãíÑÇ åíí ÇäÇ ÇÚÈË ãÚß ÇãÒÒÍ åíÇ ÊÚÇá
åíí ÇäÊ ÅäÙÑ Åááí ÇíåÇ ÇááÚíä ÇäÇ (ÊæÈÇß)¿
ÇäÇ åäÇ ÇáÃä ãÚ Òãíáí (ÈíÛ) ÓíÆ ÇáÓãÚå Úáì ÇáÓÇÍå
äÍä åäÇ áäÃÎÐßã ÌãíÚÇ ÇíåÇ ÇáãáÇÚíä Ýí ÚÇÕÝÉ ÇÚØåã ÔíÆÇ íÇ (ÈíÛ)¿
ÇáÍÞíÞÉ , ÇáÍÞíÞÉ ÊÚÑÝ ÇäÇ åäÇ ãÚ ÑÌáí (ÊæÈÇß)¿
ßá ãä ÏÑÓäí åÐå ÇááÚÈå æÇáåÑÇÁ
- äÚã Çäåã íÚÑÝæ ãä åæÇ- -åá ÊÚÑÝ ãÇÐÇ ÇÞæá¿-
æäÍä ÇáÃä Úáì æÔß Çä äÍÏË ÏãÇÑÇ Úáíßã ÇíåÇ ÇáãáÇÚíä
-åá ÊÚÑÝ ãÇÐÇ ÇÞæá¿-
ÊÚÑÝ ãÇÐÇ ÇÞÕÏ¿ -äÚããã
ãÌæåÑÇÊ ÑæáßÓ åá ÊÚÑÝ ãÇåíÇ ÇíåÇ ÇáÒäÌí¿ ÇÍÕá Úáì ÈÚÖåÇ Úáì ÇáÈÚÖ
äÍä äÃÎÐ ÇãæÇáß æäÔÊÑí ÚÇåÑÇÊßã ÈÃãæÇáßã
äÚã åÐÇ åÐÇ ÕÍíÍ , åá ÊÑæä¿ -ÊÚÇá æÇÍÕá Úáì ÇáÈÚÖ ÇíåÇ ÇááÚíä-
ÇäÇ ÇÑÊÏí åÐÇ ááÞÇÆí ÇáÃæá
ãÇÐÇ ÊÚÊÞÏ¿
Çäå ÓíÆ ááÛÇíÉ
ÓíÆ¿ íÈÏæ Çäß ÇÚãì
ÇäÇ ÇÍÇæá ÇáÃä Çä ÇÌÚáß (ãÇÑáíä ãæäÑæ) Ýí ÇáåíÈ åæÈ
åÐÇ ãÓÊÍíá Çä íÊÛíÑ
-ÇÐÇ åá ÇÎáÚ ÇáÍãÇáÇÊ- -áÇ ÊÎáÚíåÇ
ÇÎáÚí ÇáÞãíÕ
-åßÐÇ- -Çãããã-
åßÐÇ äÚããã
ÊÚÇáí åäÇ
ÓæÝ ÊÍÕá Úáíå åÐå ÎØæÉ ÌíÏÉ äÚã ¡ ÌíÏ
ÊÚÇáæ ÌãíÚÇð , åÐå áíÓÊ ÌäÇÒÉ
ÇäåÇ áíÓÊ ãÌÑÏ ÕæÑÉ ÇäåÇ ãåãÉ
ÈÇÏ Èæí áíÓÊ åäÇ áÊßæä ÇááÚÈÉ ÈÇÏ Èæí åäÇ áÊäåí ÇááÚÈå
ÌãíÚÇ, áßã 10 ÏÞÇÆÞ
ÇäÙÑæ Åáì (ÝíË) ÇÚÊÞÏ ÇäåÇ ßÇáÚäå
ßÇäÊ ÊÈÏæ ßÔÇÔÉ ÇáÚÑÖ
ÍÈíÈÊí , ÔßÑÇ
áãÇÐÇ ÇáÃÎ ÌÚáß ÈÎÇÑÌ ÇáÈÑÏ
áÞÏ ÞãÊí ÈÇáÊÕæíÑ ãÚ ÇáÌãíÚ ÚÏÇ ÇäÇ
ÇäÙÑ ÇäåÇ áíÓÊ ÇÓÇÁÉ
ÇÚÊÞÏ Çäß ãÛäí ÑÇÈ ãÐåá æÑÌá áØíÝ
æáßä ÇäÇ áÇ ÇÍÊÇÌ ßá åÐÇ ÇáÃä
ßá ãÇÐÇ¿
ãÇÐÇ ÊÞæáíä¿
ÃáÇ ÊÍÊÇÌíä áÃÎÇð íÌÚáß ÓÚíÏå¿
ÂÓÝå æáßä ÇäÇ áíÓÊ ÓÚíÏå
áíÓ ÈÚÏ
ÍÓäÇð -ÇäåÇ ÇÈäÊí(ÊÔÂíäÇ)¿-
-ÇäåÇ ÌãíáÉ- -ÔßÑÇ áß-
ãËá æÇáÏÊåÇ
ãÇÐÇ ßäÊ ÊÝÚá ãä ÞÈá ãÚ ÕÏíÞß (ÈÂÝí)¿
ÇáãÓÊÍÖÑÇÊ ÇáÕíÏáÇäíÉ. ÊÚáãíä ßíÝ ÊÈÏæ¿ -ãÐåá-
ÇÐÇ åá ÇäÊ ÔÑíÑ æÊÍÇæá Çä Êßæä ÌíÏÇ Çæ ÌíÏÇ æÊÍÇæá Çä Êßæä ÔÑíÑÇ¿
ÃäÇ ÔÎÕ ãÇ
-ßíÝ ÈÏÃÊ ÇáÛäÇÁ¿- -ÈÇáßäíÓÉ ÇáãÚãÏÇäíÉ Ýí ÇáÔãÇá-
ÑÇÆÚ
ßäÊ ÇßÊÈ æÃááÝ ÈÚÖ ÇáßáãÇÊ áãØÑÈíä ÂÎÑíä æÇÎíÑÇ ÍÕáÊ Úáì ÝÑÕÊí
áÇ ÇÚÑÝ ãÇÐÇ ßäÊ ÊÝÚá æáßääí áÇ ÇÚÊÞÏ Çääí ÓÃÕÈÍ åßÐÇ
ÚäÏãÇ ßäÊ ÝÊÇÉ ÕÛíÑÉ ßÇä ÇáÌãíÚ íÞæá áí ÇáÛäÇÁ ãÕíÑí
æáßääí ÓÑÇ ßäÊ Ããá Çä ÇÕÈÍ ãáÍäÉ
áÇ , áÇ ÊÞæáí Ðáß áÇ ÊÍÇæáí Çä ÊÎÈÑíäí Çäß ÊÊÞäíä ÇáÊáÍíä
-åá ÊÓÊØíÚ Çä ÊÚÑÖ áí ÔíÆ- -ÏÚíäí ÇÓãÚ äßåÉ ÇáÃæáÏ Óßæá-
-åá ÓÊÛäí- -äÚã ÓÃãÒÞå ÇáÃä-
-ÔÔÔ- -ÓÊØáÞíä ÑÕÇÕ¿-
¶ Some call me Biggie or B.I.G. ¶
¶ I'm just chilling in the place to be ¶
¶ And I ain't trying to preach or teach some knowledge ¶
¶ I'm just trying to call you FEW- Faith Evans Wallace ¶¶
ÊÚÌÈäí ÖÍÊß ÇäåÇ ÌÐÇÈÉ
áãÇ áÇ ÊÏÚíäí ÇÝÚá Ðáß
-ÊÝÚá ãÇÐÇ¿- -ÇÖÍßß-
åá ÇÓÊØíÚ Çä Çßæä åÐÇ ÇáÑÌá¿
¶ Oh, oh Checkit out¶
¶ To all the ladies in the place with style and grace ¶
¶ Allow me to lace these lyrical ¶
íÇÑÌá ÇäÊ ÌÚáÊ ÌãíÚ ÇáÒäæÌ ÇáÖÎãÉ ãËíÑå ãÑì ÇÎÑÇ , ÍÞÇð
íÇ (ÈíÛ) ÔßÑÇ áÃäß ÊãËá ÌãíÚ ÇáÃÎæÉ Ýí ÇáÍí
íÇÑÌá ÇÈíÇÊß ÌãíÚåÇ ÍÞíÞÇ ÊÌÚáäÇ äÑì ÇáÑÇÈ ÈÕæÑÉ ÇÝÖá æ ÍÞíÞÇ
-ÓÍÞÇð ÇäåÇ ãËá Ýíáã áÚííä- -ÍÞÇð íÇÑÌá-
-ÓÍÞÇð- - ßíÝ ÍÇáß (ÈíÛ) åá ÊÓÊØíÚ Çä ÊæÞÚ áí åäÇ-
-åäÇ- -ÇÝÚá Çí ÔÆ áß ÚÒíÒí-
-äÍÈß (ÈíÛ ÈæÈÇÇÇÇÇ)¿ -ÇäÇ ÇíÖÇ ÇÍÈßã ÌãíÚÇð-
íÌÈ ÚáíäÇ Çä äÊÞÇÈá ÈÚÏ ËáÇËÉ ÇÓÇÈíÚ
áÃääí áÇ ÇÓÊØíÚ Çä ÇäÊÙÑ ÏÞíÞÉ æÇÍÏÉ
Ýí ÇáÚÓÑ æÇáíÓÑ
ÇáÚÓÑ æÇáíÓÑ
æÝí ÌãíÚ ÇáÍÇáÇÊ ãÎáÕ
Çä ÊÚÑÝäí ÝÞØ ãä ÔåÑ íÇ (ÈíÛ) áÇ ÊÞæáåÇ Åä áä Êßä ãÓÊÚÏ
æÝí ÌãíÚ ÇáÍÇáÇÊ ãÎáÕÇð æÇÖÍ æÕÑíÍ
ÇäÇ ÇáÃä ÇÚáä Çäßã ÒæÌ æÒæÌÉ
íãßäß ÊÞÈíá ÇáÚÑæÓ
¶ You got it goin' on ¶
åíÇ ÈäÇ
åíÇ
¶ Uh, wha wha ¶
¶You got it goin' on Wha wha ¶
- ¶ I used to be scared of the dick ¶ åá åÐÇ ÍÞíÞí¿
¶ Now I throw lips to the shit Handle it like a real bitch ¶
¶ Heather Hunter, Janet Jacme Take it in the butt ¶
- ¶ Yeah, yeah, what, I got... ¶ áÇ , ÇäÇ áä ÇÞæá áß åÐÇ¿
ÇÚÊÞÏ Çääí áÇ ÇÑíÏ Çä ÇÛäí ÇíåÇ ÇáÃÍãÞ
-ÇíÊåÇ ÇáÚÇåÑÉ áÇ ÊÚÞÏí ÇáÃãæÑ- -ãä åíÇ ÇáÚÇåÑÉ ÇíåÇ ÇáÒäÌí ¿-
ÇäÇ áíÓ ÚÇåÑÊß ÇíåÇ ÇáÖÎã
ÇÛáÞ åÐÇ
- åá ÌääÊí¿- - åá ÌääÊ¿-
-ãäÐ ãÊì æÇäÊ ÊÚÇãáäí åßÐÇ¿- -ÇäåÇ ÒæÌÊí-
æãÇÐÇ Çßæä ÇäÇ¿
ÔÎÕÇ ãÇ ÇÎÑÌÊå ãä ÇáãÊÇÌÑ ÇáÓÎíÝå ÇáÐí ßÇä ÈåÇ
ÇáíÓ åÐÇ ãÇ ÃÑÏÊí ¿
ÇäÊ ÞáÊ Çäß ãáßÊäí
-ÓÍÞÇð- -æáä íÌÑÍäí ÇÍÏÇ ãÑÉ ÇÎÑÉ-
ÇäÙÑí åäÇ ÓÊæÏíæ ÊÓÌíá ÝÞØ ÏÚí ÇáãÓÇÆá ÇáÔÎÕíÉ ÎÇÑÌÇð
æãÇÐÇ ÊÌÏ ÈåÇ æáã ÊÑÇå Èí ÇÑíÏ Çä ÇÚÑÝ¿
ÇäÊí ÝäÇäÊí ÍÓäÇð¿
ÇäÊí ÝäÇäÊí ÇááÚíäå
åÐÇ ÇäÇ ÝÞØ ÈÇáäÓÈå áß (ÈíÛ)¿
åíÇ Ûäí
¶ Throw your motherfucking hands in the air ¶
¶ Throw your motherfuckin' hands in the air ¶
¶ Check it out ¶
- ¶ Somebody say, "B.I.G." ¶ - B.I.G.!
- ¶ Say, "B.I.G." ¶ - B.I.G.!
Everybody put your middle fingers in the air like this and turn it like this!
¶ Check it and let me hear you say ¶
- ¶ "Fuck that side" ¶ - Fuck that side!
- ¶ Say, "Fuck that side" ¶ - Fuck that side!
¶ Say, "Fuck that side" ¶
Fuck that side!
¶ Who the fuck is this paging me at 5:46 in the mornin' ¶
¶ Crack of dawnin' now I'm yawnin' ¶
¶ Wipe the cold out my eyes ¶
¶ See who's this pagin' me and why ¶
¶ It's my nigga Pop from the barbershop ¶
¶ Told me he was in the gamblin' spot I heard the intricate plot ¶
¶ Some niggas wanna stick me like fly paper, neighbor ¶
¶ Slow down, love Please chill, drop the caper ¶
¶ Remember them niggas from the hill up in Brownsville ¶
¶ That you rolled dicewit' Smoked blunts and got nicewit' ¶
¶ Yeah, my nigga Fame up in Prospect ¶
¶ Nah, that's my nigga Nah, love wouldn't disrespect¶
¶ I didn't say dem ¶
¶ They schooled me to some niggas that you knew from backwhen ¶
¶ When you was clockin' minor figures ¶
¶ Now they heard you blowin' up like nitro ¶
¶ And they wanna stick the knife through your windpipe slow ¶
¶ So, thank Fame for warnin' me 'cause now I'm warnin' you ¶
¶ I got the mack nigga Tell me what you gonna do ¶
Damn! ¶ Niggas wanna stick me for my paper ¶
¶ Do my ladies run this motherfucker ¶¶
Hell, yeah!
ãÑÍÈÇ
åá åÐÇ ãäÒá(ßÑíÓ)¿ -áÇ-
ÊÚÑÝíä ãÊì ÓæÝ ÚæÏ¿
- áÇ ÇÚÑÝ- åá áÏíß ÑÓÇáÉ áå¿
Çãã
ÇÎÈÑíå Çäå íÌÈ Çä íÒæÑ ÇÈäÊå ãä Ííä Åáì Ííä
¶ I let my tape rock till my tape popped ¶
¶ Smoking weed and bamboo Sipping on Private Stock¶
¶ Way back when I had the red and black lumberjack with the hat to match ¶
¶ Remember Rappin' Duke duh-ha, duh-ha ¶
¶ You never thought that hip-hop would take it this far ¶
¶ Now I'm in the limelight 'cause I rhyme tight ¶
¶ Time to get paid blow up like the World Trade ¶
¶ Born sinner the opposite of a winner ¶
¶ Remember when I used to eat sardines for dinner ¶
¶ Peace to Ron G, Brucey B Kid Capri ¶
¶ Funkmaster Flex, Lovebug Starsky ¶
¶ I'm blowin' up like you thought I would ¶
¶ Call the crib same number, same hood It's all good ¶
¶ And if you don't know now you know ¶
- Ladies! - You know very well!
- ¶ I can't hear you ¶ - Who you are!
- ¶ A little louder ¶ - Don't let'em hold you down!
ßíÝ ÍÇáß(Ýíáí)¿
áÏí ÇáÃä ÝÊíÇÊ ÊÈßí ãä ÇÌáí æßÃäí (ãÇíßá ÌÇßÓæä)¿
-íÌÈ Úáíß Çä ÊÒæÑ ÇÍÏåã-
-ÇäÊ áä ÊÃÊí ÇÈÏÇ- (ÌÇä)
-äÚã- -ãÇÐÇ ÊÑíÏ ÈÍÞ ÇáÌÍíã-
ÇäÊ áä ÊÒæÑ ØÝáÊß ãä ÝÊÑÉ
ÇäÇ ÇÒæÑ ÇÈäÊí ÚäÏãÇ ÇÓÊØíÚ
ÇäÇ ÇÒæÑ (ÌÇä) ßá ÇÓÈæÚ
-ÇÚØåÇ äÞæÏ Úáì ÇáÃÞá- -æãä ÈÌÇäÈß ÇÐÇ¿-
-æáãÇ ÊÓÃá¿- -ÓÍÞÇð-
ÇäÙÑí
(ãÇÑß) ÞÇÈáåã æÇäÇ ÑÈãÇ ÇÏÚåã
ÇäÇ Ýí ÌäÇÍí ÇáÎÇÕ Çááíáå áÇ ÊÊÕáí Èí ãÑÉ ÇÎÑì¿
åá ÌÚáÊ (ãÇÑß) íÓÊÎÏã ÛÑÝÊß¿
äÚã ¡ áíÓ ãä ÔÃäß
åÐÇ ÇáÕæÊ ÛÈí Úáì Çí ÍÇá
åÐÇ áÃäå ÝÚáÇð ÛÈí æáßäå ÑÌáí ÊÚÑÝíä
ÍÓäÇð - ÇÍÈß -ÇÍÈß-
ãÑÍÈÇ ÇåáÇ ÊÓÊØíÚíä ÇáÃÚÊäÇÁ ÈÜ(ÊÔÇíäÇ) áÃÌáí ¿
äÚã¿
-ÇáÎÇÏãå- -áÇ , ÔßÑÇ-
ÂÓÝ ÓíÏÊí áÇ ÇÓÊØíÚ ÓãÇÚß ÈÇáÎÇÑÌ¿
ÇäÇ ÞáÊ áÇ ÔßÑÇ
ÓÍÞÇõ -ãÇåÇÐÇ¿-
(ÝÇí) ÇäÊÙÑí (ÝÇí) ãÇáÐí íÍÏË
(ÝÇí) áÇ áÇ
-ÇíÊåÇ ÇáÚÇåÑÉ (ÝÇí) (ÝÇí) ÇäÊÙÑí¿
- ÇááÚäå íÇ (ÝÇí) ÇäÇ áã ÇÚÇÔÑåÇ-
ÇÐÇð ãÇÐÇ ßäÊ ÊÝÚá¿
¶ You didn't hear me calling out ¶
¶ Calling for your warm affection ¶
¶ After all this time ¶
¶ You can't deny ¶
¶ What I'm feeling, ohh-oh-ohh ¶
¶ Ohh-ohh ¶
¶ And I stood right by ¶
¶ Your side ¶
¶ Went through all the hurt and pain ¶
¶ Then you turned and walked away ¶
- ¶ I remem ber ¶ - ¶ I remember ¶
¶ You used to love me, baby ¶
- ¶ I remember ¶ - ¶ Ohh-oh-ohh ¶
¶ The days you used to love me ¶
¶ Ohh-oh-ohh, remember ¶¶
áÇ ÇÏÑí ãÇáÐí ÇÝÚáå ÝÚáÇ ãÚß¿
áÞØ ÇÎØÃÊ
ÇÔÊÞÊ Çä Çßæä ãÚß ÇäÊ æ(ÊÔÇíäÇ)¿
áÞÏ æÇÌåÊ ÈÚÖ ÇáãÔÇßá
ÇäÇ áä ÇÎØÃ ãÑÉ ÇÎÑì (ÝÇí ÝÇí)
(ÝÇí)
ÇäÇ áÇ ÇÏÑí ãÇÐÇ ÇÞæá ÇíÖÇ
ÇäÇ ÝÞØ ÇÑíÏ Çä ÇÐåÈ ááãäÒá
-ÓíÏÇÊí æÓÇÏÊí- -ÛÈí-
Nobody smile like you, Fay-Fay. áÇ ÇÍÏ íÖÍß ãËáß (ÝÇí ÝÇí)
ÓÇãÍíäí (ÝÇí ÝÇí)¿
Çããã
ÓÍÞÇð
ÇÑÃíÊ ãÇÐÇ ÝÚáÊí
ÇÍÈß (ÝÇí ÝÇí)¿
ÇÍÈß ÇíÖÇ
ÍÏËÊ ÇãæÑ áØíÝÉ Èíäí æÈíä(ÝíË)¿
ÞÇÈáÊ (ÌæäíæÑ ãÇÝíÇ) Ýí ÇáØÑíÞ
æáßä ÇáÃÓåá ßÇä Èíäí æÈíä(ÝÇí)¿ ÇáÃÕÚÈ ßÇä Èíäí æÈíä(ßíã)¿
íÞÏã áßã (ÈíÛ)¿
(ÌæäíæÑ ãÇÝíÇ) æ (áíá ßíã)
¶ Niggas, better grab a seat ¶
¶ Grab hold your dick 'cause this bitch get deep ¶
¶ Deeper than the pussy of a bitch six feet ¶
¶ Stiff dicks feel sweet in this little petite ¶
¶ Young bitch from the street guaranteed to stay down ¶
¶ Used to bring work out oftown on Greyhound ¶
¶ Now I'm Billboard bound Niggas, press to hit it ¶
¶ Play me like a chicken Thinking I'm pressed to get it ¶
¶ Rather do the killin' in the stick-upjooks ¶
¶ Rather count a million while you eat my pussy ¶
¶ Push me to the limit Get my feelings in it ¶
¶ Get me open while I'm comin' down your throat ¶
¶ You wanna be my main squeeze nigga, don'tcha ¶
¶ You wanna lick between my knees, nigga ¶
¶ Don'tcha wanna see me whipping your three down the ave ¶
¶ Blow up spots on bitches because I'm mad ¶
¶ Break up affairs lick shots in the air ¶
¶ You get vexed and start swinging every where ¶
¶ Me shifty Now you want to pistol-whip me ¶
¶ Pull out your nine while I cock on mine ¶
¶ Know what, nigga I ain't got time for this ¶
¶ So what, nigga I'm not trying to hear that shit ¶
¶ Now, you want to buy me diamonds and Armani suits ¶
¶ AdrienneVittadini and Chanel nine boots ¶
¶ Things to make up for all the games and the lies ¶
¶ Hallmark cards saying, "I apologize" ¶
¶ Is you wit' me How could you ever deceive me ¶
¶ The pay back's a bitch Motherfucker, believe me ¶
¶ Naw, I ain't gay This ain't no lesbo flow ¶
¶ Just a little somethin' to let you motherfuckers know ¶
¶ Get money, fuck bitches ¶
- ¶ Get money ¶ - ¶ Get money, fuck bitches ¶¶
(ÈíÛí)
ÇÍÈß
¶ We push the hottest V's Peel fast through the city ¶
¶ Pla y Monopoly with real cash ¶
¶ Me and Biggie and the models be shakin' they saditty ass ¶
¶ And parotta be somethin' you cats got to see ¶
¶ And the watches be all types and shapes of stones ¶
¶ Bein' broke is childish and I'm quite grown ¶
¶ Run up in that club with the ice on me and Paisan ¶
¶ Scope the spot out see somethin'nice and I'm gone ¶
¶ I'm poppin' Ma gnums while Jigga bag somethin'¶
¶ Watch is platinum Got jet lag from ¶
¶ Flights back and forth Pop corks of the best grapes ¶
¶ Make the best CD's and the best tapes ¶
¶ Don't for get the vinyl Take girls, break spinals ¶
¶ Biggie be Richie like Lionel Shit ¶
¶ You seen the Jesus dipped to H classes ¶
¶ Ice project off lights Chick flashes ¶
¶ I love the dough more than you know ¶
¶ Gotta let it show Gotta let it show ¶
¶ I love the dough ¶
¶ Yeah I love the dough ¶
¶ More than you know ¶¶
Çäå åäÇÇ ßíÝ ÍÇáß íÇÑÌá¿
ßíÝ ÍÇáß ÊÈÏæ ÌíÏÇ¿ ßíÝ ÍÇáß åá ßá ÔíÆ Úáì ãÇíÑÇã¿
ßá Ôí ÈÎíÑ -ÌíÏ Çä ÇÑÇß- ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá
åá ÊÑíÏ ÈÚÖ ãä åÐÇ¿
åí (ÊæÈÇß) åá ÇÓÊØíÚ ÇáÍÕæá Úáì ÊæÞíÚ¿
åÇ åæÇ -ÔßÑÇ-
åÐÇ ÇáåÑÇÁ ÓíÌÚáß ÈÇáÎÇÑÌ¿
-ãÇÐÇ¿- -ÇáäÇÓ ÊÑíÏ ÊæÞíÚß æßÃäß ãËá (14 ßÇÑÊÒ)¿
áÏí ØÝá ÇÊì áí æÇÎÈÑäí Çääí ÈØáå
æáßääí áíÓ ãËá (ãÇáßæáã ÇßÓ) æ (ÏßÊÑ ßíäÛ)¿
åÐÇ åæ (ÊæÈÇß)¿
ÏÇÆãÇ ãÊÞáÈ ÇááÚíä
ÇÓÃá 10 ÇÔÎÇÕ ãä åæ (ÊæÈÇß) æÓÊÌÏ ÚÔÑÉ ÇÌÇÈÇÊ ãÎÊáÝÉ
æåæÇ ÝÚáÇ ßÐáß æÑÈãÇ ÇßËÑ
æÃÍíÇäÇ ßÇä ãÌÑÏ ÔÎÕ ÝÞØ íÍÈ ÇáãÒÍ ãÚß
ÇÚØäí ÇãæÇáß , ÎÐ ÇáãÇá¿æÌÈÊß ÇáÕÛíÑå -åÇÇå-
æáßä ãËá (ÊæÈÇß) ÞÇá áí ÇÝÖá æÞÊ ÚäÏãÇ Êßæä ÈÇáÞãå
æáßä ÚäÏãÇ ÊÕÈÍ Ýí ÇáÞãÉ ÑÈãÇ ÊÓÞØ Ýí Ãí áÍÙÉ B E - S T Y L E - F O R U M
ßíÝ ÍÇáß (ÏßÊÑ ÏÑí)¿
(ÊæÈÇß) ßÇä ãÍÞ åÐå ÇááíáÉ Ýí ÇáÃÓÊÏíæ ÊÛíÑ ßá ÔíÆ
ßíÝ ÍÇáß(ÊæÈÇß)¿
åíí , ßíÝ ÍÇáß(ÓíÒ)¿ -åíÇ ÇÕÚÏ-
äÚã ÇäÇ ÞÇÏã
-ÍÓäÇð ÓæÝ ÇÐåÈ ÇÎÈÑ (ÈíÛ)¿-
íÇ (ÈíÛ)¿ áÞÏ ÑÃíÊ (ÊæÈÇß) ÈÇáÃÓÝá
ÍÞÇð¿ ÇÐåÈ æÇÍÖÑå Åáì åäÇ
ÍÓäÇð
ÇäÊ , (ÈíÛ) æÇáÌãíÚ Ýí ÇáÏæÑ ÇáÚÇÔÑ ÍÞÇð¿ æßíÝ ÊÓííÑ ÇáÃãæÑ
íÇÑÌá ÇäÊ ÊÚÑÝ Ðáß Úáíß Çä ÊËÞ æÝÞØ ÊÌÚáå íÚãá
íÇÑÌá Âãá Çä íßæä áÏì (ÊæÈÇß) ÍÔíÔ ÌíÏ
Çäåã ÞÇáæ( ÈÝ ÈÝ ÈÇÓ )¿ æáßä ÇÐ åíÇ ÝÚáÇ ÌíÏÇ áä ÇãÑÑåÇ áÃÍÏ
ÇÌÚá åÄáÇÁ ÇáãáÇÚíä íÚæÏæä Åáì ÇáãÕÚÏ
ÚæÏæ Åáì ÇáãÕÚÏ ÇíåÇ ÇáãáÇÚíä
íÇ (ÈíÛ) , (ÊæÈÇß) íÖÑÈ ÈÇáÃÓÝá æÇáÓáÇÍ Úáì æÌåå
-áÇ ÊÊÍÑß ÊÚÇá åäÇ- Çäåã ÈÇáÃÓÝá , ÏÚäí ÇÃÊí ãÚß íÇÑÌá
ÇááÚäå , ÇÖÛØ 12
ÇáãáÇÚíä ÍØãæäí ÈÇáÃÓÝá íÇÑÌá
(ÊæÈÇß)
ÞÝ ãßÇäß
-ÇÊäÙÑæ- - ÇÎÑÓ æÖÚ íÏíß ÈÇáÃÚáì-
ÇÍÏßã íÊÕá ÈÇáÃÓÚÇÝ ãÇÐÇ ÍÏË íÇ (ÊæÈÇß)¿
(ÊæÈÇß) áÇ íÚÑÝ Èãä íËÞ
ÇÈÊÚÏæÇ Úäí
áÞÏ ÊÑßÊæäí ÇíåÇ ÇáãáÇÚíä ÇäÇ åäÇ ÇáÃä
ãÇÐÇ¿
-ÈÏÃ íÔÚÑ ÈÇáÞáÞ - "ÇááÚäÉ"
Çáßá ßÇä ãæËæÞ Èå
ÓÍÞÇð , ÇááÚäÉ Úáíßã ÌíãÚÇð
æÃäÇ ãä Èíäåã
ÚÞÈ ÅØáÇÞ ÇáäÇÑ Úáì (ÊæÈÇß ÔÂßæÑ) ÞÑÈ ÇáÃÓÊÏíæ
ÇÓÊÏíæ ãÛäí ÇáÑÇÈ æãäÊÌ ÇáÊÓÌíáÇÊ ÇáÐí íÚÑÝ ÈÃÓã (ÈÂÝí)¿
ãÇÐÇ¿ áÇ åÐÇ ßÐÈ
íÇ (ÈíÛ) ÊÚÇá íÇÑÌá ÇäÊ áÇ ÊÍÊÇÌ Çä ÊÑì åÐÇ ÇáÃä
ÍÐÑÊå ãä åÄáÇÁ ÇáÑÌÇá
íÏÚæä ãäÊÌ ÇáãæÓíÞì (Ôæä ÈÂÝí ßæãÒ) ¡ æãÛäí ÇáÑÇÈ (ßÑíÓÊæÝÑ æÇáÇÓ)¿
ÇáÃä åæ íáÞí Çááæã Úáí ßíÝ áå Çä íÞæá Ðáß ÇäÇ áÇ ÇÝÚá ÔíÆÇ ãËá åÐÇ
- äÚã áÞÏ ÇÎØÆæ íÇÑÌá- -Çäåã áä íÌÚáæäí Çä ÇÑÇå ÈÇáãÓÊÔÝì-
ÓÍÞÇð ÇäÇ ÓÃßáãå
-åæ íÚÑÝ ãä ÇØáÞ Úáíå ÇáäÇÑ- -íÇ (ÈíÛ) ÇäÊÙÑ-
-(ÈíÛ)-
-íÇ (ÈíÛ) ÇäÊÙÑÇ ÇäÊÙÑ- -íÇ (ÈíÛ) ÇäÊÙÑ-
åã æÌÏæ Çäå ãÐäÈ íÇÑÌá
Çäå áÇ íÝßÑ ÈæÖæÍ ÇáÃä åá ÊÚÑÝ ãÇÐÇ ÇÞæá¿
ÝÞØ ÇÚØå ÈÚÖ ÇáæÞÊ æÏÚå íÓÊÑÎí
ÇááÚäÉ åÐÇ áÇ íÚäí Çí Ôí
ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá B E - S T Y L E - F O R U M
Ýí ÞÖíÉ ÇáÃÚÊÏÇÁ ÇáÌäÓí ÇáãÍÇßãÉ ÇáãÑÝæÚÉ ÖÏå Ýí ÇáÚÇã ÇáãÇÖí
ÊãÊ ÊÈÑÆÊå ãä ÓÊÉ Ýí ÇáÇÊåÇã æÇÏíä ÈËáÇËÉ ÂÎÑíä
æåæ íæÇÌå ÇáÂä Íßã ãÍÊãá ÈÇáÓÌä ÇáãÄÞÊ
åíÇ ÇÏÚæäí ÇÎÈÑßã ãä åæÇ ÇáÝÇÆÒ
ÇáÝÇÆÒ åæ¿
(ÇÈæÝ ÐÇ ÈÇßÈæÑÏÓ - æ - ÐÇ ÑíãÓ) åá ÊÚÑÝæä ãÇÐÇ ÇÞæá¿
ÊæÌå (ÊæÈÇß) Çáì ÇáÓÌä ÈÓÈÈ ÇáÇÚÊÏÇÁ ÇáÌäÓí
ßäÇ äÚÊÞÏ Ãä ßá ÔíÁ ÓæÝ íäÊåí
ÇÑÏÊ Çä ÇÞæá áÜ(ÊæÈÇß) Çä íÌÚá áå ÍÑÇÓÉ
äÍä äÑßÈ ãÚå æíæÌÏ ÂÎÑíä ÇíÖÇ ÞÇáæÇ Ðáß
Çí ÝäÇä ãäÇ íÑíÏ Çä íÕÈÍ ÝäÇä æíÈÞì äÌã
áÇ áÇ ÏÇÚí ááÞáÞ ÈÔÃä ÇáãäÊÌ ÇáãäÝÐ
ßá ÇáÝíÏíæåÇÊ æÇáÊÓÌíáÇÊ ÊÑÞÕ
ÊÚÇá Åáì (ÏíË Ñæ)¿
äÚã! Ýí ÇáÌÇäÈ ÇáÛÑÈí åíÇ íÇ ÑÌá
áÞÏ ÍÕáäÇ Úáì ãßÇäÉ ÝæÞ åÐå
(ÈíÛ) ãÇ Èíä ÇáÓÇÍá ÇáÔÑÞí æÓÇÍá ÇáÊäÇÝÓ¿
åá ÃäÊ ÎÇÆÝ Úáì ÍíÇÊß¿
-åá áÏíß ÊÚáíÞÇÊ Úáì (ÏíË Ñæ)¿- (ÈíÛí) ãÇÐÇ ÝÚá (ÈÂÝ ÏÇÏí)¿
åá ÇØáÞÊ ÇáäÇÑ Úáì (ÊæÈÇß)¿
ãÇÐÇ ÓÊÝÚá ÇáÃä (ÊæÈÇß) ÞÏ ÎÑÌ ãä ÇáÓÌä¿
åíÇ , åíÇ ÇÎÑÌäÇ ãä åäÇ
(ÊæÈÇß) æÑÝÞÇÆå ÞÇáæÇ
ãä ÇØáÞ ÇáäíÑÇä æ (ÈíÛí) ÎÑÌ
íÍÇæá ÇáÏÝÇÚ Úä ÇØáÇÞ ÇáäÇÑ Ýí ÇáÃÓÊæÏíæ
áßä (ÈíÛí) íÞæá Çäå ßÊÈ åÐå ÇáÇÛäíÉ ÞÈá ÇØáÇÞ ÇáäÇÑ
æÊæÞÝ Úä ÇáÃÛäíÉ ÇáÂä
äÚã ÊæÞÝ ÚäåÇ æÇáÃä (ÊæÈÇß) ÓíÃÊí
åÐå ÇáÃÛäíÉ ÇáÌÏíÏå ãä (ÈíÛí) ÓÊÌÚáå ÎÇÑÌ ÇáÓíØÑå
ÇáÌãÇåíÑ áÇ ÊäÍÇÒ ÇáãÄÔÑÇÊ ÊÎÊÇÑ ÇáÌÇäÈíä
ßíÝ ÍÇáß¿
ãÇÐÇ åá ÓÊÌáÓ åäÇ ãËá ÇáÃÍãÞ¿
ÇáÌãíÚ ÎÑÌ íÇÑÌá -ãä-
Çäå (ÊæÈÇß) ÎÑÌ ãä ÇáÓÌä ÈßÝÇáÉ
¶ First off, fuck your bitch and the clique you claim ¶
¶ West Side when we ride come equipped with game ¶
¶ You claim to be a playa but I fucked your wife ¶
¶ We bust on Bad Boy's niggas Fuck for life ¶
¶ Plus, Puffy tryin' to see me weak ¶
åÐÇ åÑÇÁ áä ÇÊÚÑÞ ÇáÃä
¶ We keep on coming while we running for your jewels ¶
¶ Steady gunning Keep on busting at them fools You know the rules ¶
¶ Little Caesar go ask your homey how I'll leave you ¶
¶ Cut your young ass up leave you in pieces Now be deceased ¶
¶ Lil' Kim, don't fuck around with real G's ¶
- ¶ Quick to snatch you gly ass off the street ¶ - Where you get this from?
ãä Çíä ÍÕáÊ Úáì åÐÇ ÇáåÑÇÁ¿ ãä ãÍá ÝÃäå Ýí ßá ãßÇä
¶ So let the West Side ride tonight ¶¶
ßÇä ÇáÛäÇÁ ãäÐ Çä ßäÊ ÝÊÇÉ ÕÛíÑÉ
ÇÐåÈ æÇäÙÑ ãÇåÐÇ
-ÂÓÝå áÇ ÇÚÑÝ ãÇáÐí ÇíÌí- -Çíä ÇáãáÚæäå (ÝíË)¿-
ÇäÇ ÚäÏí ãÞÇÈáÉ (ÈíÛ)¿ ãÊì ßäÊí ÓæÝ ÊÎÈÑíäí¿
ßíÝ ÇÚÑÝ ÔíÆ ãËá åÐÇ¿
ÊÚÇáí åäÇ
åíÇ ÇÎÑÌí åäÇ
áÞÏ ÝÚáÊíåÇ åÇå¿
åá ÊÑíÏí ÇáÚÈË ãÚ ÇáÒäæÌ¿ åá ÊÑíÏí ÇáÚÈË ãÚ ÇáÒäæÌ¿
åÇå¿ -ÇÎÑÌ ãä åäÇ-
íÇ (ÈíÛ) ÇåÏÃ íÇÑÌá ÔÎÕÇð ãÇ ÇÎÈÑ ÇáÃãä ÇáÃä
(ÈíÛ) åíÇ ÇÎÑÌ
åíÇ ÇÎÑÌ åíÇ ÇÎÑÌ
ÈãÇÐÇ ÊÝßÑ -áÇ ÇÝßÑ ÈÔíÆ-
ÇäÇ ÝÞØ ãäåß ÍÓäÇð¿ ÇÑíÏ Çä ÇÚÑÝ ÇáÍÞíÞÉ
íÇÑÌá ÇáÍÞíÞå åí Çä (ÊæÈÇß) íÍÇæá Çä íÌÚáß ÈÇáÃÓÝá ÊÍÊ ÞÏãíå
æíÑíÏ Çä íÌÚáß áÚÈÉ ÈíÏíå íÇ (ÈíÛ)¿
ÇäÇ ÇÞÕÏ ÇääÇ íãßääÇ ¡ ÃíÖÇ ÇáÔÌÇÑ...
æáßä íÌÈ Çä ääÊåí ãä ÇáÊÓÌíá ãÚ (ßáíÝ) ÇäåÇ 42 ãáíæä ÏæáÇÑ
æÇäÊ ÓÊÍÕá Úáì 5 ãáíæä (ÈíÛ) áÇ ÊÝÓÏ åÐÇ ÇáÃãÑ
(ÝÇí ÝÇí ) åíÇ ÇÝÊÍí ÇáÈÇÈ ÇÑíÏ ÇáÊÍÏË ãÚß
åíÇ ÇÝÊÍíå ÇÑÌæß
(ÝÇí)
åá ÊÓÊØíÚí Çä ÊÝÊÍí ÇáÈÇÈ¿
(ÝÇí)
ãÇáÐí íÌÑí¿
ÊÈÇð áß
ÇäÇ ÍÊì áÇ ÇÚÑÝ Åáì ÇáÃä ãä åæÇ ÇäÊ
åá ÊÓÊØíÚí Çä ÊÓãÚí áÏÞíÞå¿
ÝÞØ ÇÓãÚí íÇ (ÝÇí) ÝÞØ ÏÞíÞå¿ -áÞÏ ÇäÊåì-
ÂÓÝ ÈÔÃä ãÇÍÏË ÂÓÝ ÈÔÃä ßá Ôí
ßÇä íÌÈ Çä Êßæä ÑÌáÇð æÊÓÃáäí
ÍÓäÇð ÇäÇ ÇÓÃá ãÇáÐí ÍÏË Èíäß æÈíä (ÊæÈÇß)¿
áÞÏ ÑÃíÊå Ýí (åÇæÓ ÇæÝ ÈáæÒ)¿
ÇÊÎÐäÇ Êáß ÇáÕæÑÉ ¡ æåÐÇ ßá ãÇÝí ÇáÃãÑ
æåÐÇ ßá ÔíÆ ÍÏË åäÇß
ÇäÊåÊ ÇáÞÕÉ
-ÍÓäÇð- -ÑÈãÇ ÇáÃä áÏíß ÝßÑÉ Úä ÔÚæÑ ÇáÛÔ-
áÇ ÇÊÝÇÎÑ (ÝÇí) æáßä ÇÐÇ ÇÑÏÊ Çä ÇãÊáß 10 ÚÇåÑÇÊ íæãíÇð ÇÓÊØíÚ
ÇÐÇ ÇÐåÈ æÇÍÕá Úáì 10 Çæ 20 ÇäÇ áÇ ÇÑíÏß
ÇäÇ áÇ ÇÚäí Ðáß
áÇ íÇ (ßÑíÓ)¿
ÇäÇ áÇ ÇãÒÍ
- Not anymore. - Come on, Fay. -áíÓ ÈÚÏ ÇáÃä - -åíÇ (ÝÇí)¿-
ÇááÚäå
ãÇÐÇ¿ ÇäÊ (äæÊæÑíæÒ)¿
-äÚã- -íÌÈ Úáíß Çä ÊáÈÓ ÓÊÑÉ æÞÇÆíÉ-
-ãä ÇäÊ¿- (æíÓÊ ßæÓÊ) ÇíåÇ ÇááÚíä
-ßã ãÞÇÓ åÐå- -ÇäåÇ 14 ßãÇ ØáÈÊ-
ÇäåÇ áíÓÊ 14
ÇááÚäå ÇäåÇ 12 áíÓÊ 14
ÍÓäÇð ÇáÌãíÚ íÎÑÌ (ÓíÒ) ÅÐåÈ æÇÍÖÑ ÇáÓíÇÑÉ
-ÇáÌãíÚ íÎÑÌ- -ÌãíÚ åÐå ÇáãÔÇßá
ÈÇáÎÇÑÌ åíÇ åíÇ - íÇ (ãÇÑß) áÇ ÊÚÈË åäÇ æåäÇß-
ÇäÊ áÇ ÊÚãá ÔíÆ ÇäåÇ áíÓÊ ãÞÇÓå
ãä íÑÊÏí ÍÐÇÁ ßÈíÑÇ åßÐÇ
Çäå áíÓ æÞÊ ÇáÚÈË
ÇäÊÙÑ íÌÈ ÊåÏÆ Çäå ÝÞÏ ÚÞáå ÇáÃä
íÇ (ÈíÛ) áÇ ÊÞáÞ äÍæ åÐÇ ÇáÃãÑ -áíÓ ÈÔÃä åÐÇ ÇáÃãÑ íÇÑÌá Çä (ÝÇí) ÍÇãá-
æßíÝ ÚÑÝÊ ãä ÑÃÓß ÇäåÇ ÍÇãá¿ ßá ÔíÆ ãÚÞÏ åäÇ
All this soap opera drama. æßÃääÇ ßá åÐÇ äãËá ãÓáÓá ÏÑÇãí íÇ(ÈíÛ)¿
-ÇäÇ áä ÇÐåÈ- -åíÇ (ÈíÛ) íÇÑÌá áÇ ÊÝÚá åÐÇ Èí-
-æáÇ ÊÝÚá åÐÇ Ýí äÝÓß- -ÇäÇ ÝÞØ ÇäÊåíÊ-
ßá ÔíÆ áÚíä íÌÈ Çä ÊÓÊÚíä Èí ÇäÇ
ßá ãÇ ÇÑíÏå åæ ÚæÏÉ ÇáÍÐÇÁ ÇááÚíä ÇáÐí íäÇÓÈäí
íÇÑÌá íÇÑÌá
ÇÐåÈ Åáì åäÇß æÇÑÞÕ -äÚã-
ÑÈãÇ ÇÎÐÊ ÇãÑ ÇáÍÐÇÈ ÈÌÏíÉ
ãÞÇÓ 14 íÌÈ Çä ÊÃÎÐå ÈÌÏíå
ÃäÇ ÃÚáã ÃäåÇ áíÓÊ ÓåáÉ Ýí ÇáÂæäÉ ÇáÃÎíÑÉ
(ÊæÈÇß) Êßáã ÚääÇ
æÓÇÆá ÇáÅÚáÇã ÊÞæã ÈÚãá ßá ãÇ íÑíÏå
ááÍÝÇÙ Úáì ÇáÓÇÍá ÇáÔÑÞí æÇáÛÑÈí íÌÈ Çä íÍÏË ÔíÁ
ÃÑíÏ Ãä Ãßæä ÂÎÑ ÇÍãÞ áÇ íÒÇá ÞÇÆãÇ
Âãá Ãäß ÊÑíÏ ÇáÔíÁ äÝÓå
ÇäÊ ÇäÙÑ ÇäÇ ÝÞØ æÌÏÊ åÐÇ
Çäå ßÈíÑ ÞáíáÇ æáßäå íÚãá
ßÇä áÏí ÓáíÛ Ñæß ÐÇÊ ÇáãäÙÑ ÇáÃäíÞ ÇáÃä ÇäÙÑ Åáííí
åá åÐå åíÇ ÝßÑÊß áÊÛíííÑ ÇáÚÇáã¿
äÍä áä äÛíÑ ÇáÚÇáã ÞÈá Çä äÛíÑ ÇäÝÓäÇ
íÇ (ÈíÛ) ãÇÐÇ ÇáÃä ÇíåÇ ÇááÚíä¿ åÇå Åáì ÇáÌÇäÈ ÇáÛÑÈí¿
ÇáÃä ÇäÊ Úáì ÇÝÖá ÌÇäÈ ÇíåÇ ÇááÚíä
-ÏÚäí ÇÊÍÏË íÇÑÌá-
ãÇ ÇáÐí ÓÊÞæáå ÇáÃä æÇäÇ ÚÇÔÑÊ ÒæÌÊß¿
Çæå áÏíå ÓáÇÍ áÏíå ÓáÇÍ
áÏíå ÓáÇÍ
åíÇ ÈäÇ
ãÇ åÐÇ ÇáåÑÇÁ åíÇ íÇÑÌá ÇÅáì ÇáÌÇäÈ ÇáÛÑÈí
ÓäÞÈÖ Úáíß ÇíåÇ ÇáÝÊì ÇáÈÏíä
ÇäÇ æ (Êæ ÈÇß) ßÇä íÌÈ äæÞÝ ßá åÐÇ ÇáåÑÇÁ
áäÐåÈ Åáì Çí ãßÇä æäÚÇáÌ ÇãæÑäÇ
æáßä Ýí ÇáæÇÞÚ ÇÎÝÞäÇ ÇáÃä ÊãÇãÇð
æÓÇÆá ÇáÃÚáÇã ÊÑíÏ ÇáÝÊäÉ
æáßä åÐÇ áä íÝÚá ÔíÆ ááÜ åíÈ åæÈ
ßá ãÇÊÝÚáå åæ ÈíÚ ÇáÌÑÇÆÏ æÇáãÌáÇÊ
ÅÐÇ áã íßä åÐÇ Ýí äíæíæÑß ¡ ÝÅäå ÇáåÑÇÁ
-áÏíäÇ (ÈíÛí) æäÚÑÝåã ÌãíÚÇ- -áÏíäÇ (ÊæÈÇß) áÏíäÇ (ÏÑí)¿-
ÇáÚãá ÈÏæÑäÇ Úáì ÇáÌÇäÈ ÇáÔÑÞí
ÛíÑ Çä åÐÇ ÇáåÑÇÁ ÍÕá Ýí ÃäÏíÉ ÈÑæäßÓ.
Úáì ßá ÍÇá äÍä ãä ÇÊÞäÇ ÇáÑÇÈ Ýí ÇáÌÇäÈ ÇáÔÑÞí
ÇáÌÇäÈ ÇáÛÑÈí ãä ÈÏÃ ÇááÚÈå æáßä äÍä ãä ÇÍÊÑÝåÇ
(ÊæÈÇß) íÚÑÝ ãÇáÐí íÊÍÏË íÊÍÏË Úäå
Çäå íÊÍÏË Úä æÇÞÚ ÇáÍíÇå æÇáÔæÇÑÚ
ÇäÇ ÇÚÑÝ Çä (ÈíÛ) åæ ãä ÑÝÚå æáßä (ÊæÈÇß) åæÇ ÑÌáí
åÐå ßáå åÑÇÇÁ ÑÝÚ ãä ãÞÇãå¿
áÞÏ ßÊÈ (ÈíÛí) ÇÇäå åæ ãä ÝÚá Èå åÐÇ ¿ áÃäå ÍÞÇð åæÇ ãä ÝÚá åÐÇ ÈÜ (ÊæÈÇß)¿
Çä (ÈíÛí) ßÊÈ åÐå ÇáÃÛäíå ÞÈá Çä íÍÏË åÐÇ ßáå
ßíÝ áÜ(ÊæÈÇß) Çä íÚÊÞÏ Çä (ÈíÛí) íÑÝÚå åßÐÇ
ÇááÚäå Úáì ÇáÓÇÍá ÇáÛÑÈí Çäåã ÍÊì áÇ íÓÊØÚíæä Çä íÃßáæä ÞÖíÈ
ÇäÇ áÇ íÚäí áí ÔíÆÇð áæ ÇäÊ ÊÚÊÞÏ Çä åÐå ÚÕÇÈÇÊ
ÇááÚäå Úáì ÇáÓÇÍá ÇáÛÑÈí , ÇááÚäå Úáì ÇáÓÇÍá ÇáÔÑÞí ÇááÚäå íÇÑÌá
åÐÇ ãÇÚÊÞÏå Ýí ÇáÌÇäÈ ÇáÔÑÞí ÇááÚíä
- ¶ Just give me the loot, give me the loot ¶ - ¶ Money, money, money¶
¶ Give me the loot give me the loot ¶
- ¶ Money, money, money ¶ - ¶ Give me the loot, give me the loot ¶
¶ I'm a bad, bad man ¶
¶ My man Infleft a Tec and a nine at my crib ¶
¶Turned him self in he had to do a bid ¶
¶A one-to-three He be home the end of'93 ¶
¶ I'm trying to get this paper, G You with me ¶
¶ Motherfucking right My pocket's looking kind oftight ¶
¶ And l'm stressed Yo, Biggie, let me get the vest ¶
¶ No need for that Just grab the fucking gat ¶
¶ The first pocket that's fat let's take it to his back¶
¶ Word is bond Yo, no fronting yo, don't fake no moves ¶
¶ Treat it like boxing Stick and move, stick and move ¶
¶ Nigga, you ain't got to explain shit ¶
¶ I've been robbing motherfuckers since the slave ships ¶
¶ With the same clip and the same 4-5-¶
ÇäÊ , ßÝì ÇÛáÞ åÐÇ
ÇÛáÞå
- åíÇ ÇÔÛáåÇ- -íÇ (ÈíÛ) ãÇÐÇ ÊÝÚá¿-
ÃÍíÇäÇ íÌÈ Úáíß Çä ÊæÇÌåÉ åÐÇ ÃÍíÇäÇ íÌÈ Úáíß Çä ÊÊÎØì åÐÇ
-íÇÑÌá åíÇ áÇ ÊÛäí åÐå ÇáÃÛäíÉ- -áÇ ÓÃÝÚá -
ÇäÊã , ÊÝÞÏæÇ åÐÇ åÐå ÇáÃÛäíÉ ÊÌÚá ÇÝÖá ÇÕÏÞÇÆß ÇÔÏ ÇÚÏÇÆß
Çä (ÊæÈÇß) åÏÏäí , æáßäí áã ÇÕÏÞå
åÐå ÇáÃÛäíå ßÇäÊ ãä ÈÖÚ ÔåæÑ ãÖÊ
ãä ÇáãÍÊãá Çäå áä íÕÏÞäí æÑÈãÇ áä íÕÏÞäí ÇÍÏ
áßä ÇááÚäå Úáíßã ÌãíÚÇð
ÃÔÛá ÇááÍä ÇíåÇ ÇáÏí Ìí
¶ Who shot ya ¶
¶ Separate the weak from the obsolete ¶
¶ Hard to creep these Brooklyn streets ¶
¶ It's on, nigga Fuck all that bickering beef ¶
¶ I can hear sweat trickling down your cheek ¶
¶ Your heart beat sounds like Sasquatch feet ¶
¶ Thundering shaking the concrete ¶
¶ Finish this stuff when I foil the plot ¶
¶ Neighbors called the cops when they heard mad shots ¶
¶ Rolling in the drop three in the corner ¶
¶ Slaughter, electrical tape around your daughter ¶
¶ Old school, new school need to learn, though ¶
¶ I burn, baby, burn like "Disco Inferno" ¶
¶ Burn slow like blunts with yayo ¶
¶ Peel more skins than idaho potato ¶
¶ Niggas know the lyrical molesting is taking place ¶
¶ Fucking with B.I.G. It ain't safe ¶
¶ I make your skin chafe Rough to the masses ¶
¶ Bumps and bruises Cuffs and Land Cruisers ¶
¶ Big Poppa smash fools hash fools ¶
¶ Niggas mad because they know that cash rules everything around me ¶
¶ Two Glock nines Any motherfucker whispering about mines ¶
¶ And I'm Crooklyn's finest ¶
¶ You rewind this Bad Boy's behind this ¶
¶ As we proceed to give you what you need ¶
¶ East Coast ¶
¶ Bad Boy ¶
¶ I seen the light excite all the freaks ¶
ÇÌÏÏ ÇáÃÎÈÇÑ Úáì ãÏÇÑ ÇáÓÇÚå
ÇáÃä áÏíäÇ ÎÈÑ ÓíÍØã áÇÓ ÝíÛÇÓ ÊãÇãÇð
Êã ÇØáÇÞ ÇáäíÑÇä Úáì ÝäÇä ÇáÑÇÈ (ÊæÈÇß ÔÇßæÑ)¿
- Hey, yo, Big, come in here, man! - At the time of the shooting- -íÇ (ÈíÛ) ÊÚÇá åäÇ ÍÇáÇð-
áãÇÐÇ ÊÕÑÎ¿
ßÇä (ÔÇßæÑ) ãÚ ãäÊÌå ÇáÝäí (ÓæÛ äÇíÊ)¿
ÇáÔÑØÉ áÇ ÊÒÇá ÊÚÑÝ ãä ÇáãÔÊÈå Ýíåã
ÛíÑ Ãä ÔåæÏ ÇáÚíÇä ÞÏ ÓãÚæ ÕæÊ ÚÏÉ ØáÞÇÊ äÇÑíÉ.
Êã äÞá (ÔÇßæÑ) ÈÇáØÇÆÑÉ Çáì áÇÓ ÝíÛÇÓ Ýí ÇáãÑßÒ ÇáØÈí æåæ ãÕÇÈ ÈÃÑÈÚÉ ØáÞÇÊ äÇÑíÉ
æÊÔíÑ ÇáÊÞÇÑíÑ Ãäå Ýí ÍÇáÉ ÍÑÌÉ
ãÇåÐÇ ÇáåÑÇÁ ¿
ÇäÇ ÇÏÚæ ÇáÃä Çä íäÊåí ÇáÌÇäÈ ÇáÔÑÞí æÇáÛÑÈí ÇáÃä
áÞÏ ÑÃíÊ æÇáÏÊå Úáì ÇáÊáÝÇÒ
ÇäåÇ ÇãÑÃÉ ÞæíÉ
æáßä áÇ íäÈÛí äÏÝä ÃÈäÇÆäÇ ÈÃíÏíäÇ
áÞÏ ßÇä áÏíäÇ ÏÇÆãÇ ÍíÒÇ ãä ÇáæÞÊ áÊÕÍíÍ ÇáÇãæÑ
áÇ ÊÚÊÞÏ Çä ßá åÐÇ ÇáÃä íÓãÍ ÈÃí ÍÌÉ
áÇ
áÇ áÇ ÃÚÜ
ÍÓäÇð , áÇ íæÌÏ ÇÍÏÇð áÇ íÞåÑ Èäí
áåÐÇ ÇáÓÈÈ ÚáíäÇ Ãä äÈÐá ßá ãÇ ÈæÓÚäÇ Èå ÇáÂä
ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá B E - S T Y L E - F O R U M
áÇ ÇÚÑÝ Åáì Çíä ßá åÐÇ ÇáÌÍíã ÓæÝ íÞæÏß
æáßä ÓæÝ ÇÞæÏß ÇáÃä Åáì ÇáÈíÊ ÇááÚíä
ÇäÇ áÇ åÊã íÇ (ÓíÒ)¿ ÝÞØ ÞÏ
ÇäÊÈå
Ýí åÐå ÇááÍÙÉ ÇäÇ ÝßÑÊ ËÇäíÇð
ÇáãæÊ Óíßæä ÃÝÖá ãä ÇáÊÚÇãá ãÚ åÐÇ ÇáåÑÇÁ
ßäÊ ãÓÇÝÑ , æßäÊ ÃÌáÓ Ýí ÃÍÏ ÇáÝäÇÏÞ ¡ æËãÉ ÕæÊ íÞæá
"åá ÊÑì Çí ÒäæÌ¿"
æÞáÊ áÇ , æÞÇá ÃäÊ ÊÚÑÝ áãÇ ¿ "áÃäå áÇ íæÌÏ åäÇß ÃíÉ ÒäæÌ"
ÃäÇ åäÇ ãäÐ ËáÇËÉ ÃÓÇÈíÚ áÞÏ ÞÇá áÇ
áÇ ÇäÇ áã ÇÞá áÑÌáÇð ÇÓæÏ ÒäÌí
ÃäÙÑ áß , íÌÈ Úáì æÇáÏÊß Çä áÇ ÊÏÚß ÎÇÑÌ ÇáãäÒá
Çææå , ÇááÚäå
-ÇäÇ áÇ ÇÕÏÞ- -ßíÝ ÍÇáß íÇÑÌá¿-
-ãÊì ÎÑÌÊ íÇÑÌá- -ÈÇáÃãÓ
-áÞÏ ÒÇÏ æÒäß- - ÇäÙÑ ãÚ ãä ÊÊÍÏË-
ÇááÚäÉ
æÇÇæ
ÇíåÇ ÇááÚíä (ÈíÛí) ÇäÇ ÝÎæÑÇð Èß
ÚäÏãÇ ÚáãæÇ ÇáÃÎæÉ Çäß ßäÊ ÕÏíÞí ÍÕáÊ Úáì ÔÚÈíÉ
ÍÞÇð¿ ãäÐ ãÊì æÇäÊ áÇ Êãáß ÔÚÈíÉ¿
Úáíß ÇááÚäÉ
åá ÊÚÑÝ íÇ (Ïí Ñæß) áã íãÑ íæãÇð æÇÍÏÉ æÞÏ äÓíÊ ãÇÐÇ ÝÚáÊ áí
áÞÏ ÐßÑÊåÇ áÈÚÖ ÇáãÌáÇÊ
áã ÇÝÚá Ðáß áÚÏã ÏÝÚ ÑæÇÊÈí
ÇÐÇ ßÇä ÇäÚßÓ ÇáæÖÚ áÇ ÇÚÑÝ ßíÝ ßäÊ ÓÃÝÚá åÐÇ ÇáÃä
ÍÓäÇð, ÇÐÇ ßÇä ÇäÚßÓ ÇáæÖÚ áÇ ÇÚÑÝ ßíÝ ßäÊ ÓÃÕÈÍ ÞæíÇð ßÝÇíÉ áÝÚáåÇ áß
ÊÝÚáåÇ¿
ÇäÞÖì Úáì ßá Ôí ÇáÃä
ãÒíÏ ãä ÇáãÇá , ãÒíÏ ãä ÇáãÔÇßá
-ÇßÊÓÈ ÇáÓÇÍÇÊ- -ÇÚÊÞÏ Ðáß-
äÚã
ßíÝ ÍÇá (Êí-Êí)¿
ÇÚÊÞÏ
ÓÃÑÇß áÇÍÞÇð , ÍÓäÇð
ÊÚÑÝ , áÇ ÇÍÏ ãä ÇÈÇÆäÇ ÚáãäÇ ßíÝ äÕÈÍ ÑÌÇáÇð
äÍä ÝÞØ äÊÚáã äÐåÈ æäÐåÈ
æáßä ÑÈãÇ áÇ ÊÌÚáåÇ Çä ÊÞÊÕÑ Úáì ÎÔÈÉ ÇáãÓÑÍ
ÇäÊ ÝíáÓæÝ ÇáÃä¿
íÇÑÌá ÇÚÊÞÏ Çä ÇáÌãíÚ ÈÇáÞáã ÝíáÓæÝ
æáßä ÚäÏãÇ ÊÚæÏ ¡ Åáì ÇáÓÑíÑ
ÊÝÞÏ ÇáßËíÑ ãä ÇáæÞÊ ÈÇáÊÍÏíÞ Åáì ÇáÓÞÝ
ÊäÙÑ Åáì Çááå
ÊÝßÑ ÈÔÃä ÇáÃåÊãÇãÇÊ
ÅÓÊãÑ íÇ(ßÑíÓ)¿
íÌÈ Çä ÊÎÈÑäí , ÓæÇÁ ÇáÔæÇÑÚ Çæ ÇáÃÓÊÏíæ
åá ÊÚÊÞÏ Çä åÐÇ ÓíÌÚáß ÑÌáÇð¿
ÇäÊ ÇÈÇð ÚÙíãÇð
ãÇÐÇ Çä áã ÇÓÊãÑ
ÇäÇ ÇíÖÇ ÇÍÈß
ÓæÝ äßæä Úáì ãÇíÑÇã , ÝÞØ ÇäÇ æÇäÊ
ÇäÊ ÈÏíä ÌÏÇ , ÇÓæÏ ,ÞÈíÍ
ÇäÇ ÍÊì áÇ ÇÚÑÝ ãä åæ ÇäÊ Åáì ÇáÃä¿
åá ÇäÊ ÔÑíÑ æÊÍÇæá Çä Êßæä ÌíÏÇ Çæ ÌíÏÇ æÊÍÇæá Çä Êßæä ÔÑíÑÇ¿
æÇäÇ ÇÑíÏß Çä ÊÚÑÝ
¶ That these are the breaks ¶
¶ Break it up, break it up break it up ¶
ÇáÃä ÇÐåÈí æÇááÚÈí , åÐå åí ØÝáÊí
ãÑÍÈÇ, -ßíÝ ÍÇáß¿-
-ÃäÇ ÝÞØ ãÚ ÇÈäÊí- -ßíÝ ÍÇáåÇ-
ØíÈå
ÇäÇ Ýí ØÑíÞí ÇáÃä ÊÑíÏ ÔíÆ¿
ÇäåÇ áíÓÊ ÝßÑÉ ÌíÏÉ
- What isn't? - I'm just here kicking it with my daughter. -ãÇÐÇ Èß¿- -ÇäÇ ÝÞØ åäÇ ãä ÇÈäÊí¿-
- You were the one who told me to come over. - I'll call you later. -áÞÏ ÞáÊ áí Çääí ÏÇÆãÇ Ýí ÇáãÞÏãå- -ÓÃÊÕá Èß áÇÍÞÇ-
áÞÏ ÖÇÞ Èí ÇáÃãÑ æÇäÊ ÊÚÇãáäí ãËá åÐå ÇáØÑíÞÉ
åá ÊÚáã áÇ Êßáãäí ãÑå ÇÎÑì ÍÓäÇð , ÇááÚäÉ Úáíß
ÇááÚäÉ Úáíß ÇíÊåÇ ÇáÚÇåÑÉ
ÊÚÇáí åäÇ (Êí-Êí)¿
ÇÑíÏ Çä ÇÚáãß ÔíÆÇ æáÇ ÇÑíÏß Çä ÊäÓíå ÇØáÇÞÇð
ÑÇÈ ÂÎÑ¿
áíÓ ãåãÇð ßÃí ÃÛäíÉ ÇáÑÇÈ.
ÇäÙÑí Åááí
ÇäÙÑí ÇäÊí ÇãíÑÊí
áÇ ÊÞáÞí ãä Çí ÓÈÈÇð
áÇ ÊÌÚáí ÇáÑÌá íÞæá áß ÚÇåÑÉ
åá ÚáãÊí¿ -äÚã ÃÈí-
-åá ÇäÊí ãÊÇßÏå , ÇäÊí ÇáÃÝÖá åá ÊÓãÚí- -äÚã-
íÇÑÌá åá åÐå (ÓÇäÏí)¿
ßÇäÊ ÒÚãíÉ ÇáãÏãäíä
ÇáäÇÓ ÊÊØáÚ áÌÏíÏ (ÈíÛí ÓãÇáÒ)¿
ÇÎÈÑäí áãÇÐÇ ÇäÊ åäÇ , áÃäß ãÓÊÚÏ ááÐåÇÈ Åáì ÇáÃÓÊæÏíæ
áÇ ÇÓÊØíÚ ÇáÊÍÏË Ýí åÐÇ ÇáåÑÇÁ ËÇäíÇð
ÇáãáÇÚíä ÊÞÏãæÇ ÇáÃä åá ÊÚÑÝ ãÇÐÇ ÇÞæá¿
æáßääí áíÓ ÈÇáÔæÇÑÚ ¡ ÇáÃä
áÏí ØÝáíä ÇáÃä ÇäÇ ÍÊì áÇ ÇÔÚÑ ÈÐáß
ÇÑíÏ Çä ÇÝÚá ÔíÆÇ ãÎÊáÝÇ
Çäå ÌíÏ Çä ÇÌÑÈ ÔíÆÇ ÌÏíÏ ÌíÏÇð
ÇäÇ ãÓÊÚÏ ááÚæÏÉ
äÚã
ãÇÐÇ , (äæÊæÑíÒ) ãÇÐÇ¿
åÇå , åá ÇäÊ ãÓÊÚÏ¿ -äÚã , äÚã-
-åá ÇäÊ ãÓÊÚÏ áÊãÖí ÈÇáÚÇáã , ãÓÊÚÏ Çä Êãáßå¿-
ÇäÇ áÇ ÇÑì ÇÍÏÇ
-áÇ ÇÑì ÇÍÏÇ- -åá ÊÚÑÝ ßíÝ íÌÈ ÚáíäÇ ÝÚáåÇ¿-
ÍÓäÇð , åÐÇ ÇáÐí ÇÊÍÏË Úäå
-ÇåáÇ ÈÚæÏÊß (ÈíÛí)¿- -åíÇ ÈäÇ-
¶ Wit'my counter parts on how to burn the block apart¶
¶ Break it down into sections Drugs by the selection ¶
¶ Some use pipes Others use injections ¶
¶ Syringe sold separately Frank the deputy ¶
¶ Quick to grab my Smith and Wesson like my dick was missin'¶
¶ To protect my position my corner, my layer ¶
¶ While we out here say the hustler's prayer ¶
¶ If the game shakes me or breaks me I hope it makes me a better man ¶
¶ Take a better stand Put money in my mom's hand¶
¶ Get my daughter this college plan so she don't need no man ¶
¶ Stay far from timid Only make moves when ya heart's in it ¶
¶ And live the phrase Sky's The Limit ¶
¶ Motherfucker See you chumps on top ¶
¶ Sky is the limit and you know that you keep on ¶
¶ Just keep on pressin' on ¶
ßíÝ ÍÇáß¿
ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá B E - S T Y L E - F O R U M
áÞÏ ÝÚáÊåÇ
Çääí ÚÙíã
äÚã
íÇ (ÈíÛ) ÇÕÍì ÇÕÍì
íÌÈ Çä äÍáÞ ÑÍáÉ 504 ÇáÓÇÈÚå æÇáäÕÝ -504-
-ÓäÐåÈ Åáì (L.A.X) - -(ßÇáí)-
Èáì Ôß íÇÑÌá , ßÇáíÝæÑäíÇ -äÚã-
ÇäÇ áÇ ÇÑíÏß Çä ÊÐåÈ åäÇß
æÃÚÊÞÏ Ãääí áæ ÐåÈ Åáì áæÓ ÇäÌáíÓ ÓÃÖÚ ÃÎíÑÇ ÍÏ áßá åÐÇ
æÈÇáÇÖÇÝÉ Çáì åÐÇ ¡ ÃäÇ ÝÞØ ÇÚÒÒ ÇáÃáÈæã. ÓÃßæä ÈÇáÌæÇÑ ÞÑíÈÇ
Çãã
íÇ Ããí , ÇäÇ ÝÎæÑÇð Èß
ÝÎæÑÇð Èí ¿, ÈãÇÐÇ¿
ÇáÊÛáÈ Úáì ÇáÓÑØÇä ¡ æÇáÍÕæá Úáì ÏÑÌÉ ÇáãÇÌÓÊíÑ ÇáÎÇÕÉ Èß ¡ æÇáÊãÓß ÈåÇ
ÍÊì Èßá ÔíÆ
ÔßÑÇð áß
ÇÑíÏß Çä ÊäÊÈå íÇ (ßÑíÓÈæææ)¿
ÇäÇ ÇßÑå ÚäÏãÇ ÊÞæáíä áí åÐÇ
Çæå äÓíÊ áÞÏ ßÈÑÊ ÇáÃä
ÝäÇäíä ÇáÑÇÈ ÈÇáÓÇÍá ÇáÛÑÈí ãÇÒÇáæ ÞáÞíä ÈÔÃä ÇáÐåÇÈ Åáì ÇáÓÇÍá ÇáÔÑÞí
æÝäÇäíä ÇáÑÇÈ ÈÇáÓÇÍá ÇáÔÑÞí ÇíÖÇ ÞáÞíä ÈÇáÐåÇÈ Åáì ÇáÛÑÈ
æáßä ÍÇä ÇáæÞÊ áÃäåÇÁ ßá åÐå ÇáåÑÇÁ
ÐåÈÊ Åáì ßÇáí áÃÚÒÒ ÇááÈæãí ÇáÌÏíÏ
åá ÑÃíÊí ßíÝ ÇÈÏæ ÌÐÇÈÇð Ýí ÂÎÑ áíáÉ áÃÓÊáÇã ÇáÌæÇÆÒ
-äÚã , áÞÏ ÑÃíäÇß -ÓÃÖá åäÇ áÃÚÒÒ ÇáÃáÈæã-
åá ÊÚÊÞÏí Çä (ÊíÇäÇ) íÌÈ Çä ÊÃÊí¿
ÑÈãÇ æÇáÏÊí ÓÊÍÖÑåÇ
ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá B E - S T Y L E - F O R U M
ÍÓäÇð
áÇ íæÌÏ ãÔßáÉ Ýí Ðáß
ÔßÑÇ , íÇÑÌá åÐÇ ÑÇÆÚ
ÓÃáÞÇß áÇÍÞÇð , ÍÓäÇð¿
äÚã íÇÑÌá
-åÐå ÇáåÑÇÁ ÍÞÇð ÑÇÆÚÇð - -æÇáÏÊí ÓÊÍÈ åÐÇ-
åÐÇ ãÔÊÑß
-ÇÐÇð , åá ÓäÐåÈ Åáì ÇáÍÝáÉ ÇááíáÉ Çæ áÇ¿- -Çääí ãÑåÞ-
(ÝæáßÓ) íÑíÏ Çä íÑÇß
-äÚã- -ÇáÌæ ÑÇÆÚ åäÇ Ýí ßÇáí-
ÇÎÈÑ åÐÇ ÇáÈÏíä Çäå áä íÎÑÌ ÍíÇð ãä áæÓ ÇäÌáæÓ
ÊÈÇð áß äÍä áÇ äÎÊÆ
-ÔÎÕ ÂÎÑ¿- -äÚã íÇÑÌá-
ÊÈÇð áå äÍä Ýí ßÇáí ÍÓäÇð¿
-íÇÑÌá ÓæÝ äÐåÈ ÇááíáÉ- -ÍÓäÇð ÊÈÇð áåã-
ÇáåíÈ åæÈ äÇá ãä ÇáÓæÇÍá
Çááíáå Ýí áæÓ ÇäÌáæÓ åäÇ
æãÌáÉ ÝíÈ ÊÓÊÖíÝ ÍÝáÇð áÊÞÏíã ÇáÌæÇÆÑ æÇáÊßÑíã ÈÇáÃãÓ
æÈÚÖ ÇáÇÓãÇÁ ÇáßÈíÑÉ ãä ÇáãÊæÞÚ Ãä ÊÍÖÑ
ãÑÍÈÇð¿
-åá ÓÊÃÊíä Åáì ÇáÍÝáå¿- - äÚã äÍä ÇáÃä Úáì ÇáØÑíÞ-
-ÙääÊ Çäß ÐÇåÈ Åáì áäÏä- -áÞÏ ßäÊ-
æáßä íÌÈ Çä ÇÙá åäÇ æÇÚÒÒ ÇáÃáÈæã
ÚäÏãÇ ÊÚæÏíä Åáì äíæ íæÑß ÇÑíÏß Çä ÊÑÓáí (Óí Ìí) ãÚ Çãí
áÞÏ æÇÝÞÊ (ÌÇä) Çä ÊÊÑß (ÊíÇäÇ)¿ æÇäÇ ÇÑíÏ ÇÈäí ãÚåÇ åäÇ
ÍÓäÇð ÓäÝÚá åÐÇ ÝíãÇ ÈÚÏ
ÇÑÇß áÇÍÞÇð
¶ Ha, sicker than your average ¶
¶ Poppa twist cabbage off instinct¶
¶ Niggas don't think shit stink Pink gators ¶
¶ My Detroit players ¶
¶ Timbs for my hooligans in Brooklyn ¶
¶ Dead right if they head right ¶
¶ Biggie there every night Poppa been smooth since days of Underoos ¶
¶ Never lose, never choose to ¶
¶ Bruise crews who do something to us ¶
¶ Talk go through us Girls walk to us, wanna do us, screw us ¶
¶ Who, us Yeah, Poppa and Puff¶
¶ Close like Starsky and Hutch Stick the clutch ¶
¶ Dare I squeeze three at your cherry M-3 ¶
¶ Bang every M.C. Easily, easily¶
¶ Recently niggas fronting ain't saying nothing¶
¶ So I just speak my piece keep my peace ¶
¶ Cubans with the Jesus piece with my peeps ¶
äÚã , äÍä Ýí áæÓ ÇäÌáæÓ äÍä Ýí áæÓ ÇäÌáæÓ
åá ÊÔÚÑ ÈÇáÍÈ ÇáÐí äÍÕá Úáíå åäÇ¿
ÃÑíÏ ÝÞØ Ãä íÚæÏ ßá ÔÆ
äÚã (ÈÝ) ÇÎÈÑÊß Çäåã ÓíÔÚÑæä ÈåÐÇ ÇáÊÓÌíá
ÇáÕæÊ ãËáß ÈÇáÝÚá æäÍä ÍÊì áã ääÊåí ÈÚÏ
áäÛííÑ ÇáÚÇáã íÇ (ÈíÛ)¿
äÍä áä äÛíÑ ÇáÚÇáã ÞÈá Çä äÛíÑ ÇäÝÓäÇ
ÃÚÊÞÏ Ãä ßá ÍíÇÊí ßäÊ ÃÍÇæá Ãä ÇÕÈÍ ÑÌá
æáßä ÈÓÈÈ åÐå ÇááíáÉ áä ÇÍÇæá ËÇäíÇð
ÇááÈæãí ÇáËÇäí ßÇä Úáì æÔß Çä íäÒá
æÔÚÑÊ Çä Çááå íÚØíäí ÕÝÍÉ äÙíÝÉ ßá ãÑå
ááÃÓÝ ÓæÝ äÛáÞ ÇáÃä áÞÏ ÇäÊíåäÇ åäÇ
íÌÈ Çä äÐåÈ
ÇáÑÌÇÁ ÇáÎÑæÌ ãä ÇáíÓÇÑ
íÌÈ Çä äÙá åäÇ ÝÞØ äÏÚåã íãÑæä Ýí ÇáãÞÏãÉ ÍÓäÇðð
ÇäÊ ÇáÃÝÖá ÇáÌãíÚ , íÍÈß ÇáÃä íÇÕÇÍ
áÏíäÇ ÔíÆ ÚáíäÇ ÇáÞíÇã Èå Ýí ÇáÕÈÇÍ
-Ýí ÇáåæÊíá , ÍÓäÇð- -ÍÓäÇð-
ßíÝ ÍÇáß¿
ÇÑÏÊ ÝÞØ Çä ÇÞæá áß ÔíÆÇð ãÇ
ÚäÏãÇ ÇÚæÏ Åáì äíæ æÑß
äÌáÓ æ äÊßáã , ãÇåÐÇ ÇáåÑÇÁ ÇáÐí äÝáÚå¿
áÇ ãÒíÏ ãä ÇáÏÑÇãÇ
íÌÈ Çä äÝÚá Ðáß
ÇäÊ ÈÎíÑ
-ÇäÇ ÈÎíÑ- -ÝßÑ ãÇÐÇ¿-
-áÞÏ ÇÔÊÑíÊ ÓíÇÑå, -Çæå ÇááÚäå , ÍÞÇ¿-
-áíßÓ ÓæÏÇÁ- - ÇäÊ ãÏíäÉ áí ÈÇáÑßæÈ-
Ýí ÌãíÚ ÃäÍÇÁ ÈÑæßáíä
-åá åÐÇ æÚÏ- -Çäå ßÐáß-
-áÇÍÞÇð (ãæßí)¿- -áÇÍÞÇð-
-åíÇ ÈäÇ- -åíÇ åíÇ ÇÕÚÏæ ÇáÌãíÚ -
-äÍä ÈÇáÎÇÑÌ åäÇß- -åíÇ áäÐåÈ-
ÇÑÇßã áÇÍÞÇð Ýí ÇáåæÊíá
¶ I'm going, going back to, back to Cali, Cali ¶
-áÞÏ ÚÏäÇ íÇÑÌá áÞÏ ÚÏäÇ ÚÏäÇ- -Èáì Ôß áÞÏ ÝÚáäÇåÇ-
-ÇäÙÑæ Åáì åÐÇ , ßíÝ ÍÇáß íÇ- -ßíÝ ÍÇáß-
ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá B E - S T Y L E - F O R U M
- Åáì Çíä ÇäÊã ÐÇåÈæä¿-
áäÐåÈ Åáì ÇáÚÑÖ , ÇááÚäå Çíä ÇäÊã ÐÇåÈæä
ÇäÊ ÈÎíÑ , åá ÇäÊ ÈÎíÑ ÇÝÞ
åí ÇäÊ ÈÎíÑ ßíÝ ÊÔÚÑ
áäÎÑÌå ãä åäÇ áäÃÎÐå Åáì ÇáãÓÊÔÝì
ÇÐåÈ ÇÐåÈ , ÇäØáÞ
åíÇ ÈäÇ ÎÐæå Åáì ÇáãÓÊÔÝì - ÇÎÑÓ æÞÏ ÇáÓíÇÑÉ åíÇÇÇ-
¶ Now the day is over ¶
¶ Night is drawing nigh ¶
¶ Shadows of the evening¶
¶ Steal across the sky¶
¶ Now the darkness gathers ¶
¶ Stars begin to peek¶
¶ Sun and birds and flowers ¶
¶ They are sound a sleep ¶¶
ÓíÏÉ (æÇáÇÓ) ÇÐÇ ÇÍÊÌÊí Çí ÔíÆ , Çí ÔíÆ ÇäÇ
ÇäÇ ÝÞØ ÇÑíÏ Çä ÇÎÐ ÇÈäí ãÑÉ ÇÎÑì Åááì ÇáÈíÊ
ÊÍÊÇÌíä ááãÓÇÚÏå ÂäÓå (æÇáÇÓ)¿
áÇ ÚÒíÒÊí ÝÞØ ÇÚÊäí ÈÇáØÝá æÇÌáÓí ÇÓÊÑíÍí åäÇ
-åá ÇÓÊØíÚ ÇáÍÕæá Úáì ÍÝíÏí ÇáÃä¿- -ÏÞíÞÉ æÇÍÏÉ íÇ Ããí-
ÍÓäÇð
-ÔßÑÇ áÃÚÊäÇÆß Èå- -Úáì ÇáÑÍÈ æÇáÓÚÉ-
åÐÇ ÇáÒäÌí ÇáÕÛíÑ Ýíå ãáÇãÍ ãäß
åá ÊÓÊØíÚ ãÑÉ Ýí ÇáÚÇáã ÇíåÇ ÇáÃÍãÞ Çä áÇ ÊÞæá ÒäÌí ÇÓÈæÚÇð æÇÍÏ¿
ÇÐÇ "ÇÍãÞ" åíÇ ÇÝÖá ÍÞÇð
Úáíßã ÌãíÚÇð Çä ÊÑÇÞÈæ áåÌÊßã ÇãÇã ÇáÃØÝÇá
-ÂÓÝ , ÂÓÝ- -ÊÚÇáæ , ÍÇä æÞÊ ÇáÚÔÇÁ-
ÓÃÎÐ ÇáØÛá ÊÓÊØíÚ Çä ÊÐåÈ ááØÚÇã
ÊáÇæÉ ÇáÏÚÇÁ
Çááå
ÔßÑÇ áß
-åßÐÇ¿- -äÚã-
ÇÚÊÞÏ Çäå ßÇä ÑÇÆÚ
äÍä äÍÈå ÇíÖÇð
(ÈíÛí ÓãÇáÒ)
ÇÈäí (ßÑíÓÊæÝÑ æÇáÇÓ) Ñæì ÇáÞÕÕ
ÈÚÖåã ãÖÍß ÈÚÖåã ÍÒíä
ÈÚÖåã ÚäíÝ
æáßä ÇáäÇÓ ÊÓãÚ
ÇäÇ ÍÒíäå áÇäå ÎÓÑ ÍíÇÊå æåæÇ íÈáÛ ãä ÇáÚãÑ 24 ÚÇãÇð
æáßääí ÃÌÏ Çäå ÃÕÈÍ ÑÌáÇ.
æÇäå Úáì ÇÓÊÚÏÇÏ ááÚíÔ
ßãÇ ÑÃíÊ Ýí ÌãíÚ ÇáæÌæå
ÍÏË ÔíÆ ãÇ ÛÑíÈ
ÔÎÕ ãä ÇáÍÔÏ ÔÛá ÇÛÇäíå Úáì ÇáÑÇÏíæ
æßäÊ ÇÓãÚ ÕæÊ ÇÈäí
¶ Hah, sicker than your average Poppa ¶
¶ Twist cabbage off instinct Niggas don't think shit stink¶
¶ Pink gators my Detroit players ¶
¶ Timbs for my hooligans in Brooklyn ¶
¶ Dead right, if they head right Biggie there every night ¶
¶ Poppa been smooth since days of Underoos ¶
¶ Never lose, never choose to bruise crews who do something to us, talk go through us ¶
¶ Girls walk to us, wanna do us, screw us Who, us ¶
¶ Yeah, Poppa and Puff Close like Starsky and Hutch ¶
¶ Stick the clutch Dare I squeeze three at your cherry M-3 ¶
- ¶ Bang every M. C. Easil y, easily ¶ - Take that! Ha-ha-ha!
¶ Recently niggas fronting ain't saying nothing ¶
¶ So I just speak my piece keep my peace ¶
¶ Cubans with the Jesus piece with my peeps ¶
¶ Packing, asking who want it, you got it Nigga, flaunt it ¶
¶ That Brooklyn bullshit we on it ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ I put hos in N. Y. On to DKNY ¶
- ¶ Miami, D. C. Prefer Versace ¶ - That's right.
¶ All Philly hos go with Moschino ¶
¶ Every cutie wit'a booty bought a Coogi ¶
¶ Now who's the real dookie meaning who's really the shit ¶
¶ Them niggas ride dicks Frank White push the sticks ¶
¶ On the Lexus LX four and a half¶
¶ Bulletproof glass tints if I want some ass ¶
¶ Gonna blast squeeze first ask questions last ¶
¶ That's how most of these so-called gan gsters pass ¶
¶ A t last, a nigga rappin' ' bout blunts and broads tits and bras ¶
¶ Menageatrois sex in expensive cars ¶
¶ I still leave you on the pavement ¶
¶ Condo paid for no car payment ¶
¶ At my arraignment note for the plaintiff¶
¶ Your daughter's tied up in a Brooklyn basement ¶
¶ Face it, not guilty That's how I stay filthy ¶
¶ Richer than Richie till you niggas come and get me ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ I can fill ya wit'real millionaire shit ¶
¶ Escar got, my car go 160 swiftly Wreck it buy a new one ¶
¶ Your crew run run run your crew run run ¶
¶ I know you sick ofthis name brand nigga wit' flows ¶
¶ Girls say he's sweet like licorice ¶
¶ So get with this nigga It's easy ¶
¶ Girlfriend, here's a pen call me 'round 10: 00 ¶
¶ Come through Have sex on rugs that's Persian ¶
¶ Come up to your job hit you while you working for certain ¶
¶ Poppa freakin', not speakin' Leave that ass leakin'¶
¶ Like rapper demo Tell them hos, take they clothes off slowly ¶
¶ Hit em wit' the force like Obi dick black like Toby ¶
¶ Watch me roam like Romey Luck y they don't owe me ¶
- ¶ Where the safe Show me, homey ¶ - Say what? Homey.
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid ¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶
¶ I guess that's why they broke and you're so paid¶
¶ Biggie, Biggie, Biggie can't you see ¶
¶ Sometimes your words just hypnotize me ¶
¶ And I just love your flashy ways ¶¶
ãÜÜäÜÜÊÜÜÏíÜÜÜÇÊ ÈÜÜí ÓÜÜÊÇíÜÜÜÜÜÜÜá B E - S T Y L E - F O R U M
- ¶ Yeah, yeah ¶ - Niggas is actin'like-
Letter to Big.
Oh, yo.
¶ Dear Christopher Frank White Wallace ¶
¶ Yeah, it's your boy Kiss l just wanted to holler ¶
¶ In your memory I keep a Coogi in my closet ¶
¶ Kangol on the rack a fresh pair of Wallies ¶
¶ You know I'm still the liquor and the weed child¶
¶ And still got Branson on speed dial ¶
¶ And everybody's the king now ¶
¶ You ain't gotta be nice Gettin'shot is the thing now ¶
¶ M.A.F.I.A. Was doin' they best They separated¶
¶ Now Roc and Gutta doin'a stretch, uh, yeah Kim is still in it to win it ¶
¶ I seen Money L a while a go but I ain't heard from Cease in a minute ¶
¶ People in power is queer ¶
¶ I could go on for a year a bout how would it be if you were still here ¶
¶ The game got cheaper rappers is more commercially successful now ¶
¶ But the heart's a lot weaker ¶
¶ You know me Still got the flow that'll pop speakers ¶
¶ First option on offense the top feature ¶
¶ It's easy, Big All you need is a Pro Tools set ¶
¶ And I ain't touch the paper that I was supposed to yet ¶
¶ Everybody that's some body show respect ¶
¶ Only a matter of time before they notice that ¶
¶ I'm an impecca ble lyricist, yeah ¶
¶ And with the right mechanics I could take over, be clear of this ¶
¶ They well aware of Kiss the light of the city ¶
¶ And I ain't on the label no more but I'm tighter with Diddy ¶
¶ I got my own plan Handle mine like a grown man ¶
¶ Long as I know I'm nice fuck it, I'm my own fan ¶
¶ Remixed the joints you had¶
¶ But they could never ever duplicate your swag, never ¶
¶ Mean while I'm-a keep it so on my lil'plans ¶
¶ And you might bump into a few of my lil'mans ¶
¶ Up there steppin' with God¶
¶ Down here Mister C. In B.K. Is still reppin' you hard, hard¶
¶ T'yanna so pretty C.J. Turned into a Lil' Biggie ¶
¶Just a little lighter but so witty ¶
¶ On your born day we get the highest ¶
¶ Groovy still the best with the garments He keep me the flyest ¶
¶ Tonight Patron is dead¶
¶ Only right that I take a bottle of Bacardi Limon to the head¶
¶ And before I end it I gotta say thanks ¶
¶ 'Cause not only was your time well-spent it was splendid, thanks ¶
¶ Miss you, my nigga ¶
- ¶ One love ¶ ¶ We tried so hard to understand ¶
¶ We tried so hard to understand ¶
- ¶ Why you had to go away ¶ - ¶ Why you had to go away ¶
¶ We miss you You were everything, yeah ¶
¶ So we'll just keep ¶
¶ Our heads to the sky ¶
¶ 'Cause we know we're gonna see you ¶
¶ In the next life time ¶
¶ But it's never easy saying good- bye ¶
- ¶ See you when I get there, baby ¶ - ¶ Saying ¶
¶ Good- bye ¶
¶ So we tried so hard to understand ¶
- ¶ Why you had to go away ¶ - ¶ Why you had to go away ¶
¶ You were everything ¶
¶ We missed you Why you had to go away ¶
¶ So we tried so hard to understand ¶
¶ Why you had to go away ¶
¶ We miss you You were everything We miss you, ooh-ooh-ooh ¶
Êã ÇáÊÜÜÜÜÜÜÑÌãÉ ÈæÇÓØÜÜÜÜÉ ãÜÜæÞÜÜÚ ÈÜÜí ÓÊÜÜÜÜÇíá www.b-style1.com